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Map';, plates, charts, etc., may be filmed at different reduction ratios. Those too large to be entirely included in one exposure are filmed beginning in the upper left hand corner, left to right and top to bottom, as many frames as required. The following diagrams illustrate the method: Les cartes, planches, tableaux, etc., peuvent Atre fiimds d des taux de reduction diffArents. Lorsque le document est trop grand pour Atre reproduit en un seul cliche, il est filmd d partir de I'angle sup^rieur gauche, de gauche A droite, et de haut en bas, en prenant le nombre d'images n6cessaire. Les diagrammes suivants illustrent la m^thode. 1 2 3 1 2 3 4 5 6 MICROCOPY RESOLUTION TEST CHART NATIONAL BUREAU OF STANDARDS STANDARD REFERENCE MATERIAL 1010a (ANSI and ISO TEST CHART No. 2) mmtm i^/y^ ■«.)» V ' > ■n!KSt>.1 LOCHHEED'S SYSTEM OF PHONICS HXHMPLIFIHI) BY A PRACTICAL ALPHABET^ I )K PHONETiv. SYMBOLS IllitstniliiHi ill mill tliiniiiih till' 1,'tli IX III' till Hiiiiiiui iilji'iul,,! Tin; Ai rlllAI'i; Si, l,|.|\;: \S1> PlKlMMI ATION Ob' AI.I. W.IKD-i IN Enclimi. I'|;|:N( h, CiJiMW. I.ATIV. KTi .. « I lllnIT TIIK I SI; OH' I'lACUITKAl. MaKKS, CiIAN<.K> i\ ihk SI'KI.I.IM: ipK Nkw rM;l:( lil.M/Alil.K (IIAKACTKIIS; m TSIluW IS(; IIOTII J'lioM \i I VTKtV AMP Siki.i.im: in i:\ i:i:^ \\ni;i) 11 V Si.ii^nT .Mdiihk atiiins i\ tiik KdKMs OK Roman I'KINT ANO S( .tllT l.i;iTl.I;S, r.V WIIHII VoWKF. Sol nds AKK IllsTrNCIISllKH \No I.'li.atk!' ; Consonant Finctions ai;i: Sicokstkii AM' ItiscKlM- INAII.I). MI.KNT I.KTTKKs Al;KSil(,.»N IN ISKKI.KToN TvI'K. AcckNTS I.V IIkaVS FaiKIi \i,\\V.\.-< and SvI.I.AIII.KS I'.Y SlICIIT Si'Ai INi:. This Sjslciii is a|i|>lici>lilp (o nil School Kpailliitr Hools, .>Mrtionariex, I'honoitraphlr Tf\ts. (iruniniars of Korpiicii I.i! -iMitfn for Kiiirllsh Stuili iits and to Kn^illNh that KorplKnen ma) laslly Irarn the I.HnKMiiCP. i..\( lll.IN T. L(M IIIIKKI), M.A., r.,ri,ii rhj U'i'liiiiiiiiiil i:ini-,ili.,,i M.i^l,:)- ill Ihi i,iill.,ii fnllii/in'f JiiKlihit, ; I'l-iiaiii'il. I.ii:ili>li iiihl Mill' fii l.uii/.iaiji .M,ix iicogni/iMl spcllin-. tlio corn^ct iironuuciation of all wonU. This it dofs l.y uliuirlng. i-ilalimj ainlli.\ . iv PHbHACE. AiiiitliiT i)iir|M>- inako tho teaching nml !''arn!ng of rcailiiig mil «|M'lling iiiiiro of a truly (■■liiratioiial ri'iisoiiiiig i)riic(-'^ ti> Hivclnp nil tlic faciilti..* of tho inind ; tlint reading iiiiiy lio rai-«'il to its i>ro|.i' piano of ni>iireciation a« ii study and an art. to demonstrate tho groat fai't tliat "art at it-i liighost and nature at it« triie-it are one." Lo-it till) alphabot may ,.|>i)ear too comi)lis at first sight to Iks taught or praetieally applied to srhool roading leH-oii-i, the reader i- reiiiiuileil that an illu-tratioii only of tie* uuuieioUH dillieulties and perplexities in the pronunciation and spelling of Ki,i;li-ih wonls exU'iidiiig throuirh a whole series of such lessons, has heeii noc.'ssarily con. I. used to tho compass of a few i)iiges, with hut litth' if nnv explanaticui of these dillieulties which present themselves gradually to the child as he advances in scholy an exemplification of the soumts anil powers oi" the lettiTs and words throUi;h- outour laii'iuase. .V few introductory lessons have heen appendei' to illiistiato the application of the method to a first primer and tablet lessons, al=o to Latin, French and tieruian grammars. Tho teachers' script is intendi'd only to give the teaclier a iii' ,ins of illustratini; i/J iiriUng the correct pronunc iation of any word >)y u^ng tho .inme rhdnirtcrl-^fir U>r each vowel sound and onsonant function as is employi'd in this Tiiethod in the ]irinr. Tills script theiefore so comjdetely hartiioni/.es with the print that tho pupil may ,i'W lU' .liliicult old words without heing con,,, (died to use either diacritical marks or misspelling or hoth in order to av(ud tho ^-reater evil of repeatedly telling, and monotonous drilling in pronunciation and spelling. Tho shorthand characters involvi' the same idi(tiotic symhoU as tho print and script letters. Their very close relation m.ikes this system of sliorthangnizeil printed form ni every word a conscinntious dtity. Toronto, March ^Ist. 1001. L. T. L. I S.-^Plfe PHONETIC SYMBOLS F<||( PHONIC ANALYSIS AND SYNTHESIS Vowel sounds distinguished and related, consonant functions sugg^ested and discriminated, silent letters shown in skeleton type, accents by heavy face vowels and syllables by slight spacing. Ah .„,„ Kate, ^reat, fail, ejg-bt, tliuy, may. .f'ai, tu «R, il est, vous ave". The sluutiug stroke ( M cliaraotfrizcs this uminil in «'V«'r) caiiU', Ixitli ill thi' print iiiiil in the script oi Kngrilsli. Frent-li. "t« . A a ..,.,. cat, can, Sam, fat. No fhuiijje in the I'Diiiln-jii lurpi tn n (.ii-ii'iir • (■miiiihih .nrl A a a,!u car, are, heart, Watt, wander. icli ha])c, (M' hat, wir liabcn, Srie liahcll. (I.rnmu. TOUT, HOT. Related l.y th.' same loop. Aa«,i»call, warm, water, aiigkt, OUgiiit , or, J 1 a I •, f O l -, ReU.. ,1 l,, sam.. ti.k. Aji«. /,. Ctire. fiire, any, many, mare. R 'lattd 1)\- beinp; opon at tlie stide like o in ferry, end, imni, meri'y. Aa«»,ucaim. psalm, tast, gi-asn. The circli^ i °) ilenotes an intiTnieditto soiinil 'ii'tw'>cn that of a in car and the sound a^ in Cal" or COT, and tlierc- lore, is an interiiiodiato nullification. ^^a c.i„ coTTima, a, ag'ain, t^-rammar. I'ut, cur, Jier, otJicr, Sir, Kelatiii sounds shown liy the closely related inodilications. all beii.g open Ut tlie top, as 11 in 11 11. VOWEL SOUNDS. E( .,.-. ('4*1, lie, iiKMit, Moiitrial. real, nu 1 e, lui'^'t, s(v, vc^il, feeJ, ivvl. si, ici, :l.F,v„.h. ^^c, w.(\ "^;("1 ..,...>. I \ I liii-* two (•|M'niiii:-i in t'n' siili'S nl' tli'n tin- cipihiikiIi svu.l.dl fur tlii-* -iniiiiil : tln'rc'loii' ( , ( X\i lai'l • iiriM.l.itcd to if liy li.ivinj^ t«i) ii|M-iiiii'^-i ill till.' >\'\<' ''I CMC li II «lic)w ivhiti'd -.(luii.l- He „,„. er ror, Ihmi, read, to/ i*. piv w per il. .\n I'liuii:.'!' in t,.<' i'i>iMiiii>ii Iniiii III ic|inf-i nt tin nitiinii ^'^uml. "He »,,,. e r luv 1, her, lie rd, |)('i']ia[)s, cur, piu' , luiirdcr, pearl. Viiu;-!- liaviii^ :-iii.ilar -ui;nil-' iir'', I \- tlir ujn iiiiii.' iiT t'i,.> tc>|i of liii'ii 'I'tti-r. ri'luti il !!■ II, till' niTiiiHi.ii svriiliil '.nr thi- si.ui.'.l. Ee«w,iGlit , pre>, \vt>ii£;:iiits, (le:/^:n, ohe^ pi'a\y, \va ts, o-i'-_^at, I)?4n , ha . Fedcr.,;,,,,,;,,., do.UK^r, n ve .Fnn.i;. Ui'latril Ipy -lalitiir^' iiil)ari' tlie Khl'. jironunpiatinii Cll \' i*/|' .) on, ouAxard, ANTiud, wainicr. a, (' uikI ^ )< all >ifiii;r ivluted in this souial, aiv nl.ctiil in tiuiii liy the same phonetic symliol *^ VOWKL SUUN 1"^.. a i : / «.„lu,'^h, 1)111(1, ride, tVv,tlrv 111 ,i^^yeb. * ' '„,,„ hit. hill, aiiv, (^aii(l\', "Miini hie. « ' t 'orillM'iIl lulM rr I If. ■-(■lit- till' c'.iMIIHOll SI. 1 1111 1. I'll it i r ■■M- • li.-lii| . !^^' '«,i. liei^riiit, hite, v rit , tVi^.l, Ivpe, llln;l, rli .int. or I'Vi' r.'lilt"-. tlli- -i.llh.l ti. tli.- ' :i^ I , \ . I i ... .,. 1 n a vjii 'J X ^, I )i ,f t i i , vnvi n e , \' as C3 ] : rie. Hhi\ b(\ luuii, rtccii , to .rttH'ii. cirisiiir, \':t -, di , siri^.Fnuih. lloliitcil 1.) (U^ ah.i ( li,\ till' t w.i ii|.i'Uilig-i in >lii- -ii|i' I.I I'iicli. ..'/,„,„ iiivi'r, stir. Sir, tii-st, wiiii'l. •^ ^ inurdcr, sturcly, certa'ii, ciir. Kfhituil. liy liiiiii,' Diiou ut till' top, to ?shiirt souuil I 1 . I i .fill ii,'ll''« Hulatf.t r.i 11 ill ell rl liy l.t'iiii,'oi.cn at t' ti.|. ami t.. ( ' in lllCi' r\' liy lia\ ini; tl |.ciiiuj,' in tlu' -i.!.' lilir ( '. SOUNDS OF O. () o ,-;,! (lot^, ])()i't, row, door, slovs, l)osit, don't, tlioorfiU roc^d, kji(r/:i', so. Nil cIkiu'TO in tlie eoniiiiou form for the conmiou soiiinl. O o .<./. dot, tbiid, Robin son, fcoiiora hly. •racM, wand, tatlKM*, wanulcr. R.-hitiMi liy till' "aiuf iiholiftio lyiii')"! ' < Coiitiuuefl Oil iiiifh' i- ) 4 VOWEL SOUNDS. O O „, ;u dog', log'. Related t„ l,otl. O as in (lot and O ms in OW Oo .„iu (Id n lie I lit, l)roiiig'Lt, tiidygfet, nar. dailig'htCl', gone. Related % name syml...I. () <) ,„/,. (k)ne,ot]ier,notii ing',l()ve, canon, upper, nutting, (Once,) R.>iated. 00 a,iu do, tmo, iiiancEMvre, noon, roote, niOV(£. Ri'latcd by theperpcndiculiustrokus, | , | , | . O O a» iu AV"G n lU 11 (I )00 K, ] ) U t. These related sounds are all designated by liori/outal strokes. -, -, , etc.) Ob a.iu AVbniCll, (l)in, been, etc. related by the shading and dotting of the 1 .) ( ) () «, iu can : )n , on ion, o pin ii)n. Keiated by the two oj)euings in the side to long sound (", and by openiiig in the top to siiort sounil I I , combining tliese sounds in this symbol.) Oo oo a, in t(X')k:, look, (pit, frll, etc. reUUed., Oi oa, cry «, /„ onl, 1 ycry, {a&^-cn, o & y cry.) CfW (TW, OU a. in owl, f(JT\^l, fOljl, (O &AV = (JW, O & U =(5U .) SOUNDS OF U. 1 I „>;„ put rid, puny, ti!iie, (rvv-ii) ncnv. U u .-.. putty, pnn, doulUe, tongMSi. I' V asin pit, tVli, (t(K)k, would, Avonian, related by tlie horizontal strokes, i li II "■^>,. Rut^l, ruin (to, l)OOn I, Related by the,., rpen- dicular strokes, , . | . etc.) XJ li. '". ;„ l)iiSV, l)rS'!nCSS. (Rebated to I by sliade and dot.j 1 POWERS OF CONSONANTS. POWERS OF CONSONANTS DISTINIiUISHEI), HKLATED, A\n SL'eiato.i.) (Ill cli I'-e-'-'" ciliiircli, chilli UoV, cJiinie. GJl CJl she -^m llUlCJlilie. (disll, tisll, -t.. nlatod.) Cj}\ Cll i<>l') «"" lOCll nikeCrnmii Icjl, nM n..t lOclC.) F f .IT ..s!n often, from. F f - "'- c,f. (t o- — held X c loop /O-O- 1 lier /c u tune AA^ ^ prey x / tun AX u ERglaiul Jl • pit yuL — tine, l)v X/u O ru in AJV ! fill, ])abyA./v * rcrval ^ tir y -/ u roll /on. p ra vine y ^ £ 1*011 1, row /(yK^^ ^ i»>«o>»>r!*. «'0>S«%.l%TS. j eant x^ C ringer nx * 1/ cent t 1 fiager a\ I. of :en, of V (-ast, ease A-^ ' ^ ! get / u /o tJiy yliox L gem i tiiig-h n INTRODUCTION Tlie le«Miiis with siinm'?,tiiins iirc suliiiiitt.'d as hoiieHt t'llort to iniprovi' as iiiutli :i> )ios4il>l(> on the ;rc-isive teachers, especially the inexperitnccd, welcome sunKcstions intended to help th-'ni. it is deemecl better to su^^est too much, possilily, tlian no liinn at all. The well known maxims ol good, experienced teachers repeated here may. it is hoped, leitiitil the inexperienced to beware of evil tendencies so detiimental to true teaching. 'I"he permanent adoption of phonic teacliing has rendered practicable and disirable the introduction of a methoii for mal.ing tlie many unphonet ic words phonet ic. so tliat every word in the lanpu ige witliout exctntion can be taught phonically without either changing the spelling or using diacritical marks. Sure y if tlie phoni<- method is the best for teachingthe majority of words, it nmsi be the best lor tcachin;ieai h of those numeidus exceptions so confusingly and inac<'urately taught by mixing in with the phonic method tlie old alphabetic look-amisay, tellinu' plan. Thisappaieiit necessity till now has greatly dis- couraged and perplexed both teachers and pupils: and the phonii' method has most un.justly been blamed for the terrible resultir ^ .jumble. Present every word In our readers so that it can l)e acciir.itely proiiounceci and spelled, througii phonic analysis and synthesis, and these muddling mixtures must disappcBr. Those who ( onsider the letter nioditii atioiis. syllable spjicing and heavy faie acieiited vowels too cons])icuous will doubt less see that each i an, if advisable, be reduced more and more till not noticeable without a magnifying glass. On the other hand, those who think them already too minute or indistinct will notice that each can. partic nlarlv on tablet cards, be enlarged to be moie noticeable than the letters proper, especially if brightly con trasting colors be used. The true mean must lie between these two extremes. .\s the size of the tjpi' gradually diminishes in the series of readers, similarly must the modilications, accented vowels tind silent outlined letters become less conspicuous. There being no change in spelling, the ment il nicfure of each word and page of print so closely resembles the present printed forms that the child has no ditticulty whateverin reading ordii ary print through analogy and association of ideas. The illustrations have three principal functions: First, to show or suggist as clearly, naturally and interestingly as possible the exam\ to ,lie old sheep. If no one can, ask what every little lamb says when it 8p■ .f on Ihe pupils showing llie silcnl lellers oracc.nied vowdsin their writing as are shown in the lesson script. If they do so nalnrally. of I heir own accord, eo much the belter, but do nol tell llieiii to do so. fsc lime and paticn.ial first. It pays and s„vcsbolh in the end. He ware of Irving to leach too much 111 one lesson. Thinking is hard work for llnl,. folks. .Mak.' ihe .lass lessons short and tre.iu.nt, soasn.il to liiv .ir worry \]h- .hild and .lis.„uragc his ertoiu lo think and .'ducate himself K.'.p np ilie Inleresi in and i ovelty of Ih.^ h'Sson. making il long, r or shorier than hire siiu'pe-lod as .von ^11 thcdcsuc r,ril„ .lasstogoon issirong. .n- ilie inlereat in Ihe w.irk beginning lo flag. sug(;estic)ns The power of one lnUer prii|ierly lliouKliI out :»!iil m.iHtcrcil ' the '.inlil 1> of fur nior tdma tioniil valui' iiiul iiiuntiil -iri'iiKlh to him than the wholi' yeiir's in^ and ilrillinK on nicrily ihr n.ancH of the iriolalod :l let I era < mall and ragltal i. wliiih sonK of uxi'ndurcd durhiK tlic llr-t ami olK'nJthe sii'ond year -chool I>o not 1m' disconraK<'d, Ihi'n. or no too fast Make ha^lr »lo\vly hnl surrly. In ti'arldiiKlettrr"! ' (Ni>.2l. prociM'd from thi' known to llic unknown. Tli' niM will ii i (i^jniw it in th(^ word '■ mat " rather tlian by ll>.L'lf. therefore prot.i'd to teach " mat. Tell the ehililren two lillle broW iiies and one fairy are viKilinK Ihein in the picture anil are pla> inj; on ^onielliini;, the name of whieli they tiwether -a,\. Get them interested and air ised b.\ the pi lo imitalc. nol mhi. ImiI what this lillle brownie does, i Lips open, tongue pressed against re .1 of montli.iiisi behind Ihe teelh and strpping the breath from coming out for a moment then furced down i|Uickly h\ the hrialli, which is not allowed to gel oul throngh Ihe nose, and can get on* only b> foiling I he tongue down ipilckly.) Do not nnenlion or notice its name (teo)or ihe ailic le (lea), as >omc Bie apt, lo do. Iiul keep lolhee\acl powert.dy of the letter. t"ge your own devices tor further developing and llxiiig the power of the letter In Ihe child mind without telling ii lo them. Kven shr ■ Id Jiey noi arliculaleit .just as yon would like, repeat drill on words in lesson containing it. u. 'ng areful lo have the child precede or follow iu .irticulaiion ipii.kly by Ihe vowel soui"' (a), for its function is loinoa.\ it. Next lesson drill on the pliouic analysis an I -iiilliesi- involved in each v.oiil, till all can In pro- nounccd readi'.y. Ha\i' the objects or ideas round in thi' pict ure. I hen teach 1 he elements of willing the scriijl "t," then the letter and each word. Next lesion tell story, or heller, get llic iliiMren In te'.l onoabout the giiiMl little b.ihy in the pictnie. wli.it il is getting l-ugar slick) because it is good and -how wliiit il says when its kind, loving inamioa gives i: • 'clhiiig. Sci wlm can read the -en tencc ursi, helping ihcm by (lointing out Ihe lit lie parts (syll lobe iiut logelhcr i|uickl) In ni.ike the wonl, the fat fairy accented vowcll thai speaks onl Kin, ihan ils liiUe -isler, and the i.our brownie, .ill bones (-kclet on outline mi. .vhieh say- nothing, bii. loiiis the lillle vi-ilie- all logelhi i- in a happy lillle vi-iliiig party, and thu- he'.p Ihe rest to say the dearc-t. -weetesi n.'.inc in the world imaiiimai. Make iii xl brownie i.sii. in new les-on (N'o St, tell what il does from the picture, if | ililc. See who can tlrd -Mii'y ihis iiiii or lind out Ihe hoy s name (.«ami. Show pupil- what kind ol noi-c i Id- new shirp-longned lillle brownie makes. If no iron and ilre be convenieiil to do as i^am does ilipred hoi iron in water), sirike a malch and when the wood lia- burncfl red. blowoui ihe match and quickly dip il into some water, when pupils will hear IIk lillle hiss. Coloring the tnils of •he iron > biighl red. sugge-ls whal Sam is doing, am' what the little brownies Hying out in llie steam Fa\. Telia story about Sam's happy heme. Ihp old lireplace, and lea keltic singing so merrily. Or heller, I lie old- fashioned lireplace is appropriate for a good old Vtilc log story, as ihililrcii lUliglil lo hear .itiiiu' how llieii lather- and grandfall. s lived when children and what lhe.\ did. Having maslercd Iheiiowi the letter (Sp, show thai when we begin lolell -omcll.iiig, or speak a particular name, like .Sani. we '-e a big letter (capital'. See if pupils from 1 he Umuglil ".sJam sal.' can tell ynu where he w,as sitting while he was walching the iron gel red in Ihe lire. i(Mi ihe little slool by the smaller mat I When I hey see thi'. the word '"sal ' and the scnlcm is mean inucli moil le Ihcm. and ihey will uiidersland Ihe ideas anil thoughts far belter when llic can -cc ihem illiislraled and -uggesled. Kx plain by Ibcpiciure in Lesson 2 wbal "I at " means. Mamma has finished tatting the one mai on her knee, and is .iu-t tinishing the one in her hand. This I bey, them- elves, may sec and tell iii'i. These, besides Ihe two mats in pielure ;i. will give Ihem Ihe idea of number and llic iiower ol' bl'ownie"s' to change the idea of one mat into Ihal of SCMral (forming the jilural). .Show how Ihe script brortiiic S has also a snarp lillle tongue (lop of letter) by which il can make the funny hissing sound. If yon can praitici'ly illnstrale Ihe tailing by actually tatting some yourself with ..tallini; shullle and lliread, or get some pupil or person who can, to show the children iu-i what iV e word really means, so much the lieller. Children love lo learn something new. that Ihej perhaps ik cr hear.l of before, particularly if tiny learn il cxperimenlally. , >~f^':.':-- m a ma m a ma. a m am. ma. /TWCL, am. mam ma ma 1 mat m a t a t at m at mat a m am, t am tam, at tat. tam. mat Tata mamma. J/clXcu, /rrvaym-^oo/ct-. S am s at tat s tats. Sam sat mat s mats. Sam sat at 1 mat. Mamma tats 2 mats. Imat 2 mats, 3 mats, /uUjy ^XlXS /YYlXJiXA