CIHM Microfiche Series (Monographs) ICMH Collection de microfiches (monographles) Canadian Institute for Historical Microreproductions / Institut canadien de microreproductions historiques Technical and Bibliographic Notes / Notes techniques et bibliographiques The Institute has attempted to obtain the best original copy available for filming. Features of this copy which may be bibliographically unique, which may alter any of the images in the reproduction, or which may significantly change the usual method of filming are checked below. D D D n D Coloured covers / Couverture de couleur I I Covers damaged / Couverture endommagee □ Covers restored and/or laminated / Couverture restauree et/ou pelliculee Cover title missing / Le titre de couverture manque I I Coloured maps / Cartes geographiques en couleur □ Coloured ink (i.e. other than blue or black) / Encre de couleur (i.e. autre que bleue ou noire) □ Coloured plates and/or illustrations / Planches et/ou illustrations en couleur Bound with other material / Reli§ avec d'autres documents Only edition available / Seule edition disponible Tight binding may cause shadows or distortion along interior margin / La reliure serree peut causer de I'ombre ou de la distorsion le long de la marge interieure. Blank leaves added during restorations may appear within the text. 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Coloured pages / Pages de couleur I I Pages damaged / Pages endommag6es D D D D Pages restored and/or laminated / Pages restaurees et/ou peliiculees Q Pages discoloured, stained or foxed / Pages decolorees, tachetees cu piqu6es Pages detached / Pages detachees Showthrough / Transparence I I Quality of print varies / Qualite inegale de I'impression Includes supplementary material / Comprend du materiel supplementaire Pages wholly or partially obscured by errata slips, tissues, etc., have been refilmed to ensure the best possible image / Les pages totalement ou partiellement otDscurcies par un feuillet d'errata, une pelure, etc., ont ete filmees a nouveau de fatjon a obtenir la meilleure image possible. Opposing pages with varying colouration or discolourations are filmed twice to ensure the best possible image / Les pages s'opposant ayant des colorations variables ou des decolorations sont filmees deux fois afin d'obtenir la meilleure image possible. D This item is filmed at the reduction ratio checked below / Ce document est (ilme au taux de reduction indique ci-dessous. 10x 14x 18x 22x 26x 30x 12x 1Ry 20x 24x 32x The copy filmed here has been reproduced thanks to the generosity of: MacOdrum Library Carleton University The images appearing here are the best quality possible considering the condition and legibility of the original copy and in keeping with the filming contract specifications. Original copies in printed paper covers are filmed beginning with the front cover and ending on the last page with a printed or illustrated impres- sion, or the back cover when appropriate. All other original copies are filmed beginning on the first page with a printed or illustrated impres- sion, and ending on the last page with a printed or illustrated impression. The last recorded frame on each microfiche shall contain the symbol —»> (meaning "CON- TINUED"), or the symbol V (meaning "END"), whichever applies. 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Tous les autres exemplaires originaux sont film6s en commenpant par la premidre page qui comporte une empreinte d'impression ou d'illustration et en terminant par la dernidre page qui comporte une telle empreinte. Un des symboles suivants apparaitra sur la dernidre image de cheque microfiche, selon le cas: le symbole — ^ signifie "A SUIVRE", le symbole V signifie "FIN". Les cartes, planches, tableaux, etc., peuvent dtre fiim^s i des taux de reduction diffdrents. Lorsque le document est trop grand pour etre reproduit en un seul clich6, il est film6 A partir de Tangle supdrieur gauche, de gauche A droite, et de haut en bas, en prenant le nombre d'images n^cessaire. Les diagrammes suivants iilustrent la mdthode. 1 2 3 1 2 3 4 5 6 MICROCOPY RESOLUTION TtiT CHART lANSI and ISO lEST CHART No 2! 1.0 i.i 1.25 ^-■~i IIM If 1^ *- 140 1.4 III 2.2 III— 1.6 I A AP PLIED IfVMGE Inc ^JZ '''c- •"■ester, Ne»i YO'k )46n9 fSA '-^ ' ' *i ' 462 - 0300 - Phone ■^ r t-iv^jf Vjt_ A^V (^r\ f I ft-^M.^ 1^' /A^ ylA-'^— .e^^^^ THE MEADOW. Here wlicii til.' fl »>■*■* April (hivs In i.-iii. Anil till' (|iiaiiit cniws II .ck lliii kiT diiy liv diiy. KIllliiK till' lincsH Willi 11 pliH.^iiiil iliii, And 111!' sriili il snowcri'ciis m-cTi'lly iiwmv, ComiH llic Niiuill l.ii.^v s|i;iri-iiw, prinicil willi nice. Kir-I pn-iiiliiT In Hi'' n.iki'il wililiviU'SS. I'ipiiiKnii iiiitl lo.'ill till' I'Mi!.' illHtri'Ss From cviT.v fi'iicc luiil I'vc ry Iciillisn trie. Now with w.ft sliiilit iiiid virwii'si nrlllli'i' Wiiilcr's ii-iiii wnrk is woiidnHisly iiiidoih' : III nil llir liMli' lidlliiws ninil wiili ii'i' Till' fli'ur liriiwii imjuIs sliiiid siliiiniTiiit.' in tin' snii Krnil lurid worlds, nimn wliiw li-Linnlons lliK>rs All diiy till- wniiilriin[.'wiili'r liiii.'» iit will, Sliy iiiariiiii-s wliosi- niiia ,iri' iii'vir .itill. Voyiini'iiiiililri'iiiiiiilioiit tin' liiit-'litiiiiim' uliori'S, Till' lilni'lilrd in'i'pliiL' froiiv lln' ^'iinilid tliorn rriitlli's u|ii>n idH Irolic lliiti'. or Iliiif-'S. In iKiiiiidiiii: tli^'lit iicnws tin' (.-iildi'ii morn. All ii/.ini' trli'iiin I'rom olV lii« spli'iniid winns, lliri' till' "Mm piiiioni'd swiiUows swi'ip nnil puss Down to llii' fur off rivi'r : tin- Mm k crow Willi wisi- mill wiiry vis.ici' to iinil fro Si'llli'S .Tiid slidks nlioiit Ilii' wiibiTi'd ki"'":*' lIiTi' wlii'ii till' nniriniiriiiis M'ly di-'oi'S Down the slope yonder. Il inked on either side With the sinoolh furrowed lielils Hnni;hlnck and wide, ralchi'd Willi pale water sleepinif In the rows So as I watched the crowded leaves exlMiid, The hliKim break sheathe, the siinimer'sstrenKll) nprear 111 eartli'3 trreat mother's heart already plai il The heaped and biirt-'eoned plenty of the year. Even as she I'rom out her wintered hearse My spirit also spran;; to life anew, Anil day by day as the sprlinf 's liounty ».'rew, The fahric'il dream unlocked the fount of vursc. In reverie by day and niidnii-'ht dream I soii^'htthese upland fields and walked nliart, Miisim.' on naliire, till my tliom-'hl did seem 'I'n read the Very secrets of her heart ; In niiKKli d mo nt« earnest and sublime I stored the themes of many a future sontr, Whose substance should be nature's clear and strong, Iluiind in^caskel of majestic rhyme. Itrave bud like plans that never reached the fruit. Like hers our niolher's who with every hour. Kasi'.y replenished from the sleepless risit. Covers her bosom with fresh bud and tliiwer i Yet 1 was happy as youni,' lovers be, Who in tie' sea.son^ of tlieir passion's birth Deem that lliey have their utmost worship's worth, if love be near them, just to hear and aco ^~ SUNSET AT LES EBOULEMENTS. Uroad shallows f.ill. i in all the mountain side The scythe swept tields are silent. Slowly home Hv the loiitr beach the liiuli piled hay carts conio, Spl.ishiiii.' the pale sail sh.allows. i tver wide Kawii coloured wastes of mud the slipping tide. Hound the dim rocks and wattled lisheries, ( 'reelis inurmurinjr in. And now by twos and throes. O'er the slow-spreadin!-' |h«i1s with clamorous chicle. Delated crows from strip to strip take Hi^ht. Sixin will the tlrst star shine ; yet ere the night Heacli onward to the pale (ireen distances. The sun's last shaft beyond the jrrey sealloor Still dreams n|)on the Kamonraska shore. .•\nil the lorn; line of (golden villasies. Alu'iiiiiAi.n L.vMi'MAN. ^^ (s above: saint ir^n^e. I climlii'd the lofty roml IjcIivccu Till' river iinilllir liurtlicrii lillls, And p-sli'.l lilsiiri'lv. To niitcli till' niiiilily river How, WItli 111! ItH niilivi of »li:iile iiiiil slieeii l>own to tlic inlj.rlity sea, Aii(' fur lieiK'utli irie nstltiK low The vlllnne of Saint Irtine. Tlie 8uli|iliire liilUmi eitlier li^ind Hroke ilown uiK>n the silver tide, The river rini in stre.uns, III Mtreniiis of iniim'lii! azure ^'rey With here ii broken pnriile hund. And whorls of diali, ami heains Of shattered silver llk'ht astray Where far awaj the south shore (ilenins. I walked a ndle alim^t the hei^rht Hetwecn the (lowers niion the road. Asters and (golden hmI : And in the trardens |pinks and slwks. And Kaiidy jioiipies shakinv lit'ht. And daisies hUKjininn "ear tliesisl, And lowly pansies set In Hocks With purple monksliixsl overawed. And there I saw a little child Upon the summit of a hill Cominjf aloiiK to ine. She w.is a tender little thinjr. So fraBile sweet, so Mary mild, I thought her name .Marie ; No other name niethou».'ht could clintr To aiijlhliiK »o fair as she. And when we came at Inst to meet, I siHjke a simple word to her, " Where are you ^'oint: .Marie V" She an.swiTed ami she did not smile, Hut oh, her voice, —her voice so sweet, " Down to Saint Irinoe," And 80 passeil on to walk li, r mile. And left the lonely road to me. And as the night came on apace With stars alsrte the darkened hills, I heard peristtually, Chiiniiif.' alont; the falling hours, I In the deep dusk that mellow phrase, "Down to Saint Ir6ii6e : " It seemed as if the stars and Howers Should all go there with me. FROM LES EBOULEMENTS. A (.'Inini'ur on the phantom shore (If tfolden pdlld tureen, Grey purpl.' In the Hats hefore. The river streams heiweeii. F'rotn hazy hamlets, one hy ona, Ileyond the island hari, The casements In (he settling sun Flash hack in violet stars. A hrit' is strainini; out for se«. To Norway or to France slu^ tpxs. And all her happy Onn» arc free. Her sails ."re flushed with rose. TO HELEN DOUGLAS MACOUN. Goodness inrnclons '. little >,'lrl. You are Koiiiif to cry ; Why, your under liii's aeurl ! What's that in your eye ? Keeji the naughty tears titfht liack hehindthe lilue, You know we can't have sunlight And rainy weather tis). If you let the tears come, With their U(fly stains. You will III' an Humdrum Heaten hy the rains. Hut if you let the smiles net A chance to wreathe and run. You will he a violet. Underneath the sun. Di .STAN CAMI'MK.I.I. SrilTl'. For p rate circulation tinlu : it i:i rtquentctl that luine of llusi' piecea be nlUjii\-:l tu appear in puliiic print.