CIHM 
 Microfiche 
 Series 
 (iVIonographs) 
 
 ICI\/IH 
 
 Collection de 
 microfiches 
 (monographies) 
 
 Canadian Institute for Historical Microredroductions/lnstitut canadien de microreproductions historiques 
 
Technical and Bibliographic Notes / Notes techniques et bibliographiques 
 
 The Institute has attempted to obtain the best original 
 copy available for filming. Features of this copy which 
 may be bibliographically unique, which may alter any of 
 the images in the reproduction, or which may 
 significantly change the usual method of filming are 
 checked below. 
 
 Coloured covers / 
 Couverture de couleur 
 
 □ Covers damaged / 
 Couverture endommagee 
 
 □ Covers restored and/or laminated / 
 Couverture restaur6e et/ou pellicul§e 
 
 Cover title missing / Le titre de couverture manque 
 
 I I Coloured maps / Cartes g6ographiques en couleur 
 
 [3 
 
 D 
 D 
 D 
 
 D 
 
 Coloured ink (i.e. other than blue or black) / 
 Encre de couleur (i.e. autre que bleue ou noire) 
 
 I I Coloured plates and/or illustrations / 
 
 D 
 
 Planches et/ou illustrations en couieur 
 
 Bound with other material / 
 Reli6 avec d'autres documents 
 
 Only edition available / 
 Seule edition disponible 
 
 Tight binding may cause shadows or distortion along 
 interior margin / La reliure serree peut causer de 
 i'ombre ou de la distorsion le long de la marge 
 interieure. 
 
 Blank leaves added during resiorations may appear 
 within the text. Whenever possible, these have been 
 omitted from filming / Use peut que certaines pages 
 blanches ajoutees lors d'une restauration 
 apparaissent dans le texte, mais, lorsque cela etait 
 possible, ces pages n'ont pas ete filmees. 
 
 Additional comments / 
 Commentaires supplementaires: 
 
 L'Institut a microfilm6 le meilleur exemplaire qu'il lui a 
 ete possible de se procurer. Les details de cet exem- 
 plaire qui sont peut-etre uniques du point de vue bibli- 
 ographique, qui peuvent modifier une image reproduite, 
 ou qui peuvent exiger une modification dans la m^tho- 
 de normale de filmage sont indiqu6s ci-dessous. 
 
 Coloured pages / Pages de couleur 
 
 I I Pages damaged / Pages endommag6es 
 
 D 
 
 
 n 
 
 Pages restored and/or laminated / 
 Pages restaur6es et/ou pellicul6es 
 
 Q Pages discoloured, stained or foxed / 
 Pages ddcolor^es, tachet^es ou piqu^es 
 
 I Pages detached / Pages detach6es 
 
 I s/\ Showthrough / Transparence 
 
 I I Quality of print varies / 
 
 Quality in^gale de I'impression 
 
 Includes supplementary material / 
 Comprend du materiel suppl6mentaire 
 
 Pages wholly or partially obscured by errata slips, 
 tissues, etc., have been refilmed to ensure the best 
 possible image / Les pages totalement ou 
 partiellement obscurcies par un feuillet d'errata, une 
 pelure, etc., ont et6 filmees a nouveau de fafon a 
 obtenir la meilleure image possible. 
 
 Opposing pages with varying colouration or 
 discolourations are filmed twice to ensure the best 
 possible image / Les pages s'opposant ayant des 
 colorations variables ou des decolorations sont 
 filmees deux fois afin d'obtenir la meilleure image 
 possible. 
 
 This item is filmed at the reduction ratio checked below / 
 
 Ce document est filme au taux de reduction indique ci-dessous. 
 
 lOx 
 
 
 
 
 14x 
 
 
 
 
 18x 
 
 
 
 
 22x 
 
 
 
 
 26x 
 
 
 
 
 30x 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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 The copy filmed here has been reproduced thanks 
 to the generosity of: 
 
 Montreal Huseum of Fine Arts 
 Library 
 
 The images appearing here are the best quality 
 possible considering the condition and legibility 
 of the original copy and in keeping with the 
 filming contract specifications. 
 
 Original copies in printed paper covers are filmed 
 beginning with the front cover and ending on 
 the last page with a printed or illustrated impres- 
 sion, or the back cover when appropriate. All 
 other original copies are filmed beginning on the 
 first page with a printed or illustrated impres- 
 sion, and ending on the last page with a printed 
 or illustrated impression. 
 
 The last recorded frame on each microfiche 
 shall contain the symbol — »> (meaning "CON- 
 TINUED"), or the symbol V (meaning "END"), 
 whichever applies. 
 
 Maps, plates, charts, etc., may be filmed at 
 different reduction ratios. Those too targe to be 
 entirely included in one exposure are filmed 
 beginning in the upper left hand corner, left to 
 right and top to bottom, as many frames as 
 required. The following diagrams illustrate the 
 method: 
 
 L'exemplaire iUmi fut reproduit grace d la 
 gin^rosit^ de: 
 
 Nusee des Beaux-Arts de Montreal 
 Bibliotheque 
 
 Les images suivantes ont iti reproduites avec le 
 plus grand soin. compte tenu de la condition et 
 de la nettetA de l'exemplaire film6, et en 
 conformity avec les conditions du contrat de 
 fiimage. 
 
 Les exemplaires originaux dont la couverture en 
 papier est imprimAe sont film^s en commenpant 
 par le premier plat et en terminant soit par la 
 derni^re page qui comporte une empreinte 
 d'impression ou d'illustration, soit par le second 
 plat, selon le cas. Tous les autres exemplaires 
 originaux sont film^s en commenpant par la 
 premiere page qui comporte une empreinte 
 d'impression ou d'illustration et en terminant par 
 la derni^re page qui comporte une telle 
 empreinte. 
 
 Un des symboles suivants apparaitra sur la 
 derni^re image de cheque microfiche, selon le 
 cas: le symbole — ♦• signifie "A SUIVRE", le 
 symbole V signifie "FIN". 
 
 Les cartes, planches, tableaux, etc., peuvent etre 
 film^s A des taux de reduction diffdrents. 
 Lorsque le document est trop grand pour etre 
 reproduit en un seul cliche, il est film^ d partir 
 de Tangle sup6rieur gauche, de gauche d droite. 
 et de haut en bas, en prenant le nombre 
 d'images n^cessaire. Les diagrammes suivants 
 illustrent la m^thode. 
 
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MICROCOPY RESOLUTION TEST CHART 
 
 (ANSI and ISO TEST CHART No 2) 
 
 1.0 
 
 I.I 
 
 1.25 
 
 m ill 2.8 
 
 11 2.5 
 
 |50 l"l== =^£^ 
 
 i^ IIIM 2.2 
 
 t IIIIIM 
 
 t m 2.0 
 
 1- ^ 
 
 i-i_i- 
 
 
 1.8 
 
 1.4 
 
 1.6 
 
 
 
 ^ APPLIED IhAAGE k 
 
 16t)! tost Mam Street 
 
 Roctiestef, New York 14609 USA 
 
 {7'b) 482 - OiOO - Phone 
 
 (7tb) 288 . 5989 - Fa» 
 
"^-'^''•'ifcr. 
 
 :: 'v. ft'i> 
 
 ^-0-: 
 
 -:• ISO I '> 
 
 f\rt ^ssogatior? of ^OQtreal. 
 
 (SafaPogue 
 
 of i1 
 
 Special Exhibition 
 
 of 
 
 Paintings 
 
 of the 
 
 [T\oden) Qermap 5g'?oo! 
 
 October. 1891. 
 
PRINTED BY 
 
 D. BENTLEY & CO. 
 tfiiie art printers, 
 
 1746 NoTKE Dame Street, 
 MONTilEAL. 
 
 
 
<• 1801 •:— 
 
 ^.rt Association of JT^OQtreal, 
 
 ©afaFogue 
 
 of a 
 
 Special Exhibition 
 
 C( 
 
 Paintings 
 
 of tbc 
 
 /T\oderi7 Qermap 5Gt?ooI. 
 
 Oetob(?r, 1891. 
 
Thr^e ralnthi[i!< arc alt for sale, full partini/ar.-' ran In 
 nlildiucil from lite Serrdnri/. 
 
§peciaP Gg^lBlfioa 
 
 OP 
 
 PAINTINGS 
 
 OF THE 
 
 /Hoderr) dermap Scf^ool. 
 
 HEFFNER (Karl) 
 
 .Loiulon. 
 
 Knij,'hl of Uif iMr.slclass Onlcr of St. Michaol, 1S8G; Honorary 
 Member of the lloyal Academy, Munieh, 188G; Honorable Mention, 
 Paris International Exhibition, 1889. 
 
 rrofchsor Hcffncr was born at "Wurzlmr;; in 1840. He received liis 
 training at Jtunich, but did not really find lii.s way into his projier ]iatli 
 until ho went to London and discovered in the .scenery of Enjiland 
 that which most directly and .strongly ajipealcd to his .sentiment and 
 temiierament. He has painted Continental subject.s of all varieties, 
 from Haly to the remote North, but his English Landscapes are those 
 in which his greatest art is displayed. The alliance of land and water 
 is his favorite theme. AVide river.s, showery skie.s, wastes of marslilaml, 
 and the luxuriant vegetation of drowned meadows and groves rooted 
 in the moist soil of alluvial streams, ]irovide him with his best-loved 
 material. Among these he is at home, as Daubigny was on the plaeiil 
 current of the Oise, as Millet was in the lields of iiarbizon, and Corot 
 among the silvery willows of Ville d'Avray. Until very recently, the 
 collectors of England absorbed most of his productions. Since special 
 exhibitions have been made of them in Germany and New York, a 
 more general demand for the possession of his work exists amongst 
 collectors. 
 
Airr .issorf.ir/nx of moxthkal. 
 
 1 \'U'\\ IlfiU I''1(11CI1(!C!. 
 
 1'— Tlio Noifnlk Uroads. 
 
 8 — Tlld XiilTdll,; liidiuls. 
 
 4— T\vili\L;lit. 
 
 T) — Wiiul.soi Ca.sili'. 
 
 G— A Xoi'fwlk Mill. 
 
 7 — Still Kveiiiii;4' oil the Broads. 
 
 «^ — Staines (ni the Thames. 
 
 9 — Staines on tlio Thames. 
 lU — RichiiiMiid oil the Thames. 
 11 — Twickenlmm on the Thames. 
 12 — Waryrave on the Thames. 
 13 — llichmoiul on tlie Thames. 
 14 — Cascini, near Florence. 
 15 — Stndy on tlie Anio, 
 16 — Stiuly on the Arno. 
 17 — Study near Florence. 
 18 — Study on the Arno. 
 10 — Prutalius, near Florence. 
 
 i 
 
 I 
 
SPECIAL I'XIlllllTIdX, (X'TonER, ISOl. 
 
 I 
 
 20— liichinuiul. 
 21— Diitchet. 
 22— Monnlii^rlit. 
 23 — Kvriiiii^'. 
 24 — Kiver mid Trees. 
 25 — An uld liiiin. 
 
 I 
 
 TlKLt (Walther) 
 
 iludal, .Muiiuli Intcniatioiial Exhibition, 1888. 
 
 2G— A Village School. 
 27 — Intericur Hollandais. 
 28 — The First Conniiunion. 
 29 — Spring and Winter. 
 
 .Munich. 
 
 . Munich. 
 
 HOLMBERa (Auguste) 
 
 M(.Hi,il, Intiriiatidnal J'^xliibition, Vienna, 1873 ; First Golil Mwlal, 
 London. IS'S ; Medal, Munich, 1870; Ho],! M,,da], Diisscldorf, 1880; 
 First Gold .Medal, Vienna, 1884 ; Medal, Antwerp. 1885 ; First Gold 
 Medal, Vienna, 1888 ; Knight of the First-class Order of St. Michael, 
 1883 ; IJonoiary member of the Koyal Academy, Munich, 1^^S(^. 
 
 30 — In the Sacristy; Leisure Hours. 
 
AUT ASSDCIlTloX (iF MoXTUKAL. 
 
 JIMENEZ (Louis) 
 
 . Paris, 
 
 31 — TliL' Critics. 
 
 JOANOWIOH (P.) P„i,. 
 
 my 
 
 linn, in Ilmi-ary, IS.V.t. Pupil of IVof. MuHer, an.I tlir Aeailc 
 of Arts, Viiiiiia. 
 
 3-— A ycrviiiii Wai' Daucc. 
 
 MUNKACSY (Mihaly) p^,is. 
 
 J5oni at JIuiikacs, ISltJ. Pupil of Knaus. Medals in Paris, 1870 
 and 1871. ilcdal of Jloiioiir, 1878. 
 
 33 — Landscape. 
 
SI'Ki'lAL i:XlIIJ:iTInX. i iCTi iHKIl, ISUI. 
 
 OTHEl^ PICTURES ON EXHlBlTIOri. 
 
 A — Portrait of tlio Duko of Wellington. 
 
 By Sir Tiios. Lawrence, P.li.A. 
 1769—1830. 
 
 B — Cupid and Psyche. 
 
 By E. Westall, E.A. 
 1765—1836. 
 
 This fine rainting, ^vith its woiideiful riclnicss of colour, from 
 the collection of the .Miininis of Ely, was i)roiiouiR'(Ml l.y ,I„l,ii Coiistahlo 
 to bu a. iiiastorpiecc, belonging originally to his friend, .Mr. Uanistcr. 
 
 Itichanl Westall wa;- ' orn at Ilertfonl in 170;-., celebrated chiefly 
 a? an illustrator of book.,, .^ was elected an Associate in 1702, and an 
 Academician in 1701 ; he died in ISaO. 
 
 C — Four large Panel?, figure subjects. 
 
 By Adolpiie Monticelli. 
 1824-1886. 
 
 Painted by the advice of Xarci.^se Dia^, for a French Duke, and 
 Iironounced fine examples of his work.