CIHM ICI\/IH Microfiche Collection de Series microfiches (IVIonographs) (monographies) Canadian Institute for Historical Microredroductions/lnstitut canadien de microreproductions historiques Technical and Bibliographic Notes / Notes techniques et bibliographiques The Institute has attempted to obtain the best originai copy available for filming. Features of this copy which may be bibliographically unique, which may alter any of the images in the reproduction, or which may significantly change the usual method of filming are checked below. D □ D D D D D D D D D Coloured covers / Couverture de couleur Covers damaged / Couverture endommag6e Covers restored and/or laminated / Couverture restaur^e et/ou pellicul^e Cover title missing / Le litre de couverture manque Coloured maps / Cartes g6ographiques en couleur Coloured ink (i.e. other than blue or black) / Encre de couleur (I.e. autre que bleue ou noire) Coloured plates and/or illustrations / Planches et/ou illustrations en couleur Bound with other material / Relie avec d'autres documents Only edition available / Seule edition disponible Tight binding may cause shadows or distortion along interior margin / La reliure serree peut causer de I'ombre ou de la distorsion le long de la marge interieure. Blank leaves added during restorations may appear within the text. Whenever possible, these have been omitted from filming / II se peut que certaines pages blanches ajoutees lors d'une restauration apparaissent dans le texte, mais, lorsque cela etait possible, ces pages n'ont pas ete filmees. Additional comments / Commentaires suppiementaires: L'Institut a microfilm^ le meilleur exemplaire qu'il lui a 6t6 possible de se procurer. Les details de cet exem- plaire qui sont peut-etre uniques du point de vue bibli- ographique, qui peuvent modifier une image reproduite, ou qui peuvent exiger une modification dans la m6tho- de normale de filmage sont indiqu^s ci-dessous. Coloured pages / Pages de couleur I I Pages damaged / Pages endommagees D Pages restored and/or laminated / Pages restaur^es et/ou pelliculees B Pages discoloured, stained or foxed / Pages d6color6es, tachet6es ou piqu6es I I Pages detached / Pages detach6es K/J Showthrough / Transparence I I Quality of print varies / D D D Quality in6gale de I'impression Includes supplementary material / Comprend du materiel supplementaire Pages wholly or partially obscured by errata slips, tissues, etc., have been refilmed to ensure the best possible image / Les pages totalement ou partiellement obscurcies par un feuillet d'errata, une pelure, etc., ont ete filmees a nouveau de fagon a obtenir la meilleure image possible. Opposing pages with varying colouration or discolourations are filmed twice to ensure the best possible image / Les pages s'opposant ayant des colorations variables ou des decolorations sont filmees deux fois afin d'obtenir la meilleure image possible. This item is filmed at the reduction ratio checked below / Ce document est filme au taux de reduction indique ci-dessous. 10x 14x 18x 22x 26x 30x y 12x 16x 20x 24x 28x 32x ■-■'M The copy filmed here has been reproduced thanks to the generosity of: Montreal Museum of Fine Arts Library The images appearing here are the best quality possible considering the condition and legibility of the original copy and in keeping with the filming contract specificationa. Original copies in printed paper covers are filmed beginning with the front cover and ending on the last page with a printed or illustrated impres- sion, or the back cover when appropriate. All other original copies are filmed beginning on the first page with a printed or illustrated impres- sion, and ending on the last page with a printed or illustrated impression. L'esemplaire iWmi fut reproduit grace d la g^n^rosit^ de: Musee des Beaux Arts de Montreal Bibliotheque Les images suivantes ont iii reproduites avec le plus grand soin, compte tenu de la condition et de la nenetA de I'exemplaire filmA, et en conformity avec les conditions du contrat de filmage. Les exempiaires originaux dont la couverture en papier est imprimie sont filmis en commenccnt par le premier plat et en terminant soit par la derni^re page qui comporte une empreinte d'impiession ou d'illustration, soit par le second plat, selon le cas. Tous les autres exempiaires originaux sont film^s en commengant par la premiere page qui comporte une empreinte d'Impression ou d'illustration et en terminant par la derniire page qui comporte une telle empreinte. The last recorded frame on each microfiche shall contain the symbol — ^ (meaning "CON- TINUED"), or the symbol V (meaning "END"), whichever applies. Un das symboles suivants apparaitra sur la derniire image de cheque microfiche, selon I cas: le symbole — •" signifie "A SUIVRE", le symbole V signifie "FIN". Maps, plates, charts, etc., may be filmed at different reduction ratios. Those too targe to be entirely included in one exposure are filmed beginning in the upper left hand corner, left to right and top to bottom, as many frames as required. The following diagrams illustrate the method: Les cartes, planches, tableaux, etc., peuvent etre film^s i des taux de reduction diffirents. Lorsque le document est trop grand pour etre reproduit en un seul cliche, il est film^ d partir de Tangle supArieur gauche, de gauche d droite, et de haut en bas, en prenant le nombre d'images nicessaire. Les diagrammes suivants illustrent la m^thode. 1 2 3 1 2 3 4 5 6 MICROCOPY RESOLUTION TEST CHART (ANSI and ISO TEST CHART No. 2| 1.0 I.I 1.25 Im III 2.8 *i IIIIIM I. •^ 11 4,0 36 1.4 2.5 2.2 2£ 1.8 1.6 ^ APPLI ED IM/^G E Inc ^^- 16')3 East Moin Street r^ Roctiester. Ne* York U609 USA ^^ (716) 482 - 0300 - Phone = (716) 288 - 5989 - Fax CATALOGUE OF OIL&WATERCOLOUBPAISTINGS EXHIBITED HY TIIK A-SSOCIATIOISr IN THE ART GALLERY Phillips Square. JUNE 1880. LOUIS PERRAULT & Co., PRINTERS, 87, St. James Street. 1880 &. "^ ^^ii '^ f;s04:iali 11 e=r' of ji|inilre:il CATALOGUE OF 01 U m -I R COLOUR PAINTIN&S EXiiiiirnci) liY iiiK ASSOCIA.TION IN THE ART GALLERY, PHILLIP'S Square. JUNE 1880. LOUIS PEIUIAULT k Co, PlUNTEllS, 87, St. James Street. 1880 \ ART ASSOCIATION OF MONTREAL. THE GIBB COLLECTION. I)^,,„lnl >n Ihr Ci'ii nf Mnnlnnl npHsmUd h;i lh> Art A.s>^nnnt;ou. 1. STOLEN PLEASURE 2. THE COURTSHIP m N 11! E. NOTERMAN 12 X u C. J. GRIPS S MARK EiT SCENE IN ANTWERP. ) „. x ).' P. VAN-SCHENDEL (Moonlight 4, WILD FLOWERS 5. CARD PLAYERS l.i X I . B. WEISER ■i:\ X 2 7 C. DE FYLDER 6 ENVIRONS OF ANTWERP, \ !., x 27 F- CRABEELS Sunday Afternoon 7. VIEW ON THE THAMES - \\\ X 27 J. TENNANT 8 VIEW NEAR HAARLAM, (Holland) -i >^ •:' W. VESTER 9. JOSEPH AND THE VIRGIN MARY. Cthe central figures in VanSchen- del's picture of the " Adoration of , the Shepherds,") > 10 THE CONFIDANT - - " " 11. LAKE COMO, (Italy) - - - " t7 X 2.1 P. VAN-SCHENDEL 11 X 2:5 F. VERHEYDEN C5 X 4:i S. R PERCY 12. THE LLYN IDWALL, N. WALES. |^ ._^ ^ ■.,. g ^ percY (BunHCt; I 13. THE STUDIO OF JEAN BREUGHEL, n x :'- F KRAMER 14. SEAPORT OF CALAIS .-.1 N !i F. MUSIN 15. CORDOVA, (Palace of tho Moorish KingF) v-; x ii F. BOSSUET 10 BLIND MAN'S BUFF ... - 2 : \ iJ F. DE IIEUVEL 17. MOZART PLAYING BEFORE i .,, ^ .„, ^^ PINELLI THE PRINCE DE CONIDE ' 18. SHEEP . . - . - 19. PARENTAL ALARM - 20. PIGEONS .... 21. A ZEELAND LADY- - 22. A GOSSIP AT THE SPRING - N in F. VANSEVERDONCK l(> X H HENRIETTERONNER H X IS F. VANSEVERDONCK 3(i \ •-".' E. NOTERMAN It! X 3'; E. J. COBBETT 23. THE OLD TOWN of HOORNE, (Holland) v; x '^ ' W. KOEKKOEK 24. EHRENBREITSTEIN (ou the Rhine) r.l x :'.i J.WEBB 25. A VILLAGE FAIR IN KENT - - ^'' x ::<■> G. A. WILLIAMS 26. MOUNTAIN SHEEP, 27. SHEEP AND GOAT 28. W^INTER SCENE IN HOLLAND 29. LAKE WALLENSTADT 30. A VILLAGE MARKET X 21 .T. C. MORRIS 17 X 3;'. E. VERBOECKHOVEN no X :•:! W. VESTER •il X 10 J. BUTLER •20 X 1'; F. DE BRACKELEN 31. LAKE OF ZUG, (Switzerland) - - "Ox io E. A. E. NYHOFF 32. FLEUR DE LIS 1 8 x J i J. H. S. MANN 33. CATTLE RETURNING from PASTURE w x 02 T. A. VERWEI M4. SEAPORT OF VEERE i (Dutch Wuval Arficnal) j 35. LAKE OF THE FOUR CANTONS -.7 \ iH J. A. RUST (;i X II J. BUTLER .16 GRINDENWALD AND TIIc! i ,, ^ ._. j. BttTLER WETTEUIIORN ' 37. PREPARING TO DECORATE i r,„ ^ .h j. h. HEYERMANS THE CHURCH ' 38. A WAYSIDE INN IN FLANDERS - 39. DUTCH TRADER TOWIN> A i FISHING BOAT OFF DOVER ' .1 x 10 W. VERSCHAUR ;ti X .>! • H. K. TAYLOR 40. THE LLYG AT THE FOOT OF MOEL ^ «ATinr>. SNOWDON IN THE '■ !> ^ ^" S. SABOD, SNOWDON IN THE ) R, PERCY DISTANCE 41. A VILLAGE MARKET SHOP - - o x J 1 J. E. MASUREL 42. ST. MA'ITHIAS CHURCH. (Treves) t'- ^ -ii G. STANFIELD 4.1. THE VILLAGE OF FLUELLEIN t ,^, ^ ,,,, p ROFFIAEN (Lake Lucerne) i 44. GRANDMA'S PANCAKES r> \ 2 : II. SALENTIN 45. THE SCHOOL MISTRESS' FETE DAY 1 1 s 'i F- VERHEYDEN 46. SURREY WOODLAND, ^Autumn) - '>'< ^ '- F. W. HULME 47. A PINCH OF SNUFF - - - - i> x 4'. F. VERHEYDEN 48. CATHEDRAL INTERIOR - - - .iii x J7 GENISSON 49. MOUNT PILATE, (Lake Lucerne) - 4'J X :!?. F. ROFFIAEN 50. THE VILLAGE OF BEILSTEIN^ \ .jx-i G. STANFIELD ON Tiliii MOSELLE j 51. A GOOD TIME, [Skating in 52. EXPECTiJ.TION Holland] ^t ^ ^" F. DE BRACKELEER I'j X ir. B. WEISER 63. THE NECKLACE IJ x lo p. MOORMANS 64. THE NURSE in x 11 C. J. GRIPS 65. " TETE-A-TETE " llxl.. A. F. HEYLIGERS 66. POMERANIAN DOG - - - h; x l . HENRIETTE RONNER 57. THE MOTHER n x 1 _> C. J. GRIPS 58. VILLAGE POLITICIAN - - - l u x ! l F. DE BRACKELEN 69. HIS PORTRAIT -•' ^ '• H. SALENTIN 63. MESMERISING -^ ^ ''■' C, VENNEMAN 61. ON THE SHORE OF LAKE ^ ,, ., F. FOURMOIS and LUCERNE ) -' E. TSCHAGGENY 62. HAWKING - WAGNER 63. THE SMOKER. 64. THE DRINKER. 65. HOLY FAMILY, copy from Andrea do Sarto by PETRINI. 66. THE VIRGIN AND CHILD, with St. John and St. Frarcis, Copy from Andrea del Sarto, by PETRINI. 67. CAPUCHIN MONKJ; AT PRAYER, copy from CHIARI. 68. BURIAL OF A CAPUCHIN MONK, copy from CHIARI. 69. MARINE VIEW, copy from CLAUDE 70. LANDSCAPE, copy from SALVATOR ROSA. 71. LA SAINTE VIERGE AU CHARDONNERET, copy from RAPHAEL. 72. MADONNA DELLA SEGGIOLA, copy from RAPHAEL 6 BIlOx\ZES-FORMIN(} PART OF THE GTBB BEQUEST. 73. iENEAS CARRYING HIS FATHER FROM \ F. BARBEDIENNS. THE DESTRUCTION OF ^ROY. i founder. 74. CLEDPATRA, by J. CLESINGER 76. ORSSTES AND IPHIGENIA by GREGOIRE 76. ELIEZAR AND REBECCA, by GUILLEMIN ■^i.v.C F. BARBEDIENNE FOUNDER. TIEVANT l-OUNDEU. TIEVANT FOUNDFR. .»*£r i>icTri;i:s~TiiE puopkktv of tuk association. 77 SCENE IN THE THOUSAND ISLANDS - - - O. R. JACOBI iOKuMO. 78. VIEW IN CORSICA ^- *^' ^^^ ].{'(- i.KN I-.. 70. HOIXYHOCKS ■- ' ' I ^- ^.^ ^ 80. PARLIAMENT BUILDINGS, I Ottawa] - - - - O. R. JACOBI 81 THE SACRAMENTO VALLEY [Sunset] - - - A. BIERSTADT NKW VOKK. Presented by tlie Aktist. 82. THE SPLUGEN PASS, Tyrol O- J- JACOBI l'iv.->"iitc(l by Mii. .John McJ.knn.vn, M. l\ 83. COAST VIEW NEAR BLANKENBERG - - - - F- MU3IN I'lLst'iitoil by Mu. John H.muus. 84. VIEW NEAR CALAIS ^- f^Y.f ^ I'l-L'siMited h\ y\n. John IIauius. 85 HORSE AT THE EXTERIOR OF A STABLE E. VERBOECKHOVEN Presented by Mh. John IIauius. 86. FISHING SMACK OFF FRENCH COAST - G. W. NICHOLSON Presented by Mh. John llAUiirs. 87. SUMMER IN THE WOOD AT BURNHAM - - A. McCALLUM. Presented by Ma. U. B. Angus. 88. COMING SQUALL, CAPE ANN, Mass - - - G. H- SMILLIE NEW VOKK Presented by Ma W. C. S.muxie. 8 LOAN COLLECTION. OIL l\\LN TINGS. I'idiin s II ;iiKc -. I'll iilililiiiitio" ■|ir sale. 'I'lir S(( ntarv will Liiv ilii'orn)iiti<'n :.s Id 100. WEW YORK HARBOUR IN WINTER - - - E MORAN. 101. A DISASTER-GOING TO MARKET - C. H. POINGDESTRE 102. SHEEP'S HEAD - - SCHENCK 103. LANDSCAPE (Eastern Townships) - - - A. F. BELLOWS 4 104. HOMEWARD BOUND E. VAN MARCKE 105. A HIGHLAND FORAY R- BEAVIS 106. VIEW IN WALES J- SYER 107. ON THE CONNECTICUT RIVER- - - - A. F. BELLOWS 108. THE HARBOUR OF CHRISTIANA - - - - H. F. GUDE 109. THE MORNING BATH W. P. BABCOCK PARIS. 9 110. WAKE UP T. GERARD I'ARIS. 111. EVENING, ON THE THAMES - BODDINGTON & SH-^LDURS LONDON. 112. ON THE] CONWAY (Wales) B. F. LEADER l.oNlHiX. 113. FOREST SCENE A. F. BELLOWS 114. HUNTING AT FONTAINEBLEAU ... A, DE GESNE 115. A BREA.TH OF MORNING AIR A. VOGT DFCKASKD. 116. THE OLD ARMOURER K. J. LITS^HAUR 117 VIEW IN HOLLAND G. W. NICHOLSON 118. RETURNING FROM THE PASTURE - - E- VAN MARCKE 119. BETWEEN TORCELLO AND VENICE - - - C. J. WAY 120. ON THE CONWAY (Wales) B. F. LEADER LONDON. 121. IN THE GLOMING - - J. F. MILLET I'AKLS. 122. A WET DAY C. PITTARA 123. VIEW ON THE RHINE J. R. COLLINS LONDON. 124. MILKING TIML - - E. VAN MARCKE 125. A WINTER SCENE (Canada) .... C. KRIEGHOFF DKCKASI'.n, 126. THE BRIDAL CROWN - - - • - - A. TIDE M AND 127. SUPPER TIME C. KREIGHOFF 128. A VISIGOTH WARRIOR E. V. LUMINAIS 10 129. REST BY THE WAY J. SANT, R. A. I.oMxiN. 130. THE TOILET V. CHEVILLARD. 131. LAKE MEM:PHREMAG0G A. P BELLOWS 132. A COUNTRY ROAD (England) . - . J. E. MEADOWS I.iiMmjX. 133. VIEW NEAR COMPTON - - - - - - A. F. BF.LLOWS 134. THE BIRD'S NEST - - - . . . y. CHEVILLARD 135. SUNSET OR. JACOBI 136. A CANADIAN HOMESTEAD C. KREIGHOFF 137. iVIEW ON THE MISSISSIPPI RIVER ) q ^ TAPom ;«r VOPT (Ottawa Valley) i <->• R- JACOBI & VOGT 138. LAKE MEMPHREMAGOG FROM NEAR BOLTON - C. J. WAY I Al'SANNK. 139. .FRUIT - - .... - - P. A. VERNER TOkti.XTO. 140. BRINGING HOME THE LOST CHILD - - A. F. BELLOWS 141. MADONNA AND CHILD - .... A. BLOEMART 142. PORTRAIT ... - .... WYATT EATON NKW \()RK. 143. :=HOPE GATE (Quebec^ T. LEAMING I'HII.ADKI.l'HIA. 144. RAPIDS ABOVE THE SHEWANEGAN FALLS, R. S. DUNCAASON 145. A STUDY OF BEECHES AT BURNHAM - - - A. EDSON MONIKKAI.. 148. :i=SIOUX TEEPEES (Sunset) F. A. VERNER ■ioRosro 11 WATER COLOURS. 150. CAFE AT DAMASCUS C. WERNER 151. DOG KENNEL O L. dc GENNE 152. HAYING TIME (England) ... - - BIRKET FOSTER I.dMXj.N. 15;3. LANDSCAPE - • - - - - - - - - G. PIETTE I'AUIS. 154 A WELSH MOOR J W WHITTAKER DI'CKA'^l-.ii 155. LANDSCAPE - - - G. PIETTE loG. NEAR MURRAY BAY (St. Lawrence) - - - C. J. WAY - i,\rs\NNi:. 157. : ON THE LOOK OUT - - - - - - - F. A. VERNER 158. EVENING - - - G. SHALDERS i.o.Mhin, 159. -A POWWOW BY MOONLIGHT - - - F. A VERNER 1 GO. CHURCH OF SAN LORENZO (Muremberg) - - L. HAGHE 161. THE CRITICS - - - - .... DAUMIER 162. FOX HOUNDS ------ - - O. L. dc GENNE 163. : TWILIGHT I Lake of the Woods I . - - - F. A. VERNER 164. -SALMON RUN OF THE MARGUERITE ^ . . c J WAY' RIVER, SAGUENAY j ^.. J. wax 165 SHEEP G. SHALDERS. 166. A BIT OF WELSH MOOR .... dc L'AUBINIERE 167. A MOUNTAIN TORRENT - - - - J. W. WHITTAKER 168. =ROCKY PORTAGE [Nipigon River 1 - . - F. A. VERNER 169. -CAP ROSIER [Gulf of St. Lawrence J - - - - C. J. WAY 170. THE GIRDLE WEAVERS - - - • - - C. WERNER 171. THE FERRY G. DOGSON 172. LANDSCAPE J- B- MILLET rARIS. 12 JUDGE MACKAY'S COLLECTION Pnsnifril fi> flu Frosrr Iiisfifiife. OIL PALNTINGS. 200. PRETTY POLL L. EIBL 201. VIEW IN DEVONSHIRE HORLOR 202. CATTLE HENZEL 203. AUTUMN IN BAVARIA J. WENGLEIN 204. LAKE MAGGIORE A. C. WILLIAMS 205. VIEW NEAR ROME W. VESTER 206. ST. ABBS' HEAD W. A. KNELL, Senr. 207. A. SURRY LANE GLENDENING 208. WINTER SCENE IN HOLLAND W. VESTEF- 209. PISHING BOAT, OFF YARMOUTH W. C. KNELL 210. MATERNAL GRATITUDE SPRING 211. MONT MORENO Y FALLS O. R. JACOBI 212. ST. GEREONS CHURCH, (Cologne) J. W. BREWER 213. VIEW IN HOLLAND F. MUSIN 214. NOON-DAY REST W. JAY 215. LIGHT HOUSE (on Coast of Normandy) G. W. NICHOLSON 216. A. FRENCH HARBOUR (High water) R. ATKINSON 217 THE COMING STORM J WENGLEIN 218. HAY-CART A. DELEEUN 219. VIEW IN SURRY F. W. HULME 220. AN IRISH GIRL - . E. J. COBBETT 221. FRUIT - W.HUGHES 222. VIEW IN GREECE 223. MARKET BOY, (in Munic) BAUR 224. AUTUMN - - LINDSTROM 225. LOCH LEVEN, BALLAHULISH ----- S. R. PERCY 226. BAVARIAN LANDSCAPE CARL HETZ 227. TYROLESE SHEPHERD BOY ... - JAN EKENOES 228. NEAR GORHAM (White Mountains - - - ALLEN EDSON , 229. THE FERRY BOAT W. GOSLING 230. LANDSCAPE 231. A. DELL IN YORKSHIRE .-..--- HOLMES WATER COLOURS. 232. CAPRI - E. T. COMPTON 233. DEEP RIVER ON THE OTTAWA . - - - - C. J WAY 234. THE WETTERHORN .------ E. T. COMPTON 235. KOINZ-SEE E. T. COMPTON 238 CHAUDIERE FALLS (Ottawa) - - - - - - C. J. WAY-.-_ 237. THE RAIDERS CATTERMOLE, R. A. l]lie ^i ^iJQmim of Mantreal 1880. l?iiiron9c His ExcelleDcj the Govefoof Geoefal aod H, I i ttie Princess Louise. X?rcsi(lcitt : THE HON. MR. JUSTICE MACKAY lV^!icc-3Prcssillel^t : THE HON. THOMAS RYAN. Treasurer : MR R. W. SHEPHERD. CpottnctI • • MR. CHARLES GIBI5. KEY. DR. CORDNER. MR. G. A. I)RUMM()\[>. REV. CANON NORMAN- MR S. F DAWSON. MR. F. H. MATTHEW.S. MR. 1). A I'. WATl-. MR. WM. NOTMAN. DR. T. STERRV HUNT. MR. I'ETER REDI'ATH. MR. R. WHITE. MR. JOHN POI'HAM. i^eec^ciitr^y and (Citvttiov- MR. S. ENGLISH. Annual Subsmpfion $5.00 lohkh entitles Suhrnlns to all the prh 'ileges of Member sit //>. The Art Association of Montreal, 1880. Patrons : His Exceih ncy the Governn -G^n, ral and \'.^A^. the Princess Louise. Presi5cnt : 'llll': lloV. v. .il'^^TK K M Ai'KAV Uice-Frcsit'cnt: TlIK lloN. riloM \.^ I VAN' {Treasurer : M|{ I!. \\\ SilKl'lIKHI' Itouncil mi; ( IIAIILKS (ifHI! Mi; (; A IHMMMOND. Ml;. S Iv PAVVSON. mi; I» a I" W ATT." |)|; T. S'lKHliV HUNT. mi;, i; vviiiTK. 1;KV 1»K COIiDNKI!. |;|-,\- CANON' NiM;MAN. mi;. |- I'. MATTIIi:\VS. \Ii; \V\i NOT MAN. MR i KTKi; UKI'TATir \li; .loIlN I'dl'II.VM Secretary an6 iturator: Ai515UAL SUESCHIPTION $5. which cniitlcs Sub:cribers to oil the privileges of Membership. i