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Les cartas, planches, tableaux, etc.. peuvent dtre filmfo A des taux de reduction diffdrents. Lorsque le document est trop grand pour dtra reproduit en un seul clichi. il est film« d partir de i'angie supArieur gauche, de gauche d droite, et de haut en bas. en prenant le nombre d'images n^cessaire. Les diagrammes suivants illustrant la mithoda. 1 2 3 32 X 1 2 3 4 5 6 r:*^ ;,i .■« /*•; .^^,* Jl' * r G> C. JOLLY j^a« bT, . IMPORTER AND DEALER IN. . . OIL ^ W/ITER C0L0K5 BRUSHES, CANVAS, AND ALL ARTISTS' MATERIALS. 190 Duiidas Street t I^ONDOlSt, OIVr^XFSIO. Ontawo Lithographing & Printing Co., London, Canada. 1898. ^ this fs..„, I always be .,,-„, , '"' ^"''talo.aie ti, -=:~t'£H~-:55=-:: G. C. JOLLV HUNT, ^ f ^— «te Of o„e ecu lonAm, April fst 190 f, Mr .f^J** ^^ '****^** (n.co^ of mmbar & ^*(• present „„•.> . '''"'■"^'• ^°"^0". Sept. „, ,,,,^^ ^"""" -^t t,.e ,,,, ^- C. JOLLV Hunt, %b For instnictions in Oil raintiiiKH si-e Ilaiul Hooks mi tliu I'iiu- Ails jju^je. WINvSOR & NIvWTONS FINELY PREPARED OIL COLORS. t iTALLIC COLLAPSIBLK TUBES. 8 CENTS PER TUBE. lUinil Koinan Ochre Hiinit Sifiiiia Hunil I'liilar Cakdoiiian Hrowii Cajijiah Mrowti Cassi'] Ivirlli t CliroiiR', Circeii, No. i t 2 I,akf Red Indian Indian Indi).jo Italian I'ink Ivory Hlack Jaune Hrillianl "Cin.if's Yellow I Antwerp Blue Burnt Sienna " Umber Chrome. Green, Light Chrome, Green, Deep " Yellow Pale " " Mrdium " " Deep Permanent Blue Raw Sienna ' ' Umber Scarlet Lake Sepia Torre Verte Ultramarine Blue Vandyke Brown Venetian Red Vermilion Yellow Ochre LONDON. ONT. [6c. i2C. t the Their used. tured )f the tube ue • r» Ihie OWL BRAND, ART/ST:^' OIL COLORS In Double 4 inch. Tubes. The.se fineh- prepared Gennan Colors, being done up in double lubes, are almost half the price of Winsor & Newton's Colors, and Artists who have used them pronounce them ver>- satisfactor\-. PRICE PER DOUBLE TUBE lOC. Copal Megilp Indian Red Cologne Earth King's Yellow Caledonian Brown Ivight Red Chrome, Yellow Lamp Black Lemr Munmiy Chrome, '^ low Megilp Orange Oxford Ochre Cremnitz White Portland Umber Emerald Green Prussian Blue Raw Sienna Antwerp Blue Asphaltum Blanc d' Argent Burnt Sienna " Light Brown Ochre Burnt Roman Ochre Blue Black Burnt Umber Cool Roman Ochre Flake White Chinese Blue I.vorj' Black Raw Umber Sugar of Lead Silver White Transp. Golden Ochre Terre Verte Venetian Red Vandyke Brown Yellow Ochre Zinc White Robertson s Medium. FOR OIL PAINTING. Single Tubes 25c Double " . . 50c. Japan Tin Boxes for Oil Colors. All empty boxes can be filled with any arrangement of colors and brushes at prices desired in this list. ^^.^- 6 ■ E. N. HUNT. Japan Boxes for Oil Colors — Continued. NO. 1. Size ii>^x6in., 2 in. deep; to contain 12 Colors, 2 Bottles, Brushes, Palette, etc. Price, empty each $1.25 NO. 2. Size 13^x9 in.; i3^in. deep, to contain 18 single and 2 double Tubes, Bottles, Brushes, Palette, etc. Price, empty each I1.75. NO. 3. Size 9M'xi3K i"-. 3 in- deep ; moveable tray, with double bottom, for carrying wet Sketches, Academy Board, etc., to contain 34 Tubes; Flaps covering all materials. Price, empty each fo.oo Oils and Vanishes. * ndSii «m dliltliiliMittiijiiniiM .^ .JialllMllil. QliiitJiuii iiiiii'Kii ■^(■•■llil., 'ill iiiil iniit il :lt I .' l* ^ PKR BOTri.K. Paie Drying Oil 15c. Refined Linseed Oil 15c. Poppy Oil 20c. Nut ()il 20c. Artists' Medium 20c. Spirits of Turpentine 15c. Picture Mastic Varnish 40c. PER BOTTLE. Picture Copal Varnish 25c. Crystal Varnish 20c. Deniar Varnish 20c. Srehnee's R. touching Varnish .... 25c. Siccatif de Hiu-lam Varnish 50c. " Courtrai " 25c. Academy Boards. Pl'.R SHKKI. i^ *' " Trowel shape 45c. EACH. 3 in. Folding 50c. 5 in. All Horn for China Painting.. 15c. Keyed Stretchers. Covered with Prepared Canvas for Oil Painting. SizE.^ PRICE, Ea<:h. 8x 10 |o 35 ID X 12 40 lox 14 45 10 X 16 50 I2X 18....- 55 14 X 20 60 16 X 22 70 SIZE. PRICE, EACH. iS X 24 |o 85 20 X 26 90- 22 X 27 95 20 X 30 95 25x30 I 15 22 X 36 I 30 24x36 I 45 Other Sizes made to order. Artists' Tinware. ^ E. N. HUNT. Aftists' Tinware — Continued. Tin Dippers, single, without lid . . " " cioubie. " lids..;.'.;:;;.:;: ''''^ ^'''• single, capped .. '°^- double, " :::::: ,, 'sc .single, lead screw top . . . .. ^^^' double, " " '5^- " Oil Bottles ::'■' II 30c. Brush Washers, 3x4 inches, 3 X inches deep 1 1 1 1 ! I . I \ \ \ \ \ \ \ \ \ \ \ .'.' ^' Pfleger Patent Canvas Stretcher. vitn double jonits. These joints give double the .strength over the old sintrle pint and obtains perfect uniformity in the frame. T^e smalle^ piece ^n form a joint with the largest or any size, so that all sizes of stretlhe^ ca.u" made. No nailing or mitering required. "ireicners can be Stretchers up to i and including 36 inches each i^c ^_^^ " 35c. Universal Stretcher Key. POR CANVAS STRETCHERS. (PAT. APPUED FOR.) [actuai. SIZR.] (.., ^"'^*^f ^' ''^'^«"«^ «° «"nple and small that therefore the cost to manu- facture has been .so reduced that they are but a trifle more expensive than "he old style wooden stretcher, which will cause them to be universally uLd Thil key IS a substitute for mortise joints on canvass stretchers, evrn in prick «. . , MAKE YOUR OWN STRETCHERS ' de' '' The;":rcH'e"'f "'■ ^P'' ^''' '''' ^'^"^^^ '^^^ ''^ ^^^^ '" ^^ort rder. Phev s.rctch evenly, and are easily applied, requiring only to be ham- " ' per Sett loc.. LONDON. ONT. 15c. 25c. 15c. 30c. 30c. 90c. Artists Prepared 'Canvas In Rolls of 6 Yds. WIN80R & NEWTON'S "BEST" CANVAS. SIZE. 27 inches wide |o oo 31 " " 36 " " 42 " " -SMOOTH ROMAN. PKR V\Ht). PKR V\l)l>. |o 90 j5o 90 I 00 I 00 I 25 I 25 I 50 I 50 TICKEN PKR YARD. |i 35 I 50 I 75 WINSOR & NEWTON'S "BRITISH" CANVAS-SMOOTH This Canvas is now the principal line in the trade, and is specially pre- pared by W. & N. in the same manner as their best Canvas for all ordinary work. 27 inches wide per yard, 65c. 31 " " •• 80c. 36 " " " 90c. 42 " " .. |,.,o Moleskin Velvet. WHITE, FINI£S1 QUALITY, 26 inches wide. per yard, I1.25 Placques. Composition cr Papier-Mache Placques. Inches. .7 8 10 12 14 16 Each... 25c. 30c. 40c. 50c. 65c. 85c. Japan Tin Placques in Five Colors. ,jS? Black. Pale Blue, Tfr^a Coita, Pale Green, Pale Pink. ■^ Inches. .6 8 10 12 Each... 30c. 45c. 60c. 75c. 10 E. N. HUNT. F-ROSTED GLASS RLACQUES. ROUND, ACID ROLGUED. Inches.. 5 6 7 8 9 lo ,2 ,4 16 ,8 Iiach...2oc. 25C. 30C. 35c. 50c. 60c. 75c. |..03 ^(,.50 ^(3.25 Superior Brass Placqucs. With Beaded Ran. I"c^>es 6 8 10 12 ^^'^'^ 25c. 30c. 40c. 50c. Canvas Panels. ion^J^'^T ^""'t r ^''^^'''' "'"'' '^'''^' ^'"^ '^^^^ « f«"<^y scroll border orming a frame of white and gold. The centre is firmly covered with Artists' neavy canvas. SIZE. 4x6 ell:::::: '• n ^^!°- 55 6 X : 2 . PRICE, EACH. SIZE. ■$o 45 5 X 10 PRICE, EACH. $55 80 80 Wood Pane/s WITH ROUGH COATED SURFACE Snui.AR TO ROUGH ACADEMY BOARDS, ROUGH Gir,T bevei,i,ed edge. 5 X 10 with easel back rest ... 6x12 " " '< u each, 40c. 8x10 " " '' .. 45c. 10 X 14 with screw eves. ^^^' •' 60c. i^ LONDON. ONT. n Placquc Easels and' Holders. AS PER ABOVE CUTS. PRICK KACH. I PRICE EACH. Ko. t easel 3 >^ inches hij^h 12c. j No. i Haii},'erfor Slogin. Placque.isc. " 2 " Mi " " 15c. "2 " "10" 12 " 20c. " 3 " 5 " " 20c. ^ " J " " 12 " 13 " ....25c. " 4 " 6 " " 25c, " 5 " 7 " " 30c. I Wooden Palettes. w^ 'n 1, 40c. 45c ■ 50c. 60c. Fine.st Mahogany, 8 in., oval or oblong each, 15c. 1° " 20C. ^2 " 25c. 14 " 40c. '• •' 12 " Folding or oblong " 40c. Rest or Ma hi Sticks. I^ong Wooden, varnished , each 2^c. White Wood .< , j^. " " in three parts ferrule '• 30c, 12 E. N. HUNT. I li Brushes for Oil Painting. Wlien ordering finishes it is well to specify width required, as numbers of sizes vary according to makers. HOG-HAIR BRUSHES-FINK BRISTI.ES-POI.ISHED I.ONO, RED HANDLES. ROUND ANn FLAT. 3- 4- 5- 6. 7- 8. 9. " 5C. ! " II " 6c. ! ' 12 " 6c. 1 ' 13 " 8c. 1 ' 14 " 8c. 1 ' 15 " IOC. ' i6 " IOC. ' i8 •' IOC. ' 20 No. lo Each, I 2C. I2C. I2C. 150. 15c. 15c. 20C. 20c. 20 •. LONDON. ONT. Brushes /or Oil Painting— Continued. 13 WINSOR & NEWTON'S HOG-HAIR BRUSHES— FI.AT ONI.Y, ENGLISH SIZES. 12 IN., POLISHED RED CEDAR HANDI.es. l«Jfl^^ ^* * ^^Km»mt'MH ll llL i j IIII 4> No 123456789 ID II 12 Kach... IOC. IOC. loc. 12c. 12c. 15c. 15c. 20c. 20c. 25c. 25c. 30c. size. " IMITATION " RED SABLES, LONG POLISHED CEDAR HANDLES. A substitute for the expensive Red Sable, and resembling it in color and No.... I 2 3 4 5 6 7 8 9 10 II 12 Each. .5c. 5c. 7c. 7c. 8c. IOC. 12c. 12c. 15c. 15c. 20c. 20c. BRIGHT'S " RED SABLE BRUSHES, NICKLE FERRULES, LONG POLISHED NATURAL WOOD HANDLES. No Each... 4 20C. 5 2 6 30C. 7 35c. 9 50c. 10 60c. H E N. HUNT, limshes fof Oil Painting— Continuid. "HKKiHl's" lUSSIAN SAULK BRUSHKS, NICKI.K KERKll.ES, U>N(i I'OLISIU;i»- HANDLES. No 4 6 8 lo 13 14 Kach IOC. IOC. IOC. 15c, 15c, 15c. VVINSOR cSi NEWTON'S " niur.HT'S" HOG HAIR BRUSHES. Very fine quality. \ \ ^'o.... I 2 3 4 5 6 7 8 9 10 II 17 Kach..ioc. I2C. 15c. 15c. 20c. 20C. 20c. 250. 25c. 30c. 35c. 40C, A cheaper quality of above can be furni,sh«l if desired. HOG HAIR FAN BRUSHHS. Extra fine for Light Touching, Hair Foliage, Etc. No..,. I 2 ij 4 5 6 Each,. IOC. IOC. loc. 15c, 15c, tsc REn SABI.E FAN BRUSHE.c, ^*^'o I 2 3 4 5 6 Eacli - . 35c. 45c, 55c. 65c. 75c. 85c, i>IIKI> 17 LONDON. ONT /inis/ifx for Oil Paintin^r'-^Coutinuvd. n FINE ROUND BADGER SOFTENERS. I'OI.ISIIKI) HANDTJCS. N° • 2 3 4 ,«; 6 7 S Pnce, each. 15c. 20c. 25c. 35c. 40c. ^oc-. Got-, -(x-. Red Sable Brushes in Tin. I.ONC POI,rSHRD N.VTITRAI, WOOD H.\NI)I.KS. (IHARANTKKI) AM, "PURK" RliD SABI.K. 9 ROUND OR FLAT. ^° ' 2 3 4 5 6 7 S 9 ,0 ,1 ,, Each.. IOC. IOC. I2C. I2C. 15c. 15c. 20c. 21c. 25c. 30c. 35c. 40c. ' Note.— Care should be observed in purchasiiifr Red Sables. These brushes are often adulterated with coninion hair, not easily detected. However low' they may be m price they are sure to bring annoyance to the artist \\v guarantee our Sables to be pure hair. KNCrjSH FLAT CAMEr. HAIR BRUSHES FOR VARNISHING OR COPYINC. y^ ^"'^^^ Each, 20c. I " .... /' .. " 35c. " 50c. i6 E. N. , fUNT. MA TENIA LS FOR WA TER COLOR PAINTING. WINvSOR & NEWTON'S Finely Prepared Moist Water Color*. IN HAI-V I'ANS, MOIST. For instructions in Water Color Painting see Han.l Books on the Kine Arts. Antwerp Blue Bistre Blue Black Brown Ochre " Pink Burnt Umber ' ' Sienna Chinese White Cologne Earth Chrome, Yellow Deep Chrome Emerald Green (^raniboge tiooker^s Green, No. i Hooker's Green, No. a Indigo Indian Red Italian Pink Ivory Black King's Yellow Lamp Black Light Red, Mauve Naples Yellow Neutral Tint New Blue Olive Green Orange Chrome Payne's Grey Prussian Blue " Green Raw vSienna Raw Umber Roman Ochre Sap Green Terre Verte Venetian Red Vandyke Brown Vermilion Yellow Lake " Ochre ^RlCm IN HALF FANS. BACH. 19% CBNTS. Brown_M_adder Constant White Cerulean Blue Otimnon Lake Miir Yellow Neutral Orange Purple Lake Reuben's Madder Roman Sepia FFIGB. EACH, 20 CENTS. Scarier Ld;e Sepia Scarlet Vermilion Warm Sepia Cad El r ;-<•.;. Vtiiow <' . Cobalt Blue ■^.ench Blue Pale Indian Yellow " Orange Lemon " Orange Vermilion Violet Carmine Viridian or Veronese Green FFICE. EkCH. as CENTS. \i 'IXG. LONDON, ONT. Material Jo f Water Color Pahit1nfr~i\mtinm'it. 17 Aurcolin Biiriit Carmine Canniiie Field's Oniiixe W-riniliuu (ireen Oxide of Cliioiiiimii Iiidinii I'lirple IiiU'iiSL? Blue Mars Oraiijje Madder Lake " Cnrmine I'ink Madder I'lire Scarlet I'lirple Madder Rose pmom. eACH, ao cents. le Arts. lion le Veronese Smalt, Ultramarine Ash PRice, MACH. aa obnts. Students Moist Water Colors. In china half-pans, same size as the ordinary half-pans. These colors are strong and good value, specially adapted for *tuden s and beginners. PRICE, EACH. S CENTS. Burnt Sietina Burnt Umber Chinese White Chrome Green Chrome Yellow, No. r 2 'I 11 It - Cobalt CrmTson Lake Kmerald Green Gamboge Hooker's Green. No. r Indian Red Indigo Ivory Black Light Red Naples Yellow Olive Green Pru.ssian Blue Purple Raw Sienna Raw I'mljcr Sap Green Sepia Ultramarine Violet Yellow Ochre Brown Madder C.idniium, Yellow PRICE. EACH. 10 CENTS. Carmine Deep Lemon Orange Rose Madder Scarlet Lake Warm Sepia ~^-.^-?W»i' W i ^ i W»->- i8 E. N. HUNT, WINSOR & NEWTON'S Z./QLW WATER COLORS AND MEDIUMS, Sepia ^''icli. 3"c Asphaltuni Carniine Vennilion Prussian Blue \ ' Colorless Ox Gall Lamp Black Indian Ink " Iii'lel. Brown ink Prepared Ox Gall in gallipots". ". \V ater Color Meirilo ^ ooid Ink ...'.■;'.; )|J;| Mat Gold Si.e;gam^^^^ Chinese White.. Preparation for Pain'ting" Satinor Siik," '^c. 3>>c. 20c. 30c. 20c. 30c. 20c. 30c. 20c. 30c. 20c. 30c. 20c. 30c. 20c. 30c. 20c, 30c. 20c. 30c. 20c. 30c. 20c. 30c. 20c. 30c. 20C. 30c. 20c. 30c. 20c. 300. 30c. 20c. 35c. V LONDON. ONT. 19 BRUSHES FOR WATER COLOR PAINTING. NO. I CAMEI,-HAIR PENCILS IN QUIIJ.— SUPERFINE, TIED WITH GOLD WIRE. No I 2 3 4 5 6 7 8 Price, each. . 3c. 3c. 5c. 5c. 7c. 7c. loc. loc. NO. 4. CAMHI,-HAIR PENCILS IN QUIIJ,— FINE, TIED WITH RED 9II,K. No I Price, each . . 2c. 2 3 4 5 6 7 S 2C. 3C. 3C. 4C. 4c. 5c. 5c RED SABLE PENCILS IN QUILL— FINEST, TiJvD WITH GOLD WIRE. SAMK SIZKS AS AHOVK CUT. No I 2 3 4 5 6 7 H Price, each. . 6c. 8c. loc. 15c. 20c. 30c. 40c. 50c. M E. N. HUNT. Brushes for Water Color Painting- C ontinuiii. RED SAm.K BR,-sHKs IX ai,bata-kxtka kink, short POI,ISHKD HANDI.KS. ROUND OK Er.AT. 4 No. ' ^ 3 4 5 6 7 s I nee, each.. ,oc. ,5c. 20c. .5c. 30c. 40c. 50c. 60c. ROUND, DOUBI.K END CAMEI, HAIR BKUSHK.S. No. Price, each, lac. 15c. i 5c. 20c. 20c. 25c. CAMKt HAIR .SKY OR WASH BRUSHKS-ROUND, EXTRA P INK IN A1.BATA. ^'" • '2 13 . 14 15 Price, each... aoc. 25c. 30c, 35c, LONDON, ONT. Bnisht's fof Water Color Painting — Continued. ?r I.ARGK FLAT SIBERIAN HAIR WASH BRUSHES— IN ALBATA, No 15 20 Price, each. . 30c. 40c. Handles for Quill Brushes. No. I— Plain per doz. 7c. " 2— Polished " loc. " 3— Cedar " loc. " 4 — Mahogany and Ebony, assorted " 15c. Japanned Tin Boxes of Moist Water Colors, Til.. UhLAJKOI.X. CUT NO I. No, I— Size iYzTK-d^ inches, containing twelve moist water colors in metal pans, and brnshes each 35c. No. 2 — Size 3 '4; X 6^ inches, containing twelve colors in nielal pans, tabe each Sepia and Chinese White, brushes, etc each 51. c. The " Delacroix," size 35^ x 7^^ inches, containing twelve moist water color tablets, and brushes each 35c. 22 E. N. HUNT, Empty Japanned Tin Mois* Water Color Boxes. To contain lo half-pans. 12 >4 i6 i8 " 20 24 HAL1-:>4N liOXIuS. each I I 40 I 60 I 70 I ,So 1 95 2 05 2 25 list *'^"^' ^^"^'^^^ arrangement of colors placed in these boxes at prices in this Artists China Ware. CHINA PALETTES. Size 4 in. Price, each. . . 15c. (OVAL OR OBLONG,) 5 '"• 6 in. 7 in. 25c. 30c. 20c. 8 in. 35c. 9 in. 40c. . ARTISTS' WATER GLASSES. 2 % inches in diameter, i % inch deep 10 in. 45c. .each 30c. LONDON, ONT. 23 Artists' China Ware — Continued. DIVIDED SLANTS. WiNSSR S.MC WTON % \M >r< jtii* IV Ni WINSQUft NC WTOfI h $\ 40 ' I 60 I 70 I iSo 1 95 2 05 2 25 in this 5 Divisions each 20c. 4 " " 251^- 6 " " y^^. 8 " ' 50c. 12 " - " 75^. ROUND SLANTS AND BASINS. . wmstiR a NCkVfoii 7 inches in diameter, hasin 2 inches deep, 8 slants each 90c, CENTRE SLANTS. 2 '4 X 6 inches each 20c. 24 - - ^ /V, HUNT. INDIA INK SI.ABS. IB 3 ^Vell Slabs, 3x4^ 4 X 7X, with 5 slants " each loc. - ^^ " 50c. c No. , Set 23/,- r "-'"^"'^^ ^^"'^-'•s 5 in set. »«, 2% in. diameter " 2 " 25^ .. ^ per set 40c. •3 " 3 " • « ^„ • 50c. ^^ " 60c. 3 " .... per doz. 30c. ._ " 35c. Acme Water Colors. '« Colors in Metal Box. ^""^ "^"'"""^ ^''^^ographs. 6 " ii D Paper " * Acnie Gloss Compound :.■:::::;■■;;;;;•••; '■':• Z 50 ♦ • ( ; •each IOC. ■ " 50C. r set 40c. 50c. 60c. 'oi^- 30c. 35c. ■$2 50 • J 00 • 50 • • LONDON, ONT. 25 Papers For Water Color Paiutiiij^. " H. P." signifies Hot Pressed— a smooUi surface, mostly used for pencil drawing. " N." signifies Not Hot Pressed— a finely grained surface for water color. *» R." signifies Rough — a coarse grained surface for wattr color and hold i!rauing. WHATMAN'S DRAWING OR WATER COLOR PAPKRS. Royal, 191^ X 24, N. and R per sheet inc. Imperial, 22 x3o>^ H. P., N. and R " 15c. Double Elephant, 27 x 40, N. and R " 25c. WHATMAN'S DRAWING OR WATER COLOR P/VPER, EXTRA HEAVY. Imperial, 22x30^4, 90 lbs., H. P., N. and R per sheet, 20c. 22x3o>^i4o" N. and R " 40c. holungsworth's drawing or water color paper. Imperial, 22 x 30, 72 lbs., N per sheet, loc. draughtsman's paper. A splendid paper of even grain for Draughtsmen, regular drawing or water colors. Imperial, 22 x 30, N per sheet loc. Double Elephant, 27 x 40, N " 15c. 96 £■ /v. HUNT, IVAiUmans Sketch Blocks. 32 SHtKTs ON KACH BI.OCK. 5 X 7 5>^x 9 in. (1 "roiijrh 7 X 10 i< 9x11 1 < '0 X 14 (« 'I X IS ( ( '4 X 20 w "ol " surface. After blocks are used i saving exlra expense. WITH WlTHOl'T COVKR . COVKH, ^I 00 #0 50 I 20 65 I 40 So 2 10 I 10 2 60 I 50 ■ 2 00 3 00 •e^v ones „,ay be replaced on these cove... thereby 16 SHKETS ON BI,OCK, ^% X 9 7 X 10 9 X 11^ to X '4 U% X 18 14 X 20 in. ' rough or WJTHOIT COVERS. not" surface... It if •each $0 40 ■ " 50 65 90 " I 10 i i I 70 9 X 5^ inche.s. 32 leaves. iiyix 9 " . .< ' Sketch Books. STIFF CLOTH COVERS. each 50c. • " 90c. LONDON, ONT. Vf io 50 65 80 1 10 ' 50 2 00 3 00 therehv 1 $0 40 50 65 90 I 10 J 70 Materials for Chnia Pninthis^. CAUTION : It is most important tliat only aUs'ilntely iiure materials slioul*! be used in Ceramic paintinj^. Any (lej)arture from this rule is s ire to cause the keenest disappointment, as no subsequent patchinj( can restore what is once lost in this way. A LACROIX' COLORS FOR PAINTING ON M iJtaer9^Qiimis& tiBeU/OHJieoi IN TUBES READY FOR USE li Oil Of Mi\ I BREVEIEaccB SIZK OF TUBK. For iystructions in China Pai.iting, see Hand Books on Fine Arts. 9 COLORS FOR PAINTING. lei BLACKS. M Per tube. Raven Black . .". 17c. Ivory Black 15c. BLUES. Two Fire Blue 17c. Dark Blue 15c. Connuon Blue 15c. Deep Blue. 17c. Deep Ultramarine . . . 24c. Light Sky Blue 17c. Sky Blue. 17c. Victoria Blue 15c. Old Blue 15c. Delft Blue 15c. Blue No. 29 15c. Cornflower Blue. . . . . 17c. Old Rouen Blue 15c. BROWNS. Per tube. Black Brown 17c. Chestnut Brown 17c. Otter Brown 1 7c. Van Dyke Brown. ... 17c. Gillyflower Brown ... 17c. Brown No. 3 17c. " No. 4 or 17. . . 17c. " M. or 108 17c. Dark Brown 17c. Deep Red Brown .... 17c. Light Brown 17c. Sepia 17c. Yellow Brown 17c. CARMINES. Light Carmine A. . . .17c. Light Carmine No. i . 17c. Carmine No. 2 21c. Deep Carmine No. 3 . .24c. CARNATIONS. Per tube. Carnation No. i 17c. .17c. 17c. Deep . FLUX. Flux ., 15c. GREENS. Grass Green No. 5. . . 17c. Brown " " 6. .17c. Dark " " 7... 17c. Green No. 36 T 17c. Apple Green 15c. Deep Blue Green .... 24c. Chrome Green ,^ B. . . 17c. Deep Chrome Green. 17c. Deep Green 17c. Emerald Stone Green. 17c. 38 f. N. HUNT, i Ucroix Colon-Coniinued. . 24c. •37c. ,,. . Per tnl)e Violet of Iron . . Cirey Violet of Iron ^, _ Per tube vSap Green ,,„ Bronze Green . J,^ I>uck Green ... . ^^■■■'■^^' Mo.s,s C'ri cen V MOS.S Green J.; yel- JXr '7c. t:im.ese White giKlit Green jdiv Permanent wi, 17c. i-c. Gold Bud... Very Fusible Per tnbe. '7c. WHITES. QREYS. Grey No. 1, li^dit... ft 4 , " .24c, 17c. 17c. ernianent White. . YELLOWS. Ivory Yellow. Jonquil Yellow. '7c. 15c. 17c. '5c. Rose ... 1 7c. Ucroix 's New Colors IN tONG TUHKS. Coalport Green, light. -jc Pearl Grev isFo ' fi ' ' ' I^'" !\'^'^'ow for niixiiur.' ' ' {"' Neutral (?rey ^ ' ' ' " 7^" Grange Yellow . .^ .; Jle." Warm Grev JJ" i,«-;""»»enl Yellow. . . , sc ^Ji '7c. Silver Yellow ,^c Albert's Brunswick Yell dark 21c. ow Black. OCHRES. Dark ^^„.^ Yellow Ochre' :;::.::;77e" PURPLES. 300. 24c. V". '""""-K iJiack.. iSp ^VBJ"^ ••^;^- Grey for Flesh.... 'aic' 2IC. Oclire"'^"' „ ^'^"^NDINQ COLORS, g'^'hif Green ^40 <-^ele.stial Blue . . ,,„ ^^y'l! Copenha|,^en Indian Blue.... " ' V^' m >\, 240 Lavender Blue.. .■.••■f^J- ^^"f O' Yellow 2,c Piin^le No. 2 . ,s^ ^larine Blue .... " ' 3^^" " ^'"f^"' ''^''t. . . .30c. Crimson Uke. . .' ' ' ' tt: Reddish Brown. . . . W^,' r„^^ ^ark. . . .30c. n '' P^"-Ple. . . : . £?■ ^^'^^"»».y Brown . . . ' ,\^ g^ ' fn; Pi' ^oc. r)eep Purple \Z' <^annelite ,^^- ,V > ^o'^ flowers. .. .21c Kuby Pu^le £*;• ^^?laclon ' " " " \f^ ^ V' P a d o u r *^'- Li.i,dit CoflFee...."'"^^' REDS. Capucine Red Chro'm Water-Green. ICC f :r;r;,"\ ^^" 17c. popper Waler-Gre. ' F;„/.1^^* • ; 2ic. 9.rounding Green . c. 2IC. 2IC. Grange Red Bright Red . •Bengal Rose ... ,,„ Japan Rose " 'jic Chinese Rose .,7^" RELIEF Turtle-dove Grev .If _ J 15c, 17c. Fusible Lilac .■.■.■.■■■,^e' Maize... \l Mauve....' ^^c. Relief, for Gold ."...., 50. wSSlpadou^ J ' ' '^^^ 21C. 21C. 24c. VIOLETS. peep Violet of Gold Light < .38c. 30C. Salmon.. ^..."'.:■• J^J- Turquoise Blue...... '24c.' rM.- Green . . . .2ac Chinese Yellow.... ,c,> ^, . - - Red No. 23 Outlining Black fcievres Blue ^"g[^or English Maroon ...'. ^ Pansy.... ^' Peach Blo.ssom .'.'." '"^^o^' Rose Leaf Green.:: 'arc' Old Holland Blue .. ?7c' "^sz!^. f^- Gold Grey... '^■ Relief White(Auf- setzweiss) ,70 .24c. Royal Copenhagen 15c. Grey— Wann 111 a Tube colors shoald at all times be kent SaX'" '"°""'' "■ '■™"' — «'o" posit and becoming hard it re «r»ii * • - ^.. and ..ot a„o„V„t ''ir. 'L^^^^^t, ^ '"'' ^""- '" «>' r««/ place, especially during the To prevent the color forming a de- .'; LONDON. ONT. Oi/s and Mcditims. J9 17c. '7c. Ii^J;»:..-:ic. NoTK.— There are many makes of Gold in the market, but for quantity ami quality Cooley's Gold stands unrivalled. Gold and Silver Shells and Saucers. Pure Gold in China Saucers 15c. Pure Gold in Mussel Shells 15c. Silver on China Saucers 12c. Silver on Mussel Shells 12c. ,v» £■ N. HUNT. Brushes foy China Painting, CAMKI,-nAm PAINTING PKNCaS-I-OINTRD. Niiinher 2 5c. 3 6c. 4 6c. 5 . 8c. 6 8c. 7 IOC mi J'rice, each en 8 • • ■ O*- IOC CAMKI, HAIR PAINTING PENCir,S ^ciuare points, si.es and prices the same as Poin"ted-See above. Best Red Sable Liners, Very fine for Gold I,ines and Raised Paste. \U Nos. o, I, 2 •each, 15c. LONDON. ONT St Camel Hair Tintimr 'Brushes. No- 3 each, 2()c. No. 4 : " 35c. Glass Brushes, For Scouring and Matting Gold on China. No I, ^ in. thick. No 2, I4; in. thick. No 3, i in. thick _ Kach... 25c. 50c. 75c. Burnishers. For IlUiniinating Miniature and China. Agate Spear Point each. 45c. .•Vgate Curved Point " 45c. A-jate Oval Point " 45t. 32 e^. N. HUNT. Color Slabs For China Paiiitin^r. ^„„ .iri75c5ri^j>0'3\ No. r-4 X 2^ inches, 15 wells ; . " 2—4x6 " 24 " each, 20c. " 3-4J^x6>^" with cover " ^oc- " 65c. Plate Glass Slabs and Mullen: GROUND SURFACE, ROUND EDGES. Ax 6 inches 8x8 " each. ;fo 35 lox 10 " " 50 lox J2 " " 75 " r 00 Glass Mullers. ^^"^ ' '"^^- ' y^ inch. 2 inch. 2l4 inch . i , Price each.... i=c ,co 2/4 inch. 3 mdi. ^5C. 30c. 50c. 63^ LONDON, ONT. 33 Empty Japanned T hi Box For China Colrr^. Size dYi X io>^ x 2 inches deep. In above Box there are three spaces for bottles, one for Hard and Roman Gold, one for Muller, and China Slab No. r, and space for brushes. There are also two Trays, capable of holding 50 colors if necessary. These trays are of bright tin and without partitions, so that they may be easily cleaned— a real necessity in a perfect China Color Box. Price, empty •I' n )?o 35 75 r or) Atomisers > For Spraying Fixatif on Crayon and Charcoal Drawings. Japanned Tin. like Sketch ^,^^1^ Nickel Plated, round tube 20c. ^ E. N. HUNT, Materials for Draunng Crayon nnd Pastel Work I'or instructions in above see Hand Books on Fine Arts. CONTE CffAYOIVS. 2>^ long by '4 inch square, Black or White. No. ,, Hard. No. 2, Medium. No. 3, Soft. 3 for 5c. or 20c. per doz. CONTE CRAYOISIS. (In Cedar, like Uad Pencils ) No. o. Hard " I, Firm '.' '^^^^< 7C. " 2, Soft " 5c. " .^. Very Soft " 5c. ^_'^^^ " 7c. SAltCE GRAYONS. vStumping Chalk, Wrapped in Tin Foil Conte Velvet Black for Stick Civanlt's " " <• loc. ^^• SO^r F'RENCH fASTEL CRAYONS. l.N wiirn- Wood boxi-s Bo.K of 30 sticks Assorted Colors " "42 " .. M each, I 65 " " 56 " 95 " " 75 ;;; " 1 50 " "100 " ,M .. " 275 " 3 50 ach, 7c. " 5c. " 5c. " 7c. . . IOC. LONDON, ONT. 35 Materials for Dmwing, Crayon ani Pastel Work —Continued. SEPARATE CRAYONS. WHITE, BI.ACK, GRAY, UROWN, GRKKN, KI.KSH. Yellow and Blue pe,- stick, 5c. Vermilion >. ^^^ Carmine, No. 2 . . jsc Cobalt Blue . > joc HARD, FRENCH PASTEL CRAYONS. These Crayons are of the b^st quality. Taey work freely, and are rich in color. These boxes are carefully assorted and contain a large number of the finest tints, SUPERFINE. Box of 1 2 Crayons, a.ssorled each, 25c, i^m "24 50c, ORDINARY. Box of 12 Crayon?, as.sorted each, loc. " " i« " " " \2y2c. " "24 " " ... " 15c. WmSOR&NCWTtM THE "RAPHAEL." SUPERFINK HARD PASTKI. CRAV0N,S. SIZE OF CRAYO.S. These Colors are not so fragile as those in round boxes. They are indelible, and the colors are very strong. Pl'T UP IN SQUARE CARD BOXE.'J. Box of 6 Crayons, assorted each, "jc. 12 ' IOC. '^ 15c. 11 II .jj 11 II ,, 24 " 2CK. 56 £■ N. HUNT, Mutenals for Dnnving, Crayon and Pastel IVork-C ^on tin lied. PHENCH CHARCOAL. No. 2 S:„all, i„ Boxes of 50 Slicks . " 4 " " .. per Box, 15c. 5 I^arjre, " ,» • " 20c. 6 " '1 ,1 " 30c. " 50c. School of Art Draw i no Pencils. vSaiiie as afjove Illnslralion. I'ricf • tach, 45c. OKOINARY OKAWINQ REIVCILS. ROIND, RKD PCUISHED CEDAR. " Moderately hard (for light sketching) ^ I'inn (for fine drawing) ''^*'''' 5^- " ^ ^-l-ately hard, and black"(for free sketching) 1' '" " Black (for ordinary shading) '^''• ^^ ^'^"f^^'ack (for deep shading) ■■ " ^''- " 5c. LONDON, ONT. ,^7 )x, 15c. 20c. 30c. 5t)c. India Ink, SIZK NO. 4. SIZE NO. 5. NIZB NO. 8, No. 2, Lion Oval perStick, 5c. " 4, Double Dragon, fine gilt .» j " 5, Lion Oval „ ^^ " 7, Extra fine, square, gilt u ^oc " 8, Super, super, square, black .1 -.^ ^^_ E. N. HUNT. Draxving Pins. ra5tT»3«aB OOTITT CT^m TTni |mi.i,.,,ininj,. r X T No. I, Brass, small " 2, " medium per doz. 5c. " 3. " large .'.' '. " 7c. " 4, " largest " 'oc. " 15c. ' ' Best of All- Drmving Pins. ^^^ A perfect pin at last ; no trouble withdrawing it from the Board; no broken nails ^r pen-knives. Small Size... Medium Size. perdoz. 25c. Large Size " 30c. India Rubber. MBDIUM SIZE. HARDMUTH'S RUBBERS. Small, 34- xi^ Medium, i x i^ ^^^^^' 5*-'' Largs, i-x.1% " 7c. " IOC. NIGRIVOKINE {RUBBER STOMPS.) No. I, Small " 2, Medium ^^*^^' 5C. " 3, Large ' " 7c. " IOC. 7c. IOC. 15c. LONDON. ONT. Pantographs. Crayon Holders. 39 For Enlarging and Reducing Drawings. Natural Wood , ^ Brass Mounted ' ' ' ' "' *j ^^ 30c. Ordinary Brass, 6 inches long papt, c,, Superior " " " ,}' -^V Best " " " ,. '-''*;■ Nickel " " " ,. ^5*' 25c. Chamois Stomps. Best Paper Stomps. No. I each. " 4 " 5 ■■■ " 6 " 7 ::::::::!;::;:::;:::::::::■■■ " 8 ic. IC. 2C. 2C. 3<--- 5C. 5C. j^,_ £■ N JNT. ToHillon Paper Stomps. Hray Paper, large. . ^'»te " '. ;•; per Bundle, loc- .llimZL " «c- Crayon and Drawing Paper. » ^ OARTRIDQB PAPER ....periaU^Sf:":';' '"'""" "'™'"''' ^ ™«" ^''-^ '••»- -^etces. " Tinted, " .... per Sheet, 5c. "":z:z:il: " sc I"'perial White, 22 x 30 ^'^'•''O/v paper. Tinted ( 12 tints) ... per Sheet, loc. ""1^-1111__ " 'oc. Mechallet White, 19 x 25 . . . .^.''^''°°'''- ''^''^''■ Assorted tints, lox 2s P^"" Sheet, 5c. "^ ^ (( . 5c. Fine. Grey Tint, 22x30 ''^*''^'- '"^''^'»«- 1 ^^ per Sheet, 40c. 22x30 PASTEL BOARDS. _ "^ each, 40c. TRANSPER PAPER ^7'A X 22. White, Red, Black and Blue ^^ per Sheet, 5c. Finest Vegetable, rgK x 25K .™''''"' '*''''^''- Ordinary, ni rolls, 40 inches wide P^r Sheet, 15c. i" "^'_ per Yard, loc. ^ TRACINGS CLOTH The " Reliance " dull back only, in rolls of 24 yards 30 in. wide ■'^ y«irus. 4° " " '...".'.'.'.■.'.■■. per yard, 30c. " 40c. »* W *W» ? Bg ^^Jw-i' ii a R ..l> tjij g »i-'* LONDON. ONT. 4t Mathematical Instrumefits. lie, IOC- 8c. leet, 5c. 5c. et, IOC. IOC. eet, 5c. 5c. ;t, 40c. :h, 40c. et, 5c. :. 15c. IOC. I. 30c. 40c. •^ No. I.— HINGED WOODEN CASE, 2>^x 6 inches, 334: inch dividtr, with pen and pencil points, leads, rule, protractor and saucer. . . .each| No. 2.— HOOKED MAHOGANY BOX, 4 x 6^ inches, 4 '^ inch divider, with hinged pen and pencil points and lenj,nlieniiig bar, ^% inch plain divider, drawing pen, rule,protractor and cravon liolder.each i No. 3.-SLIDE CARD BOARD BOX, velvet linings, 2 x b% inches, 5 inch divider, pen and pencil points, drawing pen, leads and "lie each No. 4.— HINGED IMITATATION LEATHER CASE, velvet linings, 2 x 6 inches, 5 inch pen and pencil point divider, leads, rule and ruling pen ■. each No. 5.-HINGED IMITATION LEATHER CASE, 234: x 6>^ inches, velvet linings, 4>^ inch divider, with hinged pen and pencil points, ebbny handle, drawing pen, leads, rule, protractor and saucer each i No. 6.-HINGED IMITATION LEATHER CASE, 4>^ x 6>^ inches, velvet linings, 4"^ inch divider, with 2 pen points, 2 pencil points, needle point and lengthening bar, 4>^ inch plain divider, drawing pens, leads, rules and protractor each 2 No. 7.-HOOKED MAHOGANY BOX, 4 x 8>^ inches, velvet linings, 5% inch divider, and 2 pen points, 2 pencil points, needle point and lengthening bar, 4>^ inch divider with pen and pencil points, 5J4 inch plain divider, drawing pen and protractor each 2 No. 8.— LOCK POLISHED MAHOGANY BOX, 5 >^ x 10 inches, velvet linings, with lifting tray, 5^ inch divider, 2 pen points, 2 pencil points, needle point and lengthening bar, 4J^ inch divider, with pen and pencil points, 5^ inch plain divider, steel .spring bow pen large and small drawing pens and protractor each 4 65 30 55 75 10 10 90 HI 60 "*' £■ N. HUNT. No. 9.~Plai„ Divider. Gennan Silver. 4'A inches ,, . , ,, ' lo.— " .. „ , .each^ 25 ;; ".-Penci, Point Divider. Gemmn Silver. 4|< inches .■.■;: '.' '" ; J-D'-cler. s'4 inches, with pivot pencil point and pen point.' " " :Z i3.-Rul.ngorDrawingPens,4K inches... .. "'^- 5K " .....::: ^^ 30 G'<7/rt', St'/ver and Copper Paint, BronEe, in Bottles, with Liquid for mixing ' Bronze, only, in small bottles ^"^'' ''^' Liquid only, in tin bottles " ^^• "Columbia" Mixed, ready for use.... " ''°^' Gold Leaf Substitute (Finest) " ^^- " 25c. Enamel Paint. In Glass Jars. Black. Vermilion, Flesh, Robins Egg Blue. Shell Pink. Silver Gray Pure WhUe, Light Yellow, Ivory White, Sea Green, Rose Pink Emerald Green. Willow Green. Carmine per Jar 25c, Bath Enamel. Will Stand Hot Water. Tin Cans per Can 40c. Polish. Arnstein's French Metal Polish Venetian Furniture Polish ^^^ ^" ^^^' " 25c. I hS 25 ' 30 30 I 00 30 LONDON. ONT. ■ 43 Easels. FRENCH SKKrCHINO. II NO. I STUDIO. STUDIO EASEL, Plain Pin, very strong and firm, can be closed up FRENCH SKETCHING EASEL, White Wood, firm and very light, TART ^^^cITt ^^ VY''^" closed,27 inches in length, weight 22 ozs. each i 00 1 ABLE EASEL, Butternut, 17 mches high each 40 Sketching Stool, Round, when closed, 24 inches high each | 90 ^iati very firm .• ,00 Banner Rods. „ . . RUSTIC. 10" ^ach 15c. 12" ;;;;:;:; ; ;; ^oc. 14 " 25c. 30c. 44 £. N. HUNT. Celluloid. For .lecoratiug o„ Oil or Water Colon* in Pale lUue. Pale Oreei,. Pale I'iiik. Cream and White, in sheets 20 X 25 inches per Sheet 75c. Fancy Cards. Vox Oil or Water Color Decorating, 7 ^"'-%^..•.Ja**J^,»..j No. a. No. ,1. No. 1. No. 2. No. 3. No. 4. No. 5. No. 6. No. 7. No. 8. No. 9. No. 10, No. II. All white, ragged, ragged edge, 4^ x r inche.s, smaller panel for decoratin:,^ attached with silk cord, round, square, or diamond shape * each Same as No. i, size 5^x8 inches All white, ragged edge, 5H x 8 inches, with circle or diamond centre for decorating . * each Thin, ragged edge, rough, 2^ x 4^4, assorted tints *' ♦< . - 4 X4 6>^x8^, Thick, ragged edge, rough, 4x4 4>^x6>^ 5 X7J^ 6>i x8>4 •I II I2C, 15c. IOC, 2C. 3c. 4C. 5c, 4C. 6c. 8c. IOC. • " •* LONDON, ONT. 45 75C. Hand Books on the Fitu Arts. These Hand Rooks are carefully prepared by people of note in the art world, and are full of useful infoniialioii for either the artist or the anuiteur. Price 30 cents each. Order by uumlxT only. No. I. 3- 4. 5. 6. 7. 8. 10. M It. l« 13. • ( 13- *t 14. II 15- U 16. It 17. ■■: 18. Hai.k Hour Lkcturks on Drawino and Painting Warren. with Seventeen Illuiitration». Thk Art of Skktcu.no From XATimi.; Rmvhotham. with Twenty-sevfii Illunlrations. Thk Art ok Landscape Painting in Water Colors.. A-^^.W/ui///. A vSystem of Water Color Painting Penlev. Thk Art of Marine Painting in Water Colors Carmichml. with Eighteen llluntrations. Hints for Sketching in Water Colors Hnthn. Portrait Painting in ^'ater Colors Mem field. The Art of MiNiAxvRK Painting D^y with Fourteen Illuxtratii-ms. The Art of Flower Painting In Water Colors Duffield. with Twelve Illustrattcnn. The Art of Landscape Painting in Oil Colors Williams. The Art of Portrait Painting in Oil Colors Murray. The Art of Marine Painting in Oil Colors Carmichael. with Sixteen Illustrations, The Elements of Perspective Penley. with Eleven IlIuKtraiions. The Art oe Botanical Drawing Burbridge. with Twenty Illustrations. A Manual of Illumination Bradley & Goodwin. with Illustrations. A Companion to Manual of Illumination Laing. with Borders, Capitals, Texts and Detail Finishings. The Art of Figure Drawing Weignll with Seventecij Illustrations. The Artistic Treatise of the Human Figure with Illustrations. Warren. 1 _^ £^- N. HUNT. ' ' 20 ARTi«TTn A ""^ ^'^^"'y-Three Illustrations ^ '^'"■^"'• 20. Artistic ANATOMY OF THE Dog AND DEER /, ,• .. ,, .„_^ , with Nine Illustrations. ^awims. 21. ARTISTIC ANATOMY OF THE Horse. ^ .. •' o-, 4^-^,.^ , '^'"' Twenty-Four Illustrati;ns. Hawkins. 22. ARTISTIC ANATOMY OF CAm.E AND SHEEP U .■ M ,, p„„^ w'th Ten Illustrations. Hawkins. 23. PAINTING AND DRAWING IN C0I.ORED CrayoNS M 24. The ART OF MURAI, DECORATION. -^^T"-^- 25. Transparency Painting on Linen rS'» " 26 PATM^rx^ ^ «"'h Twelve Illustrations; Wllhams. 26. PAINTING ON G1.ASS FOR MaGIC LanTERNS r M ,, „ with Illustrations. Groom. 27. Principals of Coloring in Painting ^ , , 28. Principals of Form in Ornamental Art t fi . . ,„ ^^ , with Illustrations. il/ar/f/. 29- The Art of Wood Engraving " ^n Po T.c^ '*■'"' Twenty-Three Ill^istrations; ^'''**- 30. Preservation of Pictures Practical instructions for cleaning,' lining" repairing" '.nH^"^'"'" restoring Oil Paintings. ^' '^^'P^'""^ ^n^ 31. Drawing Models and their Uses u „ ,. „„ ^ with Numerous Illustraiions." Harding. . , , ~, ^ Profusely Illustrated. Hawkins. 33- -The Art of Etching . , . T,„^ . with Two Illusirations.' Robertson. 34. The Ar-- of China Painting . ,, T,._ „ with Illustrations. Robertson. 35. The Rules of Perspective ' If, A r>,^^ "''"' N"'""°"s" iliuVt^ations; Runciman, ' Jr' A 2f ''''^'' ^^ ^^'^^^ C°^o^ Technique u...- 37. A Manual of Flower Painting in Oil Colors "t. ! ,0 . c ^ with Three Colored Illustrations ^°^^^^ Miickhy. 38. A Short SruDY IN GOTHIC ARCHITECTURE ^O Fprrr^ o ''"'' ^"^"'y^^^^ Illustrations P"""^^'- ''' "^"^CoVrT. '"•'^ ^^^^ ^^— - OIL AND WATER 40. PEN AND INK I^^A^::^^'""-'^'""^-''-^" '^^^• 4 1 TrEF.: a ^,T. W "'*'' Twenty-One Illusirations. Robertson. 41. IREES AND How to Draw Them ., T»n. o '"'"' '^■■*f'" Illustrations'. Delamotte. 42. The Rudiments of Decorative Art A^ n.-c. "''"' Illustrations and Colored Plates "' 43. DESCRIPTION OF Modern Water Colors showing actual Washes on Whatman's Paoer "^ 29A. Drawing or Painting w.th Pastel CravoS with Colored Illustrations. -^pnnck. f ■ LONDON, ONT. Picture Framing. 47 XKi^ t ^^'■^e assortment of the choicest designs of Mouldings always on hand We keep „i touch with all the new ideas on Picture Franiin|, and patrons may rely upon obtaining the most up-to-date Frames at very moderate prices Pictures. Paintingr ''°"^''*'°'' °^ Artotypes, Engravings, Oil, Water Color and Paste Wall Paper. In this line we carry a very large and well selected assortment of Cana(Ii^^ and American designs froin the lowest to the best grades manXtured Samples mailed on application. "iciuuiroSgrn3&i??-' ^^^ '^^^ ^" ''^""^^ ^"^ -" ^^ ^--^ f- -p>^"ron Studies valued at One Dollar or above ^vill be let for ten per cent, of their value per week. nirt,rf i^'^'^f °^ *^^ "t^^ "'"'*^ ^ P.^'^ ^^ the time it is taken, and when the picture IS returned, the amount paid, less our charges for rental wl he 'S^^^^- A ^^ ""^^'^t ^""^ ^ ^"^y ^"1 be the same as fol- a week and no loan will be made for less than ten cents. Damaged studies cannor^ returned INDEX. Materials for Oil Painting-'"^" Artists' Easels Academy Boards ' g Artists' Tinware '.". "-g Artists' Prepared Canvas. "q Brushes for Oil Painting. . .^.[l Boxes for Oil Paints .g Canvas Panels. .. . ,„ Celluloid. „ 44 Hand Books on Fine Arts .... 4^.45 Keyed Stretchers Moleskin Velvet ^t ^''!"^^' '^^''"^°'' ^ ^evvtons^ .' .' ." .'J Owl Brand Oils and Varnishes Oil Sketching Paper... - Palette Knives i Placques Placque Easels and Holders Pfelger Patent Canvas Stretche Robertson's Medium. Rest or Mahl Sticks ............"„ Sketching Stools • . 4^ Universal Stretcher Key. ..... . 8 Wooden Palettes Wood Panels ... •4-5 ..6 .9-10 .. II ir. ..8 . II ,10 Water Color Materials for Painting — Acme Water Colors 34 Boxes of Moist Water Colors 21 Bo..esfor " .- (Empty)... 22 Bru.shesfor WaterColor Paintingio-zi Chma Palettes, Slants, Etc. Fancy Cards for Decorating Handles for Quill Brushes... Hand Books on Pine Arts. . Ar.^e Papers for Water Color Painting 2. vSketch Blocks and Rook« ' -1 \^ ater Colors, Winsor&N^wtons iS-i; 22-24 •••44 21 Water Color (Students) ''^^;• Color Liquids and Mediums.' ' 18 Materials for China Painting- Boxes for China Colors.. %, Briishes for China Painting. .;.■ .'^o^S Color Slabs ••3031 Glass Mullers ^^ Hand Books on Fine Arts'. ■.■.■.'. 45:46 Lacroix Colors for China... 27-28 Oils and Mediums 30 Prepared Gold i'late Glass Slabs... ^3 Materials for Drawing, Crayon' and Pastel Work-- Atomizers Crayons, Conte ^^ Crayon, Sauce Crayons, Pastel.... '',, Charcoal ^"^"^^ Crayon Holders. ^ Drawing Pencils ....... .\ " '% Drawing Pins ^g Gold and Silver Shells and Saucers' 29 Hand Books on Fine Arts .... a^.1 India Ink '^^ ^^ India Rubber \\\\ ^"l Mathematical Instruments . . '. ". 4V-42 Pantographs Papers for Crayon and Drawing' '40 Stomps .^\1 Tracing Cloth Miscellaneous- Banner Rods.... Enamel Paint '*-' Gold, Silver and Copper Paint ""V-y Sre°^^ '''''^' a»JVurnS;Jre: '. .% I icture Pranini"- ^ Pictures. "■" 47 Wall Paper.". 47 59-40 40 ■i < n 4