IMAGE EVALUATION TEST TARGET (MT-3) // *: . "^ // :?, 1.0 Irriia I.I 1.25 IIM 2.2 2.0 1.8 U lill 1.6 vQ <^ -> /I >> V *. -y ^^/ y /^ S'/ CIHM/ICMH Microfiche Series. CIHM/ICMH Collection de microfiches. Canadian Institute for Historical Microreproductions Institut Canadian de microreproductions bistoriques 1980 Technical Notes / Notes techniques The Institute has attempted to obtain the best original copy available for filming. Physical features of this copy which may alter any of the images in the reproduction are checked below. L'Institut a microfilmd le meilleur exemplaire qu'il lui a 6td possible de so procurer. 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The last recorded frame on each microfiche shall contain the symbol — ► (meaning COMTINUED"), or the symbol V (meaning "END"), whichever applies. The original copy was borrowed from, and filmed with, the kind consent of tb<^ following institution: National Library of Canada Maps or plates too large to be entirely included in one exposure are filmed beginning in the upper Iftft hand corner, left to right and top to bottom, as many frames as required. The following diagrams illustrate the method: Les images f.uivantes ont M6 reproduites avec le plus grand soin, compte tenu de la condition et de la nettet^ de I'exempldire film*, et en conformity avec les conditions du contrat de filmage. Un des symboles suivants apparaitra sur la der- nidre image de cheque microfiche, selon le cas: le symbole — ► signifie "A SUIVRE", le symbolo V signifie "FIN". L'exemplaire film* fut reproduit grdce d la g6n6rosit6 de I'^tablissement prdteur suivant : Bibliothdque nationale du Canada Les cartes ou les planches trop grandes pour Stre reproduites en un seul clich6 sont film^es d partir de Tangle supdrieure gauche, de gauche d droite et de haut en bas, en prenant le nombre d'images ndcessaire. Le diagramme suivant illustre la mdthode : 1 2 3 1 2 3 4 5 6 -.*«l,ek.,«. A„y,„e „|,„ „°, , '""" "' '""»"» "'«■■> ""sl't make: ■""'" ""■" "-'■ "■ '""■ "■•■ - "" - .- "«--.":..::;::,:':::,:;"" ac,„,,.t , F pro",,: T '""r ""■"'' °' "■" *'"■■"" ^ •- ■-"'^« - -.,, .„.,-. ■ r »*»". or full strength of the oi-Kan- A Av.r ."a..i.stat.i ^ .:::::;o:;,::;::r^r^ 7-- x ....s . j.^.^ various traits of character of the n.rtvf-., . correspond w.th the C .neans to cultivate; R ^L . ,T'1'V "'^^ '^ "'"'"^^^'• figures used hy other Phrenologists T.e , ''" ""'■'^" '" '^'^^ °^ ^'- ^ Very,arge;6-Large;5-Pn J:r^^^^^^^^ .'* Average. 3 Moderate ; 2-Smali ; 1 Ve.y small. IS85. ; HUMAN TRAITS OF GHAEAGTEE IN KHVMB, COMl'OSEI) IIV Prof, John Wesley Crouter, THE GREAT PHRENOLOGICAL EXPERT. (ihie is the |3cot cSnuop!5i<:-. of |Jlircnologn extant. This work is intended as a Piirenological Chart. Those who read it can mark it for themselves: in that case they will have the satisfaction of having the Chart marked according to their ideas of themselves, albeit, they may not mark it accur- ately. If anyone chooses to mark this Chart for himself, "nd has the organ of Self- Esteem too large in his head, he will mark the best organs too large ; or, if Self- Esteem is rather small, he will underrate himself, and mark accordingly. Again, no one will be able to tell, untried, what kind uf a General, Legislator, Doctor, Lawyer, Minister, Engineer, Contractor, Manager, or Tradesman he could become. Single persons could not tell what kind of consorts they might make ; nevertheless. Anyone who chooses to read the work and mark the lines so as to be in accordance with his opinion of himself, he will become more conversant with Phrenology, and he will understand character better. This knowledge will be worth many times more to him than the cost of the work and time spent in its perusal. I':\I>LA NATION OF Till: .nARklN(.i OF Till: 4'IIAKT. The letters at the commencement of the couplets signify as follows: V L— Very large or very strong quality of the organ; L— Large or strong char- acteristic; F— Full, or full strength of the organ; A— Average, or average strength of quality; M— Moderate, or moderate power of the organ marked; S"Small degree of power ; V S~ Very small, or characteristic nearly wanting ; X denotes a special manifestation of the organ, not the size of it. The marking of the Chart is done by placing a pen or pencil mark opposite the couplets which correspond with the various traits of character of the party for whom the Chart is intended. O means to cultivate ; R— Restrain. The letters are inserted in place of the figures used by other Phrenologists. The figures generally used signify as follows: 7— Very large ; 6— Large ; 5— Full ; 4— Average ; 3— Moderate ; 2— Small ; 1— Very small. 7 i:onboiv, (i^ut.: FREE PRESS PRINTING COMPANY. 1885. Entered according to Act of Paf/iauiciit of Canada in tlic year one thousand eight hundred and eighty-Jive, by John IVesley Crouter, in the Office of the Minister of Agriculture. J. W. Crouter is the autlior of the following works, viz.; — "Essay on the Philosophy of Human Bliss"; " Essay on the Philosophy of Creation and the Tides." The Right Hon. Sir John A. Macdonakl, G. C. B., was pleased to thank the author for a copy of this work. " Viceregal Visit to Manitoba," and " Ode to June." The Earl of DufTerin acknowledged these poems with thanks. These works have been printed. New editions of these works will be issued soon. UNPRINTED WORKS. "Observations and Thoughts during a Trip down the Red River of the North," a work of 60 pages, composed in rhyme, by J. W. Crouter. A portion of this work was sent in manuscript to the Ma-quis of Lome while he was in Toronto during the time of the Fair of 1879. This. nobleman was pleased to have a letter sent to the author, of which the following is a copy: [coi'V.l " Government House, "Toronto, Sept. 8th, 1879. ".9/;-, — I ani desired by His Excellency the Marquis of Lome to acknowledge the receipt of your letter, and to thank you for the verses you so kindly sent His E.\cellency. " I am, sir, your most ob't servant, "DE WINTON, "J. W. Crouter, Esq." " Private Secretary." This work will be published the ensuing winter. New work on "Creation, the Deluge and the Tides." Synopsis of the work : — Formation of Worlds; Cause of their Diurnal and Annual Revolutions; The Firmament, its Fixedness and Extent; Formation of Stratified Rocks, Slate, &c ; Formation of Coal Fields, Petroleum, &c. Ahhough the ideas in this work are at variance with some of the most noted thinkers of the age yet no one has yet been found able to controvert a single principle expounded by the author. This work will be re-written and issued this ensuing winter. New work on "Social Science." This work will not only explain the Cause of Trade De- pressions and their Prevention, but also the best method for promoting the happiness of mankind. This is a much needed work. The author contemplates issuing several other works» and it is a source of regret to him that business prevents him from devoting his entire attention to them. AMATIVENESS Love oi* the opposite sex; Connubiality. Mimltiiul was bidden to rejilenish the earth, ThcHinh at first they were h\it a single pair ; V(;t, thidiiu'l'. tlieir nndtipK'iiii;, riiillii)Ms iuiv«! liirth, Some slroiii; and i.oiin-ly, others slender an oif should seek. BIBACIOUSNESS— Love of drinks and beverages. Fluids are necessary for the maintenance of life, Whether in mankind, ^?lants, fishes or beasts ; They are needed most where vitality is rife, Delicious beverages are enjoyed it feasts. Drinks that have a flavor piquant and .<^,trong, You love to be tasting the whole day long. If you drink beer or spirits thinking it brave, To strong drink in time you will become a slave. Drinks you like, whether water, coffee, or tea, Though you may ■■. -/oid beer, rum, or whiskey. From injurious tjevcrages you may abstain, And from intoxicating drinks you can refrain. Your love of beverages is moderate ; Hence revelers in wme you are apt to hate. Thoughts about mixed drinks trouble you not. By you the flavor of drinks is soon forgot. You drink too little, you are skinny and dry, The taste of strong drinks makes you feel awry. ACQUISITIVENESS -Desire to gain and hoard property. A desire to K.ilher nRninst the time of need Is a trait rc(|uire(l in each tuiniieratc /nne ; To provide for one's faniily the (ZimhI will lake heed, Since (hey are Mesh of their flesii, and bonr of tlicir hono, VT Insatiate is your desire for Roods and roM, J-^ And you will sock both 'lill yoiir h'jait is nij^ii coM. y Love of weahli is the strong desire of your heart ; Hence with your accuuiulntions you hate to i^avt. Your desire for gaining wealtli is fairly strong ; Hence you will strive to make money the whole day long. Your love of property-saving is average ; You may gain wealtli if you are wise as a sage. F'or wealth-making you have a moderate desire ; You prefer the comforts of life, or stylish attire. Unless restrained by caution or love of a family, You may make money, but you spend it too freely. Of your great extravagance you are apt to vaunt ; But wilful wastefulness produces woeful want. F A M S vs SECRETIVENESS— Power to cloak raanifcotations of feelings, VL L F A M S X Ma', needs sonicliines to veil his acts ami fai o From those who n\it;ht either ridicule or hnri ; Nont but trusted friends one's feelings wiudd trace In his countenance, were he on the alert. Reticent like the cat, which is seldom lieard, You disclose not your secrets in gesture or word. You have a large amount of secretiveness. Your features seldom tell what you would not confess. Your actions and features fairly reveal, The sorrows or joys which sometimes you feel. Unless you try it is quite easy to trace, The signs of your feelings as seen in your face. Unless guarded, your moderate secretiveness Will let out the secret you would not confess. Your face is frank and blushes like the rose, And tells the secret you would not disclose. Through signs in your face till you are fifteen years old, Your thoughts and your feelings are easily told. CAUTIOUSNESS— Carefulness ; Provision against drnger. VL L L F A M s Cautiousness, I'le tendency to use giiardedness, And to provide against ilanj;ers seen and unseen ; It induces one to exercise carefulness ; It guards against foes by placing barriers l)etween. Fancied fears often fill you with depressing cares ; Anon expecting evil to come unawares. You are rather cautious, you miss your best chance, While othe vould make the venture at a glance. You feel quite timid when of special danger you learn ; Have you venturesome children, they give you concern ? You show full watchfulness where caution is needt.1. Signs of danger by you .are generally heeded. You will show .average caution in the time of need, But, unforewarned, you are apt to take little heed. You are apt to risk it almost everywhere ; . Your moderate caution scarcely makes you take care. Your small caution seldom makes you look out ; You scarcely ever examine the dangers about, f VL APPROBATIVENESS - Desire to be noted ; love of praise. This orKan makes one love to be wortliy of note, It cheers the student whilt. at the midnight lai.ip ; F'or love of approhatimi iiopular iiu-n wrote, f.ovo of n'ory imi)els to valor in field or camp. You have a strong love of fame and approbation ; You are very much given to ostentation. T You have a strong desire to be noted and seen ; ■*-* To 1)6 spoken well of, your desire is (|uite keen. T Love of being noticed with you is a passion ; •'^ You are best suited when you are in the fashion. Tu^ Your full love of approbation will cause you to show, *• A fair love of being thought well of wherever you go. A You have an a-erage care of what others may say, -*^ But as to style of dt'ess vou will have your own way. "VT Of love of praise you have a moderate passion, -*-'*■ Hut you do not care much for what is in ushion. SYour love of approbation and praises is small. Whether others approve you, you care not at all. SELF-ESTEEM -Tendency to self-\raluation and respect. This orj;an gives self res])ect and diunity (jf luiru' ; VL L L F A M S ( YL L F A M S vs Gives innate confidence one s skill to try ; It prevents one from sinking lower than mankind, And it makes the aspirations to soar high. Of yourself you are apt to take tpiite a high view ; Hence you think tlie best goods are just the things for you. You have great assurance, you are ready to try, In cor '"ons in skill you are ready to vie. You h ,-.te a good brain and confidence of soul, As a bosb over others you can have control. You have full self-esteem, confidence and pride, Hence in your affairs you chose to be your own guide. Of yourself you form an average opinion, Over others you are not apt to have dominion. Your opinion of your talents is moderate ; On your worth you are apt to put too low a rate. Your opinion of yourself and talents is small ; You think you cannot succeed in great things at all. FIRMNESS- Stability and stedfastness of mind. Firmness disposes one to stedfastness, And to be firmly fixed in one's opinion, 'Tis good if one's will is based in righteousness, And kindness over one's acts hath dominion. Like strong oaken roots around rocks entwined. Your purposes are firmly fixed in your mind. You are strong in firmness, your purposes will last. When your resolutions are made, then you stand fast. You have full firmness, you persevere in your way. When your plans are mare you have considerable stay. You have average firmness where firmness is needed ; But through friendship or kindness you may be persuaded. You have moderate firmness, whicii you sometimes show. But quite often you stay when you resolve to go. Your firmness is weak and bends with the breeze ; You need more of the stififness of old oak trees. Of firmness of will, you have so little stay ; You change if opposed every hour of the day. VL L F A M S vs YL L F A M S CONSCIENTIOUSNESS-lnnate idea of equity. (Jonscii-ntior.sness, ihe fjod-likc attriluite, (lives the sonse of justice \vlii.;h all men approve; It is slow to otlieis liad motives to impute, Since sin and sus|)i(:ion run in the same groove. The principles of riglit you will. so enthrone, That your faults or mistakes you will be apt to own. You love morality, purity, justice ami right. The appearance of sin is repugnant to your sight. You have integrity of heart to a full degree, f'rom the appearance of evil you would be free. Between the right and wrong you stand equipoised, You try to do right that no suspicion be noised. You have conscience to a moderate degree, Will do right if from temptation you are free. Your natural sense of justice is small, You will do right by friends if you do so at all. With liars and thieves you would freely dwell, The wrongs you have d.ine you hate to tell. HOPEFULNESS- Expectation of prosperity and joy. Hope, the star tiiat cheers us through life, And heckons us on to the heaven ahove, It keeps us from desponding through toil and strife, Even if denied both sympathy and love. In fancy you build castles in the air, Ever believing tlie future will be fair. Your optimist views make all things look bright. And hopes for great success fill you with delight. Yov have full hopes of prosperous times coming. Are cheered with prospects when things are booming. You have average hopes on reasonable grounds. Your hopes are fixed in measureable bounds. Your moderate hopes run to pessimistic views, A reverse or disappointment gives you the blues. Even where there is a chance for hope you dispair, Your mind is filled with foreboding and care. CREDENSIVENESS or MARVELLOUSNESS- Credulity. VL L F A M S YS Credensiveness — credulity of things supernatural ; As in other things, this organ leads to mistakes. So does the skepticism that doubts things spiritual. Thinking that man wholly of beast nature partakes. By you omens and signs are generally believed, Notwithstanding by them you are often deceived. The miraculous is easily believed by you. You cling to your faith, ever believing it true. You may believe in spirits and immortal souls ; If learned, you will doubt the existence of ghouls. You will believe where your reasons coincides, But you will believe but little else besides. You have moderate faith in what is not known. Though your doubts to others you care not to own. You have little faith without full evidence; You accept nothing that accords not with your sense. Your mind naturally tends to skepticism; You regard a religious belief as fanaticism, t I VL F S DEVOTIOUSNESS or VENERATION-Reverence for the venerable. Mnn iifods not pray in wonls to i)ray without ceasiii),'; Like oilois of (lowers that silently arise, Love of (lotl and man, with faitii ever increasing, Is a prayer that will draw us up to the skies. You feel the respect which to others you show, Having faitli, you are devout when to churcli you go. You may not have for creeds a great admiration, Yet you have for the worthy much veneration. You feel lull reverence for the great and the good; If cultured, will show courtesy as everyone should. A Your feelings of veneration is average; If cultured, will show respect, especially to age. A You have an average amount of reverence, lUit when provoked you will show impudence. MAre you a workman, you will be apt to lose your place. Since if your boss displeases, you will be pert to his face. Your superiors you are wont to disobey; You show little respect, and you do not love to pray. BENEVOLENCE -Desire to promote happiness and assuage pain. Benevolence t^ives the desire to make others enjoy The fulness of bliss ; it prevents spite and selfishness, Since sjMtefulness and selfishness is the alloy That liinders the full enjoyment of happiness. Your philanthropy extends to the whole world wide; With selfishness you are ever ready to chide, T You are ready to promote joy or lessen pain ; -•■^ You freely help others without hope of gain. T The happiness of others you love to promote, -■-^ Also the joy of the family on whom you dote. "C^ You have full kindness and tenderness of heart; -L With others, of your abundance, you will share a part. A You will show an average care for those in pain, And you will sometimes give without hope of gain. "jlT When it suits, you will show moderate charity ; -L'-*- Unless asked, your kindness will be a rarity. S Philanthropy to you is an occult myth. Selfishness is your true inwardness clear to the pith. CONSTRUCTIVENESS -Mechanical and fabricating ingenuity. VL Constructiveness gives the talent for fabrication, Hence it increases the comforts of man ; Man's necessities and desires tend to invention ; Wherever law protects, genius v/ill plan. "VT T With large perceptives, you could be an engineer ; T ±J VVith practice, you could keep machinery in gear. • LWith large perceptives and practice, you could invent; Your mind on mechanical work is easily bent. X Constructiveness, like other organs, counts little alone; Without practice, and size, and form, no skill will be shown. FYour talent for constructing and making is fair ; With much practice, you will show of skill a good share. A Average constructiveness, large; size, form, and will. Enables one to learn to work with fair skill. MYou have a moderate share of constructiveness, You can be an operative nevertheless. Sin your head but little ingenuity lurks; Jt is hard for you to see how machinery works. vs iESTHETICNESS-Love of the beautiful and nice. .Estheticness or ideality love of neatness, Aiul the exi|iiisil.e beautiful and hri^lit ; It tends to cleanliness, which is next to ;;odiiness, And to purity of heart whose symbol is white. You are exceedingly nice about foods ; You show extreme taste in the choice of goods. LY^our large ;estheticness tends to have everylhing neat, With refined cuUure you must have things clean and sweet. FFor the nice and neat you hr.ve full admiration, But your taste for these is guided by association, A Your love of neatness is guided by fashion ; You will show much or less as work is your passion. MYour love of the beautiful and nice is moderate, And there are some things not neat you can tolerate. S Cleanliness with you is an unmeaning word, From you no beautiful saying is heard. Amidst rubbish and dirt you could eat your food, And you care not to be cleanly if you could. SUBLIMENESS or SUBLIMITY-Love of the grand in nature. .Subliineness admires the views that are grand. Loves the scenery that skirts the bold mountain side ', Loves to see vast expanses of sea or land, Or majestic rivers as they silently glide. VS VL F M S VS VL L F A M S VS Whatever in nature that is fearful and bold, Or immense in its scope you love to behold. You love to see great rivers and cataracts grand ; Or immense e.xpanses of level prairie land. For whatever is sublime you have a full love. You see grandeur on earth and in the stars above. You have an average love for a sublime view. Even the canopy of earth with its azure blue. You have a moderate love of the sublime ; Hence to see a grand view you scarcely take time. Talk about sublime things you regard as a bore, .Something to eat or drink pleases you more. Your appreciation of the sublime is too small ; The immense in nature scarcely charms you at all. IMITATIVENESS— Innate tendency to act like others. Imitation, a characteristic in apes or men, It stregthens the skill of the mechanic ; It aids in copying with pencil or pen, Aids the clown others follies to mimic. You are prone to talk and act like others do> From favorite leaders you will take your cue. Aided by practice, large color, form and size, You can copy near enough to be precise. You have a full amount of imitativeness. But you need practice to copy nevertheless. If you have full form size and constructiveuess, Fair power to copy work you will then possess. Your tendency to imitate is moderate ; Hence as a mimic you will scarcely be great. Your lack of imitative power you may own. Since to act like others you must be often shown. Your organ of imitativeness is very small ; As an actor or artist you would not do at all, Y MIRTHFULNESS-Love of merriment, fun, &c. Laughter -one trail that marks man from the lieast, — It makes one lovf luiinor ami the liarleciuin's jukes, And to make merry at a social feast ; It makes one enjoy the society of jolly fslks. VT You are so mirthful, fun-Iovint^ and jolly, -*-^ That you must laugh at those given to folly. 1 You are haiipy when you have fun at others to poke, ■^ You love hilarious laughter and the hurtoon's joke. "L^ You are quite full of merriment, you enjoy fun, ■'- You are quite loth to stop when the play is begun. A When you are well and in good humor you can laugh, Then you will engage in talk as useful as chaff. MYou sometimes laugh, and anon you are grave. And then you will stop all fun, the time o save. Sit is rarely you enjoy an incongruity, As for yourself you seldom are witty. V^ You hate merry revellers when wine they quaff; ^ You love everything sedate, you seldom laugh. INDIVIDUATIVENESS or INDIVIDUALITY Tendency to notice things. Individnativeno.ss ^ives the clis|i(jsitio!i to see, And to ohserve special modes of business and things ; Tends to observe ])lants as well as each kind of tree ; It particularizes animals and human beings. Your proclivity is to individualize ; Wherever you go you make good use of your eyes. You notice nearly everything, as everyone should ; Your power to gain knowleilge by observing is good. You have full power to observe separate things. If business your attention to the subject brings. Though you lack the observing powers of a sage, Your talents for noticing things is average. You seldom observe those th'ngs which concern you not, And much that you poorly ob.ierve is soon forgot. When you travel you see things in bunches or troops; You fail to notice the minuti;v! of groups. Sometimes there are persons and things you fail to see, Because],there are tiiines you are ra[)t in deei) reverie. FIGURATIVENESS or FORM-The outlining talent. Pictures of things reflected give a clue to the art Of making copies of things ; e'en flowers full blown, When this talent is utilized it fills the man With various things made of wootl, itietal or stone. You could excel in drawing pictures or designs. Or imitate the tracings of finely curved lines. With practice the outline of a thing you could trace. Or copy and model or remember a face. With large individuality you can rementber a face, With practice the outlines of your work you can trace. With practice you can follow a work designed, If you have fair size and constructiveness combined. You have average power to distinguish forms or faces. Some features you forget through a change of places. You have moderate discernment of lorms sud faces. You may follow the work which another traces. For modelling you have neither talent or love. What you make is unlike things on earth or above, L L F A M S X VL L F A A M S PERSPECTIVENESS or SIZE— Measurement by the eye. Si/e the orijan that measures by the eye, It tjives the talent to draw in perspective; It tells the size of objects far otT and near by, And aids the power of the vision perceptive. Your eye to notice when things are in a line, Or phiml), or straight is exceedingly fine. With practice you can tell the size of anything ; Or could excel in shooting game while on the wing. You have full power to tell whether things are straight. And with practice you could be a good judge of weight. The size of things; you have average power to tell ; With much practice you miglit shoot tolerably well. Your power for judging size of things is moderate ; You need much practice to make things straight. You need great practice to make a straight mark, Which an artist niight do ouite well in the dark. In the distance you could not j Ige the size of a cairn, If you want to hit a mark you ould aim at a barn, CHROMATIVENESS or COLOR D'scernment ol dolors and tints. Chromativene s discerns colors and tints as well ; l-oves to see the finely colored tleur-de-lis. It delights in colors and their finer shades can tell ; It helps to make bouquets in harmony with the iris. VL F A M S VL You love the view when clouds on each other are rolled ; When the sun's rays color them in silver and gold. LYou love to see the sky in its clear azure blue, And to see the le.ives when they are spangled with due. FWith practice you judge colors and you love them well, And as an artist their finer shades you can tell. A For rich colors you have an average delight, And you notice them when they are gorgeous and bright. MFor rich colors you have a moderate passion, You may have a flower garden if it is the fashion. SYour appreciation of colors is small, As an engine driver you would not do at all. You view colors only to forget they were seen ; You can scarcely tell a blue color from green. GRAVITATIVENESS or WEIGHT— The balancing power. v VS VL L r A M S X Gravitativeness is the balancinu; power. It enables man to maintain his equipoise ; With it man works with safety on a high tower, Hy it goats on perpendicular cliffs rejoice. Like an eagle or condor which takes its high flights. You do not feel giddy at elevated heights. While walking on tlie ground you can keep your balance. With great practice on a tight rope you could dance. With much practice you could work on a high dome. Otherwise you would feel safer seated at home. You possess average balancing powers. You need much practice to feel safe on high towers. To great heights unrailed you care not to go, Fearing through unsteadiness you might fall below. Your walk is like that of a tottering child. If you are up high with fear you are wild. Children unconscious of danger show this power, While heads of the aged seem to swim while on a tower, L F S X METHODNESS or ORDER Disposition to systemize. Order is said to be licaven'-. Iirsl law. It is needed for the f;ooil of tlie luiinan race ; III the solar system tliere must not be a (law, Every sphere must revolve in its own place. V~r You love arrangement and system in all you do, -L^ And if your things are displaced you make an ado. You like to have all your things where you can find tliem; Order with you is valued like a precious gem. Trained to ordtr, you will keep each thing in its place, Providing energy is your prominent grace. A Your tendency to keep order is average; Will put things up, save other matteis your mind engage. MYour love of order and system is moderate!; It annoys, if one who loves order is your mate. When you are through with a things right down it goes. Hence you are bothered to find your tools or your clothes. Children having order seldom show it till grown, Through impuLsiveness they show this lack, all must own. NUMERATIVENESS or CALCULATION-Talent for computing. Mathematics is a science which none dispute; Man improves with new methods of calculation, Hence it is wise for ail to learn to compute, And learn each ratio of inultiplicat'on. VT Your brain is good, your calculation very large, J-J Of a financial department you are fit to take charge. LIf well learned you can make intricate calculations. And excel in making algebraic computations. FWith application you may excel in adding accounts; Without study you would fail in reckoning discounts. A With close study you could be a mathematician ; Without study you would be a poor arithmatician. A With good teaching you could learn numbers if you try, But fractions you will find quite hard to multiply. MOf calculating talent you have a moderate amount, You may not find it difficult to add or count. STo learn arithmetic you hardly are able, You scarcely can learrt the multiplication table, VIATIVENESS or LOCALITY— The path-finding quaHty. Viativeness, the pow er to localize places, And innateness to go in any direction. Or to follow a j^iven course without traces ; It is instinct in bird or beast creation. VL L F A M S VS Were you a captain with your ship's sails unfurled. You could navigate .'i course around the world. Like an Indian you would surely find your way. Even if through deep woods you happen to stray. You may travel in new places with no fear, You need little guidance to be a safe pioneer. You have average ability to find your way, Still in travelling you may sometimes go astray. Moderate viativeness in your head is found. Hence some new places to you seem turned around. When you lay things down you are apt to forget the spot; Roads you have only travelled once are soon forgot. Unless accustomed in a city to dwell. You would be apt to get lost in a mammoth hotel. EVENTIVENESS or EVENTUALITY-Memory of events. Indiviiluativencss renieinhers what objects were seen, KvLiili\eiies-> tlie actions out; sees iierfornieil ; WithoiU tlittsc ()n;aiis one learns l)iit little I ween. When these oryans are weak the inini.1 is nninformecl. V~r You liave a very great memory of simdry facts, -L^ And the exact minutiiv: of .various acts. L F A M S Your memory is ijood, you crave information ; You love 'o read the l\islory of your nation. Your memory of occurrences is quite good, But you forget unim})ort.''nt facts as any one would. As an artisan you rememher the work you do, While books and sermons are forgotten by you. You are apt to regard scientific subjects as dry, 'I'o be well posted in books you are not apt to try. Your memory of occurrences is quite poor. While giving evidence, sometimes you are not sure. VO Of your memory it is scarcely worth while to speak, to Since j'our memory of things is so very weak. CHRONOSNESS or TIME -Judgment of the lapse of time. 'I'his organ measures everything chronic, 'I'ells unite nearly the lent;th of musical tones; Correct time is necessary in music, liy it the niariiur tells iiis place in the zones. YT" You can be an expert in judging of time, -Li In music you care as nuich for measure as for chime. LWith practice your guesses of time is nigh correct. Errors in a poor time piece you sometimes detect. "Tp Of the pass.ige of time you are a good judge, Jj Time lor loitering you ajjt to begrudge. A You are an average judge of the length of time, . In music you care less for titne tlian for chime. MYour conception of passing time is moderate ; You heed not transpiring time, hence are sometimes late, SYour judgment of the length of passing time is small ; You would not do I'or an engine-driver at all, XWhen children become interested in their play. They fail to notice time, hence they over stay. LINGUITIVENESS or LANGUAGE— Power of speech. Lanjinagc, the expression of ideas by sounds, (^r by sigris, either written, intoned or acted; With m;»i!y tlioui;hts fullness of e.\i)rei.sion abounds, And di\ersiiy of words tluenJy articulated. ^ VL L F A M S vs Your language flows easily, like a rapid river. And grand, like apples of gold in pictures of silver. You are remarkable for fluency of speech; You could easily learn to lecture or teach. If you tried you couhl learn either Latin or Greek; With practice you could learn fluently to speak. If well educated, you may fluently talk, Otherwise, for lack of words in speaking, you baulk. You have modt;rale power to rememl:)er a word ; You forget names and phrases soon after they are heard. 'Tis hard for you to remember a word or name, As a learner you will scarcely ever have fame. Your usual talk is a blundering juixible, Instead of articulating words, you mumble. SYMPHONIOUSNESS or TUNE Love of concord in sounds. This oryan loves the tones of notes of musical birds, Or the cadences of tho human vi ice ; But iiiore when there is union of music and words, As sung by those who with their friends rejoice. VT If you have a fine voice and very fine ear; J—^ Then good music you love to perform and to hear. If with religious persons you love to ineet, Then songs of the Saviour's love to you are sweet. If with jolly friends you love to share your cheer, Then songs t^f love or glory you choose to liear. Untrained you may not have a musical voice, But if you have in music you can .ejoice. Your love of musical notes is average, With much practice in singing you may engage. MVour innate love of music is moderate ; Hence jileasure from tiuisic you may under-rate. Your natural love of music is small, It charms you as much as a feline's caterwaul. L L F A S The organ usually termed tune by phrenologists is supposed to lie in that portion of the brain situated under the temporal muscle which moves the upper jaw. You can find these muscles by Jilacing the hands on the sides of th^ head forward of the ear, then moving the lower jaw as in eating, the muscles will be (jund moving in and out. These muscles vary so much in thickness that it is quite impossible for any phrenologist lo measure the organ of tune with accuracy, hence nearly every expert in phrenology objects to giving his opinion of the size of this organ in any head. Again, much of the power to appreciate musical sounds depend on the drums of the ears; when these are imperfect in any person music has a discordant sound to them. Persons with this defect often ask to have words repeated to them, in order to catch them understandingly. CAUSATIVENESS or CAUSALITY-Deductive reasoning. VL L F A M S X Causality tends to trace causes to eflfects, ,' And to tr.-ice each effect to a cause ; The origin uf phenomena it dstecls, It helps to understand Nature's laws. If in the sciences you have been fairly taught. You will be characterized for great depth of thought. You love to argue and to know the reason why. Into the cause of things you are prone to pry. To know the cause of things you are inclined; If you have studied science, yours is a reasoning mind. You have some power to investigate a cause; You have an average desire to know Nature's laws. You have moderate power the cause of things to find; But for complicated logic you lack the grasp of mind. You can learn to work, so can a horse or mule. But in causative reason you talk like a fool. Ilydrocephoid heads fail in logic if they try. Even if their foreheads are broad and very high, COMPARATIVENESS or COMPARIbON- Analogical reasoning. VL L T » XJ F A M S I'his oru'.-ui tfiuls to compare fair-, ami instaiux's. And \o draw iiifcruiices fniin lliiiijjs aiialonical, 'Tis a mode of reasoning' wliicli often convinces, ThouKh tlie conclusions are sometimes etitiivocal. You quickly see conjparisons, e'ei) those that are odious, Since ijy you their sharp inferences are uhvious. You are quite prone to compare ideas or jilaces, And you can learn to tell character from faces, Thinrjs analogical you aie ready •- irace, Yon prove ideas by quotirMj a similar caso. To enforce your ideas you are api to compare, With practice you can teU character from acts, face and hair. You liave fair power from face and acts to read the mind, And to reason from ideas of similar kind. Your moderate comparison few analogies trace, Are rather \mov in judging character from the face. You scarcely see the reseuiblance between ideas, Although they are almost as near alike as two peas. ADVANTAGES OF PHRENOLOGY, CO.Ml'OSEU IN KIlYMli IIY J. \V. CKOUTEK. J. W. Crouter can measure the brain, Can its diverse (lualities explain, And tell whether you can success attain, Hence lose no time. With sapient eye he sees defects. With equal skill each fault detects, Tells how a fault restiained, itself corrects, Like aging wine. Your business genius he can behold, And the sphere in which it can unfold. So that you can get ycur share of gold, And garments fine. Your nobler powers he can survey. Your ruling passions also portray. He tells how to make the former sway. With victory thine. If you are a rogue and sly withal. He can feel your head and tell you all. Showing how that in sin you may fall, Then to repine. If you for the right have always stood, And you are noble, wise and good, Having lor all a gentle rnood. With nature fine. Professor Crouter can tell you so, That all may wish your worth to know, And you will be loved where'er you go. With ble.'.sings thine. Do you love to assuage distress. Anon profaning, and sometimes bless, Yet for some reason have poor success, And poorly dine. Professor Crouter can tell you why. And bid you hope, and again to try, So you may succeeil before you die. No more to whine. Have you a boy who truant plays, Who is full of tricks and hateful ways, Who may in sorrow end your tlays. That child of thine. The Phrenologist can tell you how. To make this boy to your will to bow. And crsl to please you then and now. Hence saved in time. Young man do you desir.; a wife, One that will prove the joy of youi life, Congenial, hence no cause of strift-, Rellect in time. Prof. Crouter can tell you whom ro wed, 'J'ell you what siiape should be her head. Should she be slender, or stout instead. That choice of thine. And if you doubt these rhymes of mine. Just let me feel that head of thine, And soon j'ou will see truth in each line, Where counsels combine. Prof. Crouter's lectures suit the wisest head, Suits those also who have but little read. In them wit and wisdom is always said, In voice most fine. Prof. Crouter's skill is a surprise to all. He tells the truth to both large and small. So that youths by temptation may not fall, From the true line.