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Les diagrammes suivants illustrent la mdthode. errata to pelure, )n a D 32X 1 2 3 1 2 3 4 5 6 TI'E CANTICLES ARRANGED FOR CHANTING, WITH \ PREFAdE, BY JOHN, BISHOP OF FREDEEICTON, " They sang together by course, giving thanks unto the Lord." — Ezra, iii. It, " Whuso offereth praise, glorifieih me." — Ps. I. 23. Trajer shall be made ever unto Him, and daily shall He be praised."— P«. Ix.xii. 15, New ftRU-vs-wKK: J. siMTso.v, rui.srtit to rut road, let ihcin have ilicii- c-'.i'iit'i". I have already said (and it cannot be repeated loo often) that m chattting the sound must give way to the sense. In ordinary singing, the musical notes are divided into bars, which contain a certain num- ber of notes, two, three, four or more in one bar, neither more nor less, or notes equal to that emount, and the bame repeated to the end of what is to be sung, except where tl;e time charges. So in 1 salm- singing, the metre being the same in every verse, the same or similar syllabf'js are sung to similar notes, in measured and equal time. Hence, if we begin with a long-metre, or short metre tune, we must go on to Uie end as we began. But in the Psalms, every verse varies xn length ; con- sequently a strict observance of tirnc is not only useless, but injurious : for the duration of sound must be regulated by the sense, not by the music In chanting we dispense with time altogether. The procew is much sin.pler, and more within the reach of unpractised ears. A chant may be first divided into two parts, as every verse is di- vided by a colon in our Prayor Books =— , ^, , , t i .. " We praise Thee, O God : we acknowledge Thee to be the Lord. Each of these two parts consists of a beginning, a middle, and an end ; in other words, is divided into three parts ;— there is first, the prevail- ing or reciting note, which usually begins the chant, then come the intermediate notes, and then the final note, before the colon i .ajler tho colon the prevailing or reciting note ' ' " "" ' '"" follow, and then the final "''"•■■ '" ,..,^ IS repeated, the intermediate notes Thus in the instance just cited, the words '• We 'praise Thee " properly belong to the reciting note ; the syllable "O" to the intermediate, (the reciting note is repeated at tJie word ' Thee ' and the word iwco in most of the ordinary chants) ; the final note. In the second part of the chant Uie words v knowledge" belong to the reciting or leading note ; '' Iheo 'God" to ' we ac- knowledge" belong to the reciting or leading note ; •• lueo to be the " to the intermediate notes ; and " Lord " to the final note, lie general time will be fast enough if it be somewhat slower than the slowest ordinary ret. ling, though even then it may appear to be taster. But to lengthen out each word into semibrcves. or double that time, is at once wearisome and ridiculous. • t i Here is the difference between sacred and secular music. In that kind of secular music which is fashionable now a days, the words are of no consequence whatever, it is the ear only wnich it is intended to i.lrasc Who ever dreain.s of listening to the words which are suns f The .vllal.lr., do, re, mi, fs, would -.inswcr the siin'- \'W\»w, \"\- .« •oon as ever the performer begin*, every body (In polit* MRietjr) talks as loud oa he'can, and while there i» not mucli chance of hearing ilie music, there is none at all of attending to the words. But in truth tlie wordi are very often so ill chosen, and so full of absurd flattery and aflbcted sentiment, that no one believes them, and therefore no one listens to them. Far otherwise is it with the blessed and holy songs of Zion ; tliey are the words of God Almighty, and are all ; ue, and deep, and perfect ; in them we find the noblest poetry, the most manly B-jntiments, the truest wisdom, the deepest tenderness, and the most musical expression ; they flow on as the course of a river, and we lose ourselves in tliem as in the unfathomable sea. All we want is music noble enough to suit them, and hearts that beat in tune to the words we utter — hearts diat love to do " angel's work," and think it no wea- riness, no shame, no disiionor to magnify the Lord day by day, and rejoice in the hallelujahs of Heaven. Chants may be divided into three classes, bad, good, and betf. The bad are those florid double chants, to which there are several insuper- able objections. 1. Tliey are uncongregational. No one ever yet heard, and no one ever will hear a mass of people singing a rapid double chant. The music does not fit the words, nor the voices. Double chants will always be sung by the few. to the exclusion of the many ; whereas we want the multitude to sing, not two or three priests, or hair a dozen women. God's praises belong to all, and are not the exclusi <-e property of any. 2. They are none of them of any antiquity, nor composecf by the best masters, nor in the purest limes. No dou- ble chant dates before 1700, when our style of Church music (accor- ding to Dr. Crotch) was fast going to decay. If we are to have music at all, let it be good music. If we sing imperfectly, it is better to sing good music badly than bad music badly. In the former case our voices may improve, in the latter our taste becomes corrupted. The second class of chants contains many good, but some very in- ferior chants. Some were composed by our finest English masters — men of diorough education, refinement, and genius. They will be found in the 60 chants published by the Society tor Promoting Church- Music, a copy of which will be supplied to every clergyman wlio takes an interest m the subject. Another little collection of G4 I'hunls of the 6ame character ia also published by Mr.Ollivicr, .'J9, Pall Mali, London. The heat nl' all i-hanir^, h^iv.vvi'r, a:-f tin.- C/.iiii h 'lour.i. ).iTaii£i' ihi-y are suited to the greatest number of voices, and tlterefure most fiued for the multitude. These have been published in a harmonized and modern form, by Mr. Novello, Dean Street, Soho, London, to whtim we are indebted for the cheap publication of so much excellent music, and in a purer and more correct way by Rev. T. Hellmore, Mr. No- vello being also the publisher. It would be useless to pretend to be ignorant that many persons object to the Gregorian tones. It ought to be known, then, tliat this mode of chanting was not invented by Bishop Gregory, nor is it known who was the mventor. Dr. Burney, in his elaborate history of Music, thinks that they came to us from the Greeks, (and certainly that seems very probable,) but be this as it may, it is certain they were in use two centuries belbre Bishop Gregory'* time, in tlie Church of Milan, and Bislwp Gregory being a musician, added to their number. But this mode of chanting was the only mode known to Archbishop Cranmer, and cur lleformera, and it continued in constant use till the 18th century. So that besides tlie ridiculoua absurdity of Popery being wrapped up in the notes E. G. B. D. or in any others, it is evident tliat the only Book of Music ever sanctioned by Archbishop Crnnmer, (Marbeck's Service Book) contains the sys- tem in full force. It may however be fairly admitted that the extreme siiiiplicity of these chants makes them sound poor and meagre, if only suiif; by a few voices, and that they are intended for a multttude. So that in many cases, with our miserable education, they cannot be sung with any eflect. But the first tone, (commonly known os Tallis's chant,) and tlie 3rd, dlh, and 6th, are certainly unobjectionable, and may please even the most modern taste. I now proceed to the division of the words, which is very important, in order to cliant correctly and reverently. The chief difficulty in c^ianting arises from the inequality of the syl- lables which are to be sung. Were all the Psalms and Canticles com- posed of such words as " and speak good of His Name," there would be no difficulty whatever. But a variety of difficulties occur, which I will now mention, and endeavour, as far as I am eble. to remove. The first question is, how far the leading or isciling note should go ; liien, to how many syllables the intermediate notes should be sung. Olid whether the finaf note should include only one syllable or more. The " Veiiite," which I lake in illustration, because it is so often »ung. l.i.-seiit^, pi'u b:Ablv. Jiffi^ ulties 35 a:iv of the P*uhiij 6 Tlicre is, then, no Jifficulty in cliaiuiiig audi passages aiw O come let us worship | and laii down : 111 his hands are all the cornsrs | of ilie earth : Unto whom I aware | in my wrath : proved me | and saw my works. Hero in the former half of tiie chant the ear naturally carries the lead- ing note to the end of the words " worship," " corners." and " sun re," und m tlie latter half of the chant, to the word "iiie."' Probably most rhoirs, who chant at all, sing such words much in the sarae' way. Hut tlie question is, what is to be done when a word of two syllables, (as "unto") comes just in the way of the reciting note, or a word of three, syllables, as " teinptaHon," or still worse, a word of four svl- lables, as " ijeneration," or even five syllables, as 'Umnqinatkm";" or where words of two, three,, and four syllables conelude'n verse, as ' htetsed," ''salvation," " u-ildemcss," "prosperity." Sometimes also words ot three syllables occur inconveniently in the intermediate notes, as " marvellous," '^ redetmvd," •' visited^" " injinilej" words ulso which may be pronounced as one syllable or two are awkward Buchas «;)«fo^," "ACTm-wf," " ,Vat09t number of worshipper^, an.i leads iheni .0 forget thrm..We.in e'.Jlf^llJrt*'!^;.?'^;:^'^^^^ 'J^- of " ipirit," when we engage in no part of the work. i"l gaW,tiontaour God which .itteth on the throne, and tothe Lan.b. And " Q that it may be to on earth. Amen. Fredericton, February 12th, 1851. The following Chantt can be recommeij.led ai rartim.larly «"y ""^ i. neady J™.ame with' iho 7th\oac,) Jone. ; ftUo the Cxr.«i Chai.t. «ajor and minor, which i. very .ultaDle for the Tc Deun.. Tlic followinR PstthnTunoB can. t bo sung too (>ften:-Co«mno« Akl;Tlr,„ Ht Aiin'd Bedford, St. Davids, Irish, St. James, LonX7New'^tv!agi:s.^Nou1^^^^^ nvernool Manchester. Long metre-Morning and Evemnff Eymn. SdJfunireS. Angels. Cur^y o-j^^-^: t^MrrirS^s p": Winchester New. Short •'"'l^^-M"""' X"^"^""' ^'•JJj%''- ^^, culiar .TU-tre, as Psalm U!)-lIanover ; «» P«»l'" ^J-O'd U3. H solemn occB»ions-Burford, St. Mary's, Windsor. O como let UR ling Let us come before Ilia presencp with Por tho. Lord Ill His liaiid are nil tlio coniur.i.. The Hca is His, and O come, let us worehip For ho is the To day if ye will hear his voice harden When your fBil.rs Forty years long was I grieved with tliis cue- Viito whom 1 aware Glory be to t he Father, — tind . . . j4s it was in the liiyinnini/, is 7WU-, and Christ our passover is sacri- Not with the old leaven, nor with the leaven of malice and Christ being raised from the dead.. For in that He died. He died Likewise reckon ye also your selves to he dead indeed Christ is risen For since by For as in iiluip Le io the Father, and Wf it was in the begitinini/, is I now, and S ficed wick- dieth unto from man Adam to fvcr unto the Lord thanks- piv- ing is a of Ho and great tho nia le <}o:nite. Slot us heartily rejoiro in the strength* and shew ourselves and a great ,... and the slrengih of the and His hai.cis and kneel before , ami we are the people of > His uasture 5 as in the provocation, and as in the day of teuiplation proved ( it is a ))i'ople that do err I in their hearts, for tlicy iliat they should not and world of our sal va- glad in Him with King hills prcpa- tho a- is red Lord bovc His the our all al- ii ry ma- and the sheep of His in tho wil- der- me and saw my have not known my enter to in- the to Ho- my with- out rn d. A- FOR EASTER DAY. for us : ed- ness : ilO more : E'U once : to sin : the ilead : came death : all die : the Son : shall le : therefore but with the unleavened bread of (loalli hath no more but in that He liveth, He . .. but alive unto God through and become the first by man came also the llcsur even so in C'lirist shall ^and world let us kce;j the siucer- i- iieas and come before His S it is He that hath made us and not we ourselves, are His people and tiie be thankful unto Him nnd . . and His truth endureth? from generation j ; us^ we > lie -> and ., world BENEDICTUS. el ; us ; ets : mies : thers : ham : mies : Him : Highest pie : God : for He hatli visited and . . in the house of which have been and from the hands and to remember His . . . that of ! death : might all for thou shalt go before tli face of the Lord for the whereby the day spring from on f and to guide our feet Uie> redeem- His since of ho- serve the to remis- high into cd ser- the them ly He Him days pre- sion hath the pre- iencfl with a sheep of His pas- speak good of His to ge- ne- ra- to t/ie n,j. Iv tvith- out end. A- His vant world that peo- ba- be- hate co- ve- would give with- out of our pare His of our visit- ed WHV 01 song, ture. Name. tion. Ohotl. men. plP. vid. gan. UB. nant. us. fear, life, ways, sins, lis. peace. 12 My soul doth magni For he hath I ^^.^ For behold ■"":"i For He that is mighty liatli And His mercy is ou them hath shewed strength He He hath put down the mighty He halh tilled the hui.gvy --•--■- • ■ He remembering His mercy hath / holpen his servant -■;•••' Glory be to the Father, and, ^c. O sing unto the Lord -■-■■•■■,, With His own right hand, and ? with His - - - 5 I The Lord declared His - - - ' He hath remembered His mercy ? and truth towards the house ot \ Shew yoursel vesjoy ful unto the Lorcl Praise the Lord ' ' ' ' With trumpets -■■•.■•■';',; ,', ' " Let the sea make a uoise, and alltbat Let the floods clap their bands and f let the hills be joyful together ^ Withrightcousiu'ss -shall Ho -^- • - (Hon/ be to the Father, and, flc ho- 6 al- ls- all upon also there- belbre judge MAGNIFICAT. fy re- 'rom lagni- the gard- henrc- fied that fear with His from their with good Is- ra- Lord : ed : forth : me : Him : arm : seat : things el : and my spirit hath rejoiced.. the lowliness all generations land (throughout V"a'\ JHe hath scattered the > proud in the imagi- 3 and hath exalted and the rich he bath . -,----■ ad he promised to our lore- / fathers Abraham and... S CANTATE DOMINO. new ra- >o the and in the song arm tion el : lands : harp : shawms is : Lord ; world : For He ihatli he gotten him- ilHis righteousness hath He ? = \ openly shewed in the - - S and all the ends of the/ world have seen the - - - > smg, - - : " ■ sing to the harp with a - - O shew yoursel vcs.ioylul the rounll world and - - • for He - and the in of shall Ho- all na- the sent his hath self sight ealva- God His call ly tion hum- emp- seed done the of tion re- psalm before ihey joice of the that coinelh to people with my hand- me is ne- of ble ty for marvel- vie- the of and thanks- Lord dwell judge Sa- in aid- bless- His ra- their and a- ev- lous to- hea- our give giv- thc there- the ([Ui- viour. en. ed. Name, lions. hearts. meek, way. or. tilings. ry- then. God. thanks, ing. King- in. earth. 'y^ 13 Lord now Icttest thou thy servant For mine Which tliou hast - To bi! a light to lighten - - Glory to ike Father, and, &c. depart eyes pre- the NUNC DIMITTIS. in peace : have seen : pa- red : Gen- tilea : ac have before the and to be the glory of thy - cord- ing to thy seen thy sal- va- face of all peo- peo- pie Is- ra- The repetition of the vvordi is generally preferred to a long run on the syllable " thy." word. tion. pie. el. God be merciful unto us, That thy way may be k.iown Let the people praise O let the nations rejoice Let the people praise Then shall the earth bring forth - - God ■■■■■ Glory be to the Father, and, *f. and up- Thee and Thee her shall DEUS MISEREATUR. blest us : on earth : God : be glad : God : 111- crease : bless us : and shew us the light of His thy saving heallh let all '} countenance, and be yea, .>... «.. for thou shalt judge the folk > righteously, & govern the ^ yea, let all ■ '&,God, even our ownGod shall and all the ends nerci- ful un- to a- the mong peo- all pie na- praise na- tions up- on the give of the peo- us world ple His shall praise bless- fear tlOPS. Thee. earth. Thee, ing. Him. -.XJLl.^ ^;@)^lf;^^3^S^^^'-— 'y-