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Maps, plates, charts, etc.. may be filmed at different reduction ratios. Those too large to be entirely included in one exposure are filmed beginning in the upper left hard corner, left to right and top to bottom, as many frames as required. The following diagrams illustrate the method: Lea cartea. planches, tablaeux, etc.. pauvent Atre filmis i des taux de reduction diff^rents. Lorsque le document est trop grand pour 6tra reproduit en un seul clich*. il est film* A partir de Tangle supirieur gauche, de gauche k droita. at de haut an bas, en prenant la nombrd d'imegea nicassaire. Las diagrammes suivants illustrent la mithode. 1 2 3 1 2 3 4 5 6 -(? ••"Tlf ; ' J ^ ^ f k- < rx ' * V ." V ,m^. u ' TRJNITY COLLEGE r»UfgB2i^Mm™Bl e?7Bi^EI>nw^'n'£-3»Tn«' .. THE FROGS « \ OF ARISTOPHANES. ABUIDGKI) FROM THK TKANSLATIOX WKITTEN IIV THE REV. E. W. HUNTINGFORD, M.A. of Shivwsbui y School, Sh.vwsbui y, Knifland, Professor of CLissios in Trinity folloKo. .S91 to .qoo. MlSIc HV THE REV. G. F. DAVIDSON, M.A. \'icar of St. Cli-or.^-o's, Guolpli. A.\n THE REV. A. W. JENKS, B.D. ProfoNsor ill Divinity. Trinity (.ollo.y-o. O. O. SMITH, .M..\. A. K. TAVLOK, 02 , R. \'. H.VRRIS, 02 C. C. ROBI\SO\, oj^]^'''''"''"! <.'<'»i»iitl,;: Coronto : Tm; OXF.>RI, I'KKSS (.;. I'AKKKR, ProI'.UKTOR ) .3,! ADKl.MPK SIRKIT W KST. -; -N ? . INTRODUCTION TO THE FROGS. I. 'pHK Greek drama as a whole hoid.^ a unique place in thfc history of the literature of the world. It formed a more essential part of the life of the Greeks than has been the case with any other people. And this was not amon- the upper classes only. The plays were produced in a competitive exhibition at Athens durin- the festival of Dionysu.s the patron goo of the Drama, and rich and poor alike flocked to the theatre as much as a matter of course as the Londoner j,roes to Ilampstead Heath on liaiik Holi- day. Indeed, so far did this go that a measure was finally passed devotin<,r part of the State revenue every vear to providing scats for tho.se who were toj poor to pay for them themselves. ' ^ Of this national institution the most unique feature was the comedy of Aristophanes, which combined the most extrordinary varieties of qualities, and performed the most varied functions. Its work in general was that of a public censorship, and in the performance of it it combined satire on persons, politics, literature and religion. It was bur- Icsqi-e, fairy tale, allegory and leading article all in one. But it differed essentially from modern comcd\- ■ for while the latter partakes of the tragic spirit, and dcli-dits in moral lessons and poetic justice, the former, no malter uhat Its aim, was ahva\-s ludicrous both to the spectators and to Itself. Vet underlying the extravagant burlesque and unrestrained fancy of Aristophanes, there is alwavs a serious, definite and constant purpose. l-Vom first to'last Aristophanes was an Athenian conservative, an unswerv- ing supporter of the old spirit of Athens, in morals, politic, religion and art. ' This spirit may be clearix- seen in all his ;,la\ < Thus in the ".Acharnians " and the " I'eace " he urges the Athen- ians to become reconciled to Sparta; in the " Hir(l< " he ridicules their ambition arid extravafjaiit dreams of con- <|ue.st ; ill the " Kniylits " he bitterly attaclt the Oiiental invasion ; after- wards she had led the Maritime States of the .IC^^can in the vi^rorous prcjseciition of the war ; and evcntnally had freed all the islaiuis and the (]reck cities of Asia Minor from Persian supremacy. I-'mm l)cin_^r tlieir leader, how- ever, she became their mistress, and' on land also for a short time she asserted her siii)remacy in Greece proper. The result of her success was to divide Greece into two hostile camps, that of Athens and her subject allies, and that of tiie Spartan Confederacy (Sparta, Corinth, Thebes, etc.) In 431 the lon.<,f struL(<,^le of the I'eloponncsian War bti^an ; and continued, with the interval of a k\v vears of doubtful peace, till 404. At first Athens held her own, but the disastrous failure of the expedition ai,fainst S\ra- cuse in Sicily ,415-413) .so crippled her that her final surrender was onlv a matter of time. DRAMATIS PERSON/E. Dionysus; the wine-god, patron of the Drama disguised as Heracles. - /f. T. Ozvcii. Xantkias; his sla\c - - - //. F, /;. Woodcock Heracles; the patron of Athletics. - //. //. Wilkinson. Cc'P^': - - - - J. Dunning. Charon; the ferryman of the Sty.x - /. /;. Dunfield. yliu. •■•'Mere in the Lower World, actini; .. >rtcr to I'Uito. Servant of Fersepiione. - F:rst J. a mi lady - - . . Second Landlady Euripides - - - . . ylisc/iylus - - . . Pluto Donkey - - . . . Bearers, Slaves, etc.; A. J. Pat ton, C. ^i. Petersor, J. Ccirns. Chorus of '^roi^s; A. f). Am/our, C. A'. DePencier, G. /■:. Holt, R. (r. .In lour. Chorus of Mystics A. R. Kellev. C. C. I^obinson. W. E. Kidd. - E. J/: Salt. F. N. Creighton. - R. /.'. Nevirt. A. E. Taylor. jE. a. Allen. I W. S Gieening. , C. W. Sea ley. E. If. k'er. C. E. Clarke. S. R. C. Ifeuilerson. I.. C Ifotii^ins. C. R. Spencer. A. D. .Irinour (Coryf>htCus). Mi.'is .M.L. Xeritt, .]fiss .]/. /.. Rat tee. J/iss .]/. /u';v/-.v. J/ IS- A", (hi line. Miss I.. Smith, Miss / Anthes. Afiss /)'. Erancis, Miss !.. An^el. Miss E. Deacon, .]Dss .)/. /;. Keefet. .Uiss II. Mi Clung, Miss M. T. Ouen C. E. Cl.irke, C. R. DePencier. S.R.C. Henderson, C. /:". //,.//. /.. C. tlod-nis. R. (',. .\rwoin C. R Spencer. i SYNOPSIS— SCENE I. Euripides the third of the great Attic tragedians had died during the previous year f4o6 B.C.j ; and Dionjsus, the patron god of the Drama, being disgusted with all the remaining poets, determines to make a journey to the lower world and bring him back to earth igain. The god being of a naturally timid disposition, makes himself up as Herakles, , putting on his strong brother's lion-skin over his own effeminate costume, and carrying his club in his haiul. There is nothing heroic or oven dignified about him ; he is, in fact, a caricature of a very foolish Athenian citizen, of courage and intelligence decidedly below the average, and compares badly with his sturdy slave Xan- thias, who carries his lu make one of the common iiifs That always sci-ds the audience into fits Pi Dion. Yes, anything vou like hut "Oh, this weight I" I'or that's the kind of thing I've come to jiatc. (II ,\riM,)pli;im-s IN l.iuijhtiii; ,il .1 iu-.liini pnn.iK'iit ,11110111; tlu- inti'tiiM- ilr.im.ilislsiit illll■,nllll■ill^ iimmIimiKiI slavi-., wliioi' solo husipu'-.N it was In vjrii.iii aiut ijniiiihli'. Xan. Or something else that's witty and expressive ? Dion. Only don't mention that your load's oppressive ! Xan. What was the use of loading me up thus If 1 am not to talk like IMirynichus ? (i) Uhy, Lykis and .Ameipsias always Have comic slaves, with bundles, in their plays ! Di.Mi. (Shahiiiij hiatiiiiia- at him.) Now don't you do it ! When I'm in the stalls •And sec that sort of ga<,r, it simply galls ■ 1 m more than twelve months older when its done. Xan. (Itiu'Udly nihhi,,;, thr h,„-k „/ hh nrck.) Ay, but my neck's the real unlucky one it gets the galling, and mayn't have the'fun ! Dion. .lpj.i;,li„;, to thr . I iKlir,,,;: What insolence is this and monstrous ' side " • I toil on foot and let this fellow ride I. Dionysus, son of Demijohn '-) To save huti bemg tired and put upon ! Xan. SiilhUn.) 'Tis put upon me. '""• X<), you're riding, you ! Xan. lU.t I've got this fpni»ti,u, tn his h,u„U,). Dion. ifow ? '^'"'' I'rctty bad!\-. too ; I )ion. Hut what you've got-doesn't the .lonkey bear it ? Xan. X,, sir. / carry what I've g..t, I'll swear it ! 1 )!■ m. 1 low nu, \-ou bear what s(,mc one else is bearing } Xan. I dont know, but my shoulder finds it wearing. " l'i"n. Well, if the a>: is useless, as vou siid 1 ick up the ass atid carrv him instcatl. llw \nii,..jr„i|, "^ ''rpi"P'i'"i' ''iioii).rli for 5S;am*k,^^^^'>"- Xan. O Lor ! why wasii t I in that sea fight ? (i) I'd have been free, and bidden you good night? Dion. (Xnticinij flu- haiisi:) Get off! I've got there wails ing after all. This is the first place where I was to call. (Xiinthins (lisiiioiuttii. till, I ihiiihrii iiandrrs anaii lhu,n,HHA h,i»,iH at tlw d„„r with hU hand and h,ut Olid club, makinjdii<) hurl; and hiirxtiiiif into hiiii/htrr.^ Great heaven ! what /.s- that ? Dion. (Aiidr to .\,nithi,(ti. Did you see my lad.' .\an J>ion. Xan. Her. What ? How I scared him. Vcs, lest you were mad ? Laugh ! Oh, Demeter, I am nearly split ! 1 bite mv lips, hut roar in spite of it. Dion. Here, my good friend, there's something that I want. I ler. '( ■n„ii,i,i nut, still rh>■ mcholy marks me for its prey." What sort, my brother? \^'ell, it's hard to state it • A {\'^ure mi^ht perhaps elucidate it lave you ever suddenly be-an to crave ror i)orridL;e.' f^j Rather?' I should think I have! Dion. D'you understand, or shall I try a-ain ? Her. Porrid-c is clear enou-h, I see that plain. Dion. It's just that kind of love consumes me for Kunpiiles. '^'^ Her. 'I,it,rn,ptn>!,.) And him just dead, () jor' ! Dion. And no one shall persuade me not to n ^v , " j)"^:;"""""""-'iv " '"--Is '^d^..jmij^i 1 1 Dion. Her. A really clever poet? {•^iidti/.) toe some are dead, oiilv the bad sur- vive :o But lophon (2), is he not .still alive ? [A short (lisciissinn/nlloirs on thr " rclatirc inrrits" ot thr ports of the tiinr, Xonthia.s iiiahin,, irmurhs now tinii thru irhirh hrtrxifhin immtirnre. ' hioiniHim thru turns thr ronvrrsdtion - for mc to i^^ct to Hell, And not too cold a one, and not too hot, (dirinii his informatiou rrrii sloirli/.) Let's .see— wliat road shall I first tell him .=— What ^ Tlicrc's one that starts >-oii from " The Rope and Thwart"— 3) By hauLjing. ( II V?uot..d Iron, Ih.. CK.u..,,s of K urlpidos. .\ris.o,,h,uu-s eonst.unlv rKiiiiik-s Kunpuli-s In p.iuuli,-. .inil .ihsuij i|,iol;(li()Ms. (-■) lophon, son ot SoplKvU-s. himsolf a tia^rio p.vl ot sonu- ,n..,ii but .■um.n.lv sus,H-,U-d o( boMiy lu-lpod bv l,is latbor. or of brinLnuif out' his lalf l.ilh.T s ti.ikfoili.'s as his own. *" ■ (.,1 Thi- rowinic-bonW, ..,ul lowin,,. rop.. of ., K-aliov. sucif.-stntLr ,„ Pionvs.is a voyai.o ovor soa. [(o.a.i.-s houoNor sp.vJiK ;h.nu^os his ¥^^. 'i^M^ 12 '^ m Dion. Her. Dion. Her. Dion Her Don't, that's such a stifling sort (i) » ui The Pestle and Mortar." r , Hemlock, eh ? Just so. Dion. tJgh ! That too stormy and too cold ■ (■>) V our calves get frozen at the start. I'm told. Ihats not the way I'll go. i-^ion. 1 he one ijnu went. '^^'' Vr I. J^^^'^ '^ '""k' voyage to take, 1 or all at once you'll come upon a lake 1 hat s snnpiy fathomless and very wide. Well, then, how shall I reach the other side ? An aged sailor-man O) will fcrrv vou l^or three pence r4) in an infant^si/.eci canoe Dion. When ! The almighty three pence cvervwherc in force' W ho brought it there } ' ' Then voM-n ^^ ''-'' T'''^'''"' '- = ^ ^^'^- of course. AuS;i^""^.s;::f--^'-->-'->ci of beast- /" 1,1 r I at tihinii.) Don't /•/// not frightened in the le ist i ou won't scare we. Of evf^r fl .,..• ■^'"' ^'^'-"" >■''"'" ^^c ^ flood Jtc\ei -flowing sewage, seas of mud. TW^;rr''lT''''"^''^^^''-'^^'^^«°^ting \\ tl 1 ol' '"'"^ '"'"'•''">■ l>-'"<>tingr evU '"""'"'■'• '"■ ^'''^'''^ fh'-^-'- <^^'ther's Her. Dion. Her. ( n Stiriinir in uv.i s, rtscs. ^:."i'™"- ""'"':■■■ •'-•''■-' -.,o..,o ,„..,„„.,. ::!:;;, P'H V ot a 1.., ,v to .Kj.,,,;. (..,,, „s„o\,|„,,',;,' '"'"'■•' <'"" "h"l-l "as ilu- 1" >'ti,„y ,n ,!,.■ .\ss..,nhh ol .\th..„l, "' """■ '" •■' ^■ili'<''i 151 niOi'lls, Ilu- l\nu:.l luT.l ,,f' \,1, . .•.Mu.mo,,., ,. ,v,„,.,..„;.,,i ,,. |,,,\ , ' .,;.'••"; -'Hi '-.ikKm- oflu-r popular <<•-• inu« ih.- lo«..r v,.„KI. '" '"""''"'vJ Ihis p.vuliarlv nalional Dion. Her. Xan. Her. 13 Perjured thcm.sclves.orquotedM rhap.sodie.s( i ) And after that you'll hear .some music plav And see a linrht, as clear as anj- day On earth, and myrtle groves and happy bands Women and men. and clapping of glad hand.s. They are — ? The " mysteries " are their profession, ( Who hm heat r„>tti„;i „wrr ami m„rr vhihJi,iwpatinit ) And I'm the ass that walks in the procession • IJut not one second more will I hold these. ' (Thnms i.'ji; th,' ,1,11,1 m,iu sits up.) Corp.se. How much .^ Dion. Xan. Dion. % % Dion. Corpse Dion. Corpse Dion. Corpse, Dion. Corpse. Xan. Dion. 14 (Poiutiuti to the hiiiidh' „ii the ;irniiiitl.) This only. If you'll pay two bob. Hy Jove ! that's sheer e.xtortion, far too dear ! Move on, you undertakers ; do you hear ? {The !)(;iiyrs ijo nhnrhj foriianh.) My good man, wait a bit, let's compromise. Don't waste your breath, two shillings is my price. Take eighteen pence. I'd come to life again first ! (Th,' ,laul man lirs iaiit, and tlw bearers exeunt.) Bud hick go with you for a most accurst Conceited knave ! I'll g„ then, I don't mind. You're a good fellow, Xanthias, and kind. (Xaiithios shoiihlem the InimUe <„iee more ; and thi'if hiitJi inareh oti.) Km-wm!^:^^rj/!^^'m^ SVNOI'SIS-SCENK II. Dionysus ami Xatithias now come to tlic Lower World, and arrive at the banks of the Lake of Acheron. Charon^ the ferryman, appears but refuses to carrj- Xanthias, who has to go round. Accompanied from beJcnv by an un.scen chorus of Frogs, he proceeds to make Dionvsus row the boat across, in which the latter finds considerable difficulty ; for, besides being unaccustomed to such e.xercise, he'is driven almost to distraction b)- the incessant noise of the frogs. However, he meets them with their own weapons, and triumphantly silences them. S( i:xK II. 77/c Liiinr Wmlil. 1 >iiiN!/>iiis iniiJ Xdiithias un' iiiif ill till' miirl.if ijIdDm iipmi tlir Hhnrc nf tin; stand Laki' (>r Acliinni, iniitimi far Ch II run ( nil 1) iH nut sien lit tirat) to n il t ■iiiiir mill ti'rrif tlnin airnas Dion. Let's to the boat Char, (from nfnr.) X D Ahov ■m. What's this? ion. He tokl us of. The lake [Cliiiriiii hrini/s liia l:,„it ti, tlir irluir/'.] And here's the boat to take. [('Iliirnli inini'H iisllnri'.] Xan. Ves, by Poseidon, and there's Charon too. Dion. How d'you do, Charon ? Charon, how li'you do ? Char. [liiiirl'nui ) U'ho's for the Rc>t from toil, the Land of I'eacc, The Plain of Lethe i; or the .Asses' Fleece (2) ?' Who's for the Dogs, Crimea(5) <'r Hellgate? ( I ) .\ liviT in llu- L.>\v>M- Worlil, whtih caused all who ilrank of it to KiriTi't their cares. (^1 The Creeks had a proverb, "To sliear the ass, ' an.iloL-oiis lo our -'(..reat ery and lillle wool." ^ (,?) 1 he Creek word her.- nutans "Tlie crows,' wliieii was equiva- Tt'iii io our '■ [eruiio. 1P?^^S&^^^?^ li f A I Dion. Char. Dion. Char. Dion. Char. Xan. Char. Dion. Xan. i6 All aboard! Make haste ! ara;,;,ishly.) „7,or did jou state ^ ou went to ? To the dogs ? Xou- i^ that true ? Ofcour.se it is ; I'm going there for you uet in now. (Getth,;, into the hoaf.) Come on Xanthias. (/W//«7 Xo.tfnas h„rk. ) Slaves don't ride Ihen you must run all round b>- the lake side And meet you, where ? The stone of Withering, Beside the scat. D'vou see Char. Char. Dion. Char. Dion. Char. Dion. Char. Dion. (1) tious as Oh dear! oh dear! What did' l' met '''^ '''■"^■ Th.s n.orning when I stepped into the street ?(i) Sit at the oar. [I>i»ni/siis sit>i ,lu,nt iipnn the ,„ir 1 (Sh,,,ti,>!,) Whoever else is going Must hurry up ! (7W.. r..u.l a„, tees lio,n,s,.s.) ,, , Hallo! what rt/v 3-OII doinfr? (Innorenthi.) *" ' Hut sitting on It. as you said to me? Sit down here on the thwart, you great fat lout ! There, then ! (,SV/.s. ,}„„.„.) I'ut out your hands, now, and reach out. (llelphsHh, hobliii.i ant his haiuh.) There, then ! Stop all that fooling ! Vioitiisit8 hrffiiin roirinji.] Choriiii of iihimtH of Fnitjn jhim Altica, hcloir. Rrekekekex, koax koax ! Brekekekex, koax, koax ! Children of spring and lake. Raise together tiie choral strain. Echoing back the flute again ; Sweet is the song we make. This is the hymn we used to raise (2J In heaven-born Dionysus' praise At Liwin.e, (3) in the osier. ]kekekekex, koax, koax ? (Mori nil iinciiHUji in jiin snit.) I'm getting sore just where I sit But you, 1 suppose, don't care a bit ! Frogs. Brekekekex, koax koax ! Dion, Oh. curses upon you, koax and all ! You're perfectly useless, except to bawl. Frogs. Likely enough. You meddlesome muff I For I'ln the darling of the muses And the goat-legged god who the pan-pipe u^cs. Brekekekex, koax koax ! Dion. Frogs. Dion. My hands and iny fingers arc blistering, And then you promptly pop up and sing— Brekekekex, koax koax ! (IroiiiciUji.) Melodious people, be quiet, I prav (1) /.<•. S«yft-sin«-iin,. tro)-s. Tl,,. .un-iiMils l>fliev.-cl llu- swan to bo possosseil ot a lifautitul voli-o, i-spoiiall\- wlu-ti il\ iny. (2) /.('. Wlu'ii \vi" Won- livintf fro^'-s in tin- uppor world. (3) Limn;L-. ■'tlu- swa.ii,v..- was a marsliv spot in Allu-ns, wIuto stood tho U-na-on. lli.> oldi-sl loniplo of Diorivsns. I'^rogs. HI Dion. rVogs. Dion. Fro<,rs. Dion. I'loijs. Dion. I'rof^s. Dion Char. J)ion, Dion. i8 On the contrarj-. .sir, we have piei.tv to .say .And haven t a notion of .sto])pin I'hckekeke.v, koa.x. I feel its takin-— this koaxi.;:aion ! If it docs. ,t will cau.se us a little vexation. Hut its many times worse for me, vou know It 1 break into pie.cs with trying to row. l^rekekckex, koax koax ! Shriek away, wliat do I mind your attacks. Hut for all that, we'll yell and .shout ■All ihiy. as ioni,r as our throats last out Jirekekekex, koax. . il.oiidrr tluiH li,'i',,rc.) ( 1 niniiphiinth/.) vZ^^^r'Tu <'"""/'■'■ ■^•"•//■> Hrekekekex koax ! Vou nexcr shall beat me at this little <,rame ! Hut we'll be victorious all the same. N>'ver, you'll find me still -oin- stronH\e to be yellin- the whole day ?ong- (At fhf top of hix mirr.) Hrekekekex, koax koax! L ntil I compel you to crv out "pax " (Hr pm,,,',. Then;,;,', m„l.r nn' a»sw,r. Thn, tninnphanfjii.) ^" " I thought I should presently stop your quacks. 1-aM all. Ship .vour oars! and p- wour fare After jou ve landed. .//./,/,,, ,!„ /,,;, ;,„^,,// (Shppituj nnt uinl.iiri,,., him thr „„„„■,,.) I ake \-onr three pence, there ! '.^A-'^,;7.) Where be you Xanthias, Xanthias ? W here ; be gone .= i-' = >9 Xan. {U'itliiN.) Voho I This way Id) {Enttr X'lnthiiin.) Xaii. Master, I'm j^'Iail to sec jou. Dion. What's yonder countrx- like ? Xan. It's all quite dark. And full of mnJ. Dion. Did you by chance remark The liars and the people he mali<;ncd I''or jumping on their parents? Xan. Are you blind ? (2) [Tiiriiinii him round tiinl jioiiitinfi to thf ninlirnfi-.] Dion. I see them now, they're in the stalls, by Jove. Well what comes next? Xan. I think we'd better move ; This is t j place that gentleman (3; spoke about That's full of bogi'-s Dion. Won't I pay him out. He piled it up to make me get a fright Hecause he knew I was a man of might, For fear his own achievements should be beat. Nothing like Herakles for sheer conceit ? I'd like a small adventure with a devil To raise the journey's rather prosy level. Xan. (I'irtrudntii.) By Jove, what's that ? Some sort oi noise I hear. D i o n . W h — w here? Xan, Dion. Xan. Dion. In front now Behind us. Go and guard the rear. {Xanthias ijoin belli mi) Get in front. (1) The spoctators nui'^t rciiKMiibor thai it !•, MippoM-d to bi> dark during this scone. (2) Soo abovo line. Ill tr-'.ttiiu"iu (if atfi'd parents seems tn have been eoinmoii at .Athens, as •-. Wtiiteehapel, ci,'-., "When the eoster's finished jurnpin^f 01; his mother, He loves to lie a-baskinij in the sun. ' !li H;!s,-i! 'hi- and ioiive weie a slaiidiiij; !eim (li'jcko. :«%M 20 Xaii. ayjsus ha„,,, hack. XauthiasiiocH fonranl and /xrrs into the thrkncss.) Lor', what a beast ! Dion. (In Urior.) What? ^^''- , •"^^^■'""'- ^^-''tli a dozen shapes at least ' .A cow— a mule— and now a dojr instead. Dion. Ah, that's Hmpusa.'d) ' ^"' , ,, , , An\how, her head I-s all a-blaze. °" Has she one brazen pe."? Xan. Of course, and -re •i-nuid for the other le- Dion. Wiicre shall I hiiic ? Xan. ( Tniin., to mnrr,,! h,, anmxmnnt, to the ,ui,Ua,n: ) I need it worse, I think. D.on. iLouhin,, a-ihll,, n.nol, ,n„l r„trhn,., .„,ht „,■ //,, prust o, D-nniisns si/tin,, in thr middle o, th. 'front roll- oi th. (Ill, linn:.) Triest, save tnc ' and let's <^o a„d have a drink- X-i:i. Its all up with us, Ilerakles my lord. Dion, Mh'- and pray you not t,. breathe that word, wi call nie by that name. Well, Dionysus, Di.Mi. \\:.y, that is s,ii],„.,,,nike to compromise u< \.i,>. , 7;. //,.,, /„„M (io hark the wavvou came. ^■'•'■'""'I'lto nin,ns,.s:> Here, Master, here! Dion Wh.it's up? ^"''- ,- '^':-'" '•':^'it "WW, vou tu-ccn't f<-ar l-'T, as the actor -aid n<;t io.'i" ,-,-0 •• T!u- stonny win.U „,„, weasel! v" d,, blow •' ( ^ !■ nipus.i s banished, ' (J) .^;n::,r;;:r,;::::;;,x:,:';:,:t.'::;:'X;':: - "•'-'--- .1 u.'.i,..| '" ni. .1,1 .\||,., (I,,. st,>irii I ^ci- 21 Dion. Xan. Dion. Again ! Xan. Dion. Xan. S\v ear. Ve.s, I declare it. By Jove, yes ! Swear ! By Jove, I swear it ! Dion. Oh dear, why arc these horrid things annovint; me ? \V hich of tlie gods is bent upon destroying me ? Xan. Hi! [Simiiwi in hairil irithhi.] l-'io'i- Wiiat's the matter ? ^^^ Don't )-ou liear it ? I)'«". Uell ^ Xan. The sound of flutes. ^'^'""' , Ves, and the torches smell? I hai s most suggestive of the mvstcries. ■' Dissemble," and we'll listen. Quick, please! ( llicji rrniicll (liiiin.) C'hor. {Within.) lacchus, () lacchus ! laccluis, () lacchus ! Xan. Dion, Master. I've got it, that's the vcrv part>- He told us of. they're the illuminate i ') I tl ink so. too. Hut just you hold vour tongue. Or else we shan't iiear what is bc.ng' Nung. ( '/'//(■ Chnnis .s///,/. DiuinisiLH uiitl \„.. i,.,.. ,1,.. Unv.-r w.mI.I a„.l h.-r •■'-n. t.. I.jfl.l a„.l I., l,..r,.,.Ml,..r. tl,.' U.n,,..,- a, tl... l-rvat.-r 1-I...,s„, n u; ........„„, an.l tl... la,,..,- at ,1... L.-ss... KU-usM-.a ,„ ,!,.■ spr,,,,' , •1.. s,x, , .lav .,. .1... l.r..a,..r Kl..,,,,,,,;. ,|,.. s,.-.,„.. .f Ia.-.l,„s\vas horn' . " M^' ,lu- sa.r...l r.M.I ho... .Xth.-Ms ,o l;i,.,isis in ,!„• n.ulst ol ., toi.l,. ,vs..mV'r;:;;v"' •""' " " ""^ ''■"' "'"'>■ -■|''|"..„.m.s «h,. i, ,s ..sp.v,al!^ pi.'s..|.li'il III tlii^ si'cn,.. ' 22 Come forth, lacchus, come ! And leave thy lionoiired liome To dance npon this lawn, and here to meet The brotherhood Of holy men and i,^ood, lacchus, O lacchus ! And \vavin crowned in the end. 24 SV\Ol\SIS-SCKXE III costiimnc V " ,' Aatithias again to charitre cl^.o. 1 "h'*'" "Ut now Acacus returns with hi« acc„„,„„ce _jnr:„o -.WkS' , ^.'"ffe xiHriie but sends them in to^ Pl.^: for judgment """"' '""^' -Scene. /. /,„„/ ,;,„ ,/,„,^ ^,,. ,.^^^^^^,^ ^^^^^^^^^ "*^'' ^:tl-X;h!:'l?;^^;;-^^^^ i>»ioii. {Kuurhin,,. J[,,! slave! Aeac. (y-V<-w „;//,,;,., Who's there = r »5 Dion. Tis Heraklcs the -reat Acac. O loathsome, shameless, and insatiate ' U doubly, triply and quadruply vile • Who carried off our Cerberus bv rruile Stole hun away out of my guardianship And chok-od hnn. Xou- I have you on' the hip, Such a bl„ k-hcarted rock of Stvx's flood .And crag of Acheron ( , ) that d'rips uith b'ood Have got you ,n ihcir keeping safe at last, FdfiJn'.'^;'? ^""f'^^.:^''^'' ^^^" '^"'^' vou fast ; ^-ch dna, (2) too, the hundred-headed beast Sha! devastate your bmvels for a feast • And thus your lungs-don't fancy this a sham. Shall be mishandled by a Tarshish(3) lampre- • \ our v.tals, heart and all, in gory state ' " ' rent by Gorgon hags from Billingsgate (4) ' ■" off to fetch them at my swiftest^ a^e! Dion. ,.,. A. ;./. ,;,/,,,,,, „,„^ ,.,.,.,^,. ^.^^^^ ^^^^.^^ .\(intiiiiix. ) Just bring the sfjonge and put it to my heart. There, take it. Xan. Dion Xan. Dion. Xan. Tut it— V , Where .^ Is that the part V ou keej) your heart in U.,f • •. r . (jencrallx-, no ; liut .n Its fear it siij.pcd a bit below. Well, of all gods and men -you cou.ud. so afraid ! Dion. Weren't you, too, tcrrilled at his tirade ••And threatening ? Xan. J<\' Jove, I di.hi't care (1) .\ riv.-i In H.ulis. of its (...nalos. ' ''"'"■ '"""'"ous tor iIk- sI.,vw,sI, ton^j,,,.. 36 Xan. Maid. Dion. (liisinii.) Look here tiicn, .since your courage is so rare Let s change our part.s ; you don 'the lion's hide .And take this club, as you're so brave inside, And ril Le baggage-mule for you in turn. [Xanfhias puts don;, his humll, u,ul ialrs tlu- lion's sliiii anil cliih.] {I>onii„nrinfil,/.) Pick it up .^uick, then ! There, you've got to learn ; And .see if I, Heral:lcoxanthias Shall be like you, a coward and an a.ss ! [diu's HwiKjiiiriiKj ahouL] Dion. Well, now, supposing I take up this freight. [Lilts lip thf l>ionj/sns.) Come here boy, take the bag and follow me. [Starts to null, airai/.] { .hifirilli/ sto/ijiin;! him.) Hold on there, Xanthias ! Vou don't suppo.sc 1 mean't It seriously— this changing clothes? Drop this tomfool'ng, it's become a bore ; Pick up the traps and carry them once more. \\ hat's u]).^ It surely wasn't in vour mind to Rob me (;f what )()u gave ? In not inclined io, I '/" It. Put the skin down ! I pro; -St, And call the gods to witness I'm oj^presst-j, II) l\-ts.|)hoMO, 111.- Wil,' 111 I'lllU.. Xan. Dion. Xan. Dion, Xan. »7 Dion. VVhat gods ? Would \ou, a slave, the son of none Now think of posing as /Mkmena's { i ) son ? Xan. [SulkUji ijv-iufj hi, an I nstorin'i thr drens of IIcntlli'H to IHoiij/siis, will) nii-fn him hack the ba;i(fagi:] Oh, well, all right then, if you must you must You'll need me soon, that's all if heaven is just. [Enter tiro huuUailies, the fornnr reeoi/nizes Hera- hles (an she thinl,H) ami utartu to ahnse him.] 1st L. Plathanc! Piathanc! here's the man of sin, The rogue that came that day into the inn And ate up the sixteeti loaves. 2nd L. By jove ! that's lie. Xan. {Aside.) Some one will get it in the neck I see. 1st L. And all that garlic! Dion, (ivith ,li;,ni/ie,l air.) Nonsense my good woman, You don't know what you arc sa\'iii: down. (I) -Xlkoma w.is iho niollior ot Hon-uli-s bv JiipiUT. (j) riu-si- Iwi' taiiioiis iliMiia^-ii),nios .iro ii-pivstMili'il ,i> t'ollowiiii,'- the sanu- ijillinjf In tlif lowor woiKI .is ilu-v ■.lid on earth. Hoih li.iiUlii-ii shortly botoff the composition ot'this pla\. m 28 ''' ^' NoMn'Zilu"]' ^'"" ^"'•'"a.uH.fnff hound, \V h r^\ ^ ^^^""''^ '"^ ^'^"^'- than to pound W th a .tone those teeth that gobbled up Jny wares. ."'""'^"'■'^^ to flingyou down the bottomless stairs I c i,ke to take a knife to your windpipe. The one w,th which you hooked dovn/aii my tripe. Ih.ninit to ,,rt -ou're up to, , Stop that rot ! 1 iron t be Herakles ! Dear Xanthias, don't ! Aikmona's son I can't be, and I won't, i^en.nr a slave and mortal man beside. I l^now you re angry, and you're justified ; k rV -■'^" '"'""'^ ^'^"^ '"^' '■" ^^ dumb, iiut if agani mall the time to come 1 take your thing.,, then .nay the devil claim us Self. w,fe and child, and-blcary Archidamus"(', ), rhat s a good oath to swear in your position ;^^ 1 take your bargam on that last condition [\>,„tJn„s ami l>u„n,,ns o,u-r ,„on- rh,n,„r ,hr,, ] Ace. To mV.';V'"T'''''"'- ^'"'^'^"'>-' ' command, io meet his due reward. l^ion. Trouble's at hand for some one: Xan. [\„,t/,i,„ ,,,,,,,^, ,„^,/ ^, ^^.^^ ^^ t,otobIa;^cs: don't toucli me! lJit>las ; Skeblyas : I'ardokas • " C ome \e here .' ....;r^;,;;'™;r,^ ™:^.";*";;;^i;;::;wE1£'-*"'' - rvos .1 Ace. 29 Xan. [ShahitKi hiitiHclf f'lrc.] Well, now, by all the -ods that I hold dear 1 never saw tliis place before to-day Or took the value of a hair away • If not I'am quite content to meet 'my fat- And I will make an offer fair and strai-h't • I orturc m>- slave, ( r ) and if you find a'brc^th Uf evidence, then let me die the death. Aec. Which tortures, please .> Xan. ((,,,////;.;rW/y.) Oh, anythin-_the rack, Uie cat and trian-ies, and flay his back Take h.m and han- him by the thumbs or'toes And pour the vineyar into his n(,se ,;■'":; •'/"''' '/ .''"'•'• I'^^'" "ot particular, iJon t beat him with youn^ leeks, that's all I bar -ri" '/-"n ^ •'"'' '' ' ■'^C'-'0"-Iy maim he fellow in the process, > on can claim 1 he compensation to the full amount Uf the man's value. Xan. [drmroiixh/.] \ot on my account : He's wholly in your han.ls ; so take him hence Ao here • you ou-ht to hear his evidence, [Tnniiuii to I>i,>„ii>iiix.] Now you, i.ut down 3„nr bundle and take care None of your lyin<,r here, sir! ' ,, . I declare I am an immortal, touch me if you dare .' .\cc. Whiit's tiiat ? Dion. il>ma,n:^l,in^,ir.p.) I'm Dionysus, son of Zeus ( / ninhN,, tn .Vndluas. ) And that's my slave. Aec. ( 7V. A'diiihniH. ) \ [car th.it ? Xan. \ , ^, . -^ i^ood excuse. I he better suoject be for you to thrash Bern- a ^.od he'll never fee! the lash, Dion. {.\,i,irihi t , .\',nitl,i,is.) \\ h\- then, since you too claim to he divine ^ •'" ^' ''^"ttcr nrct a blow for each of mine ' accJALS''^:;M''A;t:,::;;;r;:..^-'i!-; -,f:-''--b -•<- 1> ...lu. ;,. Aec. Dion. Xan. Aec. Xan. Aec. Xan, Aec. Xan. Aeac. Dion. Aeac. Dion. Aeac. Xan. Aeac. Xan. Aeac. Dion. Aeac. 30 All right {to Aeacus) whichever of us two you sdv Caring one jot, or uttering a cry, Take him for the imposter, breeding tells! You re the real gentleman, whatever else • Justice IS what you like. Off with your coats ! [Tly strip muJ tahr their places apart, with their liaehx to Aeac IIS.] How are you going to test us fairly ? . Oh, Vs tasy, a blow in turn to each one. 1 here catch me flying signals cf distress ! [Acaciis ,iires Xanthias a cut ,- Xinithias makes a lace, tint itoes not move.] Well, I've just hit you. (Iiiereilnloiishi.) Xo, you didn't, though ! r don't believe ne felt it. Let me go and hit the other. [//,/.s. Dioiiii^i,^.] (ControUiw, himself.) Tell me just where, please. Why, I did hit you. Then wh_\' didn't I sneeze? Don't know. Another try at this man's shirt Make haste ! [Araciis ifues him a much harder cut 1 Tut ! tut ! Why '• tut ! tut ! Are you hurt ? Oh lor, no ! I just thought of an idea About my festival in Diomea. (i) What piety ! \ow him again. Here goes ! [aires Dionifsiis a ijood cut. He houUuiul ucers ] Vow! What's the matter ? \\^- ^*M -:':i^^0^'>M(^^: Xaii. Aeac. Xan. Acac. Dion. i 3' ^'°"- Knights, ( I ) in the front rows ! Aeac. Why are you crying, then? ^'""- ,., Hecause they stini< so. tJt onions. Aeac. y<)ii'rt' all right, then ? ^'°"- I should think .so? Aeac. Then I must give this man another blow. [Hits X,u,thi„.s, irh„ l,u,rl.s, thr„ siuldnih/ nttrhcn up hiH tiuit, i>n't,-ii(liuii ti> hai-c Inirt it ] Ah! What's the matter ? Splinter in my toe. T'other one now ! It's a hard ca.se to try though. , ,, , [ffits hioiii/suH.] Apollo !— -* [Thnt nmtrnUim, hinisr//, ]„■ prefe,iy>is and tin int,, thr hmix,:] (1) Dionysus absurdly explains awav his crv. On! vaw ' mitrht express eilluT joy or pain. ■ -.'a^.mitrni (2) (Juoteil troiii the l.aoioon of Sophocles. tu .st> UK. turns so charmingly misleading rhey snnply lost the.r heads and thought they never lad seen a poet so extremclv clever ^ ■ He sot conceited, claimed to' be enthroned Instead of /I-.sch\-iu- " Eventually the decision is lef, to the judgment of Dionysus In the concluding scene the sfruio.ysus, uho had come doun to fetch bid- is nn 1 ' Auonrac. changes his mind and lea sT^ vX'^Z trmmph attended by the good wishes of I'.uu:^^.d \he While the criticis.n in .letail is farcical in the extreme An> opiiancs ,s to some extent making a serious atd' «;" He work of lunipides, both on moraf ^;^ :Sc i;;:";ssr;;:"'!;;^:,e;:;Lt:;-: •'-'---- lai^v^^l Tt^P?!^** 33 Kuripicics on the other hand is intelhgible. but prosaic • ■s scenes arc those of everyday hfe ; his languaj,? is d at oJ the man n, the street; his characters are human oo human ,„ fact, being at times positively mean. sideLd' '"?-'iV7^ ""-^ '''"'■ '■ri'"^*''^-^ tragedies is con- sidered, /hschy us aims at making men " noble, vi-orous and prudent, so that "specially they know much more Of kecpmg house than e'er before." Aristophanes the Tory, has but httle sympathy vvi.h this point of view to det.dk '" ' '"■'^'""'■"^^'■>' fighting the poets came down Choru: Eur. Dion. SCKXK IV^ Curt of Law. In the background Pluto is seated on Ins throne, bes.de w/nch stand four attendants. In front is Dionysus eondueting the trial, on his . i^ht stands ^schy/us, OH his te/t Euripides. The Chorus are present ni C ourt as interested spectators. . Now we long to hear from you, Gontlcmcii of li-ht and leading \\ hat will be >'our first proceeding With the enemy in view. Fury is upon their tongue, lioth have got their manes erect. And their nerves are highly strung ; This is what we ma)- expect : //<- will speak with polished iilirasing. Smoothed and sharpened with a file • //<' with Titan volleys blazing Scatter all his shifts and guile. Well then I take his Prologues fi) first to test I'or that comes naturally earliest The statement of his subjects is obscure. Which will you test? firs, *:!.,;^":; i;;;?'':^;:;;:^ ":;v,c; ;t ^^ ^r"';' -t^ ^^"■^■" •■ -•- •"- Eur. Dion. -Acsch. izrant inv S.Ience in court; Xou, Aeschylus, p.occc.! '''n^r*^:s:S''--'^''^->>-3)th.u.e. He my i)rc.severcr aiui ally i,, fi.rht :-;-tlHVsIandlco.nca;Kicl^re;nn^ i-"i(l any fault in that? ' I'-iir. ,. ... ' "-"^ twelve or more. ^-'. \Vhy all the Hues together are hut Un-' '•■"•■. J^"t each has twenty errors n.r its share -^Vcsch. \ uu knou- that's nonsense J-ur. , Do you think I care' Sto;. Aeschylus, don-tread another li„. < It s clear you 11 only .^.et an extra fine ' or every fresh quotation, and the score '^ '•""■"■'.^' "I' a;.Minsty..u for those four., ■\c-sch. / stopfer /,,„,. Dion. -n .• . r'l.'t s the advice I \x-riven. '-'•■ ;';^^-^-vi.hannstakeashi,hasheaven. ^-". K.tsn,.mi.ake' i "H .hank you to exolair ,"• ^\;^>--'-f-"y: lust say the Hues a,.nn ni. .U'ant mv '5e my preserver and allv in fi-dit J-'T to this land IcMnean.idore'tur ''- -'-'-XontS*;;: n:Z"^H;;:,.:!';i,-;;'^; ;;:;;; - -.Ji.' ■f'V''-!3^--r ■rsW-* f; ■-'-t?. -:^" ^''^m 35 Eur. How he repeats himself, tlie clever fellow Aesch. K-- „.i. myself: How? Eur. I-uok at the phrase, I'lj tell vou ■ ^! - says that lie '•returnee! ' and that he "came,' N •> •■ otnu ^- " a,.;! •■ rcturnin;4 " ^ire the same. ' Dion. Hy jo,c : us just as if the .lavvy said, " Lend me a shovel, Hill, or else a spade." -Xescli. Far from it. Vour incessant chatteriiiL,^ Has warped your sense ; my lines are ju>t the thin;^^ Dion Ou what ^noumls tell me? •^''''"''- „., , He who has a home U hen he -ets back there can be said to - ci^mc," He snuply muh.s, and nothing' else is meant ;' Hoth words • pi)ly to one in batn'shment (i.) " Hio!!. Good : .\ow, Euripides, for your att.ick. Eur. ^e^^dly, I sa\-, lie never tlid come back, hor iie stole in without the (government's leave. Hion, (iood too: (Hxi.l,:) IJut what you mean 1 can't concei\ e : I'".ur. .\c\t line please. "'""• , '^''■^. "lake haste, tor -^oodiu-s' sake (><> on; and you (/.. Ennp^lrH) look (,ut for the nnstake. .\esch. (Ciiiilitiniiiij iiiintotimi.) ".Anil at this barrow on lU)- sin.- I call To hear and listen. " ■''"'■• There he f;f)es ai^ain ' "Listen " and " liear " are just "tiie same, tiiat's plain. Dion. (Miikiim a i<>l,,\) Vou idiot: he was t.dkini^ ti. the dead, And tliey can't hear a tliiu-, tliou-h three times s.nd. Hut liow d'you write //i)(/)- I'roidvrnfs ? (It TIU' WOIXI lUMV Ir,„lvl,,l,Hl ••,•,...„„ (k,.l.-,vlUMl..Ul NV,.S ,1,.- UH ,,m-..l u-m, for .vturn from ,viU-. \..s>.l,^ !„. ,„ai,„..,„. ,„.., tl,.. ut ni;::; ;:.;;;::u;:::;.:'-''"-- •'■ ^^■•-- ' '-'■ — . ■ M Eur. Dion. Eur. Aesch. Eur. Ae.sch. Eur. Acsch. Eur. 36 Ar, 1 r ■ ^ °" shall see. '-And if you notice a tautology Am\- extraneous matter or'a trace Of padduig, theu~amsjwr; i„ my face: Do say one ; I am dyin^. for a si-l,t Of the correctne.ss of the lines you write. ( V""//V/.'/) ( I ) •• A happy man was Oedipus ( . ) at first. (I>ifrrn,pfn>;,.) \ot he, bv jove ; but utterU- -iccurst • Doomed ere his birth the oracle to fulfil ' And, yet unborn, I saj, his sire to kill How then was he a happy man at first'? {I>wr,,„nli„!, fl"' iiihrntptiou) "Then fell at last into the very worse misfortune." Outnf,> I- . ^'"-not lie: he never rose out of ,t. JMrst. an nifant, they c.vpose Hnnm a b,t of crockery in a storm Not to -.row up .nd do his father's har.n ; And after that, with both ankles swellin./(,) He drifts au to Polybus' dwellin<- " ^ ' ■\iui she was his own mother all the tii nne •^-sense: I think my Pro^nies verv fine. We (4) . 1 jvont nibble at them line bv li„e Hut with the help of Heaven for the task f will overthrow them with a pocket flsk A pocket flask : Vou ,' Mini ' (') From llu- •' AnliK-oiu-,- ot Kuripi.l.-s, a lost pL.y. lllr':']:- '-^ "^:''-'"-<. - av^ul ,1,.. ,h,...a,on..c. U ,, ..,,, ";•> "Xant son, on Mi. (.ilh.uTon ■.■..,■ ."■'"''"'■'' ''"'""• •■"POM-d «'..■ >hiM uas ,o,nui. w ,iM ';.;';;. ,;:"^\'''v'"'.''" '"*^''''''-'-- "•••■«• •^••-Kh. up. Th.. nan,.. ■iV.hp.is'ra.I^'st^.-t,' u:.;;!"" ""''"• "" ^'^ (4) .Xi'sclu Ills, alliT i.iii..;.,., I.- • 1 nuMMol.lu.storvoVo.Hl, ,s Tr?". '^;":'l"''''^ "' al.sur.lilv iu his ,,...,, -' 'Iu. "u.,u,,o„ous V-SiVv ;;:''' ','''''>' '""'''^ i'.vu\ku..s i,....aus. '■"" - ■"•■ya.v.. ,p,va:^; ;,;;;,!:: "• '" •"• "•• "••■ '-■ Ml- St" f m^ms,. .':'.''4'''I>tiis, as the ancient stor\- •foe.'- Bi in<,'ini,r his fifty sons acro'ss'the wavi .Ami rcachinLT A (Brcukiihi iiifii lim.) " Lost 1 W lis pocket fla- ils that _\-our pocket flask ? t'onfi omid it then ! Recite another and let's tr\- Dionysus* J) who adowii 1' aL'ani. With wand and f Ee ips in the dance arnassus' slopes iwnskins 'mid the torches' '^leam Oh li Lost his pocket fl; car ! The flask ai W e I c lUit I assure \ou 'twill not He hit. re s OHO in which 1 matter a bit UJiinfl,i;i){ ?) •• No mortal blest, l'"itln-r with noble birth 1 Or beinir base bori le cannot make it fit- man there is in ;dl things le ll\■c■^ m w.mt, .\esch Dion. Eur. Lost his pocket fl, IS I -unpidcs \\ hat is it ? D ion. -Ul, This |)o(ket flask .Short en s.iii r^ like to bl hou ni >I i 1. V !■ I I'm I 111' .h,/i,/ii //i/.w/, Sthill,:/,,, .1 ,.r ..fF- , )f^,-^-^ .^^ ---^ vV " Eur. •Acsch. J)ioti. Eur. Eui 38 (Aiiniii )/i(iitiiin.) oon ot .-\L,fciior — ' " I-"^t his pocket flask 1 liat flask, my frfend, I thi„k vou'd better h,n- Or It w,il ru.n all x„ur prolo-uc. ^' / bu\- from him ^ ^^^'^' ' (jood counsel. r \c ,.t w.r I ' '■ci)cat it. "tsofproKn.es when hecaunotu.se .\esch, J) ion. Eur. Acsch, ]-:ur. \\ itli lus swift horses." " ^-"■'^t lii-^ pocket flask" I e.. made it fit a,^^,in,.vou must allow. Acscli. (II .(Wax "I-"-^t liis pocket flask." 1/- let me say the whole line, if sou please w;n;:^r;;j;-;;^.^-^'--'^i'^-eoussLe "Eost his pocket flask," Kiinip.i In ZiMis I'C ''■■'".«'"<''■ ''I i.irfMor. Kinir of I'l, ... »o •^<''""> oi'l.MvJ cVJm„s , '"'""■'■•'• "••'>• '■■'niod "O. .0 n.turn without lu-r. M ,t ,„ V h, , ^ T'",' T ""''''* ''^•'■- •""' Ih.- M-,uvh. .-uKl to follow ., >.ow wl,; ,'","■"'''■''•'"''•"> i"' aha.uion cny «h.-ro sho l.n down, .; ,- c,,,^ ,''/""'■' '''"•'•""" 'out.d a ......iKiu nv a lirauoii, whioh lu- ^|..w \, 1 1 . "''"''' "^" "•'<.> .vn,a„u-U. Ui„, „,',i, ,t, j ," , ^ ' "' '' '■•^1. otlu-r until o„lv tiv e ol llu- Thohan aiisioo.iov 'n.-survivors Nvan..- llu- (ounJors (II IVIops, son ot I'.intalus, a i-liariot rvior (or tl Ho wonllu- viotorv ll,.. I„ii'." ' ■, ' ■'l'l,":"aniia, th, ;;M..-;..vou,o;,;i:;';;^;;;!r— V^:;.^;:;: "- '••'• .\iul ii hapiu-uod th.it .■ompo.o u, a ohatiot raoo Tor Ik- hu, I 'r .. ;'''''''"''' ^■'■'■'•^••- l^' ^l.tuKl.lor. Ho won llu-viotorv llu h i '" , ' 'I''!''''-'""-'' ••'«• kin^s lio wuij^^e '•wi^l^"'^':'^.---'''"^':'''-'''^^'''''-"--^'-'''!* .MU.. while saorituinK ho foiKol I o u ,0 , / ' T, " '''MM'-"''! that sho M-nt a s.uaico boar, whi.h r . u. K,s .\rloinis. So •M.-U-aKor. .\n.r al.or thi. h, .v V d"": 'l'"""? '""' •-'•■" ''^^ — >• .•non.v Avrrius. but b..itur;,v,.n.-o.rh, 1 "" , '""' ""Pnsonoil bv his lu- was hi.nsoK troaohoro.olv sla , I, W„f ^'V"'"'"' ^^ '"' '^"'•■'' ■^•.nu.. tlu-ir lathers (alo. ' • ^^""^ '»" -""-• « ho ha.l osi-ap^.J ^s^^mpmsimiim^m Dion. Eur. Dion. Kur. (1) tlu- Ac, 39 {I'nt'ndiiiii to he nnirli roiinrticd.) While he uas at it } Where were tlie police ? •Never miiul thnx. Answer this (jiice again— ( I ) " Zeus as the woHs of all true men maintain "— ( Inti rnijitiiKi liim.) ()h stup ! I Ic'll say " he lost his flask " and do vou. That wretched Hask sticks just as closely to you . .As any stye sticks oii an eyelid I Take' I lie Lyrics (ov a change for goodness' sake ! [•■/ s/i»r/ inU'rv,i! euuics ,/un>ix 'which Aeu-hxiin 7valk round c.XHilant, :vhile Dionysus consoles the 'crestfallen Enri failles. | [ The lyric ontest Ir-ins. Kurif^idcs sin^s a J>.,roJv of one of Aeschylus' chorus son,^s. which fails to make senie, and is marked ly a pointless refrain. Aeschylus replies Ivsinxinya suffosed - .\/„r.,iy:' or solo, ,f Euripides' composition 7chich also is fantastic and muddled. Dionysus, Pluto and the Chorus lis'en in sorro:o.\ .Mighty tine songs indeed ! I'll show you .soon ; I'll cut them all down to a sitigjc tune. (.SV//-/.S'.) (2)" How the ;\v<) throned might of .Achaea, of Hellas' oiTs[iring, ( ;, ) Tophlatothrat I Tophlatothrat ! Sendeth the Spln'n.v as a sliameless ordaiiier of evil Tophlatotin-at ! Tophlatdthat ! Furious birds witli tile .pear and the hand of avengers, Toplilatotlirat ! 'I'oplilatotiirat ! (".ivinga meal to the ravening liouiids of the heavens, roi)h!att)thrat I Toiihatothrat I \\\A the liost that is riding witli .Njav. Tophlatothrat I Toplilatotlirat I" lii'iii ihf .Mi'Linlpiv of Kiiripiili's dosii, TIl.M- llIU-, .UV p.JI U-M-.-llUT IrOMI .lltr.TVIll l.l.u, »l Xl'M-lulus - iiiiiiiniuMi, S|iliiii\, riir.iii.iti wimu-n. Siippi»i-il 111 lu- an inijlalii'ii ol tlif li.trp. 40 Acsch.,^/^.)0 murky ni.ht.sh..ouclcd in ,100m Outofthccarka,n.t;luma.cdreacl <^lad HI black -armcius like the dead - •A in, Ulster of death U'ith brcatiiless brcatli, Child of black ni<,rl,t^ ■A shiiddcritijr siLrbt With bloody; blo(,dv looks And talo.is loni; as hooks ? I^>o„. ilnt,rrn,.fi„,) Stop nou- vour sin-in- /■//<■ fM//c,./ /^■•/, '"-.^/frow, ami tmn lets .■,.. ■ ^ J^iinpuits //,e cause ,», each occasion 1 Jmioii-1, of Lyrics ! I U-UU t,w I 1 • ' "^IlOUld SHV it isl ' J.u t to take inm to the balances, V^h.ch,sthe.,nlyu.aytobrin-co;u.iction '^> l""^""^'"ur respective uei-ht of diction. Dion. Acsch I )ion N')u- then yo,. two stand bv tl ic scales I -Aesch. aiul F.iir Take hold of them and each in .nrnriue'"'' I sa\- ' C'ncko(j !' \ es. !'"> !i. .And don't let ,,<> til •Aesch. and Ilnr. ;""■" •^"^^-P'-'akyonr line into the balances , , "^^'"'^'^^'-^'-'^'^'P.Ar,oneer had noun",.) •\csch. ".^percheius riv.r where the oxen s^rav",^, J>i /las Km I 1 I I roill 111 ( llck()(» I let .r,, I ^ cs this one certainlv "'H' nj4ht down. Hiitwhy.^ / cannot sec. .M.hI,.,, oI I •MljpHl,.^ (,.\|,iTlt 1. , ,, : , . .,...> ^ I. MilTII I. 4« iJioii. Because, he like a man that deals in wool 1 lit in a river ; rivers make it full Ot water ; tiiat >ou know j,rives wei-rlit to things 1 he hue you nut was li-ht with feathery wiiiLjs.( i ) ^'111-. Let's speak another and match weit,rht for wei-^dit l^ion. Catcii hold a<,raiii then. Aesch. and Kur. R^,a,iy all. l^ion. ' V .NOW say It. I'-iir. " I'ersuasion hath no temi)le than the ton<,rue "(j) Aesch. "Of all the -ods Death only loves not yifts"(3) I^ion. Let i;o, let go. [.Ifsrlii/liiti' xoilr iiiinin ilmji.^.] ^ '-"^. d(jwn again liis goes He put in Death the hrarirst of all woes. I'-ur. I'ersuasion I ; what better could >ou find ? Dion, Oh that's ;i fli,i,x,/ thing without a mind ! Hut look another of your hcavv weight's out I o pull 3-our scale down, something large and stout. Kur. •• The iron-slieathed log in his right hand he took "(4) Aesch. " For chariot heaped on chariot.corpse on corpse"( 5 ) ['J'lii,/ l,t ,..', Arxrinibis' s,;ilr „>i,iin dni/^H.] Dion. Tiiis time again he's fooled you. I f ')w lio you mean ? Dion, lie put two chariots and two corpses in loo heavy for a hundred l-"ellahecn. (6) (2) From llu- A,itiir,„i,- o\ Kiiripidt.s (|o,t). (.',) From llu- Xioh,- of .u'vhylus (lost). (4I From iIr. AM,-a,>,'r of Kuripidos (losi). (51 From tlu- (.7ab,o pmm- .H:ww^":^^~''^r^:^''-Wmmw^ J* U t4 42 Aesch. ( Triumphittitlji.) Let's have no more of single lines but put H.m in, child wife.-Cephisophon (i ) to boot- And let h.m take his books down from the shelf- -And pile them in, and sit on top himself And 1 11 just put two verses by their scale. [I>io,,,,>i,,. I,,,,hrs the snd,' oHhJe, and in n ,„„:id iiKuiHcr itililressis Pluto.] Dion. The men are friends of mine. Til not decide U nen you're impartial it is hard to jud^e And agamst neither will I feel a "rud;,;,s^ 4ilti.) Remember what a solemn oath you swore To take me back. I was your friend before. Dion. iSoli'iiinli/.) ( 5 ) " My ton (aviiur his sooond rooall, as ho is the onlv man loft who o.in savo .\thoiis in tho last stajjfo of Iho w.ir. (Tho oilv was takon in tho t'ollowinjc yoar, 404 H.C.) ■(2) Kuripidos. (J5) .\esohyIus. (4) I'ossibly takon tiom .1 ohildroii's jjamo. (5) .V parody on .i lino in tho Hif>p„lvtiis of Kuripidos. " .Mv tonifuo hath sworn it, but my soul i, troo." .Ml IlippoKius moant in savinjf this, was thai ho had sworn without knowinjf allthat tho oath impliod, but that ho is still bound by it. .Aristophanos bv an outnijfoous travesty of moaninff represents Kurpidos as delondinjj perjury. t,l-:'>,^.M:6 I)i on. Kur. Dion. IMut. I3i()ii, Pint. Dion. (I) viM.tiiu (2) 44 Whafs villainy, if the aiuiicnce think ( i ) it well > Wretch will yo„ leave me dead down here in hell > (//; iiior/.- solniuiiti/.) "Who l-our d nier, sleep a feather Led ?" /•-''•'> I-:'irii,i,/rs rrrtit-hil/ni. lio in.side Dionysus. Wherefore, pia)- ? That I may feast >•<.„ ere y„u sail a'ua\'. Thanks, that is c,mte a ^^ood idea, you know, 1 "1 "ot displeased the matters ended .so. r.-.nHlu-J tVo„, the /W,.,V/„.v of Kuripi.U.s (los.) \\ ho knows ,» li^ l„j,. u „o. lu-i„K clo.iJ, W hilc doalh ,s >e.koM..cl lito In thoso bolow • Clmriis. Xou- ue bid you all farewell, l.cave you sweetlv sin