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BY HKXHY ,';CAl>l)INU, D.I). :i' 1 In tiie Sonato House of the Uuivor.sity of Cambridge in England there were 'to he seen, down to the year 1881, four line life-si?-; statues in white tnarVjlo, each of them having associations connected witli it of considerable public interest. Tin; Senate House it may be explained, is the scene of all the great university ceremonies, just as the Shel- donian Theatre is, at Oxford. It consists of one grand apartment, one hundred and one feet in length, forty-two in breadth, and thirty-two in heiirht. On the shining white and black marble tioor of this noble hall, the four statues referred to were conspicuous ; two on one side, and two on the other, each raised high on a pedestal bearing an appro- l)riate inscription. One, on the north side, represented (leorge I; and one exactly opposite to it, on the south side, r(!presented George II ; the third, on the south side, preserved the shape of a former Duke of Somerset, by name Charles Seymour ; and the fourth, opposite to this, was a famous counterfeit presentment of the younger Pitt. It is a slight discoveiy which I once chanced to make in connection with one of these statues, namely that of George II, now many years ago, that I desire to put on record in this paper, for the V>ehelit of future visitors to Cambridge from these j)arts, and Canadians gen- erally. It must however be noticed that George II no longer stands on the floor of the Senate House but must be sought for within the walls of the adjoining Public Library of the University, whither, as we shall presently learn, the statue of George I has also been removed. Some of the legendary lore connected with these marl)le associates of George II may be briefly given in passing The flgure of George I, which is by the sculptor Kysbrack, recalls a pair of famous epi- grams, so good that they are found in most collections. The first two Georges were very friendly to the University of Cam- bridge, regarding it probably as in some degree more favourably dis- posed than Oxford towards the House of Hanover. Besides the donation of a tlionsand guineas to tho building fund for the erecticr. of tiie Senate ] louse, George I liad also presented, to the university- library, three thousand guineas' worth of books. It so happened that just at the time of this gift of books to Caml)ridge some addition was maied by an allegorical figure of " Glory " — aoademi j (llory — not very remarkable, the gift of nome former grateful nie uber of the TTniversity. Tt was also mischievously put about that it was an effigy of Queen Anne, as a pasquinade of the day expressed it : "Academic Glory, Still in disguise a tjHieen, and still a Tory ;" This statue of Glory was transferred to one of the adjoining Schools ; that of Law, and Nollekons' Pitt was set up in its place. From some anti-Pittite came forth the e})igram above referred to : it reads as follows : Sons of Sapience, you here a fair emblem display ; For wherever Pitt went he drove ( Uory away. An unfair saying, as the sayings of epigrams so often are, and the inevitable rejoiner followeil : Why thus exclaim and thus exert your wit At making (Jlory here give place to Pitt? We'll raise his statue of tlie finest stone, For never here a brighter (JLtry shone. The sole inscription at the base of the statue is the word Pitt. It had been ordered by the committee appointed to superintend its erec- tion, that "it should be free in every part, from emhlematical or allof^orical devices:" a prohibition characteristic of the university wliose famous professor of Mathematics, Vince, held that "Paradise Lost was all very fine but proved nothing." The remuneration received by Nollekens was three thousand guineas. Pitt was further honoured at Cambridge at a later period. At the time of his death in 1806, funds for erecting statues to him in London came in ao abundantly that a large surplus remained which in 1824 was devoted to the erection of the important structure known as the Pitt Press, the scene of the printing operations of the University of Cambridge, just as the Clarendon is the scene of those of the University of Oxford. (Most persons have probably noticed the very Italian look- ing imprint h Prelo FUtiano on the title page of Latin and Greek books printed at Cambridge.) I now proceed to narrate my discovery made some years ago in connection with tiie statue of George II. at Cambridge. The king i.s representoil iti wliat is called the Koiiiiiii style. He ia Hgurod as a s>icc(!ssful lioinan general or iiuperator, lauroated, and wearing the lailitary chlaniys or toga, artistically disposed in such a way as to allow tlie beautiful lorica and various trappings of the Roman mili- tary costume, to be well seen. ll(! slightly leans against a low truncated column on which rests a rather large ball or globe : the king's right arm gracefully encircle.':' this object. One day T was standing on a bench close by this statue, for the purpose of getting over the heads of tlie surrounding assemblage, a better view of som(! academic proceedings going on at the upper end of the groat hall, where the statue was then placed. Thus elevated, the eye was biV)UL,dit on a kn'el with the ball or globe just spoken of. With considerable indifl'ereuce at the moment, I gave a little flourish of a pocket handkerchief over its upper surface just to brush away some of the dust which ajiparently had not been disturbed since the time of the erection of the statue. To my great su})rise I suddenly discerned a very familiar word cut on the marble of the ball in rather large characters, so large that the word extended from one side to the other of the upper portion of the sphere : that very familiar word was Canada. The globe placed in the position in which it was seen, and thus insci'ibed, was intended to be an emblem of the acquisition of Canada, just at the clos(i of the reign of George II. In various funeral orations and academic elegies on the occasion of this king's death still preserved, the comjuest of Canada figures largely ; and when a few years later tht; sculptor Wilton, designed a statue to be set up in his honour in the Senate House at Cambridge, he adopted this method of commemorating the great event. It is probable that the sculptor chose the Koman style for the figure to make it match pleasantly with the statue of George I., on the opposite side of the hall, which was in this style. Wilton was also the sculptor of the cenotaph of Gen. Wolfe in W'cistminster Abbey, which is treated likewise in the classical manner. On one side of the truncated column, on which the king leans, a long chain of metlallions is seen suspended. Each of these is supposed to be commemorative of some success to the British arms in the king's reign. The name of Quebec appears on one of them. Words on some of the others are : Guadaloupe Capta MDCCIX., Quiberon, Senegal, Lagos, ]Minden, Victoria in Oriente. The orb which the king's arm here encircles had more real signifi- canco than any orVi rvor l»oforo hopii in tlio ]iiinliicin^ in the hainls of the sovert'i;,'!! an orh, with a certain .idmonition — a mere shallow of old imitative custom, borrowed fi-om usages at liy/antium, when the imperial grasp on the orhts femn'tnn had grown fe(!ble. Hut the glohc encircled by tho arm of (Jeoige J I. indicated u real possession. whose importance has increased as the years liave rollfd on. Parkman has obsin'ved, in the preface of his book on lAnitiac: "The «on(iuest of Canada was an event of momentous consequence in American history. It changed tlm jiolitical aspect of the continent, prepared the way for the indej)endence of the }3ritisli coh)nies, rescued the vast tracts of the interior from the rule of military desjiot- ism, and gave them eventually to the keeping of an oi'dt.'rly democ- racy," language to wliich there will be little tlennn- on the Canae held by George II. is oidy sui'|)assed by the grandeur of that which is symbolize(l l)y the globe in the hand of Columbus, as seen in Pt-rsicos group entitleil "The Discovery," at the south eiul of the steps of the Capitol at Washington. — The ((uiet, easy pos(! of tho king, and the j)leased glance upward of the eyes, wore doubtless intended by the sculptor to indicate the happy circumstances and comparative ease of the con(i[uest of Canada ; as exjiressed likewise in worlinopulatioiis of Asia, Australasia and Kurojte. As to the (juestionahle taste of setting up a king of England in the guis(^ of a Koman imperator or (.'lusar, it is to bo observed, b( fore leaving the subject, that this njase at Kton and in the public schools genej-ally of (ireat Hi-itain. That was an age when on the Hoor of l)oth Houses (juotations from Horace and Virgil were recognized and f!njoy».'d, and a mythoK>gical allusion was understood. In that age, which was jjrolitic of ap' inscriptions on coins and mc'dals, originated the Ltitin motto which sonu^ will remember on the public seal of the old Province of U[»per Ciinada : Imperil porrt'cta Majestas, ('uMoilf rennn C(Psare, — "The greatness of the empire extended under the guardianship of a Caesar," it ran, with direct allusion to the very extension of the empii'e symbolized by the globe of the statue of George II., and affording another instance of the fashion once in vogue of saluting an English king as a ( !a!sar. We shall, some of us perhaps, recall Thackeray's grotesijue little sketch labelled ^^ Avd, Co'Sdr," in his book on the four (ieorges, showing Sir Robert Walpole in the act of announcing -^ the king his accession to the throne. But we must take Tliackeray's pictures, both of pen and pencil, cum (jrano. He, like several other brilliant essayists and historians that might be named, when he approached the weak points of a public character, was apt to proceed as though he held a brief against the offender and to exaggerate considerably. In regard to George II., it will be becoming in us, at this distance of time and place, charitably to accept the general truth of what is said of liim on the pedestal of the statue we have been contemplating. We can read it for ourselves in the photograph co|)y, which, however, lias failed to give legibly two or three of the lines here supplied from -another source. The inscription reads as follows : Georgio Secundo V f K r i- { ) I \ piitrtmo una optlmh merpyiti, nempn' vericrcuifo : ijuoil x'olenti Populoy jii,-tfissliiih, hitiiKiniHslmb, in Pave et in lUillo, ffliciter imperavit ; ijiitnl Actnhttnnia Co tU(ihrlf/ii'ii,s 'tn J'oi'lt, au.rit, ortiuvit, hmic stutiiain, 8uls suniptiiiiH /)( ni rnrai'if Thmnna llollex, Ihu' da Ne.wcuHtlc, Acadcmia' Cancelltirius, A.I). M !>('<' LX VI. I iiiiiy .'uhl that I lirtvo lu'vor fiilloii in \\'\'\\ any one who fvt'r noticed tho iiis«'riho(l wonl Cdrid'ld. which is to ho fbund on tliis statue. Tlio l)hotoi,'ra]»h was taken •'Xjn-essly for myself, through the frit'iuUy co.o|HM"ation of Mr. Klijali Johnson, Trinity Stn-ca, ('aiu)iri'-i-l in Ediiil)Ui-gh. Tho central and principal objccw in it is -i .seated statue of the Prince Consort, admirably executed in br luze by Foley, placed on a lofty platform, to which ^n ascent is inn le by a pyramid of steps, a canopy and spire surmounted by a cross ri'-ing above all to the height of one hundred and eighty feet. A foliu volume -j.'ght be filled, and has been tilled, with the architectural and ar!istic details of this struc- ture, which is one of the most wonderful monuniental buildings of modern times, the combined production of the most eminent sculptors and workers in metal and mosaic of the three kingdoms. All the arts and sciences, with the distinguished personages who«/) names are associated therewith in ancient and modern history, are somewhere or other riuelv idealized in or about it. A thorouj^h studv of all its parts should be [)atiently made. Among the most conspicuous groups of .sculptured objects are four of colossal dimensions, each of them masterly and full of ])oetry, placed on a grand pedestal at the four angles of the enclosure, just at the base of the steps, symbolical of the four i{uarters of the globe, this monument being commemorative, not only of the Prince Uonsort, but also of the great International Exhibition of 1851, the first iilea of which was due la him, and was carried into effect through his instrumentality. In each of these corner groups a gigantic animal, characteristic of the quarter of the globe tyi)ified, plays a conspicuous part, bearing on its back an eml)lematic figure of the quarter of the 10 globe re|)resi'nt('tL Europe (by Macdowell) is seen mounted on an ox or bull ; Asiii (bv F iley),on an elephant ; AiVica (by Theed), on a camel ; America (by Bell), on a bison. Each continental figure is surrounded by graceful forms, typifying the chief nations or sub- divisions of that quarter of the world, distinguished and made known by appropriate symbols or the mode of attire. America has around lier South America, ^fexico. the Rej)ublic of the United States, and Canada. I shall contine myself to this group of the sculptor Bell, and particidarly to that ])ortion of it which illustrates my present subject. This group, as an oibcial document sets forth, consists of a central figure of America, as a cpiarter of the globe, mounted on a Bison charging through the long prairi(> gra.ss. Their advance is directed by the United States on the one side, while on the otlun- Canada attends them, pressing the ros(^ of England to her l)i'eiist. [It is ]>rob;il)le, had Confederation been an accomplished fact when the Pi-ince (,'onsort's memorial was designed, Canada would have been treated with even greater distinc- tion than that which is here accorded tc her, and spoken of [)erhaps in somewhat diflrrent teinns ; but tlm beautiful thought of the sculptor causing her forever to be seen "pressing the rose of P]ngland to her breast " atones for everything]. In the other figures of the comiK)sition ar ■ presented Mexico rising from a trance, and South America eijuipped for the chase. The details and emblems aie as follows : — The figure of America is of tin; Indian type and in native costume and feathered head-di'css, and the housings of the bison are a grizzly bear's skin. In her right hand is a stone-pointed feathered lance, with Indian totems of the grey squirrel and hunnning bird,, and on her l-jft arm she bears a shield with blazons of the principal divisions of the hemisphere: the eagle for the States, the beaver for Canada, the lone star for Chili, the volcanoes for Mexico, the alpaca for Peru, and the Southern Cross for Brazil. In the grass, aroused by the passage of the bison, is a rattlesnake. The features of the figure representing the United States are of the North American, Anglo Saxon, civilized type ; the tresses are surmounted, by an eagle's plume and by a star, which is re})eated on her baldrick, at the point of the sceptre in her right hand, and on the bracelet round her left arm; in her left hand is a wreath foi'ined by the leaves of the evergreen oak. At her feet lies the Indian quiver with but an arrow or two left in it. Her dress is partly thin and partly of a 11 thicker t(.'xtuie, to recall the great range of lier climate. In tlie i»re- sentatioii of Catuula, who, tli s same documeiit goes on to state, is habited in furs [as a matter o." course, it might jxu'haps have been added |)arenthetically, althougl it iinist l)e allowed they are made (juite light and etherial], the feaures ai(^ of a more Ei^glisli type. In her heail-dress are woven the maple leaf of the mainland and the May-flower of Nova 8cotia. In liei- I'ight hand are eai\s of wjie.it, of which we receive from her sui-li lirgr sii[)plies, and at hei' feet are a ])air of isnow-shoi's and a liraneli and (.one of tlif pine tree. — Tiiis is the figure which is reproduced in the photograi>h. I hiive never myself seen the Prince Consort memoiial in its per- fected state. From some description which I had realed on b\' my friend. It was instantly secured, and forwarded to me. From this I have had an enlarged copy of the fi-'ure of Canada made bv Mr. Lemaitre of Xo. '.V2A Yonge Street, who has cleverly detached it for me from the grouj) '* America". 1 have no doubt that Canadians visiting London will soon have no dih'iculty in finding out the graceful symbol of their country of which we have been discoursing, and that photograi)hs showing it favour- ably will be readily procured. One ter9 ; an engraved portrait of Queen Caroline ; a two-iifMuid gold piece (IT.'iO) of George II., inserted in a contenijiorary silver cup, and having, in addition to the usual titles of the king, the following— /iriufxr/ct'H.v/.f c^ Lnii^'burriciiniK Dux: Sacri Imperii Roiiiani Arclil- Tlicmiiriiis ,;( Ekvtor, abbreviated thus: H:ET:L:r):S:K:l:A:T.i:T:E. Also an engraving of the seated bronze figure of the Prince Consort iji the Memorial.)