IMAGE EVALUATION TEST TARGET (MT-3) t ^ / ^/ 2< O -^ I.I ^ 1121 1.0 If" 2A 2.2 1^ m ^ m ^ lis lillM 1.8 1.25 i 1.4 i 1.6 V] ^ % /a /a °% \> # /a y/yj °m cv CIHM/ICMH Microfiche Series. CIHM/ICMH Collection de microfiches. Canadian Institute for Historical Microreproductions Institut canadien de microreproductions historiques 1980 Technical Notes / Notes techniques The Institute has attempted to obtain the best original copy available for filming. Physical features of this copy which may alter any of the images in the reproduction are checked below. □ □ Coloured covers/ Couvertures de couleur Coloured maps/ Cartes gdographiques en couleur Pages discoloured, stained or foxed/ Pages ddcolordes, tachet6es ou piqudes Tight binding (may cause shadows or distortion along interior margin)/ Reliure serr6 (peut causer de I'ombre ou de la distortion le long de la marge intdrieure) L'Institut a microfilm^ le meilleur exemplaire qu'il lui a 6t6 possible de se procurer. Certains ddfauts susceptibles de nuire d la quality de la reproduction sont notds ci-dessous. □ Coloured pages/ Pages de couleur Coloured plates/ Planches en couleur Show through/ Transparence Pages damaged/ Pages endommagdes Th po of fill Th CO or ap Th fill in! M in up bo fo D Additional comments/ Commentaires suppl^mentaires Bibliographic Notes / Notes bibliographiques D D n n Only edition available/ Seule Edition disponible Bound with other material/ Reii6 avec d'autres documents Cover title missing/ Le titre de couverture manque Plates missing/ Des planches manquent AdiJitional comments/ Commentaires suppl6mentaires D D n Pagination incorrect/ Erreurs de pagination Pages missing/ Des pages manquent Maps missing/ Des cartes gdographiques manquent The images appearing here are the best quality possible considering the condition and legibility of the original copy and in keeping with the filming contract specifications. Les imagos suivantes ont 6t6 reproduites avec le plus grand soin, compte tenu de la condition et de la nettetd de I'exemptaire filmd, et en conformity avec les conditions du contrat de filmage. The last recorded frame on each microfiche shall contain the symbol -^(meaning CONTINUED"), or the symbol V (meaning "END"), whichever applies. Un des symboles suivants apparaTtra sur la der- nidre image de cheque microifiche, selon le cas: le symbole -^ signifie "A SUIVRE", le symbole V signifie "FIN". The original copy was borrowed from, and filmed with, the kind consent of the following institution: National Library of Canada L'er.c.-nplaire film6 fut reproduit grdce d la g6n6rosit6 de f'dtablissement prdteur suivant : Bibliothdque nationale du Canada Maps or plate? too large to be entirely included in one exposure are filmed beginning in the upper Inft hand corner, left to right and top to bottom, as m;2ny frames as required. The following diagrams illustrate the method: Les cartes ou les planches trop grandes pour §tre reprod Jites en un seul clich6 sont film^es d partir oe Tangle sup^rieure gauche, de gauche d droite e' de haut en bas, en prenant le nombre d'imagei ndcessaire. Le diagramme suivant illustre la mdthode : 1 2 3 1 2 3 4 5 6 r'pwii. "T— — rrracr i \ ^>^ j: ■-,»y» "■■>.., Psa455 US1Q3 Jt». *-^' U* ''■'.\ "•-.fc^'v- --T •wpU '■^'" ■4- 4^ A' .'^; ^^^ 4 »- :'^' CANADA NATIONAL LIBRARY BIBLIOTHEQUE NATIONALE — 1 f I [ mrmmmmm Virginibus pueriaque caiifo.-HuiiAVK. Lih. iii. Ode I. QUAi^T6TT€ op Lovei^S' We will live, my love, and play, i^et grey l.eards wag as wag thev may ; teuns that set repair their light, ' Our brief day has one long night. — GoLDWix Smith's Bay LtavtH. Lovt various minds does variously inspire. — Dryden. JOHN ALLISTEB OURRIE. TORONTO: WILI lAMSON 6i CO, 1892. « mm -^pf^pi"^- ^'^ ^^5 6 9 n '^ ' ) h^ yy ^^ 'J Entered according to the Act of Parliament of Canada, in the year one thousand eip-ht hundred and ninety-two, by Wil- LiA>|«0N & Co., Toronto, at the Department of Agriculture. Ar i»i^ J -!►.- $i xS^pr TO MY CRITIC, MY FRIEND, AND MY INSPIRATION, IS DEDICATED. THE AUTHOR. ic^kei nv .XL ^ iJCU... ) 1: #/ ^ ''*^ INTKODUCTIOJ^. •♦•- ■*;^ There is no excuse to offer for these verses. They were written more for pleasure than for pub- lication, in the few spare moments that fall to the lot of vspaper man. If they meet with public approval, well and good ; if not, fhe consolation remains, that few ever succeed in this department of literature. Much is demanded of the modem verse writer His work must be clear and natural ; it must com- bine the real with the romantic, and, above all, the treatment must be both robust and artistic. If I have failed in this respect it is not because I do not comprehend the ideal, but because of the greatness of the task. J. A. C. Toronto, May 7th, 1S92. \l "■^■^PJ^ ;^SK T T TO MY BOOK. I DO not ask to rule in other hearts ; I do not wish to govern other minds ; I do not seek the goal Anilntion finds, Nor yet the pride and cares that Power imparts. But all I ask is Love that ne'er departs : A heart that round my own for life entwines ; A moment's joy to those who read these lines, My trilnite to the Muses and their arts. Dear little book, if such should be your lot, To please, and bring fresh hopes in darkest days, To lead some hearts to Love—Life's brightest spot- The author's aim will live in you always. And this is fame enough, it matters not Although his l)row be not entwined with bays. I fciursl of music and of praise ! Sing till tlie woods and valleys ring A joyous anthem to the God of days. Now, as the orbed son of Light and Love O'er the liorizon peeps in steadfast Hight, Hail to the (Jod of day ! sovereign sun^I that on thy path aljove Marks out the milestones of the day and night, Welcome at morn with nature's gladdest lay ! Up from the grass and lily-cups the dew Springs like a In-ide to meet a bridegroom lorn. The petals of the llowers unfold anew, And turn to offer incense to tlie morn. Forth from his hive the bee, with drowsy hum. Sails with the wind to seek some quiet spot Where roses nod and smile. Deep in the jiinky petals, where the sun Warms but not lights, he dreams, the world forgot. Drunk with perfume, and with his love a while. fe*'!*?'*;''** n 14 A qUAirrETTE OF LOVEn^. What is tliis feeling in my tired heart, That stirs so strangely at the dan'n of day? What is it makes my sluggish pulses start, And drives my ])ain iiud anguish all away? What is it makes the liirds so blitlijly sing? Why is it that the forests tind a voice To praise the sun a))ove ? Why is it tliat the hills and valleys ring ? Why is it that the sun makes earth rejoice? Is it because the sun vj, (vul of Love? i Then if it is, l^eloved my Sun art tliou ! Our life shall be one long and en-Uoso day ; I'll press a thousand Jdsses o,n thy In'ow, And thus do homage to thy sovereign sway. Why sliould I own a care? Wliy fear to die ? Love is enough ! The sun will rise again, And thus will love return. Why mourn the past with either tear or sigh ? Love is not lost ; love always will remain ; Then let iis love while youth's mad pulses l)urn. 1 A Q UA R TE T TE OF LO VERS. Th^n love I'll follow like the vagrant bees, That seek the rose, and in its petals swoon. Ah, those are days I have not drained the lees, And love is young, and life is at its noon. A kiss to me is more than riches rare ; A smile is heaven for a moment seen In some s^eet, loving face ; The halo of the sun is in love's hair ; Tlie blue of heaven is in her eyes, I ween. And in her arms I'll find a resting place. 15 i vm»m:- ''mmm'-M^i 16 A QUAirrETTE OF LOVERS. ) 3- THE STAR LOVER. Tiii;ke is a rapture stirs my soul to-uight ; Wliat it can be, ah ! well, I cannot say : There is a love-song in my heart that might Stir sluggish pulses under passion's sway, Could it find wonls — alas ! the thought is vain ; Ah, well ! I know my darling thinks of me, And as she sees yon star, Like some Ijright gem set in a rosy main, It speaks to her of love and constancy, Of faith in one true heart that loves afar. If^ Oft have we sat Ijenealh the swaying vines. When Summer swooned in Autumn, and the rose Scattered its petals on dame Nature's shrines. Filling the air with fragrance at the close Of some sweet day, when life was young : And as the pulse of love shot through my soul. So strong and yet so free, I clasped her in my arms, and though the tongue Stirred not ; the love-light to her dark eyes stole, 'Twas then, star, our troth we pledged to thee gopr'*'-«t -1 ■.«-.■»*(.■•('*> ' wvMi^^v.li^^K|piMi P4MMiv^:r$r;aif;N0(?:Qig[4fffWI^, '^^v I A QUARTETTE OF LOVERS. star ! how I have loved so long aiul well ; Toll her, I pray thee, that I love her still. Tell her when Winter's icy mantle fell. Tossing the Autumn loaves in heaps at will. When rohins bade farewell to leafless wood, And .southward fled in searcli of Summer days, My heart still yearned for her : And in the long dark nights, in dreamy mood, I sat and thought of her, and watched thy rays, For thou art, star, to me love's harbinger. Tell her, O star ! when sunny Spring at last Kissed all the \Vinter's frosty frowns awav, When in the sky and nortiiward hurrying fast With many a -honk," «'hank," honk'' before twas day, The wild geese flew like white-ro!>ed angel thrones W ith sun still set gleaming on waving wing, I tliougnt alone of her ; And as the birds broke into woodland songs, To greet the morn, thy rays still lingerin^^ Smiled sweet farewell like Love's own messenger 17 r idHMii |.-f 18 A i^UAHTETTE OF LOVEnS. > I: m. •huie came, and roses came Avitli June ; My heart burned with unsatisfying love ; Birds sang to mate, in lyric, and in rune ; Stars smiled on lo\ e-lorn lilies from alxn-e ; The crickets chirped along the winding lane, And Nature's whirring lullaby at night Soothed fev ^-throbljing heart ; And as thy rays stole through my window pane, I thought of her and hailed thy silvery light, A pledge of constancy, to love apfirt. st^ir ! we do not live and hope in vain ; Well have we named our honors after thee, Faith, hope, renown, aml>itions that remain. We call them stars, and wear, that all may UARTETTE OF LOVERS. 19 If we have love what need we cure for pain ? Sorrow may come, hut love will Ijanibh all ; Hopes may grow dim, l)ut hopes return again ; If love remains, no anguish can appal ; Storms hide the stars, but still the stars will shine ; Though anguish stirs the soul, still love supreme Triumphant rules the soul. Beloved, such a love I know is mine ; I cannot give you else, and should you deen« Love is enough, then love has found its goal. Good night, star ! a kind, a sweet good night, Then welcome dreams, that bring my love to me ; Those moments when, in realms of sweet delight, My darling speaks, and as slie smiles I see The old love in her eyes, and sno'.vy arms Clasped round my head, a thousand kisses burn Upon my cheek and brow, ecstacy of dreams ! how sweet tliy charm., In dreams the lover always would sojourn, And dream oi her he lo\-es, as I do now. .^•- SB Ml^ wmmmimmm^ 20 A QUARTETTE OF LOVEB^. THE SEA LOVER. JT" \j \l ift; Tis evening, and hccart-sore I seek the ser,, To watch the waning glories, and once more — Strange nurse of many moods and mystery — To listen to thy wild and weird roar. Thy waves are breaking on the sandy beach, Like weary runners falling from the race ; The pebbles grate and grind, Like rain drops on a roof in lieu of speech ; Nature's own image is thy plastic face, Moulded to suit the currents of thy mind. Awhile the sun in golden glory waits, Up-borne like victor on his brazen shield. Without night's dim and dusky gates Only awhile, and then he sinks to yield Unto the silver sickle in the v.est, Witti its bright pilot-star and milky way, The sovereignty of night. Tremulous glinnnerings of ghostly light invest, The starry sky, and in the northward play ; The sea n.oans mournfu'ly in mysterious might. m '^^^ MlWiU ■ ■• ■ - ' ''1Wipjgtf^tq*«i g i »t-Tpi(B »QB.-MMi -"HB^yj.. A QUARTETTE OF LOVERS. 21 -*«*■• Dim and inyaterioua sea, so sadly stmiige, The music of thy song stirs in my heart Responsive chords, and minor keys arrange Tliemselves, and strange vibrations m it ^Vcwi. Is there no one to love me ? nor an eye To khidle at my footsteps ? Not a tear ? No hand to sootlie my brow ? No one to care or weep if I should die ? I am alone with thee, sea ! and here We mingle sor *ows and to sorrow l)ow. Lost ! is my love lost ? Lost for evermore ! Are tliere no deeper words my anguish to proclaim " Lost !" eclioes back the Sea. " Lost !" in its roar The spirits of the dead in groans exclaim. The foam Hies on the beach, and in the west Dark clouds roll up, and now the vaporous breeze Sings as it stronger grows. The stars are blotted out ; my soul finds rest In the mad turmoil of the wind and seas, The liorizon echoes as the tempest l>lov,-s. ^ ^ '> iiiirii 22 A QUARTETTE OF LOVERS. \} Hcark ! now the surf is breaking on the rocks, The vault of heaven is searched with lightning red The waves fall on the sand with mighty knocks, Wildly the gulls are screaming overhead ; And for a moment as the lightni:»g lit The foam-wreathed waters, through the drift rain, Fast driving sails reveal. The warring elements in passions fit The anguish of my mind, the maddened main My heart uplifts, as loud the tlnmders i)eaL Morn comes, and with the morn the calm, The passions of the elements are spent In vain fury, and the morning psalm Of Nature polyphonic echoes lent, With quiring woods, in motets to the day, And soothe tired hearts of nature and of man, With easeful melody. The sun, with blazing axletree, its way Makes high in heaven, and only feathery fan Of frothy sands recalls the angered sea. ■■IWHI A (jUAIiTETTB OF LOVERS'. Rock me to sleep, sea ! In thy embrace, So soft and yet so strong, I sometimes feel As if 'twere happiness to swoon, and face Eternity which thy dark depths reveal. Proud in my strength, I spurn thy spumy wave, And yet with all my youth, and vaunted power, I am a child to thee ; And as thy waters my hot pulses lave, Love is forgotten in thy foamy shower. Rest, tired heart, here in the heaving sea ! A shadow falls upon tiie shining sand ; A smiling face looks sweetly (nit to me : A moment, and I clasp a loving hand. All is not sadness on thy shore, O sea ! Heart-ache and passions burn the brain, Still hope lives on, like thy eternal power, To soothe the tired l-.eart. O darling ! l)y this opalescent main, Love came to us like rainljow-tinted shower, Ood's promise that we cannot live apart ! '2H ».'■««. > 1: 24 A (iUAUTETTE OF LOVEltS. ■ « [ %' 1 THE MOON LOVER. TiiK sun has set, and in the darkening east The pale-faced moon peeps o'er the distant iiill.^ ; Whilst in the woods all sounds of song have ceased', Save where the bob-o-Hnk so bithely trilU His monody, so sprightly, sweet and clear, In one continuous ecstacy, until A thousand echoes throb among the trees, That all who heed may hear : Love rules the woods, the vale, the twinkling rill ; Love breathes in song, and lingers on the In-eeze. moon ! what is there in thy silvery l)eams, That stirs strange feelings in my weary breast ? Can it be fear, or hate ? and yet it seems— No—no— it cannot be— this sad and sore unrest Cannot be love ; the old, old love that clings Still to the heart like ivy to the wall Of some old house, wliere once reign'd mirtli and song, And to the ruin brinL's, With each recurring summer, spring and fall, A wealth of verdure that the past prolongs. I J. •»! H Z^fWKik-- ■:.i!mfB*''-*M ^ A (QUARTETTE OF LOVERS. 27 U moon ! fit emblem of a hopeless love ! Stirring the secrets of the mighty deep With thy mysterious power from above ; Fanning the embers of the heart that sleep Deep in the ashes of falne Hope, to blaze One fleeting moment, then to sink and die, With thy strange loving liglit so calm and cold. Oft from thy starry maze Hast thou looked down and heard the weary sigh, That of a breaking heart so well betold. Ah, it is well ! draw o'er thy fickle face The fleeting mantle of a fleecy cloud, Ah, it were well if I could thus eti'ace Her image from my heart, and 'mid the crowd Forget that e'er I loved. Yet strange, to-night The old, old love comes, and I long to fly Far, far away, perchance far up to thee. So that from thee 1 might Look down and see her once before I die, Then swoon into Death's strange, unfathomed sea. 1 Sonnets. 3 Ah, Lovt ! could you ami I with him conspire To fjrasp this sorry Scheme of Thinfjs entire, Would not we shatter it to hits—and then Re-mould it nearer to the Heart's Desire ! RuBAioYT OF Omar Khayyam ; Edward Fitzgerald. ^ -asJ^ions wiM and fr There is no fairer cheek kissed by the wind, Than my fir.^t love's, that I love still-the Sea. ee ; MM "vm^ ■**«?•?.' ! !l il 42 SONNETS. A DROP OF INK. A DROP of ink ! and yet perhaps it will, Enshrine my love in monument more ilear, And more enduring— this Mack, inky tear — Than Parian marl)le carved with rarest skill, Or castle set upon some lofty hill. For graven stones, or l)attleitient8, I fear, 'Neath ravages of Time soon disappear, And ashes leave. Fame's purpose to fulfil. Therefore beloved, if this song should live, Time and decay its purpose cannot swerve ; 'Tis all I have, this sonnet, and I'll give It as a pledge of love to thee, to serve, The part of monument more fugitive. And thus in Time's decay our love preserve. ¥ 1 SOXXETS. 4d APRIL. Rejoice, O Earth ! the icy bonds that long Have hehl thee in their i^orean embrace Are melting one by one, as tears efface Cold, stony grief ; and overhead tlie song Of Nature echoes all the woods among, Smoothing the frown upon thy rugged face ; While Spring and youth and v/ooing we can trace In wood and wold among the feathered throng. Incarnate April, with her smiles and tears, Bedecks the daedpl Earth in bright array. Whilst at her girdle are the keys of years That lock the summer tomb where winters stay Ihe broken whips of hail, the chilly fears- Rejoice, O Earth ! Death reigns but for a dfiy ! J 44 SOXXETS. CAMERON'S ISLAND.— GEoRtiiAX Bay. The sunlight twinkles through the trembling leaves ; The waywurd wind whispers its weird song Through poplar and througli pine the live day long , And in the waters of the channel weaves Laughing webs of gold that blue relieves. The crickets chirp, and day and night, along The sobbing shore, the sea-gulls' screams prolong The sound of surf, where rock the l>illow cleaves. Here in this solitude of rocks and bays, Far from the noise and tumult of mankiutl, Give me but health and ideal summer days, Books, a near friend, the waters and the wiml, I would not ask for lands that others praise ; A fairer spot than this they could not find. I SOXXETS. 45 MV LADY'S SLIPPKK. Have you not seen some jewel quaintly set In cunning carving cut in massive gold, Whose workmanship and beauty such a hold Takes of your fancy that you would forget The jewel, though a priceless one.? And yet, Robbed of the jewel, you the work l)ehold. Its beauty fades, no longer is extolled. Not so this slipper with its red rosette. Sweet satin, cabinet of all that's dear, Fit setting for a jewel that I prize Far more than diamond or an opal tear ; Happy the mortal's fate that kneeling ties Those ribbons, and he well might worship near A shrine less worthy, or goddess less wise. 4« SOXNETS. MY MOTHER. Thekl are no colors in God's lieaven-bent h(nv, Nor is there music in the (quiring spheres, Can paint thy smile from out these youtliful years, Recall the music of thy voice so low And sweet, dear mother, in the long ago. But gone art thou, Ah ! how the bitter tears Burned deep into my heart! How memory sears, But cannot heal those wounds, while tears still tiow. Back from those bright and happy days gone Ijy, Echoes of childish mirth and cradle song. Thy guiding hand and presence then were nigli, And I am weary, and life's road seems wrong. I miss thy smiling face, thy watchful eye. Life's heaven was short. Eternity's is long. i ■'^V'ttfVfl^'Kmr ■•S^;JM' IRonbeauj:. -•->♦<-•- With faired ideas my bo.som I .stortd, AlliLsirt to none hut the nymph I adored , And the more I with study my faury refined, The deeper impression she made on my mind. — William Shexstonk. Uonifj^axxx, ->*<- BREAK, iMIGHTY SEA. Break, mighty sea, upon thy silvery shore ! Thy voice to me sounds of the evermore ; In foam-edged flatness waste thy giant'power, Thy wrath is but the creature of an hour ; A calm, a storm, a tempest, all is o'er! But can the wounded heart forget its sore, As lightly as the sands the ocean's roar, Its surf-wreaths and its storm-swept Ihower ? Break, mighty se«,! Break, mighty sea, and let thy voice ador. The Hand that tempests makes and calma restore That Hand can heal the wounds that griefs devour And guard the soul like castellated tower. Forget and rest, O heart ! for evermore. Break, mighty sea ! D 50 RONDEA rx. WHEN NE\V YEAR COxMES. When New Year comes, old friendships we renew, The past we scan, 'tis oft a sad review ; The good done, opportunities eni)>raced. The promises we've kept, and tears effaced, Are juml)led up in memory's New Year stew. f Acquaintance with ourselves, 'tis true — We seldom keep this little thing in view — Had been forgotten, ])ut must he retraced When New Year comes. Farewell to folly, falsehood and their crew Of mocking phantoujs, let the tried, the true, Be the new motto on our ])annors traced, And let th ot motto never be disgraced. f ) then, old year, a long, a last adieu When New ^'ear '.omes. "■"• 3» hiT-MiiMMlt^JUM RONDEAiW. 51 f THOU ART NOT HERE. Thou art not here, my heart is sad to-night, Hours follow hours in slow and sullen flight ; The wind is sighing through the city near ; Its sobbing moan falls on my weary ear, I cannot rest, and tears l)edi;n uiy sight. i\ The world no longer seems so glad and l)right ; Song does not charm nor poesj' delight The heart. Hope and ambition disappear, Tliou art not here. Could'st thou but read this loving lieart aright ; Could'st thou but know my soul has lost its light ; A sigh might come, perchance would fall a tear, For one who sighs, beloved, with heart sincere, Thou art not here. ■■■ **m ' ""' wiiiwi ii 'ffW- I 52 RONDEAUX. h \ WHEN MORNING COMES. When morning comes, the robin's roundelay, Welcomes the advent of another day. The busy bee that toils so oft in vain. Gathering his luscious store for others' gain, Is on the wing for clover meadows gay. The rising sun, with golden-fingered ray, Brushes aside night's shadows dim and gray. Nature heralds the dawn with sweetest strain, When morning comes. The glittering dew-drops linger not to stay ; A brighter color glints the fountain's spray. And earth is filled with gladness once again. 'Tis thus in life, for after care and pain Comes death, then heaven, and sorrows pass away When morning comes. ROXDEA UX. 53 COULD I FORGET. Could I forget your fragrant hair, The glints of gold that linger there ; Your sparkling eyes in loving mood, Like dewy violets from the wood ; Your cheeks like roses bright and fair, No roses with them can compare ; Your smile so sweet dispels despair, Your voice so low, how it deludes, Could I forget Could I forget that love affair ; It was last summer — on the stair, I held your hand, and as you stood— But it's unkind to thus allude To wounds that Time should soon repair, Could I forget. i 54 RONDEA UX. A FRIEND I'LL BE. A FRIKND I'll be, when aummer days so sweet Strew all their treasures at lier twinkling feet ; When on the lawn or sauntering 'mid the trees, Love spasms other fellows sometimes seize, If " blazer" coats or tennis shoes they meet. When, Love's light in her eyes, my footsteps greet, I know too much to seek and court defeat, So simply say, if only her to teaze, "A Friend I'll be." But often when we seek some quiet seat. The music of her voice makes life complete : I wonder if I dropped upon my knees, And said, "I love you," would she be displeased, Or answer '• Yes," or simply say so neat, "A Friend I'll be." I roxi)i:a ux. 55 I ■' LISTEN, ROSE. LisiTEN, Rose, attentive, pray, To the words I fain would say ! It was " love " I should have writ, "Love" to "friendship"' must submit, If a rhyme it would delay. Rhyme we always must obey, Though our thoughts it won't convey, '"•^o this message please transmit. Listen, Rose. Cleverness we must display. If our thoughts are led astray, Love we never can permit To usurp the place of wit. Still "twas "love" I meant to-day. Listen, Rose. Wff^ i Son06. Ala^! by some dei/ree of woe We every bliss must fjaiv : The heart that ne'er a transport bioivs, That never feels a pain. — Georoe Lyttleton, t "^ 1:4 I §CI«0». • •• THE REASON. Why do you love me, tell me ? Why do you kiss my cheek ? Why do you sigh so often ? Why do you seldom speak ? Why do you look so sadly ? Why do you whisper low? Is it you love another ? Tell me if that ia so ? Why do I love you, darling? Dearest, I cannot tell. Why do I sigh so often ? 'Tis that I love so well. Why do I look so sadly ? Dearest you ought to know. 'Tis not that I love another, But that I love you so. 60 SOXGS. THE LACLOCHE MOUNTAINS. Sing not to me of stately parka, With solitude oppressed, Speak not to me of level plains, With sultry winds caressed ; Nor yet a stretch of silver sand, Kissed by an ocean wave ; Nor dusty city with its filth, Suggestive of the grave. But give to me majestic hills, With hoary-headed peaks ; For there 'mid rocks, jn silent tones, Tht voice of nature speaks. There, where the storm-king wastes his power, Where foot of man ne'er trod, I see the weakness of mankind, The majesty of God. Jit SOXGS. 61 MY FAIRY. Fairy's eyes are sapphire blue, Brighter than the summer skies ; Love shines in them fond and true, Faithful love that never dies. Fairy's lips are rubies red, Set beneath a Grecian nose ; He who kisses them forgets Earthly fears and earthly woes. Fairy's heart, a diamond pure. Rarer than yet set in ring ; He who gets it well might feel Prouder than a crowned king. I ^■^ 62 SONG"^. t> ONLY A SONG. The road is dark and dreary, Aiid the niglit is bitter and cold, As I stand in the street, with the world, aloue, And my heart so sad and weary ; The hopes of my youth are gone, And my limits are growing old ; Not a friend do I meet, no home of my own, And the road so dark and dreary. A song comes through a window - A song of the long ago, That my mother sang, and my darling, too ; But my heart is so sad and weary. Was it the singer't- voice ? Was it the accents low ? Gave my heart a pang. Ah me ! it is true That the road is dark and dreary. SONGS, Gone is the singer's voice, Dead are the lights within. There is nothing left but the falling tears, And a heart so sad and weary. Was it the music stirred V Something the soul may win, Though of Love bereft, and hopeless for years, And the road so dark and dreary. 63 r I 64 SONGS. Ir THOSE HAPPY HOURS At evening when the shadows fall, And softly o'er the seas The weird songs of sea-birds come Borne on the fitful breeze, I think of one who used to sit With me at eventide ; And someway I can't help but think She still sits by my side. As darkness onward steals apace, And shadows longer grow, I dream once more of happy days Spent many years ago ; I feel once more the loving kiss, Which still clings to my brow ; And snow-white arms about my neck, I think I feel them now. ,1 SONGS. 'Tis but a dream, a cliangeful dreaij, Alas ! I sit alone. The night has come, the music ceased, The sea-birds all have flown. Those cherished wounds in secret scanned, We love them well, it seems, The happiest hours we ever spend Are those we spend in dreams. 65 THE END. '"W >r^ tfubftm mmm \f i ' \ r^ I ! :l 3=> f- *f ■< /■«.? *'>w*li'J £**'