CIHM 
 Microfiche 
 Series 
 (l\/lonographs) 
 
 ICMH 
 
 Collection de 
 microfiches 
 (monographies) 
 
 m\ 
 
 Canadian Instituta for Historical IMicroraproduction* / Inatitut :anadion da microraproductiona historiques 
 
Technical and Bibliographic Notes / Notes technique et bibliographiques 
 
 The Institute ttas attempted to obtain the best original 
 copy available for filming. Features of this copy which 
 may be bibliographlcally unique, which may alter any of 
 the images in the reproduction, or which may 
 significantly change the usual method of filming are 
 checked below. 
 
 D 
 
 D 
 
 D 
 
 D 
 D 
 D 
 
 D 
 
 D 
 
 D 
 
 D 
 
 n 
 
 D 
 
 Coloured coi«rs / 
 Couverture de couleur 
 
 Covers damaged / 
 Couverture ertdommag^ 
 
 Covers restored and/or laminated / 
 Couverture restaur^e et/ou pellicuiee 
 
 Cover title missing / Le titre de couverture manque 
 
 Coloured maps / Cartes gtegraphiques en couleur 
 
 Coloured ink (i.e. otfier than blue or black) / 
 Encre de couleur (i.e. autre que bieue ou noire) 
 
 Coloured plates and/or illustrations / 
 Planches et/ou illustrations en couleur 
 
 Bound with other material / 
 Reli^ avec d'autres documents 
 
 Only edition available / 
 Seule edition disponlble 
 
 Tight binding may cause shadows or distortion 
 along interior margin / La reliure serree peut 
 causer de I'ombre ou de la distorsion le long de 
 la marge int^rieure. 
 
 Blank leaves added during rBsturatk)ns may appear 
 within the text. Whenever possible, these have 
 been omitted from filming / II se peut que certaines 
 pages blanches ajouties lors d'une restauration 
 appaiaissent dans le texte, mais, kxsque cela dtait 
 possible, ces pages n'ont pas ^ film^. 
 
 AddHkmal comments / 
 Commentaires suppl^mentaires: 
 
 L'Institut a microfilm^ le meilleur examplaire qu'il lui a 
 dt^ possible de se procurer. Les details de cet exem- 
 plaire qui sont peut-6tre uniques du point de vue bibli- 
 ographique, qui peuvent nradifier une image reproduite, 
 ou qui peuvent exiger une modifications dans la m6th- 
 ode nonmale de filmage sont indiqu6s ci-dessous. 
 
 I I Coloured pages / Pages de couleur 
 
 I I Pages damaged / Pages endommagees 
 
 I I Pages restored and/or laminated / 
 ' — ' Pages restauries et/ou pelliculees 
 
 Pages discoloured, stained or foxed / 
 Pages dto>lorees, tachettes ou pkgutes 
 
 Pages detached / Pages ddtachdss 
 
 
 
 D 
 
 Fyl Showthrough / Tran^arence 
 
 I I Quality of print varies / 
 
 ' — ' QualJt^ in^le de I'impression 
 
 I I Includes supplement^ material / 
 ' — ' Comprend du mctdriel supplementaire 
 
 I I Pages wholly or partially obscured by errata 
 ' — ' slips, tissues, etc., have been refilmed to 
 ensure the best possible Image / Les pages 
 totalement ou partiellement obscurcies par un 
 feuillet d'errata, une pelure, etc., ont 6t6 filmees 
 k nouveau de fapon a obtenir la meilleure 
 image possible. 
 
 I I Opposing pages with varying colouration or 
 < — ' discolou rations are filmed twice to ensure the 
 best possible image / Les pages s'opposant 
 ayant des colorations variable ou des decol- 
 orations sont filmdes deux fois afin d'obtenir la 
 meilleur image possible. 
 
 
 10X 14X 18X 
 
 
 Z2X 
 
 
 
 
 26X 
 
 
 
 
 30X 
 
 
 
 
 
 
 
 
 
 
 
 
 J 
 
 
 
 _ 
 
 
 
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 20X 
 
 2SX 
 
Th« copy fllmad hara ha* baan raproduead thank* 
 to tha ganaroalty of: 
 
 National Library of Canada 
 
 L'aaamplaira (ilm* fut raproduit grica * la 
 g*n4rosit* da: 
 
 Blbllotha^ia natlonala du Canada 
 
 Tha imagaa appaaring hara ara tha baat quality 
 poiiibla eonaidaring tha condition and lagibility 
 o( tha original copy and in kaaping with tha 
 filming eenwact apacificaliena. 
 
 Original capiat in printad papar covara ara flimad 
 baginning with tha front covar and anding on 
 tha laat paga with a printad or illuatratad impraa- 
 ■ion, or tha back covar whan apprepriata. All 
 othar original capiat ara filmad baginning on tha 
 tint paga with a printad or illuttratad impraa- 
 tion. and anding on tha latt paga with a printad 
 or illuatratad imprastion. 
 
 Tha latt racordad frama on aach microfleha 
 ■hall contain tha tymbol ^^ (maaning "CON- 
 TINUED"), or tha symbol ▼ Imaaning "END"), 
 whiehawar appliaa. 
 
 Lat imagat tuivantat ont *t* raproduitat avac I* 
 plut grind toin. campta tanu da la condition at 
 da la nanat* da I'aiamplaira film*, at an 
 eonfermit* avae laa eonditiona du eontrat da 
 fllmaga. 
 
 Laa aaamplairat originaux dont la couvartura an 
 papiar aat imprimOa tont fllmOt an eommancant 
 par la pramiar plat at an tarminant toit par la 
 darnitra paga qui eomporta una amprainia 
 d'Imprattion ou d'llluttration, toit par la aacond 
 plat, talon la caa. Toua laa autrat axamplairat 
 originaux tent filmaa an eommancant par la 
 pramiara paga qui eomporta una amprainta 
 d'impraation ou d'llluttration at an tarminant par 
 la darniAra paga qui eomporta una talla 
 amprainta. 
 
 Un dat lymbolaa tuivantt tpparaitra tur la 
 darniira imaga da chaqua microfiche, talon la 
 eat: la tymbola —» tignifia "A SUIVRE". la 
 tymbola ▼ tignifia "FIN". 
 
 Mapa, platat, eharu, etc.. may ba filmad at 
 diffarant reduction ratioa. Thota too large to ba 
 entirely included in one expotura are filmed 
 baginning in tha uppar left hand corner, left to 
 right and top to bottom, at many frames as 
 required. Tha following diagrams illustrate the 
 method: 
 
 Lat cartat. planchaa, tableaux, etc., peuvant aire 
 filmat * daa Uux da rOduction diff*rentt. 
 Lortque la document att trap grand pour itra 
 reproduit en un teul clicha, il est films S partir 
 da Tangle supdriaur gauche, de gauche S droito. 
 et de haut an bas, an prenant la nombra 
 d'imagea ndcassaira. Lea diagrammes suivantt 
 illustrent la mathoda. 
 
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MKROCOPy IKSOIUTION '"ST CHART 
 
 (ANSI and ISO TEST CHART No. 2) 
 
 '^1^1^ 
 
 _^ /APPLIED IIVHGE In 
 
 — — ^ 1653 East Main Street 
 
 g'^JS Rochestsf. New York 14609 USA 
 
 'l= (7'6) 482 - 0300 - Phone 
 
 ^S (^'B) 288 -5989 -rax 
 
FOUR SONNETS 
 
 BT 
 
 BLISS CARMAN 
 
lyl/Ct-Utj fi 
 
 All Up, Please ! 
 
 ARE we satisfied that "The Star-Spangled Banner," written for a special o< a 
 "sion. should serve for all time as ojr "national hymn"? Leaving othe 
 faults out of account. "The St»r-Span(,'Ied Banner" is very hard for most of u 
 to sine at all Americ." is easier, and the words nobler, but the tune is asso 
 ciated with Enjfland's national hymn and with Prussia's court hymn. Afte 
 
 Siii" .1 ri r^'' "°"h*'' "y"" "' *''= Republic," sunK to "John Brown' 
 Body, stands first amonc all our songs of patriotism. One can march to that 
 fo™,."nrtrTM »"■* ^"L7 King with a "Hymn of Freedom." The poet in 
 forms us that Mr. Roy Webb, a nephew of Digby Bell, has written some thrillin 
 music for the verses. Here are the words: 
 
 Unfurl the flag of Freedom, 
 
 Fling far the bugle blast! 
 There cornea a sound of marching 
 
 From out the mighty past. 
 Let every peak and valley 
 
 Ta' e up the valiant cry: 
 Where, beautiful as morning, 
 
 Our banner cuts the sky. 
 
 Free-born to peace and justice, 
 
 We stand to guard and save 
 The liberty of manhood. 
 
 The faith our fathers gave. 
 Then soar aloft. Old Glory, 
 
 And tell the waiting breeze 
 No law but Right and AJercy 
 
 Shall rule the Sefen Seas. 
 
 No hate is in our anger. 
 
 No vengeance in our mrath. 
 We hold the line of freedom 
 
 Across the tyrant's path. 
 Where'er oppression vaunteth 
 
 We loose the sword once more 
 To stay the feet of conquest. 
 
 And pray an end of war. 
 
 We shall be glad to publish any original pa' 
 to us and that are as stirring and as singable 
 we have no official national hymn; "Tht S*— - " 
 time to time nominated for the honor by v 
 has ever so established. Meanwhile— we su.. 
 
 "nngs ,.iat may be submitte 
 
 '<'ing's. As things stant 
 
 ■nner" has been fior 
 
 of Congres- 
 
 «lom" 
 
a special o< ;■ 
 Leaving othe 
 for most of u 
 e tune is asso 
 hymn. Afte 
 "John Brown' 
 narch to that 
 The poet in 
 some thrillin: 
 
 f justice, 
 md nave 
 
 » gave, 
 'ory, 
 b.'fezt 
 Mercy 
 
 Seiin. 
 
 be submitte 
 things stani 
 as been fior 
 
 of Congres- 
 «lom" 
 
 I 
 
 FOUR SONNETS 
 
 BY 
 BLISS CARMAN 
 
 nii 
 
 ^ "t.aton 
 Small, Maynard and Company 
 Publishers 
 
Copyright, 1010, 
 By Small, Matnaro k CoutAKt 
 
 (IHCOBTOBATKO) 
 
FOUR SONNETS 
 
 BLI3S CARMAN 
 
t 
 
 i 
 
 EAVEN if no larger ti^an Con- 
 necticut ; 
 
 No larger than Fair'ield County ; 
 no, no larger 
 
 Than the little valley of the Silver- 
 
 mine 
 
 The white aun viaita and the wandering ahowera. 
 
 For there ia room enough for apring'a return, 
 
 For lilac eveninga and the riaing moon 
 
 And time enough for autumn'a idle de ., 
 
 When aoul ia ripe for immortality. 
 
 And then when winter somea with amoldering du»k 
 
 To kindle roay flamea upon the hearth. 
 
 And hang hia atarry belt upon the night, 
 
 One firelit room ia large enough for heaven, 
 
 For all we know of wiadom and of love. 
 
 And the eternal welfare of the heart. 
 
■i 
 
II 
 
 u 
 
 ERE April wanders from the 
 
 rainy Sound, — 
 
 Ethereal Beauty in her shining 
 
 veil, 
 
 Who like a lyric dancer comes 
 
 with joy, — 
 And we behold entranced her mystic form 
 Gleam through the silver showers against the hill, 
 And must forever follow on her trace. 
 Bewitched as children in a fairy tale 
 By all the magic loveliness of earth. 
 And hark, what music in the dusk is made 
 Along the waking meadows, where the stream 
 Murmurs at twilight when the moon is large. 
 While from the willown in the marshy ground 
 Rises the watery treble of the frogs, — 
 The wild Pandean chorus of the spring ! 
 
Ill 
 
 ** 
 
 OW when the time of fruit and 
 
 grain is come, 
 
 When apples hang above the 
 : orchard wall, 
 
 And from the tangle by the road- 
 Jside stream 
 A scent of wild grapes fills the racy air. 
 Comes Autumn with her sun-burnt caravan, 
 Like a long gypsy train with trappings gay 
 And tattered colors of the Orient, 
 Moving slow-footed through the dreamy hills. 
 The woods of Wilton, at her coming, wear 
 Tints of Bokhara and of Samarcand; 
 The maples glow with their Pompeian red. 
 The hickories with burnt Etruscan gold ; 
 And while the crickets fife along her march. 
 Behind her banners burns the crimson sun. 
 
•> 
 
IV 
 
 •!» 
 
 HEN winter comes, along the 
 
 Silvermine, 
 
 And earth has put away her 
 
 green attire, 
 
 With all the pomp of her autumnal 
 
 Ipride, 
 
 The world is made a sanctuary old, 
 Where Gothic trees uphold the arch of gray. 
 And gaunt stone fences on the ridge's crest 
 Stand like carved screens bttore a crimson shrine, 
 Showing the sunset glory through the chinks. 
 There, like a nun with frosty breath, the soul. 
 Uplift in adoration, sees the world 
 Transfigured as a temple of her Lord ; 
 While down the soft blue-shadowed aisles of snow 
 Ni-^ht, like a sacristan with silent step, 
 Passes to light the tapers of the stars. 
 
H ri^n 
 
•} 
 
 Four hundred and thirty-eight copies 
 C^^r private distribution, Christmas, 
 nineteen sixteen, printed for Shall, 
 Matnard and CoHPAifT, Incor- 
 porated, by The University Press, 
 Cambridge, Massachusetts, U. S. A. 
 
 fi