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Q Additional comments / Commentaires supplementaires: This copy Is a photoreproduction. This item is filmed at the reduction ratio checked below / Ce document est film6 au taux de reduction indique ci-dotsous. inx 14x 18x 22x 26x 30x ^ lOv 1fiv 20x 24x 28x 32x The copy filmed hare hat been reproduced thanks to the generosity of: National Gallery of Canada, Library L'exenf^plaire filmi fut raproduit grace i la gin^rositA de: Husee des Beaux-Arts du Canada, Bibliotheque The imeges appeering here are the best quality possible considering the condition and legibility of the original copy and in keeping with the filming contract specificationa. Las images suivantes ont iti reproduites avec ie plus grand soin, compte tenu de la condition at de la nettetA de raxempiaire film6, at en conformity avec las conditions du contrat de filmage. Original copies in printed peper covers ere filmed beginning with the front cover and ending on the last page with a printed or illustrated impree- sion, or the back cover when appropriate. Ail other original copies are filmed beginning on the first pege with a printed or illuatratad impres- sion, and ending on the last page with a printed or illuatratad impression. Les exemplaires originaux dont la couverture en papier est imprimis sont filmis en commenqant par Ie premier plat et en terminant soit par la darniire page qui comporte une empreinte d'impression ou d'illustration, soit par Ie second plat, selon Ie cas. Tous les autres exemplaires originaux sont filmis en commenpant par la premiere page qui comporte une empreinte d'impression ou d'illustration et en terminant par la derniire page qui comporte une telle empreinte. The last recorded freme on each microfiche shall contain the symbol «•»• (meaning "CON- TINUED"), or the symbol V (meening "END"), whichever applies. Un des symboles suivants apparaitra sur la derniire image de cheque microfiche, selon Ie cas: Ie symbols — »• signifie "A SUIVRE", Ie symbols V signifie "FIN ". Maps, plates, charts, etc., mey be filmed at different reduction ratios. Those too large to be entirely included in one exposure ere filmed beginning in the upper left hand corner, left to right and top to bottom, as many frames as required. The following diagrama illustrate the method: Lea cartes, pisnches, tableaux, etc.. peuvent etre filmis A des taux de reduction diffdrents. Lorsque Ie document est trop grand pour etre reproduit en un seul cliche, il est filmi d partir de Tangle supirieur gauche, de gauche d droite, et de haut en bas, en prenant Ie nombre d'images nicessaire. Les diagrammes suivants illustrent la mithode. 1 2 3 1 2 3 4 5 6 ^AA< s^^a^i^ :rr ^. ^3 I (UN^F/R ABSOLUTE INST'RUCTIO/IS.) CATALOG-UE OV AN IMPORTANT COLLECTIOX OP OLD AND MODERN- OIL PAINTINGS INCLUDING . . SELECTED AYORKS ENGLISH AND CONTINENTAL ARTISTS OF REPUTE. Kauii Specimen beino the Selected- Wouk ok the Artist whose name it BEAnii. THE PAINTINGS ARE IN THEIR OLD ORIGINAL FHAMES MY M, Hicks & Co, At 249 St. JciTnes Street, MONTREAL, On T/mrsday and Friday, Sept. 2'jand2S, 1888, AT 2 O'CLOCK PROMPT. .?^jj;y- ' i'^'^''^ ! f ' ^ ' -. ' "- ' t'iB. '' Mti c N8650 H43 1888 9.27 C.3 nmmmmitmiim ■-'sft-^'&*«iii:v,9i.jm,'^: National Gallery of Canada library Galerie nationals du Canada bibliotheque onc;^^^- o^nw wm CATALOGUE. \ The old works retain their original. frames. I. Pair Small Upright LANDSCAPES by H. BRETT. 2. Pair Larger do. do. 3. , Pair Oblong PAINTINGS by 4. Pai^ Cabinets,' "GOING BEFORE THE STORM," and Companion, by H. HULME. 5. Pair LANDSCAPE AND RIVER SCENES. 6. Set ofThree MARINE VIEWS. ' ■ 7. ; Pair Highly finished UPRIGHT VVORKS of brilliant : ':. i ..pleasing color and accomp" ned technique, painted ;•• ion panel, the figures fror.i .te, and representing • "SPRING "and "SUMMER," by JOLLI, signed and guaranteed. . ■• 8. "CHRISTMAS EVE IN ENGLAND," of natural beauty and good composition, by D. V. BULET. -.rj?*-,':.f . '•■■■ ■I I *••";•' •i':!''i; : ,,..« ,:.;.,• .... ^. y m MM-" (•■^:.;v|i- ■ !■ 9- Pair Sporting Subjects, "ON TllK SCOTTISr^ GUAMI'IANS." with clogs, game. etc.. by JOHN GIFFORIJ. 10. Pair Landscapes, "TMK MARKKT CART MORN- ING AND EVENING," of capital coloranci effect byGUSTAVUS GRANCI. , ^ ' ■ ■ » 11. Important Modern Painting CHARLES I, with various figures, etc., having an interview with OLIVER CROMWELL, painted by T. HiLSTON. 12. The Companion Work representing "CROMWELL. REFUSING THE CROWN OF ENGLAND," by the same Artist. 13. A series of Four Excellent Works painted from actual life. "WINTER IN RUSSIA," "THE ATTACK " "THE RESCUE," and "THE ARRIVAL" painted by WOLSKY, the foremost painter of horses in Russia, whose 'works hang in the Kremlin at Moscow. 14- A pair of clever examples. "GOING BEFORE THE SQUALL." and the Companion Work, by the late ;; ' W. H. WILLIAMSON, Silver Medalist at the ' • Royal Academy. Mr. Williamson's paii.lings are now considered among the first of Marine SrlVe laild"'''' '"^'' • " '"«'*"" ^""^ '"'' ''"^ large pril"*; " tZZJT °" ""'.'"'""'" '^ "" "^^ '""'• ""• "' -„hy example, of i'i. ■■'-^■- -■'.*. i ■ ' IS- Pair "MORNING AND MIDNIGHT ON THE THAMES," with Shipping, and of very ^reat power, by DAVID ST. JOHN. TheM are con»i.ler««l to h* two of hU hnl efTorU ami are very fine in color *nJ touch. I6. Fair "FRUIT AND HIRD'S NliST WITH FLOW- ERS," of pleasing color, by J. CLAVS, exhibitor at Hiirlington Gallery and Manchester Exhibition. 17- i'air Small CAllINET WORKS. 18. Pair Larger, " F-IARLY MORNING ON THE MERSEY," and Compainon, by HOWARD HRETT. 19. Pair Highly Finished Cabinet Subjects, "THE OLD MILL STREA.M," and "THE DUCK POND," by CHARLES MORRIS, exhibitor at the Royal ■ '■ ' Academy. 20. The COMPANION PAIR, by the same distinguished Artist. 21. Pairclever Sporting Paintings, "WHO SAID RATS," / and "TOO LATE," the esteemed work of — ARMFIELD. ''.'■' . ' 22. Pair LANDSCAPES, by HOWARD WILSON. 23. Pair clever LANDSCAPES, painted n panel, by GUSTAVUS SALVi. V •■ 9f>mm li ; I I .( I r ; i 24. 'Pair "BEFORE AND AFTER THE STORM," of . ■ ■> • . great detail, paintef] from a scene near Deal Harbor, . . England, by CHARLES MORRIS. I • 25. Pair Landscape SCENES IN SURKY.by H. RRETT. „ 26. • A series of six exceedingly good specimens in two Plush arid Gold Frames, faithfully depicting MORNING, NOON AND NIGHT. England, by CHARLES . MORRIS, Silver Medalist at R. A, 27. An Upright Work, " FLORA," painted from nature ■. withgreat effect by HOLTI. • 28. On Original Specimen of magnificent brilliancy "MID DAY AT RYDAL WATER," with figures, etc Manchester, an.l wa. sold i„ ,l,e M„„|,y „,„ Collection, ^'' ^ 29. THE COMPANION SPECIMEN, of equal merit. . 30. " THE VACCINATION." by DEL'COUR, the comical . French artist whose paintings have be?n extensively engraved. Painted in 1862. 31. A most important example by GEORGE MORLAND, whose works are now very rare, and adorn the British Museum, the National Gallery and other ■• _.' leading Art Repositories. ThU painting, enliiled " AN ENGLISH FARM-YARD." is universallv prononnced to be one of ,l.e .... specimens extant, en.bodying al .he ™ y h ' : 1 .: 1 L""^''"^"'' '' '•"' ""'' "' '^? '"'^"^'^ ^^^-'- This is ■ • - • -.;■ ■ ■ •■'' ■" ',"^■ •:.-' '.■ ;l'• ■' t ■ ii' f ■■-. ■ *'' ' ' ■ ■■ .1 '■■' ;i ■ . ' -■■; '. ■ J -'.:.• --S,-..- «'*>-*Mv .:*-'• ■--».'. " >■ ..,^<»:~<,T.! imm" 'u !■■> m 32- A Smaller Painting of great beauty, "THE OLD MILL STREAM," with luminous sky and of elaborate detail, by PATRICK NASMYTH, who occupied an important position among British artists of the .i8th century. work by 33- Pair Desirable Cabinets, "THE WAYSIDE COT- TAGE," and Companion, authentic CHARLES MORRIS, exhibited. 34- Pair LANDSCAPES, etc. i 'I •I J- 1 'Ji 35- Pair do. 36. Pair "SEA PIECES." full of vigor, with srial effect by • . 37. The Painting by HAYNES KING. "THE GIRL OF SEVILLE," painted from a natural model and elegantly draped in true Spanish taste. .This picture wa, purchased by ,he late .Mr. .Mendle. and was hunir in a ' prom,nent posU,o„ at Manlcy Hall un.i, the death of the o^ner. wZ i Z oU •nd evoked spirued competition from the London dealers Mr Kh,. i 1 .^ 38. "THE IRISH HORSE FAIR.v depicting with wonderful truth one of , those assemblies so much cherished by the Hibernians, with horses, hostelry, and various figures, each painted with true Irish features.' This is the guaranteed work of WILLIAM • SHAYER, Exhibitor R. A., etc. yil t>5 r sm i m a ti • ■% .•v•v'?';•■^r»:'*-4r^rvi•' i );. 39. "THE COUNTRY WEDDING," by TADERMANS. 40. Pair of EXQJISITE CABINETS, by CHARLES MORRIS, Silver Medalist R.A. 41, Pair do. do. do. 42. "A PASTORAL LANDSCAPE," with Cattle. Sheep, etc.. in the foreground, and the town of Canterbury in the background, painted by E. J. ELKEMA, director of the Dusseldorf Academy 43- "THE INTERIOR OF A MESSROOM IN THE TIME OF CHARLES I," painted on commission by CLARKSON VON HALDI. A worthy example. 44. "EARLY MORNING ON THE COAST." by .FRANCIS UNDERHILL. A characterutic speoinoen. ' , 45 "GROUP OF. CHILDREN VVITH GOATS, Etc," by NICHOLAS BERGHAM, an old master of great merit 1 46- "ENGLISH. LANDSCAPE WITH GOATS, Etc." evening effect, by. SAM WILLIAMSON. 47- Pair LANDSCAPES, by H. BROWN. 48. TWO SEA PIECES. • ' . . -iY . 1 ■ » ^ ' j-iiji^4ijimMiim :J-i,-.;-.>j»«<*«*>&;tj*v'^?«SiV^'a...'t-*.^iii-5i.'sB/» : _ m««w»ww»»*«i ^ 49- Pair DESIRABLE WORKS, by CHAS. MORRIS. SO. do. do. do. da 5!. "ST., MICHAEL'S MOUNT, CORNWALL." painted on the spot by SAM WILLIAMSON, the father of the Liverpool School. 52. "SPRING-TIME IN CHESHIRE," full of Enghsh pastoral beauty, by JOHN SINCLAIR, Exhibitor Royal Academy, Liverpool. Manchester, eta 53- 54- 55. " FEEDING THE CHICKS." a work of great merit, ' and well represents the modern French school, by DE LA MAR. This picture was exhibited in the Salon, Paris, 56. Pair valuable examples " BEFORE AND AFTER THE SPORT," (restored) faithfully delineating the Scotch Grampians, with dogs, etc., by JOHN GIFFORD, the eminent British sporting artist. 57. Large Painting, "THE FALLS AT 3ETTWYS." ■ North Wales, by BAXTER. S8. ■ \'i A K 'J I lV _rr-^v----/^^^4*tli^^A4??*^^My!U!U'4.i.ll'^i'ii:JH5^^^ n ' 8 59- 6a Pair high class works, "FISHING BOATS AT ANCHOR IN THE DOWNS. ENGLAND" and "THE' ARRIVAL OF THE SMACK," by F CASSON. , 'i ' I 6i. "THE DUTCH MERRYMAKING," ' ■ ■ by MOLENAER. in,no?/„/°7"" ^"'' """^'' '° ^''' »" "''•=''""= <"«c.iption of thi. highly important and rare example and it can only be fully appreciaLl when seen h ., pa-nted on old oak panel. In .he foreground are'nuL'eroa, fi«u^«, p L n JSfnll t '' ''"' """ '"'"'"'" "" ''e"b""d of which is the artutsname. Signature guaranteed. 62. A highly important Painting "A DOUBLE APART- ^ MENT," with figures skilfully drawn and painted by A. CROMMELIN. ' This picture is worthy of notice. ; 63. Pair. "THE FIRST HALLO," and "FULL CRY," ' painted from life in water-colors, by H. A. LESLIE. 64, The Companion Pair. • 6s. "THE MEET." and "THE START," by the same master. 66. Pair Highly Important Works of great brilliancy and wonderful detail, " THE DUCAL PALACE " and • : • "THE BRIDGE OF SIGHS ON THE GRAND CANAL, VENICE," • '. I- ■ .. > :.»>:■■.■■' ' 1^ . • •!> ■■■• 'iFi^m^*mi'f»mmmmm>fim0» "^v*r*' I I « > I i^l"* *i I W I V "*' .' ,'* -- i ,B h:St r\XhiyI Co,,«rario« H.hil.iiion. 80. "THK OLD MILL AT HKTTWVS. NORTH WALES," hy HOWARD GRAY. 81. "AN ENGLISH LANDSCAPE." by WILLL^ A MS. i • ^i« i.:-.- ;>-•■ ■■■•'** .«r 82. Lli 1 H, of the i6th cent ,ry. 8+ :'LOCH Lomond." a delightful painting in the best ,,. style; by EDWIN BODDLVGTON, with cattle on , • the banks and ^truthfully representing the great Scotch Lake. DINGTON, in his best time, twenty years ago. 85. .AFTER THE SHOWER-1, IN ENGLISH .■■■ ■ COUNTRY ROAD." of great ^ower and full of . - artistic feeling, gracefully rendered, with broad powerful touch and.tone. by H. B/ GLAND ' . This picture was Starred on the first day at the Dudle> Exhihi.ion." ■ »> .'^s*i«wJiMiLif.^SA^^S^*»*^*srt^^ • -^v-v. i y- ■■ r. - rr 86. ^7. Two exceedingly clever works, "THE YOUNG [TEN- • ERAIMT," and "FNI r^TPn" -, • r . «"" i^iM.iblh,IJ, a pair of exquisite works from the brush of M. VV. LAXGLOIS of excellent rural composition and brilliancy of color These call for special altentioii. 88. 89. Pair. "LANDING THE FISHERMEN AT OSTEND." and Companion Work, both the authentic work of EMANUEL CICOGNA. Medal- ist at Vienna. 90. "THE SPANISH Grp^v r /^.MSM GHSY. of very powerful color and natural effect, by F. UNDERHILL. 9.. "ST. BENEDICT'S ABBEY." Norfolk. England A worthy example by S. D. COLKETT, 1848. 92. "EVENING WITH FISHWIVES on YARMOUTH ' ■ SANDS. ENGLAND." by REGINALD GOULD Birmingham Institute. 93- An old Dutch painting with "LANDSCAPE CATTI F AND FIGURES." cabinet size on 'panels. ;; . VANDER DOES. .94. Pair Water. Colors. "SPORTING SCF\FS""bv H. A. LESLIE, • . ' ' - "y h I." . a: r. I I 11 |. ■ •■•:• f % ■ ^r^ «02. Pair-WATER COLOR, by the same Artist. ■ 12 95. Powerful Broad Painting, "A ROCKY STREAM," by OLD VICKERS, Skniou. . . 96. "Wreck of the * Mexico " at the en- trance TO THE RIVER MERSEY," by F. KRAUSE, Southp6rt: Tliis is the original work which lias l«en so extensively engraved and chromoed, and was buughl direct from the- arlisr, 97. "BROAD POWERFUL LANDSCAPES, WITH AUTUMNAL EFFECT," by OLD NIEMANN, , Senior. , . 98. Series'of Three Highly Finished Paintings of E.nglish Rivers and Landscapes, " MORNING," "NOON," and " NIGHT," by CHARLES MORRIS. 99- "WHEN THE SUN DESCENDS AND DIES, ■ s ; SO DO SLEEPING SHADOWS RISE," by JOHN McDOUGALL, Exhibitor at Royal Academy, etc. ^ . - 100. Pair "OLD MILL STREAM," by CHAS. MORRIS. loi. Pair Oil Paintings, " THE OLD MAIL CO^.CH FROM . LONDON TO YORK," by H. A. LESLIE. W., FINIS. •-.-'Vf'-'r <•.?-■'■•'■:■'■.•:-■■■."••.•.>,■•■■./.•■.■•.•■. . -v' .■•■.■ .. ■■.:■',,■.;., fhvh9 cj