IMAGE EVALUATION 
 TEST TARGET (MT-3) 
 
 
 
 1.0 
 
 l^|28 |25 
 
 |5o ^■" H^M 
 
 1^ 1^ 12.2 
 S 1^ ||2£ 
 
 
 
 I.I 
 
 
 
 
 m 
 
 
 125 
 
 1.4 1.6 
 
 
 
 f.1' . 
 
 -► 
 
 ^ 
 
 
 
 O 
 
 
 7] 
 
 ff 
 
 /2 
 
 
 7 
 
 
 Photographic 
 
 Sciences 
 
 Corporation 
 
 23 WEST MAIN STREET 
 
 WEBSTER, N.Y. 14580 
 
 (716) 872-4503 
 
 

 
 CIHM/ICMH 
 
 Microfiche 
 
 Series. 
 
 CIHIVI/ICMH 
 Collection de 
 microfiches. 
 
 Canadian institute for Historical Microreproductions / Institut Canadian de microreproductions historiques 
 
Technical and Bibliographic Notes/Notes techniques et bibiiographiques 
 
 The Institute has attempted 1:0 obtain the best 
 original copy available for filming. Features of this 
 copy which may be bibliographicslly unique, 
 which may alter any of the images in the 
 reproduction, or which may significantly change 
 the usual method of filming, are checked below. 
 
 
 
 D 
 
 n 
 
 n 
 
 Coloured covers/ 
 Couverture de couleur 
 
 rri Covers damaged/ 
 
 Couverture endommagie 
 
 Covers restored and/or laminated/ 
 Couverture restaurie et/ou peliiculAe 
 
 I I Cover title missing/ 
 
 Le titre de couverture manque 
 
 Coloured maps/ 
 
 Cartes gAographiques en couleur 
 
 Coloured ink (i.e. other than olue or black)/ 
 Encre de couleur (I.e. autre que bleua ou noire) 
 
 Coloured plates and/or illustrations/ 
 Planches et/ou illustrations en couleur 
 
 D 
 
 Bound with other material/ 
 ReilA avec d'autres documents 
 
 Tight binding may cause shadows or distortion 
 along interior margin/ 
 
 La reliure serr6e peut causer de I'ombre ou de la 
 distortion le long de la marge intArieure 
 
 Blank leaves added during restoration may 
 appear within the text. Whenever possible, these 
 have been omitted from filming/ 
 II se peut que certaines pages blanches ajoutAes 
 lors d'une restauration apparaissent dans le texte, 
 mais, lorsque cela Atait possible, ces pages n'ont 
 pas *t6 fiimies. 
 
 Additional comments:/ 
 Commentaires 8uppl6mentaires: 
 
 L'Institut a microfiimi le meilleur exemplaire 
 qu'il lui a At6 possible de se procurer. Les details 
 de cet exemplaire qui sont peut-Atre uniques du 
 point de vue bibliographique, qui peuvent modifier 
 une image reproduite, ou qui peuvent exiger une 
 modification dans la methods normale de filmage 
 sont indiqu6s ci-dessous. 
 
 □ Coloured pages/ 
 Pages de couleur 
 
 □ Pages damaged/ 
 Pages endommag6es 
 
 □ Pages restored and/or laminated/ 
 Pages 
 
 n 
 
 Pages restauries et/ou peiiicul^es 
 
 Pages discoloured, stained or foxei 
 Pages dicoiordes. tachet^es ou piquAes 
 
 Pages detached/ 
 Pages d6tach6ds 
 
 Showthrough/ 
 Transparence 
 
 Quality of prir 
 
 Quallt6 in^gale de I'impression 
 
 Includes supplementary materit 
 Comprend du materiel suppl^mentaire 
 
 I I Pages discoloured, stained or foxed/ 
 
 I j Pages detached/ 
 
 I I Showthrough/ 
 
 r~| Quality of print varies/ 
 
 I I Includes supplementary material/ 
 
 Only edition available/ 
 Seule Edition disponible 
 
 Pages wholly or partially obscured by errata 
 slips, tissues, etc., have been refilmed to 
 ensure the best possible image/ 
 Les pages totalement ou partieliement 
 obscurcies par un feuillet d'errata, une pelure. 
 etc., ont 4t6 filmies A nouveau de fa^on A 
 obtenir la mellleure image possible. 
 
 C 
 b 
 
 tl 
 s 
 
 fl 
 
 Si 
 
 o 
 
 T 
 si 
 T 
 yk 
 
 h 
 
 dl 
 ei 
 bi 
 ri 
 
 This item is filmed at the reduction ratio checked below/ 
 
 Ce document est film* au taux de rMuction 'ndiquA ci-dessous. 
 
 10X 
 
 :^ 
 
 1 
 
 4X 
 
 18X 
 
 22X 
 
 12X 
 
 16X 
 
 20X 
 
 26X 
 
 30X 
 
 1 
 
 24X 
 
 28X 
 
 32X 
 
Th« copy filmad h«r« has b««n raproducad thankt 
 to tha ganaroaity of: 
 
 Library Diviiion 
 
 Provincial Archives of British Columbia 
 
 Tha imagas appanring hara ara tha bast quality 
 possibia consldaring tha condition and laglblllty 
 of tha original copy and in kaaping with tha 
 filming contract spaclflcatlons. 
 
 l/axamplalra film* fut raprodult grAca A la 
 gAn*roslt* da: 
 
 Library Division 
 
 Provincial Archives of British Columbia 
 
 Las imagas suivantas ont At* raproduitat avac la 
 plus grand soin, compta tanu da la condition at 
 da la nattat* da I'axamplalra film*, at an 
 conformity avac las conditions du contrat da 
 filmaga. 
 
 Original copias in printad papar covars ara filmad 
 baginning with tha front covar and anding on 
 tha last paga with a printad or illustrated impras- 
 sion. or tha back covar whan appropriate. All 
 othar original copias ara filmad baginning on tha 
 first paga with a printad or illustratad impras- 
 siori, and anding on tha last paga with a printad 
 or illustratad impression. 
 
 The last recorded frame on each microfiche 
 shall contain the symbol — ^- (meaning "CON- 
 TINUED"), or the symbol V (meaning "END"), 
 whichever applies. 
 
 Les exemplaires originaux dont la couverture en 
 papier est imprimie sont film6s en commenpant 
 par la premier plat at en terminant soit par la 
 darniire page qui comporte une empreinte 
 d'impression ou d'illustration, soit par ie second 
 plat, salon la cas. Tous les autres exemplaires 
 originaux sont fiimAs en commenpant par la 
 premiere page qui comporte une empreinte 
 d'impression ou d'illustration et an terminant par 
 ia derniire page qui comporte une telle 
 empreinte. 
 
 Un des symboles suivants apparattra sur la 
 dernidre image de cheque microfiche, seion Ie 
 cas: Ie symbole —^ signifie "A SUIVRE", Ie 
 symbols V signifie "FIN". 
 
 Maps, plates, charts, etc., may be filmed at 
 different reduction ratios. Those too large to be 
 entirely included in one exposure are filmed 
 beginning in the upper left hand corner, left to 
 right and top to bottom, as many frames as 
 required. The following diagrams illustrate the 
 method: 
 
 Les cartes, planches, tableaux, etc., peuvent dtre 
 fiimAs A des taux de reduction diffdrents. 
 Lorsque Ie document est trop grand pour Atre 
 reproduit en un seul ciichA, il est film* A partir 
 de Tangle supArieur gauche, de gauche A droite, 
 et de haut en bas, en prenant Ie nombre 
 d'images nAcessaire. Les diagrammes suivants 
 illustrent la mAthode. 
 
 1 2 3 
 
 32X 
 
 1 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 

 
 I MADRIGAL & DRAMATIC SOGIET\ 
 
 SECOND CONCERT 
 
 TUESDAY EVENING 
 
 "S^GL-y X TiHHy ^QT 
 
 IN. 
 
 THE M5THODIST HALL. 
 
 BOOK OF" WORDS 
 
 
 ^ PRICE, 10 CENTS. ^ 
 
 .1^ 
 
 
 . :.w>y"»/'v/>/Xrf'V/'v-'V/N/%*'\XN^^'>* .>-w 
 
 
 » V\^>./W «#^./\/V V w WW«' 
 
 l>ROVINCIAL ARCHIVES OF B. C. 
 
 
 * • c*^ 
 
BUY YOUR 
 
 STATIONERY, 
 
 WAH. PAPER, & 
 
 FANCY GOODS , 
 
 I 
 
 I 
 
 -AT 
 
 O 
 
 ordova 
 
 4. 
 
 Thomson Bros'. 
 
 .< « 
 
 Street 
 
 They buy all their goods direct from 
 Montreal (not Victoria), thereby saving 
 the intermediate projfits tor themselves, 
 and also for their customers. 
 
mm 
 
 I 
 
 I 
 
 VANCOUVER 
 
 ,1 
 
 ^■M 
 
 i\ 
 
 
 n 
 h 
 
 , -"v^- ■w/\/N. '^-/ - 
 
 \r\^\' s/\y V 
 
 /VV/ \^W>^Vv/'%'N-'>« "V/^N'X^'/^^X^-V^-V " 
 
 v\/ \''x/ ww^ 'x>'x<'^-''vwv/■^'v/^•\/^---^vx/ -< ^ ^'> 
 
 MADRIGAL & DRAMATiG SOGiETY 
 
 
 SECOND CONCERT 
 
 rURSDAY EVENINC. 
 
 3\J[€ty X Vtlx, ^0 V 
 
 IN 
 
 THE METHbDIST HALL. 
 
 ' -\y\./-v>'W\ 
 
 ' /N.-^jN/N/^*- 
 
 A /"-/ ■^^'N /-v/x/■v/^•^,y^y » 
 
 fBOOK OF WORDS 
 
 -;) 
 
 > » 
 
 I 
 
 -^ r\y\j''\./X -«.'X*^'V'i 
 
 
 
 ^^T* KBKnHV ^flBWW^ ^^^^^^^ » ■ 
 
 KHies^-aai&iii 
 
 PR0V1.NCIAL ARCMiVES 0£ B. C. 
 
 r"' 
 
So 
 
 /; 
 
 Mi 
 
 i 
 
IP-^I^T I. 
 
 Piano Solo — '' Lust March " Benedict -Jifyer 
 
 Prof. Adams 
 
 / SoNO — " Hear 
 
 Mr. 
 
 ts and Homes " lilockley 
 
 Mallandane 
 
 Hearts and Homes, sweet words of pleasure, 
 
 Music breathing as ye fall ; 
 Making each the other's treasure, 
 
 Once divided losing all. 
 Homes ye jnay be high or lowly 
 Hearts alone can make vou hoi v. 
 
 Be the dwelling e'er so small, 
 
 Having love it boasteth all. 
 liCf. Hearts and Homes, sweet words of ])lea»ure, 
 
 Music breathing as ye fall ; 
 Making each the other's treasure, 
 
 Once divided losing all. 
 
 Hearts and Homes ! Hearts and Homes. 
 
 
 Hearts and Homes,^sweet words rovealinj 
 
 All most good and fair to see, 
 Fitting shrines for purest feeling, 
 
 Temples meet to bend the knee. 
 Infant hands bright garlands wreathing, 
 Happy Voices incense breathing. 
 
 Emblems fair of realms above, 
 
 "For Love is Heaven, and Heaven is love." 
 
 Madkigal — . ..." Hail ! Merrv Month of Ma} "... 
 
 The Choir 
 
 Hail ! all Hail ! thou merry month of May ! 
 
 We will hasten to the woods away, 
 Among the flow'rs so sweet and gay. 
 Then away to hail the merry, merry May, 
 The merry, merry May, then away to hail the merry, 
 merry nionth of May. 
 
 ~Ref. 
 ll'cher 
 
T 
 
 lliwk ! ]l:uk ! Mark ! to hail tlie month of Mav, 
 Nov; tlic Koiif^Ktei 8 warble on the spray, ' 
 
 And we will he ms hlythe as tliey. 
 
 Then .*iway to luiil the merry, merry month of May. 
 
 'I'he morrv, merry month of Mav. 
 
 Then awav to hail the merrv, meriy month of Mav. 
 
 So.N(r - " Her J^>iij,'ht Smile Haunts Me Still". . U'ri!ihtK<tn 
 
 Mr. Isaac Henderson 
 
 'Tis veaiH since last wo met, 
 And we may never meet aj^^ain," 
 I have strnj^j-^led to foi-tiet. 
 But the strng«.de was in vain, 
 For her voice lives on the breeze, 
 And her 8])iiit comes at will 
 \n the midni.Lfht on the sea, 
 Her hrij^ht smile liannts me still. 
 
 At the first sweet dawn of li<^ht, 
 When I <^aze upon the deep 
 Mer foj'm still ;4reets my sij^ht 
 Vv'hilc the stras their vi.i,dls keep. 
 When 1 close mine acldng eyes, 
 Sweet drenms my senses till 
 And from sleep when I arise 
 tier bright smile haunts ^le still. 
 
 I have saiTd 'neath alien skies, 
 I have trod the desert path, 
 I have seen the storm arise 
 Like a giant in his wratrh. "^ 
 
 Ji^verv (lan'^er hav6 I known 
 That a reckless life can till, 
 Yet her presence is not tiown, 
 Her bright smile haunts me still. 
 
 QuAUTETTE — " Come Where the Lilies Bloom " Thompson 
 Mrs. Tw^yford, Mrs. Edwards, Mr. Henderson, and 
 
 Mr. Edwards 
 
 Come away, away, away, 
 Come where the lilies bloom so fair, 
 Dome away, a\\ay, Jiv/ay, 
 Come where the lilies, the sweet, fragrant lilies, 
 Uh, ouiue where the lilietj bloom so fair, 
 
 \ 
 
 \ 
 
^ 
 
 Mtiv. 
 Mav. 
 
 iiid 
 
 
 
 Down in the meadows, the j,a*een, verdant meadows, 
 Oh, come where sweet fraj^rance tills the air. 
 Come away, etc. (first four lines). 
 
 Hex^ beautiful lilies grow. 
 
 Here beautiful lilies grow, 
 
 White, white as the drifting snow, 
 
 Here beautiful lilies grow, white as snow. 
 
 Come where the shadows gently are falling 
 
 Over land and sea, over land and sea. 
 
 Evening shadows fall around us. 
 
 And the flowers have gone to sleep. 
 
 Come, come where the lilies, the sweet fragrant lilies 
 
 O, ccmie where the lilies bloom so fair, 
 
 Down in the meadows, the green, verdant meadows. 
 
 Oh, come where the sweet, fragrance fiils tlie air. 
 
 Come, come, come, come, come, come. 
 
 Come, come, come, come, come, come. 
 
 Rippling stream, flowing on, 
 
 Come, come, on the air. 
 Come away, away, away, 
 Come where the lilies bloom so fair, 
 Come away, away, away. 
 Come where the lilies bloom. 
 Come where the lilies bloom, come away, 
 Come away, come, oh, coi^ie away. 
 
 Violin Solo- 
 
 " Carnival of Venice, 
 Mr. Pichler 
 
 Pdfianim 
 
 SoN(»- " Will He Come" , 
 
 Mrs. Beckingsale 
 
 I can scarcely hear she murmured, 
 For my heart beats loud and fast 
 
 But surely in the far, far distance 
 
 I can hear a sound at last. 
 
 It is only the reapers singing 
 As they gather in the sheaves, 
 
 And the evening breeze has risen 
 And rustles the dying leaves 
 • The dying leaves. 
 
 "Listen! there are voices talking," 
 Calmly still she turns to speak, 
 
 Sir /I. Sulliran 
 
 / 
 
c 
 
 I'* 
 
 k 
 
 Yet ]icr vn'wc i(rovv faint and Iro'iihliiij^ 
 
 Aii'l tli(3 i'C(t flus]u;(l in lier cheek. 
 It in only tho cliildien playing' 
 
 Below, now their work in clone, 
 And till y liTugJi that their oyoH are daxzlecl . 
 
 15 V tlio rav'.i of tho settin«' sun, 
 OC the scUiuf;; Bun. 
 
 Fainter jj^rew iter voice and wenl'er, 
 
 Ab with anxious eyes nhe cried, 
 " J/own th(^ AvoniK) of '^ l^cstnulh 
 
 I ciin hoar a horseman ride." 
 It was only liie deer ihat were lf(dinf» 
 
 In a hdd iri Iho clover p;raHs ; » 
 
 They v : r(* slarthd, and Ih dto the thicket 
 
 As t;j<y Haw (he reapers piiS-?. * . , 
 
 Now the ni^dit aro^c in sih ncc, 
 
 Birds liy in their lo^fy ne-t, 
 Ami the d'^f-r couched in the'^forest, 
 
 And ihe ciiildien were at refit. 
 There w;;s only a sound of weeping 
 
 From widcln^rs n round a bed, 
 ])U' rest to th(> wetiry siniit, 
 
 Peace lo the quiet dead ! 
 
 Peace lo tho quiet dtad ! • . 
 
 Bong — "1 am a Friar of Orrlers Grev '' ()' Kecfe 
 
 liev. Father Fay 
 
 I am a friar of orders gre\', 
 
 And down the vallev I take mv wav, 
 
 I })nll not blackberry, haw, rior hi]), 
 
 Clood store of venison iills my scrip; 
 
 ]Mv lom^ bead-roll I merrilv chant, 
 
 Wherever I go no nioiiey I want, 
 
 Whei'ever 1 go no money 1 want. 
 
 An-d why I'm «o \)lum}), the reason I'll tell. 
 
 Who leads a ^'ood life is sure to live well, 
 
 AVho leads i\ ginrA life is sure to live v/ell 
 
 AVluit baron or ycpiire, or Ivuight of the shire, 
 liives half so well ar a holy friar ? ''holy friar, 
 
 liives half so wcli, half so v>dl, lives half so well as a 
 Lives half so well as a holy friar ? 
 
 
 
.O'Kcefe 
 
 Iv frijir, 
 A el I us a 
 
 'j 
 
 After Rni)|)or of lifaveii I diraiii, 
 Ikit tliat is fat ))iillots ;iii(l clouted creain ; 
 Myself by denial f mortify, 
 With a «,M)od dainty hit of warden \iw\ 
 I'm clothed in sackcloth I'ur \\\\ sin, 
 With old sack wine I'm lined within, 
 With old sack wine I'm lined witliin. 
 A chirpini/ cnp is my nnitin son.tj, 
 And the vcH])er hell is my liowi, dinj^, don;^', 
 And the veRpei- bell is my bowl, dintf, donj^. 
 What baron o- :,(jiuje (S: etc. 
 
 Madkkial -. ."Matona, T.ovelv IVFaidcn ". .(hfKH'loT.fissiis 
 
 The Choir 
 Matona, lovely maiden 
 
 Oh listen to the son.u', 
 Matona, lovelV nniiden, 
 
 Oh listen to the song* 
 I sin*/ beneath thy win(lx)w 
 
 While ni«,dit clonds roll aloii?.:, 
 Dont^, don^{, don.'^, derry, doiry, doii}/, don«, 
 J)on<.>-, dono, d()ni,^ don?.f, donf-% 
 
 i)en-y, derry, don<^s don^'. dou<,', dong. 
 
 T pray you hear my ditty, 'tis sweet and not too loner, 
 'Tis pointed if not witty, an^t shai])Cird like a i)ron<f, 
 
 Dong, dong, dong, derrj(, derry, dong, 
 
 Dong, dong, dong, doi)g, dong,* dong, 
 
 Derry, derry, dong, dong, d<jng, dolig, 
 
 The words of clioicest tissue, to shoot. 
 
 To shoot love's aim belong, 
 Then from your window issue. 
 
 Or else you do me v\rong. 
 Dong, dong, dong, derry. derry, dong, dong, 
 Dong, dong, dong, dong, derry, derry, dong, 
 Dong, dong, dong, dong. 
 
 You'll say, if once you catch them, 
 
 And note their fine ding dong 
 Petrarcha couid not match them, 
 
 They are so sw^eet and strong, 
 Dong, dong, dong, derry, derry, dong, dong, 
 Dong, dong, dong, dong, dongi 
 Derry, derry, dong, "dong, dong, dong, 
 
8 
 
 But if you think the measure, 
 
 Should to all scorn belonj<, 
 A more complying treasure 
 
 I'll choose, I'll choose from out the thronf(. 
 Dong, dong, dong, derry, derry, dong, dong, 
 J)ong, dong, dong, dong, dong, 
 Derry, derry, dong, dong, 
 Dong, dong, dong, dong, dong, dong, dong, dong, 
 
 Interval of Ten Minutea 
 

 INHTUUMENTAL— " Meditation " rnv^h-Oomiod 
 
 OROAX, PIANO AND VloIilN 
 
 Miss Cordiner, Prof. A«lania and Mr. Picliler 
 Song— ..-Good Bye, Sweetheart, Good \^yc" .. ..Hittton 
 
 Mr. H.T. Devine 
 
 The bright stars fade, the moon is breaking, 
 
 The (lew-drops pearl each budding leaf, 
 And I from thee m\ leava am taldng, 
 
 With bliss too brief, with blisP, with Miss too brief. 
 How sinks my heart with fond al irms, 
 
 The tear is hiding inrmine eyet^, 
 Fm- time doth thrnst me from thine arms- 
 
 "Good bye, Sweetheart! Good bye, S-vet th.-urt ! 
 Good bye !" 
 For time doth thiust me from thine arms — 
 
 Good bye, Sweetheait, good bye ! 
 
 The sun is up, the lark is soaring, 
 
 Loud swells the song of Ohantieleer, 
 The Beeret bounds o'er Earth's soft glowing-. 
 
 Yet I am here, I am here ; 
 For since night's gems from Heaven did fade, 
 
 And mom to floral lipa doth hie, 
 I could not leave tltiee though I said 
 
 " Good bye. Sweetheart, good bye ! Good bye, Sweet- 
 heart, j<ood bye !" 
 I could not leave though I said 
 
 Good bye, Bweetheart, good bye ! 
 
 MAmaoAL— .. ./' The Red Cross Knight" .... Hr. Cnllcott 
 
 The Choir 
 
 Blow, Warder, blow thy sounding korn. 
 And thy banner wave en high : 
 
 PROVINCIAL ARCHIVlS 01-; 13. G. 
 
10 
 
 M 
 
 I! ' 
 
 Foi* the Cbiisiiiiiis liave fonj^lit in the Holy Land, 
 
 Aud have won Ibe victory, and liuvo won the viclovy. 
 
 LdiuI, loud tlje Warder Mow his horn, 
 Aud his banner waved on hiiih ; 
 
 liCt the mass be sung, und the btdls be runf, 
 And the feast, the feast, cat merrily. 
 
 The Warder looked from his tower on high, 
 
 As far us he could sec^ — 
 " I see a bold Kni^iht, and by his red cross, 
 
 He comes from the East Country." 
 Then, loud the Warder bit w his horn, 
 
 And cftU'd till he was honrso, 
 •' I see a bold Knight, and bi^ shield bright, 
 
 He beareth a fiaminj:? cross." 
 
 Then, down the Lord of the Castle came 
 
 The Red Cross Knight to meet ; 
 And when the IVd Cross Knight he espied 
 
 Eight loving ho «lid him greet. 
 Thou *rt welcome hero, thon Red Cross Knight, 
 
 Dear Knight, for thy fame 's well known ; Come 
 And the raa*"S shall be sung, 
 And the bells shrill be mn;.^. 
 
 And we '11 feast right merrily, merrily, 
 
 And we '11 feast right merrily, merrily, merrily. 
 
 ** Oh ! I am coniM from the Holy Ti;ind, 
 
 Where saints diet live and d^ ; 
 Beheld the device I bear on my shield, . . 
 
 The Red ('ross Knight am I. 
 And wo have fought in t!\e Holy Lmd, 
 
 Aud we 've won the victory. 
 For with valiant might did the Christians fight, 
 
 And made the proud Pagans tly."' 
 
 Thou 'rt Welcome here, dear Rrd Crc^ss Knight — 
 
 ('ome, lay thy aimour by. 
 And for the good tidings thou didst bring 
 
 We '11 feast us mcrrilv, merrilv, merrily. 
 For all ill. my castle shall rejoice 
 
 That we 've won the victory, that we 've won the Yic- 
 tory. 
 And the mass shall be sung. 
 And the bells shall be rung, 
 
iclory. 
 
 B YIC- 
 
 11 
 
 And the feii'^t cat iiin'iily, im riily, 
 The fefthl cat iiifriily, mtniiy, in. iiily. 
 
 8oNa— Opera " Ihuldi.ifore "' Sir A. Sullivan 
 
 Miss DouiijlMs Parker 
 
 If pomebody there chrtnecd io 1><^ 
 
 Who h»ve'l me in a maniK r line, 
 My h«'art would poiiit liim nut to \i\<\ 
 And I would point him otit to yon. 
 (Ue/ei'n'ttg to a baok.) 
 
 15nt hen* it says of those who point, 
 Their uuiiiners iiuist he nut of joint ; 
 You mail not point*, you niiii^l not point, 
 It 's nnuiners out of joint t(.> point ! Ah ! 
 
 Had I the 1 'Vo of such as hr. 
 
 Some quiet spot he 'd take luu to ; 
 Then he could whisper it to me. 
 And T could whisp* r it to you. 
 
 But whihperiug, I 'vc sjuiewhere met, 
 Irt contrany to eticjueile ; 
 What can it he ? Now, let me see — • 
 Yes, 3'es ! It 's contnuy to etKpiette. 
 
 If any well-hrc d youth 1 knew, 
 
 Polite and gentle, neat Jind trim. 
 Then I would hint as nuuh to you, 
 
 And you could hint as much to him. 
 {Referring to hook,) 
 
 But here it Buys in i)l!»iuest print, 
 *' It 's in(>st unladylike to hint ;" 
 Yuu itHUf not hint, you uui.st not hint, 
 It says you mus'nt hint in priat. Ah ! 
 
 And if I loved him through and through. 
 
 (True love, and not a passinf» whim), 
 Then I cr Id speak of it to you. 
 And you could speak of it to him. 
 But here I find it does 'nt do 
 To speak until you re spoken to ; 
 Where can it be ? Now, let me see 
 Yes, yes ! Don't spei k until you re spoken to. 
 
12 
 
 Piano Bolo- 
 
 DuJblT- 
 
 j(aj " Lieder Ohiie W ovte'\. ..Mendlessohn 
 [(h) '' Wanderstunden " Heller 
 
 Prof. Adams 
 
 Opera" Ruddigore". . . . Sir A, Sullivan 
 
 "Pose" and "Pichard" 
 
 O 
 
 Miss Douglas Parker and Mr. Charles Nelson 
 
 TJICHABI* 
 
 The battle's war is over, m\' love ! 
 Embrace thy tender lover, O my love ! 
 From tempest's welter, from War's alarms, 
 O give me shelter within those arms ! 
 
 Thy smile allarir % 
 
 All heart- ache cnrinp, 
 
 Gives jjeace endnrinf?, 
 my love ! O my love I 
 
 ROSK 
 
 If heart both trne and tender, O my love ! 
 
 A life-love can engender, O my love ! 
 A truce to sif^hing. and tenr.i of biine, 
 For joy uad\iug shall aye bo mine, 
 For joy undying siiall aye be mine. 
 
 EOSH ANDJ.-^ICHAIJD 
 
 And thou and I, love, 
 
 Shall live and cli:», love, 
 
 Without a sigb, iove, 
 
 Without a sigh, my own, my love. 
 
 And thou and T, love, 
 
 Shall live and die, love, 
 
 Without a sigh, love. 
 
 Without a sigh, love, my own, niy love. 
 
 T 
 SI 
 T 
 T 
 
 D 
 
 Song — " Love is a Dream " 
 
 Mrs. Gendroa 
 Titiy white cloudlets fitted above us. 
 
 Scent of while clover ' ome over the sea, 
 Down in the valley sheep b. lis were ringing. 
 
 Sunbeams dmccd meirily over the sea. 
 Far down below us the brooklet was flowing. 
 
 Larks saug lUtir matins to lieiw'u above, 
 
 *-^, 
 
 Co wen 
 
 \ 
 
 B 
 A 
 
i:{ 
 
 •^ 
 
 Over the h'll-side we wandercil together, 
 Whispering softly oiir Rtoiy of love. 
 Love is ft drrniii, 
 Sad is the awaking, 
 SuDshiDe »nd sorrow 
 
 Mu«^t ever meet. 
 Love is n dream — 
 Ah ! could it hint forever, 
 For life is hard, 
 For life is hard, 
 Life is hard, 
 
 And love, and love so sweet. 
 
 The lark's song censed, and the roses faded. 
 
 Shadows grew longer, and daylight dif d, 
 Slowly we wandered down to the valley. 
 
 Hand clasped in hand, Ly the brooklet's side ; 
 The air was heavy with^ sctnt of whit^ clover. 
 
 The res* less pea ha<l a sound of puiu, 
 The day was over, our dream was broken. 
 And iif© and sorrow came back again. 
 Love is a dream, 
 S>id is the awaking, 
 Sunshine auf{ sorrow 
 
 Must ever meet. 
 Love is a drenm — 
 Ah ! could it Inst forever, 
 For life is hard, 
 For life is hard, 
 Life is hard, 
 
 And love, and love so sweet. 
 
 Duet anj> Chorus . . Opera " Ruddigore " . . Sir A, Sullivan 
 
 * ♦ K ose " and * ' Richard ' ' 
 Miss Douglas Parker, Mr. Charles Nelson and Choir 
 
 RICHARD 
 
 Hnppily coupled are we, — you see 
 
 I am a jolly Jack Tar, my Star, 
 And you are the fairest, the richest. 
 
 The rarest of innocent lasses, you are, by far, 
 
 Of innocent lasses you are. 
 
11 
 
 Fanned by a favoring gale, 3-011 *11 suil 
 Over life's heachfrous sea with mo ; 
 
 And, as for bad \vealher, wo '11 jiwo it together, 
 And you Bball creep nuder my Ico, my woe ! 
 And yon sh ill creep under my lee, my wee, 
 Fi)r yon art- sufh a nni^^rt little crofi', 
 Snob a neat lit!l'\ sweet little craft, 
 Such a bright little, tight little, dight little, 
 Light little, trim Utile, ptim little craft ! 
 
 Chouus: — 
 
 For she is such a smart little craft. 
 Such a neat little, sweet Httie craft, 
 Sucb a bright little, tight Httle. flight little. 
 Light Utile, trim little, prim little creft, 
 
 EOSE 
 
 tt *■ 
 
 My hopes will Ije blighted, I fear, my dear, 
 
 In a month yon'il bj going to sea, qnite free, 
 And all of my wishes yon '11 throw to the fishes, 
 
 As tl>(>ngh th< y were never to be, \)00y me ! 
 
 As though they were never to be. 
 And I shall be left fill alone IpO moan 
 
 And "ecp at yonr cruel dec( i^ complete, 
 While von '11 be asstrting voi^.r freedom 
 
 J5y il'rting with every woman you meet— 
 
 You cheat ! Ah ! — 
 
 With every woman you meet ! Ah ! — 
 Though I am s-ueh a smart little craft, 
 8u( h a neat little, s\v( et little craft, 
 Such a b)ij:ht little, tight liMle, slight littln, 
 Light little, trim little, i)iim little craft. 
 
 Chokus : — 
 
 For she is such a smart little craft. 
 Such a nea^ little, sweot little craft, 
 Such a bright little, tight little, slight little. 
 Light little, trim little, i)tim little crait, 
 Siich a blight little, tight litth', slight little, 
 L'ght tilth', trim little, prim little crufl. 
 
 gnn 
 
15 
 
 Mai.kt<;ai. -''. . . '* 8f>on aw I Careless Strayed " . . .('. Frxta 
 
 The (nioir 
 
 Soon as I careless stray 'd 
 
 Find youth with eyes averted, 
 
 PhilliB I met, by all the swains deserted ; 
 
 Swift she (tho' late so coy) then Hew to meet me, 
 
 My back I turned, all deaf to her entreaty. 
 
 She warbled thus her ditty — 
 
 O Shepherd, now have i^ity. 
 
 And to your faithful lover 
 
 Your passion true discover. 
 Then did I, cold and haughty, view her, 
 And thus replied to her : 
 
 The love that '8 won by Rold will i)r()vo uud jing, 
 For, since my purse iii 'empty, I '11 go n^ ir.ore a-wooing, 
 I '11 go no more a-wooiuf(, no more a-wooing. 
 
 I.'^.ii'll 
 
^^ ■1 
 
 I 
 
 I 
 
 f--t 
 
FURNITURE, CARPETS, OILCLOTH, MAHING 
 
 ^*^*.»/ 
 
 LINOLEUM, 
 
 CROGfKERY, & 
 
 I 
 
 GLASSWARE 
 
 u • o £• ri L" 
 
 00E.TD0V!A. STK.EET 
 
 SMOKE THE 
 
 T&L.CIGAR 
 
 WHITE LABOR MANUFACTURE, 
 
 iTV^ECOX. \3S^x,:e3 <& :e2;:e3t^-IXi 
 
 CT -AiClS; 
 
 3^^ 3^^ 
 
 Agent. 
 
 Oor cl-^v Stree ':. 
 
 r ■ : 
 
rr- 
 
 
 t^BSSStSV . 
 
 
 . / 
 
 F-Jv 
 
 \^ 
 
 pCV\jJy- VtvJt 
 
 \^i^T-fow-^ (^^x/^A^-^ 
 
 -^v TK a eCy^ 
 
 ( 
 
 '■;*jei 
 
 
 * 
 
 ^jajsj^arm, 3f&a. 
 
 m 
 
 1 
 »* 
 
 m