IMAGE EVALUATION TEST TARGET (MT-3) = 11.25 " la 112.2 E Hi "^ 1^ 2.0 18 M. 11 1.6 1 Sciences Corporation »/"Q >UB LT S H I XG r OM PAN vT^J < : J \t 1.1 1/ > . t •«i" l.s.s,'>. J«- '^yz7^ X .^ Lm.ers.ty ^ WESTERN 4^ ■^ ^ ^^^ ONTARIO DATE DUE LIBRARY MAIbHiALS ARE SIIR.cT^ RECALL U40135 LIBRARIES THE UNIVERSmr OF WBTERN ONTARIO LONDON CANADA Class V\.\.^'bi< huwrver, t.y ti'iu'hliit; it an a whole ut thin HlaKf' The L'hroniutlc tuiinii ihoulil be Introduced gradually. Tht'lr tlmt u»e Ih In modulutlun from onr key to another, and the nearest k'.-ys are produced by the oharpfour and flat-Heven. It will therefore be well to begin with theie. In teaching the tlrHt, the teacher nhould Hint? the tones, and the pupil* follow with an Imitation, repi'atlng the RoundH until they are well extalillfihed In the mind, li^ach HOund rauit then be named. DICTATION EXERCISE. Sing the following ; — One, two, three, four, five, sharp-four; five, four, three, two, one. If the class Is at work In thi> key of (!, let them con- sider five as one of G, and slug the following ; — 1, 7, 6, 5, 6, 7, 1. 1. 2, 3, 2, 1, 7, 1. When the pupils can sing fchai-pfour by approaching It from five, the sounds one, two, three, nharpfour, five, should be taken consecutively, and aTierwardrt in skips. Song No. .'1, " (Jo Onward," may then be tttudled. The teacher should next accustom the pupils to the representation of sharp-four in other keys ; as, — Key of O. m tr — z=^~gi: — s"" Five, ehorp-four, five. Key of D. Key of F. sharp-four, five. Note.— The terras "sharp" and " flat " are here used for want of a better and equally short word having the same significance. It is to be regretted that none can be found, and that the terms" sharp "and "flat "arc obliged at times to do double duty. In their application there is little or no difiienlty; although, in some of the keys, a sharp Is expressed by a natural or double sharp, and a flat by a natural or dout>Ie flat. Let it b« remembered that these ebroraatic tonei must be Axed In their eon- ceptlou as relative mental objects, as are the touadi of the major scale when studied upon the diagram. in Kx. Ill) another chromatic note, flat-seveu, appears. It should be treated In tlie same raauuera* iturp-four, — sung, Imitated, and named. DICTATION EXERCISE. Teacher. BIng. BIng. Sing. One, two, three, four, Ave, and six. Blx, Itatseven, six. Four, live, six, flat-seven, six, seven, eight. BIng. Eight, flntsevcn, six, Ave, four. Let four be one lr> the scale of K, and sing, — 1,2,3,4,5,4,3,2,1. 1, 3, 5, 4, 3, 2, 1. Let F now be four In C, and sing, — 4, 5, 0, 7, 8, 7, fl, 5, 4, .1, 2, t. In this way, modulation Is practically lilustratec' The other chromr tic sounds are to be learned In the order In which they are required, the same plan being followed as for sharp-four and flat-seven. The teacher will readily see and apply what has been said In the note with reference to the use of the word " sharp," representing, when a written exercise is re- quired, a * for a jf, and a ^ for a j}. In the descending chromatic tones use a H for a (?, and a ^it^ for a 1?. The fo. lowing will illustrate this : — Iii toe key of Bb. Two, sharp-one, two. Ave, sharp-four, Ave. In the key of E. ^-S '$^-:i-:\z lEt L^J^T=L=J Three, sharp-two, three, seven, sharp-six, seven. DESCENDING CHROMATIC SOUNDS. In the key of D. "1; fefefeiJ Two, flat-three, two. In the key of Ab- six, flot-sevea, sis. ggegl^li^ij One, flat-two, one. four, flat-Ave, four. 8 Manual. When the live ehromulie Bounds have been learned aepuiiitcly, the Bcalu in:iy l,e pructlsed uh a whole. The following fonnulus will be found especially use- ful. The practice U made by followiuj} the circles. When this exercise ha.* been introduced, it must not be lost sight of, but followod out by a daily dictation exer- else. The teacher's nutto should be, "One thing at a time; but, once Uiugbt, never laid aJde or forgotten." The first illustration may be made by the teacher giv- ing the division Tii, zii, fii, nii, Tii. This is then named a two-part ineaBure, with four sixteenths and one quar- ter note, and is represented, — Ta za fa na Ascending DIAGRAMS FO^w THE PEACTICE OF THE CHROMATIC SCALE. a O ' ^-^ Descending, 1!^^^-^^^-^^:^ ^^^=^^=^^^^^ Without leading tones. ■W—:;^—^ z'— Jf» zi=.-:tfgzr=-.g'---i » 'g— ^ -^_q '=2- s> — ^ s, — p,- J g^.^^-^- ^ A conception of three ecjual soiruls i:i a beat, called a triplet (as in Ex. 117), is c.isily established by using the consonants T, r, and 1 with the proper vowtl. Thus, in two-part measure this would be Tii, rii, lii, Ta, ra, 18. Let the pupil imitate this many times. TEACiiEn. Give a tv.-o-part measure, each beat being a triplet. PlTPlLS. Tii, rii, lii, Ta, ra, lii. Teaciieii. Give a th-ee-'jart measure In the same way. Pupils. Tii, rii, lii, 'iVi, i.'i, Ifi, T>\ rO, 10. Teacheu. Give a similar four-part measure. Pupils. Tii, rii, lii, Tu, ra, la, To, ro, lo, TO, rO, 10. FOUR SOUNDS IN THE BEAT. Four potruh i'l the b-.:fti are indicated by the conso- nants T, z, f, II ; as, Tii, zii, fii, nii, Ta, za, fa, nfi, To, z6, H), no, Te, ze, fO, ne. DICTATION EXERCISE. Teacheb. Give me a two-part measure with four sixteenths and one quarter note. Pupii.B. Tii, zii, fii, nii, Ta. In the same manner, the measure as represented by Tii Ta za fa nii and practised as before. Teaciieii. Give me a measure with one quarter and four sixteenth notes. Pupils. Tii, Tii, za, fii, na. Teacher. Give me two two-part measures, the first with four bi-MteenlliM and one quarter nine, the second with one quarter and four sixteenth notes. I'upiLs. Tii, zii, fii, nii, Ta | Tii, Ta, za, fa, im. MANUAL. 9 TEAcnEn. (Hyp a mcaBtire with eight nixtpciith noted. I'uriLs. Ta, zii, fii, nii, Ta, ?.n, ffi, iw». Other coml)inatioiiK ciiii be made, UBitig the different varieties, from a whole to a sixteenth note. The teacher desciibefl the raeasurcH when the pupils are able to see mentally their representation upon the staff. Let every new form of measure be repeated, bo that the singers may become sure of the time by comparison. EXERCISES IN TWO-PART MEASURE. Teacher. Give me one quarter and two eighth notes, — two measures. Pupils. Ta, Ta, fa | Tii, Ta, fa. Teacheh. Two eighths and a quarter note. Pupils. Ta, fii, Tii | Tii, fii, Ta. Teacheu. Four eighths. Pupils. Tii, fa, Ta, fa | Tii, fii, Tn, fa. Teacher. Four sixteenths and a quarter note. iniPiLS. Tii, zii, fii, „a, Tii I Ta, zii, fii, na, Tii. Teacher, a quarter and four sixteenth notes. Pupils. Tii, Tii, zii, fa, mi | Tii, Ta, za, fii, na. Teacher. Four sixteenths and two eighth notes. Pupils. Ta, za, fii, nii, Ta. fa | Ta, za, fii, na, Ta, fa. Teacher. Two eighths and four sixteenth notes. Pupils. Tii, fii, Tii, za, fa, na | Ta, fii, Ta, m, fii, na. It must also be remembered that a rest can be sub- stituted for any of these sounds, whether whole beats or subdivWons. In uniting any of the subdivisions of measure or beat, the initial consonant is omitted; the united vowels or vowel being continued during the real value. EXERCISES IN RESTS. Teacher. (Jive a quarter note, an eighth note, and an eighth-note rest. Pupils. Tii, Ta,/« |"Tii, Ta,/n. Teacher, a quarter note, an eighth-note rest, and an eighth note. Pupils. Tii, Ta, ta. Teacher, a quarter-note rest and two eighth notes Pupils. Tii, Tii, fa. Teacher, a dotted quarter note and an eighth note. Pupils. Ta-a, fa | Ta a, fti. Teacher, a measure beginning with Ta. Pupils. Ta | Tii. Teacher. A measure beginning with fa. Pupils, fa | Tii, Tii. 'I'EACHER. The same beginnln:.' with fii, the last being an oivhth-note rest. I'UPILH. fa I TS, Tft. Many such examples having been sung with simple combinations, the more complicated forms should be practised. Teacher, (iive a measure with an eighth, two six- teenths, an eighth, and two sixteenth notes. Pupils. Ta, fa, na, Ta, fa, na. Teacher. Two sixteenths, an eighth, two sixteenths, and an eighth note. Ta za fa Ta za fa Pupils. Tii, za, fa, Ta, za, fa. Teacher. A measure with eight sixteenths. Pupils. Tii, zii, fii, nii, Ta, zii, fa, na. Teacher. Tie the first three sixteenths In each beat, and to each add the other tixteenth. Pupils. Tiiii-ii-nii, Ta-a-fi-nii. This may be represented thus : — Tii - a - a na Ta-a This is also a dotted eighth, a sixteenth, a dotted eighth, and a sixteenth note. Teacher. Ping the preceding. Pupils. Tii-ii-ii-nii, Ta-ii-ii-nii. This is Its representation : — The same Illustrations should also be applied In three and four part measure. Teacher. Give a three-part measure, each beat hav- ing four sixteenths. Pupils. TS, za, fi, na, Ta, za, fa, na, Te, ze, fe, nS. Teacher, a measure, each beat having an eighth and two sixteenths. Pupils. TS, fS, ntt, Ta, fa, na, TO, fe, n5. Teacher, a measure, each bent having n dotted •Ighth and a sixteenth note. Pupils. Taii a, nii, T«-a-a-na, TO-e-e, nO, 10 MANUAL. The Ult ii represented thus : — m Tkacrir. Give a four-part measure, each beat hav- ing a dotted eighth and a sixteenth note. Pupils. Ta-a-a, na, Ta-a-a, na, T6-6-6-n6, Te-e-6, ne. In Kx. 173 and others, will be found numerous exam- ples for practice. Ali the different kinds of time used in the Second Reader having been referred to, the many variations of these forms wili not be considered as in order, as they occur in the succeeding exercises, but may be found in the " Recapitulation," pp. 13 to 20. For two-part singing, beginning with Ex. 241, the class should be divided, one-half siugiug the Alto part written on the lower staff, and the others singing the Soprano. In the first exercises the notes are all witliln such an easy compass that the parts may be allotted without any particular selection of voices. The permanent division of the singers for the high and low parts will require much discrimination by the teacher. The quality and compass of every voice should br as- certained by Individual examination, and the decioion based on the result. The quality of a Soprano voice is usually soft and light, while the Contralto produces a fuller and stronger tone, particularly in the lower notes. The compass of the Soprano is generally Exceptional. i -to- ^- Ki. from while the Contralto ranges i -to — from- sr Exceptional voices may be found which are so weak as not to show any marked quality, or so deficient as to bo restricted in compass to less than the limit mentioned. In singing the scale from C on the added lint below to C on the third space, a child's voice (or an adi t female voice) will naturally produce two series of soi pds of a different character; the lower sounds being s iiig with that action of the vocal organs known as the Che it Regis, ter (so called because the sound appears to coiie fiora the chest), while the upper notes are sung In the rfedlura Register, the sound apparently coming from th.i throat and back part of the mouth. In singing from C on the third space to G above the staff, the Head lUgister is used for the higher notes, the sensation being as if the sound originated in the back part of the head. The proper blending of these registers can only be ac complished by careful individual instruction ; but many wrong uses of the voice may be corrected and avoided in class by the enforcement of the simple rule, that pupiU must sing eaai/i/ and softly. The Chest tone should not be used higher than E on the first line, or the Medium higher than E on the fourtli space. The change frora one register to another will occur naturally if the rule is followed. For three-part singing (Ex. 351), only the lowest volce:i should be assigned the lowest (Alto) part. The middle part is called the Second Soprano, to distinguish it from the upper part. The same care must be taken with each part as in the preceding studies for a single voice. The union of the three will present many new and interesting effects. The teacher should be especially careful to obtain pure intonation, and a balance of parts as far as is possible. Accuracy in time and tune must be gained by practising each melody separately, and then singing them in differ- ent partial combinations, such as,— Alto and middle; Alto and upper; Middle and upper; and, lastly, all in combination. Always begin practice leith the loicent part, u-hether the composition is a duet or trio. Children's voices (whether boys or girls) are funda- mentally similar, and require similar treatment. The division of classes for singing may be made without regard to sex, although it may sometimes prove more convenient to assign the lowest part to boys only. WTien a youth is approaching manhood, his voice undergoes the process of " changing " At this time the practice of singing should be suspended altogether. The vocal organs enlarge so much that the sounds produced after the change arc one octave lower than before. A new representation is required, for which the F clef is used. This should be introduced by a short dictation exercise. The teueher. having drawn tJir fu] lowing !| f Manual. 11 fm :^z: »ii the blackboard, asks the pupils to aing the scale of C, poiiitB to the note on the ledger line, saying, " We will now call this eight : sing seven." After seven has been sung, the note' is written below c, and the other sounds are similarly treated until the scale is written In full, thus: — m The pupils then sing as the teacher points to the notes, the pitch of each note being asked for and given after the Hound is sung. After a few minutes' practice, those whose voices have chft'iged will be ready to sing the Bass part In the ex- amples, beginning with Ex. 438. The other scales should bo practised as on Chart 33, or written on the blackboard in both ways; thus, — m m^. EXPRESSION. After good habits of singing have been formed, and a clear, soft tone acquired, the pupils should have suffi- cient practice in shading to enable them to give any song expressively. The scale should first be practised with crescendo and diminuendo ; as, — Easy songs, with which the pnpils bare already be- come familiar, should follow. Marks of expression are intentionally omitted from the books and charts, as it is hoped the songs and words will afford the necessary suggestions for expression. Oood taste, with reference to the sentiment indicated bjr the words, must be the guide. MUSICAL TEBM8. A short Dictionary of the most familiar Italian words used in ordinary music will be found at the end of the Second Reader. THE SCALE. Too much importance cannot be attached to dally practice on the scale from the Modulator, and the nine different staff positions. THE CHARTS. The exercises and songs are similar, and may be used in conjunction with the Second Reader, or independently. After a careful study of the Manual and Reader, the teacher will understand the work of the Charts. FREEDOM IN THINKINQ SOUNDS. In order that pnplls should not become cramped in their efforts to think sounds, they must, at an early stage, be taught to sing without the " memory -helping syllables." It Is not intended by this that they should be laid aside altogether ; for they are valuable in elemen- tary instruction, if employed within certain limits. If, on the other hand, they arc improperly used, they become a stumbling-block and hinderance to their pro- gression. Hardly any question pertaining to sight-sing- ing has caused so much discussion, or upon which there is such a diversity of opinion, as that of the use of sylla- bles. Shall we have a "_fixed do," a "movable do " or •' no do at all t" All of these methods of using or not using these sylla- bles have their objections. The position here maintained is, that all music is written upon the basis of tone-relation, li 12 MANUAL. that all Instruments are tuned upon It, and that singing must be taught upon that princli)le; and, consequently, that any thing which prevents the mind from grasping an Idea of this relation of sounds, and gaining a clear con- seption of them, should be avoided. The ''JUed do " Is certainly an obstJ.cie; and, on the other hand, to use the syllables ns names of the sounds, and to practise singing with them as such until the singer finds it difficult to think or give the sound unless he also thinks and sings the syllable, is narrowing in its effects, and prevents that freedom in thinking which every singer should have. This would also be the result in singing habitually any thnig as nanM of the sounds. The syllables should be used with the names, but must not be allowed to take their place in thinking sounds. The syllables are of value only as they present a small but (unfortunately) meaningless variety of vowels and consonants. They should be discarded for some series of more varied and practical value, in which the utterance should bring into use systematically the mechanical as well as the vocal powers of si)eech. There seems to be little reason for retaining the hap hazard selection of syllablen from an old I.utlri hymn All that can be said in favor of the well-known order is, that their use is better than none; for the continuous use of any single vowel wou.d hardly fail to be of Injury to the voice, if only from the monotony of action and shape. It being impracticable at this time to introduce a new series for those that have so long been used, the class should, when sufficiently advanced, discard the do, re, ml, etc., aud substitute therefor the syllables la, la, 16, or le.' 1 t h Manual. 18 ' ii TIME NAMES. EXPLANATION OF THKIIt i;SK AXD APPLICATION. Two-part measures, which are indicated by the fi.rure.s ?, 2 2 etc havo the syllables Ta (the a having the sound of a iu far), and^xl^L IhaX: tlie sound of a in fate). ° In speaking, the consonant T should be given in a sharp and incisive manner, but not loudly. Three-part measures which are indicated by the fi ;, _j> Tw-a nii TiUi-a na Te-e-e ne Td-o-o no Ta-a-a na Te-e-e ne TRIPLETS. ^-i- 4 Ti f-^— JH-^- Ta n la Ta -I Ta ra la Tii rii lii Ta -T^^ J Ta ra Ta T& U Te re *-J 3_J^^ Ta ra J-- la Ta ra la To ro 16 Te re le J- -/— J^^ TiT la Ta ra To-O 16 Te re le ip It will be seen from the introduction of triplets on each beat of the I and I measures that we have in reality | and y measures. Very little use is made of tlie lust two in music for chorus or part sm^ing, and they will hardly be found in the Course. The movement is generally quick, and the svllablos T«, ra. la, etc mw be substituted and used to advantage on account of greater ease in the utter- ance, should it be necessary to make a study of these forms. MANUAL. 19 ACCENT. The following tables are prepared to show the relative weight of tone upon the dlHerent regular beats of the measure. No attempt is made to show the smaller sub-divisions, they being prac- tically innumerable. The composer may introduce other and stranger varieties of expressive force, but these tables will give an idea of the accent to be produced in the ordinary forms of the measure. The Time-names are retained, and the figures placed bolow them indicate ai)proximately the comparative weight of accent to be employed. In the second table some of the frequent interruptions or disturbances called syncopations are shown, by the introduction of ties. In such cases the first note under the tie has the added force of the next note or notes. The lower figures show the results. By a careful practice of such meas- ures, both regular and irregular, a feeling for accent, as introduced in ordinary vocal music, may be awakened and enforced. This practice is intended only for the more advanced singers in the Second Readeiis.: -- Ta 4 Ta 2 Te 2 To 3 Ta 2 I-/-J J J ■J_j_j Te Ta Ta Te To Ta Te 2 4 2 2 3 2 3 20 Ta 3 i Tii 4 J- tt 4 Tii 4 J- a ft Ta 2 TO 2 3 T Ta 2 -i -J-- Ta 2 3 o 3 -J— J^_^ I Ta 2 2 4 . e 2 To 3 Ta TO 2 3 6 3 MANTTAL. SYNCOPATIONS. j^j__j,4^j. J- Til - 2 - a 3 Ta 2 5" Ta 2 2 ,} fi ■ t . Tii Tu - ("' 3 2 2 2 4 . . . 4 . . . -J— J, -J- J Ta To 2 3 Te 2 2 3 4 6 - - J Te 2 _4^ G . a 4 Ta - 2 3 5 . . Te 2 -J- Ta 2 2 ,J_J__J. ^ TO - ii Ta TO - ri Tf. . .. T.i Tv^ .-. ' H Tii 4 Ta - (■ 2 2 _2_ To 3 Ta 2 J==J Te 2 _4^ J^J_J_^_.^^ 2 2 Ta 2 Te o O 3 Ta 2 Te 2 • • . , 3 THE HIGH SCHOOL MUSIC READER, Ex. 1. %^^^ Ex. 2. ii-j ^- Tii Ta Ex. S. Tii-u —4 Til Tfi '^:mjm Tii-u A ^^'f^'^i Ex. 4. Tufa Ta P^x. 5 Ta-u Tii f ii Ta Ex. 6. Tu-a Tii Ta Ex. 7. Ta-Ji Tafii Ta Ta-a ^^^m —V- Tii f.; Ta fa Ex. 8. 1 "^m^ Ta Tft Ta fii Til fa Ta Ta Ex. 9. ^m Ta-a TiifaTa T^.^ TafiiT "^ "^ Ex. 10. PP^ m^^^ ^ Ex. 11. :i_=_£ :f=i= ±=t Til fii Ta fa Ta-a fa Ta-a Ta fii Ta fa ^ 0^^m; Ta Ta Tii-a Ex. 12. it= I Ta Ta I :i= itz* S^ Ex. 13. !EiiE^£ a :2=4 y-Az±==Mz m Ta Ta fa Ta, fii Ta Tii fii Ta fa Ta^ Ta Ta fa t Ex. 14. :q:: ^ ;fe Tii-a Ta Ta fa Ta-i Ex. 15. -4~* -* fer= =^=:a^ ±ZJt 3^ fa Tii fii Ta fa TU-a fa Ta Td fa Tara Sit^ Ta-a-a To ^^3=? Ta/o Ta/d Tii fii Ta Tii Ta fa Ta Ta i Ex. 18. /k 2. 1^ -).,., ^ -] = : f^ a ^^ , bffc^-^ rr-J— •-4-^ '-=p=^=^=^^—J 1 J -* 1 Ta /ci Ta fa Ta Ta ^ No. 1. 84 = J Morning Hymn. =ir m 1. Now the sliades of night are gone ; Now the morn - ing light is come ; 2. Fill our souls with heaven-Iy light, Ban - ish doubt and clear our sight; 3. Keep our iiaugh - ty pas - sions bound ; Save us from our foes a - round ; 4. When our work of life is past, Oh, re - ceive us then at last; Ta m ¥ ^ Jtat ^^ Lord, may we be thine to - day ; Drive the shades of sin a - way. In thy ser - vice, Lord, to - day. May we la - bor, watch and pray. Go - ing out and com - ing in, Keep us safe from ev - ery sin. Night and siu will be no more. When we reach the lieaven - ly shore. Episcopal Coll. 8 t i Ex. 19. Ta Ta Ex. 21. -6t 6i- i g Ex. 20. 2-*i Ta-a Ta Tii Ta -(5>- Ta-a Ta ^ rr-g :g3 ■:2t. "^ \ G d- ^^=^ -(!2 f9- Ta Ta Ta Ex. "12. Ta-ii-a Ex. 23. ^m- -0 — • — « -a- ^ -• — z) Tii fit Ta Tii Ta Tii-a Ta fii Ta « Ex. 24. nt fcT-EEEEfpgE^ Ta Ta fa Tii-a Tii fii Ta fa Tii Ta Ex. 25. -s>- Ta-a 1^^ ^2=^=^^ :±:=,. -I- Ta fii 'J'a fa Tii Ta Ex. 26. Tii-a mi ^ ^ -i©- T©- -<5>- i Tii-ii fa Ex. 27. Tii-a Tii 7'a 2: U *=UtL =-1^ • 4- fa Ta fii Ta fa Ex. 28. E^ f2=^ Tii Ta m j=± Ta ^'i ,^ _,^ — \- 4 -g j52- a Te Tft-a Te 9 Ex. 29. te T^ Tii Ta Te ^ EtiBi -*— ? -<5/- Ta-a 2'e g Ex. 30. 3 ^3 ^ Tii-a Te Tii Ta Te piP^^ Ex. 31. gr^li^l fg •- Tii-a Te Tii-a Te Tii Ta Te Tii-a Te Ex. 32. ^E± Ex. 33. ^ ^i-^^ 1 J=tz.*: Tii Ta-e i Ta Ta Te Tii-a Te Ex. 34. Tii Ta Te-ii Ta Te -|=- <2 S-- m^^m^ =p=i %4= Tii Ta Te Ta-a Te Ex. 35, Tafii Ta Te Ta Ta Te Ex. 36. Tii-ii Te iHESjiim i 3: tm r ^-#-f— X" t: *=• Ta-a Te Ta Ta fa Te Tii Ta Te £e Tii fii Tfi Te Ex. 37. i = j:^J^J^ EElE^^? ^.^t^ig?f ^g^^ Ta Ta Te fe Tii-a Te Ex. 38. Tii fii Ta Te Ta Ta fa Te Tii Ta Te f e Tii-fi Te _#_»- Tii fa Tafa Tefe Ex. 39. .;-g F-S ^-^^d 0-4 -Gt- Tii-a Te U i^ ! C ~ I r I J 1 — i ^- I I I • I he ! 'T I h— 1 — zN-ii-r?-: -Jtj-Jl '^iv-afa Te TiiTa Te Tii Ta Te Ta Ta-e f e Tii-ji 2'e 10 Ex. 40. PS ^m Te f e Tii-a fa Te Ta-a Te fe Ex. 41. ^^Em H^ Ta-a Te Tefe Ta Ta-e fe ^ IE ::}=d: Ex. 42. Ta Ta Te Ex. 43. Ta-a Ta Ta-efti Tii-ii TA 3^ h4:-i iiiri: Ta Ta-efti Ta-a 2'e Ex. 44. ? =!«=»: EEM.IS^ii^ TSra fa Te Ta Ta-e fe Ta Ta Te Ta-a Te Ex. 45. Ta Ta Te ^^i^^:^^^^^^^^ Ex. 46. Ta-a Te Te Ta Ta Te-a Ta Te Ta Ta Te Ta-a Te Ex. 47. ^^^^^^^^^^^^^ Ta Ta Te Tii-a Te Ta-a Te Ta Ta Te Ex. 48. ^^^i ^^^^^^^ m Ta-a Te Te Ta Ta Te Ta^a Te ^ « ^ m^^ ^ — «= ji=li i Ta To Te ^ Ex. 49. Ta Ta-e fe Ta Ta :^ Tli fa Ta fa Te fe Tft-a Te T* Ta Te Ta Ta Te 11 Ex. 50. ^ ^ — N- ^^I V- — -« -^z^: m Tii-a fa Te Tii Tfi To Ex. 51. Tii-a Te SrrrpL -• r ;^-:=*^ ^-==J N- I Ta Ta fa Te fe Ta Ta-« fe Tti Ta Te Tii-a Te Ex. 52- - Ex. 53. ^^^m t==ti ¥=^ ^^^m Ta Ta Te Ta-a fa Te Tii-a Te Ta Te -a Ta Ex. 54. ^^^g^^^ izizi.^ i TilfJi Ta-e Tii Ta-a-e Tii-a Tefe Tafii Tafa Te fe Ta-a Te Ex. 55. P 1 ^ Te fe Ta Ta fa T6 fe Tii Ta Te fe i ^^ ^mm ^^m ^ Tii Ta Te Ta Ta Ex. 56 ^^=i=i -<5^- Ta Ta To Te Ta-a Td-e Ta-a Td-e ^ ^^^ Ta-a To Te Ta Ta TM li No. 2. There was a Piper. m w 116 = J -# •- =1= tr- 4 4 There was a Pip - er had a cow, And ^ t- ^^L^m he had naught to give her ; He pulled out his pipes and $ i t-=^=^ ^- ^-~ played her a tune, And bade the cow con i -«- -s==F= Sid - er, con - sid - er, con - sid er. The i ^ z^- I j : cow con - sid - ered ver y well, And ^m ^E^ gave the Pip - er a pen - - ny, And m ^^m bade him play the oth - er tune, "Com rigs are bon - 1^.' MOTHBB GoofB. 18 i i Ex. 57. i Ta-aro Te 1 a-a To Te TJi Tii To Te Ta-a T6-e .^ISL- "f i Ta-a To Te Tii Ta To-e ^ I ^ Ex. 58. 4 ^d- -J-2-S — ^— iL -^U-iL^i t:zi_ _ !__*_Z J j__j _. Te Tii fa Ta To Te Tii Tii fa To Te Ta Ta To Tefe Ta-a To Te i • ^ ^ E=EEfEEa Ta Ta To Te Ta Ta fa To Te f e Ta-a To $ Ex. 59. ^^^ ^3 Ta Ta-6 Te Tii Tafa To Te Ta-a fa To Te t * * ^^^^^m5 -X — ^ I -- Ta Tti To Tefe Tii Ta To Te Tii Tii fa To Te fe Tii-a TO Te Ex. 60. ^-^ ^^-^ ^ _p -^ il=S ^ 5^. Ta Ta Te To Ta Te Tii-a Te T6-a Te Tii-a-eT6-a Te i F=i= m^^ :# ¥ :t^±=:^ -A-r- f^ =P=^^ I Ta Ta Te To Ta Te Ta-aTe To Ta Te 14 Ex. 61, i^^^^l Tii-tt-e To-a-e ^^m Ta Ta Te To Ta Te Ta-a^ To-a Te ^^^^ Ta-a-e-6 Ta Te Ta Ta Te To Ta Te No. 3. Go FORWARD! l/« = J^ =r- EE^ ward, press ward, press ward, press on on on ward; 'Tis ward: Oh, ward ; A ^^ wis - er by live not in mo - ment's de far, vain ! lay ^ Than Tliere's May fret - ting wis - dom thick - en ami and the f^^^^^^M =6: sigh - ing hon - or, shad - ows In fear where you are, And glo - ry to gain, I'hat rise o'er your way, i Than Tliere's May :*=it=i— — ^M m fret- ting and sigh-ing In fear where you are. wis- dom and hon- or And glo - ry to gain, thick-en the shad-ows That rise o'er your way. -A N- * S^^^3 What - ev - or your call- ing, Your The path is be- fore you, You've This wait-ing and wast-iug The aim or pur - suit, In hand with true wis- dom. You'll bear pre- ciou^it. on - ly to choose; You win if you're ac-tive; If sloth- ful, you lose. sum-mers tiiat fly, WiU leave you a slug-gard To lln - ger and die. COLESWOBTHT. '] 'J i fii To fo Te «I^£^ Te Ta-aTe To-a Te Tii-aTu To Ta Te m^^^^^^^^zrm Tu-fi-e To Ta Te ^^mm^^^^m ~^~ Ta Ta Te To Ta Te ^«i- . -m-' Ta-a-e-o Td NO. 4. 76 = J Spring Voices. i P£SE^: '^=^=^ =5=* rjtrt E^ P ^^ 1. "Caw! caw!" says the Crow, "Spring has come a - gain, I ]<„ow 2. "Quack ! quack !" says the Duck. "Was there ev - er such good luck ' 3. "Croak! croak!" says the Frog, As he leaps out from the bog; ii=fr Ii=3t ^^ * ?^ -=t- For. assure as I am bom. There's a farm - er plant - ing corn ; Spring has cleared the pond of ice, And the day is warm and nice. Spnngis near, I do de-clare. For the earth is warm and fair; I shall break-fast there, I trow, Long be -fore his corn can grow. ' Just as I and Good mrin Drake Thought we'd like a swim U, lake " Croak! croakl croak! I love the spring, When the lit - tie bir - dies sing." COATES' Cohh. 16 Ex. 64. li^^^M —*~ Ex. 65. 4r^ ^=^ '!""• Ta Tii-a Tii Tu TiUu Ta Ta Ex. 66. ^isrfmw^^^^^^^ Tii Tufa T&-& Ex. 67 Ta f ii Ta fa Tii f ii Ta Tii-a _ Ex. 69. Tii fa Tii fa Tii fa Ta atzf ^^^^^^1 Ta Ta Ex. 70. ± -^-4 — g- ^^^ ^.:=ii: Ta Tiifii Tafa Ta ¥^ Til f ii-a fa Tii fa Ta Ex. 71. S33 ^^^ HE -fi- Tii Ta Tiifii Tufa Ta-a m^m mi^m^^^^mm^ ^^^ Ta-a fa Tii fii Ta Ex. 72. Se^^ ^ E Ta Ta fa Tii f a-a fii Tii-ii Tafii Tufa Tafa Tii m^ Ta. Ta Ex. 73. ^£ ^ ^^^^^^-^^^ i3i^ Ta Ta Til fa Ta fa Tii Ti/a 1 Tti-H 11 Til TU-a =? u ^ j 17 No. 5. 02 = J The little Moon. m^^^^^m^^i^^m qi: The lit - tie Moon Came out too soon, And in her }Mz :4=il: ^--rt flight Looked thin and white. ^i^^mm^mim^ ■I F 1 — The Stars then shone, And ev - ery t ^■ -n=i: Ig :i one Twinkled and winked, And laughed and blinked. The great Sun }§z EEE^- I^P^^^ now rolh-d forth in might. And drove them all quite out of si«ht. Little-Folk Song.s, Miw. A. B. White. Ex. 74. Ta Ta ffi T;i f;; Ta ^ 0- Ta fa Tii fii Ta fa Td fii Ta fa Tii fii Ta c-9t' S=f! Ta fii Ta fa Ta I Ta 18 M. Kx. 75. ^^^^^^E ^^E=^E^^^ ^ 'Ill/a Tiifa Tii Ui Tu Tii-a Tii Ta ^mw^ Kx. 76. Tii Tafu -^^^ Tii TA ^ i^^^M^EE^m Tii fii Tu Ex. 77. £e^ ^ ^ Tii Tti U Ta-u Ta Td :r=l: ip ffizj — - — X — g^~ — s*- Tu Til Tafil Tii Ta ?: (4 : Tii/fi Ta Ex. 78. -t^znz:^- -^ jSZ Tii-a ^^^^m T& Ta la Ta li Tu fii i^zEm^ 3^^^ ;^=i^;i Tii Til Tii-a .Tii Tu fu Ex. 79. Til ^- -^ — X — d — Te Tii Til To Tii Ta Te -Hi: -h- 1*^^^ Tu Ta fu Ex. fiO. 19 •^-^^^^^^^^^^^^"IIJl TG Tu-a Te Tii Til Ti! Til Tu To rt- Ex. 81. ^r fcri£» t^J^^IZizh Ta Ta Tii Ta Tu Tii Ta Te *;^;^sie^^^^^S^^u TiUtt Te Ex. 82. is m mi:±d^ :~ dfEI* Tu Tu Te I^E$ jfjzi: i^ 3Z -X Tii-a^ Ta Ta Te Ex. 83. w^^m^^f mrm Tii-u Tfi Tiifii Ta Te Tii-u Te :«_: E g:^i?^ i.^E^^^z^^-^^ tfflzfcj Ta-a re Ta Tufa Te fe Tiifii Ta fii Te fG Tii-a fa Te Tii-ii Te Ex, 84 • #: Te fe Tii Ta Te Tii To Te fe Tii Ta Te P^^^^^^ ^^- q^ :J: Ta fa Ta Te Ta fa Ta Te Ta To 20 Ex. 85. Tiifii Tfifu T Ta-a^ Tii-a Te No. 6. Little Star. i 126 = J =t: 3 1. Lit - tie star that shines so bright, 2. Lit - tie star ! oh, tell me, pray, 3. Lit - tie child ! at you I peep, 4. For I've man - y friends ou Jiigh] Come and peep at me Where you hide your - self While you lie so fast Liv - ing with me in =X- =^= ^- to - night, all day ? a - sleep , the sky ; For I oft - Have you got But when morn And a lov - I en a be ing i watch for you home like me, gins to break, Fa - ther, too. Ex. 86. In the pret - ty sky so blue. And a fa - - ther kind to see? I my home - ward jour - ney take. Who com - mands what I've to do. Elliott's Coll. Ta-a fa Te Tii "*! --N- ^- Te Tii-a Te m -«9- y T» fa Ta fa Te fe Te g m E Ex. 87. 21 i ^ m Tii Ta-o Ta-a fii Te fe Tii fii Ta Te Ta Ta TO Tii-a fa TO Ex. 88. ^J==j= JE^^E^ *a: gir* l^:t7 S Tii-a Te Ta-a fa Te fe Tii fii Ta Te #^^-g ^i^^ :tS -(»■ Ta-a Te Ta Ta Te Ex. 89. ^^EB:QE^i HKzr^^zifirp: ^ i^^i- Tafii Tafa Tefe Tii-a fa Te Tii-a fa Te fe Tii-ii Te Ti Ta fii Te fe Ex. 90. #g^:^ pggpSS ai^gg^^ pi- Tii Ta Te Tii-a fa Tefe Tii fii, Ta Te % Ta Ta Te Ex. 91. Ta Ta fii Te fe Tii-a TS '^^^t -^— ^ :g=:tzf: m V-^ -i^i ^1 Te Ta Tii Te Tii-a Te Tii Tu Te Tii-a^ Tii Tfl ^ Ex. 92 =N=#' itzb 1=^ — t ^— sr I Te Tii Ta Te Ta-a Te Tii-a-e Tii Ta Te Tii Til 22 Ex. 93. Tiifii TaTe TaTufa TO f e Ta-a Te Tu-a 7 e Tii-a Te f e , Ex. 94. TeTii-afuTe Tii-aTcfe ^i =1 ^~~^rr Ex. 95. Tiila -KU Ti Ti T» K Ta-ete Ta TO Tfi.A fiT Tii T.; 'i\-. rr- .- ,„.. ^ "^ •— •- J Te Tii-aTe Tii-a fa Te Ta Ta TG fe Tii Ta fa Te Ex. 96. Tii Ta Te Tii 7'a Pi^^^^ ifc=t^=rEE=5iffiiE;.. _ m'M^^i Ta-a-e-ii-a Te Tii-a fa Te Tii-uTe Tii-a-e Ti-aTe t- t- - *^ la Ta-e Ex. 97. ^^^^'^:3EEiEEBE3E^E^t^==?Hi:S^3^^ Tii Ta To Te Tii Ta To-e , Ex. 98 &^m^ Ta,aTaT6TeC Ta Ta Ti.B TS Ta (a TO te Te Ta-aKr. TaT^^ Ex. 99 it=» ■•-. Ta-u fa T6-e fe Tii-a fa T6-e Ex. 100. — ^- ^^^^^ Tii-a To 7e Ta Ta^ Te ^ i^ r*5^- ^ Ta-a To Te 1 I 28 i No. 7. 116=. i4: =i ^: :* 1. 2. 3. 4. Lis - ten, in the A - pril rain, Broth - or Rob - Thoiigii lie finds the old pine - tree Is not wliere He lias nei-tlier grief nor care; Build -ing sites Tliougliold uioiis-ing puss, last year, Eat liis lit - s> in's here a - gain ; it used to be, are ev - ery-where; tlo ones, I fear. :F3^^: It ZfT. It: ?: n iSz— JSougs, like show - ers, come and go. He is house - build-ing, I know. And the nest he made last year, Torn and scat - tered far and near. If one nest is blown a - way, Fields are full of sticks and luiy. And he al - most died of fright,- That is all for - got - ten quite. Chants. r=:±=t=z:MEdTd: ={== 5^^:3Hi3^=i 1. ('hip, chip, cheer - . , he is sing - ing, Light-ly on an elm twig swinging. 2-3-4. Chip, chip, cheer - y, he keeps sing - ing, Llght-ly on an elm twig swinging. Mks. Andekson. Kx. 101. -■a- d; pil^^iii Ta Ta fa 'I'd Te fo Tii Ta To-e Tii Til To Te fe Tii Ta fa T6-e Ex. 102. Tilfii Tafa TO fo Te f e Tii Ta To Te g4^ ^=33^: ^ n I Ex. 103. h2- Ta Til Tii ra p Tii-ii Ex. 104. Tii Ta Ex. 105. t=F:i 1^ -^ $ i HH Tii Td ^^^^^^^m •Ti-a Te Ta Ta Te Ex. 106. -1= Ta-aT(^ Tii-riffiTe ^1 S^ilili^i^^E^^^^^ Tii-a-e Ex. 107. Ta T(l Te Tii-a Te Ta-a Te £z=^Ei£'E^ ±±:^e=:e -p- •=*. [■a 76 Te Tii Ta To-e Tii Ta To Te m Tii Til fa To Te Ta lix. ^08. iA ± *r* l^^^^^f Ta-a-eTo Ta Te Ex. 1 (.);>. ^1 Tii Tii Te T6-a-e fi: ^ti=±r -^1 t- -# s^. Ta-a fa Te To Ta Te Tii-a-e To-a Ei33 3 eT6-a Te i^^3^ ^5^ Tii Ta Te To-a re Tii Ta Te To fo Ta Te m i m 20 Ex. 110. ^^^p -t — Ta f ii Ta fa TG fe To Ta TO Tii-a-e T6-a Ti' Tii f ii Ta fa Te To fo Ta fa Te Ex. 111. -^ Tit Ta TC- To-a Te i5v: & I E=§=^=i=?=l felgpgg Tii-a fa Te To Ta-e Tii-a fa Te To-a Te Ex. 112. :±=4: Tii-a fa Te To Ta Te Tii-a-e To-a Te in -«- ->» I Te Tii-a Te T6-a Te S=fei=^ ..(Si- -t=^p Tii-a-e -o Ta Te Tii-a Te To Ta Te Tii-a-e To Ta Ex. 113. iliT 4E: ^ It:* ^ Te fe Tii Ta fa Te fe To-a Ti- Tiifii Tafa Te fe To-a Te fe * y=^ Tii Ta fa Te fe To Ta Te Tii-a fa Te To Ta 3 No. 8. 76 = No FLOWER THAT BLOWS. m if* No flower that blows ^^^^^EE^ Is like, is like the rose- m "« ri^ 1 -=!—#- ^i=^ gF^^^^^-^^ EE?EE? No flower that blows la like— is like the rose. 26 Ex. 114. Tii fii Ta fa Tii Ta Tu Tu Til fii Ta Ex. 115. '3^ =F=t f^'r^ Tii-afa Tii fa T« f a Tii Ta Tii-a Vii-u fa 5^^=^ Ex. 116. Tii Ta Tii fii. Tii Tu_.-. t;; 't,-. rn-- - _. ^ Tafii Tafa Tii fit Ta Tii-a Tii Tit Ta-ufa Tii Ta f a Ta Ta Ex. 117. m 3^3=fcE^^;zE^iE^g^§|^|i|||J Tii hi lii Ta Ex. 118. Tii hi lit Tii ra la T.-i TS. TK ,-. tr. ^ ■— ^Z^ J Tii Ta Tii-a fa Ex. 119. Ta Ta 'ti ~u- Tii fii Ta fa Ex. 120. — w- Tii Ta fd Ta fii Ta fa Te fe Tii Ta Te ^=¥^^^ ''^=^r 1r=: Tu m E Tc K TS TO Te te TM ffi Te i;^Si=£j fe Ta-a Te [■ 87 je ^ 3 No. 9. 112 = j The Piper. W .£3: ■riN: ±E^ ^ ~'z'\^- ^^^m 1. Pip- >ng down the val - lays wild. Pip - i„g songs of pleas-ant glee. 2 Pipe a song a - bout a lamb!" So I piped with mer - ry cheer ; 3. Drop thy p.pe, thy hap - py pipe; Sing thy songs of hap - py cheer ! " 4. P.p-er, s.t thee down, and write In a book, that all may read ! " 5. And I made a ru - ral pen. And I stained the wa-ter clear. 't=r *;SEm - si- — \~ ^^ On a cloud I saw "Pip - er, pipe that song So I sang the same So he van - ished from And I wrote my hap ■ Ex. 121 1 a child. And he laugh -ing said to me: a -gain!" So I piped; ho wept to hear. a -gain, While he wept with joy to hear. my sight. And I plucked a hoi - low reed, py songs Ev - ery child may joy to hear! William Blake, ^^^^^^^^^^^m Tii Ta Te Tti Til fa Te Ta-a Te Tii-a fa Te Ex. 122. -a S ^ Ta-a Te ^^ Te Ta Ta Te Ta Ta Tefe -^ '^i^^^^^^^^^m Ta Ta Tl fg Ta Ta, fa Te fe Ta To 28 No. 10. The new Moon. 1. DearMotli-cr, how pretty Tlu" nu.ci, looks to- 3. Ivvoi (Icallto tliostarsTok.H.i.ot,t of the 4. And there we would stay In the beau - ti - f«i ' night! >sh(> was nev-er so cunning he- fore^ fnends. IM rock in it ni.e - Ij- you'd sS!' way, Lest we should rock o - vcr their toes- And thro' tile bright clouds we would roan'r skies, W^ Her two lit - tie horns Are so sharp and so h^t I hdop«i!"pM^f^ Wo„.„,ua,eeU.esu„ so.. ^r^!!! Z "S. ZZ^H^V^ ^^^ Mrs. Follen. Ex. 123. ^^^p^^ Ta-a fa Te fe Ta fii Ta 1, 1 Kx. 124. 99 ¥^- :is?:: ^ •^^^^^^Ie^ Tii Ta T. Ta Ta-6 Tii-a t, T. fe Ta fa Ta 2^ Ex. 125 Ta fii Ta Te fe Tii fa Ta Te Ta-a Te ^Jt:^!^ Ta-f. T£. ,0 I, th r,i K e Tii Ti tI t» fa ?5 r, ^'_ .jr m ■■' — r— I- Ex. 126. Tii Til fa Te fe Ta-a Te Tii.ri *G m-- — tf— I Z^3 Ta-a fa je Tii Ta fa Te fe Tii-a Te ^=^-=\ Ta fii Ta fa Te fe Ex. 127. -= — 1"-*— zzg — N- =F=^- t:::1 =^ Tii Ta Te Ta-a Te ~ — u . r_ Ta Ta-e Tii-a fa Te Ta Ta Te S i ^^ T& T» 1 Te Ta-a T^ Joy Everywhere. — -S-— 4 I^U -g r-j ^ ^^ 1. I have been on tho inoun-tain Tliat the song birds Icvo best; Tliev were 3. I have been in tlio >,'!>'■- . ^^ Pl^.^^? AEu-tr=t- i3^^^ Ta-a Te To Ta Te Tii-u-e To-a Te Td Tu Te To Ta Te Tii-a Te T6-ii Te 82 Ex. 133. Tii Ta TO To Tu Te Tii-a-G To Y'ti Te Ex. 134. Tii-u TO lo-ii Te |^:^^^:e^^zM^e=^S^^^ ■9—9 M±S? li^ Tii-a To To-u To Tii-a-e T6-a Te Tii-u Tu To Ta Tc Tii-a To TO-a Te Ex. 135. ra^n^^^^n^^ i Tii-a-e T6-a-e Tii Ta To To-d Te Tii Ta Tu To Ta Tu Tiiii To To-a Te *Ex. 130. :^ 'i m: ^i Tii Ttt TJi-a ^Ex. 137. P ^F^ g^^^ ^^-- ^"SLH Tiifii Ta ,Ex. 138. Ta Ta Tii Ta-ii Tail TJi-a fe^^E^= 3^^^F^g^^^^^ ^^J^ Tii fa Ta fa Tii fti Tii ,Ex. 139. Ta Ta Tii-a ^ gg^^^^g^^J Tafii Tafa Tiifii Ta Ta Ta Tii Tafa Tii To ^^ ^Ex. 140. ry^rj— ^^ - 3 g- t:g I — (2- ^__ . ,__j j_-_ ^^^#^^4 -g* ;5<- iS'- -zg*- 3 Ta Ta Ta-a Ta 2a sr i No. 13. J ii« t *r^ ^ W: f^ 1 1. Tlio withered le.ives are fall - 2. 'i'lie winds go soft - ly sigh - 3. When .Si)riiig re -turn- ing bring - ing In si - lence to the - ing The na - ked branch -es - eth Sweet flower - ets to the ^- ;f£t3i«i t^ ground, . . The wild birds, o'er ii8 call through, . . They mourn tlio Old Year dy plain, . . . And all liic vood-land ring ing, To warm -er ing, They mur - raur eth. With mel - o - »/: m i fe^ climes are for the dy a bound. New, . gain, . To warm - er climes are bound. They mur - mur for the New, . With mel - o - dy a - gain. . i m Ex. 141. s^ ^i Tii 1)11* it -«|- Ta fa Tii fa Tu |: L4z: Tii Tii fii Ta fa Tii =i Ta Ta Ta M Ta u I i Ex. 142. -.:t=:^-- • ^ :^ II TJEdEE Tii Ta To T:i-a 2c fct ^il =\-- -i- Ex. 143. :t:=F: 3 S i^ -J?= Tii-a Te £-E*^^tep^ Tiifii Ta Ti' Tii-a T — I ^ — * P^- * S- n Tii Ta Te Tii Td Te Ex. 144. Tii Til fa Tf- =P. EEE£tE*Et^=te^ -^*-?^ i Tii Ta Te Ex. 145. Tii 'la fa Td ^5 -gi- Tii-a Te 'J^?3 t:-^-M^ itt E^r Tefe Tii Ta Tofe Tii Ta Te • i± ^Ei^^Ete^fEE^E ^9=:i—m — I 1 w :*:zzJL: Tii-a Te fe Ex. 146. Tii Ta #-F^ ^ ?~s r**^ P 3:ii -H- Tii, fa Te fr- Tii '(\i Te T; TG Tii ra Tc r^ ±IZ±L :»=•: :i: rj; TA TA fa Te fe Ta ^ Te 85 Ex. 147. -W—i: 'm^W-- Te fe 'la, la Ta fa Tc fe Ta Ta Te fe 5^^^^^ ^1: ^^P^=^= ^: -ZS-T- ^ Til Til Te Ex. 148. Ta-a-e-ft n t=S :S=i ^" Ta-a Te ^:::± V U' p=it E_ -* — * Fii— ^£ -A— '^ Ta Ta Te Ta Ta Te Ex. 149. SE^ Tti-a 2e Ta Tafa Te f e Ta-a TS i rr7 -J(- Te ** ^- ^^ -f^- TJi-a Te -Jf^- E=E I Ta fa Ta Te Ex. 150. ^iE :iE^fc:e£rE2^M t i=*=-|^ ?EiEti3tE? i Tii /la To Te re le Ta Ta TO Te Ta Ta To Te Tii-a fa To Te Ex. 151. -}=i W=i dhuM- ^m^i Ta Til fa TO Te fe Ta Ta T6-e Ta Tafa TO-e F^. Et. 152. ffi^-^-^^^E^ f P^^^lf^l =#=•- ^¥=i'' IS ^ Ta-a-O Te Ta-a ia To fo Te le Ta-a To-i 86 No. 14. THE BREEZE. 1. Where does the breeze come from That lifts your hair, 3. Up on some moun- tain -top. Fro - zen and drear. 3. Then flew tlie pleas - ant wind O - ver the sea ' 4. VVhere binis their o - pen nests In or - chards bniid, 6. Where does it die ut last? No - bod - y know« La - den with It, 'mid a Cateli-ing, at 'I'lien past the Wheth - er in ?: ;«: — V- =^^ -J?;: thous - and songs Learned ev - ery where ? hun - dred snows Grow keen and clear; ev - ery bound, Wild minstrel - sy; old church tower, With swallows filled, des - ert wastes, Or Arc- tic snows. ns- E'en while Sucked in • O'er beds Lift- ing What if it to of the it fans i gar haw nev your cheek, cy caves, den flowers thorn leaf, - er dies. il Lo ! It Dashed on Faint vith Start- ling But flits Ex. 153. is past; the rock, per - fume, the hare, a- long. Where was it born at first. Where dies at last? It f»!lttlielightning'sspear,Tlieeartlu|uake'sshock, On tliro' tlie sol -emnshadesOf woodlaudgloom. Sure - ly tlielight-somebreezeStraysevery- wliere ! Add-ing each new sur-prise Un - to its song? Mrs. Anderson. Te fe Tii fii Ta fa To fo Te fo Tii-a fii To Te fe -n:^ with a at tlie in i i 37 No. 15. 72 = J Contentment. ■^=^ :± ^-•rr- ^^^ 5=:z|=-J^:3 -it-l^- 1. See tlie brook-let flow ing Thro' the val - ley 2. See yon spar - row fly . . . . i„g o'er the wood -bine 3. Like the brook -let flow i„g Lot thy liv - i„g k:^! m %i ::jv: free, . leaver, be, . . O'er the pel) - bles go To his warm nest hie On - ward ev - er go ing ing ^^^^:^^MW^^^^ Ev - er nier - ri - ly ! Un - der-neath the eaves! Mer - ri - ly and free ! . Now in qui . et Nought knows ho of lie, too, like tiio ^ roam -'ing, Now with ear -nest zeal, sor - row, Bu - sy all the day. spar -row In thy work or phiy, =t: m Hard at h\ - bor TJiinksnot of the Nev - or trou - ble f-*f= t foam nior- bor - ^^i^^^^^ - ing Round the mist - y - row, Sure of food al - row, Be con -tent al , -M..VV *.if wheel ! , way. . . way ' . 88 NO. 16. AS I WALKED THROUGH THE VILLAGE STREET. 116 « J 1. As I walked through the vil-lage street, The stee-ple ^h^Us were ring-ing; The 2. Andba-by nes - tied in myarms; And clear the birds were smg-ing. And 3. Andsweetin cv - ery gar-denbed Tlw love-ly llowcrs were springing. Thf 4. But not so sweet as ba-by'sarmsWhich round my neck were clinging, WliiHi 6. Nor half so bright as ba-by's eyes, With love and joy so brinuuing.With ^l=g =1^ ^^^i^iiP^li^l stee - pie bells, the stee - pie bells, the stec-ple clear the birds, and clear the birds, and clear the love- lyflowCTS,the love-ly flowers, the love - ly rouBd my neck, which round my neck, which round my love and joy, with love and joy, with love and bells were ring - ing; birds were sing - ing. flowerswere spring- ing. neck were cling - ing; joy so brim - niing ! FiiOM " Under tivc, Window." ^Ex. I.'=i4. Ta Ta Tii la Sx. 155. Tiifii Ta Tii fii Ta fa Ta Ta ^- tf Ex. 156. ■%1± Ta-a U -#■' • Ta Ta i5£:?==f: Ta To, n 1 e i^ To, 89 ^Ex. 157. Tii Til - - ;i fii Tii "^f ^E^P^-E ^ K ^^I^:^ EV:vjir \:i: : . ::r \msm Tii fii Tufii Tii TCi Tii fii Til fa Tii fii Ta Tii Til - ii fii Ta fii ^^Et^ # -■«■=- t--^--^-. ^m^mm c^- -s~ r-^g-S. K\. li)9. Ta Ta 7V< fii Ta fa Ta T6 ^'ii^E^^^l^l^i^^^^t :AzzFLrt£# jrzq Ta Ta Tii fii Ta Tii fii Til f;i Ex. IGO. aciz^j Ta ru d- Te Tii Ta Te Tii Ta TO tr- :F^:^ ^r*-- i— a &E:e^^ a^EE^EEE tj Tii Td , ^Ex. 161. "^ -5f- Te f e Tii Ta To fe '-^^^^^^-^^ Tii Ta Te 1- F^- ^ * d==zi-EEEE ^ Tii Ta 40 No. 17. IK r WERE A Sunbeam. 68 = J oft 126 = J^ ^. W-tr. If I were a sun -beam, 1 know what I'd do ; I would seek white i ^s^m .==^Sj: J^=s:fl^^^il^#^^i^ li - lies Rain - y wood-lands through. I would steal a - mong them, :d ^m^ Soft -est light I'd shed, %:^:^ Un-til ev-ery 11 - ly Raised its drooping head. •^^£iEE^ ^---lM P^-jJ^- fc— d!l :A=:t^ :it=M: ^^Pg^3EEE§ "If I were a sun -beam, I knowwlierel'd go; In - to low-liest ^^-^^Ei^m ^=^ ^^s hov - els, Dark with want and woe; Sijvz=4^=-?^"i li."-^ :*-r=zi=i^ Till sad hearts looked up - ward, ^P^Mii^ii^l I would shine and shine; Tlien they'd tliink of heaven.Their sweet home and mine.' Lucy Larcom. m ^Ex. 162 ii^^^^ p:^ Tii fii Tii fa Tr- ft' Tii-ii fa Te Tii-a Te -^: SE^^^p^pjgg gN, ■Of --( — m I -ji^= Te 41 JEx. 163. Tii-a fa TG Tii Td Te Tu-a Te $A Ex. 164. ^^^^m^j^m Tii-a Tefe Ta Ta Te Itlt is rittQii^: Tii fii Ta fa Te fe Tii fii Ta Te Tii-a Te ^Ex. 165 ^^^^^i^^ii J H^___> Tefe Tii-a Te Tii Tu Tefe V- Ta Ta Te Ta Ta Tefe .Ex. 166 Ta Ta Te Tii-a- 0- a Tii Te Ta-a Te ^^^m i=F -N— i Itzl: •=:MzrJL — I — ~9 -[- a/— -J- Ta Tii Te To Ta Te Tii Ta Te To-a Te Ex. 167. Ta Tii Te To-aTe Tii-a fa Te To-a fii Te Tii f ii Ta f a Te f e To-ii Te r Ott.tf^ S -S-C- :j-.j^^=i ^^^^ TH Ta fa Te fe To Ta fa Te fe Ta Ta-e fe To-a T^ 42 No. ^8. 126 = J^ The Blue-bird. ^^^^S T:if=F, I know the song -^ — If. 1 — I ^. I f-^if i-iJiizi=z:iP:z±*- that tlie blue - bird is sing - Inj,', -H Out in tlie ap - - pie -tree, where he is swing - iug. M. '&-^Z — I — "s \-- — =E -U-- ^^ Bravo lit - tie fel - low ! the skies may be drear - y, 1 M. ES —V- :>- f^dzi: :d5z:^: ■i-:^ -M — iv— bj~^- :::§ -5 ^--^ Noth-ing cares he while his heart is so cheer- y. Hark! how tlie m-^^ ii=tt?: t^^=^ i-^^-- 1 mu-sic leaps out from his throat! Hark! was there ev - or so fj ^P^ — -J ! 51- itzzM ^--Fd: mer - ry a note? Lis - ten a while, and you'll hear what he's — v~i — N- V ^. ~ ^ * ?^-t =*TZZ3ribt_-_. i. ^ SI say-ing; Up iu the ap - pie tree swing- ing and sway •ing. -1- ^ — ; - iiig, ::*: -SI 1 ; - iiig. N ^vi::^^^: rk ! how the X — N — N- ::t*- 3v - or so s — _ arwhat lio J s =1^^ — N-^J! way-ing. The Blue-bird. wea-ry „, „,„.„,, , „.„„^ H.,k „,,„„ , ^^^ feWI. ^=^^m&- -o- mes-sagoof cheer! Sum-mer is com- i„g. and springtime is here "Lit-tlewliite snow-drop! I pray you a-r'S" Bright yel- low oro - oust CO,,,,. „,. . „ ,„„ ,,,,,^ ^„,^^ ,,^ _ ^^ ^^ ; ^_^^ hid from the cold, ^^S^^^^ =±r=-N-- Put on your man-ties of pur - pie and i Si =|t idzit: gold ; t=^ Daf - fo-dlls! daf - fo-dils! say. do you hear? Sum - mer is com - ing! ^^^^^^ and spring-time Is here ! " Emily Huntington Millkb. ^ 44 No. 19. 112 = J^ The heavenly Father. 1. Can yoii count the stars that bright - ly Twin - kle in tlie 2. Do you know how man - y cliii - dren IJise each morn - lug, mid - night sky? Can blitlie and gay? Can you count the clouds so liglit - ly you count the lit - - tie voic - es « §-J^ m^ ?d^ffe^ :t O'er the mead-ows float - ing by ? Sing- ing sweet -ly day by day.' :£EEEE ^=s^ God the Lord dotli mark their number God hears all the lit - tie voic- es,- ^^^^^^^^ With his eyes, that nev - ersluin-ber; Pie hath madethem.ev' - ryone. In their in - fant songs re-joic - es ; He doth love them.ev' - ry one. Geeman, tb. by Dulcken. Ix. 168 - ^^^EE^d^a^^Jg^^^ To Te Ta Ta To - e - a Ta To Te Ta-a To feEE^ d: Ta-» fa T6-e fe Ta-a fa To Te Ta-a fa To Te Tii-a To Te 1^ No. 20. When the merry Lark doth gild. 46 120 = ^^m^^m^m^m^^^ 1. When themer- ry lark (L.tl. gi:,l . . With his song the sum - nier hours. 2. Now fioinoff the ash - y stone The chil-ly midnight rrick - et cri-et'h, 3. Yet, be mer - ry ; all a - round .. Is throiigliono vast change re-volv-ing; m *5 s* t r^-fepii^ S-'^B And theirneststheswallowslmild Intheroofsand tops of And all mer - ry birds areHown. Andourdreaniof j leas-ure E - venNight,wholate-lyfrowned,Is in pal -er dawn dis tow di - sol era, eth; ving. m ms- * And thegold - en broom-flowerburns Now theonoe blue, laugh -ing sky Earth will burst her fet - ters strange. w^m -X— All a-bout the waste, Sad - dens in - to gray, And in Spring grow free; * ft ~f- tt: :^ And the maid -en May re -turns With a pret - ty haste, And the froz - en riv - ers sigh, Pin - ing all a - way! All things in the world will change. Save my love for thee I I iJ ^m i^m^^^ -*— m Then, how mer - ry are the times! The Sum-mer times! the Sprir- times 1 Now. howsol-emn are the times! The Win -ter times! the Nigh, tunes! Sing then,hope-ful are all times— Win-ter, Summer, Spring times! Babby Cobnwall. 4A ^Ex. 170. • K-j. — '■^ ^'m^^^^^^^^^^.i:^^ ^. Ta Ta fa To TO f .-■ Tii Ta f a To Te ,Kx. 171. 'i^^^m^i^ 1=^, Te Tii fa Ta fa To Te ^ ^g=fe^^g^i^^g^g^151 :#j:^7=irj Tii fa Ta fa To Te fe Tii fii Ta fa To fo T(' f(- Tii fii Tii fa Te Ex. 172. ^- It Ta Ta Ta Ex. 173. Ta^a Ta Tafu 33=3^ ± ^m - j ^ -g— "1 rrn:^ SzEtEE i^ ffizt Tii Ta za fa na Ta Ta Tii zii fii na Ta P^^m^^^^^^^S ^^^ Ex. 174. d=d Ta fii Ta fa Ta Ta Tii Ta-a-ana Ta Ta * !S5^! i=:i ^^^S^^^ Ta Ta fa Ex. 175. Ta Ta Zh- if f —^-^'— n^ -^"i j ^ I Ta-ti-a na Ta-»a na Ta Ta Tii r« No. 2d. Field Flowers. 1. Field llowM'H.swept fipld tl.iwci !». Fnir-ics of tlio sj)ilni;. FlelcUloweis,8weetfti.l(l H„wer.s. Kv-erywliere tl.ey coiiu.. 47 ^&- ^m :0 -v- ^ On-Iy tl,o,s,.vvl,o lov,. thm. Knov ,e joy tI.(.yl.n„K. \Vhere-8o-e-er ui. - .strk - ing Yo>, may chance to luaiii, » 3?: Love can but dis-cov With their smiles to meet ^^^^ P^- tr, AVith their heau-ty us Ou eacliiuith of worlli, ours, r — HEz ^Sfc^z It- Jew - el - liny; all o . All UIl-^s()^lgIlt to greet mM:^m^^ "^W ver All the bright green eartli, us, Come tlie sweet field tlow^'-s, ^ — I- 2S: Field flowers.sweet field flowers. Fair- ios of the spring. Field llouers.sweet field flow.,s, Fair-ies of the spring, ^ ■ 1 u On -ly those who love thoni, Know the iov on- ly those who love them, Know the joy they bring, they bring, :-'^1 Ss s^\t 48 ^ Ta Ta m Ex. 177. fEE^- pq- Tii fa Ta fa Tii Ta T8 Ti i 3 Ta fa Ta fa na Tii-a-a na Ta Ex. 178. ±z4. m pt- ^ -jl^z=rJt: ^ =^-«-# Te fe Ta Ta Te Tii-a fa Te Ta-a Te Ta - a fa Tefe m ij-zp: ^^ Ta Ta Ex. 179. i :=:i -IZT Te ze fe ne Ta Tfi Te zc fo ne Ta Ta Te Tufa Ta m lirizat i fft-a-apa Ta-a-ana Te-e-eneTii Ta Te Ta Ta-a-anaTe-e-ec6 Ta-aTe I Ex. 181. 5SS 4d ^ itt2^_Z Sl^i^ S: Te fe Ta Ta Te Ta-a Te fe Tii-a Te Ta Ta Te fe Ex. 182. SP^ ±zzjt Jtzit Ta Tafa Te fe Ta Ta tJ H =:fcicir=r:i -+ SI Si Ta Ta Te Ta-a Te Tii-a fa Te Ta Ta Te Ex. 183. ■$^^t= ^^1 ^^ Ta Tafa Te fe Tii Ta Te ^ — 0- ^ ^ Tii Til Tg s^:^^^=^ Ta-a fa Te Ta-a Tt Ta 1 No. 22. If but a Bird were I 1. If 2. If but but a a bird were I, Hav - ing two wings to tty, star were I, Twiu-kling in yon - der sky, m I'd fly to thee; On thee I'd shine; ■^ ^m^^^m But as I'm not a bird, Here I must Soon look - ing up would be Those eyes of be- thine— I'm not a bird, Here I must be. Soon look . ing up would be Tliose eyes of thine. so Ex. 184. ±:=jti • ii ■-± m Tii Ta To T( -*— •- Ta Ta To To Ta-a TO Te =:t=--ri--=- d=:t :^: =4=: :=]: Tii-a To-e Ex. 18G. 13^3: :4 H— I ^uMizt: !=pr=:i3 ip: =1: :^==l-^ ~-\- m Tii Tafa To TG Tiifii Tufa To Te Tii Tii T6-e fo Ex. 187. Ill-*— d: -"S*- :ilii=Jt F=1^^15in -«'-T Ta Tii To TC'-e-OnC- Tii-a To TP Ta-ii-o Te f c Tii-fi fa To Te -t— ■ SE?F£ SgE^ ij" Ex. 188. Ta Til To Te f e Tii Ta To Te Tii Tii f ti To Te tj t- '^ :i fe^ Te-e-e ne Tii Ta-ii-a na To Te-e-e ne Tii-a fa To Te-e-e Ex. 189. ne -•-d-* Ta Ti"i-a-ana To Te Tii-ii-o ^ 'W 4: 4=jt -z^-izzjiz Ta Ta m hi To Te zz^-i: iztzil: 1^^ ^=i^ TJi-u fa To Te Tii Ta la la To Te re le Tii Ta ra la To Te ^ Ti)-e ^ No. 23. THE HONEY-BEE. 80 "^H-' — ,- 1^ — ^1 A - wake, lit - tie mor - tals ! No liar - v estfor H- — ( •-" those Who waste their best hours In m i^-^n: -^ — ^ — ^ -N — rinz: sloth fill re - pose. Come out; come out; to the j^^SEIit E^ ¥■ ¥■ -A~- morn - ing All bright things be - long— And lis - ten a-while, and -^^^±d^^^§:^m^=^^^^ lis - ten a-while To the hon-ey bee's ,ong. Mer- ri-ly sing -ing, Te I Te a r^zit^: itiit -A N- 5==|=J=J: =1 i Bus - 1 - ly wing - ing, In - dus - tiy ev - or its own reward bringing. Coaxes' Coll. Ex. 190. Ta-a-e T6-a-e Ta-a fa Te To-a fa Te Tii-a fa Te T6-a Te Ilp^ i 52 No. 24. 116 = J THE VIOLET. 4: -Azi^l z*-*: IE?" p: 1. Down in a green and sliad - y bed A mod - est vio - let 2. And yet it was a love - ly Hovver. Its col - or briglit and 3. Yet thus it was con - tent to bloom, In mod - est tints ar 4. Then let me to the val - ley go, This pret - ty flower to — *- 1= -^^ z± m =t It i grew; fair; rayed; see, Ex. 191. Its stalk was bent, it hung its head. As if to hide from view. It might have graced a ro - sy bower, In-stead of h. ' ,.^ there. And there dif -fused its sweet per-fume Within the si 'cnt shade. That I may al - so learn to grow In sweet hu- mil - i - ty. Jane Taylob. ^M — I- •-# t n 33 Ni t- cp_i_^_-,_:irjc: Te Tii-a TeTo-afii TeTii-a-e-o 2'a Te £e Ta-a Tc T6-a Te pEEE^E^3 '■^^^i^^^^^ Ex. 192. ^^:2: ^f Tii-a Te To T« Te Tii-a fa Te To Ta Te Ta-a-eToTd 3 :^»=1?; Ta Ta Tii Ta fa i^p Tii fa Tii fa Ex. 10.3. Tii fii Ta fa Tii-il ftv i Tii fa Ta /d Ta la Ta Ta Ta i i I n NO. 25. Wishing. 53 1. Ring— ting ! 2. Nay— stay ! 3. Oil— no ! 4. Well— tell ! ring— ting ! nay— stay ! oh— no I well- tell! j-b_g_ ^i— ^-fj— ^ ^---.^^j I wish I were a Prim -rose, A I wish I were a Elm tree, A i wish I were a Rob - in. A Where should I fly to, Where hricrlif va] l/^.r t>„:.« . . bright great, Rob - in go yel - low lof - ty or a to Prim - rose, blow -ing in the spring! Elm tree, with green leaves gay ! lit - tie Wren, eve-ry whereto go; sleep in the dark wood or dell? The The Tlirough Be- stoop -ing boughs a- hove me. The wand'ring bee to love me The TrlT /?/"""'""' ■ '"^' ^''' ^"" =»•"» moon-shine glance ^u, Se for - est, field or gar - den. And ask no leave or par - don TUl fore a day was o - ver, xiome con.es the rov - er' For m f:r^^- -y- n -j= -t- s 1 fern and moss to creep a - cross. And (he Elm - tree for our king, birds would house a-mong the boughs, And sweet - ly smg wm-ter comes with i - cy thumbs To ruf- fle up our wing, mothers kiss. sweet -er this Than an-y oth - er thing. Allinobam. n T9 r ■atBT-' •'■^Mmm 64 Ex. 195. j==j^ TJ=gg^g^±gzzg»d ^^r »- Tii Tara la Tii-a Tiifii Tu-a-ana =1- ^ ' I — Ex. 196. m •- — r;!- 3^- Tii 7V( Tii u. fa Tii Ta Tii Ta Ex. 197. ^^^^i=-r=w^^-^^^^^^±^^ iti^pzit' Tii fii Til fa Tii fa Tii -5*-- i. f'^^mm Tilfii Tafa :::|: trS^^ Til Ta Tii Ta No. 26. Persevere. 92 = ^E;fcE^3=^i 1. Tlu> fish - er wlio draws in his net too soon, 2. For if you would have your learn - ing staj-, ^l^iH -s>- ^l z^z±. ;i=E ^ Won't Be have an - y fish to sell ; pa - tient, don't learn too fast ; The child who shuts up its The man who trav - els a i JEEEf q&g: r=^ ■s>~ z^z —Gt- ^ =*-^; book too soon, Won't learn ' - y les - sons well, mile each day, V'ill get ;•- the world at last. OEBMA.N, TK. BY DULC t No. 27. Once i saw a little bird. 55 Ui = j^ ^^^m^^. Once I saw a lit - tie bird Come hop. hop, ^^3^ h hop; So 1 said izrv f==pi ^l^f ^ -^._ :4: "Lit - tie bird, Will you stop, stop, s ^zi-i^r in stop?' And was go - ing fclSi i^i to the wiDMlow To say how do you doi B„t he i/\/v1r filn ISA A1- x_ •« . _ - Shook his lit- tie tail. And far a - way ho flew! Mother Goose. V\ Ex. 198. 4— 1< — c-H ^ •—tztzzrit — V — 3 • - :SS=a!=zi£iS W=^ Ta fa Ta fa Tii fa Ta fa na Tii fa nJi Ta r-9-.-*r~ ^ g=i3=z£ f rbrjz H ^ ^ui Tii Ta Ttt To •'-^ M W- Ex. 199. smmm — <&- -«- <5> 1 — F^---r^ Ta Ta-e fc=.- -*'—J —d- ^— X F=|: Tii Tu Te Tii-a 2'e Ex. 200. m^^ Td Ta Te w -+ s piSI^^^ Ta Ta fa Te fe Ta Ta Te Ta Ta Te Tii-a Te Ex. 201. i=* liirp^ =F^ Ta Ti'i Te-ii Tfi ffi Te . Te fe Til Ta fa Te f e Tii Ta Te f e ^^-^EiM=:t^2 ^^^?^i^A^^ ^P^ \ ^ w Ex. 202. WSg ii Ta Ta Te Tii f ii Ta Te fe -N- Tura . — ^- — N ■^- m Te fe Til Ta Te Tii Tfi Tf- fe i^gs^ ^^ Tii Ta Te fe ^m^^i Ex. 203. - J — q — q- A— ^- =^=^i=b1=^: Tii Td Ta To Te Ta Ta Te Tii-a Te ^^m Ex. 204. i^ #=^ =^ ^— •- Td Ta Te Tii Ta Te Tii Tafa Te ^S ^rplfc: ^— *i- *^g^ ^i^=^- i^=#=F? -F 1- linnfc i Ta Ta-e fe Tiifii Ta Te Ta fa Ta Te Tii-a Te ^ -s(— No. 28. It Snows. 67 ^' ^^i^HS ^m 1. It snows! it snows ! from out the sky, 2. They 're dancers in an air - y hall, 3. But now the wind conies whistling loud, 4. To- mor- row will the storm be done; ^ The feath- ered Hakes.how fast they That has not room to hold them To snatch and waft it, as a Then.out will come the gol - den m rr^i fly! all; cloud, SUB ; Like lit - While some Or gi And we tie keep ant shall '^ :=f^ birds that don't know why up and oth - ers fall, phan- torn in a shroud see, up -on the run il=^i They're on the chase, from The at - oms shift, then. It spreads ! it curls ! it Be - fore his beams, in =|t i- i --4^- I place to place, While nei - ther can the oth - er trace, thick and swift. They drive a -long to form the drift, mounts ! it whirls ! At length a might - y wing unfurls I sparkling streams, What now a cur- tain o'er him seems; It snows! it That weav - ing And then, a And thus witi. i J ^B snows! a mer - ry play up so daz - zling white, ' bjit where, none knows, it ev - er goes. pn way! life, Is o'er us on this heav • y day. Is ris - ing like H wall of light. Or ev - er will- It snows I it snows! 'Tis shade and shine It snows : it snows ! Hannah F. Gould. i Ex. 205. r-#-^ -t^0^ ±n/i ■i=^- ±z:M: TaTa To Te Ta-afa To Te *iS^ M-^- ^-^-•-^ Tii Ta To Te Tii Ta To-e :^feS: m^ -) — f in =te !a=i ■•G>~ ^^H^^l Ta-a T^ Ta Ta To (p Te Ta-a To Te tr 58 Ex. 206. ^ ^%^^^ g£^^ TGfo Tiifii Tdfa To Tti fe Tii-fi fu To Te fe Tu Tufa To Te tc i Tii-a To Te fe ^=-: i^iJ W^^^:^^^^^^^^^^ Til Tufa To T6 Tii-a To Ex. 207. to :;r=p= ipr-ii: I h ±—^ Ta Ta Te To Ta Te Tit-u-e T6-a Te * -a — q Ex. 208 'y~n — ; — Ta - a - e - 6 - a Te Ta-a Te To Ta T iizMizEEiii W=0 ^^m Ta-a-e-o-a-e Ta-a Te To-a Te Ta T lo To Tu T« f^^^ qe=P=^ itrz^ Tii-a Te T6-a Te Ta-a Te To Ta Te fe e^^^^^-^p^J "ii-a-e T6-a Te Ex. 209. ^±3z^zzzM 4 - — h g-fir^ivzrp ^^ ?^S SEEEiE^a Ta Ta Ta-a fa Ta Ta Ta Tafa Ta-a i No. 29. Merry are the Bells. 1 Mer-ry are thebolls, ami inoi-ry wou'dllipy ling. Arcv-ry was my- 2. Mer-ry have we met, and iner • ry liavc wo been, Mei-ry let us t^^ ±r.*.= :t^z=ii ::f?^ :at self, part. and mer - ry pould I sing: and mei - ry meet a -gain; ^P=5:^=^ Witii a mer - ry siii>; - song. With our mer - ry sing - song, fc- -.-N. ZTZKTI g sjj^ ^ 'i^ d- hap-py, vy.and free, hap • PJ , , and free, Ex. 210. -^ — U — ' 1 And n mer-ry d!ng-dong,hap-py let us be And a mer-ry ding-dong,hap-py let us be. Mother Goose. :*r i^P^ Ta-a-ana Tii Ta-a-ana Tii Ta Tii-a Ex. 211. ffi Ta Ta-n-anii Tn fii Tii j Ta-a-ana Til fa. Tii-a E^fei m^m -q-:^ i Ta-ii-aua Ta m 3 Ta Ta-»«iia Tft n 1 <0 Ex. 212. ± m^-k= i^u ^'^ ~F=P Tii Tura la Tti TA Tu-a fa Tii Ta Ex. 213. Tii Ta fa Ta-a Tafa Ta-a fa Ta Tafa ^ W ^ \± Tii - a - ii Tii fa ^1 T»4 T& NO. 30. 96 = J THE Lark loves Song. ^^^^4 :4r« -^^m^ The lark loves song, and his field of blue, The flower courts ^^^1^ ■r- N- -r=i ^^ heaven for its morn - iag dew- The lark loves song, and his t=; p ^ '^^^^^^m field of blue, The flower courts heaven for its mom - Jng dew ^ P Ex. 214^ atziitzzat Ta fa Ta fa pr± Ta Ta Tii Ta-a-ana Tii 7a ~i' — '- I Ex. 215. II ^^^^ fc=i~ Tii Ta To ^^_E3li Tii Tri To Tii-a Te Ex. 21(5. iP^^^ Tu-a re ^^iSi^^: Te Tii TuTr.fu TaTu/dTefe Ex. 217. Tii To Te Ta.iifaTe Ta Td Te Ta Ta t;. t.w. o^. ^, Te Ta Ta Te Tiifii Ta Te feiE— p : fi Tii To Te ^^&i^^i^ Tii Ta Te f e Ta Ta Ex. 218. 3=E F Ta-a Te f3 ^^::^ ^i-=f: :tti=it!^ L^_q1 -ry-^-'-g- n Tii Ta Te Tiifii Ta Te Ex. 219. ^~ '^r^^ Tii fa Tii fii Te fe Ta-aTe ^^^i^^iii^teii Ta Tii Te Ta-aTefe Ta Ta Ti TaJdTefe TiiTafaTefe Tii-aTe Tefe TafiiTafaTefeTa-afaTe i ■. T 62 No. 31. 144 = J^ BLOW, Wind, blow! ^^=E:^ -A— s; N- i t i=^=ff :Ct:^ a=r Blow, wind, blow ! And go, mill, go! That the mil- ler may ^JEg= ^ifEJEgg^E;jEEJ^=- ^^|E^4 grind his corn ; That the bak-er may take it, And t5: £Efc in - to rolls make it, And send us some hot in the niorn- L^Zi -=t J--d- >-> f^rp^T^-^ :iLz[:rgzz:iL-:H ;4V-: ^IT:^! And send us some hot in tlie morn. MoTjiEK Goose. Ex. 221. i|3^_^^^Tii^^i^ Tii Ta To Te Tii-fiffi To To TJi-a To Te ^^ -I y- -^ Tii-fi-ore ^ Ex. 222. =fc ± n di: 33^^^ r^-:?^- Tefe Tii Ta fa To Te Ta-fi ffi To/o Te f f- ^ ff^^^^^ Ta Ta fa To Te fe Tii-a fa To L. J No. 32. 76 Come, lovely may. 6S Come.love - Iv Mnv. ni.,i ,r.,! ... ^ . . ^-^>^== — :d Co,„,,„ve - ,y M.y.„„a8», - ,y B^o.^-k a - enir.„„ i,;;^ „?(;^E3*::-:^-.-Br: And j:!*-^ let the lit - tie vlo - ipts a „ • * ' Itts A -gam per -fume the breeze. 1-- thy lit - tie vio - lets, «.eetMay. I ,o„, ,« ,,,, W^^mmm^^m And 'mid the spring-time ver - dure To walk a - gain with thee. Ex. 223 Tii-a-( To Tr. nv. av: . ^. _ ^ ~ f * 'i-a-o To Ta Te Tii-u Te To-a Te Tii-u Te To Ta Te Tii-u-e To-are Tu Ta Te To Ta Te Tii-ii-e To-u Te Ex. 224. I Ta Te Tu Tu TO To Tu Te Ta-a TO ToJaTcIe Tii-il TOfeTo m It I ';il ■ ll i .1 64 Ex. 225. mm izuS-^n d: Ta Ta Tii-il fa Tii To i Ex. 226. ^^.^^ ^^ at.*: =J: :*=i=*: H:- Ta Tafa Ta Ta Tii-a fa Ta Ta Ex. 227. Tii-a ^_z^&^Mip^ :t=: ?^ g^ ^— y- ^^1^ -•--P-|i-#- Ta-a-a Td Tiifii Tafa Ta Ta ±zt P- 7--» S? 4 • Tii r« Ta fii Ta Tii-a fa V=^^ !£EE^ m^i^^i^ l^-irprf^; ^[_^_| ._^_y_ 3 Tii - a - ii Td Ex. 228. 4=^ ± -^ -'Ojir -J? — Ta Tarii-a na Ta Til Tii Ta m r^ i : 1 X c=j: Tii Ta Tii Td ^^■>^r^^^^^^f^-i^^J^ Ta-a-iina Ta-a-a na Ta Ta fa 1^ Tii-a fa Tii-a Tq ■^--r- i Ta Ta Ti! Ta Te Tii-a fa Ti Tii-a Tv m ;^ ^=:i ^-S- Ex. 230. :1=, :i itiM ^^gp^ Tii Til fa Te fG Tii fii Ta Te Ex. 231. S^'^^S^ Tii-a Te E^:^ TaTaTeTii-iire ::f5: i4z3Ei -^-^-0 ^ i4zzd T(-fe Ta7aTefe Tii 3a Te :^i-^ ;^^^' t=: ^?^e^^=Ie^ ^^^9 Tii-a Te Ta Ta Te fe 1=1==: SSe? Ex. 232 ^z^ --M^=±. -^=S: fe Tii Ta Te Tii-a 2'efe 4:: X- ^iteE^^g Til Ta Tefe Tii-a Tefe :t^# tj'_-^_ =)^ — ^— ^^t — y q Ex. 233. Tii Ta Te Tii-a Te i^E^iiHg Tii Ta Te Tii Ta Te ^^^H ?=^==s ^. Ta-a Te t;*- ^ffii Ex. 234. tzg: .-n::?.z.^3 ii Tii Tafa Te Ta Ta Te ;'f ^ t:fcn* •#-^-#- -^=p: _E— _g*jj|z: f- :i^ &-i^"£MT :ggg^g ^^ Ta-a Te 66 NO. 33. 144= J^ SPRTNG-CUCKOO. iiiiPl^ *:d:g=: Lnz'zfr:q^: ~K~1 — P^M " 1 1. Tlie bee is limn - miiig in the sun, The yel - low cow- slip 2,"Ciick-oo, cuc'k-oo!" no oth - er note, Slie sings from day to H. Andwiiilst in know-ledge 1 re-joiee, Which lieaven-ly truth (lis ^^ ^ i2^rd:-::^::t=5 F*:^^ - ^^ -A- . — I — ^E? ?^=^ springs, And hark ! from yon - der wood-land's side, A -gain the day; IJnt I, though a poor cot - tage -girl, Can work, and plays; Oii 1 let me still cm-ploy my voice, In my Re- ! ^^1 '\ ; qi=j: -A-T-, cuc; - 00 sings ! read, and pray. deem - er's pruiso, Ex. 235. ^ mmm — ^.. ^IB A - gain the ciick - oo sings I C^in work, and read, and pray. In my Re-deem - er's praise. Bowles. ii^iil^ m TC'C'-C-nC- Til Ta-a-ana To Te Tii-a To Te-e-cne I is m '=E ±. --f— — zjLzz ^^^ ¥T ut— Tii-d TO Tr-e-encTii Ta-a-ana To Te-e-i eno p;^i=4 l?irzJb:__:i: m =± s^ -s- Tji Ta To Te Ta^ To to !l ilis. tlie and lie- :9 d No. 34. TOM HE WAS A ,2o=j P^P^^'S SON. 67 =t SEE?: Tom he was a pi-per'sson, He ^ ^ ■ — ^ — learned to play when he was young; But £^--r= '^^^^^ i-=t 1 :± r^=:t- all the tune that he could play Was 1 m ±l&=H=^ "^^^' '<'Jkfi ^ :±^fz "O - ver the hills and far a • way. " J^ow Tom with his pipe made t: *?-3^;:e*ehe± s^ ~tr «uch a noise. That he pleas -ed both the girls and boys. And they all stopped to hear him play, "O - ver the hills and far a-way." MoTHEH Goose. Ex. 236 =± dzni Tii Til To TC -ez: -z>- Ta-a-6-e g Ta-a T6-e Ta-a To-e y 'it* li 68 NO. 35. 84 = J Flower Dances. ^ tf g :^- 1. In May the 2. The blossoms, 3. Then in a 4. Then sad - ly 6. Yet Frost lins 6. I'll stay no val - gold trice vexed scarce long - ■jcz =J^ ZfTlZi d'^ _igz:-i!: 47- ley li - lies ring, and blue and white, the li - lies play, is Mas - ter Frost, - ly left the vale, er in the house, Their bells Conic (luick While all Down to chime dear Wlien The -ly. to tlie lies lies OIK' dance vale far call and and l)C- COlIK'S and me ^^^^ ^ sweet; They cry, " Come forth, ye flower - ets all, And all ; The speed - well, the for - get - me - not, TIk gin; The moon looks on with friend- ly smile. And he ; Li - lies play danc - ing tunes no more, TIh> near Call quick - ly to the Spring- tide feast. Their too. Sweet flower - ets, danc - ing out - of - doors, 1 1= fc ^ i dance with twinkling feet.' vio - lets hear the call, takes great joy there - in. pret - ty bios - soms flee. bells ring doub - ly clear. come to dance with you. And dance with twink The vio - lets hear And takes great joy The pret- ty bins - Their, bells ring doiib I come to dance ling feet. the call. there in. soms flee. ly clear with you. German, tr. by Mx:s. Axokiison. i ' « Ex. 237 ^ i e "f^^f^::^. Tefe Tii Tfi To To f e fc^=± — is -fZ-- :=1: Ta Ta To Te Ta-a To-e TiUa M Ta Tfiffi To Tcfil To i No. 36. 76 = J. The Violet. 69 2 i Z , •^" t'>'"f tho seasons l.ring, All buds that start, all birds tliat sing AH 2. 1 love, how mud, I love the ruse. O.nvhose soft li,,s the soutlnvind blows Yn 4 W."7"?;."Y''' "'" ^""--t thing That heaven upin the earth dZgEe 4. What n>odest thoughts the Violet teaches, VV hat gracious boons the Violet prea l.BWght ^^^fe? leaves from pret - ty, Win - ter's maid - en, white to am - orous star has ue'er for jet; threat ; set; ■get! All leaves from white to jet , In pret - ty, am - orous threat ; Ere Win - ter's star has set ; Bright maid- en, ne'er for - get ! All The She But the sweet words that sum-mer sends. When she re - calls her flow-erv friends Hut 1 I, ■ ,''' ,^.^'/ /'■ ^'^^^ *''^ '""''"• The o-dorous,wondrousworld('.f June. Yet ip!,'n ." ^^^^^^'^i-y ^^reev,Am]m-e., as an - gels give, un-seen. 8o. learn, and love, and so depart, And sing thou with thy wis- er heart, "Xo, 7 chief— the Vi - o - let! more— the Vi - o . Jet ! love— the -Vi - o - let ! live the Vi - - let!" Ex. 238. But chief— the Yet more— the So, love— the 'Long live the Vi - o - let: Vi - o - let! Vi - o - let ! Vi - o - let]" Bakky Coknwali,. Ta-a Te T5 Ta Te Tii-a Te To-a Te Tii-a Te To-a Te T«-a Te To Ta Te Tii Ta Te To Ta Te Ta-a-e-o-a Te il 'Ms Ta-a Te To Ta Te Ta-a-e-o Ta Te Ex. 240. Tii-ii-c-o-ii Te b^8: Tii Ta Tf! To Ta Te Ta-a-e-6-a-e 2'a Ta Te ToTaTeTa-a-e To-a Te ^=t-. dl~ 7w=z-:^ 3Z£EEiEfeE^ ^^:^ ~g—-^ ^ _ _ ^ m Tii-a Te T6-a Te Ta-a-e-o-a Te j=£=^=t h5 — ^_-n- 3t=ii: ^ --V zmp- 0A 4==:i=j. SEE?. •^ ^ _ ^ I Tii-a Te To Ta Te Tii-a-e To Ta IV Ex. 241. Ex. 242. 3i-^=^iiiiii^g=la^|^Iip;3^fl^^l ^i=-i=5=fc^^^^^^^:^^^;^P^ Ex. 243. Ex. 244. Ex. 245. |g^Jl|g£^^j^gj^lE|gf^|g EEPfc± *z±. •— ^ F^i J Ex. 246. Ex. 247. -2 ar-— • T:*: 71 -3~-cM:4 -irrrrL ■ & -^ ttzzz: } *;^^ i^j33-tt;feg==i.§ Ex. 248 Ex. 249. ^^^^^m^^^mmmM^m ^^^^^^^m'^^^m ^°«8fJ' ^"^ ^^^^^ BOUGHS ARE NODDING. 1. The leaf- ybouRhs are nod 2. Then.stil-ly ;is tlio an ding, So heav-y are their heads; gels, Comes soft the eve - ning breeze, The And ^22^ — P ° .^ivctc, Ana ^mM -si- -#- XJ ^^^|%5^^^P QEh ,-,'.N, TK. HY Mks. AnUEKSON, I J i ii Ex. 250. Ex. 251. :2Z?^ ^^t -^ h f2 i^^JLJt ^ :fc: ^g Ex. 252. :t=zrjL- i^iiFi -,- L^- ^9- -ff- -#- Ex. 253. l±£ d=: a^^n^^i^ :±:-J: t--L^_z^: t: 2: ^i= :=3z=i:1=d=d=:d: ■• — •- if •»s>- g~m »-0-^ ■& -t. Ex. 254. 3E3 :=t- L-pm :4rr i b4: • — ^- tfi a =d: i -.^=l-m~ ^i~ 9-4 p 78 r4z-_: i No. 38. SLEEP, BAHY, SLEEP GEi{M4N, TB. BY ELIZABETH PRENTISS. K 'cf.'. IMAGE EVALUATION TEST TARGET (MT-3) /. /,/ ( ,!fii p\ /^%^^ <• ^Tg Ex. 266. ^ =P^^ ^— p7_-p: =F^^ -^— [fr4 * S itaiiziii^^E -f' — h- m ^ No. 4i. 116 = J :?ar£?E§f 3. With mini, and fie,. A„d , , ,?;., '!' ' t ° "' " *'• —-f' \-| 1 ■ 1 1 1 K . , — I- =it:: m -^— ] il --t=; !^=:-t:- -.-Jr:z:i-ri — ^ calm and li - ly's tliey re miglit and still, cup ; new ; main ; The fair And from s\\t'ot Tiip feast Ics re tlK^y But at mor?i - lug's wake pose eat light By In the Is They stream and lake, In val fia - grant rose. The ti ■ hon - ey sweet, And they quaff flee from sight, And lijde ley and on ny fays spring the Rlis - tenlng in the flowers a - hill. . up. . dew. . gain. . Ihh. Book of Poitry. m 80 Ex. 267. P^^iS^:^f^^i^^l mm te^^^^ili m Ex. 268. ^ ^^F^^- B^fe^j^ji^ipijj ^mm ^ ^"^ J sg ^ ipi ^£x. 269 fe^£^: ?^ ^ ^^1 i^Il-ZL-pi i * s i pzziizzpr: :B=5 S ?^ 81 No. 42. 126- J Evening Music. pil^e t 1. The win - dow 2. Tlieie stTtipes on 3. His torch for 4. The moths glide m -^ — . m ee: =f: Js o - pen, The his fid - die The the dune - ers, The like snow.- flakes, So gar - den is ka - ty - did fire - - fly si - lent their 3^3^: m ii £ m !l ^^ 5=&^ ^ still; But hark to the mu - sic That comes from the hill! I ." ' «.u, ^""""^ "'® ^^'""*^ an-swers The sad whip-poor-will, brmgs; Whilethe mer - ry nios - qui - to Both waltz -es and sines wings. And frogs in the mead - ow Are jol - ly as kings S t z± 1 Ex. 270. Mrs. Andekson. m ?P^^Se5 iME* -^ =F d-f3Tr S :8i! ^ Ex. 271. |f15 (»-=»: ^^^i^^^pE m ?^ «^*- a ^^^^ Ii* ^ ^f 61. Ex. 272. • ^- ^-P^ d: -A— 4 I fe ba: •::^.E-, pl . ^ -4 ig: -^-l^^iziz^:^^!:^:^ ^ ■•■ -w- It irjrrw: :S--~^— ''— r- li-^ :r)rz=r:^5zr- d=: jzr^r tp:^iz:zz:_pi::_M; € T • IJ p tf" •- ^ EEEiJHE^^^ — I- C^ j^ . ^ ii P Ex. 273. -X -^- dr 4:=fc d- =d: El i & ^-^ -#— drzgr _i i^i ».— :d- -1— >^' M Ex. 274. 4-^-*-^ ss irJLfzM: i— S- l^fe:^^=^r ^^^^ _l_, 1_4_ ^ i^^fEjE^ i m m i -1— >^- nn Ex. 275. m m tli^tEEEE:^ S^ :J =z(: ^^Pfe feS; ^ P ^ 5 Ex. 276. ?it2— zzEHEF i :* w s :i:^: fe^g^ ^ :d=Ed^^B^^- -*-- -Jf- — 3 I*- i i i Ex. 277. ^^ ^ =^ ;rS: J SE^ H— S I ? I -OU- "rf i^ Ei * 1==^ I M !ll No. 43. 120-= J 1^^ 1. A thous - and times wo hall tliec. Thou love - ly rii - ral scene; 2, At ear - ly morn's a - wak - ing, The tuno - ful. BJad- some lay. ^^^p^^^i -^^ ^ ^ i i g^-^ig p-^. ^i^dmm Thy groves and fields and wood - lands, Thy garb of cheer - ful By na - ture's cho - rus chant - ed. Be - gins the wcl - come w It: -1^ i^jstsaasi i It:: ^^^ ■H~ ^z green. How pure thy crys - tal . foun- tains, Howcle-ar thy day. And midst the sun's bright glow- ing, Till eve-ning's M, I F 65 z^~m: IIow sweet tlic tuft - pd In tones of mel - low ^'^JJ: How - erets sweet-ness ^^ ^^m 'Miiit hlox . som These feathered ^-^i^^ Snj m m ^^^ on thy war ■ l)ier.s m^m hills ! call ; That bios - som on thy These feath - eied war • biers 1=: ^^^mM «ne „, M„,h-i„8 be»,. . ,y „y l,e.rt wM, pie., . „„ ^^^Hi ^=mmm m ^^^ — Oit- scene of blush- ing beau - ty Mv heart wifh _P». - ace .„„.,.,., p,„ . ,:^ ^^ :-»- P'e-u. an. 5»=, ^^^ zt -^ — ^ ;p 86 Ex. 278. #=t i — I- -.^=zM=^ -&- '«:*=: lE^ -0- "' ^ -i-i i - Ex. 279. w m ■ — s>- 4=3^ -•zztM. =i-iz:*-3^: fe ^=^ -• ^-^ -X— _^_^_,_ i ^ f — • -4=t <&-- i ^: * * ^=^ m m Ex. 280. ^^^^m ztz-t ^^Be;^^ P=3=tT;i:^ S&^^*i^^^^^^ -J?" -^-- I -Jf= No. 44. DREAM KISSES. 132 =jN :^-_.- ^ATJt: A l.Who is that kiss- ing our ba 2. For if you lis-ten.you'lliiear 3. Yet see those two pur- pie pan 4. Look at their queer lit- tie fae ^^^1:5:^?^"^^ ^^:^ESEE^ Fast a - sleep in her bedT Kissing so soft and light; Ly - ing close to her ear ; How like ba - bies they seem ; Some lit - tie dream - an - gel, When there is no - bod - y' She told them fun - ni - est May be they crept from their -J? -S^ i i ^i m £= may near fan pla be, her, cies, ces, rtzniA- Hov-er All mg o . ver - head, a - lone in the night. Think- ing that they could hear Kissed her soft in her dream. tzt iirfv- tut=±: r?*-h-A— - ^M^=^^^ Mbs. Andbbson. 88 :!: -N- ip^t f-=ir '^2E^ i c j_ M- — tj :^^^=^i-*- m^ _._.^ -N- NO. 45 66 = Onward float! 89 n ill id -^ ■' m ] Qo, . . . . niy bark, 86 - reno - - ly ^t-- -m- glitl - iug; '^^^^^^mM ••»-.- — - 4:=-^^^i:izi:; rr^r-j. H a: On ward Hoat, the wave • • • di - vid - ing. — 1—^^"'^ F^~ — ^~"1 — ~Er p^- — I — it—:^-^^-. ^ ^ ^^^^ =)i 'y gUd - Ing, 3#^E^ 90 Ex. 283. — 1 -^-: «5--H — ~ ^ " t^ ^E^ • ^. "i -' -(■_L__J- V I:^: :z±: ;i Ex. 284. hpzi:f=:;i=p=r3 tr.=p:: t*=z<»-t' P—ri U: iitzipzr. :< ^S:^ ±=Azz zt:Mz z±rrj-. 4 -•■ ±=3 ^^» 1=]: I Ex. 285. fe^^f :=* 4=^ :*z-_— ti :ip; _a.«-tt- :4— JziE #^^^^^^^ No. 46. The four seasons. ^il tumn, leaves are sere and red- 91 3^=g=tri^z:3£^ T=\=-^ Mer Then ry Si)iing is ^ — N- Then come sport - ive breez Then at last comes Win 3. Thus as years roll on - ward )f-# . — __ ^^ X es, ter, fields with flowers are fields are cold and nier - ri - ly we ^E=^= gay, lorn, sing, m Rnf , "'^7«^« ^«'re Sing . ing, through the Sum - mor day Thank fuT S 'Z ?f"* ■ ''''' ""^'^ «- ^-•'^ -- S. ^inank ful foi the bless - mgs all the sea - sons bring. : | S S^* ^^^^^ QS&lf AK, TB. BY DULCKBN. 92 I II NO, 47. School is over! m ^I:1^: :* E5 1 1. School is 2. Through the o - - ver! mead - ow, Oh, what fun ! Up the hill ; m. ^EE^E^^^^ ^ »i ^=^ ^ =P fi=p: -^t:fe^ Los -sons fin-ished, Play be - gun. Who'll laugh loudest? Back-ward, for -ward, Kun-ning still. Laugh - ing, play- ing, m w^^^^^^ nqS5^^i= ^ — " c~ pP^ t^ iczrp i Let us try; Who'll run fast -est, You or I? Round a • bout; Come and hear us Sing and shout. ^ t=r: itit T -A — ^■ ~m j^ — I h- t i From "Undeb the Window." Ex. 286. t m -s^: ir iE^ loudest ? lay-ing, 1 I? lout. f low.' i 1^ -r 0a ^^^^m^^^: rE?^ i^ ^m^^^^^LZ^:^;- m^m Ex. 287. ■fe ^^^M^^ «± ^ i^sj^ :* ^ ^^^^^^ --V- m i fcl ^1-- JVII ^^ I f= ^^M^^i^ fct --1? ^^^i-i^ :I^ ^ ^ If 94 Ex. 288. m^ '-ff=W^ m^^m^^^^^ m 1=^ 3^a^ *■ *'j. — #- |=^---J ^t| Ex. 289. fjte^jEEMdE 3Ii=fL I^IZZjt m 8 fc« ^ -*-^ ^ :*:i=f: :fcz*: ^^^i^ i Ex. 290. ^ :fc3EE3E^ i i ^ ^^^^^^^^sa^^z^ !fcS it — J V=f- ? _^____^ -w — X- i m ^^^ t"^ ^ I ! m Ex. 291. 95 - ^ -j— fcjiq ii =1=EE ^=f=:^=:*= -.^-i^-^^fc^^ -^~^~~^i=i=^ :J Ex. 292 ^^^m ^^ ^-5~q-. &^ ^ tir-^-=l- ^ •^ -at -d- — (- Ex. 293. -O :^ ^ Ex. 294. 96 No. 48. 78 -. J z4. May Song. t-:2=^ ^ ::^: ^^I^^^^ iluil ! all hail ! Thou nier - ry month of May ! We win 'i: -4:: ^Ef=^p;^^ -?~ ;-»- ^ »=F g^ :iE-z:gz=:gi ::^■ ~^ci: has - ten to the woods a - way, And scent the flowers so sweet and gay. fe^^^^^^^S^^j^^ife^ SJ: rjh:z=|:: ii.1: ^ :i^ :p=i" Haste a - way ! to hail the mer - ry May. — <^ iy- -t^ — ^-H igi — r-p- ■*—■» V ^ m Hark! harli ! ^ i i^ 'jrz=p: :tt ^ --A— a ifcztit harli! i M ft^ S Jt T To hail the month of May, How the song - sters war-ble ^rr-rr i jT^ ^g;^^^ mM We will ^ gay. -N—s)_-_ •■■ ■ - ; hark! ii ^^^ par-ble ^^ «-- •7 ^^: >:^ * 5 — P m on e.oh .prnylAml wo will l,„ „ u,,,,, „ ,,,0,. Then a. ?^^^=^^#^^^ ^ ^^^i^e^H^ way, to hail the mer - ry May- The mer - ^^^-^^-=?^^?=^^^±^^=^ '^ee£~£ =f: ^^^ May ! Tlien a - way, to hail ^ »^ the mer - ry month of May, -4¥- ^ ~:iq::^. '^-'s^=='«^=H^f^^ Ex. 295. $=, ^ -iS>- It 1=4: K^SE ^^S^^^^-l^ ry, mer - ry, It 1 m i ^1 lit Ex. 296. - — ^--a- ■■^ 3?.._ C-: :t:-- =^^^^ ♦f'-^- "r?:a ii-:i^ :it- -- 1 -&- ::4: EE --»s. m f=^ -« =3^^i^ -J : i^ E=? -(» -El:;^=l ii^=ii^Ei^ili J ;j Ex. 297. m =q-— i: tr=l--:3:t -— 1& q=l *:r^ii~^ ^33 ^5:^^^ 'SfSEEJTE il=i B^a liH i(-^<& ^^ -Jf- Ni^feiil Ex. 298. li^l :rd-; J^?5 tt ^iits: - -i --^ :i^- §^ 1^ #-; ^ ^- ^ i J iJ — »- i Ex. 299. ^^ =iEE^ =^^ —Or ^P= ^-:4 -— SEfc -*-^^* -» 'M •c ll^fes^l iiztzz ^^^11^ -X-™ I tL- W. f:i:tr -13]: i* • :3EE ^J^p^ i Ex. 300. ?:3r^ir^^^3^ aiizt 3i~i_-tzi:zi -«.- :i^^ii^^Em^ "ff:i£^^-|^:r»- :«*■: pzz. -r-~^— i- -la -i-si "is*^ F4:: H — h -0 0. a^^ 9::^ Say'stthouso, my bir - die dear? What Is that in mist -y shroud, ^%^ i3^^=-^ '^m§- -^^^^ifei==si^=|^g steal -ing from the dark - ened cloud ? Lo! the snownakes gathering round. fee mm Set -tie o'er the whitened grouml- Yet thou si sing-est.biithe and clear, , t" m Spring is com- ing! spring is here' Sm-in. • ^g-it__________ ^ "' "^ ^''"^ - '"«•' spring is here!" Ex. 305. I I if 104 No. 51. 116 = J BO-PEEP. :S:S:B. 1. Bo - peep, 2. Bo - peep, ear - ly snow - drop, Cried the sil laiigliedtho wind - flower At the foot ver - winged of the :~± y^= :d-- ~-^»'-F:j;-^--i ^ N- % fi^il^eii^^^g lift r^: Ml =f=~ snow, tree, ^SUsis Our game is Vio - let ii short one. For iind blue - bird I I hear, must I : — j^:;^- — ^_ mm ^ P^^^^ 5-^i* — ^- ^=^^mmi :?rT-:t go, see. Bo - peep, Bo - peep, fair - y wood - moss. Cried the gay A - pril san- the rob - in, Are you all fast a - t> :lzz:d: -J^= ^m =e=fi ''s'wn? L "f ,'!"^ '."'^'^ '^"'^ ^^'^^^ ^"" '»a'f an hour. Sleep? Ap - pie blooms, but - ter - flies, Bo-peep, .Bo-neepI 1 Mbs. Anpeksox. 105 ?-t^ Ex. 307. t* ^^=^:«::r:Jt; .± g±^ m^^m^. m^s^^m Ex. 308. :^^at=ai: ^i^^Sfe^g^^^:^^;^^ Ifit I I »>; ■■•»! ^ ^^i^ p^^^^i ^;=-iL-=:^_s;i =^E^3E:g ife^zs^g;^^ 106 No. 52. THE FLOWER OF WUNDERHOLD. 60 = ^OR 120= h mm V— t^- i=i.£M^=^ E4 :*r-.:^-£f-- There blooms a flower, Its home is nigh, But where.I shall not tell ; That I -z^ijv 3^^^^^^^^fefe -:N-::i^ ^ pleas- es well both heart and eye, Like sun - light tlirongh the dell : More ^ ttir~fei^: =ivi=:ii_- ^^^^iSE :::^.. ^? EE^ :f i^— i-_i^ --N -- N — i- 1^ pre-cious 'tis than pearl or gold. And there- fore called we know. :^i^ :JE^P^ The ^-^-^-^^^=-^ I S="^^ :^=:S=:: ::t Jit - tie flower of Wun - der - hold, And with good reason so. ^^m i f%=ri?=f%=^^ Ex. 309. 4; 107 ^^ =^^P ^^^^1^1? ■±5l =l==:-s: i i Ex. 310. E4: -X~:--ii fr — ? ^ i 1^^^^ ^J^^^^^i^^pi 108 No. 53. 06 = J Spring's Delights. ^ :^=^ • -^: -- 1- m Spring's de-lights are all re - viv ing, ^^^^^^^^^^^3=m^^ -• — ^ - ^ :«« p=7j: ^ Ver - clant leaf - lets clotlio the spray ; -* — -^- ■jj*^ -ft*- ?-^ P ^ =1: It Haw-tliorn buds give joy- ful ti ding. i §i=:t^g: :t^=:K •— # ±=t ^ i^: ^ Wei - come news, 'tis blitlie May - day i lflV ^ '-¥^=W e fc Ex. 811. m ^^ - 109 'ife', i -25^ =^ ■3^ « -^- 1 I -«>- (&- :=t: -4^ s^ m ^ ig- ^ Ex. 312. w zM: — h- 1^=::^ -y — h- ;^=£ee *=*: -A— 51- -I& ^ ^^^^ 1 ^^^S^^ i^ -^- :-a^ # _^.. P atzig: ^-^ — •- t==i-- -^ ^— i=^ i i 110 No. 54. 132 = J> 3E Up, up, let us greet. s^ :^^ 1. Up, up, let us greet 2. All down in the grove -=?- m The sea - sou A - round, m so sweet, a - bove. For iSweet i I P «.m-ter is gone; And the tluw - ers are spring- ing, And lit - tie birds mu - - sic floats; As now loud - - ly -• -H ^ vy - - ing, Now soft - ly -^=:s: ^----^- -^ i fe^M^^^^^g^ tit f -^~ $ sing - ing Their soft notes ring - ing, And bright is the sun ! sigh - ing, The night- in -gale's ply - ing Her tune - ful notes; Wlien And m :S- I f ± i ■ I] ^ ^fe^ a^^ all was drest In a snow - y vest, Joy-ous at spring, Hercom-pan - ions sing. ^=i|z=i!: .^_^ ^m There grass is grow-ing,With Up, maidens re - pair To the m For •Sweet 111 H^^j; 1*=:^:: te?^E^ dc\s - drops glow. iug, And llow-ers are seen On beds so green, mead-ows so fair, . . Anddancevve a - way This mer - ry May. QODFIJEV OF NiKEN. ;; — : tie birds lolt - ly E.T. 313. W^^ ifz±f ^ ^^ ^ P3E|ZES ifcv =3^^^ T^rr^- I ■ UZ VVlien And Ex. 3i4. ^ 3^-= t ^ -^ -j. Jt- =F^^N=t -5?- -j. — ;j j jiJ *"i =^ ing,With To the --A- 3=it ^ Ex. 315. iE^ ^: ^^^ i^g^^^s^ ■J? — ^ - - ^ *-*'-i: — =^-; — ^ n» I If ! No. 55. 100 = j "Hi it. f^feEE tSti li 2. How t.an-.,„l are thy sl„,„ . bers I No shep-henl's tn,,. - fu, •^- A Fa - ther's hand hath dressed thee In win - ter's roh.s •_,„ ~M "J #- " T~ .-aLEzzH ^3 ?f^ ^ 3 round thee, O earth, our moth - er fair, num - . bers By vale or stream re - sound, rest thee Be - neath his watch - ful sight. ^^ ^Vhpre Sweet Thy 1^ ^-- T=t W=^ :ii^t# i{=; now are spring's gay sum - mer songs are win - try slum - bers i ^ flow - o - break - ^ Sr^^^rr^ m =d- -9#- :d=:_ -It ers, And sum - niei's gol ver, The swal - low— joy ing, We soon shall see den ous thee ^^^m Winter. 118 IIOfcTl llUUl'S . ro - - viT- In all our li.'l.i. n,. „,ore la wuk - Ing In ru - Uiiuit iol>e.. of love - - |y And those gay rol,es tl.oii „„,.e dlUst wear? found. liKlit. '^^^-i%pi^lidEi 1 m g m 3 Ex. 316. m ■^i^:^^^^^iMMW^ i ^- ■-•■ :ti^. Kx. .317. i^ :=!-: •iS- ~s>: ^ ==tTrt ■S--- — i ^^^^ If^ r-^S= ^i^^^i^ Ex. 318 -^ lit -5- ^^^^^^^^^1^ ^=^ atzijt -^- s^g ^m] ll I' 114 1 1 it 1 I I f (1! NO. 56. 72 = ^ SUMMER Woods. ^^m^^m^^^^^m 1. Oh come in -to the leaf - y woods, When Summer days are fan- Hp.p 2. Howlov-ing-ly the branches meet In can - o - py o'er- head. How 3. lie dew still ghs- tens on the spray, The air is fresh and keen. And 4. Then come m - to the leaf - y woods, When summer days are fair And m d^ ^ N— . .--V- 5ESiE ^ ^ qui - et ev - ery - where. slmll you find no dis - cord rude. But .... - .. .. . .., . w..«... J.lce a car - pet 'neath our feet The ten - der grass - es tread ! now a l.n - net trills his lay. And now a thrush is seen, you shall find no sol - i - tude, But pur - est plea -sure there. M --:^- ^I:^=l::^::^^^z:J^ ^i-- r-A- itn ^^ 1 Ex. 319. :^ feig 4: ^^^ ^ its: =t =?^^^^^^ I No. 57. Wishing. 115 1. Ring- ting! 2. Nay -stay! 3. Oil no ! Well - tell ! Ring- ting! Nay- stay! Oil no! Well - tell ! I wish I were 'a I wish I were an I wish I were a Where should I Prim - rose, flni tree, Rob - - in, tty to; A A A Wliere 3^^^sii bright yel . low Prim . .„„ m'T^ !"^r I R^-'in t'-'I ,|'".\, .i%l... "'Ser^ IS.vef"-'»S-?' SI ~tzzr ""•" "oou or aeiii' Be- stoop - Ing hoiiglis a - bovo mo ti ^^T " winds would set them dam- - fZ' T^ "'a"i li Ex. 321. tta 3^ i A ,.1 i S^S S?- =# '-=l~ Ex. 322. i ^ -^ — — I ^^ ^"-*- - :t=ri:=M=t - I f - -« 1- _#-—•- -i^ •- -H ^_. -, ■ H 1"-" ^ -i S^ m- i P \ 1 i -^ :*-i No. 58. 104 = , Winter song. ^^iil^iii^^ 1. .Simi-nier joys are 2. Xow IK) i)hiiii- ed 3. Will - tcr, stil! I o or ;- tlirong see— £i=^fcE;i Flowerets bloom no C'hiirin.s tlie woods with Man - y charms in =±4zi» i§ =1= ■*— ^- -7— ={= more ; — song ;— tiiee ;- :^ I - Win Ice - Love -z^ ■■ try winds are bound trees are thy cliil - Jy sweep glit - greet m ing; tering ; ing, — <- 3=r^E^i^^lfe:*j tt ^^^m ^ :3t Through the snow-drifts i)eep - ing, Mer - ry snow-birds twit - tering, Snow-storms fierce- ly beat - ing, :feEl^^^| foz Cheer - ful ev - er Fond - ly strive to And the dear de --=t c-i id:-: =^=E3 ip; ^1 SeeSJ grorn cliecr hghts Rare - ly now is Scenes so cold and Of the long, long seen, drear, nights. feSNil^ipPi Hoi.Tr, ru. Bv c. T. Bbooks. lU Ih AS if H6 Ex. 331. l^S +-==:;¥::::Ef:=£EiBEE: :[=- ^— iiS-- :*::r*r»- :se isrir t-« — -- :ii=^ — s- IS S^^li^feEJ Ex. 332. ^^ ^ rFtzmri -•— h*-» i^i=giJ ^^^ H~ ij Ex. 333. :i1: Se -^-v E ^j-l -j--^ ^^^ 3E^ »-5f 1=}: r^¥: ^^^ k^=^- z2i$!r:i 181 Ex. 334. iii^^r ±p: ^^^ :*fc?EE¥ t^: iird ^-^i^HE^ S^fei^^^^^i^^^^ e- -M~4^:^~ l-^ I igl ^P -«- ^ s=« Ex. 336 ^=^ i^^^^^^^^^^^^g^ Ex. 337. Ftri: ?^^^^^^^ I 'if 122 if NO,^59. WHEN THE MERRY LARK DOTH GILD. fc ^ :#= -^^m :fE£E ^^mm: 1. When themer.ry lark dotl. gild . • With his song the s«,n - ,no>- hours 2. Now from off the ash - y stone The chil- ly midnight crick - et cri - e'th 3. Yet, bemer-ry; all a - round Is thro' one vast change rc-volv -ing :4r: zfcjE^E -H— - i- g E?^PSS^^^^^S:^i And their nests the swallows huild In the roofs and tops of And all mer - ry birds are flown, And our dream of pleas- ure E - venNight,wholate-lyfrowned,Is in pal - er dawn dis tow - - ers, di - - eth; solv - ing; ^m i m -Jf- ^f^=3t And the gold - en broom-flowerburns All a-bout the waste. Now the once blue laugh -ing sky Sad - dens in - to gray.' Earth will burst her fet - ters strange, And in Spring grow free; ^^m w '^^ i^'=^:^ -D. i hours, ni - etii, olv - iiig, era, eth; ing; ? -*- When the merry Lark doth gild. Ei?^ ThoT. l,~ _ 3^ F=-^ . — , I ^ ' yr — 1- Than, how mer - ry are thphmp«i ti,^ c Nov, how »,-e„L ae e i T, ^;"'" ,'™'^'«"' SP'"* time,, _ *'" lei.&um-mer, bpring times! i ^^^^^^^^=^^1^ Bakky Cobjvwall. f if 124 NO. 60. 126 = ^ JOY EVERYWHERE. ^f^^ ~w- ?-^ 1. I have been on tlie 2. I liave been In tlio 3. I have been in tlie moun gill- - mead tain That the song - birds h)ve den, Where tlie bus - y bees ows, The hinib- kins were :Jfit S— -A- i ' i£E^ -t(— =^^ :^zz:^-ht^ best, Theyweresit - ting, were roam; Theywereconi - ing, all there; On the mount, in the IT. -I — flit - ting. They werebuild- ing their hum - ming. To their straw -cov - ered mead - ow, There was joy ev - ery II .'if :^-g=r-Jz=ji: -^ -y— -k'- 1 i nest— They were sit - ting, were home— Theywereconi- ing, all where — On themount, in the ± ^■ flit - ting, They were build-ing their nest, hum-ming. To their straw-cov -ered liome. mead-ow. There was joy ev - ery -where. BE^ :#=^ ^ig^i: p ^_!q. i German, tb. by Dulcken. ?-i> -^-g^ Ex. 340. -«■- ^sz- -<2_ -g*- i 22; 1 -ai- '£ 3^=1 r^^ -25^- ^ 1 Is love bees 3 were -(»— 1 — yt ! their \' - eied - ery nest, home, where. 1^1 ,CK£N. 1 No. 61, 84=J All Things beautiful. 186 ^^Mmm ^T^-:=t- :*r 15 ^•-i* ^^^ ■1. The pur - pie- head- ed monn ™ ^^''^'^ l'*" ^'t* ''''d that sings, He 4. The tall !rees h th gre n - woS Theol'I^ '' . ''""■"'"" "^'' '^''^^ ,_ *'"'*^" ^^"ou, the pleas-ant sum-mer sun, The i iiiirJpi ^^s^^^i^ It: ^ii^ nmie 5;r-S cr'"'o'' r-r-'^«"d madethcmall. . morn - ing and Z un " ' Z' it Tl^ '''''' " " "^ ^^'"g^" ripe fruits in te ga? -" " < S ^T''^f\f' "^ ">« ^'^J'- ^""^ *"^"' He made them ev - ery one. . ._:'i) liE^llH^;^ f^^^ ■3^ Ex. 341. Keble. t^^- ^i^ 3t=i-i =fc==c:ti:= ' — j?- EEg^^^g^ n^z fcl^ Tt=^ z-^~ % U — j._ Ex. 342. t bfc^'Zrirl i^^^^f^^ 126 h I k it ' No. 62. 112 = J Sing, Maiden, sing. ^=F=P= ^ggs^feJEE^teEfel 1. 2. 3. Sing, niai(i-en, sing! liear'stthou the rain, Ilear'sttliou tlie breeze, lIzfeL- m Mouths were made for sing - Ing; How It gent -ly fall - eth? Round the rose-bud algb - ing? n ■j^ :i Lis -ten,— Hear- est And tlie "5s: im m^ ^^n iszzzcim: songs thou'lt liear tliou the bird small, sweet rose ¥ p=d -^-- -tplr: m Througli the wide world ring Who from for - est call Love to love re - ply te:=ji=fa: ing; Throuft'i the wide world eth? Who from for -est ing? Love to love re- -iJ? ^ — *- ^^^ ring - ing; call - eth? ply - ing? H: =.=}: 1?^ i itl*3: S rs^ Songs from all the birds, Hear - est thou the bee, Soshould'st//(ow re - ply, Songs from wind.- and show - O'er thesunflowerring- To the prayer we're bring- il= ijjltn: ^^^^m ^ :&Et m f- ^m^m^ ers, Songs from seas and streams, tag? Tell us, maid-en, noiv^ ing; So that bud, th^ mouth, E - ven from sweet flow - ers. Should'stthounot be sing - ing? Should burst forth in sing - ing? &=^E^ ±^ Babby Cobnwall. Lis-ten,- Hear-est And the ^^ ? wide world II for - est love re- ^ 1S7 Ex. 343. ^^0m :(•-- — litri EE^E£E^= ^^m ^^i ^ ^1 :^ !=r fe3= "tt"^ li^ W I ■ J 1 fe^ -«» s^im 5 :::i: ^^ 1^^ ii nd sliow - erring - i'rebring- ■- wm rs. ng? ag? ALL. i Ex. 344. tU ^^^ =!■ * ^ ^ W ^ •^ "si— '^^ -a- P rfc fe^ ^^^ ^^sir ?^ J ^ ^^1 128 Bi'HI No. 63. THE BIRD'S SONG. 104 = j^ 1. Sw iiig - ing in ,„y air - y nest, -'• Far a-i)„v,; tiie white clouds drift ; •''• On the ground clear drops of dev ■i. Swing - ing in ,„y jjj,. . -*^^«i^p=^:Eq^g1= TemJe r ™"-'W»l" ■I'l'WSl.th.leaves-a gol . ,!,.„ gift. ^^=fp^l^2i Henry Gim.man. ^^^m^=^^m^m ^ ^^s^^i^i 1 ^ I SMBSsmcne 130 Ex. 349. ElEEEEEE t: EE ^^ m fcfc ^^ ■*• V :g: -# ♦ -# :^ ^ih • ^-^t Ex. 350 to ^^^^^^^^^ a fc^ -^ — ^^y =1- -j? — -=1 — j^ — ^- E ^^^^J^^. ^^^^ -SI i9 7—1- ^ * -=i— ^^ -f g: : p=j — J — nq: q=t=t d q- ' -fr^X ^n_jg_^zr^ ^^f^^^ ^. :i. :^ ^m '^ :z3 B^E ^=^=1 t m Ex. 851. 131 ^P^^i^^P^^ i ^S^^s^^^^^^j Ex. 352. ^^^^^^^f^'i ^=^£i ^^^^^^p Ex. 353 Ex. 365. ^^^^^ Ex. 356. f=t^3ppp ^^^^P P ^^^^^^^^^^ ]■ 132 Ex. 357. ^^m r-r^r^ r ^z Ex. 358. --^ i ■— ?:>- Ex. 359. Wf^^ is: f i^q^^ r r i£- =i1-.3:z:j=r— . ^ _^ :f.- S -»- ^ -z^ -»- * :^4^il-E bjzj: -sn- -«- Ex. 360. Ex. 3')1. ■^ ri -'S'-T r^nr^t^ f^rr=f i^i =^ -^ ^ -d--^ Ex. 362. H^^i^i r? i P d=: =J=d= # it- Ex. 363. "27- 3f ^^^f r- US'— ^ &#t^ d^:pr--:t::^: f±F=i^-p ggfP r :*F ±i.~i|:r^i-: ffil^^^^^^^iEiPdS #^ T^ # -• #1- J- -# -•- -ei- -%-. ^ -(9- Ez. 364. 1S8 Ex. 36.5. ^pi^^fts^^^ ^^^^^^^P^S 5»* a-*- 1 Ex. 366. ^= r f^'=f^ — «■- m^^m -T— r-f 4-^ w^^^^^^^^^ -|d=i:± ^ ^ -^~~^ : i a^ -5»- T :iil— :^^ -;5»- i= r^rT""? li^^EE^ i ==1= ^# :z|: -c- -'sc ^. -t :g: -^ -il u Ex. 367. tt ■a*- — +• -J- -a- ^ ^^ ■# lit -#- .^-J- • I ifi 184 104 = J 1. Oh. the Sum - mer night Has a 2. But the Au - tumn night Has a "i- ^^^ ^l^^ W'n - ter night Is all 4. Oh, the . night ! the night 'Tis a o- It bring - eth sleep To the ^^^ -- smile of light, pierc - ing sight, told and white, love - ly sight, for - esfs deep, And she And a And she What The ^r-r-^-^^ ^ F^ fEEi;;^^ ■^E^ sits on a sap - phire step both strong and slug -eth a song of ev - er the clime or for - est bird to its 1^ M Jt"^ - -1 ^S^§ throne ; free ; . pain ; . time ; . nest i . 'n'^m=r r ^g=^ Whilst the sweet winds Till the wild bee For sor - row then 10 care bright ^ 5): -^ =^ =::i=3i3 load her With' gar - lands of o - dor. From thp hmi won-der Like the wrath of the thun - S wTn he shouts hum-meth, And warm spring com - eth, When she d?es soar -eth. And the lov - er out - pour - eth hLs soul ^Q"". And dreams of flow - ers. A^d that balm —^ ^ H u W"^^^ y to the to the in a in a to the 5^ rose storm dream star wea m o'er - blown, y sea! of rain ! bright rhyme, ry,— Rest J It The NioHi'. id5 ^^^^^ Prom the bud to When lie shouts to When she dies in His soul in And that balm to the the a a the rose o'er blown, storm - y sea! dream of rain ! star - bright rhyme, wea - ry,— Kest ! -^ 'SdJt ^^^^^m Barry Cornwall. I: -^- l=|3 I winds for bee 7f then briglit 1^ No. 65. 100 = , i^^ A Little word. f=P=1'=^ 8 1. A lit -tie word in kind - ness spoken. A mo-tion or n tpnr tr ^ ^^^^=^=^^f^t^^^ ^^ rr-r-tT^ ott- en healed the heart thafsbmk- en, And mirfe » (riend Sf. cere had a sm.le but owned Its birth. Would ble»« life's dark . est hour taceyou wear, the thoughts you bring, A heart may heal or S ^ i i '^^^^^^^^^^J^^^^f ± iS COLESWORTHY. 186 No. 66. THE MOON AND ONE STAR. 1 T.ilr« o Ko 1,.. !_ _ -.._ ,, ^ ^"1/111/ 1. Like a ba 2. When a cloud 3. Xext the moon 4. Was not tliat •"'. I'd be ghid by in fell like fell in a era if oth a era - die, One star lay in a cur-tain, And hid the ceil a riv - er, And tipjjcd the ba zy ba - by, Who would not pout er chil-dren,Wlio scream with all the moon ing blue, by out, or cry ; their might, Its By Jf Its One i -i^ eye was bright the live- long night. And on peep - ing round, the gay star found One hole, you'd been near e-iiough to hear, Vou might era - die gone and it a - lone. Tossed out half so gay, would smile and play. When they ly shut at noon, and elam-bered through, have heard it shout, in - to the sky? wake up at night. 1 I -5 i j i rar-nmii-T --n » .t f .1 188 NO. 67. 112 = j What so sweet? 1. What 2. What 3. What 4. Kain so sweet as so sweet as so sweet as and song and sum - nier, birds are. flow - era, How - er, :fc:± When the sky is Put - ting in - to Clo - vers white and When the sum - mer' ^^ :-==^^*z -_^ -J. Jl i i rn'r. nfJr ^f'" the"' * r[n«§'' ' Thn ^'""'^ *^« green earth through ? nun mur 01 ine nils? The nuir-mur of the rills 5 Finds Its dai - h; bread? Finds its dai - 1 v l5read'> feeem a thing d'i - vine. Seem a thfng S-vine %=^ -* — y=t: t: i Ex. 375. Maby W. Prescott. r-t-^—^ rf^ i=a-- ] v^*-*- zt=*z It •^rt ? ^^^ ^ ^ £x. 876. m hi ^^^^^^^^m p^ m ^ ^ fej^Ep f Ex. 877. ^^^^^m ^ r^ iS3 :^=ii -=( — n- ■» ». =9= ^ ? ^^^^^^^^1 ^ ^eS^^ ^^S^^^^ ^^^^^# f& *i •- r=^ ^ fc g» r^ ^ r ^ I* 1 I w \i 140 No. 68. The Honey bee. r.^EEi£Ej=E^ ^ A • wake, lit - • tie mor tals ! t: No FEF i -A- ^ ^ har - - vest for those Who waste their ])est =1--— ^^B $ -=) — n- -*i-Jt- rtr^^ rrsi ^-'^^— 1 1 hours In sloth - - £ul re - pose. Come -* — =M*- r=i^m=i^ N— ^ 1^=: i ^3 1^=^ ^: g:± out; 1 J. n - come out;— to the morn log T AU ^ No ^ PP leir best H -i - -q — IS — — ij — Come s AU The Honey Bee. 141 ^mm^mmmlw^, bright d^. things be - long— And lis - ten a - whiie- and i-ii'T*'; zz^: ""E?-* m -X — lis ten while To the lion - ey - bee's yj^r: ^ -^ ■--z-3 r^^=^: "*: =^:^ fi=3T i^^^ r5— *- -S) , song. 1 J? 1 W^^ MtT - ri-ly sing - ing, Bu - sl-ly wing - ing -TSZTIi i^z—*"- i «: 1/ - ' * In - dus - iry ev - er its own ^^^^^^^^-^ Ml fi No. 69. 116 = eB nr Brother Robin. r ^ a 3*: =r^ T"¥ ^1 1. Lis - ten, in tlie A - pril rain, Biotli - er Rob-in's here a - gain; 2. Tliouglihe finds the old pine-tree Is not where it used to be, 3. He has nei - tlier grief nor care; Build -ing sites are ev - ery-wliere; 4. Though old mous-ing puss, last year, Eai his lit - tie ones, I fear. ^TT^^ ^^"i^^^^^^i^ -27 pm ^ i go, He is house -build -ing, 1^ know. Songs, like show- ers, come and go, He is house -build- ing, 1 know. And the nest he made last year. Torn and scat - tered far and near; If one nest is blown a - way. Fields are full of sticks and hay. And he al - most died of fright,— That is all for - got - ten quite. P ^^w^ ^— • J^ ??l=^ „ Chorus. , I 1 .^ . 1. Chip, chip, cheer -y, he is sing-ing, Light-ly on an elm twig swinging. 2-3-4.Chip,chip, cheer -y, he keeps sing-ing, Light-ly on an elm twig swinging. m *^F5 :jri.' 3^3^ f i Mrs. Ai!(DEBSON. Ex. 378. Ex. 379. f ^^^^ & S fit -^ ^ ^ p. ■- -^ 3"= -»- ip f i i No. 70. 112 = J Live for Something. 143 i£ ^^^^m^mmmm, -/— - 2 S S'hrT*"*"^' *"" °"* * ■ ^'^' ^^«°>^ a -bout thee for em-ploy 2. Fold - ed hands are ev - er wea - ry. Self-ish hearts are nev-e^ga// =^^^^^^i~h^^^^^^^ _Sit not down to use- less dream - inir. T.n . i,«r s. J..„ ' .L _' Life ?„"rthrH*?>, "'^' '««« ^ T))at fol - low me S.t=i t~t==-t £?:^^ ■^■■^ ? "«r M^^-Ezd— 3 -^ fol - low— fol - low me . when I do right , f-t- :3t 1^ m H atfz3 That ^ :£e S #- 1^ P-#==^^^=^^^i^i^^^^^ These make me hap - - pi ... . ^st. :f^^^^^3^ 1^ 3r — ^13:- Pi Ex. 381. ^^iP#-p^^^^^ {^-■^--^-.^r h-T- ±i:=i 5=^ -J- — p. ^-^ir^^^^i^^ 1 1^1 I««l 146 Ex. 382. f^?^ - -i— X— y- ?^ s^ f # m ■^ i t -25>- Ex. 383. ^^^^^m i ra T^ -5?-«- Ex. 384. ^U ^ ' ^"Tj4i^P^3^ g :^ f ^ ?^^¥^ ^ f ^ ^ i f= I ^ ^ ^N j-^ I ji5 =^^^^ i i No. 72. 76 = J The Daisy. 147 a flowpr a 1!* *i„ ^ — _ ' " 1. There Is a flower a if* ♦!„ « 2. .It smiles tfp "°oT' «^ li* - f «^^f . 3. 'lis Flo . ra's page,- in eV - eiy iffi 4. On waste and wood - land, rock an^ JiS ^ ^ ip With sll - ver To sul - try In ev - ery Its hum - ble -^"■ J-=?^ ::=t ^ m ^ 'n ^- crest Au sea buds fe and go! - den eye, - gust spreads its charm, - son, fresli and fair; un - heed - ed rise ; =r4^rr:::^ — T Id ^ That wel-comes ev Lights pale Oc - to It o - pens witl The rose has but - ery chang-mg - ber on his per - en - nial a sum-mer m ^=p=:S.E^ =*=*=i>-.=| :J=:=J_=J: iN — i t=t- ^ f* -^- '^~y And weath - era ev And twines De - cem And bios - soms ev The Dai - sy nev m ery sky. ber's arm. ery - - where, or dies. i Ex. 385. MONT0OMKBy. ^ ^-^"-^'^-TW i i( 11 ft t:i 148 } ■ Ex. 387. -^J-^d=, Ep; :3=^il f-' -(5r_.l --^z:-'^:. ^- is--c"i=-j=i:-t _(S. r-^"---F- zst. ^fej^:. :2^ ^ ..jjj. ,-.-...j5, ?5i- :^ t i:^ ^~ r-xl"- :i1..:rzi: -(&- i P:x. 388. 1 i f-7- -r~r~^u T ^ F^rrrgi r- :^ si? r^^^^^^j^^^^^ Ex. 889. 4& il==Jd 4: .-J f ^i*?^^^ ;* J "e?^=-ll^ :4=^ .3.£^-a^= ziq: aizmt ? f^S =tsi^ -^- I r— r ii m m i — jf~ J — x= 149 No. 73, 70 -.-.= J Up the airy Mountain. Uptheau-.y n,ountaiu.Dovvnir«H,..y «„.,, W. aa^T^Tl ^-f=?- ^^■^-J--i-^ '-m ^^^ hunt - ing For fear of lit . tie 4 'M' 3 men , Wee folk, good folk, ^- ■# -K- :fedVz-::A-=r ■^- ■•- ■#- -iT '^~izz ^^ Trooping all to - geth - er; Green jack ot, red onp. And wiiiteowrs feather -^^^^^m^i, Almngham. l.f ra 150 NO. 74. Snow. 104 = J 1. The bless - ed morn is come a - gain ; Tiie ear - ly gray Taps 2. 'Tls win - ter, yet tiiere is no sound A - long tlie air Of =te^p=Pii^ 3 — t — * :: =^=^ ^ at *Un a\,..„U > :-..! •_ , . ' I I at the slumberer's window-pane, And seems to say, And seems to winds a -long their bat-tie-ground; But gent - ly there— But gent - ly ^.^=^-^=?.fE:-3E^^ ■#- -s* ^^ : 4-U I \= ^ say, there— f N— 1^ »j- Break, break from the en-chanter's chain ; A - way, The snow is falling,— all a-round. How fair, a - way ! how fair ! S 1^ t=t -^ ♦ ignrc t if i Ralph Hoyt. Ex. 390. -Z3 =1: ■i9- ^~- iliiiii^^^ -or -»■ m -a- g^ ^^ p w 3 1 i m Ex. 891. 151 '^ "^^^^^i^^^ ^^ mm itii^EI ? IT e i^^^ f^w^'^Fm ■«?■ ^^5| i Ex. 393. ^^^^ X 1 - i ^ ^^^^ r^;:^r=^ ^^ ? ■« n- -S^^^^ m iE^ zrrr ^^ f=^ 159 NO. 75 110 = J A Dream of Summe^^ JkiT-j Wf^^M: .-J_: ^-^ r Pr-? t^i/ r I I —'^ I 1. \\ebt wind and sun - sliino Hraid -ed to • gctli- er ; Wlint 2. Vio - lets a - niong tlic sia->s,I!o> - os rc-«ret-ting How 3. Hiv-u-lets that sliine and sing, Sun beams a • bet-ting, No -0- r- is the soon tlie more y ^^■ z±z.-J rf --PD- - ^^ ^ii'^ r^^it T^ izit ?^ ^^ I r^5.i^ oni) sign But pleas- ant weath ■ er ? sunnncr'll pass, Next year for - get - ting, meni-ber - ing Tlioir fro - zen fret - ting. Birds in tiie cher Birds sigh -ing in Sweet mil - sic in zntn ry - trees, tlieir sleep, the wind. -. j5- Bees in the clo - ver ; Wlio half so gay as these All the wo'ld d • ver'.' " Summer, pray grant us Youth, tliat its bloom will keep Fragrance to liaunt us '. " Sun in the siiowers; All these we're sure to find Insummer hours Ex. 394. j4- -•-•■# a. -^. ^. \4. _j. Ma!i N. Pkescott. #l^3^^¥i^=f5^i^^^^^l 168 Ex. 890. P^^pi^^^^m^ Ji:2 m a-: 3:; ^i.,i --5f- i H f ^■■ ^1.^ fM- Ex. 396. M'^ ^ ::l;--r-d:r.-:::dzzzz_4: :j^::z=:]zz£z: 5 i^B^J ^1^ =3- -d: J. i^ — I- -^ ^^ :p-^ _Jz:gzzz_.z:3-^zE3zzz^3Ei =z]=zrJz S*" ^^ ill uj •*"! I i"-^i f r ^^ A_^ ^- ^^ :=t: f ^ -X-= tH: ^^ * I I NO. 76. 104 » J CAROL. mm. 1 let the mer - rychruch bells ring ; Hencewithtears and sigh - ing; 2! Let the bUas sing out a - gain From their leaf- y chap - el, P ^13^ Fp?=Pr^ ^^^^ Frost and cold have fled from spring ;- Life hath conquered dy-ing- Life hath conquer'd Prais-ing Illrawithwhomin vain Sin hath sought to grap - pie Sin hath sought to i ^ ^r=^=r ^ •=e ± ••-^-^ 5^ iE^^ TT r7-r- r ?^ 5b^ ^rt dy - ing. Flowers are smi - ling, fields are gay, Sun - ny is the weatli - er ; grap -pie. Sounds of joy come loud and clear, As the breezes flut-ter: 3: -^ -^- ■X ^^ Pf^^ 3td ■?t. -^ i=r-j *-- ing; el, ^ ^ 1 conquer'd 1 sought to ^ Carol. IM PP^ -\^ m tfci With our ris -en Lord to - .lay. All tiiiiiKsris« to - Kfth - er. 'He a - rose, nnU is not iiere:"l.s ll.e strniii tliey at - ter. Wi'- 3cr- v-it^j^— i-i Ex. 397. mmm^^^^m^^ m Z I ♦-# ^ Ex. 398. iifci =:«; * 1=^ ^ Si^^^^^^i :i=i: -(&- ^-^ I -er; ter: «3=^ i si r^ -«> s: r 1 ^^ 156 Ex. 399. 3E3 »-f-r^«-i-? -• — •- iA-=^: W -* — f- -W- =< r I T» "^~ ^r=1^^ » r r « I ! n-r^r ^ ^rt -S- -#- ■*■ ^-^"^N^^^^ itzrs: '« — # :S=_-:i: -tf*- ^=i= d=i -:\=X z.-:\-: m ■#■■#■ ■*■ ig: Ei r ^: — j?- T I f-r-"j?-r-r-"j«-f T y^. 'tlzi^-. W% ±?^^JiB^z!^]P^M^: ;j -1^ It- -#■■*■ -j$ I | -r :3 ::i-^:zd -•- •- J ^^g f #'^ P F j?~(r T a5ET:3 i ►• ■*• ■*" ij -Jf 1 ■«!- i No. 77. 84=J DON*T KILL THE BIRDS. J»7 iiin 2' SoS't km tf .'^'■f - ^''^ "* - "^ lairds. 3. Don t kill the bads- the hap- pyb; ids, That sing Tliat phiy That bless ^ =11 :i a - bflitt your a-niongUte tlie field niul =^— f5-J-_| KlV . The lit - tie birds- how sweet they sing' The lit - tie birds- how fond they play • Th., ha*) - py birds- the tune - f ul birds, ^ Oh ! let them joy - Do not dis - turb How pleasant 'tis 0U8 their to ^ '^m - '■ NO ,p„t can .e ^cS^rs'^i;:-:!:,?;'^ . s r ' ■#■-#•-•■ ^- * COLKSWOBTHV. »K[! 158 NO. 78. 112 = JN Lightly Tread. Light - ly tread, 'Us Bowed ground ; Hark ! a -bove,be-low, a-round. ^^^^^ -=1— =l--X- -3? =1- ~N-=1 — f> ^=^ i P^m^^^- Y^T . y hands their vig - ils keep Wliile frail mor - tals sink to sleep; 'i^ N ij:.:^: ^^fj^i-"^ ^ PP^ as* »-: > 1 1/ r c And the moon with fee - ble rays Gilds the brook that bub - bhng plays, ^ — N ^=f-^ ii^ soft it flows, Mu - sic meet for lov - era' woes. ^r:z:_. fti^^i=:fiQiE3l TT -r -^— i li 1 Ex. 400. t I 169 :8: 1 r* ■th -0- ^ !3^^J Ex. dOl. tE^ r ^m^^ifm^mmmm y -wl' t'Ml I r? -=1:: -«i; J Ex. 402. f^^^P^^fef^l^l^l ^^^^^^^^^i^^fpp^p^l^^ Ex. 403. Ex. 404. 4E ^iS^S '? I' ill 160 NO. 79. THE BIRDS ARE FLOWN AWAY. 108 = J —J. E^ -4^ =F=i= f^f -z^- I — >-.^— -r T"^ '-rf if:b^ EE?— i~: f= 1. The birds are flown a 2. The trees with sol - enin way, sighs, The flowers are dead and gone, Tlie Their na-ked branches swing; Tlie m t -.^z. -0—g :d~z: -^-^ ri-F --( 1 1— — I ^ ■ — ^-1 1 1 1 1 [ irrt clouds look cold and gray win - ter winds a - rise, . A - round the set ting sun. And mourn -ful - ly they sing. Tlie The $ fei^ a-=3-= :± -^=^? w^pi^^^^^m^i clouds look cold and gray . win - ter winds a - rise. A - round the .set - ting sun. Andmourn-fu! - ly they sing. m^] Mhs. Follen. Ex. 405. -§, M-tiiz=s^- r- n^ I i 1 u-r I ^r:^ \m^E^. ~^fi- 3-t^= -4- .^ -fi^ E^ i: The Tlifi — 1- " ¥ -- The The_ — it- — -s- fl -s= ;ii 5N. •«• =1 R — 1 — ;*- = Ex. 406. ^^^ ffi3 ^4--^ -•• -•- •" "•" :g: 's*- -•- Ex. 407. 3^ b4: s Hf --i^— «— 1=^=^-^= Ex. 408. # fi=«t j==?=a=ff^Fi==^-;=«id — i^d tvi f- — SF-^= 3=?^ =J? i=^J i^^ m ^-' 1 g ^^__^E =i^--ig- te^^^lN^ If i. 162 No. 80. A HUNGRY SPIDER. 104 4 m 1. A liiin - gry 2. Oil, wliat a 3. The liun - gry 4. "I'm hiin - gry, 5. For all the spi - (Icr made a web Of pret - ty, siiiu - ing web It spi - der sat and watched The ver - y liuii - gry," said The flies were much too wise To =|-^-3^=^^f -#— * Ki f^ ^ ^r threads so ver - y fine, was, when it was done ! hap - py, lit - tie Hies; siii der to a fly. vcn - tare near the spi- der; m^ — H- Yoiir ti - ny fin - gers The lit -tie flies all It sfiw all round a - "If you were caught with - They flapped their lit - tie ^^^i-^ !i 'I r- 1J?= ^ i f- - ^ J -.4- m scarce could feel came to see bout its head, in the web, wings, and flew The lit - tie It hang- ing It had so You ver - y In cir - cles slen - der line, in the sun. man - y -l&'es. soon should die." rath - er wid-er. All But -*^ -ir^ fe^mte^ ^,mmt^„j J A Hungry Spider. 1 163 round -a - Round a - Round-a - round -a - Round-a - bout, and round - a - bout, And bout, and round - a - bout, And bout, and round - a - bout, And bout, and round - a bout, Anti bout. and round - a - bout. And round a bout it spun, it spun;Tlit'n round-a-bout they danced,tlK'j danced, A- round - a • bout Uwy go, tliey go, A - round - a - bout once niore,once more, A- round - a - bout went they, went they.A- straight a - cross, and back cross the web and back cross the web and baok cross the web and back cross the web and back a - gain, a - gain, a - gain, a - gain. a - gain. l-n ■ til tlio web was done. T!u«ydiir( • ed and they glanced. Nowjijgli. i„nv liigji, now low. Tiicy flit - ted as be - fore. And then they (lew a - way. f=^ ' !' ' 164 No. 81. 69 = J . A FEW STRAY SUNBEAMS. 1. Lit - tie dain - ty sun - beams ! Lis - ten wlien you please, 2, See! the witch -ing sun - beams, With the wand they hold, -5f- ■*- -=i-3^ ^- -^- =3=*- =!-- You'll not hear their ti - ny feet. Turn the earth to em - e - raid. Dane - ing in tlie trees ; And the skies to gold; i ^-^^ -g- -0- t -s — =f- _j.. =i_j5.. m $ i Dane - ing in tlie trees: And the skies to gold: :g^i- --I — 1 ^ 1 S so light and del All the streams are sil All i - cate, - ver. mpmm^mm ^Efe r=* f=^-f ^ _a All so light and del - i - cate Is their gold -en thread, All thestreamsare sil - - ver 'Xeath their ma - gic rare, i ^;=!: -s|— "^- -^^ A FEW STRAY S' BEAMS. 16S E^^3.^#^i&-i ^^ ^^"^*r'" i/ I I* r :fefrii^i Not a sin - gie flow - e'r - leaf Snrh o ir"=r?^^^^?#=^:fs^^ii Eliza Si'boat Tuh.neu, *:;:::::33-5F=:3:^::zz:zzi:r^5Eiz^E 3=i^ ^-z5i:EiEEE5E* ir -n- 1 pj ^^PP^ - — SI- -#~» =^~f * --^ Ex. 412. 1=1^ IJ 1=1 f 1 -p= ll — • till I Ij I I I? i 166 Ex. 413. . Ex. 414. A P=--.rtp 3l^i^*^^ f f ^-^if^ #^i# ^ 4zMr • ip^^^^£^,ii^-^p Ex. 415. 4i 4: :^ r~^r— f— r ^-4 4z: '^^m -:f^ too eacli m -J2=Z soon, Won't leani Will an - y les - sons get round the world at —s> ^m well, last. ---1 ^^^^^^r^-?^-?-i^=^pi3^^^=s German, tk. bv Dulcken. il 1 1 I ! IMAGE EVALUATION TEST TARGET (MT-S) h ///A /m. A fe 1.0 I.I 1^ Ml i» IIM ■^ Ilia 2.0 IL25 i 1.4 1.6 V <^ /. ''^ > Photographic Sciences Corporation 23 WEST MAIN STREET WEBSTER, N.Y. 14S80 (716) 872-4503 1 \ >^ > 168 No. 83. 100 = Snow-Birds. e3E:t"pS^"=^ 1, 2. 3. 4. 6. G. 7. 8. When win A - bout You'll see But wlien 'J'lien come Like wan - der Off to the Give them a ter the theui the the windsiire blow witli-eied gar Hit-ting, Hit snowdriftscov lit- tie snow ing nui - si - land of ice heai't-y wel - ing, Andcloudsare full - den, A - round the nak - tinf^.And heartheirnier - er The gar -den and - birds, As beg-gars, to of ed ly tlie your clans, They 'neatli the win-dows - bergs. To isl-andscokl and - come ; It sure - ly were not snow, Ikld, song; field, door ; .sing : drear, good, i ^- '-?- -^ Jtitzj -si- h:± •*- -#- Then In Tlie When They All Tliey That ±=d : I ?=^tr =i I I ^i^flpil comes a Hock of lit - tie birds, A - fiy - ing to and fro. an - y way - side shrub or tree, That may a ber - ry yield, scat-tered crumbsof sum-nier's feast Feed win - ter bird - lings long. all the shrubs are cased in ice. And ev - ery brook Is sealed, pick up ev - ery ti - ny crumb. And ea - ger chirp for more, win - ter long they stroll a - bout, And leave us in the spring, fly be - fore the sum-mer conies To fiol - ic with us here. they who sing in win - ter - time Should ev - er lack for food. Ex. 418. ■#- •#■ -tl- :g: ■# * :H=i: 3= Mrs. Anuekson. ;g :ztt±z± iiig: -Ah--. 1- i*-^^ d.r^ 11^=^^^^^^ Then In The When They All Tliey That :izd ill] fio. yield, long, scaled, nidie. spring, here, food. 3^ iS liSON. Eg=j ^&g= 1 ■W^^MBWSWBWIfa 170 No. 84. 63 = J. HARK! HARK! THE LARK. K — ^ — ^_^ N--^! pv-rJ — -H— -J Nt— ], . — >^ h- , 1. Hark ! hark I the lark at heav'n's gate sings, And Phoebus 'gins to rise, 2. And wink-ing Ma - ry-buds be -gin To ope tlieir gold-en eyes. His Willi i^&z=i=:z ^-r^ :^ *-m p^^^pii^iEj^^ffii /=gEfe=iN 5 r^f •3= ^= steeds to wa - ter at those springs On chaU ic'd flowers that lies. ev - ery - thing lliat pret - ty bin, My La - dy sweet, a - rise ! i^^^p^^s^pg^i^^p^ Ex. 421. SUAKSP£AU£. :p^. ^ 2z ^ ^^ Sr ^^^mM ^F^gm^^^ Ex. 422. tm=fm^%^ t-y pm ^^? ^jt ^^^ f ^ ^~iF m ZTi^:; His With -=l \:^. -- -i 5 t±§3 *=t Ex. 425. ^^ 6=P=t g i ^ 3E^ :«: -^ — SI =1- i ^5^±=f: -N-I -r-"*- =^ Q=^=rf ^ tfc : »— ^ q*- :^=z:a: --"^ ^=f Sfh^^zM !± f i^E^i i/ •) 1 -A— =1- m if ^ -» — -\ — S) 1-|__ ^ -N— =1- I ^ NATURE'S Voice. 178 ]^fe^ fz ir-j ■H — 3 — -— — — jLI ^i — jf^^^Sm »'..e~-ev.e, . „p .... ,S^,^,^_^, /^ .^;„^^^__^^ ^^ f^ *-^^"^^^^^^^^^a^^^^i^ ?=fcr-- =•— *: ■rnrrf=f M^^J=^J^-j^,^, ^^=1 plan -ets 50 bright, The moon's sU- verllirht m ™ veriight. In rap- tare my soul turns to H>— - =E*^^^^p i= ^^?fr^^ ^^^^^m of the day When I from earth shall be free. 'J To =^=^^3i=^^^^^^a^ ^3^=3 dweU in thy love. For -^.er ^bove, The King inhisb^ty to se«, -*- ^^^^ ••^^^ 174 No. 87. Quietly, quietly. Quietly, quietly. Pa-ticnceandtime. for"Tn-a.ga,„,,ry a.gal„/;salll„l,e <,la,.„„e. Lkttkks Evekywhkke. Ex. 426. Ex. 427. i --jf-i^ -i-prz^^ir: -s>- • -0- 176 Ex. 428. m ^ mmi^w^ 3 ^T ~ I J : ^ ^J:::±tt:^: ^^J Ex. 4-29. H^j- zSj: ;j=^^^-z^ f ^=E^^^: :-12: ^^^:^iie r-T te rr=^^ -«'- i^^i =^1 fk. 430. ^ 2=*: :^4 tz: F;=1: "X — f^:z^!^<: ~r ^m^ ^ » H^f-^- ;♦— # ^^T^^ I a^^E^Ed^ r^ $ ^=i i=i^i ^^^ rn^rYTrr f==t: rr --gl- F=± ;j 1=^ ^^i^-^ p ■ I Na 88. HARK! THE MERRY PEALING BELLS. 177 1. Hnrk ! tlie mer - ry ,,,.„i . ine i,h1s J , '^ ^ ' f T — 2. Let ailla-arts With ilaU. nets :,;,. 't' J,""/!''' '- " '"« 'nee^e. _ '' ^" «l"'t!aits be t'ood and true ; ^^mmmm r^^^^^ ^^i^ „„^^'> - throiigli tlip snow-y dells pL ! fi ' . J. ' I I ' "Peace on earth. good- will I . roZ." £ "om S t '" ' '''' '''"'■ '"oi - 10, ev - er new. ^ •S" r:t :t^^, -•- -ft- -s! -J-r-J-- ^^ 1^ ;C;rS'^,:r-.r;,.. rrtf^t'™':5-r ^^i^gi.3^^E|^.^3^^^EiiEi By p',- ui ^,ion of F. Wabnb & co. Mrs. Hawtkey. Ex. 431. %ti i 4z=g:=:L- ^,^^117 ira Ex. 432. Ex. 433. ±Z5. fz^^-^ ^^^^^^d=^E^^ r^r f=±:p= m 13: tt^- ±^=t: :St ♦ V S^^i^^^^^ P^=li 2^1- ~± ^£^E^EE3^=*=J=F^i=J=.i=i -9^.- jf--^- r =P=^=p^^H r 5: I a ^^ -\^—^ ^=^:^z£i *:i: ♦ ^ =^^~fc3^ s ■•■ :nz± Mm m^ The Breeze. 178 '^ ^ ^ ^ 1. WlieriMioes the bieezi 2. Up on «ouie luouu 3. Then flew the pleas 4. Where hirclH their o - 8. Where does it die ^ 1/ i^ , 'oiiit' from 'iiiut lifts - tain - top. Fro - zen • ant wind O . ver pen nests In or- al lustl^ your Jiair, and dii'ai, tlie sea, cliards Ijuiiil, No-.bod . y knows, La - den It. 'mid Cateli - ing, Tlien past Whetli - er Witll n nt tliu In ^^^^^^^^^^ -—J.: and songs Learned ev - ery-where "> hun-dredsnows,Grewkeen and deai ev - ery I)ound, Wild niin - strel - sy • old church tower. With swallows tilled des - e.t wastes, Or Arc - tic snow's E'en wln'Ie Sucked in - O'er beds Lift - ing What if -_0- it to of tlie it fans I - gar haw nev your cheek, e; fa\es, - den flowers, -tlionileaf, - er dies, 1/ Lo Dashed on Faint with Start - ling Bui flits is a per the past; rock. fume, hare, a - long, '• u ^ Where was it born at first. Where dies at last" .1 felt tlie light-ning'sspear.Theeartli-quake'sshock on through the sol emn shades Of wood J.d gloom. ^• oure - ly the light-some breeze Strays every-wliere Add -ing each new sur-prise Un - to its song? Mrs. Anderson, 180 No^90. Little Dandelion. 181 tie Dan •• de - li . Iiergovvu thrown o'er t le sun had liid ."•'-I . on, one mgshe was like on her a fine to spent liead, way, day, die. All lierdays in I)an - ( e - if . on Dan - de - li . on lluew leryel-low Wings siie made with sweet con - tent : went to grew more gown a - which to bed gay way If While 'Shook Dressed Tlirougli she dressed in the sun was ler skirts a - ler-self in tlie drow - .s\- vel - ^liin - 'el s roiiiul lac nicad low; jng. her, cs; ow; So, Then Danced But Tlien too, did her pet a lit - she found the ti - ti - coat tie with Iier - self iiy ghost- on Iiigli, And tlurov but - ter could he lion - ey . Would have be my • fly. seen, bees, none bride. That A nd (JIad Of Dan - de her go'wn 'screen fhiit they hi; her r fel . lin found grac shad 5=^5:^ Mas. Andkkson. 18S Ex. 439. i^g^ *^ s -fS'- I I 'f- — ^r f 1=^ ^ P^ Ex. 440. :4i l4i atrpr ^^ r7T"^tfT^r-r^r ^ ^=H I I t'i' g^^ ■• F- £ =f^ ^ m i ;j W] J No. 91. Morning Hymn. 18d Now the ..hades of night are gone- N^vv When our wo^'S II^T^tr^^r I the 11.S re- r morn doubt from ceive aiui our us light clear f I IPS tlifU S I IS come ; our siglit; a - round ; at last; I'onl. may we be thine to-day I" thy ser-vlce. Lord, to-,Iay Go - ,ng out and com - ing Niglit and sin will be nrive the s"h?des^ sin ^ ^.,,^„ Keen Z '% ' '"'•' ^^atch and pray. Ex. 441. Episcopal Coll. :H I 184 No. 92. 8b ~ n A GOOD DEED. Wlier-e'er you sec a lit- tlcspace.Therciiliuita lit -tie tree; A ^E^g^^I^JE^E^JE^^^EgE^EEgg :s: Eood deed should be done Aviitn-e'er There's op - por - tu - ni - tv. done Aviitn-e'er There's op - por - tu - ni - ty. iEF=$"=: fE=-^~ g ^EPTpJEpE^lEEgEEEg :t d J^- 1 OEItMAK, Tit. BY DUIXKGK. Ex. 442. s=± :t! f -19- ^ Tf — I — -p— jg- ^ — p- B :p=p2: 1^:^^ m. Ex. 443. mi *^ 3=i :a=z»i iz^H: =)= p I m A li 1 :J m I NO. 93. God save the queen 185 ■;^^-j«r_ .^^^^„.™;;;„; „, ^ ;:7^~„; — _. , '•• nu - I T „.... _ „ . • l#T 2. O 1,01(1 our God 3. Thy clioic - est gifts -^- PSS m: .'I ■ lise. Scat - ter ),or p., "*" "^ f^^^^m^ God save the Queen. ?^ - And make them fall. Long may she reign. ulTZ'^t r\ - ^-*--*>-tratethei.. f She de-fend our laws, And ev - er -«>- «»-. I-»8 .0 «,™ „ . .,, „,,, God save «,e Queen. ^S knav- ishtricks.On The*. «„.- j,^ give uscause To sing wUh IZlt ^' ^' "'^ ««^« «« «•'• , "^ ""'**• '^^^'^t and voice, God save the Queen. I 186 fe Ex. 444. Siiiime: ipi ±=i T=* :?!= :p=: — &- Ei -1— i ^EEE^iEE^ P^ P Ex. 446. f 3eee^ "?~^lf f 1 r r F^= S T — r S=i J u u ^ -I — =1- The Fountain. No. 94. 120= JN 187 2." In-'lo Shi sZ : f,"f'p.f,f .°^ «'« light. 3. Glad of all weath M^^Vfn"'"^ .'" sp>ay: 3. Cease-less as - ph- - '- X' rl'i' f ^"^ " '"« ^^^^t. i'" mg, Cease- less con - tent, ge Leap - mg and Hiip - py at Lp - ward or Dark - ness or flash - ing From morn till nichtl fL / *, ^ ^ mid . night. Ilap - py y "day I vl' iZ *-'® ""or.Iight.Whit-er than down - ^y^l,•,l M,i.tU thy rest F.m'nf '" "'«-t'0".«lithesomeand siui - shine Thv «i _ ,? l..h *"'• of a na - tur.. VnM,..-,,™ „' „ t '^ ^ ' ^ ^ 'y> -to tlie moor.;ight.Whit-er than Full'nf '„" "'«-V«"-I^'itl'«'«omeand * 111! of a na - tureNoth-ingpan Glo - n . ous Fountain ! Let my heart '^ snow. Wo„ : -_ _ ES L;^**— .^ snow, cheer - y, tame; be SSb-i^g he7vrn:S,%°^^« SCsblowl^ Changed ev - ery no - / n.ent' W^ " *■■ ?. " wea - ry. Fresh.changeful e^n - s^S) gj-wfrd, ^ fff l^^^^^^^i 188 No. 95, 1. From 2. Of 3. Ring isi Robin's come! elm - tree's the win - ter it out o'er top we liill most bough, are weiv - ry, and plain, Hark! Wea ■ Tiirough tlie rob - in's ry of its the gar - den's ¥ *== ^ ear frost lone 9^^ ly and ly song, snow, bowers, (Z '^ Tell Long Till 1/ I i . ■^'~ :^-«r i tiikt r^::^? ing, one and all, tliat now ing for the sun - shine cheer the green leaves danee a - gain. i S ^3:= ^ itr-r n ^ Mer - ry spring-time hastes a - long; Wei- come And the brook-let's gur-gling flow, Glad - ly Till the air is sweet with flowers ; Wake the m 5jf: tid- then cow lags thou dost we hear thee ■slip by the bring, sing rill, 1 f f Lit • tie har • bin - ger of spring ! Rob - in's come. Rob - The re • veil - 16 of the spring ! Rob - in's come. Rob - Wake the yel - low daf - fo - dil. Rob - in's come. Rob - in's come, in's come, in's come. Pi atit Z- i=S= m W. W. CiLLIJWElJU w m ? -s 1 i IM No. 96. Truth. 108 = J . r 1. Truth is hon-est, trutli is sure; Tnilli isstioiigumliimst eii-diire; 2. Child, at ail times tell the tiulli, Let iiy lie de- hie thy mouth; pj rrr^r-f - — +-- Xzz: t= False-hood lasts a sin - gle day, Then it van - ish - es a - way. Truth is wtead- fast, sure and fast, Ccr - tain to pre -vail at last. gifef ?^ ■t T- 1 Ex. 448. ■4 — Jt pgP -4-^— F •-4- t-f £E5 -S— t ^ Ex. 449. » & a i- I s ^ -J?— s m Ex. 450. ' i/ S^l^iS^ ^i f 3^E5 JT^ SJnTr 3=ii=^3^ - -1 '^I- r 1 z0=^ i 13^ •f f f "r r :=1: ^ •- -iS'r i Pd: P^ ^ ^ 1^^^ Ex. 452. ^-5 4: i^^^^ f-f rr 1-^ ^ j^ =:3C:a-j- r-i-T H- P-I-, — ^— *. ^4- ^"1 ^ 1^ i -Hi— li^ ifg y ^^ ^ I i No. 97. As I WALKED THROUGH THE ^ , VILLAGE STREET. 104= J 191 1. As 2. And 3. Ami 4. But 5. Nor , f I wnlked ba - by swpot in not so bnlf so tbroiinbtbn ncs - lied <'v - cry swei't as briglitus tesfjgs^s I m No. 98. Contentment. 1. 8eo tlio l)ro()k-let flow 2. St'o yon sjnir - row (|y 3. Like tilt! I)rook-l«!t How -Ml- y ' 'y ■ < ing Thro- the VII I ley free,.. iiig O'er the woodbine leave's i'lK Let thy II v - ing he. . .".' O'er the peb- To his warm On-ward ev - bles nest er ^^^ mm «<> - - ingEv-ernier-rl . ly' Now i,, • . I ^ f U J'ie - . ;n».Un-derneaththeeav«!NoSktwsh,:of'"""'"'"^'' ^"^ ^'f' earnest ii'gMer-rl-iy and free! T t^ ,S m '"" " '■''^' ""^-Vall the «• «e, too. like the spar-row In thy work or mm^^MM^, zeal. . . Hard at la . >,^.. f^^"!"^ . '^ _ I ^fc^^—^'^^^^K^ypf^g :-t- zeal. . (lay, play, III Hard at la - bor tni^^^ i ^ t,^ C ^^ ^ [^ — T" Thinksnotof the „2 " ' ;'"« ««""T~rNrf T-i" f f ■ r si=^-fe? S "^ T b|P8 iiest er nest the or E fl H f 7 Ex. 456. r -f 5j ^ rzdiirzqzr 4 ^ -4 ^^ 9S=5?S -d- t^: J IJ 194 No. 99. 116= ^ Autumnal. 1. AVIiere .ire the bright-e^yed flow 2. Wlieie mo the wild-birds sing I ers, "ig, ^HEf&^^^^Eg^^^ / i^ U ^^ , That through the suni-nier liours, WIio late a - rouud us wing 1 -N — ^ in; Filled all the gar - den bow Set all the wood - lands ring '-r-ff §i!i ers With per -fume and de- ing With inel - o - dy and & light- song— nth per . fume and With mel - o - dy 'i^« i^ de - light? and song? In si - lence In far-off ^ deep, They soft - ly sleep. 'Neath an fnnrr,-...' -^ ' ^~ *^ The,,,,,,, . .,,/eh,.^:,, T^f:";,:;;-'- r zz.7 - r.. ;^i W. W. Caldwell. i No 100. THE HEAVENLY Father. 112 = jN 195 1. I Can you count the stiir? that Can you count the clouds so 2. I IJo you know how man - y ' Can you count the lit - tie fe^^feE ' ^ . ' — J~r — - Vn^'r=^=^?=^-=M^3 Twin-kle in the m id - night skv- < J ^ U b ' > Oer the mead-owsioat-ing by.' 1 ^"'^ "'^ ''Onl doth mark their number Rise each morn-in?, blithe and gay " > Sing-mg sweet- ly day by day?( ««- Who through every darksome hour. Tends his flock 4ith feitch?ul |>ower. Tn f^ r\ . '?"""' '''"^'^ To thine hon- or and thy praise In- to thy hands to the end Soul and bod -y 1 com.S a - men. ^^^=^^^^^ d: T: German. Ex. 459. '?^f. IS'' §S*^ itt: 198 Ex. 460. -^ 4: |J J| J J J hJ-J i r-^"rrT-'rrT-=?T>? 5M n i tei ^^^^g^gff^^^^^E T ^ i :i E -«>- i :0:^(f^i m 5^ i I wl :*^i^- •— pa. :s*-7— »- ^■=W- £ (f , £--•7:^- srr--;!; H2- i Ex. 461. E8 -^ — :::^- 'f m^ ^^= -S =i~Sf- ^ li w^^^ Ps* SEE ^ 1=fc -s| s) q_-;_^ I — I — I — , itriml: j»~r — 1^-^ .... ^».^.-i— T • g H- - -i3-— . -=l =! ^- 51— SI i^ EEE n 1 No. 102 88=^' He Prayeth Best. 199 Ho rwatr «♦!, 1 i. „> . ' p He pray - eth best, who lov - eth best All things boti ' great and ~0=zit: zifzzr ;: M iii i I f> f iP ti T i — I- sniail ; For tl^e dear God who lov -eth us. He ^-=t- t--r: I ^ »^ifc=* --^— I- ^^^f^^p-f^^^^PU made and lov - etii all- He made and lov - ^ all. 'feS^=^t= i^g^ -W !-■ ^ — f— =|::=::t:==E; ^^ COLBRIDGK. Ex. 462. *=^ 53s:-tEte *' I iglgfefes f ia la ^Si F^^- i ^S^ 200 No. 103. 100 = J SONG AFTER LABOR. 1. I.a - bor's strong 2. No <\?s - pond 3. E - ven God's and ing, all :-i: f I nier no lio iHP 1 ry cliil re - pin ly la i ^if dren, Com - rades ing 1 Leis - nre bor Framed tlie t~ ^ mnr^ i=t B^f^— r of must air, §aEEE the by the ris toil stars, ing be the sun, bought ; sun ; . Let us Nev - er Built ^? "^ilTL: -.19- our Ji sing yet earth on some was ipE^E ±=z; songs good deep p^m --N— N P^rpp-rr^ ir:q-fl=:^^pl==:i=r: to - geth - er. Now our ac - com - plished. With - out foun - da - tions ; And— the ^__. ,_^ — 5^--,-t U-J fj biJ toil, oiiv toil is done, hand.without hand and thought, world, the world was won ! zp ^EEEE^E^a^SHgEg^ 0- -SI m Bakky Cornwall. Ex. 463. :^-_- .^_-zt^=...^ "*~ — 'd. — ■=P=d; :1- f 1 ■«- r r •.«'- il^J f^Y te^=£g g^g^p^pf^^^i=iig^ i 201 Ex. 464. -->^- ^m- ■f±--p Efe^ ■±:i-J^sizzz^' ^ -• f» i.5 p — f. n-T-^n- -^ — ne i^ r1-:: f? -:r1: ;=^: ^&E^ 1=1: t 1^ -<2- ^ 1 i U Ex. 46o. -li: 1=^ -^-=^ ^Z=t-JL )fcfc4z:d-.-n K^^-4-g qrz^: '^~ r -(S- i l^^lS: -«- -*ii -^p-=t - :S :d=: :|i=:^ I I TT ;^^i rT=F^T=f ^^ lldt i i ^t::^ g ^^^ tos No. 104. 104 = J Never give up! ■M" NffTPff^ffP Nev - er give up ! for tlie wis - est is bold - est, g^ feE? i^^^'F :±=3= Know-ing that 5:=t=:t f iiitg :t .=p^.t rrov - i - dence min-gles tlie cup; And of all max - ims, the ifc^£ T^nt -f«=5P- ~\==---:\: t ^T^ff^WFWf^i^ &es<, as the old -est, §S: Is the truewatchwordof— nev-ergiveup! M ^ #_ ^E=p: :t: 1 Ex. 466. fe^ ■•&-■ SKl^^ fce_ ;^ i ^Hi^ '>f f-wrw*^ Ex. 468. Jiz^i; tzrF=F==» f=F^^^^F^P^ 1^ -»- rpz: :St££ :M=±: ^^m J bfc J -« — =; X « m 3trr-» :^:: m L^ a«:g^! ^^^ NO. 105. THE Immensity of God. «8 = J _3I_ t •/■ f r r Who Or Who Or God Suns ciin, on the the leaves in nieas-uio rays the the un • stars, bo ■ can the is and sea Au o - sun . mini fore shore, tumn, cean, darts, ber'd, Him, Count the Whirl- in« Wliere it Where it Wlio no Are as grains o'er deei) - Iniglit- l)oiind flakes of the est est can of ^m i ii^^ r- mm -j3i=*^^ r— r-'-f -f f$ W sand? . land? , flows?, glows? know ; . snow- . Or the win - ter Who, than swift -est God is called the snow - flakes, light - ning. Bound - less, DM ElZ: ;g=iEz|^^ ^^ '^ r T t ■^j- ^^ i^ f^f ii Driv-ing fierce and free? Fast - er yet can flee? Fath - om - less is He ; . Or the drops of Name that won-drous Swift - er than ;he lE^ISi S^ -h— wa - - ter, Be - - ing, li^ht - ning, ^1 In the brin - y Great - er none than Deep - er than the sea? He!, sea . i ::ii(r:: I GbBMAIT, TB. by DUIiCKEN. P 1 30A No. 106. 88= J MERRY ARE THE BELLS. 1. Mer- ry are tlie bells, 2. Mer - ry have we met, and mer -ry would they ring, and raer-ry have we been. ^ U 1/ ' ^ Mer-ry was my- Mer - ry let us Bg^ if-:^ ±=fi: -# — >—■ — 5 — tzz±: t±:z t fe^ ?^ self, and mer - ry could I sing,- part, and mer - ry meet a -gain; gi^^^tr:^^ ±± ll With a mer-ry sing-song, With our mer - ry sing-song, ■•- m iE3E^ p^f^M^^^I^^ hap-py, gay and free, gfst ^n hap-py. gay and free, , — :e — ^ — u — z — ,(. And a mer-ry ding-dong, hap-py let us be. And a mer-ry ding-dong, hap-py let us be. ^ tt i MOTREB OOOSE. Ex. 469. ^m T \f i^i :m i f=t rff-^jry 3 ^.^m- ^ 206 Ex. 471, it2: •p-^ ^i ^^^ =r~T ^=^^^^^^^s • ' No. 107. FLOWER Dances. S07 1. 2. 3. 4. fi. (i. In May the v«l ley li . n,., ,!„«. ThHrbHIs <.|,i„u. do,,, lhcbo.s-.soms.Kol,l andl.luoun.l wl,ite.Coin..quiclc-ly. oik- Ihenln a trice the li - lie.s play. Whileall * Tliensad-ly vexed is Ma.H-tei- Frost. Down to Yet Frost has scarce-ly left the vale. Uheiili I'll stay no loiig-er iu the house, The li ^ I — I ^ -^ ^— p — J- sweet; They cry. "Come forth, ye •*}': The speedwell, the for gin; The moonlookson witl ^^'' I'i - lies playdaiie - lug near Call quick- ly to the too. Sweet flowerets, danc ■ ing ■■i^i^i fe dance with twinkling feet, vio- lets hear the call. takesgreat joy there- in. pret- ty blos-soms flee, bells ring doubly clear, come to dance with you. — s — ~r= And dance with twinkling feet." The vio -lets hear the call. And takes great joy there- in. The pret -ty blos-soms flee. Their bpll."; ringdoub - ly clear. I come to dance with you * German, tk. by Mas. Anderson -=i-..;x: S^^S 208 Ex. 473. i^^^^^^^ Ex. 474. NO i08. THE EARTH HATH ITS JEWELS RARE. 108 = ,^ V y i V • ^ 1* ^ The earth hathto jew -els rare. It, Jew - ela tefc=: ^^^^^^^g==^ rare, A king might m P'fee!. .. But the rlch-eet „m not com - par, . . . But the ewwwf,- ■ . - fi i Y i l i HiTiiri i T i i l iiBli i i I The Earth hath its Jewels rarS. 209 ii I. 11 M — o V^~t rich -est will not . . com -pare . .VVithmydar -• — •- ling's eyes ! r^f-r And ^pEE£=Eg^^ -^—^ — u- -ffJI^. ^ ;/ ;> ^I^T June hath its crim - son Rose, Its crim - son Rose, For a world t^o 5P.i^eS^^E^E^=Ei ±£ jr=0=:f. C=t— b=t y night m i&^^ see! But the blush on his cheek that glows, his cheek that glows. Is as iS^ -4- =1- ^. ¥=f- V-M- -^^- ^^ElE:t^^B \ fe^=i 3 OjXlT" fair . . to . . A^r^ ., N I ■ ;i] me, Is as fair to P^ j^_j-_ Inn^ me. ^ ^-=i-H 210 TABLE OF CHARACTERS AND DICTIONARY OF MUSICAL TERMS. NOTES. -J_ -I -I S_^.. • — • — •- ^-m-m m M-MAXMM A J^OXJ^^XiAg RESTS. -«<- -I ^; / i A dot a -St- -J-. ^-=! a a- A- ^ *^ !i !i 5 -St-J 1 -s! "I :^^;^ i^ A second dot adds one half the vahie of the first. ^ -l^-U -^ ill ;^^— ^-_4__J -je--- I J -a. 1 ;J?-- A j* (sharp) raises the note a setnitono. A K (double .sliaip) raises a sharped note n somitone. A > (flat) lowers the note a semitone. A tH? (double flat) lowers a flatted note a semitone. A Q (natural) restores a jf, x, t>, or W?. To remove the second jj, as in x, write tjjf. To remove the second [), i.s in i^f , write [j!?. CLEFS. The clef represents the pitch of a single note. ^ -e> — I •1 S! COMPASS OF THE PARTS. TEKOK. SOI'RANO. BASS ALTO. 213 ITALIAN WORDS AND PHRASES. MOVEMENT. Grave, gravs. ^idagio, slov/ly. Lento, slow. l-argo, broad, I-iKghetto, broadly, but not so slow as Largo. Moderate, moderately. Andantino, going, but ?i jwer than Andante. A.id?nte, going. Aiisgretto, rather livei- but not so fast as Allegro. Allegro, Quick, merry. Presto, quick. PrestisEimo, very quick. Accelerando, accelerating Rallentando, slackening. Strlngendo, pres.sing forward. Ritardando, retarding. Riteuuto, holding back. Moreudo, dying away. Perdendosi, losing itself. Calando, diminishing and retarding. Smorzando, extinguishing. A tempo, again in time. Piu mosso. J Pinmoto, p»J<=ker. Alia breve, by the breve, or giving each half note a single beat. Tempo ordinario, in ordinary time. Stretto. shortened; in a quick, concise manner. FORCE. Pianissimo, (pp) very soft. Piano, (p) soft. Mezzo forte, (»{/) rather loud. Forte. (/) loud. Fortissimo, (ff ) very loud. Crescendo, (cre^ -.- ,=^ ) growing louaef. Decrescendo, (dee. or =^) growing softer. Diminuendo, (dim. or r=— ) growing softer. Forte piano, ifp.) loud and immediately after- wards soft. Rinforzando, (rinforz or rf) forcing. Dolce, soft, h half anner. r. r. after- 213 MANNER. Agitato, agitated. AniiuHto, auiumted. A poco a poco, gradually. Assai, very, lien, well. Brillante, brilliant. Cantabile, in a singing maimer. Con, with. Con brio, with life. " anima, with feeling. " espressione, with expressfon. " fuoco, with fire. " moto, with motion. Espressivo, expressiva Qiusto, exact. Grazioso, graceful. Legato, connected. Leggiero, iightlf. Ma, but. Ma non troppo, not too much. Maestoso, majestic. Marcato, marked. Meno, less. Mezzo, half. Molto, very, much. Non, not Piu, more. Poco, little. Quasi, as if, almost Segue, it follows. Sempre, always. Sostenuto, sustained. Staccato, detached. Tenuto, held. Vivace^ llvaljr. IITDEX. A Dream of Summer . A few stray Sunbeams . * A good Deed . . ' * A hungry Spider . ' . ' A little Word . . " ' All Things beautiful ... An Evening Prayer As I walked through the Village Street Autumn ""*'' ^^*^ ^"'**® ^^^^^ Autumnal . . Blow, Wind, blow . Blue-bird on yon leafless Tree . Bo-peep. . , Brother Robin ( . Brother Robin I Carol . . Come, lovely May . ' . ' * Contentment * . Contentment » • • • Don't kill the Birds Dream kisses . * * ' Evening Music . • • , Fairies . Fancies ..*'*' Field Flowers .*.*.' Flower Dances . . ' . ' Flower Dances { • • • God is good God save the Queen . . * Qofcrward , ' ' ' One Voice Mary N. Prescott Eliza Sproat Turner Ger., tr. by Dulcken Aunt Effle's Rhymes Colesworthy . Keble . Oerman " Under the Window." Three Voices " Under the Window. " W. W. Caldwell Mother Gloose I One Voice ' Three Voices j One Voice ' Three Voices . Mrs. Anderson Mrs. Anderson . Mrs. Anderson 111. Book of Poetry W. W. Caldwell I One Voice Ger., tr. by Mrs. Anderson ( Three Voices Ger., tr. by Mrs. Anderson Coates' Coll. • • • • . Colesworthy No 76 81 92 80 S5 61 101 16 97 13 99 31 !50 61 69 :6 .32 15 98 . Colesworthy 77 • Mrs. Anderson 44 Mrs. Anderson 42 41 49 21 36 107 85 93 3 216 No escott 75 urner 81 Icken 92 lymes 80 orthy 35 Keble 61 rman 101 ow." 16 ow." 97 . 13 Iwell 99 Joose 31 m )rson 61 irson • Tson 6? • 76 . 32 . 15 • 98 rthy 77 rson 44 rson 42 stry 41 s'ell 49 21 son 35 son 107 oil. 85 93 thy 3 Hark ! iiark ! the Lark Hark ! the merry pealing Bells •He prayeth best If but a Bird were I If I were a Sunbeam . It is the Looks and Tones of Love It snows! . . . . .Joy everywhere J Joy every where » Lightly tread . . . . Little Dandelion . Little Star . . . . Live for Something May Song . . . . Merry are the Bells ) Merry are the B'sUs » Morning Hymn J Morning Hymn J ' * -Vature's Voice . -Vever give up ... No Flower that blows . Once I saw a little jBiixl Onward float . . . Persevere) Persevere > \ • • Quietly, quietly . Robin's come .... School is over I , . , Sing, Maiden, sing ! . . . Sleep, Baby, sleep I Snow • . . . , .Snow Birds Song after Labor . . , Song of the Summer Winds . Spring • • • . • • • • • • t , Shakspeare Mrs. Hawtrey Coleridge Me. M 88 102 • • . . ■ • • • • . . . • . . , • • • • . Lucy Larcom Hannah F. Gould 22 17 71 28 } One Voice ' Three Voices Ger., tr. by Dulcken Ger., tr. by Dulcken 11 60 • • • , • • • • • • > Mrs. Anderson . Elliott's Coll. 78 90 6 • t . • • • • 70 J One Voice < Three Voices One Voice Three Voices Mother Goose ■ Mother Goose Episcopal Coll. . Episcopal Coll. 48 29 106 1 91 • • . • • • . • • • • • . • 86 IM 8 * * * f * . * . Mother Goose 27 4S < One Voice . Ger., tr. by Dulcken 26 I Three Voices , Ger., tr. by Dulcken 82 Letters Everywhere 87 W. W. Caldwell 95 47 Barry Cornwall 62 Ger., tr. by Eliz'th Prentiss 38 Ralph Hoyt 74 Mrs. Anderson 33 Barry Cornwall 103 George Darley 40 48 216 Spring Cuckoo Spring's Delights . Spring Voices . Summer Woods . , The Birds are flown away Tlie Bird's Song . The Blue-bird . . ' . The Breeze > TJie Breeze { Tlie Cricket . The Daisy . . . ' The Earth has its Jewels rare The Flower of Wuuderhold The Fountain . The four Seasons . The heavenly Father i The heavenly Father { The Honey-bee > The Honpy-bee { * The Immensity of God The Lark loves Song The leafy Boughs are nodding The little Moon . The Moon and one Star Tlie new Moon The Night The Piper . There was a Piper . The Violet . The Violet . . ' . ' Tom he was a Piper's Son ' . Truth , Truth * ' • Up, up, let us greet tTp the airy Mountain What so sweet When the merry Lark dotJi gild ; When the merry Lark doth gild { Winter Winter Song . Wishing J Wishing { " * * * t(o. • Bowles 33 63 Coates' Coll. 4 66 i One Voice j Three Voices Mrs. Pollen Henry Gillman Emily Huntington Miller Mrs. Anderson . Mrs. Anderson • Cowper . Montgomery ( One Voice . I Tlireo Voices I One Voice t Three Voices 1 One Voice . j Three Voices I One Voice { Two Voices . ( One Voice I Two Voices J. R. Lowell Ger., tr. by Dulcken Qer., tr. by Dulcken Ger., tr. by Dulcken Coates' Coil. . Coates' Coll. Cter., tr. by Dulcken . Mrs. Anderson ■ Little Folk Songs . Mrs. Anderson . Mrs. Follen Barry Cornwall William Blake • Mother Goose . Jane Taylor Barry Cornwall • Mother Goose Coates' Coll. Coates' ColL . Godfrey of Nif en 64 AUingham 73 . Mary N. Prescott 67 ■ Barry Cornwall 20 . Barry Cornwall 59 56 Holty, tr. by Brooks 58 . Aiiingham 25 AUingham 87 79 63 18 14 89 39 72 108 52 94 46 19 100 23 68 lOS 30 37 5 66 10 64 9 2 24 .36 34 12 96 i WA liowles 33 63 • Coll. 4 M Follen 79 illnian «3 Miller 18 lerson 14 lerson 89 owper 39 )mery 72 • 108 . 32 owell 94 Icken 46 Icken 19 Icken 100 Coll. 25 Coll. 68 Icken 105 . 30 Brson 37 longs 5 irson 66 ollen 10 wall 64 »ake 9 oose 2 lylor 24 wall .36 oose 34 Coll. 12 2oll 96 ifen 54 lam 73 cott 67 vail 20 vail 59 , 55 oks 68 am 25 am 57 a^ > \> ■v»^ . , TORONTO: TH5 CANADA PUBLISHING COMPANY (XAaCXX3DX>). i 'jt^*^'"* ' ., ■ V ■ -"- '1^1*^9^. ^4&afftiiM'