CIHM ICI\AH Microfiche Collection de Series microfiches (l\1onographs) (monographies) Canadiin Instituia for Hittorical Micror*produi:tions / Institut canadicn da microraproductions historiquas Technical and Bibliographic Notes / Notes technique et bibllographiques The Institute has attempted to obtain the best original copy available for filming. Features of this copy which may be bibllographlcally unique, which may alter any of the Images In the reproduction, or which may significantly change the usual method of filming are checked below. n D D n n D D D D D Coloured covers / Couverture de couleur Govts damaged / Couverture endommagte Covers restored and/or laminated / Couverture restaur^ et/ou pellicula Cover title missing / Le litre de couverture manque Coloured maps / Cartes gtographiques en couleur Coloured Ink (l.e. other than blue or black) / Encre de couleur (i.e. autre que bleue ou noire) Coloured plates and/or illustrations / Planches et/ou illustratk)ns en couleur Bound with other material / Relle avec d'autres documents Only edition available / Seule Mltkm disponlbie Tight binding may cause shadows or distortion along interior margin / La reliure serree peut causer de I'ombre ou de la distorsion le long de la marge int^rieure. Blank leaves addxl during iBStoratkms may appear within the tcx'. Whenever possible, these have been omitted from filming / II se peut que certaines pages blanches ajout^es lors d'une restauration appaialssent dans le texte. mais, lorsque cela ^tait possible, ces pages n'ont pas 6te fUmtes. L'Instltut a mlcrofllm6 le mellleur examplaire qu'll lul a et6 possible de se procurer. Les details de cet exem- plalre qui sont peut-6tre uniques du point de vue blbli- ographlque, qui peuvent modifier une Image reprodulte, ou qui peuvent exiger une modifications dans la m6th- ode nomiale de filmage sont indlquds ci-dessous. I I Coloured pages / Pages de couleur I I Pages damaged/ Pages endommagees I I Pages restored and/or laminated / — ' Pages restaurtes et/ou pelteultes ^1 Pages discoloured, stained or foxed / Pages decokir^s, tachettes ou piquees I I Pages detached/ Pages ditachees 1^ Showthrough / Transparence I I Quality of print varies / ' — ' Qualite inigale de I'lmpression I I Includes supplementary material / Comprend du materiel suppl^nientaire I I Pages wholly or partially obscured by errata slips, tissues, etc., have been refilmed to ensure the best possible Image / Les pages totalement ou partiellement obscurcies par un feuiliet d'errata, une peiure, etc., ont iti filmtes i nouveau de fafon a obtenir la mellleure Image passible. I I Opposing pages with varying colouration or discoiourations are filmed twtee to ensure the best possible image / Les pages s'opposant ayant dss colorations variables ou des decol- orations sont fllmtes deux fols afin d'obtenir la mellleur image possible. D Addttkmai comments / Commentaires suppl6mentaires: This inm l> filmid «t th< raduction ratio etMckad below/ Ct docwntnt nt film* eu uux d* rMuctian indiqirf ei-denoin. lOX UX 1(X 2DX Z2X KX 24 X XI 3JX Tha copy nimad hara has baan raproducad thanks to tha ganaroaity of: National Library of Canada L'axamplaira fUmt fut raproduit grlca t la g4ntroait* da: Blbllothe Mary Perry King, who have seen the wrong of such methods, and hav« modified foreign sys- tems to native needs and growing ideals. In such ready soil the :rl- unistlc ideal of general educstlon, and the realisation of phy \l edv oatlon as as art, ara bearing fruit. To quote again from Maurice Hewlett. "It Is no harder for a woman to make herself a work of anpreme art than for a man to paint a masterpiece or to write a classic. But she must cultivate and use her genius for aelf-expresslon. What material to work with— Ine moving, breathing, speaking medium. Infinitely more elastic tlian painter's «tuS, Infinitely more potent than aught Inanimate, this be- ing, warm, tinged with life. Instinct with meaning, rhythmic, eh>quent' You can be picture, form, poem, symphony, In one. You address the mind through every sense. Every gesture is charged, every throb can express, every word he a phrase, every look a tone, and every tone a revelation." That Is tba Ideal. "Ah, but how?" you may ask. What teaching can accompllab this? Persons^ harmonlilng educates Jnat such In- dirlduAl genius. It took an intereated and plaatic but perfectly un- trained student, and in six months placed her In the front ranks of interpretative dancers in the most critical drawing rooms and studios of New York, In original dances created for her hy her teacher; and a little later secured her a place In the New Theater Company. But personal harmonizing does not find Its fullest scope in training danc era; that la only an instance of its special possibilities. It takes numbers of rank and file public school children, and in six months, at two lessons a w^ek, gives them command of fine personal carriage, habitual unity of thought, feeling, and expression, through co-ordinat- ing their motion and speech. It Is showing teachers how to get prompt and perceptible Improvement In the personalities of their students. And because it enlists and cares for all the powers, it gives its pupils a bappy and mellow culture such as no other education has been able to secure. A method of education which not only helps men and wo- men to go tiirough their liail;-- tasks with greater ease and efficiency, but enables them lo pLt h(>^rt In all their work, to realize their own genius, and to find gladmss at every turn, is what we have been look- ing tor. The ain- of Mrs. Kings woTli may be said In a word to he the educating oi individual genius; to give people freedom of spirit by plac- ing at their disposal a healthy body freed and attuned to the finest uses of thought and feeling. That method of education Is surely best which takes cognizance of the entire personality and attempts to fit It for predestined uses. To laam to walk and move well, to breathe iind speak efllciently— these are rudiments of education that have been strangely neglected. To reinstate them in their place and to relate them to symmetrical general culture. Is our need. The body cannot thrive on futile ai.d disordered exertion, nor the spirit be refreshed liy silly and pointless exercise. And because the failure of the old order of physical education Is being very generally felt, this new vitalizing ideal of triune culture of which I am speaking is spreading tltrough the country like a message of reprieve. If 1 understand Mrs. King's philosophy rightly, (he would say that unity, order of motion, and poiae, are three main considerations in her scheme of training. To preserve and foster one's unity of being; not to he distracted nor to suffer a partial culture: not to develop the head at the expense of the heart, nor the hand at the cost of either. To be a single, united being in all our aspirations, thoughts, and ac- tions; to be glad all over, to be intelligent all over, to be efficient through and through. This is to realize one's entire being as a unit. "Isolation of parts" 1b a phrase significant of much that was wrong in old-fashioned physical teaching, indeed in old-fashioned education generally. To stand immovable on one leg while performing gyrations with the other, or to awing Indian clubs while the whole body, except the arms was held rigid, might be excellent tminlng for St. Vltus'a dance, Mrs. King would say, but was ridiculous preparation for the art of dally living. By order of motion, or sequence of procedure, is meant this: that there must be what Mrs. King calls spiritual lead in all ideal effort, in all our movements, undertakings, and actions. It Is the order of nature; first, energy, wish, caring, choice: then thought, aim, direc- tion; and lastly, realization in accomplishment. To follow this order is to secure the utmost natural economy of effort, efficiency of result, and pleasure in occupation; that is to say, the utmost beauty, helpful- ness, and happiness in every personal act and in all human endeavor. Having realized unity in ourselves, to give it habitual poise is our further task. Poise of personality involves poise of the person, an unwabbiing command of our bodies; and this in turn can only be maintained through muscular ability and a firm base of support. That implies unrestricting clothing and footgear— for women particularly some form of drees that shall not obstruct deep breathing nor mar the soft, free grace of the throat and neck, and broad-toed, heelless shoes that shall give an adequate footing and freedom for the moving body. It is an ideal that does not sound promising to the average woman, and certainly most dress reforms have not been altogether happy. But Mrs. King, who has given a great deal of thought to this branch of her subject, seems to have solved the mysterious difficulty in some for- tunat* war without aacrltlcing anything of tba grace and axqulaltaneai which rtgbtir enough belong to women. I auppoae it la her Inherent Latin taat« which enablea her to be radical without being obtrualve, and eaaenUal without being eccentric. She oertalnljr oarrlea out her uncompromialng Ideala with great tact and graclousneaa. In her phlloBophy of lite the moat needed refonna for modem woman could hardly be called a gain, unleaa they could be aecured without Impair- ing her Immemorial dignity and charm. Uke many thoughtful people, ahe aeea that American women are In aome danger of aelling their Wrthrigbt for a meaa of ^ottage; and while her ardent life la given to forwarding their eaaential Interesta and upholding for them unfal- tering ideala, many of the more consplcuoua "women'a movementa" And her indifferent. She la too deep a thinker— I ahould like to aay too full of profound racial wisdom— to be carried away by popular clamor. Thla la not the least of my reasona, when I try to apeak critically of her teaching, for giving her a place among modem thlnkera beaide the wlae and aerene Maeterlinck. RttrtnHi fnm " CimJ HixutketpiRt." fat Mtt, 1911.