IMAGE EVALUATION TEST TARGET (MT-3) 4p 1.0 I.I 1.25 Ao III! 2.0 12.2 1.8 U IIIIII.6 V] vl ^l. '^1 ^# aJ^5^ aignifia "A SUIVRE", la aymbola y aignifia "FIN". Mapa, piataa, charta. ate, may ba filmad at diffarant raduction ratioa. Thcaa too larga to ba antiraly includad in ona axpoaura ara filmad baginning in tha uppar laft hand comor, loft to right and top to bottom, aa many framaa aa raquirad. Tha following diagrama illuatrata tha mathod: Laa cartaa. planchaa. tablaaux. ate., pauvant Atra fllmte i daa taux da rMuction diffAranta. Loraqua la documant aat trop grand pour Atra raproduit an un aaui ciichi. il aat filmi i partir da I'angia aupiriaur gaucha, da gaucha A droita, at do haut an baa, an pranant la nombra d'imagaa nieaaaaira. Laa diagrammaa auivanta illuatrant la mithoda. 1 2 3 1 2 3 4 5 6 ■»in«(|lft»#*-' ,^4M«»W»»'V«' .'■,*«*<'■•»•«<*'' lU^ Illillll ■ A ll " I" I' i» ■ eiwv mjkMMm: A GEAND (§ © 'M & m "Mi Mm ^^ ^iii) VOCAL AND INSTRUMENTAL, IN AID OF fTTT (Uhe ^dlmuth College (^ImiJijel Junii, Friday Evening, Nov. 24, 1871. CONDyCI^OR, MR. G. B. SIPPI. Programmes, with the words of the SougvS, &c. , can be procured i at E. A. Taylor & Go's., and W. L. Carrie'*. ' ! PRICE FIVE CEKTS. PRIKTKD BY THK FREE PKKHS PKlNTlXti COMPANY 1871. Iiiiaiiiiri««fl ill '"^nm0^' M fl^T BAllIa • A GRAND w •', \ V: \ VOCAL AND INSTRUMENTAL, IN AID OP ^ht 3|eUmtttk Colkge thaprl Junb, Friday Evening, Nov. 24, 1871. CONDUCTOR,... MR. G. B. SIPPI. V Proframmes, vitb the words of the Songs, &o., -can be procured at E. A. Tftiylor & Co's., and W. L. Canrle's. PRIOB FIVE CBNTS. PRINTED BY THE FBEE FBBS» PKINTIKO COMPANY, 1871. I f! 1^ ' \ f! J rojratnme* PART FIRST. 1 Overture— L'ltaliana in Algeri Roatini. 2 Quartette— Soldier's Farewell Kvcken. MESSRS. J. MARSHALL, 0. B. 8i!l»PI, W. FURNESS, & OR. SIPPI. Z Song— 'Twas Rank and Fame Balfe MR. J. MARSHALL 4 Tbio— (T wo Flutes and Piano Forte, ) Ombra Adorata, Zingarelli. MESSRS. E. QUIHONES, R. J. D. MAGKIE AND Q. B. SiPPt. 5 Duet— The Sailor Sisfhs ..Bafft. MISS WILLIAMS AND DR. SIPPI. * 6 TRio-{VioUn, Violincello and Piano Forte,) Andante No. 2, ffapdn. MR. C. B. SIPPI. OR. SIPPI AND MR. ST. JOHN HYTTENRAUOH. 7 Song— The Requital Blumenthal, MISS WILLIAMS. S Solo -(Clarionette,) Verloures Gluck Baerman, MR. ST. JOHN HYTTENRAUOH. Chorus— Come where the Cowslip bloweth . . Buckley. HELLMUTH OOILECE OHOIR. * \ 4 f^ PART SECOND. 1 Tbio —{Violin, VioUoceUo and Piano Forte,) Rondo Air Ongare»e .Haydn. MESSRS. 0. B. SIP?I, ST. ilOHN HYTTCNRAUON AND DR. SIPFI. 2 Cavatina— Come into the garden, Maud. . Balfe. DR. SIPPI. 3 S<>L(>--(Piau(> Forte.) Rondo Brilliante, Mende'tsohn. MISS OLINTON. 4 Quartette— Evening deCall. MEESRS. J. MARSHALL, Q. B. SIPPI* W. FURNES3 & DR. SIPPI. 5 Fantasie— (Violin and Piano Forte,) YskVAt^ Singehe. MR. Q. B. SIPPI AND MR. ST. JOHN HYHENRAUOH. 6 Song— The Iron Blacksmith J.L. Hatton^ MR. WM. FURNESS. 7 Fantasik- (Flute and Piano Forte, ) L2k Fille du Regiment . ; . Hein&nieyer, 8 DoBT— (Piano Forte,) Invitation to Waltz, TTefrcr. MASTERS L. BETTS AND WM. CORDON. 9 Chorub -Heart of Oak Boyce. HELLMUTH COLLEGE OHOIR. 10. FiXALE -God Save the Queen. ■>*» I ^» ^ PM#€imA ■ " ■ ' ■ »' . mvi liipt. Overture -L'ltaliana in Aberi Rostini. I QUAUTETTE. SOLDIERS FAREWELL. Kucken. Messks. J. Marshall, G. Sippi, W. Fobness, AND Dr. Sippi. Before the morning sun is beaming, And soldier's of their conquests are dreaming, The drum sounds to arms ! to arms ! Dearest maid, now fare-thee-wclL And while the call to arms is pealing, Each soldier to his true-love is stealing, Perhaps to bid the last farewell ; Dearest maid, now fare-thee- well. While undisturbed all others are sleeping, Her bright eyes thro' the casement are peeping, The drum arous'd alarm and fear, Dearest maid, now fare-thee-well. Farewell, dear mail, and cease thy weeping, We all are here, in heav'n's keeping ; The Soldier's bride will true remain, Dearest maid, now fare-thee-well. 6 SONO. 'TWAS RANK AND FAME. JBa'/f. Mr. J. Marshall. 'Twas rank and fame that tempted thee, *Twa8 empire charm'd thy heart ; But love was wealth, th« world to me,~ Then, false one, let ub part. , The prize I fondly deemed my own, Another's now may be ; For ah ! with love, life's gladness flown. Leaves grief to wed with me :— Leaves grief alone to me. Tho' lowly bred and humbly born, No loftier heart than mine ; Unlo^ 'd by thee my pride would scorn To share the crown that's thine. I sought no empire save the heart Which mine can never be : Then, false one, we had better part, Smce love lives not, lives not in thee. , Yes, false one, better part. Since love liveB not in thee. Trig —(Two Flutes and Piano Torte,) Ombra Adorata. KingareUi. Messrs. E. Qoinones, R. J.D. Mackie, and G.B. Sippi. ♦ Duet. THE SAILOR SIGHS. Miss Williams and Dr. Sippi. Bdlft. The sailor sighs, as sinks his native shore, As all its lessening turrets bluely fade ; He climbs the mast to feast his eye once more, * . 1 ^'' .^^ -^ . 1 And busy fahcy fondly lends her aid. Ah I now each dear, domestic scene he knew, Recalled and cherished in a foreign climo, Charms with the magic of a moonlight view, Its colours mellow'd, not impaired, by time. True as the needle homeward points his heart, Through all the horrors of the stormy main ; This the last wish that would with life depart, To see the smile of her he loves again. When morr first faintly draws her silver line, Or eve's grey cloud descends'to drink the wave ; • When sea and sky in midnight darkness join, Still, still he \iews the parting look she gave. Her gentle spirit, lightly hov'ring o'er. Attends his little bark from pole to pole ; And when the beating billows round him roar. Whispers sweet hope to soothe his troubled soul. Carv'd is her name in many a spicy grove. In many a plantain forest waving wide. Where dusky youths in painted plumage rove, And giant palms o'erarch the goldeatide. But, lo. at last he comes with crowded sail, Lo, o'er the cliff what eager figures bend ; And, hark ! what mingled murmurs swell the gale, In each he hears the welcome of a friend. 'Tis she, 'tis she herself, she waves her hand, Soon is the anchor cast, the canvas furl'd, Soon through the whit'ning surge he springs to land. And clasps the maid he singled from the world. Trio- (Violin, Violincello and Piano,) Andante No. 2 Haydn. Mh. G. B. Sippi, Dr. Sippi, and Mr. St. John Hyttbn- RAUCir. '^V "%■• , Song, 8 THE REQUITAL. Miss Wilijams. Blumentfuif. Loud roar'd the tempest^ fast fell the sleet, A little child-angel passe 1 down the street. With trailing pinions and weary feet. The moon was hidden ; no staio 7.'ere bri^rht ; So she could not shelter in heav'n that night, For the angel's 1 uldcrs are rays of I'ght. She beat her wiiig3 at each window pane, And pleaded for shelter, but all in vain ; liisten, listen, t^*3y said, to tlie pelting rain. She sobb'd, as the laughter and mirth grew higher, Give me rest and shelter beaide your fire. And I will give you your heart's desire, The dreamer sat watching his ember's gleam, While his heart was floating down hope's bright streams,- So he wove her wailing into his dreams. The worker tuil'd on, for his time was brief. The mourner was nursing her own pale grief, They heard not the promise that brouglt relief. But fiercer tho tempest rose than before. When the angel paused at a humble door, A nd asked for shelter and rest once more. A weary v oman, pale, v/orn and thin. With the brand i^pon her of \vant and sin, Heard the child-angel and took her in, - Took her in gently, and did her best To dry her pinions, and made her rest, Witli tend«°r pit„. , upon her breast. 9 When the egptern momiug grew bright and red, At the first sunbeam the angel fled, Having kissed the -woman, left her dead. Solo — (Clarionette,) VeHonres Crlttck Batrman. Mr. St. John Hyttenbauch. Chobus. come where THE COWSLIP BLOWETH. Buekhif. Hellmuth CoLLBdB Choik. Come where the cowslip bloweth, Come where the primrose lies ; Where the gentle violet groweth, And the green turf never dies. 1*11 haste, my love, to greet thee, Where the roses and lilies blow ; I'll ever wish to meet thee, Where the forest flowrets grow. Come, Come, Come, Come, Come, Come, And I'll crown thee, love, with a wrepth of flowers. And thou shalt be queen of those fairy bowers ; And birds that fly from tree to tree Shall gladden thy heart with their minstrelsy ; I will be with thee there, and we Shall be happier far than those birds can be. Come where the dew-drops glisten In the rays of the morning sun, Like tht richest pearls that ever From a foreign land have come ; Where the gentle stream is flowing 'Neath the bud and blossom rare, And the perfum'd wind i.s lilowlng 10 O'er flow'rets rich and fair Come. Come, Come, Come, Come. Come, Oh ! meet me in the soft, still night, WuToM ^''''"^*^^ moonHghf we U hold our joyous revelry * * j^eath the spreading branch of an old oak tree • And we'll make our home in the forest free ' And ahappy home shall it be for thee ' Come where the cowslip bleweth. Come where the primrose lies ; Where the gentle violet growetb, And the green turf never dies. Come, Come, Come, Come, Come, Come. 11 |arf I mni. THio-(Violin, Violincello and Piano,) Rondo Air Ongarese Haydn. Messrs. G. B. Sippi, St. John HYTTBNnAUCH, and Db, Sippi. Cavatina. COxML INTO THE GARDEN, MAUD. Dr. Sippi. Come into the garden, Maud, For the black bat night has flown ; Come into the garden, Maud, I am here at the gate, alone. , And the woodbine spices are wafted abroad, And the musk of the roses blown, For a breeze of morning moves. And the planet of love is on high, „: Beginning to faint in the light tliat she loves On a bed of daffodil sky. To faint in the light of the sun she loves, To faint in his light, and to die. Come into the garden, Maud, For the black bat night is flown, Come into the garden, Maud, I am here at the gate, alone, 12 Queeu of the rose-bud, garden of girls, Come hither, the dances are done, In gloss of satin and glimmer of pearls. Queen lily and rose in one. Shine out, little head, running over with curls, To the flowers, and be their sun. Come into the garden, Maud, For the black bat night has fl.»wn, Come into the garden, Maud. She is coming, my own, my sweet, Were it ever so airy a tread. My heart would hear her and boat, Were it earth in an earthy bed. Come, my own, my sweet, Maud, come, I am here at the gate, alone. S0L0-(Piano Forte,) Rondo Brilliante MendelBSohn. Miss CLiNioy. ^ QUARTJBTTB. EVENING. L. de Call, Messrs. J. Marshall, G. B. Sippi, W. Fur- NESs, AND Dr. Sippl Come silent evening o'er us. And as thou closest o'er us We'll chant our humble strain. See twilight fast descending, The sun his last rays bending, Now glimmers on the rill. Now lovely nature v/earetli Too soon the garb of night, And beautiful appeareth The moon with silvory light. i It 13 Hark ! thro' the silence reigning, The flute's soft murm'ring song, While nightingales complaining, Their melting notes prolong. In calm and quiet slumber. The fading landscape lies, And starlets without number Appear as evening dies ; Th^ night wind lightly flying O'er hill and dale, that blowij, Seems now to cease its sighing, And sink into repose. The valley late so glowing, Now lies in slumber deep, And o'er the streamlet flowing, The waves seem hush'd to sleep ; Then to the night-star waning. We'll poiir our humble song, - While echo's voice sustaining, Our notes shall sweet prolong. Fantasie-{ Violin and Piano,) Faust .Singelee. Mb. a B. Sippi, AND Mu. St. John Hyttenbauch. Song. THE IRON BLACKSMITH. Mr. Wm. Furness. J. L. jffatton. Old England has great warriors, Great princeH and poets great, But the Blacksmith is Dot to be quite forgot In the history of the Swat j. He is rich in the best of all metals, Yet Rilver he lacks, and gold ; 14 Thn^ ^»f "tr'^' ul ^""' •''^^ ^"« '^^^rt i. true. Iho he bloweth both hot and cold. The boldest is he of incendiaries, That ever the wide world saw, A^d a forgerasrank as e'er robbed the Bank, 1 ho he never doth break the law He hath shoes that are worn by strangers, i^et he laugheth and maketh more • And a share concealed in the poor ian's field, y et It adds to the poor man's store. Then hurrah for the Iron Blacksmith ! And hurrah for his iron crew ! And whenever we go where his forges glow. We 11 smg what a man can do. FANTAaiE-(Flute and Piano,) . La mne du'Regiment Ifeinemeuer. Duett- (Piano Forte,) Ihvi tation to Waltz Wtber, Masters L. Betts and Wm. Gordon. Chorus. HEART OF OAK. Hellmuth College Choir. Boyce. Come cheer up my lad^ 'Tis to glory we steer, The prize more than all to an Englishman dear- To honor we call you as freemen, not slaves, Jor who are so free as the sons of the wavei • Heart of oak are our ships. Heart of oak are our men We always keep ready, I h 15 Steady, boys, steady ! ^e'U fight and wc'U conquer again and again. We ne'er see our foes, but we wish them to stay They never see us but they wish us away If they run, why, we foUow, and run them* ashore * or if they won't fight ua we cannot do more. Heart of oak, &c., &c. Still Britain shall triumph, her ships plough the sea Her standard be Justice, her watch-word "be free*'' Then cheer up, my lads, with one heart let us idng : Our soldiers, our sailors, our statesmen, our Qneen ! Heart of oak, &c., &c. Finale. GOD SAVE THE QUEEN. ' God save our gracious Queen, Long may Victoria reign, God save the Queen. Send her victorious, Happy and glorious. Long to reign over us, God save the Queen. \