CIHM Microfiche Series (l\/lonographs) ICIVIH Collection de microfiches (monographies) Canadian Institute for Historical Microredroductions/lnstitut canadien de microreproductions historiques Technical and Bibliographic Notes / Notes techniques et bibliographiques The Institute has attempted to obtain the best original copy available for filming. Features of this copy which may be bibliographically unique, which may alter any of the images in the reproduction, or which may significantly change the usual method of filming are checked below. □ Coloured covers / Couverture de couleur I I Covers damaged / Couverture endommag6e □ Covers restored and/or laminated / Couverture restaur6e et/ou peliicul6e n Cover title missing / Le titre de couverture manque I I Coloured maps / Cartes g6ographiques en couleur □ Coloured ink (i.e. other than blue or black) / Encre de couleur (i.e. autre que bleue ou noire) □ Coloured plates and/or illustrations / Planches et/ou lilustrations en couleur Bound with other material / Relie avec d'autres documents Only edition available / Seule edition disponible Tight binding may cause shadows or distortion along interior margin / La reliure serree peut causer de Tombre ou de la distorsion le long de la marge interieure. Blank leaves added during restorations may appear within the text. Whenever possible, these have been omitted from filming / Use peut que certaines pages blanches ajoutees lors d'une restauration apparaissent dans le texte, mais, lorsque cela etait possible, ces pages n'ont pas et6 filmees. Additional comments / Commentaires suppiementaires: D D D D L'Institut a nicrofilm6 le meilleur exemplaire qu'il lui a 6te possible de se procurer. Les details de cet exem- plaire qui sont peut-etre uniques du point de vue bibli- ographique, qui peuvent modifier una image reproduite, ou qui peuvent exiger une modification dans la m6tho- de normale de filmage sont indiques cl-dessous. 1 Coloured pages / Pages de couleur I I Pages damaged / Pages endommag^es D Pages restored and/or laminated / Pages restaurees et/ou pellicul^es Pages discoloured, stained or foxed / Pages d^color^es, tachet^es ou piqu^es I Pages detached / Pages d6tach6es L/l Showthrough / Transparence I I Quality of print varies / D D D Quality in^gale de I'impression Includes supplementary material / Comprend du materiel suppl§mentaire Pages wholly or partially obscured by errata slips, tissues, etc., have been refilmed to ensure the best possible image / Les pages totalement ou partiellement obscurcies par un feuillet d'errata, une pelure, etc., ont et6 filmees a nouveau de fa?on a obtenir la meilleure image possible. Opposing pages with varying colouration or discolourations are filmed twice to ensure the best possible image / Les pages s'opposant ayant des colorations variables ou des decolorations sont film6es deux fois afin d'obtenir la meilleure image possible. D This item is filmed at the reduction ratio checked below / Ce document est filme au taux de reduction indique ci-dessous. 10x 14x 18x 22x 26x 30x 12x 16x 20x 24x 28x 32x ■'i% The copy filmed here has been reproduced thanks to the generosity of: Montreal Museum of Fine Arts Library L'exemplaire filmi fut reproduit grace ^ la g^nirositd de: Musee des Beaux-Arts de Montreal Bibliotheque The images appearing here are the best quality possible considering the condition and legibility of the original copy and in keeping with the filming contract specificationa. Les images suivantes ont ixi reproduites avec le plus grand soin. compte tenu de la condition et de la nettetA de l'exemplaire filrn^, et en conformity avec les conditions du contrat de filmage. Original copies in printed paper covers are filmed beginning with the front cover and ending on the last page with a printed or illustrated impres- sion, or the back cover when appropriate. All other original copies are filmed beginning on the first page with a printed or illustrated impres- sion, and ending on the last page with a printed or illustrated impression. Les exemplaires originaux dont la couverture en papier est imprim^e sont filmis en commencant par le premier plat et en terminant soit par la derniAre page qui comporte una empreinte d'impression ou d'illustration, soit par le second plat, salon le cas. Tous les autres exemplaires originaux sont film^s en commenpant par la premiere page qui comporte une empreinte d'impression ou d'illustration et en terminant par la derniire page qui comporte une telle empreinte. The last recorded frame on each microfiche shall contain the symbol — ^ (meaning "CON- TINUED"), or the symbol V (meaning "END"), whichever applies. Un des symboles suivants apparaitra sur la dernidre image de cheque microfiche, selon I cas: le symbole — ^ signifie "A SUIVRE", le symbole V signifie "FIN", Maps, plates, charts, etc., may be filmed at different reduction ratios. Those too large to be entirely included in one exposure are filmed beginning in the upper left hand corner, left to right and top to bottom, as many frames as required. The following diagrams illustrate the method: Les cartes, planches, tableaux, etc., peuvent etre film6s A des taux de reduction diff^rents. Lorsque le document est trop grand pour etre reproduit en un seul clichi, il est film^ d partir de Tangle supirieur gauche, de gauche i droite. et de haut en bas, en prenant le nombre d'images n^cessaire. Les diagrammes suivants illustrent la m^thode. 1 2 3 1 2 3 4 5 6 MICROCOPY RESOLUTION TEST CHART (ANSI and ISO TEST CHART No. 2) 1.0 I.I m 2.8 m m 1 ^'^ 1^ IliP:.^ 114.0 2.5 2.2 2.0 1.8 1.25 1.4 1.6 ^ .APPLIED IIVMGE Inc 1653 East Main Street Rochester. New Yorl< 14609 (716) 482 - OJOO - Phone (716) 288 - 5989 - Fax USA •q/l ^ Qiri Association of Motttreat S^atatogue t^oan Sottectlon Noveifi^sr 1883 IXJ (^rt (Association of Moutr*icir ^Satato^us iboan tr/y/\,.Vj*.C-. .- \ t v.- I *«• CI pi, -< >VW £._ (S-dX^ J tl>nc. r^Ait^-A>-«r/^^^ -J i I i if c ili i INTRODUCTORY The " Salon " held yearly in Paris is the most important annual exhibition of works of art. Like the Royal Academy, it for a few years since has been controlled eniirely by artists, and even while under the management of the French Government the rewards bestowed were distributed by a jury of artists. These rewards are, for painting ; Honourable Menti.^us, Medals of a Tiiird, Second and First Class, and a unique medal of Honour. French and foreign painters are also admitted to the Legion of Honour for professional di.ninction. Since giving over to the artists the control of the annual " Salon," the French Govern- ment has instituted Triennial Exhibitions, the first of which has just closed. To this but eight hundred paintings are admitted, in the Salon last spring nearly twenty- five hundred pictures were hung, so that admission to the Triennial Exhibition is a mark of excellence, more trustworthy, at all events, than any similar criterion. This distinction has therefore been indicated in the case of the artists who are represented in the Loan Collection. NcilluT llic IJiilisli GovcrmiiLiit nor the Royal Acaduiny confers similar honours. It. may he adiled that il is less easy to obtain information about tin; prcjfessional careers of British than of foreign painters. As with scarcely an exception, the artists whose names are found in this catalogue exhibit in the Salon or the Royal Academy Exhibition, it has been thought unnecessary to indicate this in each case. The following abbreviations arc used : — R.A., Royal Academician. R.S.A., Royal Scottish Academician. R.C.A., Royal Canadian Academician. A.N. A., Associate of the National Academy, U.S. H C, (Ilors Concours) Indicates that the artist has obtained in the Paris Salon honours which remove him from competition for all but the Medal of Honour. /)!/>///).• :^s the titles of ivliicli. ill I lie calalo^^itc arc uufrkcd 7cith an '* are for sale. Pietiiyes have been entered as named />y the o7(jners. ) I i: OIL PAINTINGS. ANCIENT MASTERS. The property of lion. D. A. Smith. MEMLING HANS (i43o?-i495), of Ihngcs, an early Flemish Master, whose work is celebrated for its brilliancy and refiiieincnt. 1- ADORATION OF THE MAGI. PERUGINO, PiETKO Vaxucci, (called), an Italian Master (1446— 1524), whose work shov.'. a development beyond that of earlier masters in regard for nature and appreciation of beauty. 2— CIIRLST TRIUMrilANT. RAFPAELE, Sanzki, (I4!s,5— 1520), one of the gieatcst Ilnlinn pninlcf'^ 3-iii:ai) of a cardinal. l'"rnni Ilamilton Talace. REMBRANDT, H. G. VON RUN, (1606— 16G9), the greatest Dutcli painter. 4— tih: I'Kixri-. of ouei-ders menacing tiis father IX I'lUSON. F'rom Hamilton Palace. LE SUEUR, E., (1617—1655), called the French Raphael. 5 ROMAN Si:\ATORS GOINC TO THE FORUM. VANDYCK, ANTONIO (1599— 1641), bom in Antwerp, tliis painter trained by Rubens, spent much of his life in l^igland, where lie was Court Painter to Charles II, by whom he was knighted. lie died in London and was buried in St. Panl'.s. 6-DESCENT FROM THE CROSS. From IlamiUon Palace. This picture is a fine example of his style. VENUSTI, MAROELLO (1515— 1576), an Italian Master, who closely followed the work of Michael Angelo. 7— THE ANNUNCIATION. Formerly in the Borghese Gallery and llamiltop Palace. MODERN PAINTINGS. AITKEN, J. A., (British,) studied at the Duhlin School of Art. Asso- ciate of the Royal Hibernian Academy. 8— THE LORD OF THE MIST. The property of John Hope, Esq. BIRD, HARRINGTON, A.R.C.A. * 9— MARINES (pair). a. Penalva jioint, Lizard, Cornwall. />. Poltesco Cove, Cornwall. BLOOMER, H., an American living in England. 10— THE MOOR NEAR GREAT MARLOW. The property of Wm. Scott & Son. lOfl— THE PLAINS OF BARRIZON. The property of H. Lyman, Esq. » » I I BAKER, ELLEN K. 11— WAITINC: FOR A lUTE. The property of Wm. Scott & Son. CHALMERS, J. P. (the late), A.R.S.A. 12— A STUDENT. The property of John Hope, Esq. CHAMBERS, G. W. 13— THE SHEPHERDESS. The property of John Popham, Esq. CHURCH, P. S.,an American Artist. 14-FOG AND FORAGE. The property of Hon. J. J. C. Abbott. CERRADINl, 0. (Rome). 15~'1IIE PORTRAIT. The property of Hon. J. J. C. Abbott. X CONSTANT, BENJAMIN, (l'"rcncli,) a pupil of Calwnel. srd class Medal 1S75, 211(1 Class 1S76, Chevalier, Lei,Moii of Honour 1878, 3rd Class Medal al llie Exposilioii Universelle 187S. H.C. 16— IIEROIADE. The property of G. A. Drummond, Esq. DAMOYE, PIERRE EMMANUEL, (French,) a pupil of Corel, Dauhij^ny and Ronnat. 3rd Class Medal 1879. Represented in the Triennial Salon. 17_ST. DENIS, NEAR TARTS. The property of J. W. Tetnpest, Esq. DONALD, J. MILL, (ihe late). 18 -si\si;t. The property of John Hope, Esq. DUFOUR, CAMILLE, (Ircnch,) Honorable Mention. 19-1 X rni': vos(;ks. Tl)o properly of \Vm. Scolt Sz Son. ERNST, B., (Austrian,) pupil of Futnivhach. 20— IN THE STUDY. Salon, 1882. The property of J. W. Tempest, Esq, FORBES, STANHOPE A., (British,) a pupil of the Royal Academy and lionnat. 21— THE FLOWER GIRL. The property of Hugh McLennan, Esq. HARDY, HEYWOOD. 22— THE SLAIN ENEMY. " Safe in his father's arms, He hears witli trembling eagerness tlie tale How fought the wolf, how fell." The property of Geo. Stephen, Esq. HARRIS, ROBERT, R.O.A., a pupil of Bonnat. *23-" HE,-LHvE HIS SABRE, WHEN THE WARS WERE O'ER, GREW RUSTY." HODGES, SYDNEY. 24— rORTRAlT OF PETER REDPATH, ESQ. The property of McGill University, HOLL, J. C, A.R.S.A. 25-FALSTAl-F AND PRINCE HENRY. (Sketch fur picture in R.S.A Exhihiliun, 1SS3.) FalsTAIK — " I mridi; no more " ado, inil took all their " seven points in my target, ••ihus"- Thc property o*" John Hope, Esq. JOUBERT, LEON, (Frencli), a pupil of Pelouse. Represented in the Triennial Exhibition. 26— NEAR ROCIIEFORT EN TERRE. The property of J. W. Tempest, Eaq. LAUG:EIB, FRANCOIS DESIRE, (French), a pupil of Pieot. 3rd Class medal, 1851, 2nd Class at the Exposition Universelle, i855*-i859, 1st Class i85i*— 1863, Chevalier, Legion of Honour 1865. H. O. Repre- sented in the Trienriial Exhibition 1883. 27— THE GLEANER. The property ofi R. B. Angus, Esq. 28— POTATO HARVEST, (PAYSANNE EN REPOS). Chalk Drawing. The property of Wm. Scott & Son. LOIR, LUIQI, (Ualiaii,) stu.licil ,it the Hcaii.v Arl.>, I'arina. ^jnl (^lass Medal 1879. 20— THE GLOAMING, AUTEUIL. Salon, 1883. The property of R. B. Angiis, Ks(i. McWBlRTER, J., A.RA. 30-TIIE IIIGIILANU I'OST. '* Cauld blaws the blast Across the moor." The property of John I J ope, Esq. MORAN, THOS.,A.N.A. 31 -THE CLJKFS, GREEN RIVER, YELLOWSTONE PARR. The property of Hon. J. J. C. Abbott. MILLET, J. F,, (the late), Chevalier, lA_i;icin nf lloiiuiii, llie uio.-it eimiKiit painter of the rustic life of France. (1814— 1875). 32-TIIE SIIEl'IIEKUESS. The property of Frothingluiin Estalc. PELOUSE, LEON GERMAIN, (French,) 2ii(l Clas.s Medal 1S73, l.sl Class 1876, 2nd Class Exposition Universelle 1S78, Chevalier, Leijiun of Honour 1878. Represented in the Triennial Exhil)ilion 1883. H.O. 33— LE CIIEMIN DU MANOIR DU BOIS A CONCORNEAU. The property of Wm. Scott & Son. 34— IN THE WOODS AT CERXAV. The property of John Popham, Esq. 35— LES FONDS DE SENLISSE, (JUNE MORNING). (From the Triennial at Paris, not arrived at the opening of the Exhibition). The property of Wm. Scott & Son. PETTIE, J., R.A. 36-TlIl': Al'TAKITlON. The Monastery. Sir Waller Stoll. PILOTY, CHARLES VON, ((Jerman.) i.l Class Medal at the ExpoM- lion Universelle, 1807. H,0. 37— THE LAST MOMENTS OF THE GIRONDISTS. The property of G. A. Drummoml, Esq. SMITH-HALD, PRITHJOF, (Swedish,) a pupil of Gude. Represenled in the Triennial Exhibition, 1S83. 38-EVENING, IN CORNWALL. 39— REPOSE, IN CORNWALL. The property of Wm. Scott & Son. SMYTHSON, M. H., (Flnti.h.) 40-A LONDON WAIF. The property of John Popham, Esq. THOMPSON, H., (of iMiijli.sh Ijiilh iiviiit; in I'laiicc,) a pupil of IJonnat. Honorable Mcnlion, 1SS2. 41-SIIEEr. 42-A PASTORAL. The property of J. W. Tempest, Esq. The property of John Popham, Esq. DeTHOREN, OTHON, (Austrian,) Medal 1865. Kqwsentcd in liic Tii- cnniil Exliibilion, 1S83. 43— RETURN FROM MARKET, HUNGARY. The property of R. B. Angus, Esq. VERNIER, EMILE LOUIS, (liuicli,) .511! Clav. Md.il 1879, 2iul Class iSSo, I liLvalici, I,(.'|.;i()M ul llniiDiii, iJSSi. KcpicsciUcil ill llic Triuiinial lixhibilion, 1SS3. H.O. 44 'I- :-ll UN n\- Till': SIIklMl'l'KS. Till; property of R. li. Angus, Esq. WYLD, WILLIAM, (l)oin 111 Lull . liviri; in Taiis,) Jid Class Molal 1839, 2iul lass 1841, Clicvalicr, lAgioii of lluiiour at the Kxpusiliuii Uui- vdscllc ul 1855. H.O. 45-SCi:XE L\ AUilKKS. 46— MARINE. The property of R. B. Angus, Esq. The property of Hon. J. J. C. Abbott. YON, EDMOND, CHARLES, (Ficucl.,) pupil of Lcciuien. 3nl Claass Medal 1875,2111! Class 1879. Kcprcscnlctl in llic Triennial Exiiiijiiioii 1883. 47— ON THE EURE. The property of J. W. Tempest, Esq. WATER COLOURS. CATTERMOLE, L. F. G., (Hiitisli. 48— THE KINO'S MESSENGERS. 49— CROMWKLI/S OUTPOSTS. The pruperfv of Hon. J. J. C. Abbott. EDSON, ALLAN. R.O.A., (Canadian,) a pupil of Pelouse. 60— SCENE IN LITTLE HRITTANV, T CERNAV. HOPPI, BERNHARDT, of Antwerp. 51-C0ML\G INTO PORT. The property of J. W. Tempest, ICsq. HARRIS, R., R.C.A. '52— "WITH iiiM, rni': monasti.rv knkw ITS I'ASrDAV MKAL SKCT'Ki:." MOSLER, H. (an Ameiicrin Arlist,) pupil of Ik'hert. IIonouiaMe mention. 53-HKKTON (IIRI. SPINNING. The property of Wm. Scott & Son. FEUHAYS, J. 54_1 )!(;(; IXC, POTATOES. The property of Wm. Scott & Son. PEARSON, S. B. 55— TTARLECII CASTI.K. The property of Hon. J. J. C. Abbott. DePENNE, CHARLES OLIVIER, (French,) a pupil r.r Co-^nii.-t ami C. Jac(|iic-, 3nl Clnss Mc.hil 1S75, 2n(l Class 18S3. RepreseiUe.l in Triennial Exhibition, 1S83. 56— CIIIENS BASSETS. The property of Wm. Srott &: Son. PYNE, THOMAS, (British.) 67— SCENE IN SUSSEX. The property of Wm. Scott & Son. SANDERCOOK, H., (British.) 58-SUNSET AT SEA. The property of J. W, Tempest, Esq. TRAYER, J. B. JULES, (French,) 3nl Class Medal 1S53, and at Exposition Univcrscllc 1S55. Represented in Triennial Exhibition, 1883. H.C. 59— F.ABY'S BROTH. The property of Wm. Scott &: Son. WALTERS, a. S. 60-SUNSET. THE COAST OF HOLLAND. The property of Hon. J. J. C. Abbott. WAY, O. J., R.O.A., (Canadian). 61— SQUALLY WEATHER OEE VENICE. * 62— STREET IN E.STAVEVER. WIMPERIS, E. M. 63— WELSH MOOR. The properly of Hon J. J. C. Abbott. 4 SUPPLEMENTAL. ADAN, L. E., (French,) a pupil of l'ict)l and Caliancl. Jul Cla^s Medal 1875, 2nd Class 1882. 64— TIIK SINGING LESSON. The properly of Geo Stephen, Esq. PARTON, ERNEST, an American artist livinL; in Ent^Iand. 65— ANGRY MORNING AT PANG BOURNE. The property of A. Biintin, Esq. BOGGS, F. M., (American,) a pupil of Gerume, Medal 1883. 66— DIEI'PE. The property of D. Morrice, Esq. FLINT, S. F. 67— AN OLD CHATEAU. The properly of D. Morrice, Esq. SANG, L. J , (French.) 68— TREl'ORT. The property of Henry Lyman, Esq. WITNESS PRINTING HOUSE.