. f r CIHM Microfiche Series (MonograJ3hs) '4* IGMH Collection de mi (mdnographies) ■ ■■'■■:■ ■ '■ :. '■■■■:_ ■■' ;■. ■■ ;. j- • ;■■ Canadfan Institute for Hiatorical Microraftrbductioha / Institut Canadian da micrprapfroductions hiatoriquaa w TccHnicai and Bibliographic NotM / Nojat tachniquat at bibliographKiuas Tha Inttituta ha< ammpjlad to obtain tha ba*t original copy availabia for filming. Faaturat of ttiii copy whicit may ba bibliographically untqua, whicfi may altar any of tha imagn in tha raproduction. or whfeh may significantly changa tha uiual mathod Of f Hming. trt ehackad balow. 0Colourad ctfvart/ Couvarturf da coulaur □ Covari damagad/ Couvartura andommagte Covari rattorad and/or laminatad/ Couvattura raitauriia at/ou iMlliculte Co«ar titia miuing/ La titrada couvartura manqua Colour*d mapi/ Cartas gtegraphiquas an c TINUED'I. or tha aymb^i V (maaning "END"), i^hichavair appliaa. Mapa. ptataa. charta. at^., may btffilmiKi at diffarant raduction ratio*, thoaa fdo larga to bi antiraly includad in on» ixpoairra jjfa f ilmad baginning in tha uppar lift hand cornar, laft to right and top to bottom, at miny framat aa raquirad. Tha following iliagramv iHuatrata tha mathodi 1 ■•: '■:':-i:\::- ■/3/'-' 1 Ml thank« ce Library luaJity gibility th« m fllmiid ifl on I imprM- I. All Bontll§ prw$- prim«d CON- L'«Kemplair« fiimA fut rtfi^^oduit grica i la "!^ ginArositA da: . -» . • Metropolitan Toronto Reference Library* Languages 6 L I terature Depar tmen t ' . La« imagas suivanfat ont At* raproduitat avac la plus grand spin.^ compta tana da la condition at da la natiat* da I'axamplairc film*, at an eonformit* avac laa conditions du contrat da fllmaga. Laa axamplairaa originaux dbnt la iouvartura an papiar aat imprim*a sont film*s an commandant par la pran4iar plat at an tarminant soit par la darniArtf'paga qui comporta una amprainta d'impraaaion ou d'illustration. soit par la sacohd J plat, salon la caa. Tous laa autraa axamplairas originaux sont filmAs an comman9ant par 4a pr*mi*ra paga qui comporta una amprainta d'impr^ssion ou d'illustration at an tarminant par (a darniira paga qui comporta una talla , '.amprainta. Un das symbolaa suivants apparaltra sur la . darniAra imaga da chaqua micrdficha. salon, llir ^as: la ynibola — «^ signifia "A SUIVRE ". la symbola V signifia "FIN". I at 10 to bd nod laftto I aa totha ;■■, / Ids cartas, planchas. tablaaux. ate,, pauvant *tta fllrote 4 das taux da 'reduction diff*rants. Lqraqua la documant ast trop grand pour litra raproduit an un saul clich*. il ast -film* * partir ' dal'angia sup*riaur gaucha. da gaucha * droit*, at da haut aij ba*. on pranant la nombra y d'imagaa n*cassaira. Las diagrammas suivants illustrant la m*thoda. MNOroCOry MSOWTION >BT OHAIIT (ANSI and l$0 TEST CHART Ho. 2) 1.0^ IS ^ 1^ I.I lit Itt 13.6 |4j0 2.0 * 125 I^U i.8r ^ /1PPLIEO JM>IGE; In^ iS^ 1653 Cott Main SlrMt ' i S^S Rochmtw, Nfw YBffc 14609 (716) 463 - 0300 - Phon. ■ (716) 2a»-59B9-f6M "■^V-' . '' i ■ 1) l;... f \ I-'. ,^^ •j 7 <^Mii*Mi|i«tr* Written for the Prescott bramatic Club. ':.f. »• AN OPERETTA IN TWO ACTS. BY e. I-. ,/* 'J ^^ ^:- :^' u ^w 4-*^ { ca ■ ■ ■ ^- / - ■ V iic Olub. ; ■■ r.,.. ' *•, ■ -^4 ' '$ ■ - \- H * •■ . ■ ■■■ I-' . ■ "•.' ■ ■ '^^■- ■.;i ..-.■. ..■ I-. V JdIi iBl": ■ ' -y '".' ■is *'S» ||i*WJl " ^afe^ ■ BY ■ ■.' ;;. :RNEST G. LONGLEY. ' : ■■■»■» ■■111 ■ —— w^p ■_ ■ - BROCKVILILE, - - A. C J. KAUFMAN. 'f ;:.^' ■■■m 3 S 2 A MODERN ROMEO AND JULIET. c u A u Acrr h; itH. MIIH. MONTA«M'l': SMITH JiJi.iKr sMiTil ■ -■ - ItOMKO KOIIINHON - , PAIUH UllOWN - . VidhA ■ . . - - A KAHIilONAIII.K MoTllKU. ■ - IIBK DAUUItrKK. • A8UIT0R OF JlIF.rKt'H. IIIH IlIVAL. • - A MAIDSKKVANT. ACT I. SiKNK 1.-^/1 ,/niwtfi^'mwi in Mrs. Montagm Smith's house. Curtain rises and discovers Viola cn^af^ed in dusting. She throws duster aside, and advances to front i\f stage. ^ Viola- Air—" Cwmin' Thro' the Rye." -When a body's always (lusting, . They must sometimes rest; f have dusted every nic-nac, And I've done niy l>est. Kvery mistress has a temper, Mine inclines that way ; But when there's a ///. I. (Ta^s up dutttr, Rnttr Mrt. Smith, R, with open itttet in htr % hand, Comti up C.) Mm. S— Viola, ii it iKMniblc you have not fininhccl.duiiting yet I Do hurry ; I ex|M,t;t Mr. Paris Brown to call this morning. Viola.— Yes, mum ; just through, nuun. Mr.s. S.—Thcn go unU tqll Miss Juliet I wish to N)>eak to her. Viou.— Yc», mum. {Asidt.) Olad I'm not Miss Juliet, thot's *"• (Exit R.) , AiR-^" I'm the very Pattcrh of a Major-Gcncral." Mks. S.— I|ain the very moUel of a modern iiMMnrflrt/ 1. catch the men within my net, then senU thwn to (>»{» ; I've private information of the stati^'of their finances, And if they are tiol niillionaires, jfarcwell to all their chances. !j Mr. Paris has in nwrriage wiy,tjaugl»W;r's luind requested, Uul I fear that she loves Romeo, altho' she's not confessed it. Now Romeo, more's the pity, is really .very ^)oor, And Paris Brown, tho' very rich, is something of a boor. Mks S.-^Ah : here she comes ; now to convince her that she must gire up Romeo Robinson and marry Paris Urown. ,, (Enter Juliet, R) ' . V ■ ■■.■■'.'■ AiH—" Baby Mine." Mks. S.-^ sent for you to come down, Juliet, Juliet, Pve a letter from young Brown, Juliet, Juliet, And he wants to marry you. Juliet— Oh ! whatever shall I do! ; . Oh 1 whatever shall I do, dearest ma, dearest ma. To Romeo Pll be trucj dearest ma. ■■.'■..'■;'■; .*" ■■ _ ■ Mrs. S.— Please talk a little sense, Juliet, Juliet,' Your folly is immense, Juliet, Juliet. :iX Young Kot)ini«(m ra |)C>or, * /"//wr your /tfty will run?, lUll moHfy will endure, Ju)ict, juKet, * Hut iiKincy will ciulurr, jtilifl. . . j ' ,3 . ' ^ firriii.*— Fnd money \ don't «:nre, dcareiit nwi, ftea're»tt \wk, Old/ Hrowi) in l)Ut a lieur, detireNt ma, dvarcNt mn ; Aii^l I know rinVcak my hcnrt irrfom Komco I mimt part. Vc* I vow that ril Ik* true, Komco, Kumvo, And marry none hut you, Komco. •, ( Throivt htrsilf ititti (hair Z, and iobi vioimity.) MR»i.S.— Juliet,. I am aslvimed hi you ; let mc hear no more of this silly love afliiir between you anti Komcu. Mr. Paris Drown Will c^ll thiti mornipg, and [ dexirc you to receive him an your accepted xuitor. I will send Viola to assist you in dressing. {Enter Viola R.) , {Exit R.) Viola.— 'Iaw, Miss, and has she been naggin' at you agdin. ' * {/uliet rises.) Aili— «' Wearin' of the Crcen." Jt)i,iKT. — Oh, Viola, and did you hear what cruel mamma has said ? My heart has nearty ceased to beat, 'tis like a luni|» of lead. She says, — Oh! she is so unkind, I know she'll break \ my heart — §he says, alas, frohi Romeo that I'll be^ forced to part. Viola.— Oh, Miss ! she cannot mean it, she cannot be so cruel, Mr. Romeo so handsome, and old Brown is such a fool. »But mind you don't give in. Miss Juliet, my dear, And I'll see Mr. Romeo, and fix it never fear. • . I'll tell him you'H.run off with him before to-morrow night, Oh, trust to me Miss Juliet, and it will all come right. 'a '..'■.' '.-: ■■■■ ■ v: .-. , ;/ /■■ ; ,■■■■•. But, ph I before I go MisiT, about th^t blue silk dress, ' I hate to see you wear it, I do, now I cohfjpss. For it's not jiist quite the shade. Miss, to suit your eyes and hair. But a po^r young girl like me, Miss, would wear it and not care. ' Juliet.— Yes, take-it ; take it Viola, and whatever else you lack, • Then fly, fly to my Romeo, ph ! hasten there and back. '{JSxt/ Viola L.) ■-/V- Air— " Beautiful Bells." Juliet.— Oft do I think of thee, Romeo, Oft do I wish I was thine, , Oh ! if you only had money. Or if I conld only lose mine. ftow happy would we be together, • If mamma would let us be wed, But now I'm most wretcjhed of mortals, .^ And often I wish Iwere! dead X Weeps. A door is opened, C, and a servant announces Paris Brown Juliet rises. Enter Paris, L.) Air— " Policeman's Chorus," from /Vm/^jy. ' Paris<— I hope you are well Juliet, Juliet, . * 'Tis long since we have met, have met. But I've got from your mother her, consent, her consent, And we'll have to hurry up before Lent, before Lent ; . So pray accept this ring, this ring, diamond ring, ' j;! think 'tis quite a pretty thing, pr(etty thing. \)9h ! take commiseration, be my wife, be my wife, . And I promise you §hall have a happy life, happy life, I love you as much as anyone can, r ^^^^-- And a bachelor i^ not a happy man, happy maifi. ':'■':''■, ."■.'". ■ ' ■ ■ ■ ■,...:■ ■,■:>■' ■ < . ' ■•: ■ . ■\- ■'.■■■■. ■■■ ■■■■.'.; : ''■ V . « - \\. -' . • • ' -T, -'. ■ ■ ■ • ' "' \' ' f "■ '■■ '■■ ■ ■ • • ■';■■' J, '^■.■;;'>--#-''^-- , ■ - : ■ ■ i t ■■ ." - '.V ■ ■ ■ J ■ ■ . y ' ■'A::h--.: .;■■'■.;'■ a"; ■ -■■'.'"' ■- '.. ■■■ Air— " Take Back the Heart." JtJLiET.^Take back the ring tHat thou ga vest, What are thy diamonds to me. I care more for Romeo's love, sir, Than ought thou cah'st- offer to me. {Throtvs ring away ^ ■■'.'■-'.- :■ 2" So allow me to wish ybu good-bye, sir, Vour offer L beg to decline, For if you were Croesus himself, sir^ I vow I would never be thlne< _ ' . ^ /PaMs.— Gh, dearest of maidenij and cruelest, You can't mean to show me the door. ' I am sure I'm the match of the season, v, And what can a maiden want more. ■ • , :'■•!, Air—" Things art; Seldom lat they Seem." 7 do. Juliet.— Ah ! wealth will not last» • ;^ _ \ And money flies fasi;, W^ i .Girls you see like a beaii,* And a handsome one you know. ^ : ^ Paris.— Very true, so th€ JuLiET^^ — Romeo is not ridi I know, But you see I jove him so. Money sometimes is a curse, I don't wish to be perverse. Paris. — You are to me, freijuently. Juliet. — So I' really must refuse, And I hope that you will choose Some other girl yoiir wife to be, i There are more fish in the sea. l ■ Parjs,— Yes I know, that is, so. But you see, I love but thee ; And I'll murder Romeo, If you still refuse to have me, cruellacly, cruellady. ! V ■# . / - '- \ ■ y ^ ^' ' ■ -.W'° " " -■ . ■y: ■ -t- :\ '■ . i' . • . ■•■■, ■'.-.*■' ... ._ ( ■ ■ \: ■■-■♦■ •.,'; ,' ■' ■ ' •"■.''■-, -'■', ';...■;■■ ' '.^■- ::.■''■ '\ ■V .:'' '■/ ■' ''.f'"'-:^ '■.. _J ,,' »■,.-■ Both.— Stem conviction is o'er me stealing, That she (he) means some double dealing, All his (her) wickedness revealing. Yes I know, that is so. , Brown.— For I think I'm rather clever, 1 would doJ^lMi you forever; I would give j/ou every care. And the bra^ deserve the fair. Juliet.— Very true, so they do.: BROWN.^i— Romeo is too poor to marry, ^ Sure for him you will not tafry. . ; If you do, beware of me. Fori will revenged be. Juliet. -rRetract that statement. Brown. — If you marry him I'll kiirhim; So I think you'd better sack him, And decide to marry me, Then I'll swear not to attack him. Juliet. — Does he know, does he know, That I'm thinking of eloping. ; - Both.— I'll dissemble ; I'll dissemble, And pretend that I'm relenting, | ^ Let her (him) tremble, let her (him) trfemble, Tho' .a softer tone I borrow, He (she) will learn the truth with sorrow. PARls.-^ril kill Romeo to-morrow, I will so. Juliet. — Here to-day and gone to-morrow, no, no, no. (JSxit JParis, Z. Juliet takes out handkerchief and weeps. Enter r ' Viola, R.) (--.■ AiR— " Wait for the Waggdh." Viola.— I come from Mr. Romeo, - He wants you to elope, -' ;■ . . .m ■ •K !» » ( ' ■•■ '■ •. '■■' ■ ■'. ■ - ,.. '■ -■ .'^ ■ / ire ■ ,7^— ^'--T--™ 1 ,.^ :—.,-.--_;„.,. "" ■■[?'.■ *'■ ^ r r .''■\'' i ■' ■-,"., ■ -• "f' . ■ •' ■,."-,."■' ■ "■ "■". '■■>'■ ■ •. ■4 ,' I think you'd better go Mjs,s, And I have got the rope. {Produces large coil of roj^.) You'd better run away, You'd better run away, You'd better run away. Before the break of day. Old Brown has just gone out, Miss,' I suppose he brought your ring, But between you and me, Miss, He's a nasty, cross old thing. So you'd better run away, jyLiET,— Oh, yes I'll run away, — _-_ ,- Qh, yes I'll run away, 'Both.— JJefore the break of day. -■■■•■' -Curtain;..;/ •"■. . '■'^ ' / . (■■.■ \ ■■:' ''A^T II. ' -■':■■■".::/■■':-■'■:. ' ■ 1 ' 7 ' ' ' ■'■ ■ . ' ■ Scene z.^Gar^tn in front 0/ Mrs., Smith's house. Enter jRomeo, R> . . Air— " Kathleen Ma vourneen.' Romeo.— Juliet darling, the gas has been lighted. The trampofthe "bobby" is heard on his beat. Oh, haste thee. Oh, haste thee, and we'll be united ; Juliet, darling, I'm here at your feet . Oh ! Kast thou forgotten, 'tis long afler ten ; Oh ! hast thou forgotten this night we must wed. • • I am here at your feet the most loving of. men, . Oh, why art thou silent my Juliet Smith ; . Juliet darling, Tm waiting for thee. Then come to me darling, come to me, come. U. ^ !»■ ,-■. . ../ ■ .. r ..^. - * / appe arsion i muony m. /:. ...:■ ^V ;' ' ' . ■ * ' . . f . 1 *' I ^ " . •. ■*' ' - * ' ■ \ "■ ' ■ ,■ V • -T— -;-^-"--".- 4^:„.j__.:.; --■---——— -;•>; ::-'^ ? ',■ " .'.-""' " . „ - i - ' ■ *' '■.'■' ■'•' ^^^^^^H ^^^ ^^^ ^ ^^_ ■»m- I, '^., fr'i 6? . >\iR_^" Poor Wandering One.' ■ ■ /.- : ..; ■•:■■ >■ \f': ....■ JtLiET.— Ah ! dearest orte Thou surely art mistaken, 'Tisnot yet ten But I am here, My trunk is packed. See there it is, But Romeo I fear That we'll l>e caught, - v Your rival, dear, I think suspects us. ;< • {Enter Viola, L, dragging large trunk.) -' ViOLA.^Here it is, Miss,- r- V Juliet.— Now, Viola, go and see that the coast is clear while I ihake my escape. I would not for worlds have Mr. Brown find out that Romeo is here ; he V6WS he'll kill him. VioLA\--Yes, Miss, I'll keep a sharp Ibok out. (£xit H.) . Air— " Farewell my Own." Romeo.— Ah ! dearest one, Light of my life come dowii, . Unfurl the rope. Oh ! be not afraid of Brown. ^ I am thine own, Put all thy trust in me, ] ' / Gome to my arms, . [ . Oh ! come and I'll shelter thee. {Wiola rushes in L.) Air— <' The Cainpbells are Comiiji'." VioLA.^-^Mr. Paris is coming, oh, dear! oh, deaf! ', ;. ^Mr. Paris is coming, oh, dear! oh, deatr! / - Mr, Paris is coming, you'd better be ofr, I fear that he will inurder you ; And Mrs. Smith is with him too. And she is in a great to-do; ,- ' "\-. ■: % \ '».:.., :^ # ■'■■■■■yi-- ■■i;'-'». 9 \ 'J'' His swor^ is rattling by his side/ He sjvear^ that yqu shall be hiybride. Mr. Pari!^ is coming, oh, dear \ oh, dear ! Mr. Pdris is coming, oh, dear / oh, dear ! Mr. Paris is coming, you'd better be off, 1 fear that he .will murder yc (Enter Mrs. Smith anJ Mr. BrowHy R.) Air—" Great Eastern Polka." ■■■'', ;■ ■.;:;■ ' : / ■ Mrs. S.^ - Well now upon my word, This jeally is absurd, 1 didn't think my daughter would be so very sill y^ So go to your room. Miss ; ■* And I will s€fe to this Most impertinent young man, Romeo. Now Viola for you, Take what is due, / . Oh ! to think I've harboured such agirl as you ; So hurry up and pack, And nevermore come back; And Juliet, go in Missy w/«i/ what I say. ^it Vioia and Mrs.S., L. Julid disappears from Balcony:) Air— " The Merry Maiden and the Tar." . Brown-Now, sir, from you I ask for satisfaction, ' > And tell me,, pray, what business you have here ; , ^ I hear that you were thinking of elopmg, - And I must say that things look rath?r queer. - So please ybung man explam, ■ So please young man explain, ^ ■ /So please young man explain^ V What you are doing here. Romeo.-! think you have no right to question me sir, An answer I refuse to give ^o you, .■■■'^- .' ■ .", .'■ '■•■ ■ --^-^ ,, : ■ ■■■'■■'■■ ■ * ' ■ . ' f -';,-„:.- -■,--,. ■.,„■ r* m ^^__1-,. ^,;. _..„-,- \-_ _.^- -.-^-^ i-i^^- '.— .^ r-i:.; ^ ■>■'• .. ■'--- ■ ' - ■. " '~- "■.-■'■"' ■ .""' "* , ' " ' . ■■ . . ,ir-; '-, . ■■.'-' - '•• ' ' ■ '( , • ' ^^m A mi IQ i^ The business with the lady was my pwn, sir, And with it you have noticing, sir, to do. ^ And «o I won't explain, • And so I won't explain, And so I won't explain, What I am doing here. Brown.— So please young man explain, So please young man explain, So please young man explain, 'h What you are doing here. I^oMEO.— Wait for a moment while I get my sword, sir, and then you can do what you like. (£xit Homed, /?. Returns in /i few moments with sword by his '■-'.]-.■■ side.) ::■::■[ ■ --m- "v ■ Air— " Gendarme's Song." > Paris.— Thou art my hated rival, Romeo. v. KOvMEO.— And I will give you satisfaction. pARis>r-Then draw your sword, be quick, oh Romeo. Romeo. — I am quite ready, sir, for action. Paris.— I vow Juliet shall ne'er be thine. Romeo.— And I swear she «//// be mine. Both. — I'll run you through, I'lF run yoii through, 111 run you through, I'll run yoii through ; ^ I'll show you I am plucky too. • . . (Repeat Chorus.) RoMEO.;^! fear I'm killed. . , Paris.— And so do I. x- Both fall' down. At intervals they try to look at each other ^ but on hearing Juliet approaching^ both lie down, Juliet enters Ly singing the first two lines of " Oft do I think of thee, Rotneo" Catches sight of omeoi^tops short and screams. — ^ ■ J '?• ."v- ■■11 ■ ■■- ' : > Air— "Way down upon the Swanee River." Juliet.— Oh ! can this be my Romeo, So stiff and stark I -• Oh! thou, jnost cruel foe, , To murder Romeo. JULiET.-But rn never live without you, Romeo. I'll poison myself. {Draws a via/ from her pocket) All the world iH sad and dreary, Now that Romeo's gone ; _ ;. ,1 And of my lifp I'm very weary, __^ ofi 1 Romeo, I come ! ^ i^aius viano her lips, Mrs: S. r^hes in L, screami,^,afui dashes it to the ground.). Mrs. S.-Forbear, my child,; forbear! Would you ^oinmit suicide, and teave your poor mother all alone in the world Hunk what my life would be if I had no daughter to chaperone ! Why, loclv^t^on^onX^h. gone. As for those poor Moung men ^Jiy very sorry for them. An uncle of Romeo's died last n%ht, and left him all his money. . . Ai R-"the Man in the Moon," or, " I Cannpt^ing the Old Songs." Mrs. S.— How dreadful now my sorrows are, - That Romeo is no more, I cannot but feel awfully, • , : V ' And e'er his loss deplore. * I've done a very foolish thing, And thought it would be best ; ^^ ':■ * ' But if I'd let him marry you, : 4 would have now had rest. ■-■■■'^^- XScreams.) Mrs. S.^Oh! Juliet, I thoujghtr saw the body move 1 Juliet.— Only imagination; dear mamma. {Brown 0d Paris spring up^y u Romeo— My (karest Juliet! JuLiKiv- Oh ! my Roitieo ! {They embrace. Enter Viola L:) . Viola.— Uh*! if there ain't Mit. Romeo and Miss Juliet ft embracin' of each other, and missus looking on as mild as any lamb: What Ml happen next? ^ • ' Mrs. S.— Mr. Hrown, I cannot firtd it in my heart to separate/ these young lovers, I must ask you tb resign your claim upon my daughter's hand. \ Mr. Brown.— With 'the greatest of pleasure, my dear Mrs. Montague Smith. From what 1 see of your daughter, she i* rather hard to manage, and I would prefer a more docile wife. Juliet. — Then, you consent to our marriage, mamma ? Mrs. S.— Certainly, dearest. Did I ever refuse you anything ? ' Viola.— My ! ain't missus aimable ! Air— " Jolly Doj^'' RoMEO.^Now, everything has ended well. >-~^- Paris— ^I'm glad that you think so. • ' . If I were in your place I know , I'd think I'd had a j la, fal, la, la, fal, la, la, fal,la, la, Fal, la, la, fal, la, la, fal, de the ral, De the rai, lal li do. Slap bang, here we are again. Here we are again, here we are again, Slap, bang, here we are again, what a jolly crowd are we. -",■■.:•:■■.•.'■ .Curtain. ■ ,i ■...■■ k " t In iJbSIC' SCHOOL AND MUSIC ROOMS, ":'v';:;. jrtri^^ Street, .;;■:,;■;•;-:'"■ BRbCKVILLfe, ONT. / ' ii Mum ittintmg (l|ompan| BOOK WORK, LEGAL, MARCANTILE AND GENERAL : .. I /the most tFFIClEKTLY EQUIPPED HOUSE FOIT I M :/L.^-. ^s^^ 4 W, Square anii (Ipriglif PIANOS lliivo iiifU awiinliti by th«i l,/nlto«! Stiitf* ri'liliMiiiialC'oinkitij|i[.'.ii, iijMiK tlic iinHiil- tlHlllN rv, ""lUM||>ll^l|tlll III' ttic TMilKim <>t <4i9[(CMf|# til.* J FiasT .\ii:i)ALi JW\ I'll.; ijualitii's H|iv»i«lly iiiinifd living:-- • PmiHioii ami vlaxtirity i.f tou< li," • droit cxrt-Ili'iiy^f ..f w<)rkiiiaiiKlii|r,' • Iiililli^'cili «• ill < (iiiKtriiriion, " DCCSEB BBOTHSBS arc tUm omdaUy uikiii.wlcilged an .tlio makerH of tlio Most Perfect Piano Known. De ZOtJCHf & CO. 233 "St. James Strftfit, At wliosi" Avaivrooiiis Npieii-. did speciiiuMiH may l>e wepu. ^ #■ w »- *. 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