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Un des symboies suivants apparaitra sur la demiire image de cheque microfiche, selon le cas: le symbols — *• signifie 'A SUIVRE ', le symbols y signifie "FIN". Les cartes, planches, tableaux, etc., peuvent dtre filmto A des taux de reduction diffdrents. Lorsque le document est trop grand pour dtre reproduit en un seul cliche, il est filmi i partir da I'angie sup^rieur gauche, de gauche d droite. et da haut en bas. en prenant la nombre d'images n^cessaire. Les diagrammes suivants illustrent la m^thode. 1 2 3 1 2 3 4 5 6 innp iiii '•'.■■ ^ . , ., ij'i '4 ■i . "i' i M ^1 r ON MUSEUMS AND OTHER CLASSIFIED COLLECTIONS, TEMPORARY OR PERMANENT, AS INSTRUMENTS OF EDUCATION IN NATURAL SCIENCE. BY II E >r R Y S ( ; A D D I N O , D . D . ' ; -N. ' ,-.,!► "sm i [IVom the " Canadian Journal."] ON MUSEUMS AND OTHER CLASSIFIED COLLECTIONS, TEMPORARY OR PERMANENT, AS INSTRUMENTS OF EDUCATION IN NATURAL SCIENCE. UY HENRY SCADDIXG, I). D. Reixd htfore the Canudion IhsIUhU, Jannanj 13th, IS71, as the PrefUhiit'f AildrC' ■ h • "if j'lj I, it 4 ON MUSEUMS, tec, economical processes for the preparation of food for cattle were going OD ; and the manufacture of butter, cheese, oil, cider and piquetfef a kind of sour wine made from unripe grapes, and much drunk by the peasantry of France. 3Iodes of preparing different manures were shewn. The basket-maker, the cooper, the wooden-shoe maker, the farrier, the blacksmith, were all plying their respective trades, aided by the most ingenious mechanical contrivances. Incessant communication was maintained with the island of Billan- court by rail and steamboat. Of the 103J acres contained in the Champ do Mars, the Exhibition build'ng itself, or Palace proper, covered 31} acres (153,194 square yards). The space outside the Palace was styled the Park. An innu- merable multitude of buildings were here to be seen in every variety of form — kiosks, pavilions, chitlets, churches, chapels, bell-towers, school- houses, barracks, temples, palaces, huts, Tartar wigwams, theatres, stables, windmills, bath-houses, conservatories; with several real light- houses, one of them 220 feet in height, displaying at night the elec- trical light. The edifices just spoken of were scattered about most promiscuously, as it might seem; but each had it- relation to oiio or other of tlie exhibiting nations, and each gave shelter to and conve- niently displayed some speoial product or products of that nation, natural or artificial. Although at the first glance the paths leading to these buildings seemed labyrinthine enough, by the aid of a plan uu great difficulty was found in threading one's way to any desired point. Very conspicuous in the western portion of the Park, on the avenue leading towards the Military School, was one object which quickly fixed the eye, and which even in 1867 was regarded as ominous. This was a bronze equestrian statue of King William of Prussia, raised aloft ou a high pedestal, of colossal dimensions, and crowned with laurel. Towering up to a height of twenty-five feet, it seemed to dominate the western portion of the Park, It was in jest likened at the time to the fatal Horse which found its way into the heart of Troy. It was little imagined that the comparison was destined to be so nearly exact as it has proved. Another ominous Prussian object, in another place, filling every beholder with awe, was the so-called Krupp gun, a cast-steel breech-loading cannon, weighing vfith its carriage 141,002 lbs. To enable this monster to reach Paris, tiie railway bridges in some places were strengthened. A multitude of other kindred implements of destruction accompanied it. Sorrow and shame, and indignation, could ( ! AS INSTRUMENTS OP EDUCATION. 5 not but be stirred by the reflection that such, after all, were the nltimm rationed of European diploniaijy. Rossini's hymn, too, composed for the occasion of the distribution of the awards at this Fxhibition, and there rendored with orchestral acconipaniments and appliances of the grandest description, wound up, ominously, as was observed at the time, with the toUinfi of bells and the booming of cannon. But to proceed. The l^^lace itself, the Exhibition proper, was a structure of iron, having the appearance of being an ellipse in outline, but in reality it was a square, with semicircles attached to the north and south sides. Its circumference measured just a mile. The whole was only of one storey. Fatigue in visiting its parts was thus diminished. To examine cursorily the contents of the Palace, it was necessary to perform the circuit of it at least eight times It was divided into zones or bands, concentric, so to speak; and these zones or bands were cut into sections by passages radiating from the uiiddle area of the building. Each of these radiating passages had a distin- guishing name. Associations nnthought of in 1807 would now attach to some of the titles on the French side of the Palace, as, for example, Rue d' Alsace, Rue de Lorraine. The central area of the building was a beautiful ornamental garden-plot, with flowers, fountains, and an abun- dance of statuary in marble. Its dimensions were 460 by 180 feet. In the middle of the garden was a pavilion 'or temple, in which centred, of course, the apices of all the areas occupied by the several nations, bounded respectively by the radiating passages and segments of the elliptical circumference. The use to which this temple was put will be presently mentioned. To one passing through the zones or bands, the objects exhibited appeared arranged according to the place of production of each ; but to one passing up or down the radiating passages, the same objects appeared arranged according to the nature of each. This was an inge- nious and very interesting contrivance. Nine-tenths of the east half of the building was occupied by France, the remaining tenth by Belgium and the Netherlands. The west half was occupied, largely, by England and her Colonies; by the States of North and South America; by Spain and her colo- nies; by Russia, Austria, North and South Germany; and, in slips, narrow as compared with the spaces occupied by the other nations, by Switzerland, Portugal, Greece, Denmark, Sweden, Norway, Italy, Rome, •\. 6 ON MUSEUMS, kc. ki the Danubian Principalities, Turkey, Egypt, China, Japan, Siam, Persia, Tunis and Morocco. The phice of Canada in the great industrial, scientific and artistic Cosmos was discoverable, but not immediately obvious. Australia, I remember, asserted itself much more decidedly, and showed greater individuality. And heroin a fact is symbolized. Australia, as a great region of the Greater Dritain, is much more accurately realized, I think, in the common mind of the mother-country, and of Europe perhaps, than is Canada. Canada lies in the shadow cast by the great pyramid thrown up, or being thrown up, on its southern side, and is but dimly .seen. It is still, to a great extent, thought of, not as a vast region filled or filling with millions of English-speaking workers, emigrants from the IJritish Islands, but as a French colony in the military occupation of Uritain. Even at the Exhibition in Paris, prominent objecis to be seen in the Canadian slip, as well as the names of several of the Canadian commissioners, served to perpetuate the impression in regard to Canada to which I have alluded. liut again to proceed : The temple or pavilion in the midst of the central garden contained specimens of the coins, weights and measures used in the countries enumerated, those of each country respectively being placed in the apex of the section occupied in the elliptical area by that country. The first circuit of the Palace by the passage next to the central garden was made through what was entitled the Gallery of the History of Labour. This was a classified museum of the archceology of each country. A means of judging of the progress made in the successive centuries by each country, in industry and art, was thus afforded. To this collection the choicest and most curious objects were sent from the publi repositories in each country; and it is supposed there hnd never before been presented at one view suuh an assemblage of the relics of past ages. It will give an idea of this remarkable gallery if I set down the sub- divisions in the French portion of it, an analogous classificati'^n being adopted, so far as was practicable in the space occupied by tlio other nations. French archaeological objects were arranged up 'er tho heads of — Gaul before the use of metals; Independent Gaul; G'U* under the Romans; The Franks to the Coronation of Charlemagn-' ^A,j). 800); The (Jarlovingians, from the beginning of the 9th to the end of the 11th century; The Middle Ages, from the beginning of the 12th century to '•>• AS INSTRnMENTS OF EDUCATION. Louis XL iooluBive ; Tho Renaissance from Charles VIII. to Henry IV. (IGIO); Tho Reigns of Louis XIII. and XIV. (1610 to 1715); The Rei^n of Louis XV. ; Tho Reign of Louis XVI. and ♦l;o Revolution (1774 to 1800). In tho parts of this gallery devoted to tho early portion of the medincval period, splendid manuscripts and illuminations constituted a striking feature. Tho identity of stylo observable in the illuminations of certain very ancicui; Persian or Arabian manuscripts hero Hhown, and those which decorate the productions of tho Greek and Latin monasteries, was very curi jus to notice. In the Swiss portion of this gallery were to be seen innumerable relics of the famous primitive lake-villages, built on piles, which have recently been discovered, and which Arthur Helps has endeavored so pleasantly in his Realmah to rehabilitate and people with a wise and understanding set of inhabitants. These remains wore referred to ages of stone, bronze ant', iron. Pictures reproducing those ancient Swiss villages were also displayed. The next circuit of the building to be made was through the Gallery of Fine Arts. Each circuit, of course, became larger as one advanced outward. This gallery was filled with paintings, drawings, sculptures in groups, single figures, busts and medallions; drawings and models in architecture, engravings and lithographs. Vela's Napoleon Mourant was ever surrounded by a throng, watching the figure as though it were a flesh-and-blood reality. The Columbus revealing America of the same artist, a colossal group, was especially interesting to persons from the Canadian side of the Atlantic. An Episode of the Deluge, by Luccardi, obtained the highest prize in sculpture, with the Cross of the Legion of Honour added to it — a fine group, representing a father and mother and infant child, the waters just reaching them. — Whilst engaged in making memoranda on the spot of several special coins in a fine ancient collection in the Italian section, I noticed close at hand ^he quiet hist ! of the police, indicating that one was being watched. The special coins pencilled down on this occasion, as not having been seen before, were, I find, a Livia as Justitia, a Livia as Pietas, a Manila Scantilla, a Lucilla, a Paula, an Orbiana, and a Galeria Valeria ; with a Pupianus, a Balbinus, and a Romulus Augustulus. Again we passea round through the building. Now it was through a gallery bearing over its entrances the inscription — The Materials of the Liberal Arts. These were found to be paper for printing purposes and all purposes; letter-press and printed books; book-binder's work; *t \ -j'j .•»...: 'M 8 ON MUSEUMS, &e.. i'2 B I'll drawing materials; applications of drawing and modelling to the useful arts; photographs; musical instruments of all kinds; medical appa- ratus and surgical instruments of all kinds; things defined to be " instruments of precision, and material for teaching the sciences," that is, astronomical and land-surveying instruments, theodolites, &Cm thermometers, barometers, hygrometers, maps geological and otherwise, and plans in relief Especially noticeable among "printed books" were magnificent large-paper copies of Louis Napoleon's Life of Caesar, a production likely to be classed hereafter among the curiosities of lite- rature, its author and his position at the time of its composition being considered. One always knew when he had completed the circuit of the building by finding himself again in the grand vestibule, a wide and noble passage leading straight from the principal entrance of the Palace to the central garden ; a passage usually thronged with a mixed multitude, and itself supplied with objects of interest, as, for example, a succes- sion of magnificent specimens of prize plate, won in England by French horses. At several points along the middle of this passage were circles of seats or divans. A vacant spot on one of these was often anxiously watched for in vain by the wearied investigator. Proceeding again still outwards, we entered the next gdlery. This was styled the Gallery of Furniture; in French brie'jy Mobib'er. This term included an immense variety of things : furniture literally, of the most elaborate description ; inlaid woodwork, picture frames, paintings on wood, tapestries, carpets, crystal, ornamental glass, window glass transparent and opaque, pottery, cutlery, silver and gold ware, works of art in bronze, silver and iron, watches, chronometers, clocks, heating and lighting apparatus, objects in morocco, brushes, products from woody fibre. &c. Among articles of furniture exhibited was "the cradle of the Prince Imperial." On coming suddenly upon this object, I remember thinking its display here a slight overtax on the public curiosity. A resplendent dinner set in silver gilt, the property of the Emperor, duly arranged on a long dining-table, was also exhibited. The gallery into which we next passed had the inscription "Vetement" over it — "Clothing." Here, in addition to articles of dress of all kinds and in every grade of magnificence, we find cotton, hemp and flax fabrics in infinite variety, silk tissues, combed and carded wool, lace, muslin, embroideries, artificial flowers, caps, hats of straw and all other customary material, head-dresses and shoes, precious stones, - -. v.- '-' AS INSTRUMENTS OF EDUCATION. 9 enamels, engraved jewellery. Here also were portable fire-arms, travel- ling apparatus and toys. Life-size and life-like figures, carefully dressed in the costumes of different countries, and of various provinces of different countries, literally " from China to Peru," were set up in divers places within this gallery. The large groups of real precious stones of every name, and of jewel-sets in every variety of form, contri- buted, not only by numerous manufacturers, but by imperial, royal and other personages in difl^erent parts of Europe, were quite fairylandish in character. Here, for one thing, was to be seen the Sancy diamond, once the property of our Jarties IT., and sold by him to Louis XIV. for £25,000. In another place I remember a cluster of unwrought emeralds, shown as found in a Russian mine — a number of long, thick,, six-sided crystals, of a pur'^ green colour, bristling out irregularly from the sides of a great block of the whitish matrix in which they had been formed. Another gallery was now to be examined. This was entitled the Gallery of Raw Materials ; in French " Maiit^res Premieres." This, though the least showy, was possibly the most instructive of all the galleries to the student. Here the observant traveller, with a design of increasing his practical acquaintance with the products and applications of Natural Science, would have reaped a rich harvest. Here, if the visitor had the time, he could be deliberate, and be but slightly disturbed ; for generally speaking the crowd was not great in this zone of the Palace. Here were collections and specimens of rocks, minerals and ores, ornamental stones, marble, serpentine, onyx, hard rocks, refractory substances, earths and clay, sulphur, rock salt, salt from salt springs, bitumen and petroleum, specimens of fuel in its natural state and carbonized, compressed coal, metals in a crude state pig-iron, iron, steel, cast steel, copper, lead, silver, zinc, alloys, products from the washing and refining precious metals, gold beating, electro- metallurgy, objects gilt, silvered or coated with copper or steel by galvanic process, products of the working of metals, rough castings, bells, wrought iron, iron for special purposes, sheet iron and tin plates, iron plates for casing ships, copper, lead and zinc sheets, manufactured metal, blacksmith's work, wheels, tires, unwelded pipes, chains, wire- drawing, needles, pins, wire work, and wire gauze, perforated sheet iron, hardware, ironmongery, edge tools, copper and tin ware, other metal manufactures. Such a detail as this of objects, spread over only a very small portion of the Gallery of Matieres Premieres, gives an idea (*.:^ l''' ', ■■^'ij.-i. I. \ i ■'' ' 10 ON MUSEUMS, &c., of the enormous multitude of matters and things displayed; in the midst of which nevertheless reigned the most perfect order, making examina- tion and study quite possible. Without airain being as specific, it will suffice to say, that after these products of mining and metallurgy just named, came products of the cultivation of forests and of the trades appertaining thereto. Then, the products of shooting, fishing, &ad of the pjathering of fruits obtained without cultivation. Then, agricultural products (not used as food), easily preserved; which included among other textile materials, such as raw cotton and hemp, the cocoons of silk worms. Then came chemical and pharmaceutical products. Then specimens of the chemical processes for bleaching, dying, pointing and dressing. Than leather and skins, including gut work. The whole of the Bussian department was redolent of llussia leather. We reached now the sixth gallery, which was nearly a mile round and of extra dimensions. This was the Gallery of Machines, of appa- ratus and processes employed in the common arts. All along its middle space was a slightly raised platform, on which appeared a forest of cast-iron with a plentiful undergrowth of the same material; mechanisms great and. small applied to every human purpose, most of them busily in action. Here were railway apparatus, telegraph apparatus, civil engineering apparatus, architectural apparatus, naviga- tion and life-boat apparatus. I subjoin an extract from my memoranda : — "I next undertake the outermost gallery, that of Machines. This is nearly a mile round : it ought to be Journeyed through twice for even a cursory view of it, as there is a highway on each side of the central roped-off space in which for the most part the machines are placed, while there is a vast display also of objects round the whole of the sides of each of the passages opposite to the central enclosed space. This part of the building is about twice the height of the interior zones, to give room for machine-structures of considerable altitude when setup. The rest- less sound of innumerable machines at work is immediately to be heard ; their movements also strike the eye ; the smell of oil and oily steam salutes the nostrils, but only faintly ; the furnaces, the generateurs de va[)eur, arc placed at intervals outside. Entering as before on the French side I notice a gigantic trophy of iron and steel bars ready to be converted into anything, I pass cannon, fire- engines, looms for all fabrics at work, steam-engines of an endless variety of construction, circular saws, brick-making machines, gigantic organs here and there pealing out grand music occasionally amidst the confused machine-babcl> steam-pumps bringing in actual rivers of water, distilling apparatus, sugar-making apparatus, models of ships-of-war with their machinery of propulsion. In Prussia. mmmmmi v AS INSTRUMENTS OP EDUCATION. 11 cannons — one monster weighing fifty tons; revolving cannon; ambulances; a triumphal arch of imitation marble. In England, locomotive engines ; donkey engines; printing presses; electric printing presses; wood-cutting machines; carding machines for wool, cotten and flax ; lanterns for lighthouses ; coaclies ; hat-making, sugar-plum-making and sewing machines. Near one of the entrances to this gallery I noticed a gilded pyramid representing the gold produced from the mines of Victoria, in Australia, in fifteen years, viz., 1851-66 ; its base, 10 feet square ; its height, «3 feet ; its solid content, 2,081 cubic feet ; value representedi one hundred and fifty millions sterling. In the Australian compartment was a model of a £10,000 nugget." The outermost circlo of all was the Gallery of Food and Drinks : Aliments et Boissons. This gallery was open to the Park all round the exterior wall of the Palace. A projecting verandah-roof extended out over the whole of it. Underneath, in addition to a scientific display behind glass of all f5ort3 of substances in any way connected with the edible and the potable, there was a series of real restaurants, ono after the fashion of one nation another after the fat,, ion of another. These cstoblishmcnts were usually thronged, and the scenes presented in a promenade round the whole of the exterior of the Palace were those of a well-peopled Parisian boulevard. Of the wonderful Park in the midst of which the Palace stood, I have already briefly spoken. I may add that a meandering stream, a cascade and a lake, all artificial, gave variety to its French portion. Also two immense aquaria are specially recalled, one of salt water, the other of fresh, underneath which the visitor might go and see a variety of strange fish sporting above his head as though he were at the bottom of the sea. • A niagniliccnt velum or tapestry awning, green in colour and sprinkled over with golden bees, had a grand classic eflFec^, stretched over the whole of the wide avenue leading from the entrance gate by the Seine up to the principal entrance to the Palace, sustained at regular distances by lofty pules bearing long pendant gonfalons. Though the Palace with its innumerable satellite appurtenances quickly vatiished like a vapour, records of its existence and syetem were made. The story of its beautiful exemplification of law and order in the midst of an unparalleled multiplicity remains; and that, as I have already hinted, may serve in instances here and there to assist a thoughtful youth to methods by means of which he may, if he will, divide and conquer the domain of human knowledge, and especially that province of it which is occupied by Natural Science and its practical applicatioDs. ,-«. ■ I i I m (I r H - %i <.\ •ssr" 12 ON MUSEUMS, &c., The career of Napoleon III., the originator of the spectacle which rendered 1867 so memorable, will doubtless hereafter be employed, after the traditional fashion, to point a moral and adorn a tale. He will be one more convspicuous instance of the instability of human greatness- He will be parallelled perhaps in sentimental strain with Croesus. Solon had said to Croesus, when displaying to him his magnificence as King of Ionia, " No one while he lives is happy." When in the grasp of Cyrus, Croesus recalled with groans this saying of 8olon. The oracle had said to Croesus, " Go up against Persia, and thou shalt destroy a great empire." He went up accordingly, but with the fate that has befallen Napoleon. With reason did he, when in durance, send to ask of Apollo if he were not ashamed of having encouraged him, as the destined destroyer of the empire of Cyrus, to begin a war with Persia, of which such were the first fruits ; and with equal reason did Apollo reply, " When the God told him that if he attacked the Persians, he would destroy a mighty empire, he ought, if he had been wise, to have sent again and inquired which empire was meant, that of Cyrus or his own." Again, 7n«7a :k if V V 14 ON MUSEUMS. &c., The Oxford Museum (the New Museum, as it is there called) is contained in a range of buildings 236 feet in length, of the style of the 13th century, and situated in a large airy park. The Canadian is at once struck by a certain resemblance which it bears to University College, Toronto. In the interior of its central part is a fine quad- rangle, a perfect square, each of the sides 70 feet in length. This quadrangle is roofed over with glass. Around this square is a series of rooms, four of them fitted up for lectures, with flights of seats descend- ing down to a table for the lecturer. One ^ f the lecture-rooms is for chemistry, another is for experimental philosophy, another is for mine- ralogy and geology, and the fourth is for medicine. The other rooms are Professors' work-rooms, store-rooms, sitting-rooms, apparatus-rooms and laboratories; in the anatomical part of the building I observed a Macerating-room ; to the chemical portion of the building there are attached balance-rooms. Almost detached outside, at one corner is the principal laboratory, a reproduction of the Abbot's Kitchen at Glaston- bury, This almost separate building, circular, with conical roof, helps the general resemblance to the Toronto University building, although its position is towards the right and not towards the left. The circular laboratory at the Toronto University is, by the way, not a reproduction of the Abbot's Kitchen at Glastonbury; but, less appropriately, of the Round Church at Cambridge, commonly called St. Sepulchre's, built after the pattern of the Church of the Holy Sepulchre at Jerusalem. Round the whole of the interior quadrangle of the Museum at Oxford runs a corridor or arcade sustaining a gallery or upper corridor. Double rows of slender metal columns sustain the lofty glass roof. On the left as you enter are the anatomical and physiological collections; on the right the mineralogical collections. In the middle, on each side of the central passage, are zoological collections. Along the side opposite to the entrance are palscontological collections. Round three sides of the upper corridor are also rooms as below : the whole of the front side is taken up with a library and reading room, the latter containing the more recent books, the scientific transactions and periodicals. On the left is a very spacious general lecture room; also an anatomical lecture room, with professor's and students' sitting- rooms. On the right is another lecture room, and rooms for an astronomy professor and a geometry professor. There is also up here au entomological museum with a curator's room. : A8 INSTRUMENTS OF EDUCATION. 15 Is f i > The general contents of a great college of science, so to call it, like the building just briefly described, can be conceived, and I sh^U not ente» into many particulars. It should be said, however, that the Oxford Museum contains the collections of the celebrated Professor Buckland, and is rich in its palaoontological department. The extinct forms of life that have existed on the globe are here seen, so far as their remains have been found, in a connected series ; specimens in abundance of the palaeozoic, mesozoic and cajnozoic fossils. Here are veritable plesiosuuri (not casts), veritable icthyosauri, megalosauri, pterodactyles, deinotheria, elephantes primogenii. There is also a very striking collection, as it seemed to me, of beautifully prepared skeletons (all properly articulated and set up in easy natural attitudes) of beasts, birdy, reptiles and fish ; the interior bony framework of each creature as marvellous to behold as its outward presentment when clothed with flesh and adorned with feathers, hair or scales. There is one feature in the interior of the museum which possesses great interest. The series of pillars which support the luwer and upper arcades subserve a scientific purpose. They are, all of them, geological specimens on a large scale systematically arranged. The shafts on the west side are respectively, grey granite of Aberdeen, red granite of Peterhead, porphyritic grey granite from Cornwall, green syenite from Leicestershire, pale-reddish granite from Argyleshire, red granite of Ross in Mull. On the north side the shafts are, Devonian limestone from Torquay, mountain limestone from Cork, mountain limestone from King's County, green serpentine from Galway, mountain lime- stone from Limerick, mountain limestone from Cork, Devonian lime- stone from St. Mary Church, and so on all round the lower quadrangle; and again all round the upper gallery, the shafts of the columns follow in order of geographical age and succession; in all 125 columns. Moreover the elaborately carved capitals of these columns, together with a series of sixty corbels built into the walls, also elaborately carved, are made to illustrate systematically the vegetable kingdom. On them are sculptured, in such order as may assist the memory, and with such attention to their natural aspect as may satisfy the botanist as well as the artist, specimens of all the genera of plants and flowers. The capi- tal of the column of porphyritic grey granite, for example, mentioned a moment ago, is formed of leaves of the date-palm ; the two adjacent corbels of leaves of the fan-palm ; the three together illustrate the palmaccae. Again, the red granite column from Ross in Mull^ and its '111 •^* V ■" ,vJ 16 ON MUSEUMS, &e., two accompanying^ corbels, present specimens of the Liliaccae, viz., the yucca, the aloe and the lilium, tulipa and fritillaria. The capital of the mountain limestone column from Limerick, and the two neighbour. ing corbels, exhibit wheat, barley, oats, Indian corn, sugar cane (with sparrows thereon), rice and canary grass, with buntings and canaries • ; and quails thereon j these to illustrate the gramineoe. The Filices are represented by the capital of Devonian limestone from St. Mary Church, *\\. and the adjoininj corbels, whicli consist of ferns, the hart's tongue, :"■': lastriea cristata, scolopendrium vul<::are, blechnuui boreale, and the S. mallow. The capital of a column of black serpentine from the Lizard in Cornwall, and two corbels, arc devoted to the Dioscoracese, being sculptured over with small-leaved bryony, black bryony, and elephant'* / . , foot. Another feature in the architecture of the Museum is very interest- ., ing, and possibly peculiar to itself : the elaborate and very ornamental , ironwork in the spandrels that branch out from the metal pillars /■ sustaining the glass roof; is made artistically to represent the foliage of the following thirteen trees: chamajrops humilis, carica papaya, acer pseudo-platanus, tilia europsea, tussilago farfara, jxjscuIus hippocastanura, ". \ cocos nucifera, musa paradisiaca, querous robur, platyccrium alcicorne. musa cavendishii, juglans rcgia, caryota urens. One more feature must be noticed, which, to myself at least, afforded infinite pleasure : all round the quadrangle, against the piers of the arcade, there were arranged full-length life-size figures of the following world-famed scientific worthies, finely conceived and exquisitely sculp- tured in white stone: Aristotle, Hippocrates, Euclid, (Jalileo, Bacon, Newton, Leibnitz, Harvey, Davy, Priestley, Watt, Liunivus. Altogether, the Museum at Oxford was a very fascinating place. With its library, reading room, lecture rooms, appointed lecturers, varied apparatus, and studied ornamentati