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L,m«d according to Act of Parliament of Canada ,n the year .856 bv Edwin R. Pa^khurst, in the Office of .he >[iMls.er cf Agriculture. ^ f '^'*i^ ^'^^SlSi' ■W.:-'V. •vie If '«i.s'' ■. '■■.< iM&v; fc^- J loitt ;l r//r/Y ^ BlOGI^APHIGAL Sl^ETOHES -^y.OFvr*^ Celebrated Composers and Vocalists. Amurosk, Robert Steele, well known in Canada as a song writer, was born in En^^land, and came of a musical family, his grandfather having been organist of the parish church of Chelmsford, Essex, and his father organist of that of Great Baddow. His father becoming weary of teaching music, emigrated with his family to Canada when Robert was a child, and purchased a farm in the neighborhood of Guclph. Robert and two of his brothers adopted music as a profession. Charles, the eldest son, was for many years a teacher in Toronto, and the first organist of the Church of the Holy Trinity. John, the second son, was solo pianist at the opening of the Toronto University, in 1845, and played Moscheles' " Recol- lections of Ireland" and other solos. Robert settled in Kingston, where he was precentor in St. Andrew's Church and afterwards organist in St. George's Cathedral. In 1S64 he removed to Hamilton, where for over twenty years he has been principal in the Wesleyan Ladies' College, and for eighteen years organist of tlie Church of the Ascension. He has published many light pieces for the piano, and a number of songs, of which "One Sweetly Solemn Thought " has probably gained the greatest popularity. Bishop, J. Brigham, author of " Shoo fly," was born in Boston, and is now about 49 years of age. After accumulating a comfortable return at his works, he took to mercantile pursuits, and is now engaged in the brokerage business in New York city. The familiar song, " Pretty as a picture," is one of the later produc- tions of his pen. Bland, James A., best known as the author of " Dem golden slippers," " In the morning by the bright light," and other jubilee songs, is a mulatto, and was born in the South about 33 years ago. He posses.'^es much original talent for the production of " darkey " melodies. Bradiiuky, William H., born* in York, Me,, in 1816; died January 7, 1868. As a youth he showed his predilection for music by attempting to play on dif- ferent musical instruments which came into his posses- sion. In 1834 he commenced a regular course of study and received systematic instruction, with the satisfactory result that he acquired a good musical education. In 1840 he commenced teaching in New York, and .soon obtained a prominent position in musical circles. As a composer he gained a wide celebrity, his works amounting to twenty three books of glees, and church and Sunday school music. His book entitled, "The Jubilee" had a sale of 200,000 copies in a very brief period. Cooper, George, poet and song writer, was born in New York city in 1840. He studied law with Ex- President Arthur, but has never practiced. He has written the words of many songs for Foster, Thomas, Abt, Tucker, Millard and other well-known composers. Among his most popular songs are " Beautiful Isle of the Sea," "Sweet Genevieve," " Mother Kis.sed Me in My Dream," and " Must We Then Meet as Strangers." The catalogues of the music publishers are, in fact, full of his efforts in this line. During the past few years he has written many poems for the juvenile magazines and periodicals — Harpers' Young People, Or /oil iig Folks, Wide Awake, Iiidepemleiit,Qic.. His time ha.s, in addition, been well occupied in supplying composers with librettos, hymns, translations and sentimental poetry. . CowEN, Frederick Hymen, one of the most prominent British composers of the present day, was born at Kingston, Jamaica, January 29, 1852. He manifested a taste for music at a very early age, and soon after his arrival in England with his parents, in 1857, he became the pupil of Sir Julius Benedict and Sir John Goss, from whom he received instructions until 1865. He was then sent to Leipsic and Berlin, where he studied for three years. His first important work was the cantata " The Rose Maiden," a composition distin- guished by elegance of style and tunefulness of melody. He has since produced a number of beautiful and popular songs, an opera, " Pauline," the cantata " Cor- sair," the incidental music to Schiller's " Maid of Orleans," a festival overture and .several symphonies. His best work is the " Scandinavian " symphony, which has been performed with great success in all the prin- cipal cities of Europe and the United States, and also at Toronto, Canada. The late Dr. Damrosch pro- nounced this work the greatest symphony that had come from the present modern school. The exquisite dramatic beauty of the slow movement and the fairy- like grace of the scherzo have won for this symphony an instant success wherever played. The orchestral coloring is very fine, and Mr Cowen has proved him- self to be in this work a thorough master of instru- mentation. He is at present employed in writing a grand opera, which it is expected will be his greatest effort. I ' Ihixj^riil'hiitil Sh,lclns of Cilcbiatcd Coin/tosirs inhf I'. lUifists. Danks, H. p., was bom in New I[a\cii, Cniiii. Since 1864 he lias been a rcsidcn of New YorU city, In 1 872 he made his great "hit, " Silver threads among the gold," which is said to have liad tlie largest sale of any song ever written by an American author. I le is a prolific writer, having already in print more than eight hundred original works. As a .sample of one of his pleasing efforts, we include among the contents of this volume, a song and ciiorus, entitled " Let m)- name be kindly spoken," which has met with considerable success. Emmktt, Joseph K., the popular actor and singer, was born in St. Louis, March 13, 1841, and made his fir.^t appearance before the footlights in 1S66, ata variety tlieatre in that ciiy. lie won an instantaneous success with the general public, his broad, natural humor, talent for mimicry, and clever dancing and singing creating a furore. His original speeial'^ies were in those caricatures of German types which are grouped in the category of '' Qutch business." In 1868 he went to New York and obtained an engagement wiUi Daniel Hryant's company, and two years later he appeared in his most successful creation o{ Fritz. He has since made a tour of the world, playing every- where to crowded houses and always to delighted audiences. His eccentricities have somewhat inter- fered with his career, but his popularity is as great as ever. He has compo.sed many songs, of trifling musical merit, but which have had the good fortune to please the masses of the people. Forsyth, Wesley Octavius, one of the younger and risip^ musicians of Canada, was born in Aurora, Ont , in 1 86 1. He comes from a decidedly musical family and gives promise of attaining a leading position in his profession. He lias written several piano compositions, among which may be mentioned two songs without words, "Regret" and "Farewell," also "Happy Smiles," " Memories," " Floating Echoes,''' " Idyl," and others. His Impromptu (Op. 8), a protraiture of the varying pas- sions which sway the human soul, is admirably written, and is acknowledged to be one of his best works. A song for mezzo soprano, entitled " Slipping away," is an attractive and tender composition, very cleverly worked out Forsyth is a brilliant and expressive pianist and a painstaking and successful teacher. He has an extensive clientele in Toronto, where he now resides. Foster, Stephen C, writer of songs and ballads, was born July 4, 1 826, at Pittsburg, and died Jan. 13,1 864. He developed a love for music at an early age, and when but thirteen years old composed a march for his school- mates at his college in Athens, Pa. His first published composition was a serenade, " Open thy lattice, love," the music of which he wrote at the age of sixteen. The following year he took 'o writing negro melodies, many of which, among tl. :n " Louisiana belle," "Old Uncle Ned," " Oh Susanna " and " Way down South," achieved a wide popularity. In 1845 he went to Cin- cinnati and accepted a position as bookkeeper under his brother, Dunning McN. Foster, but the dull routine of office life soon wearied him. and in 1847 he forsook mercantile pursuits and adopted ballad writing as a hiisinrss. In 1S50 he wrote " Nellie w, is a lad)," and in 1 85 i composed his most beautiful and celebrated song, " (Jill Folks at home " Tliisdeservi'dly popular song was suggested to him by the irresistible longing he felt tor hoine, uliile away from I'itl-hurg, and not by the idea, as some ha\e sujiposed, to i)roduce a ri\-,d to " Home, Sweet Home." I'oster wrote most of his ballails and songs during the period between 1854 anil i860. " Willie, we lia^e missed you " is another of his songs, which has attained a world-wide celel)iit)'. In 1864 he was attacked with ague w liile in New \'ork, and being in a we.ik condition at the time, the fever proved fatal. Foster was somewh.it eccentric in char- acter. Some of his best melodies came to him in the middle of the night. In such cases he invariably got up and dresseil, and committed his ideas to music paper for subsequent elaboration. Glkdhili., Edwin, composer of ballad music, was born in London, England, July 3, 1835. His father was Robert Limbry Glcdhill, well known as a meritorious musician and pianist. Edwin Glcdhill commenced his music studies at the early age of si.x years, and his natural genius, supplemented by many years' study, has won him his present reputation. In 1858 he went to Canada to seek his fortune, anil took up his resi- lience in Toronto. Since that year he has faithfully devoted himself to the business of a professional musician. In the line of ballad music he has been very .successful, many of his songs being distinguished by a vein of melody which has secured them popu- larity. Among these may be mentioned " Waiting for the tide," " Oh ! nightingale," " When the flowers begin to bloom." Hay.s, Will S. This well-known writer and composer is at present (i886j a resident of Louisville, Kentucky, in which city, it is said, he was born and educated. His age is somewhere between 40 and 45. Mr. Hays has written many songs, and has produced some very fine poems. For years ha has been agent for several mail packet lines, plying between Louisville and Cincin- nati ; he is also connected with the Courier-Journal, of the former place. Most of his songs were written just after the close of the War of the Rebellion, the most popular being " The wandering refugee," " Write me a letter from home," " Nora O'Neal," " Evangeline," and later, " Mollie darling" and "The little old log cabin in the lane." Mr. Hays is very popular with the Western steamboat men, and by his own fellow citizens is regarded as a whole-souled, original genius Howard, Frank, the noni-dc-pluine of Mr. J. F. Martin- dale, was born in Greeley, Iowa, and is thirty-five years of age. He commenced his career by becoming con- nected with various theatrical combinations, and won his first pronounced success with Thatcher's Minstrels by his singing of his now celebrated song, " Only a pansy blossom." His subsequent successes in the line of vocal music are, "When the robins nest again," " When the springtime and robins have come," " I'll await my love," " Sweet Alpine roses," " Venita," " Two little ragged urchins." . ■*W5<'-i'ftJi'-- ■ ; '^■§mi. CJ^/yr fl.4Jr7r^r't^ ^////^///A lUo^mpltual Sftctiht's of CtlebmUd Compostn /i/ upon Uic minstrel sta^c in iSGo. Since til, it time lio has been hDnorcil with the best positions obtainahli', and is second to none as an artistic per- fnrn)er on llie l)anjo. In 18.S0 he made an en^ja^iement witii llavirl)''s Minstrels as leader of the "Twelve Danjo act," in which twelve banjo artists appeared on the stajje at one time, and opened at Her Majesty's Theatre, London, on the 30lh of July of that year, where his " Chime Hell," and " One-hand " imitatit)ns met with }^reat success. I le is a remarkably successful composer, and some of his son;,'s, particularly " Some day I'll wander b.ick a^ain," and " Must we leave the old home, mother," are among the most popular in print. Mackknzik, a. C, one of the most gifted British com- posers of the present day, is the son of a popular musician of lulinburgh, and was born in 1S47. At the age of eleven he went to .Schwar/.burg Soiulerhausen, antl studied under W. I'Irich and Eduard Stein. Two years alter he returned to Scotl.md and then proceeded to London and won a King's scholarship at the Royal Academy of Music. After receiving a course of instruction on the violin from M. Sainton, he returned to his native city and adopted the life of a professional musician. His first great success in composition was his orchestral arrangement of Scotch melodies under the title of " Scotch Rhapsodies," which were played by the Crystal Palace Hand in London, and a few years ago were introduced to the American public by Dr. Damrosch and Theodore Thomas. His opera of " Colomba," produced at Drury Lane Theatre in lcS83, established his fame. The merits of the opera were at once recognized in Germany, and " Colomba " was hailed by the critics as the first step on the foundation of a noble, pure, and exalted school of Hritish compo- sition. Mr. Mackenzie followed up his triumph by producing an oratorio, the " Rose of Sharon," for tlie Norwich Musical Festival of 1884. The effect of this work was electrical, and it was subsecjuently repeated in London and New York. Mr. Mackenzie is distin- guished for a style characterized by a true melodic vein, exquisite taste, and skillful use of the resources of the orchestra. He has adopted the " leit-motive" system, but does not abuse it like so many other com- posers of the modern school. Millard, Harrison, was born in Boston in 1830; from his earliest years he evinced not only a great love but an undoubted talent for music. His first appearance in public was at the tender age of four years, at Dr. Sharp's Baptist Church in Boston, when he was stood up high upon one of the benches in the Sunday-school room, and piped out old "Silver Street," the time- honored hymn, to the admiration of his fellows. At the age of eight he attended singing school for one winter, and was then already sufficiently proficient to read perfectly alto parts of almost any of the church tunes of the day. When but ten years old he joined the Handel and Haydn Society, and was for several seasons the leading contralto in the chorus, although a high pile of books had to be arranged as a pedestal for his accommodation. In 185 i he went to Kurope, and there spent three years in Italy anil elsewhere, studying uniler the best ni; ters, such as Romani, Mabellini and Me'rcadantc. VV'liile in Italy he ap peared in Italian opir.i. being hi^,iily spoken of by the press and jjublic as a musical wonder, because he had come from the wilds of the United States. During two years in London he was engaged by the world famous Jullien (who proved to him a most cMellent friend) as his leading tenor in all his uratorio concerts held at Surry (iarilen. I le also sang at Boosey »'<: Co 's Great Verdi Festival, at Fxeter Hall, in company with such distinguished artists as Clara Novello, Miss Dolby, Sims Reeves and Miss Weiss. After this he accompanied the celebrated Miss Catharine Hayes on her farewell tour through Ireland and Scotland, as tenor, with the great Lablanche as basso. 1 le returned to Boston, his native city, in the autumn of 1854, having achieved these many successes before he had concluded his twenty-fourth year. He remained in Boston until 1858, frequently singing in public, giving lessons in his art, and in the Italian language, com- posing ballads and sacred pieces. In 1859, he made his first success as song-writer in the composition of our national air, " Vive I'America." It was a kind of prophetic inspiration, for at that time the war of the rebellion was undreamt of. Two years later he was marching to its music to take his jilace among the patriots. Mr. Millard served four years in the army, when having been .severely woundjd at the battle of Chickamauga, he was compelled reluctantly to resign his commission, and returned to New York. He wrote one other national song, almost, if not cjuite, as popular and well known, " Flag ot the Free." The sales of tliese two songs have been enormous. As a general thing, Mr, Millard's compositions arc too difficult for the masses, and obtain most favor in the concert hall and parlor, though sometimes he strikes the popular taste, as in " Under the Daisies," " Wait- ing," " When the Tide comes in," "After " These are but a few selected from a list of over three hundred. In sacred music he has also been very prolific, having composed many anthems, complete services for the Episcopal Church, several Te Deums, Giand Mass in G, and Vesper Service for the Roman Catholic Church, besides collections in book form ; his compositions are much used in the churches. Mr. Millard has also finished a four act Italian opera, entitled " Deborah," founded on Mosenthal's play of the same name, but has not been produced as yet complete in public. It has been dedicated, by permission, to the King of Italy. His little parlor operetta, " Two can Play at that Game," is already quite popular, and having a steady sale. Singing at concerts and church, and attending to his daily duties at the Custom House, the number and excellence of Mr. Millard's composi- tions are certainly something remarkable. In personal appearance he is a little below the medium height, of light build, close cut iron-gray hair, dark mustache and imperial, and dark eyes. He is of genial disposi- tion, a ready conversationalist, and popular with all who know him. Biographical Skrtclits of CtUhrated Composers ami \Waiisfs. Nkwcomii, Robert, was born in Nrw \ox\i about i.S.|,H. He is well known as a writer of poijul.ir son^s, aniontj wliich aro" Sweet for^,'et-nie-not, Plicre's a lijjlit in the window." It is clainuil he is the original author of " I.ovc among the roses." O'lihAKDoN, Matt., a coniposiT who died about two years a^'o, will be best called to mind by his chief successes, " The marriaf^e bells" and " Our dream of love is o'er." His tumpositions are still a source of pleasure and enjoyment in many a Can-idian aiul American home. Though trifled with rem.irkabN; natural talent and creative ability, he was entirely uncultivated in the art of music, and many of his works were produred through the aid antl instrumen- tality of amanujnses. Root, George l', composer and song writer, was born at Sheffield, Mass., in 1S20. He was a music publisher in Chicago, and founded the firm of Root & Cady. He was a voluminous song writer, and also composed a number of cantatas, among those published being " Daniel," " IJelshazzar's Feast." and " Pilgrim J'.ithers." I le wrote the opera " Tiie J laymakers," and a number of musical works, of which the best known are " Fire Queen," "Shawn," "Sabbath Hells," and "TriumMi." The profits he derived from the last-named book amounted to 340,000. RosENFULi), M. H., variously known under the nouts-dc- pliniie of F. Heiser and 1'". Helasco, was born in Rich- mond, Va., and is about twenty-eight years of ag.\ I le is the eldest of three sons, who are all more or less associated with the dramatic profession, and who all possess ;i degree of genius as writers and composers rarely found united in one family. He has achieved distinction in other fields of art than music, having attracted public attention as a playwright and a con- tributor to various magazines, his articles appearing over the assumed name of " Tobias Toothpick." The titles, designs ant, Hartley Cam|)bell, anil en ati il many cli.ir- acter parts in the plays of this .uitlior. One of his most successful n'ays, " {•"rieiul ami l'"oe," was written by Mr. Cami 'oell. Mr. Scanlan h.is written m.my songs for Tght cometly and burUx]ue i:(iiii|)anies, " iVeka Koo" has been his greatest hit with the gen- eral puulic, over half a million of cojjies having been sold. He receives six cents for every copy, and draws royalties from tw'nty-thne snugs. His latest compositions, " I'eggy ()'Moore," "My Nellie's HUu' F)is " and " \Vh it's in a Kiss " are becoming in great demand. Ski'.i.i V, Joseph Paul, the popular song writer, was horn June 29, 1S50. Hereceivetl his education in the public schools of New York eit)'. Although his attention in early youth was directeil to mechanical pursuits, he developed with his growth strong literary ami musical instincts, and he seized every av.iilable opportunit)' of cultivating his taste in these directions I le soon con- nected himself with the New \'ork press, and for seve- ral years regularly furnished articles to the newspa|)eis and periodicals of that cit)'. l'"inding it impossible to restrain his inclination for music, he ne.vt ile\oted his attention to cotnposing songs, anil during the past fif- teen years has proiluced over one thousaiul pieces. He was singularly Kucceshful in hitting the public taste, and minstrel troupes ;md othei vocal organizations have obtained from him many of their sweetest .songs and their greatest successes. Although lie has the reputation of being a remarkably gifted melodist, ho did not neglect the study of the theory of music, har- mony and composition, and his songs show that the knowledge thus acquired has been turned to practical account. Among the most popular of his songs are: " My pretty red rose," " The old rustic bridge," " By the mill," "A boy's best friend is his mother," " Little darling, dream of nic," " Only as far as the gate," " My heart to thee is singing," " Come back to mother." Stewart, James E., who died recently at the age of thirty-six years, was a native of Cincinnati. He was a brilliant and charming writer of songs of a certain genre, and many of his earliest productions are as fresh in the mind of the public as at the time at which they appeared. It is only necessary to cite "Jennie, the flower of Kildare," " Fairies watch o'er her cradle," " Only to see her face again," and the " Cricket on the hearth," as ca.scs in point. Thoma.s, John R., writer and composer of Elnglish ballads and sacred songs, was born at Newport, South Wales, in the year 1830, and emigrated to the United States when quite a youth. All of his works have been publi-shcd in the United States, a fact which has led tp the popular belief that he is an American author. He appeared on the minstrel stage in New r \ ' "mm /^. /r f^r/ /// /r // '^//r / 12 Biographical Sketches of Celebrated Coiiif>osers and IWalists. York in his earliest years, but under an assumed name. He was subsequently a member of the Seguin English Opera Company, appearing as the Count in the " Bohemian (iirl," and in many other roles. It was about this time that he commenced writing ballad music, although his persistent attention has been devoted to sacred music. Many of his songs, includ- ing "Bonny Eloisc," " God bless you," " Cottage by the sea," and " Must we then meet as strangers," have for years enjoyed general popularity. Mr. Thomas is at present a resident of New York. Westendorf, Thomas P. Among the promising com- posers of the United States is Mr. Westendorf He began his musical studies in 1S57, under Louis Staab, professor of the piano, and Henry Dcclercq, professor of the violin, with whom he made rapid progress as a performer of both instruments, at the same time acquiring considerable knowledge of wind instruments. Later he was appointed teacher of tlie brass band and of singing in the Reform School of Chicago. Here his efforts were crowned with success, the band of which he was the leader becoming famous throughout Illinois. As a composer, Mr. Westendorf might have dated Lack much further than the time of his first pub- lished picducticn, had it not been for his modesty, a quite natural trait with true genius. As a successful and versatile writer, he is equalled by few in this country. His songs and instrumental compositions have an exceedingly large sale, and seem to strike the popular fancy in an extraordinary degree. White, C. A , one of the most popular of American song composers, was born in Taunton, Mass., in 1S32, and is descended from an old and honorable New England family. His boyhood and youth was spent upon his father's farm. As a child he showed unusual aptitude for music, and his love of the art strengthened with his growth. He has been a most prolific com- poser of songs, and has probably written more than than any other American composer. Singularly suc- cessful in hitting the popular taste, his songs are known everywhere among English speaking people. Among the most widely circulated of his songs are " Mother, take me home again," " Put me in my little bed," " Moonlight on the lake," and " Ise gwine to Dixie." His works are all published by the firm of which he is a member. Mr. White's period of productivity has by no mean's ended, as he still composes with his accus- tomed felicity of style. Winner, Joseph E., a popular song writer, best known under the noin-de plume of " Eastburn," was born in Philadelphia. He exhibited a taste for music when a boy, and when twelve years of age had acquired suflfi- cient mastery over the violin to play at public concerts. His first composition, the " Night Spirit Polka," he produced when sixteen years of age. He made his first popular hit with the .song, " The Ring My Mother Wore," published in 1858. He has since then pro- duced a large number of songs, many of which have achieved extraordinary success. The most note- worthy instance is his " How the Gates Came Ajar," which reached a sale of over half a million copies. Mr. Winner has composed many instrumental pieces of a light and pleasing character. At the present time (1886) he is carrying on the music business in Philadelphia. Winner, Septimus, one of the mo.st popular American writers and composers of songs, was born in Phila- delphia, May II, 1S27. He commenced his career as a cow-boy in Wyoming Valley, but the duties not being to his taste, he deserted his post and returned home. He then studied at the Philadelphia High School for two years, and about this timeconmienced the practice of the violin, and became so enamored of the instru- ment that he went to a prominent musician of the city for instruction. He received only four months' instruc- tion, but nevertheless made such satisfactory progress that when twenty years of age he became a member of an orchestra, which he afterwards led as chef d'attaqiie. He found the position ultimately one of musical drudgery, and when about twenty-five years of age he opened a music store, wl;ile devoting his spare time to teaching the violin, guitar and pianoforte. In 1850 he wrote and composed his first song, " How sweet arc the roses," and, encouraged by the success, produced " What is home without a mother," which had an enormous sale. These songs and many others he wrote under the nom-dc-pluntc of "Alice Hawthorne." Then followed " Listen to the mocking bird," a song that became universally popular, and reached a sale of 140,000 copies. It has been since arranged in count- less ways for all sorts of instruments, and is still a favorite with miscellaneous audiences. M.r. Winner is a most prolific composer, and his songs, both senti- mental and humorous, number several hundred. He has also written instruction books for various instru- ments, and has in all over two thousand arrangements for violin, piano, guitar, etc. These are all in great demand, being sold in all the cities and towns of the United States and Canada. Additional Biographical Sketches of Celebrated Composers and Vocalists, Beebe, Miss Henrietta, is a native of New York City, and was born in Decembei', 1844. Her musical train- ing was begun in her fourteenth year, under the charge of the celebrated Dr. C. A. Guilmette. At the age of si.xteen she made her first public appearance, singing the " Creation " in a manner that caused astonishment by its intelligence and facility. Visiting Europe, Miss Beebe studied for three years with Sig. Perini of Milan for the purpose of acquiring the Italian method. Later, she continued her studies under Signor A. Randegger, in London, where she made a protracted stay and ap- peared at the Monday Popular Concerts, Cry.stal Pal- ace, and other first class musical entertainments, with marked success, receiving the public approbation of Sir Michael Coata, Sir Julius Benedict, and other well-known and esteemed musicians. Biographical Sketches of Celebrated Composers and Vocalists. 18 Candidus, IlcrrWilhclm. About the year i860 a young man working in his father's piano keyboard factory in Philadelphia, having a rooted objection to the busi- ness, enhsted and served with considerable distinction in the Army of the Potomac. This young man wa.-« none other than Wilhelm Candidus. When ''tired of war's alarms," lie went to New York and joined the more peaceable ranks of the Arion and Liederkranz Societies, when he became conscious that he w is the possessor of a fine tenor voice. The fact bee. ining public, he was asked to undertake the role oi Max, on the occasion of a performance of " Der P^reischutz," given by the Arion at the Academy of Music, in 1867. He made an emphatic " hit," and resolved to adopt the vocal profession, going to Europe for the purpose. Me fulfilled engagements at Weimar, Munich, Berlin and Hamburg, and a year later sang in Her Majesty's Opera House in London. Afterwards he was principal tenor at the Opera House Frankfort-on- the Main. GEinEi., Adam, was born in the little village of Neien- hcim, near P>ankforlon-the-Main, Germany, Septem- ber, 15, 1855. He became blind in early childhood. In 1H62 his parents removed to Philadelphia. Two years later, Adam, then but nine years of age, was admitted to the Pennsylvania Institute for the Blind, where he remained eight years as a pupil, and after- wards was appointed an assistant teacher of the violin and organ. He resigned this position in 1875. While at this institution he studied harmony and composition with the able organist and director of St. Stephen's Church, Mr. D. D. Wood. His first composi- tion was written and published in March, 1874; this was followed by others, until his works at present number several hundreds, both instrumental and vocal. That Mr. Geibel has made rapid progress in the musical world is evident from the increased demand for liis compositions ; he bids fair to rank with the best writers of the day. Among his more recent composi- tions which are eliciting marked attention are his famous waltz-song, " Orange blossoms," " Row, boat- men, row," quartette, " When the swallows come again," vocal, "The storm at sea," " L'lvsperance valse de concert," several sonatinas, etc. There is no writer in America who giv^s promise of a more brilliant future than Adam Geibel. GiLCHKlsT, William Wallace, was born in Jersey City, January 8, 1846. His p.irents removed to Philadelphia when he was nine years of age. Here he received his musical education, and has always been identified with its musical interests, except for one year (1871- 1872), when he resided in Cincinnati. He is director of several vocal societies, and has a local reputation as a vocalist, possessing an excellent and flexible baritone voice. As a composer he has universal fame, having achieved the Cincinnati P'e.stival prize of 1882, the judges being Carl Reinecke (Leipsic), Camille Saint-Saens (Paris) and Theodore Thomas. In 1881 Mr. Gilchrist won three prizes offered by the Mendelssohn Club of New York, for compositions of various styles for male voice. Hauck, Minnie, born in New York, November 16, 1852, made her first appearance at a concert in New Orleans about 1865. She was then placed under the care of Signor Enani, in New York, and made her dclnit on the stage of that city, as Aiiiinn, in 1868. After a successful tour in the States, with a large repertoire of characters, she went to London, and appeared at Covent Garocn as Aviina (October 26, 186.S), and Marghareta. In 1869 she was engaged by the Grand Opera, Vienna, and .sang there and at Moscow, Berlin, Paris and Brussels, with great success, for sc\eral years, in a large range of parts. On April 27, 187S, she re- appeared at her Majesty's, as Violctta in " Traviata." She sustained the part of Carmen in Bezet's opera of that name, at Brussels, and on its production in Lon- don by Mr. Mapleson, at Her Majesty's, on June 22, thus making the success of the piece, which had not pleased in Paris, and showing herself to be not onlj- a high-class singer, but also possessed of no ordinary dramatic power. Her voice is a mezzo-soprano, of great force and richness, and she is said to sing Italian, German, French and Hungarian with equal facility. Kellogg, Clara Louise, was born in Sumterville, South Carolina, in July, 1842, and is of northern extraction. Her mother had considerable talent as a musician. Clara was the only child. In 1856 they removed to New York, where she received her musical education. She made her first appearance there at the Academy of Music (Opera) as Gilda in " Rigoletto," in 1861, and sang that season ten or twelve times. November 2, 1867, she made her debut in London, at her Majesty's, as Margherita; she sang constantly, and was re-engaged for the next year. I'rom 1S68 to 1872 she was touring in the United States. She reappeared in London on May 11, 1872, at Drury Lane, Her Majesty's Opera, as Linda, and sang during that season also as Gilda. On her return to the United States she continued to sing in Italian Opera till 1874, at which time she organized an l, a/ ^J/M. y. /^//// {{ r/ / frrr// I(i Biografioo,ooo for three years' singing in concert and oratorio. She made her debut in Boston, in if^/O, since which time she has sung in all parts of America and Europe with great success. She is of petite figure, with a very expressive face, and a most charming and modest bearing. She absolutely re- fuses to appear upon the stage in opera. Her recent successes abroad have been all that her earlier career promised. \'^ALLi£KiA, Ahvina, n4e Lohman (now Mrs. Hutchinson). \ popular American soprano vocalist, who for some years has been settled in London, and has met with great success in the Mapleson Company. Pupil of Mr. T. A. Wallworth. She married in 1879. Her fine voice and admirable style are much appreciated. Her present engagement with Manager Abbey prom- ises to greatly increase her popularity. Van Zandt, Marie, is the daughter of Madame Jennie Van Zandt, who was for many years a prominent member of the Kellogg Opera Company, and the granddaughter of the celebrated magician and ventril oquist. Signer Blitz. She studied music in Europe, where she made her first public appearance, and at once established herself as a favorite. Her greatest triumphs have been gained in Paris, especially in the roles of " Mignon " and " Lakmc," the latter being written for her. Although eminently successful, greater prominence is predicted for this thorough artiste. ViCKER.s, George M., was born in Philadelphia, Pa., January (Sth, 1841. As a writer of song-poems, this gentleman has no superior either in this country or in Europe. His poems possess a degree of grace and originality that not only gives them a peculiar beauty, but also insures their almost immediate popularity. He is a perfect master of the art of versification, and few, if any, of his writings fail to give evidence of his rare poetical talent. Among h'"^ more noted poems which have been set to music by popular writers, may be mentioned " The Fisherman's Bride," " Six o'clock," " Twilight on the Sea " " Orange Blossoms," "By the Old Cathedral," "The Robber's Dream," besides "The Proudest Ships," " Why, Why, O Sea?" in his libretto of " The Lightkeeper's Daughter," and "Ah, Love's a Rose," " Now that We've Met Again," and " Sweetest Blossoms of the Spring," in the libretto of " Nora," of which he is also the author. Mr. Vickers has written considerably more than two hun- dred poems, upon subjects ranging from the most humorous to those embodying the most touching pathos. His descriptive pieces are universally admired. WiurNEV, Mr. Myron W. The magnificent voice and cultured style of Mr. Whitney render him a tower of strength on all important musical occasions. As an oratorio singer he has but few rivals and no superiors. His legitimate rendering of anything intrusted to him is worthy of special eulogy, especially in an age when tradition is decried as being unworthy of considera- tion in this age of musical progress. Mr. Whitney is a New Englander, hailing from Ashley, Mass., where, in 1836, he first saw the light. He was first heard at a Christmas performance of the " Messiah," given by the Handel and Haydn Society in Boston. Since that time he has assisted at almost every important oratorio performance in this country, and enjoys a widely extended popularity, which he has worthily earned. In i(S7i he visited England, and achieved a notable success in London, particularly at the concerts of the Sacred Harmonic Society. He was also intrusted with the part o^ Elijah at the Birmingham Festival in 1871, and " won golden opinions from all sorts of people." . ^REHY POND LILIES. ii Words and Musio by LILLIE HALL. Tempo c/i I'l/s, / ■ -^-^ — -(- iliU I :r^- ^^--^ — 'zi -ez i a=iiL3^^^[ =t; ^i^^^^ii^iii^^Lrtfi E^iS=3=^5=g=i^==S?-a 1. Whilst wail - iiiK in the lane for yuu, 2. My li)ve shall ev - cr be to you, ^^^^^^ 12 - I^^;:li*il^illisl3 t— -«- li; f^ I -•• --3- mi -«» — *'— P^- ■(-■'^ -^— »-^-i — p- qrnrpnr; SilMgiiiigr.^ zzn: ISa EESEE^^e dar dar ling. I, ill};' ring as the hours roll by, True as the watir ■ lilies pure, At - tract - ed by the rippling of the xva - tcr, And the So lake them, dear, and cher-ish to your heart, love, Don't —"^4==^^=^^"^=^^* ^^^^^^^-^m^^"^. fragrance where the pontl ■ lil ■ ies lie. let yourtho'ls of me another lure. ^m To ga ■ ther some I quickly thought Oh, prom - ise me, oh, pledge your word, A'ou'd smile if them to you I That when I'm gone far, far a- ^ ^i^^^nng^^feg Ei il $ :=]= g^-i3iiEp2^^ ■k brought, So lake Ihcnr w ilh my heart's best love, way, You'll not for -get when with the loved ones. ^^^^|5^^g tr-l ^^i^i^Ji^^ As pure as hcav'n - ly things a - bove. The lil -ies and the vow you made to - L ID s KP' R^ a^ -S X- love... more.. ^m w^ ^ ^ P=> g^r-Fl^ ^ ^ —1=^^^ P -n— jf- ^ :i 3=2:: __4_ ¥ a=r-_-:.Ff-= PNP i I ':20 SOME DAY IlL WANDER BACK AGAIN. Words by AP.THUR W. PBENCH. AnJ.in!f. SONG AND CHORUS. MuBio by WM. A. HUNTLEY. >-^.lT- ;^^G^H^ ;*i^ i£ ^S5B:-:-fc|-K tpti ^:H:^EE§i?ffe^»E5^l?'^? ■^. -m. C'rl>/ fs/ll-t'iS. I. Some (lay 3. Some day 3. Some (lay IP I'll wail • (Kt back a I'll wan - (ler liaclc a I'll wan ■ dcr back n ■gj afij ^-. ^^ :ci: IP :r1: ^^ :?=- ^ =P=^ 1^ gam, gain, gain. To where the " old home stands, Be • ncath To scenes so dear to ne. Where life To hearts so kind and true, Whose gen the old tree down the lane, sweet in • fan ■ cies re • frain, tie fa - ces itill re • main, A - Be ■ In m w --^;^^ ■^^ :* * ' ^ I "m ^ s ^ V *- ^ -*r 'mm ^ 3-r^ ■z^Zs — a. isr^& g 3E3E^ =c^^ ii -•t=»- ?=^ fc^rrqi =5— 1=: H :*r=(*i ;:^Es^ff^ for side mem' a ries m ■f» — oth - er moth - er's chur - ishcd __J ^ lands, knee, view, 3E5E ^ It's hum - ble cot will shcl - ter me, To live once more the 50IJ • en hour, No more my way -ward feet shall roam. ^Ei=E^ m From Of Life's frou ev - 'ry care joy - ous mer bled path and way =S=5t: ■3-'-3. — ^ ' ^ ^S^ S^^ ta^ ^?^i pp x"^ V fe^ ^ pain, play, o'er. 1— And life No thorns But in =0*: ^^^ =5--;: 1 be sweet as sweet can be, When I but on - ly sweet • est flowers There in the life and love of home I'll rest am home life's mer me cv a - gain., ry way., cr - more.. ^ ^ i ^ :rq: t t SOME DAY I'LL WANDER BACK AGAIN, CONCLUDED. 2i Ohorut. HUPRANO. Lc. Has.. I >>>>>^''r^-r^ "^ 5 ^-^::^■ — * t^-, — ■*-:^ .e^:jf $. t^ ^ . ^ ^— J|_ ^^,-t^$ •& ±__^j_j_j _^ Auo. I I l^>>*J>^U»U'i»'^ 1 I \^ I 1 '^ ^ ^ ^ ^ ' I'll wail ■ iler hucU, )> ^, Ijao , a ■ gaiii,)U'.,l n^aiii, WIkic child - liuml's li»me may cliiUll>uu>^ ^^^»6f» J J J^-i- J^ J^ J^ .J^ J* J. T "Tr-'fT'r :S^E=gi| ^^F-j=r-r^ mem o - ry in sweet re - frain, in sweet refrain, Still sings its praise, to me, its praise to me. Bk S—1'mm pii^^-pil^iEpp^^i:^!!-^ Efc *- -J — =?=-"x=*E=»- mmm ONLY A DREAM OF MY MOTHER. Words and Music by Inirdduction. .Moiftruto, i.'ilH fty/iii. SONQ AND CHORUS. JOHN T. RUTLEDOE. Er4i ^ =^ 1^=*; --ZT- :--^^ -jiz=z\=:zXjr:iz B^^ip^^^P^ :»=»: ipprtllpii ^E^ -1- ^3=*: 3-t=S=e: Z3mr- t: ^E^'e ^^ 1. On - ly a dream of my Moth - er, 2. On ■ ly a dream of my Moth - er, 3. On ■ ly a dream of my Moth - er, 1 1 "- ' 1 •^ -^ ^— ^' 1 h~ Vis - ion of dear - est de - light Cheer-ing my heart as no And tlie old home ev ■ er dear Com • ing my sad tears to On • ly a dream that is all, Wake me not for there's nci W- i2=: ^ i^^E '■^^=^ ■»— f- =i^ :StrSz --s=^ -•* — ipi- m. 22 ONLY A DREAM OF MY MOTHER. CONCLUDED. oth • er Tlirii' all ilu; loi^; woa • ry nl^jht., smnth • er, Cum-iii|; my nail heart tu cheer., oth • er, An ■ kwcr • inu mem • o • ry'i call '-^^i^^^E^^E^'M^ Lin ' Kor with me in thy h\m\ Call iiiK buck lUyn gone for ■ fv Let me tlecp on, nwtA ■ ly Jrcaiii ncs.1, Till I iihnll er, Wlicii I w;n ing. Thai her dear '•^^ P i^^£^ ^^^^T' m^^Mm^^^^^ ^^3^ sec her n ■ (;ain close by her side arms round mc twine r^^^^^^:^£^^^s^^M^^^M VVak-ing woul— Jj" Ohorut. Soprano. ^t^^^:^^^^^^^^m^ Alto. On • ly a dream of my Moth "T--- , , J. A Jii J.. er, I Vis • ion of dear ■ est de light.. ^E^ -^z=e=e=t±:. bASS. I On ■ ly a dream of my Moth I er. III I J rj?— ff=e: ^ ! I Vis - ion of dear ■ est de - lij;ht.. wmi ^^ ^^ i;^=i= 3EE^ ^ z^z -•-—*- ^9-^^-- m -« — 0- :t=z:::t; ^^^m^^^^mmM^ ±^-- J- j^^EEisd^ Cheer A I I ing my heart as night.. ^ip==^^i^^|^.^a^^^l no oth SHi A^jLu^^lA f= I er> Thro' all the long wea - ry night, wca ■ ry night, i J. J J J J' A Add ^=P rff=zq»: m :f!=^-- i f^ I I Clieer - ing my heart as no oth Thro' all the long wea - ry night, wea- ry night. THE HAND THAT ROCKS THE WORLD. 1 1 Poetry by WILLIAM BOSS WALLACB. AHil iiiliiio iiiii w;.'/.i BALLAD, Musio by J. R. THOMAS. #.-. ^ :::5ir "^m w^ 1, lilcss ■ iii(;s 2. In ■ fail J. Worn ■ ail, 4, liar • liiiK 5. Illcss . \\\fS cy s linw Kills. III! Ihu (lie (li with I lie li.inil li'i\ » ini: E liaild (,f (Icr your (U'li of Woin • an 1 foun - lain; mis • nioii inu - sic Woiii • an 1 An I'ow Ikrc KiiH! Ka ^cls guard il> cr may with up - im our int; yt't in tilers, sons anil licau - na - each .laimh • 111. 1 grace - ly (low J ■ tal sod ! v'lunf; Iicnrt, irrs cry, :S=~ '■¥- 1 I i^-= 3 — =1- ^ 3: Zif=z-^=±z!r- ■J I ■ I - -Z.— - :?»-rnz;r^■ In the pal ■ ace, cot • laf;c, liov • el, (), Moih - ers iirsi to guide the stream ■ lets; From Keep, <) keep the cliilil • soul o pen Al l.earn and treas ■ lire house ■ hold kniiwl-cd^e, Pre And the sa • cred song is min ■ gled With no mat - ter where them souls un - rest ways to the breath cious in Life's fu the wor • ship in the place! Would ing grow, Ciiow of Ciod! "AH lure part When the skvt Min tlial iicv cr storms as oil for the good or true tin phics of the you'll loo, ex • ult ■ ing gles where no Icin ■ pest 13' ■ i-i:3-=:b ^^m 1 ;^h5^ sailed e a - moth dark - ■t; vil, ges ers, ens. ntard. ^5^S=^1^« 17 tempo, liolie. W Rain - bows ev - cr gcnl Sun - shine slream'd or dark Are from Moth - er Love Brave • ly boyed and gen • Rain ■ tows cv - er more - ly curled; For ncss hurled: For im • pearled; For tly arc girled,..; F'or curled; For the hand the hand the hand the hand the hand that that thai that that rocks rocks rocks rocks rocks the the the the the era era era era era die die die die die H 1 1 h rail. ^ rrrzciz 24 THE HAND THAT ROCKS THE WORLD. CONCLUDED. i ^ f ''■»■ ritard. t*=T pS «=it ^ Is the hand that rocks the world, For the hand that rocks the era - die Is the hand that 7 '' ^ ^ ^ ^ , ^ nt,„d. cres. ten. I i ^ --■ • ' «= ■ I m - :JrV— * » 7 » i J .=^ I espress ress. y I rocks the world. Ptf# tilf r 6 -:^H* & /('iw ritard. ZL--i^f^ ^^^^^^^li^^^fe^t 1 IS THAT MR. REILLY? SONG AND CHORUS. PAT. ROONEY. Moderato. K % ^m- r-T ^^^Si ^- 1. I'm Ter ■ ence O' Reil - ly, I'm a man nf re- nown, I'm a thor - ouii;h-brcd to the back - bone,, 2. I'd have noth ■ ing but Ir - ish - men on the po ■ lice, Patrick's Day will be the Fourth of Ju ■ ly,.... m^ * "^ -X X- 1 -^-^9 p=^ip^^ t=r :• Sg — ^X^^^ X -jg- p" -X — *- ^ S3sp I 1 r^ i S ^EE I'm re - la - led to O' Con - nor, my moth • er was Queen I'd pet me a thous - and in ■ fer - na! ma - chines Of Chi - na, ten miles from .Vth - lone; To teach the Chi ■ nese how to die;.. m T'T * * ^-^~'ir-$ ^ ^ P -X X- 1 X X - X— X- f -X X- -X — X- ^^J^ ^m . ■ 1 IS THAT MR. REILLY? CONCLUDED. 25 m ^3^ be, I'd have I 1?^^ S :5qF=t m^-:i But if they'd let me be, f'd ' have Ire - land free, On the rail • ruads you would pay no fare,., I'll de - fend workingmcn's cause, Man -u -fact - ure the laws. New York would be .swimming in wine i^ iT^^^ti -*— »- s I zz: ^^1^ ^^St i ^3E ^^ ^ ^^i I'd have the U • nit • cd Slates un - der my thumb, And I'd sleep in the I'res • i - dent's cliair., A hun - dred a day, will be ver - y small pay, When the White 'louse and Cap- i -tol are mine. m s i i^ tffi P Chorus. JD 2(i time f ZgZZA ^ ^ f^m^ zzr:--^rrtvt ^ P 1.5 that Mis- ter Reil - ly, can an - y one tell? Is that Mis - ter Reil - ly that owns the ho - til? Well if P fi id time f ^m 3 w-^rn^ 3 -<— =H -*-«ii- IS a-^:g ^ f— # ii^ ^ k fc g -^ jg- _Lg j._ b*: i / r c g i r r w^^ ^ 2 ^i^il^l that's Mis- ter Red - ly, they speak of so high - ly, Well up - on my soul Reil - ly, you're do ■ ing quite well. well. t i: ^ Ml 4J ^J a =Ef: ^41 S^ i i3 ^Wi -XH ■g^ ? Danoe. Sloti\ ,3|te.-^- - 1 rq l^l" p=p ^ , . ^ ' 1 -«• C * =f=l -f= — J— 1 rJ T 35 =4-= ^ J — J— — J— -•- — »"- —I? : — 1 — '- rztr \W_4_A_.^_ A — — 1 -+— — !- — — 1— - 1^ =t^ ij.- — ^« — -1 — ^ b*z: :£b- i£=l l-L4= 1- - P^ - ^ iS ^ B^^ P « S^ S Ef ^ ^S^ 1 — j._. ^^ Spoken. Afler ist Verse.— I was walking acrass the Atlantic Ocean the other day, and as I was coming in the dock a follow says -.--Chorus. ^ After 2(1 Verse.— As I was walking quietly alo»f (ke Elevated Railroad the •ther day, a gang of people below hollered up -.—Chorus. D.C. 2G Words by E. E. BEXFOBD INTR?)UUCTI0N. Lively. ONLY A PANSY BLOSSOM. ' Mnsio by FRANK HOWARD. fcrg: Tempo di Vl^altt . ■m±= t: S i: ?=!:: g * 3t -X *- Ah! P »- P 5i 'Tis on - ly a pan P sy bios - som,. i^jg »-" e£ S ---f*=i=;^=d?-^ ^ /» PP^^^PP^^ I X — S f^ — X S I i -* S5- g=L^X=g 1=1 ^^=0^-. -r--g= tcfc zii i 3=S.=:S= On - ly a with ■ ered flower,. Yet to me far clenr - er. Than i^^PP^^^^^P^P-i-P g~f ^:±: -jS S- » — S Vj -^ — X- ^^ ■! X x = *F^» — *- -s- — s— g — y — j{- 1 It' r. ± 4- =1= Ei =P=?= :t: ■-- X jT :t ■* — ^^ — *-«^- all in earth's fair bower; Bring • ing nie back the June time. Of a :=1===T: ^^ •«=5 :3" i^ a 3=s x=3= -s r *=r'=l'^sp=^=*='=r=* ^ g :q S— — X- -X — X- -X — X- -X X- -X — X- J X — X- -X X- $ rres - reft Jo. ^= i ^ =^ -■^ g=t-. r-.im mer long go,. ( N^ -X — X Tlte fair - est, sun • ni - est sum - mer That ^/r. =r^ :=1 ii-^^i #=g=t=|-f 5;6- iiE;M;¥^=f-TJ;|::;JN^ £ 3= -X — X- X — X- F X -jfc • J X X- ^^^ ONLY A PANSY BLOSSOM. CONTINUED. 27 *f1 '■^tz^ m. if=« — x= »— 1^=:*- ?^ :?=-!f=?~: shall ev - - er know. Oft from tliis pale, ileail l;—?■ *[| la, la, In, la, la la, la, la. X X f -J? «- ^ -X »- Um, um, urn, urn, um, um, (Urn is the syllable commonly used for the B.iss parts in vocal accompaniments, but thesyllable ta may be used if preferred.) J J- ! ' EFrzrr5=^r:fc:S=«:E f -S- ura, M- :i ^^^^^^^i^p^s^Eii 3li s=s » SI «— * f I \ h^^ _#_* -^— — !•' -H ~■^i ^1t^ *^ ^ -:? 28 ONLY A PANSY BLOSSOM. CONTINUED. ; i^^m^m 4- '-^r -•I » »- Yet to me ♦ 1 • 1 — far dear ■ er i f %=%- i \a, la, la, la. -I — \— la, la, Than all in earth's fair bower;. iii^^l^^Eggie^ppi^^ la, la, ^ » * * *- um, f um, -»— y- f=*-*^r la, la, la, la. la, la, -X Jf- X — «- la, la, um, um, um, w^~ um, um, um, \ jj — ii|^ ^ SEZS^E^f ^ feJ^^=E^===J J?rr* :=1; ^^^ cres ■ - cm - • , do. t , ^ j Bring • ing me back the June - time. Of a sum mer long go,. The ^^^ la, la, §g -s- i la, la, um. f" um, -S — X- -I r la, la, :«— «: f= -«—-«- -I 1 la, la. r»=:zp~ ::»:iz^:lP= -Jf-i- -X— it— - la, la. » jg «- -» Jf- la, la, la, la, la, ElE?*_EE??EF^bistiEiEE r um, ti^^H Ei: lii: ;3^*" r um, — t- -t. — «- i um,. s s==!=: rfo. m^^^^^^^^^^^^^^m. ^-: I I I ritard. i^3iii|-^ii^:i^li §^ fair est sun - m - est sum - mer. that I shall ev - er know. iH^i^l^l t~% la la. 1 1- la, la, I I — *= — )t- um, um, la, la. i h la, la, I pP^^gpEfP^^JJl^ -* — *- — S- I um. f= ->f «- -S — ' la, la, la, la, la, la, la. I ^ipti^^^ I I um, um, um, um, um, um. :=!:: l^=i *=t| :=!: W^%^ -5?-;*- ritard. iV'^-?-- i. r t=zr^=:z:t==p iii^i^M^gMiiMii^ipii ^ t / ONLY A PANSY BLOSSOM CONCLUDED. 29 ^^ e ^rtt»^r AccelUraiuio. fiz:! 5¥: !-^ i fcrf=n: ±=t i^^E^^l^i^ =1- -m-:^- B X— X- -| :^=r.^: f)ii - • - ly a pan • sy. I gath • ered at her feet,. Fad - ed, un- ^^wm^^^^F^^^^mw ^ a?— ie-F«!=y-X '^XZi- ^ EH: -»— *- -»— X- |EI=i^^^rdiEB^^=:iI^^x- jJ ^-^^ !ento. m m rt ::^ g*- =J— jg— S- i^E pF^=^^.g -I — t — ( — ( »• like the love that made that sum • mcr sweet; -I i- Still in this pan - - sy bios - som. do. ^^^^^^^m^^^^^^m^^ ^ -*— »- -«— s- f=f lento. ^ «*■ ^ ritard. *=*r.^=zS^B tempo. ^^- Z^Wt :=t 4*: ^ :.ff=r» H: T»-ig— X- - Her ten - der face I see, From un - der the church - yard grass • es,. ritaril. tempo. (1 ^ -x-x- f X- X -d X— X- -I — -X— X — X— X ■* :* "v^ >*" M m X — X- -4=x — X- F^ Q* ^^m ritard. 3— x-x= ^^ ^=i: ^^ ZJ.5. ±n ss-f Bring- ing her back to me.. a;i!. Tis 1=1 ritard. S#^^ :x=S =F^ ^einzr^rcgr ¥=e= !==*=:«: D.S. W=-W' i^^^^al*!;i*^?3ii 30 NOT ASHAMED OF CHRIST. b:?.-5r=— irrq By H. P. DANKS. i^^il-^ Ll-a-r^L.- Legato. ==tt-^J: i :-zj^.3: ^ 1. Je ■ Sim! and slinll 2. Ashamed of Jo It Lv - cr susi tliiUdear ^lEzrEEEEIEi!^ Pi "^E^^^^^^^^^^^^^^^^m m :5=:==: f=s-- bc, friend — h-f-« A mor - tal man ashamed of Thee \ On Whom my hojKs of heav'n de - pend ? — k — i^ .i ^ .. i =i=«^ H •\sliamcd of Thoe, Whom an . gels jiiaise, Whose glor - ie» No; when I blush, be this my sliame, That I no shine more throutjh end - less days? re - vcre His name. Ashamed of Jc Ashamed of Je sus! soon • cr, far, sus! emp - ty pride; Let night dis - own I'll boast a Suv each ra - diant iour cru • ci- ^ 'Tis mid - night with And, oh, may this my soul till He, my per- lion be, lirighl Morning Star, My Sav - iour not bid darlc - ness flee, ashamed of me ! Ashamed of Je - sus and iigi '^ --IM^-* -I- *^*^= ^E^S^-^^ -s?— =g .A — ^1 shall tMz=J W^=^^. sus I Oh, as soon it ev - er be, fe£^ z—s r-^T-f— ^ =^= Let morn ing blush A mor - tal man lo own the sun? ashamed of Thee ? ::g=J-J -^^-^ He sheds the beams Ashamed of te •^ 5E -^ ^it I^SS=:=5 J^- ,.j. m e * . f NOT ASHAMED OF CHRIST. CONCLUDED. 31 -jiz:. ^-=ir- -l?-! 2 :ff=ffr«t vine O'er tliis beniijlit ed soul of mine. qirit z^zimz 'm ^ zf-^m tsrq: y - y i^ Thee, whom an - gels praise, Whose glo-rics sliinc thro' end • less days : ^fe|^^l^l^^ta^^^^#ipi I ^ Words by ANNIE M. CURTIS. Con espressioue. E— :tr3fc: ONLY TO SEE THEE AGAIN. SONG AND CHORUS. zar -X— *- Music by THOS. P. WESTENDORP. P=i=p: ="^ ^^ i m^m^^^^^^ f m=m- *=t r i^ ^ ?: ^1 P^^PP^ J L :e: ^ — jg— X- ^S 4^*^ F itziit- =t= tti p^E ^^^^^ s^ -X — is- iBEEE^ ? -pa- -jg— X- ^^^ -X *- 1, What would I give to be near thee, 2, Long time it is since I miss'd you, 3, Some • times in dreams we are tread - ing, Once more thy form to en • fold?.. Down where the dai - sies arc white,.. Paths that we trod oft be - fore,.. W=^ W^"^^W^#^^^^^ ^ m .» g. % -X — s- -X — X- li •X— X- ^^1=^— X- i ^ -X — X- t -X — X- *-^- P^^ it= :?2= -•v^ ^ — X — X- i- What would I give just to Long time it is since I Fond eyes their glo • ry are hear kiss'd shed thee, you, ding, ?^ 3?=*=:1= "B*- Whis • per ray name as of Un - dor the moon's sil - ver Sweet lips my lost hopes re old ?. light, store. ^ -X— X- ^^^^^^^^^^^W^F^ ifcHfc -X — »- X X s -X — X -X — X- -X — X- m ■X— x^ -X— X- - ^i ONLY TO SEE THEE AGAIN. CONCLUDED. ^- ijEEg^g^F^g^E^fe ^jLEM Efr ^^^ ^ :i=g-. :=t- z=t li^ See lli.it is mine of earth's lic.is urc, Now where tlio swt'ct bloom is p.il - ing, Tliiii ilo I ceas'j to re • mem - - ber, All th.1t to mo doth re ■ m.'iin,, Sad - ly the low winiU cum • plain,. Joys tliat mis • for • tune has • .slain,. ■•— *- w^m^^^^^^^^^^^mm^^ WE:^1 i*3t P~x-~ifl- ->l=x: ^ I '& =zg-- -m=B- rt--=t: ■ — T =»=g= iffEE^: I'rce • ly I'd j-ive for the pleas - - ure, Slill is my pray'r un • a - vail - ■ ing, Ah, that sad wak • iiiy from slum ■ - ber, 1 On - ly to see ihec a - gain. On - ly to see thee a • gain. Nev • er to see thee a • gain. iii X — j! -*r\y — — — I 1— ^^mi^ffk=^0 ^-*=»=*=E^=& 1 -3f-E=*— ^»- i r -X — Jt= g — i^ — X - ^^'* — X- '^m Chorus. SOPRANU. \ teJEE^E^E i=S= ■si:jz ALTO.' T r r r r r- -Sad - ly the days come and go Tenor. m -X — »- :=t=:S: ^ :=»: love, All life's sweet pleas • ures are vain. I J- I I J.. * u :^ -X— X- i:*=*=r«t =P— :p- f=^^ iff;:::^^; Bass.I I I I I I I Sad - ly the days come and go love, -* — «- -I- — 1 — "F — I \^-^ -51 — J5--- - .-\11 life's sweet pleas • urc» are vain. ^-=W- ^fe^^E^g^:.^ -Jf — X » — Jf- ^— s — -s- -• =3— »— Jt- — ^-Mr—S- ^ None oth - er joy can know I J. love, I I I I None oth - er joy can I know .^ love, :c3zr On - ly to see thee a - gain.. J. J ■^- J J- -W. -I- hti?_i! ;?::r=ffi ^E ss^3ai;| On • ly to see thee a - gain. sSEM.^^3^3EEl^3Er:S* =3=3= -»=E3^— j=t^=3=3 =g===F = F F* — H — 3= =s 1— ^=F^-— ==="=1- -JJ-J5- - E-^ X- X - ^ Jg X- B^iiig -» — x-F*i — y — j?- 5=i==fcfe=fcEii=fcll3 r CALL ME BACK AGAIN. 33 Written by O. B. HENNIQ. SONQ AND CHORUS. Composed by W. D. HENDEICK80N. 3i^ S ^--■s^ t-J— I- B^EME^^ f ili^Ei i |g3g q^-tJ ^ P^ :q= E^E 1. You said good - bye, 2. You've left mc now, 3. I dreamt last night the part • ing words were spok I nev • er - more will see a prct - ty lit ■ lie star en, yoii, ling I leave you now, Tliose hap - py days Came soft ■ ly tap per • haps 'lis hot ■ tir of (lid nuist now ile- ping on my win • dow $ ZJO. W J —r* m ^ r^=?-»»3ze: m 3eEES.^r; so, part, blind. I gave you The true fond And in its back each ten - der lit - tie love I once bestowed up bill a nies - sage from my to - ken, And far a - cross on you, I las flown a • way dar - ling Which said that you'd the seas then I may from me like cu - pid's re - called tliose words un- mm m-. i ^ 5 *i ^ i go. Oh, can it be, from love you have re - leased me, dart, Oh, yes, 'lis so, from love you have re - leased me, kind, And in my heart love ne'er can be a strau - ger. And that my love has always been in vain, Such dreary thoughts have caused me grief and pain, So ilreary thoughts have ceased to give me pain, Ah when your 1 love you I love you —^- m "*" s $^^^^^m 4 53f ■«r*- ^ i a»= g: -»- ^ P ::s:=rjt --=^- ■:^-im—r-- ^^fi-E^^^ m -.f=ti love has con - quered pride and an - ger, I still, such love will live for - ev - er, I still, such love will live for - ev • er, I know that you know that you knew that you will call me will call me would call me back a - gain, back a - gain, back a - (;ain. 11 34 ( Ohorut, f Sdi'Ram 1. CALL ME BACK AGAIN. CONCLUDED. PP 'm^^^^^^m IAi.to. ^ ]*" ' "J" Call nie b.ick a Tknor. I IS I ^ 3*^ ^ nam, Call me Imck a "^^^^^^ 1 f gain, ->fr Bass. Ah! when your l« -6» 1^ i|ilS^^i|P=i^ipo^=ppgii=^^^p^ ii"-fe== :p 7^-:^- ^s^^::=^=Sr f • > T z f -^ r -r love haj con - niicred prMc and .nn - pir, > k > ^^•=S k, K N IS -^srzMi ^5^5: 1^ 'J 5 ^ "B" call me back a :c2: I know l!iat you will call me back a - gain. -Jdz '^^^3t'^=sm t=S=f=^-. I ^ -m. -tt- — I 1 1 — S^fe iE^^I ■^ ^ -f—t i^ MOONLIGHT AT KILLARNEY. Written and Composed by WILLIAM J. SCANLAN. 'tJ-J ^JJ~"^~Ciir &-»' i ^ iS 1. The moon 2. 'Tis by was shin - ing. the mar - gin -511— 51— ■(—n- * t=5t=E it^ ^i^P^^^ =;— 51— J— Si- — n r 'i Il MOONLIGHT AT KILLARNEY. CONCLUDED. 35 ^^13^?1 ( on Ihc liiKe, 'I'lie utars of the lake, Dot sill ne from n • bovc;. tUs have Iwcn won;. Ciai • ing on llie walir, My Neil liy spfar or swiml, lint r^ # -Wt '-0- # ^ ■''^- ?; i¥-:rrzq: i^zzrrqzrrz:^:; ■f-JBZZ-C-IMZI 1 -— ^^j^i ._!1_ -:;•: 1 :«zt3 ^S— ■:: :-:N=5r: heart was filled with love;..., lilar ■ ncy of llie tongue;. There I met my tlar She I know he • lie\eil ling, Whose eyes with joy diil me, As biars sljone from a- — air^-EZ ''^^WW^ ==q=:=ir -51— F--=l— ^ H — :r=:=r-- ■k ;*;_rgi).— *TZ=t: -Jt- -Xz -^- tit -Mz=;J. ^z-$ "m :Z^atrr.^-: beam ; , bove:. As gent .She gent u f - f.: — -r ly I spoke to her, Of young love's .siveelest drcim , ly smiled up on me. While whis - p'riiig words of love 40 1- 1 , 51- l^!|^Wifr-S-:J:r|: :^-m- ** :t '^. i^-m— •*- -•>- -«•- -•■ ■*■ -•■ -,H— .irr-1 — ^^^^^ 3 ^p Chcrus. ..^ f-1 ha — ^'^--H 1#- ^.:=SE=t ^^ E^E3^ :=!= rpz=:p_-_ !; " fe y I r rw - ^ei^^: :-=:|!?z=rP: :fc;t:: lEEp-F rp-- :tzzr;;ta: Moon - liiiht at Kil ■ lar ncy; Wliile .stars shone from a - bove;. '^^^^^^m'^^^m — ( — -^■ oil what bliss a luving kiss, 1-Voin z^zz::^::^-. -Jm=-W=r7-~w-^ * 9" 9^ :p~:p P=rp- p : ctzt- i r .>: • ±=:. L :P:z=t2: :p=p: Jtitr: yn hearts that beat with love ; Oh I IS ^ 1^^ '\ Oh! whatbliss a lov-ing kiss, From hearts that beat with love > !- ! _, 1^1 _> h \ r- IS I i^^^feiliEE^^:E:Sli ;,* =?S*«T-*t J-^^ f SE __ gX^^— g ^^ ^— |-f: izB&iti n ^:^:j^=:f^^4i-: :rrzM:rrEEtirizt=frP: U ^ r^ \w ^ m •] \ *\ I J I — I — m-\ — 1-— L-*— ^^3— ZP— J ' ^ I r - •-! — 1 ^ I ^-r^.^ U6 WHEN THE TIDE COMES INI Words by H. ASHLAND KEAN. MoJ.ialfl. SOPRANO OR TENOR. i/eiiio t iVH ^'ii. nir! pom/o f ff •> u -^ WHEN THE TIDE COMES INI CONTINUED. 37 •V^W^ff»V»^# ^i^ ■^£gEg£^^^^J^^^^ MnU My licarl miiiU tow willi l>il (cr wuc K; - nirinl>'rln(; Dun nM's word*, Ki- mcinli'riin; I)im aVW rV: ^1^ pp.^ I >5^' g^- ^^EJ^ gplgililglg^^fg^gr-^^^^ iuddtnh ff ad lib. »ic^() affrtttfl. pE^^^^E^Pi^ implorando t iVD/ o^f^A' JE3 S-iS I ciicil; aii'l none !>« ■ kidc Knew the grief my lic;irt willi in I 'Oil ! jjive nic Inik my »/i>//i> tsprtss. ^l^E^^E^. -M-"- EF. 1-- '^^^—^-rz I^TZg: ^ i- i::^-::p ±: ^f :* Iwn-nio lii//(i fs/lffS!. ^zf;^?^E§EiE I'cace, — let him rest, SEs^ ^^si^^S!^-'^i^l==E=Eil -jp- — ' - - * -»- ^ - - -^- — • . -m- -»■ mm ■-^-» ' ^j (on diiici-i\ ff J^' stmlo II piiu-crc. ^ SEtL--:---; ^?^^ -i»»-i 1- God knowcth best! And the flow - - ing tide comes in. J7 ^^J> . „ _ ____ _H— .- r.;ii.i,'L- L' i/iiinii. .fiv,v/r,' ,;/,/!• INK. iPPP _^ C';/ csjiri'ss. -<5>- KS^'I *5-J^:^.= n^- rrnr r^^rps. ■o- ;fci TAKE ME, JAMIE DEAR. 39 Allegro. ^F m. 7=r- Composed by J. W. BISCHOFP Tfrnfo ili I'alsf. :«--» ±z=± T- i^=^^ m^Wrrt-^-^^E^^ r T i I! I 5 t , -:jT;; 6^£ ja sgaa sat n -x -jf — «■ i -X— je- ! I ! ! I •8: "»/ ?:izz:ci ?== -T=l= Et 2i; 1. Such 2. And a in lad you are fact I've been for woo - ini;, a think ing, la niie, Ja mic, Ja mic dear, niie dear, That I'm While I've r^HW^W'^f^^W^mm ~l- t-J— J? — J?: ;ia=«^ -» — *- 3 — * — *~ ^^EE^^^i^llfeB :ti:it_ ;?^^ con esprtss. S? ^_jf^^. -je--i S^ 1 — It: ¥=:: wca - ry with your sue - ing, Ja - mic, watched the bright stars wink - ing, Ja - niie, Ja • mie dear. J a - mie dear. Take me, dar - lin(j, Molh - er can - ii ( '^m^^^^W^'^^ ids*' ^"^--^fe EaJg^Ej^ -m — ^-— Mr 1t^ n ^i=s= g-^=3M^=Ai3fcJ3^fcJ^^E ^:3zM3 !?ryEE: "^- Xr^-zM"-^ -^—i' bS^r Ei^iE^i =-:'_nrr4 SHIipli :t=z fEr*-^- ^ -f- '-^- ■X- -■A- ^=^gE± I — if you love me. Take me, and may heav'n do with • out me. Fa - ther anx - ious seems 8™. a - bove me. Hold me faith a - bout mc, I must .sin ful while kIc .stay. I'm I f-t-W^ ^J!^^i^?^^li^^ t-t 1^ IMzzUrt; P'=^^'^ 's-a- zm ^iii^^Mi^^^^g|^|EE^.fp^^E| rX—X- •» w — — — ^ — ^- — "^-1- ^ duke. X to--_-rri- ^ ^= 4=i::*r=» -_tz::::t=-X-r d--pffj-:_ :c2; is ill here, Ja • mie, / Ja ■ mie dear. Do I love yr you know it, i==t= ^==3= jt « T -m^ -m- -^ -^^ -^- ^ ■% \ f p i-Ar: '=S=^* — *= =»=i- 40 TAKE ME, JAMIE DEAR CONTINUED. M: !33g Z2r =1=F ^^^R W i^^i-*—*i :t --e=^ ^EE zi: Ja - niie, ja - niie clear, For your sau - cy man - ners sliow it, Ja - niie, Ja - mie ^^^^^^^M ■'^=^=^ ^ 11^ D :^' *=itrit m -*w^r aef^ f=r p ri- -^^ r^^ i ?=jF=*: -*— »- ■*— *- -x-x- -X— »- 3=t =P=f: F=^ 3i: :t: dear. are mucli too sure you've got me, ■m=^ gfrtiy-r ^ I ^ ^ y^^'i -T"^ ^ j * ? * ^ 5 ^^ -5^-X- r ^^3^: ■»-^i s i — X— X- -X— X- ^ t— X— X- fit -«— *- ^^I f ff-tf EEJI p^ «-£S rtfen. zaz m i-q- §=5= nr:^ * '-22^ W=W=Z^. And it's now I've just be ■ thoiiglit me, i i^- (=2 (^ :^ I'll not mar - ry rtt P- r- ^ ^ ■«=S--1=3: P g i* s U »'/ S*^ J^SE FT X X- -X— X- fit •*— s- *»- -X — X- g^ l rff I r fJ 5^ riten. ^Ei^ ^ — X K ' ^ — X — X-- S ad lib. fxL L^^ ^ ^ >-,7//. ;g: I ) I i£ -»-n*- V -T--Z -J S . —^ 2=t F^^Si'^i^l for a year, Ja - mie, Ja - mic dear. 2 lento. ^^ -jk^z^. Z2. 5?=^ $(S- :z:l=rr:1^f 22= fear, Ja - mie, Ja - mie dear. Wcjuld you die if I'd for - sake you, ^ --1- -J- .5— H( g,jg> - f^ :x=j^:W »=^ rttjf ^^^ Sl-r— -; :i poco pill Ifiifo. m ■m±i -^■- "-t^^- I^- TAKE ME, JAMIE DEAR. CONCLUDED. ~ — cott moto. 41 Ja - mie, J.i i- mie dear? !ffE ^E^£ E==E ^^EEEE^ ?^^E^^ 1^ -t- ■zii ■iS- No such fate shall e'er o'er - lake you, Ja t t=^:=^-- :«*: •*=i^ ^L^-l. i :t: tw= :5g: ig 4= -*-^ ^^--=g^=^ ^^ ^i^^^ 2i ^ ^-^- 33=7: llii^ 5=2=: ^ l=i- Ja mie dear,. J. For 1^ :e=b=i 3^1 22= 23= my place is ev -t- er nigh you. And I said i s/e„fo. -r V ^ ^ ' V V A A A A A IW^ i T SE ii -»•- •F^ =^ i Aiiano. Solo for Bass or .\lto. HOPE BEYOND. DUET FOR EQUAL VOICES. C. A. WHITE. Andantt. God, 'no fu ■ lure for man. Oh, broth-er there is a liv - ing God Serve Him while you can. Broth -er, •Wfi -^AP- S 1^^ P*# ^ r^^^^M 42 HOPE BEYOND. CONTINUED. bS^ -^=^^mi^^^^^^^m .4 — m- is it soniL' sad re -morse That has chiv'n you to this great de-spair? Oh my •broth - er, my brolli - cr, liail our -*t l-H-H 1 — I- «IIBi»g*f-'^:f3;5!ff-'^gr^tl*T='3i*3ii^i ^--— :tn Ei=?^feE i-ff=ij--r. :ri: poor molh - cr no hopes be - joml ? And our fa ther, our dear fa - tlier, can it be tliat he was shunned? -£^- i ::^- -^- :^ ^i5-5^-^^-^-'-|i|?r iSr^EaaS?^ :=t=? •SsE^ /a .'•»/. -^^^ fe ^ ^S: ■z?- ■*■ -9-^-0- S-i :S2: 1 F- Duet. Tk.NciR. bS^^M: ?=^ =1: ^nr;?; :c2: ^ rsS; :±::Sz: Broth cr, all the world seems cold and drear; Hass. Shall we live a - gain a - hove the sod ? There is E^jE^iS^S^E^EEEi What! with friend so near? There's a liv- inc; God, fei^ ^i — «— -5!1 P^H- :=tin7 ^^^ ^ ^^ S- i !3^feS^?^^3^ ijEM^ :iz=:=1r:=p: iprf:: :(?=J=:S- ■^IZM. :S=^=:p: ^«— (S «=f^: ^3SE ^^ •^-K -t: hope, Yes, be - yond, z ^^—S—ff yes, there's hope. E^v^isp^^^ be • yond. dzz i Yes, be ■ yond. There is hope, yes, tlicre's ho[)e. -^iKgrn^im- ^H^IP^^^^a-^^pin be - yond. d 3 gg^:r_j: 3„U -EE^ =*=it st=r — B^r r^ =^^: ne^^n i HOPE BEYOND. CONCLUDED. 43 I Andante. Tenor. %=^- ~^=M:r::SL -Mz=r¥ i^ :c?: 3^^ :■&=:*; :=^^:*: ::itrr:*f H Ma - ny long, wea • ry clays have I wan - titied, With my heart filled with grief and de ■ ^^zr. ff— ^- m. t=^- §^ — -•— 1 -p- — — -ji;;;^ — - Si^S 1^ '^ — *»- rcii ^ ^^^ spair, But the dark cloud of doubt now is wan ing, And my griefs I will now try to I m T r Y r r Y r r Tenor. -. S s jdz f — -» liAib m =^*J: ^- ^ U 1^ I k 5" ^ :!Jz=r ^>=ji[f-1 — : r»h^-Jir^fc:i{^ r=N^f=^^=j 3fE ;^ 9 bear. Yes, this life we'll en - joy while we can Let us shrink not from du - ty and ^1^^^^ i ir^^=:J % :rt I I q — +==P 4=^=:=1= :iit':S: ;it ^ ig: -TSlr-ir J ^ 3:^ « — «!- right; m^^m^^^^^m =»&=^ Tho' to • day life may look J:irk and drear - y, But to - mor - row the sun may be t-^ ^ ^ ^^ ^ ■-im ^-^ _^ - ^ .-g: *: -i-Wr-^.-Sr ^z ^ i^J^ *- j;^ ^~~ff' prirtii* P=^ 1 -^- -^ ■-?! ru^i^^i^'i'i. bright; Tho' to - day life may look dark and drear - y, But to • mor • row the sun will be bright. m i*M I fTT=^--rrF==f ^«=^- ^^g^ :iC';it ^s :&ff=fc :iWr S==g; Ei =5= 1" f If lung by Sgpnu and Alt*, lue the wtrd " Siitcr " intiwdl »t " Br*thw.' 44 Words by Miss MULOCH. AH, DON'T COME A WOOING. Musio by ADAM GEIBEL. ^0^^^-^ long, long face, And your loni; - er piirsL' l)e • liinil, hcaii'ndc - li.L;ht, And my fa • tliur's rijjlit lir.nd liiave, cares of life, My head is gold not gray; I'm a lirii;ht young girl, and I know my place, And I think I know my Would I leave my home so free and liri^'.ht. To be a rich mon's Ami it's my de - sire to be no man's wife, At least nut ju-t to- foco rit. m^^^^^^m^^^^m I like to laugh, and to dance and sing, And to tease my pa - rents dear. My Would I buy my - self a gown of silk In a grand dull Imusc to pine. When I've _ But I've a heart and its warm and true. And I'll keep it safe at ease, ^\nd if '^mU - w-^r- ^5atP=5=;=te=^ P =^ t_r 'Tw—it C^jp ii poco rit. ms^^^m^^^^: ^t^ a tempo. ±. ;e^^ broth - ers call me a" tire-some thing;" But I knowthey'd miss me here..., boys to play with and cows to milk. And the whole fair world is mine? one I love should come to woo, I'll give it when I please f^ rtten. f^ fnf a tempo. ■^3^ ■^SE^. ^ S !l^ ;^ So don't come a woo - ing with your long, long face. And your long • er purse be - hind: I'm a bright young girl, and I » $ S=:p— AH, DON'T COME A WOOING, CONCLUDED. mf 45 ^T=tz: know my place, And I think I know my mind. A ^sB—m.—9- 1 — r- --1 — -1 — s- is^ ^;=ilz :ts=2:r»: ^^E^l^E^^ IN GATHERING ROSES LOOK OUT FOR THE THORNS. Words and Music by MoJerato. SONG AND CHORUS. ( :E3^3 3E^ :=l= :=5:=:q: ■:i=^-S-- q==}: ^itr*.. =P=x^=^ -t--r-:3ttl THOS. P. WESTENDORP. ;ESi -pi '"/ i^itti^ iu> 1 I I g^pfpf ^"-^ff=i=^^??qS :?c;: 1 ! I I I i r\r \ r iffLPJ": ! I I t--zfr^:^ ,-grf: ^ ki1_ — -P: :*- :^=ifl: ^ ^1 ipj f =i: :i)=:=5: =P ::p 1. This world with its pleas • ures, its gold and its treas - ure, Is not • quite so bad if 2. Thro' all the glad hours we gath - er life's flow - ers, Nor think of the dan - gers 3. He - ware, then my broth - cr, you may be an - oth - er, Whose hand is too read - y we'd that to -»- -Jf- * * * * 7 — s- X- i i i $ ^ litnzit i=S: on • ly be- ware. We might be en- joy - rng much that we-'re de -stroy -ing Of blessings that constant ■ ly fall to our lie 'neath their charm. And of - ten our fol - ly will bring mel - an - chol - y, To dark - en the days that are sun - ny and hold in its grasp The flow - ers of pleas - ure, and count them a treos-ure, Un - til you are stung by the close hid den Ei^SHa^iH, i^^ r— S t=m ^^3^^^^ =w^=^=r-^-t-i^t i' ii ^-tt^s :*--^ ri * "*"":§:' * -*••»•- r.—- 1- m itEFiES^E^ m i i i i -X — X- X X -X — X- X X -X— X- ^X— X- -X— X- 46 IN GATHERING ROSES LOOK OUT FOR THE THORNS. CONCLUDED. ^: :t=:itt=— -j: ^ :=!= sliaro ; lis troii . Mc and sor - row too of - ten we bor - row, He ■ cause we fo^ - pet from tlic day we are warm; Hut still all un ■ lieed - ini^ though wounded and bleeding; We prasp at each pleas- ure that fol . ly a- wasj); lie cau ■ tiuus and care - ful, be ear - nest and prayerful .\nd then you may ncv - cr have rea • son to Wi -^ -0- zz:=m~-=*—*- I i*7rr JL: 1^ — *—»' ■«r -at 1--!^^ m -}j- - ^=^- ^ ^=1= :tzz mwm t It =i,:\Lce. ri^i '.—^-z pi born. As wild - ly we're str.iy dorns. As mad - ly we're stray- mourn, No Ion- get there stray- ing this old fashioned say- inj;. In ;• ath - er - ing ro - ses look out for the thorns, ing for • pet - ting this say ■ ing. In path - er - ing ro - ses look out for the thorns, ing re menib' ring this say ■ ing. In path - er - ing ro • ses look out for the thorns. :qi Ml -jf — *- ^: -» — X- s — y m -S — "35- _*- ^ — ;?—;?= -x — s- Soprano. Chorus ad lib. US?: mt ..ji. ■^^ Alto.i I I I (/ I Tho' charmed by their beau ■ ty iiii^iiiiiiiiirrp r Tf.nor. I I ^ J. for • get not this du - ty, Or else you may sometime have rea - son to mourn ; As ' J -^ J ■- i i I -i J J -J- J -*- ^ -J- J J w=m^^m~r-=\^=-t^. Bass.' >— 1 — r zBzziJEz ■=•- I — r iim rff3--e: I — *-^ i=3i2iE= ==-"="-=T=t :.y — j;_p| .^j^ — -j g--^^ ^ jg — jt-n— »— Jg- -S — 55- M * — X- ;g^ ^=-^E^ --zt: :q^=t= r I I r I r=^ -^- I I I I r^rfTf I I IE?-— : : r wild - ly you're stray - ing for - get - ting this say - ing. In gath • er - ing ro - ses look out for the thorns. J=J.=J= J. J- zmz=m- J -^ J *' J lJ~* -'■ -^ J J- -i ^- ^ 23= =^=r Z-t- -■ — -s — *- -»-— X- -Jt — J5- E^=?=^i^-=E? 1 :=|-- :q y y. mm ^ I I SWEET VIOLETS. 47 Composed and Sung by J. K. EMMET in "Fritz among the Gypsies." Ancfan/t. J 1 ^ J^e^ J ^r-^ ^-l --— N—' r J-.- ^' rn» - -arJ ^r i^- -|*^-r-^=.:r-H — n ** "^jf^ffr^ lit. j-r: — ^ 0.0— ^jm — 0.0 — •ju — SJ— » J-i — ■ — ,-~fe*-r*r-"r'5«:P4iv "•: "*^ j ■ ' S ' —9f , 0-0- 0-0 — , I — h-- 1. Sweet vi ■ o • lets,, 2. Suict vi • o - lets, Sif-z^z -m-^B- il :t:;:;:^|iiiit4 Sweet ■ er tlian all the ro Rest • ing In H-'au ■ ty's liow ses; I.a • - dened with fni cr, Croiichetl all un ■ no (,'iance, ticeil, ^5^" "'/ m mm *-• . Jm 0.0 — •-•-, «— «_f -r »- -^^"-ra — 'S^'- -"S"-h|-- r-m """- "*' •- •— r % q?— #: n*^=rt -P-si-n: -=E^^;iz^ E^^PH^ Spark - ling with the dew Sweet I dill pliiek that fluwer; Sweet Chorus. — Swcti |:5(: ' vi - o lets. vi - o - lets. vi - o ■ lets. From mos - sy dell and riv - u - let. Still look - \wg up to heav ■ en ; Sioti't - er tlurn all /lie ro • • - ses. E^^T^i .0-0 — 0-0—, — 0-0 — 0^ 5 1- iE^r E^^tr W^^ ,^- e=p=s= -»*— k :i;=prr:if:r=_it:^ ni^i^fe -=i— s»- Zil - l.di, dar - linn one, I plucked them and brouglit them to you., Zil - lah, dar - lini; one, I plucked them, my dar- lini;, for you.. Zil ■ lull, liar - lin^ one, t plueked them and broH(;ht them lo you.. Oh, Oh, Zil - lah, slay, Zil - lah, May, --i — \- ^ :»=ic -0—^-r^-^- A- W^ifc^^-n: ^^ iK^tA :z}r— «= «eeeS n />..?. tV/cr/w. :«; 1^ ^^n— '^ :=?«-:1=3rr^:=^ i*rz:*; Go Go not a - way,, not a - way,. Vi Vi o - lets are bloom c - lets are bloom ing, Ix)ve, for you a ■ lone ; Oh ! ing, Love, for you to - day: Oh! -r- ^^^^^^^jm^^^siM =ts=di ZK=0P ^ :» I D.S. Chorus. .■Q: fe mM^mn^^m^^^M^ tp 48 SWEET VIOLETS. CONCLUDED. ( YoJle ii/ier fea. Will look with a pit - y me, none to ca- faint when I knock at the pit-y ing eye up • on ^^P^^^^P^^^^W^^W '^^=^ f DRIVEN FROM HOME. CONCLUDED. 49 £5^3l&l-3^r 4-i"l— t^ :pr^p=:p_. ^ci i- 3 F^TT ;s; rztz: E^i 4, i Kn tlitr ■ less, motli - er • less, sacl . ly I roam, A diiUl of mis - for • tine, I'm iliiv ■ en from lioine. r, X 1""' •■» '''•''^ '^^*^ llierc's no one will res.s, door, J Turn a ileaf car, there's no one will come Tu heli> a poor wan • der • er, I)riv en from home. me, I'll wan - iler a limit till his mcs ■ sen • ger comes To kail me to f« • llier ;in ill /'.//"•. :p; ■^. ■»: :* J»:ft tfrfc?: A :P: * -I 1-— ►- rl 1 ^-i4— -I — h- H 1 1 I. Mirk, J, l;ir. Far ^411 ly till' Ix'lU nru (1 \ci ilir ills ■ innt 1^:' ■^: rg:' H- ^.-, ,^— h- f.i — I — I — 1-^— -( — h— (H — ;t >■«// «. yZE:^^^ "M-^ I I 11 t-t^ p. ^t^ '^^m ring ■ iiiu, inoiiii ■ t.\in Sonic Diic is hap • i)y tn day;.. Rip • pic yourswcel cliinics a • way Kacli sound While I joy Id fond licnrls i» bring- here by Ihe (low • ing foun Mm. O a» • { ^^^i=A^:*:^*-'-^"E:irSeE^~^ tail) Kiiij^ 111! ye pi'ouil bells so gay: Miii-gle my tear.-, wilh its spray: I'or ine hope gives no lay Ring ont each sil ■ ver liell, Til light my () bride 1 Mr . y yon hd z%- m^ilill^l^i^^^iil^ :si ■10 7S~ way, well : The dream of love has flown I bear my grief a - lone The blossoms I wreath'd a- Vi)ur or - ange buds so fair (iuard well, and guard with care Tlic blossoms I wreath'd a- M.m- r-r): -*-«miiig|^ # Slfe^ ■m-m- P ■J:z~tzi-: 1 ( -1=--- mm^^^^^^ zz c#- -4=it:zt --\^- -|- r ^ :^^ ^ ^ %=u ::s»= iisHil —H — H- — t ^ ^ -l-l * )■ K- H — H^ 1 — •l~-taS — P--*4-^ •" •--|| :fr=:^:r^e3pirz^^ -X — *- J >-- 4— ,- r^5«-r t=q=q- ■•8: *^ r P^ S— r- q-qi ?it -I — I ;^^ ;^^£^ f Mih/i-rato. ilolcf. ..^_C^ -Ka^ •-• 1^- I. A Span • i?li ca\ I am oil' 1.1 ,^. Ami when llic war -^ -EI a - her IJK' war. >loi)il in to llic war to you liis iv - treat, I nui'^t [JO, I'll re - turn; And on his jjiii ■ tar iilay To tight for my coun - try Back to my coun - try a time ami you, and you, dear, I'he : Say, (lar ■ liiij^, wiy, wlicn I'n iTknok. liAsS. t* ' Bright sun • iiy days will soon fad .^_ -*!^ -^- • ^-^ I ^ J- J^. -*^ -*- : * J ^ ^ I ^1 ^. > -*- ^ -* ^- -J — '--| m~- ^ — !«_-•.-_ p__c-^_ — ^ — ?— v — -^ — ^ — t^ — "^-t— --^=J d- -s- l^ ' I «^ ^1 i^^ ::x-3: /. m^i ::=:q; ^__^_ -4- -S— P Fife: /^..V. :^: 3=^*: GOOD BYE MAVOURNEEN. Words and Music by SONG AND CHORUS. ^-m=~-r:i:^!i: ^m ^^m THOS. P. WESTENDORP, :3 :=F Modeiato con esfress. 1. (Jood bye Ma vuiir - iieeii 2. liuod bye Ma voiir - neeii 3. Good bye Mavoiir ■ iieen 1 ^ — I « — v-w — [--t-pis M ^ — I — I — \ — I — ^m—i ^ — I ^t ^ * ^^^^Eii3-£^^;^^¥^a§i^'f now we nuist pari, one fond enil)racc, do not tie - spair, - ver the o - coan I'll slill think of thee, E'er 1 de pari fmin oUl 1', - rin's|;rei'n shore, 1 \\ ill return Ironi the land of the free, And thy sweet face will live in my heart. One lov - int; smile from your beau - li - ful face, When I have found a home ov • er there, -A- !■ 54 GOOD BYE MAVOURNEEN. CONCLUDED. ^- -4 Ik — H ^m ^ :*zj* W JS=P= Oh! then Ma-vour • ncen be true, true to me, When I'm a -way in that far ilis • tant hind, Wanii'riiit; mid strangers bo S'.vcet as the smiles I have seen there be -fore, Nev - er a -gain by the Shannon we'll roam. Oh, how my heart clings to I'll come and ask you to share it with me. Here in my bo- som this pledge I will kfep, 'Tis but a leaf of the ^^^^^^^^^^ 3F=i=i #f ^ -m-i=m:: i ^ i :^: d=»- ^ ^ ^^^ E^ p: W=^ q*=ff:: W _jj,--j^ :^ sad and a - lone, Of- ten I'll sigh for a clasp of your hand, I'll sigh for the love that you say is my own. E - rin and thee. Ne'er will I ban - ish the love of my home, Dear to my he.irt will her name ev - er be. Shamrock so green, And ev' ■ ry night when I lay down to sleep, I'll kiss it and think of rayj lit - tie Col-leen, Chorus. Soprano. ?=3 e3* i Alto, ^=^ ^1 I u- ^ Go«d bye Ma-vour - neen n»w we n.ust part, O '^-'r- ^ k r ver the o - cean I'll still think of ihee. m. BA!>S, ^"=-"r=fT=r ^ ■^* h^l^^. f=rFr-"^T^ #-L^ ^ > rrfz t *t ^^^^1 3 r^rfi »■ 3* f :feE3 BS=^ =t g^=«E5E^ rjA An-A thy sweet face will *w i ^^" ^^ live in my heart, Oh * r hen Ma-vt — iipcr then Ma-vour - neen be true, true to me. 1 =C i4A i \ ONLY A LITTLE TOKEN. 55 Words by HimnB B. LOWBIE. Grazioso. SONG AND CHORUS. ^^^^^^^ .^1 Music by H. P. DANES. 1. On • ly a llL ■ tie to - ken, Of fiicnd-liiii rwi; and 2. Till)' small "lay be the to - ken, If i,'iv - en from the 3. Life's sUvan ,sgcnt-Iy How • iiiR, Our Iioat> iiiuv siile by i :sii "^^^ 2^=^ 2=: iS=:E3z=8*: true. Will serve our hearts to com -fort, O'lr faith and tiu»t re ■ new; heart, Will bind the ties oft bio- ken. And hap - pi - ness im -part; side, In years to conic, the cur - rent, A - part may Iia\e tluni^lide; Of life we of ■ ten A bunch of with - er'd 'Tis then a lit - tic 3^^ :-5r=i -s~3 -j-^ -^ *^^^^^^^$ fe^^ ^lg| qirq= =S=it ICSl :i i wea ■ ry, What e'er that life may be, flow-eis, A cur - lint; tivss of hair, to • ken Of friemh.hip seems so dear, We need the warmth of fiiendship Our hearts from care to free, brings back the hap - py hours When life seems bright and fair. A Ian ■ guage sweet un ■ spoken, Our hearts can ev - er cheer. wwm^ Chorus. Soprano. r=J:=iU:i^==NT*^^J-"= Al.TO. On - ly a lit - tie to ■ ken. Of friendship rare and sweet. Will thrill our heart with gladness, Whene'er its sight wc gretl, we greet. t- I^E^gfeisilil^liiiiiiAi f On - ly a lit - tic to - ken Of friendship rare and sweet, Will thrill our hearts with gladness. When e'er its sight we greet. Bass. ^ ^ l_ I , , , , ^ . , ! ^^^^iiii^^ifSlpgi^pNi^^ 56 WH^N THE ROBINS NEST AGAIN. Words and Music by WALTZ SONG. FRANK HOWABD. 'hee; When na • ture smiles, on land and sea, I will re - turn a - gain to thee. Sva.. ^^^ ^ HM $ :8s Refrain. ^ ■Ezz=B r - f---^. f- tFT m iP^ Prr r r'- ^E=i When the Kob • ins nest a • gain And the it P^^^ r^fe ^ -- ir^^ : ^i ES. eS ;j -'~# - X X ^ ^ !S?^P^^ ^S zi: ^ fa//. I^ dM= ^^ flow ■ f rs are in bloom, When the spring-time's sun • ny smile Seems to ban - ish all =:t ^^r=I=«=fi^ ?=*=»: e =»=ll= ^ -X — »-- ^5*<: WHEN THE ROBINS NEST AGAIN. CONTINUED. 57 a tempo. A 1- #3^?: E^ -P2_j._ ^i— P= X^ Mz :p2- :g--i=: :S=S; ~-l*r. sor • row and gloom,.. Then my bon - nie blue - eyed lad If my licait is i r=s=3 ^mf^^^^m^^^^^m^m rg—^t^ ^r^^=^^Mrli=E»:j x — »-ra — X — jt- — I — X — s =3^ zziz ^^^^^^eM ^=t- J^pi «=:=2 -i=l=z:.z=zatz rcS: =J=:^g: -Jt=m -JZtL true 'till then,. Has prom • ised lie'U re - turn to me, when the Rob - ins t=:^ T==r: / ^^ t^ -% If: :» ==)=l= *=l- i SS^ -^e — »- -« — *- -s — -s- -Jf — »- /> /^. -S— Jt- -s — s- 1S= -« — s- fe ^ 22=^ iS=M ii :»==(•=*= ¥S= ^ '=:^=g^ Ei nest a • gain. Life seems so bright when in thought I'm with thee, Come love, — ^1 il^ =- Gotof^ t>*^ :g: ■•^^t-*— »■ =s=g=g^ Fine. If ^^^i^#N5^3^^ :^=^i !-*■ \-* |5g: iH: |^{:g: 5-*- 5* (a -St— J?- -S J5- H i j? » I* - it S- -1 — Jt — S- =iS= -X — jt-F ^ M Ei3 i --p--=e: i H 1 — *" :t= ±: Iffrrl has - ten, — come back to me ; We'll build our nest with the Kul) - ins in spring-time, Don -aid! re- 1*i5=^-mr -.:4=q: ^ -s — s- i <-#t- x^- ««*■ i » — ^~\~m — Jt — St— F-g — y — S- --niL =-iF>r-=^ i^^_g^ --m—^- iizz: -St---M= ./^ -S: t^^^^E ^ turn, love, . to me. ^=4 :^=Q' ^' ^ ^ CO/?//. .^-.i ^— iffi •'8' ^^1 W l * ^ I — I ,1— •-•-•'- i rit. ^ =? i />..S'. Nefrain, t: j_^_^i 1 W:::^ |e^^^^^ m 2iZ FS ta M-;t — »« tt^^ 58 WHEN THE ROBINS NEST AGAIN. CONCLUDED. m T ^^m 2(/ time 8r'(7. i:^^^r=^gg "•/ p p?-P-* — W- fepi .1 ' ' — y^ 1 — I— ^^ ^^m ^j^ :f=S,.^f:^ EEE zfcf re * ^-t fet ^ 2 AM.'ralo f sosltnuto. :g: t:; ? 1^ rfcrg: :c2: Last night in " dream,, I saw his proud ship wreclc'd at sea,. i=t .-S Tl/(I. ^^ -S* 22 zi 32; #::ff: eg =S=»= F=3^^=t= ^-*-J* ! I II 11 m 11= s-xtid-x-x -»— »- i ■S— Jt- 3 fef^ X s acicl. ■^-z^zz!^-:!^ jc^z=Mzj^. F=K :g i i- ^ s^rmat i ;•y as can be, smiles of our chil - drcn ev - tr bright - en the path. Cine whom you love to ad ■ mire; I nev - cr knew care or pain ; Lead • iiig wlicre loved ones do stray. Vuu hug him, and kiss him, you lie's pret - ly, lie's f^en - lie, he's riie mu • sic and laughter we 1=3= W^^^^t^^ ^^^^"^ ^=K ■•- '^^ 1^ '-9)00^ VBSW' m i — jg— =1= e =i=E^iii=isg s= m *=^^ :ff-rpz =t:= l alEJl gggg^;^^^ :=^f -;?=^k=: press him to your heart. What joy kind, and he is good. And ev ev - er love to hear, Will beam to your bo - som 'twill bring; 'ry - thing nice, him I bring; like a rain - bow in Spring; Then you place him on the car - pet. And you'll Oh, if he at - tempts to cry When rSy the lire - side at nighl. With our P /•«//, __j_^_ rgrrgi ^m Tempo (HValse. tt=r ;«-S- :^=z::;-_=:,t=:, hide be • hina the chair. And to please him you'll commence to I am stand - ing by. Just to please him I commence to hearts so free and light. We will list - en while our children I'eek boo! ^^m^^^-s^'^n ■olla voce. S* 3 -d-y-y- g_^_^ p, zJtimeff irt:iz::^?:n-f=::t::::_E 60 PEEK-A-BOO!" CONCLUDED. I $ ^^ :cin ^ -J=ir- =i=i=i :^ -^j-_— X— X- :p: peek boti! ^A ^^^^^E^S^zL Conic from lie - hind -0- -*. 0. -m- -m- w- -«- J — I 1- 1 1 — I — the cluiir;. I'cek • A - liuol -I- 4a- :S= f= #■ ■* ^ m, •2=»Cr :^:^ rttett^^felli'li I ^^^^^^d^E^^ B=fz peek - a l)oo! 1 h I sec you hid I a :p::=::1: i^^ii:^^^ inij there, Oh! you ras - cal. there. i^ii^i^iii^^ :^=|r-- ]?---=i«: :iiC^-=l 1 -j.;_ : : D.C. ?=rl: jif- -«- :=r i^.J :^ --r — r r :::=]; :*f:=*f^ |E=^=-E dz: :e= ii^ ^^ BY-AND-BY YOU WILL FORGET ME. Words by ARTHUR W. FRENCH. Andante. SONG AND CHORUS. Music by WM. A. HUNTLEY. get me, get me, When my face is far from thee ; Wlien our dre.im oflove is o'er;. And tlie day «l;en first )ou met me And tlie voice th.il use to pet me -f-v. V-4— , ^—< ■*iS5^ ^SE^g^^ ^ igE^= -»— «— s— Ei^i ■"=p :tr: :^~t:: i^-fc^ii su I: I I I '■ BY-AND-BY YOU WILL FORGET ME. CONCLUDED. m.m-0. :ftf* "^^ ttLr^^c>s— * Chorus. Sweet tlie hour when fu'sl I met you, SorR'D.i S ^ K h Sad the hour my lips shall say ^; and • by you will for - get me, will for - get me. By ^ 1. '^ '^ V V and - by when far H^ip h ^ ^ » — * — m- a • way, -'1 — *s?^;^s=Se :pczpz will for • get me. By and • by when far a - way, far a - ^^^ "^^^Et =iN~ -t^t zt — :a— =4. ^ -I i — r^j =qj-. =-— =4-= — ^n — =3? 62 COMMITTED TO THE DEEP. Words by OEO. RUSSELL JACKSON. iNTRDnri-noN, .tiit/iiii/i; Musio by C. A. WHITE. -— *- i I, "Our a. "O 3. " Deep 4. "One ^■■■" ta^HH ^^^^ ^^ ^^^W ^^^*l ^1 :t^ ^fe^E^I ::fc=p=r,- :^:fr mess - mate in siiiU mo ilfcp si - loiice rt'inns la.-t UniK at his ham - mocU lay, l>L'-iiLath the surge, U]> - uii the ship, our mos • mate brave, £;ii=3%^.=^ii^^j-~5^^^: The ileatli - ilew on his Of an ■ ff!\, lieav ■ inj; The na^; at lialf mast Then o'er the vcs ■ sel's lirow, wave flics, siilc, And hearil the dash • iii); And mer - maids fair shall We nuis - ter at the We low'rd him to his of the spray chant my dirtje Kink' - way slip, lone - ly grave, A - i;ainst tlie ves - sel': In - cean's cor al Where dead our mess - mate lie • neath the surg • inj; ])ro\v ; . caves,.. liei. tide ' .\lv No \Vc life is elibing fast he said vil ■ lage bell shall toll for me ^tand with heads un-cov- ered there Deep in his si- lent o- cean bed,. Kind No While Our W^^0m^mm% (> ! COMMITTED TO THE DEEP. CONCLUDED ^ — c*^ '-f.^^^^ z^, ■ i m^^^=Sm:^ -Jzz=^z 63 Refrain. fiii^:^^ia deep, When I ilccp, l)ccp ill (lee|i, Willi Mil ilecp, rill (lie ,1111 laid ill (J • ccnn's lied, Com - mil ■ tei'i llio M'a my grnvc shall lie, Com ■ mil ■ id iiiiii air re • cite lliu pray'r, Com • mil • Icrl last triiiiip bhall wake the dc.id, I'om - mil tc) U I I E K h ^--r 1—1 1^ ^— 1« ^ ^r—l ■-, — L. 65 Take me back to home and moth er, '^^■■ eJ=ee^e^ On ly take mc back a - gain. :«=::iC r=^^ *^j^^^C-^-^ :^^^5fE T-^- cii^sr-tcK zx^ l?iE::r5— I \M- ^ Take me back to molh ■ er, On • ly take nic back a • gain, yes, back a - gain Take me home to molh • cr, On ly take mc back a gain, yes, back a - gain. t— f g— g^ ^ \^ 1^ \^- £fe^=^ fe^- • p^ --^ MR. MULCAHEY ESQUIRE. P Tempo di Valse. Words and Musio by C. FHANK HORN. ^ Et ^^ _^5^— ^B r-t _-e-4t. ^^ — X- :^= X i§ izt ^ L 1: :*=i? 1. From 2. With 3- The- An - a good trim good at I came, in ■ tent a speech, Mill On I cah • ey's ix)l - i did o my name, tics bent, ver - reach With Den • nis I call'd at My - self one in front do you sec,, the White House one day; fine even - ing just past,. :t :»=3=3 V *=* ^- m^ - S3 i=i i* -M. 1»- ^ : LOVING HEART, TRUST ON. 67 Words by HENRY C. WATSON. Andante moderata. Music by L. M, GOTTSCHALK. ( $ ^tz|t -* * There are thoughu which seem to come from Heav en To calm all ^^ w =i=w -X— '^ ■t»-v 1 m -J.— n- =?q^ i2=)l?LT 3?m;:s=| g fcmf; pain, all pain and strife. As dew falls on the parched (low'r to nourish it to ^ t -^S r -F- r Sgf tspress. 231 P=P W=!f- ^f=w- =fc=ts ^^P=F -*— st- :(■-■« -»- ->-itr life.. •There came to me a hap ■ py thought, One mom, when hope seemed gone: It whisper'd ^ ff ^ r=^ W^ i^&j m^i^ 4=*i ^ :t=t i=J= ^ ^^ 1^ OSSIA. ^^^^ ammato. low in ac i/« poco piu lento. |j^3 F^i^ ^gE ^--i!^- h J^^ ^^ ?=3" 5t^lIJ._«_ -^ F=ft in nc - cents sweet, It whisper'd low, in ac - cents sweet, O lov-ing heart, trust on, trust 68 O LOVING HEART, TRUST ON. CONTINUED. r \ r --p - ?c is--^-^ ^^-- j^=i 2=?=- :^=»qS3=fc:pi rfrr-^tf: P^ One true heart beats for you a ■ lone. O lov - ing heart, trust on, trust on. O lov • ing '^^^m^^w0^^^^^ m _i»**j5-_ ■ err^- — T-g- t.~pi» * £]:&: P— I 1 — I — I — i — w=^mz ^ OSSIA. rit. i =S^=Fp^ i heart, . trust on, .... tru«t on. ^•=F zdz heart, trust on, tnist on. s^=#! :sa 4-J- ii^^^^Si^p^pil S^^i^.^ / "■'•■ g d= 3?=p: ■ 4=1 *: .^2- ii^ fcf: ■ l»-^4 - -*-= * W — W. tl ^ P very quiet. ^ That hap-py ,. ^ i^ E5EiB?E«!Ei ia=U- r:m-mJ:m~ ^■^■^^^ =«=^H« ^ff^^SHi^ thought shed o'er my life., A bright, a bright and joy • ful ray, As sunlight gilds the night's dim ~ ^T^ O LOVING HEART. TRUST ON. CONCLUDED. 69 '^^=^ -^- =^3t ^ 5=2- *=P=*= /== -tr^ -■I— X— iS- clouds, Ere breaks, ere breaks theglor-ious day, .My soul is bath - ed in sun ■ shine,- All OssiA. ri/. P^^ $ P=¥=*-- thought stilt . whispers. O lov - ing S^ f^ =^=1t izii r^_q- ^2=tz thought still whispers, O lov -ing heart, Armonioso. trust on, trust on. One true heart beats for you. a liim. ^ OSSIA. fei ril. ^3 heart, . fcrt :^--: ■s)- Wk tnist on, rit. --e^^r- O lov - in;; heart, trust on, trust on. — 1 1" g g:-z^,^|^ ^gET^ ^: ~~ -<&- ■ ■I — :t r:^: 70 READ THE ANSWER IN THE STARS. Words by SYDNEY KOSENFELD. Music by C. MIIiLdCEER. ^% -^■=^-=.~£ ■X-=* ^ 35=^ St=*r ^ ^ :ff=*: I. The tricks of love we can't ex-plain, Love comes and then it ^^5^^z^ »=s: '^ ^i: * i:^ ^E^: ■aiS- ^:. f> 5=t fjt^^^^r^=^ , Utrs; S^3B^ 1^-*-" :=fcs riCi*-: »C-V.=ffi J^fz^^mzji: -¥-^- rSt=A *=5:5t goes, Ami why it comi s and why it goes, no liu - man creature knows, That once you thought I loved but you, I ful - ly comprehend, And ■^ fm- ^ -m- :^ -fz mmmm ^ g ' - UJ Li i^ 1ST Voii-F,. A/oiifrato. E3E3S5 ^=:q^ ■Mz=fti -I- 2D Voice. ex-pl.iin, «f ^ :^ 3D Voice. do tell. K — h~ S N W * r i p ft j ^ h- :iii=$^ Oh, dear! who can love's methods show ? I wliat is more I thouglit so too. And yet we see, the end. a - l.ns! -^ ^ j^ Moderato. 1ST Voice. :^==U: -^ — =4- ?ir:^r=!t — f» r^ r f:=±er- :t»=f!= ^ can t, 21) Voice. don't know, what.makes love come and go ? Why do we love un - til we bum and then don't love a -+j_i^ «=^^ «*: "T n is =it=if ^ ts==tE ^ utr^i: nor I, 31) Vok:k. Why do we love un • til we burn and then don't love a *=z5rzjs: -«*- IS — V it=it :S==S -^r^^ ^^1^ " S s nr- im -^E^. go on, Why do we love un ■ til we bum and then don't love a -giT A — X- -^ w- mi jU| l g « i- ii=r|t g Ij J ^ aczat ;pli P^^^P^^ i»- ^-^ It* ! ^^ ^e ^. ^ READ THE ANSWER IN THE STARS. CONCLUDED. 71 i AllegreUo. '^-■ r^r:^^ ■X -r—f- 23r rpii -t^ ^ the an - swer in the stars, we mor • tals know it not, Read the an - swer in S lf=^ ^^^■^EEEEB^E^ g tlio the an - swer in the stars, we mor - tals linow it not. Read the an - swer in the ;it=:i= -=F Read ' the an - swer in the stars, --r1- we mor - tals know it not, Read the an :iC=g3J Al!egreito.-gtr,-gt:-SL1^.-ft-fl I^ I^ "^ I^ -I— +-4— -<— f^-l— i — ±=: l=- "f — I Dance. Allegro. \i^L it^it 22r TF=^ i stars, we mor - tals know it not. aizizat ^? HE=E stars, we mor - tals know it not. ^ — • -m- -^ ^ ■ - » , ^.^ 1. L _ .. — ■- F^^^^^^f i -^- ii Now all young men who go to woo, hark to my counsel wise ; Don't argue with your sweethearts true, or gaze into their eyes; For some eyes roll and some eyes squint, some glances shoot and stab. Don't wait for eyes to give the hint, but shut your own and grab; "Oh, dear!" etc. Don't ask her, yes, or no; " That's cool ! " etc. Just take her swiftly so ; For girls in love are funny things, whom do they love and what? Read the answer in the stars, we mortals know it not. I knew a man who always preached about the temperance cause. Exhorting sinners to abstain and join his sober cause. Cold water was the drink for him, he praised it morn and night; Cold water was his soothing balm, for every appetite ; ' And yet !" etc. Why did he roll his head ? ' And why ! " etc. Why was his nose so red ? What did he mix the water with, until it got so hot! Read the answer iu the stars, we mortals know it not. The roller-skate, the roller-skate, oh, let me roll and whirl, From early morn 'till evening lite, until I win my girl ; For at the rink the man on wheels can trap the maiden fair, And he who rolls his handsome heels is rich beyond compare. "Explain!" etc. Who's got the coachman's place? " I will, " etc. The skater with sucli grace. Where will it end, this rinking craze, what new traps will they set? Read the answer in the .stars, they have no rinks there jv/.' 5- The small boy seized his ba-se-ball bat, he cried "well let her come!" The base-ball flew the .small boy flopped, it knocked him deaf and dumb; He rallied, though, with one eye out, he gave his spine a rub. Said he " Fm not ilead Jet, I b'long (o the New York Base Ball Club. " Ha ! ha! " etc. This is a game of f;race, "Indeed!" etc. Although we call it base. But when home runs are all run out, where shall we loo!v for sport? Read the ans>ver in the stars, there nil "short stops" slop sliiirt, 72 Allegro. SUPPOSING. Composed by J. W. BISCHOFF. t: ^^ -?2^ J ^^^^^^P zmt=B—-iz ^m »— r-zirnr-.g=:: — I 1 »- I. Sup ■ pos - ing a man av - a - ri - cious and old, Should 3. Su|) pus - in(; a he - ru all brist - ling with fame, And ^ im -^-^ *==^gii^ ^^^^m^m^^ i^^i It: lati*:: :!r-::tz :1t=1t qS==K *=*=*=:S=rit:S= come to me jing - lini; his sil - ver ami (jdIJ, Ami of • fer a share of his mammon to me, If I to the sale of my big with tlic weiijlit of a won - dci- ful namo, I'ro- posed, in a mo - nient of bland condescension, To give me his hand and a "■#* I I i^P^^^^^ S=5^5^5=«-t*^4^ -- 4- 'A i 3?^5t r~t r~ -^- -J- -«■ =^b=5it*=^=:5bt= ^b self would a ■ };ree, I wouKl-n't, would you? lit • tie attention, I wouUl-n'l, would you? :i==:::>!^ '^^ T would-n't, would you? I would-n't, would you? r= ^. i^ f 3t "*•" ■^ I II -=i—» P St=* g -Bt: f^ F* It=t5 ^ -_=^aiirJ-4--1: S^ :^=r ^^ 6'('»/ (fpressione. It ■C?-' SUPPOSING. CONCLUDED. 73 m H ^. S3^^ :^=:^ r^=ffi -:f?=i-- grttfr-p g=g= ihone like llic liyht of the b.;au - ti ■ ful skies, Would prom - ise to love me tliroiiyh all liis glad lifi.-, And -^f^-|ri^.^|-|^^^^^^^g^^ Si i^rrr: i ze=^-.\^:=ez b-8: tfmpo. 3^ -Jim^d^L::^ e=^ ^Te 1^:^=51: ^= .J tempo. /- b*— • K — ^ — c. X i beg lliat I'd be his own dear lit - tie wife, Guess I would, would-n't you? Guess' would, wouldn't you? I f^^mwm s^ ^^*= t i ^ M 1- -s— colla voce. a tempo. m/ ±L-~X :=!= J?r3p--r-r5r:Jz:n=x= *r=*: S^ — I- ^i '^ > J^-: e^ -S— » — '^- ^ -X — - ill would, would n't you? ■^:=±=r^==^:= m^^^^M ^^— jt-jt— X- ^ //« mosso. ►Ifc S — X- m^^^^ t:^^ ^a ^1 g^E ^ -•^ ■^^ li A BOY'S BEST FRIEND IS HIS MOTHER. »» Words by HARRY MILLER. SONQ AND CHORUS. Music by J. P. SKSlLY. i^i^^ ^ :p=i= H'^J-^g=: 1. While plod -ding on our way 2. Tlio' all the world may frown 3. Her fond and gen - tie face the toil - some road of life, and ev • 'ry friend de - part, not long may greet us here, How few the friends that dai ly there we She nev - cr will for - sake us in our Then cheer her with our kind ■ nciss and our >-y>- 10 rs=z=lt — I- f= 74 'A BOY'S BEST FRIEND IS HIS MOTHER." CONCLUDED. R^=^q g^£sSs^?^^^;^^^^^i^^^^ 3^: :^^-, meet! Not ma ny will stand by in IruiMc and in strife, With coun - sel and af-fcc-llon ev - er sweet! But need! Our rcf-ugecv - erir.orc is still wiili- In her lieart, Kor us lier lov - ing sym -pa-lliy will plead! Her love! Pi: - mcnibtr iit her knee in cliildliood bright and dear, We heard her voice, like an gels from a • bove! 'fho' ^^^ raizil^r.^"' '• • -at -0- -wt there is one whose '^mile will cv ■ cr on us beam, Whose love is dear ■ cr far than an - y oth-erl And where ■ pure and gen - tic smile, for- ev - cr che is mir way, 'Tis sweet - cr, and 'tis pur- er than all oth-cr! When she af - ter years may bring, their gl.id • ness or their woe. Her luxe is sweet er far than an ■ y oth-cr! And our ^^3=3^ rS--q«--S: m ^m^ :1t=it: ev - cr we may turn, This les - sin we will learn, goes from earth a • way. We'll find out while we stray, long - ing heart will learn. Where ev - er we may turn, boy's best friend is his moth - er. boy's liest friend is his moth • er. boy's best friend is his moth • er. Then cher - ish her with care, And smooth her sil- v'ry hair. When gone you will ncv - cr get an - oth-er And where- ■^-J. coUa voce. 'E^^ I 19^=^ W ^ » ^- ^ ^5r.EE^ mil. ^ ^- --f==^- =S=^^ =1= :ffrrp= ^E^^ ev • er we may turn, This les - son we will learn. m. ^ -jt=gi ^: ^%E£^ :=t A boy's best friend is his moth • er m n fe^= ,; •j Words and Musio by Soprano. WHEN 'TIS MOONUGHT. WALTZ SONG. 75 W^^^M C. A. WniTE. Ttntpo Ji I'alse. J ■^ .•^ _K K -r ■-U- s=i»- c: ^^^_^^^^.^-g^_ f: :^:*3^ Ah,. :-*^.::*Eii:a'r=::J;Et rt-rUrte ^"^^f^ §S^^ ,f;j^ . _ ^Jg- -=g r-^ g r T J?—*- ^ -*-*- ^^ f= ^^^^^m ^r^T^ i#r^ " iT~r~ri r.-%-^n _ |_p -^= — 1— 1 r H ¥-1 •Tis but a J#ifc^ f r r c 1 vis - ion of sor - ■ row that — -H=- 1- nev - - er ca^ 1 1 \- be; 1 1 ' — H _e IX -it \ Efe^,^ ^-^ 1 1 ,1 ,...r^:7^ ^-"' — ^-+f ■- .^ -F-'-=*=l: (r WHEN TIS MOONLIGHT. CONTINUED. 77 S-: pfe^gg Hzr-r- :ff±r.-r: •TU. r .but « vii • ion of tor g r.t:rzrfc=ti ?a: I e r E p£; row er can be. -^t=t m m r- $=—(•- ^ pi^^^^^^^^^i^ii ^3= |y ^ -f-^f= fe=l-nrJf=^*^ ii :t:= When 'tis H>^ ^ft^f ^^^^# ^ *- ^ *-S ^^g ^ u I I u M ^ Tempo. 5^ X 1» :»i:^»i 3^ ?^ =S=: ■r moon • light, when 'lis star ■ light, I will meet thee and I will bring to thee sweet - est I r=i= ^ -« *- E-* ^-= ^^ E^ f=t -« ii- r -» — X- % — r f ^ '^ -X — «■ i -X- itrtF -* — j?- -* X- 4* — iprc r I y J ■ * m r ^^ flow - en from the wood • !and, from the wood - land o'er ^^^^m the lea. Ah,., :*=* ^ * ^ -« — «- f ^F=5P *— X h 1F=«- 73 WHEN 'TIS MOONLIGHT. CONCLUDED. 5.Eg=i^ Eifa:-t^..Egr^ feg^ LlEEt zJtLz jEEMEE^^-gEBg-EEl- ( ^ g a. • .is.j_ j: : i Li tz — ^ 11^^^ H n [— — 1 r^- ^ " t— - — r" 1— — h r*— I ^~ — n — — — - — F 1^-1 — "^i ( 1 — 'r — I 1 — "^i F — I — "-H ..«1_ _. f-f=P J — __4 J 1 — n — , Jfr __. a^fc I'LL AWAIT MY LOVE. Andante con tsprtinone. Words and Musio by FRANK HOWARD. s3S^ 1. She stood 2. She stood a ■ lone on the a • lune on tlie :(=:;=-:-: --*- EiEi :«^= dim. ■tt ■*■ *^ :?=i: iS*-^ P itrer.: :'i — K ^ EEg±i^- -^^^ shore,, shore,. Iler eyes grew dim with tears, With heav - y heart so sad, As she kis'ling voice »he crieil,. Thrn l>re,ilhc(l her vow» • . "Oh! (ij 2. Huy a lit - tie wag ■ on, 3. Buy him lit • tie slip ■ ptrs, K when (le sun do rise, roll lie liali - by out, cov - er up his toes. ir=^ i^ ^^^^m^^^^. ^' Ly - ing on a corn - cob bed, ! ''I him swal - low good, fresh air; Keep him from do frost ana cold; Bab ■ by roll - ing o ■ ver, ha - zel col ered cyrs. Feed him on ba - na - nas, neb ■ er hab de gout. Sit him by de hot lire, don't you freeze his nose. ^=*" m .f-j ;J ?^^^ ■e-^-tmzuBi -J^-=f^ i ^ if— *: Lit- tic kin -key, wool- ly head; Yel - low rib - bon in his hai: ; On - ly twcn - ty-two months old ; ^^^^^^0m^^^M^^ Mam -my is a doz - ing, dreaming of de bliss, I'm think -ing of de day a - com - ing Jo- nah is his name - sake, liv - ing in de whale, A float - ing roun' de o - cean in a Bring him up a Hab - tist, make him go to church. Oh, rare him like a I'os - som on a $m^m^^ ^ ^p^^ s^pp^p^ p. on; Oh, come a - long, my cher - ub, ^ive your Pop a kiss, lUess de day that he was born storm; Oh, shout - ing, hap - py neighbors, hail - a, hail - a, hail. Bless ile day that he was born farm; Oh, give him plen - ty gum - drop;., bet- ter than de birch. Bless de day that he was born ". J_ _ ___ ^P=C: :Jt :^ ^- 2:^=6ti 1 # ferf-^ fesEE^ *;iE -n- $1 HELLO! BAB-BY. CONCLUDED. 8i 1^ ±> E^EE^ 3=5=^ :^=^ IIcl ■ lo: Ral>- bv, Mere's your Dad - dy 1 -Hi ^^mm B$: !1, ! ^iS3i?i Up and down he goesl You black pic - a iiiii - ny from oM Vir - gin - ny, Goodness, how he /> /*s ^ i eS^^^^^Iee?^ it==^ i^g^ grows ! Black pic ■ a ■ nin ■ ny from old Vir - i;in ■ ny, (loodness, how he grows! H ii I r:ff~_;p; -m^—^ ^^=^ ^ 1 \ — — )» 1 — i 1 1 — It • B ^^ ^ ^mT 8 ^-^Jiff^ptF-.- i^S ^^: ....iE^:^ I if. PC. 11 PP^^H .1?: — :^-.*__j|:W!^- S ^3 1 82 Words and Musio by GRANDMA'S VACANT CHAIR. SONG AND CH )RUS. ^^A^^m f nf --= rfl r f HARRY KENNEDY, (/"iW. f ^eE a^ P ^ft"^ ^ S t rsz^ m s^? 'g— 1»-"--6^ :?--=^ -■-— br — -" — * ^J^ :mz 1. In the chim - ney cor - ner, Stands a cushioned chair, 2. In tlie chim - ney cor - ner, By the glow - ing fire, Hallowed by a hundred thou - sand tears;, Grand -ma al - ways sat from morn till night; ::^: %^^ --^ «==tw= -•■ ♦ * --g: ^ m i EfcESE m. ^^^m. ti Where at even-ing twi . light, Clustered round in pray'r, And her nim - ble fin - gers Nev • er seeni'd io tire. Oft we met for ma - ny, ma - ny years,, Knit ■ ting by the can -die's flick'ring light,. P |"-*"^~F^""S^~"f Sf i^^m^i ■c?; ^- m, :3=rsz_-r; -Jt=t egpB P -m — I*- ?^^ ^t*^= :e± s --^-=0=W" =r If ypu'd know the se - crct I fain will have to tell j'ou, Why that treasured prize we guard with care?.. Sil - v'ry was her hair, and her face was full of wrin - kUs, Yet hersmilc would banish ev - 'ry care;... -*- :=^; -■=\- -/ ^ t tgrzsm -«- :q: :k — s=x:::m- :-±=: / Grand ■ ma .nl - ways sat there, In the long a - go; Now the place is cheer - less, Grand -ma's gone to rest; ^.^^^^i^i^f ^^^. :ir=^=tt 'J=iZ -1 — r r^^ a Sa - cred spot is Grandma's va - rant Sa - cred sp-jt is Grandma's va-cant _. 1 .^__^ ^.^ chair., chair., ^-1? ra//. " K - -'=1 - :=t: i m m Soprano. J^^^Jfci *- — — ^ — P-^ P* ^ > In the chim TlCNOR. GRANDMA'S VACANT CHAIR. CONCLUDED. 1^ 83 ?^ ^~r^"C' -P »— .■:a— > 5" s-i? — s-g r ;^ ?==»■: .i^i=^ -S-- I? ^ > ^ i I ney cor ■ ner, By the glow - iiig fire. Oft I've lisped my lit - tie even - ing prayer,. 1 r.-xwR. ^ ^ I BAssr 5 1? g 1/ — T •P s j^_- — K— i^ 5— li — ha ^ ^-TTX-jzrzrcriz mzszr : m >:z=zzr. P ,-•■ -»^ ■*" ~j- -»■- l^|lPt^= -1*: ^^=^^ ite: ^= ;^ =^^: -S-- i iJ^^=J^U-^ Mem • 'ry's rec — i^ » a>— :5=i^ *rjTr*fr:*.-rt=*±zisr r'-s-c-^rr =;^— ,»-^ — h i^^=ir=r=:rr»-g--^^::rrr-_jri L>— ^. I ol - lee - tion, Tears of love in - spire, Sa • cred spot is Grandma's va - cant chair. ^^ 1 h-"£» ^— to ^— »•<;//. t- r: f= / 3E ?^i^S ^ — =1 . rail. *^ tm=^=r.=e=rj=—— -^ =i^ !^ u CLIMBING UP DE GOLDEN STAIRS. " GREAT JUBILEE SONG. F. HEISEB. I ^ B — I— >—i^»l — 1^ Y f ^^^^^^^ ^- w r J — p=i^ :t=it—-mz Jtr=i?i.:-;s=z5i=±: :itzrC ;^^e 1. Cnme all you lit - tie nig - gers, Now ■ 2. Old Sa - tan's not the dan - dy, To *^ 3. Go tell the Jer - sey Lil - y, The ^ a^ -»- I I ^^l^^N^ 4: •-'IS i^ I r \S% 84 'CLIMBING UP DE GOLDEN STAIRS." CONCLUDED. -S" K~ h | J L ;i^ititr*z:fc 1^^ z=^rr watch your cues anil figures, — feetl you on mix'il caiuly, — sights would knock her silly, — :am ~^ Em 4 1- HI -Xzz^z ^=i z^-. 5^ Chorus. \) 2d lime ff '=i: "^ fire you up de gold - en march you up de gold - en Climb-ing up de gold - en It: r^ =5»SP=^: stairs stairs stairs Then hear them bells a - ring - ing, 'Tis sweet, I do de - _J._J- • X 1 8^ 3^EteKEEs ^=^ f3 2J time jf f- @= ^ ^f^-r^r clare ; - » ' ^ tjtpdja: :g-r-r=gi -i^-\^ ^ t" ^ g^ri m. ^ ^ Ll: oh! hear them darkies sing - ing. Climbing up de gold ■ en stairs ! stairs!. ':^W^- -t- ^- I -»-+ m j^fut^ r— -« C r "gglf • 1*" r J- /^ ^ li=W==p ^^1 1 i SUMMER AT THE BEACH. 85 Words by H. G. WHEELER. SONG AND CHORUS. 5^FF=P* - ^ J -*J.* - MuB by J. W. WHEELER. i -— — s- ?.3^=a=^:2=5= :r2: -\r- -jTg ^=^- —TV ^-^ *ste le 1. i'vf clone the falls anil otii - er in - l.ind wonders, 2. I've lil - tie love for but • ter- cups or clov - er, 3. I love to watch the prct - ty prom e - na ders. I've real ■ izid all the joys of camp-ing I wonld-n't [;ive a rap for new mown Out list'n ing to the mu • sic of the ^m 1E=^-. Sfcfc T :=]: S I 1 m — mi. *** £E£EEt ^- =i= ■-» — ;*=!<; ^ m 1 i -,&- - r- ffi»— r= :f!=_v-:::1t =62=*'- E^^ -t- 3p= 5^ out, hay, band. I've sampled mountain hous - es with - out num - ber, And not the slightest fun can 1 dis - cov - er. And watch the an - tics of the jol ■ ly bath - ers, And fished the fa - niuns laUcs for speckled In rid - ing o - ver roads of mi - ry As they go romp ■ ing up and down the $ -^Z i i$ M '-^^ -j^ idt m ;!• 5^ 1^ ^- -« m m- * * tir — S- ^ — s- m --^p=^ 22 ^= SE^^ -■^=^ ^^E^ :?= I^^JP ^^eS2^ trout, I've helped the hon clay, I'd >-ath - er take sand, There's noth - ing like est farm - er at his du - ties, And ils sel - dom I have failed his heart to a jol - ly month's va - ca - tion, Where the o - cean waves arc spark • ling, light and a can - ter just at twi - light, Or stroll a ■ long the beach at break of fcrp^ '^f=t^ -S- SE 3^ ^^r f 4 T=p J I — -f- m -■=[- -I 1 K =3= ^^^ :^- P t=^=^ -t ■B=m i^=:=k Iff=p=p= :i*^t?=t«: Wz :^::=^ :»*= ^a£=Eiii= It:: reach, free, day, I've flirt - ed with the If you would have a Or flirt ■ ing with a sweet - est '.oun ■ try beau - ties, tea - son's rec - re • a - tion, charming girl by moon-light, -^ — 1»»- But love the best a sea -son at the beach. Oh! Just take a co - sey cot • tage near the ;.ea. Oh! When down be - side the dan - cing, sil - v'ry spray. Oh ! P^|#^ flg^ il ■9- -0- -wr •S — =e^-^--^--ti --m ^mii ^g^ 1 3 'if 86 SUMMER AT THE BEACH. CONCLUDED. Tempo di Valse. ChoruS. Soi'r'o. ^: -J: ALTO.I f I II f :z2: :s2: p.tg=^ Rid - ing, bath - iiig, flirt - ing, sail - ing, Daiii - ty girls out prom • e ■ nad - ing, Tenor-J i^ J J ^ , I , I I I J l_ J -si- -J- ^ f^ ^ :d=d3F-4 e^E pi^E^^H^Hfe^np :=l= -^- -9- :=1=F g S ^ " — 9=^ ^^ :i)=t: dtt -1 1- *— 1 — r+* — ^ — I — F* — , — F^y^F- ztzizF*— ^ — m-Fr — ^^-^-F .=j. E^eJ: im. :c^: ?2; ;i ^3.4^=^ i ^1 fcfcn: List - 'ning wliile the band is play - ing, Wliere the surf rolls in J. J J A A J. A J J J I 5=: :ig7 :g: r the ^^ ^ i^txr "P^ =1^1^ ::p2; P< II -«— 5-- ^ i^ -^z ^- ^- e3IP^^P -S— =»- etiP:: 1 r: -:i^^._H-*^ — I — I h- -4 itBBzr:^ ^=s^ :«»=ffi ^t=^ .jj_= "TYROL'S LOVELY DELL" AUti^retto. Pt;d ^EE^j=P^fe s3ia^=^ p Fed. Words and Music by HARRY HINTON, — S- l^iEt^E^ Ped. ^.^. _l ^— J 1 1_ ^^ ;8: laid by In ic noles, Call ly spot, 'Tis 'TYROUS LOVELY DELL." CONCLUDED. 87 a] H J 1 fcr ^. =1= :«=.-Sr .jf_qr pn-pi =t= zTj^EffEES-p^e-i-^EgS It :ffi: mem - ry's in • most cell; sheep with link - ling bell, hard to say fare - well; I'll sing of one my heart hoUls dear, 'Tis Tyrol's Love ■ ly Dell. Down from the high • lands to re - pose In Tyrol's Love - ly DcU. But since I must, I'll ne'er for • get, Fair Tyrol's Love - ly Dell. $ ^=r- '0^^t^^0^^^li^^^^^^^^^^^ Ef!SE m^^- iz. 13=: 7=iz ^. ^— *: £^^^ 22= :q: :^pH ^--^■ i— q: -^'- f :^t=Ht rqzrrq: -^iit.^-wJ'-^- -a-^^- ^l^^^W Shep-herd bells, Aha, aha, aha! Hunters call, Aha, aha, aha! Mountains cch - o back each love- ly ^- ^^^^^^m m 88 WHEN THE ROSES BLOOM AGAIN. Words by W. G. WILDERMAN WALTZ SONQ. Musio by CHARLES DRUMHELLER. cadenzo ml H!'. ^^^^JT^^^INF?gfe^l^F^pi^^ f- When the ro - ses bloom, my ■y— y-»- -••(»»■ ■ST ^-J{-*-p£S-Jf-E*:?-J5r S — * l@iMi I S?E^ ::p ;=i=ititir =l=:r3r :Sir*: :=i: ipz:f?=:p: ■^=-^- I ^^^ -s) — •^'-.sr-'^-l- love, a - gain, Then will glad - ness come once more to me, Tor my heart has cold and heav - y been, Eiit thou shall _j C^ ■*■■*■ §P@l2l*^^^^ . :*:tririiS=tt:4=:*=:f= I «— M-3-»--«: ^ -S-S^- •35-S- -«— Jt- § »— )?- S=»— J5- :*: -^ To ^ Coda. ?2- =i= :S=z=J— :c2i :S=f^ hap - py be When the win %va ter days, so dark and drear, With their i cy boughs are —I zr-r\ 1 — ^^^m -«— j^ [-^zz?i:=t-S- a:" :il: g^EigigjE^Mg^^gMi^^^ '1 3^-=^^^ .-::^= =«=?: 2== ■C3- ^Z ===^F= :J=t^:^3=E4 ^---^ past and gone ; When the balm - y spring ■ time days are near, And love - ly flow'rs have come ; Sva -^•-^- -Bi -B. ti -^-ft n*:* ^^^ ffFFrr e fTT ^^^^^i^^^^irft* c± m mSj-mS- mf.'m^ "^ ^- 3:3: ■^- -^ ^:*-^«- ggi=e^ig^sg^^j^iEi##g##^i^feE^ x^^M- Pi WHEN THE ROSES BLOOM AGAIN. CONTINUED 4 80 2. Then 3. When ts- Ig :l= ■:r- ■*-:«): 3 ^= my win tear lul long ■ i' ;s will tcr's yone anti spring - ti ,. .'s balm my o'er the ^^^^lipii^ipTf^s^ 'A: . A, m-m r 1 — I — ' '^ X X iE>Si=^ "C--I.T X jT 4: X :|::jg: n=t:-\zz X X ;2i=:r=s= :c2r mni -*^*- heart., hill... so a full, mong so full the ver- of p,nin,. (lant trees ; •J5h-t- Then Where :^iEl will birds beat., will sing.. $ ^^2 I -t— r 4«-H«. A I A I ■G>- ■ X :jjjp X X f X X ^ ^ / 5iE*3i?==^ zi: rg— z^-^ =ziri_rr*- :z:(?=S: 111 with joy and glee once more,, their songs of mcr - ry glee When I'll ro - ses bloom when the ro - «es meet my love when the ro - les i ^4M^E^^ :siz-s:~ -^=zi:X: -t==r ~£-^- Ped. -J---^- / m-m- ^^E^ -m ^^33= 1 — 1- ■^-Z-r-l-^--^-^^^ imzM- :■!=*:::*=: :-Otg-g-j«: « J Fed. tl, ;:=»-t=5-:F& :t: ^ ^ ^r^ :£ :E -x-x i!tiS»2?fcE • .;1 ■^^ 9?= -X— »- ^ ^^ bloom a ■ gain, bloom a - gain. P ^-Ed: 1-4- -^ T?77*^S^ ■^ -'^-x— X-:- ^if 3 Pvd. M — m- f r^-J- m^ ^— ^X— X- g^g^^^^^_si tjg.^^.'gL ^>£ jt 8i/n. 87'a. ( ^m ti'^ M.fz i: ffEt *> «•• -«-« Ped. 12 D,S. r X .X - 90 WHEN THE ROSES BLOOM AGAIN. CONCLUDED. C0D.4. zdzrzr^ zi^- 'O' ^^^^^mm^'^m^. 9r=-M. . When tlie ro J I J> A ' ¥fi\n llit'ii, w . ^lail ncsn cuino once J! Jf J> J ' J Jl J Jf Jl ms =i=r!!5ff-"'?fc ::1-« r^ tz:r-t: *♦ PP a la ilochflle PP ses liloom, my luvi- ^- ^aaJ^ j !^i;^ip3^;^Sg:ai^^^M#gi^Oi^^^^3^gNii WAIT TILL THE CLOUDS ROLL BY. &i Word! by J. T. WOOD. AUi/t>iili< rrtl csfitts. 80NQ AND CHORUS. MuBio by n. J. FULMEB A- ■X. tjj-_-ji4 t0-r-(iu your |iiom Still, love, shall he Wi blue ise of — T biS — hr—-—- B-^ sea How I will miss you, my dar keep? And will I come to you, dar you; Dry then your tear-drops, my dar ling. There when the storm is rag - ing high,, ling? Take courage, dear, and ncv -cr sigh,.. ling, Soon will the night of sor ■ row lly;... -S-F-- I =1: -J. :=t= =P -•).-. tS- z=z^:. rail. iEE^ *:= --=1^; :=|i il3 :rs)rr Jen - ny, Glad ■ ness Cheer up. niy will own fol true low and don't he loved sor lone one, row, ly. Wait Wait Wait till the clouds till the clouds till the clouds roll by., roll by., roll by.. '=^^WEF^ =1= -■ff^^- :S=f^ i^^^^^^ IMAGE EVALUATION TEST TARGET {MT-3) 1.0 I.I Bi 12.2 US ML 2.0 lis. IL2j IIII 1.4 V] ^ /2 ^l ^ '/ /A Photographic Sciences Corporation 23 WEST MAIN STREET WEBSTER, N.Y. MS 80 (716)872-4503 ^^ \ :\ \ %^ ''^^ 6^ M ^ \ 92 Ohoru*. SOPR'O. / *^ AiTn. WAIT TILL THE CLOUDS ROLL BY. CONCLUDED. Q .^JLM 4- t ?E3 ^ P-T Alto. /|* f J f f Wait till the clouds roll ^B i^ by, I Jen - ny, S i Wait till the clouds roll by; ?=; ^r=g= f^ Bass. I Wait till the clouds roll by. Jen-ny, Wait till the clouds roll ^ 'j;rJ=j^ — j- raU. ~= ^^^m zi: ^=n. ^■- r -»- rr- Jen • ny, my own true m- U \ — =^ S loved i one, J. Wait UU the clouds roll by. I^ A f ?== t^ Jen - ny, my own true loved one. ¥ roll by., 1 ) ^. ^— 1. P IS- -(»— r ^ i s t ! >- ROSALIE. Arranged by BENJ. FBINCE. |^~'4J^ ^1^ ^=rfc=zj^c=3s::g-"-r-r 1. _/ jWa - 3. _/if j«jj /(f ^aH Moderato. *=5!=--i "#* ^ m^M^^^^m ^, ^^.^ m 3= ^fc-M: • — * — «- f ^^ :i»=]- =«*= -y-K * Wr ton de Pa - ris, de Pa - ris, damt la Mar - quise, la Mar ■ quise, beau dt Pa - ris, de Pa ris. -4- I drink the di - vine eau de vie, eau dt vie, I I first felt e • nough at my case, at my ease, To I'm called by les dames tris jol ■ i. Iris jol ■ i, When I ^^i=^ p Sl^ ^ pi ff :*=i: v~"-r :*=«^ i r-4' X X- -• — X — X- I i *p -«— :*: ^^^^^^^ ! ROSALIE. Concluded. ^ poco tit. 93 It: T ± -I- it3^ ^ ■:ffr=^- -t- drive in (he Bois in my lit • tie cou - pi. And I tell you I'm some-thing to see. go to her pire and de - mand for my own, The beau • ti ■ ful Ros . . a - lie. go out of doors mv friends by the scores, Say i • — »- i i -X — *- =^3F=5F a tempo. -*— «- :?== ^311 =P=5= ■X- ?^ I care not what oth - ers may say, I'm in love with my Ros lie.. ■±^. g - J^-S- -sg l^i^^ a tempo. ** p^^^^^^^s^ :=!?= i-*=3— -s— »- ^ — s — »- -m a — X- -» — a- ^ j5 ^ •— »— » ^ X X 6= p^ ?3' :=t /Ofo ra//. ^*- Sweet Rose,. If=*l g=X- ^S=R ^^i=^ -^ i Lit • tie Rose,, I'm in love with my Ros Last verse. And my Rose is in love a ■ lie. with me. ^^^^^ i ^ ifei B= colla voce. ^3=- * feJrl=:: L^ X X - -^ — X — X- -X— X- Ohorus ad libitum. 1ST Tenor. | 3E=3^5 P :i 2D Tenor. I care 1ST Bass. ?= ? N J . ^ . A :ff=:=ff: ^ S 5~5 i i ■c?- n :S=it ^=--^ "r~r~rT ^^ not what oth - ers *=»= JSJ: ^ J?-J- may say, I'm in love with my Ros a ■ lie.. J .J- J, , J- J. .J. J. 2D Bass. f r r ■r-r r-f-r-ir j^ r='r^^ i ^= J, ps:^ Sweet Rose, W - «V Rose I'm in love with my Ros a • lie. I'm in love with my Ros Last verse. And my Rose is in love a • lie. with me. @g ^^*=^- -*—f. ^ ad Tenon having th< melody, th* olh*r putt to b« (iing lubduMl, r^^ L* ^. ^m^ i };, 94 BRING ME A LETTER FROM HOME. Words by GEO. M. VICKERS. Modcnito. SONG AND CHORUS. E::4.i:t:z-zz|= h=:JEEz — I t=---ir|r- "H*— '^:=Efe: Music by ADAM GEIBEL. -S- :B:=tm- One that is long Swift o'er the moun Is there no word and sweet tains fly,..., for me ?, Tell - ing Come ere 0!i, how me fond things that the sun that is I long for a ^^^^ ^ espress. A \- » d -Jf— *- -p — r- ^ i — t- Sad is my Scenes that are Beau • ti - ful oft I have heard; beam - ing a - bove mes • sage to - day. Come, on thy wings so Sinks in the west em Motl. - er, one line from fleet;., sky;... thee :.. ■c^< i ^ ~^ ^^ — ^- E^E^ dim. -JCt. zm==i. :ct poor heart and lone fair give no pleas bird come re - lieve ly. ure, me, Far from my dear ones 1 roam. Wilt thou not kind - ly then come. Speed on tliy way o'er the foam, P^^^^iii^^^^^ i =t =l«i ^ --S=X= \- — X- — j g- dim. i ^-^. r BRING ME A LETTER FROM HOME. CONCLUDED. 95 ^ rilard. ■:B=^^=gz -Jizz:zzizz=±:-. This do I sigh for, this on Oh, how this sad heart would treas Do not, I pray thee, dc - ceive I X - — X - =S-=?=P= ±:-=t:-- i rciT? m ly. ure, me. One lev - ing let - ter One lov - ing let - ter Bring me a let • ter from home., from home. , from home., =I=Z=E W: #=! rm=z^^ ^^^m EK ^-lES-^EE^ rzl: ^^- ^g^-b^ ==1= -X — X- -X — Jf- P ritard. -I f -^- -^-^ ZZ±i SoFRAi«o. Chorus. P i -J!0r i^-=j=a r" ¥~T:T~r p^ Alto, Bring me , a Tenor. J J J F Wl -^=^ Bass. I I ^=«i let • ter, O beau - ti id^ 1 1- ful bird, -«— * 1 f=F= I f= One that is long J J J and sweet,. :ff=iff= ■t- d= ^ f= -J«— *- -« ^- ig *' ^-=ff=:tW: 1»— TJ- --d=::1= Ei^fBEg: f^ ^- 9^^F=W=^^ 1 |r-= -»-«- f^ g a^s^^i i r -^ — ^ — m- '^- f L_r— e. T^ ^^^eIe i=it :«*: .t^^iiE^ =P=I f=T"T=r ^A f rail. PP^ ^^1 LS^=l -fe ,!«)/» ?^ e5 Tell ■ ing me fond things that once I _J_J_J.,J_J_J_^_J. f=^r=r' ^k^. 1 — I- have heard ; f=f=^=F Come, on thy ^-^^J J -i ^ wings so fleet.. -A -^=r=E- -) — r 1!^=^: ±: ^ P dim. pp ^ ^^^ :iW= =^ 3^i^iE 3^3= y rail, marcato. ^P^^ii^^P^ )0)0 m^ m — m- ^^$E^ -t h -^ — (•- ^ -©- i^ ^^ * * * ^ ^ E * f: fi: :e -X-»- i^^h^^^S >__♦_ ^ * * ~t. rt-r ^_*_ .ri r i r ^1^ ^ ^M 96 WHEN 'TIS STARLIGHT. Words and Musio by Tempo (ii U'nlli WALTZ SONG. -s^,=^A^ t=r- ^^^^^ -s — »- I?K?t =t= ^^wM^im O. A. WHITE. ^ i *-M=i3Es^¥^ ^^=*=^ I (» • p h^ «=?= 1^= ^ tfzziii :t:=i: •e=* r- Wlien 'tis star - light By the riv er meet me. yes, meet mc my love all a - lone, I'll a - ^^ S- i i -j-jt. -jf — »- -*— X- -* — *- :J— X— S- -S — S- -jt — jg- -S — S- I *— Jf- ?■ i ^m-- 'F=&'=F- EE =^ ^ :1=:t r—^— j t -g-^-#: :^=:?: :^ S wait thee, I'll a - wait thee, meet me, yes, meet me my love all a • lone. Ah, . hap - py 1 3^ :^=m p ^^ 1^= tl^i?- r '^ J S^E g-f-s- ifeE^S-^feE^fe^E^^E^ I t =F=t ?&fc J L : P £i? :K=)t E^^Ji:S teiz.x t 5=P: si: ±=P= =r=:^ gi2:3p: -ii=^- we will be where the night birds sing their sweet song ev ■ er bright and free, Ah,., watch the ^^^^^^^^^^^ ^ re=Sz ^4l i i ■ff- -••■ i J$=tB^»=*: -»-—»- -» jg- nM— -»- -X— *- S? a f =3==! rip - pling foam. Meet me loved one by the riv - er, meet me all a ■ lone. WHEN 'TIS STARLIGHT. CONTINUED. 97 -x-x- Ah : ah,.. ah,.. =m^0^^mi^^mm^M^^^^^^^ :-g=F: trnfe ^ :^ -pcurs 5^^ ■25' 1- By the riv - er, meet mc, yes, meet me my love all a lone. ^?i?^^g js=t==t^=t=ia< I'll a - wait thee, I'l! i - wait thee, r—w=w^ ^ *Jt U^-, mm^^^^^^^ -^ w 3 L Legato. i » T~r"^ ^ferrfclS rff==^-=iJ 23= «:=c£ ::t*=i -t- 1 Sad - ly I'm wait - ing here, meet me, yes, meet me my love all a - lone, lit - tie joy my itai -JS^I ~m i^P.4^ jStjf'fij;^ ai =?=; ^ ^^^^^fe ?== ^^=f— J lO »- life to cheer. ^ ^^ ^^1*. i^# Still my heart bids me 1^ E hope on ; will he come, ^gg « will he come ? M IM& p^ g gjLj 13 ^ -L 68 ferrza: ^^ WHEN 'TIS STARLIGHT. CONCLUDED. t: Slill my heart bids me liopc on, =** 'i^Jiii3iiiglli"^liJ^mi:tflg!^^i^ i^li 2 1^ <>./ //*. fe ^ Ah, P 5?SE -t 1- ^ 0= arrai gliii^ii^Si^ll .ah «(/ Hi. !^ AV I, r Jl:fl.__*_*_ Iff: :•■ i?- -^ q=t -c^ ^fcipc isl^ia^^Sll^^ 1^= =;=F :te: PT=t 1— T- .ah„ ah,, When 'tis star - light, By the riv - er, Meet rae, yes, -^__j_ \^ ts)-- z±=\z=Bz ±::=zMz l^=t --$^- :=1= f?=i*r=i= ~pr' M. meet me my love all a • lone; I'll a - wait ihee, I'll a - wait thee, meet me, yes, meet me my rajrrrqt zmz^zaiz -^0^ ^^ ^-^- it. :e ■:X =»=» in I i^.^ ^-v-js^ ^=^.^^z%.^.r^^=SA ±:=tq: :t==t ^g: q==Ci=t ^ rit dan do. ^ ( t=::^^=Sr-j=m-- -tf — t ^=»-: ?i- ±i: -•:Sm=^ •^JSL< ifc=t?=i^ love all a - lone. Ah, ^=2^ star - light, meet me all a - lone.. .0.-0. jm. ^^^ mm^^ ^^^^^ m ^^^ .a. fcfc — fc 1 r-l"- -l*_JE_. , -J_4i 1 r « :(?: ^- P ^=fc 1 m m 3a n- SHALL OUR PARTING BE FOREVER? 99 Words by VIOLET PARRINQTON. Introiu rioN. Andante e^firissivo. BALLAD. SEiS: mflixoto. ^^m. Musio by CORA B. MEACHAM. fe:B -g£l-£ =e: .m ^-J!t a. =^& — I — ,- I=z;t:r=|i: -Cm- 1^^ -X- EEiMlEi^ ^i=:3^!Efe?^S . h K. ^-TiCZ^^E^ QI ^1 1. Shall our partiiif; l;e for - cv 2. Will our wa.liii^ end in rapt er, ure Will tlieri; be no coniinf; day;.. ir the heart is pure and free;., When our hearts arc re u ■ nit - ed, And H e live for ihoso who love us, And Since Will there come a brighter morning, When we'll see each oth - cr's face?. In a night of gloom and sorrow. With no gleams of com • ing day?.. Shall our parting be for • ev er. Or » hen fairest flow'rs are with • ered. ;N| w^-^ ■£ );>i 100 PRETTY AS A PINK. Words by H. Q. WHEELER. Moilcrnlo. 80NQ AND OANCE. MuBio by J. W. WHEELEIl. M. ^-ffr. il^^^^E^^i^ «/ M-£§^K!?3 U:^m^^^^_^^^^^M p :^t^^iV l^:# 1. I love a lit - tie blue ■ eyed creat ure, Such a 2. Oh, what a co ■ zy coup - le we would be, Just a> .-ft* ^ ^^ ^^Bg^ ^^1 J. l=.J^ l :*=-j±; -< — X- '»-X— «- ^^^gi^3^f^^p^ I^lr^Jt •-^-m z-jt=Mz :^=*-'ti charming dimpled lit - tie fac - in - a - tor, With cu - pid lurking in each feat - ure, To steal your sen-ses quite a -way, I hap- py as a humming bird in clo - ver. If this lit- tie maid would only mirry me, I'd nev - er en - vy king or queen, She I^- PE=^^^^JiEj^P ^Ei=i g i^ +x— X--X- -X-X-J?- m i IJ MV- ^1^ ^^ :4tqif 4:: m iNTRonurrioN. nurrioN. h mmA I, F<0'!- J>^^S»~> ^Sh^ft^fc s *£ fPP^r f ffJ f ^f^r^ ^^ ^yn »fii«fi«fyf ^ ly chant the sum • mer birds Thro' (he wood - lands as they wing, ir j I ■' r i '' 1 i '■> 'u ' i 104 GAU Y CHANT THE SUMMER BIRDS. CONTINUED. Sweet as lov - ers' wliis - per'd words, ^i ^-'^K: ^^^ 'T^ W=^B * * m ?&f i ±h w ^ ^ Clai ■ ly cliant (I tempo. the sum - mer birds, Thro' the wood - lands as tlicy wing. ^£ g ^ ^ g' i Sweet as lov - era' whis - per'd words Are the joy - ous songs they sing. P 5¥ P ^^^J^jJ-^ ^^^-i Mow sweet when all a - round, a • bove, is beau-ti - ful and brif^ht With those who love us, g fcZg i ?i p^ those we love, To meet the morn - ing liglit.. rit. tempo. Ah! (Jai ly J:J: ^^^^^^^W^j 'j^'^ ^^^ ^^ 3 * * * ^^ •^ ■ GAILY CHANT THE SUMMER BIRDS. CONTINUED. j=P=|^^^^p^^I^^^'^ppLj^ n * h \ A l m m « ^ » J^ a t =P t—m — w = ~r — r 3»=(?= : 4^J- fciT^ 4z=tt Sweet - er, when tlie niglit ■ in - gale charms the bow - cr of tlie rose, While licr ten ■ tier bipi^^ P ^ 1 -n— tai nV. ^^^^^^^m q=^ :5===i^ ^^^^ love - lorn tale, ech o comes at ev - 'ning's close. Gai ly chant the sum - mer ioe GAILY CHANT THE SUMMER BIRDS. CONCLUDED. birds, Thro' the wood - lands as they wing, Sweet as lov ers' whis ■ per'd words, :^ i the joy ous songs they sing, Sweet as lov - ers' whis - per'd words. Are _-l 5!t. ^a I i «---=!-•!- V^t. '^ m ■^-^—^ i=r m i t $ ^ ]oy :%^ ous songs they sing. Sweet as lov ers' whis - per'd words. Are the songs they ^ ■rmziizi^sm^M :j— J— 3= :*=•:*[= ap^ ^V^r -m m ■ » — — -<•- "*""■'■ ^ ^ ^ t ^^^^ ^ ^r^-^-^ i fc^ r r • — *1 P *- — ; ■ H"S i » y ? sjng. ^^ r-- Are the joy - ous songs,. Are the joy - ous songs they sing. H 1 i- it^ ^^^ ^ ^W^^-^^t^ f?t m w-m m ^^^f , — I— i i M WHAT SHALL I SAY? 107 Words by JOSEPHINE POLLABD PBANK TULLT. Playfully. , t con espress. 1^ :==ja: ■=if=^- Ut^ ^ 4- '^-■» >-^^E^-g J^znti; -=)—*. 1. Ja - mie has long been a courting 2. Ja - mie came o - vcr the mead • 3. Pit ■ y to sliglit his ca - ress • me. ow, es, Nev - er was lov - er more true; Up to the phice where I stood, — Pit - y to wound one so dear; -^rs^ \ ■ r: P =it=si= d^ji rjtzii*: ^^^=T 1^^^^ l^F q?=:*=:: But if he asks me to mar - ry him, What in the world Bring -ing me flow'rs from the hill • side, — Ja ■ mie is al - Lov - ers I might find in plen - ty But none like my Ja - shall I dc?.. ways so good., mie, I fear... Lov - ers are ten • der and Call • ing me dear - ie and Come up, my heart, to the ^^^=^^^^ rjq*;::^ a tempo. colla voce. r rail. a t?mto. ' m gs:; at^— =)- ::r^ -q_-)_ T- :i S. S, i ^ /=- :=f»r ^^- ^-- .r^rrit :3»= thought - ful; Husbands their tem - per dis - play;., dar - ling, In his af - fee - tion - ale way;., res - cue, You can ad - vise me, I guess ; So if he asks me to mar - ry him, But if he as.'is me to mar - ry him, If Ja - mie asks me to mar - ry him. agitato. — "Z ^m. :g«--q»=»: S^ ::1tqt *:»: 33^ a=U! ISzzs:^ l_ I What shall I, what shall I say?.. What shall I, what sh-xU 1 say?.. Shall I say, shall I say yes?.. .So if he asks me to But if he asks me to If Ja- mie asks me to mar- ry him,.... Whatshalll, what shall I say? roar- ry him What shall I, what shall I say? mar- ry him,... Shall I say, shall I say yes? ^l 108 AVE MARIA. Words and Music by H. MILLARD. S ^^ =^*= :*=t: $ Moderato. A - ve Ma • ri - a, ve Ma ■ E -^ ^m. --f--=^: mf y- m E: ZSl ^ 9 — ♦ P=T nr ■.^.f' H I Jrzzj AVE MARIA.. Concluded. i09 1 1 ^- -fc-d 1— TT ff^^' Sane - ta Ma - ri - a, Sane - ta Ma ■ ri - a, i=rri^ ^i Ma - ter, Ma ^*^ £3— ••'—•'• £ *±e 2=2: :^ ^ 8 - .- g^ TS'-rr- rffrfe =gg- ^ J=:it 1 1 — ^ ^^^t=hm=i^=^. ^^m :*=)? ^ ^=^ nunc,. nunc et in ho • ra, nunc et in ho - va no I I stnt, iSs :=^^ '^^- ^^^^^ t. ^ pesante. esfe ^f£6 f^^5&l£*^^g^^^^^S^^ nunc et in ho - ra mor - tis no StfiB. A - ve Ma-ri - a, u 110 THE SHIP THAT NEVER RETURNED. Words and Mubio by Modi'iatn. SONG AND CHORUS. HENBT G. WORK. -^-J --f-j -4 =r: Scd^ :z|5: :S=r-m tzmlt 1, On a sum - mcr's clay, wlien the wave was rip -pled By the 2, Said a fee - ble lad to his anx ■ ious moth • er, "I raiut 3, "On - ly one more trip," said a gal ■ lant sea -man, As he ^ s ^ Ht^Ji it--p-j3tzi= :=!= ^ -t r*=z*; =fcr-=Sf soft ■ est, gen - llest breeze, cross the wide, wide sea; kiss'd his weep - inj,' wife; Did a ship set sail, with a car - go la - den For a port be - yond the For they say, perchance in a for - eign cli - mate Tliere is health and strength for On - ly one more bag of the gold - en treas-ure, And 'twilMast us all through ^^^^^^^^^ ^M^=^ :3t 15: 3 =^ :n: S' m ^ -S(- P ^. 5^ zai Mas; There were sweet me," 'Twas a gleam life. Then I'll spend fare - wells — theru were lov of hope in a maze my days in my co ipg sig - nals. While a form was yet dis • of dan - ger, And her heart for her young -est zy cot - tage. And en - joy tlie _ rest I've m £S -Sl- %=^- -U— U- ^ :|a=K: 5 Jtrft: St cern'd ; yearn'd ; eam'd; Though they knew it not, 'twas a sol - emn part ■ ing, For the shiji — she nev - er re • turn'd. Yet she sent him forth with a smile and bless- ing On the ship that nev- er re - turn'd. But a - las, poor man ! for he sail'd com - man - der Of the ship that nev • er re - turn d. --^ ^^rfr^ ^^^ ^ ^^^^^^^ ^EarTI^rap m 1^^ it I ^ -SH ■& — * e 1 Oherut. SOPHANO. THE SHIP THAT NEVER RETURNED. CONCLUDED. 111 ■ Alto^ ^ 5^^^=^-==^ ^^f Did she ncv ■ er re - turn? She nev - er re ■ turn'd — Her fale, it is yet un • learn'J; Tho' for Tenor. J^ ^ ^ J J-. J>_J J^ J^ t f^ _l .^ i — a- Bass. ^ u[ii u — ncr laie, ii is jci un • learii u ; mo lor She nev • er re • turn'd — Her fate, it is yet un • Icarn'd; Tho' for f 3=t ^=^-pp-^f-rrF^^ !»=*: — I •]-=■ •- i^ ^ -■» — ^ ^ i^ 3: s s^^=^ yean I and years m ^^ '-f=rj -j-5-5- I H there were fond ones watch • ing, Yet the ship— she nev - er re • turn'd. :i Ji_JL.J_,_-f^_JL.*': years -r — gi ^^=^1 ui d years there were fond ■5~ir i ;»• 'i/ i^ i^ ^ ones watch • ing, Yet the ship — r=f=5=r=f she nev - er re - turn'd. I^^i :^-zC!!T ^jr-^ 3^^ T^^ te -s>- t=s 1^ AFTER. Meieratt> e»n espms. •&■ ' Words and Musio by R. IIILIiABD. ^s^g^EE.^^E^^gEi:-t^^^EEpp^^p:ig feg.^g_aJJ =g3 Af - ter the snow, the cmer - aid leaves; Sil - ver stars, when the day is done; Af • ter the har-vest, gold - en sheaves. 112 AFTER. CONCLUDED. (loco piu mono. Hg:ag?pg ^^^^^g ^^^^P^^-=7^^^P^ Af • tor the clouds, ihc vio - let sky; Af - lir the storm, the lull of waves; i^ui ■ ct woods, when the winds go by; %% -^- -*!■ r.y-W- -^— ; pw^*rt«**=^^ E3g§^^3^=^ p Af ■ ter the bat - fie, — peace - ful graves. itenliito con esfiessioiif. -^^^^^^^^^m^^m^w --^=.T- s ? g:g--^^ ji i jt-_$,$.^|_l-iw_g-. ^ ■M — mz ^i iS <•<>« ^.on cell I sii, ('hinkinR 2. Ill llic l)at -lie front wcsUmjcI When Iheir 3 So with ■ in the prison cell, We are Tempo lit Afarcia ^^S^^ ^ ^^' ^1 * ^" ^ 3j^^^ ^^^&^^^F^-^^^ ^: =f Z3^''?^^ .^Eg^TS^ Mother clear, of you, And our bright and happy home so far a- way, And the tears they fill my eyes Spile of all that I can do, Tho' I fiercest charge they made, And they swept us off a hundred men or more. But before wo reached their lines They were beaten back dismayed, And we waiting for the day That shall come to o - pen wide the i - ron door. And the hoi • low eye grows bright, And the poor heart almost gay, As we $ :=): --^z # i= is ^- '■9-%-t^ n f^i fcfe: W 'jar in Tsr "#- JVhtn the Chorus is stins^, this may te omitted after the first verse. try to cheer my com- rades and be gay. heard the cry of vict - 'ry o'er and o'er, think of see - ing home and friends once more. Tramp, tramp, tramp, the boys are march ■ ing, Cheer Tramp, tramp, tramp, the boys are march • ing. Cheer Tramp, tramp, tramp, the boys are march - ing. Cheer up comrades they will up comra!'- they will up comrades they will P '^^^^^^^^^mm^^m m^- z: ^__^ J= ^^, I I i=5=i=s= ^ te When the Chortts is not sung, end here. ^^^^^^^ B^*= ^ 5; ijtll come, come, come, :si And be -neath the star -ry flag We shall breathe the air a -gain. Of the free -land in our own be-lov-ed home. And be -neath the star -ry flag We inall breathe the air a -gain. Of the free -land in our own be-lov-ed home. And be -neath the star ry flag We shall breathe the air a -gain, Of the free -land in our own be-lov-ed home. $ m ^:^!^ !^ ^ U-4: T ¥ ~H =-^ — I — I — ^- -«?- ri 16 * i Soprani. Ohoru*. Tramp, Iramp, tramp, the lioys arc march TRAMP! TRAMPI TRAMPI CONCLUDED. ing. Cheer up com radcs ihcy will come. And be Hass, 1 =f^^P=g Tramp, tramp, tramp, the bo;-i are march iny on, () cheer up com rades they will come, And be wnm^^^^mm^n'^^^^^^w- ^ d==j=d; ^ ¥ fl^^ :ath the star ■ ry flag We shall breathe the air a - goin. Of the free ■ land in our own be - lov - ed home. r=f=f t- =F^ p neath the star - ry Hag We shall breathe the air a - gain, Of (he free - land in our own be - lov ■ ed home. r^ m f f ^r; Ht 35 I ONLY A DEAR LITTLE FLOWER. Words and Musio by SONG AND CHORUS. FRANK HOWARD. ^^^1 ^m^;^^ i > r= i —i >i AnJantc con espressione, iff: 1. On-ly a dear lit ■ tic flow-er 1 2. On-ly a dear lit • '.le flow-er, When ^ ^rt p i jg— ..— ^-J' bjl^^ C-f^ treasure in mem'-ry of you;, sad and a - lone gives me cheer ; ^ a— N- atqffr Jt=fi N i l * - gFcT"r?f It brings back sweet moments of glad-uess,., What mat-ter tho' now it is fad - ed And whis - per of love, fond and To me it will ev - er be ^^^ijz ^i^ y -S(— ^ F^F^f^ i) p I ONLY A DEAR LITTLE FLOWER. CONCLUDED. -115 *&- ^^^^^ts^^^^^^^^^^m^^ true To • jjelli ■ er weroam'diii tlio wood • laiul ilear When far, far u - way fiotu you, dar • liiij;, Anil down liy tlic liiiiok'-. iiici^ • sy slioro. And lon^; in({ your swtti face lo sec;... We It ±^=pr ^^m^ :^f^^- vow'd by diis dear fills me with hope lit ■ tie flow • er,... for the mor ■ row,. To love and lie true cv - er more. And tells that yim're faith - ful to nie... S^PE 4r: :p=:fc :*=5i qsi^i^nz^z :»(..-, co/la voce. ¥*P^i S^ I £ f %^ j=git^ m \^m '^^ Chorus. Soprano. ^ fc N N '\ ALTO.j^ ' '^ P U On - ly a dear Tf-nor^^ J^ J* J* U^i — 1^ <^ ^ i^ ^ ^ ^ ^ lit ■ tie flow- er, That tells of our love foiul and true; y?5: .^_/__J^_ i!=^S=C= -jp=^-=.fti Bass. '^ ^ ^ On ■ ly a dear 1^ 1^ )^ ^=r ^H^Efe^----^-^ Oh, lit - tie flow - er,. -'W- ^ 't' W U" 1^ That tells of our love fond and true; Oh, ^^^pE_=^il?E=^^#fei!:^=!^^=i^iif ^ i i i — =5- ig :-5=? ^ <^ ^ ^ \^ i^ Y — ^> ^ k ** "^ 1.^ 1^ PI ^ dear - ly this sweet lit - tie flow - er,. J^ J^ ^ J' ^ ^ . ^ J^rr^Ji f=f=C="f=r=f I cher - ish in nicni - 'ry of you.... KlU. -m — ^ dear - ly this sweet lit - tie flow - er,., '=T=k"^^=^=S=f m p:^==^ I cher - ish in mem ■ 'ry of you. =1^ W^ p^^^^^p^^^p^s =l: 1! (o// we landward noHte, And forward come uii tu (urt, — The lai>l (o !e= ^E^^^^g ^^jSjz ^ Yrf ? ^^^ A^^Ui^-^Mm^^^^^^^^ TC '^tS^ leas' cast >ay ning to our view; All hands ore piped, spread ev'ry sail, — We're bounding o'er the waters blue! We're Ixjunding o'er the waters our longing gaze; No sail o'er O ■ cean's weary waste. Each heart its anxious hope be • trays, Each heart its anxious hope be • the sad good-by ; Of bounding waves the i ■ die sport, — No jollier soul beneath the sky, No jollier soul beneath the 4=- iffiem: SJI ^^^^^sm:-E^sm^ ^^^^^m^ 'JLIt^: It 4=4 [^S^SErg i=ilz |i=* ri^r IK ^^^jTicjTe a — J? — w^--^ w^=^^^ ^=E3 ^^J rrjr ^il= * — - l^t==^=^:=p=^.:^^ ?^ :fce r^g^r I blue! trays ! sky. With wist - ful eyes we land - ward gaze, To all we love we bid farewell ; And, in the sun • set's dy - ing rays, We Oh sweet to wel -come once a -gain Our na-tive hills and sunny streams! And, as our long -ing eyes we strain, A Thanks be to thee, thou Pi - lot brave! Oft in ourdreamsweseethy form, Thy bark, like sea - bird o'er the wave, We m-0 m mmf :. -»— ^ rtrr gl l ^^^' W-U-U-g -*^^^^ * When a Contralto takes the place of the Bau, ting the snuU notas. THE PILOT BRAVE. CONCLUDED. 117 ^^^^^ip^^^^FP^^^ hear Mil fol bell, the cur • few bell, tail! « fail I ■ lall! low 'mid the threu'iiFiig itorm, the threat'ning itorm, the threat'nlng itorm. t ■ far the curfew bell, the cur -few in yonder otT-ingvlertmi! • tail! t And hark! it it thel'l-lot'i cry— ' "God ipccdl The I'i • lot's joy • ful cry we hear,— "Ship • • hoyi In dreimi *■ gain thy hail we heir, — "Ship a- hoy I -E c , — 1:= — p c c n ( i ^^^^ai^^P Ff^3E^r«iJ -.az ^- dbid: 1st and 2i/ iMrsfs L-^S^^ip^PI^ + I M X ' f X ^ ' X God speed ! Good . by ! Good -by! God speed 1 Good - by!" ihip a - hoy ! what cheer ? what cheer ? ihip a ■ hoy I what cheer ? " ihlp a • hoy I what ^ ^=t= g=iiggs.l^ig=ig 331 P P^EME^ ig^iEge^ s^i3j; w m 'a m MWM -^■■Si i S^i ti^lirto e -•#*■- -n-]0imW-- m :•=:•= ^^ii^^f^ -^- m ^=^ -^ $ -h—K- 3(/ Ferse. g=r.- .£2- ^^^fJ^e^ ■^iE^ 'M^M?. i 1 X ' ^ X 1' 2. From storm and cheer? ship a - hoy! what cheer?". 3. The first to P=^=ff= 3= /sd U [^ 1 ^- 3=^ " Ld I ti»^h-t— h-r Mill 'i j j: — ^^ ff presto. Wjfff ^ J. ^ II 418 Words by PABE MARTIN. LONG AGO! BALLAD. LSmj.. Music by HARBISON MILLARD. ( 'oil espressioiif. c<»-»r- () sea, bilUnv 0:1 and sigh as of yore, O'er the dead in thy depths be-low, On thy sil- ver-y, stranded, shcU-ribb'd shore, I S^= pesanL-. T? ^ f^ f ««^- r^ !S=:1» X— ^E traiiijiiilli\ K-t> 1 — :i=« i;t>- ^^^Sg r- ^^-* ftJ77^J7! f^mprendendo. -mim^ g' g ir c ^ wait and list to lliylnoaker':- roar, As the bright waves ebb and (low. As the bright waves ebb and flow. For a barque sail'd out with my ^^=: i5iti -ffi5^S W ^ ^^^"^ZljiSr s^r* tP=^ «=i '-IS m:$. ■^■tfid- s=Z2=: as; &sl- • s «< « rt tempo. i^ ^ — r ^ r^^ affrttt. ^^ ^ * ! •■ ! . I A A^ ^ ^1 * m life one (lay, And car - ricd my beau - ti - ful treasures a - w-iy, A barque sail'd out with my life one day. In the LONG AGO! CONCLUDED ^^Fm^^^F^^ 1-19 m riv - er ran fast 1 O weeds float out to llio sea. For the sun lias gone down on my happy past, And llie liopcs tlial like bread on tliy waves I cast, Have pi J -^T r T ^=«i Ripyendendo. 7 1^^ J *^'!'M =- -^- ^^ M-~^==i'^^h ^ drift - ed a - way like thee. Have drift -ed ? - way like thee! Well, the day it is dead, and the dream it is done, liut I'll ^ 0$ m ^^\'-^-iM -Wjc^ a tempo. rJ X. F r -J«- i slar^. tristamente. con dokri. P^^^ I i> » 1 ^ ^ />»■« /^«/p. «» — ^- ^ s S j^ «ttst a ev - er remem - ber the name of one Who will never come back to me. Who will never come back to me. The con express. m ress. -^ _„ slent. adagio. ^ day it is dead, and the dream it is done. It will nev - er come back to me! to me ! adagio. ^ 120 0! HUSH THEE MY BABY. Words by SIB WALTER SCOTT. Musio by A. H. PEASE. «: R=^ P=5»: ^^ ^^ =1: 1?=t2 i # hush thee, my ba - by, Thy sire is a knight. Thy moth - er a la - dy Both love- ly and bright; The fear not the bu - gle, Tho' loud - ly it blows. It calls but the ward - ers Who guard thy re - pose j Their »'vf- VI. f;. tn.g. i i u SSfi E i i:±r cLr^Lr cs* ^isis: S cs* t. n I rs IS -c?- i =g • r r ^ = -i» — 1» > — T' irpuzpc U Li Sg ^^ :^- :*?=;*-- 1*=^ woods and the glens, From the tow'r which we see, They all are be - long - ing, Dear ba - by to thee. ) O, bows would be bend - ed, Their blades would be red. Ere the step of a foe - man Draw near to thy bed. \ $ by, lul • la-by ! Lul - la ■ by, lul ■ la ■ by, lul - la - by ! 2. O S sggg gg ^ m ^W E g 01 HUSH THEE MY BABY. CONCLUDED. 121 ., , ! I $ i= e— p-J^r — P= =p=1^ jt :t2=:* -r— r^F -I M U— it:^?: ?:==K= :k=W r J J r -.w-j- :t2=l? ^^ « /B-lB-li- W2=t i hush thee my ba - by, The time will soon come, When thy sleep shall be bro • ken By trum - pet and drum. Then hush thee, my darling. Take m-ff- m.g. :$=J:n:i=4 ■^r*-.?.--^-:?:*'^?: .^^^^ ^^ m^. ^-0 P ill !-- f- i n — h ri^ =^^J^ ^TPJ?-^=1 = !" T" i ' 1 1 — -J ^~ =f rd 1 lI ^ I -A 1 H 1 ^ 1 r— 1-^=^ 1-^==^^ r |i « — h- S==f: £S_E=_£-. t*=tc r»=p: qiS=:4= :S=:r*: 1* ^ a^ ^ rest while you may, For strife comes with man - hood. As wak • ing with day. O, mi - ri fal - go lu! - go - li. Ho- ^1^* Ei ^=^irrttK tiJ- LU -^- m ==|: -I — •— F^ — N' r 1»^F- «: .«•• kA ■ ^^^^^^^rt^ f—^- ho-ro! O, mi • ri fal- go lul - go - li. Ho • ro, ho-ro! 1- Lul ■ la - by, lul - la - by, lul -la -by! Lul - la - by, lul - la - by, lul - la - by ! Lul - la - by, lul - la • by ! Lul-la- m^^ Fd: 12SJ- ^$S- ad lib. ^ S^gi 1?: — P — P= laz -jOZ -« — - by, lul - la - by i -^ i^ ^ -JSi=^- j 7 _ J t f a: -X— — — *- r^ mV. a/ Fine. e i ^ ^^ ^ - X I X I le 122 MARCHING THROUGH GEORGIA. Words and Music by SONG AND CHORUS. HENRY C. WORK. i^^^=£^=^^^^ ^N^^^-^=H3 ^i^pp^ ^^ J — p-- t --i-^ ^^^f— J^-t^ M--^-M ^ ^55^ ¥ ^^^ 1. Bring the good old bu - gle, boys, we'll sing an - cth - er song — 2. How the dar - keys shout - ed when they heard the j.iy • ful sound ! 3. Yes, and there were Un - ion men who wept with ji y - ful tears, 4. " Sher ■ man's dash • ing Yan - kee boys will nev • er rei\ch the coast!" 5. So we made a thor-ough- fare for Free - dom ar 1 her train, P f f ^^^^^. I ^3 £- * ^^ JIC Sing it with a spir - it that will start the world a - long — IIo%* the tur - keys gob - bled which our com - mis - sa - ry found! When they saw the hon - or'd flag they had not seen for years; So the sau - cy reb - els said, and 'twas a hand - some boast. Six - ty miles in lat - i • tude — three hun - dred to the main; m $ fe f Sing it as we used to sing it. How the sweet po - ta - toes e • ven Hard - ly could they be ' re - strained from Had they not for - got, a - las! to Trea - son fled be - tore us, for re- ^^ i i ' t ft ^ 1= ^ ^ fif - ty start - ed brcAk - ing reck - on tlious from fortli with SIS - tance was and strong, the ground, in cheers, the host, in vain. $ itrri While we were march - ing through Geor While we were march - ing through Geor While we were march - ing through Geor While we were march - ing through Geor While we were march - ing through Geor m i gia. gia. gia. gia. gia. ^ g 1^ ^ m tfc - -g-^-r-r-r I gia. —hz 1 ^zz — While we were marching through Geor ^^m W- ?^EE rriTT gia, _i 1 1 1- f^ y> )^ \^ So wc sajig the cho - rus from At - Ian - ta to the sea, I While we were marching through Geor ±= ^ t ^ ¥ *=* ^ ^ • a- SWEET BY AND BY. Words by S. FILLMORE BEI7NETT. With much feeling and in perfect time. SONQ AND CHORUS. Music by J. P. WEBSTER. pffipa^ mm^^ ^. i i=j=j==Fi -^ .=i^fe^ ^ ^ Es it* g 1. There's a land 2. We shall sing 3. To our boun that is fair on that beau ti - ful Fa -& — er than day, ti - ful shore, ther a - bove, ^k^ J^ ^^M 1 ■iS- And by faith The me - lo We will of we can see di - ous soi.gs fer the trib ^ it a of the ute of 3 124 SWEET BY AND BY. CONCLUDED. !Lj ^rrr^z ^ 5E=qc m t Zif^=Mt far, blest, praiie, For the Fa - ther waits o . ver the way, And our spir • its shall sor - row no more — For the gio - ri - ous gift of hii love, To pre ■ pare us a dwell • iiig place there. Not a sigh for the- bless ■ ing of rest. And the bless ■ ing that hal - low our days ! *) — t— I— t— I— I— I 1 =1 :S^' ^-■ttsr P= ^=^=aS3^3=.^^a P zz Soprano. Chorus. In the sweet :J--^:5rd^ bjr and by, Alto. m^ \mi Tn the repeat, diminuendo gradually to the end. We shall meet on that beau - ti - ful shore. In the ^-r ■B± ^$^^^^m In the sweet by and by, In the sweet by and by. We shall meet on that beau • ti - ful shore. By and by, In the Tenor. N fe J N !»• I WE^z mzmi-mz '^ A J:.:: A J: A A A^A:A A^J: A A'.AA A". --^=iizzt=:z Bass. l!^e^ :ff=ff; -i^-i^- ^ qg::ig=g r ie ^ 1^ I -■^—i^ m By and by. crrr by and by, We shall meet on that beau - ti - ful shore, By and by. $ ii i i „.j^^=m^mi.^=jm£m=,=m^n,=m,^ -t-i Tj — = z^z^rrj. ■i (- sweet by and by. We shall meet on that beau • ti • ful shore. 5-F-3S ^ f3-3EEg T?=f^ f 4- -pr- ti ■ ful shore. 1^ I w ^ \ sweet by and by, In the sweet by and by. We shall meet on that beau A I .A s s J. ^- JJ. J J J_ .lA__JW-^d :p=:pr=p=z:pz ig — r— r = :tfr=ffi by and by. by and by. We shall meet -t^ — t^ 1 V — t^ r on that beau - ti . ful shore. P J^Pl r la la la la In la la la la i26 CARRY ME BACK TO TENNESSEE. Words and Musio by Mixltinlo. SONQ AND CHORUS. SEP. WINNER. EE-Bi ^ S£=i Lt EEE gte^g^^^ ^ ^ff rf 1. Sweet El • lie Rtifc, so ilear to me Is 2. Oh why did I from day to day, Keep 3. They said that I would soon he free And 4. The war is o - ver now at last, De ^^WP ^^Z ^ 3e Wzm-m'=m~-r;z tsc:|^=t=t; ^: lost for - ev - cr more ; wish - ing to be free, hap - py all de day, col - or'd race am free, Our home was down in Tennes-see, He - fore dis cru - el war. And from my mas - sa run a - way. And leave my El - lie Rhee. But if (ley take me back a -gain I'll neb - er run a - way. Dat good time com ■ in' on so fast ; I'se wait - in' for to see. Then car-ryme back to Then car ■ ry me back to Then car - ry me back to Then car - ry me back to P^ Pe=f =if r ■ ^f ' • "'^ E i i m'-J L f ^ ^j gSfe ^f pl^ ^ =S=F F=JF ^^ ^ FEEblEG: ^ The spring-time and rob - ins have come,.. And the words of my Donald were true ; I'or a - g.iin by his T=^ J J i J *4 Jt Jt Jt Jt:9: ^ ^^^"^^W ^ !»=*: t X X X -X— » X X X X -X — X- -X— X- -X— X- « — X X- side, in my fond lev -ing pride, I gaze in his eyes of sweet blue,. Oh, the pain and tlic sorroiv liave pass'd,., pr'JJ lJ^^ l r^ raH. a tempo. ll0=W- S=H« ^ And there's joy in our own lit-tle home, For he said he'd be here, when the springtime was near, And the springtime anil i ^m :±=i Jtjt :f:Jt Jtjt iit* iS:5t a tempo. -X-*- X X i _ -»-x — | » xx -# xx - ;g ^^ ij— ^ — -gt X X i28 THE SPRINGTIME AND ROBINS HAVE COME. CONTINUED tf ^- ? P ^1= t ^^Ei=^i=.W,-^r± P^RPP^rprjg ^E g ?a :^K -t- robini liave come! True wa^ my lieai't to my bright bon-ny lad, Lon){haveI wait-ed so wea-ry and nSi ?3^^ i^sizim. i ^^^^^^m ^^^^^^w 2^= -JI-» 3 -*-* -(-p-fc -3:a-x— )t- ->f— X- ^jf^^F !l itp: ±=^zr±. "^^m ^ ■p—m Zi_ S;;? sad, Oh! how 'mid the ro ■ sen and lilies I roam, And sing with the rob- ins so glad I s^ ■t—^ Wf 1f#— #— # ^^^^m^. r= s -X— 3^ ^^Hi^^^^pp^ir^ ^ 1 I :g: Chorus. »3 ? g::p-F ^^E^ ? K » The springtime and robins have come And the words of my Donald were true; For a - gain by his side in my ^-J-^ § ai^g ^^ ^ ate: ?E:fH« ?= fond loving pride I gaze in his eyes of sweet blue ; Oh! the pain and the sorrow have pass'd And there's joy in our ^^^ Mz»r ?^ -X-X--X r* *« ^ ^ fa//. a tempo. ^ ^=:&i ^g^^T^? rsi- ZZ a=*=^ -x-x own lit-tle home; Forhe said he'd be here when the springtime was near, And the springtime and robins have come I ^ ^ ^ ^^m -*-* 3U9i gS:;ir giC:^: ■X-X- d X X I J > Ri^ = }^ rrt//.- ■y.an'g' 1 ^, iy ■■g ? p^i a tempo. X X "^ Fine. THE SPRINGTIME AND ROBINS HAVE COME. CONCLUDED. 129 ,/^> ^^^^^^;^^^$0^^MiJlh ml his proud ship o'er thu waves i i ^^ i*-[-p— 1=^ p g» tern pest toss'd;. But joy fills my heart,.. '^^^^S^^^ m ite m for Don ■ aid has come -- =J: ^Ea^g w — 3 — ^ w / ;g' 2). 5. Rtfrain al Fine. /^ i' 130 u A HUNDRED FATHOMS DEEP." Worda by B. 0RAN8HAW. Com tHtrgia. ^^ ,0, ■^, BASS SONG. P^^^-tl Miulo by O. 7. SHATTUOK. ^s^l ifirtpp^tt^'t^^^ I. There's a mine of wealth un - told, a. The cores of a mi - ser'i yean, In • nun • dred fath • oms In a hun • dred fath • oau i^^^^i^^i^^^^^ deep; There's count • less stores of the earth's red gol on liit VJl,if^Vt |iES=^i^^^^3^^^^^fe^^=#:^^^^ throne, In a hun • tired fath ■ unu deep; And lau^lis an lie ciniinb all fur liik own, In ^1:1:^^ „ — ^ ■^■^-- 4!rq= :*zit ^-Q J^^gy^-rEEgE^lfe-Jll^ ^^^ V.un ■ dred fathoms deep. These are my rich • es, these my hordes. These the treas • ure», my rcnimaf ■ colla voce. i ^=^ ^9^ l^£g:i£feE^^^|g^ fag ^5^^^ fords, In a hun ■ d.ed fath ■ cms deep In a hundred fathoms deep. In a hun • dred fath - oms _ con animit. ^^^^^^vra^ tielicato. I — ' ... ii-jj — I ^^ — ^ ■< — W ■ ^-4 — m—m — — H- ' ' —I — ^^-•— •*-* ^ d ■ — m"- adlib. fi! I' i; f<;. Nyiy^gi^p yiiy^ pEy gMJ ;^ |:Mi e i I I I 132 LOST ON THE "LADY ELGIN." Words and Music by SONG AND CHORUS. HENRY O. WORK. S 4 - m ]f^=j: ^:^=td Lento. 1. Up from the poor "man's cot - tage — Forth from the 2. Oh! 'tis the cry of chil-dren, Weep • ing for 3. Staunch was the no - ble steam • er — Pre ■ cious the ifeitiS e=e: ^ ^ zsit tt=t man - sion iloor; Sweep - ing a - cross the wa • ters, And echo - ing 'long the shore; Caught by the mom - ing pa - rents gone; Chil-dren who slept at even- ing, But or - phans woke at dawn. Sis - ters for broth - ers freight she bore ; Gai - ly she loosed her ca • bles, A few short hours be - fore. Grand - ly she swept our hfc*: W: m 3= *s? f^ -^ 3:- Plt=i- p ^ ^ ^ gE jr n — 3e ^ ^ ff=pl -f—r- -E^ zciz bree - zes — Borne on the even -ing gale; Com - eth a voice of mourning, A sad . and sol - einn wail. weep • ing, H us ■ bands for miss - ing wives — Such are the ties dis - sever'd With those three hun - dred lives. har - bor, Joy ■ ful - ly rang her b-^U; Lit - tie thought we, 'ere morn-ing, 'Twould toll so sad a knell. m :qt P^ :=r: ^^m^^^ Wi--- ±z Z3I i -Sr r Soprano. Chorus. ^J^^^ ai£i==t m ■A Jijj. J vu^ J ,^.» J T=^' :«:i=(K m^W:^ l^st on the La - dy Elgin 1 Sleeping to wake no more ! Number'd in that three hundred. Who fail'd to reach the shore I Tenor. I . . . . . . ^ N \ -\ !*»■ ¥ i -^:^p^^4fzg^ Bass. | > ? i > l^ , Lost on the La - dy El-gin I Sleeping to wake no more ! Number'd in that three hundred. Who fail'd to reach the shore ! m ten. ^^ ^^ ICt gz:fFx- ?^l^=^g OLD FOLKS AT HOME. 133 Words and Muaio by Moderato. "^2. .^ "fz. SONQ AND CHORUS. -^S^z V^fTW :i=z=i=i Z2- 1?:^1^ ^ S. C. FOSTFK. :t-t:i feg E (^ "^ feE§^£EliPi» i ^ :ci:izii KltT'- g^^^^g^ zi- it :ci=3= :=5Tt: *:v:3:iz::ijtH:r==Et 1. Way down up- on de Swa - nee rib-ber, Far, far a ■ way, Dere's wha my heart is turn - ing eb- her, Dere's wliade old folks stay. 2. All round de lit - tie farm I wander'd When I was young. Den ma-ny hap -py days I sijuanderM, Ma - ny de sonj;s 1 sung. 3. One lit - tie hut a-mong the bushes. One dat I love, Still sad ■ ly to my mem-'ry rushes, No mal- ter where I rove. i rJ J Z2z =i=ii i)::::^^ !;S=-t:^ All up and down the whole ere- a- tion. Sad - ly I roam, Still long-ing for de old plan ■ ta • tion, And for de old folks at home. When I was playing wid my brudder. Hap - py was I, Oh! take me .o my kind old mudder, Dere let mc live and die. When will I see de bees a humming, All round de comb? When will I hear de ban -jo tumming, Down in mygoodold home? Choru*. E«li (•-(■^ ^ ^ r -i ' \ 'iiB ^ ^^j^ ^^ -*-i -f- AU de world am sad and dreary, Eb - ry where I roam. Oh! dar - keys, how my heart grows weary, Far from de old folks at home. e^^f: ?= g »»rp f:^f: ±-iz-c:^ g ^ ^-P ^ t: 134 OH, DEM GOLDEN SLIPPERS! Arranged by P. LOUIS. Moderate. / SONG AND CHORUS. Words and Muaio by JAS. A. BIiAin). 1. Oh, my gold - en slip 2. Oh, my ole ban - jo 3. So, it's good - bye, chil ■ pers am I.iid a - way, Kase I don't 'spect to wear 'em till my wed - din' day. And my hangs on de wall, Kase it ain't been tuned since way last fall. But de dren, I will have to go Whar de rain don't fall or de wind don't blow, And yer f f P Pl^ 3= r ^ J==1t 1^=& ^^^^^ ^^ m s^g^g^ ^£^igE| long - tail'd coat, dat darks all say we ul - ster coats, wliy. I loved so well, I will wear up in de chsr-iot in de morn; will hab a good time, When we ride up in de ch;ir iot in de morn; yer will not need, When yer ride up in de char -ot in de morn; Sva.. And my Dar's ole But yer long, white Brud • der gold ■ en ll- robe dat Ben and slip -pers must I bought last June, I'm gwine to git changed Kase it fits too soon. And de Sis ■ ter Luce, Dey will tel - e - graph de news . to Un - cle Bac - co Juice, What a be nice and clean, And yer age must be lust sweet six - teen. And yer £ ls^-3^ * * t^ — tn^ i=^-W- ole grey great camp white kid boss dat meet -in' ler gloves yer ^^ ^-i^-^ ^ ^^^7-jr-iM-^ I used will be will have to drive I will hitch him to de char - iot in de morn, dat day. When we ride up in de char - iot in de morn, to wear. When yer ride up in de char - iot in de morn. Sva. V, 11 my de yer OH, DEM GOLDEN SLIPPERS!. CONCLUDED. 135 $ Chorus. Soprano. First time pp. ripeat ff . 5E3E =S8^ ■^— t*— 2-^ isi irMr: ^=fE -^-^-^f^^-t-^-^ Alto.I " ^ Oh, dem gold - en slip-pers! Qh, dcm gold - en slip - pers ! Gold - en slip -pars Ise gwine to wear, i)e - kase dey !• jk so — _--^ c _ — —^ — q^: n ^— ^ — V — i^ — p— t^- -p— •->— i^ — t^ — ^-C^ — | P^^5^ ^1^^ - J -V^h g=>==g: a^^i^p^P 1st time pp, repeat ff. ^S 5^:=ife^ neat; Oh, dem gold-en slip-pers! Oh, dem gold-CT slip-pers! Gold-en slip-pers Ise gwine to wear, To r • ■ = i^ 'I — »- — ^-^ — " v t»» - P i^ * g— '^— t^- — — g— ■- :fc=ft¥J^ i^^^^=i^y ^:^s^ ^g=jt ^^^ 2 walk de gold -en street ^' zau. 1^ i street. "I? k ffrrffi ^ I !■ •136 EMMET'S CUCKOO SONG. Modtrato. J. K. EMMET. ^Ei^^^ ^ -te- Ct'CKoo. Oh, hear the cuck ■ od call! Oh, hear him ^^^§^^^^5 -n-n- ^^E ^*- ^^g^il^,^^^ ¥^ ■ ft^ 3 ':^^^^^^=y=f^ call - ing now ! ^ Cuck ■ oo ! cuck - oo! i2^ I hear you call, I hear you S§ Si; ' -g ■ ^ -«- -X — M~ — *- — - -5*-^ i =l,U-g -fa g ZZZiZZ P I3E n call, ^- — js x-^q-^ Hear the cuck ■ oo call, Oh, hear how he's call - ing now. ^^&^ ^^^^^ ^5EEES^ •«■• iEt * » ^ I. Oh, sad - ly the cuck-oo is call • ing now, I hear him far up in the a. The blue - birds do sing with a mer - ry trill. Their glad notes sound clear through the m~T f ^r- ^ ^^m KlNE.I ? aibi«= ru - ins so gray; And soft - ly the moonbeams are fall - ing now, O'er slum • ber - ing blos-soms of May... green woodland bow'rs ; But the cuck - oo's call is so sad and still. It comes in the twi - light's lone hours.. ^ 1»E jsa. V^FlNE. Sstata ^^ m— " "^ " • _ ^ EMMET'S CUCKOO SONG. CONCLUDED. 137 t^ :S zac i 'zzjo: -■W=^E1' ^P^Ea^EF ±: Soft lil ies and the rose.. m^^^^m ^ Wave in the val leys green,.. ^,.:^iEEE I ^m !^3 £^ - 3 ^ » f:= ^^-^ ^ =t-j s* ^ ^ #• m W=f^ *- 22r -«- i- Sad spir • its yearn for their lost love, While beau - ti - ful sham rock grows.. Oh, ^ m ga g U d d^ :?=': *^: ^ ^E E?=l «: i^l i9..S'. /ffr Chorus. ^^- #^^fj^#fejii5|jfe#^i^lpEii -« — X- May., ^ ^y=fe i:=*: -X— X- ie -S — ^jS- =?=: i b:t- fefr-H^r ^ ziii E =J • r ( This yodler is sunff by Mr. Emmet, hut ordinarily it is better to play if.) 1 Lain ()<) - la - ee oh, etf.i JEmmmmm^^^m^ ^^f^ .^ *'=!= -^^Eg e 2 -^ i==#^ ^fii'r 2ii Versf. :=|ife Tempo I mo Morendo. 138 AND HE'S GOT THE MONEY TOO. Words and Music by Prki.uue. 8va SCNQ AND CHORUS. C. T. LOCKWOOD. Lizfh mm Ji^iigiN^^^fc^^^ Moderato, ^m. Si'rt. 1. I am just as fond of beau-ty as an - y one can be! The 2. I sliall have a nice pi - an - o, and won't I piny and sing ! I'll 3. He takes me out a rid - ing when - ev • er he comes down, He i^ I i i*=S ^ eES^ fejj^^ pret - ty eye, the ro - sy cheek, I love so much to see; There is none of us thathave them, ex-ccpt my -self and you. But I have a thou • sand dol • lar watch, a chain and dia-mondring, I shall have the ni - cest dwelling up - on the Av ■ en - ue. And the owns the ni - cost car - riaijo, and the fast - est horse in town; And he tells me that he loves me, — I lis- ten would-n't you? O, he ji ^~j.~ i 4: ^ f J. Chorus. : -I=q^=::» ;^i:^^5=j^ ■M±^ ^r^a^ =5^ know a lit - tie fel - low, and he's got the mon-ey too. gay - est lit- tie fel - low, and he has themon is the sweetest fel - low, and he's got the mon w~vw ^^ ?s=(s J ^ X ^ m -J^-K-K ^J J* ey too. 1 ey too. >• O ey too. ) don't I love my hon-eyl And won't I use the money 1 -=*=^E3=E=^^EE3l -3=ff* J s 3 ^ SCEfl^i ^^ ^ m 2=ai= -*-i ^ ^=t i P ! I am hap - py as a flow - er that sips the fall-ing dew. For I know a lit - tie fel - low, and he's got the mon-ey too. tr"'»_j;- :^^^^^^^.- -\ *- r f r m t i f" i S i a he 'U tie 1 V COULD YOU BLAME ME? 139 Words by GEOBaC COOPER. Alltgretto. % p p^n^il Music by WM. E. BASSFORD. Op. 91. No. 3. ra//. a lenifo. —^- ; -^-^ Jr- a<"jt i^rqs: 1. By llie gate he lin-ger'd, 2, Stars were soft - ly twinkling, ^- In the sun -set's gleam, And my hand he took ; w< 1^ And my heart beeni'd tanj;lc(l Birds I knew wcrf peeping In a lov - ing dream From each leaf -y nook, In a lov - ing dreamt From each leaf - y nook; One by one the shad - ows Crick - ets sweet - ly chir - ruped. Mill and val • ley Leaves and llow'rs a • hid;, mid! If I lis - ten'd could you If our lips met, could you Tempo I mo. Blame me if I did ? Blaiac me if they did ? Ah!. r--i I j-^ ±= *5=^: Ss=f: ttr-g. ^^ m- t -b . — y rv ^' ^ 1^=1?: _l2» ^ I ^11^ ^ rall.eolla voce. ^ 2S at=¥: Could you. Could you, f Would you. Would you, J?<2 y^ rail. a tempo. Should you blame me if I did? Should you blame Should you blame me if they did? Should you blame me me ^^-- ^ liF W m :i rail. ^ a tempo. ? m m slentando. ^^^^^E^ -a if I did? if they did? 2 ^ I ^?=rX: Blame me if I did? Blame me if they did? F h ir V' 'S' % 140 u ALWAYS TAKE NSOTHER'S ADVICE!" Words nnd Musio by Moderato. SONQ AND CHORUS. 'S.- JENNIE LINDSAT. l§ii'^-2^ ^g^ £^f:: '■■'7 i, e3 i?r=ti ^e^ 1. Al - ways take mdthcr's ail - vice Slie knows wliat is best for your good j 7 Let her kind words then suf - 2. Ilon-or your niotli-er, so dear, Vou'll ne'er know her worth till she's gone; Re-spect her gray hair whileshe's :^«|: =^ ^ i rsi.-raf: — =1- ■«//. o ttmpo. i^rrfcinztz: ¥ -* r ^ iJ*=P= iff:: ESESifc g^=^^ fice, And nev ■ er speakhast-y or rude; Re - mem-ber that she is the near- est, To here, You'llbesad when sheleavesyou a -klone; On earth you will ne'er have an ■ oth - er, In ?5=r:±i: i^ ^3EE^~ colla voci gi-rtjr-^^^ ^ a tempo. S^j -^-J^ ^ :t-=^ -^=^- ^=^3^ ^^E fe^ I ^=U=e: • pr iarzfe: you in this world she is dear - est,, this wea - ry world there's no oth - er,.. At your down - fall her grief is se - ver - est! And God on - ly gives you one moth-er!.- So So i I^E^ ^^ =«r=«|: *-^ 1 %—tr- 3=^ -1— T -Cgr^ ■^S^^^^^m m=^ . I ' f ^ ra//. ^: Af Q r ^ f^ Chorus. ^ ^i^^ ^ ^^=s-- ■ JL.I P don't cause her sor - row or piin.. cher - ish and love her most dear., Al - ways take mother's ad - vice,.. Al - ways take mother's ad - vice,.. She knows what is She knows what is best for your best for your si i^ ■-^^m-. m =«t=it ^ colla voce. ^ ttfel ^^xgJftt Xr ^ r3 t=^ ;uf - le't ^t--^ ttl^ good;. i^ ^ ■'ALWAYS TAKE MOTHER'S ADVICE!" CONCLUDED m ro//. gj Hgjgr ggg ^^ 141 6i=fci :f?=:»3 Silllg^^ii Let her kind words then suf - fice, And al - ways take mother's ad - vice I p— r=^- m — ^ — «j — irr_„j^_t^i^ ^^^^^ tn ^^^^^m colla voce. =1 — Words and Music by Allegro Moderato. Soprano, f ^ ROW, BOATMAN, ROW. QUARTETTE FOR MIXED VOICES. ADAM OEIBEL. e^ ^ ^im^ rttr^ ^^:s 'P^P' Alto. Row, boatman, row. Tenor Row, boatman, row. Row, boatman, row us o'er the wa ■ ters blue. ^ -X— Row, boatman, row. Vigoroso. I M^^U^lj ^^^^. I Bass. Row, boatman, row, Vigoroso. 5l Row, boatman, row. CT=r=g R.iw, boatman, row us o'er the wa - ters blue. Uow, boatman, row, ^^^ fe^EEi^ M^=M=.mz -T S^EE^ 1 &T?=t -s- r^ i ^r — f— S ; y ^ p Soprano. ^^=-«- ^ ;^J^ - f : mf cantabile. e=fc=*=r5±:^ i^^ 3:^& =g Row, boatman, row, Alto. Row us o'er the wa - ters blue. The night is bright and fair; The breeze is ft-_fi-._|fc zMzzM. T±=Z3ltl 5 ^^ 1 i s-i f *1 r zpfc^^rHicfi qc^ ■wt — ^ — *- * — m Row, boatman, row, Row us o'er the wa - ters blue. Row, row, row, Row, row, row, row, row, row, row, row, Teno; . l^ ». r. .- » . I- j^jAJ^ t Is 3 if. 142 ROW, BOATMAN, ROW. CONTINUED. ficsli, llic -tars arc gleaming, •^^^^^^^^^^^m^^s Sweet inu sic fill* the air, With joy and love our hearts are '^i^^^^^^^^^^^^E^^i row, row. row, row, row, row, row, row, row, row, row, row, row, row, row, row, row, row. U» !*» T . . k t* U C» I.* k k U» ^ ^ ^ ^ row, Mw, row. row, row, row, the Mars are (;leaniiii^, row, row, row, row, row, row, row, row, row, row, row, row, Jim. — ^— ZT-I^- ^^-^^ ^eseI l^zt^ tS—^ — .5Ur_-t:;^_s;. sses l^^^^^^iE g-^^±^tr ^=k-^^^^ Soprano. teem ing. T Alto. row, row, row, Tenor. i^l ^=*- Then boatman, row ?^p^^ 1^-lr f5-l^ J^: us o'er the stream M^- With steady hand tad splashing oar. gj^ii^^g^^i^^E^gE^t^l row, row, row. Then boatman, row us o'er the stream With steady liand and splashing oar, Bass. / --B:^^-^ itrMrrJS ii.^ m. ■^~ F^^ ^^3 ^^ W^. ^^^^^ Then boatman, row uso'cr the stream Withstcady hand and splashing oar We'll glidebe- J-^M 9 U 5 k feife .M- W We'll glide beneath -^ *- ^M W^W^^Ff 1^ ~5 k tJ~ the moon's soft beam. Till home a ■ gain, we'll be once tnore. T ^E^^^^^^m It: #=-ffiFe ^-^^ 1 X - We'll glide beneath the moon's soft beam. Till home a - gain, we'll be once more. w m '^^ J^gEg; =F 1SZ m ^^^ ES neath.. the moon's soft beam,. i^ ■ ^ ^ 1 — =i— =i — =1 — »- -IJ^-*-- i i5=f=5 *=P» M -^3^ 1 , R== ^m -0-0- ^ ite= ^ ROW, BOATMAN, ROW. CONCLUDED. 143 yivaci. ^liEI^EEEEE ^^^^^^^- 3(=:j( Tra la, It, la, la, la, la, 1%. •hi ah, Tra la, la, la, la, la, la, ^ ^J^^J4 -^^^_ ahl. Tra la, la, la,. U, la. ah!. yivaee. (P^^^^^^^ giei^^gii^^p E^ * 1 -— si-n- 1^ M*^ -«» — » a— ^- I 4 I I v; .>i pd^44M^ m 2h 5 -=!—'» # 11 ^^ St^^rtr 5fe ?=f la.. ?= -=1—51 — a: Tra, la, la, la, la, la, la, la. U. la. la, la, Boat - man, -J ^ ^^^^^ i^ -St— =»— P— 51— !!1=t3?r:q— ^=^ -»- --n— =1- ^ Tra, la, la, la, la, la, la, la. la. la. la. la, la, boat - man, m 1 E^p^ ^^B4^-^^ ff\^ 1— q l «t 1 1 «il T 1 ^=ff= -=*-4 r ^ =i-!» =ql -SI— =1- -!1— =J- ^ >l ■ 1 i ^^^=^ .^.. n ^ - M =:=p:Mz ^ ^ |P n?. Jim. pp ♦ SF=^ -^— ^ T g r— g-^g — g^-TT^^T-r g ' r • — g^- r~T^ row us o'er the stream. Row us o'er the plac - id stream. The sil • v'ry stream.. i ^ J j'.J' :■ j-.J J" St3:=Ii jL M4^^J^,Mi ^^^i=^ f ^ -fi row us o'er the stream. Row us o'er the plac • id stream. The sil - v'ry stream.. ^-^4 hN^^ -J^- ^^#^ i -s P rit. dim. pp L » r g j -i r. . ji , F ^^ f^ i ^ mm 144 WOKDS BY LONGFELLOW. Allegru. TRUST HER NOT. ^^^^m t r- 7 I Take care, take care, W. F. 1)8. OP. 197. r.-J^ B«. g;^^ ^d^lJvX^^ ^^gy=;^g^feg^lg^^ I know » uuud-«u i'air to eeetXake care, take care, take care, She can both talaeaud friendly be, Be mf Take care, take care, mp Allegro. r l ^ U I * fe--U=:bt i^^ iP^iP «!r =s 5l»i^^ ware, be - ware, Trust her not — mf :, she is fool ~ ing,Tru8ther not, she is fool-iug, she is fool-ing, She is ^^ — N 5^ ware, be - ware. Trust her not, she is fool-ing,Tru8t her not, she is fool-ing, she is fool -ing,She ia ware, be-ware. PW *##W mf ^ f r^T^^^TW- Ff=fr^^=ff s fool -ing, she is fool -ing thee. She has two eyes so soft and brown, Take care, take care, She gives a sideglmce ^^ pfc ^fe^ f tj* fool- ing, she is fool -ing thee. Take care, take care, take care, Take care, ts^'^ care, * *• Be m Be m P J 18 TRUST HER NOT. CONTINUED. (45 - i c t : r'—c r ,f • s r ;:';;:•?> - ; ; J r c ttmllookN > '^ I I I I it is iiot .true, it is not true. Audslicliab rP /> ^ ^ o true, . . . And what she says, ... it is not truo, . . . it ia not true, it is not true. And what she says, it is not true, And what she says. i! ^-y # I •-J5- ;^;fifi q=3- ^ hair of a gold - en luie. Take care, take care, -^- . r ^ ^ "III i, "^ > 1 ' "J > U hue, . . . And what she snys, it is not true,Audwljat8he Take care, beware, beware. 1^ i^ u u -^^^ ii Take care, take care, take care,And what sue sayS; is not true, And she has hair of a goUl - en hue. ;.^izz^ :5-=S-:: :!=: Jf-ttrjz And what she Take care, beware. ^ SHyi it is not true ^ W~-^~ . . And what she says it IS not true, Be-ware, '":-wnre. ::=qv=JSr:15ri:nff zit!>?^i5i ij^ pg^ r :zdT i Bnys, . . And what she snys, it is not true, ... it is not true, Be-ware, be - ware, it is not true. Take care, beware. And what she says, is not true, » 0—m—0—9 — * F— »— ^— >5'— ^ »— LiE^3^--=f^ >-qv. /> *?< ^ ^d^d^EH ^ .rrtirr g rsf_c ::t— t-t:ti:^=: -1 — r-T f^ u u m •c. -^ iie. > S-« — --I — --I V M =^^ TRUST HER NOT. CONCLUDED. 147 - - i^ i^ i» I '^ She has two eyes so soft uud browu,Tukc care, take e cnre, ^^ " ^ ^ > > z t ^ She gives a side glniice and looks down, Bo - ^^^^d^ She hus two eyes so soft and browii,Tnko carc,tnkc cure, take care, She gives a side glonce and looks down, Be • take care, Tempo. ^3^ 3=3=^=F=1="-=^='-=^="(-P^ S3ilO=i=i-ii_^i ^ I u I > 1^ I ^ > >^ _^ — ^ — 1^ — fc- 1^ u* !^ P r r L. L« r L. I u 1^ P ware. be - warc,Trust her not, slic is fool - ing,Tnist her not, she is fool ing, she is fool-ing. She is ware, be - ware. Trust her not, she is fool-ing,Trust her not, she is fool-ing, she is fool -ing,Shc is ware, be-ware, ,^-^_ ■M^ -p: -U-tiii I- -rt-pz. -0—9- ~^—0 — m-\-m — ^ — 13 -- '-t>- -* , p— I _BS33_BSB| agg j i_ jgg^ .p^'ga _^p.«p -CSS '?'^^_jBt"""" ;il ■I 1 — —f — m- :d. :S=:_^— jn:«t; :^lip rr&rrlt ^-rl■.-«( A_A-^P^__^ fool-ing,Sho is fool -ing,fooli'jg thee, She is fool 4-^^E^- ing thee. Be- ware, be -warc,Trust her not, trust her not. tc-tbczt?izt 1^-- 1^ fool- ing, She is fool ing, fool-ing thee. ;^±F: Bc-waro, bc-wnre, Trust her not, trust her not. p=Fj^'f.F5='f.F;~»^8; l=^i£=ii=sfeii^^?3^J^i=ffe^fI ?^=^:^i -— — I — — I ;1 — trr-rtz cZTr::5?: ^ 148 WORDS BY GEO. M. VICKEHS. Moderato. TWILIGHT ON THE SEA. QUARTET. MUSIC BY W. F. SUDDS. Pi#i ;' •; , . > > > I '^ Nowtwi-light falls up pj^ ^ J^ J. J" J" J" J ^Wfaf! ^^I^^^^ ^^S wing their way, The dew-drops gath - er on the ^ ^ -te J ^ ^ ^ , J' J' .J" :^E -M f=*=i=* ^i ^^ WS- - ! m ^^^iP^i^ m ^ lea, And sha - dows gloom the fad - ing day A - hoy, A - hoy ! comes faint the cry, As near - er A-hoy ! ■ t~c"rTT"5 speeds the fish -ers' mer -ry crew. A-hoy! . speeds the fish -ers' mer -ry crew. A - hoy, A - hoy ! the fond re - ply from wait-ing, watch-ing hearts so true. "^ IS '^, J* J^ J* ^ -^ J" \ IS _«r. fc .«[• ^ ^^ J* J h h ■h > J* m^J* J t4^^EE^^^ ■^ -^ n the i* b* ear - er 9. _t 1 S IT J •J/ true. ' •, ^ ^ — — im 5=^ t mffcut. TWILIGHT ON THE SEA. CONTINUED. mmmmmm 149 cres -__-___ cen - - do. B* And the break - era crash, And the break - ers roar, And the dark - ness veils tlie land -scape o'er And the m ^ ¥; Wf- |S|igE^*E^^lgz#=£^-%^ ^^^^^pip^pg^^^Ugn^^ mf fast =^1^, (/o. ^ ^ pi^^E#^ :3= (i ^ g^ break - ers crash, And the break - ers roar. And the dark - ness veils the land J- -/ J- -.«5 scape o er. zr _-( — twi - light calm and 8\veet,That bids the wca - ry world take rest. The hour when part -ed lov'd ones meet. And peaceful J- J' -r J., .j-^ >± >j. ^-A.j-j^J' j^J' J' J' J- J J" jj" s^^^fefej^ i\ lis- 150 TWILIGHT ON THE SEA. CONCLUDED. LJ^^ >^ > iP I But hark ! A-hov ! hark ! How Ehrill th« cry hark ! Now o'er the trcach'rou8,foumiugbil- loMi is doub - \y blest ^^^ ^ .J" .J: I .-f. ^ J. ^ .-J" J: ^.J: j^ l ^ J: i i^iJ ^ — :^ rail. I I /«»'"■• -• g--j^- — ttj^-J .J. -y jS«-._-» ''j nlowli/. p ^^^,^ I— +- r "C iei3?l _!l ,%L rt'^r ^ S Jfs . , Q wretcli-ed, wait -iug, watck-iiig hearts for ^^E^ I for • lorn. ^. ^ borne! GooJ-uiglit to joy, to peace good-bye borne ! Goodnight to joy, 1 TE-I^ ^^ — g_x^ — ^ J. — ^ — ^ — ^_c-p..„^^_j: tlowli/. B^m^m iz.T--nr:=:jrr::ir±e!:irz:::ze::r. "i^iiEfei i^ -j — , — g_ rA: I r"^" ^^v ^^::=i:i'.=: PP /> /> .SI — n =rH ~;-~t: ..|._4 -JTLm ^P m/faat. erca SE3^^ ri ?=^ :n.- -f=F- ^^ii^EjEEJ^l^ES^^ And the break crs crnsli, And the breuk J^ J. ^«5 ..?! J- - - - - cc» - - do. ers roar, And tlto dark • ncss veils tho land -scape o'er, And the ,^ J. M^M^l II J: A J: J. :tS -s break -ers crash, And the brcnk-crs roar. m ?= no more. . N J e?-p- U J. =rd^ ^8^^=S^ ^r^^?^ a ->»- • (^^ .« — «. |D Wowf j/. r— rtrritr^Ea^ T==f -¥ • . •:>-V'^, ^^^ i DEARER THAN PEARLS OR GOLD. 151 Words by FELIX. MoBlo by JOHN H0BKIN8. ^•fi"**' Modtrato. '■^ER~^~ /3 ^-r^*?5^^ •H* Eg^=^ =f; I— ^ — I ^^ ^teE^a^i i^PP gS^ I li r~ :d=!^b?^-j^ ^^^^ I fcl: )0 s — ^— ==lv :r]: ^^^^ i#=* 1. The gold that comes down from the 2. I hieed not the gold of the -f l^gl^^^pi^i^:^^ :--a=«(i -g:-^ -^ — m- V-t — ^- :C; -JtzrzMz -"^ Str*±S=:;z--«-^ ?== tt; :itr:^ ^ ^ moun - tain, The pearls that come up from the shore, moun - tain, I heed not the gems of the sea, And the roar of am-bi Nor tlie roar of am • bi tion's wild foun lion's wild foun tarn lain All If they ::=i: :i3S?fl: EiEiEl^E^^ t-_r;l_ffz rgd _ ^ =; zi; 4^- -Jftz^. :t=J tt li £ -^^ ■^-w- -1}=:^ -jsz ■^- '^EEl ■^^■^^ -gj^ j4 dim. rail. n\f a tempo. lure lure :^: =$•: ±=^z ^ me to love me from love ? 3 thee no more; nm the al - tar of love is slill glow - ing Like the and from thee; For the day when my spir • it, grief la - den. Goes iS- ^3-^^2 :zM z^nm: S= z^zn :ff--=»*:xr.-i :Jftz=?!L iPE far shin - ing gems of the sea, out from thy pres - encc of liglit. ^ And the joy of my spir - it is flow - ing In Fare - well to ny fan ■ cy'a bright Ai • denne And rTn-P — — ■m-^'-mi — H — I I _i *--a — I— ^ — hi-< ^Si^: ^ }P=^ ■!5»- ^5 5*- ^ ^ -«k ^ =i ^ r I ti 152 DEARER THAN PEARLS OR GOLD. CONCLUDED. / -:r:^=d^ ^:Sg5^^i^^^si^^^^^^^^ ciir - rem of j;lail - ness to thee., wel - come the dark - ness of iiii;ht.. In a And the joy of my spir - it is (low - ing Fare - well to my fan - cy's bright Ai - denne And ^^ :_t:i •^tth^^^z^: i^=gE=?i ¥ m^ -a 9/^ I 3=Er si r;/. g^^^ ^ii cur - rent of glad - ness to thee, wel - Come the dark - ness of night. P ^ ^- sms *-"-# :ai% :s: ^: 1^3; >-l hrt'iik - iiiK, As I until i^^^^^^i ^ :i^=te :«:»■ :iLr*: K-V by; It will no doubt bcn-c • fit you and 'tis well that you should know, It is John, iny boy don't fly your kite toohi|{h. well; I did S|)ec-u • late and money lose till pov-er- ty o'er frauglit. And on my ear that maxim clearly fell, bring; Till once a ■ gain suc-cess was mine, as once the case had been, And then it was I sal m; down to sing. -^^^ mi m fe^ ^r-=p-3=fHj e^ ^ Soprano. Ohoru*. Don't fly your kite too high, my boy, For come I time it m ^ i Alto. Don't fly your kite T''T- AAA 1 M r r r ip' f =F^ i^^r^ muit fall. ^ too high, A A my boy, A A For lome time it must fall, it mutt :?=2= U^ A J Uass ? ^^ jL P ^ -• XX :^ » i X X ^ — ^ — i :J?=*: ^ "' I DON'T FLY YOUR KITE TOO HIGH, CONCLUDED A poM • ing cloud nay wrack it, child, You'll loM tha itnng tad tD, 159 fall; A put • ins cloud may wreck it, child, You'll lote (be tiring and all, itting and «U. I .1 A A J A A A A. A A A .J, J- A \ J j o _ -M--^''^ ■-"" -■S^ ■* WHO WILL BUY MY ROSES RED? Words by HARBY B. SMITH. WALTZ SONQ. I Musio by GEO. SCHLEIFFARTH. feESiii^Ea- e--*3 % 1 — I — r -iS-r- w=m=m- t::ztz-t=: zc^rrrr S-rt*!f.r£& :t=t: gi I — t — I- T — 3^ rilard. tzt-tr -ffl-i- f- -jS-i — Recitntivo, :-P2: :?3- :":t: :S:: ::?3rrr_- :■ :t:=^:=tt r^z^jir : W'lio will buy my ro - ms red?.. zpa: ^=1= :iai l^tq! ^P^^ — . L ->^ it — »- . — — y_c.i» j|: ■-*- 160 WHO WILL BUY MY ROSES RED? CONTINUED. P^^E^^^ m *-^' -y=P— F --w=^ :g==?= j=r:r=t=:; -*-- Gathered fresh from moss - y bed Glitt'rini; with tlie mom - ing's dew ? H — — -I — "r^^i-^-i^ ^ — I I ■ - — -r~it^^^i — *t= •+= '^- _~ cat -_«.- .a. t/o. _- _^ — ^:=— _. — ^ _ .AT' ^^ -^ -X— Jt t:=:: J. L. -f°g^ tzf^rt; --^ ^ -X-X- fe Waltz tftnpo. — — «^ ?==ff= |r=t: =^=^= S^ -*— * ?=-"::«■= p^^ !iE= ;l= E=X- Wlio will buy my ro - ses red? Who will buy my vio - lets blue, \ 1- Gathered fresli from \ 1- Hii^lLf^p^^fg ^^t=^=^ -*-x- -X— ^- *-*- 3*-«— *- -j5-»- -»— J5- ?=*=«: -*— *- -*— S- - ^i^ -" "^ " ^ -x-» P"T7g t-.f^=t== I?= .g -^J- g - :^_-i= 7 3 rOg^ rp :t HEI moss ■ y bed Glitt'r ing with the morn - ing dew? Are your jew - els rich and rare, Half so P ^^ g iPffj i ^^ g^^^i#JE^1 -"«— X- X-S- -i — ^—^-Vt—^--^ 1 ifci^-=»; -»-X- -X— XH i ;-^=^: P I" 1 y~ 3^ ^ =i^=^=F=^=§r»^ \^--==^ ?2= S= sweet and half so fair? Can the gor - geous tur - quoise blue. Match my mod - est \\a - let's hue?. W^ X -X- d X > - ^Efcfc i — X-zJgr^pr» -*-*- >* I X-^- ^X-X- : — X— X-- -px-X — P?=X-X- pj: i^5»=l p g TSi 'ipr- 4= 5^r=n:rS: Fx-X= ^ 1 No, no, no, for sweet - er far The wood - land flow'rs than jew • els -x-x- S 4- fc^ i^=^ ? ^ =^=y F'pi f"*^ 5^ =--!=& iL^#iiE^^ ^ -x-x- cr« - - cen - ^ - (/tf. i : ritard. ■X— X- sir/- HrJHL --X- ' \ WHO WILL BUY MY ROSES RED? CONTINUED. 16i SpiriteJ. —1-3 — I Thus a lil ■ lie maiil - en sang : Tra la la la la la la la la I Mcr - ri • ly her war -tiliiii; rang, Tra l.i la la la la li la la, ~'^- ft- .#.-(•- ^ ]•: -(•. .0. .0. .-. l-*-t— r L I , +- — I ta-l 1-1 1- — ^-, .m-^ *v -0{^- -m- -m- -»■ -m- -»■ -0: -P- •^- -^ -^m ^ •»*■ «-^- ^ -^^ -0- ■0-'^- -0- -0- ■0- -m. ( ^^g i*~>~ l % i lt:irt2:=ta-_fa-~:tzr:E Tra la la hi la la la la, Tra la la la la la la la, Tra la la la la la la ¥^m m iiti^f- la, Tra la la la la, tra ^^rr* t=^^ ^^^^^mmL-i itH-^ 1— —I 1 1 (— |-l-^>.^=rl HMHBBMaBMiHMi^ 1-' ' 1 1 1 ——I H hH« 1 ^ haMMMHaMfa^ — Ll ^—.l. 1 fci ^L— >iJ«mJ — ' — ^2' t=t: zgsz zaz iil^l ;g: a tempo . irrq: tl:: :){--)f- \1^ ::m-\=\-- :-r1- la, ira la, tra la, Wlio will buy my ro • ses red? Who will buy my vio ■ lets r^ . —I — J Ur-I 1 — Up-J — I 1- -■± zgzzsi i«:t i =^:^. 1 -*— X- i«— X- 3— Jf-"X- ^5— x-x' S^i «r*r»i a i fcp2zzz:r-T:x:=P 1 — -.J- ^gl^g^i^^W^ CT:=(!?r :^: blue. Gathered fresh from moss y bed (Uitt'r - ing wiili ilir morn • ing's dew? Who will buy my :tl=^ ^jF^i: 4 ^*-*z p-*' t-t iti*-r*r:3=» ::1=:=-- X-X- -=j-X-»- H-X-X- - -^ £3; P^==Sm-- ^=*»: ■::]--- ^^^^^^f^E*-^ :e=r^5: trrrr^ #:^ ^S t=i:*^fc ses red? Who will buy my vie lets blue, (liilhcred fr -li from moss • y bed Glitt'r - ing ^^v^^-T^ ^^^^^ m^^!^^^^ ^ ^^*=3^Ei^iEg£ cics ■ cen - lio. S^ -X-»4i :r*.-*r.B3zSirL*-XEfe; P^^^^ ■*=E- 162 WHO WILL BUY MY ROSES RED? CONTINUED. t f^ =g:^ff: -»-»- fc ~ X - -^ y- -^ »- -— X- — K- : with the morn - ing's dew?.. I H ^ ^ I l* "r ^fi^ ^ !^N ^ ^ L^^^:^^ ^ a= fl?z: ^ «/" l^_feL. ?^ irfc Tra la la la la la la la la, Tra la la la la la la la, Tr.i, la la la la la la la, Tra la la la la la P ing ^ :f?=:-S-P-r^ 1^— ^— t?- 'm 4=: :22=p= :^3= la la, Tra la la la la, tra la, tra la, tra la, Who will ^$=^ I zm=- * i »- ;J==t ->" ~^- dim. ^=P- 1^ *»: >:EF-r r raprfoarg -! 1- ! h- I ^=«=- ^^3=:=^ ritnrj. iksf^ A J. -)S- 1=-' — 1^ i64 I'LL WAIT TILL THE CLOUDS ROLL BY! Words by J. T, WOOD. Moderate con espresiione. 80NQ AND CHORUS. -K- Musio by H. J. FULMBB. 11 Wi tz: 1. Wil-lit, tlio' sad our part 2. Wil ■ lie, the days are wea 3. Wil -lie, tho' far you're sail ing, ry. I'll atill be true to thee; But lotig I'll not re ■ pine; I know a - gain we'll meet; Fond - ly my he«rt will Dark • ly the skies are Bright ■ ly the fu - ture's %va. ^ -^ -0t- -S^ E3E l^ii m. ^s§^ 5:3^ ^ ^ ^ --^=^ zS:jzM. -*CTr* fol frown dawn iva.. I ^=^ a: zz -I — low '"g. >ng, () - ver the stormy sc.-i!., 'Neath them tlie star-rays shine 1 Tran - i]uil, and fair, and sweet ! Tho' I shall miss ihee, my dar - ling, Deep in my heart I will treas • ure Love m the heart lives for ev • er! Tho' I shall sor - row and Each tho't of thee, tho' I Tho' we may sor - row and -+- -€a- -e=*- m. — q7 I — -i-— -i- -t±t- ifcs^P' rrr— irr^ g^ ^ J. rf r, ^^=^t^^^=cSFt^^ ±-*i 3= -K — •-» rail. I'LL Wait till the clouds roll byi concluded. 165 Soprano. Chorus zstz I'll wait till the clouds roll by, TKNOR.J J J^. ^J J J '^1 i^ 1^ Wil-lie, I'll wait till the clouds roll by;.. tfc Bass, r T Ir* 9 \ I I'll wait till the clouds roll '-mz — — I — — * — p-,«=- f Wil - lie, I'll wait till the clouds roll ^^ Soon will the dawn be break Soon will the dawn be ing, I'll wait till the clouds roll byt ::ffr± break I ing. f= i §3= =9:1^*:=^ :=!= roll by! 4 I -«*-^ coUa voce. mt=: ^^^ «*-^^ :d= ^ i ?=EpEfE -p-»- =e=ijt LET MY NAME BE KINDLY SPOKEN. WordB by S. N. MITCHELL. SONG AND CHORUS. Music by H. P. DANES. 1 . Let, my nnme be kindly 2. In the past we lov'd each 3 . If the fates should bid me 3r^^^ 5 & i^=^l^i^ 222 aE i^f ?j'- -"P- spo 0th' meet ken, When you're far away from me, er, IwOv'c> each otlier fond and true, you, A' some far-off,distant day. And, nltho' the vows are bro And I'll never find an-oth I would fondly kiss and greet ken, or, you. %r||p: -n— 5^ 5= :^: ^■ I: 166 LET MY NAME BE KINDLY SPOKEN. CONCLUDED. ^^ will f(ind-lv speak of tbee. All the scenes of daytiti I ^^^^?^ ' speak I Tlmt fan take the place of you. Ill the old fa-mil-iar way. All the scenes of days depart - ed, Tho' 1 wander ou for-ev - er, Tho' the binding link is bro - ken, I'll en-deavor to lor Seek - ing lands beyond the It is sweet to part as rail. ^^ S3"- it=tz i if yon are bro- ken-heart - ed, I know that I shall ne - ver, the farewell word that's spok - en, Think not of the day we met. Ne ■ ver see the like of thee. To the heart a sweetness lends. fH^i^PI rati i m ^ s n-ar=t- ^ ■c?- fc^ Ohopua. Soprano and Alto. ^^^^ ±r ~ Let my name be kindly spo - ken, TcNOR AKD Bass. m^i J®: 143= ^m Sytii/jJioni) afferrhurus. ^\y — ■ ng^ f=r ■m ::» ^^ Si^ a. U k~^" i^^E ^j^ ^f^^-^ mtmfs. fe a: m yy ^^iss5^ And, altho' the vows are bro ken, I will fond-ly speak of thee. When you're far away from me ; . . . When you're far away from me, away from me ; And, altho' the vov-s are bro ^m ken, I will fond-ly speak of thee. » r T , r r f P^ ^^ -g- WHEN JAMIE COMES OVER THE SEA! 167 Words by JOHN KEYNTON. SONG AND CHORUS. Music by CHARLES E. FBATT. m. nt*- £j::jz£= iig|| AS^a?:^:e:- ^^fA 1. When Ja - mic coiiifs o - vor the sea To 2. When Ja - mie comes o • ver the sea, He'll 3. When Ja - mie comes o • ver the sea, My ^ m mm ^ i fauld nie a - gain to his heart; Ilowfoudwi' thatgeiilleheartbe To know that we nev - er s'all part! For tho' he is roamin' a - -r giemetheflow'rthat I gave The gloamin' he partcil from me, To wander a-cross ihe.sad wave. Igreetforhimearlieand heart will no longer be sore; He's still all tlie world un-to me, The lad that I love and a - dore I I'll welcome him hame with a ^ % f==^ "^ ^ SE^ ^^ m ^F ^.jJ ^ ]s^-1^•^^ F -T-m — * — 3- ^ ifcaf w g l "- **=F far 1 know that he ne'er will for - gel The las-sie he left lang a - go With sunny bright tears of re-gret!.. late The lad that I ken is so true, Oh, wea-rie the moments have gane,... Since last time I bade him a-dieu!.. kiss, Andnev-er a - gain s'all we part; My dearsail-or lad shall ne'er miss The lassie hekecpsin his heart f., Soprano. Chorus. rail. I U >l/>l^U Alto. .^ ^ ^ .^ ^ .^ .^ ^ ^ ^ ^ ^ ^^ So lifemaybewearieandsad, It makes little matter to me; For oh, my puir heart will be glad When Jamie comes over the sea! Tenor. ^1 ^J > jJ^JJ ^J^JJ' .J^J^J^J^J^J^J rail. jT g'gg'g g Bass. So life may be wearie and sad, and sad. It makes little matterto me ; Foroh! my puir heart will be glad, will be glad, When Jamie comes over the sea I I 168 BY THE SEA ALONE I WANDER. WordB and Music by S. P. WABDWBLL. nt. ftp I. By the sea a ■ lone I wan - cter, Si lent 'mid the a. Still up ■ un the shore I lin ger, And my soul i> r — J: *t* S^: fcat P f N =1- * J: i ^ ^^^ ^ f==rf-"^fO:j=^ ^ i -t^ m 2r^ -f^ aectUranJo. ^^^^^^ 5 ==5*: f^rit. a^cng noise and roar, Of tlie waves un • ceas - ing rush • ing, Fierce aiid wild filled with awe With ma • jes - tic |K>mp ami grand - ieur, O'er the rocks up on the shore, the break • er's roar. While from out the dire con • fu • sion, Jar ■ gon , of the rest - less sea, Spir ■ it voi - ces seem to mir - gle, With the an • thenis of the sea, Voi • ces seem for And a ■ gain I ^ ^ ^ -\iT -p I'g' — -r- f i:rr^-r_) s_^ fs, . ^ — L f .^\ m 1 m 1 , ) Ltnto. -r pp f=^ m mf atempo. f' -rm ■** msn ■ er call • ing, Call - ing mourn ■ ful - ly to them call ■ ing. Call • ing mourn - ful - ly to ev hear to me. me. Call - ing mourn - ful - ly Call - ing mourn - ful ■ ly to to me. Time is fleet • ing, me. Life j but a mm BY THE SEA ALONE I WANDER. CONCLUDED. 169 ii ^^^^^^^^^^^'^^^ youth is fad ■ iii^, 1-ife it • stlf swifi ebbs a-way, Wail not for lli' iiii cer • lain mm • mw, l.me aii>l la • l)or dream Uial fail - elli, With the vis ions of the night, Joys ofcanh are ev - a ■ nes • cent, As the dews at m ^ ^ :si- plp^pS^: rtt. ^g^ ^ 3 » ii tempo. * » ' ^ Kzlt while you may, Like the o • cean rest-less • ly heav ■ ing, With un • rest your life is fill ■ ed, Hut a - bove yet morn • ing light. Ev ■ er ebb ing, ceaseless ly flow ■ ing. Life is like the o ■ cean tides, But o'er all the l^p^^^H-ii lives the Mas ter, By Whose word the waves are stilled, By Wliose word the wums ,ire stilled. By Whose wonl ih^ Mas ■ ler rul eth. On the waves and winds He rides. On the waves and winds I le rides, On the wiives and win T'io. P^^^. fe :*-*; : S "^^S: i ■* i -^rj: ^ ^i^^ i^i^- ;<»//. ?; ^ C-K PCI|?= ^g smiles of one so dear, so sweel! At sun - set's ^jleain I fond - ly dream, That soon, that soon in , ^-fJ^- 9-Wf- ^-^f: J^f4f- ii^^f :^-i ^^ ^^i^#B^fe to//a voce. i^^a ^-p^ BRING BACK MY LOVE O'ER THE SEA. CONTINUED :^^^^ ^^JL-pEgr^ ^^j ^^ ;:=iey--K-fe:i^ ^^fc^5S^^S^^^ laml wlierc my lo\c ii go ^ in^! Breeze of the beau ti - ful spring Waft the .sails so swifi • ly ^^^m ^i^ 1^, » u I ' Mednalt tun nfirtiihnt. LITTLE DARLING, DREAM OF ME." "' Word! Md Muiio by J. P. 8KELL7. I. Lit ' tie (lar till);, (Iremnof mu a. I.it ■ 111' il.i;il,' Music by HARRISON MILLABD. ^sMj^E^m^^^^m^^^^^^^^^ ^^^^^^ ^^^^ 1. Ah! if my love 2. A iluiibt, » wunl 3. Vls, if my love would come once more, And smile, as sent us a pan, I'he word was wiiidilconie a - yain IVoni dis- tant ^fc^- ^^. ':±:riz--^^ i^^^i^ig^^^^ii^ :^ ti=M: i be was wiinl of yore, mine-- not nl the heart — lands be ■ yond the main, Would take n\y hands Oil! nu - cl 'loubt, .■\ni| till nir, in with - in his own, oh! hast - y word, his hap |n way; And breathe, in What bound-less " This, sweetheart. W- dsfei |=i?^=pliR^^P^=Ee^^| ©?S^ vr^ -- •I— •— ■!- -^•-l^-*- ■•- -a;^- 3E^ e?^ Jvi 1 u 1 C-- <■»« espress. Love's de - li - cious an ■ guish have ye g Igl a glad • some tone,., stirr'd !. day!", -' 1 1 'I.ikc some lone bird o'er And yet, sweet Hope oft !n vet ■ y joy I'd :^ zi= land sings shade and to my sea, me — sight. ^*E3- ^EM -jt=if- I I -5=*: W^- E^^^ iTrZ^HE? :4^ P^^^^I^^P TRUSTING. CONCLUDED. 177 $ 1^ \ and 2 ^^^^^^^ n- ±. T world would world will gol • C.Z1 world would be ! world will be ! gol ■ den bright! How gol • den bright this How gol - den bright this This world would be too be. be. 3 aiEg=*^ con tspress. / lli^^^ ndlib. m bright ! too gol - den bright This world would be too gol - den bright. m^- ^^m ± ^M colla voce. — 1-— I I I I THE YOUTHFUL. HEART. Words by GEO. M. VICKEBS Allcgiflvivace ma non troppo. Musio by DUDLEY BUCK. Op. 67. Ho. 8. rf^^^^^^^tf 5i=lJ( ■^ m mf ^ --M==^ ^ m I. Oh! hap ■ py glide the days To ev - 'ry friend seems true To the youth • ful heart, For the youth ful heart, The i i78 THE YOUTHFUL HEART. CONTINUED. bloom with beau ■ ty rare, E'en the winds their plea - sures bear, To the heart, the youth - ful bliss are in ter ■ wove, And sweet e ■ mo - tions move, Gen • tly move the youth • ful I THE YOUTHFUL HEART. CONTINUED. 179 ralliHt. Unto. youth, our youth is gone ; Kind words and smiles >re rare. The brow is learned with ^m -« ^^f^^^^-^^W^^ i=± w m i s ^?r= ±c i i 1>- ri J . — zjgrda tempo poce maestoso. care, And a bur den oft we bear ^^^^ *- ^3 *-^-i; =- ^ When our youth, our youth is gone. 9 Still the f T EE -€a fer:* ^s==:ziW^^% IP.- ljU^mS : a yor Ped.XZ I * >< - y i80 THE YOUTHFUL HEART. CONCLUDED. ^ ( O . ^m heart some joy re - tains, When our youth IS gone, Vhen the pre - cious hope re ■ mains Though our youth is gone. i p-ii ^ij "j^^^ri ^ ^F^ ' . ^ ■^■^ . m m m m i=?=3; !»•« • l?s: ft the m from THE COWS ARE IN THE CORN. It 181 Worda by R. W. QILDEK m/A Spirit. Musio by HERBERT LESLIE. cr^crcj •jj "cj u Lively. ^ ■^^ ^^^f^^ig ::ff=*r :1t=s: 1. Oh! fa - ther's gone to mar ■ ket town, He was up be -fore the day; And 2. From all the mist-y morning air, There comes a summer sound, A 3. How strange at such a lime of d.iy, The mill should slop its clatter. The Ja - mie's af - ter rob- ins" nc^ts, Aiidilie man is niak - ing murmur, as of waters, comes l-'ruiii ^ki^.-^, and liecs, and farm-er's wife is list'niny now. And won dcrs what's the i Slowtr. irv ffi ^ fc^ ^ a tempo. W=^ e=*=ii*: -S:^- r— ^=pi '^m^^^^ hay; And whistling down the hoi- low goes The boy that minds the mill, ground; The birds, they sing up - on thewing. The pig -eons bill and coo, matter! Oh ! wild the birds are sing-ing in The woodland on the hill. While motli-er from the kitchen door. Is call ing with a And "- ver hills and liol- low rings A - gain the loud hal - While whistling up the hoi ■ low goes The boy that minds the f^^^^^^ ■SI— J=si- 1 I w^ i i u ^^EE^^^^^^EE^^Eli P J /f' r /T. vigoroso ad lib. a tempo. -=!--» r±=!»: k:ztk=-5 =^^=S: ^=e-- =-g^ ^^EE^l I will: "Pol- lyl Pol - ly! the cows are in the corn! Pol - ly! Pol- ly! the cows are in the corn!" loo! "Pol- ly! Pol - ly! the cows are in the corn! Pol - ly! Pol- ly! the cows are in the corn!" mill I "Pol - ly! Pol - ly! the cows are in the corn! Pol - ly! Pol • ly! the cows are in the com!" #s^iiiiiiEi^!=^=feE^ii« m^^ m ^=it S: I a^= fe^i^Ei INTERLUDE. iva tiifiiBiiitiff*'''^''^^'^ • 'iWi-ii,nr/i"ri'A 182 MASSA'S IN DE COLD GROUND. Poet Untt. WordB and Musio by STEPHEN 0. FOSTER. i ^3ijj^ji^g ^^i,,.i,i , ii m g ^^ ^^m ^m p.'g l -' J J.ji4^ ^ ^^^ rr 1. Round de meadowi am • ring • ing, De darkey's mournful song, „ „. 2. When de autumn leaves were fall - ing, When de day> were cold, 'Twathard to hearoldmassa call • ing, Cayso he was so weak and 3. Mai - sa make de darkeys love him, Cayse he was so kind. While de mockine bird am sing • ing, Happy as de day am thard to hearoldmassa call • ing, Cayso he was so weak ant Now, dey sadly weep a - bove him. Mourning cayse he leave dem be- m i ^^m 1 HI -g w. s ^^ ^ &- ::n?: :ft=z*: ^ zm-wt. long. Where de i • vy am a creep • ing, O'er de grass ■ y mound. Dare old mas ■ sa am a sleep ■ ing, old. Now, de orange tree am bloom ■ ing. On de sand - y shore. Now de summer day; am com ■ ing, hind. I can ■ not work before to ■ mor - row, Cayse de tear-drop flow, I try to drive a -way my sor - row, P^ «::« = HI -s «il:i z: Chorus. ^B ^ ^m w^ rrf Sleeping in de cold, cold ground. Mas - sa nebber calls no more. Pick - in' on de old ban • jo. } Down in de com - field Hear dat mourn - ful sound : All de darkeys am a ^ ^ f^^ ^=*= ^^ ^ ^ '^" s s :z SI s :^ ^m ^^=is. ■.^^ H^V'^"*'^ weep - ing, Mas-sa's in de cold, cold ground. ^i^^ ^p^EE^^p ^-yjj^j^: ^^^ ^ ? jj ^ i ^j n=^- 1-l, She had cliiin|''d lifrwliili' rolic^for the lliit pal cr anil cold • er her .\iid the si.ir had |;onc duwii in the m ^=:JL 3^E-^-E§ f^^^^^m pp Hi.^ m ^ dE mi^^ '^^^js^:^j0^^^^^;^^^^mik-t-p^?^0''"^^^^^ sa ■ bles of grief. And her bloom for Ihi; pale ness of woe, beau - ti • ful lioy, And the tale of htr sor • row was told, darkness of night. And the joy from their l>o ■ som had fleil, I ^.^ Hut the Ileal er was there |H)ur in^ balm on liir heart, And liut the Ileal er was there who liadslrick - en her heart, And but thellealer was (here an 4VV I Photographic Sciences ion fV fv 6^ 23 WEST MAIN STREET WEBSTER, N.Y. 14580 (716) 872-4503 4 ■^ <^J w ise GATHERING SHELLS FROM THE SEA SHORE. Words and Musio by SONQ AND CHORUS. WILL L. THOMPSON. i ^^F ff^ — X J. ^fr-^-A 1. I won • der'd to-day on the 2. Oh, don't you re-mem - ber the 3. Hut now we are growing up in ^^i^i'B^ jr^jjJlij jrr^fnr te ^- -^u^ c r g gt rr ^ ^ lea - there, The winds and the waves were low, day, Maud, The last time we wander'd on the shore, years, Maud, Our locks are all sil - ver'd and gray. iff And I thought of the days that are gone, Maud, Our hearts were so joy • ous and gay, Maud, For you Yet the vows that we made on the shore, Maud, Are ^ J mhA — 4 SI ^ z: Z3 :z • ( rr JiiJj^-C jJ I .) ^ tsczjs ^^ Ma ■ ny long years a- go; Ah! those were the happiest days of all, Maud, Not a care nor a sorrow did we promised to be mine ev - er-morej Then the shells thay were whit • er than ev - er, And the bright waves were lovlier than be - fresh ill our mem'ries to ■ day : There still is a charm in those bright shells, And the sound of (he deep o-cean's m ^m'jrm m ^w*^ ^^ ^ 2: ■ \ \ h is W:^ ^^ rtt. S S K S >J J J m know,, fore,... roar,,.. (I As we play'd on the white pebbled sand, Maud, The hours were but mo - ments to us, Maud, For they call back the days that we spent, Maud Gath • er - ing up the shells from the shore, Gath - er - ing up the shells from the shore. Gath - er - ing up the shells from the shore. fcr ±5 ■Nj-JjjMjJJ-jjj- jjj-jjjr^ ^^: m TTt-J-in the the ^ GATHERING SHELLS FROM THE SEA SHORE. CONCLUDED. i87 Soprano. Chorus. ^ , ^ ll ^M ALTof ft? f r irT Gath - er ■ ing up tne shells from the sea rn fe.^3 ^Pl^^ Tknor. JU^J'-J^-XJ~J!L-J^ basstj u u ^ ? r„~ > k~ Gath - er - inir up the shells trom tlie ^e^ shure, ■k=e r r—h-r Gath - er - iiig up the shells from the ^ ^ g- -t »»— 1 » — 1»- ^^es?^5^ sea, beau • ti • ful shure, Uath • er - ing, Gath - er - ing up the ; shells fron from the ^^^^^^ ZZJtL ^ffi ^^bi — * -I » T— A . ^ — t- Z2= 23: % i re e • n'a fes J: ^ =f f ^^m shore; Ah ! those were the hap-pi - est days of all,.. f h^- ^ ra^-prr :c2z ^^ & I u ^^^ r g-gg; ^g-rg Maud, Gath-er-ing up the shells from the tliurc. p r^ ^ i V pr P'g Tsrr. shore; beautiful shore ; Ah ! those were the hap'pi - estt days of all, Maud, Gathering up.. the shells from the shori.-. ^ ^^0^^^^=^S^M^ jcg"e£g ^ : i 2az i THE LITTLE GREEN LEAF IN OUR BIBLE. Words by EDWABD HABBIGAN Moderate. Musio by DAVID BBAHAM. ?5:=1S »fc=5t ir~p' ^ J J ti=jg :^r=*r ^^ 1. It is Sun • day ev n - ing, '.hil-dren; The par • lor'swarm and bright; 2. She was call'd a- way in spring-time; All na ■ tureseem'd to smile;. 3. When 'tis with - er'd, old, and lad • ed And I close my mor • tal eyes,.. Hand down our fam' - ly The birds with sweet ■ est Pre - serve it as a ##«#* 7*7 w -% — ^ J, — Jt- i ■±r±: S -"— *- ^ 188 THE LITTLE GREEN LEAF IN OUR BIBLE. CONCLUDED. c — I — |^E|=^^ m »^e ^^ ¥ Bi - ble That dear, sure guide to right;. mu - sic My sor - row tried to 'guile;. to - ken Of iove that nev - er dies;.. I'll show you now my treas - ure, V'es, Ma ■ ry, Nell, and I read uui dear old lii - ble; It's coun - scls made me Through grief and trib • u ■ la ■ tiun Re ■ call the hopes it ^ m 'W ^rzzig. Dave;., brave;., gave;... This lit ■ tie green leaf I pluck ed in my grief From your dear moth - er's grave.. This lit - lie green leaf then lighten'd the grief I felt at moth - er's grave.. This lit - tie green leaf will strengthen be - lief In bliss be ■ yond the grave.. ^ Soprano. Chorus. '^ i i, <^ -f— t Tenor. That lit - tie green leaf, Dear Alto. em - blem of grief, From the grave of your moth • er, my i ■ dol; Oh, ^ -^ J^ ^^ jlA=a J" J: J" J" A— A Bass. $ m :at=* ^^ ^-n f— « mi i^ ^1^ i h =*=» :ff=^ W $ S4=^ J ^=^=l-= ^ guard it with care; J- J" -^ J f^^ $ ^ E-£=!^-^^ ic '^ C -g-H' ± Her spir Iff it is there. With that lit - tie green leaf in our Bi ble. J* -J' ^ J J S: ^^HgEEEEJ^ i^Bi £=S -J=AU JL^_i -^ , ^- =J ^ r i j \ g"-g-" g -li-^ ^ ^ m t J i w ^ m j f } ^ m ^^r % *- ■^? I MUST WE THEN MEET AS STRANGERS? 189 Words by GEO. COOPER. Andantino appassionato. BALLAD. Music by J. R. THOMAS. I * 5^ -jq: --k- rilniil. P ^ f gfe ^ ^^1 ^?^ --^- frVrj^ te^^ ^t rg"^ ^ i fc& m/= S =^-af =gS= :^=tl*_— ffi II 1. Must we then meet 2. Can we then meet as slran - gers, as stran - gers. Af ■ ter our dreams of joy? When we re - cril the past? fes= ^^^^jgp^^^g^ T^l n- ^5 ^-^^-pr^ i^g ^^g-^ (s fcfe=:rt= jtrr*! ^^ fefe&= : g*— r r 4=: ^^1^1^^ oh! must the love Will not its beau we plight - ed, leous vis - ion One bit - ter word de - stroy? Death - less in mem - 'ry last? ■\ I ;^?= P^ ^^ ^gl^ Life with - out thee Give me the smiles were of lone - ly ; glad - ness, Thou art my spir ■ it's sigh;.., Once I could fond - ly cl.-iim;., tsprijS. fc^=ff- ft=ft= ■!±r=M. =^ :3^ ^ J '~*l gr=Jg: ;s2i Bid not af - fee Whis - per with sweet tion's ro - ses af - fee - tion,- With - er and fade and die..., Whis - per that once loved name! 190 MUST WE THEN MEET AS STRANGERS? CONCLUDED. ^P eon /enerena tm. ^^^^^^ O must the love we plight -ed, -^^ ?=3= p r p : ritnta: ( )m! litedlfssword de - stroy? Must we then meet as ( ^J ■m=±si colla voce. 6 fg- » :5^=*= P^ r ^ ^ =^«=3! j^ »:fft.-e ^ m^^^^ ^^^ i "^j HAUNTING EYES. Words by 0AB0LIT7E NORTON. BALLAD. Music by J. B. THOMAS. Andantino. s p-rjit! 53: ^ Stir*- 4:= -»•- ^^ f-" 611"^ s ^^^^ ^ in ^jj^j^.^. ^ V. It:: ^sc ^ J^ ^. 1. In the 2. Oh, tho«a ^ ■ .p**! :5=5I^ !E •^ X i - X ^ -t '-^ p (^^ J y -=!-» 1 X =»- P ^S=it hour! eyes,. I first be - held thee, their love ■ ly shad - ow Soft thy kind Stole the light.. ly glanc - es fell... of life a way., And my And my HAUNTING EYES. CONCLUDED. 191 dim. J* -JTT 1 ^ p=j^=^ =i:im: rizr: heart bowed down be ■ fore tliee, As be heut in Ian - guid dream - ing, I - dly neath.. pines.. . a mag - ic from day to -^ spell, day.. Since that Vain the ^^r^ ^^^^m time like some sweet phan eve'n • • ing's dew - y cool torn, In my home thy form doth rise, ness, Vain the calm of mid - night skies; And wher E'en with '^S^ ^ Z= ^^=J=S^ ^. _5__*- Zr^Z=\Z ta ^ dim. dim. caze war S ^i -h — r i*=sr q=^ e'er- dark my saa gaze wan ness clos - ing round ders, There I meet, me, Still I see..., thy haunt - ing eyes !. those haunt - ing eyesl. And wher E'en with k e'er my sad gaze wan - ders, There I meet thy haunting dark - - ness clos • ing round me. Still I see those haunting a piaeere. : J-g— J i :=)= i^^irrg: Thy haunting eyes!. Those haunting eyes 1 . m fi tr 1^ ? ?sc :!_::__ -i__ ^^^ Thy haunt • ing eyes! Those haunt - ing eyes ! Ml ^ '%-^ tZI .^' m 3^ ■^iflj ^'OJ ;g l » .. q p -^: 192 D. C. MCCALLUM. . Iiiitniilf /lesiin't. THE GRAND OLD OCEAN! 553 rc2i mo - tion, And ye spread the som - lire pall, Let me rest by grand old o - ocan, Where the blue waves rise and birds ev l^^l^^ ijE^^^ ^ -^^ er fly ''■ax- ing, Sport - ing gai • ly kiss the W^% ^5^^ ;it * .^ :^-^:g: ^-^ 5^^ 3=— «- ^EEE£ 5 ^ Grave. mil. 3{r:q=rz^=r>r: q»=*- =t- rt^^i^ili qzzirqsL^^- 4 \ 1 : ^5!^a?i ^ — »- i!s wave. Where the deep - toned surf is sigh ing Nature's re - quiem o'er my grave, ah!.. Far a- i fs=fs= ^^^^ '«=^ Kl K 6; ^F=it: ^:=*i rii ::S==S: bove earth's marshy lev - el, Where high clifls o'er -hang the sea, Where the free winds ev • er ^^t^^l ^^IT ' - ' j^j^j^ J 1 ^^ ^^ ^»- F-x — — - — »- i ^ =*=^=— - i ^1 — — - ^ '.■-■>]'- THE GRAND OLD OCEAN. CONCLUDED. 193 $ K^ S^S ^EE3: vel, There, my dear ■ est friend, lay me. tea _ - -).. ^ ^■^zg. w^w^ ^ 1^ There my rtitrs: l^^ £==JF P^ ^§ / ^^ m Ss I, Si • lent we wan - der in the still - ness of night. i lr ^i , ^^f^^ = ^^^^^& ^^^^^^ rit. a tempo.'/ ^ PP legato. :^z=^z -ai n- -s) n- ftdoUt. QUEEN OF THE NIGHT. CONTINUED. poeo rit. 195 .S*r luningamh. fg^^^P^gfi^pipi M^ ^ h £i^E!^ ^m Buvo the Hwcet HountLi of Hoft rippling; wators, Nutigbt i-1mo is Ui'tml the Htlllni'Hii to nmr, Bavo the sweet HountlM of i rt7; coUa vuct. ■'^zg.'^:sr:i:zg: ^ i ^ ^^^= era. - —1 ^ — l^EE^ -n^-iL- ^ K altar gundo. motto rait. soft rippUng waters, Niiuglit else la heard the stiUuoss to mar, On - ly the light from thy moonbeams afar; a Umpo. riiuegliatulo. Eauhia a - waiting, Rise in thy shining, ah!. — ' mf mf mf K H B^S^ ^Z^. ^ *f i^H'^ i r^Ljn — sj- n- -• =1 ■» SI- _-) — n- Ugaio. kgffiero. e briUante. • leggiero, e ortuaiut. • ^ , m t B9 iltr&± ^ 5??^ rise in thy shining, ah!. ^f^\:^j%i^^ Vn poeo piu lento. OxntabiU. O, dost thou know ere long thy shining. Koth - Ism o' -#* ^m i»-n- 196 QUEEN OF THE NIGHT. CONCLUDED. PP doUnU. ^ ^ mnnintlo. i^^^^H i^ can bring to my heart far trom my homo- ^ must I ww^m PPUgoto ^^^^^^, ^ ^=F P (vmeapreM. f?— ^ rort. ^ I poeo. :*=ii: dcr far from my loved one Boon niU8t I part ; T^ piu Imle. ton malinconio. i^ ^^-i ^=^ ^^^S^ moUondl, p lemilo. ^ g =1^^F^^ Hoate thee to riHe, chnsc a - way hIhuIowr, liCt us re - Joico while yet we may, ''600 BLESS YOU!" 197 Words and Muilo \>f Moiitrato. ■ALLAD. J. R. THOMAS. m^^^^^^^^m^sm^^^^^^ \M^^^^^^0M0M^m =^=q5 it=r- 1. How ^;eiit • ly fall 2. Tlie motli • IT send 3, " Clod bless you I" more those siin ' |>le unrils inn f'""''' '"''' ''"y of luve b« ■ ipeakt ^^^^^^§^^^ Up ■ on the Ini 'I'o icenes un ■ trieil Than vul ■ umesi with nmn heart, and new, ulit nuni ber; When frieniK, long boiiml I.isps not a stud Re • veal «c thus in ied, our "^^^^^^CEr-^ff-S JE^^^^EEJ ^lE^-EiEEMEEll^ L^Ei^ i iffrrp; :iit:=tr: :*»==»: strong • est ties, stale - ly speech, trust in llini. Arc (looin'd by death Nor niur-murs out, Whose eye • lids nev f^—f- to * part, 'A - aieul" er slum ■ ber. — I — You sad ■ ly press She sad - ly says, 1 usk, in part 3SE %:X^=K the hand of those Who be • Iwecn lier sobs, " When ing, no long speech, But i^^S^^S%^=^^i 'w^m '■^ E^^J=ll=^ li -■(Ti^x: -*- i ::J4=K .!(_J(- ^^m thus in love ca - ress you, e'er inis - for - tune press you, while fonds hands ca • ress you. And soul re - spon Come to thy moth I on - ly ask sive iKats to soul, er, boy, come back 1 " the dear old words, In breathing out, "God Then fond - ly sighs, " (Jod So sweet, so sad, "God (i -1— --t:-W- t ^ lSi=^ ■^r -:::r:z^ r-f f -*-*-*-' ^5"-'5t5t =1- -•1— »- f --^ -=i~»- -"^—tr i 3--=i— X :3lt:qir -1— X- ? «=fc i bless you ! " uJess you ! " bjess you 1 " And soul re - spon "Come to thy moth I on - ly ask sive beats to soul, er, boy, come back ! " the dear old words, In breathing out, "God bless you!" Then fond - ly sighs, "God bless you!" So sweet, so sad, "God bless you!" $ :^5=^ P 13-=1 13- -=1 |==p.-=^=p #^ ::k=:^ :^:= =r~1 — ft -I i- rjz^iz :qs— g: n » I ^Riiii— i- 198 WORDS BY NATHALIE. THE DYING NUN. MUSIC BY LOUIE BREWSTER st=it 1, I.et tlie air blow in up - on me, 2, Hold my hand, so cold and fro - zen; m m m m ? :t=t=t -f- pr ^■(^ =t=t: ^= i r\ n r mt^=z^ ft^ Md u ^ -•22L So// Ped. ^W Ped. =9? ^ -Jt=:^- rprqr -W— J- =S=3= ^ i Let me see the mid - night sky, Stand back, sis - teis, from a • round me ; God ! it is so hard to die ! Raise the pil • low Once it was so soft and white. And this ring, that falls down from it, Clasped my fin - ger roun ' so tight ; Lit - tie ring they ^SE * P^ '^^^■ f * ;«= i -»=?^x 5= ■ ■ I j; s- i ^ ^ ! . I \- \ up, oh, Mar - fha, sis - ter Mar - tha you were kind ; Come and stand a - lone be - side me, Ere I leave you all be • hind, thought so worth - less, That they let me keep it there. On ■ ly a plain gold - en cir - clet, With a braid of Douglass' hair. i r~L — r r r ^- -^=^-- 3^ -i=^ ^ rir=^ -^=^- I __ I - I -I 1 ■ A I , , , . p- ^ ; , — % 3. Bister Martha, are you near me? You were kinder than the rest; Lift my bead, and let me lean it. While I live, upon your breast. I was thinking of some music That I beard long, long ago ; Ah ! how sweet the Nuns are singing In the Chapel, soft and low. 4. Ob ! my Father; oh ! my Mother ! Will you not forgive the past, When you bear a stranger tell you How your stray lamb died at last? Out of all that used to love me, Who will weep when I am dead? Only you, oh, sister Martha ! Keep the last watch by my bed. I But a strain of heavenly music Drowns the holy midnight dream, Still I bear the wild waltz pealing, And I float away with him ; I am coming, Douglass, Douglass, Where you are I too am there. Freed at last, I come, my dearest. Death gives back your little Clare. 6. Bister Martha, Sister Martha, Has the Moon gone down so soon? Ah ! the cell seems cold as winter, Tbo' I know that it is June. Sisters, in your white beds lying, Sleeping in the June moonlight, Tbro' your dtiiams, comes there no Messaoe? Clara dies alone to-nioht. SCOTCH LASSIE JEAN. 199 SONG AND CHORUS. i ( ± ^ «•• 2^BBt ^^ -u — ^ AnJantino. iva 1. In Scot ■ land's fair lands, o- ver 2. She said she would niei t me, but I'v; ia^^^^^^^g^ *— ^=1 i \m £E 2S?^^ moun - tains and rills, That's where I roam'dformany a day; In looking at the lads and las-sies on the green. In the wait -ed long in vain. In lands far a- way she does roam; Her promise she will keep, oh! break it not my Jean ! We'll be i^ =^^ ^^fP^ ^^fSf^T^ -^^ SSE 3-= g i r IN h N N fair old land of Scotland far a - way. happy inourbon-nie lit-tle home. I have waited for her coming! but she has rot come as yet, The truth seems to dawn up -on me O then let me not long wait ! let me meet thee soon my Jean, And the Heavens will smile on our (^^ ^ f f ^m ct*- -m m- r r ^ ¥ » ^^ W=:W =P=*: fr They say she is false, but I still be-lieve her true, She's my dar ■ ling blue-eyed, Scotch las • sie, Jean. And when life is dead, we will leave this earth - ly scene. And our hearts will dwell in joy and bliss a- bove. ^^-ir^^f^^^f^"^^^^ ^ PtP^-mz -^^^ffSr P I ■o- ^*#''' 200 Soprano. Chorus. / SCOTCH LASSIE JEAN. CONCLUDED. 1^ K (k H 1 i"^n P» tTAi-roT I O, Jean, my bon-niejean, come to your laddie once a - gain ! They say that you are false, but I still believe you mine. You are my /■■ ^ ■ ^ ^ ^ ¥ ^—^ [^ 1^ - Bass. *^ ii :i z: i^^^^^^^^S £ i =*=a= g=^ p=:r=:=::+: ^i 4 f t^-- 'f^- :-^J •*• -wt "^ ij i tei ^-|!»-lN- q5:=R g :*=S= it=3: -^ — -H — m — m—v~ ^ ^ ^ <^ Y ^ \^ I bon- nie, blue-eyed, Scotch lassie Jean. ^^j:.j_j i'f./. ♦/'-•nr « Ped. BONNIE SWEET BESSIE, THE MAID O'DUNDEE. Words by MISS ARABELLA BOOT. Music by J. L. GILBEBT. lad-die both no-ble, and gallant, and gay. Who loved a las-sie as no-ble ^ ! N I ^ I ^ I h as he, A bonnie sweet las - sie, the maid o' Dundee ; This le ^^^^^ rr f. ^ i i^^- :M|K p:a}»: ^ BONNIE SWEET BESSIE, THE MAID O'DUNDEE. CONCLUDED. 201 las ■ sie had lands, but the lad ■ die had nane, And yet to her it was all the same, Kur dear - ly she loved liiin, and ^^ ^p^^ EfcE :tM= ;^-P= 1i0- ■■ir- r- ■*-^- said she knew This lad -die, dear laddie, was gude and true. p^^^gz^^te ^H^^^^gg^^iggi^^^l 2. E'er years or e • ven months had fled. This laddie and las -sie were hap - [i - ly wed; Xae hit - ter wifey e'er Ii%cd on the lea, Than 3. But sor • row came to her heart one day, And her dear dar-lin' was tak - en a- way. Then oh, how sad and lone was she, Poor 1^— t f^^^ ^s m^m s^^W^ ^^¥ ^^^^ " Bonnie sweet Bessie, the maid o' Dundee! "A hap- pier hame nae man ever had, Than this which held iwa hearts s-ie glad. And "Bonnie sweet liessie, the maid o' Dundee!" And when in the ground herdar-lin' they laid, Her heart then broke, and she fervently pray' J, "O mft ^. .m- -^ -^ -t-rM- ;Si|^^ ne'er did Bessie have cause to rue Her wedding this laddie, sae gude and true. God in Heaven, let me go too, And be wi' my laddie, sae gude and true ! " 202 a WHEN I CAN READ MY TITLE CLEAR. »» Words and Music by Soprano. DUET AND QUARTETTE. J. B. THOMAS. i^-- w 73Z i m=:^. Teno« 3i* *=^^~jl- ir K»=:ci: ^^.mt bid fare - well to ev • 'ry fear, And wipe my weep - ing eyes. Let Soprano. i ^ ^= g -r:HJ-g ^^ ^?= ^^ ^ :^=ff; 5^ May I but safe - ly reach my home, My God, my heav'n, my all. !S=F: 7=}=F Y 3 m s ?= ^ 4= but safe • ly reach my home, My God, my heav'n, my all. p s ^ Mm Af^ ^^\Jj7liU -? g? s ■i<— ^J jD)D I s 'm g azr 'WHEN I CAN READ MY TITLE CLEAR." CONCLUDED. Omrtette. SOPRANO. ??&==? -4- :J=d- -! , ! \- 203 S ^ ^F 1=^ Alto. I r There (hall I rziTtr Tench, i J: -L ^ 1^ bathe my wea m^- T £ ty soul In seas of Heav'n • ly rest, fei J. J — — rr^' ^^ I 1 "-t— bathe my wea r 52= i^ m Bass. There shall I ry soul In seas of Heav'n ■ ly rest, i ** ■m — — =: • K^- A ^ *.UrT.U, S=13E '^ W^ r And not ^^e*: i wave of troub - le roll A - cross my peace • ful S5^ — . ^ — — — _-s: ir-r- . - P - j^i_^j=i_j*?L_t— :^ ^E ^ --e=^-- And not wave of troub - le roll A - cross my peace ful ■'■^■■^■^ ^^m i ^ w^i ii»^-i 4-J-^^ ^^ ^SS 1*1*1 L^^ f :*;i*z stfts^t* se^zg: - ^' ^ ' m—m- ■esL ^^^ -^^ -0^^ =t=t±: ^ :f?--fl?r :73= !^E^^=s=e=F^ breast, IB ^ ritard. '-•IX mypeace-ful breast, ^ ^V:^ J:- my peaceful breast, A - cross my peaceful breast ^ X 1 P' " (* i2p=e: g— L*-^ ^P=F: 4= fcf^ ;^=fc=t -t-r-V- breast, A-cross my peace ful breast, A -cross my peace - ful, peaceful breast, A - cross my peaceful breast. ^m ibpt Pi^fe^g =^--»- 1^^^^^^ ritard. P f V ^ ^^^ ^=^ .^JJ-'-Ji?. g m m m r 204 WAITING. Afodi-rato con esprasicne. \ = 80. quasi redlativo. •r^^z=: X— -• =e: F?== trmff: H. MILLARD. Ob. f. Ci.a.— -- The stars shine on his jj p# s«i^ 9 n»//. «^ ftf/Za rw^ ZSSZ ^= :*r:g; 5=i*: qmetamtnte. seina porfo. -»-'?- ^=f=^:i^=f^ ^j^ ^i=grX:5i? fc=t E^H^ 5=- 5g^ pathway, Tlie trees bend back their leaves, To guide him to the meadows Among the golden sheaves Where stand I, longing, E£i:£r,--$:g=r=E l^^#f#*Pfe*^ ^^^"^^=F== SfeEiE^ :i=?=: -:i:^-— "r -*-f-*' ■M-*zd* 3^ -c^ fe^ ^^t Z3I li^^^i^iiimi; canlaliile. S^^^i^g rU--:Jt lov - ing. And listen-ing, as I wait, -J f= To the nightingale's wild sing-ing, Fla. e Cla. Sweet sing - ing to its PPP^^^^^ p ra h j r amm r-fa Its zzrrza: r^T ^ dolce. ipiizriir: J^api' :^^^: S^ z±: /f vol ate a p ig. I^z s^ mate, Sing ing, Sing - ing. Sweet sing - ing to its mate. Ah ! |J I I ij ^ WAITING. Continued Itgalo. 205 rail, a piactrt. ^^^^^^^m^^^ The breeze comes sweet from heav'n, And the mu • sic in the affrttro. «* ta*rt (o„ „,„to. -czzrrzn: z:;:r==— ^ E^ ^ ^"- — *— -X- t a/fn-tt'o fort'o. ^ ^^^^ i /EC //_- q-tj.^ =«t ^^ air,., Her - aid's my lov - er's com ing, And tells me he is there, And ail lit). >. rail. implnrando. con abhandono. iilii ton gtoia. tguali. pcrto. ^■"^ ^ ^~w~f ^ V ^ V ^ Js- e ^ Turn the darkness in- to glo - ry, The sor - row in - to song! Vio. 10. a tempo. ■jA-Il'-^-jl^ i y^gf w- jxi- ^=fc=^ pressando, il tempo. 206 WAITING. Concluded. motto agitato, con isprtis. con auimato. r THE DAY WHEN YOU LL FORGET ME. 207 Word* by "MOBOAN." Ttndtrly. BALLAD. Miuio by J. R. THOMAS. V- *A \ ny J J J J j-U-^ ^m I. You call me sweet and ten - der namei. a. I know that ev - 'ry fleet • Ing hour 3. And still you call me ten - der namei, 4. You need not check the thoughts that rise And Is And With soft - ly mark'd by soft • ly dark - ness smooth my thoughts I smooth my wrapt a >'!. rrf.rfcm"f"^^p Hh hjT] •"^s — it ^ '^^Jh\f^A in= Y -^x— ^ JiJ. Jj J ^ tress - es, bring you, tress - es, bout them, And all the while my I know there dwells a And still my hap - py For gaz • ing in your 1»» hap sub answ' earn -pZL ■ py heart ■ tie pow'r ring heart, est eyes. ^ -X— ^ s^ m Beats time to your ca - ress ■ es. In the sweet songs I sing you. Beats time to your ca - ress - es. My heart can ol ■ most doubt them. Vou love I do Hush ! let Yet hush me in your not fear the me put that my whispers ^ ^ -1=: zz: s ^m dim. E fc=* ?3Z :^=P ten - der way, dark - est way, touch a ■ way, as you may. I an • swer as you With those dear nrins a - And clasp your hands a • Such chid • ings do not let me; But bout me; Ah! bove me So, fret mc; Ah! ah! no, >'hile no. there comes an I on - ly I ask to I on - ly - oth • er day, dread the day die that day, fear that day, 1^ The day When you The day The Jay ? when you'll for ■ can live with you will not when you'll for ^^^^ W^ ^ wmm% z::^ isr- a piacert. & ±^ ^^ •«•• get me. The day out me, When you love me, The 'day get me, The day when you'll for - get me. can live with-out me. you will not love me. when you'll for -get me. r r CONTENTS. -»-*-i»^- FAO*. A BOY'S BEST FRIEND IS IIIS MOTHER Pki:i,i.y, 73 AKTKU Mn,i.AKi>. Ill AH, DONT CoMIO A W()()IN(i GEliiEr,. 44 A IIUNDKKI) l'ATIIO.\I>< DKKI' Siiattich. 1;hi ALWAYS TAIvK MoTHKIlS ADVK'K! LiNiis.n. 140 ANU UK'S (loT Tin; MONKY TOO Lckkwooh. IMS AROUND TIIK CAMI'-KIKK....... Hkiiikl. \r\ DER DEITCHER'S DOG Winn-kr. V2o DON'T FLY YOUR KITE TOO HIGH Rl-tli:ihie. IfvS DRIVEN FROM HOME Hays. 48 EMMET'S CUCKOO SONG ; Emmet, 136 FINGER-PRINTS UPON THE PANE Westlsdorf, 155 GAILY CHANT THE SUMMER BIRDS De Pinna. 103 GATHERING .-mIELLS FROM THE SEA SHORE Tuomiwn. LSfi GOD BLESS YOU! Thomas. 197 GOOD BYE. MAVOURNEEN Westenuorf. 53 GRANDMA'S VACANT CHAIR Ke.vseuv. 82 HAUNTING EYES Thomas. 190 HELLO! BABBY Brah." m. 80 HOPE BEYOND White. 41 HUSH-A-BYE, BABY Clakk. 157 I'LL AWAIT MY LOVE Howard. 78 I'LL WAIT TILL THE CLOUDS ROLL BY! Fii.mer. 164 IN GATHERING ROSES LOOK OUT FOR THE THORNS. V'estendoiif. 45 IS THAT MR, REILLY? Rooney, 24 LET MY NAME BE KINDLY SPOKEN Dakks, 165 LITTLE DARLING, DREAM OF ME Skellt. 173 LONG AGO! Millard. 118 LOST ON THE "LADY ELGIN." Wouk, 132 LOVE IS A FLOWER Emmet. 102 MARCHING THROUGH GEORGIA Work. 122 MASSA'S IN DE COLD GROUND Foster. 182 MOONLIGHT AT KILLARNEY Scanlan. 34 MR. MULCAIIEY, ESQUIRE Horn. .65 MUST WE THEN MEET AS STRANGERS? Thomas. 189 NOT ASHAMED OF CHRIST Dauks. 30 LOVING HEART, TRUST ON Qottschalk. 67 O' HUSH THEE MY BABY Pease. 120 OH, DEM GOLDEN SLIPPERS! Bi.and. 134 OLD BLACK JoK Iml-ter. 17") OLD FOLKS AT HOME Fmster, 133 ONLY A DEAR LITTLE FLOWER Howard. 114 ONLY A DREAM OF MY Mt)THER Ruti.ewie. 21 ONLY A M'I'TLE TdKEN Danks, 55 ONLY A PANSY BLOSSOM Howard. 26 ONLY TO SEE THEE AGAIN Westendobf. 31 ORANGE Hl.O.SSOM.S Oeibel, 60 PASS UNDER THE ROD Dana. 184 PEEK-A B(H)! ScANLAN. 59 PRETTY AS A PINK Wheeler. lOO PRETTY POND LILIES Hall, IT QUEEN OF THE NIGHT Torrv. 104 ^ ' '' ROSALIE Prince. 92 ROW, BOATMAN, ROW Geibel. 141 SCOTCH LASSIE JEAN Anon. 19» SHALL OUR PARTING BE FOREVER? Mea-ham. 99 SOME DAY I'LL WANDER BACK AGAIN ....Huntley. 20 SUMMER AT THE BEACH Wheeler, 85 SUPPOSING BiscHOFF. 72 SWEET BY AND BY Webster. 123 SWEET VIOLETS Emmet. 47 TAKE ME BACK TO HOME AND MOTHER Huntley. 64 TAKE ME, JAMIE DEAR ♦..Bischoff, 39 THE COWS ARE IN THE CORN Leslie. 181 THE DAY WHEN YOU'LL FORGET ME Thomas. 207 THE DYING NUN Brewster, 198- THE GRAND OLD OCEAN Millard, 192 THE HAND THAT ROCKS THE WORLD Thomas, 23 THE HANDFULL OF EARTH Lockwood. 18 THE LITTLE GREEN LEAF IN OUR BIBLE Bhaham, 187 THE PILOT BRAVE Millard, llfi THE SHIP THAT NEVER RETURNED Work. 110 THE SPANISH CAVALIER Hendrickson. 52 THE SPHIN(;TIME and ROBINS HAVE COME Howard. 127 THE YOUTHFUL HEART Buck. 177 TRAMP! TRAMPI TRAMP! Root. 113 TRUST HER NOT Sudds. 144 TRUSTING Millard. 176 TWILIGHT ON THE SEA Sudds. 148 TYROL'S LOVELY DELL Hinton. 86 WAIT TILL THE CLOUDS ROLL BY Fulmer. 91 WAITING Millard. 204 WHAT SHALL I '<.\Y? Tullv. 107 WHEN I CAN READ MY TITLE CLEAR Thomas. 202 WHEN JAMIE CO.MES OVER THE SEA! Pratt. 167 WHEN THE ROBINS NEST AGAIN Howard. 56 WHEN THE ROSES BLOOM AGAIN Drumheller. 88 WHEN THE TIDE COME.s INI MiLi.Aitn. 38 WHEN 'TIS MOONLIGHT White. 75 WHEN 'TIS STARLIGHT White, 96 WHEN YOU WERE SEVENTEEN, MAGGIE Gilbert, 183 WHISPERING HOPE Hawthorne. 152 WHO WILL BUY MY ROSES KED? Schleiffabtu, 15£ (208)