CIHM Microfiche Series (l\/lonographs) fCMH Collection de microfiches (monographles) Canadian Instituta for Historical Microraproductiona / Inaiitut Canadian da microraproductions historiquat Technical and Bibliographic Notes / Notes technique et bibliographiques The Institute has attempted to obtain the best original copy available for filming. Features of this copy which may be bibliographicaliy unique, which may alter any of the images in the reproduction, or which may significantly change the usual method of filming are checked below. D D D D n m D D D D Coloured covers / Couverture de couleur Covers damaged / Couverture endommagee Covers restored and/or laminated / Couverture restauree et/ou peliiculee Cover title missing / Le titre de couverture manque Coloured maps / Cartes geographiques en couleur Coloured ink (i.e. other than blue or black) / Encre de couleur (i.e. autre que bleue ou noire) Coloured plates and/or illustrations / Planches et/ou illustrations en couleur Bound with other material / Relid avec d'autres documents Only editk>n available / Seule Edition disponlble Tight binding may cause shadows or distortion along interior margin / La reliure serree peut causer de I'ombre ou de la distorsion le long de la marge interieure. Blank leaves added during restorations may appear within the text. Whenever possible, these have been omitted from filming / II se peut que certaines pages blanches ajoutdes iors d'une restauration apparaissent dans le texte, mais, kxsque cela 6tait possible, ces pages n'ont pas iM filmAes. L'Institut a microfilme le meilleur examplaire qu'il lui a ete possible de se procurer. Les details de cet exem- plaire qui sont peut-etre uniques du point de vue bibli- ographique, qui peuvent modifier une image reproduite, ou qui peuvent exiger une modifications dans la meth- ode normale de filmage sont indiques ci-dessous. I I Coloured pages / Pages de couleur I I Pages damaged / Pages endommagees I I Pages restored and/or laminated / ' — ' Pages restaurees et/ou pellicul^s r^^ Pages discoloured, stained or foxed / — ' Pages d^olor^es, tachetees ou piquees I I Pages datached / Pages d^tachees r^ Showthrough / Transparence I I Quality of print varies / ' — ' Quality inegale de I'impression I I Includes supplementary material / " — ' Comprend du materiel supplementaire I I Pages wholly or partially obscured by errata ' — ' slips, tissues, etc., have been refilmed to ensure the best possible image / Les pages totalement ou partiellement obscurcies par un feuillet d'errata, une pelure, etc., ont 6td filmdes a nouveau de fa9on k obtenir la meilleure image possible. I I Opposing pages with varying colouration or ' — ' discolourations are filmed twice to ensure the best possible image / Les pages s'opposant ayant des colorations variables ou des decol- orations sont fiimtes deux fois afin d'obtenir la meilleur image possible. D Addtttonal comments / Commentaifes suppMmentaires: Thn iteni it f ilmad tt th« .^tduetion ritio chaekad below/ Ct dociNiMfit mi filmi au muk dt rMuction mdk^ttk ci-dtnout. 10X 14X tix 22X 2CX 361 J 12X ItX 20X 2«X 2IX The copy filmed here hae been reproduced thanks to the generoaity of: University of Sasicatchewan Saskatoon L'examplaire filmA fut reproduit grlce k la ginirositi de: University of Saskatchewan Saskatoon The images appearing here are the best qualhy possible considering the condition and legibility of the original copy and in Iceeping with the filming contract specifications. Original copies in printed paper covers are filmed beginning with the front cover and ending on the last page with a printed or illustrated impres- sion, or the bacic cover when appropriate. All other original copies are filmed beginning on the first page with a printed or illustrated imprea- sion. snd ending on the laat page with a pointed or illuatrated impression. The laat recorded frame on each microfiche shall contain tlie symbol — ^ (meaning "CON- TINUED"), or the symbol y (meening "END"), whichever appiiea. l-as images suhrantee ont 4t* reproduites avec le plus grand soin. compte tenu de la condition at de la nettet* de I'exempiaire film*, et en conformit* avec lea conditions du contrat de fiimage. Lee exemplaires originaux dont la couverture en papier est imprimis sont filmis en commen^ant par le premier plat at en terminant soit par la derniire page qui comporta una empreinte d'improeaion ou dlllustration. soit par le second plat, selon le eas. Tous les sutres exemplaires originaux sont filmte en commen^ant par la premlire page qui comporte une empreinte d'impreeaion ou d'lllustration et en terminant par la demlire page qui comporte une telle emprelnto. Un dee symboles suivanta apparattra sur la d.wniiro image de cheque microfiche, selon le cas: le symbole -^> signifie "A SUIVRE". le symboio ▼ signifie "FIN". IMapa. plates, charts, etc.. mey be filmed at different reduction ratios. Those too large to be entirely included In one exposure are filmed beginning in the upper left hand comer, left to right and top to bottom, as many framea aa required. The following diagrama illustrate the method: Lee cartes, planches, tableeux. etc.. peuvent ttre flimie * dee taux de rMuction diffirents. Lorsque le document est trop grand pour Atre reproduit en un seul elichi. II est film* i partir de I'angle supiriour gauche, de gauche i droite, et de haut en baa. en prenant le nombre d'Imagae nieeesaire. Lee diagrammas suivanta INuatront la mMiode. 1 2 3 1 2 3 4 5 6 MICROCOPY RESOLUTION TEST CHART (ANSI and ISO TEST CHART No. 2) 1.0 1*5 Ui lift muu 2.8 l£ 14.0 25 2.2 2.0 i.8 ^ /APPLIED INA^GE Inc ^Sr 1653 Eost Main Street S'JS Rochester, New York 14609 USA '^St (716) 482 - 0300 - Phone S^ (716) 288- 5989 -Fox CARRIED PRAYER-BOOK. lilVRE DE PRIERES PORTEUR. D«J3s A I' 1901// CA33t * r CARRIER C0NTAI\IN<1 Together with the usual ForniularieK A COMPLETE COLLECTION O^ HYMNS, CATECHISMS, DIRECTIONS Relative to Varions Points of Catholic Life. BY REV. A.G. MORIOE, O.M.I. MlSSMBfe 190L BE PKIEKES A L'UHAGE DE LA TRIBU DES PORTELRS Avec line collection complMe de CANTiaUES ET DE CATfiCHISMES AJnsi que de nombreux Eenseignements sur diflferents points de la vie chretienne. LE R.P. MORICi^^M J.^^^ > MISSION » A>^ '^' 4 mm ]li&^ S^!KiSi»l i> 1901. Imprimatur. t AUGUSTIJV, O.M.I. . J^ PREFACE. X info "■ r^?' "^"^ '^"'"^"•^' -'"^••' «■•■- u.m<, m,o u.e ,„ ,ho |,ttor purt of 1885, and winch h- «nco rendered n>o„ valuable ^erviees ThJw J he „..uve, of „or,l.e,„ British (,ol.,n.b,a can wri" ™i,. and read with ,he greatest ease their varioa dmlect, and tho..fo,. '-m without the help of he ^ jrunal g„,ae all the le.«,ns of the CatJ.i..n , ^Z'^Xr '""" """" '* ""^ <"-«' ^''- « acquire. They now correspond by letter, keep pri- va e accounts of their dues and of their debts' nd CimTL -the trees of the forest reco^isof their late deeds or of their present wants for the be- nefit of parties likely to follow in their tracks And all this, let us not forget, without any reg- «Ur schooling, since our Indians acquire reading by the merest pretense of mutual teaching — 8 ~ The beautiful 8implici(v nf ,t • «>« logic and method S„t,!"^"P'"" ^y''**"' ivoposiuon^ofisr^:"::^'''''^^'^^ ■ng sound realized but »k ^.""^ "'« «»Tespond. •hem to .pell i^'^'t'^" ""' *''* *"=» »''«' ^^th »rS,rh:::;jr;;,'--» '- ^a.ou. orou, «gn inftllibly de,T™7nI th T" "' '"'«'•' "'«""• «««•) AlKhecognaJe'soonT ^' ^ n (T) fQ, iy formed eha J,"« 1 ""* ™'"1'»«1 by Bimilar: «>eir modificationf rCil! 1 ' '""'"«• '^'"'o "cally reduced to 9 viz • ^ " """jfette^ ore prao- Nor should it be oJoiifo ^«?.F <^ © O C & ««ko place in conformUy wi h To 7 '»<^'«<=»"-on» '•"•ly learnt, r„le«. Zr^r . * ' ""^ ''"""■o"' — — cipal signs will recognize it at sight-through its dou- ble undulating curve-as a haivl sibilant which, being affected by no modification and pointing to the right must be given the primary hissing sound Sa. Let us now insert therein the perpendicular lino which when used as an internal accretion to a sign corres' ponds to the h of the Roman alphaU^t (as in' < rha < hica, Q tha, a f>ha), and wo obtain ^ sha Bv crossing the end of its horizontal line, we add *a r to that sign which then becomes Q tsha or cha. In like manner, £ may be changed into Q isa, which in Its turn is liable to be transformed into Q fsa while C E. *c. may become Q, 8, *c. by the in- sertion of the one sign < i-eprescnting the same click proper to some L.dian languages, etc., etc To come now to the present work. I't is, as its title indicates, considerably more than a simple prayer- book. The prayers, hymns, catechisms and religious in«lructions it contains nm, in their entirety the nro l)erty of the undersigned. ^ A.O. MOltICK, OM.I. PBEFACM. Le present volume est le quatrifime imprin,^ aveo r ZT^" '^"'"^"' ■""hodique invent* vers la fin de 1885 lequci a depois rendu d'excollents services. GrSce a lu. Ics imltgAnes da notd de la Colombic Bri- tonnique pcuvent maintenant 6crire correotement et .re avec une extreme tacili,blant d'en-cignement mutuel parmi .,v« ^, — 11 _ b N jy^ ^/.:., A.'< N6 ^>>>1 la ** ■r#T^' La simplicity de leur syst^me graphique, lalo^iw '^^ t la m^thode qui ont prdsid^ 4 la formation et au *'^^*^ roupement de sea caract^res, la facility avec laquetlo'^' : r-ii/^'A I)Osition de chacun d eux est reconnue et leur va- " ^^ '^ leur d^termin^j mais avant tout ce principe fonda- ental d'apr^s lequel ^peler est lire ont seuls rendu (ossibles des r^sultats si satisfaisants. Ainsi, pour ne citer que quelqucs-uns des avanta- :e8 de notre sj'llabjiire, la direction de la courbe ou e Tangle de chaquc signe determine iufailliblement lla nature de ia voyello qui s'ajoute d la consonne re- pr^senliSe par la forme du signe, et cette direction so perjoit toujours sans le moindre effort de I'osprit, (< c E e, > D 3 3, A n m m, etc.) Tous les sons appa rentes sont oxprim^s par dos ca- ract^res de forme similaire dont les lignes g<5ndrales d^notent le grou[)e phon^iique auquel ils appartien- nent, tandis que leui*s modifications accidentelies d^- terminent le son qu'ils repr^sentent plus particuli^ ment, en sorto qu'en pratique nos 30 s'!2)- C U'O'/ <17 ^0>> D8J38 ^-^o, >, /^l^//. ^„ ^,^ ei>3' >QDi-t>». 30. Dt^D> S \» Bz > e,.->, ^312)' >DQ'. a DA>D- >3 DhQs Da >B>C ^ DO D8Q8 e/ >U > »Q//, [i>T Aii< 0DT) uj{^ >A!2)* I>jB^ >B'DVDj. 3"D 0B<-3z D> )®z 7), G3, VD'/ 7)>a7)s3z >, v,|2) oj3h, CV-D»' I>c)u- •I» 0» Aii»!2) [>T v>B. >3 DsQs Br G^) Or c Bs V>- ^& I>]D D>aDs3z>, CBA>:- Errata. VD* '3ci"e> '.. ^ Aa >>ci//. CV>Q// £>> (-«.. ^_ Aa i»Q//. -"^^ ^ D l>^Nfi SYLLABARY. SYLLBAIRE DfiNfi. L)" D!Si Ha hd he hi, etc. < > Ii> U^ A Eha Ha Wa Hwa Ta, I)a Tha Ta Pa,Ba Ka, Ga Kba 'Ka < < c a a CE E a 8 >>> > ^ > > > > > > > > > > A A A A A Without vowel, VSans voyelle V h V // V II 3 D 3 n u ^ 2) D Q CI I) D D q ti 3 3 3 m UJ B B B m CD B B S 03 OD — 1. . A (2BSC: QBsC Q. >3>c ; QBsC G)> «BaA3t3; (2BSC )n-7), v>u e 2 — 18 — :5a>.3H Br os^, ^-3,^ ^^^^.^^ ^'•^ ^. A»< e 0.3? I>ID BB- C'S> A. 3a I- BGADss., ^j.^J 3> S, CQsE. AB^ a .B1)D.^2D' A- ^<->0>; ^xA„< >Q.UsC A^a Or > CI V>3- B >D » At« 7)-Ds0,. ^^V.B 33 DB GD3> SA30>. r>< — Ill _ 'nOT)-D a BQVi. USflS «a DCU-D; ■OCT ©B^ 3.C », m .©3 ne- 'BDAS. A©-, QBz AvAbg ©.g. 3 <'3^ 3> IX^)-^.,, o >B2 jS}// d Cf l»- >>B V>3- VBBAfT) Da -^.ajDi.^ '3' a ^QS3u Da •»ADO B2 DVi-Qi. AB "DOOQ S TXCt^O. >DA>. 'Q*- =B, BO) D"' > — 20 — DQ VU. ■D>a>D»'D B>!3 DQ DC- ^>Q D a. )DA'D»'. QBsC a BQVb > LDs, Q a, 0> a l»G I» 0» C V!D// >zD; *PsbCt Vv>-dasEi> c O// "D3Dt, OGi'Bs g>e)tD, Oe[> I»Bz OQtD; >Q >>Q; ^u qt tr» QBsC a BQV>» > lDs CI>t-> B q. >sC; ^z C"D a, Qt>C'D a Da cvQh <. ~ 21 — QBsC BQV" > tDs VB> >C>0', >n-*£.!2) , ^ ^' a P3B>, >nO"0-D a BQVh DB>, >c)> S, sQ, >B> >C^O': 3^ ID a, s>3 J^ a, 3>D> ID a 8CID -D)a-- >D> 0>T Aii<. a:D8"D D>t aii<, a- X)0 Or AiK, D£)flff ADb^ E>t An<. n — 22 — <2BsC T)U,3hD VB> «a DCU»>!D <. A7). . AD^Q> >D QB.C © Dv3i. FD-Db. 3.-3E.S tD) AHi-D- [>T ACOOh. 4.— 0 a >D3tD- :^j;5^.-, — 23 — '7.— I>>Dn>B'' rD~>. Q>CO[>h. ■W v*- ^^ r X — 24 — >:D.; ^. AK 3 c -00.1.3.^ ^3. as-J^, >Q) ^,^ gg .j._ A >nu,3s UiecoD D]DDa> (». ^' ^^ A«< .^ o.flP B >B.3, 0>g. ~ 25 — >S>-< C 3/a// BOS', >2>)-< 3u D- 'D'O a >< DB83- Ot Aii>> 05 Bh'>> BK?) OC 3t2). sc- B 8Bt»3-, sQ >>U l», sC Qt 8<[T)-- C>3>: <1V A-'l» bODS id >tD 'UsC A^<©->r); C>T Aii< CA^ifiT A^e/ W- VzDs <, O^flP IDB>U HZ.- (^L 19// -Jr.') (Bb.-) OJQp sQ >>-; pQh^ A-O''. (E^r) D»gz DD// AD D»!D- (a>.-) "DQ VO I»U >>, Da DC- (B".') 3 C *B3.0 -7)8 ^93 o^ ^. "i) OJB'O- G0!3t. <. U DtD DAi^i' < )B DOE)h, >nijuZ)h; QJT)> -7)t CVO' > *B3'^, — 27 - ADh. >D D DC^OZD'i OB' ^^^^ Q^ AvA'^S ^>3Qz G( ATG^BAOh. Q3 QQ/ •i)'>TQ D Bz®3 Ah >03h; 30 ^3 >^< AB^ 3L* Q^ >i< A- 03 t>T C >!D''- Bz®3 Ah >0'Dh- <]!3CIQ AD*» "QBz A!D'> BBn B^-®^ Ah D BTfDa >3B='' >T C ATGn-"D a db<7' Vte)z a, D»Bz >n)T C <1V ADO^-^ Q// O-r i^H »"^AD- mtf^t^ — 28 — qt >^^^l.. >T, 300 Qd AvAii© AtG^BAOH. It Regina Coeli. «]D C ari'C AQ a5[>iO- I»!2)- O), C>zQ AvA^B DC3r(?A [>T AiK, <- QBsC S> DQ DC3>!D, -') V"D>D t»Bz A"^!-!), *g.0 £/- =£=3=: — 80 — C3-rOI > c)>a ADO D»!9-, >B D"- D C» C P- >DA'7)h. 31 EVENING PRAYERS. Priere du Soir, t CI S, G)- a, O^i.' A QBsC BQD> V)!2) 71^3^0,
S, Ua Q!2) ID- Be B >tD >3^C [>T Aii< OiflR >^CA- T)h, >n-D, 3 B C! 3t q> v>3- D- T)'r)sD> ACVz-^h <. <30t Q3 CV^Q* >3 > G DD® B'ffiT A^^- * * * * * SS9{ V — 32 — iJjT? o>T V>B CV>Q^/ AG bQ d»U SI> D, >B C DsQ'- 2i)A"DO>i ^>>flP IS>>ai// 3D>"D--»0t! cV'fifi \>D C VQ DB«*I>> >B>'< 30: B»>->> >zU"D? v>>- Q 3sc D, ^>) C Ds'Ot, v>) c Ds- DaB>, 1>T V>B Q//. >3->> s>Qh Ah BQ I>3D DSDi'-O'i >nODD > VaON >8B B-r ©SD- DsfiQ; >7. D83^ I>t V>- B niju3»>, 8<- il — 33 ^ '^•^ D>)3 7) ^ D- f^Oz )c)L >y\^ A "Oh. < "i^CE (ogij 3,(3 OVLe)i D' ^^' (I»gz A-0>. ) V 34 — SUNDRY PRAYERS. Prieres Diverses. »•» ON AWAKENING. EN ^'EVEILLANT. *e3 1>>U l>>» IXD'D^^^- (100 Q3 AvAb.B t>E> AtG^BAQIO :^5 — Oa-Br^ -T)ci DC3>!D. OX KETIIilNG. J'^N SE COUCIIAm\ I>^ Aii< <>3t >u< bc)sd s, «;3, ^' 3D a, sHD s >£jsrD. UJffl D3D!D G/' *©3 D»U >>, I>z.- A *£.!9, t>z.. — 36 — •^ >B-o- BKFORE ^lEALS. Benedicite. AD'». AFTKR MKAliS. y/r-.->« — :i7 — Q I>: A- 3^^! 'SQ"' I>D->«' T), © <: B: ii^CO,^h. "^3' D I>^^^I '^'' STai>h OzD- f ^:-j»r«» V — 38 — oo ]i) QXZT) CI DCOE)'' cv>- PRAYKR FOR THE BEAT). JIequikm xEternam. D, D»B>'' >r£)'^- >^ Da QDOO- QBsC DD'QT) BQV" l>I)'C >'B» 3>0 (>' D- >DA'D*- — 3ft — AFTER HOLY COMMUNION. En eoo. It A *J53 I>; D I>j ^ D»Bz >g-;) s ) r cB T 8/ ^^8^ 05 » Da? B l> '< > 'B DC3 VDl- 'ID, 05 D- ®' Boa•AaDt■^o, — 40 — ^ a» ID7)BB>3- D> a sQ Dn^H)^ <, VD- CAziJjT AtC^ SOtQQ < S >B DDsK)": Ai' DD >r)> D»Bz bHD >m > 'ACD> )aB-r Av>:)D>:Or i». B^ 3D ]7) Av»a, >3 >-D "sc ^, ■D Ah. *B3'£l OG t3B B 3^D VDt O >^ D [D- coD i>, >dbz ua <3iQz "Da dqi a n> 7t ^h — 41 ^ Anima Christi. *®3-rD Dzai>, 3^,^,. *»nf^ ^ S 3.s. >aBT > 3>Di.-l>... '> D^Dl. Are^ s>,Q. '^'^■^^ Di. .a An«D- < OADh. oesc Avals ArasA^- \ — 42 — TO THE BLESSED VIRGIN. A la Ste. Vierge. Salve Beoina. ADO, Qi> EB, T)CI D"^0); ,< a?, ADO. ^OVh D^B''B ArQiDs^r-T) B>!3 )S B>G)h. )3 fiQ Q,g^ aoOT- > t»Bz BO? A'. )B OTDh. ^r Aii< Dv>h! -DB-3-D », )C D-DO) t> B DB) C[>D>D'.i [»gz gCBO>D 2), *e3, >S) VQz Va ADiD- [», DD- nuD>. A *^D S'3>C DOO> a, DD'-Dl-G> S, t»Bz >kT) [r>i,^ ^^ ■T5». „. r — 43 -. 'Sfb T!i; M, •OA^ij) < )> eiD^Ii A». ID 10 "v)* £>'B Aii"r)>s3z oo- THE MYSTERIES OF THE EOSAEY. Les Mysteres du Rosaire. I. CO Qa a D>3gz Ai 3t Qa a Aa i.-*£.!2) T)a VCI DQ" eiD) c)o c- 2.-*6_0 aV'D A" ^OrDCIDT B > 3Q Aii>"DiPa>- 3.--*B3'[3 ^^^U^Qc)// "DCI Az!D A- Aii>DQQa>. Aii>"DGQa>. — 45 — IT. ^.-^B3'^ OQlBh -D^zQ) ai->^- ^«.-*B3'D Oat3.^ fc>c)LD Aii>-. III. 1^5 Q^ a. Ai qt q. a >.g. ^, ,gQ, Q, a i>T Aa n.--*g3,j2) Q[>C!D D// DC3toi a- •■DQDa^ r ^ fim a m>im imm - \ — 46 — 12.— *g3/|2) )n QBz ^C^GI Aii>^- 13.— )n-"o ^aia>. 14.— *E.Q >n (2B55 >)Q Aii>"OQ0a>. a>. Sf'i^WhJf^^' ."If »».«»■*<■. 3ir:;5£!S!att- j'j&sa ' — 47 — TOTA Pi LCIIRA EH. OffiR > l»U-, *£.!2). O'fiP > l»u-, *E.Q. I»Bz DBS Di' B^zK) j> ,;> yj3/^^ >< *©OCD< A3zD- >< 7)1. 33//!) >3i0- >c)> 7)>a>D>.D DB-31D. A *L^ ■ A *£.©! S'3>C >B~D^ Aii>)!3 >), DO >B> D-DO> >>, DU.D»>D *B3^D ^> -oa Du Q[>LD^ «JSra^ESS-i^issflR, ■: i€:tJ«Kr?*fcSJ:^?iM' — 4S — TO SAINT JOSEPH. A St. Joseph. ( I'lTsnibccl I)}- Lro Xin. ) 3" 0B3f. A'. >B C>a[>0>3i, A >n VB A^^C^iC^ Av>o-<., ,Q. a ^A- © « Av< DOS)-. »oc- .DDA'O... ^a VO, DBS -Or s,sc [», vv>- l»S- ^[»©', [>,B. a3D> *B3 Va CO.- B V:>D [>.©• a Aii<, D U5S? >Bn<.-b>, t>®T [>os„ Ai. B I>tDs > B DCA'D> DDSi. B >B A^<-?^0. D^Bi-B .UT, UJSB Ba A^>DC>.Ou > ri>>0- t>., *B3,Q VB<(2>DD UjT).- — 4!> — D C >C- a3D> *©3 CDS'. A-e^' DL- D [>JD- >Zl»-<] <)T)T Qgs :0'LoD'. >D'0 DDi-c)// Al'c)OB''i>) .>)Bz T^Cf»© > >, 3z >n (2Bz t>Oz BAD < a >9. >3A" Oil. A X — 50 — TO THE HOLY ANGELS. Aux Saints Anges. Anoele Dei. Ai^h. V PART 11. HEUGIOUS EXERCISES. EXERCISES REUGIEUX. J ^ Relif>;ions Exercises. ON CONFESSION. De la Confession. ^' C- QD>T) i>o// c »-D B-D>c)z, l»B^ ^»JP DC C»C D»B/^ >z I>DDO'. Ot v>B QBsC did DT) B'3- Bt T)Onr) I) n,j)g D(^v-7)h < ^*=B3'»3 DQ e CDCt C, >Dab C- ~ 54 — D C DQ A»0> \>i) DQ aj>D> " >- Dud (*£.t0, 20, 23.) c>T US DDi'D: "3 c)>Bt >y^>i l> BQI>3' >n QBz a Vi>. ; I»gz 3 c >3 c))Bt BC"->' > B- Q03' >n (2B« a BCVD'" >DO (*C, 18, 18,, DODB DQ •>)c)OOi' I>>gz >^9T) j). a •>>©Dl3. Aa >>Q//. >CB>i> > C CDD0t DA"D3h. Or aii<- V>- Q// *B3/r) >Q Qg^ ^^^^ ^^ ^^^ >CB>i> 3!2). >CB>i> 2), K)// j>2. D>; UJ B»'->> QBsC ^> VCi- >ai- D>, D»B« Oi^' "DDQQ E» BD3t- >^ 3 V>B — 55 — AC>3> Av>) CVO' >> VO''. C>i- B>Q'/, I»g8 OJ CV"D'3' >BtG! I>t a >2:U3 AQ- V>Q'/. >< >> I>0 -DODB VCfiQUO'/ ^T A^a SAP V^>) C^OD'i Av>f> Vii>> "T)tD B^U^Ci l>0z V- !5)' , i»gr <>3^ C BQV»' Vv>) CBVi>. Ot Av>L'-0>- > VCQDUO'/ I0>: lBDsE) >o>r)> ^ >CB>i> D, OQ//. >< CV> A"- D, >QQ// D C D"D-. 32-D- us A" D"D-5JD>. £»Bz >> !Dxrj)3s. 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(C'.O "]D>E» BQ03' > a •>>Di'- (O.-) "3D>D3'D- B(2I>3' D> a *>>- *SC B^D Ah "D3DrD Bt-D > St- 7). <]3i(2z I»Bz Ua CIDD'Bt: (C'.-) **(2BsC a BQVh > tDs e s, c)> a t»G ^> 0>> (T Vg)- E» -0- Lu3hD >z^ D»B2 Q// "D3D-r [» <- — 125 — ED0' >>U, >UD tC!*>D), ODB •>>- VC <3aA07)OJ <"? (C'-O "DD'Qi'Oi' A^<-DO> <"? V — 12f{ •(V3 E»"i)i'<5i'D > QSi-D' f^3- OF MATRIMONY. DU MARIAGE. 3D'Di' "OP DQ''S IDE- 102 ^t- Am B^v) U3zUT-i)h AQ >>Q//. >> > a a5©t>Q// Vii> ^DC»- D, sCID Da QBsC B DC.zU!D. T >o>) g. o>> "d>>!j) "dq odi'Bt. eb "oa-- — 127 — Bz [>'D a <'T-D T), Ot q C- ^'> vci- BO. gs vctT)b oa O >0 As ^B [>J "Oa'DOJ D»Sz VCi' BO, [»Bz 05 <::3)BEt>»' DbG/>- "^19^ D, O>T-0 v>B OO' T)u<- 05 Or C BB V^<-BCO' Or aB', <1V OO// Vii> CODQ Q//, OV I>- I>(Oz V>B [>ID Vii>COrD- <[>Q//. 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"D Bs I>> >DE>i' Aa >)Q//; <)B D- •<^ a Av>) -^Vi-G)- AC >)Q//, D»Bz Ouc)// »':)0> D, DT) >tD ava«>b- A"Di» Bt"D > Bt-^. ■o>otB a, >a-BD> a, 0// >bai'-- •Ii» S, t»Bz V^Ds DD-BD> A»>t> B- 9 V - — 130 — DCB39 s, D»Bz 'C[> G C>5j^' Vii> OO: "DD1> Dc)8D DQ"S D'<^B B- V3' ^D G D*<1t B>3' !>' 3D^ B- C3- " (*I>Eiz.-, 5, 28.) t — 131 ABOUT MOVABLE FEASTS. DES FFlTES MOBILES. G)0> £)> "DCA«B' I» V>0. <3V[>T >Ctgio) c>t a Q3s 0«"B) AQA'B' V>B, 05 B zDQ AQ- V>Q'/. )DuBsE)> 7), q. V — 132 — C AD", t>>Bz DA'B' Aii< ©^Q) S, DAB'. O^^ Aii< CD AB> G^Q^ C- ADDt AD// >D^ C DCD^G^So DA- Q\B^ >> >0l> Av>D"Bs3z: 1002, D^ 3 BD> A^ 30t Qj. 1903, B^ 4 eD> A^ 12t Q). 1904, D^ -1 f=D> A^ 3t r?)>. 1905, D^ 4 fc:D) A I' 23t q>. 1900, Di- 4 &D> Au 15t S». 1907, D^ 3 eD> A^ 31// £)>. 1908, D^ 4 ^D> A^ 1^// tD'- 1909, Dv* 4 BD> Au 11// tD>- 1010, D^ 3 BD> A^ 27t tD>. 1911, D^ 4 BD> A I. 16t £)>. j — 133 — 1912, Di- -1 S-D> A^ '7t £». 1913 D^ 3 By A^ 23t £)>. 1914, D^ 4 e> Ai' 12t Q>. 1915, B^ ^ e-^) Ai' 4t £)). 1916, Di- 4 e^) AL 23t Q). 1917, Di' 4 F=-:)) Al' 8t 0). 1918, Di' 3 e-^) Ai* 31// tD). 1919, Di' 4 b:)> Ai^ 20t k9>. 1920, Di- 4 e:)> Al' 4t Q). !3>Q//. DCi' AO D, OJQfi BQVh >a DCU!D1 \ — 134 — FASTING AND ABSTINENCE. DU JEUNE ET DE ^ABSTINENCE. *S3'!9 DID G-r OID^Cs Vii< '^^■< C»>" "D (*a{, 13, 3); B(2Vh ^>>fi9 Q S Oh^u T) ^ i>T^. [r>T v>B >Dt C D- D"DC8 QQ?j)- <3V B"-[>> DOD' > C^^- 3 OJ^i'S^ > I>E»" >D^7) (*CI', io,iG) D>< *ae3'!3 CzSt> B« B>T tD> >3- "B OJA"^ t>>rD- Aii< >T» a >DflOD> >>S>'^ 3D>aTtD> a, h)"D8AD AB>B8tD> ^ 03- BA7)h >T-T). >3w lBs-<]| > 1^ grT). D"DC ©'Bs-^' Ah >t<- Q// Gt> B U5BV>. \ f PART III. CATECHISMS. '^ OEDB8 Vv>T)>s3z oo- CATfiCHISMES. T^T^L THE SHORT CATECHISM. LE PETIT CATfiCHISME. Third (3e) Edition. i^.isrj^^ The Short Catechism. LESSON I. De Deo Creatore. a, vv>'l)Vsd> < a. c>-^ > ^n d^q. 2.-QBSC 3 >!3 ^ >>Q'/? 3.-Ci3'"0 QBsC >!2)? 4.-03' B'3> >!3 > C^BsC >!3 ? , — 130 — a a, QBsc G)* a, qb^c >n-"D a. iQ// QBsC >>!9 V>B <]V QT) QBsC V!D- OQ//: I>!0>> C QBsC >!3. 6.— a"D IDi3> D>0>> >Dm A3tOu DC? QBsC >n QBz a sC D»S>'^ ADi-- 8.— cB 3a >Difi D"0 >e)>G? — 140 — 9.-i>T) B'i)I>sD> t»rD'? I>DDzn. 10.— t>|3z •>)>DDzn? <3>)Un Dg)- DB 193 D03DS DD- LESSON II. De Jesu-Christo Redemptore et de ejus Ecclesi§u ii.-ai> ]i)i3> l>0>> 3"^) S^^ <3, QBsC G)' Dl) S!^" — 141 — 13.— QBsC ©• D"D 3Q [>> z"D ? QBsC G)' D^O 3!2) O' *e3'!3 >0. l4.-3< >tG^ QBsC e)- DD 3!2)? BzK) A", B» V3> DCVOBi' < >tG| iS.-CTG^Ah *S3'0 "DCA-Bt? *S3'Q Da OGi'3''^ Bt OSO \>r — 142 — <>>Uh, *S3'^ CzSI> Av>L->Uh, , *B3'!2) DC^tGI Av>l-<]z "Dr)'lju3hD [>"!)• >>Q// *B3'!3 ;>B^ 3*; I>T Aii< <]D C OU^i'SO I>> 'Si^^i'-;:'.^^*^-;:!;- ■>>,aam — 143 — 21.— OQ/ [>) n? Q^'; [>T Aii< Vv>T)-BE» ^, DD-b- - V — 144 — LESSON III. Be Mediis ad Salutem. 22.-<]D 3a >n QB^ DQ ? >Q// A» QBsC Vii>'D Oc)DO> l»Bz c)B'!)>D> [>> G 23.- cD C D3DG)I>Q// l>> <1V DC >n QBz QQ <£>Q// ? <, >DSb D"D VDDB <>z VtD > c)z* I>T Aii<. 24.->BD 3a 3 G T3>zb3> VD'/ OB>e)h? "QBsC a B(2V" > I'Ds Q S, 0> Q3'. ^ 115 -^ 25.— VD'/ Q3>e)h. JDB>e)h Q3'. 27.— VD* 03>e)''- 28.— d:3iLu2)i,-0 g>'T) ^ DB"0'aJD> A- '< VO Q3>e)».. U) -A X- — 146 LESSON IV. De Peccato. 30.— CBD" AC ODB B^^B'? QBsC Vii>'0 BBq)» [>t > DBS 3l.~|D3DB CVi3' 3D//*/ >"d;c)" SI'S' > a. 32.—OBB Dt B^zK) > 3 > >)Q// ? >CI> C >Dffi DT) ©tffir > >>Q//. 33.-DDB >"D/8'/ BtB' > CVi3' 3 J// ? ' — 147 — !3BB >Dr3', B'.S' E> CV- 3D": OBBa? a, DDBQz as. 3*-DBB(S DC CBSI>. 3. CBQ.? !32DBIB OD c V>B Dc CBSI>. 7), '>'» Q B *Dei>i.. 3«.-D]DB(2« DC CBS1>H t), cbD^? !DBB(2« DC CBBX. 3, .^.g, g. Vv>aBAc3». 3«-3 BO > BrT) >oi!)S>» BOf 3 C ODB BQVi. VB Ogr D> 3T.-CV-5I3' > DDej>. g,g,, 19<2 S BAO a, B>.B S, aCD >b' ilk- V - 143 - LESSON V. De Gratia efc Oratione. 38.^U5 DC >D/9" !^^® ^^^ ^ <>>Un QBsC IDB'O •^<0'^- :i^» 39.-CBD> AC 1DB>U A-e/®0^' ? DC-U!D a> i>'B^ d:3»^ ^^*^ ^• 40.-4DCOD!D 2^. C^DDv*? CO"? 42.— >ci> >"^ D DCzUD >D >S- 43.— VD'/ Q3>e)". ''DC QBz 3>C !»•', I>z.- 44.— >ct> >D VSB>B^ e)>u? >CI> G Q-E)> *£.!2) e) gji- Qt>i'D' > 45.— VD'/ Q3>e)»-. 46.— >©!) 30: IDCzUS? D> QS' D>CC a, >L< S; >B- I 150 — LESSON VL Be Saoramentis. 47.-3 BO > BO T):3nc) ^r-^2 3 C *B3'!3 D DO" OJVD < >- 48.-03' n):on9 *e3/0 DC >®)C? 49.-3 eo > Bt3 -do»0 Bt3? l»B« QBsC S, 30.U;3*T) g ^.g,.. — 151 — D© JB>DC 2), ODS*. I» >i) UJ- 62.~ BaJe)8 ^» »C D, iDQx V>B e PoBnitentia et Confeesione. C>i> T)ODe Da •D»c)DOt Ah •£»c)Di'Z)t? Bb-^) >CBVO'. 65.~c:BD> AC &'>y >CBVi":'? 0) "ODBS 05® V^» C-^«Ut)T a ; (2) Vir>> DB e»UbC S; (3) t>|0z Q// >zU3> ff ; (4) B- QVh OO' Vv> Dt- CBVi> S; (5) r- 153 — 66.-D03DB B> CfiPDO/ >-D ^z>r CI QQuffir. ^>>U»', DBSffi B)DtM>h 2), <3v >Q "OOIDS DCV^h Q//. C^i> V^^Bt "r)/>T3 D (( »a, sQ 0- "DCO'Dh I>>Bz >DBt"D C3>E), V>3- DD'OhD) Ot Aii<. — — C2B5C BQVh > IDs VB> >C^O', (1) >DBz >c_- V — 154 — (2) >^gz >CBV'> c on' 3 D"D)-, B"DCO//I> DC, B» D- •^12)3- C DC I>T a ; (3) OBDCs D- "D>'<£> > a>?D* DC Bs tJBDi DC ^^ a Av>) CB>i>. <>Dr c D- DDe US BQVh Vv>> CB>i")'. f 1 59.— >ceVO' C DDS VCGRDfD// 2)» C«D"Dt? 'O C VCfiPDO'' D»Q- D> flR V- >DB« ]DDCO'/I> 'D<"0Ot AB>, >CI> C DB© Vv>) CBVi"D' l»!2)* > US C Vv>> CQPDO'. — 155 — DD® C B> CQQ30'. 62.— DOBS B> CBVO' Av>L'3 B DC^US: ">3 SOBS Vv» ■Dro//> a 8T >-o aj>20- =^ JO> D >l - V. X — 156 — Dim G\ Oi'- A" E>"Dti)>DC 1 65.— >CSBVi'0' A''>^'<^y CzD^^ ? QBsC B> BB^nO, I>>Bz DID C>0' "D"^>' l> >5V3^^ I.ESSON VIII. De Eucharisti&. 66 -c>0' CD>^*>" A" ■^)C>*rD esse ©8 a, BCDD a D'Q'/ 0>^ V>B. ,*«^ii^ — 157 — e))C ? Ct C'B A", Ob3D S)V'SKt, ►z>>-< BDPO 0)1^®^, £> a e)a D- 3 SzQO I>5Q//" >Di'"D. 70.— icg3,r) O^toi c CV^GI [»!7)-? l!3, £»Bz ^CDQ D^ao 3D. n.—*E3'^ Oe> ^T AB^ <]D"D 3- ; ^'i',--. . ■.'^♦'iJ&i./*: - V V — 168 — I)>CC- Q3/ D-^8 >,Q /\,. — 159 — LESSON IX. De Communione. i'>> QQi'dbT AQ a50>Q// 'jj E>T U5v>- Q'' ; \>r v>B DC3tg^ tD> A** 76.— CBD> AC Bh->>>)-< DOiloa? (0 DO« Av>f aJBA> a- (-0 OO' DO-O'. A" C>h UJ>>Q// \- -^ 160 — >I> DD GtJO- S. (8) -DD D *fi3'!9 C3«D* >00> Dc)^^ D v>B >\DD a, VB Dt>ou»->> a, i»s« vv>aj- 79.-DIDS® DQ >B-<1> At* "ODilDff? 80.-C>«> '^>C<>' Av>f<«, c- <3D» *B3'»2) B BS«r>"Di l»B« ^^ D> >DyoS)« *m3*D DD > C"D>(2 A- — 161 — SUPPLEMENTARY LESSON. (For such as prepare themselves for Confirmation.) LEgON SUPPLfiMENTAIRE. (Pourceux qni se pr^paront jk la Confirmation.) De Confirmatioae. 1.— DD:OiCDsD> Bt©/ 1), tD T)c)3i. B/? TD"i)DiCiD8D> SI'S' D, >n-^ ^> >- Bh -1)33© G^ i-Ljb "OCV'-Si' < "DQ- D'B'. 2.— )n-'D [>> <]D >!3 > >>Q//? U — 16:: — 3.--CBD> AC BT)r)iC'D8 E>"0 US'^ a QBsC >> zo:Z» AQ- V>- Q// >> DQ0U:O" a, t»Bz >n-"D v^<-- BU3> a. 4.— ^>f[>j. DDD'C'D^^ D<- •h ? 5.~C>0'» C"0>fD>h A* BDDiC'D* on'^ 'DBDi'D A»> >n-"D "Da 0- aO>, I»B2 Lt» ID "DTD'a OQt- 38 A^3 Av>u-rV"D AK>D*<>»» !>T A"<» — W6 — ^< Q CD©- AtG/D^IDt >• D>L-D>h. ^•~-3< E.» E)- T)>L-i>h? 10.— ciVDiB' ]D"DrDiCiD8> B^B' ? t>Q'« C ]D'i)r)iCiD8l> Bu©/, ^T A- riigiBM -v.- ^ THB SUNDAY CATECHISM. LB GAT£CHISME DU DIMANCHE. V — 166 — The Sunday Catechism (1). Le Cat^chisme du Dimanche (2). I. QBsC DUO' < B, Vv>V«3- < a, Vv>"D^8D> < a; * l>^ > ^n Q- «Q < >3 =c)>Bt 3«C- VDh <1>Q//; * BQV»' U a» B- (1) This consists of the fir.-t, sccoiid, fourth and part of the fifth lessons of the preceding Cntcchi^ra which are chanted as so many psalms on every Hia- day afternoon and, together with the recitJition of the chaplet, take the place of Vespers. (2) II consiste dans les premi^io, dcuxitMnc ct qmi- trifime legons du cat^chisme prdcAient, avtc une par- tie de la cinquidmo. Chaque dimanche aprcs-n»idi el- les Bont chanties en guise de psauraes ot formout, u- ~ 167 - I>0>> C QBsC >Q, GD Bi3> >!3 > QBsC >Q: * QBsC Q S, QBsC G)- a, eBs=c >n-'D a. a>iQ'/ QBsC >e V>B, Q//; * I>IO>> C =Q- BsC >0. a>iQ// BQ D>]D i'< c- >>C:i'f- * QBsC >n QB^ a sc, t»Bz A"Di'=«- QBsC 0» >Tei >Dffi DD a, * >- Sdb BB =a t>D>C!. »"D B^>c)z, * Ot aii< •>>>DD2n. D®- DB 03 * DOBS DD=Cl£)tT)u II. QBsC ®* DQsE) a, DD' S >"0 D- veo la r^itation du chapelet, TC'qulvalent dos Vdpres. — 168 — 3Bz!D Ah, ,* ^> VB> DCVOBv- < >t. 01 OD 30. *S3"!3 G«SI> Av>f<3z * A^ Qt tD> *e3'0 3C3^QJi Ay>^'<^ * Ai* 3^ A"DzQ^ tD> >n Q=^Bz >CtG^. V®h <. <1V >n QBz =DQ OQ''. ■i — 169 — piU;3»»=-i) >D^3. D^D DB"D-B=E» >' BD>. III. QBsC Vii>="D BS808 * [>T > o- >"0/0'/ =Bi'B' > a. DDB >"D/3'/ SI'S' =D> CV^ DD'/: * DBBJfi a, D=]DBQz S- OBBflS I>IO C V>B D^ =CBS>h D» * ^>>Jfi =Q B zDQt>h. DDBQz DV' =CBat>»' D, * ^>>Qz Q Vv>=aBAi'3''. nnB"'^«i -x- V — 170 ~ 3 C DDE BQV" V=B >03lD- a, >gB>3- S, 19(0 g =e- 3 O *©}D'!9 ID DD. OJVD =< >B'C i> !)=:)• 19 eo. 'Off? PART IV. HYMNS. '^^ 3B> ID DCO!D»> Vv>7)t>s3. CANTIQUES. z oo. ■*P»"B»»««K-<. -H-:,^ — 173 — V Hymns. — Cantiques God and his Saints. Dieu et les Saints. TO THE BLESSED EUCHARIST. A LA Ste. EUCHARISTIE. N° 3.— Institution of the Sacrament Institution du Sacrement. Air : Par les chants les plus magnifiquos. 1. ^•fiS'Q T CDS»> C* * V ■ -V \ — 174 — >Dt-:) i>du VQsD 0«!D; "DC "DQ, 0^(2*5 OD''. E>T i»gz DQtC^ BCDD 3D3i'Q A" ©tttjT !»©•; > a UJ ©a DC3E), ">3 3«ai> >>Q<'" >DO. "DC "Da> OQ« OO*. 3. A *B3, >c)8D S, >©JBa[> a — 175 — N°4 .—Faith in the Mystery. Poi au M ystere. Air : Tje voici I'A^neau 8i doux. Chorus.— Kepuain. D^ai> ve/>38 1> 85, VD> a (»Q//. 1. — 176 - N° 5.— The sacramental Presence. *La Presence reelle. Air (du refiain): Seigneur, jecrois ot jc vcux. *g3, C-^OI AC bBI>>3- 3 bQ "OD'^fiR 1>>C Chorus. — 177 — C3sei> ID. v>8 •|>T >^c)s-o». £>0>> Vv>B>3- D, *B3, DB «BI»3- 3"D, D«^? 12 -X N V — 178 — N° 6.— Je^us in the monstrance. Jesus dans Postensoir. Air de marcho. 1. ' 0>a DD BQVn OJ B»''>> DID D^^D^IOt, QBsC '!3 a>T AiK. <]D C 05 BQD tD< sQ >Gj) 3,c DBB ei sCD»D>; I>0 tD> UJft? V>s -Or >08-o>, I V — 180 — N**?.— The heavenly Manna. La Hanne celeste. Air : Pleins d'an respect. 1. •DUP'-D, B>3- B^ >c)aJ>Glf>, Ot v>B "1>B[»3- DQQ"D>0> AiK, 2. DD" A>C A^<"DO> AiK, "DDUDflR >D "Oa l»C; Ot Aii< >QI> 3>C : 3. DD >C- *tt33AD>"0 Q >a»' CD>i'a> l>T > DC03T ; .^^JlJtSl — 181 — Osi) c))Bt ci>>Q : "i)r)Ll£)flR 3)rD. N° a At the Elevation.— A P^ldvation. (cao«®h Aa c) Air : Quo cette voftte retentisse. 1. T =«^e3 -7)> T),0, DVDCi'Bu < t>rQJi. 2. "DC a 03 3iQ// v>B, B»'->> "DQ >!3 > l»Q//. ■'"TPflFS^- V — 182 — N° 9.— Pining after Communion. D6sir de la eommiinion. Air : O jour heureux pour moi. Dz-I>> DA"DO>, ODS ID 8^ oc ?i)>>c::i//; U5CA>!3" < «B Q>Q DID An<00>. 2. "031098 TD n^Q-? n>3> DADO>, — 183 — )gHjT^, *e3, )BZ) 3a sQ > CA>Q < D8n)b. MICROCOPY RESOLUTION TEST CHART (ANSI and ISO TEST CHART No. 2) 1.0 ■ 96 Ik Ki 1^ ■ 4.0 2.5 2.2 2.0 A /APPLIED KVMGE Inc 1653 tost Moin Street Rochester. New York 14609 (716) 482 - 0300 - Phone (716) 288 - 5989 -Fox USA — 184 — N° 10.— On the eve of Communion. La veille de la communion. Air : Mon bien-aimT DtU' B» v^<-oo> a, D>D A3> DID Vv^D*'^: ujflfi U5 •< ua ^0 c <0bat! >D BQV" i>o>> T)a >u ^, — 185 — N° II.— Before Communion. Avant la communion. Dz-[>> V>B, 3 sa t»G|) )D8 G)7) B CA>!2)»'. — 186 — N° 12.— After Communion. Apres la communion. Air : What happincsH can equal mine. 1. c)>a >Dififi AU3h D» Dz*0» V>B «B BCCD>h! Q a, c)> S, QD>"i) S 2. Ha c3>aD> c, *e3'!2), «^Q Q A>C "D>0> Aii<, — 187 — Bi.'I>)|>>-< BBnO ? iJl5 DDflR SB7)0>. N° 13. Same Subject. -Meme sujet. Air (autre quo celui do Alonpou) : L'oncoiis divin. 1. >a> ©'AiCi! OVOt «cI QBz >zK), Q a, c)> a D»C [>> H> •^)(o ! Dz-E» V>B, 03 ^HD Q CC?3C ; Ch ORUS. A *©3 l»U, >a2 B>C; — 188 — T^^es^ T) a >B0D. 2. 8> CDxS I>> C Vii<' >D>; ID 8> VQ'> 0->>Q//. N°14. Thanksgiving.— Actions de graces. Air : Chantons en ce jour. 1. sBD»3* 0>T Aii< <3>3^ C eQ > C7)>Q! — 181) — 2. DD 8gt»3- V>B, O^ V>B 3>tC A *©3, ^Ds!D, D>z.- — 190 — N" 15.— Visits to the Bl. Sacrament. Visites au S. Saerement. Air : Mon cceur en cc jour solennel. >S>-<3 3a >0>/3// A>C? >c)> C 8!3»>J3R >>!2/ > I»Q//. Chorus. A *e3'!2), ^CB D»U, G-^AfiR >B BCDsCD>". — 191 — V >3 c)>Bt^ !:Di>"i) BQVh >|3h. N° 16.~Perseverance. Am : Vive J^sns, c'cst lo cri. 1>l3z VrD* DD© BUO. I>S3z vti)-! t>©z V0-! — 192 — 2. )T)T c «0z VQ-! D>0z V©-! 3. CVifiP ^ >c)>/a// D03'-I>> ACDz"\)h Ot > ^ >B'D-D«D>: — 193 — TO THE SACRED HEART OP JESUS. AU SACRfi-CCEUR DE JfiSUS. N^ 17. Its Mercies.-Ses misericordeF AiH: Piti^, nion Dieu. 1, DD^^ I»C, "DQ C3>at> a. E)aj"0O> : )0 sc ^U E>T AiK. Chorus. "Da [»U: 13 — 19t — 2. Db Ql>tD' C D>0>> SB As'D >> D'Q A^" DDs"^«« Ot V>S OtGI V'B, >Deb OCE^ 30. 3< >-^OI? O f*C 'U t>T Aii<- 4. DT) D^D >B DCDE) AN 3< 3(1' "3TtD' QBz a>C^' 3"D >>!£)'? >tD sC >U [>'^ Aii<. — 195 — N« 18. Its t oodness.— Sa bonte. Air ■ E.spdrance de la France. Chorus. 1. >"D JD>B"DO> Qz, 2. — 106 — •> >c)> C 05 S»'-D>' 'HD >U, — 197 -- TO THE HOLY GHOST. AU SAINT-ESPRIT. N° 19.— Before the Sermon. Avant le sermon. Air: Esprit-Hnint, desconde; ez en nous. Chorus. OO' Vii>D QpLtJjT <. 1. ^•^ BQVh DB'-0» CBi- iS>rD, "DSD© Da>D>; C>"> I» QBsC a QtD'. — 199 — TO THE BLESSED VIRGIN. A LA SAINTE VIERGE. N° 20— Her Conception and Nativity. Sa Conception et sa Nativite. Air : Enfin do son tonnerre. *<0 CiBt I»!2)- 0>T Aii< >n Ij3'« DID Q)^ >"Oi?0 D»g>5 •>)c)[])zq. DD 3/9'/ As"^ [»!D- Da [» "DB>3-; a>T Aii< >n-*£.!9 V — 200 — 2. >Dt C U5 >Dffi >n-*£.!2) aD»Q o-^, "DBDID >3- >> V^- ^D'f D»0- *E.0 DQ VO DQ" ^-5 >zK) t»rr)- : >s>-3- 3. BV>D D3^3; l»a 3>!2) C' a, DID sa "0i <>3t pr)> ^jQ> a — 201 — N° 21. Her Greatness.— Ses grandeurs. Air : Unis aux concerts des ui)ge» *£.!3 DO, 0|> CzDOi; Chokls. >D D 85, DD >U S, DD I'Ds S, — 202 — 2. >©> DD Ve^ 30; I>)CD>(2z Bs T)C[ >U > BQt> a> D»U. 3. ti>B'*D» A" >CBi7)h D, X *©3 >3 c)> BD»e > — 203 — N° 22. Same Subject— Mame sujet. Air de Litanies. 1. '^LtD, GBz 3)C Ah, DX DD >D>, ■on)h. QBz Di'BD BQV' X — 204 — DD 1^2)" >c)>D: N° 23; Same Subject.— Mame sujet. Air : Combicn j'ai doiico Houvcnaiicc. I. >3 c)>Bt S, Jfl (2B55 a. SOD ?3QVh OT) DD// 2. — 205 — ©)C DO V!I/' >D N° 24. Same Subject.~Mame sujet. Air: Reine des cienx (Lambillote). 'H QBz [i>T — 206 — 2. GD>"D a BAO a; 3. ■OGE»E)> "Da B^ CXlh^ GQQ- <; >>gz >2)T c 115 DBfiP "D:D'». — 207 — N° 25. Her ^atronage.-Son Patronage, Am : Gal save the King. "03D© )3- [>> DC •>>08Dh < a-Bs C 3DbD: DCL VO t»!9, ^T Aii< VS Bh->> DD 1>lD8. >a3"D D a, — 208 — 3. Dz'[>> DA"0O>; >(Dz >sK) c>T Ai'<, sa DC3>!D 3, >z>)-< 05 Bh-i>) i.'ji- — 20!) — N^' 26. Her Air: Je suis Humility Tenfant Chorus Son humilite. ^larie (La. jillote). *E.Q 80 >!2) Or Aii< 1. B> G3/ c)>Aa> B'C^Qz 0'-I» AtC/ C2D// >DfD>; ^-^ V>B 8C OJ ,3> ^r ^,^^ G< u FT — 210 — ^T v>B fiC >U t>< "DCI N° 27.— Mary Refuge of sinners. Marie refuge des pecheurs. Am: Faibli^s niortcls (Ijambillote). 1. <)Z)T sCID DB»*D» 3, >D I>0» DQ sc. *L!2), QBsC Va 0», T)CV> AQ [>>Q//; 'DB>3' Ot AiK V::?^' JHK?"! V ?s. — IMI — ('iroij IS. T)a DO >c)l3. — 212 — N° 28.— Trust in Mary. Confiance en Marie. Am : Vois ti te« pie^G^ I»!2)* (Chorus. A *E_!2), >3"Bt SV'D* >Bn^D- < AeCB3i; OQz yri)- BO. — 213 — 2 I>sat>Qz 3o > CifTl' ; Va 0» DAO- DO). 3. ■O3D0 Da-"D>:0>; >3h 1)0)31, ■DaD»D>. m- :■ yTW ■^' J& — 2U — N° 29. Same Subject. -M6me sujet. Aik: Iteine de France (Aloys Kuiu). DD D^'D' t>< ^^'' '^^' Cuoiirs. !3«> 55B, DD £>^D« A'' gQVb >aB'i)0. 0i> SB, — 215 — 3t. ^S>: DDC 85, >o< S >0"D's 3. VCBO>» I>T >. v>D* OO"; D3D0 Ve/ -OCVD>. — 216 — N° 30.— Promise of Faithfulness to Mary. Promesse de fidelite a Marie. Am : Je Tai jure (ileriminn). 1. Chorus. DQ'» C-U8"D C|//, *^!3 V/0* 38K). — 217 — 2. DBAO O BQV>« PiDO''; 3. C>D$Q, >n *'C/ Ii» VvA>>S "DBDtj) c»'0"0 BQV«' Ve^ AsID* >> 3D V!2)i > QBsC 0» -^^OsDh C>T A^e^. 4. DCU8J9 Da sCVDh <; <'3r AB> Aii<30U0: DDC S, >L< ^ >DUO. B^' ■>?"-*■ V - — 218 — N" 31.-The Month of Mary. Le mois de Marie. Air: Je nicts ma confiance (I^mbillotc). 1. >n-*E_?2) VCD) us C 'DCt>ai>; 0» Va [>AE)> c)>a SCA>tDT: Q// e* I»Bz l>>C[> *L0 a <>Di'G)". c)>a oifiR v>s 0» a OJADtDi.; V - — 211) — DBS 05 S(2V" BD O^OzOO^ i VHD B"0'GOD>, B7) B C- CDE)- — 220 — N° 32— Catholic forever! Catholiques 4 tout jamais ! Air : Calholiquo el Breton toujourw ! Chorus. A *£.©, Vv>[>3)3 > CBi-D D>''I>> <^L0z D>>[3. i. "!)>0'E» J £>I0» C QBz D V^, -J. 3>sjT)-i) uCPhg >>i2) /\,,, I>0>> DA!D- 3*0. OfiLie^ — 221 — "DCI DQ-^ ^> ■D>)!2). 3. >19T), SD^' 0D//-D, US Si'Bs D// Da>i"D >B> C*>®)C > >B>-< 3a QBz Vli»? 4. *B3'ti) 0» I>0>> C >!3, t»Bz [>0 C Vii>"D; D Da c)La> rD-Ai'-[>). 5. OO' V»i>"0 BtffiT 3, >B>-< 3a "D>aznTGi? I>< >3 c)>Bt B>C C Vit>3 C B1>-GDD>. , yA^m^m^'Wi 2*72 N° 33. -Our Lady Help of Christians. Notre-Dame auxiliatrice. Air: Chretiens qui combattons (LamUlloto). 1. (2Bz -omQ < O c)>Bt DBQ"; "^t.^ "DCVE». Chorus. "D3DID CI DB3>; )c)) >az C >a3"D'' 2. "OD'/CIc)// D»!2)» SQVh )aB"0>a>; — 223 — >0) >az D, >zi»-<:] C S"-I>> N° 34. -Ave, Maria. Afr ]>oj)nlaiiv. 1. >n-*^!9, T)CI [», DCDD An j.'jR-^wn L^iJMk IJll.|iiatg|iW V TTi^Pif'^- •«ri-j^'¥KPf7W — 224 — "DB>U 3, N° 35. —Ave, maris Stella. Air populaire tie I'hymne. 1. 3c <• >E)> >©'•• f> QB=5 A3B* BE», >Ct> 3c Vii< zQB? ■ , » ■ JJH I .V 'JW, JiM i — 225 — DCE 3cflp A>!2)* "Oi-B e< D>>!2). Ae>>B rD-V>Q//; >3'>> "DCUi'>8 5. U5« >BO^a >, l»B* ODS** 3, 15 — 226 — N° 36 —Salve, Regina. Air : Creator alme sidenim. 1. A >n-*6.!3, D'> SB, "DO D-"D>D>, A"D^"D; AtG^"Os©^"D B'!3 An >B B>©N '^V3^aD>- 2. t»B5^ Bffi A* DB '•[>>• >< >C D'DO' t>]D U5® "DB> Cl>Q>D>. 3. ^'^ii^. v-'^t*fc.-J — 22T — BAD- D-h. N*' 37.— The Annunciation. L'Annonciation. (3c3 Qa D^CC- A ©3) .1: C'estlemois de Mario (Lambillotc). Chorus. l>< QJD> Ijy3»« 1. *8.D > 3)3 c- — 228 — "i>> va A3D-" N°38. Evensong— Chant du soir. Atr: Marie, uii profond silence (Lambillole). 1. >0c QD^D' A^<*"DO>- -- 220 [>T [»gz [>z"5z(0t> t>]3u, 3. I>Ba D>CC Q3' Ot t»Bz >i'< Q3' s DBS? BB>BnO. — 230 — N°39.— To Mary and Joseph. A Marie et a Joseph. (>i< DC03 Av>''T >^.) 1. '> *flR4)V'' l»U >>, 3 DB D83> DA"^0>, D>D D>CC AB> 8>>i3. -TKrank — 231 — TO SAINT JOSEPH. A St. JOSEPH. N° 40. His Privileges.— Ses privileges. Air: Volez, volez, anges de la pri^re. Chorus. >n-*flR:DV«' VB DzUIDh. 3Dt >C did D'*G» >>!2)' I>T /\ii< IXD'O^h. 1. QBsC >u >> >Da c >c)>, *fiP2)Vs O^i'D I»0-; iT-.. -.i'WB^W U».Tj-a "H V — 232 — 2. CtJD>(2z [>L[T)u /\h ■^u-[>) O 0>T v>B *\>Q-r QX Di-D C Ot aii< t ODS** D, — 233 — N° 41. —Joseph the foster Father of Our Lord. Joseph Pere nourricier de N.-S. Air : Noble dpoux de Marie. 1 Chorus. 2. O c)>Bt 3)C C* tD> 03/ D>>ID> > *B3 >tC I»!2)* VCI a Vii>>0- X — 2;u — *e3 >B'DI>D>: N°4f His Patronage.— Son Pati'onage. Air : Cu^litmn Joseph t. A Da *ffl3Vw >3 0>Bt 3>C c- T)OQhjg [Dl>i'i>> >>S2^ B^* D* A'K. 2. — 235 — N° 43. His Purity.— Sa purete. Air: Qu'il estdoux, m«Jlodieux (Larabilloto). Chorus. >n-*ffi:sv»', Dv^i^ao: [>) Vg)- Vii>>©- 0>T Aii< DD >B>3-, >lS)Di'B', >BT)>D"- V — 236 — 1. lis >Z)aJ >3 c)>Bt 3)C c* A8"D I> C A"Ds VB3"D; t>< *e3 )c)zB D>Q// 3!2) ' 2. >"^ BQVh AO e^ 'D>>!2): VB 0>D, "Da DC3>E). I»Bz QBz *B3 V3»» "O0D3U — 237 — N° 44.— Pope Leo's Prayer. Priere de Leon XIII. Air : Puissant prcecteur de rcnfancc. Chorus. O'' "DBDh Ah >> 0>3i, A >n-*flR4)Vh, "DCD>"Oh; ID D>tD8 D>]D ^>>!3. 3h [>ic: )U >> "DCVDh 2. OzB^B >U"D D>>!^- >), >9zB>,B B)|2) Dg[»3- — 238 — 3. DID D>^Ds > 3"i) >)!2)h, >n"D OQ"B 3*0 ttJID- D»B« US CB«I> > QB^ BAD* < T)C>>D>- — 289 - TO THE HOLY ANGELS. AUX SAINTS ANGES. N° 45i- Their Happiness and our Wretchedness. Leur bonheur et notre misdre. Am: l/evantvons, osprits ang^liques (Lambilloto). 1. QBsC ID-A" D^B V>B, 2. QBsC ')>>C \>r AB>, 3- DA^DO>; — 240 — »"a». 3. DID a-^ V>3- D"D-BD>- — 241 — According to Time and Tide. Propre du Temps. FROM ADVENT SUNDAY TO XMAS. POUR LE TEMPS DE L'AVENT. N° 46. -Longing after the Messiah. Desir du Messie. >3 AQ) Am : Venez, divin Messio. Chorus, A QBsC Vg)-. ^'CD »3 c)>Bt DBi-O); D:Sh < ^3? DB Q>Q, 16 v^ -- 242 — 1. 2. V>3* B IXCA'!^^ <• liSfiR U5 '< >3 S^ BAKS' 3. U5 Q> QB' Da>D'' — 243 — FOR CHRISTBEAS-TIDE. POUB LE TEMPS DE NOEL. Nativity. ent of the (I^alogw with the ehephei^s). I.'annonoo de la Nativity. (Dialogue avec les bergers). 1, OtE^, I>'sCII>>>!2)"D ? DD feA^Be v>B, V — 244 — (>^at»35T)) >> c)taD> <3V OA^'-O'? >>S^^ <:3V G OV-^G^ >"D DHD V>D' B-r b CADO'", "D: <( <3C! C>«ai»j|2)-7)^ DID OJ D-^LG; Da "D<[D-DD.., ^^ Ai)^ QB2 : Q. V — 246 — 6. Ot a»< bv>d- a»» 7. N° 48. TfiB Natitity.-La iSTativite. AiE : II est n4 le diviu EalUnt. Chobuu. ^n^'Of QBsC Va>- "Di'U'Qz >CD> c)>sQ, "3«U8 a i>>gz >tc) ^ — 248 — 2. DB>3' ^"^ Aii< 1>D>- « 3. A *©3r l>>lli' C* D>>'[>>> -- 249 — N° 49.--Tlie Angels' Hymn. Le chant des anges. Am : Les angcs dans nos campagncs. 1. a?3 >h!3 03, [>h-])h,. >n >t|0> /\h {^Oh>T-o: Chorus; 2. DCE Vg)- UhC^iQ: *D!Dg)c cOD> 3S, Ot A"< Va AD^D- "^.i Ijo 50.— TJb« h6lT> Gl-Udi Bedeemor of mauMndL L'Eiifant-R6dempteiir. Air: Mimiit, chr^tiens. 1. DzT)* 3!3i ^'B^t [DBi'C»l QBz >Qr D»*ti»'i) a"0>Q- >B>"<1 3CI AT>8 [E)OUrE»? 2^ D^D^ 3!3, *<1C< CiB^' Aii<» ■D3D12) D^"©!) B^E). mf: — 261 — N° 61— Jesus in the Manger. Jesus dans la creche. Aia : Silence, ciel 1. <]V[>T sCD V>S* VtG|: Da GDD>Qz C'DDiB^- Chorus. DB DOD«-E», ^^Wl^^^i^^P? SB — 252 — ^T v>B c)>a >Vi'tD>- 2. "DQ Vg)* CQ Bt >zD. QBz' ©•> >!2) > O^Q'/. D»gz >3-T) D03> 3!3I •» SBsD a DID «a '3-1 — 253 - N° 52.~The Charms of the Holy Child Les charmes de PEnfanWdsus. Ate : Dans uno pauviv dtablo. 1. ■3sUsa0// Q2Qx Br Chorus. vcQz a v^>Qz a. J. CsD Aii< >0; >U ]>-r Aii< >E)>. i>>aji v>B 5>ii)' s^ ~ 255 — N« 63.-The Child's self-abasement. L'abaissement de PHomme-Dieu. Air : Le- Pik du Koi do gloire. V®* DCaViDh < DID DODi'It», DDIDe BO // ^ 256 — 2. >Cl> 0>3z D''I>' I t>Qh "DD'E** > Q)>B O'ffl VD" 3. A^<-'0O> AH<, <>3t C >3>D A^* — 257 — DID VB37): c)>a DDyQ l>T l»gz, Di-I>>"D flff . DCt 31> I>8ai»)D"D DDi'D* 17 •CO osa[»'!9'0c)> f^' N° O4.-PAST0BALE. lerlB executed by three differeTit groups: a dozen youncr girls do the part of the Angel« ; two or three vouihs in Another corner of the church aing that of the Narrator, while the bulk of the faithful represent the Shepherds. S'extScule en trois chfeurs : unc douzaine de jcune» filles font la partie des Anges ; deux ou trois jeune^. eons po8t6s dans un autre coin de I'^glisc, font celle du Narrateur, tandis que la masse des fidMes person- nifie les l^rgers. 3/>ii I >8a[l»>!2)'D, — 259 ~ o>; 05 sc B (02)> >8-[>>, s©h > V«>"D Dsflp: "Da V0- [>> 05 Q ^ r>< BQD D^HD^J OC *>- fl3D> >25K) ^> C Bv>5 UhC'DD**- "DSD© V©- >>©• DQ V®- DD 3!3 YiTAiR- AUon«, Bei^ci-8, quo Ton 8*<$veillo I 05 *D!Da)< A"> Dl\J' ADz CI>»'Q« Vii» ^ c^) (2) 1>T 1>>B2 i>sat»>!3 BQV»> DID •<] U5>D-G4 > >DO'. >DL A^. DG DID V>D- S3D> C'O* CDO* S l>sat»'i3'i>- <1,3t C B"->> ^S) V>D- <1,3t &\>^ 1X1 -i))gz >u«ac)// v«ei>. t»Bz >z[>r<3 >^ D3Dh: 1. (2) Air : Dieu d' Israel, Pere de la nature. So chaiitc or qiiatre j^artieb.— la sung in four i)arts. -V- X — 261 — 2. DD Dl>'-1>^ DID 0//-^0- S' >3>ei V>B, >c)' t>V>Ci a. >fe -/k 5*^ * * ^ * * * * * (1) D'>hl D'>»»^ TI^I^ITw^^^Victoir. I (I^TnbiUote). — 266 — "Da Vg)- s>-c», X - — 266 — jjo55.-Tlie Holy Childhood. lA sainte Bn&nce. 0HOEO8. I. BQ// OS' 3!D1> >U-^ 2. 3. 4. 11 B««r-^'M>ttHWl- — 267 — FOR NEW-YEAR'S DAY. POUR LE PREMIER DE L'AN. N° 56. - La Air The Shortness < brievete de la vie. Lc temps de lajeunesse 1. Life. S'B, D»CI> Di-'O) 3, D>j) A3» D3h. UO BQVh OJ >DhQ//: 0>T' V>B D>I) DC ^■■\ — 268 — —"St d, d>d c >n«>" ,QBsC Vii>hQh D, l»B« Du*c» 3!3 T), > c:::i//. 3. CtG< u»>3> 3a? ^>*< 3a >U3I> — 269 — i'\^;tfe3». V — 270 — POR THE FEAST OP EPIPHANY. POUR L'fiPIPHANIE. N° 57. The Magi.— Les Rois miiges. Am : Amour, honiiour, louangcs (F***). Chorus. BQVh vii<* J503t, 1. Ot v>B OJ B»'-l>>ffi — 271 — 2. aV- 3D// >!)• >c)f^,. >1) a DBD-fibD): > Vii<38Q•*■ v^ — 272 — FOR LENT —POUR LE CARfiME. N" 58. Penance.— La Penitence. Air: Mon doux JSsus, enfin voici le temps. < 1. <1V >c)> C B»>*>> sBt>>3-, *e3 [»U. 2. •|>)c)D^n, D3D!^ >«*^- *e3 1>>U- ^., -•w^j.'i'-fM-. >ii*:.ji:i:yM/:;ydWt^-:^>f tc" — 273 — 3. *B3 I»U, >2) c)>Bt >Diff?A- DD"DO > C >^aza; N° 58. Contrition.-La conmtkmi. Mr : IldlaM r quelle Uoulcur ! I. «3-« 18 — 274 — r»u v>B "oa, >c)> C l»U, >c)> C OBtQ). 2. V>3' •>>c)G)8n, ■D3D!D >«i«T; ;*/:a*r«eak vbi'a — 276 — V>3- >C"D38!D' 85, V>3- B. VBLHRjnffit '.'WSi^ >^ DC O^^ hDB© T. — 277 — N» eo. Same Subject-Mdme sijjet AiE: Grand Dieu, mon cceur toiich^. 1. 8(3I, 80 >DC A* l>83- DA"^0 Or v>B sQ I»U. Chorus. "DCE, 8<|7)-^)T)h, 2, J r;q^sm^:^^WK;,-/- MICROCOHY RESOLUTION TEST CHART (ANSI and ISO TEST CHART No. 2) 1.0 I.I 1*^ J 2.8 IM 1^ III Itt la u i32 14.0 1^ ■ 2.2 12.0 HI 1.8 J /1PPLIED IM/^GE Inc 1653 East Main Straat Rochsster, Naw York U609 USA (716) 482 - 0300 -Phone (716) 288- 5989 -Fox ^w*!**:^ — 278 — DD B^3' V>B z -7)a-^>> 3. BBt>'3" l>"^ A"<. >c)> C C3a'D^ 27? — N° ei.--AU is Tout n'est que AiR: Tout n'cst que Vanity, vanite, vanity. G)>a V>!3 BQVh A"Dtflpi. > coa^. Oa A3zD- DA'Q//. 3 C «C Da >U t> BQV", B« Vv>B)i3- l> V>B, BQV" <3» C >3 c)>Bt >3 )0 0u'D>. »> BD >zDO> > — 280 — t <3K2z "OtB CDtOr !S-BE». 3. OJ ©>3flR D^Q'i A* BQVh > CDs CO"D3>. c)>aD>T) BQV" — 2H1 — T ODS«. D, ID "DD> O BQVh, r — 282 — OT) a >VO« [>T [>)gZ )T)T > <])Dt U5>3>- DCDEl A", DzaD> VBOSh; — 284 — 2. <3V "DQ BO^^T 3 c))Bt 3 3a ^zD'f — 285 — Chorus *> Am c- >3 -T) a >>Q//, *©3'D c)Bt czet> > 3. >Q IjuDh DID a)"D'>DT, 0>T Aii< "Dai>D> T), •iwnniT'^m: i 1 : ! 1 : j ii i i '■■ ii! I 1 I I — 28G — FOR EASTER-TIDE. POUR LE TEMPS PASCAL. N^ 64.— The Resurrection. La R6stirrection. Air : J^sus parait en vainqueur. 1. t>)Sz >3ui> V>S. T *S3 O^C, it - 2is7 — *e3 D>Qn ^■r Aii< 3?3// BT)>D'. 2. D3D0 T)e/xT)h; V>3- DT>-3D> D, [^■^ Aii< <10t *fi3 VvA'-B DCzn3i' < DDE •>>>zOOu OQt ^> AB> rii _ 288 — N° 65. Same Subject.— M^me sujet. Air: O Filii ct filiu'. 1. ' c)>a >DfffiA'' AOO: <1!^CI(P. Chorus. CIQ. *E_!D> O^ fit? DACO>, 3. a — 289 — ft 19 — uoe^ — FOR PElMPECOST DAY. POUR LA PENTECOTE. N° 66 —The Coming of the Holy-Ghoi La descente du Saint-Esprit sur let Apdtres. Air: K-j>ril SJiint, Dieu de luraiiic (Jhokus. - >n-D, >a)B>D"0O^; 1. U5 <>3t Q) DV«Q'' An 'D'lfc)^ B^ Ghosi X les — 291 — 2. ®T EI>ii *B3 a A3tD- — 292 — FOR ALL SAINTS' DAT. POUR LA TOUSSAINT. N^ 67.— The Saints' Happiness. Le bonheur des Saints. Air : Ohantons les combats et la gloire. 1. 053? >no"D a oot|0>, <>3t >n QBz >V>D. DID >Q Lj3h >tltGt> t»!2)% >-^ V>B ATG^'ADtD; Ot Aii< I>©z >"D QB2 T>a ]D'D'Di'"D. — 2^3 — ET. C2Bz D AD>"DLa>; DzBhB B>:3 !2)-B>Q//, DB -^a A"B, ^BsC C BT)-fitJD>; — 294 — FOR ALL SOITLS' DAY. POUR LE JOUR DBS MORTS, jjo 68.— The Soials in PtrrgatoaT- Les dmos'da Purgatolre. Air : Aw fofid-iiiis brftbtito aMmes. % ODB BV'ffiT Aii> A*, 3< C DCVDO//? I! — 296 — Various Subjects. Sujets divers. RELIOIOUS SUBJECTS. . SUJETS RELIGIEUX. N° 69.— The Spiritual Combat. Ltf combat spirituel. Air : Arnioiis nous, la voix du Seigneur. Chorus. V>3* C AB> DD^D; -- 297 — I. QBsC VC/9 00> D, >»IOt >> TXAQiBt. 2. >Q U»3h Vv>"T)-gJ7)). Ua C >DCDD> id-^'^i -. 2i)8 — N° 70.— The Service af God. L» sewice cl» Btoiu Aitt: Dienseol, Dieuseiil. I. j8>(i c QBsc a- SD> s> Chorus. QBsC > C >U; [>T AiK va a3Ti0>: 2. j3(0|> 3/ >!) c)>Bt DB''>>» — 2f» — BQ> B' t>ID QBz BAD', N° 71. Prayer*— La pridre. AiB: Je suis chr^tidn. 3"D V"D t>< DsT; <]D C* H>C !>' Dl83, 1. ^>80)Qz U5 l£)DtB»; 3 C sDi a [»D"D80^ > C VB A^<08"D. — 300 — 2. DCD«E)» t>"^ > &'>^ >n QBsC a ADsD* 05 tD> 03', D"OC a- 3. <13i >"D c)>B 31*0; — bol — N'' 72.— Before Sunday Evensong. Avant la pridre du dimanche soir. Air : Gofttez, &mc8 ferventes. 1. DD ]D>'0t^9t: Chobus. UJffi DCDDD 05 Bh-I» >V>D-: >>Bz UJ D>>rD. 2. DCODr) X 'f; Ho 73. Death.— La mort. . Aje: Ala moxt. Chohus. I D"^ a, BOO a. 1. 05 BQV»> C VG^flDC^- — 303 — 2. <3D a >U D» CDSh D. DDH(9 ID VC-fiJ^h? DID 3a VC-ffiD>? s. U»'"D ©iB, DD€0 a, Bs U>>c)82) O'fiR D^'IOt. — 804 — N° 74— The End of the World. La fin du monde. Air : l>ieu va ddployer sa puissance. 1. <|VD>T <'^^^ ^s^^ c)>a Qva^B^ us ■3Si> ad^s^. <3VI>T, I>z.* 2. OOO)' >^38» t>lD bCBDC^- 3. — 305 — >3'"D Dt|0t St (o<(3h ! CD C lU ^> V>B 3< 0«« DOT ? v>raT >VTa sa >do8"o? 2(1 ii!>V. I — 306 *- N^'^S.— Happiness in Heaven. Bonhenr da ciel. Air : Bcna eiel, etcrnello pfttrie. 1. 3 C O c)'Bt V>U l> ^& ha ^B >• v>Q"- CfiOBUS. A "DCI» sBi>>3' ^CJt >tD >D8C l>^ V>B, ©A III)- bB V3>:: 2. O 0>B"^ UJ B"'0' DB«'l>'; CC D a. >'B^ ^ ^' >>D>> D a BQV»' E)00> — 307 — N° 7e.~-Hymn for the Bead. Chant des morts. Air: Dies ine. I. A >n "DC, DV3tai>; 2. OID*B>C I>>B« >c)>^ C»'QI>, >>B2 Va C3>Sl> &, 3. >Ci"D [»0- A"< >c)> a »3t£)); I ■ mssLM^. — 308 — N° 77.— Against Drunkenness. Centre I'ivrognerie. Air de )a Marseillaise. 1. » QBsC >®>C V>B, >Q I3>« V©z a)>!3 D«Q// e)TCD> > a>D CODtB! V3 ©-A'B' vr)tai>: Chorus. — 309 — 2. V-m, DzB"B OiOi; 1)3D!2) ©I>)(0 0c>>Q//, V>3- C Av> Vg)I>BI ^"D D>D a- DO>; 3D QQhB OQ D«: 3. T ■:)uu^ v>a- DDu <>3'- I>SaADt3L aDsC0> 0c 3Dr 3,^,... II l',l. ! it — 310 — SUNDRY SONGS. CHANTS DE CIRCONSTANCE. jjo 78.— Welcome to tlie Bisliop Salut £l rfivdque. 1. ^T Aii< <'^^ -Aei>>© A* DID BB>B0-^'T)- 2. — 311 — >3 c)>Bt 05 Bb->> DBri», V>3- C AB z7)>B ; >3->» "De/vt^h A^e/. >tG| l>> VD B''*>> AD>a«^D>, V>3' Aret DyQ>Q)K. ; >n QB^ I>T -Da33u.. X — 312 — N° 79.— Barcarole. AiB: Divine berg^rc (Jjambillote). 1. * • "DtB c)B"!)l>D>- 3. >c)> 5< BB^ >J^^ .-^sr-'. — 313 — 4. T)a 7)z 3>C ID, N° 80. -Paddle song. Chant de la rame. Air : Lc ciol en est le prix (varianto canadienno) 1. Chorus. G3Q, CBQ, o^fls BQVi' flEJQ. li \ — 314 — 2. Aii< SoBUs'D; 3. U3$fi BQV'> aJQ, DD >0>D 3> DDD^B V>B, 4. as 3>a D a»- 5. U5« B^V»» ajQ, — 315 — DB -OB AD- 6. Aii>CBE) D, DD •< QiSB. — 316 — LATIN HYMNS.-CHANTS LATINS. O Salutaris. '> 3!2) C[0« AOQ<; '> H[>c< ST) n)r'^n OBs HD"^ t>* ClTri>Q. . 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