CIHM 
 Microfiche 
 Series 
 (IMonographs) 
 
 ICMH 
 
 Collection de 
 microfiches 
 (monographies) 
 
 Canadian Instttuta for Historical Microraproductions / Institut Canadian da microroproductiona historiquas 
 
Technical and Bibliographic Notes / Notes techniques et bibilographlques 
 
 Th« Irwtitut* hat attwnptMl to obtain ttw tMtt original 
 copy availal)le for fibning. Featuraa of tfiis copy wftieh 
 may ba bibHographicaily imiqua, wtiicfi may altar any of 
 tha Imagaa In tha raproductlon. or wfilch may 
 significantly changa tha usual mathod of filming ara 
 cfiadwd balow. 
 
 
 D 
 D 
 
 
 
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 D 
 D 
 
 D 
 
 D 
 
 Cotouradcovara/ 
 Couvartura da coidaur 
 
 Covars damagad / 
 Couvartura andommagto 
 
 Covars rasiorad and/or laminated / 
 Couvarturs rastaurte at/ou pellicula 
 
 Covartltia missing /lAtltre da couvartura manqua 
 
 Coloured maps / Cartas g^ographiques en couleur 
 
 Coloured \rk (l.e. other than t>lue or black) / 
 Encre de couleur (i.e. autre que bleue ou noire) 
 
 Coloured plates and/or illustrations / 
 Planches et/ou Illustrations en couleur 
 
 Bound with other material / 
 Reli6 avec d'autres documents 
 
 Only edition available / 
 Seule Mition dispontt)le 
 
 Tight binding may cause shadows or distortion along 
 Interior margin / La reliure sente peut causer de 
 I'ombre ou de la distorsion le long de la marge 
 int^rieure. 
 
 Blank leaves added during restorattons may appear 
 within the text. Whenever possible, these have been 
 omitted from filming / Use peut que certaines pages 
 blanches ajoutdes tors d'une restauration 
 apparaissent dans le texte. mais, torsque ceia 6tait 
 pos8it)le. ces pages n'ont pas M filmtos. 
 
 Additk>nal comments / 
 Commentaires suppldmentaires: 
 
 TMs Mmi Isfilnwdittt 
 Ctt dooiHnwit ttst fllnw 
 
 Ml taux d* rMiiellon bMlquA 
 
 L'Institut a microfilm* la maVlaur axamplaira qu'H y a 
 M poaatoia de aa procurer. Laa ditaiia da oat axam- 
 plalre qui sont paut-«tra imkiuaa du point da vua bibN- 
 ograpNqua. qui pauvant modifiar una image rsproduMa. 
 ou qui pauvant axigar una nmdifkMtkxi dana la mMho- 
 da normala da fUmaga sont iniMqute d-daasoua. 
 
 I I CokNJiadpagaa/Pagaa da couleur 
 
 I I Pagaa damagad /Pagaaandommag4as 
 
 D 
 
 Pages restored andA>r laminatad / 
 Pages rsstaur*es et/ou pelllculdes 
 
 Pages discotoured, stained or foxed / 
 Pages d*cok)rtes, tachettes ou pkiu*es 
 
 I Pages detached/ Pages d6tach«as 
 
 \y Showthrough / Transparence 
 
 I I Quality of print varies/ 
 
 J 
 
 D 
 D 
 
 D 
 
 Qualit* in^gala de rimpresston 
 
 Includes st^apienwntary material / 
 Comprend du ntat^riel suppMmentaire 
 
 Pages wholly or partially obscured by enata slips, 
 tissues, etc., have been refilmed to ensure the best 
 possible image / Las pages totalement ou 
 partieilement obscurcies par un feuHlet d'errata, une 
 peture, etc., ont *t* filmdes k nouveau de fa$on k 
 ot>tenir la meilleure image possible. 
 
 Opposing pages with varying colouration or 
 discokMjrattons are filmed twice to ensure the best 
 possible image / Les pages s'opposant ayant des 
 colorattons variables ou des d^cotorations sont 
 fiim^es deux fois afin d'obtanir la meilleure image 
 possttjle. 
 
 
 lOx 
 
 
 
 14x 
 
 
 
 
 
 18x 
 
 
 
 
 22x 
 
 
 
 
 2ex 
 
 
 
 
 aai 
 
 
 
 
 
 
 
 
 
 
 
 
 
 7" 
 
 
 
 
 
 
 
 
 
 
 
 
 
 1 
 
 ' 
 
 
 
 12x 
 
 
 
 
 18x 
 
 
 
 
 20x 
 
 
 
 
 24x 
 
 
 
 
 2tx 
 
 
 
 
 32x 
 
TiMMtV 
 
 IHmHW 
 
 MtiMiftl Library of Canute 
 
 
 l^gi^Hlty 
 
 copiM in priMa^ 
 wiHi tfM front i 
 t wMi a priiMatf a» muawawd knfM 
 back tvtm wtMn apprepfiata. AN 
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 a ptimarf a* iNuawatarf «"»P«^_ 
 iMt papa vvitli a primad 
 
 aiofi.Of tlM 
 
 atfM 
 
 fksi 
 
 •k 
 
 or 
 
 Tha laei racofdad frama on aajA miemfkja 
 
 •naM contain tna •vn»Pol — ""tS^-sSS^,' 
 Tli«UED"l. or tho •ymOol ▼ Imoaninf aww i. 
 
 MMa. plataa. charw. ate., mav bP «ln»n^ •« 
 SfSXadMCti^i ratio.. Th— !•• Ij^jo »»• 
 •ntiralv inclypad in ona aapoaura ara f«n»«« 
 SSIU l« tM yppar laft hand cori-rjalt to 
 
 ri«M and top to bottom, m •"•^ ♦'•"^," 
 raquirod. Tha fottoirwng diaflrama illuatrata tha 
 
 mattMd: 
 
 L'aaawpliirP Will* tut raproduit yted * >• 
 
 ■Vwono wi 
 
 Blblloth^ioo MtionaU da Capada 
 
 Lao ima«aa Miivantaa ent *t« raproduitos avac la 
 plya tnind toin. compca tami da la condition at 
 do la nanatd da raaomploiro tilmd. at mn 
 
 loa ao n di t l a nc du aonuat da 
 
 Ua aacwplairac arigkiaua dont la eouwortwro 1% 
 pm^im aM ifl»prtni«a com f ilmda m eammancant 
 por lo otowlor plot ot an tarminant tait par la 
 damMro papa dui compono uno omprointo 
 dlmprooaion ou dmiotrotion. soit por lo tocond 
 plot, coton lo ooa. Taoa laa aMtraa aaampiatraa 
 orioinoiM cont Wmda an aomm onc aot par la 
 una amprainta 
 
 pfwniOfo popo dui awnpona una amproinM 
 dlmpraaaion a«i dlNvatration at 1% tarminant par 
 la damldid ppfo qui dPNipdfta una talia 
 
 Un daa aymboloa MiivanM apparaltra curia 
 damMra imaaa da chaoHa microfiche. Mian lo 
 SllltolvmlSo -» .igniflo "A SUIVRi". lo 
 •vmPoloVci«nifio''FIN''. 
 
 Lac cortoc. plonchoc. taWaau«. ate. pauwant «tra 
 fUmdo A daa taua da rdduction diff Crontc. 
 LorcQuo lo ddcumont oat trop 8»nd pour «tra 
 raproduit on un coul cMchd. il act fUm4 C partir 
 da ran^ aupdriaur gaucha. da gaucha * draita. 
 •t da haut an baa. an pranant la nombrc 
 d'Imopoc ndcoccaira. Lac diaprammaa cuiwanM 
 UlMstrant la mdtliodo. 
 
Miamoopr moumon im own 
 
 (ANSI and ISO TiST CHAUT No. 2) 
 
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 •653 Cost Main Strwt " 
 
 fhehyrty. Nm York 1 . 
 (7t6) 482 - 0300 - Pheiw 
 (7ta) 286 - 5969 - Fo 
 
 USA 
 
>c C^G^^^W' ^'" 
 
 Cbe 
 
 ynt^Niy of Cif e 
 
 By B. D« Olalsoii 
 
 111 o"t*liar ?ay3.. apart, 
 Ma.QVQjoi! daSi:..1;:-iroush- 
 
 - cut tlis year, - 
 i:eQii.._GIiristina3 ii 
 
 tir; 
 
 heart, 
 
 (WuAf-l.'h'UlM^. 
 
 tx/oo-tf^ 
 
 
 UrM Pmt « aic$tiMe« IDa i. 
 
25/ 
 
 Wo^ 
 
 >-**^^.< 
 
 CN SymMony of Cifft 
 
 OVE brooded over the years 
 till hit voice was heard like 
 the sound of bells pealing 
 across the desert. As I lour- 
 neyed, I looked eagerly thru 
 the shadows thst I might see Loye*s face 
 emerge froqi the darkness. 
 
 When it appeared it was as the face of 
 God. And all the way I was intent with open 
 ear to hear the great anthem of deep-toned 
 bells pealing like a symphony out of the silence. 
 But I heard also the jargon of the creeds, and 
 perceived that they who were intent upon 
 such things heard not the deeper voices, being 
 too bi*" r with things to care for the heart of 
 thin( ' leased with their own opinions to 
 
 hear h gs of the angels. 
 
 Now « aith and Hope |oined me in the way 
 
 and showed me the path over the drifting sands. 
 
 And another walked at my side, and as he 
 
 seemed to be wise, I asked him: "Whereunto 
 
 doth this desen path lead?'* 
 
 liiMiMWriirtiiiiinfffiwr-'- 
 

 !■• 
 
 Tk0 Sfimitkomf •/ LI/« 
 
 **It lefedeth" said he *V the land of cletr 
 vision and leif-realization. The sands are the 
 coverings that hide the face of the real. All 
 that is is within thee. God's promise is ia 
 thine own heart. The face of Love, the forms 
 of Hope and Faith, the voices of Nature and 
 the subtler appeal of personality are but im- 
 ages seen in a glass. That which is at the 
 heart of things is thine own life. Thou need- 
 est nothing outside thyself. Let the voices 
 within respond to the call of life, and thou 
 Shalt have )oy and comradeship, and the thrill 
 of it all shall be as the fire that leaps to beau- 
 ty in the hean of a iewel. 
 
 When I heard these things, I knew that he 
 who spake to me was Wisdom. Being mind- 
 ful of his words, I turned my thoughts inward 
 wondering what further light would break. Then 
 I heard a voice within me saying: "To him 
 whose heart is as the heart of a little child, the 
 eanh is full of heaven, silence is music, beau- 
 ty is the heart of the shadows. Listen again 
 and thou shalt hear the voices of the ancient 
 years." 
 
I did to tod lo, the years etme btck with 
 silent feet and whispered, tnd I heard each 
 generaiion telling the next of a world of light 
 within the shadows, of i srthere of music more 
 intimate than the aenses. And the voicea of 
 the years rang clear thru my aoul, albeit the 
 nolaea of tims were thundering across the 
 world. 
 
 Then I knew that the voice of Love and 
 the word of Wisdom are the same, all the 
 muaic of the ailence, the whispers of eter- 
 nity, the voice of God one symphony of life. 
 I pierced the shadowa and semblancea, the 
 masks and wrappagea of life, for clear vlalon 
 had come and self-realization. And now I aee 
 that the purpose J life is not the achievement 
 of a deadny, nor the doing of thinga that we 
 may rest when *hey are done, but life is al- 
 together for IL * aake, for the toy of living 
 aa children who play together and are glad. 
 All true life la an arrival and diere la no end. 
 Death Is not a terminal, but a door to a new 
 houae of life. Every moral criala la a judgment 
 day and the present Is eternity. 
 
 We are alive that we may live. Love is no 
 
H 
 
 5' 
 
 P 
 
 ^ Tk9 Sj fm^i t 9 •t Uh 
 
 temw M mm, of love*i appeal, but an eatraoce 
 » ■ toner y\9km, a deeper ioteaalty, a falter 
 es^reaajoo oTUfe. Faith la not a belief in a God 
 who Uvea oslylaa world to whieh weare toint. 
 It !• • fire kiadled oo the altar of Ufe-a fire 
 of whieh ereeda are but the aahea. 
 
 I BOW expect no reward for another'a aaeri- 
 fice, no eacape from myaelf except by atoying 
 the inferior that the nobler may appear. Hope 
 it to me a beacon naming from the hiUa of 
 victory, the triumph of aU God-conquered 
 Uvea fUnfing beama of light and beauty into 
 the deep heart-eyea of die world. 
 
 What am I doing wm} 
 
 I ani in the garden of life calling you to 
 ptoy with 
 
 (^MjOuGi^