CIHM Microfiche Series (IMonograpiis) ICIMH Collection de microfiches (monographies) Canadian Inttituta for Historical IMicroreproductions / Institut Canadian da microraproductions historiquas Technical and Bibliographic Notes / Notes techniques et bibllographlques The Institute has attempted to obtain the best originai copy available for filming. Features of this copy which may be bibliographically unique, which nwy alter any of the images in the reproduction, or which may significantly change the usual method of filming are checked below. D Coloured covers / Couverture de couleur □ Covers damaged / Couverture endommag^ □ Covers restored and/or laminated / Couverture restaur^e et/ou pelliculde Cover title missing / Le titre de couverture manque Coloured maps / Cartes g^raphiques en couleur I I Coloured ink (i.e. other than blue or black) / Encre de couleur (i.e. autre que bieue ou noire) Coloured plates and/or illustrations / Planches et/ou illustrations en couleur Bound with other material / Reli^ avec d'autres documents □ D D Only edition available / Seule Edition disponible Tight binding may cause shadows or distortion atong interior margin / La reliure serrte peut causer de I'ombre ou de la distorsion le long de la marge int^rieure. Blank leaves added during restorations may appear within the text. Whenever possible, these have been omitted from filming / Use peut que certaines pages blanches ajout^es lors d'une restauration apparaissent dans le texte, mais, lorsque cela 6tait possible, ces pages n'ont pas 6X6 filmtes. Additional comments / Commentaires suppl^mentaires: L'Institut a microfilm^ le mellleur exemplaire qu'll lul a 6t6 possible de se procurer. Les details de cet exem- plaire qui sont peut-4tre unk:|ue8 du point de vue blbll- ographique. qui peuvent modifier une image reproduite, ou qui peuvent exiger une modifk»tk)n dans la metho- ds nonnale de filmage sont indk^ute ci-dessous. I I Cotoured pages/ Pages de couleur I I Pages damaged/ Pages endommag6es □ Pages restored and/or laminated / Pages restaurtes et/ou pelllcul6es Q Pages discotoured, stained or foxed / Pages dteolortes, tachet^es ou piques Pages detached / Pages d^tach^s Showthrough / Transparence Quality of print varies / Oualitd in^gaie de I'impression Includes supplementary material / Comprend du materiel suppl^mentaire Pages wholly or partially obscured by errata slips, tissues, etc., have been refilmed to ensure the best possible image / Les pages totalement ou partieilement obscurcies par un feuillet d'errata, une pelure, etc., ont 6t6 filmtes k nouveau de fafon h obtenir la meilleure image possible. Opposing pages with varying colouration or discolourations are filmed twice to ensure the best possible image / Les pages s'opposant ayant des colorations variables ou des decolorations sont filmdes deux fois afin d'obtenir la meilleure image possible. □ D This item \» f iinMd at th« reduction ratio ehacicad baiow / Ca document est Illm4 au taux de rMuction indiqu« ci-dessous. lOx 14x 18x 22x 26x 30x 7 12x 16x 20x 24x 9flv A9v Th« copy f ilm«d h»n hM bMn r«produc«d thank* U» th« g«n«ro*itv off: Biblioth*4u« national* du Qu«b*e L'*x*mplaira film4 fut raproduH grlc* A la g4n*rosit4 d*: Bibllothiqu* nation*l* du QuM>*c Th* imafl** appearing har* ara th* ba*t qu*iity po**lbl* eon*ldaring tha condition and lagibillty of tha original copy and in Icaaping wKh tha filming contract spacif Ication*. Original copia* In printad papar covar* ara fllmad beginning with tha front covar and anding on tha last paga with a printad or iiluatratad Impraa- sion. or tha bacic covar whan appropriata. All other original copias ara fllmad beginning on the first pege with a printad or illustrated impres- sion, and ending on the last page with a printed or illustrated impression. The lest recorded freme on eech microfiche shall contain the symbol — ^ (meening "CON- TINUED"), or the symbol ▼ (meening "END"), whichever epplies. Maps, plates, cherts, etc.. mey be filmed et different reduction retlos. Those too Isrge to be entirely included in one exposure ere filmed beginning in the upper left hand comer, left to right end top to bottom, es meny fremes es required. The following diegrems illustrate the method: Les imegec suiventes ont tit reproduites svec le plus grand soin. compta tenu de le condKion et de le netteti de rexemplaire filmi. et en conformKi evec les conditions du eontrat de filmege. Les exempleirec origineux dont le couverture en pepier est imprimis sent filmte sn comment ent per le premier plat et en termlnent soit per la darnlAre pege qui comporte ur«e empreinte dimpression ou dlllustration. soit par la second plat, aelon le cas. Tous Iss autres exempleires origineux sent filmto en commen^ant per la pramiire page qui comporte une empreinte dimpression ou d'illustration et en termlnent per ia damiire page qui comporte une telle empreinte. Un des symboles suhrsnts sppereltre sur Is derniAre imege de cheque microfiche, sslon le cas: la symbole -*> signifie "A SUIVRE". le symbols Vsignifle "FIN". Les cartes, pisnches. tableeux. etc.. peuvent itre filmte i dea taux de rMuction diffirents. Lorsque le document est trop grend pour Atre reprodult en un seui clichA. 11 est f limA A pertir de rangle supArieur geuche. de gauche i droite. et de heut en bes. en prenent le nombre d'imeges nAcessoire. Les diagrammes suivsnts illustrsnt ia mithode. 1 2 3 1 2 3 4 5 6 *«C«OCOrV RBOUJTK>N TBT CHART ANSI and ISO TEST CHART No. 2) in ■ 2.? 12.0 l£ "2J |3j2 1ft 1^ 111 ■ 40 1.8 ^ APPLIED IIVUC S^ I^'^ f°" Main slfMt ~ r.= r^rflVi '*•* ^O'* H609 us* ^B ("6) 482 -0300 -Phone ^ (716) 288- J9a9-Fa< 't^t ARCHIE brow: A Temperance Poem A ■ 'i' I BY LINDEN CAri Look not thou upon the wine when H is red."^'— Phov. 23, 31. Pont»aI: JOHN uyyvuL t son. 1901. PREFACE. In the following Poem the writer has endeavoured to illustrate the journey of an innocent boy down through the stages of petty vices, drink and disgrace. Fictitious as " Archie Brown " and his life depicted in these verses may be, the reader will no doubt agree with the writer in feeling with regret that many a poor drunken tram" would relate as sad a tale were he to give a true account of his past life. The nature of the Poem may suggest its being used as a recitation, the reciter being disguised as a drunkard of about sixty years of age. Stanbridge, July, 1901. ., B.Q.R. *^. ^vchu '^vomn A TEMPERANCE POEM. BT LINDEN CARTER. Young man, look at me, see this bloated face, These bloodshot eyes, that wrinkled brow, and place Your ear upon this breast. The beat within Is muffled and irregular. How thin These trembling hands that I can scarce command ; My kiiees they totter, I can hardly stand. W*< o.n I but a miserable wretch? I ' • ', at evening I stretch ."-T (imbs upon a mow of hay, '.' ''< ^ again upon the coming day ; Aiiu i...'- m^kiim i He started up and looked about him ; there His mother stood. Oh never could he bear To look into those eyes again ; his head He buried in his trembling hands, and said, " Oh mother, come not near me, go away ; 'Twere better you had died than see this day." " My boy, my darling boy ! " the woman cried, And threw herself upon her knees beside The trembling form. I am your mother still, I loved you once, I love you now, and will In spite of all that they may say or do, In spite of all. Oh Heaven, is it true ? " But Archxe, never shall your mother think That you have done this awful deed ; 'twas drink, And he who aold the cursed stuff, and those Who vote for the saloon. Your mother knows Her boy, her Archie is not all alone Condemned by God for this that has been done." " What has been done ? Oh mother, tell me all ! Have I been dreaming ? Will this prison wall Soon fade away ? Will I awake to find Some dread illusion has preyed on my mind 1 Oh what a dream ! It seems as if I had Been fighting, and was, oh, so mad, so mad. It seems as if I drew my pistol out And fired it, mother, when there came a shout Of "murder"; then they brought me to this place. But more than all that haunts me is a face, It is the face of father, white with fear. I must have seen him somewhere. Was he here ? - i to "My boy t My boy t How can I tell you all? And still I must I Those things that you recall Are not illusions ; they are all too true. But Archie, more must I make known to you, Though through my heart it pierces like a knife ; That random bullet took your father's life." And then she broke down and could say no more ; The warden led her from the cell, the door Was locked, and Archie was once more alone- Poor half-crazed wretch, if he had but have known The wiles of drink before it was too late, And thus avoided such an awful fate. This very day which might have crowned his name With honor had, alas ! crowned it with shame ; Those parents had this morning come to town With hopes so high, and one, while walking down The street, had seen a sight that must have chilled His spirits. Yes I By Archie had been killed. Killed by the hand of that unworthy son, For whom so much he willingly had done. Now, had that loving mother lived to see Her boy, her Archibald that used to be Her joy and hope, almost a murderer. What greater sorrow could have come to her f And now, young man, since that eventful day Some forty long, long years have passed away ; And still, no doubt, the tale of Archie Brown Is oft related in the little town Of Greyville, that the boys may warning take. And never break the good resolves they make. wmm m I> II The old grandfather points with trembling hand Towards the churchyard where two tombstones stand To mark where Archie's long dead parents lie ; And tells it over, how they came to die, The one as you have heard, the other from A broken heart before the snow had come. And what of Archie all these years ? you ask. To tell you all would be a tryinjs task ; Suffice to say he is a drunkard still, And soon expects a drunkard's grave to fill. A cursed existence will have ended then ; But, ah ! how different it might have been. You now have heard my sad, sad story through ; When someone hands the hellish cup to you, May you remember all I've said, and think A moment, ere the fiery stuff you drink, If you would really like to travel down The same old road I'm on — I, Archie Brown. * , V* • • • • • • •••••• • •• • • • • '••.: :: • • • •• •• •• • «