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(Extracts from the Introductory Lecture of the Popular course of th« Natural History Society of Montreal, Winter of 1856-7.) Heprintea from Barnard's Amwioan Journal of Education for June, 1867. XL NATURAL HISTORY IN ITS EDUCATIONAL ASFECTS. BY J. W. HAWSON, A. If. F. 0. S. &C., PRINOIPAl OT M'OILL COLLEOB, MONTRKAl. (Extrac, from .he Introductory Lecture of the Popular course of the Natural History Society of Montreal, Winter of 1856-7.) This Society wisely regards as one of its functions, the cultivation among ,ts members and the public in general, of a taste for those useful and ennobling pursuits to which it is devoted. Viewing this as the principal object of the popular course, the introductory lecture of winch I have the honor of delivering, I have determined, instead of se ecting any special scientific subject, to lay before you a few gen- eral thoughts on the importance of Natural History, as a branch of education; understanding by that term the training of our mental powers of our esthetic sentiments, and our moral faculties; and this not ony in our Schools and higher Institutions of learning, but in our self-cultivation throughout life. Man and the nature that surrounds him, are products of the same almighty all-pervading mind. Hence man finds natural things adapted to his wants and powers, and can perceive in them a likenets to the results at which his own ta.ste and reason arrive-finding thus fixed law, progressive movement, beauty, adaptation, and order in nature, similar to those which exist in his own works, but of a higher type. Man's soul is thus the link between the spiritual Creator and the material creation ; and this appears to be the real central truth of all those dark though exciting controversies, on the relations of the subjective and tEe objective in man and nature, which have bewil- dered the minds of those who, leaving the firm ground of revealed religion and inductive science, have wandered into the mists and darkness which shroud from our gaze the precise junction of the spiritual and the material. The middle path that leads between the opposite errors of transcendentalists and materialists, is the old familiar truth of our infancy, that man was made in the image of that God who made all things and pronounced them good _ Thus constituted, man must sympathize with nature, must observe Its objects, must reason on them; and nature must react on man strengthening and stimulating the faculties that act on it, and more' NATURAL HISTORY. 429 or less deepening on bis mind the impress of that of the Creator of both. It is principally to this last aspect of the subject, the reaction of nature on ourselves, that I wish to direct your attention. In this respect then, the study of nature presents itself in the first place, as a means of training the observing powers. This is an oflBce strictly educational, and strictly elementary. Observation of exter- nal things begins in earliest infancy, and is essential to the happiness, the utilities, and even the safety of after life. It has been apparently a subject of doubt with modern educators, whether in this direction we require any training whatever. This has rvt least been strangely neg- lected in schools and colleges. We have been content to know that the savage can teach his children without any school or college, to detect and distinguish with the nicest discrimination, the minutest traces of men and animals ; while civilized men highly cultivated in other respects, are often deficient in such powers to the last degree. To what extent are such powers actually deficient in the generality of educated men ? to what extent are they desirable in civilized life ? to what extent can they be cultivated? In attempting to answer such questions, it is but fair to admit that, in many handicraft trades, and in the prosecution of the fine arts, the observing powers are ex- tensively cultivated in persons of very different degrees of education. On the other hand, it can not be denied that men of the highest euu- cation are often remarkably unobservant; sometimes peculiarly so, insomuch that their absont-raindedness, as it is called, has become pro- verbial ; while the mass of men, apart from the special points to which business directs their attention, have little useful perception of out- ward things, in comparison with that which they might attain. The accounts of natural objects and scenes given by popular writers, and in conversation ; and the extraordinary diversity of the evidence respect- ing matters of fact in our courts of law, sufficiently show the prevail- ing deficiency in accurate observation. It is deserving of note, also, that this deficiency is often only aggravated by the superior develop- ment of the reflective and imaginative powers ; because in this case the observer is induced to substitute his own fancies and speculations for matters of fact. Much of the want of originality, and distortion of natural truth, which we lament in our literature, as compared with that of earlier and simpler states of society, proceeds from the same cause. That the removal of these defects is desirable, I think no judicious educator will doubt. They are in part remedied by the object lessons in our primary schools, by the drawing, the music, the natural history of our more advanced schools ; by the natural science of our colleges ; and under these influences we may hope that among the educated 430 NATURAL HISTORY. I ■"V be fully . Wi„^ 1 Zh f^' ""•"■ '^'■•' «'««' "»""» JJe n..t '^fte.. ^lu. 'X.:^ :[ '^^- -/" » -. be. Much of the teachiDtr of natoThw '° '™'° "<■ ""-"fs of oHe„, I.; .ext-heok, , Jinl°Ce a arpe'^jX'rrT/rP--- •nUrgeraent of view, to be rellv mefll Tn t ^ ''''™"' '" tific iMtitutioiu, oMnre sh„„ h ^ ,, . '" """ ">"«ee» and sden- of the best JenUflS '"'f^"'^,'^<'.«"'";n«i ""der the guidance nenlaryschooh t I ' "'„« T"'"^ °' "' '*"«''<'" »' «■<> 'le- ".ay l« given to those „h„ do^not teTr.Le IS'™ T'"" education. In this „v alone will i. I ° f " ' '»ll8«i«'e and ™™en trained to i.°^Z f aeC "" ""' """' ■"»" reflective powers. *" '"^'' " «« »» of their I have already suggested the connection between d.&„.- . ■• the observing powers and w.nt „f • ° ,°""'n defective training of of accurate fnS t™«, „, d^rf' llf" "'^ '" '^^''' ""^ "»"' public testimony. I mTv aJuX, ^J T "»""»«»«»» «nd in nected with the^revZ: of CTr ''°™°^" ''°"'^"°"- epidemics through society L ^ [ t ^"^ ""' 'f^ ><>"> faith in the feats of ^etrnf,^ T l^Z ^ "''""'^ "" '■^7 Mages, and the evidet tl 7pr;S^^r 'r"'"'"^ "*"■ agencies producing the resnlt, oK T ""'' '^'' "^ "'« 'eal of .be Jective an^d ^^n2:tZ^::^::^'- ^'^^^^on delusions than Cw tog^riZ" °'"°"^ '''"™''<' "»" ™* study of nature * «'" "" f"*'" ">' °b«e™tion by the powe::::i:ite wS:r "" '": ;™'"'°« "'■'-' ^^-^^"^ '^, or the compariso: luL^lTI^^ ^ t^tr ' """'^ the investigation of cause and eir«tTh; ° '"T """^ '*'"'' "^ jects, and the esUmation of theaZt„t?„.T T^'^ "' "^ required in the deterniination la~l "' "'""f" '''*™'°^- tory; the separation of Quali^l..'''^""'" "»'"'»! >•''- peculiar tool; tlie ^^t ^ LTw™" slT ' '^"■'^ '°™ ''« gous and those which are inerelvalT f"* ^^P"'^ •'""'olo- U-ons and uses of .tructuLrJa "2 1'^^'T"^ " '"^ '"^ application of modern causes to the have more try and ab- iese results ue place in aa may be, of others, and popu- leficient in and scien- wsible col- > guidance )f the lic- it through a faculties collegiate orth men 8 of their aining of tnd want a and in Jely con- ead like i ready [ assem- the real tivation observ- 3equen> n such by the inking analy- ate to of ob- encfls, il his- those molo- func- the NATURAL HISTORY. 431 explanation of the ancient phenomena of the earth's crust, and many other operations required in the study of nature, not only cultivate habits of observation, but the reasoning powers, in directions not so much within the scope of other branches of education. Such investigations have also a powerful influence in cultivating the love of truth, and those mental habits which lead to acuteness and earnest- ness in working out the many contingent problems of ordinary life, which lie beyond the domain of the exact sciences. On this account the study of nature does not tend to alienate the mind from the ordi- nary business of life. This is well exemplified in the works of mod- ern scientific travelers. Such men as Humboldt, Lyell and Darwin, even when they digress from their own immediate field of study, and enter on social habits and questions, give us representations more truthful, and reasonings more profound nan those of ordinary travel- ers, because they carry to these thinj s the niontal habits which they have cultivated in their own proper - .epartment. Natural History also claims a h gh position in education, in con- nection with the cultivation of tast i — tliat appreciation of the truly grand and beautiful which opens up so many sivennes of innocent pleasure, and is so intimately connected with the right exercise of our higher moral sentiments. A very high authority informs us, that the kingly state of the most sumptuous of Eastern monarchs, was inferior to that of the lily of the field ; and we but announce a prin- ciple whose germ is hidden in that beautiful illustration, in saying that nature transcends art, not only in its grandeur, its varied contri- vance, and self-sustaining power, but also in the beauty of its objects considered with reference to our aesthetic powers and preferences. The world has worshipped art too much, reverenced nature too little. The savage displays the lowest taste when lie admires the rude figures which he paints on his face or his garments, more than the glorious painting that adorns nature : yet even he acknowledges the preemi- nent excellence of nature, by imitating her forms and colors, and by adapting her painted plumes and flowers to his own use. There is a wide interval, including many gradations, between this low position, and that of the cultivated amateur or artist. The art of the latter makes a nearer approach to the truly beautiful, inasmuch as it more accurately represents the geometric and organic forms, and the color- ing of nature ; and inasmuch as it devises ideal combinations not found in the actual world ; which ideal combinations, however, are beautiful or monstrous, just as they realize or violate the harmonies of nature. I do not wish liere so to depreciate art, as to raise the question — why 432 NATURAL IIIHTORY. ]l Should there be such a thing «s tine art? Why wo should atten.pt to imitate that which we can not equal, and which yet every where surrounds us? The necessitios of man's falh-n naturo-his Lire to perpotuate the perishing forms dear to him-l.is own conceptions of the beauffui, and his longing to realize thom-his ambitious wish to create something that .nay give him an undying repu- tation-his Idolatrous desire to embody in material form, something that he or others may reverence or worship; these and such reasons are sufficient to account for art aspirations, ;is constant products of our mental conrtitution. Let us accord to art the admiration which it desems, but let us not forget that nature is the highest art-M. art which embraces in itself all else that truly deserves the name One essential difference between imitative art and nature, in refer- 7lHC'irT "'.^''*' " ''"' ^^" former is wholly superficial, while the la ter has an inner life and tiner structure, corresponding to I s outward form The painter's bouquet of flowe,., may charm us with Its fine combination of forms and colors, and with tiie thought and taste that speak in every hue and tint; but examine it closely and ,t becomes merely a mass of patches of colo.., in which the parts of the actual flowers are but rudely shadowed forth. The natural flower, on the other hand, yields to the closest examination, on'n w tructures and more delicate beauties not perceived at the fiiU gfance ; de s, so that If we represent separately all its various parts and inter- i" rir T;r 'r: ^ "'" '' ''''''^'^ ^-^ ^^^^ «^ beauty nd nte est, and the whole showing us that the painter's geniul has availed only to depict that outer layer of charms which lies at he oTLr^Tba:"' 't"-" ''' -^"'^'«--'-^'ave all those chlg of beauty that march m procession from the unfolding bud to fhe yea^'l'^r;"' M f^"° 1 "'° '""''""^ ™^ ■^P--"'. '">' only year, of tudy ami labonoua days of delicate chiseling, but also a beau.,deal of ma,,ly symmetry and grace, such as „e caSseldom Id .pproaehed n, the real world; but take for comparison, heTv ng lull ol beauty. Every mot.ou of such a form is a new statue In a rS'i not L -^^ 7°^™". ■'«''»"«>• of kones and muscles, ' Xhich, ,f not mdivdually beautiful, become so to our inner ment, v,s,o„ when we consider their adaptation ,o this infinity of It ful form and mofon. The frame contrived to enshrine tlfe imlll NATURAL HISTORY. 433 mind of man, is the chief of the works of (iod known to us, and is not the less beautiful, that in our present fallen state, considerations, both moral and physical, require that the nakedness which was its primeval glory and distinction, shoul.l be covered from our sight. It is a hi.rh ambition that fires the sculptor with the hope, that he shall be Hblo'to embody oven one of those attitudc.s that speak the emotions of the soul within. Yet after ho has exhausted all his art, how cold, how dead, how intensely wearisome and monotonous, when compared with the living form, is the changeless beauty of the statue. The littleness of art is equally apparent when it attempts to rival the grandeur of nature. Her towers and spires have less effect than those rocky pinnacles and mountain peaks, her pillared porticos do not equal nature's colonnades of stately trunks and graceful foliage. We habitually acknowle-lge this, when we adorn our finest buildings with surrounding trees, just as nature masks with foliage the bases of rude cliffs, and the flanks of precipices. Art takes licr true place when she sits at the feet of nature, and brings her students to drink in its beauties, that they may endeavor, however imperfectly, to reproduce them. On the other hand, the naturalist must not content himself with "writing latin names on white paper," wherewith to label nature's productions, but must rise to the contemplation of the order and beauty of the Kosmos. Both will thus rise to that highest taste, which will enable them to appre- ciate not only the elegance of individual forms, but their structure, their harmonies, their grouping and their relations, their special adapt- ation and their places as parts of a great system. Thus art will attain that highest point in which it displays original genius, without vio- latincr natural truth and unity, and nature will be regarded as the highest art. Much is said and done in our time, with reference to the cultiva- tion of popular taste for fine art, and this so far as it goes is well ; but if the above views are correct, the only sure path to success in art education, is the cultivation of the study of nature. This is also an easier branch of education, provided the instructors have suiBcient knowledge. Good works of art are rare and costly ; but good works of nature are every where around us, waiting to be examined. Such education, popularly diffused, would react on the efforts of art. It would enable a widely extended public to appreciate real excellence, and would cause works of art to be valued just in proportion to the extent to which they realize or deviate from natural truth and unity. I do not profess to speak authoritatively on such subjects, but I confess that the strong impression on my mind is, that neither the No. 9.— JTOL. III., No. 2.]— 28, 434 NATURAL lilHTORY .f we could „„,„b,„o p„,,„i„, ,,,ti„„i,„,„ ,„^ ,„, „ „i„,„ ;;„ '7 nay „v„ .,,,,.,.,1 .„ dwell too l„„, „,,„„ ,,, „„, „,. Ihroo pad« of July. M.t l,l^t „f , „ ^ T", '""'''"'" moral goodness rovm.I«,l i • , "^^ '>' "'''^ P''wiinf,ei,t hoauly ,.f forhappn ss tL "*■ resources of fallen ,na.. in his Larch -tCr;,j!~::;:-i:-Tt^,;rr An observer J„ S, J ""^, '''"""^ ■""" "' "«-««■ con4 nndJ .'l,e a^ IT^r^ he fall, infinitely ,,,„„ „f j, "" 'f , J '*"' '' ''° "=»«» ''«''«'• brinkof tbe proLndo:l;!f :t:l :l:7^;;<;,«7* °" '"" gress eonducls him to the inviti„„ fill „ ' , f""l'er pro- mntnal .lation of thin^. ^e fid! h „ ,— T'"" »"" that everv structure is ,„„.f ,,.""" """""S '« without its use; .npFosed-cearelci clllf y "*'"'''' '" 'P«'"' ^^^ ^ 'hat th of great po, « bv J f^ " ""'"'^ "■« '^■'""■"'">'« «i„n aimless round is n-ivmo- »v,^f x * " '^^ ^'^^^ sight apparent y .l.uttles that r s^ll^Xra ■^"r^;,°^-'-"<' -Pi"<':esanJ great web of life. weaving, m all ,ts varied patterns, the it 'r iXTorertet: 'ri7 "■' -*• ^ -'^'■-' - ^-o '- .e«.piation of t.pTinta te 7^:::;rrrwh"; *'" '°f " """- ' ^'^'^^^ "^"t^ to which science has only NATURAL UIH-IOBY. (:i5 . u- 1 type. ..r PulloruH of oxistonco ; tluvt on tho.« patterns r^:tr:i;^ out tl who. .y.e.u or .... ad,,tin, .... to vHrioty of u.., by an infinity of n.inor n.od.hcat.ons Ihat .. o J ether he «tudy the eye of a ,nat, or the structure o a nu.u . iin ihain, he ncen not only oV.jocts of l.eauty a...l ntU.ty,bnt j.arU of Z^r^I^^ pl-H of infinite wis.lon., by which all objecU, however 4^-1 \,i time or snatw, are linltod together •" 1 Z» urc. A n..tun.li»l i» ..ot n,«,..ly .. n wU k,„.v, hard al forlny com,,,..,, or „„.o„.,n„„ .l,i„s!». or who colloclH n.ro , »tadie., load hi,n to grand «c„.n,li»,tio„s even to tho con^ llration, in part at .e»t, of tho ,.la„, .hat -^"J^^ '» tho infinite .nind, and gaided the ovol„t,o„ o all „,a.cr,a 1, ^ Natural history th„» ri»o» to the highest gro„„d occu,„c 1 by her ,s ::':e,,ce.aLgive,,,,,,e,.d.d,,ing.^ :■; •cht:'o;,„ected, at least by broad , logies, with our own ,„or.l and reUgious interesU. ,,,„, the study of nature fonns It follows from the preeed.ng vrews, that the t my o, bo/much true ^^^ir^^XZ^,' as well as l" "t Ctd-^ a,d o b« U,ings'leing equal, the nearer we ean ■• good for food , a, o o J' ;,i ^^ <,ur sensuous enjoy return to this pnnnUye taste, '''«««»'''" „„^ „„,i „rture, ment, the better tho "'"'"""yf ""' ^ ""^^ of tastes at once because they will then depend °" *° ?"' '\f ;l^,,„i„„ „ith, and uatural and harmless, and w,ll not lead u o co™ ,everence tor merely human S™-^^ « " con ^^^^ ^^^^ 1^^,^ ence of the infinite pertection of the Oreatoi. 436 NATURAL HISTORY. to lead to idolatry than rvc. Hence the Holy Scriptures, which guard so jealously against the tendencies of human nature to exalt itself and its works into di\'ipities, every where recognize nature as a secon- dary revelation of God. So deep is the degradation of man, that even in the contemplation of nature, he tends to rest contented with the material creation — to abase himself In idolatrous veneration of the creature, rather than to worship the Creator. But if men will depart iVora the true God, even in this way, I may still be permitted to main- tain th-.t the Chaldean or Egyptian, who recognized the hosts of heaven, or the creeping things of earth, as fit emblems of Deity, or the naturalist, whose religion rises no higher than the theism to be gathered from nature, has a nobler faith than that of the Greek who worshipped the Phidian Jove, or the modern amateur who adores the genius of Raphael or Micliael Angelo. I have sought to magnify the office of this Society, on educational groutids alone ; but I can not conclude without reminding you that jitural science has its utilitarian aspects. All our material wealth c .isists of the objects of natural history. All our material civiliza- tion consists of such knowledge of these things, as may give us mas- tery over cbeir uses and properties. Such knowledge is every day findiiig its reward, not merely in the direct promotion of the happi- ness of its possessor, but in enabling him to add to the comforts of our race, or to diminish the physical evils to which they are exposed. Into this subject, however, I can not now enter ; and this is the less necessary, since the minds of nearly all intslligent men are sufficiently alive, at least, to the utilitarian value of the natural Sciences. ..-- ••^:| THE l^m^ritaii |ouruaI of (Kittcation. No. IX.— JUNE, 1857. CONTENTS. p^„. Portrait of Nicholas Brown ^^^ I. Memoir or Nicholas Brown. By Prof. William Gnmmell 291 Note. Providence AtheniEum ^^ Butler Hospital for the Insane ^09 11. Letters to a Youno Teacher. By Gideon F. Thayer, P ,ston 313 III. Cultivation of the Expressive Facllties. By WiK.am Russell 321 IV. New York Institution for the Instruction of the Deaf and Dumb 346 Illustrations— F/V«re 1. Perspective of Building 346 » " 2. Ground Plan 364 V. Memoir of Harvey Prindle Peet, LL. D., President of New York Institution for the Deaf and Dumb "'^ „ . .. 367 Portrait ■ VI. C. H. Zeller and Institution at Bkugqen, (Duchy of Baden,) for Training Teachers of Schools for Orphan and Vicious Children • • 384 VII. Jacob Vehrli and Normal School at Kruitzlinoen, (Switzerland,) for Train- ing Teachers of Schools for the Poor ^^ VIII. Farnum State Preparatory School, iit Beverly, New Jersey 397 Portrait of Paul Farnum ^^" IX. Life and Educational Principles of Pestalozzi 401 X. Norma-. Schools -.—their Relations to Primary and Higher Institutions of Learning, and tc the Progress of Socinty. By Prof. W. F. Phelps 417 XI. Natural History as a Branch of Popular Education. By J. W. Dawson, Principal of McGill University, Montreal 428 XII. Abbe de la Salle, and Institute of Christian Brothers 437 XIII, The School and the Teacher in Literature 449 William Shenstone 449 The Schoolmi<>tre..':s **^ Annotations. My First Teacher, by Rev. Warren Burton 456 .. '• " Henry Kirk White 459 ■I " " George Crabbe 460 " The Birch— iU Scholastic and o'.her uses 460 XIV. Art— ITS Importance as a Branch of Education. By M. A. Dwight 467 XV. Valentin Hauv— Founder of Institutions for the Blind. By L. P. Brockett 477 Portrait ^'3 XVI. Special Trainino of Women for Social Employments 485 XVII. Pastor Flikdnkr's Institution at Kaiserswerth, (Prussia.) 487 Florence Nightingale in the Crimea ■ • 489 Cooperation of Women in Sanitary, and Educat'nal Movementt. By Mrs. Jameson 493 XVIII. Public Instruction in Sardinia. By Prof. Vincenzo Botta 513 I. Primary Instruction "^^ II. Secondary Instruction 518 XIX. Public Hiou School of Chicago. By W. H.Wells 531 XX. The Gyroscope. By Major J. G. Barnard, U. S. Corps of Engineers. ... 537 No. 9. [Vol. Ill, No. 2]— 19. SUPPLEMENT TO NUMBER IX. XXI. Reformatory Edccation XI XXII. History or Prkvkntive and Reforwatory Education, Institdtions and AocNciiB 505 XXm. Italy. Reformatory Department of San Micliele at Rome BBS Juvenile Asylum of Tata Giovanni at I'.ome 589 XXrV. Switzcrland. Labors of Pestalozzi, Fellenberg, Velirli, and Zeller 591 Reformatory School at Bachtnlen 597 Rural School for Orphans and Foundling at Cara 599 XXV. Grrmany. The Rough House, ( AauAe Ilaiis,) at Horn, near Hamburg 603 XXVI. Holland Prison and Reform School for Juvenile Oftendcrs at Rotterdam 619 XXVII. Bbloium. Reform School for Boys at Ruysselede 631 Reform School for Girls ut Beernen, 650 XXVIir. France. Patronage Societies — in aid of discharged Juvenile Offenders 651 Mettray ; from Annual Reports of Directors from 1837 — 185C 6.W " " Reports of Visitors from abroad .... 706 Establishment of St. Nicholas at Paris 727 Central Prison and Reform School at Gaillon 734 Reform School at Petit-Bourg 739 Rural Asylum ut Cernay 747 Reform School at Petitauevilly 749 XXIX. Grxat Britain. Philanthropic Society from 1780—1849 751 Red Hill Farm School 754 •Parkhurst Prison for Juvenile Criminals 759 Conferences on Reformatory Ediiciilion 765 ■ . '^Red Lodfee Reformatory at Bristol 785 ■ '■* ■ Hardwicke Reformatory 793 Reformatory Movement in Scotland 801 Reformatory Movement in Ireland 809 XXX. United States. Proceedings of Convention of Managers and Superintendents of Reformatories held in New York, May, 1837 817 XXXI. Catalogue of Books and Pamphlets on Reformatory Education and Schools 845 XXXII. Index to Voh:mk 111. of American Journal of Education. The Amurican Journal of Education, will continuo to be published by the undersigned, under the editorial charge of Henry Uiirnard. LL. D., T E R M S . 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