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Les diagrammes suivants illustrent la m^thode. 1 2 3 4 5 6 ^\ F THE ROYAL STANDARD J^ OOLXjEOTIOlsr OIF^ PART-SO^GS, GLEES AND CHORUSES, FOR USE OF MUSICAL CONVENTIONS, SINGING SOCIETIES, AND ELEMENTAL CLASSES, BY THEODORE E. PERKINS, AUTHOR OF "THE SACRED LUTE," "PSALM KING," " MOUNT ZION," "STERLING GEMS," "SABBATH ANTHEMS." ETC. Toi^oisrrro: COPP, CLARK & CO. 9 FRONT STREET WEST. fU0 1' I ' ^ J^ K t) 8 1 4 PREFACE, The work of preparing and publishing this work, was undertaken at the suggestion of a large number of music teachers in the Provinces. They believed that the want of such a book was urgent, and that the time for its issue had arrived. The Elemental department has been prepared with great care, and has been placed, at the back part of the book, simply as a matter of taste. The Glees, Anthems and Four Part Songs are in great variety of style, and of the various grades of difficulty. A sufficient number of church tunes and chants have been introduced, to make the two lines of Study interesting and eflFective. The Teacher will find the old tunes at the end of the book, useful in bringing out the voices during the first two or three class Lessons. .i : .- ,, Hopfiig the work will find acceptance, we send it out to the Public. THEODORE E. PERKINS, Editor. COPP, CLARK & CO., PuBusHEBS. THE ROYAL STANDARD. jgi GOD SAVE THE QUEEN. NATIONAL ANTHEM. HarmonUed bj TDEOOORE K FERKINa ^ x ^^E^5E 1. Goil save 2. O Lord our our pxa. • cious Queen, Long live God, a - rise, scut • ter our her M no • ble Queen, God save the Queen, en • e - niles, and make them (all, Send her vie ■ Con - found their m i J: -^ Ifcrzig: 3. Thy choic - est gifts In store. On her ^ =P==1 >-=: be pleased to pour. Long may she i9- reign; May slie de §S — I- Zit =SP= Sr ■''• . ii ■s. •- * # ^ :t=t ::lq=4= :^ s- 1 to l)Ol ri - 0U3, Ilnp - py and f;lo - ri - ous. Long to reign o - vor us, God 1 • tics, Frus - trate their knav - isb tricks, Ou thee our hopes we fix, U, od save the 0_^ save us the Queen, us all. 1,1 WJaUFt i. 0BO8BT. s^ HARK I THE SUMMER BIRDS. 1 N— f TBioDOM I. raaKun. Si^^i^^Sps^^^ :tizt i=*= 1. Hark t the Bam - mer *t itzti: ars call-ioi;, lleoriheir wild and mer- 17 lay; Come where all with Joy la glowing, To the wooda a -way, a- way; Neath the 2. Come and Join the woodland cho-rua; Come and see theaporkllng rllla, On with ev • er reatleaa murmur, Flowing down the yer-dant hilhi; Come and g^^l :t ^i •" f r r ^ 33 *r~fK m *!=*: izzt ^ >> ^l pg^^K^^-PgE g v-*-* i :S=|v ^ ^ I ^ — fs — t" ^ -0 — #- #• * ••» ? =P=P: £ ^('-V- tall and atate-ly brancbea Waving In the goUden light, Wh^rethe aweet-eatflow'raare blooming'. Let na aing from morn till night Joln the woodland cho - rua. Bid the slumbering ech - oea wake; While the ba - glea dls - tant mn • sic Floats a - long the all - Ter lake. ^ -0-'- -P~0- -#-#- fc# -»-ft -(■ * 3Z: I JOnraiMB POLLABD. LEND A HAND. i^f^^^F^^^^^^Ffe^^^-^^^jgsrj^^ 8. J. TAIL. lie :qv ^ 3Jt ■0-T #— ^- -i5>— 1. Lend 11 bond to help an • oth - er Who has fal - len by the way; Lend a wU - Wag hand, my brother, L^nd a hand with-out de - luy. 9. Li*nd a band to help an-oth-er Who i« on the downward iruck; Til a 8ls - ter, or a brother, You must win and wel-come back. i ST^citr^Lrti: 3, To nep;-lect them li ln-b«-man, To for -801(0 them Is a crime; But to saTo a man or wo -man, X» a deed that la lub-llme. ji a broth -er- hood we itand. Till In - tem - por-ance la driv-en From our Ions - ac • cnrs • ed '■'"'l- ii 51 I: To this cnuse our hearts are giv- en, Ai prva: 4^ -^—^ -#-*- -F-S- ifcJts ^ ^pci^r --N— ?> :iz3t ->— -*-Tii^ ■0-^ 3 ^ 3?- CHonus. S -#--.- Ai'.d while you mM are i - dly wait • Ing, Co • jgl ^ m , M - . K 5^ tint;, and de • bat - ing, There's a cry re - yer • ber 5S And while yon -N V-i h -m — ~m' are 1 - dly fc f ;^i^3— r^ wuit • ing, Co • gl ting, and de F t=4 -N- -r-f-fr t=f.- ¥ ? ? bat - in?, Tliere's a cry re - vor - ber jf^==W^ ■\r-i- ^ f > V M -i.. P -W V- ^ -V ¥^^4^- n\ /TS -•-»- * &^ V — r- ^^^ a - Ung through the lond, "Lend a band," There's a ^ -V ¥~ m cry re - ver • ber -a - ting, "Lend a hand. Lend a hand." ^ *— 1/ ^ . For tbon, Lord, art mighty. Ait mighty. High - 1> to aave. i -w^ S^ H=S: £ :i; s^^ ^ — t- *=t :|=:i: :^=^ ^g^pS i mighty to aare^ i: Art mighty to aave^ Art mighty. Art might E i;l liiqc :p=tc I I ■ !d » r ! — gj ^-^ - t Fbr thou, Lord, art mtgbty, ;#*'!>;> y to aare. ^i Art mighty. .'Clgh • ty to BATe. 5S gZT^ t^=t^ ^?;=v 1==: :<= — #-*-P- itdbsi 9 'l" 8 nnntT w. lovorllow. 1st tenob. Slow and Gtntle. STARS OF THE SUMMER NIGHT. ns KALI YOIOB. L-irnlslittWliereyondorwoodbiiiecroep9,Fold,foIdyourpliiiongllght;She8leep8,my1a-dyBleep8! Shealeepal Bhe Bleeps t my In- dvelppiw! 4. Dreaiiisortlicsuiiiiiieniight! Tell her.ber Iot - er keeps Watcb.wblleiaalumber ligbt Sbe8leep8,myla-dy sleeps t Sbesleeps! ahealeepB! m'yla -dyBleiitsI •"*^'!!fL._j_b_i__ .j_JL±^J .>.>J.;iJ t.ti-f'J i,...^r;r».«.fr^ ' -#'-iS>-l-^=H ifWUileiuBluinher light SI fc -^-tS' *;5=5l: m • This may be ionff with fine eflket by a ettnrwj an the IMItee slngiog Ist Tenor, (down In Tenor Tolce, of oonne,) ud M the Tenon Blncing M Tei iw. In 41tMUB| tlie liaai, • tttf goo4 rale li, one quarter ou 1st Bass; for Instaltoe, out of 30 basses— U low and 6 blgh— subject to a change or a toIos or two, U the balance Is not perleat. THE CLOVER. ALLEGRETTO. Brrl(htly. L, n. SOUTHARD. ^= t^=^ f- -J:± ? -i~ -: -hi— #— "I mong the mea-dow grass, Searching it all o-Ter, What a mer - ry band are we, Hunting four-leaved clover t ^ S :|E=i: ■d J J- fc: * — •" ^ TT-^ ^^5^ ^^a rJtzsT: :r=i: mong the mea-dow grass, Searching it all o-ver. What a mer -ry band are we^ Hunting foar-le»T«d doTwi 9: ■ft — p r-r i=a — *— f-l- , | P-^-P- F P I * — tr-i 1^-tv— t^ ^ Egli?— U : #=-tfiNH-' ^ :i THE CTLOVER. Cbricltided. 9 :ic=fc $ t=» i fh;^ O-ret bead thy daac-ing Imtm ^ ■^^ In the bnen are twjing ; While be-neath, tha light and =F? 4 »/ ^^ ^^ rj'J/liV* ^ ^ ^- :^^^ ^=?^ // -(»- •M=fz V y 1/ t t O-yer head,. f ^m the danoing leaves In the breeze are swaying ;'While be-neath, the light and ^ ['<•,'■ ^l •?= :p=a: m=^ ^ jt ^: 3: 1=5: ■hade. * Hide and seek, and aeek are play ing. 1 ide and seek, Hide and seek are pli^^ ing. il jj^tJum^m M Hide and seek are pu^"^- ing. Rllanl. -a ^8 ahade, Hide and seek are play - ing. m^ ■f—^—f :>=tc f^ ^^ Hide and seek are play - ing. 2 Sweetly sing the morry birda In the branches o'er xu. And the group beneath the shada^ Swell the happy ohoms. Now and then a honey-baa^ Laden with bia treaanre. Darting from the oloTer bloom% Hvuns a drowiy meMore. 8 Through the dewy^eented grass, There's a atreamlet flowing. And npon ita mossy banks Ifoadow lilies growing. In among this seent and bloom. Gay with mirth and langfatn, Keen blaok eyes are sore to find lirhat they're seeking aftsK i m m 10 BLESSED BE THE NAME OF THE LORD. APv^. BIHBT OAOBBT. =P=5=S ^ .0 w P w =s. i ¥=^=W=^ m • i2=J -r-# Blef« • ed Iw the Name of the Lord flroin this time forth toA for ar - ^-iBOn^ bleai - ed be the i i 'r -i- t^ i I* IP 1?~i — er-more^ rrr Blew • ed be tUe Name of the Lord from this time fbrth and for er S . , ^ ^ f ,f f p ^ . -^ i Name of the Lord from this time forth and for er • er-more, bleu-ed be the Name of the Lord, blew-ed be tbe ^_Jj; ^ k I L I 1 . I .. I h a. I ,«■«•.. I 1 % :t^=^: 'FH ^} ^rttt ^^^^ Name of the Lord ft«m this time forth and for er • er • more, blew - ed be the Name m -#-# — ^ t # i # • 0- r Tr r-^r^ -^ i w - ed be the Name of the Lord, I p » p p PIP ( ■ -'-|*-=i= Mew-ed be the 5% tn^ i BLESSEI>BE THE NAME OF THE LORD. Continued. ff^^ pooo rati 1^ a tempo. «r #-^-* a. Name o( the fci^i #--'- p p f- p • '■■ r. ^ r ' r g -IT Lord, blew-ed be the Name of the Lord, bleaa-ed be the Name o( Ui« Limlfrom tUia Ume forth and Ibr Name of the Lord, bleai • ed be the Name of the Lord, Meae - ed be the Name of the Um the Lord th>m Vf}^^"^ % ^ thia Ume forth and for I ,M! I '1 iM BLESSED BE THE NAME OF THE LORD. Continued. CTM, , dim. 0LJ-. !■ ;-[T ;. J- J j- ; [Ig ^ m liigb. mnd yet ham- bleth Him -self to be- bold the things that an In he* • ven and earth T j- f- i j s r 3=7717 J-^^^- l J j'J /J I J to be - hold the things that are in hea • ym and earth f hIjKli. and yet linm • bleth Blm - self IS ife ^ N ^ 1 I I m #-* f p 0- ¥ ¥ -\ ^ i tzut Who is lllse an - to the Lord oar God, that hath Bis dwell-lng so high, and yet hambleth HimseK to be • hold the things that fea»s who u Ilka on • to the Lord oar Crad, that bath Hla dweU-iog r J I I ^ ^ - $ i Ef ^ra ^ ■srr W 5^ and yet hambleth Himaelt to be • hold the things that bath Hla dweU-iog so high. i7~~z: BLESSED BE THE NAME OF THE LORD. Continued. m^ dim. 18 ^ -iS"— ^- aro in earti earth ? U m are in bea - Ten and earth? — \ 1 N— i ^zir He wa-ter-eth the hilla from " > ^ '^ JM N— ^ bove. •' * » g J ~^ • n — r~z ■ ^ ^ > J «i:3: earth T He wa-tcr-eth the hills from a - boye, tvrjv He wa-ter-eth the hills from a- Prz ■ - RT^ f f^^T~m bove. The earth la flll'd with the fruit of Thy works, is flll'd with the trait of Thy workc. yl ^^EE -m] it niirimiiriF^'iiiBi^ -"niTTMirp-'iMt -'• i;n 'ill II II ■■^■■B !-i i 14 i trf^ BLESSED BE THE NAME OF THE LORD. Continued. 3t=*: fe U ^^^^^ fKZ^ ^^- ^-* f i tf bringeth forth grass for the cat - tie, and green herb for the ser - Tice o( men, $ 5 122 He bringeth forth grass for the oat • tie, and green ^ f-' gt^ ^'^^W ^ i urrrr'^ifg^f i ^'^; " ! He bring • eth forth gross. P' and green - # g^i g fc -TCH -i«^ ==t: bringeth forth gross for the cat - tie, and green herb for the ser - vice of men, He bring ■ elU forth grass. green herb for the ser-vice of men. green herb for the ser-Tice of men \ . — u m^ herb for the ser-vico of men, and green herb for the ser-vice of men T ^-H^-T- j^ Bless • ed, bless - ed, i Bless • ed, bless • ed, bless - ed. i -A: ^^IS P=f^ ■&- :t j J — Li ;; I r ^gp iS^- -«- H <5^ green herb for the ser-vice of men. green herb for the ser-vice of m-ii . . . i^zzr Bless - ed, bless - ed, BLESSED BE THE NAME OF THE LORD. Continued. 15 p-^?»— ^ -*-#■ P P w ^ 3^B^^EE S ^ j L ed be the Name of tbe Lord from this time forth and for ev - er-more, bless - ed be the # * d Mr t'tt ^ V r ' ^ 1 ? ' r"^ ^ J: rrr ed be the Name of the Lord from this, time forth and for ev • er-more, bless ■ ed be the ii A ^1 5=E i iyt r~" Name of the Lord from * f 0^ I ^ ' i U ' ' ' b^- ^ 1-=^: this time forth and for ev - er-more, bless -ed be the Name of the Lord, bless - ed be th _1 ,, I ,, I h K I .cr«*. f be Name of the Lord from this time forth and for ev - er - more, bless • ed be the Name of the Lord, bless - ed be the i ( h,i t ' ■iftl^ m 16 m *: BLESSED BE THE NAME OF THE LORD. Continued. ff, rail aUmpo, g ^ rr" r 3 ^g=g4gi jj! =P=MF g #~'-^ :t:: 1 \ b — H^- n s IM ¥ Name of the Lonl, bless - ed be the Mume ol the Lord, bless - ed be the Name of the Lord from tliU time forth and for ^^m ?^? = ? I Name r-v I n r :-'f r t * I c r c g i t f^ rnn- of the Lord, bless - ed be the Name of the Lard, bless - ed be the Name of the Lord from this time forth and for JT-tft .,51. ^ ^ ^ 3E 5 f V <) — ^ fg ,.. BLESSED BE THE NAME OF THE LORD. Concluded. ft ''i:-^ i \m ■t i J i'^ilil m iiLiji i I i i 1 1 HARVEST HDMfi; O. A. MACFABBER. ^gp Bar -vest home, har- Test home, hat -TMthome, hat -vest home, h«r - vest home, hat -vest home, We come^ And we ? fei^ ^§ Ear -Teit home, har - veet home, har • Teat home, h«r -vest home, har-veet home, har • vest home^ / 't ■ — * — ^ — «-t %^ •^ ^ u u » ^ We come, we come, And we ^ n* — i* — r :f=z?-- ■p — ^ — r r ? ^ 5^ ■f ^^ VE^^-±d^,=^ . E^iE^ bring the last load of oar gold-en grain, Lond-ly shont, load- ly shoat a -gain, a - gain. Ix>Qd • I7 ibont, loDd • It ihont • • gain, a • giin, • • gain. Pff ^^-^ e m^ bring the last load of onr gold-en grain, n rjij^^,L2r ^^ lI8 * .'. g: Ear-Test bome^ ^^P^^^^ m '$=^ ^ ^ 1 — 1« — t^ Load-ly shoot, load - ly shoat a • gain, a - gain. Har>Test home, har-Test 1 — ^ g^gJ r C ' g-HPITT-^g i I ww^ s^r m m ^ :t: E^ -fifi- -m—'i z M h :t: =S=iii=g : :*;=::»^ bar - Test home, load • ly sitoat, bar - Test home. The fields once more baTC boonteoos been. O'er the m the wa - Ty ffjtl) ' . ^ >■ Met. g ' r ? ^«^ -r ^ home, load - ly shoot, load - !y shoot, har - Tost home. The fields. . m-^-r~ii s^ -fifi- 1s=mz ita • T«at holn^ TIm fielda onee more h»Te beaateoos been. Car them the w« - tj HARVEST HOME. Concluded. 19 t=t^ ^ J t m -J^- ^^ ^ =?^ wealth was booh. The fields onoe moTe have bonnteooH been, O'er thttn the ws - Ty wealth was seen, O'er them the we - yy wealth was seen. Dot t»=: onoo more have boon i; teens been,. O'er them the wa wealth was seen,. .^ ^t m * — - » r • — m — ^ — d r* ^: ^ ^-p :: iftzS: !^^ i wealth was seen, The 'fields once more have bonnteous been. O'er them the wa - vy wealth was seen, O'er them the wa - vy wealth was seen. But / ^ -— — — ^ . rp- -^^ ^'''' '■'■"• ■ ! fe^^;feE^L;L^|ife_ £^^ -JSr=Mz :^- i now they 'to lost their am -pie store, they've lost their am -pie store. r^"-r ±t g :ffqc 3±: 3*:^*= Lond-ly shoot, lond-ly shout. -I- 't=i- ^Jtftl f 4- =R=*; rf^^ -ha— -^ ? ?^= e=s= ? pi: onoe more, shont fiu ens. '^ they are robb'd of their am pie store. Shont once more, shout, once more, . ^S^^ once moro, shont pitt cres. )tZ=i^Z -^■=-- ■i H"-^ — Cj - now they're lost their am - pie store, they've lost their am • pie store. m^E^ loud-ly shout, It ff=ff: ::p3i X. ^ ^^1 bar - vest home, har - vest home, har Test home. once more. Uar - vest home, har - vest home, ff =- ^ h — v- ^ * » ». » s «>- ^ # ^ -¥ M" Trust ye in Uie might - y God, the GoU of Ja - cob, For in Uie God o{ Is - ra - el ia ev - er - lost • log BtrDiigth. ^-tF P Trust ye in the might - y God, the God of Ja - cob. For in the God of la • ra - el is er - er - last - lag strength. Trust y« In the might - y God, the God of Ja - cob, For in the God of Is - ra - el is er - er - last - ing strength. w '-^- -^-^ # 9- ■0-^—0- V—y^ ^ m ^ s s s i± God is jn -.(ST. Dtt God is _n» 1 • i ^ ^_^_^ j-l l- J-^. * ^ 1=: ■— 1 1- iE33 onr ref • nge and strength. God is onr strength, is our Itit ?=#= ^ 5 =Pn our ref - uge and strength. God is onr strength, is onr strength and our ref - uge, our God is onr ref- nge und strength. ■,r-J-4-|-j — n r^l - :t=t :C5: P!^ God is oar strength, is our strength and onr ref -uge, our ref -uge, God is our ^ -h God is our ref - uge and strength. asr: 1 e, our -fmmr—^- B our TRUST YE IN THE MIGHTY GOD. Continued. 21 t^- S: =^ p r-p y- # — # — ,•_ :g j^.ii^.y ^ ffi t=fc strength and our ref - uge, car ret- uge, God Is our ref - uge, our ref - uge and strength. A ver-y present help In i -^£^Ei^ m £^e^^ 3 *fi^^i-d-^+d-' m ref - ugo. God is our ref - - uge, God Is our ref - uge, our ref - uge and strength. li^ :PCF= it; ■f-^i=it #=P= ^ ^Ea ■^ :5=p: ^ ^g ref - uge and strength, Is our ref - - uge, God is our ref - uge, our ref - uge and strength. iS^ m -+- -t- ^ [^ -•— P- God is our strengUi, is our streugtli and our ref - uge, our ret - uge, our re! - uge aud strength, A ver-y present help in N N I S - -H-tl — — F ■ ^ f-^^ ^ tcfet fel^ time, In time s !?-»- ■1?11«5-N- of tron-ble. A ver-y present help in time, in time.... of trou - ble. Th^-^d :S=S ^ ■A-v-^ fe ^ai^ A ver-y present help in trou -ble. A ver-y present help in time, in time... of trou - ble. i -^ Therefore will wo nov - er, m f=p=^ ¥=Tr''f^ S=^4^ :i=itif: time, in Ume of ^a trou -ble. A ver-y present help in trou - ble. 1 T^|jT| ili.::";iiy' il J' 22 TRUST YE IN THE MIGHTY GOD. Continued. ^ > f< s f < f »- M- 4 <*"# m^^ /TS #— #- £ i^c^: le Therefore will we uev-er fear, Therefore will wo nov-er fear. -n^ - -c--- God is onr strength, i ^^m -:irt^ i F?^ N=]^ ^-:^ ^_^__^ it=* ^z^ N-V ]^:^ ibat ■tS^i Therefore will we nev-er fear, Therefore will wo nev-er fear, i 32 ^- fear, -N-> Therefore will we nev-er fear. 1^ 5 God is our strength, ■t=^ i=^: ibufet i^ztiz:^ ii: Therefore will we nev-er, nev cr fear. God is our strength. God is our n\ ####»» I F r. \> \^ ]> \ > u -u- £ p P p § ■^r^-V^ ^ 1^ • • Therefore will we nev-er fear. Therefore will we nev-er fear. God is our strength. g :?ri ^^ « i i~»~y -e — » ^^E tnH lai Go»■ V - > — w — r r 1 — I — t- i — n IP 1 1 ■^^^=i=^- zm^zMz =|: ^ i= :cii -i»^fc^ ^ 1^ i" g=^ — *— r ^i^^g 1 — t- * -l*-P: rto-t: e'en as the fragrance Of sweet-scented, fad- ed, au - turn - nal flowers ; Beauti-fal, bean- ti-fnl, all were my loved ones. Pur- er than !!*=*- T -4- I I r u 1 EE all the fair flow-ers,' All that I most cherished, but could not save ; Des -o -late, des - o -late now is the hearthstone,Drear are the 1 \- mm^ ^^ -wj—m- ^^^dfefe^:Eg^=ggs^g=^ ± It ?=!- :=ts=!t -r^-ra'rji- :*=Js: ■j^-m=:wL M=M=mz ==f: zi: lil - ies my blossoms now sleep ; Si-lent-ly, si-lent-ly, like falling snowflakes.They loft me in sor-row, a - lone to weep. ^^^^^^m^m^^^^ halls which re-ech-ood with gleo ; Wea-ri-ly, woa - ri - ly, pass-eth the lone hours Of waiting, be - lov - ed, to come to thee. m^^^ 2=L =fg: rr-r- g=g - ¥ ¥ ( - ^ iqrrzr: riiz:::! :-=!: 23. ^ O'ER THE CALM AND SPARKLING AA/'ATERS. fcjv From the Opera of the " Sicilien Vespers." 25 Jtjt fc=^^=fc=:tt V-T-V- "*=rz:l — 1 ^ 1 1 c r- ^m ^ V d M ? -#- • ^-tJ — >-?-£: 1. O'er the calm and spark-ling 2. Oh thou queen of love and wa - ters, See, our state - ly bark beau - ty, Long with joy our days is glid-ingtWith be crowning, Let ^ i - ta - lia's dark-eyed daughters Holding no grief on us be frowning, Let no =1^ ±=JS ±:s- jL«^ -tri fc m ^ |V'-f\- ^iztS: -4\»-4i-::^i^ : m ■jizMzta i itii: ^— F -#— # 3tz*: t — N~N- szp: ^^=F :S3^^^5±BE* s tzt =^=?c &:^^ ;i t'^t^ b?:: fc=U 1. O'er the calm and spark-ling 2. Oh thou queen of love and wa - ters, See, our state - ly bark beau - ty, Long with joy our days is glid-ing,With be crowning. Let I - ta • lia's dark-eyed daughters Holding no grief on us be frowning, Let no -#— #- -^-'9> - p — 0- es^ ■»—»- fczfc fc±fcl^±±± fV-A- -M-rr 1 ' * n 1^ CT K — ^-5^5i3 izT- ^m 0\ :?=»: ^£y ;t -N-4s— fsl :iz:iizi: S^ kl± rev care i - el on the waye, While with soft our gladness blight, Thou fair queen and mirthful voi - r^es, Lutes and gay guitars are blend-ing, of love and boau-ty, Long with joy our days be crown-ing. Every charm and pleasure Let no grief on UB be ^A:^_-^^ itzit ^Sn^S- ^ S ^ t^^ ■±±ji. ±±4- ^^^. T^-^^-^ * ^^ — fy--p^i:js z^jfi ^rn f^ — s ijVy-A - j!i^-jh Ob. :tii 1^ StE£5 E^:^^^E^ tr- ^e^^ rev - el on the wave, "Whilo with soft care our gladness blight. Thou fair queen ^ :s=S=S --^i=^- "^^^^ and mirthful voi - ces, Lutes and gay guitars are blend-ing. Every charm and pleasure of love and beau-ty. Long with joy our days be crown-ing. Let no grief on us be §! ^=trf: :p=P= 5CZ5C F=«S=d^F$^ fcSjL :#-"-#: fc::ts=te -fr — h ^ h r ^ ^ r^ — h JSgifei^M^i ±j;:Jr:->-J -Fi^^^iSi Oh. T' ( I i Ml: .'!ii:;'l 26 m ?ES O'ER THE CALM AND SPARKLING WATERS. Continued. ^=P=* ^^ :*r5=t:z*ii*: 1^^ lend - ing, To the beau - ti - M and brave, Ah 1 All is bright and fair frown - ing, Let no care our glad-ness bIight,Ah I All is bright, &c. a- bove as. Naught to ^E^ _i I K 1 :*--?v jizzM: ^ 5i£i ■ f~T^ ^ ES pg^i^ -I — fV-l iir-— t::: ^ff^^ ^ f-T-r-fm' - lend - frown - ing. To the beaa - ti - ful and brave.Ah I All is bright and fair ing, Let no care our glad-ness blight.Ah ! All is bright, &c. ::s=ir: :fc5=tt=: a - bove us. Naught to ^zJ-ignr-ir-'^-ii: iii -M^^- JHWl ■=\ : r-7^M- • y-v^ Iltllt ^ fc-*^-? t^ ■ i^— V- &t:5 te=^?5z^ 'JT— C l-ni: ^ 5=e 3t^ ]!C=1^ Hue 2-i: igzjzJHlzizgzijg^ =^ Snd tiniF. ^T3t n^^^ make us blest is want - ing, Well may such a scene en-chant-ing, Ev - ery youth-ful heart de-light. - light. Yes, all is jtzt :::|!v: All is ■vf=f^ «; :fe __^ ^ tt a-s--:^ * 5=^: l^i^^^S make us blest is want - ing, Well may such a scene ea-chant-ing, Ev - ery youth-f lU heart de-light. - light. Yes, all ia fe-^ •0 — (f- -N— N- : #-*Hy - f "^-M- -•-T-fc ^"^^^^ ■^^^: i^szifc :: Tjt:^-jtizw=^M. -^f- Si^ O'ER THE CALM AND SPARKLING ^VATERS. Concluded. 27 ^m ?f=^ ^^ dtdv '- - m *J m #-TTil- V- gifuf-y- lV-v- f " ^ » -B B if j r-^^ "^^ ■V— w- i bright and fair a-boye ns, all is bright and fair a-bove nSiWell may such a scene en-chant-ing er - ery youthful heart de ' ^=LK.^— jv-■^-^ ^ : j^:}!cz|!t^=$[- : ~r^^-j l4s^=i|!ls i==i±tizc=« ^^ bright. ... nil is fair All is bright. all is fair Well may such en - chant-ing e v - ery youthful heart de ' bright and fair a-bove us, all is bright and fair a-bove u8,Well may such a scene en-chant-ing ey • ery youthful heart de ' i^^^^S^|5^ t^— b^ =^=?= f 1_^ tC i ' I l; -Ji± n r- iinz^ i±ZJt biz d^=s:=g; N-r-V V V- I 1^:5 P — 0- -X ^ ^ J ^ m m — ' Mz5i -9^-r& J^Vf-f- 11 light, Yes, ev - ery youth - ful heart de-light, Yes, ev - ery youth - ful heart de-light, de - light . S t SE ^^ iv- -N-«f- -.^=:.:^—j:^.z:h:^i:::^ :i s: ^. ¥=?f »:r j^i: ic* -Jt-^zt^-z m\ light. Every youth - ful heart de-light, Ey-ery youth - ful heart de-light, de E3EEE5EE5 V-=^- 5EE5Ef3 5 ="^3: light... i 5=«?-«f-»?= ri m. light. Yes, ev - ery youth - ful heart de-light. Yes, ey - ery youth - ful heart de-light, de - light . S -y— >■ HE =1=^ —I — 5 1- i -»-?-«r -^-*f J.. _ less scene re • turu'd a - gain, And 'mid his tears the Old man snng, As ^: E g~g~^=g=g= ^ »■ — -fi-==^ & >»» — K ^ ¥ I J- J iJ'.^gip F r c I j ^ce c elf J f g i g ."^^=^^^^^4^f;-mg c g g -^^^ P on the breeze that stir'd his hair, — 'Tis pleasant, 'tis pleasant to be yonni^, Ah ! 'tis pleasant, 'tis pleasant to be young. ^ 5 M^ m ■^ — ^ jHiN-J' 3 J ^-ii^ thought flash'd back o'er years of pain 'Tis pleasant, 'tis pleasant to be young. Ah 1 'tis pleasant, 'tis pleasant to be young. i aui J J : \ j^j J. J I J Jj J g g e g I f ! ;^J'. J | g c e t I t e : I' . I Vi ,' ^ ^■ti; I' '! 30 IF THOtJ, LoHD, SHOULDST MARK. % Largo. THEODORE K. PEBKIKB. m -A— A :fc=N ^_gj_,^. ^—^ _#— >_ — ,_^, X — r 1^-;^ •-* U: itzt :*-(*--«—•-- I: If thou. Lord, Bhouldst mark our in - i - qui-tles, If thou, Loni, shoaldst mark our in - i • qui-tles, A 1 b^— ^. O Lord, wbo nhall stand, O m :s=^ =P -• — *- '^■ ^ s-H-^ — N^ A — I--- -•—^ -^-fe -A — SI :i^L=t •+- : a ^ e > . ere*. % :s=:a r -. |- 1' ^ h • ■>— ^ .-- l-i 2_^ 5=1? # # ^ » =P: ^ITT^ kiHi •?2=^ t 3cr:i ir thou. Lord, sliouldst mark our in - i - qul-ties, It tliou, Lord, sliouldgt mark our in - i - qui-tiea, O Lord, wlio gliail Btand, O m * #- 13 -lr-l7i-# ^^ ^ ^ IlltZJE iStiE -V— N - "»• . » r O Luri), wlio Bliiili stand ? ^ ►? — I — i;^ I fir* (l»t tinw a« ZTiMt, &pi"a»w and Alto. 2 / - — t3p=:t ¥=P: gf— P-f-^?=p: -j , — , — , ,— [- Lord, wbosbuU stand! Our help is in the Lord, for thee, Lord, we wait; Our trust is in the Lord, who mode hcav'n and earth. a fc=J- i-i-i- [-^ griT~T S dim. -C--^ ^^ :sti- :i^ :t-r: ?2^i=P »-' 0- :«— *_ -*=.^t- ^=^ Q a Lord, who sbail stand T Our help is in the Lord, for thee, O Lord, we wait; Our trust is in the Lord, wbo made heav'n and earth. ^ ! I I ^rr^ i ::j — l-J-l-4 s) g r - w-'-ii S d ■^ ^' d «»-•- :p,« * # # — #- nsi g IF THOU, LORD, SHOULDST MARK. Continued. (Map he lung ru a QuarMU.) 31 R I. I will lUt up mine eyes unto tlie liills from whence | cometh my | help. I My help cometh /rom the Lord who made . i -/&- '^ — ^g^ -- 2. newillnotButfertliy foottobemoved, liethatkeepeth thee I will not | slumber. Behold, he that keepetli Israel shall neither. i -i©- :ai :ai 3. The Lord is thy keejier, the Lord is thy shade u|)on tliy 4. The Lord sliail preserve thee from all evil, He shuil pre • right • serve thy hand, soul. Tlie sun shall not smite tliee by day, nor the I The Lord slinil preserve tliy going out und thy confing in, i 1 from this tune tortli, and , f m 13: -t9- ZSl i Alkgro. w'X—gr -&- Jt—0- heav - en | and I e.nrth. They that trust in the 3t slum - ber { -^ iSr nor I sleep. SE:? ^^LZTJi. 4_-#— (ff- Thev that trust in the Lord shall be :??: _i. i - g r J m m. ^- -y— jt -iS "-I — moon I by I night. They that trust In the even for - - ev - er more. Lord shall i *E^EEfe^feEEe They that trust in tha Lord shall I 'I ill' lU, I 32 M^ a IF THOU, LORD, SHOULDST MARK. Concluded, ritard. s — r-^o "i^z m •- \»l time. y 2d time. -^—(S. -P—¥L. .fi>— f- T tt: 1 Lorilsliall be u8 mount Zt - on, wliicli r4iu-not be mov - ed, iiiov-ihI; which a - bid- eth for ev • er, which a - bid- eth for ev • er. i as mount -fi — Ss* 9 «— :ffii .'--CI « il_ -Fh -©I — &■ Zl - CD, which cun-not be mov - ed. ■» — 9- Or •0 — « — 0- ■Sf- i] JZ ~ . c ■fi" — ^- 1 #■ * - -fS' — F- ^ Zl - on, which can-not be mov - ed, mov-ed; which a - bid- elh for ev - er, which a - bid- eth for ev - er. :(g * •-Cfg * *. t ! I . :^=^ * < : r~r~r' E -« — « H .Ewnist/y. a^gjgg K^ 0-m--Si CONTRITE HEART. C. M. Ies^^I^^ THEODORE E. PERKINa. ^Bis^sggm 1. Oh, for that ten-der-ncss of heart, Wbicli bows be - fore the Lord : That owns liuw Just and gootl tliou art. And trembles at thy word. I Mi — H — • --N — &-+^-i- M S^^^HiiS^l^^MS^^^iP 2. Oh, for those humble, contrite tears, Which from re- pen-tance flow; That sense of gullt,which trembling tears The loDg-ex-pect-ed blow. ^m i p=^- g^ fr— K '■# COME, DEAREST "WITH ME. 33 PAiniT J. OROBBY. IST TENOR OR ALTO. roVL KALE YOICB. nVBERT P. MAIV. ^1^:=^^^. acif: "i7 ~ ^~i^' :E^E g - #— >- :td 1. Come, come, deor-est with me, Stars In bean-ty ore glow-lnjsj O'er the bil - low, light - ly, light - ly row - Ing: Joy will call the 2d tenor. mmi^$ ^^ -. 4 — ^-^- ^ ziJui: ^ -F- 333- -i^ r- £ 2. Soft winds whls-per of thee, Dear one, peaceful - ly sleep-ing; O'er thy pil - low, love a watch U ket'p-lng; Yet im-pa-tleiit 1st bass. ~^ ^ -#-•—#-• V u u ^ ^ f * -y— *!'— k<- -i^=pr 3. Nl:;ht dews mur-mur thy name, Wako ! the moments are fly- Ing; From thy win - dow to my song re - ply - ing— Whls - per, dar - ling, 2d bass. i^ E ->-->— N—N t-^ 1 H *=Zt3t=tZit ■^T-ih #-T- S^3E:i3 :S)=ti • — • — •- i; nn- 1 1 : -H-H— :t=p: -* d- ->- ^— •- •>■*—#-• e p:^ h-+- is^^^^ ic: ill si- lent cch-oes, From the cav-ern dark and deep; Come, love, come! and o'er the rlp-pllng tide. Night's fair queen our barque shall guide. +)-M-^ • ^ J: J-^ * ;-^ :^ 3P^ I*-*-* :tat :!? ^f^sa I would rouse thee; I would break thy tranquil rest; Come, love, come! and o'er the rip-pling tide, Nlglit's fair qneon our barque shall guide. m -0 — •— • — •- fe -• — »- ^-'--T-V^*-^ -• — »- -V- 0^-0- :c: ^f^fefe&^EEr* i eeeeH e'er so gent-ly, Bid my throbbing heart be still ; Come, love, come! and o'er the rip-pling tide, Night's fair queen our barque shall guide. ^ -0 — 0- - d S S ^E^ -f^0-i-0—0- d ^ d d :l=±± ■^r^ ?3t: -tH—ah -#•-# i I 'I m M" 84 FANNY i CROSBY. Eggs MY FAR-OFF HOME. TUGODOKB B. PERKIMB. i=E -4- ^ -O '- Jt vz J- V— iH^p u 1. My lioiDP, ray ear • ly 2. Tho or - ange trees pnt 3. The flowen I tmlned with S^ -# — • •- i^ !f— 8— s=z<:! I I I :^zt±: Mil ^ -# — *. hi: ■^h -^L_^- ^-.■ :?=P= child - hood's liome, Once forth tiieir ieaves, Id gen • tie Imiid, Will more I come to tlite,. Ter - nal bean - ty now,, die with • out my care, . i^=t i^ tr^ti- ZJf. ^ Thy vine - glad hills and And birds their sweot-cst And < well I know, one -^-•- laugh car ■ trust =4 ing streams. Are ols wake, From ing heart, Will 13S^^ 12=»: -L_f_ i: ^t=^ J . i '*^ MY FAR-OFF HOME. Continued. 85 g ev - cr ilear eve - ry wav aad - ly miss to Ing me me: bough : now: And Oh, A ^ 3=t: X yet no; long from all thy I can - not tboie Talet and treas - ured scenes, In lin - ger hero, 'iVhare aba • dy walki, I'd pea • iIt* thonght I once I loved to give the world to :Z_s_u_, — 5 — « — !*■ RaHentando. t'^T'. ■HI 86 MY FAR-OFF. HOME. Concluded. CBOBUS. WTewob. m— -f- ft -0— -•- —0 m— * —0 — PJiJl * 1 * 4 , Hy far - oQ home Alto. ^ — 1/ my -V — 'V far - off home, M My -y— far - Off -V U- home, my far- -y — off i-rvi — -5 ^ S — ^ " r "^■ ~^ — N — U -^- •" J 1 \ — — r — &-: m^-^-^ — • m . * • ■•■- «K * W • li m • • .. n Soprano. .. ' CVm. ff— ^— ^^W iZ/O^-"*^ "^ ■Jefe^i. "^ —<& — m— — •— — •— -*— if^-b—^—d- —&—' •— T-^ ! ! b— ~t __v , »- -ft— — • — 1 1 ■y y ^ " !^ 1 . 1 My home, Bass. my home, . . my far 1 ■ off home, . . . .. . — my far . -• 1/ off ^ K K 1 .M ^^ ff 1 * i — i — ;^ r 1 -i- -«?-4- -•— -H — w< ¥— -V- -U—- 1 — ZJl ■ > \/ ^ — \ 1 -t^ V iij far - off home, my far • off home, My (ar • off home, my tar - off Mezeo. iTzm: -0 P -g — s- -7» ^ !? 'ir- -^T- 'JS- iS"^ Ritnrd. S — /c^ fi\ hoiiiR, ThiMi luko 1110 back, (or iiicm - m -V ^ ^ r 1 'ry clings.... A - round my homo, :3^ 4s s, S-=^ N ^1 — -0—>, -S ^N- -t5>- -0—lf -•-t^ —^ V 9 9 'T- my fur - oir, sun - ny — s : ^ V- -&- 1 home. /TV ■-6>- Meao. hilrrd. ,__i^__^__ :S^vZ^;:-3: -a—". :r#i -i — /Oi ifcz: 7(S1 'lome. Then tiike mo bai-.k, for nicni - 'ry dinars . . §2: EE ~»—v ~ r- ^ r ■^9=^ ' ^ ¥ A - rounil my home, fS> • s — my far - off, sun - ny liome. m -A~ W ^ -M ->ri- m «■ ALICE. 7s. 87 Slov), sofl and genUe,~Legato. WM. B. BRADBUItr. 1. T(r thy pastures, [ulr and lurge, Heavenly Shepherd! lead tliycliurgc; And my couch, with.tenderest care, Midst the sprliig-ing grass pre-pure. l^i^^^^^^P^l^^^p -* — #- flf=^f: •btt 2. When I f.int with summer's heat, Thou shalt guide my weii-ry feet To the str ' - ^ ^— ' sr years have de - part - ed, 0th - ers now cull them, the young and light- heart - ed ; Yet thy sweet mem' - ries still fe^ T 1^ Be ii ^ i i pu • ri - ty grow ; — t Oft in the sum - mer time there I would stray, bring back tu me, 2^ * —■ = -1»- ^^=^ 7 L r ■^ — ^-n B — a — r- :i* u u L. 4:^ J-J t;M=b = i^^^-^ ^r ^=^^ — « — »— « — I — p — ^ — p- 1 » » f ' — :» ]« l« Mem' ries of sun - ny noons, bril - liant and bright, ?^ zdz LILY BELLS. Concluded. 89 fer^ f^ ac ¥f=f^ -zm ■J^-^^J^-J^ Sing • iug some old ■ en rhyme, hap - py and gav, Pull - ing the sweeta like a bee 'mid the flow'rs, In those ->. 1 .: ». l*-r— I- ^^ ^^ ^ Lips that sung pleasant tunes, themes of de • light. Bring- ing the past with its glo m ^3g n • ons rays, Like a ^ 3^ 1 ^ ^ 'jJ S — gz m m w=w -M—m- u \^ p » rz =ta=t* ^ yr r g r I sha - dy retreuts all the long summer hours; Sweet -cr tiuin nil the ljrl<;lit flow- erg could be : Li - ly bells, li • ly bells, i 3? -^s— f^ i 3 i •r ::3S V— V- ^ ^ =tU r» — m- m dream round mo cast of life's hap - pi • est days, Types of my youth, cherisli'd fond - ly by me ; Li - ly bells, li - ly bells, W=9t ^ a ] ^ rJ X =?t=?^ :42=±: rsfzzXz V * • =^:^^==^ ■s' E2 rJ '. =p=i (» r F tarzlfc: n^crzfc ^ =*!=^ 3i: I seem'U they to me ! Li - ly bell.s, li - ly bells, li - ly bells, li - ly bells, li - ly bells, 11 • Iv bells, seem'd they to me ! i m ESESff ¥ w f I ^ ^ * -g— ^- still they shall be ! Li - ly bells, li - ly bells, li - ly bells, li - ly bells, li • ly bells, li - ly belU, seem'il tliey to mo ! i g ^?=?^y"Fr F ^ * ^ ~w—w U U ^ r I K I l!M 40 Andante conmoto. Si I WILL LAY ME DO>A/'N IN PEACE. HENRY GAOSBV. -:^3E -0 0- i r I i ife I will lay me down in I peace, ■V — ?- # * ^ -l^"- '^ '#' . « '' I will lay me down in ^ > , ' — L peace, I will I will lay me down in peace, I f i=r=i 5^5^ I will lay nie down in l»t lime. :t?zz: ^¥=^ -0 — 0- j^^-N -9-^—r S)- s>—.- -a- lay me down in |)cnoe, aiul talve my i-est for it is Thou, lay me down in peace, in peace, i s -«- r*rf K^ f=rf -♦"/- -N— V--- i Lord, I ly, on - ly I . ' I tS?— .- -&- down in peace, and take my R is Tliou, 8 I I on ^^~ 1 WILL LAY ME DOWN IN PEACE. Comtinued. 41 ,-H-h- -*- ±zi J?=p: ^- ^ -^- =t=P :^=P I>. a Del BuffM.ijll'i 2d time. :^ -+- -i9- Tboa fcii: mk - est me dwell in safe - ty, tliat mak - est me dwell Id safe • ty. fur » U Thou, Lord, od - ly, ty. fur Tt U Thou, Lord, ■«- a-s ne dwell in safe - ty, that mak - est me dwellln safe - ty. for It Is Tliou. Lord, oi\ • ly, ^ . .^mj ' . g ,» tL that mak - est me dwell In safe ± Tliou. 7» ^ - t oil • - - - - ly Thou that rauk - est -V— y- v-ty-/ t me dwell in safe . ty. for ""■ J 1--, 1 !- it is Thou, Lord, on • -J 1 ■ J J I ",■ ^^■K• ;l! M&-ESE2E '?^' -sL t cre.i. on - ly on - ly J- : M j^ Thou that iA:ik-cst nie dwell in safe - ty. Thou that mak-est mo dwell In safe - ty, -I I ' ^-^ .-4 that that ; me< mak-est vXe dwell in mak-est me dwell in safe - ty, for :i=*=- ^ ^ it la F4, 1 fLb: * i ty, for it la Thou, Lord, it is Thou, Lord, on - ly, for - -r ZThz on - ly. Thou uii - ly, fur ' it la Tliuu, Lord, on - ly, that nmk - esc mo Uwetl,, niuk - est me dwell In It 13 Tluiu, iioril. on • ly, fur It Is TUou, Lonl, on • ly, that niuk • eat me dwell in safe • ty, mak • eat me ^well Id I Trnr-^: .l—KL .M *_ r IE: I -s: 1 I I I ly. Thou on - ly, for it ' Is Thou, Lonl, on \cru\ _| cCTi' _ .1 do.\ \ 1 ihm. ly, that mak • est me dwell,. f tf- §:S 3~g dEi :?2: Iv, Tlion on 3cqc: 22:: ^ ly, for jt lOU, Lord, P^ S^-.- mak - est me dwell In ^ "1 r- =1=S= on ly. i^JSIE^Si I era - 'era •• . "( - do | ^ j,_ ", I gr-F- n — - tliut mak - est me dwell in 1 r=J=:: ^^^ \ — I- -- safe - ty. 9:Efe S 'l >l!l'll lay... -r dim. down. ■7!5^ ^ raW. in peace. ^t\ ZiSZ _SI ^ IN THE MEADOW. ft& HEJfBT OROFT. 43 IS J J J. ^ ?: ^ t4 1. It was in tho gold - en sum - mer, When tlie days were warm and long, Wlien the Black - birds and the 2. It was tliere I wooed thee dear • est, In thy girl - hood's glow- ing prime, It was there I won thy _^ ^___| 1 J_ r j i ' 3 J: - ^5E=t» i ^ -;•*- 3^ '^y^ ^ m 8. And our love still (lows as pla - cid, As the wa - ter's of that brook, Lit - tie rip - pies ^^ :e=Sz -^ — P- fcl B^^ — h ^ ?^ ^ i~ — r- «^ Liu • net, Warbled forth their sweet - est song. heart, love, In tliat gold • vu sum • mer time. fciSr E^ In tho moil - (low, cool green mea - dow. In the mea - dow, &c. I Where the m H?=^=^ -^ Bumc- times, Come like ed • dies from the nook. m: ^-- -^ — v-^t \ 1 r ^ III the mea - dow, cool green mea - dow, r I r ^ m - =^-- ^^E Where tho it= ±: i! ■ %\^ w^^ 2^E5 P weep -ing wil - lows grow, Near the brook- side, sha - dy brook- side. Where tlie wa - tor lil - lies grow. J — , — K ^ , — _ ^ : m is: ?^ ^ P =!■= weep-ing wil - lows grow. Near tho brook-side, sha • dy !)i<)ok-sido. Where the wa f^- ^ -g- ii ter lil • lies K ? ^^- r-f-i;-f rr^-CT grow. 3i: m r-n' mimm 44 O HOW LOVEl^Y. Male Quartette. C, H. VoM WEnBK. Tor Fotr Potcu, hy SlLcgai. ■Ji—^-M- 7 j^ J. Jt—J ::{= -f— r- @ ^^ ¥ — t^ ' ' -t- t^ U' ^3 bil - - - lows in calm ness sleep. Day. has de - clined in si • lent ^j- , f^^Tra.jg^^^'J.j J ^JS ^ -"-t-;- gfS^ :»=» ? ^ r-r r- :V— ?- night,. ding their sil v'ry light ; &^^E JI^^=J|W=4 "P~l I — - ^ fi ^' ^ S ^^ O HOW LOVELY. Concluded. BrM • n» are sigh - 3^ ^^^W^ -^ ing o'er hill... and plain,. N \' "^Mm i-f«»-J»L V — I* — ¥ — r Qran - 45 dear and ^J* ^ 2tl npzzip: =g= v— V :5Ei Bree-zes are sigh - ing, Bree-zes are sigh - ing, sigh -ing o'er hill and plain Grandeur and beau - ty, ^ N h " m=i=^=S'- 1^ — ¥ — 1^ — r bean ztf -M. Mz rJ=J^ -»» — 1»» — »i» — t- J»-J^ I*— *i =5=5=r=5= ^^Ei A- =^— J- ^^?^?E -»^ ¥ ¥ 1- *:tid^ ^ e:^ f^ ^ ty through na :fe - tare now reign, . . U l^ U U« T^ Orandeur and beau-ty through na ^^ -t= ■ne: =^ -I- V— '»^ 1 ^: r^=zJ^=.^:^ -r — r — r =* — *- 5?=F tore now reign :*=• '■z- i^^ ■mzisp T 3^- how sweet and rn' is — «— " — m — I — ■=. a * J — P- :g=*— =ic4-,»-^^- :*tz=z£ ^^ J!^-^ ^i^ 4— r- FfE^^E^E^ ^ k -tao: ;t: .-^^-i— ^«r pore. this Bceno ; Ml ,-^^Az:^ff3- Blest. like the realm where God. IS seen . ?; r^ Jg3.JJ^^ J ^J^ >., i=?T ~ 23->. I,- :» — P — it : ^ ^ U -* J J : I > ■ «- :i, I"' im- I I' 46 MOTHER, SWEET MOTHER, WHY LINGER AWAY ? om t. wan. ■ ^-r-* - ^ -i&- S ?^ ^^^^^ 1. Moth-er, sweet moth- er, why liu - gcr a - way 1 Voic - es in sor • row are chid - iag thy stay, Sad is our P^ i -0 Wt- I I i s 1^ ^ ; # J • ^ d g la • ^ ^ 2. Lone is the spot where they've laid thee to rest, Cold is the sod they have hcap'd on thy breast ; Why hast thou l^f. I ■! ^ ^ I I J J W g TS^— r- i J r i f r ^ r J ^ r ^ » ^ P dwelling, and cheerless our hearth, Fa - ded our earth - star and si - lent our mirth. Come to thy home 'neath tho m i # ^ i ii ' i V j ^e « — p- Jt=fr *=r ^^ left us heart-bro - ken to weep, Say, wilt thou nev - er a • wake from thy sleep ? Was it thy hand, gen - tly S^ i d==: P J g- I J J J J ^ i e=ff= :?= * * f^^-r r i r' i f ^ wide spreading pine, — Strangers have ta - ken the place that was thine : Love's tender accents no Ion - ger we iiear, Come to us ^^^m^m liiid on our b\'ow, Speak to us, mother, O speak to us now. Art thou in heaven, there, there would we bn, When shall we -0 — 0- ^4f=T=^ ^^ Cfc -3 - ^ 5 W— W r pr— pr I I «. ^ ,g our liast thou 'neath tUo , gen-uy tly me to us ^ len shall we MOTHER, SWEET MOTHER. Concluded m t=f^ -I — f ^ ^m -t- ^ -r— y -t- X=K mother, thou on- ly art dear. Love's ten- dor accents no loa-ger we hear, Come to us, mother, thou on - I7 art dear. Love's ac • • cents we hear, f^^-U^ 'l l ^^^ l j. i 'J .III w Art thou in heav'n, come, dearest mother, to thee I Art thou in heaven, there, there would we be, When shall we come, dearest moth - er, to thee! ^ ^i=» ^P THE SWEETEST OF FLOWERS. J. R. THOMAS. \ m=^ a t ^ ¥ jij J f i r ^m ^ :^t=* :ft& 1. Give me the rose, 'tis the swcete.st of flow'rs. For it blooms when all olh - cr.s are dead ; As in spring's sun • ny ^^*^ ->— V- j=-^g 1 5 g =JJl^-4S — J Jt-Ji i m 2. Give me the rose, 'tis the sweetest of flow'rs, Tho' it fall and re • turn to the earth, @ i i^i^^ ^ Oh, its still liv - ing m £ r-g g ir g g 1^^ ■ • I » ^ s *i ¥ ^^^f Si P morn, so in win - tor's darlc hours It lifts up its bean - ti - ful head. -ITS m ^ =it;=if: ^ *==^ breath to the ze - phyr it ponrs, As it did on the day of its birtli ; The rain - drop may rest on its L JI S 3 SB Even so may J die. thus v< 11'. I ^1: llilliii jii.'»i' tiTf' ,■ ,.-. " i l.^J i i, I L ■ V! 1; t''l8l m c c c THE SWEETEST OF FLOWRS. Concluded. ^ 9 f \ S ? ^ 1 } ( ^ -a^ j[ ^ fair bud a - while, Or the storm o'er its crest may rush by,. Yet it reclts not the blast. f-S-l- in r~T; It^T • ing be • bind be • bind A ne - ver de - cuy - iug p< -*^ ne - ver de - cuy - iug per- fume,., f ^j' l JiJ J|j_=^ Then my name shall still flour - ish like «■ J J J' I r ! t l y p p I c r-rt-J. i J^ee l ccc l J J3 J1J jjN-^j'iJ J' f i r- i -nf4r-f-iH^ gloom it will smile, And the rage of the tern - pest de • fy ! . h S ^ ^ T The rage of the tem - pest de - fy. J i ^ \ i jjN' J^' i J J^ i (:;U£fJ^ JJ'i.;f J 1 4 1 J' mem'-ry en- shrio'd, Re - gard-less of death and the tomb. '11" p r r I J J Ji •^' -^ Ji J J k s Be-gard- less of death and the tomb. nT~rTr 1 THE MIDNIGHT MOON. BTEPBEii OlOTER. 1. The mid - night moon ia beau - ti - ful. When ris • ing from the sea, ^^ She guides the wand- 'ring mar - in - er A Tg= r "r g-T JJij E ^-J4j;^^jy^ J j ^'P4^ 2. There ia tio vdIck or language heard, Tho.se ra • diant orbs a - moug ; And yet they breathe at mid - night hour In =S" I M I fc- 1 ^t I -K — I ^- THE MIDNIGHT MOON. Concluded. 49 croM the wa • tent fk«e ; The ihia-ing itan »re el • o - qaent With-ia their gold -en spheres, When oft be -fore the 3 [ J J^ l JTJ"'rH f"l -T l -I 4';jj4jPJ/i^'i ^^ J-I j j^ tweet and sol • emn soug : To earth and seas' re • mo • test shores They tell the powV l J. J' ^ t sigh'd to be some rich ex - ot • ic's K -N J J. J' J J c) "^ ay -«*■ §^ ^^ ^^^^ J J g- g "F~F ^ m ? £ fc* l»* -t 1- store. They priz'd it dear • I7 from the hoar 'twas born, And in it cen - ter'd all their world's de ' P $ i\ JiJ: J J: J j'-j- i j J j :r-M4^ ^ J J, ;i :^=1t f=^ r=» bride. This hope fal • fill'd the rose was tatc'n a - way, P From home and friends that once were held so frr~t t'^rt c i j f z fr n "c ' g -I V y THE COTTAGE ROSE. ConclUilad. 61 light, They pray' 1 r- ■ ' -^ -^ -^ ■ ' 1 <^ — — They pray'd at ere and ear - ly dawn, ''d to Heav'a at eve ai^d ear • ly dawn, To shield their love • ly cot • tage rose from blight. fS^ = — r- / J. J , ; .J J. J " g g g z: I z ^ w \J \ ^^ H ;.jMj dear. To bloom its hour ' ' of pride and then de - cay, Dy - Ing ne • glee - ted ere the com - ing year. \ To bloom its hour and then de - eav, c e g g • >—r^ 221 'S^ pp'p ii ^r ^^ ^ ^ {A^ DREAM NO LONGER, MAIDEN FAIR. Serenade. I. B. WOODBUBT. ^m J J' J J-Jf-s^ JIJ JJMJ J jf J I 1. Morning flow'ra with dew are shining, Beauty sparkles in the flood I Spi-cy grorcs with song are ringing, Love and joy uru aML 1 Kt-1 -.r— I ■ =1 f*TH h— ! 1 1 ^-, 2. Blithe the lark of morn is soaring, Sweetly hnms the nee - tar bee t And the ris • en sun is flaming, Uriglitiy o'er the ^^ * 'H d d d — br #— # *=iX=^ m m. -m. w — w ^ ^m iu tbcwood! Dream no loiig-er, maiden fair! Sun-beams kiss thj gold-en hair, Dream no lon^-er, dream no long-er maid-en fair. L t JUUfi ^^fi^^P^i^=^^=if^pnr^m pnr- pie sea t Dream no long- er, maiden fair I Sun-beams kiss thy gold- en hair, Dream no long- er, dream no long- er maid- en fair, ■tiMUHCiM U' .1 52 ' n BELOVED, IF OUR HEART CONDEMN US." JMa-ato PioM, ^ i %^J-J 9^0^ ?=P= -# •- i hp ^ ]> ]> Be • lov - ed, if our heart oon-demn us, Qod Is great-er than our -(9—i- WU. B. BIUOBUBT. _L. heart, and know-eth all things. Be 1^ ^ i- ^ 'V V ^ ? -t< — N- -» — i^ — V — it 4 ■0 0- t m ■g — — « — ^- Be • loT - ed, if our heart oon-demn r-rf Tf S /^ -r— r m ^ § p p -- -0 — 0- -0 — 1^ — us, God is great-er than our heart, and know-eth all J- 5 ^^'^-i=F^ -«s»-T- thing& Be i=^ Ig k *=* T=?=^ fc=± >r-^>^-* F=Mf=P= -A— ^ ^E- -0 — • — • — 0— ' "--^-5—^ # ^ # : b=F¥=#= jEZ^: -• — 1» — •-^ - lov • ed, if our heart condemn us not, then have we con - fl - denoe t'ward Ood, and what - so-e'er we ask, we re - I t '^^- -t« N ^r -V- A '^-p-^-^-.^^^'^=¥=^ ■d — ii — 1^ -* — — ^ — ^ — 1^ — #• i I: /TN I N — >» ■ ^ i x I - m d r- d ■A i- zzi:± ~§ — ^ ^ -#-* -«— sh ^ — ^ '^* t ' # IJ^iJL^-. ^ • fc :^ 1^ =F=r lov - ed, if our heart condemn us not, then have we con - fl - denoe 1^ 5C=^ -y— K t'ward QoA, and what - so-e'er we ask, we re ^E£a :^i r-: : t u t-^ -1^^ y-^ ^ ^ il F ^ -r *=± -*--.- m: "BELOVED, IF OUR HEART CONDEMN US." Concluded. 53 /T\ /r\ ^^ -•-•- '-• — #- -jy^-r- s*==^ itzfc =i: celve of him, What - so-e'er ve ask we re - ceive of him, Be • oause we keep bis oom-mand-ments, Be •# St /7\ zitui ^-^ A=> •F atm ^^ ^ * * -d- /T\ ?E±: ■w St oeiTe of him. What - so-e'er we ask we re • ceive ^ 1 ^^ tr-y-U of him, Be • cause we keep his com-m Jid-ments, Be K ^^ \ _ I I 1 ^3 :s=s: J- m I: Dim. 1^-t - 4 4 =P= -- i :|: cause we keep his com-mand-ments. And do those things that are pleas - ing In his sight ± — I- -^ ^ =S=K s — 0—0- J5c ^ ^;^ ^-f^ 1 Om. I :|: that are pleas-lng In his sight; S -wh^ i=t :?2: ?^ —4-0- cause we keep his com-mand-mentB, And do those things that are pleas • ing 2Z -^' ill his right m " r r r g tt=t ^ ^^ 5 tz=tz=:3i 1 ■-»- 1 J i tmmmma 64 THE HOUR OF MElETtNG. in Arr'd rom JOHN OAXIBL. ^r fir m 9CX: J-^^H^ 1. When shall the hoar of oar meet - ing be? ye, , K-H. ..-^^-^ ttt ^ ^ «i ^ When night sets her seal up • on earth and sea 1 When ft J l..^^^t \^ - I J - M- lJ_ljLJ_.^a:^ ^ 2. When shall the hoar of oar meet - ing be ? When onr path is hom pry ■■ ing watch - ers free I When ^■^ r t' { f=¥^ » ' » ^ ^ r c gir SE ^ ^ g^ ^ g r rf | , n i r eg^ twilight's f j j:a,4J = ^ tear hath the rose • leaf wet, And the stars in their ra - diant coarse are met ; When thro* the depth of the ^ ■* 1— ^— ' ' ' — -^ >^:S2=t=ii H^Tf-jj-' I J »■' ^ ^ ^E^ ^^ 'd'r '^ dam • ber hath shroaded the jeal • oas eje, And no wan • der - ing step comes onr pathway nigh ? When the deep mal • ice of Ke^ii r r r r r''^' ^^ J-Jipzc^r r ir r J^n^ ^'i db J^ J J^ -^ If p ,1 ^ T.. 1. dear blue sky, ^^^^ r . fe I E • choes the night -in - gale's mel - o - dy. When night spreads her man - tie o'er earth and sea I ^777-7^T^z^^4-V- r^ iJ: i i-tf¥:ttftti^ en • Ty's tongue, Sleeps in the daritness ot mid- night gloom I Wh en night sets her seal up -on earth and seal m J. J J. M J J. ji J J J-ti^f ^ nr ir c c r u u . ^^^ i!i: THE HOUR OF MEETING. Concluded. ^ PLEASANT MEMORIES. J. R. Thouas. fel J. Jl^-i-' J. JIJ J -J^ J | ^ J J 3 t^ J- ^^ 1. Plea - sant mem'- ries soft - ly steal - iug, Echo -iag thooghts of - for - mer years. Fa - ces of the past re ' ^iJ \ i -l^ i-im =Pc=dt u JJiP-^ r ^ ■^ wt- 2. Plea-8aiit mem'-ries, dear- est bless - ing, Heav'nhath gir'a to soothe the breast, — Life no great • er charm po«- Fg^ r P ^^^3-- -P P" pcitz-: g r J'-"!^ ^ ^'.g j-t-^ I r s p — y tc=t*: ^ P f3 t p : S=^ P=P S»=::p ^ rz ▼eal-ing, Batb'dia mem-'ries si- lent tears; Feci • ings bn • ried with the past, Gome like some remember'd strain. -J j-j' Jij J i:}H^i^-L^LU4W-'\t~ttJn ses • ing, Lull - ing sch - ing hearts to rest ; Hopes long fa - ded, past a - way. Bloom as in life's ear - ly spring. ^ll l^^ -T^'.>ir r rT i .'.'T' c-e c c c i .i^iJ. J'J-j-j-j- ^ tmamimaa 56 PLEASANT MEMORIES. Concluded. te^ :«=^ C J J. J>\ r f r ^ r- ■'^ ^ ^t:^: -^ — t^ — }0- ¥ — k *i» — t*- Joys by sor - row long o'er - cast, tet S Plea - saat mem'ries wake a • gain, wake again, wake agaia, Pleasant wake a - gain, wake a - gain, fU^^^'-M^ i d: fj-jQ 3::^ ^ liT^-r ^0^:=t g: i ' «i^ Dreams of many a hap-py day, Pleas • ant mem'ries oft ye bring, oft ye bring, oft ye bring Pleasant oft ye bring, oft ye bring, h h | k |f=?5: to"i> »r • c ; p ' ^ rs r r r ^ m p r a=ac m :la=tz 9==^ W^^ m m ^ J j-j.j' i r h :ff=e: =5t;= ^ ^^ -t f- mem'ries soft - ly steal - ing, Echoing tho'ts of for • mer years. ^ j^j:f l ii-i:j l j -4- Fa - ces of the h ft . t past re - veal - ing, Bath'd in * r . m: ^m ^^ ; — J ^ > r - J U soft • ly steal - ing, Echoing tho'ts of for • mer years. Fa - ces of the past re - veal - ing, Bath'd in mem'ries ^ ^ =E K=K U t rJ 'wr^ tc=™: e^ ^ s s ^m ts==S f< — te: p r g * J zz -p— p- * * * g • tr ^^ - g g : i taa mem'ry's ^ si - lent tears ; Pleasant mem'rioj wake a - gain, wake a • gain. Pleasant mem'ries wake Pleasant mem'ries, ft a - gain. ^^ 4:' i j j J F i |J-^ ^- J ^=^ s ^fit- si - lent tears ; Pleasant mem'ries wake a • gam, wake a - gam, Pleasant mem'ries wake mem'rv's !!' Pleasant THE BRIDAL PARTY. :t2=±fc' =^=¥= ^ For Male Voices. J. 8. BOKITENTHAL. 57 > -*f T- E 1. To the church they go, Joy - fal - ly but slow ; •ta- li"^ fe III lift ■ ji^—rHzi: Tis the bri - dal par - ty : And the rose >. . . . > > in -^ ^■: :15=^ lis^: 3. Good is the sky.Bi'dB are soaring high I So with her young spir - it, Not a cloud 18 8. When the choir has song, And the or - gan rang, When the "Yes" is spo - ken. And she wears > > > the ^P V— b^- ? X :Jt:^=t atzt S^ -\f — ^- i^ :t^ s —I — I — •~n- -^ -^^ =#=?E^ i % beaa - ty, Springs on ei - ther side, Tes, yes, Bo ' -^ 3^ i 5E2 #— ^- 1^ 1^1 ^ =^ :?i=^ ses for the bride, Tes, yes, Bo ^ W=^W- for the bride. ■?— near it. Like the bird it soars, Yes, yes. a Far ff its rap - ture pours, Yes, yes. Far its rap-ture pours. I =1 ^ 3^- ^ ipznp: :;i=ztr: 1 tok- en, Then shall all > eyes glance, Yes, yes. In the mer - ry dance. Yes, yes. In the mer - ry dance. "(W- ^ ? :4t ^ -m d- a$^ *=fn=1 f^^B li M Hi! i.i li 1 fi iJiEJ f^' t I! ,'ii 68 WE WAIT FOR THY LOVING KINDNESS. I Andarttt. THEODORE R. nSKINS. 1^^ 1 — r^ : ^'-t-^ z :e=5i: ■• — » :g # ^^ i ^■=f^ We wait for thy lov • ing klnd-neBs, O Lord, we wait for thee, we wait for thee, O Lord, in the midst, the midst of tliy ^ jtJzMi *^r^# ■#-#■ A=F i^qiqzir::::p[_ - ^ -J_j^ -#— ^ ^^ e; -(» — •- ^^S :1:t :t*: :??= atfti:: :5'i We wait tor thy lov - ing kind-ncas, Lord, we wait for thee, we wait for thee, O -N- Lord, in the midst, the midst of thy ^^^P ^W—i- ■JS> — t^ f± ^ ^ ■<9 — m-i~0- ip f=r- ^ f dim. i^^e= itzt H 1- ff Unison. Allegro. 3t3t m X s i I tem-ple, we wait for thee, we wait for thee, O Lord, in the midst, the midst of thy tem -pie, 1 -t- Let the Mount ZC • on re ' I f ^_^_u_u^ ^^^3e .— •- ♦ztatzb^ ^ ' d S ^ 'S S yii^^^ :! erei. dim. Jf Unium. Allegro. -^— » ^'-» tem-ple, we wait for thee, we wnlt for thee, O Lord, in the midst, the mlilat of thy tem-i)Ie. m i i 1 m I 3tl± ? -• 0- m^ '9 'd d ^^ Ifit the Uonnt Zi • on re > t 1 ^ i t ' 'I ■ :! ^A^E WAIT FOR THY LOVING KINDNESS. Concluded. -V— N ^ ^ i 4 m — •- E i m=j(c ^=P- :p=:=r fi # /i ^ ^V^-W^ g i?^U^ Joiee^ let theMonnt 21 - on re-Jotce, lettbeUoant Zi - on re-Joice, letthellonnt Zi • on re- joice, lettbellonnt Zi • oa ra- P ^F=^ 4 4 -^— ^ ■St^il ■St 45=t itiztJtii: lizjtzit. ^ ■% re - Jolce,. t- It — h — r jj^-j/ # r# ft ^ :p: V-V- P — ^ # » fetzfc g ^ 9- £: - \ yniKK., :?*- tb:iiioant'Zi • on re-Jolce, lettbeMoant ZI - on re-Joiee, lettlieMount Zi • on re-Joloe, IcttbeMonnt Zi - on re ■ F^^ ipzz^ ^^ — •-^^ ^ -!-<»- ■t=^ -¥-^ ^ IS 1^ Uniton. ff Staccato, » I • • i^zk HEt ^^m 111=^ -h 4 4 4 it-4- ^ aot i Joice, let the llonnt Zi • on re - Joic& % n^ 1< ^ ^ ^^S^^tig^ Let the Mount ZI - on re -Joice in the Lord, A -men, A -men, A • • men, I I ■f ♦ ; *=F i .4-4- -+- 2i: s ^ t-F ^^ t^ -*-* ^ i-i- fS^'- fl Joice^ let theMonnt Zi -on re - Joice. Let theMonnt Zi-on re -Joice in the Lord, A -men, A -men, A pB^^ -^L.#- # # f* -r-1— r- 1^ ^ men. :|?=#=P= p#=Mtrt ^ t rf7t^ i' r „ THE TATTLERS. Si MODBRATO. *zz*: ^^i ifn:^ IT 1 P hl-f i-^ - • • am g ^ Some folkSfdo whatever jou will, Will not let their tongues be still, Will ^-^ •irg F^ ■^^#- not let — ^ their tongnes be m i "•P SUccauT 1* SaiteBBt*. ^z^g^S^^ InzA- =ft 3tiiM: £ Some folkSjdo whate'er you will, Will not let their tongues be still, Will , - - - - - - h 9 — ^ — li ^ not let > It—m-JL. i=!£M :p=i^ v-u^ ? :^-=:tt=d: atmtzzt t*.-'^- S their tongnes > be m^^^^^^m Do whate'er you will, Do whate'er yon will, Will not let their tongues be t| 5S -■0' izLT^^f f-^—^-t- > > >. 2=r still, Click, click, click, click, clack. i^Ei ^^F, JESct??-* 5=--:^ m. I^^tt:^ 4t::t!^ r!> 3CZC: \-.m m ^ //SIBCHIO. m -N-i=- But they still keep on Ding.dong, dong, dong, both night and morning. m r-^ tl=M A- -N ^ I ■1 > > '"/sntcaaU. > > J» :^J: ES ^-«?- -*ZI2 S=t 53 b!^ !^-i?!--' &t2: ^1 f-t a^ii iiSs: ./^ >3E5 51 still, Click, click, click, click, clack, S > > > I ^EiS: ^-f!=^~Mz::z:^z.:^ 5==^_ But they still keep on Ding.dong, dong, dong, both night and morning. :?s=p: fc=5C ■til], ^ Pt :&=:ts ~r~g~ Clack, dack, daok, dadc, Bat tiiey still keep on, Ding dong, ding dong, Ding, ding, both night and monung. m^ ARISE, O LORD. Continued. AUrgnllo con Spirlfo. 78 -t&- i9- -iS- I I made with | liaoda; I Heaven lam; |thrQDe,>iul | earth Umjr | footitool. ^. A=S: rw^]^. rsrp: Ei3 I =g= SEg ^:P1 Thoa thUdwcU'it be-twcw the cher ■n-blmai thoa thotdwell'Mbetireen the 4—4^ :S~S I^J # « # #■ ulth the I Lord ; | or | what U the | pUee of mj | reit. "f^ m u. Et F=C= » B:ri?z -«'- i5(— -i»— (©- '"S^U-- ^igi Thoa thatdwell'at be-tween the oher • n • bfma, thou that dwell'atlMtweeii the 5=5^ EiE 1^ i U— t ; r- is SOLO. Andante. i. --&' i»- Cher - u • btma, ahlne forth, ahlne forth, ahlne forth, ahlne fbrthc i :s=tS ^=it -^-^ -•—4 1^^ -ub ■«- jC_ 1^=5:: 2? 5 &r ^ I will not glre aleep to mine erea, nor alom • ber to mine Cher ■ u ■ blnu, ihtne fortb, ahlne forth, ahlne forth, ahlne forth. orth. * -r^-w-r :y '^J^'i t J^ -^ y y ^ ?2: 1^ -»- ^ -(51- tSI- -«- Mb: fc=t -#-F- :i=t ^ ^=FF ? eje - Uda, nn - tu I and ^. fo: lEiE&j: t=rt -T *• —' ' ' ■ 'it place for the Lord • tub • t • ta^- tlon for -=* p u_,__ __L J__l_^ 1 ( -I— p# \ P g^ i r the Lord of Ja • cob. -•—^ J 5 4^J_x -(Sh I iB — h^ b- — F- -t \ tr e :St: I -^ ^=f I w FT ^ fi! m ■! ! 1.i illiiJi.i ARISE, O LORD. Continued. 76 P=S: j=^^^^^^^ — 0- 3:r are they tbat dwell, that dwell in thy lionse, Lord, For they will re-Joice, they will re-Joice in thott. • gi — k * r— ^1 — Ti r S :^^i are ihcy t int dwell, that dwell In thy house, O Lord, For they will re-Joice, they will re-Joiee in ... . theti. at—W- ±± ■^r=r. Up -*-. •iS'- P — w — #- t5>- ^^ ■«'•'- (C-*- -fi^. ^ 1^ :il=* i-.-«-F^ — a- -d-.-W -- 4 to the Son, H»-«- ^^ ^.^ Glo-ry be to the Glo - ry ^m be to ft-" fc=fc the Fa - tlipr. Glo-ry be to the Son, - _ I hr— i^- -V it- awl I tlio IIo - ly Ghost; -P— » 5^: ^ Glo-ry b« to the -#— a- ^ j;^^ffii=i=i:if=^>=j=f =^^4:i;:j4 ^^^ Fa - tlier. I ^ aim^ be to the Son, I i=±t and to the IIo - ly Ghost, ■■ft=^ ^ t- -^ — »^^: 1^^ s Fa - ther, Glo - ry be ' to the Son, -0 (5» : r ond J. -m ii- Aa it woa In the -• #- :k be - gin - Ding, U -«!-•- - ■ d IJ-r-^-^-r -VJT]- i^iP=g= to the Ho - ly Ghost, ^e ^ >^— 5^'- -• — — 0- -(S>- As it wna in tlio -# P fi..t._(t_#-±-* lie - gin • oing, is :5ttE ■• — » j=^ n liiUi>' w. IT' 'Hi ! ' ' ARISE, O LORD, Concluded. g^ W=^ ^ was in tlio bo - gin-ning, As it was in tlie l>e-giunliig, is now, and it was in the bo - gin-ning, As it was in p ^ p •-^- tlio be -^Inning, is now, and :fc=5=?^ -• — 1»- —t- =h -• — •- :A=zbz±i er - er simll be, > # # I f-=^ ,g gr- ^ g^lEfe j=^i--| -] world witli - out end, world with - out end, world wltli - out end, A - men, A - men, •-• — m- ev - er sliiill be. 9-e3 world Willi I .out S *= i -4- ■it* i (Sl- ^ '-Sir -»- i^ end, world with - out end, world with - out end, A men, A - men, \ - - men, A P • P=-^ • *= ■»- m -m- — •- pi: -«»- IB m mun, A r Ij^ men; world with -out end, world with - out end, world with - out end, A - men. men, A" ■-- g ' gj- - men; world with - out end, world with - out end, world with - out end, A - men. -(S?- =?■- m ^ feg^^^^^^gfei -•— -^ — »- — < ;•— fr I men. — r -«- 31 i?^— 1 FARE^A/'ELL, FAREWELL. W^: s^^ J-Vnr -«* — »»- s ■4 1- Crft. Da. LOWELL MASOM ' 77 :^- ^^ 1 1- ^ «t=»=»c: 1. Fai« - welt, fare - well, fbr now the greet- ing, Of eve - niug bids us part; But love, which gave us meet - - log, Shall 8, Fare - well, fare ■ well, Ob, Joy - (UI moa - gures, Ob, house, where blUs - es reign— Id new and sweet -cr plea - - sures. Ah, ^^^^ ■ — ■: ^=»=itz I e I- 1 n :«*: :^=;=s= ?a — jr-:p- ::q:=r=jr 3^1 i^iiHi Cr« i Un • gcr in —J ^ ^^- tlie heart. 1 1- But luvc, which gave us meet I^..a— --5-— --■- j»rr: ing. ^=«3=^z we meet a - gain. In new and sweet • er plea • surt Shall lin • ger in the heart. m ^j*!d^: ii=*. ^=r^=g=T sures, Ah, soon we meet gain, -m-:j- =if=r 5=a; -■-f -*-T- pr=qt 53= ilfr ^ Efe— SEiEiEr 8hall lUl :ifc— i -r Ah, zs=sz ^^^ rtl. -^m^- gigi ger In the heart. z.-?.^-=ife=i 1^ 1^^' we meet ->- We meet gain. We meet gain. ■1 gain, m Wc meet --^^^r=-- gain. We meet a • gain. r meet lor l|* I; '"T^i' I lii ■e@^«i WHEN 0*ER THE DISTANT EASTERN HILLS. W. V. V/ALLAOR. •^ f r ^ ^ adt ^ lEi: ^ *=!*: < ■ « ■ ^m -a—fT ^^ glo - Tj fills Earth's vast, yet narrow'd sphere ; We thank Thee for the light of day, And for earth's va • ried m 3!=F 1^ 5i P^ ^m m motto rntt. store ; 1- We thank thee, Lord, in ct • 'rj way, And still thy name a - dorc I ^ ■S-r-^ And still thy name a • dore ! i , -=f -^ , , =~ J =- '' moUoralt. T QOARTaiTB. V/HKN O'ER THE DISTANT EASTERN HILLS. Concluded. n 5=?= ^ r ^ ^ ■I. J J >< J I t — t — I— When in the west tlie light fades out, And darkness rests on all ; When si • lence cir • cles all a • bout, And m 3r T uT ^ ^ Wlivn iu the wust the lijrht fades out, And durkncss rest-i on nil ; f^ ¥ t «I=1F m ^ ^ d rt ■*s>-»- When si • lence cir - cles all a - bout, And Eg ^^ ^^^ ii E£SE s ZZ3 ?==^ r r •- 3*: dews from licav - en fall: -t 1- We thank Thee for the calm of night, For now our la - bur's oVr, f-'^TT^^ 4- ? =*=r 4- I^E^ dews from heav - en m— J=§ ■M=Mz fall: 4- =f :# We thank Thee for the calm of night. For now our la • bor's o'er. T=*- ^ We We 1^ J' J ^ f r T come onoe more in - to Thy sight, A • gain Thy name a • dore, ^^^^^^i gain Thy name a - dore. -4 — 4- :t m comc once more in - to Thy sight, A • gain Thy name a > dore, «==»= •P^S^ gain Tl)y name a • dore. ?^^ a* It rac ^ g^-r Eg II 80 BENBT P. LONaFBbLdW. _ In mtaiurtd tnovimtnt. , THE OLD CLOCK ON THE STAIRS. T. r. BIWlBDb :t*=Cc t:=t==:t: L Somewhat back from the vil-loge street, Stands the old-fashioned ooun-try seat, A - crom its an-tique por-ti - co. Tall 2. By day its Toice is low and light, But in the si - lent dead of night, Dis-tinot as a pass-ing footstep's fall. It 4^zfcS ;=r=5=;' i»— K- I '-r m. SSE -f-i 1 1 1 K^-lN-i 1 1 S — K— r I.. "^ I >^^ r r I c I ^ ^ f -r- iE3«=*=id^sE 1 — r 3. From that cham-ber, clothed in white, The bride came forth'on her wedding night ; There in that si - lent room be • low Tho 4. All are scat-tered now and fled. Some are mar-ried, some are dead; And when I aek, with throbs of pain, Ah, ¥^B^ ^^ *=:(= =tEi6c :i=4 1 — I — r -T- ■■=s=s- =p=«=«:: =?=^ M i^ -t^-t^ gi^-jN — K_K- 1;^ pop - lar - trees their shadows throw; And from its sta - tion in the hall. An an-cient time-pince says to all, — For-ev-or, ner-er, ech • oes a - long the va- cant hall, A • long the ceil • ing, a • long the floor. And seems to say ateaohcluunberdoor,— For-ey-er, &o. 1E3E -ji^-ii»- mmm -9^ 'T the hush that followed prayer, Was heard the old clook on i««=Sr I I dead lay in his fhroud of snow. And in the hush that followed prayer, Was heard the old clook on the stair, — For-ev-er, nev-er, when sfaiall they all meet a - gain, As in the days long since gone by ? The an -cient time-piece makes re- ply, — For-ev-er, &c. 1 ^^* m ^ a mz\m m \ ■ 1* ■ A Wm ■m=w=m=m=m g - U^Ut=lai3trjn i^-t^- ->i»— »»- ji_4S-_ — Kjnsi ■M—^Z -m=S-- S^^i -» >> K :5=S=-=^= y V -»»■ >»■>»- Nev-er, for-ev-er, for-ev-er, nev-er, J 1- '■=f-' S5S^*^ ^ T- ~r- 4- nev-er, nev-er, For-ev-er, nev-er. m Nev-er, for-ev-er. And from its sta - tion in the hall, —M M—m 3E^ ^ r ' I , , , The an - cient time - pieoe says to all. > I 5 r 'or-ev-er, ner-er. a-ijiiS:: For-ev-er, nev-er, iE WTM-. For-ev-er, nev-er, nev-er, nev-er, For-ev-er, nev-er. ■ ^3: 1. Oh 2. Oh ft V^ lit LA. P li t= spi fro lj»=^ li pijf f n^^ fc--_ grie^ ^ Largamtnt*. SWEET SPIRIT, HEAR MY PRAYER. W. ▼. WAIXAOI. 81 1. Oh 1 Thoa, to whom this heart ne'er yet 2. Oh 1 Thou, to whom my tho'ts are kaown, Tarn'd in an • gnish or re - pret, Tlie past forgiTC, the fa - tare Calm, oh ! calm tiiese trem • bling fears ; Ah I turn a - way the world's cold 3 82 SWEET SPIRIT, HEAR MY PRAYER. Concluded. ^rhJ— ^-p^^^p ^^' JiJ. ^ m r-i .1 J J i> — M ^— __— rf— Maku thou my life thy fu • ture care, Sweet Spi - rit, hear my pray'rl Ah 1 make my life thy ^ J hj. i ^--J^ i j, ^. ai j i .Lai .j ' J hJlfH^ Make thou my life thy fu • ture care, Sweet Spi - rit, hear my pray'r I Ah I make my life thy ^ ^ ■^i=^ H ■ m '*■ — ^ ^ ^^ fu • ture care, Sweet Spi - rit, hear my pray'rl ^a^ ^ r ri'.^-^ ^ 5 i Hear, oh I hear my pray'r I Hear my pray'r I =3=^ ^ ^3f r ^ ■^N, ^ j,^ .^^ ^ fu - ture care. Sweet Spi - rit, heor my proy'r I ^ Hear, oh! hear my pray'rl Hoar my pray'rl ■^ m • m fg - 3 J. B. CABPBNTKR. ANGELS LISTEN WHEN SHE SPEAKS. ^LHIMB. ^=^ f P 1 r ^^ i^ ^ r fgir r 3^^ 1. Low her voice is soft and kind, Sor • row ne'er ap - peals in Tain; She can soothe the troubled mind, Bid des-pair to A (*tJ ^ 1 ^ . . ■ I J — \- l iJE^^z^^^^^yi, ; 1, p , | |J^-^ t=s ^ - - - -^ "^ 2. From her lips but words of truth. Pall like man - na from a - bove, All the in - no - cenco of youth, All the strength of f. m^^ J ^ t r ^ T •^ — s- U gj ^^ 1 ANGELS LISTEN WHEN SHE SPEAKS. Concluded. per -feet JoTe ; Ne'er a thought an • kind, un-jast, Brings the rose-tint to her cheekn, Still she bids as hope and tmst: r r c e e J ± jjjf g i r g [i F" i ; -f j- 1 An - gels lis • ten when she speaks I An - gels lis - ten when she speaks I An - gels lis - ten An - gels lis • ten when she speaks 1 . . . ... An • gels lis • ten when she ^^ ^ k ri S=9 ■^p-' — — — » — i j- ^ J — j- An • gels lis • ten when she speaks I f r r r "^^^^^^=9 An • gels lis - ten, An - geli ' t-J* l U Is lis - ten I W-r r J ^' c ^ ^^ ^ when she s^ m ? P — r— when she speaks I An - gels lis - ten wlien she speaks I speaks I ip r ^ rS\. i^mi Lis - ten when she speaks I An - gels lis • ten when she speaks I r^^j when she speaks I "^ I gi jr"'n'/j i j: j An • gels lis - ten when she speaks I lis - ten when she speaks I An - gels lia ten, lis • ten when she speakal !i* I'll i J i I 'W r-ir^"^ 1 (ill iiii 84 WOSDS bT XU. i "I'M WAITING, LOVE. M. L. DEMING. _l Quartette or Chorus. :=»:: iq— =J— T :=K^=S- -J_ -r- — I Mmio BT T. F. SEWARD. +- 1. I'm wait - ing, love, I'm wait - ing, Tlie day has come and 2. I'm wait - ing, love, I'm wail - ing. In the ar - bor by the 8. I'm wait - iiig, love, I'm wait - ing, The night is grow - ing gone, sea, drear, — ^--m—'-^- m And the dream - y shades of And the per - fumed breath of You're sure - ly not for - =3 ^~S T)^ — l ^g: p»— X K |C3S: :*=!= ^— "^ — IS — ^ - K -V-fc- I'ni waiting, love, I'm waiting, love, for tiiee, I'm wailing, love, I'm waiting, love, fur thee. The day has come and gone, come and gone ; The or -bor by the sea, by the sea; The dreamy shades of The perfumed breath of ^Bi z^-g-g-^-vr- y- y -feizBLrt: -»- y— >»- =11 zB-mz 8. I'm waiting, love, I'm waiting, love, for thee. The night is growing drear, growing drear. iK=3c:jrza -.ii.-lii= p-^—>-\ : You're surely not for - pri"^ IjE*^ ■■m~Mr-.m—mr:mr ■■^- ^-y iizi^ -— g- Sczigcign^i: :=1fc--^-|- iftrdt $. ^^ c-^ lirrrr:* i:=^3dS: liz I): 1!cs: =S= twi ■ lisht eve • ning get - ting Are slcnl - ing slow - ly on ; Is steal - ing o'er tlio lea ; Our prom - ised meet • ing here : The moon hath bathed The gen - tie flowers But hark I I hear the mur - m'ring waves. In are sleep - - in:; now Be- a foot - • step now, Come ^qc^tir-qv:; :*=ii twilight, shades of twilight evening, breath of evening. ^y ^ rr!=Krqsjrq5^rsii Arc stealing slowly on, ore stealing on j Is stealing now so soft-ly o'er the lea, JIk-X— K— V— ?cqi::si=t==ni:z^:=fcr:|S: J^=v- Tlie moon hath bathed the murm'ring waves, the murm'ring waves. The gentle flowers arc sleeping, flowers are sleeping now. '—^ ^m^ jg- Tg-y-y r get-ting, not for-get-ting Our promised meeting hero, our meeting here : But hark ! I hear a foot-step, hear a foot-step now. -|g-ti ]0i K U ^4a^ ■s=3,zmz y-u-g-^- -¥ — ¥ — ¥ — ¥ — 1^ J »— 1»— IT— gl K THE TATTLERS. Continued. 61 larjla I .I SES33EE^^^E3 1^-Tv-?^-t^- M But the friends you live unong.Tire not ey-er with your tongae.Tire > g m not er er with your t=t «nn^_. !^ ^ ^ ^ ti _ S i :|=^ *"P Sloce«»r P SMtraato. S^^iE^jiS :4C .*_r: 1 i :g ^sfeg Bat the friends you live among, Tire not ev-er with yonr tongae.Tire > h not ev er with > your 'f!-=^=l!= ^^=5^ ■±=.^ :c=i: -/-^ friends yoa live among, friends yoa live among.Tire not ev • er with yoar > ^ m -0 -^- Hl -^ -jL »=pt^ FINE. Sfe^g^fJET^g^^l tongae, Click, click, click, click, clack. Soon they wish yoa gone,I>ing,dong, dong, dong. Then take this warning. J/StDGcal** P if^ f^^^^F S?3Sr^_-3 ^^ -5 — ^^ — ^- -^ if *'*/s«t«anU. Egs p^j;^ nNE. 3t ^M± J?=F :fc=fc ^ ii tongae. Click, click, click, click, clack, . 5 > > > Soon they with yoa gone,Ding,dong, dong, dong, Then take this warning. 1^ ifcii: iE£^E!EfS^ 3^-=r- ±=|e: - V-*?- gi^gf tongoe, Clack, clack, dack, olaok,Soonthey'U wish yoa gone,Ding dong. ding dong. Ding, ding. Then take this warning. ' .' i*i, 62 ffzEg=£E a ^E^5E^5 THE TATTLERS. Concluded. A N — r- N h :i1^ itzzt tsn -h When ad - mca joa give or take, Think be - fore yon si - lenoe break, Think, think, -*r: 4 pp-& I 1-: ^ ' V ♦ V- -^ :l Once, twice. ^l^i-^^zEzH^-r^ ^ 4!!L=Jt=5: When ad - vice 9—9— you give -• It— or take, Ijt -\ ^ '• Think bo -S K~*^ i^ f fore you si - lonce break, 3^i t^ A-^- Once, twice, ^: 4i#l 5^^ :: f _-3_y- z:-p =:^ > -^ ^_^ I « think, and then you'll speak. twice, > thrice, > IS all the bet - ter. Ah... r „__.__^ :^c5:E!E =lN- ^ in ^^^I^:3^i^=gll ;«t /TN D.r. and then you'll speak. m Think,.. > > think.... > > IS all the bet - ter. 1h r '*f—^ a Ah. M twice. thrice. For thrioe is nil the bet - ter. i TRANQUIL AND PEACEFUL. Male Chorus. 68 ifc riRIIT TENOR. IS #=Hf=F=F ^m ^ j-ZMza: i « 1. Tran - qoil and peace - ful is the path to heay - en, Where now so ma - ny freah from earth's ripe SECOND TENOR. , , , . I= 1-T I I I I J J =:J=F=1 I I I ■^ :=::1=i:;;::t ^"^ ^■ -d M- zst g ^^ M t i^EES Efc^:^: 2. There life is bliss • ful 1 Shall the spir - it trem FIRST BASE. - ble? Bright hearenly an - gels wait to leave os ^^EEt^m :t: -•— • ■JKTZIMZ EEEE^Z^t: ± -^ •- -f — -p ilE: -i9- ':wL 8. There our lost rose - buds in our hands shall o SECOND BASE- pen ; Love, pure and ho - Ij in our bo - soms S^^ LR -# #- ^ #■ 3t: ^£E^ -ZI3t E3: • — •- »li [«S =p=^ ig -• — ^ ^ — bi — I li/- :iitr{==- ^if^ -«»- 2C H vin - tage. So ma - ny hap - py, high and bless - ed spir - its Wait to ro - ceive us. i fe=d=a -^-tg- *t^ :tzi«; -j:L 1 ^ : * -^-^— |: 3g ::t=H=d:=T -• — #- lat Z2z; l\ yon - der ; There dwell the spir - its, pu - ri - fied by suf - fering, Bless - ing and bless ed. S g; m 0- ZZ^ 1^^^^^ ^§^ EEf: pzzip: :t:==t: -«*- H 1 glow - ing. Flows from the Fa - ther, source of ev - ery bless - ing, Liv - ing and lov ^^^^^^^^ 3E3: Z^ *-i 5=^ n 11^'\ n t 4 64 «^ Wtnli hj GRACK APFLETOir. THE EVENING HEARTHSTONE. AQNES BnUTET. ¥ n M n m =t=:„lJ-.-J-J-J r» h h * " K 1. GUd • Ijr now we gkth-er round it, -It, For the toil -ing work ii done, And the gny and aol- emn twi - light 2. What Ofure we for out-ward seem- ingf Fiok - le fortone's frown or amile? If a- round ua loTe E± a - round ua loTe ia amil - ing— 1^ :}t=:^m{s= ^=W^ :t» ;^ U K- ^ p 1 ti ■J. :• I j^-ji=j^ ■xi. IJL -U U 14 -*—(■- ■fe=.-6i=je: p: 1*=^: ^i^T-,* p-j g. 3^3: 5^^^£eS t- Fol- lows down the gold-en sun. Sha-dows lengthen down the pave-ment. Stalk like gi-onts thio' the gloom, Wan-der past the dns-kj 4—1 K Ik K > aJ*' r ^ J . r-J K— (S K- l> >». I ^ >» fc— X >- ills be -guile I 'Neath the eot-tage roof and pal - aoe. From thepeas-anc to the king, in are (^aff-ing from life's SSI 1— r =5=:^^ ^^^ ■t- -J^-JL-I 1: rafcz*- i^p::^ 1?— 1?- :: case - ment, Orecp a -round the fire -lit room. -K-^ h K-r— 1— ica: ^=S= "5~5" -(»" i^ Draw the cur - tain, eloee the slmt - teiB, Place the ejip • pers tqr the J — I . I ». — , — »^ — k — ^ j- z.Ld= 4- 3fcr eha • liee. Bub • blea that en-ohantment brings. Grates are glow -ing, 3fa • sio flow -ing. From the lips we lore the m ^dz W^^ ^ " P »~p — m z U K U sab:: 3=p: it t 11 U U 1.L u [* ;l k ,l THE EVENING HEARTHSTONE Concluded, _} « i„| «i „| |-4^- qc^K:~i3qczs:^3Eziz}»-_^ ^^r^lcr ft P<> I ^ P^ Oh! what oar* w* for wild wind'iirat ' - i i fire. Though the rnde wind wild- ly mat-ten. What oarewe for wild wind's ize? When we to thia dear home re - tire. L- Jt_J ^ -ft -J- J , ! f k-J Ur-j K~J -Xr-J— -fl 4- ^ ,J *^ 1 ^ I — ... M 1 ^^r^^ boat, Oh I the Joy • fol bliaa of knowing, There are hearts wher-on to rest. Dear heurtawhoae lore ahull make na blesi Oh I than ore hearts whereon to retu mf Fivaet. SMILING MAY. _ ^ ^ / LUDWIO EBK. zt: ± ± It =t 1. Smil - ing May, Comos in play, Mak • ing ^ . , - h IN O-, — h K- oll thinga fiesh and gay; "From the hall, Oome ye all," Thua the flow -era ooll. 2. A« we stray, Breez-es play. Thro' -^ 4-- r 3r -.^-zs g ~ g ~rf 4- g^4 \ti -¥- the ■0. ^ ^ ^ ' l^ i.* 1^ k» I wood-lond'a rich ar - ray. All u bright. To the aight» Af - ter win-ter'a night ta-r*~ ±: It i^ ' ) ■i!:.i fc -K — K- I i!2i:E^:^£E* =t -tl U . I J =iii^r)g P=:-*l— W- ±: Fra- grout is the flow'-ry vole, Spar- kles now the dew-bright dale, Mu-aio floats. In aof t notea, Fnmi aweet warbler'a throata. ^fe X. m m -= 1 ' — I*— as M ha — '—I* h3 1— 8ha - dows now, in guid- ing glance. On the ail - yer foun-toin donee. In • aeota bright. Soil in Ught, Charming to the aight -r — g= • -, ^ -- — « tr::=ff-=tir ^ I T 1^ I I ■nT: ii I ii I :' i; ■X ir mwmmm wmmm '"'*•-> 'j-.fi.w irrnwKM ARISE, SHINE, FOR THY L.tGHT IS COME. ^-A• :S=i ^: ■(S> — »- « — • — #- l>> U JL :sc :#-# fe^ Dr. ORO. J. KLTBT. er«». i^ ^=i: A - rise, a - rise, Bliiue, . --I- r v^tzM. ■.i?rrj^_'. for thy liglit U coinu, ^ r : ■ ^ shine, (or lliy light Is come, and lliu gio - ry of tlie Lord \a ria f cru. A • rise, a • rise, I T w m r r h^i '^ ^ ■! I 1 IT r ^ rf r r rise, sliiiie, for tliy liglit is' coiiip, sliinc, . . fur tliy llglit i« come, and the glo • ry of the Lord is ^^^ ^1 $. t: v-v- P— =»=P=P=p: t:=^^- ■<&■ Jf=f. ^^^^ ^ ^^^=-f^^ E^£#J^igE rt-iir:rir_- -^=r.!. / f-^^ -e> — 0—m- X I £S ■«>- :p=?c ic- Si-i- ^=F -«> — •— •- ::^z=^-iit H »■- en up - on tliee, is ris - en, is ris - en, np-on.... thee. For be - hold, darl\ness shall cov - er the earth, and yross darkness. 1*^^ 1 I -^ — \l — ' 1 — j-iH — ' — — M -ri P -* — f ARISE, SHINE, FOR THY LIGHT IS COME. Continued 67 rrs>~s>. ~'f^^- ■'9-St- rf^^^ 'TT — K~L' :fa !-«>-•-»•- l^i jE^J and gross darkness, gross dark • ness the peo-ple, gross durk - nesa tbe pco-ple; But tlie Lord sliall a - rise, the Lord sliati a - rise, tlie 4 ^-4-x-A^J_^j:^^i_4^D^ f^ I r > I — I I I I I i — dd: --<9 4 =F^T 1^ ^ I I ^ hi-J-TJ-hS' i;* I :|-^ ai^^^^-Efe II II I ; , i I I , I and gross d:irkiio8s, gross dark - iicss tlie pco-ple, gross dark - ness the pi-o-pio; liiit Hie Lord sliiiirii - rise, tlie Lord shall a - rise, llie 4=t:- «s- ^^^5§^gi^^> ._E_3r^^ .^^spp^^^Ei^t^p^^^g^l^iig •«»i I -t f ■a I ^4-, ^^^^l^pEpii^^ I e?^ 1© -pzi::^ #- -f P— •- -•-*H V^jt iff- i w: -.^f=t=^ ■fS- -1 — I- 1 — -^■ Lord sliall a - rise up -on tliec, and his glo - ry shall lie seen, his glo - rr shall lie seen, glial! be seen np . his glo - - r'v shall be stun, his glo - ry shall bo seen up - ll=2^ ii -«>- ^g— g? — "^t — - e ) • • -v ^ ^ - -0-0- t f-H -I — h ^; m JEW Lord shall a- rise up- on thee, and his glo- ry shall be seen. amp: ^— .•- ■^ ^j- I > I I " I'll! Ilia glo-ryshaii bo seen, his glo- ry shall bo sctn up :»- • -» # m-r^ 1 — T-H- N t^SP -^♦--^ p^ -(S* — ^i^^yi^^^^; J Ur-I L =M^=^ ^sssifedg-fep J __1_ r-'=ri^ ^aiiii BS- ^^^ r i— — yrr^q -g- f rrrrfrrtg; m^^l^^l^HilPlilll rgZ a i— |=g :5L J m ■n^ -f^ 68 ,^-^- H r i--i~^ ARISE, SHINE, FOR THY LIGHT IS COME. Concluded / ^—s^-it- -JstM^Mi I'g-r-^- 7J;:^- :i :^: :=r: -I- SE3^iS »-•-•--' iJip-.^LJrif ;:pit: H H H 1- i± 12^:3^1: :!L^ -±*^eS^ on . . .lli(-o.An'.l tlicGentile8Sliullcoiiie,sliullcomelotliyli<;lit, aiiU kings tollie brightness on tbce, And the Gentiles ahallcomc.shall come to tbyllsbt,' and kings tothe.brlght • ncss P ^^' ^ 1- 1-: f I ^ I I ■ rr^rr i- oftliy ris-iDS, Ivinus . to tlie 1)ri.!:litiip», of thjr ris • In?, tnd kings — lo the brlgbtness.tbe -•i# zz: -«^ I .tliee,Andtlie Gentiles 8haiicome,8liuU come to tliyligiit, and liingg to tlie briglitness.. oftlir ris-iug, TTrv kings., totlie briglitness. S'^HE =e ^^mm^m^^^S^^^^Mmmmm^f'mM tlio briglitness. . brlgbt - ■ ncsi. of thy rls - iiig, A - rise, of th.T rls - Ing. i^-v 1 f f f a -rise, Shine, for thy light Is come, shine, for thy light is come, thy light.. is come. tL_U_l J J 25^ the brightness of tliy ris - ing, A - rise, a - rise, •rlif. la come. sliine. for thy llsht is come.thy light.. Is come. ■«>-•- -t- -+— i- -nz ■«»- -El -t- sliiiie, for thy light Is come, slune, for thy light is come,thy light. :#—#—#—#—•- p^l^l^^^^^pll^il*^! -y— i»<- -:«-=«r 4i=t:: :fEizW=fr- 3E 4:--=5*=i^ H ^-J latz^ ■i5>- zr m >= 1— tr- 1 ptel^igli .jm •- 4-Jc-. !■— tn= — , r , ,^— -'■=at :^i^isii i^ fc iMk i ^1 i come. 1 SIGHING FOR THEE. TMxnrr i. orosbt CunlnliUe. TBEODORR G. PERKINS. 69 1. Sigli-iiig tor tliee 2. Sigli-liis for tliee, X - ver the deep, I am Bigh-iiig (or lliee, . when tlio qiiccn of Ihe night, . like a bird to its nest, — Llglit o( my soul in - vnr tlio world, her O • ver the deep, while beau - ty shin - ing; bright watch keep - Ing, ■tars are gleam • tng; Ev - ery fond Lulli me to Buck to my » n n fr~n ■m *< m-^ — •— =- ^^r-y Con molto tentimtnto, ^ N— N. hope Hko the I - vy is twin - ing, Round the rest, . . . . till, in dreams I am weop - ing. While thy home where the lovc-ll;,'ht is Iwam - Insr, Glod - ly ' heart . form . . now,. that Is dear -est to me:. like a vis -ion I see:. I nm fly -ing a - way: Sad was our Close - ly I Soon in thy rr^rr ilf li^: ^. ! 't r i ( 1 i i .1 ,i: 1, i i it ( 1 '! 1 11 1 70 SIGHING FOR THEE. Continued. i r=?= r>d- F *'-^ =±: jo; -I- part - ing, fold thee, bean - ty lone - ly I joy iu ray I sliull lie left tlioe, bo - som liolll til CO, Oft I Throbs a ■ Sooii Willi think, new, . joy... of the prom - ise wo gave;. as I call tbeo my own;. wilt thou wel - come mo home; When ill the Sor - row .niiil Then will I I ^isS^E^^ m^£i^iE^k — #• — ^ r -»— #- -0-^ — 0-^ — •- ■•-•- i: ^■0-0- •#■ •#■ *-* -z^: S ^ ^ ^J^EMJE^^l ^i=1± :^^ Ritardantlo. ^ — ^ — s- B wMii ~ M _1 "1/" the SIGHING FOR THEE. Concluded. 71 CffORUS. Tempo primo i-ifrrl? — — TT k. — s ~7i~ ,._ ... H =N ,FS^ ^ — t; — ^- "^~«- ^ — •- ^•ri — •- — f — -bi- ._! 1 ^ — '- -¥■- -F— — 1 (^•. J. r r — # — — V — Siirli-ins for thee, I i^^- ain slgh-Mig for Ihoe, Ll"ht of my Boul in beau - — ^ — ^ u^ »«- ty shin - - ing: Ev-ery fond 1 1 1 ■fc^-^ir-* -\-N-N-1 1 ._^_J^ _N__j _^:!_45_45_4 \ — _js__> _N_H ^ ^■^ ' ^ -m~^—j^wl . ^ . -•— • — •— •- i — •- . .# # > 4'- 9 ' -0 # # ^"i — 1^1 Siijiiing for thee, f\ 1 for thee I am sigh -Ing, Light of my soul in boau-ty now sliin - Ingj Jh-K^'— V— ^ ^-v— s ih)^ ^ ^ :::5_4^ -^_T — : — ^ !S — •> — ■ 1 ~^~^-^-H 1 — r — ^ — r — 1 1 -1 \"V ^ .^ .A 1 ^ * * * *: Slgliing for llieo, *•• for * * * *: * ; ihco I am sigh - ini;, -9- -9- -s- •»: » : Liglit •>f my Eoul in boau-ty now s'.iiu - ing; ^^~^^-^-i — 1 — 1 J H 1 1 P P F P • F * N?-f^-r~ -_!._ -_i ! J 1 i J -T^-i ,-^p — '—^ — -•— -m S •- r — •-.— b^^-1^-T— ^t= u b' U U-j. 1 Rallentando. -^-j -^ f=*=f ^ "I— A— A — fC Ing, Houiul the heart. ^^-^-^ that is dear-cst to me. f- ^ ■•- — •■ f=i^ -0-.- ^— t^^- d d d £v • ery fond hope like 1 - vy la twin in£. Twln-lng a - round the heart, fe deor-est, to me. Rit. LVrjv-N :?^_A— A- I ^—^— > -=C^ ^^3=8 Ev - ery fond hope Ulca 1 - vy 13 twin - Ins, Twin-in'' a - round the heart, dcar-est, to me. Ev - ery fond hope l^^^Eg y~ir- -#-# ritT.m- ~m-^- ■xipr.-i=^ =5=5±dz=z Waiting, waiting, waiting, waiting, waiting, lore. For you said you'd come, you snid you'd come to-night, come to-night Waiting, waiting, waiting, waiting, waiting, lore, For you said you'd come, you said you'd como t ■=]•:::_;*; r e-rJ-zrS :^ -=J*-^ 3^Eiz3E|S rK-_-> — s-rft r«-^: e3^ 1 Tra la la la la la la la la. Vol - ces sounding clear, Tra la la la In, Ech • o &r and near, Tra la la la la la, Z-^aFjE^ ^tei^ --g^qg=:g=g^ la la. Win -tcr's Tacc so Tra la la la la la la la la. Win -tcr's Tacc so fair, Tm In la In la, Beau - ty er - cry - where, Tra la la la la la. s;i:3i;ti3=^f3= EE^=SE63Sg; m ¥^= '-•»» — \^ — ^- Ding- ing cheer -i - ly, Jing i f ^P ling mer • ri - ly, Tr% la 1| la, la la la la la. Jing, jlng, Jing - a - liiig, jing, jing, jing - a - ling, Sil - ver bells with tongues so sweet. 1*:: ^-£^^2^ Ring- tag cheer -i • ly, Jing - ling mer- ri - ly, Tra la la la la la la la la. Jing, jing, jlng- a- ling, jlng, jlng, jlng -a- ling, "^ — r^~^' ^ U ^ P— P 1? »-- ^ri* ~i^ Hll zt- i bells. c!^r:« fe THE SLEIGHING PARTY. Continued. 87 S^ g^.Eg^E|^^^^gr^E^! Sgfe =M^^=i^^' ^*:^ jins, JinRjlng- a - liDK, jiug.jlng.Jing- a - Hug, jing -a - ling - a - ling -a - Hue- a ■ Jlng, . _ . Keep- ing time witli prancing feet, O - ver bill and dale and plain, We speed, «J^ ver ^ In, jing - a - ling • a - ling, jing, Jinj? a joy - oua train. Jing, jing, jing- a - ling, jing, jing, jing - a - ling, jing - ft - ling - a - ling - a - ling - a - jing. Jing, ^^^^ ^^^^'^^'^. zs—^z -n~ jing- a - ling- a - ling, jing, jing. Bil ver bells. iS^ 3?^ ijTrrpr -Jn : ^.^3E Jing, jing. Bit - ver ^=^ ^^ ^^-=^^^^=f=f^^=f^=t^ jing -a - ling, jing, jing, jing- a -ling, jing, jing, jing -a - ling, jing, jing, jing - a - ling, Jing- a - ling- a - ling - a - ling bells with tongues so sweet, Keup • ing time witli pninc-ing feet, U - ver • bill and -t? f=f=*f- I > '^ 9 ^ '^ \ \^ ^ fi > \ [^ ^ Jing, jing, Jing • a - ling, jhig, jing, Jmg-n-ling, jing, jing, jinj ? m f J m ?-C=^=-c^=?=g=5-t""?^"?=?=^ =?=?=? m ling, jing, jing, jing - a - ling, jing, Jing, jing - a - ling, Jing - a - ling - n - ling - a - ling - a ■ ;?: :cJz Hi: EE S g^^g^E^ Sii bells, Sit beUs, '; 1 ■ 1 i i itli : I ijjM 1 hK i H V 1 ' i-ff 1) 1 ll i I wi 1 1' ill :11 ■ J*: E i ^+J-4 :^ B^^^^i;i^^3gg^-^^^lg-^gg^s=iaa Jing. . .. . .. dale and plain. Wo speed, jing, >laln jing - a - ling - a - ling, jing, jing, Tra la la. Ilur-ry, liur - ry, bur - ry, hur - ry o'er the snow, ' a joy - uus traiii. 1^ 1^ u u ^ fe^!:-''=iJlT*^^^J.ui^MW^ ?5E5!^^E«Hp!^l= J-J^-f-J ^-?-?-?-?-?~?^ mm^m Swift -er :SM. 9 ^ ^=1 i ^l^i^iri^^iririririririririrr' www ;, jing, jing, Tra la la. Hur-ry, hur - ry, hur-ry, hur-ry o'er the snow, Jing -a -ling, 8wift-er " ■N-i-^ — ■ * 0—m — • — • — \-» — m — m — m — m — •- _ Tll ; 1 1 h ^ ^ Tra la la la la la la la la la la, Bound -ing o'er tho snow, Bing-ing as wc go, Tra la la la la la la la la. I fegs^ «=*: i=i§§ >» K ^^^^^^^§§3 ?^eS «==«!=4=ff 'iiiuii m ^ m SARA-NEIGHED. The Air that ihoald have bMn nuit In tli« celebnMU itelconj Scene, of the Open ot Romeo anil Juliet. Im TKfoii Ktn> 2d tekob. 89 IIMIS bj O'WHOEHOVB. 1^ 1st bass and 2d bass. m 'w ^^ ^ ^ ^^^^ ^m^^^^^^ ff ff •»♦ •»■» ^^m ^•\': 1. O come to the win-dow, my love, . 1. Tliy hair U like skeins of block silk,.. 3. O come to the wIn-dow, my dear,. And list to the strains that I sln3,C; While the h'>lf moon is swinging a- Andthlueeyes liketlie pare^riv-en tar, (ha hal) Thy., teeth are as whitens new And list to the soft warbling owl, (my dear) And the voice of tlie bull-frog so is ! '. S i=«^4 I * "SWf: S^ 4 "m -r*-^ <-^-H- h--Pf -t-|-^ *di I— : ^ ^ ^V^ ^ ^^ —r-9 •-S- i ■ n i i li ■ i '■M f \ i 1 ■ 1 ! i I \:. IMAGE EVALUATION TEST TARGET (MT-3) A ^ J^^t^ 1.0 I.I ill ■^121 |2.5 |5g RI^H If ail " Bii 12.2 a lit L25 i 1.4 1.6 Hiotographic Sciences Corporation 23 WEST MAIN STREET WEBSTER, N.Y. M5S0 (716) 872-4503 ^ ^^^ c^ \ ^v :\ \ [v •^ Ci'^ ITTf'fl Bop " E ¥-¥ SARA-NEIGHED. N ^ ^^ Continued. Like a chop-ping knife hung to And thy breath like the frn - grant And the far a - way dog's dls - -f-^ -0+- =i=P: ^ ^fe^ a string (a string), ci - gar (oi-gar); taot bowl (hovil)t Ah, Oh I She :^ sweet is pit . y comes not, the me I'm ghtf^oMVe r( beau - ti - ful night^oMVe riT^AOiWlth sbiv-erlug a > lone (a - lane), For get • ting a cold (sneeze). And I m r: r: m ^5 ■# *• t=nff=f=* H-*+ I ^— ]^ S N N N m=^=i--^ i=Sl: •-T i; ^^ — I — t— p^-0-y- • — •- Nl h ad lib. ^^^^^^^m -i^—y' — si'-t^— *■ — ■ — « — p — ^ thee it were beaa-ty eom-plete (complete), Too cold for mosqnitoes to bite (to bite), 'Twere bard snob an love of tlice,dcw-y and (Innip/dni-f rf«m/)J, A he i^c-ncss is spoiling my ionei (my tone). My el . bows I hey justheardlierbedroomdoorslam'dci/ess^ajn'j^.lt looksniuchus if I were sold ("wt'i-e *oW;, And if so, wh> ev' - nlng to lieot (to heat). Slif • fen ond cmmp (ando-amp). slio may bo »u\MU>{lieblam'dJ. lol > I i ^s. SARA-NEIGHED. Concluded f iBTTEROB. Fatter, ■H-H- #■ Then come to the win-dow, my love, 2DTEN0B. And list to the strain that I sing, lioop ! O come 10 tlie win-dow, my -J^ -0 — 0- ^t=i- :SF: :5f-_::]5[z:!v:::^-^ :[:#.-^ ^ d d ^ 5EES^5E5ES •-,'•- 0»-0 0- ff 1st BASS. ^ P-'- n P P 1^31 ^ u ^ u P-r-P- fP M ■0-' ■ y— Z' u ^ \ > w - Hoop fle-doo dpii-dno, love, fol, :Uz=W: -^ J T-^ W—-'^-^-^ U-^ ±: I Then come to the win-dow, my love, ff 2d bass. h*- ' And list to the strain that I sing, linopi J,i ^^^^ - •-•—•—•- jy^-g- U U^ U'-W- Hoop-de - doodrn - doo, love, fol, ■•"^Ff^r -I — -I- my hoop - de-doo-deu-doo, love. lioo|>-de-doo-deD-doo ! J. * love. > the IB ,.. And list to the strain that I sing— Tlng-er-a - ling. 4<4^ — #- :t N s N N-t<— N »ol, lol, / pp sfe 4 d P ' 4 ^ ^ -f- 4*^ i ^1 lol, p lol, And list to the strain that I sing— Ting-ei^a- ling. Hv ■^—*-ii- hf- -♦-^ * M »■ 5=±iT4jtfi^r-t^^=^ ^m I, Sf' W] n 1 f a Wi 92 FANNT J. CROSBY. IsT TenoiU THE STARS SHINE BRIGHT. (FOR HALS VOICES.) THEODOBB E. PERKmS. gpl —^pn ^. -iSi- 1 a r^^ — -— ... f5 ^~" —=~ «- rf"* — ' r^ 1 "^-i yn ^ j^ • ' • /r3 ' ' \ \ ^ ' -» . ■ ^ - ' „ ' 1 i IS* 1 1 1 ^ &' 1 1 . 1 1 1 ' ' 1 1 1 1 1 ' 1 1 1 1 1 I 1. The stars eliioe bright with sU - ver ligbt, O - ver the deep, the crjs-tal, crj's-tal deep; Iiike an - gel eyes from yon- der skies, 2d TeKob. I I 1, ^ 1 ^ \ ! 1 J ^^-^ U^4_J U-J \ . . 1 1 , . L R^ ^^2~*t £ _.i!:=Z4 :b: -&- ^F=i= -&- J L • — « • — •- ■ ^--^- t»^-(S^T- -Tff- IST Bass. 15^ ^Lj g p' -L^__--r ^ is: r- ^ p * - :g: ■• — •- ipcqr iS^T- i=F(*-H*-+^ 2. The blasli - log ray of open - Ing day, Joy - ful is hailed by eve - ry wak-ing flow'r; But stars that gleam with mild • er beam, 2j> Bassl PSi E^L --a—^ IS-' — 4 -& Sf- -ssi ^ d d I I 1 -• — « — 0- s>-^- ?2=^ ■t>' — •- ■6> (5^ :a: FniE. m =ts r^ I * ^ ?z= azpzi: - gr ^•-»-#-*-^^- ■(S?-r- ?a •fi^ 3czp: -.g-T-H-^- ZH ^E: 5 r— t^ Smil-ing for all, their gentle watch they keep. Wares are dreaming now On ocean's tranqail breast; O'erthemountain'sbrowThewindsarehusbedtorest. J I I 1 ^_J !k ! I .^ ! » , L i K_L »■ '^ ±-^ 1 T :^^£:i _i i_ ~-&-\-4-i-i +— i- ^p±=dq;i=::fr ■&-.~0- z\v^-w-*-'\\4- -«9- r^-d-* ■7^-- -g^--*- -*-#-#-s-«t i aii? 3C -•-^^ l± •^ — <&- ^P-0- g«L-|-^-» p p «-p_L(g_._^,[_^. ^e^«eees:e lizir^zaxp ■|»-T- •-*-#-F-* 5^.- ^ Steal o'er the heart with ma-gic, ma-gie power. Now the air - ry strain Of mu - sic soft and clear. Brings to os a - gain The friends we love so dear. -r • » #- -(g-- #-•-•- ^^^W ^— # 'y -g*-T-J-F*- t ^ »T^- ^T-i HIP .IT-: f^ 3.( -(g— - g — GOOD NIGHT. Serenade. T. T. 8EWABD. €fHuU—. 93 i^ T ^^=s- zs=:»- ^=^z t: -t- ■*— J- -S=S- 4- -^-S- 1. Good night, good nightl the world is still; The stars ttieir watch are keep-ing, The hum of day has died a -way, And all theflow'rsaro J h—i v-r-^ h ■ 1-,-4 1 J-r-4 ^^^m •+- I I T ^m ^^ =3=fi r-7' I i 2. Good night, good night I sweet dreams be thine, And may the an • gels, bend- ing From hcar'n a - 'iove, bo - bold in love, Thy sleep pro-tec -tion fe*r =p=K ^m H- m=:?sz ipupi 5i=P ' ■ ' ' m: =1=^: ^=4f^ -m-r-w :qr=q= -^z=^. ,ii ^ deep- ing. Good night, good night, the mountain stream Is sing- ing 'midst the clo-ver. The fai • rics quaff from 11 • ly cups. With ncc - tor run - ning > I I 1 I I ^ I I ! :^fi^ «=«: I I I > I I I 1^ I I I > I I I I I I i> I I ' ** r r ' »' I lend - lug. Good night, good night, when thcu shalt sleep, That sleep which knows no waking, May seraph care conduct thee where Th'e - tcr - nal morn is m ^ =pai 1*=:*: :g^= P — I 1: ti :^K=Mz '-^- h I I -wt-mr. :^=^ ^=t ipuffi m m p f -t- 4- -K-i- 3=::il=S: 4- Rall. i^-n- ^ -s^— .*«- -si- P Ter. Good night, good night, the world is still, And all the flow'rs are sleeping, ^ ^^ J J irtz:* "rrr =i-- it ■4- 3^ i Good night, good niglit, Good night, gomi night Qood night, goodnight, l__J?LJ 1. -T- break - ing. Good night, good night, the world is still. And all tnu flow'rs arc sleeping, P p p n S" f ' Z?S7. n p I I $m Good night, good night, Good night, guod night rg^j: yr- y ^ 4: -u :?a= SriP i^rqrrq: -s; — ft- =1= =F: 3^3; ?a= ^ ! 1 ii \\\i 94 Wo(di hj FANirr CROSBY. Sop. or Ten. SoiiO. HOME OF MY HEART. Ait. from "Uartha." br T. F. BEWABOt P S>- eH 7=- ^ 1. Home of my heart, 2. Friends warm and true, Ev • er dear to mo, Gathered round mo there. Hallowed spot, ne'er for - got, Still I olinff to thee ; All was bright, oil de • fight. Not a dond of care ; — *■ "W "W --* m =s :2^ 3^1 'W r il $ 3=: :3=p:: Spring's ear - ly flowers. Sweet was the hour, blos-som in the glaile, Down whun at cluso of diiy, Close =IS=»=B- l^ai-=|i^li by the wil - low where in hap - py days I played, by a moth -or's side I knelt and learned to pray; Jf^ «*■ mm --i=i- 12: -^- :=*: 3s: =X ft! 1!^ Chobds in uniioH. i^^ ^"5; zatrn :F=q^ «=ta=::S= When the sweet voice of night calls the bu • sy world to rest. And the bird flies a • way to her qui • et leaf • y nest. 1^3^ ^3^ r V ^ ^ \ > I Thonghmy ohild-hood may pass i«=^ ^' rTi i iizi g-ff— r ^^g=g— ta=S^^^ like a mom-ing dream a • way, And the friends of my youth, like a fleet -ing sum-mer's day, S S ^ * ^ -^^^ - ^— m- ^Ufn- ..«A..^' ' ^^^mmmmmmmmm HOME OF MY HEART. Concluded. Solo, «=-r=^: Kit. 95 ^ =p m^s^ And the moon looks a-broad from her brig^ht ce-les - tial dome, "When I weep, and I pine for home. And the stars look a-broad from their pure ca-Ios - tial dome, I shall weep, I shall pine for homo. SS§ Chobus. i ^ Home of my heart. M --=\^ =1= ev - er dear to , |i i. •s:: Home of my heart, ^ ^ > 9 ev - er dear to me, -4- Hal-lowed spot, ne'er for - got. still ^^M I cling to thee. 'm-~r =:i^^=^ li=r T me. Hal-lowed spot, ne'er for - got. Still I cling to thee. w :cii ^ -^^ ^ ^m RitarJ. 1 ,s=c s ^-- ^- zmz ^=S X :5a:: Spring's ear - ly flowers, bloom-ing in the ^ :-qif=: ^=r^==.-. glade,. All these hap - py mem-'ries ne'er shall fkde. -H n— r c c: ^— I — m -A 1 1 — ¥ r^r— m^ Spring's ear - ly flowers, bloom-ing in the glade,. All these hap • py mem-'ries ne'er shall fade. -/a_ RitarJ. '^^ zm-=tn ^^ ft 1 ! I Ut'l I m ^ 96 Wordi br F. P. BttSO. m HUNTER'S CHORUS. B. B. PALUR. 5^=T -•— #- -t^-lT-tr i Her -aids a beau-ti-fal, Bmil-log morn-ing; i i* -N- :ii=t Her - aids a beau - tl - ful, smil ■ Ing morn-ing; m v->— f^-f -0-^- i:?^ ^=F S 3E Lo, the bright crimson, the slcy a - dom • ing, Ech - oes re-sonnd-ing o'er lilll and val • ley, m i =p^ t<— f< ±±=± t=r. ^g^z:^ ? ?n=:te -T^-r 1^ d d d £tp M ( ■• ,..# v-^-y-^ Gai ly a - way to tho field we ral - ly, Gal - ly a - way to the field, 5f i Soft • ly the mista on the hill - top ly - ing, - ly a - way to the field we ral • ly, Gai - ly a - way to the field, we will ral - ly. While soft - ly the mists on the bill - top ly • ing, ^^ 5 -h — ^ 4 *—-i ^^^ :^=± t^ f=M: ± Gai - ly a -way to the field wu ral • ly, Gai - ly a -way to the field. 1^ ^ Soft - ly the roisU on the hill - top ly - ing, m vnm -p=p= I M l^ 5^ r r r 1/ U > ' 5 m agisu tuttmmm Tip! lLMER. al - ley, HUNTER'S CHORUS. Continued. 97 i^ itcifc r^ 3t=i: E ff=F=P= -y-W- =t: i SE 5 3E Pt: 3fi: Ba - gles tlielr tan • U • rah sweet-ly Ring - ing, Bu - gles their tan - ta - rah sweet - ly sing - ing, Ho, ho. ho, H<^ *35 v^^=S=^ir=S^:iS^:=S :i)=it ^ S=5:=fr:=R=1 ■S—4- a I Bu - gleg their tan - ta ■ rah sweet-ly sing - ing, Bu • gleg their tan - ta - rah sweet - ly ting - ing, Tan - ta - rah, tan - tu - rah, tan • ta - rah, tan - ta • rah, -H— ^r-^=— == r-K N-K s rn — 9 j ct- ^ ■ ^ i # :S=t I^-fc -^-j^-^ Ba-glea their tan -ta- rah sing. Q± ^ 3r-±=»: it Bu • gles their tan - ta - rah sweet - ly sing • Ing, Ho, ho, bo. Ho. IV— N ^ :^±^ ^ ^ *f- ill I ■■ ) ly - Ing, ? ly - Ing p ly - tag i Od to the fields, yes. rm ;)li ! i ■li! liili , ' 98 HUNTER'S CHORUS. Continued. ^-=W= Od like the breeie we are boanding, Sil-ver-y baglea rn - aonndlng; Tan -ta- rob, tan -U- rob, «-T-# ^1l s-^-s ^,-0-^ izit zj -^t-^ On like tbe breeze we are bounding, SlUver-y bogles re-sounding; Tan -ta- rob, tan -ta- rob, •n — &— -:: — r I , r i, ^ . - i> t< j ^ ^ -^ -#^ ^iP f=T^ bte :*—/ On like tbe breeze we are bounding, Sll-ver-y bugles re - sonnding; Tan - ta - rah, tan-ta-nh. ■0 — • — 0- ^S^ Held, yes, gu; ^ i ^^ -#— #- -^— r r^ ta=^=t=tn 3tzt List to tbe wind - ing horn. Sweet the sound of bu - gle horn, When borne a - far on tbe breath of mom, Yes, sweet the sound of tr—m ■0~w-0-^ 5a > 1^ 4 4^ -N~N— N- § • 4 Zi^Mt B List to the wind - ing horn ; Sweet the sound of bn - gle horn, When borne a - far on the breath of mom; Tes, sweet the sound of m P t-0- IfLT^ -^ List to tbewind-tng horn „ On breath of the mom. ^m p=?c atnt — -0 — t N N N 0~0 ^ *—0 Sweet the sound of bu - gle bora, When borne a - tar on the breath of mom, Tes, sweet the suuud of HUNTER'S CHORUS. Continued. 99 gle born When borne on tbe breath of morn. O'er moat and stile we dusb, we bound, Un-heed • ing all bat the ba - gle's wund. O'er •J 9 ji- E^ ■-^l=f^ ^^^ -J^j.: M — ^— # — ^ -Jrzit -J=r*=Mi ifnis ba • gle horn When borne on the breath of morn, O'er moat and siile we dash, we bound, Un-heed - in:; nil bat the bu - gle's sound, O'er ( I ?=^=^ qnr. ^m ^ # — •- IV— V: ■ d d m —^ ^ On Tea, onatUewe -• • — 0- -» — P- N s - V— N y # -r — ^ — !"- -0 — bu - gle bom When borne on tbe breath of mom. While on,o'er moat and stile we dash, we bound, Un-beed - ing all but the ba - gle's sound, O'er ::;i I Buuud of moatnndstlle we da8b,webound,Weheedbutthe bu-gle's sound. On like the breeze we're bounding, bu-gles so sweetly soundlnu'. Tun-ta-rah, ton-ta-rah, V ^J^ -N-N t^tl ::ti=?=«^^--^ moatandstlle we dash.webound.We heed but the bu-gle's sound. On like tbe breeze we're bounding, ba-gles so sweetly sounding, Tan-ta-rab, tan-ta-rah, ^ :ipz5 m y=^ t-ZglV v-V f=? dash. Onllkethebreezewe'reboundlng, bu-gles so sweetly sounding, Tan-ta>rab, tan4a-rah, ^^ :p=?: « — #-F-^^^^- - j "^ F»-*-#-»- t=^ 4 d 4 4 & #-r— t- ? ^-4U-^ ^ atut f ^ # moatandstlle we dasb,weboond,Webeedhutthe bugle's sound. On like the breeze, &c. ^ ^ # 100 HUNTER'S CHORUS. Concluded. m -P— #- 4^=5^: s? ^¥—¥- -0 H # # P :PE=?t: -H — ^ y— ^- '-^ -»f--i :p=P=p=p: -H K- -#1' ^ 1 T«n • U • rub, Un - U - nh, Tan • to - rab, tan • ta • nb, ho I On like the breeze we're bound - ing, Bu-gles ao iwect - ly Tan - ta - rab, tan - ta - rab, Tan ■ ta - rah, tan - ta - rah, Tan - ta - rah, tan - ta • rah, On like the broezo we're bonnd - ing. -0 — 0- Bu-glea 10 tweet • ly ^- ^—i—>/—M- -N-^— #- J- U- k ^W=i- -^-i/- g -^-^ t=^ Tan - ta • rab, tan • ta - rab. Tan - ta - rah, tan • ta • rah, ho I On like the breeze we're bound - Ing, Bu-glcs so tweet - ly ^ -^ N— V ^M^ d d d d d d . # # ii p ipizi: -+-J h: ^ ¥ — /— V— y— i^t— V- ^^=^ -*r-- \->- -H H - d d a d m qcmzp: [s ^ ^ * - -^ -^ — - ?EX -A— N— M :i=i: ^!F^ 01 ionnd-!ng. Tan - ta - rab, ho 1 Tan - ta • rab, ho I Tan • ta-rah, tan - ta- rab, hoi Tan • ta - rab, ho t ho! hot ho! s /TV ^=^ it=St :S=a: :S=:i: ^_K— K- :t^=fc: d-d-d ^ -^- -# — « — #-•-•- :izT: aonnd -ing. Ton - ta - rah, ho ! Tan • ta • nh, ho I Tan - ta • rah, tan • ta - rab, hoi Tan - ta - rah, ho ! ho! ho! hoT* 1 /TN ii m iih ■ "■^^*B(il^^??S^ TTTT'TifT 'umMMmM^ummmmimmm TT' COME, OH, COME WITH THY BROKEN HEART. IQJ FAinnr t. orobbt. thiodorb ■. pirkins. Font m^ ^ E a 1. Come, oil, come with tliy broken heart, ^Vea - ry and worn with cnre; Come ond kneel at the o - pen door, Je-sus is walt-ing there: h m § s ^ r4 ^—^ 5 5 d: •■»—*-■♦-#-#-# If— #T-#- -# d I i g - a I, Firm - ly cling to the blessed cross, There shall thy ref-uge >«: Wash thee now In the crimson fount. Flowing so pure for thee: i ^=^ :W^T ^ -^-■p- ^g^ fSfl 3. Come ami tusto of the precious feast, Feast of e-ter-nal '"tr; Think of Joyp tl'ut for- ev - or bloom, Bright In the li^ht a-boro: m *^ '^=^: J^—V- *=i ^■jT -j-f— i< s atzi :2± -V— ^H-j- :^±F n •H.C Come, oh, couie with thy uroken heart, Ww.rv and worn with earn; Come and kneel at the o- pen door, fe««u8 is wait-lng there: lli|l D. C for Chorvi. <^^i i U * ^ -I* — ^±^: I I: Walt-lug to h"al thy wound -ed soul. Waiting to give thee rest; Why wilt thou walk where Siiadowg fall? Come to his lov-ing breust :t^q ^zjt=± S T. -d — N— ^• ^ ^HI^ =F- £K v^# -• — — (- H 1- i :fc List to the gen - tie warn • Ing voice. A=^ -t-^- i ^-w—m — "^ — #*-•- List to the earn -est call, Leare at the cross thy bur -den now, Je • sot will bear it alL [; ?»=S=^ ^-5 giotzf Mi=^^ ^m :ff=^ 0-^-0^ ■^ ^ f-\ Come with a trusting heart to God, Come and be saved by grace; Come, for he loves to clasp thee now, Close in hls(li>ar em-brece. m H^W^^ ^ /L_#^4— ^ P=p: f 3=p: t±t=^ ■"stzt -»■ m 'f ffi'i 'i 11 liliil' l1l \ ALL'S FOR THE BEST. J. R. THOMAS, ^ ^^ ^:;?« s ^ s i J-- / J J^^ ??==^ ^s 1. All's for the bestl be sangaine and cheerful; Trou-ble and sor • row are frieads in disgaise ; Nothing but fol • ly iroeii 2 All's for the best I set this on your standard, Sol - dier of sad - ness or pil • grim of lore, Who to the shores of de» ■ ^r^ ; I ; jLiULj^^ *^ / ;, ^^^.tfr ' ^ J' i J: :f ^ 3. All's for the best ! dis - pel i • die ter • rors, Meet all your fears and your in the van ; And in the midst of your M- J J i c c : -H J J. J J l ^ ^ JU' J'. J J i^ J J J J 7 ^^ «« ^ faith - less and fear - ful ; Con - rage for ev - er I is hap - py and wise, pair may have wan • der'd A - way wea - ried swal - low, or heart-strick - en dove. ^^ All's for the bestl if a All's for th) bestl be a dun • gers and er - rors, child, and strive like All's for the best ' un 1^ ^^ ^ ail? ill I , ' ^ ^ ^^ ^ - m h h fc f man would but know it, Prov man but con - fi - ding, Prov i - deuce wish - es that i - dence ten - der • ly all may be blest, gov • erns the rest, This is no dream of the And the frail bark of his ^ ■-* ^ ;^: wt 9> '—m--- 9> — fail - ing, un • bound - ed, Prov - i • dence wish - es that all may be blest, ,; -r 1. -f r And both by wis - dom and Ff-fc r ^ iJ,-^J' J-. J' J- 1 V * mtm lOMAS. |S=1 ;8 of clen • it of your if a be a un of the of his dom and ALL'S FOR THE BEST. Concluded. 103 J / |! F r nr"p p p- J J^l J ^ J J ^ i pan - dit or crea - tiire is M po - et, Fact is guid - lug. Wise - ly -4* ft not fua • cy — and all's for the best ! Pact is not and wa - ri - ly all's for the best I Wise - ly and fan ^ ^=^.-i-t^--M cy — and ri - Iv -^ > ■7. ^ - 4 — m- m mer - cy sur - round - ed, Hope and be hup - py, then alPs for the best I Hope and be hap- py, then iS ^ ^ m i^n P CHORUS. W=^ ^ ^ w=^ oil's for tlie all's for the best ! All's for the best ! All's for the best ! Fact is not fan - cy, And all's for the best 1 best ! All's for the best I All's for the best ! Wise - ly and wa • ri - ly, All's for the best 1 _J J^ >. . . ^ . I . . N h > w . % 1 ^ I iA_^LU:'^^t=tn-^ I j'>-.f-JH^j i I / s gV,s ^ ^ ^m i ^^B p all's for the best I All's for the best! All's for the best I Hope and be hap - py, Then All's for the best I J"- "J ^ J" J 1 I J'. ~ ^^ ^J^=i ^ ^ WT S THE ANGEL OF DREAM. M. KILLER. IS ^ rJ ^ J ! .1 J j J J J j .l J I 1. Old moth • er, don't grieTe, be cheer -ful ut heart 1 Thou'rt ten • der - ly watched by day and by night; The i^ ±^- #t?H ^ l j i J ■I t. d a i ' IT} m l ^=* * 2S I 2. lie's poor, it is ■r— ■ — m i, m — •*— " — s> trne, and kept from the work, Which ought to be done to bring dai - ly bread ; Tho' c r ' r r 3 ^fi^'gnr £ ir r r \ JO. ; i my fiii^i. Ifi' f m U: I 104 THE ANGEL OF DREAM. Concluded. ^m ^s m 32 i J ; 1.1 ^ sick - nesB that uow con • fines ttiee ia bed, May soon yield to care and na - ture's own might. Tbo' ^!L_i^J i I i pJTi ^-U=i ij j; t'TlTT^l-^ J^ j 1 ^^ Tain un - ly he asked, to • day, for some help, — To • mor - rov, per - haps, he'll bet < ter sac • ceed Old m r • f r I r g ? m m .1:^ i' IM. ■II v.-^Ui^ ^^ ^ JIJ - J J ^ J i J J r heart - less may seem the world to the poor, — One trea • sure is thine — the lore of a son ! He'll * ^ , ^— .-^ — 1 — 1-, — I , ^ ,— 1 -i^-,— I — j- p^=f^^^^=a=5 1 J i-i^ ^ :z5 moth • er, don't grieve I not all men are hard, — Thy son will yet find a ^^ ^in" T good and true friend Who'll ^ ^ jd m m m zz ^ M r J I.I zdz toil for thy sake as ^ ^^P^^^^^ long as he lires, So be of good cheer, J-3 i-i i J ^ ^i 3 ^^ list - en to him with kind - neas of heart, And, sure • y, such friend thou art not a • lone ? K- W m ?H^ , ■ m ^^ jcz: will lend as • sis • tance will lend. mm^ P IrtjTBCOB. GENTLY, GENTLY "WAKE THE SONG. Serenade. GEO. F. ROOT. 105 m J jf ^ g rMJ ^rM^'-i^ Jr rf^ i ^F-fmrrrt i 2d TKMOB.- 1. Gen -tly, geu - tly wake the song, Star- tie not her slum-bers, May her fest be sweeet aad long, Un-bro • ken by onr Plat BASS. ^ ^— ^ ^ -I*— y P 8. May the mem-'ry of the dream, Lin -ger thro' the mor-row, All a pleas -ing mys -fry aeem, Be-guil- ing care and P 2d BASS. 1^ S3^ m 1^^ «=* g U s e i B i ? i p J3- F-g-^-^ s m nnm • bers, Un - bro * ken by our nam • bers. 2. Let oor ma - sic reach her ear, Miu • gle with her dream - ing m — m — * ^ ^ P4-H» 3p: m sor - row, Be-guil - ing care and sor - row. 4. Gcii tly, gen- tly breathe the song, Star - tie not her slam - bers, ^^ m m zft=Mz ^ r r r 1 — * — t- fi^ m ^-M ^^ i * w ^ $ Tho' she do not wake to hear, She will dream oar mean - ing, ->- She will dream oar mean - her rest be sweet and long. Soft - ea'd by our nam - bers, ^ Soft - en'd by oar nam w^ $ '■', 'h 106 THE INDIAN MAID. ^ceonUns to a well-known iDperstttlon, the Hindoo maiden floate ber lamp upon the Ganges, and mormaring a mnstoal Inoaatation, drawa an angni; of her deatlny torn (he ({Me of the light ICn. NEWTON CHOSLANI). ttATTQN. / Andante con moto. p f I -5=^ Itjt ^ ^^^ ^ fe L A dusky maid, with e-bon hair, Sits b; the Gan-ges riv-er; Willi hope and fear her bosom heaves, Her parted lips they quiver. A fi-nerligfat Is 2. For on the Gan-geg' sacred stream Iler fate-ful lamp is floating, And as itflame8,or as it dies Shall be her lov-er's doating. A thousand stars are in the sky, LUce gems on hid -den fln-ger8;Bat eyeun-used to upward gaze, On in ^Sl-l-lX ^^^^ ■i/-V- ±=^ r- rid light still lin-gerst i i=i ^S=g And as ^ eottbeUgtit. 4=1 erllgbt U riv - e' Itbo rlv - « THE INDIAN MAID. Continued. TP 107 ^HgjJpi ^: :e^^PS flows a - long, And aa the rfv -i PP ±^ ■&-r fil-T- ^-i- ± «=l=^-M=H^" •«er flows a - long, She sings her mya Uo song, She soft • ly ^^^^^^ BlDgs |;er niys - tic song, She sings her mys - tic song 1 ■ i • ;' ; ■ ' 'i t t 1 (' i 1 108 THE INDIAN MAID. Continued. i »=t ^ i :^ETM. m -#-i ^ t=w: ^w -^- i ^ scorn the lu • Uian Maiden; We too may watch oar earthen lamps, With lo-tos wreath'd and la-dent But when, thro' tears, we see them qaench'd, And P i '-^^ =F=?^ ±tt3t ^ S^ 3t=^ =S1 ?: -• — — •- :S— S: :i=it: ^ I l=)S: -^-^^ ^ 4v— V ^ ^ i=f: :^^ :f^HK *i Bcoru the In - diaii Maiden ; We too maywatchour earthen lamps, With lo-tus wreath'd nnd la -den I But when,thro' tears, we see them qnench'd, And i_«^. =p=^ ^^ p p § § :^=tc ■h — h H- X tc=f: ••(^ . n 1 1' ■'Hi -•— #- V ^ r -•-•-#- -■tH — h— I *?-f-r > > > > > v-^ ^F=P=P= :r:: g -<5^- :^- bt=^ tt i ronnd ua sor-rows clna-ter, 'Tis well the beacon stars glow on, With heav'n-kindled lus- tret beav'n > > > > > kin-died lus - tro ! te i ^^^ =N=S: • • #-T-^ 1^=n: • # :25 •# — « — •- -• — 0- ■^ -& — m- =f ¥^ > > ^ ^ ' -j ^- ■^- > > :i=*=± ^ ± -«>- ^:fe^ gs round ns sor-rows clus-ter, Tis well the beacon stars glovr on, With heav'n-kindled las -tret heav'n - kin-died lus-tre! And well life's riv - er i 1^^^ « — •• > > > > > - ffp-Z -g>-^- 3 < " • ^ THE INDIAN MAID. Concluded. 109 m fc=: '^m ^ ?^ ^ tob^J^^ ^ ^l^+^^Mi ^ i And well Life's rlv - er flow • ing by, Still flows be-neoth a star - ry sky, m flows, pasj^i; fc^ ■^*—4- And rr^rrysr } M ■»- T^t ^^^JZMdoS^ilJlt^. T=^ well Life's liv • er flow - lug by, Slill flows be-neath a star - ry sky, And well Life's riv • er flow -ing by, flow • • ing by. f .1 ^^ ^t=F Still flows be-neath a star • ty sky. And well Life's riv • er PPpiuknto. ^f\ 3^ ^^ « a -SH- H U sun flows be-neath a star - ry sky, a star - ry sky!" m ^f\ •^ — #^j— ♦ i-J-r ■S>-r t flow • ing by, Still flows, sUU flows be - neotSr ft4#t star m ry sky! tt •^ ■&~T- ^ -fil- fe^ TP ff\ ■^ «^ «=:5 flow • ing by. Still flows be - nealli ■-r- a star - ry sky! m % mm^ jjS ^£ -^-* ^^S^^S 10 flowing by, Stilt flows, flows be-n«ath a star • ry tty]~^ ^ i! ->■ •III ti '"■■ '"|||;2! ¥ \ ' iii: a! ■ ! uo EVENING PRAYER. 7s. SUne, «q/l and TsnCbt ugato. WH. B. BRADBUBT. I^^^l^^ 1. Wea-iy, ns with clo«-lng eye, On my peace-fnl bed I lie; Father, mny tliy an-gels keep Watch a-round me while I sleep. 1^ •t ■^-* •• • § \ #-* ^^ I J ^ * * ' • -» I 4 — •- 5t i E A: :#~» t #— #= l^i^-^^pg -• — « SI 1^^ :F=#= m ^ 2. Have I thro' the day in aught, Sinned in word, or deed, or thought, Fa-ther, from thy ho ■ ly throne. Send a sav - ing par-don down. , L ■# — 9- :p^=a: I t-r -# — #- I • r-^- I ^fl DELAWARE. L. M., or 8s & 4s. ReeiUmdo. Oentlv. THEODORE B. PBBKINS. H3 " I M - 1 I ' ' i i~r" i I — ^ ■! I - I ' I ' ~i — I y i 1. There Is a calm for those that weep, A rest for wea - ry pilgrims found; They softly lie, and sweetly sleep Low in the ground, Low in the ground. i^^sai 2. The atom that wrecks the winter sky No more disturbs their sweet repose Than summer eveniGg's lat-est sigh That shnta the rose, That shuts the rose. g5iBg= ^r ^JUi'-^.f r-r-r B Words by FANNY 1. CROSBY. IsT Tenor. NOW THE BELLS. (FOR HAUE VOICES.) niBODOBB K. PERKim. » T" ^ -iS-T E^ -i^^- E* Now tliebella of ear-ly morn • ing Call to la-bor from the land, 2d Tenor. ? :p=5= zz: ixip: ^EES fc^jLZ^ ■iS^ :^.: Hear tlie Uln of toil re - c«d - ing As we leave the crowded strand. ^^^m^m^^^^m^^^^E^^^^P^^^^^ Ibt Bass. gPl _*.._#_*: ^¥^^ t-7-V- kiE-v- x— f^- ^F— b-V^ Far a- way a grove In - vites us To its cool and calm re-treat, Where the brooklet and the fount • aln Laugh and sparkle at its feet 2d Bass. ^ f *' ^ -V=S2- ^ 4^-- (2- ■A-A-A-A-M- ^T-* ^-iTT ^ - J -P---*-P A-N-M i^: l^=i=^-- ^—fli- A-A~A- :Nr> -*-^- s -«^.-=- it! tt§^ Pli= t=M: t ^' P f v-y- p-^i^'^- 3= ±t ^^^^ -| — b'-t/ Onward gul-ly, Ewlft-ly on - ward Glide we o'er the crest-ed wavos: Our song shall wake the fays of o - cean, Sleep-lng In their eor-al eaves. i :^^5=it7i^ -•-w-^-id- -st- -e»- ^^^^ ^ ^^ ^^^^m ^ a=ft :3i :?=f: i^zfelzvzfcifc ^ ' p f p '^—t. n:pn-ai Onward o'er the bounding bil-lows Bright-eyed pleasure leads the way; We'll make the woodland ring with glad - ness Till the gen-tie close of day. ^^n^=f^ ^=^ :t5 ^ • ^ . _ ^ iP' ±i:i; ■ » n > fez!^E^^ 3=5:1 -K— 4- ^- -J- IJCF • ^ ' 1 r r — r Now a -way, no long -er tiaj. Meet we all by break of day. Come, fol - low, fol - low, fol - low me, ye fid • ry, fid - ry ^irr^rT^r ■ c J ■ f -.^=m: zl=tz W- B: W^ "' ■m — ■*! N I =i=5: ^•^ — >*-r-4 -* *- t5z3=:S :}s=rt ^ 1-» — - :«* ^^ Oome fol • low, fol - low, fol - low me, ye li»i • ry, fiti - ry elves that be. O'er tops of dew - y, dew - y grasa. So •Itos tbat be. Come fol - low, fol - low, fol - low me, ye fad - ry, fai • ry elves that be. O'er tops of dew • y, dew - y gross, So m P^ = y— J — ^ u J J - ^ :pr=prr:»r:z|t: :6«=t inlJM m=!^=^=i=^- -*» 1 h-r-l rsr=:iz i -^ J :t=C: m ze—^=^-- Dim - biy, nim - bly do we pass. So nim - bly, nim - bly, nim - Uy, nim - Uy, nim - bly, do we t i>»- pass, We fol - low, fol - low, sS E^fefe r g r 4- "A 'T' ^S^ U I W I i ^^^^^^^^ Ui ^ f-bf — * — * * r ■>-T f— j-cr'^rrcr-rr— 5 nim - bly, nim - bly do we pass. So nim -bly, nim -bly, nim -bly, nim -bly, nim -bly, do we pass. We fol- low, fol - low, m T=i= ■K 1 I ' ^p i :ti: NOW AWAY, NO LONGER STAY. Continued. 113 m it==m tit f^ ^ *I3: -K — I- :^=3=S= ? r ff- ^ -1- g ir ; r g f Ibl . low thee, We &i • 17, &i - ijr elTee that be* We fol • low, fol • low, fol • low Ubitt, We fd • 17, bi - fy elTee that be, Cftt 4- I 4- J- =Si=? 4- -K — I- m ■O-jL. fol - low thee. We iki - 17, iai - ry elTes that be. We fol - low, fol - low, fol - low thee^ We iiii • ty, fai - ty dree that be^ O'w IT c r z zrZ~Ti r c t rr ^^ fclr-!'— ff^gE r*=rff= 5=P= E^ rfcrffr iliri=t= -|i— P- ^^^ rp=:pc: ^ Ms^K- -m—m — ■■mri m ==z .__ -p— • — m- m:^ ----: - ■ P -■:- — r P f— W IP m 5~ \w—ir- tops -ta — (==:>- f i*-i*i-g — ?_ :p_ L^H — ii« 1 |^_M of dew • y, dew - y grass. Ho nim U 1 ti tt=s ■ bly, nim - biy do -J J-J»|J -*►— t ' we pass. So nim k 1 j^l"^ t^ 1 — t^ F— 1> 1 ^ - bly, nim - bly, nim - bly, nim - bly. nim - bly t f* S — SLi: -t fc»-*- do we tops :? ' u ' ; r ' ^ af dew - y, dew - y grass, So nim — a — B a m m — m m — -m— • bly, nim • bly do — B B B" B — we pass, So nim — B — B B — m~ -bly, nim 'bly, nim- bly, nim -bly, * ■*■ -^ B- B- — B — 1 tr- i k* F F— nim -bly T* 'B do we -r — H ^W-f- -4<— 1 U IF U 1 " ta-rr U— J Irf-fc -t^ -r t?- lE^ _^_Ll__?._ 1 1—1 \4- ' — y- =-—4 J — i- g^^ 4: ifiiz :*: ■f ? f=r-4 80 nim - bly do we psM, :*!^^ pass^ So nim -bly do r~r-t J=A 4Sr So nim -»» — I- bly, nim • bly, nim • bly, nim - Uy, pass, So nim -bly do we I I 4-J^ pass, Bo nim jm - bly, mm - bly, nim - bly, ain nim - bly, aim - bly. m==p^m=m St w=r- :^=£ S .* '.<- I tt=i. r ^f I t! ; ,r € 1 ' iw i i 'i ^''i 1 ■ il !' 1 ■ ! ! ■lill ■i - • 114 NO>V AWAY, no LONgEFI stay. Concluded. Dim- do.. :te*B=si bly do We paas^ So nim-bly do we pass So nim-bly do we pass, So nim - bly, nim-bly, we 'tuM, Bo nim-bly do we pajs, Bo Dim - bij do we pus, we paai^ Bo nlm .blj, aim . bir, nlm - bij I do '-r' i^i^ pass, -X— J- JS:^ 1 r So nim-bly do we pass, Bo nim-bly do we pa ss, So nim - bly, nim-bly ■m^:mzzsiz V=!C: zm ~ . i — r - --=\- :X=iz z\z=»-:>z—m: KZZt S ^ — 1- =~^^gEEifp3ig^ -g- *-T-* * — ,v -i-fi~K zfj=.»z -* V-— -S~-^-#' I mm do... we pass. do bly do we pass. So nim • bly do we pua, nim - bly do we pass, 4V So nist - bly. So ^ we poss, :4==t- nim - bly do we pass, So nim - bly do we pass, t -1 ?- nim - bly, ii tr-=g5:xq«r!:ip^t«- :J=p! itt^ dim. f±l f^ -•— n— •- =1— =r 55;^E3E ::5— 5- ;0)B :i=it Bim • bljr. So nim . Uj do tra pM% t« paw^ Jz we psM, So nim - bly do we So Dim - • t^ d» «• lS=i)=v :g=^=S=r- aim • bly, So nim - bly do we puss. we pass, -p- we pass. ;gfit^ -JV4S- ^ I "J" T '5" -f^lT^l^rcir" So nim- bly do we pass S :p— »: -ti— t t=t=: 3ESE i^S^ 53J BRING ME MY HARP. WALLAOB. US dftte m J r ■ g=p: ^ ^=^=C- E^Efei m 1. Bring me ray harp, that I may wake Old chords of bye - gone hours : My fai - ry bark up - on the lake, The It ^^^m fea^^ .3 p^=^ - g — J- :t m ^^^m 3. Aid me my harp, that I may ping The Rtrnin she lov'd to hear, Al - tho' from out this heart, it wring At E?z^ ^ ^^ g p i»f-» ia^*=EE^ ^^^^ tin ?-^ ^r-r-^ :r=ii WE^^ ^^=f^ banks of gold - eii flow'rs ; The cheer -ful tire that burnt so bright Up • on my fa- ther's hearih, — Af - feu • tion's 'ook of .lit ::]===(= z 9 i: g=B -1- 5^ X 3^ »^^ ey' - ry note a tear ; Those tears so sweet, oh, do not clilde Nor of - for joys re - liui. For know to culm sad r 3^ ^m ^ ^r - ; W ^==5= ^^'^ I \>t I 5e==pc ff=:=ff: ?^ :^ ==:s=«: ^L.,-*_S= ir?r =1= ^^ J^ J- ^ i» F -^^-M j M 1 (- Star - ry light Which beam'd up - on my birth, Af - fee - tion's look of star - ry light Which beam'd up - on my birth. P 5^ ^ t a^ M-p^f-r^ er ^ -t — t '-^ — * — * • « ^ •=" '--^ — t — \ — r— 1 — 9- mem'-ry's tide. There is no joy like grief. For know to calm sad mem'-ry's tide, Tliere is no joy ^ ^m like grief. A^ 116 THE MAYBELLS. ^ Allegro nivaoe. Air. ftom HBHBBUMOKf. :b= -V— b^ -V — ;»^ :f=^=p= :p=P= ^ ^ V -f r f g L Young Maybells ring thro' ont the vale, And sound so sweet and clear; The dance be - gins, ye flow - en all, Oome with a mer - 17 m H » ^- :f^=s: t E^ m^ :^. 2. The Maybells ring a mer • ry tune, And all be - gin to dance, While o'er them smile the gen • tie moon, With her toft ell • v'ry m ±t=t: ^^ ?=¥= :tz^ ^^ _ — p S. But Frost had scarce-ly tak-cn flight, When well known sounds we hear; The Maybells with re-newed de • light, Are ring -ing doub - ly m ^r w~\ J u - #-^-^ 4^=i=5= ^ P P ^ =F=P= V b 1>^ U £i ^ 53E5ES 313 v—^-^i-v Softer and slower. ^ f-j-rt »• ^~ cheerl Come with a mer -ry cheer t The flow -era red and white ond blue, Uer-ri- ly flock a-ronnd, For- get -me -not of heavenly hue, Aud I ^ -A-A- -^~^ JKUL ^^=^ -¥ ^ i=l itnifcil^zil^ -^-^— N-fr i glance. With her soft sii-v'ry glance; This Mae - ter Frost of- fend- ed soi^. He in jrp ^ — the vale appeared, Young Maybells ring the dance no more. Gone Softer and ihuer. ^^^^^m^"^^^^ i^t: ^ ■k-^- =i^ gEJ =T=P^ ICi^ t^ ^ 1^^ dear, Are ring-ing doub - ly clear; Now I no more cnn stay nt home, The May - bells call me, too. The flow-eis to tlie dance all roam. Then ^^Ei -^-N- i ±1: -, 1 1 — P— - 1/ y ^ u- mgm Ing doub - ly ce no more, Gone I all roam, Then THE MAYBELLS. Concluded. rtt. . :^ f f ^ r- "^ — b^ itat _^__^ 117 -^-. Tlo - lets too a - bound. For -get - me - not of heaven - ly bne, Aud Vio - lets too a • bound, For -get - me • not o( I ^=^^=:t^ -4 — # y-h J-^- nH-^ :^: It: --A- ^^t=^ ^ ■^==^ ft- ^^ — H: t^=^ n^ si=±: ■'r \ tl are the flow • en, seared. Young May-bells ring the dance no more. Gone are the flow ,^Y, o ttmpo. ers, seared, Toung Uay- bells ring the j?Z=fe ^^ q: 5 ^-- tefe ?w 3t why should I not go, The flow - era to the dance all roam, Then why should I not go, m^ *=^=e: ■19- « 13 ^ Ores. ? £ 5 g /rs :^=t I henT8n-ly hue. And Vio- lets too a- bound. m ^^ :*=t!: For - get - me • not of heaven - ly hue, And ^ Vio- lets too a- bound. ^M I dance no more, Gone are the flow - en, seared, Ore$. m Toung Hay - bells ring the dance no more. Gone an the flow - en, Mared. -1_ I dance all roam. Then why should I not go, S i The flow • era to the dance all roam. Then why should I not go. ;> i> u * -^>~ ? t=ti -+- ^m :':i I I «, m\ 3 'I '! il ' ■ iH 118 GOD IS OUR REFUGE. 1 Larghetto Maestoso. ^ ^ P m .^^ • .^ FRIED. WILH. MARPUBO. ^ (Pint publUbed In Berlin, 1768.) ' ' M J«« -^-^ ^-, 1* P ^ * m r ■ r • f-^ ^ • w w ^ ■ ? T ^ ^ i 1 1 ^ ^ r r [^ : » • 1 I L : . 1 1 1 ' J • P "F ' ell i J 1^ 1 1 ■ ^ '• 1/ u' ' ' k ^ 1/ 1 ^ y 1 1 \ 1/ 1/ r p i 4- 1 u u* y Iv L -fi h liji God is oar ret - uge, our — — \-\ — ^— N ref - uge and strength nl PV IN 1 1 God u our ref - uge and 1 Strength, H=> h God — c 1 Is our ref • uge ond 1 N- ^ S — ; r— K— I 3 Hr^t — ^ — ^"^~Jf — ir~i- -^-^ "-+ } *. J J — r— i ^— ^- E si' 1 1 • • • • fi*" • •< ' • • • J J ^ iLi'' 't • • ; , ; , I , 1 1 , L #1 1. God ia our ref - uge, our ref - uao aud strength, God , , , » . - •^ 1^ is our 1 ^ ' 1 ref - nge ond strength, 1^ God is our ref • nge and 1 1 '>! m r ■ 1 ' ^ . ^ > « • p^ # ^ ~ ^ ^ i l^b T • r ' u ij 1 /> > 1 •r T- r i ; i 1 "- • I— *1 ^ f P m * m P ^l' ^ F.I W ^ ' J 1 . 1 . 1 :^ ^. •* ' 1 J ■ ' i r Im; '* J ^ 'y i^ k* ' 1 U ^^ 1/ 1 '/ J 1 God • is our ref - uge, our ref - uge and strength, God is our ref - nge nnd stren.!iih 1^ ''I ''■■ U God is our ref • nge and c>. 1 A ; III ' ; I « W ^ # ' \ ^ « ^ 1 « '"<- 1 9 '•r 'T- 1 V i/ '-t V 1 « a 1 *■ 'J ; , ; 1 t ' •< r 1 '^Q^ > ' Ur I «< i >* ^^ U' 1 \j ¥ am *> * ' J L "i .f 1 " 'ft U,_l_/ 1 ' * • k ^ \r g:- God is our ref - uge, our ref - uge and strength, God is our ref • uge, our ref - uge and strength. our ref • uge aud ii i^ 99- 90- — I i strength, A ve - ry pres - ent help SE -^-v- t=r W- f=w- v"-i?- -^ \^ \ / s^ ^¥^^ in trou - ble, a vo - ry pres-ent help, a ve - ry pres-ent help, a s -k- 4V— N • 4» • ^H- 3 ^^^ &- C^^J ^■_^-^-^-^ -j^ / * ^ i strength, A ve - ry pres ent help in iron ble, a TO- ry pres ent help, a ve • ry SHS>- Btrengtb, A re - ry pres ent help B= 5iL=y: i V— T- ^ idt^: =P=F #— #■ ^^=kz:d in tron ble, a ve - ry pres iil^^^feE^ :3p: ■trength, A ve • ry pres cut help *=^. ^±jt. itJc i^zi fcK • ent help in troa ble, a *-=fc -t: ■^-^-A in tron ble, ^^ a ve • ry pres-ent help in trou - ble, a RPUBO. rlln, 1768.) t£=t^ uge and =^^V=^ usw and ^^ . nge aiul • uge aud i« ■# #- 5^ dOD IS OUR REFUGE. Continued. -#-r(S'— . »- U9 ^ #— # — *- -«H^ ^?f=#= ^ P ^ ^— # ^?=# m ve • ry pres - ent help in tron Dtgzi: :*=* ble, a re - ry pres-ent help In trou N-i 1 -i&- -*f-4- Li?!^— r ->> N S S" ^=it # # pres • ent help, a help In trou s V ^f=fr. =^ ble, a Te - ry pres-ent help In trou -# — t i: re - ry pres-ent help In trou ble, I ■♦— • — b ve- ry pres-ent help In ?2: trou §5^ * — #- =S=P= ^ i> li^ ±. ve - ry pres-ent help In -6>- ji t .» r~gz i^ ^"1^ l^- tron ble. a ve • ry pres-ent help in tron &= ble. ^ ble. 1^ ble. m m ble. lielp, a -JL ' 1 V ~N ^ ! " r ' ff — J ve - ry ^1 ble, a E^Si ble, a IS Fugri. !»' £ ^P=F ? Tlioro - foro will not we fear, will not wo fear, tho' the AUegro non troppo. s giifc m * ^ r#-rf- ^— ^ ■^ — ^ t: it-B-A-f L t -^— # *_j- tc=t^ Thero- fore will not we fear, will not we fear, tUo' the earth be re- mov>ed, will not we fear, will not we fear, tho' the i( ■f ' \ . i ■ . It > II m 120 GOD IS OUR REFUGE. Continued. W- ;En=*rp=^ =P=^ f^ r-hMr-^-^^H^-Mr r r i > rr^¥=F^¥r =^ si: t •v-/ earth be ro - inov - ed, will not we (ear, will not we (ear, tho' the earth 'be re - mov - ed, i ^^- ■<»- t^ -v-^ Ifcit w^ *5: t*: ^ J J J .r; j Tliere - (ore will not we fear, will not we fear, tho' the earth be re - mov- ed, will not we (ear, will ^^#-F e There ,7^ •=• — -m — 0-r-^~ :k=P= SE -^ ^-^- iEfe£^^^i S (ore win not we (ear, will ±=iz P earth be re -0107 - ed, will not we (ear, will not we (ear, tho' the earth be re • mov ■ ed, will not we (ear, will tfcfe: »: i d: 4— L -0 — 0- ■^ S=F3 ^ =F=# :#ntt There - fore will not we (ear, will not we (ear, tho' the earth be re - mov - ed, ^==^ ^ -^.-N- <-*-h^ #- i=it =S T~y not we fear, tho' the earth be re - mov • ed. *=5=* S: There • (ore will not, will not we (ear, —^—9—0-*^ Tbere-(ore will I fcp: =5=?^ -^ ^ — r not we (ear, tho' the earth be re • mov - ed, ■^- ? ^ -^-* :W _^_^ There • (ore will not we fear, will not we (ear, will i.yr y-'r-f +- T- rjr~p: 0P -«'- -•— #■ :fe atf- not we (ear, tho' the earth be le • mov ed, There • (ore will not we iter, wiU i^ggg^iaB Msmmmmmmm fW'i GOD IS OUR REFUGE. Continued. 121 ^ 1^ -y— » ^ There ■ (ore will not we fear, will not we few, tho' the s "^ tt p^ -#-nr ^^ not we (ear, will not we fear, tho' the earth.. be re - mov ed, ■•* > # -&- not we fear, will not we fear, tho' the earth. be re - mov ed. iSifc^E^^iE^teEE^??* -b— W- -0—0- -Z21 ^ not we fear, will not we fear, tho' the earth.. be t« • moT • ed, ttao' the earth m be re m^-=;^ SE3i-=f=i=5 i-uzz: lA -I H :^ |i= ■ ^ ?^ :!?«: :t=:frF -#-f- earth be re • mor ed, tho' the earth be re - moT-ed, tho' the earth be re • mov-ed, tlio' the i ^ t k s ^=S:^ '^f= ^f i ^^^F='=^^ -•—^ There - (ore will not we (ear, will not we fear, tho' the earth be re - mov^ed, tho' the earth.. I T w -1 T E There - fore will not we fear, will i§ ^^-^—n—f- ^ ^— r- i?p^ ^"^ |g :^ti]i 11 BOT- ed, tho' the earth be re • inov.ed, tho' the earth be le moT tho' th« lili GOD IS OUR REFUGE. Continued. -# GOip IS OUR REFUGE. Continued. H ? -e>- t -^-F- &- tt mov ed. There - fore will not, will not we fear, s ^- • p . . fi :^ ed, There - fore will not, will not we fear, i :^:fi:^ be re • moT • ed, 9^^ =P=^=S ^^m -^*- so. » * ^?=F=#=tI.4^ n — ^^ * , ' *- P ^ There • fare wUI. VJ \ w-^—n i \ Ibere • fore will not we (ear,.... There - fore will not we fear, There • fore will not wo fear, I iiit! !'Jil!lh m '■• r iir be re be re- [- '^^ 1 p m i=T 6^ n :±± :#=|e; -v^^ T=^ not, will not we fear, 3=:p= There - fore will not we fear, will not we fear, tho' the earth. J X :at ^i=^ There • fore wilt not, will not we fear, There-fore will not we fear, tho' the s P—lh =#=F #-=F -^ ■v-*^-| - :P=#: There - fore will not we fear, will not wc fear, tho' the earth . as ■i9- -0 — j>= f= 3- f-t!M^P f=^ ■0 There • fore will not we fear, tlio' the earth be re - mov-ed. a=p: m There-fore will not we fear, Vuf the >l mi m III m +4-4 n GOD IS OUR REFUGE. Concluded. — » # # 1 "^ ?=F -# fi f.p • * » -»**- * j^ ^ * -^-^ 0- attzt be ra • mov ^ inzp S e«l, and tbo' the nioun • tains be cur -1- - ried, be I I car - ried in to.. the ■i5>-»- ji±: 4- eorth be re - mov ^ •y~y ■N P» And sweet - ly beam the i i f i t-jL^T TTT-^-^^ ^ t: Sweet and cool the breez - es blow, Re • fresh • \xi% o'er the leu, And gai • ly o'er the m ■> — r ^ Tf ' rrr~ z r. c . I m I H I E i re f ^g^ji ^ -#-• -1 stars of night With soft and lus • trous glow; ^^ With oar in hand we ply the stream, And swift we glide a moon • lit stream Oar boat she glides so free; S L ^^t*"-g— J ' 3 1 ^''^ 3 J j Oar Toi • oes chime, onr oars keep time To the bar • monions "T^v - K f=^ ±: ^ ^s=^ ^ ? g » i^ -t^— t is ~h 1 n-|l J!t=fc P ^ ^ J ji j,jti^ ^ JDO ar • ,*- i^ =8S= ^ ^ long, ^ While we hear on the dis - tant air the ech of oar song! of oar song, of onr jte^'-+ij ^ ±zi.=*t"t:<5i ^ with stea • dy row. And then re - torn a - gain, retirta a • gain, return a striiin, And far we go v^f'-'-'i i r s ^^ r ^ r [* I j.jf r ..£« 1 * < j'r =£ ^ I'.ii iwrm-T'^T'nr'"^-'**' t m 5^i^2 S tempo. MERRILY ROW. Concluded. 127 ^ ^ y- ¥ — r ^ S m song, of our eong Mer • ri • ly row, elier - ri - ly row. And let our oars keep time, Wliile Bong t tempo. h r^ r - > s h Eiii^tf — f — #- ^^ - gain, return a - gain I Mer - ri - ly row, clier - ri • ly row. And let our onrs keep time. While o'er the tide we swift • ly glide, In song our vui • ccs , chintet In song, in song, our voi - ces chime! In ^ In song, '^ W^ o'er the tide we swift - ly glide. In song our vol - cos cliime! In song, in song, our voi - ces ciiiniel In w • m «»=* ¥ -*• — I- 11 ^ m m ^ ^ • ' ' I ' ' ' ' song our vol • ces chime I In son^, in song our voi - ces chime! In song our voi • ces In song, our voi • ces chime ! . . S m cliimul P^ PUvJ J- Ji J- ^^ -r"s "r- "s I f—^T^ ' r-^ ^^ song our voi • ces chime I In song, in song our voi - ces chime! In song our vol - ces cnimei m Mil » MV t w , i fS 128 Mezzoralo. THE SINGIN SKEWL. •OHO * COABVB. P. BBHSON, Sr. MMIkHnltiUMlW 1 — r i L O, clilld - liooO'i joyi if ver - y grate, A swing • In on hia mutli • er'a gate, A eut - In cnn • dy, IL t it's cou - liii • erd ver • y nice, To akate np • on the frli up Ice, Cn • lest yea chance to III. Sum thinks tliiit imth • In^'s ^ bo good. As ois • ten roost - ed, fried or stood, A uth - era thinks, the im. O, sweet tlie breth of doo ey morn, blow - in sad thru the korn, While gold • en rays of m r-r-fr 1S1 r=i^ -^ H- ^^ E5 ^i^W-4r -<5H- i^i^ t-f-v -V* % I- tlil his mouth Is fall ker - whack, k pleas - ure's more, A mis • Uc lite, Is all stuck up from north to south. & there • hy coz your bed to crack. & slid -in on a sel • ler dore. So herd up • on the dawn of nite. But uth - er things he likes kwite well. That when yon go ftom home to dine, A sum thinks this ft sum thinks that, But 800 • i)er - fine, ex < tat - tick blisa, You'll ± ^ P ♦ ■•■■•■ 1^ "^Sr-Sr « * * * tr=r^ ^^ jO- " 1 .. _.l ■^ 1 n - dy, nee to k», the THE SINGIN SKE^A/'L. Continued. BiiWffnBtigvafrM 129 £- 1 — 1 1 ~l — \ — \ — r — 1 — 1 1 1 1 l-j -9 • « -^ L ii:i_q F=| . # 1 1 -m— -J — \—^ — ^- 1 — J — , — J 1 — 4 * • _«_ ^1 4 —0 — d — 1 I baint time JUt rooBl - ed Tlr«- key'i all a - gree there's al • ways Hud, ft -rJt '— ■ — at — ^ It— here to tell. But ver - y fine. But grnt - er sat - Is • nev - er miss, If ir he stIU I (itc - tlon you will iz - sent kwlte tUluk it's more to be al ■ on • ly mind a phool, Joy - full, wuys hed, tills rool, He'd To At k reth- er go go • • sing- In skew!, al • wuys go to to as to sing sing . I sing ■ In skewl. In skewl. hov sed. ■ In Bkewl. t* ' 1 111 -i 1 1 ■ ■ ■ 1 ■ / ' 1 ___ 1 f I T- 1 J _ _i i' f 1 1 rr'S' •> i 1 1 * J J J » * J J J A J J ! ^ M m 1 1 tii. . - - - fl B fl • « a • • ^ • 1 «/* n * i FJi f^ «^* 5 5: M, ^ ^ •«» "1 ^^ — (S-T ft— a. — ^ — ^ ^ V . a I_f !» 1 1 1 1 — & ^^~ ^'(9- T J ■Bl-. TT*' C0ARU8. tf i=M=t±&=\ f * f \ -^-^---g -•-*• ■^-^ -0—0 — 0- --e=t- -^m n t -y— ? M— -^it-^ -) y V— !>^b^g^ U U U b^ I I: 0, the sing ■ In skewl's bu - ti-phool, O, the sing - In skewl's, bu • tl-phool, It I hed you tor my tecch-er, I sbood — N — N — S — N~N — ^- ^ iv— > N-t t=f^ :a=s: V^-# s- ■# — — 0- -0 — 0- 4 4 4 4-^-^-4 — 4'4 '• • • -#-T-#- I t g W- ■0 — — •- 5s #-#-# - 1!!:=!^ ~0-%- -^ -0 — 0- ■^ V u ^ ~ v '^ lit: -br--' O, the Bing-ln skewl's bu - tl • phool. O, the sing-in skewl's bu • tl - pliool. If I had you for my teeciier, I shood I* i f :pc=p: ^^S It-'nr. 52=;^: ^ V 4 4 4 - ^i -^*-# ^-t ^S^ h ^ .^_|-^<— V— glZj^ - i /^/ '^ / bn • tl-phool, ba - ti-phool. It you'll hcve me for your teecher, I shall 130 THE SINGIN SKEWL. Concluded. i^ 1 — h- V- l > W U l> ^ b '- ■• — • — • — o- be a bap-py cree-cber, For I dote up -on tbe sing- in elvuwl, Tbe sin; -iS*- bo a hap.py cree-cher, For I dote up - on the sing - in skewl, Tlie sing-ln, Ing - in, ing-in, Ing - in, sing -in, Ing - in, Ing-in, Ing-ln 9' :pzia=»: :I -• — # — • — • — m- _i I 1 I T— -• 9- ■i9- •HS»- be a n ^ 1/ • -^ — ^ — \jf — 6»'~y — ?- I' — **- — "^ — ^ — r — -j — ^ -1 — — bap-py rree-cber, For I dote up -on llie sing - in sliowl, The slug lu skewl. tbe itt: -jsi -(C- -&- :^ f m % I: , in sliewj. P -J \- ~i. sliewl, slcewl, skewl, skcwl, skew), skowl, skcwl, skewl,, skowl, skewl, skewl, skewi, skewl, skewl, skewl, skewl, skewl, skewl, swewl, skewl, skewl. t:P=f=f=: i?' u u^ i> ^-v- -^-^ 1^^^i-E5- — I— i— H — I \ ^ 1— ,■- -v-N-N-A-K-K-y-N slng-ln, ing-iu, Ing-in, Ing-ln, sing-In, ing-in, ing-in, ing-in, sing-in, ing-in, ing-in, ing-in, sing-in, In^-in, ing-in, ing-in, sing-in, Ing-in, Ing-In, Ing-ln, skewl. *- Blng ia KivUWl tbo :^ ■lOf iu 1 skewl, the 1 in skewl. ig-ln, ing-in SWEET AND LO^A^. m JOSEPH BARNBT. ALFRED TEKNTSOK. pp Larghttto, 1. Sweet and low, Sweet and low, Wind of the west -em sea,.. Low, low breathe and blow, Wind of the west - ern sea,.. O - ver the roll - ing ^^m m 2. Sleep and rest, Sleep and rest. Father will come to thee soon. Rest, rest on mother's hronst, Father will come to thee soon. Father will come to hia it atzt: _^ -N^-fv- -+ [- ■jrqcz. "T a>— r 7^=^ ^^=^; \ IV =^=?^ :^ ifcife ■i=±=±:± t T=^ ■ K m -#-T P=P=^ tp: i&iU (h'm. fP i=:t:^ ^^^^S^iis wa • ters go; Come from the dy -Ing moon and blow, Blow him a-galn to me. While my lit • tleone,\!/1illemy pret-ty one slcpps, >-l — ^^ + ^ ii :i^ -?-iv^~>-> ^♦*-*-^^- ^— ^ _^_j_ W SSSt zr3L m wa - tere pro Come. . . . come to his babe; SU • tWm the ver Balls babe Id the nest; SU • rer sails nil out of the west, Tn-dcrthe sU-ver moon: Sleep my lit - tie one, sleep my pretty one, sleep. ■^ a- ■-n r— i V 1 1— N 1 -U - I J. :. r-^ 1 : 1 H ^ !-,_ J i ^ ^--izcTrrrritt atat S 1-. — bH- gar^rrff^^^ 132 p Doke. SISTERS OF MERCY. Trio. raiuLKvoioEa. W ▼. WALLACE. ^ ■at—^ -ct: ^ffi 'je=^^ ^ i* ^ Wlien the sol - enin Convent bell Pealeth forth the\e8-per hoar; Then qait.... we our drea • ry cell P N « » S K ^ J^ J^ ^ eJ * - N » ^ W P- '^TTJ' U K ^^S When the koI - emn Convent bell Pealeth forth the Yes • per honr ; Then quit.... we onr drea-ry cell Heedless P l ;:Jr^^^V"^J^J^' Jh J'J^^J'U J /J l ^^^ J' J' I J: Jif tieedless of the wint - 'ry show'r I .^^ delicato^ s fc i ? i to pray, -g 1 ^^^ *^ sky, Strew -iiig Bow • era o'er the way, The storm - y way which leads on hi);h, The ^m * i fc Strew -iiig flow - ere o'er the wuy, .... The storm - y way which leads on high. The ^^^ ^i — J *t J . m — J J ' iJ < J* St- -ISC *■ ^ Strewing flow • era o'er the way, o'er the waj, the waj which leads on high, »>i.'>.a>t .^^>- 4.fes ^ p '^-' i; c CI SISTERS OF MERCY. Continued. P con divozibiui. 183 e: m ^^ storm • 7 ■ way which leads, which leads on high, Then praj aU. ^^ eres do. 13=23 mz. rJ ' ^ ^^ Then pray all, . pray all, . Let oor P With the Sis - ters of Mcr ^ '..J J J J ^U iiJ J. J I rf, r J / J J J l cy, With the Sis • tere of Mer - cy, Let our w ¥ ^ : ^\J' f fj J\J J ^j.j i yv :t iff' r m ^lifl \m ptif. ,|i:i: M: ^ Dolee. SISTERS OF MERCY. Continued. y. J-.J'J-J'p r i '^ fJi^' ^'c ^LJ r IF' epf i J.J'J ' ^ /» Near the bat - tie field we stand, Wheo the war • cries rend the air, With tear • fnl eye and geo • $le hand, J. jjj'..mij j..> i j jjj. nj-}j r ir-^J' J Jl;. , t , i ^ Near the bat - tie field we staud. When the war • cries rend the airi With tear • ful eye and gen • tie band, Aiding 1^ g g C'g ^m J" J m Aid -ing those who per • ish there ; Ours, m I to close the dy ^m w^ »=^ jU: those who per • ish there ; Ours, to close the dy • ing eyes, tjT^J J ^' J To watch from earth, the souls re ■ Aid -ing those who per* ish there; d^ieato. ^ i 8 J E Jlf r r ri ^^ zs;=:»z ing eyee, tre»tl And 'mid so - kmu tears and sighs, We waft it * to its Ma • ker's feet, We S. //] J^=:l J. / ,ri Jjg ^ m m And 'mid so - lemn tears P and sigBsTT. . . We waft it to its Ma - keHs feet, We J.jlj -i J.jlj i Jj'iJ. J J-J I iJ. J And 'mid so • lenth team and sighs Thus wa waft &c. »! .' JT .u.jw -m gimmj i i»i»im i .u.i!.u,.ii)i . uL:!»MH!iail^ , I. ^ —> — We We SISTERS OF MERCY. Concluded. waft, we ihkft it to its Mft - kei*! feet Then pnf all. ' ; I waft, we waft it Iter'a feet. P J^j l j ^ 1 ^ ^^ -p — n Witkthe Sifr -tera of liar- cy, ^^ * * fe er«» ^ * m 2Z (to. / Then praj all, . pray all, Let onr P ^^C-J^ J / J i zprzn^ .|J' J J' / J I W With t he Sis • ters of Mer • cy, m ^ m N N ^ With the Sis -ters of Mer • cy, Let our -' J J J i jij J ^- W Toi-ces swell to ves-per's call, Our toi • ces swell to ves - pot's dall. Pray all . Toi • ces swell to ves • pep's call, Our voi to res • per*! oall, Pray all . PPP ^ji iL i J'i "' ' i ^'j i j.ij.ij' ^ :^.:^ rnyail. i fl 186 YOUR FACE IS IN MY DREAMS. M 1«Mr OMj be Mmc by ladlM TBieM In Att«b In TDOB. fOB XAL1 TOIOXS. ITMdi aad Hute bj Mn. OLAaA B. Boon. m :?=s: ^ rfiT i : t ifend fi 1. Tonr foee Sdtxmob. in mjr dreams, dear, Tlmt face so sweet and tme It bears me back Uiro' mist • y years, Thro' ^^ at— fc ^^ -#-T- -4- h ■F— #^ ^t^=l=F Z. My heart was yonng and brave, dear, My hopes were all in thee Bat hear- en claimed my treasured one, With IST BAS8. ^^ .i- — t:=tE= :ti:?t S. But time la fly • Ing fttst, dear. My years «IU M.Mt Uo told, 2DBASB. ^^^ :i=p: And on Uiut fur • ofl' heavenly shore. We'll S m i =r -,,-_^-4— 4- -i-(9- ^^^^ ^^ azu fczipc -I- -V-+" ipii: i ^ ba - ried grieh, through hopes and fears, To dnyg when life was new, To days when lile was new. mzT. ^-^—^ ]\^ -*— r he; -H — L s aim • leu life Air I roam, This world has naught for me,. This world has naught for me. ^ iz=p: ^ -#-*—#- -«- ^ D meet a - gain. to part no more, Wilh - la the streets of gold, Wltli - in -N-T- atizzt E i^ * the streets of cold. -«7-'- 1 mpSSmmtm.'^m.-^': ^..v-vt.<^v-;»i:^yp-,- <■:,.: ., ..■.,.^,.-.:t ifczd ■With m W^INDSOR. C. M. M; 1. O God, our help In a - gea post. Oar hope for years to come, Oar ihel-ter from the storm-y biMt, And onr e - ter-nal home. pi -»• :4= 3t:i ir-« 'st- -+-i-. I I I i NJ ■#• .^ ♦ '^ ^ ' ^ V I 2. Be -Death the shadow of thy throne. Thy saints hare dwelt se-cura; Sat • fl-cioct is thine arm a-lone, And oar de-fenee is sare. ±=M: -0 — 0- ^ i; ■I©- ±=i: I ■s>- t=Jt » — •■ ^ -»=L1± ^ i 3. Be • fore the lillls in or • der stood. Or eartli re-ceived her frame. From ev - er - 1 tst-ing thou art God, To end-less years the sam«. * P9f^ ■9 — •- -»- W=W- :t=t -&- #=F ? 9- i ihnUy, BarrMX&y. INVOCATION. L. M. TBEODOBE E. PIBKIim. is^ s^^^-g-g* L Breathe, Ho-ly Spir - It, from a - bovei Un - til our hcartx with fer - Tor glow ; Ob, kiinlle there a Sariour*! love, True lympa - thy with hu • man woe* *Ffi S! lJZ_i_!l '•^♦^^ ±t ^^ 1 :^-^-*-*-^ ^h ^%^ ■s>-^ -»- t^i^ ^ai 1 BidMrcon-lict-ing pamioDs ceaK) And ter-ror lh)meseh cmcience, flee) Oli,ip«akto ev-wy be -8001 peace, Viknewnto all who know not Ihcc. ^^^^i^S^^gaa gSi I. Oinw to tattethy heaTcnly Joy. Our hopes to brightest Klo-ry raise, Onideus to blln with -out al- ley. ind tone our kcartt to end-loss pnlsoi 2^gpS ?2^ S fe Td-gsH^-g ^ ^^^^ ^ twff^ iff ^ Jnlltnltl :M=3tJi ^ GAILY OUR BOAT GLIDES O'ER THE SEA. •• — •- -t- j — # — •— -• — # — F-< Gfti • ly our boot glides o'er the ■«», And light the oar we ply, .... And light the oar we ply, .... Mer - ri - |y rlogs oar 5 td — ^ S d Olt oa tb« bil - low now we go, :ti:t^ ->- t*- 1 ^ ^ - # ■ :J5=J^ -^— * f A • way froin care and strife, . . . A -way (Tom oai« sim) Urifu,. PP Health is / Id store for :i=p: -?*— N— N- £ ^. Bend to the oar, nor fear the storm, A- way, a ■ way we glide, — A -way, a • way we glide, Her-rl • ly sing, iiur ^_N_K- ^ ^ H-- t «-T— #-T- m ^I -+- :f=t?P ^y so free, As sea - birds round us fly, . . . As sea - birds round us fly,. Gai - ly onr boat glides o'er the sea, And d — H :±:Mz > — d lSi=S H 1- :J-#-* i-«^a— fi- = we know, Oh, who wonld fly this life, Ob, who would .fly this life!. i ^ m s:^ Off on the bll-lowt bow we go^ A' t5= 3tJ:M: ■#— i- fetj ■it for-Iom, As glides the bomewud tide, As glides the homeward tide.. Bend to the oar, nor fear the storm, A ^ -^-#- ^1 ■r .V'^:?*J3S2asytS-£:iS!-'3 '~:iii*: GAILY OUR BOAT GLIDES O'ER THE SEA. Continued. t89 m p^=p ^E :^^ -W-t light th« oar we ply, And light the oar we ply. Her - ri - ly rings oar long w tree. As I ^^^^ ^^ zzizr. from cara way, a - way we glide, Mer-ri-ly sing, nor sit for -lorn, As 3!ifc fe^ -fV--^ £ way, a • way we glide. m pp ^^ tep ^ K^ i jr ^M ipzipz + # — ^ — *■ v>—^ sea - birds ronnd ns fly, As sea • birds roand ns fly.. La tra la la la la la tra la ia la la I I T=^ ^^5^ H — N-n t^ who would fly this life, Oh, who would fly thU lilST ^PP ^^ 3t=? rirr-i ^ t t 4 1 f I 1-Mh^^-^^fF - ^ 3 J-:3=d the homeward tide, As glides the homeward tide. La tra ht la la hi U tra la ia ht S P^ :*;:-#. ■T» ^^ si I II- '! 'iV ll'i * GAILY OUR BOAT GLIDES O'ER THE SEA. Concluded. Aftw the third tiama repeat the la la Chortu pp. inim \ hm%mu\^'m^'m MriKr'^ Utralatalatralala UtralaUlatnlaU UtralaUU la latralalala la latralalalatralala latralalalo. la tra la la la tro la la la tra la la la tra la la la tra la la la la la tra la )a la la la tra la la la tra la la la tra la la la. EAST BRIDGEPORT. 8s & 7s. JAKES M. NORTH. *a£ ^@ ti=*: < g # ^ :^ * r 1. Savloar.breathean eve^nlng blewlng, Ere re-poseonr gpir-its seal; Sin and want we come con-fess-ing; Thoa canst saTe.and tbou canst heal. I ^ l^Ijt §3^ i i -+- ^-^' # ^ ■ g ; J r'-gH^ ' g ^-' < g* ■ a ^ • 3^g^iy:*=^ :i e ±1^1 g • -+-1-H— + ■^:^-^ §1 2. Tbo'du-structlon walk a-roundiu, TUo' the or-rows past us fly, An-gel guards froBitbee surronndos; We are safe, if tbou art nlgb. J ^ : \ Lj ■ L ^i^S^^^^W^^^^Si^pi 3. Tbo' the night be dark and dreor>-, Darkness can-not bide from thee; Thou art Hewho, nev- er wea-ry, Watchest where thy peo-ple be. a=T- ■<&—0- ^m ^m 3=p: i9- -6^ ^ ^ mF m'.-^Jll1^limmi<'i^--i'M!mm^!>^:.--^ .;.^^.,,.!;.tow..;..- .... :.■^.,^,.. iimn DEAR COMRADE SOLDIERS. 141 TBBODORE K. PKBKIMS. ^^^^^.^^^-^^^E^^ -0-^ i «(- -«t'- P 1. Dear comrade sol • dien of thecrou, Altliongh the way be drea - ry, Yet fulntnot, (all not, onward preu, Tbo' wounded, worn and wea . ry. 9. Tbo' Bore be-set, not o - rer-come, Cast down,bat not despair - ing, We're traveliDg toward a heavenly home, Our mas-ter's standard bear-ing. m ■zi- ■#— # gg J ■#-- # g =J i > 4 - ^ • * g g !- s -# # l g •s*-'-*-*- g^-^ d^ -25-. - - T»- S. We'll one an oth - er's burdens bear. The toil-some Journey clieerlng; Our Joys and all our sorrows share, Each day our home we're neariog. ^ ■ # F | g :t3t T=V^-1 -*—^- g "-g) (S^ ^ ■m—P—(5>- d^: -s>—z^ ■0—0- -&- 4. Oar Lord Is God; hla promise sure, His help shall fall us nev- er; As they who to the end en-dnre Shall reign with him for - ev - eri m w~\^ ^ f ^ ?=p i -fi»-i.#- zii^izrpzpz^ P f :P=P= 2fcl2t ■^-g-g. g- I «!>: II BEFSAm. i=s •^ ? ■«s>- » g =R ♦— •-!-«' — «> =1^F= -«^ •#— •- -g- ^^r^^A ■i r Toll onward still, Tliro' eve-ry ill. Con -fid- Ing In the Sav-lonr; Tlie Journey done, And glo-ry won. We'll sing his praise for • ev • cri m a > & \ a i & \ g-T ^ 0- \a > gj I a > -t-# # g ^ -I \ ^ a > TSr^-0-^ 0--iri — g I :! -0 O ^t. ^ | g -a>- IgSTIi. H«=^ ^ 3!: g-'-Sir- Toll onward still, Thro' eve-ry ill, Con - fid - ing in the Sav-iour; The journey done. And glo - ry won, We'll sing his praise for -cv - er! I 5=F=g -f-# ^^ # •■ i ^ I IS Rt--# fg r g =:| F # r g fg # # P ^ zzzzDEipz:^ Jznt: ^ ^tqi 3t3^ tSt-*^ ^ i Copyriglit, lisa, bj Corr, Olabk * Co. Toronto, t'.t. ^ I 1 ittlif If, . 1 DAUGHTER OF ERROR. Mr REVBT B. BISHOP. mm'wsrr DAUGHTER OF ERROR. Continued. :tr=t= ^; i»- t: Solo. — Soprano. . $s~2 Hour of death. F^^ :ftq: *:^ir and hour. of ter-ror, Firm thy com Ulg •1 rr :ff:i2*>*^ -». I --S:=$^ ^ ■t^S: ^ It 3=$: 0*_ :^r5*5( i :^=^ — .^— !- 3!^f!^f!S!^ a -wait, Fir m thy oom-ing I a -wait.... Firm, firm thyoom^mg, I a-waity ^lllfi ■nu I'ti m 'M 144 DAUGHTER OF ERROR. Continued. tetm. Mm, ;=e- Firm — t^ — t^ — r — t — thy com-ing I a •wait, -I 1 ^^35 ■ ^ " y ' gl g i Firm. thy oom ing I i »-» — ^F^^= FJ ! I' ^ :=t rS=:z3; =»=si -W"^ ■w=^=9. =p=p^ ^^n a - wait I ;ii S ^— P :±^ ^»t_g Z :^=a: 3=b: @^ iS=«= I t* J ^ — a I a ■^ , ».,. ^. » » »■ ?a- :*c=te And see, a Gher-ab Safi.-.:;. seems to smile, 4ifL^ r-J i- And hark! his heav'nly note I hear I ->N f« — S K- As if it ^m — f — -'-T — r- We oall thee, y i-T m - t==r- ■^ ^_^ — J ^f --f- hsp - less Child of er ror I trmt:— :^^ U ^ ^ -tr-Tg : -^ — 1<- ttzrtirzc AUtgr* mtdtrkt*. —r-* -+-4-I— I — I f — ♦■ II li V ~^<«ii A ■ a Oherub seems to smile. 4nd &tel IS ^ ±: 1- Think how near cer-tain fate, how near thy oer - tain ^^M ppi call thee, +.' • KM. Jk. I I hark I hisheaVnlynotel heart as if it said. "Yet a - while -#M-M-J-j i ~y^ - J=t: ^^m=sr- hap - lessOhild ^ K *=P= fr=&t irg-i 4i vi-jL ^^-^ of er-rorl Think how 1 r J r low near thi endure the storm 'twill quickly J 1 i Think Low near thy ^ « oer t tain ^ oer - tain btet how near ttiy t«^ „! i P^l i DAUGHTER OF ERROR. Continued. iiW.ilT'';il'"r'-'llMiflil>'a7n-|| I ly-ir " ' f , aiaaaBMMBiaMBWfci^Mpp- thy m DAUGHTER OF ERROR. Concluded P a- wait thyoomiiig. l^n Jt! IJ'*''rs~ f<»ih--|->i^ x=^=r^ -Jw-i Think how near thy fate, thy m nf nWSi' ^fi^m .M =g •^ 5- oer • tain I J ^1 1* ~i^i< . — i bte. fhy eer • tain §^>=i^ J(_P H- 3:e^: I EE^ S^^*==Fi'--^ •• * * 5- * y ^ y rp: :|f :g: .-g: j: F^ #,_jg: g S3^^ ::^_^_>i 22; ■d -Jht-:!-!!! — f-rrd^J — ir -3— T J ?^i3?^ .: r-i z:5 g-- J HT ^^^ -tr x-^:^-^.^ ' ^- ♦ III* Ki I I WW . 148 fettl rANNT t. OROBBT. DRAWING NEARER MY HOME. W. aOOANL l illfa:^-[J-J-Ji:^ J' ;t* r T -#-*"» ^m * » -0- 1. Draw • iiij; near ■ er my home, draw • lag near • er to - day, SUU my barque 2. Draw - iug near • er my home, draw • log near - er the ihore, Where tlie wiles 4h ^ liur - ries on to its bar • bor » ol the tempt • er wiU Tex me no ■K^.„-^^.-^r^F-i^mfi!StK',.-::~fr -f-rt',,, i.iinm i KATIE STRANG. W. T. WALLAOI. 149 i ite'i j.j|j»-j^'=jfj r .' ir H M II r 1 1 J. JJ-j i J J a 1. Oh, bon • nie Ka - tie Straog, Coold I turn my heart to words, I would war • ble thee a sang Mair 2. Where the boa -nie bos • ky bara. Doth wim - pie wild, I'll woo, And wi' lad - der leares o' fern, I would ^ {ij' l j j': / J^^^ l J^ J J' Jlp E ^ I J: J; J^^ 3. Then wilt thoathith-er gang To the wood • y, flower'd glenf Oh, bon- oie Ka - tie Strung, Pre a n te^=l* braw thao o - ny birds ; For (hy daiQ • ty, dea • rie face Id • to pleasure tarns my paia. For 'tis ii'esh and full of crown thee, las-sie true. With the flow-ers of the shaw Aad the par -pie hea- ther bells, Aui ev' • ry bios • som A. n *. > . ^. ^ i^'i: JJi i j g'g i EJg g i F M 16-B-^^^L^^^'^j:^^ ^ tale to tell to them ; When the Sam- mer stars shall gleam. And the ma - Til cease his sang. Wilt tboa meet me by the J f r i fg r ^^^-^' ^It-M?' g'^ ^ '"'^' J- ' J''^ grao* As a gow - an af • ter rain. For 'tis trmh and foil of grace As a gow -an af • ter rain, braw, That be - decks the darksome dells, And ev' • ry bios • som braw. That be • decks the darksome dells. t-^HM-J'JJ Jlj ^•i \ in.-J\i j^l,--JH^ strean, Dain-ty dar* ling, Ka- tie Strang? Wilt thoa meet me by the stream, Dain-ty dar-ling, Ka - tie Strang? J F r i r ? r- r'^ ^' ^u-p - r' i^^-^ ji? r' ^H^^ i iti 160 rANNT J. OBOSBT. 'TIS THE BLESSED HOUR OF PRAYER W. H. 'Tis the blesa - eU hour of prny'r, when our liMrts low - ly bend, And we gnth - er to Jo • bus, ntir S:iv ■ lour nnd 'Tis the bleu - eU hour of pray'r, when the Suy - iuur dniwa iieur, Wilh ii teu - der com • pag - sluii Uig chil . dreu to "fig the bless - ed F# * ^ i Friend ; hear: M: g g T r r T-^ T 'r f r r r r^i=r? S. 'Tig tlfe bfesa • eQ hour of pray'r, when the tempt • ed and tried To the 8av - lour who loves tbem their sor • row con 4. At the bless - ed hour of |)ruy'r. If we tlrni • ly be - lleve That the bless - ing we ask for we'll sore - ly re flde; ceive, ^^ 3-=p: 15^=1?: :a: :ii— >- ■s>- 1 »=^ ttei Si-*- i N-N £^S ■a^ If we come to Ilim in faith, When He tellg us we may cast ^ His pro • tec - lion to share. What a balm at His feet ev - ery care, What ii balih ^ -/T\- ¥^-M- 'Tr rf ^ tor the V 1^ b ^ with a gym- pa-thiz-ing heart In the full - ness of de - liuht ? r r r : : rr'-rrf- 1 r p ~-^^^^"^ the wea • ry I U bow sweet the wea - ry I O bow sweet 1/ ^ I I I I ^ I*' I I He re -moves er - ery care, What a balm for we shall lose er - ery care, What a balm for m^ _#_!-•: -#_A. 7S^ * * V— ^ ^c=p: -V — ^ the wea - ry 1 O how sweet the wea • ry I how sweet fn '^ — m — 0- to be to be there I there I JtZlt ?i=P= :?=fe!: ^ m Chorus. ±±^± ^ /7\ ^1^=0^ * ^^#^ I I s fe Bless -ed hour of pray'r, Bless -ed bour of pray'r; What a balm for the wea- nrt O how sweet to be there! - K-f \ \ ! I I ^ ii 'l^i -j-T ' j^ j^ J ^ ' J i ' ' . Ki ri ' TT— n fTr^^-r^-rr—r-r t g r r " p r R tr r rp 3ess-ed hour of pray'r, Bless - ed hour of pray'r; What a balm for the wea- nr| O how sweet to be there I I 1 1 I I , 1 ^ 1 I , , ^ ^ '*' m i r i i i ■ ■ j->- -b *3- ^ g »f*«^»r-\'-5S?3rf4'ft£'sa«K-i.tu-:si.:';:ai«^ BARBER. L. M. JOBR MeOLlSBAjr. 161 ^1 1. Awake, our Boulg I a - woy, our leurs! Let every treinbllii;; tliu'l be goue; Awukc,uud run lliu beuveuly rucc. Audputa clie«r-ful C()ur-«j;u oul j5±giTrtg=t» iSigfr^ii^s^ig^p t. True, 'Us a strait and tlior-ny road, And mortal splr-ita tire and fnint. But they for-get tlie mi^h-ty God, Whoferditliectrrn^lior ev ■ ery saint ■ ! ■■■ - ■■■ . — I — n — ! !-r ■■ ■ — h-t— i-r — ' — l-, — 1 ■ — i-T— i-T-^= — r— i — \ h (g » #' ■(g*-#- ZtZ^ ■&- ■f9-p-0- ■^-fi»- gl-g^- 3ttit ■StJSl •«>- isS; I :ii -«'--■-«»-•- -iS>- i^ £ht->- £^Tg ¥-^- f f f f ix ;^ y I/- H i ill ;iii n I' 152 •' The BBgUah rnrion \it SABILLA IfOTSIiLO. / AUegro. THE CARNOVALE. (UHORUS FOR FOUR VOICES.) OMap«ne your pun - es, lie #. p y^i "- ^ i poor, oh I please to give, _a tempo. :*__#_ t-^- =P=F i pleaM to give. Fnt • ty maid • ens, wives, and ma-trons, 0|)e your purs- es, be oar r 0. Roesisi. Ing, To Uie :s: ing, To the ing, To tbe •I — (- .68, be our es, iM our C8, b« oar THE CARNOVALE. Continued. 1(S« t5_^~S ^^*e p*-trou;Ai we blind can't Me yoar beaaty, Let ni know your heuria an Uud. PleoMto ^^^^^^ :^_,*H-^U4 •^a *H apMwrf, -^1 3E«. jrtve. ^^ pa-trana;4a we blind can't see your beuutr. Let lu linow your liuuria are liinil. Please to give, pleaieto =>-=>- a piattrt. P^i:^c ^ :^ tzzfc H-^ ^f~> Rg^-'^p ia # ■# ^n^ give. m >r-^- F* ^ §± pu-trons;At we blind can't lee your beauty. Let 08 know your hearu are kind. Please to give, please to •*> -^ — 'S^'^ ^ m^Ot^ ^^ >^ „ aptnem. give. We are mer ■ ry beg-gara. 3t:f= ^^^^g=,4=y,[j_,^,.- ^j| j^P pa • trons; Aa we blind cau't see your beauty, Let ns know your liearts are kind. Please to give. 1 I: M M jtMl ■V-V-V- ■M -* ..•- y— V— y- ^ JEZE 4£=tc I -3t Gai ly ^^*: ''-^-^ ^zizi a± ^-CTM.. ^. ^^F^ mon-ey - box - es ringing; Lis -ten to our pleasant dit-ty, :s=s: -0 — #- ^ >— N— >-- ^- H + •• ^ »- :S^:is: U SSiE We are mer • ry beggars, singing, Gai - ly -** E N-r— N N mon-ey-box-et ringing; Lis -ten to onr pleasant dit ^ cm. -u — S — I — -ty. With do, m m r53 :i=* sing-ing, Oal • ly mon - ey - box - es "m w ringing, Gai - ly Pi :^ S^l mon-ey-box-M rins^ing; Lis - ten to onr pleasant dlt - ty, With do, # -0 — erei.fL. U # ^ # I Wear* iner>ry beggan ringing; Lis -ten to onr pleasant dit-ty, I iiS; THE CARNOVALE. Continued. We thank you THE CARNOVALE. Continued. ^^ 166 N N N ^ iU^jL Uii tf:^ P=^=^=^=^^ = ^ ^^. W 1^ heart - i - ly for gtris how . ev - er small Come, show your cha • ri - ty, kind lada and W =^=^ -^-^- --^ ^^ :fe^ i^ztzt i it *We thank you heart - i • ly for gifts how - er • er small. -\-r-^— N— ^-: r-> — k — ^- S ■Pt lt=f^ 1^=^ ^t^ We thank you heart - i - ly for gifts how - «t - er small ^m^ s v=:p fc=i^* 4i=fc ^^=^=4 X ziz -^f0- beut • 1 • ly for gltta how - er - er small Come, show your cha • ri • ty, kind lada and fi ^e thank yon ■H-rt— 2 — IPT ^¥=t i=^- ^=± ±=t ±=i: tr^ ^2 M loss-es. Let each be - stow n tri - fie u he pass • es. ^ ^ -Vhv :^r-K- :A-v- ISt ttii & -i— «hF -fS — Sr^^- ±=jt -N-*»- la: ^^^-. Come, show yonrcha- ri - ty, kind lads and loss • es. Let each be-stow a tri- fle as he :{!:=:« JBKZ ^^=^- ^S -*-# 1^ ^-^r-«'.?■ :^-53: -N-^- ±aat ^ Come, show your cha- ri • ty, kind lads and lass • es. Let each be-stow a tri-fle as b« ^##g^ ? ^u.. -KB- fetztc =?-#■ Let each be • stow a trl - He ai b« paa • ea. fWi ' , ' 'l!| „ il ' I 1 11 m «156 i *fci: =^^ it=t THE CARNOVALE. Continued. -\-N- ■m g -r *:«=?: A=^ -g—»- ZjPZMZ ^ P » T- fclt -f-f-g-l^ t^^ ^ t^ tf Come, show your ch» - ri • ty, come, ibow your cha- ri - ty, come, show your cba- rl - ty un • to the blind. Cur • ni - Tali puss • lug. Car - nl - val'i .^0 — ^ *' ^ ^^^ -^-^-^ • * j_i - ife i» « f p i u paas-es. Come, show yourcba- ri - ty, come, fhow yourcho- rl • ty un • to Uie bllnil. ^^ ^^ ^^ =it= ^3 W^^^^ pau-es. ^te :3f=P: ^^ g Come, show yoar cha- ri • ty nn • to the blind. Car • nl - val'B pass - lug. Car • ni • val'i m f -t ^ ztcfc >- N^^ 1»i«l Come, ahow your cha • ri • ty, come, ihow your cha- ri - ty, come, show your cha> ri • ty ud - to the bliad. M ^^ :p=ac ±=^4^=5: 5 H-M #.;•■,*,* ^i^^ii: :tc=5L=?Lzi^ #_ j ?^ 1/ 1^ i li pan • ing. Car - ni - val'a pass - ing, paas-Ing a - way, Car - ni • vol's pass • ing. Car - ni • val's pass - log, Car - ni - vol's pass • log, pass-lng a iZ3t ^ -|v-|v-K ■0 S *=tt itzff: -V—bp^ ^ ■JML-N- §9 9^ ^^ ■0—0 — i «* ¥ 5 ?cip: w ;> ^ > ^ V - » # u 1/ t* * 5 7.^* *■ :5=52=;z: g^ ir r rr ^ 4^ — ' u — y — ii — w- t^-v- F • P tr-tr- t r- ! rtt ? -•— #- v-t^ ^ pass • ing. Car - ni - vol's pass - ing, pass-lng a • way. Car • ni - vol's pass • ing. Car - ni • val's pass - ing. Cor - ni - vol's pass • in^, poss-ing a • tu TT CPCC-l^^fgTi^-^^^fr^^ ^ .M M vvvv f un MiSili :$=P Car ■ nl ■ val't .Car-Di-Tftl'i woy, ^ THE CARNOVALE. Continued. 'i W ^m We know good munncra, tbo' we be blind beg • j;ar« all. We thank jroi) --i -N— ^- Z^fZMl m =P^^ 4S— K-^ ■#-4ti ^Et 1=^ We know good mannen, tbo' w« be blind beg-gui alL A-HV—N- =N=F =P=?= -N-fr- M=±: ^i: We know good manners, tbo' we be blind beg-gan all. :U=e:i ^t 1. 1 I ± :t S^ :c=fc: We know goo4. moouers, tbo' we be blind beg - gan alL We tbank yon J • f - , pan-tog • If d-\ ^ ^, poM-ing a i 3E *i -N N N ^gj^-,^ w _K ;. ^ ^j^,^^.- ^ N N \ -^— N- J'^V 3aL heart - i - ly for glfu how • ev - er amalL Come, show your cba • rl - ty, kind lads and t -fr-N-^- ■•-ti ■y-^ m 3- if We tbank yoa heart - i • ly for gifts how • eT • er small -N N N ?^S5 jzziy: .i-i ^ ^^-^-^^!-^ fel We thank you heart - i • ly for gifts bow - ev - er small -^ -J**- E^ ^ 14 heut- 1 • ly far gifts how • er - er small Com^ show your eha • il • tf, kind iadt and Ui6 ^^^s THE GARNOVALE. Continued. t—^-f-^ ^-^ fT4», ^^ ±-i^ ISC 3t=g: :PT :ti ;_* i Let each be-Btow a tri-fle u be pau*ei. -N — r^ :*-Mi r M n i ;^* # i^'h ^=^ -*-r xres.- 3at ■f-fr ^ Oome, show yoor cba- ri - ty, kind lada and lota • es, :tJ=:s :*=i: :±3t ?*?- Let each be -stow a tri-fle aa he F^rS^ffJTS^ Oomu, ahow yoor cha- ri - ty, kind lada and loaa - ee, Let each be -Blow a tri>fle aa he t=^^ -<■-# "Ml - ■ « ■ # - Lel each be - stow a tri-fle aa be paaa - ea. ^ #W-H-fe^ =i=«: :s=15: T~r"» $^ ->-A- ;S=« ^?=*=« k=ic Oome, ahow your cha • ri - ty, come, show your cha- ri - ty, come, show yonr cha- ri • ty on - to the blind. Car • ni - rsrs pan - ing. Car • ni - val'a fi^l — -I *r--^-^ -N— ^ 3C=^ ~d 4 f f PuA # JIZM t=* ^? Come,Bhowyo«rcha-ri-ty, come, ahow your cha- ri- ty nn>to the blind. Car- nl -ral's paaa -Ing, Car -01 • val'a N^^IM^ zgzjt itz^^n^ i^pqE iqqc5=»=?c=pq:(i=-i^ u- I 1^ U i/. kzjsi ^ Cone^ abow yonr char ri • ty nn-to the blind. *=P=t ifcif: ConC) ahow yonr clia - ri - ty, ooinp, show your cha- ri - ty, come, ahow yonr cha ' ri - ty un • to the blind. v-t^ mmmimi uiummmauttmhti^m ■"^ir. ffli A £ M tf-|-^ _#' ft-..* gqpp: 5=12= THE CARNOVALE. Concluded. U U u-b" ii'^-tr ^ lie V ' ^ V •'t t \i u ^ r - i i pan • ing, Car - nl -val's poM • tog, poiB-iDg a • way, Car • ni - val'a paaa • Ing, Car • ni • val'i paw - ing, Car • nl - Tol'a paaa - log, pawning a - J T N N h ^ l '^ K— K— K— K-r^^^-^ ^ i^t ft-h— N- f^ 4 4 4 ^ K-V-K 4 P p 4 P' 9~V f^^ U i / \^ 5 ijsiiitn:!!:: m m ~r ^ i Ife I # * • s V > y > ^ U > U 1/ ? .^* * ^— *£- ■• — •— • — •— -* 1 > ^ > L^ ^ H -t:; — I- ¥ ¥ -i 1 1 1- - i> > y !/• u - pa8i - Ing, Car - nl - vol's pais - iiit;, pass-lng a - way, Car -Dl - val's pass - ing. Car - nl - val's pau • Ing, Car • U - vol's paM - iug, pais-ing a - s fe :p=p: ^ u U >-i| — M^-;^ f 0' tu- ^ -# ±=^1 -0—0 — 0- -y— t / ]^ ] ^ #.■_•■■■„'• g -l^ > I; Ml qczuzunr -V— V— i^— —•- i n *=f « -0 — 0- PE • — 0- W«J\ .# I I poH - ing a • way, 4 F=i=i= -«>-*- -«»—•- -«»-• — poM - Ing a • way. S^^^^^^ J f : :£El=t pau Ing way. i^fus: - «*- ^ ^ ^ ^ Ip rTi! REST. C. M. Double. JOHN McOLASHAH. \ J- * i' J_J ^ 3215 I i I 1, Sweet land of rest! fur thee I tigb, When will the moment come. When I Bball lay my ar - mor by, AuU dwuU w.tli ClirUt at hornet ifeSi -f- t— t -• — ■ — # ^T-^ ^m&^: ^ r :3=it • S . , r-^ N— 4 — t-r-i c r ^ 2. To Je - BUS Clirist I songlit for rest, lie bade me cense to roam, And fly for snc-cor to his breast, And be'dcon-dact me home. f- :«: ^-1- ^'-*-^ :#-#- + *-^ ^ 4^ 4 4 m -^—» — P- ^— #~y m M i@ It*: 5C=p: :*-#-#- 1^^ iiZDt r' # # ^ ^^^ S On earth no tmn-qtiil jovs I know, \o peaceful shelterin;; dome; ^Mi. Tills world's a wll-der-ness of woe. This world to not my home. 3*=^: #— ^-#- 4 # # •- :;=il= -# — •- iEtEtEjEi^:^ ^ i^^ai^ ^ H Wea-ry of wandering roand and roanndTliis vale of sin ond gloom. r" *=*: I I long to quit th'nnhallowed gmand.And dwell with Christ ot home. -• — •- •r - ^ ^r d d ^ '-wiir- -^- ^•-4-4 z F=^ -• — •- ^ 4 ^ r ^ THE LORD'S PRAYER. Chant. "aKBoriin," An. b7 Dr. lSwELI. HASOX. ^ a -«- - ^ f ^ 9 )fi > '^ '^ ^ '¥ ^ ^ ¥ Props 80 brigbt>l7 flash • isg, Pleoa-ant is tlte sound from mom till night of dick, clack. 'f^- f=^ i^^^S -m'-^ dick, elaoh^ P=g— g=3=c?^g — 5-j^^^-- J -U -=:Srr|: ^ ran. S^2^ii?=2~ g= £ ^ i^-- JE^;^^sj^ jriMrJ-JV- - 3a i dick, daok, bear the mer-r;f mill-wheel, click, daok, Thro' the Tale rewnnnding. From tho hills ro-bonnd-ing, dick, daok, the mer-ry song goes. .^— = =t ^^=:i- ^~^ i'T'iTir^'t'Vi'i'tr J ' 5~?"=?-|"=fr 1^ r dick, daok, hear the mer-ry mill>^ ^1, dick, olaok,Thro' the vale re'«oimding, From the hills re-bonnd-ing, Click, olaok, the mer-ry song goes. Wi P3-3'^^^^^^P=ife fefeii^^ ^=~g~1^^^^l^^^ I I I ?: !■! I ty"fi«iu*p.i"mi ■ n 1^ " 16B AndMtt I umfH Itgrnh. THE MERRY MILL-WHi&feL. Continued. Smoolhly ntow the m -ten flowing, SmootUjttbw tb« %a«tenfl(nr-ing, Mnmnireofl Mid low their aong, yes, Uur-anreoft and Smooth • I^ the m • ten ue er '• ^ er flow • • ing, Mar • mnriug sweet - ly their beui • ti - fnl Smoothly now thd wA'-ters flow - ing, Smoothly now the wft • ten flow < Ing, Mnnnnr aoft end low their eong, yea, Hiir^ I .■■ p fU I Ifcn: :J?=ff:=:ff«»i=ffi t i fe—ti^ g i - »— 1- fc — tg-W"^ low their song ; LQ-iea fair, with sweet breath grow-ing, Lil>iea fair, with sweet breath growingiWhere the mill, the miO ia aiag-ing, song ; Lil • ies so fiiir, with their swoet breath are grow ^ ing, Where the old mill sings its ng, Lil - ies ft low their song ; Lil -ies fair, with sweet breath groir-ing, Lil -ies fair, w?th sweet breath growing, Where the mill, the mill is sing -ing. -^=e. =F=^-=tf^g i?— *zr»= -t^— r ti^fct: :»r=:jBz I Thit (tM may t< mrn'Mnf. Brightly its hap • py song, bright 1>*P-P7 song. 1 1 Whers the old mill sings its bright, hM>-P7 aong* Gllofc, olaok, hearths mer-ry Brightly its hap - py song. rhere the oU old mill sings its blight, hsp-pj song, diek, olaok, hMrths msr-^ ,1'iL iMi I iiiirr I m W THE MERRY MILL-WHEEL. Concluded. 163 u — " — w—^ click, ekok, 3'*: oliok, clack, click, clack. a^^^^ES dick, clackiHarkl 'tis the mill, 'tia the milL Biillpwheel,c Uek, elack| :,Gliok,claek, near the merry mill-'wheel,eIick,oLiok,click,Ciack J^rd^-*>-^ i,i, ^ > ^ ^ ^ 3 iIick,olaok,click,Ciack,click,clack,olick,oIaok,c]ick,olaok,Harkl 'tia the mill, 'tia the mill m ■V— V ^i^=:»- ^^^^^^^ AndoHt*. s ^ :*=S: WH^ WAILETH THE M^IND ? T. F. 8. FINB. :^=»= ZK=S: 3z*:zfr ii 1. THiy wail - eth the wind thro' the tree - tope ao aad • ly, Why sigh • eth the zeph • 2. 'Why lin - ger the clouda in the aun's piurt • ing glo • rj, 'Why nun - gle their ahude g^ 8. ^Hiy mil - eth th« wind thro' the tree - tops ao P 3 T- :SCM. 2^; jT 80 monm - fnl - ly now ? with the bright -neaa be - low ? ^€^ r r r T^ > aad • ly, Why sigh • eth the zeph "C"r ^ij=^ ^- r :x=: I yr oo mourn -ful - ly now ? ^ :*^ ;S:=S: :ff= r -a. J J rS=S^ m ::^ p.c* ^^ :&iSt: Dast ^ Their ma • Thia light, do, tbo' aweet na the whia-per tho' aa aoft aa the amik of ft -J-.-^ Their mo ? ais, the' aweet aa tbe whia-per of an - gela, It telle me the tale loved one. Yet apeaka to my heart of a griei long a • go. of a grief long a • go. f ~f " T~T~ T mix: i r*=S-j ■t- ^5-f- &=^ r =ijt =r: an • gela. It telle me the tale of a grief long a - T— ga B^^ :j= i ^^^ - ~>r-rin i I ±- i: 1 It -^=i ^^ S=:=i^H^S^ * Ad incrMMd c&c( vUl b* iItib by liaciBC th* Da C*po u • ImawiBg chom^ «idi (hi moulh doH^ §^ i^PSi t 1 '!1 ■gWR-S^E:fay\:'tttaW.jmfW^ !MI«^,gt>.H,l^^^^^ 164 MRS. F. VAN ALSTTNE. MY FATHER LIES DRUNK. THEODORE E. PERKINS. ^1 h liid* K-- 1. CulU, culd l8 tue liiglit, and the siiow-fluked are full - ing, The iionh wind is With EipretHoti, 2. Uuw Imp • py wo were in the lit - tie brown cot - tlige, Tliat Blood by tlie 3. Dear molli • cr, lier grave ia Just there in liio \ul - ley— I wieli I were ^ i ^rr^Tivr^ ^i^ ^mm ■0 — •- m i ■Sr ^^ 7Z1 3S: i ■:ir-^ w 5ES^ Llow-ini; so bit - ter ond wild. It piere liill - Bide, I mind It so well I Till fa sleep - in.;;, so culm - ly as she I Her spir :^=t ^^^:=r^^^^ - es uiy beurt thro' these worn, tat- ter'd gar-inents. Will no • bod - y • tlier be - gan to be lute at his com - Ing, And then what we - it, I know, Is at borne with the an -gels, Out what do I -i 1 3: W~f rrr? ^hi^=2^ i f-«5^ I^ i -<5t- :J^ ■«■ ••• sz: i t2= # — # help me, a |)oor, frieudlesa chtld? I suf - for'd I nev - or can tell. We hear? She is call-in;; for me I "Yes, :fi: — i-n- P=?E sz --^^ -m*—^ Iv: ■i^—wt—^ look at tri(Ml all moth - er. £S the li;r|ilB tii they stream thro' the wln-dow, How wurni nnd how chevr-ful tiio we could from Ills faults to ro - claim him. He some-times would weep when we I'm com - in;;!" thii sirug-gie is o - ver; The soul of that lone one from gS T— - lin; : . N- pS ■=^^- MY FATHER i-lES DRUNK. Concmded. agitato. tlotnr. 160 lug - tr« tliey sliwi, While liere eurn - est - ly plHuU, But e - sor • row liu« Ued; With ou ' S^ t- 3tr.tf ■I&- =S=h5' I man »un-, and path a • cross the deep, aud I gaze a - cross the sea, its tas - sels on tlie lea, the wall o* sla - ve - rie, But I cab • na pet a Nor hear tlie lin • tie's But the sun o' free - dom truck a - cross the sea. But the wea - ry ne'er re - turn blink o" my nln conn - trie. stin^t o' my aln conn - trie. shJies In my nln conn - trie. to their aln coim - trie. I 1 I, I It; m\ I: i. I'M '. 166 Alttgra Modrrato. THE FOREST SONG AWAKE ^ mf -Jl-fs- :*rz«lz 1=;3- ^1^ J. M. PELTON. A-wakel A-wakel A • waket A-wake> A-'wakel A - wakel 1. The for -est eong a- mke, And aonnd the oheer-fol horn, Oome P^^ -hv-l- /^ "V i: I T 1 r V I '=r -U- W 1^ 1^ ^ A-wake I A-wake I A • wake I A-v«kel A-wa'cel A - wakel 2. A mer-ry band are we, Thro' wood and glode ' ^:=-. apaed; We m-i-m- ip^rpz ;» — g— jg - £ =ff=ff:: ^c=t: g— ta:=g= g — g~ & : from the bush and brake, And hail the blushing mom. The fox we hare traoed, The stag we have chased, And mer-ri - ly fro- lis win m cm. 1 1—^ 1^1^^.. "• "■"• :Si=S= chase the game with glee, the glad morn, witl - > ft ft r* ^ h On foot and ea - ger steed. Then hail the glad morn, with chanson and horn. And cheer -i - Ij greet the fair THE FOREST SONG AWAKE. Concluded. M7 T"r-ff fif^ ^ c And the eoh>oai that sleep ia the Talleya shall mke, To the ioaad of oat shrill ba-gle bnah snd the brake, And gam - bol o'er the lawn ; And the eoh • oes that Amp in the valleys shall viike, To the sound of onr shrill bn • gle ff t| ai: ^31 ir^^*: :5^=" E^ acTS: 3==r^p^ — i^— r— y^ E^^^^^^l :tr=lfc: 3 — 1» — ^- :t=f: ■* — »^ =3=* %>i\i\. horn. And the eoh -oes that sleep in the val-leysshall wake, To the sonndof our shrill bn • gle horn I Hark I fol<- I NORTH PELHAM. C. M. /«N JOHN UeOLASHAH. ^srqsT 3: I m :i=i: :!=t :p=«: »=p: i PEzp: it: -i-««*- fi22: 1. Je - bo-vuhGodl thy gracious i>ower On evo-ry bund we see; Oli, may the bless-lng of each boar Lend till ourthoughisto thee. 2. Thy power is in the o-cean deeps And reaches to the skies; Tlilneeyes of mer^cy nev- er sleeps. Thy goodness nev'- er dies. m :jr^- -^ ti' r t=:t :f=t ^ ^ * ^- ■^-^ P \t/ --M— y- H * * •^ni^ eOLASHAX. BURNHAM. L. M. a. A. BAROROn. 1. Up to tb* Belda wben aa • gelt lie, And living wn • ten gen>tly roll, Fain woald my tlio't'a u - ccnd oo bij^ Butilnbangabeuv-y on my MoL 0, might I once monnt np and see, The glorief of =iq :?=p: world would be I How empty t.. Ilect-Ing Jojil izzzzpi ;S ■J^^ZJt M COME TO ME. Chant. in(.B.BBAI>BVBr. i s :g: :g: -TT ^ -g g- m ::gg — a: E^ "Tgy s -:g.- I ■«^ -^ e us: i With trnrfnl even I look nroiind. Life tttim* n ilnrk noil | ntomiT I sen ; iMelU me«r li plnra iif mt — It trIU ma u-liera my I noiil iiiny | flee; Wlien imtiire ulinililera, l"«h to imrt Kmm nil I W(»e. en. | jov, hhiI | M'e ; Come, for alt Am mm-t fiUI and die. Kitrtli iii iio reKtIiiir | place fori tht-e; O Toic* of Bcrey I Toiea «f lovt I In ooufliet, grief Miil I ag • o • I iijr, IYet 'midi O. to the Whrii a < lidit the Klonm, I hear toimd. A heavenly .. | whia - per, I the wearv. fiiint, npprewed. How iweet the | hid - dinir, g .. ..rii a fiiin: rliill eteHls nVr my heart, A iwaet Toice | at - ten, II Heiirenward dirrei ihv ireepiiiKeTe, I am thy ... I por • tioii, I 8n|>|iort me, cheer me from above I And gently... I wiiis per, " Come to me.- '• Come to Die." " Come to jm." '• Come lo 1 nie." "CUOM to 1 »*• HE WAS DESPISED. Chant. Dr. OREBH. IS -ST tlf: -<9 — TSl 3^ -*- f»- .a. ^=?;g= m \*—w H5^ -lS>- 1. 9. & 4. & & 7. 1» "I n* waa denpiaed and re | Jreted of I men : And we hid Hi it were onr | fn -era jfromhim: 8nrelv iia hath iNime nnr i^rieta, and | cnrrtrd ' onr Irorrnwii; Itnt lie waa wonndeil for | onr tmna - I irn-winiw. Till- eha«liaement of onr peace I waa np- I on him. All we like rheep I havegonen-l ttntyi Aad the Lord bath I laid od I bim \ igl HS^ I A man of anrmwB | and ae - He waa de"piaed and I we ea • Yf t we did eeteem liim utrieken, | atniiten ■ of He wai I hmired -im And I wiih hi* We have tamed every I one to I Tbebi i iqai ■ ty I qnaintpd ■ with I grief; I Iramed ■ l>im I not I On— >. live. ly. boys, be :p=p: lire It, bovs, be live - ly, The spring - birds raise » +^ — h 19 / y - »«— V i» * > - -\ ^ r r nif~r r r Ir r must de • part. He packs lils rub • bUb, loth to eve • ry sale. And turns with ter • ror, weak and # ^ li — — r start And ol • pale ; The poor tera old round from room to room, With cou;:hs, ond niuu U Oiled with feur, Be knows his sl;!hs, mor - and tal I Hr joy • All itnUn, And hear the read - y, sweet re i i i ^'r- f-^ ±±: t (rain. An ech -ir-p-jr • (Tom each am =r K' '•— ♦ (Tom eacli answering breast. Come In, come In, • T » 1^ — ^1 — ^ — ^ .hr » T Utou ^ss # ^ £ £ It looks of gloom. Be live • ly, Iwys, be foe is near. De live • ly, boys, be live live ly, boys, be ly, bovs, be t X ■V— V- llve • ly, iKjys, be live • ly, lire - ly. boys, be lire - ly, z i live be Uve t k :1 ■^! ,.i-il 172 ZION, AWAKE ! TaiOfB. ♦» ere* / Orantt canon (n jbnr part*, by air Michail Cmta. Ma mMng and arranf/mwnt, and new aOaptatUm of \eotO,t, 6y Qco. F. Root. m "^ — w (mil. n &=F -»- -Cj-9- ^^5=^ MJ», ^EitEESSRtE? ^ Knatrrg ^^^5 ^^0 0- * ^^ =?=?r mf^ • •••••• J =iP ^ ^|^E^ 1 r "i^-lPf^^^. ■> — ^ ii ST ■t^^- aczeiir: ?^ ^«i ^ tolled with the tim - brel ahall b<. Tei shout I ': ' ■* I if^ii^i^iM ^E«^^^^P=^'!^ thee. ex cm BOW U ran • qnlibed and Zt . w U (Tee, Zl • on It toUad ifltli the tlm - brcl iball bo ^=^i^^Zg§^^feEiEi^E^l^^^S^«^^P?^^E^^^ Yea. Bbont I for ttie foe tbat «n-ilaved Uico U ran - qolatard and Zl • en U ir«e. 174 ZION, AWAKE t Continued. < • i ^^^^ ^^^^^ ZION, AWAKE I Continued. 17& ^m DOW Is TunqoUbed, tnd Zl ■ on li free, U ■ on la I tolled with the tlm ■ brel ■hall b« Yea ihontl for the foe that cnalaved thee la ranqnUihed, and U - on ta nee I 9 ^ ! Ml i:f m ZION, A>A/'AKE ! Continued. toued shall be. ex - toUed iball be, nred thee. ex • tolled ihBl be; the Ibe that 'ilared thee U Ttnqubhed, and Zl • on If Oree, li free. ':^^ ^^^^:E:^^ ^--r=^ ^^^^^i^^^^^^M^5^z:i^r^^^=^Mm^ thee. tolled. m^m^E^ ^^^mm ■ball be. « the foe r now Is ran - qalshcd and U - on la flree. la ft«e. _| 1— •-! ■— = II .< M"^" tolled with the tlm - brcl ibsll be mm^^^m^^^^t^^^^^^^^m Yes, ■bout I for the foe that enslaved thee Is ran - qulshcd and Zl • on Is free. Is IVee. ■tr ft -r -w ^ -m w w -w -^ :s:j» -^jf. -m -w -sr • "^-p- ? batb tx • ftc«. ftM. ftm. tt^ ^0-W e ^ // ■■ 1l • ZION, AWAKE 1 Concluded ^^m^m^Msm^ In l^' f rft± ?-t:===zz:—t:: • ' f — V * * ' — — ». 1-1 — 1 — m 1 *^ ^ clad The night or tbjrsor - row li o'er. A - men, A - men. . t^^^^^^m^i glad ^=. neu, The nlgbt of tbj nor • row li o'er. A • men, ■ Jj i w. il mm h«T. B. BONAR, D. D. BEYOND THE SMILING AND THE WEEPING. 179 THEODORK E. PEKXIKS. 1. 0«-.vontl tho siiiiUiriK ami the weep • iiig, I shall Im soon; Bo-yond the wiik-lns nnd tlio sle<-u - inz, B<) - yoiid the sonr-in;; ond the 2. Be-yoiul the blooming and the fad- Ing, I shull lie soon; Ue-yoiid the shin-iiig and the shad • ing, Ue-yoiid the bo|>-iug uiid the 3. Be-yond the part-ing and the meet-ing, I shall be soon; De-yond the farewell and the greet -ing, Do-yond the palsc's te-ver P=T: -- ^-« t::^ ^ ±=i: 1^ £?^r^a tSi — •- :i= ^:S-: i=fc ■fi^* D n.iT-er, I shall be soon. Love, rest and home! Sweethome.sweethome! Lord, tar - ry not, bnt come, Lord, tar- ry not bnt come. % w II i 180 , XlMtM/itlt, a-#^' HUNTINGTON. S. M. TBKODORE K. PKBXUnk -=f- -f9—& m ■MZZ^r -0 — «»■ ^^^■B 1. Oh, wliHiv shall rest be fuuiiU? Ufst for ilie wpa • ry soul t Twere Tain the o>cean depths to aouiiil, Or pivrccto d • tber pol& 1. The wurM cuii iiev - er i;ivu The blias fur which we sigh: Til uoi the whole of life to live, Nor all of death to die. 3. Be yoiid this vale of tears Tla-re ^^Sj f m Is a life a- bovp, Un-mrasured hv the fll^rht of years, And " - iS» — «- nil that life tg: 1) love. ■ei — ei- gi^ l] HUMBLE DEVOTION. Chant. THEODORB B. PERKIKS. ^Sr I §S1 gsp s ZSl ■&—^- -&- ja-^ki f=^ 1. From the rceenea of n lowly ipirit, M,T hnmMe nnty'r aaeendK— O I Knihrr, I lienr it ! | Hornn nn the trpmlillnfr wliifNof fenrand meeVncH; For- | liive ill | weaknew. 3. I know— I fevi liow iiieHM, Hint lion- nWottlir, The lowly dirriRce I | |ii>nr lie- ' fora Ihei-: | Wlint niii I ciffer Ihen, (> thou niwt liolv ! Hut | rill and | fullvt 3. L"rd, in ihy tight, who eir'rv Ixinoiii viewmi.'C'iild in our wiirim-st vmvii, iiuiin oiirlinKwi ; | TuiinitlitH ofii linrrvinK iioup — Our lips n-peat tliein— Onrlliearti for-l)ret tiiem. 4. We see thy hniid— it leads na — it Hipiwrtx ns : We lieiir thy vnice— it j cimiiimIii iinil it | inuit> n*: | And then we turn iiwiiy : uiiil »till thy kindiwM For- | Kivei uor | Uindiien ! 5. Who ran rcMrt thy ueiitle cull, anpeiilinx To ev'iy Ken'roiis ihouuht and I irniiefnl j feeiinjr ! H Oii ! «lio ran Iipiirilie iirciniK of iliy nien'v, And | nev • er j love thee? 6. Kind lleiief icior ! plant wiiliiii iliia Iniaoni The I reede of | liolinem, || And let tlirtn hlonroni in fniKninre. mid in hramy liriiihi niiirverinil. And j rprinir e- j temnl. (nioriiil. 7. Then place theiu iu those averlaalioK yaitteiis. Where augels walk, uud | seraphs are the | wardens ; || Where ev'ry fluw'r, lirout(lit sale thro' death's dark portal, Bo- 1 comes im- 1 THE LORD IS MERCIFUL. Chant. DR. MASON. ^ -«»- -&- s t-^ :g=tfe -&- ~&- jEe: ■+- -JJ- iE:f=Eg3^l ? JS- 11^ I. The f1-i SBMJBI »*■« safm 9^ :-H ■cr pole, o die. -^h-W love. 2z: II I folly T For- 1 get tiiem. Uiiuliwuat I loT« thee T [nioriiil. eonwsim-l I thrm Ihut I i fnir— I him . I him. <*/ 181 ELEMENTAL INSTRUCTION. CHAPTER I. IntrodueUoH. It A musical sound la called a tona A ToMK has four essential properties : Length, Pitch, Power, Chamcttr, So ve divide olomontary musical instruction into four departments, named as toUows : 1. Shf/thmic$, treating of the length of tones, a. Md/odiet, treating of the pitch of tones. & Dpumiet, treating of the power of tone& 4 QwoUy, treating of the ctiaraoter of tonea Xora.— QaiUtT nf loaBd li detcimliMd bj the relatioii or oTcrtoge* to tkeir tttndaimatal. We mv UlnMnte tnli better b; comparing the tone* prodooad b; dlfltoent lutramenu : Flaao, Ortu, Flat* ud VloUa, with oae »aother. The dUferenoe between tkeee toaei li oaUed Quutr. CHAPTER II. Bhyt1%mU».—Note». 9t Tmei are represented by characters called Note*. %, Notta represent the length of tones, and also the order of their sue- oession. 4t The following notes are In oommon use, their names Indioatte^T their representative length : ir»«l<. BM QHorUr. XMtlk. dMtmU. - • f- r • If • i ■• SUenet Is indicated by characters called SeHt, which correspond in length, and bear the names of the notes as follows : Wkik. Bti/' itiuurUr. X^kM. Aatamtt. r ■ •? ? 6> By the addition of a Lot a note Is made to represent a tone one-half longer than it would otherwise ; thus a dotud tehoU note (ea . ) is equal to three hake*, a dotted half (gj • ) is equal to three guarten, ete. The dot may be used with the same effect after a rest 7. A figure three (8) placed over or under any three equal notes (*^ T ) reduoes the length represented by them to that of t#o of the some kind U without the flgore. called IHplM*, Tones thus represented, and notes thw wrKtteo, an CHAPTER III Bhifthmlet.—Of Mmuuret, ' i 8« The relative length of tones is ascertained by a supposed division of time as it passes into equal portions. These portions of time are called meaitire* or part* of iMatvrw. B. Measures and parts of measures are indicated, 1st, to the ear by equal counting, as one, two ; one, two ; Sd, to the eye by motions of the hand called BeaU or Beating time, NoTR.— In order to btve the motions of the head equal, lo that the dtvWon of the meaiar* mu be aocnratelT made, let the Clau deierlbe the moUoni by ■aylut, emnwmrt taoi and apmrd beat. Let the Olaia In the practice of btalino ciau, deaerlbe the beats almut, aRerwsidi perhapa la a uhUper, bat Inalljr In itUoct. Mntint only of the wordii that deaerlbe Ike beata. Theke b no better way of MwMiif Ikt diruimu of time than by Uatinf, and It shi lald neur bt * it o » nli t n ti 4 . In- oourace the Olaaa ft«m the beginning to Ibrm the habit of uMiUal eumlimt. lOi There are four kinds of measures in ub& One having two parts with 1 accent on the first part is called . Motions of the hand down and up. an accent on the first part is called Double Meatur*; as one, two ; one^ two. " dow One having three parts with an aooent on the first put Is called Triple Meature; as one, two, three ; one, two, threei. Motions of the hand, down, left, up. ^ f r r 1 1* f f I f r r I f r f One having four parts with an aooent mainly on the first and slightly on the third pturt, is called Quadruple Meature; as one, two, three, four, eto Motions of the hands down, left, right, up. One having six parts, and accented mainly on the first and sUghtly on the tourUi, is called Sextupk Meature ; as one, two, three, tour, five, sti, eta • f i'l 4 1 " 182 ELEMENTAL INSTRUCTION. 1 1ni ! • ' :! ) Hr'Ni Motions of the hand down, donn (in the flrat the hand talUng halt way), left, right, up, up. "- ^ f r ^ r r I f r r f r r 111 Meanire* are roprnsented to the oyo by hiterapacea between vertical lines ; the dividing lines ore called Bam. 19» The end of a line of poetry or section in music or the final dose is indicated by a Double Bar as In foregoing examples. 13. In the examples given a quarter-note has been taken ns the standard In representing the varieties of measures, but any other note may be uHod. li. Figures are used to designate theJfin<2as well as variety of measures written in form of a fraction, the Numerator indicating the kind of measure, and the Denominator the variety of note. DmAU mtatun. TrifUmtamn. gttadptfUmtann^ _3ailtfUmMmiri. irrrrrr i • CHAPTER IV. ' Melodie».—Ute 8eale> 13. The DiaUmie Scale consists of a regular succession of eight tones arranged with respect to their relative pitch. 16> The tones of the scale reoeive their names from numbers, beginning with the lowest, thus : one, two, etc. 17. The difference of pitch between any two tones is called an Interval 18. In the regular scale there are two kinds of Intervals, large and small, called Stepx and Small Stepn. The intervals occurring between 3 and 4 and 7 and 8 are mnall utept; all the others :.re tttpe. ILLUSTRATION OP THE MUSICAL LADDER. Reaa from tJte tottom upward*. Vrom SeTen to Etoht a snull Hep rtom 81z to Be* en a step 7| rtom Fire to Six a etcp 0| ■torn roar to FlTc • itep Flora Three to Fonr a email itap rhMoTwoloThneaBtep a From One to Two a itep a One 1 ^8-i -O- -4- 10. The relative pitch of tones is represented by a ehnraettr oonslstlng of five lines and four spaces called the Stt^ff', and expressed thus : 90. Each line and each space is called a Degree; couuting from the low- est, the staff contains nine degrees, there being five lines and four spaces. 31. When more than nino degrees are needed, lines and spaces are added, either above or below the staff ; they are called Added Lines. 33. Any degree of the staff may be used for tone une ; and then tho others must follow in regular order. 38> The melodlo suooession of tones Is indicated by notes written upon the stall C H AFTER V. Melodic9t—Ab$olute Pitch,— Scale Pitch and Cleft. 31. Absolute pitch, or tho pitch of tones independent of scale relationship, is lndloate. terminates with an open voweL 36. The scale may be represented on the staff in various positions : 1st, the tone one represented as in example above by the added line below; 2d, tone one being represented by second space. ^j - & f2_ •*• 15 iS" P'- Ex. ^ 97* The letter called a Clrf is used to determine the position and pitch of M nslsting of im the low- ir Bpaces. spaces aro Inei. a tho others rlttea upon efB. relatioDBhip, >f the tones Ive, A ia six, « letter taken ited llnttotbe A wH Mkea an ^or. The Kalo he tena nataral being the onlj' lie ofthe iharp S. M. I reuon that it Bltions: Ist, ) below; id. and pitch of ELEMENTAL INSTRUCTION. >8? the Male as represented on the staft Those in most oommon use are F and a. 98« The O clef, placed on the second line, Is used foi- Treble and Alto, and frequently for Tenor voices. The F clef, placed on tho fourth lino, in used tor Bass and ( when two parts are written on the same staff) for Tenur voices. The small notes represent tho scale extended or repeated in part, at a higher or lower pitch. The Tenor ulef is used in the l>ody of this work as a matter of convenience, simply designating the part It will be observed that in making the O clef, the final curl should go around the second line of the staS; wliich is O, giving that name to tho clef. In the F or Baas clef, the heavy dot with which the clef commences is always made on the fourth or F line of the Btalt This def takes its name from that line. The two dots which finish the clef, should be placed, one above and one below the line. Ex. pp= =;^ ar- —'S^_ -O # » — The intermediate tones are named from the scale-tones between which they occur, with the word iharp orjUit placed before or after it Thus, the intermediate tone between one and two, or O and D, may bo named tharp-rmt, oTjlut-tuio. Again, it named from C, it la C-sharp, but from D, it Is D-flat Tho same principle applies in naming the other intermediate tones. 81« An intermedlato tone la represented by a note with a character pre- fixed on the same degree of the staff as the scale-tone from which it ia named ; if named from one, the character is a sharp (t), if from two, it is a flat to. 33< A scale, conslstintr of thirteen tones (eight scale-tones and five inter- mediate), tiaving twelve Intervals of a small step each, ia called Uie Ghro- mntio Scale, CBBOMATia SOAtR AaCBMDINa. i Sam—. One, PilA. 0, S^tabla. Do, iharMn two, I), re, ■^ ^ im ^ 2!!: ^ ihaip-two. three, ml. Bharp-fbur, Ave, ibar^lTe, a,' Ml, li; Chbouatio Soaui DEaoKKsnia. Ainr, P, Ik, MX, ■tUVMlZ, uf" Mvra, B, ■1. •Isht. C. do. i 3z: :Ih2: -«9- -?S>- -JZL Do, •even, B, ■I. fltt-ieTen, Ill, flat-iix. Ah. le, flve. flat-llTe, fonr 0. (%, r. ■ol. le. ti. three, E. mi. flat-three. El>. me, two, D. re, J flat-two, 1%. nu one. o. do. I i 1 IMAGE EVALUATION TEST TARGET (MT.3) t:; 1.0 I.I 11.25 u lAO m 1.4 11.6 Vi V, f *>. ^^^ ^ Photographic Sciences Corporation -^ \ iV V> Y ^ 23 WIST MAIN STRUT WEBSTER, N.Y. 14510 (716) 873-4S03 4^ o^ 6 ^ 184 ELEMENTAL INSTRUCTION. CHAPTER VII. Melodieg.— Minor Scale. SS« There is another Diatonic Scale, oonsistiiig of eight tones, irith its Intervals differently arranged, called the JUittor Scale. 34. The following forms are in common use : 1. In the natural minor scale the tones are arranged as follows : ABCDEFOA (Bbodlui). 2. The harmonic minor ; thus, ABGDEFO$A (BEOuuBf. S. The melodio minor ; thus, ABCD£I^Gj(A (Ibreoulab). In connection with the melodic form ascending, the Natvral minor is used in descending. 33t The minor scale, based upon six of the major scale, is called its Rehitive Minor ; and the major scale, based upon three of the minor scale, is called its relaUve mc^or. NOTB.— Tbe dlstlnEaisMng ftetore of the M iJnr and lUnor Scale la the third. The M«]or Scale la knowD by Ita H^lot third, and the Minor Scale Is known b; Its lilnor third. CHAPTER VIII. Melodies.— Tranvpotition of tlte Scale. 86. When the scale is based on C, it is said to be in its natural positicn. The pitch of the scale may be changed, and when any other pitch than O is tcUcen as one of the scale, it is said to be Trantpoted. 37. In transposing the scale its proper order of intervals must be pre- served by the use of the intermediate tones. 38. First transposition of the scale by Fifths, from C to O. Aii the tones, which constitute the key of C, will be found in the key of O, with the exception of F. 39t To preserve the proper order of intervals between tix and teven, and between eeven and eight in this transposition, it is necessary to take the tone F-sharp as seven in the new key. 40> The sign of F-sharp is placed at the beginning of the stail^ immedi- ately after the clef, and is called the Signnture. The signature of t'e key of O is one or F-sharp. The signature of 1 he key of is said to be natural, as there are no Intermediate tones used in that key. r.xAiimJt i fc Wmm. One. two, throe. four, Ave, ■ix. yuA. 0, A, B. c, I), G amuum. DO. re, inL Ik, aol, u>. eeren, 2- eght. do. Kon.— The pnpU mar aak the fOMtloB, why F| la and. Answer : In the ke} UO there are no flats and sharp* nsea la pla/log that scale on the Piano or organ. While in the key ef 6, In order to picserre the same order «f Inlerral* aa •ccnr in the key of O, the tone ft Is nsed Instead of F. Non Transposition aflfeets the tnstrament only. The scale ta the same to the slncer. with Ita Tarfons Interrals, no matter what tbe pitch may he. U the teacher has glren hla poplls praoilce In the scale of O with Its Tarlons Intervals, the bagbear of transposition will tu^sii, for it is the same to the Tolee whether pitched high or low. Illdstbatioh. small small smali step Itep step step step step step step step step step I step step ^ I — T — : : : -4 : ^ 4 & ; : g '' ^?^ ?- — I f — "^ __j-^ — < g y — * — -. — ? — ¥ — J— . — . i — * — ■ i one two ttuee (bur five six seven elglit two tbree four sbarp-fonr five. -A — % „- a There are six principal forms of tones, as follows : 1. A tone begun, continued and ended with an equal degree of force is called an Organ tone. The Organ tone is indicated thus : :z^:zzi:z:z SL A tone beginning soft and gradually increasing to loud called Cracendo. The crescendo is indicated thus : -==r 8. A tone beginning loud and gradually diminishing to soft, called Dimin- uendo. The diminuendo or decrescendo is indicated thus : i — 4. The union of the crescendo and the diminuendo, called the Swell. The swell is indicated thus : — =:^zr=- 5. A vert' sudden or instantaneous crescendo, called the Pressure-tone. The pressure-tone is Indicated thus : -= 6. A tone struck very suddenly and forcibly, and Instantly diminished, called an Explosive Tone, or Sfortando or ForKvuio. The sforzando is indi- cated thus: => CHAPTER XI. Miacellaneout Characters. 44. When a passage is performed In a close, smooth, gliding manner, it is said to be Legato (,^~^). 49. When a passage is performed in a pointed, distinct, and articulate manner, it is said to be Staccato (t i i i). 46. A less degree of staccato is called Marcato, and Is marked thus :(....). 47< A oharaoter, called a Tie, la used to show how many notes are to be sung to one syllabla It is also used to denote the legato stylo (^-v). 48> When a note or rest is to be prolonged bevond its usual time, a character called a Pause, is placed over or under it (<;>'). 49t A Brace is used to connect the staves on which the different parts are written ( — -^— ^— ~). 50. The Direct (ic) is sometimes used at the end ot a aiaSt, to show on what degree of the following staff the first note is placed CHAPTER XII. Dynamics.— EoepreMUm o/ Words and MisoellaiMmM DireeHmu* SI. SmooPE.— When a tune commences on an unaccented part of a measure, and is continued on an accented part of a measure, the accent to inverted ; such a tone is called a Svncofe, or a Stmoofatkd Tohe, and the note representing it is called a Syncopated Note. NoTB 1.— Syncope, ttom two Greek words. OgaUjlag " to ent Into,*' or ■• taont off." A irncope cuts into, or breaks ap, or contradicts the regular order of accent. NoTKZ.— While it Is Important that rhythmic accent should be observed. Its constant mechanical or drum-Uke recnirance is sttlf, nnfrracefal, and repalslTe to good taste. Such an accent belongs mosUy to music of an inferior character, or to that which males ita appeal to the more external sense. Rhetorical accent or emphasis, or that which belongs to emouon, exprea- Rion. or to poetical thonghts or Ideas, on the contrary, is essential to a tasteftil or appropriate ;>errarmance, and should receive much attenUon. The common rules for accent are therefore liable to many ezoeptlons. 32. The vowel sounds only should be prolonged in singing. The voice dwells on these alone, so they should be delivered with accuracy, and care- fully sustained without being changed. The oif^ns of sound should be kept in one position, while sustaining the tone, and no change should be allowed with the lips, teeth, tongue or throat, or even the body, until the sound is finished. 33. A distinct articulation Is entirely dependent upon the manner in which the consonants are delivered. These should be produced in a quick, smart manner, and with great precision. Neglect in thiis respect is the great cause of indistinctness in singing. 34. Accent :s equally Important in singing or speaking. If the poetry is regular in its construction, and properly adapted to the music, the accentua- tion of the two will correspond. If not, as far as consistent, the musical ao- cent must be made to conform to the poetic. In accent we are governed by two laws, the one strictly mechanical, the other based upon common sense. . The mechanical accent in a two part measure. Is a regularly recurring stress, upon the first part ot the measure. In a thre > part measure, upon the first part of the measure. In a four part measure, there are two accents, one on the first part of the measure, and the other on the third part of the measure, the first accent being almost twice as strong as the second. The word heat^ is used in describing the first accent, the word Ught deaoribing the second. The words primary and secondary are also used In this connection. In the six part measure the heatt/ accent ocours on the first part of the measure, the light on the fourth part of the measure. The mechanical law should be taught as thoroughly by the teacher as the beating of time or the marking the parts of the measure by motions of the hand. The common-sense law nhould be taught when the words and music are com- bined, and then, those words and syllables of words, which are more or let emphatic in reading or speaking, should receive a greater or lest accent In singing. SB. Paum, both grammatical and rhetorical, are also eaaentUl to good {i ■»r. kt i '•I H 186 ELEMENTAL INSTRUCTION. singing. When necessary, they must be obtained by shortening the preced- ing note, as in the foUoviug example : .{ , . «. Written. f=-^^ X -- -t- loj SnNO. to the world, tbe ^ i:h-t-t Lord h- ^ JOT to the world. the Lord 96i JSmphatit.—Emphatio words should be given with greater or less power (often with >/.) without reference to rhythmic accent. In common psalmody its application is difficult, from the frequent want of a proper adaptation of the poetry to the music. The effect of emphasis may often be increased by a momentary pause (see 55.) 37t The mouth should, in general, be freely opened. It is very common for singers not to open their mouths sufficiently wide so as to ^ve a free and full passage to the sound. 58> Directions in reoard to TAKiNa Breath. 1. In taking breath, make as little noise as possible. 2. Let it be done quickly, and without any change in the potUion of the mouth. 3. Never breathe between the different syllables of the same word. 4. Where several notes come together to one syllable, do not breathe between them, except in long running passages, where it cannot be avoided. 5. Words intimately connected, as the article and its noun, the preposition and its noun, should not be seperated by taking breath. 6. The practice of always breathing at a particular part of the measure, should be avoided. , 7. Take breath only when necessary. 8. Exercises on the explosive tone (/z) will assist In acquiring the habit of taking breath. 59* QuAUTT OF Tone —The essential qualities of a good tone are purity, fullness, firmness and certainty. 1. A tone is Pure when free from all hissing and huskiness. 2. A tone is FuU when it is delivered by a free and natural use of the vocal organs. 3 and 4 A tone iaflrm and eertnin which, when correctly given, is held without change, and' perfectly controlled Tiy the performer. The following an faults, vis : 1. Striking below the proper sound and sliding up to it, as from Five to Eight, etc. 2. A wavering or trembling of the voice. 3. A change just at the close of a tone, produced by a careless relaxation of the organs, which should always be held firm in the proper position, imtil the sound ceases. 60* To Correct Faults.— When the teacher discovers a fault, let him first imitate it himself, and afterwards give the true method. It is not enough to simply say that a fault exists, but the teacher must exhibit it by his own performance, until the pupil obtains a clear perception of it, and knows how to avoid it. 61. In singing, try to enter into the spirit of the words. Avoid a heavy unfeeling, machine-like style of performance, cultivating that which comes from the heart, having some character and soul in it, and appropriate to both words and music. The composer furnishes the inanimate form, and it depends upon the performer whether that form shall live, and take hold of the effections and feelings of others — producing the eCfects for which music Wfu9 designed. Nora.— It Is a Terr common fault for slDRera to ehanne the tonic mindi. and dwell, not on the radical, bat on the vauiHh or closing sound ; thns a becomes e, and o becomes oo, eto. In the word great, for example. Instead of dwelling steadily npon the vowel aonnd a, the singer changes it to t., and that which shoald be grea • t, becomes grea ■ e • t, ao also in the qrlUbla applied to Two ; let It be Ba Instead ol Ba • e • • CHAPTER XII Pronunciation and Articulation^—i^^e Voiee> 63. Pronunciation in singing is subjected to the same rules as in speech. Good pronunciation consists in giving to each syllable the sound which be- longs to it ; but OS syllables have generally more force and duration when sung, and as defects become thus more striking, more care is necessary to follow the directions given in grammer, for the formation of each syllable. The rolling of the B, or the hissing of the 8, must be avoided ; but it is very necessary that the vowels should receive their proper sotmds. 63. We would advise pupils to articulate rather extravagantly in study ; for then if in singing before people they lose a little of their precision, they will still have enough to do well. 61> Vocal music, of a sacred character, is properly allowed the same liberty which is conceded in the language of poetry, with regard to the use of style of pronunciation which is obsolete, for common purposes, but appropriate in the expression of deep, solemn, grand, or lofty effects of emotion. Hence the just preference, in the singing of sacred music, for tbe pronundation of the word Amm, with a broad, as in am : thus, ah-mm. ELEMENTAL INSTRUCTION. 187 The VoicaB. 63> The voice Is the most beautiful of all instruments, and at the same time the most delicate. In order to preserve it, excesses of all kinds must be avoided. The use of tobacco, alcoholic stimulants, ale or lager beer, are injurious in the extreme. The cultivation of the vocal organs or muscles is physiologically the same as the cultivation of the muscles of the arm. Daily practice is necessary, but do not sing too long at a time ; leave off before you are fatigued. The length of time for study depends entirely upon the condition of the organs, and the strength of the individual. With time, patience, and the assistance or direction of a teacher who has the true syatem of voice-training, persons with voices below mediocre may be- come excellent singers. There is truly but one method, and but few who really imderstand how to teach it Besfibation, In singing, a tone is breath vocalized ; how important, then, that the teacher and pupil should pay groat attention to the subject of Eosplration. The use of the voice depends very largely upon respiratory action. From long experience the writer has found that a combined action of the diaphragm with the abdominal muscles is the most practical, healthful and beneflcisd. The Respiratory action should be removed as far as possible from the throat The diaphragm is the great resplrating muscle and forms the floor (so to speak) of the lungs and the ceiling of the stomach. Com- bine its action with the abdominal muscles, and you have the most perfect and healtliful manner of respiration ; in order to sing well, one must be well physically, hence the necessity of cultivating such habits of respiration as will conduce to a healthy state of the vocal organs. The voice is produced by -the air coming in contact (in its passage from the lungs through the trachea or windpipe) with muscles called the vocal chords which are situated in the larynx (known as Adam's Apple). This vocalized air is then received iuto the Pharynx (the back part of the throat) which is the principal modifier of the tone. The soft-palate, mouth, lips, tongue, teeth, etc., also assist in the modification of the tone. The natural quality of the voice is generally intense and clear. Use as little breath as possible. Avoid all muscular exertion in the throat Remember that the diaphragm with the abdominal muscles should perform the principal part of the labor. Hints to the Teaoheb. The order iDfRrhich the different topics are presented Is not imperative, as one topic cannot be finished without introducing some other. The teacher cannot proceed far in the subject of. Melodies vrith profit to the pupil unless the subject of Rhythmics is introduced, and it is equally certain that neither pitch or time lessons can be judiciously t(..Jght without attention being given to the use of the voice and a correct style of singing. The teacher in his first lesson may give a short analysis of sound. Sound is a sensation resulting from certain vibrations or sound waves in the atmosphere ; these sound waves being generated by some vibroting or moving body ; as any substance thrown in the smooth water, at one point, sends waves as the re- sult across its surface. Sounds are classified as Musical and Noise. The sound waves in noise are confused and irregular, in musical sounds they are symmetrical and follow each dther at uniform distance. The pitch of musical sounds depends on the length of the sound wave. Long waves produce low tones, short ■'./aves high tones ; these results are attained by the slowness or quickness oi motion of the vibrating body. The peculiar quality of sound produced by any instrument or voice Is called its timbre. Sound waves of the same length may differ In their Intensity or force, hence the different degress of loudness in sounds. Melody is a succession of single sounds — In Harmony several sounds are heard at once — for instance the Triad, 1, 3, 5. The starting point of the scale series, is known as the Tonic or Key-note. Two in the sctilo is called (in Harmony) technically the Super- Tonic. Three the Mediant. Pour the Sub-Dominant. Five is called the Dominant. Six the Sub-Mediant. Seven the Leading-Note or Stib' Tonic. Eight also bears the name of Tonic. The term Tonic or Key-note is frequenUy used, the other terms rarely so. We cannot refrain from urging the teacher to remember the necessity for constant scale practice, in the development of the sense of tune. The absolute pitch of sounds is determined by the actual number of vibrations In a^econd of time. For instance a sound whose vibrations are 254 in a secoiid, is foimd to be in the upper part of the male voice, and in the lower part of the female voice. This is found in the middle of the piano-forte key-board, and is called the " middle C." The octave below middle C having 132 vibrotlons per second, is written small C. The next octave, 66 vibrations, is sung only by men having exceptionally low voices. The octave above the middle C has 528 vibrations. The next octave above, 1056 vibrations, and is only reached by women and sometimes boys having remarkably high voices. The middle C being reached by all voices occupies a position between the twq staves, its line being the first added line above the lower staff, and the first added line below the upper stafll A dot placed after a note or rest Increases the value of the note one halt of its former value. The second dot adds half as much as the first Thus a double-dotted quarter note. Is equal to seven sixteenths. In oommeneing an exercise the pith or key-note should be distinctly given by the teacher, and where the exercise commences with some other sound than the key-note, that sound should be traced from the key-note, and then distinctly sung as the starting note, before commencing the exercise. l| ■;.[# I iM k»> 188 ELEMENTAL INSTRUCTION. PRACTICAL EXERCISES, In commencing with No. 1, the following things are supposed to be practically understood : 1. Measures and parts of measures— Portions of time. 2. Counting and beating time— Indicating measures. 8. Signs of measures, or writbea measures— Spaces between bars. 4. Bars — Boundaries of written measiu'es. 5. Notes (four kinds) — Bepresenting ttie relatlTO length of tones. 6. Rests— Indicating silence. 7. The scale — A regular succession of tones. 8. The staff— Bepresenting the scale, or relative pitch. 9. The letters— Designating absolute pitch. 10. Clefi»— Showing the position of the scale as written upon the staft No. \.—Tfeble Staff. $ :^^-0- -i^^ No. 9.-&JM Staff. - .0. ^^ t±± -+- Sealtfwui. 1, 2, 8, 4, 6, A, 1, 8. PML^nanuM. 0, D, B, V. O, A. B, O. SfUaUa. Do, Be. Ml, Fa, Sol, La, SI, Do. fVot S>—SacUe Exercite. Treble Sicfff. 1, 2, S. 4, S, 6, T, 8. 0, D, E, F, O, A, B, 0. Do, Be, Ml, Fa, Sol, La, 81, Do. i w T^-* ^^ ^-tt 3S: StUabUt. Do, Re, HI, Fa, Sol, La, 81, Do. Do, 81, La, Sol, Fa, Ml, Be, 8eaU.nama. 1, 2, 3, 4. S, «, 1, S. 8, T, t, 6, 4, 8, 3, 1. PUah-namv. 0, D, B, F, O, A, B, O.. U, B, A, O, F, B, D, 0. No. it— Scale Exereite. Bass Stqff. ^^ :p=t: -0-f^ ^ ^-0- m SfUoNa. Do, Re, Ml, Fa, Sol, La, 81, Do. Do, 81, La, Sol, Fa, Mi, Re, Do. SeaUnanut. 1, 2, S, 4, 6, «, T, 8. 8, 7, «, 6, 4, 3, 3, 1. PUelMMma. C, D, E, P, O, A, B, 0. 0, B, A, 0, F, B, D, 0. No. 5. — Scale in two part measure. u ? T#-# # ■» ^m :^=it -0—0- -w~W a i neaa-ant la the boor of ilng-liig, Cbeer-tul Toi-oes sweeUlj rlng-lng; No. fi.-Same descending. :p=p: — »- JtZJt Jrrl-t-r-T ^-0-V-0-m I Slog-lng now In stratni of giad-neaa, Manghtto cart of fear and aad-neia. m No. 7. — Beginning on Second Pari o/MeaSHre. i I ±±: lizt. qi: -0-0 Do, re, ml, Ik, aol, la, b1, do. No. 8. — T^e same xeith Bass Clef. m Do, al, la, lol, iM, mk >«, do. ^ ■#-P- -t- #=F= -+- -+- t=^ 0=¥^ #-F= -4- -t- i s 5^ Do, re, ml, ta, lol, (k, ml, le, do, re, ml, b, lol, la, al, do. 0—m-^ . r^—0- V¥=0 T" X \ Do, Bl, la, aol, fli, ml, Ik, 80l, la, aol, fk, ml. Ik, ml, fe, do. No. 9.—tIa\fN(M. ^ a: ^ ^ Now re . Joloe, now re • Joice, Come and itng with ebeer- No. \9^— Half and Quarter Notes differently arranged. I Toloa. •I©- :?2: Come, come, slog wltb me. No. 11.— Tie or Slur. Sing this ner • it glee. ^^ M t3t Come, 0..,. come with me, No. 19.— Quarter Best. We,,. BhaU h«.p7 W Do, re, ml, Ik, loL Sol, Ml, la, •«, do. Do, do, il, la. 801. Sol, ik, ml. II, do. i* !;' m t. M i gtM. PJ ^ do. lVo> \fi%—Ei«rei$e with Haff Sests. ^ ^ m ELEMENTAL INSTRUCTION. NOi IB,— Best introduced in Triple Meaaure. 189 ^ ?=p: 4: ^ Oomeirltli me, Come, knd itag this mer • 17 glee. ^m ?=i- T ^=#: tzc r Comewttti me, Ko» lit— 7%ree parts, or Triple Measure, Tt=±. 7f=W- I m E3 ■•• •#• •#■ • • ' ■0—4 — # 4 4 9 -0 — 0—0- ^^^m^m^^^^\ Come, come, and sing with me; Come, md ilng tUi song with me. g!t|=^|*i:i:p|:rj.jjP^-p^^ gi| Come, come, come, come, Come, come, tnd dng with me. IVo< VJ,— Dotted Half Note. Second Derived Fbrm. Attegretto. Now we wUl M-oent the fltst count In three. As we oUmb np the i -d—0- • • 4- • P * ^ ^ P #— f- ^ hill we are mer - 17 and tree ; For the rale Is the samo In the * 4 4 4 d 4 east and the west. That the one who tries hardiest Is lore to sing best. Mo. 18<— i)0n°eed Tom. \ e -^- ^-4 ^m Work la end-ed with the light; Now good-night, oh, now good-night. §^^^^^N"-4^-^ 0-4- 1— ^^ "I — r Oat-ljooT boat glides o'er the sea, ller-rl-l; rings oar song so ITee. ^ 3t3t zt^ ?z: ^tJ-#_^.^_ H 1 — h i S > »-|-(g-^ :^ I Wo. 18.-2Ve over Two Notes. ^^m^^^^m^ r Bam-bimg o'er the loft - 7 bill, Sit -ting by the ciya-tal rUI. No. 19.— Tie over Three Notes. fei ^^ -4-4 m Sj4: H" fct ^^ -4-4 I Borne, home, shrined In my breast. Home, home, there would I rest. No. ^Ot— Syncopation. Derived itirm. Second Class. -^ 4 rf g 4 ^ ^'^-Jl~g'~ -fi>- i ^^=F: m 8om-mer, Win-ter, Aa-tumn, Spring, or the sea -sons we will sing. li [. 190 ELEMENTAL INSTRUCTION. g Noa ^\t— Quadruple Meature. Primitive Form. WnUe tue tunubes, in tbe bush-es, Sing to-geth-er tbla warm day, OuU tbe flonr-eni 'mong the bow-tn # # • t= I I 1 n (fs, Swoet-est In tbe month of May. i Zf=ZK=IZJKl ■0—0 — 0—0- 4=4: d m M r ■ I ■■- — 0- :p~g Mz m Coll the flow -en 'mong tbe bow -en, 8weet-est in tbe month ot Iter, While the tbrnahes, In tbe boah-es. Sing to>getb-er ttala warm day. No* 23. . _j_ i ■0 — •- I Birds their gongs are chant-lng near na, Bees are on tbe wing; Wo« ^9,— 'First Derived Form. ^^ lf—0- d—d- 3 '0 — 0- jj=i=j Children's mer - ry ao - cents Join ns. Come, dear Irlends, and BUig. -S>- -&- -(&- ^ ?z= ^ i Come, come • ■ way firom the tolls Wo. 34.— Seconrf Derived Form. or the day; Iieave ba - sy care, come a - way, come a • way. ^ 1: 0- -+- ?!=i=|: I P=^ t 0- Mzzat I Now the wa- ters glanc - Iqg, Mo. 35.— TAirrf Derivative. Aa they leap a • long; ■I ( Send • Ing through tbe val • ley A Joy - oos, hap ■ py song. S m it-^' -&- -0 0- -P— •- is: I Night comes o'er the plain, Moon-ligta.' o'er the No. ^^t— First Derivative. Second Uass. — I 1 Meet me once a • gain, «— r Where I've wel- corned thee. Sf- -0 &- ■0 <&■ ■G>- *=t=P=s: La, la. la. No. 37.— Second Derivative. Second Cta»». la. La, is: is: ^^=^F-- u la, Ut, la. «*—«-- ^ S t -# «>- -f2— -- Sol, la. 81, do. 00, ^ -«'- 3=Z3t -(5^ la, etc. II ji"V.i>"-Vi'^*^-'fa^'ak>^ II day. m ELEMENTAL INSTRUCTION. 191 ^ Ifo>38.- First Derivative. Third Class. 1 ' "' l A , 1 I 1 ! 1 1 1 Y I 4 1 1 1 1 "n X ~M 1 --^ 1 , ^ • ^ 1 J , • J 1 V 1)4 . 1 d" a • - ■ ^ • ^ ^ w m a -• - ■ , 1 . * * ^ i J p.l. Btu-dy low, stu-dy low, La-dles, don't dU - tarbme bo; Whisper not, wblsper no<: In this pleasant spot; In this Rchool-room yon are bonnd /. 1. Biu-y now, bu8-y now, Ev-ery oneaboaldbe, I trow; I'd be one, I'd be one. Do not nin-der me; On - ly those who ita^dy low, c\' 4 ^ ' A 1 « * 1. 4: ■ ! ! ■■ • - J m ' « ' »■ • - ^ 1 J • » ■ ^ • J ' M • • 1^ • • «* _1 i s) 1 • i '± 1 1 1 1 1 1 ' 1 t 1 \ I I I i . I ' frri^' No. 29i— iSfeconrf Derivative. Third Class. Styled Irregular. •bt ■0-4— S>- m d r J m -(9 <5>- -s>—^ •Z ±.±JL I To anp-preaithe sllgbteat aonnd: Silence relgna, alienee reign* In these lUr do ■ malna. And who will their mlnda im-prove, Welcome are, wcl-come are n onr minds to share. Sing - Ing now of bap-py, bap-py home; 9- -f-g^ Si + NOa fiOt-Sextuple Measure. ■9-m~isi- n^ ^ \SL. iS i^—e^ -<5i & — ^-^ ^ — *-0 4 4 Sing - Ing now of bap-py, bap-py home. H ^-*-gHr 0—0 — 0—0 — — Ji^ ■^■•-gi ^^3^ '^- -Gh^ i 1 T*-»1»- Obeei No. 8 -1- l.- ly, cheer - 1 - ly sonndi the bn • —Sextuple Measure. Commencing gle with notea dear and free on last pari of the measure. • Hei ■n. ly, mer-ri- ly bonnda th( tmntsman with heart fbU of Blee ~C\' /* ^ m. f? m V ^ r^ m ...^ ""ifc^ ^ ^ 1* - i ^ P '-' 1 1 -*-|.li 9 • -y f^ • a n t •^ ^ fi ' ' 1 ■ ^ J 1 1 1 1 1 1 1 ■^ 4 ' 1 1 1 1 1, 1 1 - 1 m Come, fol - low, fol • low, fol - low me, Oome, fol • low, fol • low me,.. No. 33.— 2>o«e(I Whole Note. Tea, we will fol- low, fol - low, fol - low. We will fol ■ low thee. ^ ^ n^—G)- No> ftm,— Staccato. f t f ^-r ■&-^- :2SL fg ^ g -is-r ?^a=^ ? Wl A • ronie ye I a • rouae ye! the mom • ing ii iietei XIM mn in the eaat dotta ao bilgbt • ly ap • pew. w 'ii' r ' • 192 ELEMENTAL INSTRUCTION. No. 9t-— Extended Scale up. s § 9 F f \ m ^ " g [ " g f^ l ! ^ ~' m 0^=^ -0 — 0- Do, n. ml, n, do, ml. ic, llO« 9li,— Extended Scale in BassjOef. -0-^ mm ■■* ±zit -I H ■r g^FP^^g ra, ml, re. Rt, ml, Ik, tb E P 1 — i ml, t«, do, N, n, ml, N, do. i=5Tt ffff -fi" — •- :£ ±Jrjr-j:Si m Bok U, Ml, sol. U, il, do, Bol, lol, do, do, do, il, do, re Ml, re, do, do, il, la, sol, U, la, fol, la, al, do, ml, re, do. NOi 86a — 8c » t k~jg :± ^ -»—•- SI m Do, do. (1, U. Ml, Ml, IVOi 30< — forranJo, or Erplosire Tone, U, Ml, U, il, do. re, do. il, la, Ml. U, It, do. Ml, ml. ic, ^m One, three, flT^ dz. No. 40.-J?<'.7A< iVo/M. live. ^ -i ifi>- :x=^: — +- ^1^ Do, ml. Ml, U, Ml. six, flve, elz, flve, li^ Ml, U, Ml, Ave, tbreo, one. S^^ :pz3cz»zia[ v- /- Li^ i NO. 11. 1?=t .•_i» •_ ibzzzt: IVo. 13. m Wo. 43.— /n<«*>Tn7 practice. One rrith Five. — 15»- -#-•- 22IZnZ2Z -.5^ -fii^ Do, Ml, do. Ml, do, do,BOI,Ml, do, do,aol,Ml, do, Ml, do, sol. •*!£■ d: :w:Ei Do, do. Ml, Ml, do, do. Ml, Ml, do, do. Ml, Ml, do, do. Ml, Ml, do. Ml, do,8ol, do. Non.— After the Introdnctlon of the scale, we ironld adrbie Its constant practice at each and ovorj letaon by the claaii; tosethcr wlih Its various Intorvnta commencing with the moat Mmplc or one to flve; then lntro<1nclnK Three, etc. We nasnro the Teacher that a tl'.oron»h knowlwlge or the acole (which Is the rounilatlon orevrr.rthlng In music), and Its various Intervals, Is the only mean* by which the pupils mo; acquire groat lacllltj lu reading muiio. 17 No. H\.—One and Fire teitli Tlirri: i Do, sol, ml, do. Ml, ml, do, Ml, ml, sol, do, Ml, ml, do. Ml, ml, do. Ml, ml, E=5 *-t- 5 '^^'^- ^..u_ —J. 1-f #-!■"• rir ^ Do, ml, BOl, ml, sol, do. Ml, ml, do, ml, Ml, ml, ml, do. Ml, ml, do, mi, bjI, i^^^^^^^^si Do, mi, sol, do, ml, sol, do, 03. ml. sol, do, sol, ml, do. Ml, ml. n ' 194 ELEMENTAL INSTRUCTION. No. a.— One, TAree and Five and Eight in Ban CUf. mm i ^ •g — ■' jE5e^ E?S ^ Sol, ml, do, Ml, ml, do, lol, ml, do, ml, do, ml, sou Ml, do, ml, Bol, IVo< W,—Inlervab between One, Fbur, Six and Ei'jht, and belteeen Two, Four, Five and Seven. do, Ml, ml, do, ml, wl, do, lol, ml, do. ^ i i m m 1. Rnit ■ lln( learea tie light - I7 danc - tag, Dane - tag In the hreezc; 1. Oemi or erya - tal clear are flash -Inir, Flash -tng ra • dlant light; ■•■ ■#■ ' -Of- Dart- Ing bud - bcama bright - Ijr glanc-lng, Glancing through the trees. Down the bill the brook goes dash - log, Dash-lng on Its flight. m ± -9 !~ :ii 1 r m UTo. VIt-~Exerci»ea in Intervals. 3: -gs>- ■/&- s '^-s. Do, do, si, re, do, sol, sol, si, re, sol, si, te, sol, si, re, si. do, sol. Sol, si, re, si, do, sol, re, si, do, sol, re, si, do, sol, re, si, do, sol, ml. ml, do. No. 48. il] fi s Z' = • P=^~^~~ '^ '• '^ * m * rg • "P T~ -^ m ^ r+"^ L§lJ_i vlh^ — ^ 1, - M L — ^_Li. .^_L ;-L_M — -U [—U ^_t+__J_L^ .-J Do, do. al. sol, 81, re do, w , sol, re, sol, re. Bi, ra, do. re, al re, s do. ml* sol. t in ' ,^~t 1 ^ « ^-n A I A L m ' 'P • m (9 • . • f^ • ^ p • 1 I n .. ^ m ^ m ' m r 1 M 1 -■^w 1 » 1 • , * * 1 • J 1 1 1 Be, sol, i«, sol, sol, si. re, do, No. 49. sol, si, re, do. aol, si, re, do, re, aol, al, i«, do. m ■19- F=^ ^m Do, n, al, do, re, si, do, sol, ml, re. Ile> ml, la. la, re, sol, do, st, re, do. ^ ? 32: 3 Sol, al, re, do, sol, ml, fj. sol, mi, U, re. Ml, fa. la, sol, fa, la, re. sol, do, si, re. do. r ELEMENTAL INSTRUCTION. 196 Firf-i- =T — i 1 — FF ^+-1 — r-H- +- -fi —j--w—^ i' t^-p _i > g ■ J-^i-fi- -^ * g^ 1 1 Do, do, re, re, re, ml, ml, ml, Ik, ft, ft, mI, mI, mI, U, U, it, il, el, il, do, do. i -# — fi>- :izz5t m 1 Do, do, •!, Bl, UTo. Slt—Jfatitral iftnor Scale. ■0—ef- :w &> — <»- II, II, la, II, lol, lol, .101, ft, to, ft. ml, ml. I — sr ml, ro, re, re, .:a: do, 'itok f^^? i: -w ^ i * 5: Li, 1. ■1. a. do, *. re, ml, », \ •?:• II. 1. La, a, ROI, I, ft. c. ml. 6, re, 4, LlO, s. •I. la. I. No. 59.— iln £reri.\. t in rte ifi'nor iSca/«. • • ' i '"' •— r«- :?z: jS- ;i^ Cold tbe triad la bluv - Ins, And tlie storm In UTo. 53.— /Tarmonfc 'iiinor Scale. {lier/ular.) loud; V ^ the rain li pour • Irig No. 9i,—3[elo'J'c Minor Scale. From the blackened cloud. 9:: ^E^^E^^:'EE^^^EnE^ ^^=] ^=^^ ^:^_ z^-Stk 1. 2. La. It, 3, 4. 6. «, 7. 8. do, re, ml, ft, si, la. 8. 7, e, «, 4. 3, 2, 1. Li, si, fa, ml, re, do, al, la. 4. 6. a, 7. No. HS.—Krercise with Sharp-four. 1. 2, 3, A, B, C, D. E. Ft, Gf; A. 1,1, al, do, re, mi, (e, al, la. 8. 7, «. S. 4, a. 3. 1. A. a. F, E. D. C. B, A. Li sol, ta, ml, re, do, si, la. ■!l i i :il|l ■A' 186 ELEMENTAL INSTRUCTION. m Wo. 58. —Sharp-two. Three ifwidt* us to this tone. -&- 1^ -^-^ 1^ -&- tS»- i Wo. 89. — Sharj^-finir a>iil Mnf-six. ^ t5> (SS- - A i^^pg :c;J*i-:2fc ::p: ^—0- i=«=i: zar.p^ T Wo. 69.-.f*«rp.«;r. m^^ iSc Wo. 63.— 3!iie Chromatic Scale. ^ >=^3^ ^ f-'— ^ »=^fii Wo. 64.— Scnfe "/O. Trehk or Clef. Signature one sharp. F:^I -#-«- — t r^x ;=p=^ m^m Wo. 6S.— — f— i-g — h-» • # f I 01, He, ml, fk>l, Moru - lug pa - pcrs. mum -log pa - pen, AU lUe li ■ ota, rowi and oa - pen, Gtobe and Man, In • tcr ■ O ' mnsnmf^imm m m t m ^- 1 ^ m -# — •- i - o- IVo. 67. "DAISY." AUegMtto. h -N-K -• — • — « — 4- -0 — • — # — # -0-0- ELEMENTAL INSTRUCTION. SLEIGHING SONG. " 1 ' 197 •i.i ... OHO. F. ROOT, XM- IHm. ->-U-\ ¥=S=^ -— »- v-»<- m I. The dUmoodii gleam In the suu'sbrlgbt team. Ab mer-rl- Ir foitb we go; With ejres whoM light firom the heart te bright, As we rtde o'er the pnre white snOw. 3. Oar sleigh-bella sing with a bUt-'tj ring. A mel.o- dj well we know; Onrsteeds keep time to each mcr - r; chime, Aa we dance o'er the Odd of mow. -J — h H 1— !■ r~#~ A-N- ■#-#- -*-^ --r- 3r::?i^ -• — 0- -V— >, p — • -v-*»- -<5^* ] 3. The treea fl; post and the win -tir blast With I- ct • cle breath may blow; From tar'a warm laid we de - ly the oold. Aa we glide o'er the clear white anew. 5T5S= k ■0**00 OFTp: -^-^z- 1 — 1 — r CSIi ■^^n^JEL -0 — 0- ~\ — r M p • f ^ -V— V- — • T— t^-b^- -W 1:2 — P_ i r ■:^yz. %-- CHORUS. J j—k—m- -J-t qz ^^=i=l=^ i^zih -V-b^- # - « — 0- -y— V- ^ :l To hoi yo hot An mer - rl - 17 forth we go; To ho t =t »__ ILI*__a V-S "»-»~p— • — S- Bf yo ho I For a ride o'er the pore white mow. — I N-V :*=:» :«: Yo hot yo ho ! All mer - rl - ly fbrtb we go; —0 To hoi 3^: ^— •— •— ^— d -4 fciETfzt^l -«>- iz:|^^-:^ yo ho t For a tide o'er the pnre white anow. Zt -«?-. m To hoi yo hoi An mer-rl-ly forth we go;.. To hoi yo bo t For a ride o'er the pore white now. ,— \- — 5—5-1 -* — -—3- -#-#-# — ::. 'J~t -Jzzh -0—0- •—*-#- :t=.-:-t=^: Yo bo I 70 bo I I I All mer - cl • |y (orth we go; To bo I yo bo I For • ride o'er the pore white now. ^i 198 ELEMENTAL INSTRUCTION. No. 68. NEARER HOME. - t) Words and Unslc by^EO DO p. ROOT, Mos-Doe. 1 " J tf « 1 1 1 ~ 1 < 1 " ' * 1 , 1 II 3 MIM.- 1 1 ' ' 1 1 ! II I ^ ^ ..M M __ .^ __ _ ^ - ^ ^■ ! ! i • ,n II -I- 4- -^ -w ■• ■" #- ■# ^ ^ c r* • --^ • - -' ^ m ' ■ ' -a> ■ || r\ 1. Sins when tolls of di; an done, Near - cr home. oear - er home. With the low de • scend-lnt son, Near-ei , new-er home. -y- ■i*-M- Tl /■ '"» II 1 1 1 1 1 1 1 1 1 1 t II yU 4- — 1 1 1 1 1 1 1 _' ' ' ( 1 1 I 1 1 1 1 1 1 i 1 II \f 2. Sing ^ m ^ W- ^ ♦ ^ ^ at twt ■ light's gen - tie close, Near- er t9- borne, ♦^•s*- -w -r -r -w -^ -r lO^ '^ ^ -m- ■0- near - er home. When all na • tare seeks re - pose. Near - er, near - er D , BO 1 , home. "w ' 4 ! I'll - • 1 . < ■■ ■/ "4 , , . M ' ' 1 ! . 1 m J 1 ' II ffr >£ 1 1 , If , » 1^ ^« — « ^i tit 1 1 • • ■■ ^ 11 tn; '4- .__1_ ^ ' ■^ --! • ^ Tl 3. On • thj • • * • pU - low calm- \y (5* Bins, Near- er home, near er home. Sleep bo-neatli night's sa - Me wing. Near - er, near • er home. ^ ft « • 4 f ^ -Jl i a m M » m P P r^ ' II »'» ! A A ^~t 1 1 ^ 4 ^ ^ II TT*.. , ■-- 1 I 1 i i 1 1 \ i r ■■ 11 '* ; ■ « ■ ' 1 ' ■ ■ ^ " 1 1 1 i I 1 Hfo. S9»— Presents the Scale of E Minor ; which it the relative minor Scale of 0, havinif the same signature. il Ko. 10.— Scale ofD Major. ^ g > — * ' — I — I — i- ^ a^ii -s>- i^^i^ ^^ r^- JT ^1 No. 71. J. m JOHNNY. (Round in Four Parts.) »' 3. . . . W M^EiEt John • njr, ■"• John - nj, ^ 9 #- t=t 4. 4 m 4 ~d m 4 -J 1- 'f f ' C il What I what I So we keep sing - Ing, and 80 we keep call • Ing him. lfo.7a. SPRING IS COMING. Sopranos. Name the pitches before singing, and sing siillahltts first. Altos. *' GEO> F. RUOT. Hns. Doo. ^'^J-T»=^ 3—^ ± MZZtL ^w-4r Tpi- II Spring is com-tng, spring la com -Ing, Hear the wood-lands ring 1 . Tknoiis. U TKNOII8. ICZII ±iit: Spring la com -Ing, sprtr; la com -Ing. Ans'-rlng back m sing; Basses, 3_» BUsa an bright and beiarta ata light While plaaa-ure crowns tin dar- ^^^^^ -«>- Win • ter drear we no more fear. So wd-oomo back (h« it«r> ^1 111. mil Lv^Mn wm ft m ELEMENTAL INSTRUCTION. SPRING IS COMING. Concluded. OnOSUS, Sing prelude again for second verse. 199 ^ ^ # . 9 9 9 1 L_ • # • * Si it-r F -t-r -=i- s 1, Spring li com - tng, Bprlng Is com - ing. Bear tbe mer - ry wood-lands ring ! Spring is com • Ing, spring la com - Ing, Ans'-rlng back we Blng. :S; t :| ~-0^~^ ±=fz #— > • • -0 — -0 — 0- -J — X m *= #^^^ — m—ai- 3. Skies are light and bearts are light • cr, Joy and pleos-nrc crown tbe day, • 9 ^=i=^ ^^ :ez:zi: I win - ter drear we no more fear, So wcl come back tbe May. as^-^s ^ — 0—0 — 0- If O. 78. — Scale of B minor. The relative minor of D, having the same signature. ^^ a=p: No. lit— Scale of A. Three sharps, F, Cand 0. mt m —I — — H: — i-» M p-f-:f^- ^7^.* i -0-p- ^-0- :t: z^ig: 3 No. t^t— March Song* FWR. *♦ ^: t^g=^^ ^^d!d!: ■V— *- -V— ^- ^~r i^^^^pSl Come and march tbe rounds with me, Come and march tbe rounds with me, March to the mea-dow, Btarch to the mea^low, March to the old sha • dy tree. D.O. Oh, the mom-ing, mom-lng light ! Wel-come, welcome, eheer-lng sight I we will foiek-ly haste % • way, To spend » Joy • ftU bap • py day. So Ho. ^9.-Introduce Triniei. SING TOGETHER. (Round in Three Parts ) . I > /. L^^ -v-N-N- J^ 2. 9ZMrjiZi-^Z±L :^_#.._# -¥ — >- eiDSt ring to-Gctn-cr. Mer • ri • ij. mer • rl • 17 smg; Slag, aiog to - gcthd Is love I His wan • ed ev - er O'er and o'er tbe world lo (air. ■-<- - # • -Jtmtzjsr -w—m — * — ^ ■0 — #— • — ^ *=t3t:i: ^11 S^F^ A— 4 4 e ^- e:^ee i — H -•— #- -#— •- -I Jtiitze: ■?2= S=aj J=^3 i] 2. nod III lore I to rnn he call ■ eth, 8add«n'd heart and tron-bled bmw, God la love I oh, wea - rr mnr • tal, Cant thy Mr - row on btra now. -^ \ — »—»—0—0-\ - \- — |- Y *— _ .0—^—0—0. r- \—r-t - -•— #- s>- -•— •— •-^-# — FF-- P-P— #- :^=i: 5=P= t=t ^ iliitii '^m ELEMENTAL INSTRUCTION. 201 IVOt 9B.— Scale in ifinor. Wo. 87.— SOJTCf. "How can I forget thee." •^ How can I tor - set thee. feg ^-'»- ^-¥^ ifetz: #"^ £ Bow can I for - get thee, D«u.-Ir loT'd hornet Not I atUl will No. %%.— Scale of E-flat. Ppg^^^ig^^ p gi^^^ igg =i=F i=F 1 — ^ f ztjt love thee,Tho' far bom the« I roam; Home, Borne, Dear-est, happy home. No. 89. SOPBANOS. THE RAINY DAY. , Altos. GEO. F. ROOT, UiM. Doe. ^m -^— » ^ m - -+■ -*- ^ -^ IX -f- :4: ur the («n • tie -J 1- Oh, there U no Bound In na • tore. When th« aan has parch'a the plain, Uke the beat -tag on the ahlngles Uf the gen-tre anm-mcr mln; Tenors. liAiuirs. le^ :ft3t=i #— # S|s ?ci5: ^c=i: \ •Hr And we love to lla • ton to it. Beat - lug on the ITa-graut ha;; CnOnUS. Pi-elmle twice. . t^ -0—0- Tbat is 80, there's nothing like A good oldtaahioncd rol • n; day. -H^— -^ — 0—0 — — • — 0—0- -0 — — •- ^S S>- -4-~f 11 1. Hal ha I hal Thcro'snutliing sweet *er,Whcn the ann hasparch'dtho plain, Than the beat-ing on the ahin-gles 0( the gca - tie sum-mer rain. ri 202 t No. 90'— Scale of Minor. S ^ ELEMENTAL INSTRUCTION. . ' ■' Wo. 91.— Soafe of A Flat Major. .»+* «•»> f ::pc=i: lf=* tt ^ iia^^^ =i^=F -#-#- ^c*: :f=t S-» ^-# No. 93. ^Sl :#-^ :^=P= :p=i= ^c=#= Hi Mo. 99,— Scale of F Minor. # • £ =ilP=5= p=^ ntit itat No. 9*.— Scafe 0/ D Ji7a/ Jfcyor. i 4,- S^ No. 9S>— Scale of B Flat Minor. ^|S_^ td I -*-*^ :3t=t. -id-P- -0 — •- ±=:t: -»-^- 1^-^ Jzt?fcig=igzi|^i:il=j -•-i^ ♦•# No. 96. ^S i BE w—^ -#— •- Jf=#= -• — «- t-¥ atit ?ci:ii= -ii^— #- :i«--^: ■• — # Do, do, re, re, ml, re, do, si, si, do, do, bI, Io, boI, do, do, re, re, ml, re, do, sol, sol, U, la, at, si, do. Kach (le-grce bas now been "do," Twice, this one, as we all know; C, G, D, A, £, don't misst F, B flat, E flat, and tbls. No. 97. ■4- ^0 m^m^^ •«'-*- -X st Do, re, ml, fa, mi, re, do, sol, do, bI, la, sol, ml, do, re, ml, fa, ml, do, re, do, Bi, la, boI, fa, ml, re, do. Kow we pro -claim, Keysurc the Buiiie, lu tbuir re - la -lion and rel - a-tive name; If wedon't know that we're all mucb to blame. 1 No. 98. Andante. FROM THE TOWER. ;s^ S 4l •• — -&- d d zi ^ — • — — « Do, do, do, si, si, si, do, do, do, do, re, do, st, do, sol, sol, sol, la, la, la, si, do, re, do, ml, re, do. 1. From the tow'r Hark, the bfill Tolls the old year's passing knell! Ah ! how swift the months liave (led Since the last old year lay dead ! 2. Time brings change, Joys an J cares, Steal-ing on us un - u wares; Be the New Year swift or long, Love is liv-ing, faith is strong. g^^j^agEija3 g z1: M d d —^ Do, do, do. re, re, re. -t- d^-d—dr-li- ■:t- ■0 — — s>- t: -t- P=p: ml, ml, ml, ml, Ik, (ft, lol, do, do, do, do, fb, fft, fa, sol, in, sol, ml, sol, sol, do. No. 99. Moderato, ELEMENTAL INSTRUCTION. ANGELS -WHISPER. • 203 GEO. F. ROOT, Mm. Doo. s 1. An-gel8 whis-per low and aweet, "Ob, be gen -tie, oli, be true;" May we bear the wurcls tliey Bi)eak, Hear auUheed tbem, too. m m ■4r 4 * 4 '^ ^ ^ ^ 4 ' 4 4 4- W^i 4 * 4 ^^*—^ I tea 2. To the sad and err-lng one, "Oh, be gen -lie, oh, be true;" Ev - ery deed of kind -ncss done, P , PP P -=— , =- «» , ' * ^ 4 ^ Joy will bring to you. E ZTr-r r ■+■ ^t-H — h 1 I 4 •-=i: • • ^-#-#- a=p: 4 4 < s > =P=?E 4 4 4* 4 4 4* REFRAIN. ^-A-!^—>' A^ m -• — 0- ■0 — # S P^ PP m '« — •- ±i -• — •- -0 — •- Pi Be gen-tle, be geu-tle, be gen-tle, kind and true. l i gen-tle, be gen-tle, be gen-tle, kind and true. =^F^= 4- ^ T 4- -G>- tn -r-T -#--^^ gen-tIc, kind and true. a P Be gen-tle, be gen-tle, be gen-tle, kind and true, PP P . . ♦» s?^g^s^ tt Be gen-tie, be PP P gen-tle. be m 3: m 'w=0 itzt p •=3t :•=*: Be gen-tle, be gen-tle, be gen-tle, kind and true. Be gen-tle, be gen-tle, be gen-tle, kind and true. ^-P-|/ 4 1 1 t±tz :#-V -Jrz4zj^ Be true, eM^ #— r ^ ^1 DUKE STREET. L. M. J. HATTOH. ^■-F^'« XJ-r-4-4- ! lift up thy voice, Oeurth.andallye beaven8,re-joice! Fromworklt 1 who then sliuti dure Resist hia will, dis - trust his care? Ho-lyundt 1. TbeLordisKln:;! litt up thy voice, Oeurth.andallye heavens, re-joice! Fromworldtoworldtbe joy shall ring. The Lord om-ni 2. The Lord is King! who then shall dure Resist his will, dis - trust his care? Ho- ly and true are uU his ways: Let every crea I po-tent Is Ring 1 ture speuk bis praise. Moderato. HAMBURG. L. M. ^^^^^^^^^^m^^^^^^ L Give to our God im - mor - tal praise; Mer-cy and truth nre all his ways; Wonders of prace to 2. Give to the Lord o( lords re • nown. The King of kings with glo-ry crown: Ilia niurcivs ev - er Arr. ftom a aresorlan Cbut, By Dr. L. fiXsON. it rm-t^^^' It :g- -r-^ijg^jg. m H God he - Ions: Repent his mer-cies in yonrsons. sliull en - dure, When lords und kinirsare known no more. a.. It ca WINDHAM. S. M. DANIEI. READ. =c 1. Broad is the road that leads to den,th. And thousands walk to- getli-er there: But w.s-domshowsa nnr-row path, With here and there a 2. *'De-ny thy-selt, and take thy cross," Is the Re-deem-er's great command; Na- tare must count her gold lint drusa. If she would gain this heavenly land. tra-vel-er. Sit=s wmm — f- «- FEDERAL STREET _L^_ ...—J 1_^ „_J 1. J?_:ei irr»-g= &-- it^ I I JTotJefatou L. M. B.K. OLIVER. MdM^^£j^iM^^=^^s^l^^^^ I 1. So let onrlipsand lives ex-press Theho-ly gos - pel we pro-fess; So let our works and vir - tues shine, To prove the doctrine all dl-vlne. 2. Thusshall we liest pro- claim a- broad The honors of our Sav-lourGod; Wlien his sal - va - tion reisns with - in, And grace subdues the power o( sin. I ' ^1 — r I rr- — ' ' i i, ' "~ \ — 1~^ I I I — I- T^r — "-^- t l"^ faa-'i — r~^ rL^ v^yJIBBI J. BATTOH. Is Kins t ik bis pruise. rfa- -| — - — orlan Ctiuit, A80N. 3rd^q I yonr sonir. ;nown no iiioro. »--P- m riEIi BEAD. a-vel-er. •avenly land. K.OUTEB. i I di - vine, rer of sin. ■--r-- I 'WOODSTOCK. C. M. lE^^^feESE D. DDTTON, Jr. a05 1. I love to steal a - while a -way From every cum-bering care, And sperUhe honra of set -ting day, In hum-ble, grote-ful prayer. 2. I love to think on mer-ciespost And fa-turegood im • plore, And all my cares and sor- rows cast, On him whom I a- dore. ^^ ^^^^l^^^ ^^^^^^^l^^pp I r MARLOW. ^ te^= ■^■ ^ § ^■.1*" * £ IE3. fe^ zdz HSEJE C. M. «— s ■0— G> c- 1. Blest be the ev - er - last-ing Lord, Our Father, God and King I 2. By thee the vie - to - ry is given; The ma-jes-ty di - vine. Thy sov'reign goodness we re -cord, Tliy glorious power we sing. Wis - dom and might, and earth and heaven, And all there-in, and thine. ^=t- WEBB. 7s & 6s. QEOROE JAS. WEBB. :^ zm=:rs 1. stand np — stand up for Je - sus ! Ye sol - diem of tlie cross, 2. Stand up— stand up for Je - sus! Stand in his strength a- lone; Lift hii;h his roy - al ban - ner. It must not suf - fcr loss. The arm of fleali will fail you, You dare not trust your own. -0^ --^-- m :fc -Z=^t- :e=ee r-' ^=S i d^d^^ i ^^^^^ :^==b From vie - fry nn - to vlo - fry His or - my shall be led, Put on the gos -pel ar • mor, And watching un - to prayer. r :*=it Till ev - ery foe is vanquished, And Christ is LorI in - deed. Where du - ty calls, or dan • ger, Bo nev - er want-ing there. ^ ^'f=f=f=f=^- ^ ^ ^'^^' ^r^'i^T ^^_ *. t, 206 ST. THOMAS. S. M. HAMDEL. Sii^g^^^^^pgiiPP mi :j=t 1. Como— sound lil3 praise n - lirond, And hj-mns of glo - ry sing; Jo - ho - vah ia tlio sovereign God, 2. Como— wor - ship at liis tlirono, Come— bow_ be- fore tho_ Lord; Wo are his work, ami not our own, I^P Tlio u • ni He formed ua ver - sal King, by Ids word. ii^|ii^i^si^iiiipiiii§i|li|M|#'^ DENNIS. S. M. Andimtino. i— ri^rf KAOGLI. Arr, by Dr. HASON. -•- _ _ 1. Itow gcii - tlo Gild's comnianil.s! How kind liis pra~cepta arc! Come, cust your Imr - dens on tlio liOrd, And trust Ids coiT- stnnt carp, 2. Bo- noath Ida watcli-fnl cyo His smiiUs so - euro - ly dwell; Tliiit hand wbicli beara ere -a ^E^z :fc=ti ± I'liat hand wbicli beai-s ore - a - tion up Shall guard his chil - drcu well. OLMUTZ. S. M. Arr.by Dr. MASON. V - - - - - I 1. Tliy name. Al-niiuli - ty Lord, Pliall sound thro' dia - tant lands; Groat ia tliy sraoe, and snro tliy word, Thy truth for - cv - er stands. 2. Fur 1)0 tliino lion - or spread, ^nd Ion:; thy praise on - dure, Till morning light, and eve-niiig shade, SIniil be e.xehanged no more. c;;or-e=L?=-z:e, .^. .m. :.^E2-^iiEff: lEiiliHis6=EE^iil|=SEEj .•^- :?• - 1. My soul, be on thy guard. Ten thousand foca a - riae; 2. Oh, watch, and tlgiit, and pray ! The bat - tie ne'er give o'er: m is- :*=lt=fc t^ ■0- --i=z £-- Tlui hosts of sin are press Re - new it bold - ly ev - ery r hard day, To draw theo from tlio skies. And help dl- vino Ini-plore. l?=F=t=F=f ^ ^ M-^ ^^^mm 207 EXPLANATION OF MUSICAL TERMS. A. An Itn\iRn preposition, menning, in, for, nt, with, &c. Acreleraiiito. InorensiiiK the time fiiatcr iind yet more fust. Adiujio, or AiUuiu, Slow. Atlaflio Auai, or Motto. }[ore »low, or very stow. Ad 'Libitum. At pleiienre. cnpeciuUy regnruiuy time. Affettmio. Tender nnil iiHecting. Ayitalo. Ill nn HKitiited iiiiiniier. Attn Capclta. lu Cliurrh style. A lltgro. V\\»t. A llfi/vo A »,«( i. Faster. Alleijrttto. Not so fast as Allegrj. AHajm ma iiou Tropin. Fast, unt not too fiut. AvMbiU. In nn amiable maimer, aftectionately. Amatenr. One who pmcticeB music for pleasure. Anwrom, or Coti Amwt. In a soft, d^-liciite Hiiiuloiy stvlo. Anifuiite. Tender, diHtinct. mid rallicr Amv, yet connected. Aiiilaiile Con Molo. Movement (jiiirlci'i' tliau AuUaiito, AluliuUlito. Soinewliut faster than Andante. jtiiiiifito, or Con Aiiiiiui. With spirit, courage, and boldness. Aiitiphone. Music sung by altemute choirs. Anitto. Mold and energetic. A riom. In a liglit, airy, singing manner. A TtiHiM. To retiuni to original time. A 'Tenwo Oiiulo, In strict time. Ben jMraito. In appointed ami well-marked manner. Bis — twice. A call lor a repetition of a performance. Brillante. llrilliant, gay, sliiniiig, iparkliiig. Cadence, Closing strain; also a lanciful, extemporaneous embellishment at the close of a mntt- Cadetiza. Same as the aecoiid une of Cadence. See Cadence. Calaiiih. .SoOer and slower. CaHUibile. (!i'acefiil,niiigiiig style, a pleasing, flowing melody. Canto. Tlie ti'eble part hi a cliorns. Choir. ' A company or bund of siiigei's; ako that part of a church appropriated to the singerH. Chorister. A member of a choir of singers. Col, or Con. With. Comodo, or Comiiuxlo. In an easy and nnreetniiued manner. Con Ajetto. Smooth, tender, aliecting style. Coil Dolcesta. With delicacy. Con Dolore, or Con Duolo.—eee Dotoroto. Conductor. One who superintends a moiical performance i same aa Music Director. Con Enerffieo. With energy. Con Efpreitione. With exprei-sion. Von Fiioco. With ardor, lire. Con Gratia. With urace and elegance. ■ 'f Con Impeto. \\ iih iiiipi'tnosily. Con Moto. W itii coiiiiiKitiuii. Con Spirito. Willi spirit, nuimation. Da For, by, of, fruui. Da Capo al Fine. Fioni tlie begiiiiiiiif» to iho end. D8 Zion Awake its 0LES8. All's for the bert loa Angels whisper S08 Daughter of Error. ... . i« Farewell to Winter m From the Tower 20S Oally our boat glides 138 Goodnight 93 God is love 300 BarkI the summer birds 4 Harvest Home 18 Hunters chorus ge In the meadow . 43 Johnny ( Ronnd.) 198 Keep to the work aoo Lendahand s MarchSong igg HerrllyRow ug Horning Papere ( Roond.) ige Nearcrhome 198 Now away, no longer stay llj O'erthecalm and sparkling waters 26 Pleasant memories BS glng together (Round) 199 Sleighing song m BmlllngMay 06 Spring Is coming 198 The Camovale 1(2 TheClover 8 The Evening Hearthstone 64 The Forest song awake IM The gates of song 192 Theiiourof meeting 64 The Indian Maid 10« The May Bells 118 The Merry Mill-wheel lei The Midnight moon 48 The old clock on the stairs 80 The Rainy day 201 The BinglnBkewl (Comic). l'.!8 The Sleighing Party 86 TbeTattlers oo Verdant Fields. 28 FOim PAST 80KOS. Angels listen while she speaks 82 Bring me my harp 116 Dream no longer maiden lUr 61 Farewell, Farewell 77 Katie Strang U9 LUy Bells 38 Mother, SweetHother in Thy left I myhame 166 Sweet and Low ISl The Angel of Dream 103 The Cottage Rose 60 The sweetest of flowers 47 'TIS pleasant to be yonng 29 Why walleth the wind US 0LXE8 FOB KALE TOICES. Come dearest with me 33 Gently, gently wake the song 106 Now the Bells ill Ohhowlovely 44 Sara-neighed. (Comic.) 80 Stars of the summer night 8 The Bridal PartT 67 The Stars shine bright 92 Tranquil and Peaceful 1)3 I Tour Ikce IB in my dieama U6 METBE TUNES, Alice. 78., 37 Barber. L. M 161 Beautiful Vision. CM 23 Beyoud the smiling 179 Burn .an;. L. M 169 Como, oil come. CM 101 Oonlldcnce. 0. H. Double 126 Contrite Heart. CM 32 Dear Comrade Soldiers. 8s A 7s 141 Delaware. L.M.or8sA4s -. 110 Dennis. S. M 206 DnkeSt. L. M 204 Drawing nearer my home 148 East Bridgeport 8s A 7b 140 Evening Prayer. 78 110 Federal St. L. H 204 Greenwood. S. H 170 Hamburg. L. H 204 Huntington. 8. M I80 I'm a Pilgrim. (Irrer-iar.) . 161 Invocation. L.H 137 Laban. S. H 20« Marlow. CM 205 NorthPelham. CM 108 Olmutz. S. M 206 Rest. C. M. (Donble.) I60 Shepherd. CM 161 St. Thomas. S. M 206 Syria. CM 37 'Tla the blessed hour of Prayc • 160 Webb. 7s4«s 206 When shall we meet again 188 Windham. L.M 204 Windsor. 0. M 187 Woodstock. CM 206 Zlon. L.H 170 CHARTS. Oometome... 180 He was despised 169 Humble Devotion 180 TlieliOrd ismercifiil 180 The Lord's Prayer leo I Thy will be done 170 SOLO'S WITH 0HOBU8X8 AHS TBICI. Hume of my heart M I'm waitmglove 84 My fbther lies drunk Itt MyiarolThome S4 Sad memories 34 Sighing for thee m Sisters of Mercy. (Trio.) 1S2 Sweet Spirit hear my prayer 81 When o'er the distant hills 78 TUtST LIKES OE HTMHS. Awake onr souls, away our fean 161 Beyond tho slniUng and the weeping 170 Blest be tho Everlasting Lord 205 Breathe Holy Spirit from above 137 Broad is the road that leads to death 204 Come, oh come with thy broken heart . . 101 Come sound his praise abroad 208 Dear comrade soldiers of the crot 1. 141 Drawing nearer my home 148 Give to our God immortal praise 204 Hail sacred truth whose piercing ray 161 How gentle God's commands ....206 I love to steal awhile away 206 I'm a pMgrlm and I'm astranger. 161 If on a quiet sea 170 Jehovah God ! thy gracious power 168 My soul be on thy guard 206 Oh for that tenderness of heart 32 Oh God onr help in ages past 137 Oh speed thee Christian on thy way 126 Oh where shall rest be found .... 180 O, thou from whom all goodness flov » ... 37 Saviour breathe an evening blessing 140 So let onr lips and lives express 204 Stand up, stand up for Jesus. 206 Sweet land of rest for thee I sigh va The Lord Is King, lilt up thy voice 204 There Is a calm for those that weep 110 There is a place of sacred rest » 'TIs the blesRPd honr of prayer I60 To thy pastures fltlr and large sr Thy name Almighty God 20B Up to the fields where angels He. 10» Weary as with cloelng eye UO When shall we meet again US I Zlon awake, thy atrenfttiniww IW uroTUO'i. M 84 184 M M t» isa 81 »8 Yxm. » m eplng ITB 205 187 leath 204 1 heart ... loi ao8 on. 141 148 e 904 Bray IBl 208 308 ir.... 181 170 rer 168 206 32 137 W8J 128 180 B flOY H ... 3? IStlur 140 [TTr. 204 206 :h ISO Ice 204 eep no 28 , 160 87 20S ', 16> , 110 188 ■ m # '('n,W ' 'ill'. I! " ' GOSPEL HYMNS AND SAGRED SONGS By SAItfKXSY, BLiISS^ MoGRANAHAIff and STEBBIItfS. hi, « A B 1 '.M -I' i \ |i w 'i|;i'> I 111.. I l;..ai.K so :;ii ;;. W iilll'.'^ u.\ l,\ , i uiii.l i .■■ o :;:. I. •• < I .tii Sll (1.. I Ml >ll \S|I \\ll|;|l>. llMlr.l ( ..Ml- (xUbl'bJl; HYMiS.S Nu. A. s(i :;ii ;; \\ 1 1 III '^ I iM,\ . I'll ■ .1 r..\.-i- ... . siin;. II :i.i I I ^.i!. iMi; GOSViai. HYMNb No. j. . ., ^11 .'III ;) \\ iii;|is o.M.\ . I i.,i. .1 L'liMii-s Sll ii.'i . . II .■;.'. I •• I I .ii, II (i7 CiUSl'EI EIYMNS Nu. 4. \N'r :ii. . ..mill 111 iIkiI till iii,.n\ ti s.iii.i- Ml... Ikim- .1^. .i » itli li-.-li:.'!!! :uiil in.ilil liic Ih iims in iIk Iii>; ;!..., s. 1 1. >- will -l.i.liv \\.l.-..iiir tiii.^ t .ill lli isMii 'laiiui..: ..- .i.i...~, ,..iiiL i.i iiii ■u.'.i.-si -.iii>:-.ii H.\^Kl.^ , M.i.i; \SAi:.\N .v Mi:iii;i.\s 1 \H si. Wli W ii|;|i-, ■|-,iii..i .- ■•11 .Sll ;j \\iii;|is oM,') Imt. |i ..v, ,■- -11 O.'i H.iiii.u . 11 ::.". t 1 |..iii II (i7 GOSPEI. UYJV;N3, Nu.s i A: :>.. ui Owi.: hook. Ml s|. \.-.ii wiiiin-. :....ii.i- >.. i;.'. -j. w iii;iis (im,v^ |',.,,u.u sn i-j_, GOSPEIj hymns, Nn.s, .5 & 4. in One Book. i Ml sh \Mi \Mi|;|i>. |;,,,,,,u .rii Cm -V W i »l!h.s iiNI.V, |;,„,i,U .so I'.'i GOSPEL HYMNS, Nob, 1, :\ & 3,' lu One l!ook Hi Ml --i' \\ii w .ii;iis. . i,,ii, -^100 :i. w (iM.V, rli'tli s-n -jh ■-' • i.ilt K.lj;. ! -.1 COMBINED HDITION Vn .■.lit;..ii ..l 'i...s|«l ll,Mllll,^. ii.iU.-..im i.. ||,u,. m .n, I,....K, hiiI. IIi.i1ii|.1k-;iI.- i.H ..m, .111.1 iiiiiiili.!-.. I .1.11 ,si.-cutiM ly. Ihuv ri 1.1..'. II'..; 11.1 nl.). .■ti.'ii in.|ii. nllv .114,.! .ly.i.n-i ijirj. ii..i'i, -.■mini n.-i\ J! Mls|, AMI \\ iilllis. r,i|.ti I ..\ 1 .s(l 111/ 1; W ii|i|i,s i).s|.\ , l',,,.,.|.| ,,i, I l'...,ii.l- II Til ; " |;,,a.,l.- . . ,■! iL.tii II ■■^'1 s ' r|,,tli :. • l.'ii.'i I'.il'ir 1 IMI :i. I ar.T ■r\|„, l'„.niil-- .'.. • i.ill. ICilgi' I •-'•"' 1(1, •■ ■ (I, .III COMIJINEI) EDITION, wiMl No. 4. l''i.r in.' a.'.'iiiiiii....l.ai..ii ..i 111..M u 1,,. ,1, v,,,- 1., l,,-,utlii »li,.i, ,Lni|.lni m ,111; H.n.k, %£ I \lis|r .\Ni) \Vii|;|is, U.,ar.U •'^1 iiM,\ . |'...an!,s . . .■^ii 'ji CI. Ml s|i ,\M) \\ iii'n.s, ii I i;...,i.i. D E C sll III (I j,. II 'Ml II •-'(I '.'.•. • li, i.ili !'■ I <1.,||. •-. I'?-'^ HEART AND VOICE. i^f '' ..il. ■ 1 1..11 ..' N.« I'lJiv. r il. I tin.' aii'l siinil.i.v ~- li."'l Mum.' OUR GLAD HOSANIffA. III.' latr.M S|,„,;;;y S, l|.,(,i I,.,. I. .,1 -,„.j; .\ I,-. ., I.. I I. II, ..I till ■.■(■ill.,- iif iii.iin l'i...il<.<. /',/.v. ,,.; i.„i' fJSk ■ -"'/III ' >(i (1.. 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