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This item is filmed at the reduction ratio checked below/ Ce document est fiSm^ au taux de reduction indiquA ci-dessous. 10X 14X 18X 22X y 12X 16X aox 26X SOX 24X 28X 32X The copy filmed here has be^n reproduced thanks to the generosity of: National Library of Canada L'exemplaire film6 fut reproduit grice d la g6n6rosit6 de: Bibliothdque nationale du Canada The images appearing here are the best quality possible considering the condition and legibility of the original copy and in keeping with the filming contract specifications. Les images suivanies ont M reproduites avec le plus grand socn, compte tenu de la condition 9t de la netteti de l'exemplaire filmd, et en conformity avec Iss conditions du contrat de filmage. Original copies in printed paper covers are filmed beginning with the front cover and ending on the last page with a printed or illustrated impres- sion, or the back cover when appropriate. 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Maps, plates, charts, etc., may be filmed at different reduction ratios. Those too large to be entirely included in one exposure are filmed beginning in the upper left hand corner, left to right and tcp to bottom, as many frames as required. The following diagrams illustrate the method: Les cartes, planches, tableaux, etc., peuvent Atre filmds i des taux de r6duction diffdr'jnts. Lorsque le document est trop grand pour dtre reproduit en un seui ciichd, il est film6 d partir de I'angle supArieur gauche, de gauche d droite. et de haut en bas. en prenant le nombre d'images n^cessaire. Les diagrammes S"' ants illustrent la mdthode. 1 2 3 1 6 JUDITH MOORE; OR, FASHIONING A PIPE. FASHIONING A PIPE. " He tore out a reed, the great god Pan, From the deep, cool bed of the river. " Hacked and hewed as a great god can, With his hard, bleak steel at the patient reed, Till there was not a sign of n he leaf, indeed, To prove it fresh from the river. He out it short, did the great god Pan, (How tall it stood in the river ! ) Then drew the pith, like the heart of a man. Steadily from the outside ring. And notched the poor, dry, empty thing In holes as he sat by the river. ' This is the way, ' laughed the great god Pan, . . . * The only way since gods began To make sweet music, they could succeed.' . . . Yet half a beast is the great god Pan, To laugh as he sits by the ri^ 3r, The true gods sigh for the cost and pain. For the reed which grows nevermore again As a reed with the reeds in the river. " — Mrs. Barrett Browning. i' y^ /O UDITH MOORE; / ent reed, ndeed, OR, FASHIONING A PIPE. BY a man, ling ;od Pan, egan ceed.' god Pan, tain, I again »> Browning. J JOANNA E. WOOD. Author of "The UiUempered Wind,*^ etc. i TORONTO: The Ontario publishing Co., Limited. 1898. LD. ooa,S.S ) - ' Entered according to Act of the Parliament of Canada, in the year r melai thousand eight hundred and ninety-eight, by The Ontario Pvbii- ^^n\ iNO Co.» Limited, at the Department of Agriculture, Ottawa. »WlitJ )rni JUDITH MOORE. iii CHAPTER I. "BeJ;oltl ft dower went forth to sow." Andrew Cutler, with his graceful and la. in the year c ittflaiicholy red Irish setter at his heels, walked I Ontario Pmi« oMmif^}.. i • n ^^ »'='=ia, wtiiiteu re, Ottawa. ^"^J across his fields to the " clearing " one naming late in spring. *He was clad in the traditional blue jeans of countryman, and wore neither coat nor vest; leathern belt was drawn about his middle' i shirt, open a bit at the throat, and guiltless collar and tie, displayed a neck .ch as we modelled in old bronzes, and of much the ^e colour; for Andrew Cutler was tanned to % pomt of being swart. His h«nd had a ^^ewhat backward pose, expressive of an iBfependence almost over-accentuated, ^is hair was cropped short, and was of a sun- l«jmt brown, like his long moustache. His eyes ^re blue-grey, that softened to hazel or hard- 10 JUDITH MOOKE. > if- a r Urn] had oned to the hue ot' steel. His nose was a(iuiliiie with the little flattened plateau on tlie brid;' that we call *' Spanish." His chin was stronj,' the chin of a man who " manlike, would liav his way." Mother Nature must laugh in her sleeve the descriptive names we tack to her modi This man so completely satisfied the appellatii |^ti " aristocratic," that, with the stubbornness ot % w much-humoured word, it persists in suggest!: deai itself as the best vehicle to describe this you: cine farmer, and indeed the combination would aeeir entirely to the advantage of the adjective, wlii ston( is often seen in poor company. A veritai off ^ rustic Antinous he was, with broad chest, sli bitw lithe loins, and muL^cles strong ae steel. Shi tliat athwart his shoulder was a sack of coarse bro' gdod canvas that bulged with a heavy load ; but haid strode on, his balance undisturbed, and preseii Pi he stood upon the verge of the clearing. T nifec was simply a part of the woodland that Andr Ula was taking under cultivation. A some^rl ytairg unpromising piece it looked, with its stubl stumps standing irregularly amid the broliO]^ furrows — (for it had been ploughed, in 8[W0uI( fashion as ploughing may be done when one seed - to twist around stumps, over stones, and t w«b i through long strong roots). thpy JUDITH MOORE. 11 ran a»iuiliiit I the bri'l- ms stron^- WOUUI luiv icr sleeve i her uiodi'l e appelliitk bornness uf in suggestii "^ An^in his sowin