yj^. *.,i^ ^.v"; IMAGE EVALUATION TEST TARGET (MT-3) 1.0 I.I Uyi |2.5 ■^ iiii |2.2 2.0 lit ■u 140 I ||l.25 ||U 1.6 < — 6" ► Vl ^ /. PhotograpMc Sdences Corporation ^% f\ <> i ». '^jV' ;\ 23 WEST MAIN STREET WEBSTER, N.Y. 14580 (716) 872-4503 CIHM/ICMH Microfiche Series. CIHM/ICIVIH Collection de microfiches. Canadian Institute for Historical Microreproductions / Institut Canadian de microreproductions historiques Tachnical and BIbliooraphtc Notat/Notas tachniquaa at bibliographiquaa Tha to t» Tha Inatltuta haa attamptad to obtain tha baat original copy availabia for filming. Faaturaa of thia copy which may ba bibliographically unlqua, which may altar any of tha imagaa in tha raproduction, or which may significantly changa tha usual mathod of filming, ara chackad baiow. D D D D D Colourad covars/ Couvartura da coulaur I I Covars damagad/ Couvartura andommagia Covars raetorad and/or laminatad/ Couvartura rastaurAa at/ou pa!!iculAa □ Covar titia missing/ La titra da couvartura manqua iourad maps/ Cartas giographiquas an coulaur Colourad ink (i.a. othar than biua Encra da coulaur (i.a. autra qua blaua ou noira) I I Colourad maps/ I I Colourad ink (i.a. othar than biua or black)/ I I Colourad piataa and/or iiiuatrationa/ Pianchas at/ou iiiuatrationa an coulaur Bound with othar matarial/ Rail* avac d'autraa documants Tight binding may causa shadows or distortion along intarior margin/ La re iiura sarr^e paut causar da i'ombra ou da la diatortion la long da la marga intiriaura Blank laavas added during rastoration may appaar within tha taxt. Whenever possible, these have been omitted from filming/ II se peut que certaines pages blanchaa ajouttea lore d'una restauration apparaissent dans la texte, maia, lorsque cela 6tait poasibla, ces pages n'ont pas M filmtes. Additional comments:/ Commentairea suppl4mentaires: L'Institut a microfilm^ la meilleur exemplaira qu'il lui a *tA possible de se procurer. Les details da cat exemplaira qui sont paut-Atre uniquea du point da vue bibliographiqua. qui peuvent modifier une image reproduite, ou qui peuvent exiger une modification dans la mAthoda normala de filmaga sont indiqute ci-dessous. □ Coloured pagea/ Pagea da coulaur n D D D Pagea damaged/ Pagea andommagiaa Pagea raetorad and/or laminated/ Pagea reatauriaa at/ou palliculAea Pagea diacoiourad, stained or foxed/ Pagea d^colorAas, tachettes ou piqutea Pagea detached/ Pages dAtachies Showthrough/ Transparence The poai of tl fllml Orig bagi tha sion oth« first sion or ill |~n Quality of print variaa/ Quality inigala de I'impreaaion Inciudaa aupplamentary material/ Comprand du material supplAmantaira Tha shall TINl whi( Map difft antii begi right requ metl Only edition available/ Seule MKion diaponibia Pagea wholly or partially obacurad by errata slips, tissues, etc., have been ref limed to ensure the best possible image/ Les pagea totalement ou partiellement obscurcies par un feuillet d'errata, una pelure, etc., ont M filmAea A nouveau da fapon A obtenir la mailleure image poaaibla. This item is filmed at the reduction ratio checked below/ Ce document eat filmA au taux de rMuction indiquA ci-deaaous. 10X 14X 18X 22X 26X 30X y 3 12X 16X 20X 24X 2RX 32X Tha copy filmad h«r« hat b««n raproduead thanks to tha ganaroaity of: Univtraity of Victoria L'axampiaira fllm4 fut raproduit grica k g^nArotiti da: University of Victoria Tha imagas apraaring hara ara tha baat quality posaibia conaid iring tha condition and lagibiiity of tha originai copy and in Icaaping with tha filming contract tpaciflcationa. Original eopiaa in printod papar oovara ara flimad baginning with tha front covar and anding on tha laat paga with a printad or illustratad impraa- tion, or tha back covar whan appropriata. All othar originai eopiaa ara flimad baginning on tha first paga with a printad or iiluatratad impraa* sion, and anding on tha laat paga with a printad or iiluatratad imprassion. Las imagas auivantas ont At* raproduitas avac Is plus grand soin, compte tanu da la condition et da la nattat* da l'axampiaira film*, at sn conformity avac las conditions du contrst da filmaga. Laa axamplairaa originaux dont la couvartura an papiar ast imprimAa sont filmis an commandant par la pramiar plat at •n tarminant soit par la dmrnikrw paga qui comporta una empreinta d'imprassion ou d'illustration, soit par la sacond plat, salon la cas. Tous las autras axamplairas originaux sont fiim^s 9n commandant par la pramlArs paga qui comporta una amprainta d'impraasion ou d'illustration at an tarminant par la darniira paga qui comporta una talla amprainta. Tha laat racordad frama on aach mieroflcha shall contain tha symbol -i>»> (moaning "CON- TINUED "). or tha symbol V (moaning 'END"), whichavar applias. Un daa symbolaa suivants apparaltra sur la darnlAra imaga da chaqua microficha, salo;. U cas: la symbols — ^ signifia "A SUIVRE", la symbols ▼ signifia "FIN ". Mapa, plataa. charts, ate, may ba flimad at diffarant raduction ratioa. Thoaa too larga to ba antiraly includad in ona axpoaura ara flimad baginning in tha uppar laft hand cornar. laft to right and top to bottom, as many framaa aa raquirad. Tha following diagrama illuatrata tha mathod: Laa cartas, planchas. tablaaux. ate. pauvant dtre filmte * das taux da reduction diff*rants. Lorsqua la documant ast trop grand pour dtra raproduit 9n un saul clich*. il ast film* * partir da I'angla sup*riaur gaucha. da gaucha A droite, at da haut un baa. an pranant la nombra d'imagaa n*cassaira. Las diagrammas suivants illuatrant la m*thoda. 1 2 3 1 2 3 4 5 6 '■•1;. ' '/I'M' I .\'\>f, ■ui at '■J .1,1; TIIK CALUMirr OP Till: COTHAU, AND OTHKR POETICAL LI'GliXDS OF Till: BORDliR. ALSO, A GLOSSARY OF INDIAN NAMFS, WORDS, AND WESTERN PROVINCIALISMS. TOGETHER WITH A GUIDE-BOOK OF THE • YELLOWSTONE NATIONAL PARK. By p. W. NORRIS, MVn YHARS SUPERINTIJNnUNT OP T„« YMLLOWS ICNK NATIONAL PARK. ALL RIGHTS RESERVED. PHILADELPHIA: J, B. LIPPINCOTT & CO. 1883. Copyright, 1883, by P. W. NuKRIS, M w ''I 1 I To my early and dear friend who lonjr ago l.y the Miami of the Lakes, in the wilds of \„ithw^ tern Ohio, stren.,'thcned my youthful ambitiun, J am indd)ted f.,r the impulses vJdch from time to time found expression in jjoetic fancy. As a reminder of tlio.se days, so frau-hl with pleasure and profit, and as a sliglit token of |,rratitudc to one wliose character I admire and whose friendship I cherish, the following legends are dedicated to the HoNORAiii.K MORRISON R. WAITE, C/u',/ Jiisfue of the United States. I SING IN SONGS. 4^ 1 SIN« in songs of ^li'liii"; lays Of forest scenes in Ijordcr days; Of lipplinjr lills in valleys yreen, Anil niinored liil!> in lakelet slieen ; Of niountain-i)eaks be»;iit with snow, And flowery jiarks, pine-j^irt below; Of darinj; deeds of border braves, On dashing steeds, to gory graves; Of brawny breast 'neath painted plume, On warrior's crest, in dash to doom ; Of light canoc on dashing shore, And daring crew, who'll row no more; Of goblins grim and canons grand, And geysers spouting o'er the strand ; Of Mystic Lake, of Wonder-Land. INTRODUCTION. Tmk production of tlic stanzas which compose tlic fol- h)\ving narratives of incidents, legends, and traditions of horder-life are not tlie result of any preconceived plan or elaborate preparation, but arc the spontaneous out- growth of circumstances and events as diverse and pecu- liar as the strains in which they are written or the scenes which they portray. Tender affection and filial regard for a disabled soldier sire of Pilgrim descent, an affectionate mother of Welsh birth anil lineage, and a numerous family of young and dependent sisters, im[)elled my boyish footsteps from our frontier cabin of love to the toils and dangers of a trap- per's life along the great lakes, rivers, and amid the mountains of the pathless Northwest, in order to assist one parent in his increasing age and failing strength, and the other in her efforts with the rude weaver's shuttle in providing for the comfort and education of my sisters. From this revered Welsh mother I doubtless inherit an ardent love for mountain and song. The stern realities of border-life strengthened the one and wellnigh strangled the other; and under the opinion, still retained, that the poet's fLinlastic visions rarely accord with the cool calcu- 9 to /.\ Ao/>tr77o.v. I l.itions rcqiii^ite for business sucrcss, I si-ldom nllowod these (l.iy tlreams eiuoiira^cineiil or reronl. Yet tliese iinhidilen visions were occasionally pencilled l»y the camp-fire, in hours of danger, as a, sohue from