IMAGE EVALUATION TEST TARGET ;MT^3) 1.0 I.I 1.25 150 ""'^ 9e- 1^ 1.4 1.6 y] y /^ Photographic Sciences Corporation k-^'^ V <>^^ 4c ^^ \\ 5^ ^ v> 23 WEST rr.ASN STS'ST WEBSTER, N.Y. 14560 (716) 872-4503 r-b™ CiHIVI/ICMH Microfiche Series. CIHM/ICMH Collection de microfiches. Canadian Institute for Historical Microreproductions / Institut canadien de microreproductions historiques Technical and Bibliographic Not«s/Not«s tntuhniques et bibiiographiquas The Institute has attempted to obtain the best original copy available for filming. Features of this copy which may be bibliograpMcally unique, which may alter any of the images in the reproduction, or which may significantly change the usual method of filming, are checked below. D □ □ D D n Coloured covers/ Couverture de couleur ' I Covets damaged/ Couverture endommagde Covers restored and/or laminated/ Couverture restau^e et/ou pelliculie I I Cover tit!e missing/ La titre de couver* a manque □ Coloured maps/ Cartes giograr«hiques en couleur Coloured ink (i.e. other than blue or black)/ Encre de couleur (i.e. autre que bleue ou noire) Coloured plates and/or illustrations/ Planches et/ou illustrations en couleur Bound with other material/ Relii avec d'autres documents Tight bending may cause shadows or distortion along interior margin/ La re liure serree peut causer de I'ombre ou de la distorsion le long de ia marge intdrieure Blank leaves added during restoration may appear within the text. Whenever possible, these have been omitted from filming/ II se peut que certaines pages blanches ajout^es lors d'une restauration apparaissent dans le texte, mais, lorsque cela dtait possible, ces pages n'ont p&s iti filmdes L'Institut a microfilm^ le meilleur exemplaire qu'ii lui a eta possible de se procurer. Les details de cet exemplaire qui sont peut-^tre uniques du point de vue bibliographique, qui peuvent modifier une image reproduite, ou qui i euvent exiger une modification dans la m^thode normaie de filmage sont indtquis ci-dessous. T t( r~n Coloured pages/ Pages de couleur Pages damaged/ Pages endommagees Pages restored and/or lam'nated/ Pages restaurees et/ou pelliculies Pages discoloured, .tained or foxed/ Pages ddcolor^es. tachetdes ou piquees Pages detached/ Pages d^tachees y n n Showthrough/ Transparence Quality of print varies/ Quality inigale de ('impression Includes supplementary material/ Comprend du materiel supplementair'^ Only edition available/ Seuie Edition disponible Pages wholly or partially obscured by errata slips, tissues, etc.. have been refilmed \o ensure the best possible image/ Les pages totalement ou partiellement obscurcies par un feuillet d'errata. une pelure, etc., cnt it(h film^es d nouveau de facon d obtenir la meilleure image possible. T P o fi G b tl 81 O fi si o T s T h d •I b rl ri IT Additional comments:/ Commentaires suppldmentaires; [Printed ephemera] 1 sheet (verso blank) This item is filmed at the reductio:* ratio checked below/ Ce document est filmd au taux de reduction indiqud ci-dessous. 10X 14X 18X 22X 12X 18X 26X 30X J ] 32X Tl^ie copy fllmad hera has baan raproducad thanks to tha ganarosity of: McLennan Library McGill University Montreal L'axamplaira fflmA fut raproduit grAca h la gAnirosIti da: McLennan Library McGill University Montreal Tha imagas eppaaring hara ara tha baat quality poss:bla considaring tha condition and iagibiiity of tha original copy and in kaaping with tha filming contract spacifications. Las imagaa suivantaa o;it M raproduitas avac la plus grand soin, compta tdnu da !a condition 9^c da la nattat6 da l'axamplaira film6, at en conformiti avac las conditions du contrat da filmaga. Original copias in printad papar covars ara filmad baginning with tha front covar and anding on tha last paga with a printad or lllustratad impras- sion, or tha back covar whan appropriate. All othar original copias bra filmad baginnin^ on tha first paga with a printad or iliustratad impras- sion, and ending on tha last paga with a printad or illustrated impression. Les exemplairas originaux dont la couvarture en papior eat imprimte sont filmis en commenpant par la premier plat at en terminant soit par la darniire paga qui comporta una ampreinte d'impression ou d'iiiustration, soit par la second plat, salon la cas. Tous les autres exemplairea originaux sont fiim^s an commancant par la premiere page qui comporte une empreinte d'impreasion ou d'iiiustration at en terminant par la darnidre page qui comporte une telle emprainte. The last recorded frame on each microfiche shall contain tha symbol —fi>»( meaning "CON- TINUED"), or tha symbol V (meaning "END"), whichever appliea. Un daa symboias suivants apparaftra sur la darnlAre image de cheque microfiche, selon le caa: la symbols —^ signifie "A SUIVRE ", le symbols V signifie "FIN". Mapa. platea, charts, etc., may be filmed at different reduction ratioa. Thoae too large to ba entirely included in one exposure ara filmad beginning in the upper left hand corner, left to right and top to bottom, aa many frames aa required. The following diagrams illustrate the method: Les cartea, pianchaa, tableaux, etc., peuvent Atre filmAa A das taux da reduction diffArants. Loraqua la document est trop grand pour dtre reproduit en un S(«ul ciichA, ii est filmA A partir da Tangle supArieur gauche, de gauche A droite, et de haut en baa, an prenant la nombre d'imagaii nAcessaira. Las diagrammea suivants illustrent la mAthoda. 1 2 3 1 2 3 4 5 6 10X7j I ^' M W S. A A Poem, read at the Convocation of Trinity College, Toronto, on the 18th U(""eiulxT, 1862 ; to which was awarded the Pri/.e for English Verse, presented hy the Archdeacon of York. '«0A .' dtaih in life, the days that are no more ! ' The wave of life bore high its creoted top ; Then Bank, and fell into b lower deep, And passed away, and left an azare calm. The winds of Heaven raised the sands of Time, And formed a monument, a mighty Fame, A glorious city, strongest of tho earth ; And then these blasts rushed on, and hurled it down. And 'neath the acnds of Time it lay concealed. Before the weary feet of Israel Trod the hot sands that bound their promised rest, Petra was seated, rock-tbroned as a queen. And now when I^rael'd sole can find no rest, Petra rock-buried is no more a queen, Is bat a name, r shadow of the past Left by God's light upon the mountain side. Power sought a home, and hovered o'er her vale. And built an eyry on the hanging cliff Commerce brought sea-worn, and brown- dusted men Over the billows of cerulean depths. And o'er the wavr'ltiss seas of Araby, To wreathe a golden crown for Petra's brow. And pour their j ^weis at her sandalled feet. The busy sounds of hirdy labour rose. When rose the song cf early-singing bird; And when blue nfght put forth her dewy lamps The voice of tuneful mirth was heard around. Art came and smiled on Toil ; and Beauty grew Amid their homes, unnoticed ; as a child That plays unheeded in the house he glads. Here, first, welled forth the crystal stream that bathes In glowing power the reason of the world. And underatanding gleamed within their eyes Pomp had its throne, proud pageants swelled their hearts, And victory clothed with fame their mighty Kings. The proudest blossom on the bush of Time, A full-blown rose, it bloomed in crimson pride, And centred on itself the praise of men, And scorned the root and sap which gave it being, And where is now that rose ? Set ntless and dead, It's withered leaves lie scat >cred on the ground; I For Go(' ath sprken, and the proud are low. j Blank ruin calls to the pa^t, and solitude Wakens a death-like echo. The sad air Breathes but of death. The heavy, storm- born cloud > Of wrath has hung low in the burdened sky ; ; As hangs the \, eath of gloim above the burnt, [ And blackened ground where once a city stood. ' The sculptured homes of livicg and of dead, Beft of their tenants by the hand cf Time ! A lifeless statute of the life tha' was, i Blacked with the dust and cobwobs of aecay ! I An empty nest that once was sweet with song ! I The homes where lo ire let in the summer sun ; ' The homes which hate made dark with winter s gloom ; j The cot where bright- eyed hunger was at ' home ; The gold-built castle where her kings were fed; , The hallowed temple where her gods were I praised : {'All — are the homes of dragonc and cf beasts. And nhrieking owls, and ravens gloomy- j plumed. Silent the voice of power that scorned the ' world ; Silent the eager shouts of those who came With treasures of that world, far-gathered from The dusky East, the golden grained glebes Of sunny Egypt, and the farther west : Silent the toilful sounds of homy hands. The manifold rich sonnda of cheerful work ; Silent the scngs of those who plucked the grapes I Purpling the ripened vineyard, and of those ' Who trod the wine-press, with light purpled I feet ; I Silent are they who quaffed the goblet's stream. While hi^rpist singer sang his olden lay. And every eye was like a well of mirth ; Silent the temple and the priests' proud chants ; And silent King, and all who swelled the pomp Of Golden glory, and were loud with pride. The Eternal Voice that speaks in history spake : — << When the whole earth rejoiceth, I will make, " Thee desolate." And Petra knows 'twas Goo. / / \