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 53 
 
 
 INDIAN SIGN TALK. 
 
 ^'/ 
 
 Being a Book of Proofs 
 
 OF THE 
 
 MATTER PRINTEDON EQUIVALENT CARDS 
 
 DESIGNED FOR TEACHING 
 
 SIGN T A LK I GN/I NDI ANS 
 AS MUCH ENGLISH AS CAN BE 
 
 EXPLAINED 
 
 THROUGH THE MEDIUM OF THEIR 
 
 A LMOST 
 
 Universial Gesture Language 
 
 
 BY 
 
 In-^o-notn-pn sli'i. 
 
 Author of acrr ml vocfihulriries of Indian Languages. 
 Copy right secured hy Lewis, F. Hadliy. 
 
 .5 1003 ) 
 
 • . <^. ... 
 
 Chicago address, care of BalceriS'Co. ' ^^J' Of **SViw 
 1 82 . Clark street, h'ooni 23. 
 
 CHICAGO ILL, 
 
 L, / 
 
 2^ 
 
 Qk-Uu ^ 
 
 h' 
 
■MMMMMIPi'^HefU'^ 
 
 itV\ 
 
 
 
 v^^ 
 
 •> J 
 
 ^^ 
 
 I. 
 
■ V 
 
 ,7 
 
 70 HUMANITARIANS 
 
 OF EVERY NAME, 
 
 TH I S WORK I S 
 
 HUMBLY DDEICATED 
 
 BY THE AUTHOR . 
 
 =i-^3sysa:5£tT.-j'=^- 
 
 h^C^..~:i^:^:^,,^^^^k^Xjii;}fr^^'€^^ '-:.- 
 
-•■►—- • 
 
 ..'»,*. ■ i ■ 
 
 i'-% 
 
 • Vv* »' .ir • - «' ;»• 
 
 .*M«? 
 
 H . 
 
 *^... 1 
 
# 
 
 INDIAN SIGN TALK. 
 
 I'HEFAVE. 
 
 The present seems a fitting ojtportunity to prepare a brief resume of the 
 history of this idea of printing the gestures of the Indinns' Si^n Lan^un^e 
 i7h such order that Indians who know the si^ns nii^ht heeome readers of 
 si^ns, and in the hope, if readers, the si>ins eould he utilized as a means of 
 educating the adult elass in any matter that eould be explained in their 
 sign language. 
 
 Having lired nearly all m'f life in rontaet with Indians, I hare noticed 
 their liahit of gesturing in their coniniunications between themselves, and 
 when talking to whites; but it did not occur to me that their gestures meant 
 any more than tfwse of some ivhitc men u'ho throw their arms about like the 
 sails of a crazy old wind mill n-ithout thought of method, or of conveying 
 any idea whatever. 
 
 Jiut, when the Smit/isonian Institution asked eolleetorsof Indian matters 
 to take notice of signs and make it a /lart of their work, I began to 
 believe there might be .something in it, and when in 1 880 the Bureau of Eth- 
 nology issued its volnm.inoa^ report on this, and other matters. I became fully 
 interested and determined to ilrop the collertion of Indian uu>rds and devote 
 myself to the investigation of the gestures called Sign Talk. 
 
 Skipping the years of di/ficuity incipient to many new investigations, I 
 came to the point where f saw I must abandon the rules laid down for guid- 
 ance in representing signs as btin^ needlessly burdensome, and another ftlan 
 occurring to my mind which ]tvomised better results, I adopted the idea 
 generally observed in this work. 
 
 All Imlian gestures have some essential position, and my effort has been 
 to learn that position and to make a diagram of it, showing mtwement by a 
 dotted line to or from that essential position. 1 also usually represented the 
 position as seen while making the signs with my own hands. 
 
 The result was a diagram so plain, that the Indian himself could read it 
 as soon as he learned the me of the dotted line sluxving the movement. 
 
 When J realized that, T redoubled my efforts, believing they 
 could be utilized as a means of enlightenment to all sign talk- 
 ing tribes, especially to .inch as had passed .school age. How well my part of 
 this work has been done, I leave for interested parties to decide. I could fill 
 several pages with interesting matter concerning the .struggle from this point 
 of conceiving of tlie idea and its accomplishment; the years of privation be- 
 fore receiving any assi-stantse front others, but I forbear. 
 
 ^JS=3^iSBiiiS^^ ^g&=i5t™¥j^tp5J^ 
 
» 
 
 i * 
 
 ••# 
 
 >\ 
 
 '.V 
 
 V 
 
 
® 
 
 ® 
 
 <^ 
 
 ® 
 
 a 
 
 INDIAN SKIN TALK 
 
 , If'li V hiiriti<J rmjiin III thr first irmlr iliiiijiiiniii of llir >Ji si iirrs ir/iilr ijil 
 ornoriQ' t/ie Jnfliiiiif. /iriiiliiii^ niiiitiiit ri'/iii s n/' GB^ mfs rm/i trilJi n ptifiir 
 kiiij'r, I irritiiiij tin ir niii'i'iiliiits iiith II jiiii K I smr tliri/ irvrr rutin lij Ino 
 /orQ'i' mill till) fiiHtrlf/ i.vii iili it Id hi n iiii /inn tii nl, nrinrr/itnlilc 
 
 Thenfnn\ J ili trnniin il to ti i/ to finil /'n'rtnls irhn nmlil fiivnish tlw in i huh 
 It'll He I rimlil tin lirftrr ivnrk. Thin it iriin Hint I iniit to Fort Sniifli, , Irk. 
 
 Thin n-iis tlir Infill iiiiKj of llir iiitrrrst slioini hi/ liiv. (Irorf^r /•'. Detain, anil 
 Ills ivifc. Mm Kilitli AI. Droiii. 
 
 Thrif nilriinrnl tlw iiionif/ to /inrrlinsr hlniik fi/firs, on irliirli I cn^niviil 
 iicarlji 4000 iliiir>ninin, irliirli nrr knoirn nxtlir BLACK TYPE. Tlwse wrrr 
 till' first finntiriil fot' t. ninii'jii to firint tlir "Siriiion on tlir , Mount" at onr ini- 
 /irrssion. Tin' nhor- finrtirs also nnnlc ii iiiiij for me to /mi/ r.v/tcnse.H irliilr lit 
 work on this sevonil si-t of irooilvn I !//ti's. 
 
 When the hlnrk ti//>e irns ninit/. tiro ImUrs (irlio are still nil/ /irinri/inl 
 hel/iers) nilviinveil nionnj for ti//>i, iinil /irinting, irith which I hud quite a 
 qiiiintiti/ of /irinteil ninttir /in /mnil . 
 
 But inij frirnih Wire not /ili'iised irith the general n/jfieara nee of black 
 /irints- ' 
 
 Then T liinl some /lieees /irinteil Inj iilioto /iroces'i, anil the eonsei/nenec was, 
 that both whites ami hnlians /irefi mil tlie onliiniri/ sli/lr of tliiio'ninis, anil 
 the black /irints were never well leceireil. Sreiii'J this, anil knoiring the reason, 
 niif frienils /n'o/ioseil to furnish the means if/ would /we/mrea niore acceptable 
 font. Thisis noir arcoiiiiilisliril lis slioirii in this icork. See a/i/)endi,v, also 
 Little Star in same. 
 
 The diii'Jnims in thr/ir^t /iiirt of fli.is irork are ih-vf! tied for a Dictionary, 
 also for fwintin'j screnil liiiinlrrd curds fir ii.^e in teaching Indians the ci/aiv- 
 aleiits of their destiires, ini, I Hie m titer /iriiitcd on the cards is herein, /tre- 
 servcd in hook form These arc sim/ili/ hooks of /woofs, and onlij 75 co/ties are 
 saiu'd. Thcij arc not for sale, beiiKji reserved for such as have been, or niai/ be- 
 come interested in the develo/ntientof the si (in langwige, or in sn,stiiining the 
 author while ha is iiiauguratinQ' the work of utilizing the sign language as a 
 means of educating the older peo/tle by its introduction among them. 
 
 WHO INVENTED SIGN TALK ? 
 
 Som,e have su/}posed gesture language was the invention of some one, and 
 as I have been the author of the diagrams of their gestures, some have su//- 
 posed I was an inventor. 
 
 .Yothing could he wider from the truth, 
 
 

 © 
 
 ® 
 
 
 
INDIAN SIGN TALK. 
 
 ^ 
 
 H'itliouf tintilif, drshiir l.nniiiin^r is itltlrr tlifin infrHirtrnf speech, unit 
 r.ristH to soinr f.xhnf, tiiii<)ii$ all nntinns ('ertninly, if is needless /'or me I'o 
 mil nffenfinii fii siie/i si!;!'iis as, sliiikiii<;! the heitd fur NO, lioiriti^ it for 
 AS 8 E NT. hiekoiiiii'J f'ltr COME, and /jerhnps ri hundred others Just as iini- 
 I'ersnllifknnirn. 
 
 tint Its Iff firr dinliinj n-ltU the fiidimis' <Jesfiire liins^n'ii^e, it heeitmes in- 
 terest in <J to slndt/ its itri'Jin. 
 
 Others lini-r dieelt ini Ih 's /xii/it. anil as fhei/ hitre nnt sittisfied tJiemsclvea 
 even, f eertainh/ shall nut t //. 
 
 'hiihjitii: tiiiiii HI rival siijns still in w^i'. it is erident that sio'ns hare eoine 
 diiirn j'nini the rrnmtr /la-t, irliile errtain siijns liarr liren niodi/ied, iirudn/ited 
 from ri rent iiirrnliiins. rnslmus, and eirrniustanees, anil, as it is ini praetieii- 
 hle to rnh r iiifi) r.vtcnxirt s/ncn 'atinns eiineei'ning' the oriijin of Indian o'es- 
 fnrrs, f ii/fir nt;/ iiha fur a'lial it ix a'orlh . 
 
 Certain it is that Indians had snnte means of eon re if in ij intelliijenee hy 
 sio'ni and s'lj^ials, a'/irn first disronred h[/ irhitrs, .hid a I so on the monuments 
 of rained ritirs in Ci nl ral , Inirrira . are /ijnres inakin<J signs, n-liile some of 
 the rhararti r>- iif thrir a ■idrri plirrrd a-ritiii'J appear to hare hern a eonren- 
 iiiinal rrprrsi II latiiin of >Jislnies. 
 
 .Mijididis Hint flir I ndian Si'Jn Lamjiiaiie is of a nalnral groirth; a 
 creation of inn ssiti/. II ','/' // irr rero'Jnize tlie hundreds of their distinct lan- 
 o'liao'rs, ti) siifi nol/i'nj if llir nanierons ilialiets of each, ire must fterceire 
 that nooiir fmlian lon-Jar eoiild lir rerii iridespread : that one could not travel 
 contin 111)11 si 1/ and iih it p<oplr of the siinie spncli. 
 
 . /nd t/ir rirrn nistanrrs oj' tfie Western plains and mountain Indians irhn 
 fid I Hired ISnjfilo from one fndisiii •Jronnd to another orrr rust reiiions of 
 roiintrii iron Id tend to hrinj different tribes into the same loealitij, and as 
 they eo:ild not iindn stand earli other's irordi, it is hnt nutnral to suppose that 
 some ni'-aiis of commuiuentioii irmild gt'oir to become intellioilde. 
 
 .lull, as pantomine iras natural, Qesfiires heeaine established, and in time 
 (•■onrentional, and if Ion t^ continued, and widely di/f used, ofcon.rse, unirersal. 
 
 I beliere some such a 'Jroirth ions accomplished, at least in, the e.vperience 
 of our present Indiauy, mid that it has been, su/ji, 'lit for their need. 
 
 It may not be as extended now as formerly, but as it now e.vists, we are 
 able to e.v press almost any idea Indians ran eom.firehend. 
 
 .Itpuiie \Q3 biiji US a reclame of signs by letter and number, and lines 
 h' lireen, sltnwin,Q' the length they occupy on the line These are points useful 
 to translators, enabling a complete understanding between translator and 
 printer. The numbers correspond with those on the larger diagrams used in 
 the I 'ocabulary. 
 
 -i««^K*Wtt'-3^S^fe"4»Si»r.-;'Wass£vSafi*t««=»^ 
 
 «Wisv5S5=-, !--'=■ 
 
'I 
 
 1 
 
 'I}. 
 
 ■«SSB!S***!SS.»- 
 
INDIAN SKIN TALK 
 
 The iilr/i hriiii} fur tlir f rniinl ii tnr fit 'Jirc iiiiiiilicr irifji iininr. so in rasr 
 fill' /iriii/cr /.'. I'litirclii i'JiiDniiil i>l siijiis. Iir run srI flir irnrk- ii/i /'// iiiiiulnr 
 ii/i nr- 
 
 Fi)/loii'iii<> flifsi' iirr /inmj's n/' Srri/ifiir rnrils, frnns/nfiil niiil nrrn ni'i'i/ liy 
 one of ni 1/ hrl<>rrs nnlrr ini/ in'<iriirfinn. ir/iic/i . I tliink. innjlil fn vitnrincc 
 Hni) iiifi rrsfril fiirsnn nf tlir iitiHl i/ nf H'njn^ /'or rfHiJinn-i 'instrnvUnn. 
 
 1 1, flir irnrk of Cdftf- It" /' (' ark. In snii^ : 
 
 " ('i)i(lil fliis iruvk liiirr hrin il/nsfrnlni if irunhl linrr nililrd ijriiif/i/ fn fin 
 fiiriliff/ itf niiilrr-ifiiniHirJ anil ni'ikintj flir L'l'xfnrr, for if is rcri/ ili/frnlf fn 
 /li srrifir flic ninsf sini/ilr inorr'nrnfs nf flw liumls in spnvr sn fliiil n /iirsnii n'lm 
 Jinil iirrrr sn n flir ninriiii- nfs irnn/if, hif j'nllniri i:(J flir ili'srri pfions, iniiki' flir 
 rnrrrrf ninfiniis " 
 
 ('iif)f. Cl'irk is ri'jlil. no /iTsnn irlio is nnf nf flir ninsf /n'l-srrrj-inQ' ilisfiasi- 
 Unn li'iirn < frniii irnffrn ilrsrri/ifinns, nr flinf ilnrs nnf linrr fn iinlriirn n drcnt 
 Ileal hffnrrlir run nnilrrslnnil tlir skill fill (trsfnrrr. 
 
 I rr'Jiii-il Ill's ijiiifr ns ilijjinilf '!s if iron III lir fn I mm f>rrs/)rrlirr ilrinrin'J 
 ii'iflinnf iJInslriilinn^ 
 
 Hrlirrinn' fhi^. I li.nrr srrii fil In ili'/trnil iiJinoxf irli.nlli/ upon il I iistriitions, 
 anil, p'lor n^ Hiri/ nrr. I'rii nr-' riisilij n n'lrrsfnnif , ninkin'J rnniplrfe iinil 
 trdinn < ilrsrripllnu^ ns iiirlc <ir iltir ns nniwrrssiiri/. 
 
 The sipiln.x- nf Si<Jn L'lii'Jn i<Jr isniifnrifll//snf)/)i>sril In fnllnir flinf nf I ti- 
 /linns' S/)i)krn Lni'Jii i<Jr. Hiif llir i-nil frniii < nf i}'rsl nrr Inn <Jn !/<;>(' is iirncc, 
 and rasr.iii 'Jrslnriii'J- ■ind it sn liapprns llial lliis if^nalli/ fnllnirs fnilian 
 sifufax. W'r sail nf a l!i'n<J. ''His nnf'Jnnil." hnf finlian-i iroulil saij, "/lis 
 <>i>0(l nnl," 'flir I inlian si/iita.v '^irrs an rast/ anil fU'iirrfiil niorrnirnt irhile 
 ,)n,rs irnnJd br airkirirl .InlHiis is trie in. nrr^t insfancrs. lint in ani) 
 4-a.^r irlwrr casr, aii'l 'Jrarv.ari' nut riolatril. I nsnallij trij In introilarr oar 
 
 4nrn nrih r. 
 
 Cii'if. Clark also ijir'^ 'J ■am iliril ralr^. in irliirli lirsa//-:: 
 
 ". Irl'r.lr :. rrij.i. t 'f'n I <. an. I pi ■>;> i^'tioi.!. arr nni 'ftrif, a nil that ailjrrtirrs 
 fnllnir n<>n.i'<: I It at r 'i Ik a-i- n.-ril in tli." prr^rnt trn<" ; thil nnnns and rerhs in 
 thr sin ■Jii.lar niiin'fr, t.'f idra of p' a.i-.iUhj liriif^ r.y/n-/'ssrd in soni" other iray." 
 
 All of irlh'eli I qn,)te n.'inn h -'.s luillinritif. lint in the niatfer ofartnal resnit 
 firtiele^ are ot'lr i pirfirnlar! ij /I'linfrd naf. irlrlr propnsitinn'< are a-i plaint y 
 indieated. See ",/rrirrd tlirrr nrn.ttotliafplaee." Tlir propositionis plainly 
 risible. "Came to a I'lai-"" is eipi.ill y plai. 
 
 Tiierearr ni in.if nt'i"r t'liifiir.-s ic!i,ie!i tri,d I > sli/nr tint onr kmnrledjie of 
 gesture lan>Jn,age is rrry I i mi led. 
 
 In fart, there Iiiim irtf, ihiifil n.nir, breu any easy ni-fhnd of ]>re:^errhi<J 
 re,-')rd i of i/i.-rkl 1/ i>a,'ii^'r n.'i lirsta rr^ 1 1 li irr fir »? 7 o'ri iiir an e.v 'eed i n '_> 
 .'iinipJe .sli'irf li ind in III ) I of dra/r'irj sinn-t as siniU a.i ordinary irritinii 
 letters, but n'd .•<a/j[i •iently prrfrrfrd fir piililiralion 1. 
 
* 
 
 i 
 
 s 
 
 ■ Hi 
 
•■■J 
 
 INDIAN SIGN TALK 
 
 PECULIAR. 
 
 Tlirrf (ifr Nniiw iiinilfs nf r.v/irrssian Hint will jtiixzle xonic nnlcM fliri/harr 
 liml sonic <'.y}iri'i('iii-r in i-iiitiiccfion irifh [ndianx. These ore of some ini- 
 f tori (I nee 
 
 For in.'<tnnec. " ,lrr i/hti hnn^in /" I nfliinis sni/, ".Mtii/ be so yon, htuKjri/. 
 >yifi/ he so i/on linnQ'i'//, I <jire ijon j'ood ." 
 
 In the ahorr. the jlrst inn i/ he so means ARE Ihe secfnid ansn'ers to I F. 
 
 Titke the n'orti, irlien. Sometimes n-e en n e.vfn'ess it Inj DAY. ,ls, day ijint 
 ijon ettme, I fin y yon. 
 
 Ihit the s'litenee, " W'lien yon prny," ete , is hettir expressed hy ''J\I(ty he 
 so yon jn'ny." 
 
 ]'on knon' not, n-'n Ihei' 'Jond . or n-liether linil, n'onhl he expressed thus: 
 
 MAY BE SO GOOD. MAY BE SO BAD. YOU KNOW NOT. 
 
 ON THE FIRST PERSON. 
 
 To indiente iioiirsilj' is seldinn neeessnry For instance : 
 
 To say. f n'/inf. sim/dy Ji'stn-re w ANT, W'lio ivants? Why! I'he person 
 irho sny^'. WANT. 
 
 lint, ir/ien n-r siy. " ![<■ n- int^," nw gesture H E , then WANT. Or, ynu v^ant, 
 first fieslnre YOU. then WANT. 
 
 For I am hnwjry. si in pi y ijistnre HUNGRY. / am thirsty, siin ply gesture 
 WATER / lie n-'t/i k'inr is, ijestnre V/ ITH, and KIOWA. Bn,i when you, 
 speak (if tlf seeonil, or t.'iird fierson, aliriys sign YOU, H E, ^;r point them out 
 in, sinne nay 
 
 . Iniith.'r peenliar ide i is t'lis : Sn,/>pose yon. hare t 'ken jxiins to loeate two 
 cities, one .Wirth . eal leil CHICAGO, one Smith, ealed NEW ORLEANS, it 
 is oiil y necessary to toss one thninh towards (J/iieao'o, and the other towards 
 ' .Veir Orleans, in all su'iseipu nf references to either of those phices. 
 
 The same pecniiarity n/yilies to //ersons. One may he called, JONES, and 
 the other SM I TH. .-ifter they hfire heen locati'd, one thuinh may refer to 
 JONES, and the ot/i, r to SMITH. 
 
 POSSESSION. 
 
 ..J fen' words are offered to make tlie possessire jn'onnuns plain : 
 I n the sign for MINE, t/ie fist, is eInJehed like ^ras/dno' tlie air in front of 
 the b')ly. and then, dran'in,'J it clo^e to the breast This is a ])erfectly natural 
 gesture ('hildren, often elntcli (in,article, as a doll, for inntanees, drawing it 
 close, and sometimes tnrning aside to tlie left as if prideeting tlwir property. 
 
 The primary coiiccjitiini of'M I N E " /.s " I T BE LONGS TO ME," Hence, 
 the abstract idea is possession. (See M I N E/i. 
 
n 'h 
 
 '. .\ > \J M 
 
 '.v.-. ". <" 
 
 i' 
 
 vl ,,<■ >. . . . .-i, »■ ~ .'V* ' 
 
 ,,„, , ■ V.K :\ '■(,. '< -• 
 
 1 
 
 , k »> »'' \ 
 
 .' (• ,■ •!■ .. 
 
 
 ->1 , 
 
 \-,- I 
 
 A- -«' •• ■ -*•• ':' 
 
 sv , ■ -i'. iV 
 
 V, .' 
 
 .^ ii 
 
INDIAN SIC.N TALK. 
 
 Till' (iflifv piissi ssirr /iit:ti( niis iivt liil nirinfit j;n ii/' this'piiviiivji i-imcrpfion' 
 For iiisltnicr, II in, /?'/■>/ s/':;// MINE,- llini flir fist is tlirtiicti iimk-lKiiidrd in. 
 l/ir s/iiiir (lirri-fidii IIS fill lunitl is irtirril J'or NOT. This siif/s, MINE NOT, 
 For }'oiirs. fhr list p'rsf siii/'i MI NE, III- /I'issrssiiiii ; flini jist is tliriist to tlt^e 
 vi'ilit nhliiini- ill tlir iliri'itinii nf V OU, iiiiiiiiiin;, " if lu'/oii^s to i/nii-," or i/oiirs. 
 
 Tlii'ftf r.vinii fill's irill snfjirr In slimr Unit ir.'iilr (li stiirr Liiii'Jun'Ji' srctiis to 
 lis iirrrssiirili/ liiirlril ; !/il. /'or nil Hull. Hhit is nlirni/s soiiir irinj to i:\jnTKfi 
 idi'iis. mill llinii'jii lliri/ niiii/ III /irst srriii c.vrriiliiinl n sfrninji'. ifi-i, irlii'ii irr 
 oiiiT urn /if .-iirli imi/s ns nl linrnlilr. if not ijiiitr (i< /n r/'iif ns irr iniriht desire, 
 iiw soon Ih-viniir riroiiril, d In lluiii. nnil llirir siiiijiiliirilics nrr foi iiitttrn. 
 
 FUTURE OF SIGN TALK. 
 
 Frrrii liiii'Jiiii<Jr III loiiirs iimrr iiirir/ird. iiii prond. niiil nirfliiidir/il, hij 
 }iriii<_i ii'i'illiii -Issii^ii i>isliiri>-. irliirh iioir rn/iiirr siiiiir'skill to driiir iri'll, 
 nun/ III' rrdiind to n roiirnd iiiiinl niiiliod of' iTfirrsi'iitiitioii eiisil ij tvriftni 
 iiiiirli lofioii fill' sunn /irinri/ilis IIS irrrr sonir of tlir prrsrnf Irffers of our 
 alfihiihrf. Xofiihlij. L. from llir run. iifiiunil ilr<iiriiii> of ii Lioii,ifr. 
 
 If is ini/inssili/r to fori srr Hi r possihlr irli irii in i'jii f iirisr. If I iidiiiiisshould 
 fa]<r fsfirriiii -ih-risf in rniiHii'J l.ij sidiis, tlir Itiii'Jiin'Jr irill groir; otheririae, 
 it irill onljl srrir IIS " sfijipiiiij sfonis" toriii ri/ flirni orrr the stream fluif pre- 
 i-rnls their elosi r iiilrreonrsr ir.'lh flnir irhite }iei<jlil)ors. 
 
 ON THEJMANNER OF GESTURING. 
 
 /// the irork of I'lifit- (link, iillnilid In. under fin- hind of Si^n Talk, he 
 siii/s : 
 
 " The orstnres, the niolion of llie hands I hare deserihed, oiih/ fairifli/ nut- 
 line tlie foree of expression fin ij nrr enjialilr of" 
 
 Thehuni'in eiiiiiiti'inniir s/i.aks in flir ino'f e.vi/itisife shades ofsidni/iranee. 
 (Here he i/iiofis) : "The soft sihnl irooin^s of lore, the franfie fiiri/ of liate, 
 the danriii'J deliriiinis of Joi/. flir liun'Jrit era ring's of desire, fli.e settled 
 melaneliolij nfdead hoprs" . Ill flieye ennifloiis are riridhj pietured. 
 
 ''The hlanelied eheik and senlkinri fiijiire nnii/ at time e.vjn-ess a iroader- 
 f III amount of fear and eoirard ire. irhile a niihle hniriinj, flasliinr! eye, and 
 di'termined e.vfiressiou offaee, inaij r.vhibit a daiiiitless eonrinje. .1 hniujlitij, 
 cold and eriiel milliner, nnnj eonreij more scorn, eontenipt and hatred than 
 eould h- exfiressed in n-ords; irhile a oianee, a smile, a tender pressure of the 
 hand, may eonrey a whole world ofsynhpathy and lore." 
 
 " The ijestiires [ hare said, airkwardly outline fin- pietiirr: the enloriinj, 
 and heaiily. and foree of e,vf)ressiou. m,ast he filled in hy the nianiie:- of mak- 
 ing the si'Jiis. 
 
 The irork from which f i/ttnte the ahove is full of interesfiii-i matter swj- 
 Rested by his iurrsti<Jafions, and together with the diagrams jnihlished in this 
 vol 'line and on, the cards, are the most ndi able authorities on- this interfsfin^ 
 snbjeef. . 
 
 <^S«^St»SS^»=t: 
 
■>— "r- 
 
 
 -,. . r,.v •■■ :'■ 
 
 .<\ -.,1 /..,.:. 
 
 
 M '•^ 
 
 •1 . . 
 
 ..,;> ■.■... , > ^ H 
 
 i ' V 
 
 i 
 
 .V>V . ., .-, . .■.■:«■ I., 
 
 :..,.^> J' -• \.'- 
 
 .. V 
 
 .iJS^pi^^^^BSS'!***^*** 
 
INDIAN SKIN TALK 
 
 
 WHAT HAS BEEN DONE THIS LAST YEAR, 
 
 ,is this irork is ii'lriiitn/ on/i/ /'iir iuferrsfril /'riiiitis <if tlie effort to utilize 
 sio'ii talk for ririlizimj niiil CliristiiiniziiiiJ t/ir si^n ttifkin^ triljes^ii short 
 sKftrJi of the lust ijpiir's irork scnns {/nitr in orilcr. 
 
 When Airs. (Ico. F Dnjfii, the Tnnsiirrr of thr Sio'n I'rint Funds, and the 
 Seeretarij. so foiflifnl for nimiii i/enrs. n'fis, lust sfirin;;!, ohligeil'hi/'rhftn^e of 
 residenee from , Irknnsns to South ('tiriilinti, and heerinse of n, lin^rrin^ illnens, 
 tnjHiusr for ii time in hrr rjfors fir this work, tiro Indies, irlio had alrendi/ 
 hern lifterxl voiitrilnitors to the work, ftro/iosed to take the lead in the ne.vt ste/t 
 foirords eonijdetin^ it, trnstin<J thnt others would still rontinne their did. 
 
 Jlrs. DeO'n, the Trensurer, turned orer to them the luiluuee of si^n print 
 fun(h in Iter hunds, r$58 50. irit/i $26 ndditionul sent later). The reniain- 
 der of the expense of hrin<^in<J the work to its present substantial hasi.i has 
 Iteen met liij the.^e ladies who hare more thini ful Jill eil theirZpledtie, draiihin-^ 
 tJieir I'e.^ourees for the jiresent.. 
 
 ]Vith the funds so prompt If/ furnished, I hare been enableil to seenre the. 
 rlo.irsf fiossihle fi'Jures on the diff) rent departments of the .ikilled labor, or 
 etchiuo", eleetroti/fies, etc. I hare o'often out 1 OO.OOO e(piivalents eartls for 
 lose in, te'tehin'J the / t/u'ralent words of the Indians' eomprehensiDe gestures. 
 
 These hulies hare also ijotteu out (thout 27,000 Seriptitral cards, printed^ 
 in si^ns with interlinear Ftiglish eipiiralents. This set, or sets, of eards, are 
 to follon- immediatel i/afh r tin- Indians get the idi i of the dotted lines show- 
 ing tlie nu}remeu,t*< in <J stare diagram". (Sometinrs this is ,ieen irithout 
 teaehing, hut in so-w eases, an lion r is retpiJreil). 
 
 Besides the eards. I hare the eleetrotifpes of both sizes, many thousand 
 pieees, while the o"igln'il zine etehinris are stored in safety vaults as ,<ieeurity 
 against any mislhaps to the working fonts, from irhiehwere p inted the dia- 
 grams in the J^oeabulary 
 
 , llso, as eatering to the tastes of the Indiins, (who h'ire their likes and dis- 
 likes as well as irliites), wifs e.v/teuded a ennsiderahle sum for the English 
 1 y pes used on the eards, wh; eh, together witJi, a. little ])roof press, and other 
 facilities, iveie n,iede I, been use of the iror/c bein^ so out of the ordinary that I 
 had to do a, grertt share of if mytelf. One of these ladies assisted on the small 
 cards, and srt nearly all of the Scripture cards alone with tiistruetion from- 
 myself wi to sign idion. We if ere very fortunate in obtaining a, careful com- 
 positor; his ivages were over one liundred. dollars, and, all in all, tlwse tu^o 
 ladies (who prefer to keep the left htind ignorant of a>hat the right hand does) 
 hfivc furnished over a thou,^and dollars in money, besides valuable tim'-, wltile 
 I Ivnve ivnrked uneensingly until sureess has been ftchieved. 
 
 While, on this part of my report, f feel free to mention S. II '. Fa 1 1 is, tvood 
 eng'aver, known for the la.^t thirti/ years under the firm of Baker »V" ('*> H'' 
 luis been a, oonsta nt helper frotn the lHginning,ftu'n'ishing the tools for both of 
 
INDIAN SIGN TALK 
 
 I 
 
 tin' I'fj'itrh h) niitk'i' iriMiil riifs nj' .si<Jii tliuoviniix; lu'sitirs, ijirinij tnr fH'iiclinil 
 insfriirfionK hif nitfil, i irliicli. ii/inif. must Inirr cost rniisiifirnlt/r tiiiir>; ti/nn, 
 tH'nlf .•ifrrriil f)liifrx, (tnil I'rt'ii It /liitiirr o/' flir iniflinr, ir/iirh will farv thv 
 fittr nf this intrk. 
 
 This O-'jii -in ih ,\'i-jr ( Fririnll 11 Chi'l') iiniili' mom for nil onr hi If), nnil 
 I'nriiishril fmilitirs for orrr si.v months' nut fni . This, nlonr.irns irorth nt 
 liiist fi'l'tif ilolliii's to lit: hrtiilf"-', hrriiQ' in-vmniiiiitl if htrntril in ('hirmjfo, lie hii» 
 kinillif ronsi'iifril fit rmirr ninl /onr inl to inr iiiii/ nnttrrs ronsi iinil to run- 
 nf Jliikrr.S- '''>■■ '82 South Clnrk strrrt, h'ooiii 23, Chinioo, III., I'. .S. . /. 
 
 'Tiro othir^ hnrr ninti ihiitnl, in iiililition tn t'linils.oin' iloltnr ntrh tniriirih 
 the fin fur nsril ; hut, iisiilr from this, fhr Inilirs hnrr linrn thr linnli-n ninnr, 
 
 III riiir of thr nhorr stntmiriit. I think t'lrsr nlirs slioiilil hr n'lirrnl from 
 fnrthrroltli<Jn lions. frrliii'J tliiiyi, I trust nil irlio rrrrirr this irork trill noir frri 
 likr "hrnriii'J n hninl " I hnrr mon jli of ftrintril ni'tttrr for rirriilntioi irhilr 
 I inniionrnlr till' tr nk nmon<^ thr irilil frihis. lint, ns ifrt. nn firor'.sion hns 
 turn mnilr for mif liriifj i.vfirnsrt, Tlirsr trill roiisiunr not fnr from n ilollnr 
 n ihnj. or. I shnll most likrlif <iijfrr mtirh ilisromfort. .Vrrrrthrlr.ss, I q'o. nnil 
 triiit thr (Irrnf Sfiirit trill morr thr " sftirit thnt is in mnn " to look nftrr mr. 
 
 I r.vfirrt to tnkr nil nf niif until siij-i ti/nrs, rnmmoii tiffirs. fn'iss, nml 
 firintin^ fncilitirs irif/i mr to ii^r nsorrnsinn mnif rrifnirr. 
 
 THE NEXT STEP. 
 
 Snmr tnik hn^lurn ni'iil'' nlioiit n Dirtinniirn of thr Inilinn. Si^n Lnii- 
 Sjiuin'r. W'liilr this is ilrsirnhli', it is hr.st to irnit until thr fnvsrnt ilin'Jrnms 
 iiurr hrrn sti/jirirntli/ rritirisnl hif thr I niHntis irlio nrr thr out if mil .juih^rs. 
 
 On this nrroimf if w itn it tli,iiii/;<lit ivortli trhilr to rlrrtrnti/fw tlwir fing'rs. 
 
 lint rnthrr tn irrnr out our fiffir outfit on this nlifion. friKfin;^ flint in thr 
 rirriilnfion nnil w^r of tlirsr rnrils, nil nrrrssnrif i-trrr'-finns iroulil hr sno'o'rstnl 
 nitil n Dirtinnnri/ m trr in kr'ji' n<J w f.'i thr ilio li'if of tU- trrm hr nttninnhlr. 
 
 In Innkiu'J nrrr this finfnrr I nnfirnl fn-ofiositinn ir'irrr firrfiosifimi is in- 
 trn-ilnl. . Ilsn, srrrrni missfirllnl ir.irilf nnil tiff rjr tfiliirni n rors. 
 
 If will not lir nrrrssnrif In nnfirr thrsr, its tiir trholr irork is niilif n firrli- 
 initinrij fotlir Dirfionnrij- 
 
 My frirnds nrr hrrrlnj inf'ormnl flint fitr fnanilntion- for this is srrnrnl, so 
 fur us fhesi<Jn, ttffir is ronr rnnl. 
 
 . I ronti^lrfr srf of Dirtinnnri/ s/o'/j. tf/firs trill rrni.niii in ('hiru'Jo, ntnl tn 
 mnkr mnt.rrs ilouhli/ srrrr, thr nri'Jinnh 'tf hofh lnr<Jr nnil smnll si>Jn tiffirs 
 urr sfnrril in, snfrfif rnnl Is nt ronsiilrrnhir r.vfxnsr. 
 
 I shnll ftrohnhlij hnrr thr ofifHirtunifij to rrririr nil ilonlitful mntlrn-, nnil 
 hof^r to srrurr nitditionul si>ins nnil hrffrr mrthoils nf r.y/nrssion. 
 
 To mtflirlfirrs, fnisf, f»rrsrnf, nnil fufurr, I rrturn. mijsinrrrr thnnks. 
 
 I nm sorry I rnniuit hiiul this vol nut r for irnnt of nirnns; hut, heur in 
 mind tknf this is n rnrr work, nnil trlirn nil thr rnfiirs nrr in thr hnnds of 
 thr ftnrfirs rntiflnl, flirif trill most likrly hr ronsidrrrd irorfhy of morr r.v- 
 firnsire hindin'J tlinn if I inrr to htirr it iloiir noir 
 
 .Is fhisij< thr Inst J run firiut. I run only suy thnt I nni ^'oing out irifh 
 thrsr rnnis, n ltd for thrlnsf time: thnt is, thnt I. hofm I hiiife rnoti'ih, tn go 
 around, nnd reninin lono' riunio'h to nrromfilish nil f h,arr firrfinrrd nty^rlf 
 to estnhlish. 
 
 Tliu,,<i, I /lofie. ns heretofore, "to sliow my faith Inj m-y trorks " 
 
 l.rtris A'. IIndlrii> 
 
 CHTCAdi), Frhrunry, 1893. 
 
 =f55ji?^^ iifi:?^ 
 
n 
 
 i 
 
 ..'.> 
 
 ii 
 
 
 ^-. iii 
 
 -j^^^^^^iN^Q^^f^^ti^'^^ ' 
 
TO FELLOW-CHRISTIANS AND PHILANTHROPISTS 
 
 In ii>>kin'Jf/nti.rrn-npri"iHn'i In tlih rff.irt fn hrip tlir hnril prpum'rl, vr^h-rteil 
 u-ihl iidiilf ImHinin. iff tlir irnlrrxi(iiiril ilmirf ^nitr/'uHi/ to nrknnn-h'i/<Ji- H/if- 
 rial )H'nrisiini, nn wr hi'lh vr lit/ n Diiiin- I'rnriilfiirr, n-liivh Iiua rnnhhil irt hi 
 rfirri/ the pnunt'lnl Itiiytltn nf Hi,s iiurk ns stntrtl flscirht-rr. Mtiif //is 
 Sftirif prrporr t/if licftrfs trill mi iiiln nf tin' I nil inns for whom t/iis ivork is 
 iliim- tit rt-riirr thr (tnsprl Truth << irhii'h tlivir ^eMnri' Inn^nn^v run ronrrt/ .sn 
 i-liiirly to their nmtin'i'/irn^inn. J/ni/ /lis (Imiil /'mriilrnre spreilili/ open np 
 Ihi'ivfiyfitrtlipfiniilprii-tii-iilstep in. Mr. /[itillci/'s tnissimi, prnriilin^ /lini 
 ivith ndetpt'ite support so lint he enn ^irr time ninl sfren<^fh fullp to t/ie 
 ivnrkot' fierAoii'ilhf introilnriii'J tliis prnrli-nl nnthml of feiw/iing neeessiiri/ 
 English to tliesp hitherto intrnrfnhle Inilinns. 
 
 .¥oit> t/mt ive feel nnnhh- toilo more for the present, w/iile still feel inQ' the 
 deepest inter''st in t/Ufi no -k mid its surress, we trust that Christiiins and 
 I'hilanthropitts, especinllij those irliohnre heretofore sltown prnr.tiral interest 
 in it, or promised to aid it. irill ralhj to his support, ir/iile ivith t/ie fiieiUties 
 now provided, he enters upon Ids c/wsen field nf lalmr, oftenin^ up t/ie way 
 for t/iis clasi Indians tn a tru'- Cliristian eivilizatinn andeitizens/tip. 
 
 Being personally aeqiiainted with Mr. //adiey ilurini? onr business trans- 
 actions wit/i, /vim, iijo ennini-nil him as worthy ot supfiort and confidence, and 
 as a practir.al, intelligent and fa it/if ul worker. 
 
 His absorbing desire to /telp the Indians, peacefully and wisely, to m,eet 
 the /hard crisis now upon them, and Jus long experience among t/iem, fits /lim 
 especially for t/is work. His wide acquaintance and. friendly relations with 
 t/irm, insures /lim acreptancc and success. 
 
 T/ie whole outfit for whic/i we /lave paid, we /lerehy donate to .Mr. 
 Hadley and tJie work. We will answer wit/i pleasure any in^piiries 
 
 concerning Mr Hadley, etc. ^_ 
 
 Signed, ^i. /V -/ . '''/^i^^X- 
 
 LJA'Ji FOREST. 111., 
 
 
 .4 
 
 / 
 
 x? ««•*>.'-; 
 
V"'1 
 
 5» 
 
INDIAN blUN TALK. 
 
 (If'stiirfs. 
 
 Kijuirnlrntn. 
 
 Directions. Untli jists nt fn'enstx, 
 thrust /III III iililiifliil !i liniriiiriird 
 Itttin!:; t/ir liiiiii/s Jli/ ii/)iii at tin' 
 etui of flic man iiiriil . 
 
 A 2. 
 
 Both hani/s Imck's ujt in front nf 
 hody, the ri^hf resting (tn the left. 
 
 Thi'ii rtii.fe the right more or less 
 aljiire Hie left. 
 
 Hold the hack of the left fist in 
 front of tlie bod If, htick up. Then 
 thrust the r, ( light ) index across 
 the I, ( left )fist in various direc- 
 tions. 
 
 A' 1 . 
 
 ABANDON -ED, 
 DE POS E - D . 
 DI VORCE - D. 
 DI8CHARC«t-D 
 
 This /n thesiijn far Hitd. inten- 
 sified III/ lieiii'J niiidc iritli iiolh 
 hands. iSn- Curd I 7 , 
 
 A. . 2 
 
 ABOVE • 
 
 UP' HIGH, J\forc, or Ie.<is 
 
 The lonrr hand representing 
 the lower object, or place. 
 
 . A. 3. 
 
 ACHE-ING. 
 I T PA I NS . 
 THROBB I NO . 
 IT HURTS , 
 
 >^ny severe, or darting j)nin is 
 located b^ tJirusting the index 
 over the jxirt affected. 
 
 --"=t3S^4^^$s^i^5S^Si,^^ ~--.-'^s^s.^g^m^iS:-jE^:'^ 
 
«'li 
 
 % 
 
 ' -'a 
 
 ■i 
 
 I 
 
 .:. 1,1 
 
INDIAN SIGN TALK 
 
 (jf.sfiirrs. 
 
 ' S 
 
 A 4, 
 
 K,vf('ii(1 boHi hid X lin'Jrr:^ y'li. 
 front { if the hinlij ) oiir ii Utile in. 
 riiirof l/ir otlicr, iinil l!irn!<l both. 
 fiiviriD'tl siiiiiiri'niii)i!s!//. 
 
 A 5. 
 
 When the pej'snn is near. Hold 
 r ,h. ton-ard the pnrhj and roek 
 the wrist. Sec 6 . & 7 . 
 
 A 6, 
 
 X — 
 
 tJlien the jcrtt/isatiume dlbt- 
 finee, hold the rh well np, palm 
 ont.iind wave it r , aiid left, sever- 
 al tiniea. 
 
 Kijiiiriih nts. 
 A. 4. 
 
 A C C O M P A N Y - I N O . 
 TRAVELING TOGETHER 
 
 , lin/ hi-ii Ilini'Jr. htin'J enricii in- 
 ti)iji liter. 
 
 A. 5, 
 
 ACCOST. 
 
 TO QUEST ION 
 
 Thit{ 1)1(111 iiienn : H V/o nre i/mi .' 
 
 If 'h fit ti'ihe do ijou Jieloiif; In.' 
 
 Tf Jidt are i/cii doiii'J.' 
 
 M'hei'e (ire j/oii ijoiinj. 
 
 Or other iin/nirien, depeiid/iif! 
 jntieJi iijxni eireuiiistdneen (it Ihe 
 time. One is often i.hliijed lol/i.'iik 
 irell before (iiisireriiii< thissinii. 
 
 A. e . 
 
 TO ACCOST. 
 TO QUEST ION . 
 
HIM I I ■riimnrnii 
 
 fj 
 
 If 
 
 :■' i 
 
INDIAN SIGN TALK 
 
 Gt's/nrrs. 
 
 fu/iiiru/riif-s. 
 
 A 7 . 
 
 If'Jtcii fill' fi'trh/ is nri/ distdiit, 
 .'Hciiio' ijimr hat, or travc n hhiu- 
 krt. 
 
 A. 7. 
 
 TO ACCOST. 
 
 TO HAIL, 
 
 TO ATTRACT 
 T I ON . 
 
 ATTE N 
 
 A 8 
 
 I fold the /, //, 77/ 7vV'77'. then hc- 
 ^iuiiig u'ifli fh(> little fiiKjtr turib 
 iTovn tiro or more pii<Jrrs. lonk- 
 iiii^ inteittly (it tlir jxirlij (iildns- 
 cd. 
 
 Left hand hnrJc uj>. lii'Jhtlinvd 
 fliiivil) uj), tlirtist it over across 
 tJie Jxiek i'f the I, h. and a little 
 below. See O 1 7 . 
 
 A. 8, 
 
 ACCOUNT -INC, 
 COUNT - I NO . 
 HOW MUCH? 
 HOW MANY? &C 
 
 A. 9. 
 
 ACROSS . 
 
 TO CO ACROSS . 
 
 v4'i atrcst ilte e<uiil)ij, jiruirie, 
 
 Cii . 
 
 m. 
 
* ,_,.5W!r^"- 
 
 • w. 
 
 I 
 
 >i' 
 
 i 
 
 i 
 
INDIAN SIGN TALK. 
 
 (Hsfiircn. 
 A lO. 
 
 h'l/n i r/i Icn fs. 
 A. to. 
 
 Jlfdkr (!■< if tdkt'ni'J f/iini^s from 
 one ]il(H'f, (iiitl ]tiittiii'J f/irni in 
 a tint her. 
 
 TO ADD, BY PILING. 
 OR. COUNTING. 
 
 A I I 
 
 I I . 
 
 Hold t/ie J, li . ill front, ( of hod ij 
 of eqiiVKe, ) a ml l)i<Jiniiii> at /lie 
 wrist, piiKS the r, i, nero.'-f fiie Ixtelc 
 oft lie I, h, lieiiiiiid the eiiil.s of the 
 p'jiorrs. See A 20 . 
 
 A 12. 
 
 /fold the ri<Jlit Imiid in front, 
 then, l)eijinin>j at the iir.'st, more 
 the ri<ilit index rrer the liiicl\ of 
 tne lejt liiind, nnil lieijond : o/ten- 
 inij the middle fn<Jer. and thriiM- 
 iu'J l.olli in riiridiis din < fii n.s. 
 
 AHU AD . 
 B E YOND . 
 A D V .^ N C E . 
 CO AH E AD . 
 
 'I his t.'r.-t ore is nJy-o, iiyed in the 
 senee oj'. More Ihmi. , Ihend of, rte. 
 
 A. 12. 
 
 ADVANCE GUARD. 
 A SCOUT . 
 
 One n-hii i'ocs nhrad anil h"l\s 
 iiroiid . 
 
 For .' [11/: (aid < i.nicnl . ice C CJS 
 
 4 
 
 4£«sess*rnssff 
 
 
'■W' 
 
 T 
 
 u 
 
 •A '•'■: 
 
 Lia=JS!e/y*i*^''"^ 
 
INDIAN SIGN TALK. 
 
 (Itsfiim^. 
 
 A 13. 
 
 
 /fiiin/s ])(il HIS I'dfiii'J idch ollirr, 
 ill J'roiif (I/' Ininl, nmrr tliciii iiji 
 (iiiil i/iiirii. iiilriiiiciii<J thrill iiut- 
 ininl . 
 
 J'lif fliiiiiihsinii/ iiifliwrx lo'Jclli- 
 cr. (IS i-Jii II II i.hir. (1.(1 II. I If 
 
 ilu'iii I'lii'iriivd fd'Jillicr. 
 
 A 15. 
 
 E,xf('ii(l the left iiiilc.v in fri.iit 
 of liiTffsts, ilii II f)/(ii'r iltr riiil of 
 ri'Jlit (it root of unit (iiiil dviiir it 
 to riird the irri; t ilioiit an inch. 
 
 lu/ii/rfifiiif.i. 
 A. 13. 
 
 ADVANCE- INC, 
 
 , Ix .soldier.^: l/nir i/7//.s- discr'.h- 
 iii'J xi mi I III' cnrris. 
 
 A. 14. 
 
 ADVANCE TEPEES. 
 TO MOVE CAMP , 
 
 A. 15. 
 
 AFTER - WA RDS . 
 
 IN A LITTLE TIME 
 
 SOON . OR , 
 PRETTY SOON . 
 PRESENTLY. 
 IN A MINUTE. 
 
 Av. .Vv. 
 
 .,/Jirfii/S vifrrx to ihr nirir /'ii/iii r. 
 
t 
 
 
INDIAN SKiN lALK. 
 
 Uvstu rvH, 
 
 A 16 
 
 Thin is ijrsfi(rn/ //Av'.N'o, 1 5. f/ir 
 lioht hulr.v IwhijJ drinrii, farther 
 hack. 
 
 A 17 
 
 Whir sjtrrml'Jhuvth (itid imh'.v, 
 viTricd hijjJi nl/orc thr hv(u1, then 
 VK)Vid to the ri<jht. 
 
 A 18. 
 
 « ,/^ 
 
 Thrcir iij) loth sjirrnd hnnds 
 ftjid shrink- lutckuru'd, (ts if start- 
 led by lii>]iiniii!^. 
 
 /■! /n'r,t!r/ifx, 
 A. 10. 
 
 A LONG TIME AFTER. 
 
 /•'lira r( I'll Idii'J tin' aflcr, (!■•'! ir 
 thrri<jht iiiih .V jiiist t/ir s/ioii/di r. 
 thriistiiiij Ihr lift irr/l nut, si par- 
 ti ii 'J f hi III as far as /mssilde. 
 
 Ji'i /'rriiiij Id Ihr riiimlr future. 
 A. 17. 
 
 A FTE RNOON . 
 The Sun, I'. JJ. 
 
 A. 18. 
 AFRAID. 
 FEAR-FUL. 
 F « ICHT - EN - ED. 
 SCARE - D. 
 
1 
 
INDIAN SIGN TALK. 
 
 (lintlil'ix. 
 
 A 10. 
 
 Ilnlil III'' left iirill ill frollf. Ill II. 
 fniir/i i/ ill siinrn/ /i/'ici ■•! j'fiiiil tlic 
 irrisl hiirnnt llir fibcir. 
 
 A 20 
 
 Ihtlil Hit- lift Iniinl liiick- iiji in 
 j'roiif itf liri ii<l. till II I!: ml l.'ir 
 I'iljlil iiiilr.v J'ruin irrisl irrrDss, 
 /Hissing il liii/Dinl llir riiil r/' p'li- 
 n'rrs iij' liir ,'rj'l liiiiiil. Srr A. 1 1 . 
 
 A. 21 . 
 
 h'i'jht li<ni:l luiik n fi ill fritr.l (tf 
 1 !ir ri ijli I l.rriiy.1 . Tiiriiic llpiraril 
 (III I in I I'd 11 ml I h. nil II iiril ; ilr.-.rili- 
 ili'j llir foiirlli iif II rirrlr. 
 
 /u/iiir'iliiifi. 
 A 1 U 
 
 AGAIN A N l> AGAIN 
 RKPEAT-ED-LY, 
 OFT KN . 
 FREQUENT- LY. 
 
 A. 20. 
 
 AHEAD. 
 
 BEYOND. 
 
 MO RE TH AN . 
 
 /s i ml in II shi/m. This inirs is 
 iilirilil fill. I Fnlrsl. I 
 
 
 
 
 
 
 
 A. 21 . 
 
 
 ALL. 
 
 * 
 
 ■1 
 
 THE WHO L E . 
 
 
 i 
 
■Ii 
 
 ^ 
 
 ■Tiiirjrr—-' ■ 
 
 ^'1 
 
 •W 
 
INDIAN bK.N lALK 
 
 tlishirr-i. 
 
 I!i/nlrii/i iiN. 
 
 22 
 
 A . 22 . 
 
 //(*/// iiiilr.y /iirjirs ,<iilr III/ s'nlr 
 finiiif i/niriiiriinl fof/ir/'icf. Tlicil 
 vnisf I III III nil lint mrl ilmrii- 
 Irani ; ilrsrri/iiiii! si ni iriri'lrs in. 
 n/i/insifr ilirn/ inns. 
 
 A. 23. 
 
 SIrikr liiicks nf linmls inin tlic 
 palms allrinali I ji. Iirn lU' llirrr 
 tiliirs. 
 
 24, 
 
 l.rj'l lianil i-iilin np in fmnl. 
 Til I'll jilacr llir hall af ri'jht liainl 
 iiiln tlic fialiii ii/' /lif li'J'l mar llir 
 nrisi, llirn i/iiirlK-l '/ liriisli Ihr 
 riijlil amiss Ihr h fl ha ml. 
 
 ALL THE EARTH 
 
 A . 23 
 
 ALL CON E . 
 COT NON E . 
 
 Tlir liamN III" fin /if If. 
 A. 24. 
 
 ALL CON E . 
 WIPED, OUT . 
 EXTERMI NATED. 
 
 8 
 
iiif7 , 7^<«» -fyss ffSs:^-'~ 
 
 J 
 
INDIAN SICiN TALK. 
 
 Gcnturcs. 
 
 A. 25 
 
 Bftisr the vi'jhf iiiilc.v to front of 
 f(tce, then irif/i it drsrrihr ft hori' 
 xoiitfil pjJioT 00 ill front. 
 
 A. 26. 
 
 Jhiifii' riglit indi'.v with, Jxick of 
 hdiiit toivdvd the fare, tJirn move 
 it from left to right, find from 
 right to left (I fill- times. 
 
 A. 21. 
 
 M'itti tJir jxtJin of right Jifintl 
 jif'nr thr right ciir, thctl inovr it 
 lifirkirfird find forward thrt't' fir 
 four till! ex. 
 
 E(/uir(ilents. 
 A. 25. 
 
 ALIVE 
 WELL 
 
 I'l III (Hi moriiig nljoiit. 
 
 A. 26, 
 
 ALONE 
 SOL X TUDE 
 
 Whirhevcr place he goes he is Inj 
 himself 
 
 A. 21 
 
 ALWAYS 
 FOREVER 
 ETERNAL LY 
 
 9 
 

iNDIAN SIGN TALK. 
 
 Ci'csttiirs, 
 
 K(/iiJr(i/iiif^. 
 
 A . 28. 
 
 //o/i! fill i-liiiclnil fist in font of 
 j'orrJirad tiinl firisf. l/tr irrisf as- 
 
 suiiiinti (I fhrcdtciiimj fiK-ial <'A— 
 firrskittii . 
 
 A. 29. 
 
 Iliilil ihc lotisl ji jli'.vcil pii<Jrvs of 
 till' left /t I fill/ iipri'jlit ill front of 
 fun', llini piiKfi iliv ri<Jlil initc.v 
 ii/itrm'il iinioii'J f/inii. 
 
 A. 30, 
 
 +. 
 
 A. 28. 
 
 ANGRY 
 WR ATHY 
 GETTI NG MA D 
 
 A. 29, 
 
 AMONG 
 
 , Is niiion'j oilier filings. 
 Srv W. 24. 
 
 A. 30. 
 
 Ilolil flir p/il III if till' riijiil liKiiil 
 ifjiiinst till' rio'lif lirrast, then ciir- 
 rij irftiriird iind i.iifinird to (inns 
 Iriiotli, niiii o/iposit (lir li'ft hrnisl . 
 
 \m 
 
 ANOTHER 
 
 li'ij'rrs to ficrsoii, /ihin.. or iliiiii 
 
m 
 
 
 . rr-r-mma 
 
INDIAN SIGN TALK. 
 
 (jcsfKri's. 
 
 A. 31 . 
 
 h'.iliiii'iilrnfa, 
 A. 31 . 
 
 K.\tni(l tJif Irf'f foriliit'Jrr in 
 front iiU'l irifli flic ri<jtit ntnkf 
 scri'i'dl sfi'.iK'i's j'rani nmf n/' n'li! to 
 hitJI of tinihih (if irrisf, liark miif 
 forHi II fi'ir f'nnrK. 
 
 A. 32 
 
 (liiflicr (ill of Jill tiers I, f Ihr Irfl 
 hiiiiil in hnncli nnil ^rns/i tlicni 
 irifli fill' ri'Jlif Iniml . 
 
 APACHE. 
 
 POV E RT Y. 
 
 POOR IN POSSESSION. 
 
 . I iif)iiclii'!< iirr ronxiil'i'id poor hij 
 iiflirr llliliiins from flir fort of 
 friir hi'in'J in /loonr ri renin - 
 sf.iiieiN fliiin fill' /iliiin /inlioiis. 
 
 A. 32 
 
 APPLE. 
 POTATO. 
 
 .///,'/ reiJi'tfiJile or friiif. Cun mfil 
 sireef, sour. Iiilfir, iiooil, hail, 
 snidll or lii^, iSt, for a closer ilc- 
 si')'i/)linn. 
 
 A. 33, 
 
 A. 33. 
 
 Jhilfl flic left Iiiinil fiiilni up in 
 front, then strike the loircr cihje 
 of flic open right hitndin^iiinst the 
 icrisf lit b/ise offlinnih, and (njniii 
 on li(i.,\ of base of thinnb, nnil 
 iijjiiin Ixfireen fliTinib "ml fore- 
 piiijer. 
 
 ARRANGE 
 
 some 
 
 /'•>• 
 //////' 
 
 " II .'/ 
 
 '. Se 
 
 ni'ittir, or 
 R. 15. 
 
 rnemf 
 
 1 1 
 
f: 
 
 . * 
 
 ■ I ? 
 
 t,"j_- >.~^i^gSi»^sm^^^^'^S^^'-''^'^^^'-^"'''''^'^- ' 
 
INDIAN SdIGN talk. 
 
 (ifsfitrrs. 
 A. 34. 
 
 I'/ftcf the ri'jhf iiidr.y In/ the sidr 
 of the iiusr. 
 
 A. 35, 
 
 lldlil lilt' Irfl jisljii Ji-Diit of llic 
 fnci' (I ml <Jri(s;i the Irfl irrisl irit/i, 
 the Irflliiiinl. slnikril it HI lie. 
 
 A. 36. 
 
 HnJd llir rigid iinlc.v horizitn- 
 liilhj onl liiriglU, then hriinj it to 
 fill HI): i<Jht fnmt'on'jtt about hulf 
 arms lrn<jfh . 
 
 /■^i/iiirn/nilM. 
 A. 34. 
 
 AR RA PAHOE 
 
 SiJiir sill/ litis iiii'iiiis a Itin iinsr, 
 some sua I nose. I do not know for 
 err lain. 
 
 A. 35. 
 
 AR RE ST-E D . 
 A P R I SONE R 
 
 A. 36. 
 
 ARISE. 
 C ET UP 
 
 To arrire from a reciinihrni /lo- 
 sition. 
 
 12 
 
t-l 
 
 r^-^^-'-"---'' 
 
 11 
 
INDIAN SI(JN TALK. 
 
 (Irstiiri'fi. 
 
 A. 37. 
 
 Hold the pill in nf llif lifl liiiiil 
 nil Ihc Irj'i livntsl , Ihill hrimj llir 
 mil n/' III ri^lil imlr.v j'rniii <i ilis- 
 Iniirr ' iiviii liii<Jfli iinlil it 
 loii'-l. ^ //!'■ iiiirk n f ///'■ li j'l liiiiiil. 
 
 A. 38. 
 
 Iliilil llir op-'ii Irfl liiiiiil irill 
 oil I ill j'vniit (ij'tltr li I'l hvi ii^l . 
 
 K.vliiiil I III' ri'JIit 'imlr.v iimf 
 f/ini I llir hull 1)/' llir vi<jlil liiiiiil 
 itilo llir fiiihii n/' llir Irj'l rntlirv 
 fi.rrihl I/. 
 
 A. 39. 
 
 ffolil I'lir oprii h ft /ifiiifl jKillii 
 hrj'orr tlirj'tirr. 
 
 Tlirii r.vlriiil ti,r ri<Jlit iiiilrz iis 
 iii'tn mill shore it iiitiniril hrtircni 
 llir fii'r mid Irji liiind iiiilil llir 
 I lid iniii.'il ri. nil' ill ririr oj a prr- 
 soii loiikiii'J ti iinrds tlir <Jrstin'ri\ 
 
 /^ifiiiniliiif.H, 
 A. 37. 
 
 ARRIVED HEFJE. 
 CAME-rO-THIS-PLACE 
 
 . Irriird lirrr. Ciiinr t n I li i ^ fit iirr . 
 I'liis is iiiiirr iiiti'ii <ij/i d'tlimi rniii". 
 Srr C- 22. 
 
 A. 3a. 
 
 ARRIVE-D THERE. 
 WENT TO THAT PLACE. 
 
 /// this IIS ill , I. .;; Ihr right in- 
 dr.v rr/irrsriits n /insoii. 
 
 A 39. 
 
 ARRIVE IN VIEW. 
 TO COME IN SIGHT. 
 
 ./■>■ ft jiirsiii! n iiiiii<J nrrr ii hill 
 and niiiiriiring in rinr. 
 
 13 
 
M* 
 
 >• ■ 
 
 j-,: 
 ^?' 
 
 <A 
 
 l> 
 
 4i 
 
INDIAN SIUN TALK. 
 
 ' ■ 
 
 <A 
 
 .M^iikr ttN i/'pirJ\inQ'nf) dirt, jH>it'- 
 ilcv or tis/ii's, fiitil sij'fim^it hctirrcu 
 tlw ends of flif pii'Jcrs. 
 A. 41 . 
 
 Hold the hand orcr thi' intnttli 
 find of)in flic njps iridean i/' sur- 
 prised. 
 
 A. 42. 
 
 Hold ojini fviit Left hand in front 
 and jddcr t/te fingri-sof tJir rii>ht 
 tidi.d J'l.iKfd over one or all nf the 
 f;'f;ers()ftlir left. 
 
 EquiralentH, 
 A. 40. 
 
 ASHES . 
 DI RT. 
 POWDER . 
 
 ,IIho fine riotli as relrct, silk:, 
 .stitin, .s'o/y far. iVv. 
 
 Sift this icaij and then liliia' in 
 til" /mini of hand si<jiiiji>'s nirdi- 
 viiie, powder, .yy. 
 
 A. 41 . 
 
 AST'^NISH-ED-ING. 
 
 SURPRISING. 
 
 MA EVE LOUS . 
 
 ]\lieii aei/iiainfanees meet afirr 
 some absence, they place the 
 palnif of hands soft 1 1/ together 
 and then cover theniouth n'itli the 
 rio'lit hand and look- surprised. 
 
 A. 42. 
 
 ASTRIDE. 
 
 ,1s to straddle a fence sonietinies 
 used as a eoniinaial to saddle a 
 horse. 
 
 Sonic nifij/ use it for horseback, 
 hut it is not (he jni^per si<Jn. See 
 R. 11 . 
 
 14 
 
«l 
 
 
 1:1 
 
 ;t ! 
 
 I 
 
 
 ' ;,i 
 
 
 ^i;-; 
 
 ■,^- -^^. - .,■.-: ■^- 
 
INDIAN SIGN TALK. 
 
 flrshins. 
 
 Kifiiirali Hfn. 
 
 I'lish jiuls to mill fi'iini flic hiitJi/ 
 siiiniltdiirnn.-ln in >i ihtmiiiiinl 
 iiKiiiiii r, mill look lis ifijint inrmil 
 
 if. 
 
 A. 44. 
 
 /fiilil tlir li ft iiiilc.v ill I'rniif iif 
 
 flirfitrr. Tliiii sliiirr flir riijlif iii- 
 
 ifr.v stoirtij across the left once or 
 tirici. 
 
 B, I . 
 
 Fork til c fiii'Jcrs of I'l c It] 't li n n if 
 US s/ioirii. Thru liiij the ri^hf iii- 
 (fc,v fiiuk ifou'ii into the jinliii in 
 flic o/ienini! made heticecn. the 
 jiii'Jers. 
 
 A. 43. 
 ATTEMPT 
 
 DETERMINATION. 
 MAKE AN EFFORT. 
 TRY. 
 
 B EG I N ETC . 
 ,SV7 I. 19. ,ni(f D. 17, 
 
 A. 44. 
 
 AWL. 
 
 TO PUNCH . 
 
 • Is irit/i an airf. 
 
 B. 1 . 
 
 BABY HOLDER. 
 BABY . 
 
 Tlie in it ex ri //resents the cjiitit 
 laiil fiifireen tlie forked frame of a 
 t.afjij-holdei\ 
 
 14 
 
||ii 
 
 jiir 'j 
 \ it, i 
 
 m 
 
 -^^^^fc,ilT^3t^j?BgB- . 
 
 u, 
 
INDIAN SICiN TALK. 
 
 drsfiifi's. 
 
 8. 2 
 
 ,Mofi(ni of $'r(tsplit!i[ fim» ('tiling, 
 oirij/iiio' it tn the hirast < iiii.in). 
 Thai flintsf tlic smne rliiiclud /is/ 
 nhIi</iH'ii/,loiriii('(irfl (isif'n/>iiriiiiijj 
 l(t her]) it, flint tliiiiij. 
 
 B . 3 . 
 
 Fori: t/ic first and srcoixt 
 fiv^crs of the vi<j]it lunid 
 (iii(t with jtfitiih toicard the fitre. 
 jitaee one fiiii>er en en eh side of the 
 nose and drnn- tli( in nf)n-nrd. 
 
 B. 4. 
 
 K(/uirnlents. 
 B. 2. 
 
 B AD . 
 
 THROW I T AWAY, 
 
 lieennse it is not worth keeping'. 
 Siiins of /jossession and tliron'in'J 
 it (iirai/. 
 
 B. 3. 
 
 BADC E R , 
 STRIPED NOS E , 
 
 Stri/tes on the nose of n hnd'Jer 
 or coon- 
 
 B. 4. 
 
 First uiake (i round openin.^' 
 n-ith thnmlis and fngers of Itoth 
 hnnds, then with the left liiilf of 
 the oj rning lenininin^ thiiist tire 
 n'hole of left hnnd don-nn-nrd 
 thrdiQ'Ji Ihnt opening. 
 
 BAG. 
 
 SACK 
 
 Faffing things in a hole ns in n 
 snek,dish or tnieket. SeeB. 6. 
 
 16 
 

 
 J-'- 
 
 ^55 ' -■■•■: 
 
 -a 
 
 •I >' 
 
 
 
 
 ^-=*SKi ji^S is*ity«- 
 
INDIAN SIGN TALK. 
 
 Gestures. 
 
 Equ'walenta, 
 
 B. 5. 
 
 I'liire tin- /lolin of haiid mi hip 
 iif the head (did then si<^ii ALL 
 CONE or externiiiKited. 
 
 B. 5. 
 
 BALD. 
 
 TOP O F HE AD. 
 
 HAIR. 
 
 7 >/• hald add, GOT none or 
 RUBBED OUT, See A. 28- 
 and E. lO. 
 
 B. 6. 
 
 Place ends of tlnnnhsaud fingers 
 together so astofonn a roundojten- 
 ing. Shoir this to the observer. 
 
 B. 7. 
 
 -■% 
 
 (hither all the spread fingers of 
 l/oth handsina eireiilar form irith 
 their ends touching. Then more 
 lioth hands to and from eaeli 
 otiier, as shown by the dotted lines. 
 
 B. 6. 
 
 BASIN. 
 BASKET. 
 BOWL, 
 KETTLE . 
 PAN . 
 PALE . 
 
 ,lnij round open toped iwssel. 
 
 B. 7. 
 B ATT LE . 
 CHARC I NO AND 
 RE PE L L I NC . 
 ADVANC INC AND 
 RETREAT ING. 
 
 17 
 
ft!; 
 
 U 
 Jp 
 
 i 
 
 Ir 
 i 
 
 
 r.^ 
 
 J:" if' 
 
 1; 
 
INDIAN blGN TALK. 
 
 (rmtKHS. 
 
 B. 8. 
 
 First si'i^ii for irnfii; fhni ii'ifh 
 ilic right indt'.v imiifftfr the form 
 or oiitfiiif of tlir hiiif. 
 
 B. 
 
 9. 
 
 J\I(ik(' Jwlicvi- f.nttiv'J Hovii'tliiiig 
 in Iicticcrii tJic tliuuil) iiiul forrpii- 
 Hcrof til (' left hand <is if th rcatling 
 ii nt'iillr. 
 
 B. lO. 
 
 EijuivaUnts, 
 B. 8. 
 
 BAY . 
 
 SHAPE 
 
 FORM, 
 
 t4n//thin<J, nso firld or portion of 
 ronntri/ is nui/t/tttl out in thrsunir 
 
 B • 9. 
 
 BEADS , 
 
 STRINGING BEADS. 
 
 Jniitntr the stringing of liends. 
 For twint work add a dt'sign or 
 sign for irork. 
 
 B. 10, 
 
 K.vtrnd /hnnil,sand littlr p'ligrrs 
 4ifl,oth hand.:, y/itrrstof/ingrrs 
 <'losi'<l . 
 
 Then iritli the hands in front of 
 fart, strike Ihint l.oth itoimirani 
 sinin/tanronsli/. 
 
 BEAR 
 
 BEARS C L AWS 
 
 Scratching like a ticar or other 
 wild beast. 
 
 IS 
 
arfjtf g g ^W l^ 
 
 SIM »■■ 
 
 f- ■' 
 
 -^^i 
 
 »jSi>?i 
 
 , -y . ^' 
 
INDIAN SIGN TALK. 
 
 tiisfiiris. 
 
 B. 1 I 
 
 7'niirh flw .<i(h's (>/' li(iir(f or i/iiii 
 jritli III) hiirku of f/ic jiii^'rrs f^riior 
 f/in r /inifs. 
 
 Eiinlruhiifx. 
 B. 1 1 . 
 
 BEARD. 
 WH I S K E R S 
 
 B . 12. 
 
 B. 12. 
 
 _,.. .^ 
 
 
 y.::. 
 
 BECALSE-OF 
 
 /-;:. -.N 
 
 THE REASON - FOR 
 
 
 WHY .ETC 
 
 The I'iijlif /unit! Iiii< k ir; in front 
 <if llic U ft lirriixt. Then rcrrij it 
 itptriirit (ind orcr to tlir ri<jlit, 
 irlirn it irill /ir /t.i'ui. up. ilo litis 
 /Jiiir times t nijilml icitl 1 1/. 
 
 B. 13. 
 
 ) 
 I 
 I. 
 
 >^ 
 
 Hold IcJ't Innid iinliii up, Irrrliii 
 front of ilw left Itrt'ust. 
 
 Til (11 la [I Ihv hock of the open, 
 ri<jlil liitnil into the pulni of the 
 lej't lidnil. mill from lliul position 
 riirriiilin ii /'ii,rizonliil ei'e well 
 to the ri'jlit of boil ij. 
 
 B. 13, 
 
 BE 
 SP 
 
 D. 
 
 RE AD , 
 
 Spreiiil ijiur hhnikel tin re! 
 
 19 
 
^1 
 
 ill 
 
 '^J 
 
 '•^i^MiiL'k'^^^^m^v^ 
 
INDIAN SKiN lALK. 
 
 <!isfiirrx. 
 
 B. 14, 
 
 lu/ti 'rii/infft. 
 B. 14. 
 
 ^— ^ 
 
 lliihl /.'ifiniiifh/ jlr.viil npril ri'jiil 
 IiiiihI ill I'nnit nf tlir riu'/if siilriij' 
 hiiilfl. Carrfi it n/nninl, mil ifurd 
 mill •Idirii . lira II'! II 'J il in iitiriiril:: 
 till- ri'jhl sill I'. 
 
 B. 
 
 15. 
 
 I'liiiil till- r'o'tt iiiilr.y lifickirdrd 
 orrr llir ri'jiil r-inm 'ilcr. 
 
 BEC . 
 ASK. 
 A BEGGAR 
 
 B. 15. 
 
 BEHIND. 
 AWAY BACK 
 AGO. 
 
 II '//// " i<iii'J Hull' it iiK mis 
 A LONG TIME AGO- 
 
 B. 
 
 16. 
 
 riilii' llir II j't li.illil liurk llji ill 
 J'i'uiit iif I'liiv. I'iiiCfllic ri'jlit liHinl 
 lunk lip iiiiihr l!ir h ]'l, tlirii Inircr 
 till riu'/il /mini inure nr Irss. 
 
 B. 16. 
 
 BE LOW . 
 DOWN . 
 UNDERNEATH. 
 
 :o 
 
If - 
 
 >.i 
 
 r^r^T ^-~-^- - 
 
INDIAN SIGN TALK. 
 
 firnfiiiT.i. 
 
 B. 17. 
 
 % X- ' 
 
 r>r<jiii rHliir ill frinit itr hm-k- itf 
 IkiiIii. mill i-inrij flu: liiinih iiroiuiil 
 Hir Ihiilji'fit tlir inn'sf. 
 
 fCi/iiiriifriifs, 
 B. 17. 
 
 BELT 
 
 For riirtriihjr hill inlil iiiiiliini <./ 
 piiHiii'i rtirlriilors into lini/,s in 
 hrll. 
 
 B. 18. 
 
 B. 
 
 18, 
 
 Siiii/ili/ liohl II, (■ lift iiiih'.v ill 
 j'vitui mill liikr linlil of the iiiil of 
 il irilli lliiniih miil forcji ii <Jn' of 
 llii' ri'jlil limiil . 
 
 B. 19. 
 
 BERRY. 
 ROS E BUD . 
 COF FEE. 
 OR BEANS. 
 
 B. 19. 
 
 .Uitkr IIS if flicking lift tiro pilffi 
 of It I on 11/ mill ])utling them lo- 
 gi'l/icr ill front ofhodij. 
 
 BET . 
 
 TO GAMBLE . 
 
 TIip tiro Ji mills mr liro fuirlir.-. 
 
 ivlio ])iit tlii'ir iiioniif in i,nr jilncr. 
 
 I'utting up inoniij to iimnhli' /;>/•. 
 
 21 
 
INDIAN SIGN TALK. 
 
 drstitnu. 
 
 B. 20. 
 
 Fork the first and Hrnnnl fiii<Jcr 
 of flic lift hfUiff (iliil ilrnir l/irriiif 
 of tlif rhjht iiii/c.y fnnH kniink/rs 
 /insf the nKlfiof/iiKjtrs. 
 
 B, 
 
 21 
 
 7.1'ff JiinnI buck up in frinil of 
 hrr/isL Tliiii phici' IIk' ri'jlit /iiick 
 H/i lirtincn, tlir left nnti the hrcast. 
 Thin crirr;/ f/ir ri'JIit ori'r flit' lift 
 (iiiil liri/onil. tiiriiiiio' fhi' ri'jlit 
 pill III II ji III nut of tiiorciiii'iif. 
 
 B. 22. 
 
 Form circJr irifli fJir sjircnil /iii- 
 di-rs of hot/i IikikI.h phic" f/ir riuh 
 iiffirl;/ toucliino' rtnil flicii ilrmr 
 till- right ii])ii')ir(l to the right to 
 firms Irii'Jfh. 
 
 Fipiir ilrrif.'*. 
 
 B. 20. 
 
 BETWE EN . 
 R AV I N E , 
 
 lirfimii forks or ridgrs of tniiit. 
 
 B, 21 . 
 
 B E YOND. 
 FURTHER OVER 
 MORE , 
 
 B 22. 
 
 BIG, 
 
 LARGE. ' 
 
 GREAT. 
 
 Alicdtjs rcj'crr'ng li: o/j'i-rf.-^ 
 
 22 
 
i 
 
INDIAN SIGN TALK. 
 
 Ch'sfan'K. 
 
 B, 23, 
 
 " .Vnkr a hi^ sweep with njieit. ri^h t 
 hand in mi itir from tlie eJiin^o 
 II flint . 
 
 B. 24 
 
 Hohl the left liinid pnhii upwfll 
 in front. T/icn-xhakitlieojirii ri<JJit 
 hand fordJjhj into it, making a 
 rr/>(>rt. 
 
 B. 25 
 
 Motion of wrapping twine 
 around a I), mile held in thejin- 
 i>, rsofthe left hand. 
 
 Ei/niralriitn. 
 B, 23. 
 
 BIGBELLY. 
 GROS VENTRES. 
 
 Thistrihe is so eallnl fmin Ihi^ 
 charaeterisfir. 
 
 B. 24. 
 
 BIGNOISE. 
 
 A REPORT FROM A GUN 
 
 ,/ roUei/ /.s- Hhown hij strlkliiiilhi 
 hands rapidlij. 
 
 B. 25, 
 
 BIND. 
 WR AP . 
 TIE. 
 
 See C. 17. 
 
 23 
 
 .imSSIBt sS!aa:a»iii>, a*iiife,.«S-ssSJSa«SS^We5^<«!S»SaSBS^ 
 
 .■SST^'bgM3SietelW'!«S*rSjrirrS?Srt»«ST'^ •*!,'- 
 
INDIAN SIGN TALK. 
 
 Gesfiirrs. 
 
 B. 26, 
 
 B. 26. 
 
 ^^ 
 
 
 The tJnniih and in iter of If ft 
 iinnd ptirthj se/mnitfd. Tlu'ti 
 wove it foncrird vathcv spitcfulli/ 
 nml close thcvi. 
 
 B. 27 
 
 Place the eiuU ofbotli iii.d'w p'li- 
 oVr.sj/j, the corners of the mouth, 
 and draw them toward the ears. 
 
 B. 28. 
 
 ]>ut the right inde.v on the ll])s 
 as if TO TASTE. Thm from 
 th a f ])osition make sign for 3 A D. 
 Hee B. 2. 
 
 BITE. 
 
 As a dog or other beast. 
 
 B. 27. 
 
 BITS. 
 BRIDLE. 
 TO BRIDLE. 
 
 B. 28. 
 
 B I TTE R 
 SOUR . 
 S ALT . 
 
 For SWEET look pleased find 
 sign for GOOD- See G- 11- 
 
 24 
 
 ; -i 
 
 ■■..:iffir.^*??.t*«^JAa?sp«i^*?*##cs 
 
 
« ' 
 
INDIAN SIGN TALK. 
 
 Gestures. 
 B. 29. 
 
 Hohl the left hand haek up in 
 front. Ill en e.vtend the first two 
 finders of the left hand and witk 
 their ends descrWe a spiral on the 
 Ixiek of left hand. 
 
 B. 30. 
 
 Y 
 
 Both hands haek up in front of 
 tireast. h'aise them upward, out- 
 ward and downward, fonnin^ an 
 arc from the body. 
 
 B. 31 . 
 
 K(iuir(tleiits 
 B. 29. 
 
 BLACK. 
 
 Sec C. 15- 
 
 B. 30. 
 
 B LESS-ED-I NG-S 
 THANK S . 
 I BLESS VOU 
 P I TY . ME RCY . 
 
 The Indians crave this i^estare 
 wliieh is usually gireuhyold )neii. 
 To those who hestoir presents .'. uoii 
 others. 
 
 B. 31 . 
 
 B L I NQ < 
 
 Corer both eyes with palms of For bash Jul or shame leai-e one 
 
 hands. eye peeping orer the fiogevs. I'm, 
 
 add, SEE NOT . 
 
 25 
 

 
 
 
 
 
 « 
 
 
 
 
 
 
 
 
 
 4 
 
 • 
 
 *; 
 
 .• 
 
 
 
 \ 
 
 » 
 
 - < 
 
 i ' 
 
 
 • 
 
 • 
 
 
 i 
 < 
 1 
 
 
 
 
 - - 
 
 
 
 i: 
 
 
 
 
 
 _ , ^> . ., . ... .; ... V.-' ' 
 
 
 •i 
 
 
 
 
 
 ■ , , . , ,:, . J.. -.':'. • .-:. - t .-'•. »>A 
 
 
 i 
 
 
 
 
 
 ■» , N.. » ' 1 :,".; '_ \ ■ "v « "l ■> »'■"." 
 
 
 ^ 
 
 
 
 
 
 
 
 i 
 
 
 
 
 
 • 
 
 
 i 
 ( 
 
 
 
 • 
 
 
 . . 
 
 
 t 
 
 
 
 
 
 ^' » " 
 
 
 i 
 
 * 
 
 
 
 
 
 
 
 #■ -" 
 
 
 
 
 
 
 
 i- 
 
 * 
 
 
 
 ' 
 
 
 ♦ • 
 
 
 .r 
 ] 
 
 
 
 
 
 • 
 
 
 
 
 
 
 
 « 
 
 
 
 
 * 
 
 
 
 
INDIAN SIGN TALK. 
 
 
 J'Inrr the f ii-o p' rsf fi iij^ersof rigli f- 
 hdiul on flic lips. 
 
 B. 33, 
 
 Ki/iiini/ciif^. 
 B. 32. 
 
 BLOOD . 
 
 f'nlor itf tlir lip^. //' (t iron 11(1, 
 Uiruxt the siniir tint /iii<;:i-rs fnnii 
 the /iicdtinn nf iriniiiil in iiiiilulr 
 till' spiirtiiii>oft)liHul. h'nr B LOOD 
 INDIANS ii-.c iinlij tlir iiiilr.v 
 mid omit tlir tlii'iixt . 
 
 B. 33. 
 
 Motion ofroiriii^ ti tuutt. 
 
 
 Tinirli tlir Ijixtij with cnihaf jiii- 
 £rrs of both hands and in several, 
 plac'H. 
 
 BOAT . 
 ROW-I NG 
 OARS . 
 
 B. 34, 
 
 BODY 
 WELL 
 
 Tlir xitiir rirs/iirr irilli tniili- 
 tiniial xio'ii for SICK iiiriiif< 
 SMALL-POX. /•'(,/• WELL /n/it 
 ■siLjii for GOOD . 
 
 26 
 
 -'^•^^SSi-'^^-lM^t^ss 
 
INDIAN SKiN TALK. 
 
 Viiicli nit (I hiiiiclt oj' iiiiisclc in 
 locnlitu itj' tlir "//''''^"'" <iii<l iiidkc 
 J'lii-idi t',v/irrsKii)ii n/' pdiii. ('(in 
 nth/ shjn of THROBBING. 
 Svv A . 3 . 
 
 B. 36. 
 
 lloJil the h-ft fsf in front and 
 ftikc hohl of till' knuckle j'oints 
 ii'itli Hirfnijcvsofthvri'jlit linnil : 
 sliiikc tlir kniirkirs iritli tin- sainc. 
 
 B. 37. 
 
 llohJ t/ic Jin II I Is sill I' anil si,li' 
 jjiilni lip find look intcntlij into 
 tlirnids if ri'iiilin'J. 
 
 Ju/niniliiifs. 
 B. 35. 
 
 BOIL. 
 SWELLING. 
 
 B. 36. 
 
 BONE S . 
 
 POOR IN FLESH. 
 
 , /// honrs. 
 
 B. 37 
 
 BOOK , 
 
 ,M on till' Iniiids iijiurl niiil it isti 
 hook sprriid on/. A NEWSPA- 
 PER. (( '/■/// si nil fir READ (I mi 
 h'ft Its hook, it innins Idir-book. 
 Slid (I I'll, THE BIBLE. 
 
 27 
 
 -T--A'a^rK-?^?iZl 
 
 Ak^ 
 
I 
 
 I 
 
 I 
 
INDIAN bU^N TALK. 
 
 Gesftinn. 
 
 D. 38 . 
 
 E.yhnd ri<jhf imlr.y, miil hnji li- 
 ning (ilitirr the bi'inst llini^f il 
 //inriiiriird fn iniisl . tliriicr liirii it 
 uftiriivil /(/ n/7(().s/7r Ihr hrcnyJ. 
 
 B. 39. 
 
 h'.rfnitl till' Ir/'f iiid'A- ii/iinn-tl in 
 I'ronf ft 11(1 hijt Hi I' ri'jiil iiidc.v 
 tirross the irrisf. 
 
 Kijn; 
 
 rii.'i II 
 
 Is. 
 
 
 
 
 B. 
 
 38. 
 
 
 
 
 
 BIRTH. 
 
 
 
 
 
 
 BORN. 
 
 
 
 
 
 
 A CHILD. 
 
 
 
 
 
 
 CHI L D R E N 
 
 
 
 
 
 
 A',;/' iiirl mill 
 
 j'l III 
 
 llr 
 
 /■ 
 
 >r 
 
 III If 
 
 tiihl s/iorl iiiiiii. 
 
 l-'nr 
 
 II 
 
 hill 
 
 II 
 
 mill 
 
 Iinli/f-lntlili r. 
 
 
 
 
 
 
 B. 39 
 
 B JTT L E 
 
 JUG. 
 
 VIAL. 
 
 I nil riY.srI iinrimj n iink 
 
 B. 40. 
 
 .Mnliini itf driiiriiiQ' an iirrmr 
 <inil Inkiii'J sii>/il as .situating iritli 
 l.iiir anil arroirn. 
 
 
 B. 40. 
 
 BOW . 
 SHOOT, 
 
INDIAN SIUN TALK. 
 
 r/iirr riids itf i inlr.y ji iiijirs iiiiil 
 tliii nihri to'Ji till I- HI) (la hi j'nrni n 
 liriirlji rniiiiil n/ir, iii'J iiiiil liulil 
 Ihrin in ririr. 
 
 B. 42. 
 
 ~-\ 
 
 Ilitlil hiifli huiids iipiirl. TliniiiliH 
 ii/t. Eiiils iiiiiiiliil iiiiliniril . I'lini 
 ciirri/iiii! Ihr r'njiil n run in/ hulli 
 jiiilni Iniriirils llir liiiih/. ilrnirin'J 
 llir Irfl liiriijhl nnir flic Irfl siilr 
 o/' hhili/ sn IIS lit lif /iii/ni i)/i/nis;fr, 
 llins j'livniiii'J n sijiinrr ill llir irlmlr 
 ijrxlnn . 
 
 B, 43. 
 
 /■J/rrn/r llir riijlil iinlr.w biirkmil 
 ill. /'run t ns MAN . Thru Imvir il 
 n liltlr. 
 
 lu/nirnlrnls. 
 
 B. 41 . 
 BOWL . 
 BASIN. 
 KETTLE. 
 TUB. 
 PAIL. 
 , III 1/ ii/irii In/) run ml rr.ssi / . 
 
 B. 42, 
 
 BOX 
 
 . I hiw linll'ir. .1 si/nnir nf niii/- 
 IliinjJ, ns II /i rill. 
 
 B. 43. 
 
 BOY - 
 
 A SHORT MAN . 
 
 29 
 
 L i3j?B g ajga r3^a ifui?:t?' ^ gfe"^^= ^'^ ^^ * »- ^ - -- ^ - r^ gtsj?,'- 
 
 
V 
 
INDIAN SIGN TALK. 
 
 .Make (IN if hniidiiig ihr h air, 
 
 B. 45. 
 
 Point to or totirh forehead (I'ith 
 the (lid (ifiudc.vfngcr. 
 
 B. 46. 
 
 Htiid Ixitli fsta in front of face. 
 Thru t^trilw tlw ii<jl,t down and 
 t!ir lift n}> Kiniitltiin('(nii^ly in, a 
 /■■nimt niannrr find junt missing 
 '■;<■// iitlier. Look a cited during 
 'hi< <Jestnre. 
 
 Eqidralents. 
 B. 44. 
 
 BRAID, 
 TO BRAID, 
 
 There is another si^n, hut very 
 diffieitit to deserilfe, l)esides it in- 
 terferes ivith the sign for mingle. 
 SeeM, 13. 
 
 B. 45. 
 
 BRAIN, 
 
 THE MI ND. 
 
 THE SENSE . 
 
 THE INTELLECT. 
 
 Indif'HS used to think tliat the 
 he/irt was tite seat of knoirl edge 
 and many signs are based upon 
 this idea, 
 
 B. 46. 
 
 BRAVE . 
 
 This is an intensifier. It adds 
 force to signs as: It Ij/oh's hard is ft 
 iviudbrare. .1 great dfinger isdan- 
 
 ger brave. 
 
 30 
 
INDIAN SIGN TALK. 
 
 Strike first diii' jnilin find tiini 
 till' other iiitoeacli ntlwrdltcriuitc- 
 1 If like ixittiii'J (I ('like. 
 
 K(liiir!i!tiit^. 
 B. 47. 
 
 BREAD 
 
 S()ii)f'fiii!i'!i it iinsii'crs J'lir jidiir. 
 FiirJinril t(irl\ stril\:c ilir Irft irrist 
 iritit toircr ciltic of ri<jlil liuiid. 
 ( I itdiciiiiii'J i( iiiccc SI) lurtici. 
 
 B. 48. 
 
 Vlacp ri'jht IkiidI at the <Jr<>iii 
 and driiir it iipinird to tlic tnti,st. 
 
 B. 48 
 
 BREECH C LOUT . 
 
 C((li('d a G slriii<j. 
 
 B. 49. 
 
 riiirc till' p'sts l/iictys up todrttier 
 in fron t. Hi u ni tjs tinwli in,<J. Ra isi; 
 till- ri<jlit to till' ri'jlit und tlie left 
 to tlir Irft, irlirii tlirijirill l/i/t/lllll 
 lip lit riid of ijrstnrr. 
 
 B, 49. 
 
 BREAK. 
 TO B R E AK . 
 BROKEN . 
 
 ilx II stirti or It lii'i'iil\doii':i . 
 
 31 
 
 y^?^ «W ;tgCi«;n" rufJrfiid>ie=5S»^T::=?.^=-^?a^fS^itS-es5S^=5=.:-a4.'- 
 
* 
 
 u 
 
 ■I 
 
 I' 
 
 SI 
 
 /^ 
 
«< 
 
 INDIAN SIGN TALK. 
 
 (rcs/urcs. 
 
 50. 
 
 J3otJi Jifind'i ill front. TJiiiiiihs 
 H/i. .Morn] oiitiroril and iiiirnrd 
 ■loii-lij Olid hmiHie rotlicr itiii- 
 ItlioHrolhj. 
 
 B. 51 . 
 
 S<iiiic motion niid pn'risrly the 
 <!/nin' sidii, l)ut dislin<4iiit<lic<l Inj 
 fth<i(iin<J. 
 
 /■'(/iiirti/riits. 
 B, 50. 
 
 BREATHE . 
 THE BREATH. 
 B R E ATH I NG . 
 RESPI RATION. 
 
 B. 51 . 
 
 BREATHE , 
 
 THE SPIRIT OF LIFE 
 
 THE LIFE ELEMENT. 
 
 II 'if/i II diriiiv .sy/A.sy slioirii lij/ 
 sliiidiiiii t/te diiiijriiiii,. 
 
 B. 52. 
 
 B. 52. 
 
 Both hdiidshacks up. Hold tin iiv 
 ^(it in front. 
 
 BRIDGE 
 
 Tlir full siijn sonii't'incn is tir~ 
 roniponird lii/ stirriin. trrr, chop, 
 iriKjon, and thru mid tlir Jl'it 
 Jifinds, iiidir/itin:^ that thi'stnani 
 is I'urrrrd ]lat. 
 
 32 
 
 _-^*BK»SP5IS^iS¥* a 
 
 i^.iT^_4v^<^a*tw a r a f r^ i:jvTi'^'^^yr;g -P^ 
 
tf, 
 
 Jn 
 
 th 
 
 111 
 F 
 
INDIAN SIGN TALK. 
 
 I'Jdcc f/ir /I'rsf tirn p'nt^rra of one 
 lidiid ill the iiioatli. 
 
 fJi/nira/i iifn. 
 
 BROTHER. 
 SISTER. 
 COUS INS, 
 RELATIONS. 
 
 .//.'// iiror irhitioii. {To'Jrthrr 
 siu-k.) 
 
 Mfila' a hi<J sirrej) iritli. ilw ]l<it 
 right htnid from shoii/ifrrf/fisl the 
 hdiiil outside of the left (inn. 
 
 B. 55 
 
 ^i 
 
 Lay the flat rioht hand on the 
 thigli. From the-e raise it awl 
 VKike till- gesture for fire. See 
 F. 13. 
 
 B, 
 
 54, 
 
 BROTHE R IN LAW 
 
 • I feather is sometimes nhoirn inj 
 the same moremiiit in front of the 
 left arm. 
 
 B. 55. 
 
 BRULE SI OUX , 
 BURNT THIGHS 
 
 as 
 
 ' --.»*«^aigril nTJ lj» l^itiii— , irffaj m -g rai i a a-j'^wi--?! 
 

J^l 
 
 INDIAN bIGN TALK. 
 
 fuss fhr vhjJit hulf.v midrr Hic 
 iinsc IIS if pinrinij tlir sept ii in 
 
 C. 2. 
 
 )/ 
 
 Mdkcftaifili^^iii'J in fhc ctirffi, 
 irith one or both index fingers. 
 
 Hold the ajiread left hand up in 
 front of forehend. Then pi are the 
 rifjlit index under it ond iriggle 
 the ends of fi,ngers irith the left 
 hani^, OS in sign of fire. 
 
 /u/iiiro/eiifs. 
 C. 1 . 
 
 C ADDO- 
 NEZPERCE. 
 SHAWNE E S . 
 
 From the tin hit of pieri-in<j llir 
 septum for reeririmj i>rii/iineii/s. 
 , I eiistoin now iihnndoiied. 
 
 C. 2. 
 
 CAL AMAS . 
 
 DIG -ING FOR ROOTS. 
 
 Cfin odd si^n f'or EAT oiid 
 GOOD , 
 
 C. 3. 
 
 CANDLE. 
 A L I CHT . 
 A LAMP 
 
 .Jllegorieollij it nictius tenehiirj. 
 See D . 5 . 
 
 (The riglit index rejnrsents tlir 
 eidulle or Itinip. 
 
 © 
 
 34 
 

INDIAN SIGN TALK. 
 
 h'.vfind f/ir Ir/'f iiiilr.v in j'mi- ' 
 Then iritli tlir ri<jlit liri^iniiiii'j > 
 I III' kiiiii'kirs iti'srrihr n rriioknl 
 liiir (iloii'J tlir lift iiiili x. 
 
 C. 5. 
 
 Viixh the mil of flif nnftr nj)- 
 (riiril iritli hall of ri'jlit hit ml. 
 
 C. 6, 
 
 HoliJ the loDSf'h/ jlf.vcd ri'Jht 
 limidpiilin nphovizoiitiillij. Tlir:i 
 it I'd ir it i/uickli/ foiiiiiils tlir rii;/it 
 tiiilr. 
 
 33 
 
 I:'i/uir'i'i iifs. 
 C 4. 
 
 C ROOK E D . 
 
 A CROOKED ROAD. 
 
 THE BAD .^^OAD. 
 
 WRONG. 
 
 i'l) </() irninii '•''' t>> ll*> rr(in\( J. 
 
 C 5. 
 
 CAT , 
 
 SHORT NOSE , 
 
 SNUB NOSS ETC 
 
 C, 6. 
 
 CATCH I T 
 RECEIVE. 
 ACCEPT. 
 
 lu uhtnln (IHjIj 'ii[j iir f i:i)i'. 
 
 ■'■■.y5Vf«j«»r»^-XX:ar,---« 
 
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IMAGE EVALUATION 
 TEST TARGET (MT-3) 
 
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 1.0 
 
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 1.25 
 
 I, 
 
 fM IIM 
 
 '- ilM 1 2.2 
 itf III 2.0 
 
 1.8 
 
 1.4 
 
 1.6 
 
 6' 
 
 1*1 
 
 li 
 
 MCt 
 
 Photographic 
 
 Sciences 
 Corporation 
 
 23 WEST MAIN STREET 
 
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 \ 
 
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 Microfiche 
 
 Series. 
 
 CIHM/ICMH 
 Collection de 
 microfiches. 
 
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 \'\ 
 
INDIAN SIGN TALK. 
 
 d'ODk hotli ivdc.vJhiOcrs mid rrsf 
 ill) in (III till- y,i<lis()J tin- iiniihiborr 
 //ic nirn. 
 
 F.qnirdliiifii. 
 
 C 7. 
 
 CATTLE. 
 HORNS . 
 BUFFALO. 
 
 For Iliijfili) hull thr //in^rrs 
 crnnkril iiiitir.inl. 
 
 ^~J 
 
 K.vtrnd hnlli iiiilr.v/iiia'rrs //.•< tini 
 nirii mid fhriixt hid/i ihnrinrmd 
 to Ivft mid riijlit siirnil times 
 siiiiii/tminms/i/. 
 
 9. 
 
 k y y 
 
 ,M<iti(iii iif viittiti'J i:'fis/ifs /icr(i.'^.<^ 
 t lie left iinu irifli the riiJIit iiid( .v. 
 
 C 8 
 
 CHASE 
 
 . y.s rh a si III: L!<iiii^'' 
 
 9. 
 
 CHEYENNES 
 CUT ARMS . 
 
 :6 
 
; 
 
 1 
 
INDIAN SIGN TALK 
 
 (ifs/urrs. 
 
 C. lO. 
 
 V.lnitti' flic n'ii'if iiifh'.v rrs nidii. 
 /i'liisr if liiijli II nd r/trrf/it umiaiil 
 </iiiriiirtii'il. 
 
 C. 1 1 . 
 
 /'.v'l'iid ri^Iit hiilc.v (IX viaii. 
 Jii_i I (ihiirr tlir Itrciixt fiiiif 
 t'irii-t if (loirinrfiril fiirn'mj it 
 n/iiriu\l (III! e i(tin;^ ()/>/><>■ if c /ore- 
 Ji< <i(l. 
 
 C. 12. 
 
 Form ciivlr loith thumb and fin - 
 grrx of lift hiinil. Then fonch the 
 rirrlc iio (itiiint ii ilozcn jdoves. 
 
 K<iuiv(itrnfs.' 
 
 C. lO . 
 
 CHIEF 
 
 (hic irho rism almrc (indori'rlookft 
 people. Th e sJi (ided sio'n is design- 
 ed to represent a divine Cliief. 
 Hetiven (liiif. 
 
 CM. 
 
 CHILD . 
 
 CH I L DR E N . 
 
 BORN. 
 
 B I RTH . 
 
 c. 
 
 C LOCK , 
 A WATCH. 
 A DIAL. 
 
 12, 
 
 37 
 
 ^.•.,,, _-. -^. 
 
1 
 
INDIAN SIGN TALK 
 
 (i st I :'rs. 
 
 C. 1 z. 
 
 i)r III- I'll' > jrriiil lliiiiiih irnil lu- 
 ll ,1 j'.'.iii 'inn f (Idiniiriiril . 
 
 Einirnli'iifK. 
 C. 13. 
 
 C LOTH I NC 
 APPAREL. 
 
 .U'ikr tlii^ iji'stiirr nrrr niii/ /iiirl 
 III lir rliithril rr/trisrii f flir niiii-li' 
 iiitriiilrd. 
 
 C. 14, 
 
 'f ii\'i' Ini.'if nf fill' liipiirlxiif till' 
 ( lull nil liir II III! I II 7 till III td'Ji flirr. 
 
 C. 14. 
 
 C LOTH INC. 
 BLANKET. 
 SHAW L . 
 
 Si'i' C . 13. 
 
 C. 15. 
 
 Hii'.i the Junks nf tlir liiiiiila ti>- 
 
 C. 15. 
 
 COLOR . 
 S POTTE D . 
 ROA N . 
 MOTT LED. 
 B R I N D L E . 
 . liiij ojj' riili)i\ 
 
 33 
 
INDIAN SIGN TALK 
 
 Cirstiin"*. 
 
 '6. 
 
 \f, ^,^1 
 
 ('ii>t I III' I'f/rs ii/iiriirfl mid hii) 
 flirj'lat I, I' ml (miiidi nrhm nhiirr 
 I lie ItcKil. 
 
 Ki/uii'iih-rifs. 
 C. 16. 
 
 CLOUD. 
 C LOUDY . 
 
 DE S PONDE NC Y . 
 
 Our is siinirliiii"><. Thus nmlir 
 It rliiitil. IIS 11 irirr. 
 
 17 
 
 I'.\iniil hnfli iiiilr.v /iiii^ui's in 
 j'n III 1111(1 roll llir fi'jlit nrrv fill' 
 li )t mill fill' Ir/'f iirir l/ir vi'jlit or, 
 III i/l/irr irui'ils, lirirl Ilir J iii<Ji'rs. 
 
 C. 
 
 8 
 
 /Inlil till' lift fist buck II]) ill 
 y.\uil. Tlini iritli the ri<_lil f.t 
 I lirk lip. ,). a''i' iiinii II of ijriiiiliii'j 
 crjj'ic ill our of lliosr lii/i rojfrr 
 nulls. 
 
 C. 17 
 
 CIGAR. 
 CIGARETTE. 
 WRAP , 
 BIND. 
 TIE. ETC. 
 
 C. 18, 
 
 COFFEE. 
 
 COF FEE MILL 
 
 GR I NO . 
 
 30 
 
T 
 
INDIAN SIGN TALK 
 
 (iist.tl't'fi. 
 
 C. 19. 
 
 Ilolil the ji.sf.'< (ilii)iil hiilf nrni 
 liifjtii in /ran/ ami s/iirtr. Hie 
 /"'yt^ti'k'u'Jiiii iiptdid (h^ii'ii sliiik- 
 iifj itiiirriiiciil . 
 
 10. 
 
 r^^^rt\ 
 
 Tlic iinh ,v ov lidiiil III 1:1 Jiiiriznii- 
 f I II 11 f villi t nf tlir r'jllf Kill'', 
 II III /'mill f/irrr ifrnirii in u snrki' 
 li\'r iiiiirriiirnf liackiriinln /ins/ f/ic- 
 
 s:,/r. 
 
 C . 2 1. 
 
 J/( f.'nii i)f vi.niinn^ the nUle of 
 the III mi. 
 
 - 
 
 /•.'i/ninilrtifs. 
 C. 10. 
 
 COLD . 
 WINTER. 
 AGE. 
 YE AR . 
 
 C. 20. 
 
 COMANCHE E . 
 
 SNAKE , 
 
 ANOTHE R SNAKE. 
 
 ,1 Hiiiiki' fliiif ijocs Jifiiiiirnrtl in 
 (listinrtiini Jrani Siiiisliiniic irliiili. 
 gocfi furn'di'd. 
 
 C. 21 
 
 COMB . 
 
 A WOMAN . 
 
 LONG HAIR. 
 
 Srr W. 29. 
 
 40 
 
// 
 
 I- 
 
INDIAN SIGN TALK 
 
 (iiitfnrrti. 
 
 C. 22. 
 
 Jlffk'Dii /fiirari/s llw Itrcusf. 
 
 Ki/uinilrnf^, 
 C 22. 
 
 COME . 
 
 COME TO ME . 
 
 C. 23, 
 
 Lni/ flat hft limit/ nii flir Irff 
 hrcdst (I ml hickoii, hviii'jiiiij Hie 
 ri^ht imlr.v ugaiunt t/ia back uf 
 tin- Irfl liiinil. 
 
 Id/iI llir lift hdiul in fi-Diit of 
 e/i- X (111(1 shore the right index lie- 
 tii 'en it and the f(iee until tlie end 
 «»/ in/e.v eon he sen i hj/an ol/srrrer. 
 
 C, 23. 
 
 COME TO THIS PLACE. 
 COME HERE. 
 CAME HERE. 
 ARRIVED. 
 
 The Ic/'t hand refirisrnfs u pluce 
 in mind, or reji rred to- 
 
 C. 24 
 
 COME IN SIGHT 
 
 ,ls (I j)erson /■oiiiino into ririr 
 from 1)1 hind (I rido'r or hill. 
 
 41 
 
// 
 
 /I. 
 
 HI 
 
 (II 
 In 
 
 l>< 
 
 III 
 
 «1 
 th 
 
INDIAN SIGN TALK 
 
 (Irah u-itli ri'jlit Inind. Ilidiii'J 
 llic cHiichtd jist iiiidcv the left 
 firm. 
 
 K(li4ir(ilriifs. 
 C. 25. 
 
 CONCE A L , 
 
 HIDE. 
 
 STEAL. 
 
 I''nr steal /irst siijin far CATCH 
 I T - Tin II (iilil til IK sii^n. 
 
 26 - 
 
 lliit/i (tjxn IhiikIs ptilui iiul n-iifil 
 ami carried irell ant and around 
 ill j'raiil of Ixid If iis if reaelii ii<J 
 (iron lid so'iie lai'ije olijeet, as a 
 lioijsliead . 
 
 C . 27 . 
 
 
 II old left p'st ill fi'oii t. \ n tirkles 
 pointed oatirarit. T .',7' inal\e 
 nnifion of slirlliii<J corn iritli halt 
 oj' ri>jlit tliinnh ai base of tlie left 
 til n mil. 
 
 C. 26 
 
 CORR A L , 
 K A R R A L . 
 
 SURROUNDE D. 
 
 ,y stroii'J rnelosiwe. 
 
 C, 27. 
 
 CORN . 
 SHELLING CORN 
 
 42 
 
INDIAN SIGN TALK. 
 
 drsf :(::■■•<. 
 
 F.ijH •rulriifs. 
 
 C- 23- 
 
 \ ' 
 I • 
 ( / 
 *,- 
 
 V ^ 
 
 
 I'lrsf nulla' ti liiLi circle fnnii 
 front iinmnd tlir rrnr of Ixiih/. 
 T/iis rt /irrsf ii/s /I cimiliir fciif or 
 licoplf sitHii'J in II circlr. Thin the 
 i)/irii ri'jlit /iiinil hrlil liorizonJiilli/ 
 fidliii iif) in riirrii'il I'l/ ■'</iorf .s/o/w 
 nronnil f.'iiif rirrlr us if li'iinliii'J 
 HoutrthiniJ to iiiili jurnon sitting 
 thrir. 
 
 C- 29- 
 
 I[olil till- o/irn lift III mil iritli. 
 t'lr /ino'irs s/in ml in front oj ficr. 
 Thin ilrliliiri'lil u I urn il m-n./i'sf 
 t.'/r litllr fii-Jn: thru llir luwt, 
 jii hiijis niorr. 
 
 C. 
 
 50. 
 
 .-/ 
 
 /:a tinil I ■■'III iinli.yjiii'jrr . llolil 
 Ihr Irft in /'rout fioiiitiil foirniil 
 tlir ri'jiil II ml thru riinji ri'Jhl 
 lurk- oiiliriiiil iiiiil.r mill In ij^hhI 
 Ihr lijl. 
 
 C, 23. 
 
 COUNC I L . 
 COUNS E L 1 NG . 
 
 I'iif<siii^ irnnh nron.n/ inn rlrrlr 
 or to riirioiK pirsous silliiifj 
 iiroHiiil- 
 
 C. 29. 
 
 COUNT INC. 
 RECKON INC. 
 HOW MUCH ? 
 
 HOW MANY ? 
 
 Tj'i/iirxtion is iiilrnilnl, look iii- 
 ijiiiriii'jl !i foiriirils Ihr pirti/ ml' 
 ilriss((l. 
 
 C. 30. 
 
 COUNTCOUP. 
 COUNTS ONE FOR ME. 
 
 i.Miir.'i intiristin'J ninlti r iimli r 
 tlii'sc hrmis is oni'lliil in thrsr. 
 r.inls. 
 
>• 
 
 4 
 
INDIAN SIGN TALK 
 
 (iestiir.''s. 
 
 C. 31 
 
 K(iU.':riilrntf<. 
 C. 31 . 
 
 
 COU RTSH I P . 
 
 l'.[f('/iil I Ik ri'jiif indc.v /loiiifti/ 
 Inifiird sonic /iiTStiii n/iil r<irr// if 
 ill (III ml riniriii'J siiiriil inoniiK ill 
 ill! I II -il li i III iir lirr. 
 
 I iirrrr siiir litis iisni. II . 
 
 C, 
 
 J2. 
 
 Ifiild linlli iiiih.v /iii'Jrr.t ii'> in 
 /'/•' lif III iihinil iiiiii-iliirjili . T II II 
 ilrnir I/1..I1 in Imrnnls Hi ■ hmli/. 
 Sliriiik-hiirkininl n li'ijlr us if in 
 iiiiiiiiil /', in: 
 
 C. 33. 
 
 KIrr/ile llir riijlil linnil In ri'J/il 
 (•f III nil find di'srrilir n virrlc or 
 s/i'rnl 11^ litis! 1,'ic tun,. 
 
 C. 32. 
 
 COWARD -S . 
 
 'I'll o III III mini n i> ill IIS j'inni /In 
 fi'iint nf iiiilllr. 
 
 C. 33. 
 
 CRAZY. 
 
 FOO L I SH . 
 
 BRAIN R E V LOV E S B A DK- 
 -WARDS. 
 
 Til is Is iifli n lis/ d In rr/irrsrn f 
 h'ioiriis. linl llnii 1 r ■ im inorr 
 rr /:// llniii utlirr pi upli', hrsiili s it 
 is ml III ir /ro; r S'Jii. Sr" K. 6 
 
 44 
 
INDIAN SIGN TALK 
 
 r.vli ml llii' l( I'l iinli.v ill j'ritiildf 
 l!ii' flier. Till II iritli mil iif tlir 
 l'<jlll illlll.V, hrnillllilin fit tin' 
 
 L II iiil\lr . iiuiriii zi ijziiij li III' liiii ml 
 Ik !/iiii(I llic mil aj' lliv Irj'l. 
 
 C. 35 
 
 /- // Hir r'ljlit illlll.V nrrosx llir 
 h fl 1111:1 /mill lliriii ill li r. 
 
 C 36, 
 
 Siiii/ili/ ii.'<.^iiii I' the iij ])i'ariin''f 
 I J' iiioruscnij.s.s. 
 
 Ki/iiiriilrnls. 
 C. 34. 
 
 C ROOK E D 
 WRONG . 
 
 . / rrnnkiil mini /.s' n iriimc: i'i>"<l 
 or irrnii^ /inliri/, ili.-</iiiiiisli/, ilL-i.-ii- 
 III II liitiiiii . 
 
 C. 35, 
 
 A CROSS, 
 
 OJ 11111/ lllilliriill il.'< II ilirnl illinll. 
 Liijl tlii'!<i' rros.-r I p'li^'ir.'i mi llw 
 Iji'i'a.st. 
 
 C. 36. 
 
 CROSS . 
 SULLEN. 
 SNAPPISH. 
 BAD TEMPE R . 
 HEART IS BAD. 
 
 45 
 

 
 
 
 • 
 
 
 
 
 
 
 »-« 
 
 ■ 
 
 > 
 
 
 ■ t 
 
 
 
 
 
 i 
 
 I 
 
 
 
 
 t 
 
 !_ 
 
 
 
 . • 
 
 I'ln 
 <il III 
 iniril 
 
 j'lU'ill 
 
 
 
 
 
 
 
 \ 
 
 
 P 
 
 
 
 
 n,.f 
 
 
 ".«; 
 
 
 
 
 i'Vv.s' / 
 
 
 V 
 
 
 
 
 liniiil 
 
 
 1 
 
 
 
 
 
 
 
 
 
 
 
 
 1 
 
 
 
 
 ]!ol 
 llir 1, 
 tin- r 
 
 
 1" 
 
 
 
 
 ii/iil 1 
 litiiiil 
 iffii'd 
 
 
 ii 
 
 
 
 
 II]' till 
 
 
 
 4 
 
 
 
 
 1 
 
 
 
 
 
 
 y^ 
 
 
 - 
 
 
 
 
 
INDIAN Sir.N TALK 
 
 (I'l stnrrs. 
 
 C. 37 
 
 I'lncr niih iif liiillt i iiihAji ii'Jrrs 
 III Hir I III >i a ml i/rmr f/iiiii (Inirii- 
 ii-iinl. ./.■■■siiiiif flic ii/i/iin/irialr 
 j'lif'iil iw/irrs.-iinii. 
 
 III. Ill jlr.vril liiinih III I !/':•<. Jiii- 
 
 <Jrls liilllijillij lli:iril mill 1(1 lllllll 
 
 Jill nils ilnip iliiiniiriiril /msl llir 
 
 j'liff 
 
 C. 
 
 J9. 
 
 D 
 
 .^^:^ 
 
 k 
 
 Unlil tlir niirij hii iiihiinl in fnint 
 liir li jl /<ninli/ii; In Ilir I'iijlil, nnil 
 llir r'ljlil ihiinliiKj uiilirunl uhnrr 
 II ml III III' riiilsiif jt n 'Jl rs nf llir Irj'l 
 liiiml. Till h >liil\i lid' ri^ilil ilnirii- 
 iriil'il I'lisl llirciiils if III!' Jiii'Ji'i'n 
 II]' I hi I if I 
 
 Eqni mil Ills. 
 C. 37. 
 
 CRY -INC. 
 WEEP -INC. 
 TEAR -S . 
 MOURN IN -INC. 
 
 C. 38. 
 
 CRYING. 
 WEEPING. 
 RAINING TEARS, 
 
 C. 39. 
 
 CUT IT OFF. 
 
 DON E . 
 
 F I N I S. . I -ED. 
 
 COMP E T E -D . 
 
 CONG LUDE -D . 
 
 E ND -ED . 
 
 QUIT. 
 
 STOP . E TC . ETC , 
 
 Aliikr nil mil nf ii'liiilrrrr i.< l,r 
 .•'/(<■' siiifl or iIdiic. 
 
 43 
 

 • 
 
 ■ 
 
 
 *i : 
 
 ' 
 
 
 • . 
 
 
 
 
 
 
 1 " 
 
 
 t 
 
 1 
 
 
 • 
 
 ( ■ . 
 
 Hi 
 
 
 
 lip 
 
 
 ¥ 
 
 irill 
 s/nii 
 tin 
 
 
 "V. 
 
 
 
 ^ 
 
 
 ' 
 
 ■ *'t ■ 
 
 
 
 ^A ' ' 
 
 
 
 W 
 
 II 
 
 
 * . ■ 
 
 in 1 
 
 
 
 null 
 
 
 - . 
 
 1 
 
 i'i<'l 
 
 
 "s 
 
 thr 
 
 
 % 
 
 
 
 4*1 
 
 ■_ 
 
 
 ^,: 
 
 
 
 i\ • 
 
 
 
 •i- - : 
 
 
 
 ,1' . 
 
 
 
 * ^ 
 
 
 
 -^ ' 
 
 
 
 ^ i , 
 
 
 
 .^( . ■ ■ - 
 
 
 
 
 F 
 
 
 :f^\ . 
 
 n,r 
 
 
 is. • ■ 
 
 lllll 
 
 , 
 
 s/n 
 
 
 i'-* ■ 
 
 out 
 
 
 % ^ 
 
 
 
 »' 
 
 
 
 .»^ 
 
 
 
 
 
 
 ^ ' 
 
 
 
 >- 
 
 
 
 ■«« 
 
 
 
 1 1 
 
 
 
 .11 
 
 
 
 |i , ;..,_._,-„. ^_....-:-^-^. ^^ 
 
 X 
 
INDIAN SIGN TALK 
 
 (ii stiirrx. 
 
 C. 40. 
 
 I/olil tlir li'iiiil in front f/iiinili 
 II /I fioiitfiii'J fii Ihf vi'jiif. Thru 
 irilli f/if riijhl luniil tliinnh iiji. 
 shin'f if im/iritnl jxist Hir chil nf 
 Ihr lift. 
 
 C . 41 . 
 
 tUiuinOi'ntH. 
 C. 40. 
 
 CUT OFF. 
 
 ,ls Ihr mil of II lii^, roi>r, rtr 
 
 C. 41 
 
 I[i,ll the o/irii Irfl liiinil hnrk up 
 ill /rout. Thru iritJi tlir o/irii ri'jhl 
 iiiiikr iiiiilion of iiiltiinj j'roni 
 ri<jhl to Irft .^rrrrnl linir.^ niidrr 
 Ihr Irft h II ml. 
 
 C. 42. 
 
 — K 
 
 First .s/oVf far HORSE. Tlirn 
 Ihr sniiir si^^ii iix for riittin<J n/). 
 lint Dili If oiir rut. This is ofirn 
 strnik ill Ihr n/i/iosifr dirrrtion : 
 oiitirnril. 
 
 CUTTING UP 
 
 Is rnttiii'J lirrfinio strips hi ihi/. 
 
 C. 42. 
 
 CUTTING A LARRIETT 
 HORS E STEALING. 
 
 47 
 
INDIAN bir.N TALK. 
 
 (Iistiu'is. 
 
 D. 1 
 
 /.'(//// /i'iiiil> hiitk mil ir.'f/i Ji'it- 
 ijrrs s/irt''ii/. Liiji I lir ji iiiiirsnj iiiir 
 liiiiiil iirir llir iii/rrsficr nj llif 
 nihil' IIS ij' III I'll mil nil i/l/i iii'J 
 I iissiiiijf III iiiiiijli III III 1 1 II llir Jiii- 
 
 'Jrrs. 
 
 D. 2. 
 
 Ihilil li'ii jl. .yril ji/i Jirs n/' niir nr 
 liilli /luiiils iiiiiiiliii'J ii/tirnnl. 
 Till II ihnirr llii III II ji mill iliiini 
 iiiiicli IIS i/' ihiiiil/iii'.; ri III'!'!/. 
 
 Ki/niriil( tifH. 
 
 D. I . 
 
 [) AM , 
 
 HO L D . 
 
 CLOSE A LEAK. 
 
 TO BATTEN CRACKS 
 
 U. 2. 
 
 DANCE . 
 JOY, 
 
 HAPPINESS. 
 LIVELINESS. ETC 
 
 I'l'iijilr hiirr In lir in ijiiiiil liiiiiinr 
 lit riijn// ilaiiriiii^. 
 
 H 
 
 
 i 
 
 D. 3 
 
 llnlil hnlli jislsiil o iiiis Ini <Jlli .'ii 
 j'rniif mill i-iiisr anil linrir tlniii 
 
 si III II I In II I'lm ! !/ iiiil run 'Jilirnll if. 
 
 DANGER-OUS. 
 BE CAREFUL. 
 LOOK -OUT . 
 
 I'lirtiiii llir! 11 III r.'ilrrs nnr ilmi- 
 ijirnlls plilri'S IIS 'Jill lil/s, jiriliriis, 
 
 lIlKJ /lull's, I I '. 
 
 \l^ 
 
INDIAN SIGN TALK 
 
 Ijiij tJic buck' of one luiitil info 
 the pa/iii iif llii' itthir diiil Imhl 
 lliriii bt'forc till' t'ljcs. 
 
 F.iiiiii'iilnita. 
 D. 4. 
 
 DA RK . 
 
 /iii/)rii( fi'iifi/f ill li'jlit. ('iiiiiinf 
 srr f!iri)iig'li tlieni. 
 
 5. 
 
 ISntli liiiinhbiicKnn II. (^iirvji Hir 
 r'-'jiif nrrr the irj't. Thin is tlir 
 I'll jl^iriil friitnrr. To riivrif tlir 
 lift nrir l/ir ri'jlit is llic iiiriitnl 
 j'l tifiirr. Si r F 21. 
 
 D. 6. 
 
 llmin'J the hf:i:dt!'biick vp inn/ 
 tlir ri'Jhf I'V lAsiiiyi flic left (ns in 
 iii'jlit >. Thin turn Imtli lirvda iiri'r. 
 iiiiiriii'J tliriii II liitii' iipiivt. Las 
 
 ill tlir a I'll I. I'll'. 
 
 DA RK - N E S S 
 
 COVER-ED. 
 
 NIGHT. 
 
 (iiiil ilvinrs II hliiiikrt nrrr Ihr 
 iiirtli lit iiitilit. In llie niornin'J 
 III- t/irnirs it n/J'. Srr tlir nr.vt .'<i<^n. 
 
 D. 6 
 
 DAY-LIGHT. 
 OPEN-NESS. 
 UNCOVER-ED. 
 
 Sniiirfinirs tlir ii^Jlil nj' kniiirl- 
 I il "'r. 
 
 AO 
 
INDIAN SIGN TALK. 
 
 (li'stiirrs. 
 
 D. 7. 
 
 //nil fi'li j'.'df /idllilx jiulnin lu- 
 ll till r. '/'/nil ijrnil inii I If liinrr l/ir 
 li'j/ll 'I lilllr III llir ri'j/il. I Sii IIS In 
 III ill II lilllr li'Jiil iisil irirr. 
 
 D. 8. 
 
 //iii'il l.'ir i'':,'/il liiiiiil iirrr l!ir 
 r'-j/il I'ir. 'I'liiii iiiii/\r siiiii fill- 
 /iiiir. S. I HE A n mill NOT ■ 
 
 D. 9. 
 
 D. lO. 
 
 //n'll llir jl il !fjt liiiiul li'ir/v lip 
 irlf,>iif ill /'mil ^. T/irii r.vf. ml l.'ir 
 /■''•III iiii/iw 'i.'i iii"ii. /'(i:<s il iiii- 
 (Irr i/ir lijl iiuiiil, ki'i/iiiiij lit I' 
 hiif/\ of ri'j/i! iiiilr.v nnlirnril. 
 
 Kijiii rnlrnln. 
 D. 7. 
 
 DAYBREAK 
 
 /hiijii Hull urJHsl III ilii ijl i'jii I . 
 
 D. 8 
 
 DEAFNESS. 
 HEARS-NOT. 
 
 /7//.S s /ii'ii/iirli/ II null /mil ml 
 siijii. 
 
 (liii'llril. 
 
 D , 1 O . 
 
 DEAD. 
 DEATH. 
 TO DIE. 
 
 , \/ II II ijni s II mil r. 
 
 % 
 
 CO 
 
^ 
 
 INDIAN SIGN TALK. 
 
 (I'lfu'urcx. 
 
 D, 1 1 . 
 
 Ihi/il till' l( ft iiulr.y irrll mil in. 
 I'rinit. T/h II rni-ir flir r'njlit us ii 
 ijini si'jlit mill J'nrcr llir mil of' il 
 I' "iiisf till' li'ft (ihniil ill /III' 
 mi' illr. 
 
 D. 12 
 
 /•'.vlriiil Hir ri'Jltt iiulr.y tniriiriJs 
 flir /iirsDii mill sliiikr il qiiirkl ij In 
 ri'jlil mill lij'l . IsKiiiiir II ilijimit 
 j III ill r.v/irissicn., 
 
 D. 13. 
 
 h'lrrulr hiilli iiiili'.v /hio'i-r in, 
 J'iDiil mill iii'iir iiicli itllicr. Then 
 more llw rii:lil In l/u' ritilil miil 
 llii' Irfl In till' Irfl lllllil siiliir llis- 
 Idlirr il/iml. 
 
 F.qiiii'iiliiilx. 
 D. 11. 
 
 DEAD SHOT . 
 
 CENTRE S HOT 
 
 D. 12. 
 
 DEFY -ANCE. 
 RATTLE SNAKE 
 
 / iliirr j/nli ! ) 'nil ilrilT llnl .' ) 'nil 
 rnsriil! Snnnlinirs usi'il j'nr I 
 WILL NOT , 
 
 D. 13. 
 DEPART. 
 SEPARATE. 
 APART. 
 DI FFERENT. 
 I DIFFER F ROM . ETC 
 
 ?1 
 
 51 
 
INDIAN SIC.N TALK 
 
 P 
 
 ^'r,s7 .//•..<(. 
 
 Kijii i rai riiln. 
 
 D. 14. 
 
 h'irsl ^'njii irtitrr i r sfrrniii miil 
 I'k'II jil'iir /III lininl nit llir /irrsnli 
 h, sliDir III ir J'lir Hir ini hr risrs nii 
 I In' ji rsiili IT liiirxr. 
 
 D- 15. 
 
 D . 1 -; 
 
 L! E E P . 
 DEPTH. 
 SO DEEP. 
 
 < II liiiilll !l lisril ill inlilii iliini 
 irilli II /'nnl nr fiiiiiil nil II iiiiiL!- I ln' 
 iriihr riiliirs li ji In Inrr. 
 
 D. 15. 
 
 DEEP. 
 
 VERY DEEP. 
 
 OVER THE SHOULDERS 
 
 SHOULDERS. 
 
 l.lrnilc (iml pniiil l.n/.'i iiuh'.v 
 jiii'Jri's ilniriiiranl In In/i n/ 
 sill. 11 ill rx.. I f iriili r iiin.'yi ■<:l>ii /hr 
 iriitrrnv xtrriiiii . 
 
 D. 16. 
 
 *6 
 
 ^ 
 
 E.vli ml h'lr vi>jlit i iiilc.v nliliilinl U 
 ii/)iriiril ill /mill. Mnrr tii righl 
 II ml lij'l sin ml times I'litlwr 
 qir.rklij ml riiiiriii!^ fi'i'' imif.v fo 
 
 II ■•Ills ll'Ui-lll ■ 
 
 D, 16, 
 
 DEER. 
 GAME . 
 
 , / ilirrj'iiiii/is /irsi Inoiir siilr ami 
 Hull I III iillirr ill ilsfriijlil. 
 
 62 
 
 i 
 
INJIAN SIGN TALK, 
 
 I I'rs/iircs. 
 
 Hqlli f'thliU. 
 
 17 
 
 ^/"--^" ^; 
 
 / 
 
 ///vr r f/iiirsr/j'. i-lilir/i flir /i'm/s, 
 jiili tllliis linriziili/ 1/ II 11(1 //.s7x /<( 
 j'liilif. I'lii II iissiiiiir II ilrfrriiiiiii il 
 I'lii-iiil r.ifirissiitii mill iiinrr Hir 
 j':fs fii mill I'rnlll /iilsl l/ir siilr'< 
 in III riHis'ilrrillilr rilil. 
 
 C/iiirli tlir ri'jiil jl :l mill t!irii:l 
 il iihl'i/llr' 1/ iliiriiirnnl . Lank' .sv/r- 
 inji IIS if i/iill inriiiil it. 
 
 D. 17 
 
 DETEnviINATION. 
 
 I AM DETERMINED 
 
 . l.^siinii' II ili'liriii iiifil liiiik. Till 
 
 Illnrr rlirrijll Hint cillilir jiilt ililii 
 llii>i <Ji sliirr, llir iinirr Jnrrililr iritt 
 hr till iiliii . 
 
 S,r I MUST unit I WILL. 
 
 D. 18. 
 
 DESTROY. 
 DESTRUCTION 
 TO KILL. 
 
 7'./ kill is III ilist ri.ji. Sir mintlirr 
 sijjii fur kill III' III III ill !\ 
 
 D . 19. 
 
 D . 19, 
 
 :::!?-- 
 
 \ ^^-5^.' 
 
 DIE. 
 
 DEATH 
 
 llnlil tlir II ft jiill iiilllil liiirk lip 
 ill friiiil. Tliiii iwtiiiil llir ri'jiil 
 iiiilr.y mill cnrrii il Imrk initirnnl 
 llliiirr llir Ir/'l iiniiil. 
 
 I'ri risri 1/ I'.ir siiliir 'JrsI II rr il s for 
 ilriilh. J III III GOES VNDEH III 
 il-illli. 
 
 
INDIAN biuN TALK 
 
 (I'l's/iin s. 
 
 D 20 
 
 riiirf llif mils iif linUi iinh .\ /iii- 
 III till iicli iif.'ii r. T/ic lij'l Iniri-.oii- 
 liil, flif riijiil rrrfiriil. Sn flni/ 
 'hi III iilmiil II sijiiiivr riiriur. 
 
 D. 21 . 
 
 lu/ni I'll 1 1 II fs. 
 D. 20. 
 
 DI FFERENT. 
 SOME OTHER WAY 
 
 / ilii mil riinrli I'lir lliis 'Jrslnn- 
 hill it iriis tnirjlil iiir liiu^. 
 
 # 
 
 I 
 
 
 D, 21 
 
 OiirtirhoIJi iiiilr.yjhirirr.isrriilrli- 
 iinj siiiiir iiiKiiiiiiiinj or rcul Imri- 
 •.iiiihil iilijii I. 
 
 DIG -INC. 
 
 . Is ili'jijiiii^ ill llir ilirl. 
 nulls, ilr. 
 
 . /s fur 
 
 'I 
 
 ■i 
 
 D. 22- 
 
 . I mi Hit flier ftiid look ''-■>■ i/'dis- 
 ijnsti'd- 
 
 D, 22 
 
 D I SCUSTED. 
 A BHOR E NC E . 
 SCORN, ETC. 
 
 54 
 
 i 
 
 
Hi 
 
INDIAN SIGN TALK. 
 
 (ir.sfui'.M. 
 
 P. 23. 
 
 i'.lrri't llii fi'jiil iiiih.viis man. 
 ','!i( II !.r;ii<J il in nr tin lur mid iii- 
 t.'nr Hie lirdil finnirils il !!•< if 
 
 /..•fi llillij In Hull lll'lll. 
 
 D. 24, 
 
 ■X X 
 
 l\.vlri. 1 llii Icfl iiiih.v ill I'riiiif. 
 'I'll II fi ,/>■ tlif ///■ / I iro Jiinjrrx iij 
 I '.II- ri'jlil In ml nml jtlun- lli'iii 
 r^lriilr iif I'lr lift ill Ir.w Tinli 
 rui'tr liiilh /I'lii'ls/irJ' /.'i 7', till rum - 
 ili'J flirm. T.'irii slitlr I'lr fiivkril 
 jiii'Ji'i:< iirrr iiiir siilr iiii I Iviirr 
 Il III ytiiiitHii'J oil Ificir /i/i'i. 
 
 D. 25. 
 
 ^ 
 
 / .'' 
 
 Niilil flir nfirii ri'jiif liuml /ml in 
 up ill I'niiit. Then hi<Jiiiiiiiiij miir 
 llir lijl >mh\ imikr us if linmliii'J 
 n''mi'tiiiiiijiii'i>iiml Ind ijfi'vnit ours. 
 
 Hi/iiiriili Ills 
 D. 23. 
 
 DISCIPLE. 
 
 A L h A H N K » . 
 
 ONE WHO LISTENS. 
 
 Till ri'jliI iiiih y /> llir lish in i . 
 
 D. 24. 
 
 DISMOUNT -ED. 
 GET DOWN. 
 ALIGHT. 
 
 ,lf<il IIIIH 'Ji t snjf frnlil II liol'si'' 
 
 C. 25. 
 
 DISTRIBUTED. 
 DISTRIBUTION 
 GIVES US 
 
 
 <1 
 
 *\ 
 
 ^ 
 
 
 
INDIAN SIGN TALK. 
 
 Cf's/.tri's. 
 
 D. 26. 
 
 Ki/nirifhiifa. 
 
 D. 26, 
 
 1,1 
 
 
 //<(/f/ flir Jirsf tiro [iii'Jcru -if I lie 
 i-'jlit hniiil inni ih'dir if liorizoii- 
 Jiiili/ /'ram in j'raiil tit nar iif Imil i/. 
 
 D 27 
 
 Fiinn II circle iril'i tli iiiiili '/ii'l 
 itidi .V of the i-i'jiil hi 11(1 mill hold 
 jf lo rii ir. 
 
 DOC . 
 
 A T R A VOY 
 
 Ilc/'iirc hiiliniis hml liorsi s tin n 
 ii^cil ilicj^ to ili-ii'J tent jiiilcs niiit 
 r-ijhl Itimls. .hill the siijii j'lir 
 TRAVOY h'ls ilesccnilcil fi: the 
 DOG . 
 
 D, 27. 
 
 DO L L A R 
 COIN. 
 MONEY . 
 
 1 
 
 
 I 
 
 II 
 
 I 
 
 D, 28. 
 
 /[olil till' o/ien rioht hiiiiil tJinnih 
 iifi ohiii/iicli/ iipiniril in front. 
 Then ilro/i the i nil.^ of the jinQcr.H. 
 /!r'ii<J th'iii iiticril, ii/iirniil unit 
 iiiitiriiril totiyst /losftion- 
 
 D 23 
 
 DO INC. 
 TO DO. 
 
 .In lief Sec WORK . 
 
 77//.S' /■■<■ II most i;iriice/'iil iiiore- 
 nriit. cither iritli, one or hot/i 
 h 'I nils. 
 
 t)o 
 
 i 
 
 m 
 
 
INDIAN SIGN TALK. 
 
 (irstiirrs. 
 
 29. 
 
 //.)/(/ Iinfji Inimh. T/iiinilis it/i, 
 ('/i/ii/uc/i/ ii/iirtinl ill fnnit. />ri)fi 
 mill liirii III!' iiiils iif jhiiiivx iij' 
 I iif/i iniriiril , ti piriii'il niiil out inn d 
 ■ .s /// 28. 
 
 D. 30. 
 
 Till iisf fJir /iyf into ))iil III of lift 
 liiiliil nitliri' sjiitrfiill ji. T/ii'ii sinii 
 NOT ir;f/i liir opiii ri<j/if liaiiil. 
 
 D. 31 . 
 
 /.\ 
 
 //i.iil ojirii Irj't liiiiiil piiliii to- 
 ll- iril till' J'lirr. Tlii'ii iri/li till' opiii 
 ri'jlit liiniil tliiniih toirnnl tin' 
 /'iiri', lie llii'i'ilo'r o/' till' liiiiiil into 
 :'ii' jHiliii lij'liii' lift Tlii'ii xiriii'J 
 it (IX if liii ii'Jiiii liiiiijra. 
 
 Eqiii nilnitii. 
 D. 29. 
 
 L O TO US. 
 
 DO IT FOR US . 
 
 Thin is likr 28. tnit fil in'nli-.nl 
 
 lljl lis'lin hotll Inl lilts. 
 
 D. 30. 
 
 DON E I T NOT . 
 OR HARD NOT 
 
 ,'V'." H A RD ^/;n/ NOT 
 
 D. 
 
 DOOR . 
 
 A H I NC E . 
 
 A GATE . 
 
 31 
 
 * 
 ft 
 
 
 
 
 I 
 
 A 
 
 I 
 
 e 
 I 
 
 '4 
 
 I 
 
 I 
 
 ^ 
 
 i 
 
 57 
 
 ± 
 
1» 
 
 t' 
 
INDIAN SIGN TALK. 
 
 (irst:in'K. 
 
 D 
 
 K.vhiiil ii/'tii /v'i.'' / liiiiitl /I'ti'iii 
 ii/> fii (iriiis /iiinf/i. riirii I'on-rri/ 
 ri-nj ilflihcriitil ij. 
 
 D. 33. 
 
 J'sr I'ithrr hand pu/iii up uiiil 
 slrikr if dotfii. 
 
 Equi riih'iilx 
 D. 32. 
 
 DOWN . 
 
 L I E DOWN 
 
 L I E LOW . 
 
 . Is ir/iriitrx. 
 
 D. 33, 
 
 DOWN . 
 GET DOWN , 
 
 I 
 
 i 
 
 5 
 
 i 
 
 '-I 
 
 "i 
 
 I 
 
 t 
 
 34. 
 
 Simply liohl jidl IkiikI liorizoii- 
 fnllii lit sitlr iiHtl pusli it ilown- 
 iiii.'il. 
 
 D. 34, 
 
 DOWN 
 
 58 
 
 H 
 
1^ 
 
 i 
 
 %> 
 I; 
 
 V. 
 
INDIAN SIGN TALK 
 
 fi'r,;!,'tr/f<. 
 
 D. 35. 
 
 .'■'I'liir ii.< 34. iiiih/ liiirrr /'ir 
 'find 11/ --■/('/.■s'. IIS ,/ ii'i ri\ 
 
 D. 36 . 
 
 D. 37 . 
 
 ■f.'o'il /III rhjli/^ liiinii ( n/i-s/iii/ir 
 r ml III Id it ti, ini.uHi ns if driiiL- 
 
 I II ''. 
 
 11 'idi's/irrfid !.'■ ml) mid iiidix 
 of hnlh liuiids. riiirr lllr III li llihs 
 I/.' mil (5 imhisiifiiiii,ifiid iril/i in- 
 dr.r piiiirrs /)i>iiiliu<j rio'lil In ri'jiit 
 iililii/iir, li'/'l III lift olilii/m', and 
 ■ ;i :.'i lii'.'i ri.lir in! y.' mil 'Idiieoir-i- 
 i 1/ rnllirr mri'itic'ill!/. 
 
 Eijiii mil Ills. 
 
 D. 35 
 
 down: down 
 
 III II ijrii I'isriisr, iisdnirii ,' ilnirii ! 
 tiriiii 1 1 1/ disriiiil ill ii. 
 
 (/in: I lid. 
 
 _____ 
 
 DRINK. 
 DRINKING CUP 
 
 D. 38. 
 
 DRIVE. 
 CHARGE . 
 MOV EON, 
 
 n 
 
 
 2} 
 
 ^ 
 
 I 
 
 I 
 
 I 
 
 i 
 
 
 53 
 
 
I 
 
 ,-^, 
 * 
 
 i 
 
INDIAN GlGiN TALK 
 
 Cfshirrx. 
 
 D. o9. 
 
 /li)/(f Hir ri'jlit iiidi.v nx nniii- 
 Tlirii iini/dfr t/ir dvHtiii oj n 
 ilriiiikiii iiiiiii n-iili finif 'ni(h,\. 
 
 D . 40 . 
 
 Hold the open left h/nxl thuvili 
 II}) ill {rout lutiiitiii'J tn ri'jiif. 
 Then iritli I hi- right thiiiiil) up. 
 /iiilin iip/inKitr to eiiils o/' Jiiigrrs 
 iniit n little higher strike the riglit 
 ijiiieklij (liiirii. • 
 
 E. 1 . 
 
 SiinjiJij touch the ear. 
 
 60 
 
 r.iiiii I'liienlx. 
 D. C.O. 
 
 DRUNK . 
 STAGGERING. 
 BLIND STAGGERS. 
 
 Tliis iiinreinent is s;iiiiliir tiilhut 
 er. Init lines not iiil rii ii'-e. The 
 i,f ninreliieiifs tire ill eiirres. 
 
 D. 40. 
 
 DON E . 
 
 CUTOFF. 
 
 FINISHED. 
 
 ENDED. 
 
 CONCLUDED. 
 
 DISCHARGED. ETC 
 
 E. 1 . 
 
 EAR. 
 
 I 
 
 .1: 
 
 i 
 
 1i 
 
 'i 
 
 

 
 
 
 • 
 
 
 ► 
 
 - 'i 
 
 
 
 
 
 ' 
 
 * 
 
 
 
 
 
 
 **" 
 
 
 
 
 ■ 
 
 
 .;1 
 
 
 
 
 
 
 ♦. 
 
 
 
 
 
 
 \ 
 
 
 
 
 
 < 
 
 
 
 
 « 
 
 1 
 
 
 
 
 * 
 
 
 
 
 A 
 
 
 
 
 i 
 
 
 
 
 , 
 
 
 • 
 
 
 - i 
 
 
 
 
 
 
 i 
 
 
 
 
 
 
 ?! 
 1 
 
 
 
 
 
 
 1 ^ 
 
 
 ' 
 
 
 
 
 *r ■ 
 
 
 « 
 
 " 
 
 
 
 •!•■■ 
 
 ^ 
 
 
 
 
 
 K'- 
 
 
 
 
 
 
 i 
 
 _.-.-,- - .. 
 
 ^_, ...-,....;^,^- ...-..:-■.■,•-—" 
 
 ^_^,u..«i-<»-='J'^s=^^-"--"'t^""'' ' ^^H 
 
 m 
 
 
 
 
 
 
 ^ 
 
INDIAN SIGN TALK 
 
 I'liihf i/niriiiriiril f.iif/tnf llir 
 I iirtli . 
 
 E 3. 
 
 Alnkc untfiiiii nf iinHiii'J fnod 
 iiifi) thr It I on til. 
 
 E. 4. 
 
 First si ^11 of EAT. 
 HOUSE . 
 
 Tlirii 
 
 /u/iiini/i nts. 
 E. 2. 
 
 EARTH. 
 
 E. 3, 
 
 EATING 
 FOOD. 
 
 , hii/tliinu fli'it is /lilt ill tlir 
 niiilil/i us J'iiikI. Siiliirfi liirs it iiii- 
 sirrrs j'nr <i ir/ii'lr srii truer, us I 
 ira lit t II int. rtr. 
 
 E. 4. 
 
 EATING HOUS E . 
 HOT EL. 
 TAVERN. 
 RESTAURANT. 
 
 61 
 
'if 
 
 II 
 
 
 l\ 
 
 
 's 
 
 ... \ 
 
INDIAN SIGN TALK 
 
 (Irshiri^. 
 
 /■'i/iil nilt'fifs. 
 
 EATEN ENOUGH 
 
 I AM FULL 
 
 Fii// lip h) fhr rh'ni. .Ifhv a 
 imiil / llilidllt n/'fil/ iililkr //lissiijn 
 hi I .y/triss flirir siitisj'nr/iini iiilli 
 Ihf niiiisf. 
 
 , III iiitil-sliniril n/ii iiiii^ is iii'iilr 
 irilli c/osiil Hi iiiiih iiiul i iiili.v n ml 
 III III III rii'ir. 
 
 EGG 
 
 EGG SHAPE 
 
 //' II Iiiii'k r<jij mill PECKING, 
 j'nr illirk rnris mill SWIM, /'nr n 
 
 •^iHisr 
 SWIM. 
 
 (//• 
 
 sirii.i mill BIG iiml 
 
 ELK 
 
 REINDEER 
 
 BRANCHING HORNS 
 
 62 
 
II- 
 
 I, 
 
 '/ 
 
 II 
 
 II. 
 /'■■- 
 
 l\ 
 
INDIAN SIGN TALK 
 
 ( 1/ shi rrs. 
 
 Kifii i fill III ts. 
 
 E. 8. 
 
 1.(11/ I nl'i iinlr.y ji ;i 'Jrrs siilr nil'/ 
 > i// . iif/irrti r/nsni . Tuili inori liiilli 
 j (iiini nl td'Jrl III r. 
 
 E. 8, 
 
 FQUAL-ITY. 
 THE SAME AS. 
 LIKE. 
 ALIKE. 
 
 Siiiiirli liirx lisril fur PART- 
 NERS, ,1s slidrr mill shiirr ulikr 
 III- 'Jiiiiiij hi'Jillii r (III nil I i/iiiil /'mil ■ 
 ilia'. 
 
 I.ii jl llir irr'.'Js iiriii.s mr'i ul liir 
 r'.tli rinsnl jists, pii I ins j'nri ii <J I'lr 
 liiilij. Till II jl rk llii III i'/>iiil siiil- 
 (Iriili/fis ij' l.rriik: II ij lliriii Iniisc. 
 
 E. lO. 
 
 T.'ir r/iril lij'l ll'lllil pill III II p i II 
 j'iiilil. rill II iillj Ilii' jil'lll iij'flif 
 I lull ri'jlil near tlir irrist. Tlnii 
 Till) llir ri'jiil iirrnss llir /uiliii n/' 
 llii' Irj'l mill II mill' l,ri/iiliil I'liilsi)/ 
 Jiiiairs. 
 
 63 
 
 ESCAPE 
 
 /IrinkilliJ liinsr j'rnlii hdllils nr /v- 
 siriiiiil 
 
 E, lO. 
 
 E XTE RM I N ATE D . 
 RUB OUT . 
 ALL CON E , 
 NONE LEFT. 
 WIPED OUT. 
 EXHAUSTED. 
 
 i 
 
 Si 
 
 
 1 
 
^' 
 
 u 
 
 '.'/ 
 
i;* 
 
 
 3 
 
 I 
 
 1 
 
 II 
 
 
 /A 
 
INDIAN SIGN TALK 
 
 frestiirrs. 
 
 Equ rnhntfi. 
 
 1 . 
 
 Hold thcnjx'ii Jlfif luiml Ixick up 
 fil/ovf t/if fort'lwad, from there 
 loan r it ^radiKtlly jxtst the chin. 
 
 F. 2 
 
 Hold Jeff hand back up in, front 
 and pass the rigJit index utider, 
 hort of Ixtek-hiinded, and return 
 ilie riiiht index. 
 
 F. I . 
 
 FACE . 
 
 COUNTENANCE . 
 CLEAN . 
 BEAUT I FUL . 
 
 / tare tlve right index at right 
 } reast and earry it outward. 
 
 The fare in sajtposed to be clean, 
 its l>c(tufy divine. 
 
 F. 2. 
 
 FA I NT-ED. 
 
 DIE AND RECOVE R 
 
 To faint is as death for the tin".! 
 being. Indians alwaysspeak nj' it 
 as death. 
 
 F. 3. 
 
 FAITH. 
 
 BELIEF. 
 
 IBELIEVE, 
 
 See jf think, which is a little ///, 
 this in rncamn'J. 
 
 i 
 j 
 
 % 
 
 % 
 
 ■i 
 ,1 
 
 G5 
 
 

 
 • 
 
 
 h 
 
 « ~" ~ 
 
 
 
 
 ■.r 
 
 
 
 
 
 
 
 
 f" 
 
 
 
 
 , 
 
 
 
 
 s 
 
 
 
 
 V 
 
 
 
 
 ■ -V 
 
 
 
 
 11 . 
 
 
 
 
 -> 
 
 
 
 
 ■♦ 
 
 
 
 
 "1 ' 
 
 
 
 
 ' H 
 
 
 
 
 "t' 
 
 
 
 
 ' .'i 
 
 . 
 
 
 t 
 
 ■i 
 
 . 
 
 
 
 ■ :* 
 
 • 
 
 
 
 *''^- 
 
 
 
 
 'v 
 
 
 / / 
 
 
 >; 
 
 
 '/ 
 
 
 T> 
 
 
 n 
 
 
 V 
 
 
 II 
 
 
 •» 
 
 
 
 
 -*' 
 
 
 
 
 
 
 il 
 
 
 ^ 
 
 
 '7 
 
 
 J 
 
 
 — 
 
 
 N* 
 
 
 
 
 •J 
 
 
 -' 
 
 
 1 
 
 
 
 
 •s. 
 
 
 
 
 ^'- 
 
 • ■ 
 
 
 
 
 
 V 
 
 
 \^ 
 
 
 \ 
 
 
 ■-K 
 
 
 { 
 
 
 1 ^ 
 
 
 kl 
 
 
 •4" 
 
 
 
 
 '"^if" 
 
 
 
 
 «!' 
 
 • : 
 
 
 
 'Jl' 
 
 
 — 
 
 
 *"?,■ 
 
 
 
 
 *"3 
 
 
 
 
 tit ■ 
 
 #.\: 
 
 ■ 
 
 
 v^ 
 
 
 
 
 
 
 
 
 f\ 
 
 
 
 
 if 
 
 * 
 
 
 
 ^t 
 
 
 
 
 ... ^^ 
 
 
 
 
 T,.4 
 
 jLi^'-— ^^'~^~ ^^^^^1 
 
 ^^^^^^^H 
 
 
 r,^r. 
 
 
 
 
 ^^;_ _..._/....„-,..-,-.,...^.-^. 
 
 
 X-' 
 
INDIAN SIGN TALK 
 
 < 
 
 V." 
 
 Hold fi'if UxixfJ ij ]}( .vrd jiii<jfVi< of 
 tUlirr lidiid /)(iiii/i(l t/mriiirnriL 
 Tli4ii Idii/'r it ill (I irarr like 
 nnin nil iif to iiii.'tiifr u Itn]' j'lill- 
 iii'J. 
 
 F. 4. 
 
 r,v( lul till' 7-i^lit iiufiA- mill jxifiH 
 itliitirmi tJir li/)s irit/i <i lirif^t iik 
 if it inis II Kt.'v/y: bciii^ irrt with 
 sal in I. 
 
 F. 5. 
 
 KiinirnUnh. 
 F. 3. 
 
 FALU AS A LEAF. 
 AUTUMN . 
 
 T!h' iiaj' j'liHiiij^tinir. 
 
 F, 4. 
 
 FAME . 
 
 NOTORIETY. 
 WELL- KNOWN . 
 A WET A R ROW . 
 
 . ■/ ivct iirroiv jjoi's far. 
 
 .More till' hniiJ from the 
 tJi.oiiJdrr to r.v'i'iiiK' aniiHJcn.'Jt!., 
 
 F. 5, 
 
 F AR , 
 
 DI STANT . 
 
 A GREAT WAY OFF. 
 
 • libothrr irny in to jniali jiointcil 
 iipicaril far outward. 
 
 GG 
 
I 
 
 I 
 
 it 
 
 J ■ 
 
 If 
 
 i 
 
 
 
 
INDIAN SION TALK 
 
 first II rrs. 
 
 6. 
 
 \><^--. 
 
 l/nhl Ihr I'hil Irft liiiiiil irrV uiit 
 til /'mil f i)/'/'iifc fliiiiiili iif). Till II, 
 iritli till' J'liit r'njht liiiiid tliiiinli 
 lip mill II litt/r ti ri'iir of ri'jlit 
 kiiir, hi'iiii> it ijiiirklif fiii-<t niiil 
 
 llllDIT fllf ll'j't. Ilitlill'J till' /lllllHS 
 
 Inijrthi-r II K it finises. 
 F. 7- 
 
 Jlii/il till' Dfirii Irft liiiiiil in front 
 mill ilvdir till' s/irriiil tiniinh mill 
 iiiifi'.v orrr flir Irft, tin ri<jlit 
 ihuiiih /iiissiiio' iiisiilr tiiid ri^lit 
 iiidr.v on tlir oiifsidr of tlir jiiiQrrs 
 of tlir Irft lii iiiil. 
 
 F. 8. , 
 
 Kqiiiriilintn. 
 F. 6. 
 
 FAST. 
 QU I CK . 
 SW I FT . 
 RAPID, 
 
 F. 7 
 
 FAT. 
 BACON . 
 TH I CK . 
 
 Tlir til irk or hi irk of ii kiiifr, 
 soir orotlirr III in <!.■<. 
 
 8 
 
 I'lir tiro fistn tiarks up in front 
 are xtriirk dinrnicavd or pushed 
 initwdvd onrC' 
 
 F AT . 
 
 This hns vrfrvrnrr to rnttlr or 
 "itoek. 
 
 67 
 

 
 
 
 
 
 • 
 
 
 
 
 
 » 
 
 
 
 __ 
 
 
 
 ■ -- 
 
 " 
 
 "^ 
 
 
 
 
 
 
 «■■ " 
 
 
 
 
 ! 
 
 ->' 
 
 
 
 
 
 
 
 -:B 
 
 
 
 
 h 
 
 
 
 
 
 
 
 1 
 
 
 
 
 
 
 
 
 
 
 
 1 
 
 
 
 
 T- 
 
 
 
 
 
 
 
 H 
 
 : 
 
 
 
 ._'* 
 
 
 
 
 
 
 
 B 
 
 
 
 
 't 
 
 
 
 
 
 
 
 ' H 
 
 
 
 
 
 
 
 
 
 
 
 ^1 
 
 
 
 
 *! 
 
 
 
 
 
 
 
 ^1 
 
 
 
 
 *- 
 
 
 
 
 
 
 
 1 
 
 
 
 
 f'i 
 
 
 
 
 
 
 
 H 
 
 
 
 
 ' * 
 
 
 
 
 
 
 
 
 
 
 
 V'* 
 
 
 
 
 
 
 
 ^H 
 
 
 
 
 *r 
 
 
 
 
 
 
 
 ^1 
 
 
 
 
 • ■•r 
 
 
 
 
 
 
 
 H 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 -: *■ . 
 
 
 
 
 
 
 
 1 
 
 
 
 ■ 
 
 4 
 
 [A 
 
 f 
 
 >,* 
 
 > 
 
 4 , 
 
 H : 
 
 **- 
 
 ^^ 
 
 *%' 
 
 '-■>; 
 
 it 
 
 11? 
 
 
 
 
 ,^.. -^'....-.r*.>^iSL^f' 
 
 
 • 
 
 1 
 
 
 In 
 
 Ir 
 
 F 
 
 /// 
 /// 
 
 ^^ 
 
 V 
 
 
 ■" - ^-^^.^^ ••-•■■•-■■ 
 
 ,..-.. ^..,--. 
 
 
 
 
 
 
 
 ■ 
 
 
 
 
 
 
 
 
 
 ^ 
 
 
INDIAN SIGN TALK 
 
 .Mtll^riin if lilkili'J lidld (;/' t!ir 
 ri'jiil iiipfi/r unit ilriiiriii'J III)' 
 Ii'iikI niilirinil lit iicnrli/ 'inns 
 h iiClli. 
 
 F. lO. 
 
 drstiiiT is iiriilf lU'rrisilij like 
 F. 9. 
 
 /''/fill I'll llHfs 
 
 F. O. 
 
 FATHER, 
 
 Srr iniilhir. Tin sliniliil si'Jii 
 litis rij'iri'lirr in /fnirrii /•'nfliii: 
 .III s!::iilril si'Jiis Intrr ii iliriiic 
 <i/i/)liriilii)ii in /iriiit. 
 
 lO, 
 
 FATHER 
 
 Jii II iliriiir snisi' in jiriiit. 
 
 I I 
 
 ;'>'y '"' 
 
 /^^/l,-\ 
 
 Both liiiiiils lonsci ij jlr.yri! nhorn 
 till' lii'iiil mill uiiiiT tlir I nils of 
 jingi-rs iniriinl nud iipiriird n J'ric 
 times. 
 
 G8 
 
 F. 11. 
 
 FEVER. 
 
 (In till' liri/iP. 
 HEAD. -IS SICK 
 
 Si'i' I inf. 
 

 
 
 inv 
 till 
 
 
 i 
 
 1^. 
 
 
INDIAN SIGN TALK. 
 
 (}rnturrs. 
 
 F.qiiivnlrntti. 
 
 12. 
 
 Hitth fists s/nit (ntfintviJ nml 
 fh'iiii'H iiiii'tii'if nItiriKiti'ljf ill nil 
 inrkininl iinHiilion of nun spiir- 
 lin-^, 
 
 F. 13. 
 
 HdIiI fhr iridci^])rr(i(l fiii^irs of 
 ill)' I'iiiht hand iirll up in front 
 luid icigglc the rndxof tlw /iiitjcrs. 
 
 F. 14. 
 
 'V 
 
 I 
 
 \ _ 
 *"•» 
 
 I'Jic open right hand thuuih up. 
 Move it outinti'd in a sinuous 
 nuinuer, tnuchasa snake mures. 
 
 F. 12. 
 
 FIGHT -I NO 
 
 r/z/.s /s the sign, hut hidimi^ 
 iierrr figlif iritli fists. Tliisaenmi- 
 plislnnent lirlongs to whites. 
 
 13. 
 
 FIRE, 
 
 Tlie nioring fingers represent Ihe 
 ftieker of a flame, also tlietiriiikln 
 of a shir. 
 
 F . 
 
 14 
 
 FISH. 
 SWIM. 
 
 69 
 

 
 
 
 
 
 • 
 
 
 
 k 
 
 f ■ ■■■ 
 
 
 
 
 
 
 
 
 
 ■■y ■ 
 
 
 
 
 
 
 
 
 1 
 
 *^-j" 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 t'* 
 
 
 
 
 
 
 
 
 
 ^ 
 
 
 
 
 
 
 
 
 
 :•>-, 
 
 
 
 
 
 
 
 
 
 'i'- 
 
 
 
 
 
 
 
 
 
 . -i;- ; ■ 
 
 
 
 
 
 
 
 
 
 *jv' 
 
 
 
 
 
 
 
 
 
 ' .V 
 
 
 
 
 
 
 
 
 ■ 
 
 r' -*■ 
 
 V'U- 
 
 P ' 
 
 "r 
 
 "^ 
 
 1" 'i 
 
 1 
 
 ^■- 
 % 
 
 I; 
 
 ft: 
 1 
 
 i'i.. 
 
 ^: 
 
 1 
 
 
 ' 
 
 4 
 
 » 
 
 • 
 
 i 
 
 7" 
 
 run 
 h I'll 
 /■" 
 
 / 
 
 r'rj 
 
 fri 
 < h 
 !in 
 nil 
 
 B 
 
 
 
 
 
 
 
 
 ^^ 
 
 
INDIAN SIGN TALK. 
 
 (!rsfnrrfi. 
 
 F.qnirnlcnh.. 
 
 F. 1 5. 
 
 15. 
 
 Til- vi'jlif liniil Hi II in!) iif), 
 iii'firh/ liiiriziiii.hil. irrll tilutrc ilic 
 liiiiil fiiiil iriiiT if rhjlit aiiil hft <' 
 f ir t nicy- 
 
 16. 
 
 Iinid f/ir iiprii If/'l liiinil Ih'iiiih 
 nil nrll on! in /'rniif; Hi<':i I'n.l /■'''''- 
 ri'jiil iiii/i.y ncros.'^ Hie liiisc n/' llir 
 jin'Jcrs nil liir infidr. 
 
 F. 17. 
 
 T.'.r ipfiiliff li/iiid hack II II in 
 j'rniif: ill) n linj the ri'jlit index mi 
 .III' liiivk of t!r Ji.'rirr-i oj flic !i j'l 
 III! ml II ml more both ticifthn' up 
 (■nil iliurii II J'< ir linirs, nilrnm'in'J 
 I J III ilnr'.iiii till' niori nn iil. 
 
 FLAG. 
 BANNER 
 WAVE . 
 
 Is II fliiijor rioih In/ llir 'rind- 
 
 F. 16. 
 
 FIRM. 
 STRONG . 
 STRENGTHEN -ED. 
 
 .h n .s.'/v/y iiiiiird rirmss pirkidf;- 
 
 F. 17 
 
 F LOAT -I NO 
 
 , /.s- II Jiont.or iroml on. irntrr, nv 
 In I loon in nir. 
 
 70 
 
I 
 
 % 
 
 ■t 
 f4' 
 
 ii 
 
 ■- -i ■•:.•«- • ••*«« ■»«! ^ 
 
INDIAN SIGN TALK. 
 
 (lest r res. 
 
 18, 
 
 Eijiii riiliiits. 
 
 18 
 
 .'.'• j.'i!! 
 
 PtoUt Jiinidn vatlwr Iodkc Joiiitrd 
 at irrisfs fire /'/apprd in> mnl ilinfii 
 ill /iiii/i'dnrciiiriif /xisifioii ns/'ruiif 
 oj cfic/i hmisf. 
 
 F. 19. 
 
 FLY. 
 
 WINGS, 
 
 BIRD 
 
 ('(III "ti'sljiii/)/ liir'Jf, hliick, sniiill, 
 irliitr, sirift, sloir, etc., to s/Kci/'i/ 
 till' spi'vii'ii. 
 
 F. 19. 
 
 Sprrad tlir p'n(>rrsnffii)f,'i luiinh. 
 tlini linj till' hiii'k of ri'jlit nrrnss 
 tJif j)aJnis of till' li'ft so Its to Iriivr 
 iipeiiiiiij lii'tiri'i'ii. Til I'll liolil tlir 
 
 4-l'OSHI'ft pll'^ITX l)l'fl)Vr till' I'l/l'S. 
 
 F. 20. 
 
 
 K.vtciiil l>otii opi'ii li'iiiit piihiix II 
 littli' iipirrt, poiiiti'il oldii/iirl!/ 
 (loiriiirnrifM. Tlieii thrust lintli nf 
 niici' down toirnrds tin' Ir/'t, tlirii 
 doii'ii, to ri'jlit Hi'vi'ral tinii-s, nd- 
 riiiii'inj l)otli from tlir jirrsoii. 
 
 FOG . , 
 MIST. 
 
 . / dnrk diiij, rtr. fun xrc, hi it not 
 far, nor rcri/ distinrtli/. 
 
 F. 2o. 
 
 FOL LOW . 
 
 TO TRACK STOCK 
 
 .^^|lkp till' tippropriiifr si'Jn for 
 the animal briiiij follmri'd. 
 
 71 
 

 
 «{1 
 
 ; iua»jt'a aBa '^"'y ^'"'5i 
 
 j,^^.Miw7« i*i«si**i^j 
 
INDIAN SIGN TALK. 
 
 (ifshirrs. 
 
 /u/iii nth' tits. 
 
 F. 21 . 
 
 
 ll.i'd llir i'i<jlil liiiiiil onl 'ii I'l'iiiil 
 lark II j) Tin II hriiiij llir hj'l htlrk 
 iii'i'rniii Hi r lift fiiiriirii llir ri>jli t 
 II. Ill iiiiilir tlir riiilil mili.l llir 
 I I i/ils II rr rriissi'il. 
 
 F. 22. 
 
 AV/'/Av llir niilr iif llir vi<jlil fir.t 
 into the ])iillii iij' till' lij't liiiiid. 
 
 F, 21 . 
 
 FORGET. 
 FORGOTTEN. 
 
 L O A T . 
 
 STRAYED. 
 
 ASTRAY. 
 
 77//.S' is ii/i/insilr tlir 'Ji'stlirr jiir 
 ii:<j'it mill Kiiiiiijirs iiniitul ilurly- 
 j/rss, irliitr iiiijlitis /ill i/sirii I ilnrk- 
 h ■■.ysj'iist inn triirif to tlir rut. 
 
 F. 22. 
 
 FORC E . 
 STRENGTH. 
 STRONG. 
 POW E R . 
 
 Tliis iirril lint lir iixril fur linril. 
 rii, k\ llir III I. irliirli is slnt/rii lii/ 
 III rust ill <J i " mil nf /Ist uQiiiiist 
 tlir /III; III 
 
 F . 23 
 
 riiirr tlir o; cii ri<Jlit liuiid /luliii 
 /' 'riii'ils I'iijlit siilr of the lirnil Just 
 lifi'vif till' liriiil . Thru iiinrr it 
 :' ririiril uuil bnrkuiivil /uist fniut 
 I, lilt mil' nf liriid . 
 
 F, 23. 
 
 FOREVER. 
 A LWA YS . 
 ETERNAL _Y. 
 
 /•>;/• iihnnjs iriis ddd BEHIND. 
 I'ar iiliriii/s irlll lir add AHEAD. 
 
 72 
 

 
 
 tin 
 
 1 
 fro 
 
 wt,-^,**^^^V- ■ :< tf.>^jii *^--"* 
 
INDIAN SIGN TALK 
 
 (iishtrrs. 
 
 F. 24. 
 
 25. 
 
 26 
 
 t ) 
 
 A 
 
 f\ 
 
 • I 
 
 fl 
 
 li/rraff all of fJir j'iii<Jrrs ii 
 /'roil I, thru rnisr Ijiriii sloir/i/. 
 
 1 
 
 f'.'i/iii ra/rri/s. 
 
 F. 24, 
 
 FOR E LOCK 
 
 FRONT HAIR 
 
 MAN E 
 
 F. 25, 
 
 FO RK ~ S 
 
 ,Is iij' If riiinl, slrridH ur lina 
 
 F. 26, 
 
 FOREST. 
 GROVE. 
 TREES. 
 WOODS . 
 ORCHARD. ETC 
 
 Trri's ijroir ii/iiranl mnl sloirh/. 
 
 Sri' lira UK. 
 
 13 
 
C-S 
 
 
 ■X 
 
 4: 
 
 I 
 
 'J* 
 
 V ; 
 
 j^s-,, _ *i-:v-^T^^i«*=*-'. 
 
 ,j„.,„_- i;^^.«*^>**^?i^5^^»^*5^sa^!e^«*f*'^^-^'- 
 
INDIAN SIGN TALK 
 
 (ifsfiins. 
 
 ifH i nihil Is 
 
 f" 
 
 iV 
 
 h'.rlriiil liii/li 
 II /I mil/ nnirr 
 liiirkiriiril viij 
 II Ui run I rl ij 
 
 lii/i .[■ /'i/iijrrs 
 
 h,.'rk- 
 
 /III III j'nririiri/ till 
 III/ 1 1/ SI n I'll/ /iliii 
 
 F. 23, 
 
 F. 27 
 
 FOOT RACE 
 
 R AC I NG 
 
 '/'//•'/ nil II sfi'iriiiij. /irs/ 
 
 iilir /III II 
 
 /!ir ii/lnr 'Ji'/x iiliini/ ill nini iiiu/- 
 li r. . l/sii II iijilii s III •! Iiiirsr ran . 
 
 luirk /lir jir 
 ri'jii/ liii:,il nil 
 cii nic/i sii/r 11/ 
 s'ljii I'ur ijiiiti/ . 
 I .Vl'irss'.ini iif 
 
 F. 29 
 
 X- ; 
 
 Tlir ri'jl;/ li 
 /rri'/ ill /'roll/. 
 / ) ri'jii/ Hill/ 1( 
 
 mil/ /)ii/iii up mil/ 
 Tlii'ii viirrij i/ /err/ 
 ■// nrrrrih i'liirs. 
 
 FRAGRA^'T. 
 
 A PLEAS 
 
 Sill 
 
 ■II 
 
 rlls < 'III II 
 
 ODOR 
 
 Srr ST I N K , 
 
 irhirli sun I Is hnil . 
 
 29 
 
 FREE DOM 
 
 AN ACCIDENT. 
 BY ITSELF. 
 INDEPENDENT. 
 APRAIRIE. 
 
 .Ill iiirii/rii/ liu/'/iriis /iij I i!/'. 
 .Vnlliili'J /n li ill I III'. 
 
 74 
 
 

 
 
 
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 ,-,<:.- ™*n*^-«W' 
 
 -"'■ 'h'--^-i^s^-^=^^^^***^-^^" "^'^^ 
 
 ^^^ 
 
INDIAN SKIN TALK. 
 
 (Irstiin X. 
 
 /u/itintli I /«. 
 
 F. 30. 
 
 F . 30 . 
 
 FRIEND -SHIP -LY 
 
 PEACE. 
 
 WE LGOME . 
 
 S'iiil\'r i/iiii r iiirii /imii/.-' II ■ ijruiji 
 nil llir j'iinji rs iif llif Irfl ir'.lh :!ir 
 ri<J,li I hii nil . 
 
 .1 sill iitiiliini j'l'iiiiill ji irlnit il 
 iri'iilil hi' iiirnii ri'iiirii/ In ii/i/iriini/i 
 linn' f/ir /inrlii's. 
 
 ffiink I III' linif inilr.y f.'ii'Jrrs In- 
 tjifiirv mill iiiiikr inir iiinliuu 
 w-iiiillil iluiiinriird nil inch nr 
 llinli', 
 
 F. 32. 
 
 Exti'iiillliilniiliiiili.y n-ill Dill 
 ill front and ilrnir il hm-k pnsi llir 
 r' 'Jill sjiiinlili'r. . /ssi; iiii' nnnirnj' 
 ini^iiiri/ ar Inok snr/n; nl . 
 
 F. 3\ . 
 
 F R I ENDS. 
 DFAREST FRIEND 
 
 l.iiikiil liiijriliii' ill liniiih iij' liirr 
 III- J'ririiilsliij). 
 
 32 
 
 F ROM . 
 
 WH E R E F ROM . 
 
 WHERE ARE YOU FROM. 
 
 73 
 

 
 
 
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 £•» 
 
 
 
 
 
 
 
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 - /. r' -P -,.-^ti.V'^v!.;-^.J-'---=i-" • '^^'yr^^^^'''' 
 
 
 
 
 
INDIAN SI(,N TALK 
 
 (irstn I'ls. 
 G. 1 . 
 
 //()/// Hir li fl Iniiiil 'tijiiiirl Hir 
 /luili/iii j'rniil mill iiiii,\r ns //' •••'••A- 
 iii'j I mil mill /iliiriirj ill llir Iml- 
 liiir nj' Uii Irj I limiil . 
 
 G. 2. 
 
 Hlllll I'lr rjini Irfl limiil in 'I nllf 
 ill front juiliii litiriirils j'lirr nml 
 iiirliiinl ii/iir/iriL Tliiii r.vlniil llif 
 ii<jlil iiiil'.y as iiimi. Iiirliiir if 
 li'irliirunl xn '/n I(> jirnjirt llir lid 1 1 
 I *' limnl j'nririiril. T/iriisI fin hull 
 i'liln llir linl!n:r iiflh- Irfl limn l. 
 
 G. 3. 
 
 /u/iiinilrii 
 
 fs 
 
 
 G. 1 . 
 
 
 
 CATHEH-I NG. 
 
 
 
 , Is friiif III' ml ill II i> 
 
 III/ 1' 
 
 iltliilili<_ 
 
 mill sliiiriii'J till III ii 
 
 III, 
 
 li mills 
 
 ii/ii'iiii iir rrssri. 
 
 
 
 G 2. 
 
 
 
 GET THE R E . 
 
 
 
 ARRIVED THERE. 
 
 
 WENT TO THAT 
 
 PLACE 
 
 fii III is ritsr Hir Irfl limnl rrp 
 rrsriits llir /iliirfi 
 
 G. 3. 
 
 The nfii'ii hand sli'^lilli) flr.vnl 
 hrlil in fninf mid cnrriril ^irnlli/ 
 liiinirds sDiiir in:/'. 
 
 GIVE. 
 I GIVE IT. 
 GIVE TO YOU 
 G A VE . 
 
 76 
 

 
 
 
 
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 V 
 
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 - " 
 
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 lull 
 
 lint 
 
 r 
 
 III II 
 
 mi. 
 Irn 
 
 cull 
 
 
 
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 J oil 
 hie 
 
 , 
 
 
 
 
 
 
 
 
 
 
 -if- •( 
 
 
 
 
 
 
 
 
 far 
 
 
 'i. 
 
 
 
 
 
 
 
 
 
 
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 ..■iv-'* ^'^ ■ 
 
 ' ■"' 
 
 
 
 
 
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 ■■ 
 
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 - - ' --- 
 
 
 
 
 
 
 
INDIAN SIGN TALK. 
 
 Gestures. 
 G. 4. 
 
 T/ie s/i^Jiih/ Jle.ved often ri<:>]it 
 liiiiid irell (int from the hodij is 
 rlrnirii loir/int the ri<iht breast. 
 
 Ei/iiiriilenfs 
 G. 4. 
 
 GIVE ME . 
 
 GIVE IT TO ME . 
 
 G. 5. 
 
 G. 5 
 
 ? 
 
 The (>f)eii ri<jlit hniid Jiar^iiiQ' 
 iKor t/ie riQ'ht side, tintiitit ufi, is 
 raised in an are ontirnrd to ((riiis 
 leiiijtii. If iiiifieratire, nssiune a 
 ei'in mairdiiio' ff/t/ieanniee. 
 
 G. 6. 
 
 GO . 
 
 GO AWAY . 
 
 GET OUT FROM HERE. 
 
 ,/n iinperatii-e. but niaj/be used 
 passively, as I CO. WE GO. 
 
 G. 6, 
 
 Tlie Diueh fc.ved mid limhrr 
 Join led fi.ug(i< are flipi)ed from 
 Iireasts outtrard witli a peculiar 
 faeia i e.vjnr'ssion . 
 
 GO AWAY, GO AWAY 
 
 77 
 
INDIAN SIGN TALK 
 
 (list iirrs. 
 
 Eiliiifdlriitn. 
 
 C- 7. 
 
 G. 7 
 
 'I'ciK II l/if r/iin nr hriinl iritli /.'ir 
 1 ii(L-< (if the liiii!rr><. 
 
 &-Ms(m^^ 
 
 Fiirk the jirsi tirn fin 'Jits nf llir 
 ri'jlii Iiiiiuf II 11(1 Imld Ihnii <i lillli' 
 hIiiii I' l!ir lir/id :ii fniiit nj' fm-'' n nil 
 JirisI till irrisi sii IIS III s'liiiir llir 
 Ii'IIkI I'irsI iiiir siilr mil niiil tin ii 
 l.'.r iiiltir siili' SI rrritl l.tiu's. 
 
 9 
 
 '' 
 
 > 1 ' 
 
 ., 
 
 ?--' ; 
 
 
 
 
 -■■) 
 
 Ojiii ri<jlif Iniuil p/i.'in n/i in 
 j'ranl iij iiiiiiilli: fln'ii riiiTi/ it 
 tier ■■.oiiliill !i in II rirmliir nmrr- 
 iiiriif, rni.'iii'J Hh' Imnil nl llir 
 ■-i.nir linn to inilirnlr riif:(if /■.'.- 
 iiKj J'n.ni- ilii' hri'iilh. 
 
 GO AT . 
 BEARD. 
 
 G. 8. 
 
 GOD. 
 
 MYST EKY ABOVE. 
 
 SACRED. 
 
 MYST E R I OU S . 
 
 U N K NOWN . 
 
 'I'll is is tlir ,\'nrl/irrn si<Jn irliiiji 
 si an ifirs THE GREAT MYS- 
 TERY. 
 
 Tirislin'J tin' irrisI nml fnrkiil 
 j'in'Jri's niriins sunn III in J iin- 
 k-,i(iir. ,\'i'(ir llir liiiivl. it inriins 
 llir III iirl iliirs mil Limir. I Irir tlir 
 fiirr (ir /hrrlirdil . llir mi ml iliirs 
 mil kmiir: llir furkcil /'Inijcrs slimr 
 I n-n ili ri rji n<J /minis nr llinii Jlils. 
 
 GOD. 
 
 THE GREAT SPIRIT. 
 THE FATHER OF LIFE. 
 THE BREATH OF LIFE. 
 
 j 'n/Kir is II ris 
 
 iii'r srnu' (> 
 
 <]■ I Ik 
 
 III nnisjiliri-r nml it risrs in <i rir- 
 riiliir III' sjiiral jorm. Iirnrr, litis 
 'Jrslnrr. 
 
 73 
 
tu 
 
INDIAN SIGN TALK. 
 
 I.' 'til ((II Uic iri(li"</)ri'tiif /'iii:^'/'rs 
 pD.'ii.frd toiv'ird or toiicliiiiji rtirli 
 iilliri: hold f, 'inn in f'r )iil of J'ncc. 
 
 G. 1 1 
 
 y 
 
 .-/ 
 
 I''<j'it lunrl hfirk iif), fliiiiii!) 
 til I'l iiij hrrtist bone, hidvc il 
 . . nii'jlit out on a Icrcl in front. 
 
 Kiinirnhntn. 
 G. lO. 
 
 CON E . 
 
 A CLOSED CAMP . 
 
 ABSENT. 
 
 A COVERED OPENING 
 
 1 I . 
 
 GOOD . 
 CLAD. 
 RIGHT. 
 
 lA'rrl u'itli the licnrt, thcrifori', 
 [>ood. 
 
 I 
 
 k 
 
 G. 12, 
 
 //.;/// li'nnl-i hac/y'x n/i in front. 
 J ill' rijjlit iirrr t/ir Irfl ir II tinrnril 
 till- Jitri'iirni, both fiointrd oblii/nr- 
 I i)i/iiiriiirird. T/it-n alidrtiii' hund 
 in-li ilinrn biijiind flif Irfl . 
 
 12. 
 
 GLIDE. 
 SLIDE. 
 DESCEND. 
 PRECIPITATE 
 
 79 
 
INDIAN SIGN TALK. 
 
 (rCHflin'S. 
 
 G. 13. 
 
 .Motion of ])iittiu^ (I <jlori' on fJir 
 
 14. 
 
 IT 
 t 
 t 
 I 
 I 
 
 V 
 
 Hol(l the hack of I'itlirr hand 
 tloirn touyird tkr cnrt}i,(ill the pn- 
 ijcru pointed upward. Then raise 
 the hand ,<ilowly. 
 
 Elrratr the inde.v ofeithrrhand 
 and lou'fr the hand near the 
 (^ronnd and then rise it gradually, 
 keeping the inde.v pointed up- 
 trnni . 
 
 Ei/uirtfhnfs. 
 G. 13. 
 
 CLOVE. 
 M I TTEN 
 
 Siinjihj sign ofelothing put nrer 
 tlielunut. 
 
 C . 14, 
 
 CROW -INC. 
 GROWTH. 
 
 From the ground. 
 
 C. 15, 
 
 CROW . 
 
 ,ls ft sproui'. 
 
 y 
 
 t 
 
 i 
 
 i 
 
 I 
 
 •f 
 
 80 
 
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»JAl 
 
 SIGN TALK 
 
 Hi/iii-rrilnit.'' 
 
 16 
 
 GRASS 
 
 Sililiiiil til 14, hill llii liiiinl 
 iliirs mil risr. 
 
 17 
 
 CRAVE 
 
 A FUNERAL 
 
 TO BURY 
 
 ,/ lidlrin tlir <Jrimii(l. ./ hiirinl 
 liliirr. I< GRAVES MANY. 
 Driul sit (f/irrr ii iilo'slniiil K 
 
 18, 
 
 GREASE 
 
 MIXING PAINT 
 
 For orii'niiriifiii'J llw jirrnoii. 
 
 81 
 
INDI/.N SUiN TALK 
 
 drsl iivis. 
 
 V\ . O 1 . 
 
 Hijii ri'iiliiils 
 HOI. 
 
 ///)/(/ tint mil iiihI imh .r 
 
 ^ii(i<ln Ill-Ill II rinii liir n/irniii'J. 
 Till II lull Hir I'i'jill iliili A iirriisn il 
 '/) IIS III iliriih if ill liiilrrs. 
 
 H. 1 
 
 T/if Jhit ri'Jht Iminl /< /i/fml 
 iiprifjlif /irfirrrii tlir lirriisfs. Tlun 
 ninrr it h ft anil ri'jlit f'ruin niir 
 hrriisl tu llir iillirr slTcnil lillirx. 
 
 H. ii. 
 
 <1.^-^ 
 
 I'lit till' links iif liiilli li,iiiils 
 ,ll< ri.iili I ij. 
 
 HALF. 
 
 H A L F A DO L L A R 
 
 lliil l' iif II II 11 riiiiiiil iihji it 
 
 H. 1 . 
 
 HALF BREED. 
 HALF ONE WAY. 
 HALF THE OTHER 
 MONO R E L . 
 MIXED B LOOD . 
 
 H. 2. 
 
 HANDS 
 
 J'littiiii! 11111/ /iiiii iij' jiirsDii ri- 
 J'l rx to flint /Hirf. 
 
 4 
 
 
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 82 
 
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IMAGE EVALUATION 
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 23 WEST MAIN STREET 
 
 WEBSTER, N.Y. 14580 
 
 (716) 872-4503 
 
<?; 
 
 5,y ^) 
 
 
 ^ 
 
 «• 
 
 CIHM/ICMH 
 
 Microfiche 
 
 Series. 
 
 CIHM/ICMH 
 Collection de 
 microfiches. 
 
 Mx. 
 
 Canadian Institute for Historical Microreproductions / Institut Canadian de microreproductions historiques 
 
INDIAN SIGN TALK 
 
 GentureA. 
 
 Eqiih'tilfnis. 
 
 H 
 
 Hold the fifthii toirairis the /jjcs 
 Hinl look into it as if pletiHed. 
 
 H . 
 
 HANDSOME , 
 AMI RROR . 
 VAN I TY. 
 
 H, 4. 
 
 Hold the hand above the car 
 irrth the indrx pointed doiiniivairl 
 hy the neck and draw it upiimrd 
 irith a Jerk. 
 
 H. 
 
 Extend the left index pnJm up 
 in front, then crook the right in- 
 dex ivith liaek to hreast ami hani^ 
 it over the left. 
 
 H. 4. 
 
 HANG . 
 HUNG. 
 
 H. 5. 
 
 HANG, 
 SUSPEND -ED. 
 
 ,^.s to hrtng up cloth inj, meat or 
 other thin0\i' 
 
 83 
 
 i 
 
 
INDIAN SIGN TALK. 
 
 H. 6. 
 
 lliild tlir njH'H If ft hand jinlni 
 J'liiiiitj the htxlij, t/icii tJ.ritsI tlw 
 i/o'/if fi.<f forcibly into the //(i/ni of 
 til ■ Irj!. 
 
 H. 7. 
 
 EquivnlentK. 
 H. 6. 
 
 HA RD. 
 
 ROCK . 
 
 METAL. 
 
 HARD WOOD ETC . 
 
 See force, etc., ichich is sfrKck, 
 instead of thrust. 
 
 First mfike the .sv'rf/t for bread, 
 t/i en, strike the lower edge of the 
 right hand doirn on to e.rtr tided 
 left irrisi, it hein^ palm up. 
 
 H. 8. 
 
 BotJi flat hands pahns towards 
 top of head and pointing towar. , « 
 eacli other are drairn doivn simul- 
 taneously. 
 
 HARD TACK 
 
 H. 8, 
 
 HAT . 
 BONNET. 
 
 84 
 
INDIAN SIGN TALK 
 
 Gestures, 
 
 H. 0. 
 
 Lfti/ hnfh flat Jmiuh on the fore- 
 Jirin/ 
 
 H. 10. 
 
 Lay one hand over the front of 
 the Jiead. 
 
 EipUvatent*. 
 H. 9. 
 
 HEAD. 
 FOREHEAD. 
 
 This M tlie only safe distinvtimi. 
 between the head u,nd parts of 
 Slime. See brain, hair, ear, 
 
 ETC. 
 
 H. lO. 
 
 HEAD. 
 FOREHEAD. 
 
 Simply another fomi of .Yo. 9. 
 
 H. I 1 
 
 Hold the open hand toward the 
 ear and assume a listening atti- 
 tii'de. . 
 
 H. 11. 
 
 HE AR . 
 
 HARK . 
 
 L I STEN. 
 
 I AM LISTENING 
 
 OBEDI ENCE , 
 
 To liear is to obey. 
 
 M 
 
 85 
 
INDIAN SIGN TALK. 
 
 The loitsely flexed fifimls are 
 held (ihove eaeh side of the heiol, 
 piigeis hnn^hi§ down, find both, 
 htituh luored doirnward together. 
 
 Han^ the right hand doimrvnrd 
 in front of and between the breants. 
 
 /C(/iiirfilent8. 
 H. 12. 
 
 HOT . 
 HEAT, 
 WA RM, 
 
 H. 13, 
 
 HEART 
 
 'mAt 
 
 M 
 
 H. 14. 
 
 Make a big siceep ivith both open 
 hands from dowinvard up in big' 
 are, meeting the hands in front 
 and higher than the head, mak- 
 ing the outline of a beehive forni^ 
 
 H. 14. 
 
 HE AP . 
 MUCH . 
 
 /// ipinntitij 
 
 8S 
 
INDIAN SIGN TALK. 
 
 Ofntn^r^n. 
 
 H. 15. 
 
 Sitnplf/ /foiiit lorritrds the shy 
 jritli itidr.v. 
 
 Equifftlrnftt. 
 
 H. 15. 
 
 HEAVEN . 
 SKY . 
 ZEN I TH . 
 H I OH ETC 
 
 Av H. 1 6, 
 
 ; 
 
 a 
 
 H. 16, 
 
 H. 16. 
 
 Point towards the sky with rev- 
 erence. 
 
 H. |7, 
 
 Make as if lifting some henry 
 weight from the ground. 
 
 HEAVEN, 
 
 Tfve abode of the righteou-o, the 
 dwelling pJaee of God. Shaded 
 diagrams distinf'iiisli the diriihe 
 sense from the ordinary in /jritih'd 
 intitfers. 
 
 H. 17. 
 
 HEAVY. 
 
 87 
 
-^F- 
 
 I 
 
 % 
 
 I 
 
 I 
 
 I 
 
INDIAN SIGN TALK 
 
 firstiirrA. 
 
 EquivnU'ntn. 
 
 H. 18. 
 
 Clutch the ri<Jht jixl nn if <Jr/isp- 
 hi'J ynini'Hiiii'J nint thrust it iiii- 
 tirr tlir Irjt nrin. 
 
 H. 18. 
 
 HIDE. 
 CONCE A L . 
 SECRET. 
 STEALING. 
 STOL EN . 
 
 If far theft, then pirvt'tlr this luj 
 
 CATCH . 
 
 H. ig. 
 
 H. 19, 
 
 X— 
 
 Thr JimifJs fuiliit to j>ftJtu nrn 
 ilrnirn quickly njuirt a short ilis- 
 tunce. 
 
 HIDE. 
 A SKIN, 
 TO SKIN 
 
 Scf sJ<in, 
 
 H. 20. 
 
 .^ 
 
 Elcrate thethumh and toss the 
 fist toicard the person referred to. 
 
 H. 20. 
 
 HE , 
 
 HIM. 
 HER, 
 
 THAT PE RSON . 
 
 88 
 
INDIAN SIGN TALK. 
 
 Hli'rnic the tintmh nrid more it 
 iinn-Jj/ sfrffiglit ujni'ord past t/w 
 front of forehead. 
 
 HIM. 
 HE . 
 
 Equiralents. 
 H. 21 . 
 
 The shaded s'l^n aJji-ays n- 
 ferritig to God in print. 
 
 H. 22. 
 
 ,-.r^° 
 
 H. 22, 
 
 C-iiteh the fist, bring it to bj-e/tyf. 
 then throir it from the breast in a 
 ha(k-li(ttuled mftrnwr. 
 
 H. 23. 
 
 Simply a variation of 20, the 
 pst irliich is carried np am! out- 
 uxnd forming an upward curve- 
 
 HIS. 
 
 HERS. 
 
 ITS. 
 
 If absent the fist is struck Jxtck- 
 handed around to rear. (Sliaded, 
 signs refers to Godin printed mat- 
 ter). 
 
 H. 23. 
 
 HIS. 
 TH I NE 
 
 See 22. The above :rould not he 
 introduced were it not that learn- 
 ers might take it for a variation in 
 the signification. 
 
 89 
 
INDIAN SIGN TALK 
 
 GpM^rfiJf. 
 
 Ecpdvnlpnti. 
 
 H. 24. 
 
 H. 24. 
 
 -'! 
 
 The right fi.Ht hack up. utarflng 
 /nun tirnr the nose. i,s inovrd up 
 find (Inirii, sei-ernl times hi/ irrist 
 art ion and carried outivardaf the 
 .Htnne time 
 
 H. 25. 
 
 First moke a nearlj/ roimd open- 
 ing with the thumbs and indr.v 
 pilfers ofhothhands, thenlcarinQ' 
 the left half in position, place tlie 
 eivd of the right index into the re- 
 maining half or between thumb 
 a nd index ofth". left hand. 
 
 ^ H. 26. 
 
 HOG . 
 
 The slang term of roof hog or 
 d.c is .sometimes thus expreji-^d. 
 
 H. 25. 
 
 HOLE . 
 
 AN OPENING, 
 
 ,4s an auger hole. See l>ag, 
 ii'hicch in. "rts the whole hand. 
 
 H. 26 
 
 The 7'ighthand backup isdraim 
 frimi the lejt to right side of /he 
 lit id y about breast high. 
 
 HORS E . 
 SO H I GH. 
 
 Tasked hundreds oflrulia ns tn tell 
 mc the conception, but V4 ne seemed 
 to Icnow. Finally I caugttt it from 
 a white man saying, "He ijs a big 
 horse. He is way up here," (so 
 liio'h), u.'<in'j this same sigU' 
 
 90 
 
 
\', f-, I'nui'^ 
 
 
 '^. 
 
INDIAN SIGN TALK. 
 
 Driiir fhf ofx'ji right hnud iMirk 
 itji firruss the breasts. 
 
 H. 28. 
 
 F.vfend the left iiule.v nhnut 
 hreiist h i$'h in front, then, fork the 
 prst tiro fingers of the right liinul 
 iftyl place them astritle the h-ft 
 iiifle.v, thenjnmp both Jttrnds /or- 
 mnci progressive/ {/ two or three 
 times. 
 
 H. 29. 
 
 Both crooked Index fingers 
 pointed outivnrd tnul placed on 
 Hie .side of the head. 
 
 Equivalents. 
 H. 27. 
 
 HORSE 
 PONY . 
 
 A horse's back is SO high, 
 drairing tlw ha ml acro.<is the bod if 
 at the supposed, h,eiglit of the 
 niiimdl. 
 
 H. 28. 
 
 HORSE . 
 
 HORSEBACK . 
 
 PONY. 
 
 R I DI NG. 
 
 91 
 
 H. 29. 
 
 HORNS . 
 HORNED STOCK , 
 
 The same as cattle. For cow, 
 add female. For o,v, add male. 
 
 ■I 
 
 I 
 
1! 
 
 ■il ! 
 
 
INDIAN SIGN TALK 
 
 GeHtureji. 
 
 EqiiivnIcntH. 
 
 H. 30. 
 
 H. 30. 
 
 VJriiiff both oprih linmlf tnirat'd 
 y'(/fn iif lifdtl and assunif the 
 m ifssiivji picinl crfrrrssioii to <:r- 
 I'liHX Moiiirthhig extmnrhj linrri- 
 ]'!ri''J- 
 
 H. 31 , 
 
 HORROR . 
 HORR I BL E . 
 AWFUL . 
 TERRIBLE. 
 
 Sorry, the did grnm does not eori' 
 vry the idea. Learner mvnt draw 
 upon his imagination to supply 
 drfleieni'y. 
 
 H. 31 . 
 
 The spread finders are interloek- 
 rd near their tips, leaving the ends 
 sliijlitly projecting, itoth hamls in- 
 clined to center as a gable end of a 
 
 hniliiing. 
 
 H. 32. 
 
 Place the flat right hand bc- 
 tirrcii the shoulder bladef aiul 
 sloop so astolitunp the shoulder. 
 
 HOUSE . 
 
 A FRAME OR LOO HOUSE. 
 
 TJie projecting ends of the fingers 
 rejtresent projecMng ends of logs, 
 von>nion in log liouses. 
 
 H. 32. 
 
 HUMP . 
 
 HUMPED BACK . 
 WILD. 
 
 .,^s cattle or Buffalo, (probably 
 from the humped sfwulders of a 
 Jiuffalo). 
 
 92 
 
INDIAN SIGN TALK 
 
 GrHtiires. 
 
 H. 33. 
 
 Sfno/i/'orinird aiul saw fhrhc/fri/ 
 srrtrtil fitucs with the ojicii vi'jlit 
 fifiiid hark ii/). 
 
 34. 
 
 TJtt' miieh-/fr.vf'fl ttntl loonrhf- 
 Jiiintt'd JiiigrvHdrc fli]t]U'(l oiitwnid 
 Mvcvd! timen In/ n-rist inotiun fnnii 
 hi'ltiir the breasts. 
 
 H. 35. 
 
 The breast is touched witJi the 
 ri'jht itide.v, then the index is 
 carried up in /'rout of face turned 
 Ixiek oat ward as MAN . 
 
 E<fn.iralentH. 
 H. 33. 
 
 HUNGE R . 
 HUNGRY . 
 I AM HUNGRY . 
 F AMI SHED -I NG 
 
 - Hanger ents one in fa-o. 
 
 9: 
 
 H. 34. 
 
 HURRY ! HURRY I 
 
 HURRY UP ! 
 
 BE LIVELY ETC. 
 
 See GO AWAY, ETC. 
 
 H. 35- 
 
 HUSBAND. 
 
 I HAVE A HUSBAND, 
 
 Literally, I have n man. Thfi 
 rifjht inde.v itein^ the nitin. {Pos- 
 session tu'iniinnderstood K, I female 
 sai/ino'. ME MAN would not be 
 sujifiosed tosity, (she was a man.) 
 
INDIAN SIGN TALK. 
 
 S'piply indirdtc ynurnplf hij 
 jniiitin^ inde.v toivurdu tjotir 
 
 Jiirttst, 
 
 I. 2. 
 
 f 
 t 
 
 Thuv the end of the rii>ht hitJr.v 
 Jiist under the teft bretist, thru, 
 til lire it straight outward, /jerhfi/m 
 (I littli' descending. 
 
 1. 3. 
 
 frrsfure precisely as \ . 2. , hnt 
 icith revere nv4;, us Ijj upliftul eyes. 
 
 EifUU'alent*. 
 
 I. I, 
 
 I . 
 
 MB , 
 
 MYSE lF. 
 SELF. 
 
 fii answer to questions as, irhose 
 in thi« f It means mine. 
 
 I. 2. 
 
 I BELIEVE 
 I TH I NK . 
 
 The nearest single gesture nn.' 
 swering to faith, the shaded sign 
 is 80 termed. 
 
 I. 3. 
 
 X BELIEVE. 
 
 FA I TH , 
 
 CHRISTIAN BELIEF. 
 
 Precisely the same gesture n* I . 
 2 . , l)ut shaded to signify the 
 higher sense in print. 
 
 94 
 
.5 
 
 I 
 
INDIAN SIGN TALK. 
 
 (IcMtnri'M. 
 
 I. 4. 
 
 I'lilnf or sorf »/' pokr the ri<j/if iii- 
 ilr.y tiiinivil or rvni /nist lliv cor 
 l( tniril I he fare. 
 
 Et/uiriilenti. 
 1. 4. 
 
 I HE AR . 
 
 THE HEARING. 
 
 THE E AR . 
 
 tSoiiiid goes in at the ear. 
 
 I. 5. 
 
 — ^.\-.- 
 
 Jiifhofx'ii h(iu(tx paliti II}) (iiid 
 irril /tf) irt in front, then more 
 itiiin tiward eiich other slvirhj 
 until thnj meet. 
 
 " I. 6. 
 
 ?h^ 
 
 Klenite the right thtiinh, extend 
 tlir ri<jlit inde.v, other fin <^ersljei II jf 
 liiKi'd. Tlien pliiee tlie hand iin- 
 ilrr thr left hirnst and nunc it 
 utiiiKjht ontiriird. 
 
 I. 5, 
 
 ICE . 
 
 Jee he gin a at the shores and 
 closes at the center, as do-s thin 
 gesture. 
 
 I 
 
 6. 
 
 I KNOW I T 
 
 KNOWLEDGE . 
 
 I UNDERSTAND IT 
 
 96 
 
 r 
 
I 
 
 tifc-hati infJg i trvK 
 
 .'tl 
 
 I 
 
>-i-r 
 
 :^ : "ifttfSf-CSftjsAfc 
 
 INDIAN SIGN TALK 
 
 Gesture*. 
 
 I. 7. 
 
 77«//< hands precisely as the 
 r'glii /« I. 6. <^7ul move them hoih. 
 fill two rd si m ultaneoiosly andn^^- 
 niime a sort of, you can't fool me! 
 
 I ft. lie. 
 
 I. 8. 
 
 Make n tiearly round opening 
 with thavib and index of tJie le/t 
 hand. Then put the end of tlte 
 right index into that opening. 
 
 I. 9. 
 
 X—y— Xr-9<r 
 
 ■H^ - «»">t— X 
 
 Place the hands palm to palm 
 and then draw them apart by 
 several slturt jerks. 
 
 Equivalent». 
 I. 7. 
 
 I KNOW VERY WELL . 
 I KNOW WELL ENOUGH 
 
 This is peculiar, as I know it 
 just as well as I ivant to. (Yet, not 
 certainly). 
 
 96 
 
 I. 8. 
 
 IN. 
 
 INS T OE OF . 
 
 WITHIN. 
 
 TO PUT I N ETC. 
 
 1, 9. 
 
 INCREAS -INC. 
 OETTINF WIDE -R 
 EXPANSION. ETC 
 
t. 
 
 % 
 
INDIAN SIGN TALK 
 
 H old tlu' flat left hand hark up 
 ill front and nib it from u'rist to 
 kiiiirklea, hack and forth, two or 
 jii-ore tiniest. 
 
 I. 1 1 
 
 < 
 
 Hold the loosely closed flfi^ers 
 near the lips arid snap tlu in out- 
 ward. 
 
 Eiptivnlentt. 
 I. lO. 
 
 INDIAN. 
 
 BROWN COLOR . 
 
 ONE OF LIKE COLOR. 
 
 ANY DARK COLOR. 
 
 liuhhin^ the back of the band in 
 this vumner means color of the 
 skin 
 
 1.11. 
 
 I SAY. 
 
 SAID. 
 
 TALKED. 
 
 / SO]/ to you signified ly carry- 
 in!2' the finders well toward the 
 pai-ty addressed. 
 
 I. 12. 
 
 The open flat hand palm up 
 near the chin, then carry the 
 lutnd straight outward,. 
 
 I. 12 
 
 I SAY TO YOU 
 I TELL YOU , 
 
 I udll explain or interpret it, 
 (cAirryinfi tlie words from the 
 mouth. 
 
 ©7 
 
i 
 
 1 
 
INDIAN SIGN TALK 
 
 Vnvk the first two fngcrs of the 
 ri'jlit liiind and place them before 
 the eyes and move them oiitirairt. 
 
 I. 14. 
 
 Scinteh the palm of oiie hand 
 with the fingers uf the other. 
 
 Et/iu'ralenta. 
 I. 13. 
 
 I SEE. 
 TO SEE 
 S I OHT. 
 
 i. 14. 
 
 I TCHI NO. 
 THE I TCH. 
 
 1. 16. 
 
 E.vtctul the right index, place it 
 •t alnwe the breast ami thrust it 
 aitha tirisi,so as to leave thehanl 
 palm out after passing the breast. 
 
 I. 15. 
 
 I THINK, 
 
 I THOUGHT. 
 
 A THOUGHT . 
 
 (J thought pierces the heart.) 
 
 98 
 
I 
 
INDIAti SIGN TALK 
 
 Sci' /fhot'c sign A\). 1 5 for I th,iiik'. 
 ilftvr the hand reaches the eml 
 oftliiit gesture wave it flat baek 
 handed to the right. 
 
 I. 17. 
 
 Hook the right index ami draw 
 it from forehead to past the chin 
 in an outward cnrve. 
 
 KqairalentH. 
 I. 16. 
 
 I TH I NK NOT . 
 
 I BELIEVE IT NOT 
 
 M'ith the sign for separate it is 
 the proper icaij to express a D I F - 
 F E R E N C E O F O P I N I O?: . as 
 
 I think different. The back hand, 
 stroke .signifies NOT 
 
 I WANT -I T 
 
 I AM IN NEED -OF 
 
 To say I want that thing, point 
 to it and then make this sign or 
 point and sign, GIVE ME. 
 
 I. 18. 
 
 El crate tfie right inde.v ahore 
 the side of the head and shake it 
 rapidly to imitate the rattling of 
 the snake's tail. 
 
 I. 18. 
 I WI LL NOT . 
 
 Sometimes wrongly used when 
 only no is meant. 
 
 I DE FY YOU. 
 
 A RATTLE SNAKE , ' 
 
 Or the sound of its rattle, a 
 warning sign. 
 
 99 
 
'i 
 
 I 
 
INDIAN SIGN TALK 
 
 ftptttiin'M, 
 
 I. 19. 
 
 
 CHiifh f/u'/iHtu find f»i'<h tliriii, 
 lifirK mill forth past the sUIph irltii 
 II shnir of more or less (IctennJini- 
 lioii. ,/ssiiiin', (I (h'temiiiied i.v- 
 jrissjoii of face arul pose of hod if 
 In Kit if til !■ lie gree of force intend, (I . 
 
 I. 20. 
 
 Directions as in \ , 19. Then 
 u'nre the opened right hfind. to the 
 i'i§ht rather entphati^ally. 
 
 J. 1. 
 
 Hold the right index hack out 
 tis man toward the right side of 
 n-ek and raise it up to anus 
 le igth, twisting the wrist and 
 Jiirearni, so as to show the palm 
 out at extreme height. 
 
 Eipiiralent*. 
 I. 10. 
 
 I MUST. 
 I WILL. 
 :' SHALL. 
 
 !• 20. 
 
 1 MUST NOT. 
 
 I DARE NOT . 
 
 I WI LU NOT . 
 
 I SHA L L NOT ETC. 
 
 Simply add sign for NOT. 
 
 J. I. 
 
 JESUS. 
 
 A SAV lOUR . 
 
 SAVED, 
 
 This is derived, from the idea of 
 SAFE. See that sign under 
 
 ICQ 
 
i 
 
 I 
 
 ,1 
 
INDIAN SIGN TALK 
 
 OpKturrs. 
 
 J. 2. 
 
 l"iirr the arm<i nkhuho and 
 innrr f/ir flhnirs up and doirn in 
 'I tl'I'J'fiJ manner. 
 
 Equh'aU'ntH. 
 J. 2. 
 
 Jealous- ' 
 f i doety . etc . 
 
 J. 3. 
 
 •< 
 
 Place the ends of the thumb 
 and fingers of right hand on a. 
 level surface and jump them for- 
 ward two or three tim.ss. 
 
 « 
 
 K. 1 . 
 
 flohl the left index up in front, 
 grasp it with the right hatul and 
 draw it to the breast. 
 
 JUMP . 
 A FROG . 
 
 K. i 
 
 KEEP -IT 
 
 Ttike it to yourself. 
 
 lOl 
 
-'t 
 
 t 
 
inc:an sign talk 
 
 lliihl tlir liHwh/ fif.vril fln^rrx 
 OS li'iijh UH llir hf'dd and llinist 
 llir liiniil iJtlitiiii'ly (liin'iiictird ax 
 if Jiihhlii'J soiinfhitiQ' li/.'iiQ'fni tlir 
 ijriiiiiid . 
 
 K. 3. 
 
 Hiliii"iilrntn, 
 K. 2. 
 
 KILL. 
 MURDE R . 
 WICKEDNESS. 
 
 // in u'ivked fu kill. 
 
 K. 3. 
 
 KILL bTC. 
 
 >J 
 
 T'ljhlhj flinch th.e. ri^hf fist miff 
 flitu'<f if fthi iqtivl y dowiiivdrd very 
 J'orcihiy. 
 
 This is m'ni'fdy nnntlier form «/ 
 K 2. 
 
 K. 4. 
 
 Fork fhe first tivo fingera of the 
 riuht kiiibd, raiNc ahoi'e right sidt' 
 if the Jteud inul irhirl tit cm trith 
 fh-c stin. 
 
 K. 4. 
 
 MEDICINE 
 
 But often mode for K I OWA . 
 »S>e K. 4. anH 5. (This sign circles 
 with the sn,n therefor in perfect 
 order)- 
 
 102 
 
 d 
 
m: 
 
 W 
 
 !&■' 
 
 '■'!*> 
 a 
 
 Sif; 
 ' < 
 
 
 .^... 
 
 
 fl 
 
 II 
 
 n 
 
 II 
 a 
 
INDIAN SIGN TALK 
 
 GestiirrH. 
 
 K. 5. 
 
 Hnhl ths forked ftti^ei'ii ahore 
 ilic herid and whirl aHahtst tJie 
 
 suit. 
 
 Equii'nlents. 
 K. 5. 
 
 CRAZY . 
 FOOL I SH . 
 RATTLE BRAIN. 
 
 Often eiTon^eoualy made for 
 Kiotca. Kiowa^ are neither fools 
 iwr crazy. 
 
 6. 
 
 K. 6. 
 
 TJir rifK'u, right hand, jtnhn up 
 td) i-i' tlt,i- right ear is moved iijt- 
 imrd, outward and downauird, 
 ami vrfteattd several tiims. 
 
 K. 7. 
 
 Till' o])en light hand palm to- 
 ivard tin' face h thrust obliquely 
 iifjivtivd past the lips. 
 
 K IOWA 
 
 This is their tnie sign and refers 
 to a former practice of clipping 
 tlbP hair above the right ear to 
 show off' ear ornaments. The mo- 
 tion hits been mistaken for a cir- 
 cle, but it WIS not originally. 
 
 K. 7. 
 
 KNT FE . 
 
 In old time wJien a single kni/e 
 served a whole family, a person 
 t'Ook piece of meat inhi^ left hand, 
 put it in id^ moufh and then 
 thrust tlte knife between his hand 
 and lips and passed both knife 
 aii^l m^at to .the next, hence, this 
 ''e>:ture. 
 
 I OS 
 
,.4,- 
 
INDIAN SIGN TALK. 
 Ge^tiir,'^ Rquivnl^ntH. 
 
 L- »• L 1. 
 
 LAME , 
 
 Clofif right fi/it, crook the right 
 f'Jtxnr, nitil su /, posing o fuJrrlom 
 ill the forcfirm Lower the fist, 
 raising the ellmw at the same 
 tmie repeat a, few times. 
 
 L. 2. 
 
 
 .i\fakr as if holding a eoil of rope 
 ill till' left hand and also in the 
 right, then swing that in the 
 righ t a roil ml the Jtend and pretend 
 to throir it far, jerk the ont- 
 stntclud hand Itaek as if bringing 
 a lii'iist to a stand, 
 
 L. 3. " 
 
 Both, flat hands palms up in 
 front. Thrust outward and draw 
 liark alternately several fhiies. 
 
 This morevunt is intended for 
 that of a lame horse, but refers to 
 persons as well. 
 
 L. 2, 
 
 A L A RR I ETT . 
 
 To catch a wild brute with n rope. 
 
 L. 3. 
 
 LAW. 
 
 A RULE . 
 
 A PLAN. 
 
 A ROAD. 
 
 A CUSTOM. 
 
 / show you the road, is the term 
 for, I show 1,1,11 how. .4 law is a 
 road in irhirh irr must walk. 
 
 
 104 
 
_iS£iL„ 
 
 ■ ^.«n,fn-.^ in'•^':l^narr)•• i"^'''» 
 
 INDIAN SIGN TALK. 
 
 Gestures. 
 
 L. 4. 
 
 7'7 >/ sij^ii for Ifiiv (rond). fhnt, 
 lifter Hi, ikin^ that, move two or 
 ilii'ie fillies, bring the h/imhcluse 
 U)<Jetlier (it hook- 
 
 Eifiiimlentit. 
 L. 4. 
 
 LAW BOOK . 
 THE BIBLE. 
 A SACRED BOOK. 
 
 Jiemember that all shaded dia- 
 grams take on, a divine sense in, 
 jiriiit Jienee, lair hook isthesr-rred, 
 hnr iMtok or the Bible. 
 
 L 5. 
 
 L. 5, 
 
 Close r'ghtfiM, hold over hark of 
 Ilirri'jJit shoulder, then move it 
 j'lirivard by jerks. 
 
 L. 8. 
 
 .Ill of the fingers of the right 
 1: and much fle.vi'd are held high 
 nil and. bent so as to point down, 
 then loirerthe hand sloii-ly,ean'ij- 
 ing it in various side and ivave- 
 liue motions to near the groniul. 
 
 LEAD. 
 DID LEAD, 
 
 Comes from leading ahorseirith 
 a halter over the shoulder, the 
 horse's head moving ii/i and doirn 
 CI! uses till' Jerks. 
 
 L. 6. 
 
 A LE AF , 
 
 A FALLING LEAF, 
 
 AUTUMN. 
 
 A leaf falls with a ivave-lik^ 
 motion. 
 
 10 
 
INDIAN SIGN TALK 
 
 Tlif spiTftd thumb ami hirhw 
 urrt/rnirii upivardfroni theaiMc. 
 
 8. 
 
 -J* 
 
 H'thl thr open left hand palm 
 up, rnthrr tow, hut level, then crosn 
 if ivith the open right, and from 
 that position, carry the right 
 aroriTulto the right, mai iitaining 
 th e same level all through. 
 
 L. 8 AND 9. 
 
 Elevate the ri^ht index in front 
 and move it ina horizontal figure 
 CD, xhowing the hand first one side 
 out, then the other. 
 
 Equ.ivnlnt.tH. 
 L. 7. 
 
 LEGO I NS . 
 PANTS . 
 3TOCK I NCS. 
 
 The spread thutiib atid iude.v 
 drawn over any part, deiiide the 
 clothing for tha^ part' 
 
 L, 8. 
 
 LEVEL. 
 PLAIN. 
 PRAIRIE. 
 
 t4ny level surfctr^, a^ a table or 
 fiuor. See bed. 
 
 L . 9 AND lO, 
 
 LIFE. 
 ALIVE 
 
 Jlloviag alout, ivell, etc. ( If 'herr- 
 evcr line.^ cro>i.'<, it sJtotvs a tu'i.>it of 
 llu' ivri.st). The shadidsign is used, 
 in roniuet On w th divine subjeit 
 III 'Iter. 
 
 lOO 
 
. ^ji;-.«iiSKia**!i*i»'*IW>Sis^' 
 
 INDIAN SIGN TALK 
 
 (if'stnrrs. 
 
 EquifohntH. 
 
 L. I I 
 
 .> 
 
 The iiiili'A'h wmnlly i.vtnifl d, 
 liinni linniiintj tit the sirlf. ftnil 
 tiixkr one hig aii'Pt'fi from n-ftr to 
 J'ri nt. lo-.king toirard tin- /Kivfif 
 ftt/ttri'ssift. 
 
 L. 12. 
 
 FnrJi' the tiro first fingera of th^i 
 r'ght lifiiiff, and with ptihn fn- 
 ii< ltd face, thrust thiin across the 
 fiice near the tifis. 
 
 S'i<Jii first as ill. L. 1 2, then from, 
 tiie end of that gesture, irave the 
 o/,rn right hand bark-handed to 
 t.ie r:ght. 
 
 L. II. 
 
 LIE DOWN , 
 LYING THERE 
 
 II 'hrn a stra -Vr /.« Miiyiiig orrr 
 ii'ght. if Ik his oini blankets, 
 
 the iroiiu . a-ill make room, 
 sfiread some sort of in d ding on. the 
 firoiiiid, and looking .it yon, make 
 this gesture 
 
 L. 12. 
 
 LIE. 
 
 A FALSEHOOD. 
 
 DON'T BELIEVE I T-H I M. 
 
 Tiro tongaef. This sign is made 
 neross the fare, as if it might .ug- 
 nify CROSS PURPOSES, but 
 more I'kely, so as todistingtiiJi it 
 from I SEE. 
 
 L. 13. 
 
 LIE NOT . 
 I L I E NOT , 
 
 S'mply make sign for lie, and, 
 continue un into the sign of not, 
 III ing tiro ideas in one conifiouncl 
 ijesture. 
 
 107 
 
USS-A^f 
 
 INDIAN SIGN TALK 
 
 (irKfari'M. 
 
 L. 14. 
 
 Khrttfr the ri^hi inde.v in front 
 oiitl sliiik'p it violently, siirinking 
 Imvk IIS if nfritUt, 
 
 Ki/niritlents. 
 L. 14. 
 
 L I CHTN I NC 
 
 Sinnetinirs iiyeiJ for THUNDER 
 STORM . 
 
 L. 15. 
 
 L. 15. 
 
 TfnJfl the open left h/inil palm, 
 lip in front, then- make as if hold- 
 ing a, key in tlie finders of the 
 right and motion of turning the 
 Key in a, lock. 
 
 L. 16. 
 
 Fork the firat two fingers of the 
 right hand, ri.i-e and h-old l/aeks 
 iiplerelinfrontof tfie eyes, then, 
 in live them slot rly from one side of 
 ihe visual ankle to the other back 
 and forth a few times. 
 
 LOCK . 
 
 KE Y . 
 
 TO LOCK . 
 
 To nnloek is to tivist hand to tJie 
 right and throiv the hands apart. 
 
 L. 13, 
 
 LOOK . 
 
 SEE . 
 
 LOOK AROUND. 
 
 See T see, irhieh is a little differ' 
 ent. 
 
 I08 
 
• 
 
 ' 
 
 
 
 
 
 
 
 
 
 : 
 
 
 " 
 
 
 
 
 f , ' 
 
 
 
 
 
 . 
 
 
 
 
 
 • 1 
 
 ^ 
 
 
 
 f 
 
 i> 
 
 i 
 
 
 
 
 . 
 
 
 1 
 
 
 i 
 
 1', 
 
 f 
 
 1 
 
 ! 
 
 
 f 
 t 
 
 I 
 
 
 
INDIAN SIGN TALK. 
 
 (ieHtiirr^t. 
 
 KtliUrnlent't. 
 
 L. 17. 
 
 L. 17.. 
 
 Ilih<i the ri^ht hand back up in 
 front tinit brind the left bark up 
 
 LOST. 
 
 ASTRAY. 
 
 ASIDE. 
 
 iirnisH it. 
 
 L. 18. 
 
 Crosa the wrist on the breast and 
 jnrMi^ the bosom. Assuw,e a facial 
 e.vpression o^reable to the nature 
 of titc feeling. 
 
 L. 19. 
 
 Precisely the same as 18, but 
 nith revereice as by casting the 
 eyes upward, etc. 
 
 L. i8 
 
 LOVE . 
 I LOVE. 
 AFFECT ION . 
 
 (Tlie shmlcd sign signifies Chris- 
 fid n love. 
 
 L. 19. 
 
 LOVE DIVINE 
 
 Christianity or love of divine 
 things. Christian fellowship. 
 
 109 
 
 i lMM i liil'iiMUg'iiit.' 
 
■ ^ ■ i' ;i ' ; 'VjS5 i 'ift'n > ^^^" 
 
 
 INDIAN SIGN TALK. 
 
 Gestitrcfi. 
 
 Eqiuralents, 
 
 
 
 M. 1 
 
 M. 1 . 
 
 Clinch the ri§ht. fist, place it at 
 ri'jht aide of tlie liead and thrust 
 irriolently across in front of fore- 
 It Hid.. Assume a displeased facial 
 r.\/)ression. 
 
 M. 2 AND 3. 
 
 K I prate the ri^ht index hack out 
 infruiil of the face. 
 
 M. 4. 
 
 fxCfiture precisely like M . 2 . 
 
 jVIAD. 
 ANGRY 
 
 .Inother ivay is to firist the 
 cl incited fist in front of forehead. 
 See A N C E R . 
 
 M. 2 AND 3, 
 
 MAN , 
 MALE . 
 
 The male of any oreaiure. An 
 old man is shown by the bevt ir^ 
 de.v held into .same manner. The 
 left index m- A N O T H E R M A N . 
 
 M. 4. 
 
 MAN 
 
 Bu^t shaded used in a divine 
 sense in print, as, THE SONOF 
 MAN or man of God might be. 
 used in connection xvith the name 
 of n sacred personage. 
 
 \ 10 
 
., i^ iJ. \ . f AS^^^i,jSV^- 
 
 'S 
 
 INDIAN SIGN TALK. 
 
 
 (iPMtlirt'H. 
 
 E(fuivalents. 
 
 NI. 5. 
 
 M. 5, 
 
 Make nuit'ton of'/<cr(ttrhhi<J from 
 Idircr I if) to chin, as if painting 
 stripes ill, thn.t part. 
 
 M. 6, 
 
 y-- 
 
 I 
 
 I 
 « 
 I 
 I 
 
 I 
 
 \ 
 
 The tiro flat hmids harkx up fire 
 pl.nir(1.thiiriih-< tiiHiing iiifraut 
 of the body, (iiiil tkr ri<jht miscd 
 a lid curried over in mi. arc to ri^iit 
 ami the left in the .wine iii,iiiiii4ir 
 t o the left niniultaneouslij. 
 
 M . 7 . 
 
 Place botloindcv pigera hacks 
 up. side by side, held level in 
 front. 
 
 MANDAN 
 
 (A tribal si^n) 
 
 Mandans used toormnnent their 
 chins with stripes of paint. 
 
 M. 6. 
 
 MANY . 
 
 MUCH . 
 
 VERY MUCH. OR MANY. 
 
 See HEAP. 
 
 M. 7 
 
 MARR I ED. 
 TO MARRY . 
 
 To lie side by side. Sec PART- 
 NERS, ivhicli are upright. 
 
 I 1 1 
 
 ■ ' jmMM ' i-»^^» t >i*-^iMni 
 
^MM^H-^— W« 
 
INDIAN SIGN TALK 
 
 Gestures. 
 
 Equivalents. 
 
 M. 8. 
 
 Hold thv hft fint in front, thru 
 viake (IS if striking a inntch 
 (I gainst the left fist. Sowetimec, 
 l>ij striking it horizontally. 
 
 M 
 
 9. 
 
 Fork the first two fin,<^ers of the 
 right hand, hold them ahoiu- the 
 right side of the head and whirl 
 them in a horizontal circle with 
 the sun. 
 
 M 
 
 lO. 
 
 "••^cx-- 
 
 Elevate both index fingers at 
 their respective sides of face and 
 draw them, slowly toward each 
 other meeting in front. 
 
 M. 8. 
 
 MATCH. 
 
 STR I KE A L IGHT. 
 
 A FLINT. 
 
 M. 9. 
 
 MEDI CINE. 
 MYSTER lOUS . 
 
 See Kioiva fool, etc. 
 
 M. lO. 
 
 MEET . 
 WE MEET. 
 
 The two index fingers are two 
 men, thrrfore, they stand in any 
 plural .Hense, as MEN, people, w E . 
 u S See ^e: urate. 
 
 1 12 
 
 ywBB U ' ^tJ g JM ff a ' Jl i l 'fl JJil g gMgW 
 
■i« .r» i wi i j 
 
INDIAN SIGN TALK 
 
 GeMm'fH. 
 
 M. 1 I . 
 
 *X — ' 
 
 Drair the l^nonelj/flexid open, 
 right funid npivnrtJ, inirard find 
 downward, as // drawing it over 
 Mtrneoral olfji'ct- 
 
 M, 12. 
 
 Clutch the ri^ht hand to fi.tt, 
 draw it close to tlic hreast bone or 
 thrust it around the, right breust 
 to the breast i)one- 
 
 M- 13. 
 
 pen hands pointed dcwn- 
 ivard and over each other are 
 thrust first to one side then to the 
 other. Eepeat several tintes 
 
 Equivalents. 
 
 M. 11. 
 
 ME LON 
 
 iS'om-e hold the left hand palm 
 up to iiuliente the unde.v side of 
 the melon, while the right hand 
 moves as directed. 
 
 M. 12. 
 
 MINE. 
 POSSESS ION. 
 
 / have it and I am going to hold 
 on to it. It is quite essential to 
 eomprihend this sign before one 
 can rightly understand, HIS, 
 THINE or HIS belonging to one 
 w ho is absent. 
 
 M. 13. 
 
 MINGLE. 
 
 MIX. 
 
 CON FUS I ON. 
 
 AMI STAKE . 
 
 Things are badly mi.ved, all is 
 confusion, etc. Mistakes in lan- 
 guage are thus gestured. 
 
 1 13 
 
 i 
 
 ii*; 
 
INDIAN SIGN TALK. 
 
 (rCHtlin-M 
 
 Kt/ainflcutM. 
 
 M. 14. 
 
 M. 14. 
 
 The ojifu hftn fJ is hrhl hnvk to- 
 inivd flit'fnrp and /iiishrd ii/ximl 
 tlinni.scrrral fitnrs in fnnif n/'flif 
 ri/cs. iidi'dHrc n step or tiro ihiriiKj 
 fliis ijrsfiirfi. 
 
 M 
 
 15 
 
 Drnir the sprrtid tlutiiih niid in- 
 dex over the foot, from toe to heel. 
 
 vai RACE 
 
 The ndrnncr shoirs that thotujh 
 ifOH rtV> towards it, it is still ohst-nrr. 
 It niny he mode pUiiiier by sign of 
 I SEE or look, irliile thenfuind 
 doien ni orent en t voidiniK 's. 
 
 M. 15. 
 
 MOCCAS I N 
 
 
 Clothing for the feet. 
 
 Make believe takr hold of the 
 vight nipple with thumb a }id fin- 
 gers of tlu- right hand and draw 
 the hand straight outward. 
 
 M 
 
 16. 
 
 MOTHER 
 
 Draiving out the left l,reasf is 
 th e s 'gn «/■ F A T H E R . Th e righ t 
 breast 's nearest, so is our mother. 
 
 I 14 
 
I 
 
 i 
 
 I' 
 
INDIAN SIGN TALX 
 
 f}r/*ttireH. 
 
 Kifuirnlf'itt». 
 
 IWI. 17 
 
 The ri»lit fist pnhii ti> fare is 
 thrust njHi-ard to nruts h'ligtii 
 imrf. 
 
 M. 17. 
 
 MOUNT A IN. 
 A H I ". L E 1 C . 
 
 M. 18 
 
 B()th/ixixf>ahn.i tntrnril fhr /nrc 
 ami thrust up nml (hunt, iilter- 
 nately. 
 
 Both fists thrust dnivuirnrd nnd 
 drawn upicnrd altrmntely sev- 
 eral times. 
 
 M. 18, 
 
 MOUNTA I N8 . 
 
 A mounimn range is first this 
 sign, then draw in the air an out- 
 line of some well-known moun- 
 tains in that range or a general 
 outline of the range of peaks. 
 
 M. 19. 
 
 MUD. 
 TRACKS 
 
 The gesture tries to imitate ihti 
 ilifftcnltij of trare/ing in deep 
 imul. 
 
 1 15 
 

INDIAN SIGN TALK 
 
 (ti'Mfnri's 
 
 Kiiiiirtflt-ntH 
 
 M. 20. 
 
 M. 20, 
 
 llohl the vuirh-flexed ami 
 liuther-jointeil htnuh <iml ivrintx 
 above the ears and /lop them by 
 wrist action. 
 
 M. 21 . 
 
 Clinch the fists and move thtm 
 hack and forth from front to rear 
 several times, holding the forearm 
 horizontally. 
 
 M. 22. 
 
 MU L E . 
 
 BIO E ARS . 
 
 The Idea is to imitate the more- 
 inent of a mule's ears. I ^ot lau0i- 
 edatfor luoving the hands for- 
 ward arul backward instead of the 
 flopping, (which is not character- 
 istic of a, mule) 
 
 M. 21 
 
 MUST 
 I MUST . 
 
 I wi Ll etc. 
 
 
 Precisely as M. 21. and the 
 right liaml is operwd flat and 
 waved hack-handed to the right. 
 
 M. 22. 
 
 MUST NOT. 
 
 I SHALL OR YILL NOT 
 
 A componnd of must and not. 
 
m 
 
 % 
 
 I 
 
 h 
 
 ij 
 
 % 
 
 '') 
 
 1 •■ ■ a' 
 
 
\ .. ■ ,\<. 
 
 INDIAN SIGN TALK 
 
 (}«'>'4iirfH. 
 
 M. 23. 
 
 Hold the palm of tJie right tiMiul 
 oi'cr the mouth. 
 
 Fork the first two fingert of the 
 right hand, otfters being closed. 
 Place in front of forehead or high- 
 er, and twist the wrist so as to show 
 both sid^s of the hand several 
 thnrr. __^__^_^^_________^_^ 
 
 N. 1 . 
 
 First lay the right index between 
 the lif)S, then throw it downward, 
 panted to the right oblique. 
 
 EquivalentH. 
 
 M. 23. 
 
 MUTE . 
 SI L E N C F. 
 
 M. 24. 
 
 MVSTE RY . 
 MYSTER lOUS 
 
 The forked fingers shoiv two di- 
 verging thoughts conr^rning God 
 or things unknown. Therefore, 
 mysterious. See perhaps. 
 
 N. 1 . 
 
 NAME . 
 CALL. 
 
 To call the name of a person or 
 thing. (Throwing tlte word from 
 the nioi'^h) 
 
 1 17 
 
 t3 
 
 ■ ■ jil i rti iriM 
 
w 
 
 I 
 
INDIAN SIGN TALK 
 
 Gf'fttiiTfti. 
 
 Eqidvn^entH. 
 
 N. 2. 
 
 N. 2. 
 
 Sprniil the fiii,i!f'r>i of fh" loft 
 h II 11(1, turning fhr fkiun-h in, to 
 ftnlvi.thcn hold Hu-ni to vicn\nnil 
 with thfri<jht in^lex, /•««-// thi- left 
 t n-iintK the tliiinih ami jMrntotU 
 tlir middle fi II g<^ 
 
 NE I CHBOR 
 THE NEXT. 
 
 The serond, third, etc, can he 
 designated in the mnie wnnner. 
 
 N. 3, 
 
 Hold the ojen right h'lid in 
 frnnt of the right brenst and drair 
 it to the breast. 
 
 N. 4. 
 
 NE AR . 
 YOUNG . 
 
 / do not quite understand ivhij 
 this stands for young, unless it 
 signifies h';ar the breast or a nurs- 
 ing child. FOR THIS SIDE 
 OF, as on this side of a moun- 
 tain. Firxt sign o/ MOUNTAIN, 
 then NEAR. ^ 
 
 N, 4. 
 
 •K-k—i 
 
 Hold both fiat han/ls faring 
 each other about six inches apart, 
 then draw them nearer eachother. 
 
 NEAR . 
 CLOSE . 
 NARROW 
 
 1 18 
 
 i 
 
^<^ 
 
 
 ■.■A\ 
 
INDIAN SIGN TALK. 
 
 (I'fxiiiii.s. 
 
 Ki/iuvalentM. 
 
 N. 5, 
 
 N. 5, 
 
 ',-.U 
 
 CnHik- the rh^it index, extentl 
 the left and then run the crooJceil 
 liaht hack down acr<m the left in- 
 (le.v and draw it hack towards th, 
 liodtj, r'pcat once or t wice. 
 
 N- G. 
 
 The hands backs up are drawn 
 from each side and crossed hefore 
 the l)ody. 
 
 N 
 
 The riaht hand hack out is 
 iravrd to the right, heing nearly 
 fialm up at end of the move- 
 ment. 
 
 NEEDLE 
 SEW I NC 
 
 This seems an awkward way to 
 sew, but it is sewing with a leather 
 string, as pi I Hng shoe strings in 
 shoes or sewing through holes auth - 
 out a needle. 
 
 N. 6. 
 
 N I GHT . 
 
 DARKNESS . 
 COV E R E D . 
 
 Sre DAY, 1.0 ST, etc, 
 
 NO. 
 NOT 
 
 J general si^n of dissent or ne- 
 iSation. 
 
 \ 19 
 
 Bi i ui aB w M i iiil w » ii i l | lW ii 
 
f 
 
 ''V: 
 
 t 
 
 T 
 
INDIAN SIGN TALK. 
 Gestures. Equivalents. 
 
 Theri^ht index held verfirnll;/ 
 is struck towards the person ad- 
 dressed. 
 
 N. 8. 
 
 NOW. 
 
 TO-UAY . 
 
 R I OHT NOW . 
 
 .4s, now! I amgoin^. 
 
 • 
 
 O. 1 
 
 O. 1 
 
 Hold the left fist in front efface 
 and thrust the right against it. 
 
 OBSTRUCT -ION . 
 
 Eun against something, as to 
 run against an impassable 6bje4;t 
 or mountain. 
 
 O 2. 
 
 TouAih the shoulder whzre the 
 star or stripes usually worn. 
 
 O. 2, 
 
 OFFICER, 
 
 I20 
 
r 
 
 i 
 
INDIAN SIGN TALK 
 
 GpahiTP/t. 
 
 O. 3. 
 
 Tovrh the left shoulder with both 
 intle.v fingers. 
 
 EtpUvnlentM. 
 
 O. 3. 
 
 OFFICER. 
 GENERAL, 
 
 O. 4. 
 
 Touch the left shoulder in tivo 
 ulaces. 
 
 O. 5, 
 
 Fork the two first fingers of ths 
 right hand and draw them^ across 
 the left arm below the shoulder. 
 
 O. 4, 
 
 OFFICER. 
 CAPTAI N. 
 
 O. 5, 
 
 OFFICER. 
 SE RCE ANT 
 
 121 
 
 1 
 
 i 
 
 I 
 
m" 
 
 ^,. , .^ t iw ni ».i. , ■ ■ ■I. ■ ij .i juwul iT m.i i 'wWBi iie' M fe fi'S^ ^ 
 
INDIAN SIGN TALK 
 
 (h'Kturi'H 
 
 Equivalent. 
 
 O. 6, 
 
 O. G 
 
 Drinr mie stroke irifh the right 
 iiiih.v iirriiHS the left nrtn heloir 
 the shoulder. 
 
 "'>/ 
 1 
 
 The ri^ht fist is held iimr the 
 ri oh t side of the right lireant then 
 roised, earried fonrrn-d nn^ /inr- 
 ered, and ndvanerd by one or two 
 siirh luoreiueitt. 
 
 O. 
 
 8. 
 
 The right index is bent inuuird 
 and extended buck out as man. 
 
 OFFICER. 
 CORPORAL. 
 
 O. 7. 
 
 OLD. 
 ACE. 
 A CANE . 
 
 > ^48 nn old man walks with a 
 cane. 
 
 8. 
 
 OLD. 
 
 An old man is decrepted, so the 
 sign for man is thus modified. 
 There are other signs, hut this is 
 the best to use. 
 
 I 
 
 122 
 
 
|M 
 
 I 
 
INDIAN SIGN TALK 
 
 (ifshiri'H 
 
 O. 9. 
 
 Tlirrimhfintlr.v hluhl vrrtinillif 
 in front -f right sidi- niut ftalni 
 out. tlicv it is varrifil tlte sunn' 
 side out to tin- t eft side of front. 
 Sto/) then' a niiinient mid return 
 to th e ri<jh t side of fron t . He pent 
 tiiiee or tn'iee. 
 
 O 10. 
 
 Point both index finders toward 
 eaeh other. 
 
 O. 1 1 
 
 ;fS^^^^ 
 
 'Both index fingers f minted to- 
 ward each other and moved to attd 
 from each other several times. 
 
 Fi/niralenfa. 
 
 o. e. 
 
 ON LY . 
 A LONE . 
 ONE ON LY . 
 SOL I TARY . 
 SOLITUDE. 
 
 'he shaded sign is otilij used in 
 rr fere nee to Christ, as COD'S 
 ONLY SON. 
 
 O. 10. 
 
 I 
 
 OPPOS I TE 
 
 ()/»fiosite points or prineiples. 
 
 o. n . 
 
 OPPOS I T ION . 
 QUARRE L L I NC 
 
 tSeeQ. \ 
 
 123 
 
'Q 
 
 ;r«rtf«i>.«ii ■M'Htiii - 
 
INDIAN SIGN TALK 
 
 GentureH. 
 
 ''Iqiiivalenta. 
 
 O. 12, 
 
 O. 12. 
 
 The flat hnud hack up 7/? pny->il 
 hiick lind forth <in inch, or tint 
 above the head. 
 
 O. 13. 
 
 Take hold of the hack hair and 
 raise the hands. 
 
 14. 
 
 Graftp the back hair t"ith the 
 left haad, ami with the, right in- 
 dex make a spiral movetnivit 
 downward. 
 
 OSACE 
 
 .4 tribal sign and refers to the 
 roach, as they cat their hair or 
 shave their head.t. so as to leave it 
 ."ticking lip in this way. Other 
 tril/cs makes such a dress of horse 
 hair and fasten it by tieing. 
 
 O. 13. 
 
 OTTE R . 
 OTTE R SKIN. 
 
 .An otter skin is cut in halves 
 through Itack and tttil. The turn 
 linlvt's answer for twonrnamental 
 e.vfen.sions of the two braids of the 
 hair aiui are rvorn by many tribes, 
 as h'iowas, Comanc'hees, etc. 
 
 O. |4. 
 
 OTTER . 
 OTTE R SKIN 
 
 Refers to twisting or winding 
 the Ijack hair with otter skin. (A 
 ,<<kinis worth from $8 to $12j. 
 
 124 
 
\i^ 
 
 m 
 
 li. 
 
 im' 
 
 W 
 
 !>»!• 
 
 k^ 
 
INDIAN SIGN TALK 
 
 GcHtiireH. 
 
 Kt/7iirnlent». 
 
 O. 15. 
 
 O. 15, 
 
 OUR . 
 
 Both fists clutrh the air, druirn 
 to breasts, pushed over the breasts 
 until they nteet on the breast bone. 
 
 O. 16. 
 
 Make a VDninl DfiniiiifJ ir'.fli tJ e 
 thiinih and ini/r.yof'tlie left hanit 
 then put the right indr.v into that 
 o/!en'no,ii>hiehi-'< IN This <Jisture 
 is the reverse of that position. 
 
 . 17. 
 
 One fist gestured, in this waif in 
 MINE, dial luf law of plural it If 
 both /i..<<fs equal OUrt. See WE 
 MEET. WE PART. FOOT 
 RACE, DO TO ME. DONE IT 
 TO US. ete. 
 
 O. 16. 
 
 OUT-OF . 
 OUTS I DE-OF . 
 TAKEN FROM OUT-OF 
 
 See in, inside of. 
 
 O. 17 
 
 Hold the left hand back up in 
 front, then the right hand thumb 
 up 7.S enrricd over the bark of the 
 left, (cut has thumb on the wrong 
 side of hand). 
 
 OVE R . 
 
 TO GO OVER 
 
 , /.s over t.iie country, a ridge or- 
 mountains. See across 
 
 125 
 
INDIAN SIGN TALK. 
 
 GpMuvps. 
 
 Equivalent ». 
 
 O. 18, 
 
 O. 18. 
 
 Thumhs anfl index are^crooked 
 (froinid the eyes, and eyes opened 
 rrvy wide. 
 
 P. 1 
 
 Strike th^ oack of th<t left hand 
 with the, palm, of the ri^ht. first 
 on the thumb side, then on the 
 little finger side. Repeat two or 
 three times. ■ 
 
 P. 2. 
 
 OWL . 
 
 B IC EYES . 
 
 PACK-I NO 
 PACK UP. 
 
 Grtting ready to move. 
 
 The left fist is pushed from, 
 while the right is drawn toward 
 the body, the left fist being a foot 
 or more above the right. 
 
 PADDLE . 
 
 A CANOE . 
 
 TO GO I N A CANOE 
 
 Motion of paddling. 
 
 126 
 
 i"t\r nt^^.Vfei f"T*^i"-fi=^"-'i'^--'''ri-'-" '•■^■•'^j*-~" 
 
 fe?.a;T'iff 5f'~ -r.'rf" ''^ ' 
 
■■pauiNMIi.«|iffH«Mf1P-l|i.>!lii-> \(P" 
 
 INDIAN SIGN TALK 
 
 (ipufiirrs. 
 
 P. 3, 
 
 hz-^X 
 
 linis/t thv riahh-hct'kdoirini'fu-ff 
 tint or three strokes irith tlw riids 
 of f'niiirrs of right hand. 
 
 P. 4. 
 
 Both h/i lifts t>acks ii/i in front, 
 then lou:er thnii with a i/aireriiig' 
 motion. 
 
 p. 5. 
 
 — X 
 
 Motion of counting of h'lts tiij 
 
 E(fidvalenti. 
 
 P. 3. 
 
 PA I NT-I NO 
 
 Motion of painting stripes mi 
 the cheek, ns in the custom of 
 some tribes. 
 
 P. 4. 
 
 PALSY. 
 
 From the shaking of the hands 
 of feeble or palsied people. 
 
 P. 5. 
 
 PAPE R MONEY 
 
 (Drawn towards the wrist means 
 
 drawing them from the left hand. thin, SHARP A 
 
 127 
 
 . ^ /• , : -ar . A>-.^i. . . .-■ ai-j.:^-a--x;i^K' ^^-i*^ x 
 
■%., 
 
 m 
 
'ww^'wppmjii*'.' 
 
 INDIAN SIGN TALK 
 
 (ieHturfu 
 
 p. 6. 
 
 KqiUvfilentSi 
 
 P. 6. 
 
 E.vtrtKl the left imiv.v tnnl hqi 
 ilir right tirross it lit nmj finrt of 
 it. irhii-h irillntitnv the profmvtiou 
 iiiti'iutiit- 
 
 Extend th^ iiulixfiiiii'V^ '^'df Ml 
 Hide ami hold them vcrtii-ally in 
 front. 
 
 P. 8. 
 
 Fork the first two finders of the 
 right hnnd and hold the,:i above 
 the right ear. palm to front. Can 
 use both hands. 
 
 PART . 
 
 A PIECE. 
 
 HALF . 
 
 Any fraction. 
 
 P. 7. 
 
 PARTNERS 
 
 Tii'o persons who stand in busi- 
 ness relationship. See ACCOM- 
 PANY, MARRIED, EQUAL, 
 ETC. 
 
 P. 8. 
 
 P AWNE E . 
 
 WOLF . 
 
 FOX. 
 
 CUNN I NC ETC 
 
 128 
 
w 
 
 m 
 
INDIAN SIGN TALK. 
 
 ftfufnrffi 
 
 EfpiirnlfntH. 
 
 P. 9. 
 
 P. 9, 
 
 (liiHirr oil tUf }ih .. /-.s iti' our 
 Jitiiitl ill ii hull eh ft lift hold Hi ''in 
 iivtivfillij in front liioJur fliaii 
 fill- 1 1 mil. 
 
 10. 
 
 Mfoxnrr off the prnjinrtion in- 
 ttnilnl on the insiflr of the fore- 
 /fn o>r with iliv thuiiih noil nf the 
 some hand, the other fiogrvn 
 heitiii turned down- 
 
 P. 1 I . 
 
 Hold the left hand palm up in 
 front of face. Blow aeross the 
 palm, at the mine timemaki'^ 
 the sign of fire with the right 
 hand' 
 
 P I AK 
 
 ./ im-e-handed sign for o 
 TEPEE. 
 
 P. lO, 
 
 A PIECE. 
 
 A LITTLE. 
 
 A FRACTION. 
 
 A PART . 
 
 P. n . 
 
 PEMI CAN . 
 
 MAK INC PEMICAN 
 
 Fire and blowing away, the 
 snim arising from boiling meat. 
 
 129 
 
 -# 
 
T 
 
 INDIAN SIGN TALK 
 
 Fork 11), first tii'o tinkers of tliv 
 riohl h'nni ninl hold them poiiifnl 
 toHcnv ihr hnirf mid tirist tin- 
 wrist Ixivk and forth scrrrnl Hoi s. 
 
 EquivnlentM. 
 P. 12. 
 
 PERHAPS. 
 MAY BE SO . 
 UNDECIDED. 
 UNCERTAIN. 
 
 . ////V///.S a, Id this oc.stiirr in rnsrs 
 of iiiirertiiinti/. htm asm mistnh' 
 is II lie. 
 
 P. 13. 
 
 P. 13. 
 
 Form o cirri e with the thnnih of 
 the left hdiid and hnj the bolt of 
 the right index on the o/ieninS 
 onee or twice. 
 
 14. 
 
 Hook the riiJht index over thr, 
 hft thnnili from the under side, 
 rxtend the left index, tiring the 
 hands to nivi. then snap the thumb 
 and middle pngemt the left hand 
 
 so as to moke a report^ 
 
 PIPE 
 
 This is the motion, of crowding 
 toliaeeo in the lioirl of a pipe. 
 
 P. 14, 
 
 p I STOL . 
 
 J very natural imitatio.: of 
 shooting with a pistol or shotgun. 
 
 130 
 
..JUJMWJ.... 
 
 '-'ms ST^S sff'.'' 
 
mmmmmmgsi^a^smimsm- 
 
 IMAGE EVALUATION 
 TEST TARGET (MT-3) 
 
 1.0 
 
 I.I 
 
 1.25 
 
 • 5 ' 
 
 •^ IIM 
 
 !:: m 
 
 I. 
 
 '- 1- 
 
 1.4 
 
 IM 
 
 IM 
 1= 
 
 1.6 
 
 <^ 
 
 w 
 
 /} 
 
 % 
 
 '^2^ .^"^ t> 
 
 
 Photographic 
 
 Sciences 
 Corporation 
 
 23 WEST MAIN STREET 
 
 WEBSTER, N.Y. 14580 
 
 (716) 872-4503 
 
 ^ 
 
 a\ 
 
 \^ 
 
 '^ 
 
 ■1>^ 
 
 :\ 
 
 \ 
 
 
 "%^ 
 
 O^ 
 
 &. 
 
 <^ 
 
 i-)«sai«iaai»ai.S*«' 
 
 1^^'" 
 
mmmmmems^m 
 
 ■WW^BWBBBIiBIBiBBWgWPHBWPB! 
 
 
 
 &?/ 
 
 (/j 
 
 CIHM/ICMH 
 
 Microfiche 
 
 Series. 
 
 CIHM/ICMH 
 Collection de 
 microfiches. 
 
 Canadian Institute for Historical Microreproductivons / Institut Canadian de microreproductions historiques 
 
 "^' ^T^ - '"?^ - '' * '' ' ' ?^ '^ ^-' ^ ^ ' f f ^^S ^ ^J '' T'y^-~^ ^ ^ ' ^ '^- --''^ '^'^ ^ ' wj gff? ^: 
 
 u ujjj ' jj|]tn^ ! ^ ''' H.jj^ ' gtJV '' ^/ ' ^ ■-■-> ' ViV ' H" '/t^T'-*--^'^' 'V 
 
r.-mBBmmmeBmimm!KBmsm 
 

 INDIAN SIGN TALK 
 
 nr.tfi 
 
 p. 15. 
 
 Hii/fi j'af IiiiikJs hiii-Ks ii/)cffrrii (/ 
 iiiilii-di'il mill iliiiriiictiril hurnrd 
 II iiitihri' jiirsitii . 
 
 t'.iiitiriilrnts 
 
 P, 15, 
 
 PITY. 
 
 MERCY. 
 
 I BLESS YOU. 
 
 BLESSED. 
 
 THANKS 
 
 /'//// ///• timiiks fnininl u iinthi r. 
 
 m 
 
 p 
 
 fi 
 
 16. 
 
 /)o/A o/yr// h/iin/n I nil out, 
 Ununlix II j). mill ilmir llniu hi tlir 
 hi'riists. 
 
 
 Siniplii lui'iit llu' iiiili.v hiiriiril 
 .-<■' llir nliji'i I ( r pi lire. 
 
 P. 16. 
 
 PITY ME . 
 
 HAVE MERCY OM ME 
 
 P. 17 AND 18. 
 
 POINT 
 THAT.THISOR THERE 
 
 131 
 
 .■.■:s%!MSk^i.-^r:iiSi::?. ^-'r't*^ sw^'^^Tir_ 
 
INDIAN SIGN TALK. 
 
 (if'sfurrs 
 
 P. 19. 
 
 Smifi-Jt IJic lirffisf hour nii/irfii if 
 till hiith sii/rs. 
 
 h'l/ninihnfii 
 P. 19. 
 
 POO R . 
 LEAN. 
 
 . l/i/i/ii s til lirrsniis nr II III mil l> 
 
 
 •I 
 
 I. y 
 
 P 20. 
 
 Hiilil Itotli flat liiinils piil)u>! ii/i. 
 Iiig]i tiharc thcxiilrsnJ'llnliriKl. 
 
 P. 20 
 
 PRAY 
 PRAYER. 
 WORSH I P 
 
 GCD .S77.S- 111 1/ liiiiiils, Hull lli.rr 
 is 11(1 liliinil nil tlniii, I mil iiiiiiirnil . 
 
 21 
 
 P. 21 . 
 
 +-• 
 
 Flat IkiiiiIs ]ii(] nix II]). tlir n'o.'if 
 rriissril nrrr the Irj't. tin 11 I'lirii/ 
 the riiJJif to tlic riri/it it nil tlir li ft 
 to the left lis f III' It /III it Its run It'- 
 ll ic lit . 
 
 PRAIRIE 
 LEVEL. 
 A PLAIN. 
 
 Illlj Iri'fl sitrjitvc. 
 
INDIAN SIGN TALK 
 
 
 flrsfnrrs 
 
 P. 22 
 
 I'ln jhil lid ml III hriiisl. ilr.nr 11 
 piiliii iiniiiiisl !l,r hriiisl In hrli:ir 
 liiiirl mill iiirrii il jruiu Ihiir 
 slriii'Jhl mil. us GOOD . 
 
 '^ — ^ 
 
 'riillisl llir r!>jlll iliili.y nrri- llir 
 frit jiiisl III, 1,11 s ill srnrnl ilirir- 
 liniis. 
 
 EquiriilnilK 
 
 P. 22, 
 
 PEACE. 
 
 CONTENTED. 
 
 SATISFACTION. ETC. 
 
 .1/// III iivl /s- siiitinlli Inirunls i/mi 
 ir I mil /irr/'i lilif snh'yinl . 
 
 P. 23. 
 
 PRICKLY PEAR. 
 CACTUS. 
 
 Hurls Ihr I'rrt. Sir ACHE 
 
 P. 24. 
 
 X 
 
 £ 
 
 .Milt inn of tin-iiiii'J ihiini I'.ir 
 srrrii' of II rn/ijfino' /irrss, iisiinj 
 the j-i<Jht hmiil . 
 
 P. 24. 
 
 PRINT -INO- 
 
 A PRINTING PRESS 
 
 ./ ropifiiiri firrss o'irrs llir iilr/i 
 III tlir IiHlimis irlin srr it in use at 
 'Kjenrirn. 
 
 133 
 
T 
 
INDIAN SIGN TALK. 
 
 
 (irnt lives 
 
 P ;25 AND 23, 
 
 Crnsslhi' irrists lirlii nd Hir liml,- 
 'iiiil Ih'iiiI sliglitlij Jitviriiiil . 
 
 /:'i/inr/i/rnf.s 
 P. 25 AND 26 
 
 PRISONER. 
 CAPTIVE. 
 SUBM I SS I ON. 
 
 
 
 1^1 
 
 p. 27 
 
 /"/VAs.v f'lr ////.v/.s /// fraiit. Si'r 
 'ims/. rtr. 
 
 P. 27. 
 
 PRISONER, 
 ARRESTED. 
 TO ARREST. 
 
 F.illiir of Ihrsr <Jishirrs trill l,r 
 lri-nijiii:( (I . 
 
 m> 
 
 P. 2B 
 
 28, 
 
 tlnld fJic n'o/il IkiikI hm-k up 'ii 
 fnnif, mill irilji llw rhjiit. Imvk uj, 
 iliriclhf mill/ 1- it. Sun/) l/ir tlninih 
 
 1(11(1 Jill <Jl'IS 
 
 PRIVATE TALK. 
 
 SECRET. 
 
 CON FIDENTIAL 
 
 SniiiipiiKj imnls midrr ronr. 
 )'(imiii fnlLs piill II hliinkri oi.'cr 
 liiciv liiiiih. mill iliiir ri'jlil In xr- 
 rrrri/ is siirriil. .Yd niic Jliinks ,)f 
 i(((H iinproiiriclif or ilislnrhs llinu. 
 
 K:4 
 
 ^3S5SSaSS 
 
/// 
 
 nil 
 
 "'J 
 hi 
 
 St. 
 rd 
 
 I 
 
 I (It 
 fro 
 
:k 
 
 in::)IAn sign talk 
 
 fir.'ihi rrs 
 
 p. 29 
 
 .UuKrii ifiilkiii'J iniirrliiriil irifh 
 l/u'Jirs/ firii jiii'Jcrs Dj'llir Iniiid 
 (III ,11)111 !■ Iirri siirfiii'c. 
 
 h'l/nirii/tiifM 
 P. 29, 
 
 PROGRESS-I ON, 
 
 S/t /) hi/ sfr/i, rlr, 
 
 i 
 
 
 P 3.:. 
 
 ' / 
 
 X' 
 
 l/o/il left liaiiil vufi-xliiijiid 
 tKjdiiint till- ii'fiist, thi'ii iiintinii of 
 hikiiii: sdiiirtliiiiij lint iif thi' lift. 
 Stiinj). i/fiif) vrri/s iwar the fri'l, ail- 
 rinii'c H Ktrj) iiiiil rrpnit tlir o'rs- 
 
 l-rtftn 
 
 1 
 
 P 30. 
 
 PLANT . 
 FIELD. 
 FARM. 
 PA RDE N 
 
 ,)/fifi()n n/'i/rii/i/iiiiij I'lirii in hilU 
 
 O. I 
 
 QUA RREL -INC. 
 
 OPPOSITION. 
 
 PigKINGATEACHOTHER 
 
 I'liiiil llir iiiilr,y jIii^jitm tiiii'iiril Th,' Inui iinlr.v t'H'J'i'x ")t tira 
 
 iiir/i iif/irr mitl iiiorr f/iriii tuniul mrit iiml tlicij Dfifiitsceacli otlii'v. 
 
 j'riiin I'inli iif/irr sirirnl tiiiU'X- 
 
 135 
 
 .-;5aB'iilV'-^^Si!aife«fe-y3?i..'j!#* fefei..!t',-~ ^ft-i.^-iis-^ ' •y^'^TT-; 
 

 th 
 
INDIAN SKIN TALK 
 
 . /// it/'f/ujin^rr-i nil /iniiifn/ h>- 
 irinilximU ntlicrs a ml innriil f(s 
 oml J'linii riich of h lis srrirn/ 
 fill I IS, 
 
 Q. 3. 
 
 ^ \ 
 
 lii'iivh ri<,i/if hiinil iirrr flir Irj'f 
 slioiililir Kiiil iHiikv IIS if ilriiiriiiij 
 on nri'iiir jvoiii iif/irrs on f/ir l,iirl^\ 
 
 Q. 4. 
 
 Hold the open left hand thnmli 
 up well nut in front, then t/ini.sf 
 the right </uickli/ /inst it, toiieliing 
 the jialni so as to make a report. 
 
 FifiiiralentH. 
 Q. 2. 
 
 QUA RR E L I NO . 
 A BATTLE. 
 ADVANG E AND 
 RETREAT. 
 
 . Uiiiiif prnple are opposnl to , nrli 
 at her. 
 
 Q. 3 
 
 QV I VE R 
 
 (Jairers lire iisimlly inude laaih' 
 of III e skill of some animal. ,he 
 not mueli in use si nee llie infnr 
 il II el ion of firearms. 
 
 QUICK. 
 FAST . 
 RAPID. 
 
 , /.« an arrow flies fast, ele. 
 
 
 
 I 
 
 ^^ 
 
 *^: 
 Mil 
 
 i 
 
 1 Stj 
 

 INDIAN SIGN TALK. 
 
 fiffitiir/'s 
 
 R. I 
 
 /■He rate ttic t/inm/i it ml lit He 
 fiiiiirr 1)/' the riijlit hniiil. Otinifi 
 clnseil. SIrikc lliriii lnnk- mid 
 /'(iiili III! t/ii' ri^/il siili'oj' l/ir liiinl. 
 
 R. 2. 
 
 h'.vli'liil liiitli iiiili'A' ji iiQ'rrs hur/t's 
 up mill /•I'ri/iriiciifr l/irm srrrrul 
 I i UK'S. 
 
 Eipiinili ntti 
 
 n. I . 
 
 RABBIT 
 
 R. 2, 
 
 RACE-JNG. 
 FOOT RACE 
 
 Tiro linn, p'rsi out', then Hit- 
 iitlirr gi'ts II little iiliciul . 
 
 I 
 
 it. 
 
 w> ■- 
 
 % 
 
 >3 
 
 ^4« 
 
 
 % 
 
 R. 3. 
 
 Ml the fingers of the Itinul held 
 looselij-fle.ved and pointed doirit- 
 ii'iird are dropped toward flie 
 ground irifh tiro or more .stops. 
 
 R. 7 
 
 RAIN -INC. 
 
 II 'afir drip/tiiii! /rn.n ends oj' 
 /ngers. 
 
 137 
 
 irJK'?^WC~Ir~ 
 
1 
 
•^ 
 
 > 
 
 INDIAN SIGN TALK 
 
 1^ 
 
 ^/'"V////'| 
 
 I'.iiui ralcuts 
 
 R. 4. 
 
 ---^X 
 
 //o/r/ ///r /7^a/ /r/7 Inniil itvtv Hi'- 
 iijot, then //iriixf tlic r'njlit imli.v 
 iiiihnird J'rtiiii the bartc uj' flie left 
 
 — X 
 
 Ktcvdte llie I'njlif intle.v in front 
 iinil shdk-e it ruiiidi !i fviini riijlit 
 to 'eft. tuivk (uid fortli sn-enil 
 times. 
 
 R 
 
 Hold the sjtvead Jin<jers i,f the 
 lift IiiudI in front and dnne tlie 
 nid of riijht inile.v hetieeen tluni. 
 
 R. 4. 
 
 RASH. 
 
 HEADSTRONG. 
 
 HEADLONG. 
 
 RISKY, 
 
 RECKLESS. 
 
 (ioiii'J III II I jit hi II 'J ill II 1,1 i ml 
 niiin III r or iiienii^iderntil if. 
 
 R. 5. 
 
 i 
 
 RATTLE. 
 RATTLE SNAKE, 
 WARNING. 
 DEFIANCE. 
 I WILL NOT. 
 
 h'rnni t'.ie irurni n ij of 
 <Hiike, 
 
 'III, 
 
 R. 6 
 
 RAVINES. 
 CU L L E YS . 
 DITCHES, 
 
 m 
 
 ■I 
 
 f 
 
 138 
 
 ^T^^^iS aV :i^J'V '-r r^J,!-. - .,ilif^ ' i.J-!!i.., 
 
,1 
 
 V 
 
n 
 
 M 
 
 INDIAN SIGN TALK 
 
 ,V(ifinn nfrul/hino- n nunul xfmt 
 or circle of juiint on the clirck. 
 
 R. 8. 
 
 R. 7. 
 
 RED. 
 
 WICHITA INDIAN 
 
 R, S 
 
 REPEAT IT. 
 
 OFTEN. 
 
 L> O I T A G A I N . 
 
 AGAIN AND AGAIN 
 
 
 
 ?>. 
 
 HoJd the left forcn nil niul ofxu 
 Inniil ixiliii till ill front, thru tn- 
 •JiiiniiKj lit thr irr/st, toiirli tin 
 jonnriii Jiitirnu tlir irrist nml 
 r I lion; in si rrrol /ilurrs 
 
 R 
 
 9. 
 
 R. O. 
 
 ii'_ -.X 
 
 Motion, of raking o/f nioncij 
 from a ga/nhlino' tnhlc. 
 
 RICH. 
 
 139 
 
I 
 

 INDIAN SIGN TALK. 
 
 Sfvrfrh both nrnis fnv iijiarl. 
 thill liriii'J f]ir o/irii lininls tii- 
 'Jiflu'i' us II pciik- itrcv flirliidd. 
 
 R. I 1 . 
 
 E.vtriKl the left UkIc.v, fork tin- 
 fii'st fiii)fiii<Jpriinftlu'ri<Jhf liniiil 
 (iiiil sfr;t/r tlir left iiiilr.w tlir 
 ri'jlit f /ill III h slioiriinj iiiitsifir oj' 
 f/ii' IrJ'f liiiiiil. Tlii'ii piixJi-csstlD'ni 
 ill III! II j) mill ihiin i imirriiiriit. 
 
 R, 12. 
 
 Hook the j'ight index, over the 
 i>l)en left hnuil. (from the inside). 
 
 h'</inr'i/eii.t,H 
 R, 10. 
 
 RICH 
 
 I'Irlil 1/ III rniliDiits. 
 
 . R. II. 
 
 RIDE -INC. 
 A PONY . 
 A HORSE . 
 
 ./ mil II nil II linrse. 
 
 R. 12, 
 
 R I DGE 
 
 
 I 
 
 •*■■ 
 
 
 I: 
 
 % 
 
 I40 
 
 Tpv^x^.^ "^r--. t'-^^^^i^m^^^^^y^?^" 
 
1 V 
 
INDl/^iN SIGN TALK. 
 
 r. 
 
 dtsfurrn 
 
 Iti'jht IiiiikI hitrk- iiji. Ilinnih 
 liiin-liiii'J till' /iii'tisf /iii'if Tin II 
 iiirrij (lir li/iiiil slviiiul,! nii/ 
 
 /•!i/iiir/i/rnfs 
 R, 13. 
 
 RIGHT. 
 
 GOOD. 
 
 A L L R I CHT , 
 
 /,/ /•./ //•//// //n III int. 
 
 fe- 
 lt 
 
 t 
 
 R. 14. 
 
 .Miilxi' siuii iif drink ft itiii i-iifi- 
 slniiii'illiiiii I. linn iiifi r Ihul fiifi 
 ill II siiiiiDiis iinii'riiniil . /In- Imnil 
 ilrsriiiiliinj urnil iiii II 1/ il nri ii<j lliv 
 ijisl iirr. 
 
 R. 15. 
 
 JSotli njtcn Inniils palnis up mnl 
 ririjmiviiliil hiirk nnil fnrtli srr- 
 rrnl films. 
 
 R. 14. 
 
 RIVER. 
 CREEK. 
 B ROOK . 
 A STREAM. 
 
 \l 'nil r rii II iiiinj siiniinis nini 
 j'lil liinj. 
 
 R. 15. 
 
 ROAD . 
 
 TRAIL 
 
 PATH. 
 
 A LAW. 
 
 A GUIDE. 
 
 A PLAN. 
 
 ill I' icaij liiiir hi lilt. 
 
 141 
 
 S*5WBSS:S'SK.'aS.iSif.v 
 
1 
 
 // 
 
 1(1 
 III 
 
^ 
 
 INDIAN SKiN TALK 
 
 (icMfnrr.s 
 
 R 16. 
 
 ."-if 
 
 J'lif thcri'jiif l'!>it iinilrrthrihi,,, 
 linn thiiiir it to nriiis li ti<Jtli in 
 jiiiiit. 
 
 HtfiiiifttnitM 
 
 R. le. 
 
 HOPE. 
 HALTER, 
 
 Sic striinj. 
 
 
 R. 17, 
 
 R. 17 
 
 >, 
 
 ^-^^=t^ 
 
 First holil III, ri'jht thnnih iniil 
 inilr.vfi li/t/r n/uirt. isin/ hiilj'nii 
 null >. '/'/lis is n rasi lunl , m.ir niisr 
 till- ii<Jlit iiiilr.y II /urn III nnil it 
 c/irns ns n jlninr. 
 
 T/ie /oosr/jz-ftcva/ fingrrs /mint- 
 rdtoirnnl thr /irnrt niiil rnrrinl 
 iirnnml srrrrni tiniis in n rirrlr 
 irit/i t/ir sun. 
 
 ROS E BUD 
 A ROSE . 
 
 /ni/inns nsr t/ir /nut of f/ir nut,( 
 riis, IIS /'nail in tiiiir 11/' srnrriti/ 
 
 S. 1 . 
 
 SAD -NESS. 
 SOR ROW . 
 TROU8 LED. 
 
 T/ir /iriirt is all stirml n/i 
 
 142 
 
 ■■r.'in?!-! _-^--^!r>~X.-- 
 
ft 
 
 
 II 
 
 11 
 II 
 h 
 ir 
 
 <i 
 hi 
 
 tv 
 
 "I 
 
«k> 
 
 INDIAN SKiN TALK 
 
 I 
 
 (ifstiireH. 
 
 S. 2. 
 
 Sitiiif fisS. l.hiif (ij'lrr i'ircliii<J. 
 iiiii/if tts ij I'lifiti'J lltr lii'iiit nil 
 tlif (>ronnd- 
 
 Kiiuirnh'nt». 
 S. 2. 
 
 8 AD -NE SS . 
 
 SORROW . 
 
 GRIEF. 
 
 ANGU I SH ETC . 
 
 .)/// Iirinf ix lifitlxcii. I mn nil 
 hrnkiii irith hiiiihii: 
 
 «• 
 
 £■1 
 
 S. 3 AND 4. 
 
 J 
 
 ) 
 
 The iiiih'.v <ik iiinii tttnitx /'mm 
 tlif rhjht siilr of the ni-rk ninl 
 lliniKt HI) tit iiniis Icinjth iriti, n 
 lirist i)j' fill' irrisi iliir.nij tin iifi- 
 irnril innrriiiiiit. 
 
 S. 3 AND 4. 
 
 SAFE. 
 
 I GOT SAFE. 
 
 I ESCAPED. 
 
 / f)i/ii!rinri7 nr irri<J(jU'il mil nf 
 'lijjiriiltii hi firiiil, thr slinilnl 
 siiiti lias II I'l'i'iiiir Id inir irlio is 
 nil rill ill II Cliri.^tiiiii sriisi'. 
 
 Touch the end ofton^Jiie iritli tip 
 iif right inilr.y, vnvvy the snnir 
 hinifl, elosi'd to p.st, lioek Ji}> out- 
 ward from the lips, leftiiidit /'If/ 
 open lit the end of movement 
 
 SALT. 
 SOU R . 
 BITTER 
 
 ./ eoni pound si<Jn of tnsle mid 
 hud. 
 
 143 
 
 i"i'*si";rjr=:-S;Sr7,:r^7^i l:'TS-,=-»i 
 
 
^■IHewi 
 
 T 
 
 It 
 
 ( . , • 1 
 
 r. . . -" * ', 
 
T 
 
 ^ 
 ^ 
 
 INDIAN SIGN TALK 
 
 i'ork'llir jirs/ f/ri) /i II ijry iij' f/i f 
 Ifjiil !.iiiiil. htihl thrill iirarlhr 
 I'liKir III' 'Jlirlllll III sii/r nj j'liiil uiiil 
 llirii firix> ihr irrisf hiirk'n ml fnilii 
 SI rrral Innrs. 
 
 S. 7. 
 
 sX^^P 
 
 Hull I III! lift fun n nil in j'rimt 
 mill siiir it irilh tin- Ihin rhjr uf 
 till- iijirii ri'jiil III- ml . 
 
 /•'i/uiriih Ills 
 S. 6. 
 
 SATAN. 
 
 THE SPIRIT BAD. 
 
 BAD MEDICINE. 
 
 EVIL. 
 
 SIN. 
 
 .U i/sliri/ rnmrriiiiir; l/iiii<Js "Imr 
 iliiiiii " lliisi iir liiirrr ri'iiimis, 
 Ihr ki II 'Jill nil nj Sniiiii, rtr. 
 
 S. 7. " 
 
 SAW 
 
 Si. Ill, I, nil .s iiiriirn rlli/ inmlr j'nr 
 < 'III Ijiniir. Srr I hill siaii . 
 
 
 $ 
 
 
 
 S . 8 A N D 9 . 
 
 sill ml jirrrisrl If nlik 
 
 S . 8 AN D 9. 
 
 A SAVED MAN . 
 SALVATION. 
 
 '/his is Ihr siiiiir Jrsliirr ns 
 SAFE, iritli Ihr rijht imlr.y 
 imirnl j'rniii tlir siifr jinint mil in 
 frnnt iir In nnr siilr nml siimrn ns 
 MAN I . / rnin/iiinml n/' sn/'r nml 
 iiinii I. 
 
 144 
 
ff 
 
 
 4 
 I 
 
 
 I 
 
 I 
 
 *i. 
 
flrshi rr\ 
 
 Euiiir/tltntu 
 
 S 11 
 
 fif/^^'T^^J ' ' ' 
 
 Siinjil n /Kiiit/ III il irith llic iii- 
 
 S. 1 1 
 
 SCALPl. OCK 
 
 S. 12 
 
 K.\t<'ii<l Ihc ri'jlit itiilr.v hack- iij 
 (iit<l pniiil if ill srnriil ilirrctiiuiK. 
 
 S. 12, 
 
 SCARCE. 
 WHERE. 
 WHICH PLACE 
 
 I f sill in , ii-lnrr ciin unrjiuil il . 
 Si r WHERE. 
 
 145 
 
 
 INDIAN SIGN TALK 
 
 i. 
 
 S. lO. 
 
 ('iirrji I'.ii njiiii limiil Imrk- up. 
 rinse In Inji of jiiiiil , iivniliul ill il 
 
 rirrlr irilh tlir siiii. 
 
 S. lO. 
 
 SCALP. 
 
 I WILL SCALP YOU 
 
 h 
 
f 
 
 n 
 
 f' 
 ^ 
 
 
 
 I 
 
 .1 
 
 /7 
 
 //; 
 
 /'A 
 
INDIAN SIGN TALK 
 
 r, 
 
 ^ 
 
 (ifst II ri's 
 
 Kquii.'iiJenlii 
 
 S. 1 3. 
 
 /Inhl till' nprii 1/ ft liuiiil Imik ii ft 
 mill ftniiifii/ mil iriiril in Irani 
 Hun fork thrfirsl lira ji n<Jirs nj' 
 l/ir i-iolil Inuhl, /i/is.-i lliiin hiirkn 
 II JI. orirmiil lui/onil lln mils nf' 
 jiii'Jrrs nf III!' hfl liiinil. Iliiti 
 llirnul tliini J'runi siilr lixidisrr- 
 rriil Hniis. 
 
 s" IT ' 
 
 Fnrk i/ir fivit hro f in'^rvs oj llw 
 ri'jlit hiiiid ftud phicr l/irni hifnvr 
 Hir ri/rs. hink ilon'N mill iiiurr llir 
 I'lirkiil fiirjrrs /nu n siih In sii/i , 
 
 ?. I 5. 
 
 Fork 11 If fir fit tiro fuiO'rrs nftfir 
 right hmiif anil filnre lliciii hcfnrr 
 
 the ii/i's. 
 
 S 13. 
 
 SCOUT -INC. 
 ADVANCE GUARD 
 
 Oiirirliit (Jdi's iilirnil iij' l/(, miiin 
 liiiiljf Hint litnks iiriiiiiiil. I rill lij'l 
 liiind irpii'smts the niiiin Inn! if . 
 
 14. 
 
 SEARCH 
 
 Ijuiik on the ground for it. Stn 
 LOOK . 
 
 
 s. 
 
 15 
 
 • 
 
 
 
 SEE! 
 
 
 
 
 
 TO SEE. 
 
 
 
 
 
 SIGHT. 
 
 
 
 
 
 I SAW. 
 
 
 
 
 
 LOOK . 
 
 
 
 
 
 The 1 nils of lli 
 
 ■/// 
 
 gers 
 
 tinsicer to 
 
 / 
 
 > ryes ilirrrfiil 
 See LOOK. 
 
 /// 
 
 that 
 
 ilireetiini. 
 
 
 I. 
 
 146 
 
I 
 1 
 
 V 
 
 I 
 
INDIAN SIGN TALK. 
 
 h 
 
 (Iratii rr.s 
 
 S . I y , 
 
 h'i>rl\t!ir[ir.<l tini ji iiijir>i nj' lln 
 r.<_;/i/ /mm/ nml jmnil tin m /• 
 j/inir nil' II ri/is. 
 
 Kifuirti/f ntg 
 S. 16. 
 
 SEES ME 
 SAW ME . 
 
 Si/'ii /)// iiiiiitlii r. 
 
 
 S. 17 
 
 \ 
 \ 
 
 X 
 
 T/if f/it/ i''<j/i/ //mil/ Ifsiriiii'J 
 /)rirk-liiiiii/((/ j'nnii //ic /if/ /vrn.-t 
 to arniH /i ng/li n/ i/ir rin/i/ sii/r. 
 
 S, 17 
 
 SEND. 
 SENT AWAY 
 
 TitsnuJ off, iin /t) snii/ n /iZ/nnr 
 
 fllic/iduc. 
 
 i 
 
 % 
 
 S- 18. 
 
 Sirup/i,' o'rn.s/i the milcli' iri/h 
 the hand. 
 
 S. 18. 
 
 SHACKLE. 
 TO HOBBLE . 
 
 fill/ id lis xi'iiirc /hfir hiirsi'.s /ii/ 
 ho/t/t/iuxl. 
 
 147 
 
 
 
mri 
 
 r 
 
 l^^ 
 
 J' 
 
 % 
 
 
 J 
 
 so I 
 
 I-: 
 I 
 
 i 
 
9 
 
 INDIAN SK;n talk 
 
 (ii'Ktiiri-s 
 
 S. 19. 
 
 Jliilil f!ir linllih orcv I III- /'//''s. 
 
 Kiiuiriilfnt» 
 S. 19. 
 
 SHAME . 
 BASHFUL. 
 SHAME ON YOU . 
 
 Fur Ixisttfnl h (trr n [nirt nf ,iii> 
 '.'/'' /iii/)ini> (irrr nr hr/im n tl,, 
 /ifiOrrs. .SVr B. 3 1 . 
 
 t 
 
 f- 
 
 
 S- 20. 
 
 /V(/7t" ///'■ ///•'■/ /ira jiii'Jcixof Ihr 
 r'ljllt hninl iiiiil limLr (I sliriirilh>> 
 liinfinii irilli H,c:it nil f/irsidr dJ' 
 }i( ml . 
 
 S. 21, 
 
 BotJi hdiiiU nijhshtijx'il mn! 
 fdaeed jxilint iifi lunr ciirli ofhcr. 
 Kit (IN to riir/ose a shfll-lik-i' cm-it ij. 
 
 S. 20. 
 
 SHAVE HEAD. 
 
 SHEARS. 
 
 CUTTHEHAIR. 
 
 ,1 tr'il/iil xiijn fitr tlitirrd hiaits. 
 
 S. 21 . 
 
 SHELL 
 
 ./ Jiolloir Kphrrr or oral slmpi 
 iliiscil ri'usi'l, nr rori'ri'i/ Ixiskrf. 
 
 1 
 
 
 14b 
 
 ^^---^-^^.^ae-r.'^f-s*:^^^,-.— j^-.-;^ .,-.-.^^^ 
 

 I. 
 
 i 
 
 I 
 
 fi 
 
 
INDIAN SIC.N TALK 
 
 I; 
 
 (h'stitvrn 
 
 .UiiAf K/)ifti/ rurrrit /'rtiin 'i/mrr 
 rnvsDnhriird irifh riids ti/' imlt.y 
 /'i II fjrvs. 
 
 h'.iliiirnli nth 
 S 22. 
 
 SH ■; E P 
 
 C ROOK ED HORNS 
 
 S. 23. 
 
 
 Form a riirnhir ofiniin^ with 
 flmiiiiJ) a nil hidcv ofthrhfthiind, 
 thru mil thr /irnt Hiiiiiih niiil in- 
 flc.r irfii/i' in tlint /'osit 'nii. 
 
 24. 
 
 Df'fiir tin- ftprrdil thuiiih and in- 
 dex from toe to held ore r the fool 
 
 23. 
 
 SHINE. 
 GLISTEN. 
 G L I MWE R . 
 SPARKLE. 
 A SUNBEAM, 
 
 S. 24. 
 
 SHOES 
 
 This is (I si ^11 of 11111/ eiirrrin<;> of 
 the pud, IIS II stoekinti. niomisiii 
 or s/ioe Jdd WHITE MAN /<// 
 f^hof. 
 
 149 
 
 1} 
 
 J 
 f. 
 
 I 
 
 I 
 
 I 
 
 i 
 
 I 
 
if-: 
 
 r 
 
 m 
 
 r 
 ft 
 
 
 't; 
 
 *** 
 
 ij 
 
 i. 
 
 of 
 en 
 
 ri) 
 
 1- 1 
 
 =_5;.^,fii^i.V-^- :J'1--^l--St>'S5^#4!!^=s! 
 
 :^ ^l!^^ f ^fe^»'S;H*'fiti!-jiiS 
 
» 
 
 INDfAN SrdN TALK 
 
 (ifuhirfs 
 
 S. 25. 
 
 Thf ri>jht iiiilr.v Imvixiintul nf 
 ri<jlit side is tlniist fmirdnl iriHi 
 <i sniikr-Iih' iintmninf. 
 
 Kqiiirnhntu 
 S 25 
 
 SNAKE. 
 
 SHOSHONE INDIAN 
 
 BANNOCK INDIAN. 
 
 Si) Ciiiii iiniilii i\ 
 
 S. 26. 
 
 
 .5 
 
 * 
 
 .1 
 
 I-' 
 
 S. 26, 
 
 
 The !i)()sehj-jtr.\ri1 hmiih nvr 
 waved iinrind (did ou/iron/ /h m 
 fhr piirf (ijpvird }<ii irrht ncfioti. 
 
 SICK. 
 
 Fever or iiiPdiiHiHoii in shtntml, 
 or (unvels. 
 
 S. 27 
 
 Foiiii (I eirele irilh all ihe eiid'< 
 nffiugerx of the right ]uiud ami 
 carry than aver and over in a 
 rireJe in /'mat of the nioitfh. 
 
 S. 27 
 
 S I NG -I NO . 
 A SONG 
 PRAISE. 
 
 Sound rcrol rin<J. 
 
 I 50 
 
INDIAN S»GN TALK. 
 
 fi^'shlfl'S 
 
 S 28. 
 
 I 
 I 
 
 Iti'jiil /I. -if is nfriiik- slriii'jlit 
 ihiiniininl lutv(tV(U llir <iriiiiiiil 
 
 S. 29, 
 
 ()l>rn ri<j!it I,,iihI Jmrk ti]> ix 
 tlniirn itcross the iUrmt. 
 
 S. 3D. 
 
 ■f-. 
 
 -v^ ^m^ ^,'-^- 
 
 Boil, Innxrhf fir.vcil hinidx arr 
 flopjird n},n;,v(l xiiiinltniu'dHsl 1/ 
 from thr xit/r 0/ fhr neck h,, irii^t 
 'iiitl I'llintr niDrrincntH. 
 
 Eiiuivfilnita 
 
 S. 28. 
 
 SIT -DQWN . 
 S I T -THE RE . 
 ILIVEHERE. 
 HERE. 
 COUNTRY . 
 K I N C D O M . 
 
 Cniii/iuiuids uif/t mlnrhs ami 
 II OK us. 
 
 29. 
 
 SIOUX 
 PONCA 
 
 (':if tlirinit is tlu; ii/iitif n-iirii /,, 
 nil hiiiiicliis of the Siou.v or 
 Diikotd J 11(1 id IIS. 
 
 i- . 30. 
 
 SKIN. 
 
 TO SKIN A BEAST. 
 
 A BUF FA LO . 
 
 A H I DE . 
 
 . MotiiHi of (/rairimj (lir .ski/,. ni-> /■ 
 thr hen (I nf 'iiiimn/s. 
 
 51 
 
 a' 
 
 n 
 
 V 
 
 * 
 
 '« 
 
 I 
 
 I 
 
 I 
 s 
 
 % 
 
 .X 
 
 a- 
 
 I 
 
 i 
 i 
 
 f 
 
 <ha)»^t.*tcj»-:.\.-r\!M^ ^'* * fe 
 
9r 
 
 ■j(.= 
 
 i 
 
 It 
 
 5i; 
 
 f^ 
 
 
 
 ^''s 
 
 'If 
 
 .-J5sei.i3e«s»^!-' 
 
INDIAN SUiN TALK. 
 
 (Ifxt'irrn 
 
 S. 31 
 
 Till' r.itntilii/ iiiili.y Jhrjirs 
 /.'ii/i-i i/inrii, iik/s liriit iiinriiiil 
 mill hiitli thniKt junriiril mii irith 
 I mil iillii r. 
 
 S. 32 
 
 Close i-ifiH tiiiil inrliiir hnul In. 
 tvards llie palm nflimnl. 
 
 Kifuh'filfntu 
 S. 31 . 
 
 SLED 
 
 SLEIGH -INC. 
 A DRAG' 
 
 S. 32 
 
 SLEEP. 
 
 I WANT TO SLEEP 
 
 - / rrry iinliiriil si fin. 
 
 y 
 
 I 
 
 I 
 
 • 
 
 i 
 It 
 
 S, 33. 
 
 SriiiiriisS 32, Iml lir hnl' in- 
 dex [iiigivs tnijether mill i.irlinr 
 Ihe hem! loirinils tlieiii. 
 
 S. 33. 
 
 SLEEP WITH. 
 
 I WANT TO SLEEP WITH. 
 
 The tiro iiulr.v j'iii'JevH vepreseiil 
 tiro fier.soiis. mid SLEEPING 
 ' nidr 1)1/ nidr i. 
 
 152 
 

 *,"■ 
 %■,. 
 
 
 
 />(> 
 
 ■-! i 
 
 %" 
 «" 
 
 pit. 
 
 1.1 
 
 4 
 
 rio 
 
 
 
 KSc^fe^.iJii^t-i.;£jiKriif ^;5-i ji«!»-3R 
 
INDIAN SIGN TALK 
 
 (list iirrs 
 
 S, 3^ 
 
 O 
 
 ^ -+->f-\-< 
 
 liittli palms t(i<Jrtl,(v. tliiiinli. 
 sfic/y-iiiii iifi. iiKirr fhrin .ihncl 
 J'ltniuivil bij sinti-t slops. 
 
 •Ill 
 
 S. 35. 
 
 Shore Ihc ri[!lil jisl onr 11, r left. 
 Iiotii hc/iiQ' close to the hrrasls. 
 
 S LOW . 
 
 Eiininih nta 
 S. 34. 
 
 S. 35. 
 
 SMA L L . 
 FEW. 
 
 Fork the Jirsi t/ro/uinrrs of thr 
 rio/it luiinl. siriilr tin- iiosr wit I, 
 Uitni. pniiitcil iHhrr up or doirn, 
 
 SMELL. 
 SCENT. 
 ODOR . 
 
 36 
 
 , 1(1,1 n,,o,l /;,/• /,l,;,sitt'J sr, lit ,,ll'l 
 
 IkkI for o/fiiisirr odors 
 
 9 
 t 
 
 53 
 
I-' 
 
 
 it?: 
 
 It"- 
 
 
 
 it-* 
 
 ^5 
 
 
 ^■^idife^-SSS^^^'^WTc'--"'^ i>^_-^*:" 
 
 5:ii^s^^?f^r-^^?SS^*^Ss^-^^^^-^^^ 
 
 S#-i^^^«fc^-i^"'-^!eS»?^?f^*^'=-**'S^ 
 
ir'DIAN SIGN TALK 
 
 thxtni'i's 
 
 S. 37. 
 
 Till liiii'iilii-jlc.yril /'iii'Jmi II}' III!' 
 ri'jhl hiiiiil /iti.'iifi'i/ ihiiriiiriiril 
 'iml iiiiiii'il ill II /iDriziiiifif/ rirr/r 
 ii-ith tlir sun. 
 
 38. 
 
 X ' 
 
 Motion of iriisliimj hamU or 
 ■lothes. (Twist the irrist). 
 
 Ki/iiirn/fntu 
 S 37. 
 
 SNOW 
 
 Siiiiir is llir xiinii' si<Jii ns rniii. 
 I'lil is irhirlnl iimui .' ns if fulls. 
 
 S. 38. 
 
 SOAP . 
 
 WASH THE HANDS 
 
 S. 39. 
 
 Y'-'l 
 
 Jiul) tlir mils offln^i-ra mid I -ill 
 i>/ flnniili toietlii'voii,a hnni/krr- 
 ihii'f liip/ti'll or rinth. 
 
 39 
 
 SOFT . 
 SATIN. 
 SILK. 
 SMOOTH. 
 V E LQE T , 
 
 ,4nij fine g,,<>ils. 
 
 154 
 
 I 
 i 
 
 I 
 
 i 
 
 am^^-iS^i^taKsr-^fm 
 
f- 
 
 e^ 
 
 
 
 IS 
 
 
 i 
 
 
INDIAN Sir.N TALK 
 
 (irntnrrs 
 
 S 40 
 
 lliilil III,' „i)rn Irj'l Itiilid ill J'raiil 
 "II I strikv Ihr hiinr sidr i,j- Ihr 
 I'isf ill hi it fiirvihlij. 
 
 KipiiifilrnU 
 S 40. 
 
 STRONG . 
 FOWER-FUL. 
 FORCE . 
 
 Srf HARO, i„, nil, niiK-, , Ir. 
 
 S. 41 
 
 S. 41 
 
 SOLDIER -S 
 
 I'ltirr linlli /'isl.s liar' s up in fviiiit. 
 Iliiniilis htiirhiiio nml ilrair llirni 
 ■iloirh/ n pill I, hi'iinjciirfiil to kn p 
 III! Ill in II slrniijlit linr. 
 
 42, 
 
 EUvfifc III,- rinlit iiiilc.xhdrk „itl 
 lis mini, tlini loiirr it ,i little. 
 
 h'liiirkli's (ill ill (I linr. 
 
 42 
 
 SON . 
 
 A YOUNG MAN 
 
 A SHORT MAN 
 
 Tlii.< sliiiilril si<jn isnsfd in print 
 ill siK'li srnfi'iiri-s ns I lie SON OF 
 GOD. /// of 1 1 ,'!• rnsrs ndrf BORN. 
 
 f 
 
 I 55 
 
'tl 
 
 
 V; 
 
 
 it 
 
 
 li 
 
 
 
 i;?!.^--'«H6a»ii'- 
 
INDIAN SIGN TALK 
 
 llf^li 
 
 KifuirnlenU. 
 
 I'iist II rii/rr f/ii' Iniml iiiintlii' 
 In ml, lliiii iiiiikr lis ij' liiijiiii;< thu 
 III lilt on till' ijiinniil 
 
 S. 44. 
 
 S 43, 
 
 SOR ROW . 
 SAD -NESS. 
 CR 1 E F . 
 MOURN INC. 
 
 The ,<ltini- it.-i SAD 
 
 S. 44. 
 
 sou RCE . 
 
 A SPRING. 
 
 HEAD OF A STREAM. 
 
 Firsf irilh ri<Jlit im/i.y i/rnir n 
 Vlliir oiillilirnf' II iiiiij) in til,- put til 
 "/■ tlir Irj'l till ml. Ilii'ii put ,l,r i ml 
 of iiiili'.v nil ihr flint tit tU- iiiiii<j- 
 iniirii null) irlicrr t/ir sniirrr is In- 
 riitril . 
 
 s. 4: 
 
 Hold thr lift liiiiiil cii/i-sliii/icil 
 "11 till- iriiist. thru ninkr as if tak- 
 ing' grain out of tliat in/, and 
 ^rattn-iinj it orrr tlir t>'r(iniiil. 
 
 S. 45. 
 
 SOW . 
 
 SC ATTE a 
 
 FA RM I NO 
 
 .yjotinn 11/' fioirino ornin bruiid- 
 rant. 
 
 156 
 
1" 
 
 i-4 
 
 r- ;- 
 
 
 ,■ s 
 
 Ml 
 
 
 \ % ,.. 
 
 :,i^ V.VJStH'--'-'*-*^*"'^ 
 
 J.:^»sc?^-- ^^UcSRSs?>'-'^^"r^^^'*"^ 
 
INDIAN SKiN TALK 
 
 fi'rsfnrrs 
 
 V 
 
 l.iiilflir lt(iik:< „f tUr Uinulx „ii 
 iiifli (ilhir. jiiiijrrs nrrr jinijfrs, 
 ihrii ri'/i tlinii Imrk and )i)ith sir- 
 rrtil f/nirs. 
 
 S. 47. 
 
 IlithI oiii IkiihI fKihi, tip Irrrl, 
 pii'Jii'K hint Kpii-anl. /lull sii'fll 
 the i-hrrks, hhnv tir /tn/f huritnls 
 till' /iriit p'linrrs, irhilr tliri/ n-icjiite 
 IIS ill firv. 
 
 S . 48 , 
 
 r,l\ll<:> till' iijl ilhdir /ilnillilirnf- 
 hl in I'miit unit sliiikr it iiiiirnnl 
 ^r lit I If iritli till' 1,11 rk- of till' ri,jl,t 
 hiiiiit . 
 
 h'lfiiirnliiitu 
 S. 46. 
 
 8 POTTF D • 
 MOTT LE t» . 
 B R I NDL E 
 BOAN . 
 COLOR . 
 
 • l"il "j) I III or. 
 
 S. 47. 
 
 STE AMBOAT . 
 
 111! it lit inn i,f till' /injl'iiiii I,/' ,, 
 III ill /in ssnrr I'fioim , 
 
 S 48 
 
 STINGY 
 MEAN ETC . 
 
 157 
 
 B3/£.'='^arta^Si?*^ 
 
mammmm^^^^mm 
 
 * 
 
 
 r' 
 ■ •'l 
 
 hi 
 
 ■t 
 
 
 f ■) ', : 1 
 
 
 f • , 
 
 .'J 
 
 • ^ 
 
 • 
 
 
 
 '■'■A 
 
 ■ 
 
 
 ll 
 
 --V ■ 
 
 .t " ' 
 
 y^ ■ 
 
 i 
 
 1 
 
 &' 
 
 1- 
 
 . -'!-■" •' 
 
 --- - - 
 
 .-r;v:-^ii4^'^'^r-- - ■--:' i- 
 
 
 
 * 
 
 
 1 
 / 
 
 7/ 
 
 ;.»#'ipij.;ii*»aaaayw»&-*- ^ 
 
 
 ■i 
 
 
 
 
 
 
 
 
 
 
 >-' 
 
 
INDIAN SIGN TALK 
 
 (icstnrrs. 
 
 Eiinirnlfntu 
 
 49. 
 
 49, 
 
 STRA I OHT . 
 THE STRAIGHT ROAD 
 THRRICHTWAY. 
 AN UPRIGHT COURSE. 
 HONESTY , 
 
 50. 
 
 STRING 
 
 A CORD . 
 
 A SMA L L LINE 
 
 S. 51 
 
 51 
 
 9/w^efarfstKS*?--: 
 
» 
 
 t 
 
 
 
 
 fr 
 
 
 
 
 -^>'' 
 
 
 
 
 ■V . 
 
 
 
 
 ^ 
 
 
 
 
 %^. 
 
 
 
 
 ■^ *' 
 
 
 
 
 > I 
 
 
 
 
 ■Si. 
 
 
 
 
 »•! 
 
 
 
 
 h 
 
 
 
 
 a 
 
 
 
 
 
 
 
 5M 
 
 
 
 
 '.rf r' 
 
 
 
 
 f 1 
 
 
 
 
 .* 
 
 
 
 
 Y1 
 
 
 
 
 t- ■ 
 
 
 
 
 hi- 
 
 
 
 
 
 
 
 
 ?4, ^ 
 
 
 
 
 '-- 'i'' 
 
 
 
 
 !?5i' 
 
 
 
 
 9 
 
 jij 
 
 
 
 
 •)!':'■ 
 
 
 
 
 ■!> 
 
 
 
 
 A 
 
 
 
 
 •-■:* 
 
 
 
 
 fn. 
 
 
 
 
 \,^ 
 
 
 
 
 )'■': 
 
 
 
 
 *.' "'- , • 
 
 
 
 
 ^ i>; 
 
 
 
 
 .^«^ 
 
 
 
 
 
 
 
 
 ::j- 
 
 
 
 
 ^;>^- 
 
 
 
 
 F^ ■ 
 
 
 
 
 •^ 
 
 
 
 
 
 
 
 
 33' 
 
 
 * 
 
 
 w 
 
 
 
 
 ^:. - 
 
 
 
 
 
 
 •^- 
 
 
 ^"i 
 
 
 
 
 1 f 
 
 
 
 
 r- 
 
 
 
 
 ^:^i 
 
 ' 
 
 
 
 % 
 
 
 
 
 i: 
 
 
 
 
 m^ 
 
 
 
 
 n : 
 
 
 
 
 1 ■"■ 
 
 
 
 
 '.»i-' 
 
 
 
 
 ^j" . 
 
 
 
 
 
 
 
 
 ^>»^ 
 
 
 
 
 i: 
 
 
 
 
 *J" 
 
 
 
 
 ^? 
 
 
 
 
 ^^fe ' 
 
 
 
 
 : •!. 
 
 
 eS^- ■-K----^bJiil*'^^^H^T-!i|fe* 
 
 T 
 
 fV 
 
 fo, 
 
 f'Sfe--^^JiB**t^^^^»^==^**^. " 
 
 ufn 
 
 1 
 
INDIAN SIGN TALK 
 
 (jpxhirp-fi. 
 
 52. 
 
 Fork the first fuv /in>Jn:<i ,>/ 
 f'ithcr Inintt (ind drnir tJieiti n/i- 
 tvnrd on tlw side of the nose. 
 
 S. 53. 
 
 L^ 
 
 Form ail arc of « rirr/e irith the 
 ^■nds of tlie fngers of the riglit 
 hand, point them toivards tiie. 
 forehead and roek the icrist. 
 
 S. 54. 
 
 Fi/uiraJenta. 
 S. 52. 
 
 ST R I PE D NOS E . 
 
 Sfrifit's (HI aiiiffiiiinj me nnulr 
 I If drairiii'j tlir ends of tjie fnrlod 
 /in<irrs orrr it. 
 
 S. 53. 
 
 STUDY . 
 
 DE L I BE RATE . 
 
 CONS I DE R. 
 
 S. 54, 
 
 SUN . 
 STAR 
 
 Spread tlie tiiunih and indi.v 
 icide apart and hold tlieni pointid 
 upward oirr head 
 
 Star is n LITTLE SUN. 
 moon /.s N I G H T SUN. 
 
 169 
 
d 
 
 '1 
 
 M' 
 
 ."i. 
 
 5* 
 
 it t 
 
 oho I 
 evit( 
 
 i 
 
 
 i i^ifca^-if^v^^'iS'^' 
 
INDIAN SIGN TALK 
 
 fir.sfnrrs 
 
 K(liiii(ilnits 
 
 S. 55, 
 
 3. 55. 
 
 
 .' '<■- 
 
 / 
 
 HoUl the fi/nrad Hiuiiih and in - 
 f/p.x- (ioin, toirrn-ih the left, raise 
 it to zenWt, tlieii, down to rioht. 
 
 SUNRISE. 
 
 SUNSET. 
 
 NOON . 
 
 TWE LVE HOURS . 
 
 ••/"// time of ditlj ran he ,lesi>J- 
 iiated within an hour In, earejal 
 Lfi'Ktnrino', 
 
 S. 56. 
 
 /)V//w the open hands liioh 
 abore tli.e head and how to Ih in- 
 evitalde. 
 
 S 56. 
 
 SUBMI T -S 1 ON 
 H F L D UP 
 WAS ROBBED. 
 
 S. 57 
 
 First el asp the hands in a pren- 
 harhj and gentle manner, then 
 (lap tJte open right hand orer the 
 month, open ei/es and loalc snr- 
 prised . 
 
 S. 57. 
 
 SURPRISED 
 
 In, Hans often do II, is on in, el- 
 
 ing nfter some at,senee ar in son,,' 
 
 in,expe,'te,l moment. See numder, 
 ete. 
 
 I60 
 
smr 
 
 ^i^- 
 •!^*. 
 
 ^ 
 
 
 I 
 
 4lr 
 
 
 .» ., V < A,' u. >\ \v .V* ^^: «v' ;•• 
 
 ■"! i 
 
 :1 
 
 
 
 i.'" 
 
 
 \V • 1> t ^.5. 
 
 v\ 
 
 .>* " - '-i- V 
 
 «si*e-;s 
 
 s^s^KaKsaSB^as^sss^as^fe--- 
 
INDIAN SIGN TALK. 
 
 •; \ < .;; .,M, 
 \-\/ - ,'.> ^i: *v ;•• 
 
 
 ..... V ..., ... ./ 
 
 (Irnfii rrs 
 
 S 58. 
 
 /'7/n7 r.ytiiiil Uitili DjHii Imniii 
 lliiiiiihs lip, I, rrl ill In, III. till II 
 s/iiirr Hir ri.jlit tiniiiiiil , fnviiKj 
 llu' hull II, at llir siinir liinr ilmir- 
 iiKj llir Irjl siilr hmk- Ininiiils tin- 
 hull I/. 
 
 S 59. 
 
 Molfdil of >ihi>vili<J llir irlinir 
 hitiid ilnirii hy llir jmul „] II, i- 
 thimil. 
 
 X 
 
 S. 60, 
 
 \ .^ 
 
 ■- X 
 
 
 ^' 
 
 
 AJolioH, of tiicininun!^. 
 
 h'l/uirnlfiilK 
 S. 58. 
 
 A SQUA RE . 
 A S E CT I ON 
 A BOX . 
 
 S. 59, 
 
 SWA L LOW . 
 
 Tnkr il iloirii, nfrrrinn In ninl- 
 iriiic. 
 
 . 60. 
 
 SW I M 
 
 161 
 
m 
 
 » ■ - .> ' 
 
 «» 
 
 fM 
 
 
 I 
 
 - J. w • 
 
 Vi 
 
 
 ■..-# 
 
 ?•':. 
 
 If 
 
 •■il-3 . 
 
 s 
 
 I 
 
 p., 
 
 IV 
 
 \ (.1 '. 
 
 It . V * 
 
 
 
 ill 
 
 //ho 
 
 *; ■■■*. 
 
 >.>^a!^fe^-J^S=*^ifi«^(^^*ft^^S^^:_ 
 
INDIAN SIGN TALK 
 
 t 
 
 ' !'':. 
 
 \ 1.1 V 
 
 (it'/itlirrs 
 
 S. 61 
 
 Motion of drawing a sahir. 
 
 T. 1. 
 
 ^«/f7 the rii^lit index pointed 
 diivnivard at the rear of hi/). 
 
 T. 2, 
 
 Make as ifunapp'ng xnine small 
 thing with thuntb and middle 
 p'nger from the mouth 
 
 fCtptirnlentu 
 S, 61 . 
 
 SWORD 
 
 T. I . 
 
 TAIL. 
 
 T. 2. 
 
 TALK. 
 TELL. 
 S A Y . 
 SAID. 
 
 Suappino a-onlsfrom the month. 
 
 162 
 

 
 
 " « 
 
 •*«. 
 
 3i 
 
 (i 
 
 »! . •< 1>1 
 
 v.: 
 
 ■A > '. > 
 
 j;.c^.J- #,-!■ . 
 
 -,li*i«- -CTfw*^'!''^'^'''^"'^"**'* 
 
INDIAN SUIN TALK. 
 
 dfsttirrs 
 
 3. 
 
 h.vtnul hotli iiHh:\fi}i<j,rs outi 
 sirikr (Mil iqt irhilc fhr nthvr h 
 hriiiii sirnrk (/turn s, rrrtf/ Hiiirs 
 i>r ill 111,(1 iint iilti'innh'hi 
 
 T. 4, 
 
 .yiike fiM if h (tilling a roil of 
 line or skein of i/ari, in f/ic /c/f 
 hand nnil inifnn<jlin^ it In/ jii]\. 
 injji inuidinarij ijnrns in rarions 
 it i lections. 
 
 5. 
 
 Toueh the chin with enils of nil 
 the fingers in ntrioiis pltives. 
 
 Kqnirnlnitu. 
 T 3. 
 
 TALKING. 
 HANDS TALKING. 
 SIGN TALKING, 
 
 These inffeafing, rs an /in> nii n. 
 lint I (to not knoirtihy these n,,,r, - 
 nients denote tatkiu^. 
 
 TANGLED. 
 A SNARL. 
 
 T. 5, 
 
 TATTOO 
 
 V . • '.. .t 
 
 Pricking co/„r info the skin, a 
 /traefice lieing nearlij done uwaij 
 
 iritll 
 
 I 63 
 
 »;e,»fSs*l»S*. 
 
-1 
 
 
 .■,.\-.., .. •> 
 
 
 k 
 
 4. 
 
 »; -"x- 
 
 ■0' V 
 
 -\ 
 
 k 
 
 «««g»Sffl=s«5tei*feisfe». 
 
INDIAN SICN TALK 
 
 flrs/nrrs 
 
 T. 6, 
 
 //"/,/ f/iri,/,rn Ir// Ininil H,i,n,l> 
 iil> ill I'niif ,111,1 ,li;,ii- lU, sine, III 
 Ihiiiiih ,111,1 ii,,t,.v jrmii ,i,,lsnf- 
 /inn,rs /,, irrisl. Inirinn II,,. Il,„,iili 
 1 1, si, I, ,>f Ih, I, p I, „, I, I, I,,,.; I,, J til,' 
 
 slfdlt/S 
 
 7. 
 
 /'.'i/Kirnl, iitu 
 T. 6. 
 
 THIN. 
 SHARP 
 
 /■'"/• ////r/, .vrr BACON, 
 
 T. 7 
 
 Cfosc flu- riijiil fixt, hritin- iff,, 
 ri'^ht hrnisf. fhis is fi„ssrssi„i,. 
 .Yiiir thriisf fhe fhi„ci fiossvssnl 
 toii'firdthf'iiriii. 
 
 8. 
 
 I 
 I 
 I 
 
 I 
 t 
 I 
 I 
 I 
 
 
 ; ; -i. 
 
 llilis,' mill ,;ivvii ,)I;t ,i;i,I ,I„i,-i, 
 ..\ ..: Ihr riulif ii,,l,;y i„ srrrnil mrs 
 
 (111(1 ill III II II ij ,liirrli,,„s. 
 
 THINE 
 
 I/is r,/'irrifiii f,, GOD S,;- his 
 
 ( r,-. 
 
 T. 8 
 
 TH I NO -S , 
 
 ARTICLES. 
 
 SOMETHING. 
 
 liiiliiins snij ",SV,///r oj' llii n nS" 
 I Ills fliiiin; fl,„f il,i„,j^ fj,^,^^. 
 Illinois, fli„s,- fliiiios, ft,' 
 
 164 
 
l#*l 
 
 ■A^^ 
 iM 
 
INDIAN SIGN TALK 
 
 
 (h'ufiiri'n 
 
 T. 9. 
 
 Tlw open i-i'oJi/ lifiiiiJ fh II III!) HI) 
 iiii'iiiil 1)1)1 iijiii'lij skijiriii'il. 
 
 lO. 
 
 I'tiire ciiihi nf iJiiiiiilin mil fiu- 
 ^I'VN toijctlur ill finiif itf f'arr, \ii- 
 iliiiid hij Iciiriiiri fin- irrisl^ iiixirt. 
 iiifikiiicj II foi'iii nf II >iti'i'i) >JiihJi\ 
 
 T. 1 1 
 
 'Die ofX'ii ri'Jilit IkiiiiI is piiwci} 
 ]ir^iii II fi I, if ill fvuiii of nioiifli, 
 till n ihi'<i' tniriiril tlir lips irit/i 
 <i i/iiir . JrvU:. 
 
 KipiiriilfntM 
 T. 9. 
 
 THY. 
 
 REFERRING TO GOD 
 
 T. lO. 
 
 TEPEE. 
 
 W I GWAM . 
 
 AN INDIAN LODGE 
 
 1 1 
 
 TELL ME . 
 TALK TO ME 
 
 /'/•///''■ (lir irnril lit nir. 
 
 
 ;i' 
 
 165 
 
 --■■.*iF^.^_-^a^-^ . 
 
.-.•nr 
 
 .■*«"•• 
 
 "• j.. 
 
1 
 
 ;*S 
 
 %'r-'^ 
 
 n^ 
 
 &. 
 
 iJ* 
 
 m 
 
INDIAN SIGN TALK 
 
 (h'xtiirrn 
 
 15. 
 
 FJinilr fill' n'nJif iiufr.y. ufliir 
 Jiii'jrra rhisiil, pahti out in front 
 of fiicliriKl. (ind thrust n/i mnl 
 ilinrn sirmil fiincs. 
 
 T. I t>. 
 
 hApiicnhntt. 
 T 15. 
 
 T I ME 
 
 Time in tlir ulixtnict. Thirr nn 
 ■<() iiiitnyjti till signs for fimr Unit 
 this, t,i nir, sn-ms mpi-i'fliutns. I 
 'Jii'citiis I Inivnt it. Sec NOW . 
 
 
 16 
 
 f'liisr f/iiiiiili inul ini/r.v finnrrf> 
 iif l/nt/i /n/nd^!. ///iirr tlirni i nil to 
 mil mill draw thvin, iquivt n shmt 
 
 I lis: 
 
 iini'i'. 
 
 17 
 
 A SHORT TIME 
 MOME NTS. 
 HOU RS . 
 DAYS . 
 
 17. 
 
 ^ 
 
 ^- 
 
 A LONG TIME 
 
 Close thumb a ful index fingers Movement is somewhat like 
 
 of both hands, place them end to stretching a rubber string. Can 
 
 end and dm ir them iride apart add behind or ahead for 
 
 time past or future. 
 
 167 
 
 *M 
 
 -a^s^^Es^aesssp 
 
INDIAN SIGN TALK 
 
 fi'iifsfi till- iinii oi'li'd mill slirink 
 /oininl the ftitvt. 
 
 E(iniriili'nt>i. 
 T. 18. 
 
 TIRED. 
 WEARY . 
 PHYSICAL WEARINESS 
 
 .a* 
 
 i 
 
 # 
 
 T. 19 
 
 I'liiiitlxif/i iii(h;v/'iti<jiirs ttibn'nsf 
 mill f/riiir tliiiii ilimjiiiiiillij iluivii- 
 ii'iit'd iijHirt from tliiir iTsfirctire 
 
 T. 20. 
 
 T. 19. 
 
 TIRED. 
 
 MENTAL WEARINESS. 
 
 The heart ifi tired. lam tired 
 of that matter. Monotony. 
 
 T. 20, 
 
 Hold the Of ten left hand fiaUn 
 lift ill front, then la y the lutrer .side 
 oft/ie rio/it fi,st into it and tuove 
 elbow in and oat firod uei n,ci u .sort 
 of grinding in the ftahn of tl ■• left 
 hand. 
 
 TOBACCO 
 
 Wild Indian.s .smoke, but do not 
 ehen; only civilized tribes are .suf- 
 ficiently demoralized to indulge 
 ill tlcat habit. 
 
 168 
 
INDIAN SIGN TALK 
 
 Tonvh the tootli or tectli and slww 
 it or thcDi . 
 
 T. 23 AND :>4. 
 
 ]Vi(hx]irrn(l tjinni/) mid ittdcv 
 ofJioth littiids, (itlirr fi liters riosrd. 
 lU'iii'J til)- h'fii(/x ti>g('flirr lit irrisfs, 
 l/iit ti/f/)rd irelt (lu-mj fron) earh 
 otiirr, then Imndtlic ciiiIh of hotk 
 imte.v tiii'Jcrs d own, on to t/iemds 
 of tlicir rrsprrtire t/iiinilis nitlicr 
 « nii)h(iticiilli/. 
 
 T~ 25. 
 
 Extend J)otli indr.v /tniers and 
 irusHtlic irrintH. hands itnlins iif). 
 
 h'i/nirn/rnt.<. 
 T, 2 1 AND 22 
 
 THE TEETH. 
 A TOOTH . 
 
 Sec eye. The like nio'ns n^rd ■•• 
 snch sentences ax ",/n eye /a, ;, 
 eyennd n tootli f or n tootli . 
 
 T 23 AND 24. 
 
 TRAP. 
 TO TRAP 
 
 24 is tlie '^inne gesture made 
 iritli one hand only. 
 
 T. 25. 
 
 TRADE., 
 EXCHANGE . 
 SWAP. 
 BUY 
 
 SELL. 
 BARTER. 
 
 To lay down thin.'Js in one place 
 and other things in another, tJien 
 niaki II X I a- II ijirc fhisethin-Js 
 ion this side) J or those things ion 
 tlir opposite siilr ,,f the cross). 
 
 169 
 
 ;^*fea«sai3SS»SS*t4eMfesE?»EisiS»»gS! 
 
//, 
 
 nil 
 
'» 
 
 -< 
 
 INDIAN SIGN TALK 
 
 
 frrsfitrrn. 
 
 T. 2 3 AND 27, 
 
 Jr~., 
 
 
 >^ 
 
 T/trit.vf tfi/ ri'Jh/ i}uh\\- strnio'hf 
 •iificurt/ /'roin the li/is. 
 
 T. 28. 
 
 TAr //rf/// indi'x point nl vearlij 
 s/ni!>^fii ufjivard is pushed zi<jzn'J 
 lii/fil and left, (Klvunciit^ at thr 
 sunn- time. 
 
 T. 29 
 
 '«* 
 
 The right hand liock up is sort 
 "t liuntiifd tit the knuckles and 
 
 nivrrd from aide tn sidr /•// wrist 
 uitidu. 
 
 Kquiriilentn. 
 T. 26 AND 27. 
 
 TRUTH -FUL . 
 TRULY. 
 CANDI DLY. 
 SERIOUSLY ETC. 
 
 Our tongue. Struighl tulk. tic 
 
 T. 28, 
 
 TURKEY. 
 CAME . 
 
 This gesture is rery like tliiit fir 
 ti tlerr, hut a turkey mores his 
 h end from, .side to side tis it runs 
 
 T 29. 
 
 TURT L E . 
 TORTO I SE . 
 
 170 
 
 'V> 
 
 ^4' 
 
 f7 
 
 I 
 
 ij3. 
 
^ 
 
 ir.DIAN SIGN TALK. 
 
 ill s'li rrn. 
 
 T. 30. 
 
 ■i- 
 
 U 'ifh th. -nth nnti imir.vninkc as 
 //' JrrKing the hctird out tiy tliu 
 niofn. 
 
 U. 1 . 
 
 Fiirk Hir /ii'Ht tiro /i.n(ifrs of thr 
 riijht hand, /taint t/wni toivard the 
 lieiirt ami ro"k. Twist the irrist 
 several times 
 
 U. 2 
 
 First Intf the right hand over the 
 lejt, t'li II raise and carry the right 
 loirard the right and tarn it 
 palm lilt 
 
 f:'i/ai'aliiifs. 
 S . 34 . 
 
 TWE EZ C RS . 
 P L YE RS . 
 NIPPERS, 
 
 PINCHERSETC 
 
 Snme liidiniis nn i-onsta ,ifl if 
 ini.linii oat a,n/ heanl that siarl.->. 
 e.vri /it small ta/'ts at llie corners 
 III' the month 
 
 U. 1 
 
 UNCE RTA I N 
 UNDECIDED. 
 P t RHA P 3 . 
 MV Y BE SO . 
 
 .lliraf/s add this sign irhen any 
 matter is siihji ct lodoalitortomis 
 rarry. ,Sce I F i The heart is 
 nut sai'r) 
 
 U. 2. 
 
 UNCOVE R . 
 OPEN. 
 LIGHT. 
 DAY . 
 
 :? 
 
 
 I 
 
 h 
 
 
 /: 
 
 I 
 I 
 
 I 
 
 :i; 
 
 17* 
 
 
.-?■ 
 
.-?■ 
 
 INDIAN SIGN TALK 
 
 Hold the <i/irii left lunul bftck up 
 ill front, then t/iriiftf f/ic o/zcjirighf 
 lidi-kiifi ('iitircJy inuler, letting it 
 shoir lifj/ond the loft. 
 
 U 4. 
 
 Hold the opriilejt hand itack up 
 in front, then hold the right in- 
 dex vertically under it. 
 
 K'/in'raJnit.<<. 
 U. 3. 
 
 UNDE R . 
 UNDE RNE ATH . 
 TO GO UNDER. 
 TO GO I N . 
 TO ENTER. 
 
 U. 4. 
 
 UNDER COVE R . 
 P ROTE CT I ON . 
 SHELTER -ED. 
 
 
 U. 5. 
 
 Hold the open left hand in front, 
 then having the right hand i:<di',v 
 rertieallif under the left, move it 
 to right ami left. 
 
 U. 5. 
 
 UNREADY . 
 
 / give this as reeeived, .Yever 
 had oecasion to use it. Indians 
 iron Id .say PRETTY SOON nr 
 WA I T. 
 
 172 
 
» 
 
 
 
 
 
 
 
 
 
 
 
 I' 
 
 
 
 
 
 
 
 
 
 
 
 t 
 
 
 
 
 
 
 
 
 
 
 
 i; 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 * 
 
 
 
 
 • 
 
 i 
 
 :. * 
 
 I 
 % 
 
 ■ \ 
 
 ■i 
 >• 
 
 • 
 
 
 ' 
 
 ," - 
 
 
 
 
 • 
 
 
 ' 
 
 f 
 
 i 
 
 
 
 ■ ■ .-M 
 
 
 
 
 • 
 
 
 , 
 
 
 i 
 
 1. 
 
 ■J 
 
 • • 
 
 • 
 
 . 1*? i. 
 
 s ■ 
 
 - 
 
 • 
 
 
 I 
 
 
 
 ■■ 
 
 
 
 
 
 
 
 
 
 ■ 
 
INDIAN SIGN TALK 
 
 IIdIiI tlic liaiul htfori' thv njcx 
 iiiiil liiiik into if, asKiiinr on a]>- 
 prdvdjtce of extreme scitisfdctioii, 
 us III/ (I smile, etc- 
 
 K<iiiira]ent.- 
 V. 1 . 
 
 VAIN. 
 HANDSOME 
 MI RROR . 
 
 t 
 
 * k 
 
 •|4 
 
 
 VINE 
 
 
 
 Kxteml tke left index, hold it 
 heiit upwiird near tJie gfou,id as 
 SPROUT, then draw a spiral line 
 near the ground with the right. 
 
 Hold the ope II and bent right 
 li a lid before 'he mouth, male as 
 if ready to ing a.id thrust the 
 band from tlu mouth dou-nward 
 
 If it extends upward, sign for 
 TREE ami continue the spiral 
 line around the left hand which 
 is gestured as TREE. ,See appen- 
 dix untler TREES. 
 
 V. 3. 
 
 VOMIT. 
 
 AN EMET I C 
 
 173 
 
i 
 
INDIAN SIGN TALK 
 
 fi')"<liirrs. 
 
 W. I . 
 
 T/ir s/jrcdd fjiitiiih (inrJ ituhw 
 I 'irk lift (did fjro^'rrnsff/ fonrnrd 
 i'l (I rci'lival circu'nr iiKtniwr. 
 
 W- 2. 
 
 W. I . 
 
 WAGON . 
 WHE ELS 
 
 I 
 
 -' # 
 
 m 
 
 W. 2, 
 
 I 
 
 V 
 
 r. 
 
 Si 
 
 ^ 
 
 77<e .spread thumb and inde.v 
 hack down progressed foricard in 
 n rrrtical cAreidar manner. 
 
 WAGON . 
 WHEE LS 
 
 To inthniilt' ti iraoon appromh- 
 iiio-. Till' .same gesture dranu 
 Jriini n-ell iintiit front. 
 
 »•; 
 
 ^ 
 
 f 
 
 
 w. 
 
 TUe open ri'^ht hand is struck 
 foricard and doinncard rather 
 eitiphatiiiilly. 
 
 W. 3, 
 
 WAIT 
 HALT 
 STOP , 
 
 174 
 
 I 
 
 I 
 
 m 
 
 I 
 
 i 
 

 n 
 
 p 
 
 
 ' 
 
 
 1 ' 
 
 • 
 
 
 1 - 
 
 ft ' . ■ 
 
 8 
 
 t • 
 
 ■ I 
 1 
 
 
 
 ',i 
 
 f ■ 
 
 V. 
 
 •J 
 
 1!' ' . 
 "l 
 
 f : 
 
 !^ 
 
 fc • ■ 
 
 i * 5 
 
 
 - 
 
 i 
 
 
 
 1 ■ " 
 
 i 
 
 ^ 
 
 
 1 
 
 i 
 
 ' •} 
 
 
 1 
 
 
 i 
 h 
 
 L 
 
 V 
 
 ■ tt 
 
 ■V 
 
 ■■■* 
 
 i 
 
 ^ 
 

 INDIAN SIGN TALK 
 
 (Icsl lirrs. 
 
 W. 
 
 lioth open hands hacks npnre 
 HiriiHt foncard wTiilc the other is 
 lira IV It hackivdrd in a sort of 
 /tnifing manner. 
 
 W. 5. 
 
 The loosely- flexed hands are 
 held fingers pointed doini and 
 dropped, suddenly downward to- 
 ward the shoulders. 
 
 Hook the right indr.v and draw 
 it doirnu-nid past the nose to the 
 Incast. 
 
 hi/ aim/ 1 II fs. 
 W. 4. 
 
 > A L K . 
 TO WALK. 
 WALKING. 
 
 W. 
 
 WARM 
 Hi; AT 
 HOT . 
 
 W. 6 
 
 WANT . 
 DESIRE 
 
 t 
 
 175 
 
 P 
 
 -'^S 
 
1.: 
 
INDIAM SIGN TALK, 
 
 Sfooj) iiikI f/irnsf hofh fintft dntrn. 
 ilriiti-iii<J fht'iii buck, tnul repeat 
 tiir niorenietU tiro or three times. 
 
 W. 8. 
 
 Jlold t/ico/)(ii rigliiluind nearly 
 III/) sJitifird, hrin^ it to the miiutlt, 
 niiij Illlike as if drinking out 
 of it. 
 
 W. 9. 
 
 Hold the open left hand well out 
 ill front and thrust the open right 
 I ndivisii against it. 
 
 Kijii irnli'iils, 
 W 7. 
 
 WASH . 
 
 WASH BOA RD 
 WASHING. 
 
 W. 8 
 
 WATER 
 DRINK 
 
 w. y, 
 
 WENT THERE. 
 ARRIVED THERE, 
 WENT THERE NOT , 
 WENTNEAR. 
 
 From the end of the last more 
 s/riiii> Ihc open right hand back- 
 handed to the right. 
 
 For iretit near, draii- the right 
 h II lid bark from the left and then 
 sifiti NOT 
 
 
 I 
 
 I 
 
 I 
 
 V 
 
 
 
 t 
 
 i 
 
 173 
 
 
I 
 
 I: 
 
 I 
 
INDIAN SIGN TALK 
 
 ti 
 
 (irs/nri's. 
 
 W, 10. 
 
 Filsf ,s70/j ^(/'MOUNTA I N, fhm 
 (finish flir mil of ri^fif iiidt.r 
 iKjdinst it. 
 
 /■'.(iiiiruh iilx. 
 W lO. 
 
 WENT TO A MOUNTAIN. 
 WENT TO THE MOUNTAIN. 
 
 /'V</' inninitilin, nn'sr hufli Ji. •</.•< 
 (iliri iKitili/. then thnixl ii!< hifiiir. 
 
 i 
 I 
 
 I 
 
 W. II. 
 
 
 .1- 
 
 / » \ 
 
 I 
 
 Thrust the rijj/if indr.v in ser- 
 • ral i/irfrtioiis ninl /issniiie //n 
 "ir iif iu(iainjl)ij loiikiii<i in tent It/ 
 'it tlie piirty. 
 
 W. 12. 
 
 W. 1 1 . 
 
 WH t K E . 
 
 Al WHICH PLACE? 
 
 H'/iirh iif the pJ/ircs iddicated? 
 
 % 
 « 
 
 U 
 
 W 
 
 V.Hl;RE ARE YOU FROM? 
 
 Thrust thf iif>]it indr.v tou-rtrds 
 fJif party, t/iis mfrtiis YOU. Thni 
 draw the inde.v luieic to theriglit 
 shoulder and assume an ini/uir- 
 
 in'jlook. 
 
 The thrust means you, tne 
 drawing hacks means F bom and. 
 the in(/u icing look means 
 WHE R E. 
 
 177 
 

 
 
 
 
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 2U WEST MAIN STREET 
 
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 (716) 872-4503 
 
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 4 
 
 CIHM/ICMH 
 
 Microfiche 
 
 Series. 
 
 CIHM/ICMH 
 Collection de 
 microfiches. 
 
 Canadian Institute for Historical IVIicroreproductions / Institut canadien de microreproductions historiques 
 
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 r 
 
 
 
 v.-i '^ ••,^•.1' 
 
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 V • ■ I'V'.*. 
 
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 INDIAN SIGN TALK. 
 
 W 
 
 ( Ii'kI UI'CK. 
 
 13, 
 
 Extoid the Irft iiitJr.v in front, 
 then r.xtind tJie ri<^/(f iudr.v and 
 pnsli it Ijavk and forth orer the 
 
 Irft. 
 
 V» . 14. 
 
 -^/ 
 
 Strike either index around to 
 the rear as a switeh. 
 
 w. 
 
 15- 
 
 
 z;-^ — -^ 
 
 ^ 
 
 A-^ 
 
 <^< 
 
 
 ^ / ^ 1 
 
 ^\lSr ^ 
 
 7 
 
 •''» 
 *^>^^'^ 
 
 *-frl 
 
 
 The open ri^'lit hand is hark up, 
 fin<Jci silent parti tj down, tJie iiand 
 tiling irril oat, tlien make a vio- 
 lent H-hiriioo' i>f the liand in a 
 hiiriznntiil jilanf. 
 
 /■'i/niniliiifs. 
 W. 13. 
 
 WHETSTONE 
 
 To sJiarpejiani/ tool liij rn tilling 
 or grinding on a stone. 
 
 W. 14, 
 
 WH I P . 
 TO WHIP. 
 A QU IRK. 
 
 The gesture comes from theens- 
 liinr of su'ite/iing the Jlank.s of a 
 horse luhile riding. 
 
 W. 15. 
 
 WH I R LW I ND . 
 CYC LONE 
 HURR 1 CANE . 
 TORNADO . 
 
 Ml irresistible gales- 
 
 178 
 
 I 
 
 I! 
 
 i 
 
 n 
 
 y 
 
 % 
 
 I 
 

 >- /, I ' .-". 
 
 A- v. ".. . 
 
 ;1 ■••:.■ 
 
 I' 
 
 ) 
 
INDIAN SIGN TALK 
 
 ■A y 
 
 <,>■'. 
 
 dfntnr/'K. 
 
 W. 16 
 
 ♦ 111 ♦'' 
 \'1'aY 
 
 K.ytciid the rio'if hidcv irrfi- 
 rdljijiiiuffhiiirrif lift and down, 
 Aii'/iiiio' finie to a suppressed 
 irliistle. 
 
 W. 17. 
 
 First sign for TAIL, then e.v- 
 iriid the left iiide.y in front. Then 
 iritli the end of rig/it index- nt th^e 
 middle joint of the left, strike it 
 foirtirds and jxist the end of the 
 1^ 
 
 W. 18. 
 
 ])rtnr the iiide.v or the whole 
 hand Ixtek np nrrnss the forefieud. 
 See TEXAN. 
 
 F.qiiirdletils. 
 W. 1 S. 
 
 WH I ST LE 
 
 W. 17. 
 
 WH I TE . 
 
 The tip of (I deer's tail is n-hife. 
 
 W. 18, 
 
 WH I TE S . 
 WH I TE MAN . 
 
 Whites wear lidts and tJie in- 
 dex indieates the hat ritti. A 
 eolored ?nan is A WHITE MAN 
 BLACK. 
 
 I' 
 
 
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 I 
 
 
 
 1 
 
 179 
 
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 ' •. ' 
 
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tu'. • ♦ 
 
 ■. ( 
 
 INDIAN SIGN TALK. 
 
 ( I futures. 
 
 W. 19, 
 
 X- 
 
 --^ — K 
 
 Jiof/i o/x'ii hiinds phioed piilrn 
 to pa J III in fi'oid arc drawn ivide 
 a/tart 
 
 F</nii'a/fiifi<. 
 W 19. 
 
 WIDE. 
 WIDTH 
 
 it' 
 
 
 it, 
 I 
 
 i 
 
 J 
 
 w. 20. 
 
 W. 20. 
 
 /S^^^xf^^- 
 
 WILL. 
 MUST . 
 CAN . 
 
 ( ^?^^ 
 
 SHALL. 
 
 I W I L L ETC . 
 
 \ ^'*^*-^ 
 
 MA KE EFFORT. 
 
 />..*!. J> X. , J T _»_ > 
 
 T R Y E TC . 
 
 forth scrfra/ tiiiicx at each side 
 ifliont as Jii^'h (HI t/ia breasts, the 
 irJinle person assuming a deter- 
 in ined aspect. 
 
 W. 21 . 
 
 t ! 
 
 /•'/op the haiuU up and down by 
 a'ri.st artion in, iiiiitation of the 
 ivinijs of ,the bird you refer to. 
 
 W. 21 
 
 WINGS. 
 
 FLY. 
 
 A BIRD. 
 
 Flop the hands, /i rely or slowly, 
 for swift or slow birds. Can r//.s'- 
 tin^uisti d 0111 est ie fowlstnj PECK- 
 ING and ////COLORS, etc. 
 
 
 
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INDIAN SIGN TALK 
 
 s7/</v 
 
 Ci/iiini/i'nf.i 
 
 W. 22. 
 
 W. 23, 
 
 W. 22 
 
 WISE. 
 
 W I SDOM. 
 
 CUNNING ETC 
 
 n 
 
 f NtOH o 
 
 ./■./ ff 
 
 (Kv or ii'oi 
 
 inor- 
 
 hiQ' fonrnrd, these hei'm;; ronsi ti- 
 ered fery disereet. 
 
 W . 23. 
 
 WI TH . 
 
 TO BE WITH 
 
 Hold the open left Jinud hnek 
 II l> in trout, then e.vtind tlie right 
 iiideA- mid hold it n niter the left 
 liiind all fmintrd in one direction. 
 
 W. 24. 
 
 f'srd /jrissirely or with no viore- 
 
 ineu ts. 
 
 W. 24, 
 
 WI TH . 
 
 I L I VE W I TH . 
 
 ONE W I TH OTHE RS 
 
 One 
 
 moving almut irith others. 
 
 •x-C WE WITH, 
 
 ii 
 
 0. 
 
 181 
 

 
 
 
 
 
 
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INDIAN SIGN TALK 
 
 a 
 
 IS. iiri s. 
 
 W. 25, 
 
 Hull! Ihe i)piu Irft Jiaiirl h/irk up 
 ill j'rniit. fhcti hfiii<i ihv ufwti Irft 
 lliiinih up utidiv it, fiuijers nil 
 piiiiitrd nnr u-tiy, niiil all nioiril 
 tiiorf/ier in ruriiius ilirrctii)us. 
 
 W. 26 
 
 Ilf'UfI I III' fiii'Ji I's pill III to h.rii(l 
 mill ilriiir tin in ili.iriiinirii riitlirr 
 ipiirk. 
 
 /•'i/uiriili'iits. 
 W. 25. 
 
 W E W I TH . 
 
 WE LIVE WITH. 
 
 Sfvrrnl utnrhnj uhoiit irith sir 
 mil ntliriK. us our fuiiiilij liriui 
 irilh 11 ili//'rrrut tribe or bund. 
 
 W. 26. 
 
 WOMAN 
 
 This is our way of iudirutiu^ 
 LONG HAIR. See W. 27. 
 
 
 W, 27. 
 
 2'ake hold of theludr and make 
 us if stretchi)i^ it out to vonsiil- 
 irnlde leno'th. 
 
 W . 27 
 
 WOMAN. 
 LONG HAIR 
 
 Tin's is also another way of in- 
 diiiitiu^ LONG HAIR. IFouien 
 ut'iialhj irrar thrir hair long'. 
 
 IS2 
 
 ■i 
 

 
 a"- 
 
 m 
 
 ;"! 
 
 I 
 
 
 ' i- I.. 
 
 i: iirr&t9-'T\=-tf''rr-'-' 
 
i:.d:an sign talk. 
 
 (irsfinrs. 
 
 W. 28. 
 
 /»'((/// lldlllh I'/l II llll'lS lip, /HlllllS 
 
 niiir riifli iilliri . ■■irr In hi mil in 
 I'liiiil mill iiiiinil ill nil i4/in'iiril. 
 iiiilifiril tiiiinnrr srrrrnl linns. 
 
 W 29. 
 
 IIolil I hi- Dpi n Icflhnnil i.iilni lu- 
 intrils I In- /'(I IT, llicn nnikf motion 
 (>/' irrilin<J in Unit /mini. 
 
 f'.'i/iiinilriil.'i. 
 W. 28. 
 
 WORK -INC. 
 MAKE -INC. 
 PLOW INC. 
 
 7'liis is liiKin j'rntn lin/ilino' fin 
 ploir, iilsn Ininils nnisl nnn'i or 
 irork III nnikr lliin<^s. 
 
 W. 29, 
 
 WR I TE - I NO . 
 H I STORY . 
 TREATY. 
 
 . Inij irrilirn ii'Jrrnniiils, nolc or 
 Irllir. 
 
 W. 30. 
 
 Folk llir fiisl lico liiififrs of niiv 
 or IiijI/i hands, hold ahurc the ear 
 
 W. 30 
 
 WO L F . 
 A FOX . 
 
 Slnirp ciir.'i. 
 
 I 
 
 % 
 ft 
 
 1 SiJ 
 
 
 
•••It 
 1'1 
 
 w 
 
 I'- 
 I- 
 
 'A' 
 
 -1^ 
 
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INDIAN SIGN TALK. 
 
 K</in'rn/('tifi<. 
 W 31 . 
 
 WICHITA 
 RED. 
 
 Miifinii of rii'ihiii'J /I riiKiid nftot Trihiil sign for Uir/iiiu In- 
 
 11/' /mi III on the clu(k tdnn.s. 
 
 1 . 
 
 Klcvntf thr ritjht indr.v and 
 thuiiii) (it ri'^ht side of head, then 
 strike it fornnrd iind doirn. Close 
 them lit rnil of donnirnrd stroke. 
 
 YES 
 
 ASSENT. 
 
 E V E N SO I 
 
 I AGREE WITH YOU. 
 
 This is a si^n, of a man mak- 
 iug a bow Indiana use this ges- 
 ture a ijreat deal. In the e I G 
 YES or I certainly ivill, the ges- 
 ture is made white standing, and. 
 irith a very large sweep. 
 
 A YEAR. 
 ONE COLD . 
 A WINTER, 
 ACE ETC. 
 
 I fill it lintli Jist.-. in ront, shin r, 
 sliiikiiiil t/ii fsts iifj I ml doini. 
 
 l'J4 
 
 >w. 
 
I 
 
 i 
 
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 rt 
 
 I' 
 
 p ' 
 ^. 
 >. 
 
 4 ' 
 
 ii 
 
 ^ 
 
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 -1 
 
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 /"' 
 
 
irCDlAN SIGN TALK 
 
 fii>t/!ir/''i. 
 
 h'l/iiir/fhnfs. 
 
 Y. 3. 
 
 I'.'/rrffti' both iiidi'.v p'ii<^'('i:i niul 
 ihnice fJifni n/iniul (inirnon their 
 ri'n/K't'tive si(h'n of tlii' luad. 
 
 4. 
 
 'V 
 
 .Mftkt' (IS if inking 7io?(l of ho/h 
 tiijifiirs tiiid (Innciv^ the ri>;^hf t , 
 ri^ht and thv Irft to left 
 
 Y. 3 
 
 YOUNG FOLKS. 
 E N J OYMENT . 
 DANCING. 
 A BALL. 
 
 lirjticiiilicr tintt f/ifse iinhw/in- 
 Jrrs reprise lit peojile in some sense 
 III! the way throitgh the sio'n htn- 
 <:iuii<>e. 
 
 4. 
 
 A YOUNG WOMAN 
 
 ,1 jmj'sing ironinn is shoirn hi/ 
 fj/fiein^ Iioth /rV/« on thebreost and 
 j.rojeet bust to front, a pregnant 
 
 iconian, by 
 VENTRE. 
 
 SI on 
 
 o; 
 
 C ROS 
 
 Y 
 
 f'niiif tlie lijjht towards th 
 liiiriij. 
 
 YOU . 
 YOURSELF. 
 
 Sonitfinies, l:uf not pi-operl i/, (is 
 i/onrs. I tried to iiroid this liy 
 pointinri the /rtni/e hand, Init In- 
 dians atiald net aeeept t/ie 
 r/iano'e. See tliine, /lis. ete. 
 
 185 
 
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INDIAN SIGN TALK. 
 
 (I'l st iins. 
 
 A'ltni/irrs. 
 I. 
 
 ('(uniliii'J frnni I to \0 /i/'o'in fii/ 
 raisiiin t/u- lift Ir ji injrr ( I usiin//// 
 hi'oiit irith tlic hff /i/niff) for I, 
 tht'ii (iihl (he iiiwl fi'mJi r for 2, 
 llirii the niidillc for 3, tluii fJw 
 forr/inrirr for 4, f/ini oihl flir 
 III II mil, iiKikinJ tin- f rut 5. 
 
 ,\'n iii/irrs. 
 
 2, 
 
 3, 
 
 *!*• 
 
 h'l/uini/rti/H. 
 Cofinfini''- 
 
 ONE. 
 
 Srr ACCOUNT. 
 
 Coniifiiii;!. 
 
 TWO, THREE, 
 
 FOUR, FIVE. 
 
 186 
 

 
 
 
 
 
 
 
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 :-r~f«.^..=- 
 
 
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 lAtw^i-ssaw-icManA!* ^^^H^H 
 
 -^ 
 
INDIAN SIGN TALK. 
 
 (ifsfiirrs. 
 
 .\'ii III hers. 
 6 
 
 //n/il /hi' ofirii Ifff hfiiid i-crh'- 
 riilh/ hiiik fit t'lirr. thill mill l/ii' 
 Hill mil iif till' i-i'jlit timiliiii'J the 
 lift thiiiiih, till' iithrr /7'//o>'rs' n/' 
 thr rii'lit liiiin/ hciiii; riosi'il. .Viiiv 
 mill till' j'nir Jill <Jrr of thr right to 
 llii' III iiiiili mill nil up ton, thill, 
 linlh s/irrmi liaiiils hi III rirtiviilhj 
 fur lO. 
 
 .Viinibirs. 
 7. 
 
 /•.'i/iiiriilriils. 
 Cniniliiiii. 
 
 SIX. 
 
 ('oiinfiiii:! 
 
 SEVEN, 
 
 8. 
 
 EIGHT. 
 
 1 87 
 
 ^ato^- ^^•^tftjCTSHiW'^ 
 
fi^ — 
 
 d 
 
 I* 
 
 v» 
 
 
 nil 
 or I 
 
 
INDIAN SIGN TALK. 
 
 (ir.i/itrcx. 
 
 9. 
 
 NINE. 
 
 Hijidiutlents 
 CtiiinfiHQ'. 
 
 lO, 
 
 tYuiihhfrs. 
 10. 
 
 Finfh hr/iids /HtJnis up, fiush nut, 
 rtiifif (tiid rlinvh tltetiii^ rs s/inf; 
 i/o this f (IV every lO ///> to I OO 
 Dv more. 
 
 TEN. 
 
 Sec other irrii/s for lO. 
 
 l'ouiitin>J. 
 
 TEN, 
 
 This is most usetl. 
 

 1 
 
 
 'f^ 
 
 SI 
 
 /r 
 
 ri 
 
 ''>■ 
 
 t' 
 
 w 
 
 w 
 
 . „v:v',^=-'' Ji'V'^^i'^^aaesat^^'r^*^"-'*^"^***'"'^ 
 
 j^'^--^:^asm&9^mi^f0^'i^i:£ism^ mmA'^ r, 
 
INDIAN SIGN TALK. 
 
 (itfifiirrs. 
 
 .Vitnihcrs. 
 lO. 
 
 /liifli iunnh /ifffkM 1(f); raise, 
 /iiish (III/ (iiiil clinch to fist once 
 J ore cell/ lO. 
 
 .Void Iters. 
 
 \o 
 
 I 
 
 i 
 
 Elevdtethe ri<j1(t index to rin'J.I 
 side of tlic head and strike it for- 
 irard and down in a fourth of a 
 circle. 
 
 A'lunbers. 
 
 / 
 
 4c 
 
 Ki/niralentg. 
 Conntino'. 
 
 TEN. 
 
 See ai(otl(er lO. 
 
 (-'oiiiitino. 
 
 TEll 
 
 Tills ic((if is best in large niiiii- 
 hers. 
 
 For 20, use tico fino'ers, for 30 
 40. 50, 60, 70, 80, 90 and 
 I 00. add (, fincier f or ecerif 1 O . 
 
 Ctntntin^ 
 
 TWENTY. 
 
 189 
 

 
 i 
 
 
 
 I 
 
 .;.?. 
 
 $ 
 
 t 
 
 
 /ill I 
 
 />n 
 III /I 
 ili( 
 r.vi 
 
 i;^^-*-^i^sA^_**^=*^-- "■''■ 
 
 ■-m 
 
INDIAN SIGN TALK 
 
 (li ntni'ix. 
 
 /:'t/iii rti/ftt fs. 
 
 • Vii inlicrs. 
 30. 
 
 ('ullllllliii. 
 
 THIRTY. 
 
 40. 
 
 I 
 
 ,\'l(lllltrrs. 
 50. 
 
 (./ Wichita s/io/ri't/ nir srrcn/l 
 iiflicr ii'di/s to cniint iff) to 1 0, 
 /iiif tliiif lire iiiorr curious tlniii 
 /inicticd/; t/icrcf'orc, / iriti not 
 uiak-e ftifiQ'ranis, ntul icitlioiit 
 ilicin. tticij roitlil not Ite elcdriy 
 c.i/i/itiiicd). 
 
 FORTY, 
 
 ( .'oh II till a 
 
 FIFTY. 
 
 Sec 60. 
 
 190 
 
..- ^ — •— ^— ^ 
 
 
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 ■ i 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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INDIAN SIGN TALK. 
 
 dr. 'it I ires. 
 
 A'.'i III hers. 
 60. 
 
 Hold the of/rii left Jnnid rrrfi- 
 t ally in front, (ntd the ttiiimh of 
 the right, (the other fino;>rs fieino' 
 eloscd as in t>.'. A'oir strike both 
 orer to the lef< in, a large nuarter 
 cireidar niorcinent. ,.tdd as ninni/ 
 fingers as there are 1 0,s itf) to 1 o6. 
 
 70. 
 
 Hiiniralciils. 
 ('ninitin<'' 
 
 SIXTY. 
 
 ('oiinting. 
 
 SEVENTY 
 
 80, 
 
 EIGHTY, 
 
 191 
 
 ?ia aSfe? .'i|gl^*:gfe- 
 

 -fit 
 
 
 * 
 
 et( 
 
 i 
 
 I 
 
 % 
 
 
 f 
 * 
 
 -1.; 
 
 Hi 
 
 Sf> 
 
 rii 
 
 i>r 
 
 
 
 hi,?,;. 
 
INDIAN bUJN lALK, 
 
 Gestures. 
 
 Equivalents. 
 
 .Yiinthem. 
 90. 
 
 Counting- 
 
 NINETY. 
 
 lOO. 
 
 Count in.gl>y 1 O.s-, I OO.s, I OOO.s-, 
 
 itr. 
 
 Or, 7ffV, J^trV, Jot>., ifOV , J-^. 
 
 Hold tlif K})rc<id hand back up 
 in /n>n,t, then, lir^in at the 
 kiiurk/f< luid drair tin end of the 
 rio/it indr.v alnni; the liarku of the 
 sfivfad fiii^rra of the left luind, 
 rarli stmh- counting' 1 , 1 O, 1 OO 
 or 1 OOO, whatever may have 
 hem unihistond. 
 
 ONE HUNDRED. 
 
 See other ways of countinsf hy 
 1 On and \ OOs. 
 
 ('ountinol)y 1 Os, 1 OOs, 1 OOOs, 
 
 etc. 
 
 tOOy. 
 
 6tn>, 7air, *i^, Stn, ftrcn Vc 
 
 Having conn ted off up to 50 or 
 BOO, etc., on the left hand, count 
 off the other 1 Os, I OO.s or 1 OOOi, 
 
 on. the rii^'Jit. 
 
 Other nicthod.f jtrevail a,^ hy 
 counting stivk.i, .seeds, ftcljhlef>, etc. 
 
 102 
 
INDIAN SIGN TALK. 
 
 ■ t* 
 
 hltoh'.tnar.,nr;r>r!,nlthr >f'non,n,s i „ H.r ho,h, „f this ,n,rk : tlmtlur i\ 
 
 ooH, nn,tn.,,,nt:rnr In.r: ah,, if ,rilll,r thrrr.ulirst rejWrnrr for thr mn,- 
 o,'v al,mr, o,,;„o- f],r r,:nlt inl,n,lnl A// thr translntar 
 
 Tlir suKill fionrrs shmr l,,„r ,„„„,, nf ll,„t sort in the font 
 
 MEASURES OF SMALL SIGN-TYPE 
 
 ^£1^£U 
 
 A 8-2 A 9-0 A 10-2AII-2AI2-.-2A13-2A14-2 
 
 V?^" 
 
 AI5-5AI6-8 A 17-3 A 18-.- A 19-2 A20-2 A21-I7 
 
 
 23-2 A 24-8 A 25-5 A 26-4 A 27 
 
 ;^t 
 
 1^: 
 
 *:\ 
 
 
/»'. 
 
INDIAN SIGN TALK. 
 
 M 
 
 MEASURES OF SMALL SIGN-TYPE. B. 
 
 B5-2 86-2 B 7-2 B 8-2 B 9-2 
 
 B lO- 2 
 
 if^0"<i, ^ -^^MJ^k 
 
 v^ 
 
 B23-2 B 24-2 B 25-2 B 26-2 B 27-2 B 28-2 
 
 B 29-2 B 30-11 B 31 -2 32-2B B 33-2 B34-2 B 35-2 
 
 B 36-2 B 37-7 B 37-5 B 38-6 B 39-2 8 40-2 B 41-2 
 
 mf=^^M. P7* 
 
 B 42-2 B 43-5 B 44-2 B 45-8 B 46- i I B 47-2 B 48-2 | 
 
 194 
 
 ■■'4 
 
 
 
 :}'■":■ 
 
 *"l-. 
 
 ,*>r 
 
 
 :• r 
 
 
 •V.!> 
 
 
INDIAN SIGN TALK. 
 MEASURES OF SMALL SIGNTYPE. B 
 
 
 ^/^^-^ B. 50-8 B15I-9 B52 - B b3 - 4 B 54 
 
 MEASURES IN C. 
 
 C|l-2 C2-2C3-ioC4-8CEiC6-ie C7-2 
 
 ) KJ '^^ 
 
 ^.^Zl C 9-^ C lO-i-C 11-6C122 CI3-2 
 
 C 14-2C 15-3 C 16-2C I7-2CI8-2 C 19-2 C20 -2 G2I-2 
 
 .••-^riu.,.». 
 
 ^\h 
 
 C22-4 C23-2 C24-2 C 25 - 2 C26.2 C 27 - 7 
 
 C28-2 C29-2 C30-2 C31-2 C 32 - 2 C33-2 
 
 C 34-8 C35-2C36-2 C 37-2 C,38-2 C 39 - 2 C 40 - 2 
 
 MEASURES IN D. 
 
 G41-2 C42-2 Dl 
 
 D 2- 2 D 3- 2 D 4 
 
 195 
 
 
 -i 
 
 '."«^ 
 
 
 ^:^|. 
 
 
 ^-^;^^^*^i^<f^i:"■-ri^;tij^:r'^^^-^-^,,L- - -^^--.._-,^_^.^i.^:,.^i,^-^i*> ,^,., , , ^,, 
 
 
 
4 
 
 INDIAN SIGN TALK. 
 MTASURES OF SMALL SIGN TYPE. D, 
 
 D 12- J U 1. -4 D 14--; D 15.2 D 16-2 D 17 
 
 a D 18- 2 D 19 
 
 I:^ 
 
 i^y-'-^i^'^ 
 
 J... 
 
 '\. 
 
 D30-2 D 21-2 D.22 n D C3. , .-. D 24-a D 25-2 D 26-2 
 
 IMWM}^ 
 
 D :-7-a z r:^-fi d 29-1 
 
 ( 
 
 ""lis ^ '"* ' ° ^'^■'^ ° ^■^-- D38-2 D39-2 D 40 C 
 
 ^:5^:::^ 
 
 MEASURES IN E. 
 
 ^ 
 ^>^- 
 
 E I - - E 2- 14 E 3- 4 E5-.OE9-2E7 
 
 NEASURES IN F 
 
 2E8-24E9-2 
 
 E 10 E. ..-•.. E 12-r3 13-2 F I.7 F 2 
 
 5 F 3-4 F 4-2 F 5-2 
 
 1^2 
 
 F 6-n F7-0 
 
 F 8-2F9-2 F 10- 2 F 10 
 
 I 2 
 
 196 
 
 ^! 
 
 
 
 >.r 
 
 1 
 
 " A. 
 
 
 >,",*'' 
 
G 
 
 H 
 
 1 
 
F32-8C1-2 G2-3 G3-a G4-8 G5-2 
 
 G6-2 G7-2 G 8- 1 2 G 9-14 GlO-2 GII-1IGI2 
 
 iVIEASURES IN H 
 
 -'^" 
 
 t^ 
 
 A 
 
 -*ir^'«'. 
 
 G 13-2 G 14-6 G 1 5-2 G 19-2 G IT-eG 18-2 HOl-2 H 1-2 H 2-: 
 
 %-^k^ 
 
 H3-2 H4-2 H5-2 H6-2 H7-2 H8-2 H9-2H01 -2 
 
 M 
 
 „"■■*--. 
 
 ^cm 
 
 \ 11-7 HI 2- 2 HI 3-7 H 14-2 H 15-4.H16-I2 H17-2 
 
 1 97 
 
 '> 
 
 
 . 4, 
 
 1 
 
INDIAN SIGN TALK. 
 
 :•'..? 
 
 ,"^•1* 
 
 MEASURES OF SMALL SIGNTYPE. H 
 
 H24-2 U 25- r: H 26- ? H 27-2 H 2S - 2 H 29 - 2 
 
 MEASURES IN I 
 
 II- 20 12-14 13-2 I4-IO 15-2 16-6 17-2 
 
 z"^: 
 
 <r>- 
 
 18-2 19-2 I ID-4 
 
 MEASURES IN J and K 
 
 1) 
 
 
 J 1-7 J I- 1 4 J 2-2 
 
 
 J 3-2 
 
 K 1-e K2-2 K3-2 K 4-2 
 
 \ 
 
 198 
 
 
 
 ,4 
 
 IVi 
 
 * ■ 
 
 
 
 X 
 
 ■\'V-- -~r-X:~:L' 
 
 ^1 
 
INDIAN SIGN TALK. 
 
 
 MEASURES OF SMALL SIGN-TYPE. L 
 
 ^^■—K 
 
 L6-2L7-2 L8-2L9-3LIO-4LII-2LI2 
 
 '-'^^-^o 
 
 L 13-3 L14-2 L15-2 L1G-3-L17DL18-1 
 
 MEASURES IN M 
 
 M 7-2 M 8-2 M 9-2 M IO-2 Ml 1-2 M 1 3- 1 2 M 13-5 M 14-; 
 
 C: 
 
 J 
 
 ■■-, ^^Q 
 
 M 15-2 M I6-2MI7-2MI8-2M 19-2 M 20-2 M21-CAN 
 
 yt 
 
 MEASURE IN N 
 
 1^ 
 
 M22-2 M23-2 M 24-2 Nl-7 N 2-4 N 3-2 N 4-2 
 
 199 
 
 •J> 
 
 ,■'*■ 
 
 ^^^ 
 
 
 •si'':' 
 
INDIAN SIGN TALK. 
 MEASURES OF SMALL SICN-TYF'E. O 
 
 ) 3-2 O 4-2 O 5-2 O 6-2 O 7-2 8-2 9A 
 
 O IO-2 
 
 MEASURES IN P 
 
 V 
 
 ^''•»>. 
 
 'Cs\ 
 
 O 16-2 O 17-2 O 18-r: P I -2 P 2-2 P 3-2 P 4- 7 
 
 P 21-2 
 MEASURES IN Q 
 
 ^^ 
 
 / 
 
 26-2 P 27-2 P 28-2 P 2C 2 P 80-5 
 
 200 
 
 (.' 1-2 
 
 3 
 
 % 
 
 i^ 
 
 
 
s 
 
 6 
 
 S 
 

 INDIAN SIGN TALK. 
 
 MEASURES OF SMALL SIGN-TYPE. S 
 
 "OO"' s 
 
 S39-2 S40.6 S 41-2 S42-IO S;3-23 44-2 
 
 S45-2 S46-2 S 47-2 S 48-2 S49-5 SSO-tS 51-2 
 
 >v c:c^^•^ 
 
 />:. 
 
 ^^^<^li\,.f 
 
 / k/' ^hlk 
 
 S 52- 2 S 53- 6 S 54- 2 8 55-2 S 56 2 S 57 - 2 S 58 - 2 
 
 MEASURES IN T 
 
 if? 
 
 
 7 
 
 J" i • 
 
 T21-2 T 22-2 T 23-2T24-2 T25-'? 26-4^ T 27-2 T 28 ■ 2 T30-2 
 
 ■J 
 
 
 ■ 4f» 
 
 % 
 
 ' if": 
 
 202 
 
 .;E 
 
 1.* 
 
 'I 
 
 
W 5-2 W6 D W 7-2 W 8-r3 W 9- 4 W 10-2 W M-2 
 W 12-6 W [3-2 W 14-2 W 15-2 W 16-2 W 17-2 W 18-/. 
 
 W 19-2 W 20-M W 21-e W22.6 W23 2 W24 
 
 MEASURES IN Y. 
 
 3 ' \^.r ^d(\(d:\ 
 
 W 26-2 W 27-8 W 28 12 W 29-8 W 30-2 W 3 1-2 Y 1 - 2 
 
 
 
 
 1 
 
 
 Y 4-2 Y 5 2 8 
 
 203 
 
c 
 
INDIAN SIGN TALK 
 
 ji 
 
 >*> 
 
 MEASURES IN NUMBERS. 
 
 ^^.^A jf^j jj^^ pWfflj n' fkV! Ill , il Vm/IIIj , (llWw lll« 
 
 l-72-23-24'-2 5-2 6--; 7-0 
 
 8- 2 
 
 9- -.• 
 
 IO-2 IO-2 lO L» in- Of-> o .»r>, „ ^,^ . 
 
 r^^^^,^i^ /-^^f^ 
 
 20- 2 30 - 2 40-2 
 
 ili 
 
 \>, 
 
 80- 2 
 
 9o 
 
 'OO I OS lOOs lOOOs 
 
 
 C 43- 2 C 44-2 C 45-2 
 
 ^fM W) i 
 
 4s^ 
 
 SABBATH 3 
 
 P 31 -2 ToO-2 
 
 END OF MEASURES IN the 
 Font of SMALL diacrans. 
 
 
 
 '■1 
 
 ■i^* 
 S 
 
 I*, 
 
 
B 
 
rNDIAN SIGN TALK. 
 
 .ii'i'i:.vi)i.\\ 
 
 4 
 
 . I frir irnvils „/'/// >,r ,tsr/'„l i„ ninhrstaiul i inj lln li„r i,j'„>nrrinn,l ■ 
 
 I. .11/ lin< ,,rr'n'.,/laj niUrinl frvt, H, ■' hnh, <vvv;,l jmn nr.uilr^ »„ 
 i*/>irirct 1)11 fhr fi,t/)rr. .SVv GOOD. I KNOW. rfr. 
 
 2. nii'-i firit rrosi nr-!, >,/:,,.■■ s/,n/r „ />,:■■./ of thr irrisf. Srr QUANDARY 
 ACCOST, rff. 
 
 3 It' lnn,'h ,-l,.,;.Jr p.atinn. „r an- h,nu;\ nrrr. hnlh ,,a.ifin„s an 
 -l<<>'rnjl,,'lirsn,t tin, ■,,,,,,,,,,,,■,■,,,,■,,!. ,n,,ni,rh,.f, , I Ihrrn. I,,, llunn,rri„rnt 
 .sr,. ,h,„, nyjiif. m>t. hit,,;-. „ ■,. rtr Th. X sl,..ur, fUr nul of murrnnnt . / X 
 n,n h„rshn>r.., s<,i, in fhr ,m,rr„n„l ,rhirh ,mn, nmtinur i„tln- sanu- 
 ilirrrliiiii. iir cliiiii'.'jr Uic il' rrcliini. 
 
 .SW-MUST NOT. LEAD.,/. C, rrr. ,nr i n,l irafnl phn n nnm.^hin H,r 
 ntiiot'diiis. 
 
 SvrrrnI vir^tnn. hnrr hrm im r,,nsrl ,, nwHtrd uu,l x,„„r nrrrl„„kr,l . ./ />■//• 
 nf th,.rnn'rlunl , „,;■ I, -rr i n.rrt , ,1 . n-hilr snmr irhivh „,;■ not ,,rf elrrtn,- 
 f !.'/";/ mil hr siilliriniHuiihiii, h„ ihsviij,!!,,,, 
 
 TUn-c nre urnrhj TOO ,l]ffrr,nt n,sh,rrs. ,rhilr ouh,„l,uul 5«0 ,ul,l l,„v> 
 ixr,, ro„s„lnr,l „sr;„lr„n„-Jh U, ,>n ,, vxprusrx. (if romsr, it is „nt tn Ih' r.r- 
 ,>rr.,', n/ m>- h, n,rr ,r.h,rr ilhisln, linns ofihe wnnif ruMnr orslmrs 
 
 Jltrs,' rnnhr l,an,nl irilln,,,! Ivuuhlv Jnn„ sniur ,,n,i„if li„rks irhnsr tastes 
 
 •h II III illtit tl l"'i'tin;i 
 
 ATTEMPT. THY, I MUST. I WILL. I AM DETERMINED BEGIN- 
 
 r>ni-r ij.nrsrlf. r/iiirh tlir /i.ls. /■urr'iriiK lin.-Jznnhi! ,ii, I //vAv 
 III J mill r.'iri, fKsiiiii' ft ilrlrriiiiiinl /hriiil r.r/inssiaii „„,/ „i,ii;- 
 llir fi-<ls hiaii'l jnnii f„isl the siilrs irilli roiisidmihlr rim. 
 
 . Is.-<iiii,r It .Iflrriiiiinil huik. Thf ninir nirv'if tliitl run hr pitl 
 into tins nrsliirr, llir more forrililr irill :,v thr iJin. Srr I MU S T 
 iiikI r w I l l 
 
 ■^ 
 
 
 
 RACON FAT THICK SIDE-MEAT. 
 
 Hilil thr left iiiitnl tliiinil, up in front, t/irn rlniir thr ri-Jhl 
 liitml nsfridr thr upper rdiir of thr Irft Intiul. hitrimi thr 
 right tint,] lib inside of thti left hiind. 
 
 BIRD BAT WINGS FLY 
 
 "'•^fj/i/U^'^ '^^lotioii offlo))piii6 thr h/tndsits win^^s, hi/ irrist iirti 
 
 on. 
 
 m 
 
 BUT. Point to right tMitpie; hold it thns a srroml, then Jerk it back. 
 
 (, in a conjnnetion). 
 
 
 203 
 
 m 
 
 
INDIAN 
 
 SIGN 
 
 TALK. 
 
 CANDY. iliilil fhi lift iiidiw nrfirnllii. //,,n nuri/ Hir cnti af fhr riohf 
 ^, im/f'.r >><jnin/>: if nt fltv kii ii'-Klf Jai ii t ftii/l /'t-mi Hwir in-inniil thi' Ufi 
 
 P inilr.v ill II /iniijri"-'<irr ^ninil iiinrinii'iif fn pnxt tlir niil of it. 
 
 7| Jihl fiiplis r AST mill GOOD 
 
 COUPULATION 
 
 COUNT ONP BY ONE. TWO BY TWO 
 
 itr. ( iS>7' I'liniit mil [1,1. 
 
 PRETTY. ,S',7 HANDSOME. 
 
 PUSH 1 Jif siniw o'l'y/iimrvA T 
 TEMPT, TRY, MUST. CAN. 
 WILL ifr.lhi If avr all rrliiiiil 
 fii OETEHM I NAT 1 ON, 1)11 f in 
 l>riiit, line fmiii of jiiiirp. iii'ii/ 
 sfnnil for attempt, ntii' jar 
 BEGIN iini' fill' MUST etc.. 
 J do not firo/iDfii- fo s/'if/f sitr/i 
 points icitliout ronsuhitinn iriffi 
 ilir inifliouritii's, (sirjn talkiuii 
 JiiiHiiiix). 
 
 EARLY. SUNRISE. MORNING. Si'^^n of .'uni irrll doiiii 1o flir Irffsidpof the 
 /H'i'son, (fJii'iriitr spri'iiil Ihunil) unit iiifti.v n jniHi nts tlwaum. 
 
 PREGNANT. T/ir savii' (tri^fiirr 
 y..--^ IIS for C BO'S VENTRE. 
 
 sonic use the rirruliir opi iiiii.o' oft/iunil> unit iiidiA- J'or SUN 
 
 //>r^ 
 
 & 
 
 HOTEL. EATING HOUSE. RESTAURANT. Firts sii^n of int lii/ nuikiniS 
 -•^vx Iwlii'vi' putting sonii'tiiivj into tlii' itioiilli. t/wn inti/rlork 
 .1^ l-i1 the ends of fingers of l>oth htinds as HOUSE . 
 
 SADDLE. (Xoeut). Elbows are closed to their respeet ire sides of body, 
 hitmis cloned to fists, th.i'ii, kiep the elbows in plnee while iiioriiig the wrists ns 
 far apart as convenient. 
 
 STAR TO STAR. The iridcy/iread fhiinib and iidi.v of left liiinil as SUN 
 i- held lip ill trout, thin the rKjlit iylnlil in the same manner up 
 to the ri'jlit Then f!ie left in.de.v is niored from its lirst position until 
 itsend toii,ehcs the SUN, beiiirt s/ioirn hi/ the spread I h ninb a nil i ii- 
 de.v of till rifjlit hand. .1 star is a LITTLE SUN , I star al.so 
 TWINKLES. ' Sinn of lire held foirards the .ski/ /. 
 
 A QUANDARY, /fold therijlit hand in front of the linast uiid roek it tiro 
 V|>j^-— :;2 or fiiree times 1)1/ wrist iietion . 
 /aLL__^ / do not know irhal I irill, s/mll. or oiiiht to do. 
 
 205 
 
 J, 
 
 1' 
 
 
 
 A.* 
 
 
 
EXAMPLE IN THE BLACK TYPE. 
 
 Tlir /irsi /tnirfirJc font- ( .Voir ahaufloned. ) 
 
 ^S 
 
 mm mm, 
 
 Kiowa said uiaij-he-so mr tJic-sanif-us imlf lame. 
 
 Hr mid. 
 
 sw 
 
 t WiSKM 0^9 i^SSi ^f^ ^^"^4 
 
 wolf hungry w.%lklfig road huntin <J food . see away hack white man coming. 
 
 Bij chance 1 happen to have a few pieces of the ivood. type, but not enough to 
 print any connected piece, yet I trust there is enough of it to confirm the good 
 Ja.d^eni,"t of th » friends who have ^iven so much toward the electrotype font If. 
 
INDIAN 
 
 ite man coming. 
 
 ut not enough to 
 confirm the good 
 ^■ectrntjfpefont H. 
 
 lALK. 
 
 -lOmkleiuiiMklelittle siar^ up above^he earth %o far, 
 
 ~ff '<^ ^ /T" z^-' %4^^^ 
 
 What KMa>tes you tiuWiKle? tell 
 
 yY\ e 
 
 wh\ 
 
 you sit aboue the earth to higK^ 
 Qod qlovie kao'us^he wW] noi 
 
 ^ W te£^ ^%m' 
 
 May be so I tualk one. du ij 
 The road vuhites cull the milky Loay. 
 
 ^2^ V 'i in:^ 
 
 say. 
 
 For C45 
 
 Ihe Indians knou; . 
 
 That ^oadii* hunting Countries go-. 
 Like stepping stones, -from star to 5.i"-or, 
 One very r.ear ^ one very far. 
 Making incliaM loalk tui+h cc/re. 
 And many wan arrive not there. 
 
 M M z^ ■§ 
 
 MtiMy^ wiaMy , stefa aside, 
 DoLOKij doioneternaly he glide. 
 
 Heaven and earth pass out ot sicjht. 
 
 All! AH 8 is dark; man does not Know 
 
 J liecowKifry^tuhere so KViany «jo. 
 
 THE INDIANS- 
 LITTLE STAR 
 
 Thix is oii-r n/' f/ir /iisf 
 frill/ fihifrs, ninilv iiiorr In 
 ti'xt till' sizf of iliaorniii^ 
 f/ifiii IIS lilt iiitirlc J'lirrii- 
 rn III film 
 
 T/ii riiiri' SDHir sinn^ in it 
 irliirh hinl l.illir !.,(,, 
 rJii/iioiil. ,\'i)liil,i fi. I'or l!ir 
 si oil fur ETERNALLY. 
 // is liitlir ti) lisr tiiiit 
 lisril ill tlir I 'iirii/iii/iii 1/ J, r 
 ALWAYS. Ollifvsirill mni 
 rriii ■ism. Int. an thr nin.l, . 
 // is a ijtiitil lirOiiiiiiiiij in 
 si<Jii I rill I inn. Thr nri'Jinnl 
 ii'iis thvrr till! IS hir'_rr 
 
 I'inJ, s i,f ninlti r inin/ i„ s, I 
 lift ill llir li,i>r s'nn, 1111,1 ,1 
 ill nil inf.!, iiiinlr. Tliisihiin 
 ri'lill run iiitrr its iinrs <Ji:nr 
 orrr irilli n pm ,inil lUiik 
 Inil.it ink. thru K iilinl,,' 
 filiilr iiinilr iij mlnrril .-.i-r 
 Jiir r.vli iisirr irnrk. 
 
 Till' nhorr rniiir intit nil/ 
 mi ml, line (lirislinns En-. 
 
 I mnilc till' iliifjriinis m 
 liir liliir'v 1 1/111'. II ml /niiiiid 
 it thr iir.vt ilm/. Inil so / imr- 
 1 1/ til II I it ltd nil' to rhnii'Jr. 
 
 I ii-'jii-mnn -/iii-^li i . 
 
 
 ■» 
 
 

 
 ^ 
 
 Ihri 
 
 1^ 
 
 4^ 
 
 Wr 
 
 
 a'hit 
 
 A(t«n 
 
 ;:1 
 
 nice 
 
 Olfert 
 
 I 1 
 
 .»^; 
 
 
WOLF AND WHITE MAN 
 
 ^ ^^ ^k dc^ fpA^W: ^(Oft'-rr] 
 
 •ilonij time njV «"«lkiiij cbaAcomoiKh»c«untt!)l<«u?HQu)o \utdi«V 
 
 ■■■■?■■ «:-f?^5fes^ nf,r^ {iii} /k- 
 
 (UMitng riding coTrlv drivinj . pretty twrn wt m*<t . 1 told'' 
 
 >g . pretty i 
 
 vnt tired Uje &it down ooViv«rs< .toonu>« purTVioiM riding 
 
 lhr»« klowa Soldier ta>«» »u (hat plac»,H« »»» m<> »fttiii9 Itijre told i»i<ftn. 
 he scay we tuaUcmg^rocd very tir?d . KloiiA sard 
 
 )Fi )K-t U) ]^{ Cf\ \l..Mc.tl«f„)l„u.m9 M.iy b. o..l,jl 
 
 fuotruf 
 
 fXrhaps I Cwo»)like wolf laitie.\of»o>ticconfaingu)hit»rMon. ir.M 
 M« Suid. Aujolf hungry uiaHwg ruiid huntinq Wd SfiuiQ 
 
 l.^d t. wHil,-«a«, said h.'(uK,,)'|c.;„«;y6f>.>t^t: ridT^ilV;:, 
 
 »'»oii ride. tDolt riding, U/hfTe m«,ittall<mf),U'oir tuUiMg atry, 
 
 "loe, mtti,.oon arriueataforeJt.u-otf u,/„H >ior„ ^'lD?f,uAitrma„ 
 Oifcnl»W»* UnflHlnj road ull alone . Kiou;u soldifr iaid. wiaij lit so 
 
 1 lh«»aMieu» Uiolf, tulk uory tirtd, ' ii indiciii yTug 
 -< '' '.'i*, perhap. I ■^.K. nllllle tii.iP~ iMcliun XCftti /Hi "^i^ivf" 
 «^'utim« whip horse, go hut i ntliun see >.ie ».oi-» IJot . 
 
 E.XPLl.WlTIO.y 
 
 Till- xtonj lipre calh'd '* Wolf 
 tiiul WUiti' Mini" ivaa tolil to n 
 <-r<)ir<l of IntJiiiiis who iveri' ivait- 
 iii<J to hit IT thiir tivkitx for ra- 
 tion iiiiif/f uift hy the n'ho irrrf sit- 
 iiiio' tit tiiftJr ill till' simir room. 
 
 tfj' riiiirni-, thrr xiwrv no sj)oken 
 irorils; ii/f inis in thrir own iriiy 
 iifiti)in^hti,sinr.<is, nnd tell in,(S each 
 nlhrr fhiii^K l)i'/ore the nry eyea of 
 till' irhite /H-opIr, who were none 
 llw irisrv for irJiitt they roulr] see. 
 
 I ileferininril to preserve thr 
 story, mill xnnie ilny 1 irould give 
 it to thone same fniiiinis in print, 
 
 I told them f would and I seem 
 to he on a fair way to do it. 
 
 r consider this exarnpleas sw,aV' 
 as is jiractical to interline. 
 
 I n-^o-nom -panJi i . 
 
 A- 
 
 4 
 
 
 V 
 
 % 
 
 
 r 
 
 'v ■ 
 
 I 
 
 ?: 
 H 
 
 Si 
 
 I' 
 
 t 
 I 
 
I 
 
 -ii^aJi-;-^ ^--^-.6.iii_artBJ.^a.»^;csw^^i-.^r-i>ir:« 
 
INDIAN READS SIGN PRINT. 
 
 Tlicniiiii hiiinls. harks nii.ii) front of thr hrnist, 
 nnr ini/k'i i nnircs/ jurintn/. ir/i i/r tht.lothir irnlks 
 I is (Iriiirii I Ixirkiviird tonuiril f/ii hotly in sort ofii fxnr 
 ill -j iiinrrnii lit, hnrk unit forth i/ro or'thrri' tinirs. 
 
 To triifli t\iv I ml i tin si^'ii riiitlhi^fioin pufH-r, hr is 
 toltl tliiit *lif Viif isrtttitt, iiitil Hint tlii'htinds ini/k 
 ill tlif rtitifl. (I '/I'li III- kiioirs this hi' puts his hiinds 
 ill /lositioii iiitliftiftil ill thiiliiKji'tnn niitl nink'sthrni 
 ini/k ( iiiorfi on thf rntnl ilinr) toirtird the X , anil 
 
 Jir niiikt's till I iiil'tin si<Ui, irliifli i/'hf tliil not rffo<j!iiizf <it sioh* he cnnnot fitil 
 
 to knoir lis In- uinkis tlifirrll knoirn oi's/nif. 
 
 M'nl kin'J. 
 
 OTHER MEANS OF PICTURING IDEAS 
 COPIED FROM HARPERS MAGAINE. FOR MAY, 
 
 1870, 
 
 This is a t-opi/ „f n. s!/fn,J,ol'cnl petition to the. I'sesideiit of the United Stnfrs In, 
 which thf hciidsof s^rrrnl fnmilii'sjoiiipd. Tliri/ were Chippewas, livind on, 
 the borders of Inkr S'lperior. nntl petitioned the President on the sulijeet of 
 some small lakes. The hen 1 1 of the parti/ of petitioners ( \ ) was a chief of thr 
 Craneclanor tribe, hnringfor its totem, the rade picture of a crane. The three 
 imediateh/followtng hini(2, 3, 4i nre of the Mnrten tribe. The next (B) is of 
 the Bear tril)e He is foUo'ird hi/ n chief of the .Man-fish tribe, represented hi/ 
 the strange figure in .Yo. 6 The inermnn is n frequent object amon<^ the si/ni- 
 bols of tribes living near the lakes, nnd is the counter fjn'rt of the mermaid he- 
 leved in by Western Europeans f,r centuries. Thf last of the petitioners (7) is 
 achiefoftheCnt-fiWi.trihr The ft,ft m< of n/t these nppenr inthe drniriii<i 
 which wns ui'iilf by nil fmrnn. The lines drnirn from the etfc of the Crnnc 
 thf leader of the pnrty, to tlieeyes of nil th'' oHirr totfiirr si/mhtds tlniote tlin't 
 they all see nlike in the mutter; nnd the lints dinun fri.iii the henrt of the 
 Crane denote th 'it the pttitioners nil feel nlikr. .VoQ is ,i .'<trfnni runniiin 
 into Lake Sufierior. .Yo. 8 are the little lakes, the suhjcft t,f th.fpetiti:ni. 
 
 • -J 
 
 I 
 
 
 ■■■'.4 
 
 1! 
 
 t. 
 
 i 
 
 I 
 
 
f 
 
 
 »»' 
 
 |5 
 
 
 *<••" 
 
TUB LATEST FIND. 
 
 /^^ ^ T GD IT .me^"'''''^ (^^**^ 000-^ 
 
 I Ait ti f^llU^ ^nsmJ 'ttUx^ . "^Om, A'^ 
 
 
 
 onooeo 
 
 •// A 
 
 
 
 7'///.s- r.vn III pir is ii vriliicrd i-ofnj oj n il r<ni-i n [> 
 iii'iilr liif Cosfin/. .1 h'iiiini. .Iiid a rprdil iictitni of 
 II hltirfroiii ISi'Ji J/i'inl fii />i<j' I'mir. Ixif/i hiniriis. 
 
 I liar- ti'iril fn' iliscnrcr llir />riiiri/i/rs , ii fmii 
 ir/iir'i if in bnnril. hrt tin iiiorr I lliiiil\ nhmil il Ihr 
 iiifirr I mil ruiiriiicril tlixf if is //iirrti/ nrltrit rari/ 
 
 Its ori'Jiii is iircri'ditn' fii .]/isriif, ii itliinf that is 
 risril ill I miidii (I 'urs/iii/ /is an iiiiiitnn nf ffiv sun . 
 
 Tlir Itiiftoii sliii/)i'</ srni liiiiil issif in iiiiilil ir aj' 
 II /i(irsr''s/i(ii'-s/i(i/iri/ i"(Hiiiii, llidf iiriirl 1/ rm-ircirs 
 II siiiiill /iiT irliirli is /iCfif iif nil iii^lif iritli sinnlt 
 dvfl sfirfiS. and all diiriiio' tlir iii<jlit, tlir irors/ii/irrs 
 kr<'l> flii'ir I ijrs ji.vril an f/iis nirsral-tniftnii . firaijta 
 if, as/i' il i/iircsfiiins, ( inciifall if hinil jrciirr ansin rs, 
 so I (iiii told liij triist-irortliij Indians. 
 
 .Ill I iidiaii sair ftiis si't 'ii/'r/iiirartrrs ir/iifi' i-a'.- 
 iii'Jat tJiis I'liiJilrni of tlir sun diiriinj iroisliiii. 
 
 Till' Jiii'iiis iisi'd Intra 11 a knoii'lnl ijiof iirniiian- 
 slii/i'fliat Irails iik; to firlirrr l/ial il is oj' r/rinf or- 
 i^'in. and irtullij iirtiifrai-[/. 
 
 Till .'I' r.vainpti's srrrc to slioir a ilisirc on Ihr /laii 
 vf Indians for sontr inraiis of rori's/mndi nri . 
 
 % 
 
 i^r. 
 
 
 
 
 C 
 
 r 
 
i 
 
 --■.=iii*^i ?.>.>;.•.>-- 
 
i 
 
 My study lin.. hrm to vnhirp sii'tis tn flinr hurrst h i iiis. or hj/inil th< I'liniKrif (itn- 
 tiirm 
 
 Tht'sr hnif htrn slmirn in Ihf /hhIi/ii/' I In I 'nriilniltiry. 
 
 ft M nntiudi Jill- II hnviiir lomk-. iihnl is Ihi si<Jn far lliis. tir Unit itJrii. or tihjeit. 
 mill thp hiftion n-i/l fi'lf him "(iff iiriir" /inihil ly /III If is iki sinij/f' $'tst-irr nnd it hn.t 
 I,, hr shoirii hy tiro or iiinrr rjisttiiis us /'iir liislniiii : . ! niijrn. has nn siii0lf siiiin. but lie 
 innrx'fi lint fhr siinif IIS It ir/iiti iiinii iiiul hr is li/m k. 7/imj'iiir/irsf. ,s/o/j /hr WJiitr- 
 
 lU'in; siinnil sign f'nr liliii'k 
 
 II is III lis ill III list riisin. our in list Ihink. .N'< //• In i nn r nil i n.-rs. i/' thi ir is no our jjru- 
 tiirr. thru nur ns niniiy n/'siii h sinns us mill lirl/i yiin nut. 
 
 . I list nj' nil llir ri in /mn nil si niis is i in jirnrl ii ill . In in ir^r ill iniisl liinitlrss 
 
 . I I'l ir irill lir 'jinn, ns illiistriilinii in irliiih- Ihr iinril in tlir liirijist Irltrr is fJir si^n 
 irmilril thni I Inlirs j'ullnir in f m/irr niih i • 7lii>riiii n/niiiilr prininry grslurrsiiiiil iirr 
 tirslnrril mir n/lrr tlir ntlirr ns /n-iiilril. 
 
 first innslrr till priinnry siijiis in Ihr III <ly I'/' this irnrK- inid Ihrir usr ns pints nf a 
 fiiin/joiiiitl si'Jn irill rninr iiitn yiiiir iiiiiiil ns nrnlitl. 
 
 s 
 
 ABOARD iijiti^nn, sit. slnimhont sit. 
 
 ABSENT sit. not. .<^rr CONE . 
 
 ABUSE tnik: hint. Urn. si-r SLANDER. 
 
 ACRCG J rii-rr. lio-nrrr. /fiiirir, tjn-orrr. 
 
 iinmiUnin, •Jn-nrrr. rfr 
 
 AFRAID OF NOTHING nhrrr:', nil, 
 
 iijniiil, not. 
 
 AGENT (Jntlinn). irhilriiinn, rhirf, ilis- 
 
 trilin.tr, fond. rliilhin'J. hy-itsrlf ifrrr). 
 
 LOOK-ALIKE,/^/rf. ii/iinl. 
 
 AMBITIOUP. fnish, risr-nhnrr-ittliiTs. 
 
 ARTILLERY-MAN, ir/iitr-iiinii, sniilirr, 
 
 inn. hi'J stripes ml- 
 
 "ATTACK. A'ef CHARGE. 
 
 AUTUMN, trrr.fiill. (ns hnrrs). 
 
 BACHELOR, ninn. irniiinn. •Jul-naiir, or 
 
 man, innrriril, not. 
 
 BAD-LANDS, nioini tains, rnriiirs. 
 
 BARREN, hitriK, irork, not 
 
 BUY, viniii y, trntlr. 
 
 BURN, fl.rr, d<)nr-it-to-wr,ha(l. 
 
 BROOK, rivrr. littlr. 
 
 BRAGGING, tnik, hrnrr, triir, not. 
 
 BORROW, (Jirr-nir, soon l-<jin~yoH. 
 
 BLACK-FOOT, {[ ndUin) Sioux, Moccasin, 
 
 hliirk. 
 
 BLANCHE, /'arc, a nothcr.irhitr' 
 
 BOIL, pot, water, fire. 
 
 BONE, (touch it) white. 
 
 CANNOT, u-ork, not, or push-not. 
 
 CANDID, truth, day, good. 
 
 CERTAIN, know, good. 
 
 CHEAT, horse, steal, lie. 
 
 CHICKEN peek, fi I/. 
 
 CHIPPEWA, niaii, tree, sit. 
 
 CITIZEN, white-ninii, free. 
 
 COAL, rock, fire, good, 
 
 COOK, work, pot, fire, eat. 
 
 CONGRESS, whiti-innn. chief, many, east. 
 
 sit. ciirle.eniirrrsr- 
 
 COURTING, man, woman, talk, rash, 
 
 III I I'll. 
 
 DELIGHT-JOY, J^z/av. or. heart, enorgh. 
 
 (i.e., the liinit ri.-i s to one's throat). 
 
 DREAM, sleep, .^ei. knoa ■ good 
 
 DROUTH, ii-lung-lime. ruin, not, gras.s, 
 
 III l-guiir. tin -snnie-as. fire. 
 
 EAGLE hiid. tips, white. 
 
 DISPATCH, a-stage,or. irriting. wagon, 
 
 gn-fnsl. 
 
 "ELOPEMENT, in. man steal, ride. 
 
 A-FEAST. woik. kettles, circles, eat. full 
 
 np-lr-lhi -rhiii. 
 
 GHOST, die. II i oh t. walk. 
 
 GRANDMOTHER, mother, his. mother. 
 
 GUN-POWDER, .s//(,«/. powder, hlack. 
 
 HAIL, rain cold, hard. 
 
 HOMELY, /'ace, had. 
 
 HOMESICK. heart, look, heart, sick. 
 
 connliy. hurt, tired. 
 
 HONEST, In art. dny. good, open as the day. 
 
 HONEY .liird, small, hile, excrement, sweet. 
 
 HOSPITAL, In.inc, nndieine. sick, sit. 
 
 INFANTRY, uhilennin, .^oldier.'i, walk. 
 
 INTERPRETER, nniii, talk, his, talk. 
 
 IMPOSSIBLE, innks. not. 
 
 MONKEY, Inilf. while-man, half,dog. 
 
 A-MONTH. one. moon , ivi pea -out. 
 
 A-NAVAHO, work, blanket, striped. 
 
 PEOPLE, man, jjI aces, (where) sit. 
 
 PLAN, work. .SVrROAD. 
 
 PRESIDENT, u'hite, chief, big. 
 
 SUNDAY, day, .mend, day, seven. 
 
 TEA, leaf, drink, good 
 
 VIRGIN, female, n;airy-not. 
 
 YOUNGER, bom, after. 
 
 !: 
 
 i< 
 
 ■^^ 
 
 f 
 
 F. 
 
 1:4 
 
 Knd 
 
 -.■,=iit!j^-. f&Tj,-^-' 
 
 r^:;^--^.*»;r.:;*^'K*-5Tj.... .-- ^'? 
 
i 
 
 RIIVIAI^KS tSPECIAL. 
 
 IT V.'ILL EE NOTICKD THAT IN THESE RELI- 
 GIOUS CARCH . IN SO^iD. CASES. INDIAN SYNTAX 
 HA!. B r. I- N K O I- L O W t: D , W H I 1. i; I N O T H E R S , 1 T I S 
 
 D I ; n i; c; A I! n K t> . this is. done for a purpose. 
 
 IT IVUST Bl BOrir.'E IN MIND THIS »S A BOOK OF 
 
 p n c> c) r ;■; ( i k matter printed on separate cards 
 
 AND I-. AtH CAI<D IS A STUDY BY ITSELF. NOTONLY 
 f- U l: INDIANS. BUT WHITEiS WHOWILL NOTICE THE 
 
 c; n I 1 I c I s I/, f^. o F T H E Indians a n d ; t h u s rules 
 
 THAT (AN Bi: KELIED UPON;WIIL BE DEVELOPED. 
 
 t H E r; r F I 1 1 h t h l s e i- i r s t i e f f o r t s a t sign 
 
 p r; I n T I N ( , i\': a v w E t l be r e g a r d e d a s T R I a L L I N ES 
 
 I a s u ;>' V i: y ( r who v; i l l correct his errors 
 v\ H t rv' H 1% r- I N r s h c u n' u c h h e h a s f a l l e n o f f . 
 
 N C T 1 C E; . T I ! A 7 I r. 7 Hi: SIGN WHICH REPRESENTS 
 
 F' A . T H . c- f; . I E L I E V E . THE line of movement is 
 
 DOWNWAKI'. TI'ROUCMOUT THE CARDS.THIS IS ONE 
 
 or THE L : N I . s r r f c: E D I N G straight outward 
 
 FRCM THr LCDY. AND WILL] HEREAFTER BE SET SO 
 THAT" T Hi: L : : ; [■: IN THE DIAGRAM SHOWING THE 
 
 M o V [-: M L r; T v. ill co upward, on the paper. 
 
 THERE ARL IVANY SIMILAR POINTS TO BE DE- 
 T E I! M I N E L"; C V F L J I .' T H E ft D t V E L O P F/I E N T S . SOME ARE 
 ONI U I A L IN ; H E S L C A I; D S , BUT NOT ALLUDED T ■■"> 
 
 1 ri T Y I ' E . /. L L O F V.H 1 t: H I H O P F T O S E T T L E I N 
 MY O W N - M I K CJ BEFORE ii A Y I N C MUCH ABOUT THEM. 
 
 I C L O S L W i T f I THE L! E L I E F THAT A N Y, P E R S O N 
 WHO EXAMINES WILL FIND THAT IT IS AS EASY 
 TO PRINT SIGN PICTURES ONE AFTERANOTHER 
 IN CONSECUTIVE OI7DER, AS TO GESTURE IDEAS 
 IN LIKE ORDER, AND IF, THE PICTURE REPRESEN- 
 TATI(.)N IS CORRECT. THE INDIAN RECOGNIZES 
 IT AS READILY AS PICTURES OF OBJECTS. 
 
 3 
 
 A TABLE OF ERRATA 
 
 IT HAS BEEN SUGGESTED THAT A TABLE OF ER- 
 RORS SHOULD BE SUPPLIED. I HAVE LOOKED 
 
 THE WORK THROUGH AND DECIDED THAT IT IS IM" 
 PRACTICA. SUCH A TABLE WOULD SWELL THIS 
 VOLUME OUT OF ALL PROPORTION. 
 
 / ii-ijd-iKini -/ifi-s/i i , 
 
 iW^<^ia&«yy^ft.*ig6aa t M 1*Wt 
 
i'e 
 
 - fis^iawi^sasf!S»s*"'^4'»^s'' 
 
 1 
 
iS. 1 , 
 
 INDIAN SIGN TALK 
 
 THE BOOK 
 
 C. 1 
 
 LONG TIME AGO 
 
 t0 y^rm 
 
 ^-i- 
 
 .■^^^ f 
 
 COD MAKE WHITES KNOW ROAD 
 
 S, 1 . 
 
 THE BOOK. 
 
 C. 2. 
 
 HAND-TALK writing make you see hoad know 
 
 .."'< 
 
 ^«d' --.-- 
 
 :.^ 
 
 GOD 
 
 HIS BIBLE. HE TOLD WH I TES MAK E IT. 
 
 ^^ im^. ^ 
 
 S. 1 
 
 THE BOOK. 
 
 C. 3 
 
 IF INDIAN STUDY KNOW WHITE MAN HIS BOOK, MAY BE SO 
 
 S- W^: 
 
 AFTER. INDIAN KNOW IT ALL, GOD 
 
 HIS LAWS. 
 
 % 
 
 1^ 
 
 ii 
 
 I 
 
 if 
 
!•■ 
 
 
 M- 
 
 ';■&• 
 
 tf 
 
 % 
 
 -a. 
 
S. 1 , 
 
 l> 
 
 INDIAN tilGM TALK. 
 THE BOOK. 
 
 C. 4. 
 
 ^mww?did 
 
 8,#k\\ ■- Y"4y*«# ^/-i% 
 
 MEN 
 
 ALL, IF V/ANT TO KNOW BIBLE. IF STUDY 
 
 ?^' ',^ir 
 
 
 BRAVE. AFTER A LITTLE. HE CATCH IT TO KNOW WELL. 
 
 S. 1 
 
 THE BOOK. 
 
 C. .5. 
 
 AHEAD CATCH IT. MAY BE SO SOON. INDIAN CATCH SAME 
 
 i 
 
 I- 
 
 S. 1 
 
 
 THE BOOK 
 
 GOD 
 
 
 
 4 
 
 C. 6 . 
 
 %1 
 
 MEN WISE 
 
 #.—■■'■- 
 
 DAY BY DAY THFSAMF. LFAD MAN STRAICH7 
 
 
 
r 
 1 
 
 M 
 
 
 «'! 
 
 .?^ 
 
 I 
 
 ^ 
 
 ■if 
 
 M 
 ^ 
 
INDIAN SIGN TALK. 
 
 S. I 
 
 THE BOOK 
 
 C. 7 
 
 THE BOOK BRAVE WONDERFUL! TALK HEARTS OUR. 
 
 ^; 
 
 'h4=> <=^ 
 
 THE SAME SACRED SPIRIT MAKES US KNOW WELL. 
 
 S- I . 
 
 THE BOOK 
 
 C. 8 
 
 EARTH SIT. DAY SAME. MA i BAD ALL WIPED OUT. 
 
 S. I . 
 
 THE BOOK 
 
 C. 9. 
 
 
 ' i/ — ^> 
 
 <•. «• 
 
 i ^S^ 
 
 BOOK TELLS YOU JESUS HI S TALK ALL. HIS WORKS 
 
 M 
 

 
 
 
 
 
 
 
 
 
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 , i ,'■'■■ i 
 
 '! 
 
 ■ ' 1 
 
 ■' 
 
INDIAN SIGN TALK 
 
 S. ! 
 
 THZ DOOK 
 
 C. 10' 
 
 I 
 
 THE BOOK 
 
 X-f-^Jii---- 
 
 TELLS YOU HO/ 
 
 CCD 
 
 -^ 
 
 
 A L L - TH E - E A RTH, MAN, WOMAN 
 
 '•x'-<^' ; 
 
 MA D E 
 
 ,*''" 
 
 K 
 
 TF'IMCS ALL 
 
 THE Book 
 
 c. I 1 
 
 ^" 
 
 JV 
 
 i^N. 
 
 s 
 
 k 
 
 
 THE BOOK TELLS IV^UCH WONDERFUL TRUTH 
 
 COD 
 
 <--j: 
 
 Ql 
 
 --* 
 
 :?^'' 
 
 HIS PEOPLE THE EARTH SIT ON A-LONC-TIME AGO 
 
 S. 1 
 
 THE BOOK, 
 
 C. 1 
 
J- 
 
 '3 
 
 
 1 
 
 m 
 
 
 ,iMSc*»biSA,i«sa**^9arts<^i»iw*to^^ >^... 
 
INDIAN SIGN TALK 
 
 THE BEATITUDES. 
 
 *^ 
 
 / 
 
 11 
 
 JESUS 
 
 / 
 
 ^" 
 
 i\\ 
 
 is 
 
 Si:2INC THE-MULTI TUDE Hu V N T-T O- A -NIOUN- 
 
 I 
 
 TATN SIT. nzSCIPLESHISCAME HERE. JESUS SAID 
 
 
 m^ 
 
 Bl E 3 S £ Ll 
 
 r"? 
 
 H I M 
 
 
 ('''' /Q ^.,. ,-, "•* 
 
 POOR IN-SPIRIT. BECAUSE 
 
 hi 
 
 K I M TD0-1-OF HEAVEN TOHIM BELONGS 
 
 e>> 0^ # ^ 
 
 Cllcsed hip/I mourning the-s 
 Blessed him his 
 
 C \ ~^ 
 
 AME SHALL-HAVE COMFORT. 
 
 --.'•'••" 
 
 H E A n T M Z E :< 
 
 BECAUSE 
 
 
 r [^ 
 
 THE-SAME THE-EARTH INHERITS. 
 
 ■.'<ft.-^«ji'^-r*>*S*=r^">'- 
 
c 
 
 
 n' 
 
 4 
 
 i 
 
 it 
 
 .V. 
 
 >.4, 
 
 <^:- 
 
 
 ^ 
 
 :w?*sa5a*uisa^3J3»"i5BS3SSc^»ai=;-'-3Wii6*ssr " 
 
INDIAN SI '.N TALK 
 THE BEATITUDES CONTINUED, 
 
 '<=^~'\ ^ ^ ii^^ r,. ^ m. 
 
 Blessed him may-be-so his heart hungry to-do 
 
 GOOD. BECAUSE HEART HIS R E G E I V E S S A T I S F A C T I O N 
 BLESSED HIM WHO PITY GIVES. BECAUSE 
 THE SAME MAN PITY RECEIVES. 
 
 ^x X ^ ® l3 ;^ 
 
 Blessed him whose heart-is pure. because 
 
 AFTER-A-L ITTLE HE SEES GOD. 
 
 Blessed h\k all who make peace 
 
 BECAUSE THE-SAME ALL CALLED GOD HISCHILd' 
 

 
 
 
 ' -,T 
 
 - - - , ,., - 
 
 ' ■ ^ ~ 
 
 
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 <- 
 
 
 
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 ,:^s^'s^mf ^HHI^I 
 
 1 
 
1:,'D1AN SIGN TALK 
 
 T'.-il: rEA'i ;tudes conci u,:cd 
 
 
 MUg h 
 
 LOVE 
 
 V;) 
 
 /■ - ■ 
 
 CLAD 
 
 ■N rC: k J k^ 
 
 r ^ \ ^- ^i 
 
 r 
 
 Pi,ES§::o vo'j Ai.L MAY-BE-SO m::n talk yoii 
 
 / '^ V,;/ I •; .«^.,-' VX ^V V^U ,^-> -..X 
 
 
 DAD.THE-SAME A LIE. BECAUSE YOU 
 
 S.V-" 
 
 ^./ 
 
 i 
 
 /.IP . 
 
 MAKE 
 
 HEART YOURS VERY 
 
 ^^... 
 
 ■<\ I 
 
 ..-X'^^ t^l 
 
 ^ ,'— 
 
 : ^^ r 
 
 BECAUSE MUCH YOU RECEIVE IN HEAVEN. 
 
 <^\.J ' 
 
 
 ¥ h 
 
 ^x. 
 
 8LESSED YOU ALL M A Y -B i: -S O M A N DO 
 
 /(?{>) ..■■:■:::::. " 
 
 I >- .-^-^ c~fl c:?:>^ 
 
 you 
 
 BAD 
 
 ARREST YOU 
 
 ^■i^) 
 
 SECAUS E 
 
 . i.Q^^ 
 
 YOU 
 
 GOOD i 
 
 Q^ 
 
 I 
 
 pop THE SAME YOU RECEIVE T H E -K I N G DOM O r -H E A V E IV . 
 
INDIAN 5!GN TALK 
 
 TREATY 
 
 C, 1 
 
 f(.r% mi^' 
 
 GOD ONE ALONE. HE BY - H IMSELF . 
 
 HE 
 
 SIT ALWAYS PLACES ALL. 
 
 0^ 
 
 
 2, 
 
 TREATY 
 
 m-^ 
 
 SAME 
 
 GOD, 
 
 HEAVEN 
 
 HIM 
 
 ^^r< 
 
 ^>'^ 
 
 \ 
 
 FATHER, 
 
 /I 
 
 SON, SAME SACRED SPIRIT. 
 
 
 ^i 'SfSfi^ : 
 
 TREATY 
 
 C. 3. 
 
 h^ €»T" 
 
 r'J.'- 
 
 ->'- 
 
 m./' 
 
 CCD IS MYSTERY! HEAVEN SON MAKE r/iF,N KNOW 
 
 hlM, 
 
 i? ^ 
 
 SACRED SPIRIT MAKES THE BOOK TALK. 
 
 \4- 
 
 -m 
 
 ip 
 
INDIAN SIGN TALK, 
 
 i3« 
 
 S. 2, 
 
 THE TREATY 
 
 .^ -. 
 
 GOD 
 
 .-- 
 
 GOD IS 
 
 C. 4, 
 
 IS ALL GOOD. HE IS GOOD AL WAY 
 
 ALL 
 
 TRUTH 
 
 
 
 
 S. 2 
 
 THE TREATY 
 
 C. 5, 
 
 GOD IS CHIEF BRAVE OF EARTH, HEAVEN, LIFE, SUNS 
 
 .---.^- — \ 
 
 ALL. SPIRIT BAD OPPOSING HIM MUST BE EXTERMINATED. 
 
 fc 
 
 S, 2. 
 
 THE TREATY. 
 
 o, 
 
 C. 6. 
 
 
 GOD POWERFUL, HE WISE. HE SEES MAN. WOMAN 
 
 :if^ 
 
 X^-vV 
 
 
 MAY-BE-SO BAD. MAY-BE-SO GOOD. HE RASH NOT 
 
 i^C-^ r 
 
 
 .- "'Sst'i*ti-i!!fflSSii.f .. 
 
1 
 
INDIAN SIGN TALK 
 
 S, 2, 
 
 MAN WOMAN ALL DO BAD; 
 
 C. 7 
 
 THEY LOVE 
 
 NOT HEAVEN-FATHER AHEAD, THEY LOVE SELF, 
 
 ^^•^ n 
 
 ONE BRAVE 
 
 DAY 
 
 COMING! 
 
 DAY THE SAME 
 
 GOD CUT-OFF 
 
 MAN, WOMAN, BAD 
 
 
 
 ^i- 
 
 i J. .^ 
 
 8. 2, 
 
 THE TREATY 
 
 C. 9 
 
 'J 
 
 GOD MADE A TRUE TREAT 
 
 J 
 
 K 
 
 '^ 
 Wh 
 
 <m- 
 
 > f-- 
 
 ') 
 
 7 -X 
 
 HE SAVE MAN FROM 
 
 T 
 
 
 J 
 
 EAD. NCWi HANDS-TALK PRINT TELLS THIS TREATY. 
 
 *&;•* 
 
 ^isafj^f'®! 
 
 .«^ • 
 
■•■> 
 

 INDIAN SIGN TALK. 
 
 MS 
 _3<S 
 
 S. 2 
 
 '^i 
 
 THE TREATY 
 
 i 'Ti 
 
 C. lO. 
 
 .^ 
 
 * y^Ly' 
 
 y>-:) 
 
 HEAVEN -SON SAID; 
 
 I GIVE MYSELF ALL 
 
 M \^ ^ b 
 
 GOOD.EXCHANGE MANTHESAME. SPi F7IT oAD LEAD WRONG . 
 
 
 ^1 
 
 #1 
 
 
 S. 2. 
 
 THE TREATY 
 
 C. 11 . 
 
 :^ 
 
 >^i" ,/^ 
 
 I SIT THE EARTH WiTH BODY THE SAME AS MAN 
 
 WALK ROAD ALL GOOD. 
 
 HIS BODY 
 
 
 
 
 THE TREATY 
 
 C, 12. 
 
 
 '?sf; 
 
 •fTS'" 
 
 
 'Y 
 
 ■ '^r-i"r„f ff^T^j^ 
 
INDIAN SIGN TALK 
 
 S. 2. 
 
 
 THE TREATY 
 
 C. 13. 
 
 SPIRIT-BAD DO ME BAD 
 
 h 
 
 MAN BAD KILL ME 
 BLOOD TREATY MINE TRUE SAVING MAN FROM EVIL. 
 
 ml 
 
 i>« 
 
 
 S, 2' 
 
 GOD 
 
 THE TREATY 
 
 r>^' 
 
 6 
 
 hm 
 
 HEAVEN FATHER, HEAVEN SCN, SACRLD SPIRIT. 
 
 C. 14. 
 
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 HE 
 
 SAID 
 
 
 S. 2. 
 
 THE TREATY 
 
 C. 15. 
 
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 TREATY SAME GOOD. ^'/ N. V\C^';AN. CHILD RECEIVE JELLS, 
 
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INDIAN blGN lALK. 
 
 2. 
 
 THE TREATY 
 
 C. 16 
 
 .¥ 
 
 IF 
 
 YOU 
 
 RECEIVE JESUS. ^ DAY THE-SAME 
 
 
 WORKS 
 
 /I 
 
 V? 
 
 ) 
 
 STRONG TO SAVE YOU 
 
 
 
 RECEIVE JESUS NOW 
 
 C. 1. 
 
 'IS 
 
 
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 COD HIS TREATY saving you the same 
 
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 MADE TRUE WITH BLOOD OF JESUS, THE-SAME GOD 
 K;S son. MAY-BE-SO YOU TRY TO-RECEIVE JESUS 
 
 
 
 
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 C. 2 
 
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 RECEIVING JESUS NOW 
 
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 JESUS WAITS TO-SAVE 
 
 C. 3. 
 
 YOU 
 
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INDIAN SIUN TALK. 
 
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 S, 3, 
 
 .RECEIVING JESUS NOW 
 
 C. 4. 
 
 
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 IF YOU RCEIVE NOT JESUS NOW, TIME GOD 
 
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 DAY 
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 COME S ■ 
 
 HE CUT-OFF 
 
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 BAD. DAY THE-SAME LIKE NIGHT TO-YOU 
 
 YOU SCORN GOD HIS LOVE. 
 
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INDIAN SK;N talk. 
 
 '^ 
 
 S. 3. 
 
 RECEIVING JESUS NOW 
 
 C. 7 
 
 FIRE DO HIM BAD. HE GO-UNDER T H E - S A IVl E 
 
 8. 3, 
 
 RECEIVING JESUS NOW 
 
 C. 8. 
 
 ^ 
 
 #^ -^ 
 
 ^^^ 
 
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 YOU ARE-CUT~OFF FROM GOOD FOREVER 
 
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INDIAN SUN TALK. 
 
 RECEIVING JESUS NOW 
 
 }■ 
 
 C. 10. 
 
 
 NOW HE TELLS 
 
 OU ROAD TO-KNOW HIM. YOU 
 
 r« 
 
 >-- 
 
 \Ww 
 
 
 ^"-M 
 
 '^IV 
 
 WISE NOT IF YOU STUDY NOT HIS BOOK 
 
 
 S. 3. 
 
 RECEIVING JESUS NOV^. 
 
 C. II. 
 
 ..-..,..-. .^ r- 
 
 DAY JESUS WA I TS TO-6AVE CONE ! DAY 
 
 Wt 
 
 DESTROYS BAD COMES! IF YOU LOVE NOT 
 
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 (' 
 
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 JESUS NOW 
 
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 TIME THE-SAME YOU SAVED NOT 
 
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INDIAN si;:n ialk. 
 
 S. 3. 
 
 ... WV 
 
 REEEIVE JESUS NOW 
 
 C. 12. 
 
 THt;-BIDLE SAYS. JESUS SAYS : IF MAN ACCEPTS NOT JESUS 
 
 HE RECEIVI3S:^IRIT-BAD OPPOSING HIM SOON SAMg 
 
 
 m 
 
 
 '''" 'B ^^ 
 
 HAVt-SCRRCW. GAMF-AS FIRE-BUPNHIM UAD FOPEVER- 
 
 
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 !E3US SAID 
 
 M4 
 
 '^ 
 
 \ 
 
 /^ 
 
 -n \^r^ 
 
 A 
 
 THE-DAY IS-COMING ALL PEOPLE IN-CRAVES MUST 
 
 '^ '%:-^% 
 
 
 M^ 
 
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 ARISE FRCMCRAVE; T H C G E - v; H Q H A V Z - D O N E G OO D R E A C H 
 
 
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 He'aV^IN LIFE; THOSE BAD COME-TO SORROW FOREVER. 
 
 ),ti 
 
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A DISTA.vT DELATION 
 
 ^ 
 
 MISSIONARIES TELL US THAT CHINESE WRITTEN OR 
 PRINTED CHARACTERS ARE REALLY PICTURES OF OB- 
 JECTS, AND AS SUCH CAN BE READ BY ALt EDUCA- 
 TED CHINESE. AND SERVE AS A MEDIUM OF COMMU- 
 NICATION BETWEEN MEN OF DIFFERENT PROVINCES 
 AND DIALECTS WHO COULD NOT POSSIBLY UNDERSTAND 
 THE SPOKEN LANGUAGE OF EACH OTHER. 
 
 FOR INSTANCE. A LAWSUIT IS ALWAYS REPRESEN- 
 TED BY A PICTURE WHICH TO THE CHINESE MIND 
 REPRESENTS TWO DOGS FIGHTING, AND ALL MEN UNDER- 
 STAND THAT WMITTliN OR PRINTED CHARACTER FROM 
 Oi»4E END OF THE CELESTIAL EMPIRE TO THE OTHER. 
 ALTHOUGH EACH MIGHT HAVE A DIFFERENT WORD OR 
 PHRASE TO EXPRESS IT. THE SCRPTURES PRINTED 
 IN THE ORDINARY CHINESE COULD IF CIRCULATED BE 
 READ GENERALLY. ALTHOUGH THE MISSIONARY GOING 
 FROM ONE PROVINCE TO ANOTHER COULD NOT PREACH 
 SO AS TO BE UNDERSTOOD. 
 
 THIS ILLUSTRATES THE WAY IN WHICH THESE CARDS 
 WILL CONVEY GOSPEL LESSONS TO WIDELY SEPARA- 
 TED TRIBES OF INDIANS WHO ARE .-AMILLIAP WITH 
 THEIR ALMOST UNIVERSAL SIGN LANGUAGE. 
 
INDIAN SldN TALK. 
 
 d 
 
 S. 4. 
 
 ROAD TO RECEIVE JESUS 
 
 C. 1 
 
 t 
 
 r 
 
 
 IP YOU RECEIVE JESUS YOU-ARE TRULY SORRY 
 BECAUSE-OF BAD YOU DO. TRY-HARD 
 
 '^ M ^:"' 
 
 THE-SAME TO-DO NOT AGAIN. 
 
 
 S. 4. 
 
 /^ 
 
 I F 
 
 ROAD TO RECEIVE JESUS 
 
 
 YOU RECEIVE JESUS 
 
 C, 2 
 
 •i< 
 
 A 
 
 DAY TH2 - S AIWF 
 
 
 YOU BELIEVE HE SPEAKS-TO H EAVEN - PATH ER . 
 
 ^ 
 
 THE-SAME .BLESS YOU 
 
 )„••* 
 
 MUCH . 
 
3. 4, 
 
 -k 
 
 INDIAN SIGN TALK. 
 
 ROAD TO-RECEIVE JESUS. 
 
 C. 3, 
 
 IF YOU RECEIVE JESUS, DAY T H E - S A M E YOU 
 
 SPIRIT 
 
 MAKE 
 
 HEART YOURS NEW 
 
 i 
 
 m 
 
 '■ H 
 
 "■ "^'"^ 
 
 S. 4. 
 
 ROAD TO RECEIVE JESUS 
 
 C. 4, 
 
 I F YOU 
 
 
 4 
 
 ^ 
 
 r^? 
 
 COD 
 
 ^ 
 
 .::^ 
 
 RECEIVE JESUS. YOU STUDY BRAVE 
 HIS BOOK. L I STEN SACRED SPIRIT 
 
 
 V 
 
 TALK FROM THE-SAME, WALK 
 
 ROAD 
 
 HIS 
 
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 HIS. 
 
 J&'*' 
 
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S. 4 
 
 INDIAN SlUN lALK, 
 
 ROAD TO RECEIVE JESUS 
 
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 '::^ 
 
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 ^; 
 
 C . 5, 
 
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 IF MAN LOVES JESUS HE-IS FRIENDLY NOT WITH 
 
 
 
 AD. THE-SAME MAKE JESUS HIS HEART SORRY 
 
 TH E - S AME MAKE 
 
 m 
 
 JESUS 
 
 •A / 
 
 DIE SAVING HIM 
 
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 S. 4-. 
 
 -if' 
 
 I F 
 
 
 ROAD TO RECEIVE JESUS 
 
 
 
 VA 
 
 1 yi 
 
 s.^ yi 
 
 C. 6, 
 
 
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 MAN RECEIVES JESUS HEART HIS PRAYS 
 
 ^: rs^^- 
 
 V 
 
 A LWAYS . HE WANTS 
 
 HEART HIS 
 
 SACRED SPIRIT to-speak-to 
 
 — X 
 
 B n A I N HIS. 
 
 VI 
 
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1 
 
 S. 4 
 
 INDIAN SIGN TALK. 
 
 ROAD TO RECEIVE JESUS 
 
 C 7. 
 
 f 
 
 )S 
 
 p 
 
 N> 
 
 I F 
 
 MAN 
 
 RECEIVES JESUS DAY T H E - S A IVI E HE 
 
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 ^ 
 
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 lES TO-KNOW-WELL GOD. TO-LOVE HIM BRAVE AHEAD, 
 
 a 
 
 Y 
 
 v,\ 
 
 \^<.^ — ■ 
 
 f 
 
 LOVE NEIGHBOR 
 
 HISTHE-SAME-ASHE LOVES SELF 
 
 JJ 
 
 S. 4, 
 
 FOAD TO RECEIVE JE&US 
 
 C. 8 
 
 »«•-> 
 
 1 
 
■i y. 
 
 S. 4, 
 
 INDIAN SI'oN lALK. 
 
 ROAD TO RECEIVE JESUS 
 
 C. 
 
 :J 
 
 
 (■ 
 
 \\ 
 
 I F YOU 
 
 LOVE JESUS, 
 
 » ,<■"•" •"? 
 
 THE -SAME 
 
 
 DAY 
 
 PI "^ 
 
 DISCIPLES HIS DEAREST- FR I ENDS YOURS. 
 
 
 YOU 
 
 
 ^' ^-7^ ^-^ \ *) f ^ x^ I iS„^« igaV;, 
 
 TRY-HARD TO-MAKE PEOPLE ALL LOVE HIM 
 
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 S. 4. 
 
 ROAD Tt .-{ECEIVE JESUS 
 
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 I F MAN RECEIVES 
 
 (:z 
 
 JE3U3 
 
 / <K 
 
 % 
 
 lO. 
 
 HE KEEPS 
 ^ 
 
 J) ^ 
 
 THOUGHT HIS CLEAN, 
 
 LIFE HIS CLEAN. 
 
 THE-SAME-AS JESUS HIS HEART CLEAN 
 
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 H'^ 
 
 jlii 
 
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INDIAN ;i!liN lALK. 
 
 I- J 
 
 -i^ 
 
 S. 4. 
 
 ROAD TO RECEIVE JESUS 
 
 C. 1 1 
 
 ^ f 
 
 IF 
 
 
 MAN R t: C K I V E S JESUS HE 
 
 ^' ^ 
 
 RECEIVES 
 
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 A-Pr:ACEFUL-HEART THK SAME COD HIS FRIENDSHIP, 
 
 
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 ^ 
 
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 TIME THE-SAME HE KEEPS PEACE 
 
 
 \V I T H MEN, 
 
 S. 4. 
 
 ^v; 
 
 ROAD TO RECEIVE JESUS 
 
 •« 
 
 C. 12. 
 
 
 &J^.1 
 
 V 
 
 \, 
 
 .-/\/,y' 
 
 IF YOU LOVE JESUS, DAY 
 
 YOU 
 
 
 W A NT 
 
 DYING ON-CROSS TO-SAVE YOU FROf/l BAD THE-SAME. 
 
 M- 
 
 'H^ 
 
 '4 
 
J 
 
INDIAN SIGN TALK 
 
 ««| 
 
 S .05. 
 
 JESUS SAID, 
 
 C. 1 . 
 
 -■^ W 
 
 -~r \ S2 
 
 UO V E 
 
 YOU 
 
 S 05. 
 
 JESUS SAID. 
 
 C 2, 
 
 IF YOU LOVE ME 
 
 V\ 
 
 YOU SAME AS BROTHERS 
 
 yy 
 
 ^ 
 
 r \ 
 
 LOVE BROTHER YOURS THE SAME AS I LOVE YOU. 
 
 S. 05- 
 
 JESUS SAID, 
 
 C. 3. 
 
 k 
 
 JESUSS A I D TO D I SC I P L ES H I S: I 
 
 
 DIE TO SAVE YOU 
 
 LOVE BRAVE! THE-SAME MAKE MAN DIE TO SAVE ANOTHER. 
 
 n'^ 
 
 \^ 
 
 m " 
 
 •A 
 
J 
 
-..! 
 
 S, 05, 
 
 INDIAN SIGN TALK. 
 
 JESUo SAID. 
 -X 
 
 C. 4, 
 
 
 
 '1) 
 
 JESUSTOLD DISCIPLES HIS: HE WHO OBEYS HEAVtN 
 
 ^'^nsf/ 
 
 ^ '^' 
 
 w'^jy.y 
 
 V 
 
 Q^ 
 
 P 
 
 
 \4^y 
 
 FATHER MINE, THE SAME MOTHER MINE. BROTHER MINE. 
 
 .m 
 
 1 
 
 
 S. 05, 
 
 JESUS SAID. 
 
 C 5, 
 
 
 
 
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 mi 'IIP 
 
 ml ^^ ^ '^ ^^' 
 
 JESUS SAID TO DISCIPLES: HEAVEN FATHER WANTS NOT 
 
 
 
 
 -^-r 
 
 TO ABANDON ONE LITTLE CHILD THE SAME BELIEVE IVSE. 
 
 S 05 
 
 
 JEUS 
 
 JESUS SAID 
 
 C, 6 
 
 aid: if you 
 
 >-: a 
 
 /> 
 
 love friends mine 
 
 
 
 TIME THE SAME, ALL MEN KNOW YOU DISCIPLES MINE. 
 
 -•*. 
 
 %•<? 
 
S, 05. 
 
 ^^kT.: 
 
 S^ 
 
 INDIAN S I C; N TALK. 
 
 JESUo SAID 
 
 
 7" (^M QC M 
 
 JESU8 SAID TO D I SC 1 P L E s: H I s ; 
 
 ■I9 
 
 
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 i 
 
 -i 
 
 THE - SAME - AS YOU WANT MAN 
 
 S. 05, 
 
 JESUS SAID 
 
 A 
 
 DO 
 
 DO 
 
 ^1 wf- 
 
 C . 7 
 
 MAN 
 
 iJ-i' 
 
 TO - YOU . 
 
 C. 8 
 
 1^ 
 
 HIM-WHO COMES TOME. I 
 
 
 rvd mil V \ wV 
 
 RECEIVE H7. M 
 
 KEEP 
 
 HIM FOR EVER. 
 
 I ABANDON HIM NOT. 
 
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 ft-*' 
 
 
 <^ 'i 
 
 1 * 
 
 - ( 
 
 •+ 
 
 S, O 5 
 
 
 JESUS SAID 
 
 C. 9. 
 
 / v ^ 
 
 # ( 
 
 
 HEART MINE QUIET THE SAME TROUBLED NOT WITH SELF 
 1 TELL YOU ROAD HEARTYOURS THE SAME. 
 
 I' 
 
 ill 
 
 I 
 
 -'fe 
 frt' I 
 
: ! 
 
INDIAN SIGN TALK 
 
 S. 05 
 
 JESUS SAID 
 
 ." f 
 
 HEAVEN FATHER yours knows you want drink, v;ant 
 
 C, lO, 
 
 
 ^^---v \^'. 
 
 ^'^a 
 
 
 r 
 
 FOOD, WANT CLOTHES. KEEP FAITH BRAVE IN-GOD 
 
 "I 
 
 t"^ 
 
 
 S. 05 
 
 JE3US SAID 
 
 HE WILL-GIVE YCU 
 
 S. C5. 
 
 JESU^ SAID 
 
 A 
 
 «./ 
 
 If 
 
 ..'-■' 
 
 '"*» 
 
 C. 12 
 
 V, 
 JESUS SAID-TO KIS DISCIPLES: PEACZ I 
 
 J 
 
 y" 
 
 
 J^ 
 
 o. { V t V c i; ; 
 
 y . A r ,'% MINE I 
 
 ^ 
 
 C I V E YOU 
 
 f^" 
 
 SI 
 
 Ml 
 
 ^ii 
 
 «j1 
 
INDIAN SIGN TALK. 
 
 S . 05, 
 
 JESUS, SAID. 
 
 C . 13. 
 
 h' 
 
 ■r. 
 
 JESUS SAID 
 
 w I ^ 
 
 f 
 
 A *. 
 
 '^^ 6 ^ 
 
 I LIFE H;IS CHIEF; HIMBELIEVE 
 
 ME IF HE 
 
 -'^^^2' 
 
 DIE 
 
 HE LIVE AGAIN 
 
 \ 
 
 /->. 
 
 i*-.. 
 
 S, 05, 
 
 m 
 
 JESUS SAID 
 
 ,4 
 
 ^y-- 
 
 PASS AWAY , 
 
 JESUS SAID 
 MAY -BE- SO 
 
 ? 
 
 TA L K MINE 
 
 HEAVEN 
 
 C- 14. 
 
 EARTH 
 
 >^:/-'r^ 
 
 SIT FOREVER. 
 
 Si 
 
 'I 
 
 l4 
 
 if 
 
 ■ w 
 
 it I' 
 
 'I5f 
 
 JESUS SAID 
 
 C. 15. 
 
 S. 05. 
 
 HAVE MERCY- ON NEIOHBOUUR YOURS. THE SAME AS 
 
 HEAVEN FATHER has-mercy-on people all 
 
 
 »3.|- 
 
 ^^ ?y ^'""\ I 
 
 
 11^ 
 
J 
 
INDIAN SIGN TALK 
 
 •J 
 
 4 
 
 3 . 05 , 
 
 #T^? 
 
 JESUS SAID 
 
 16 
 
 JESUS SAIDi I GIVE D I SC I P LES MI NE L I FE ETERNAL. 
 
 H I IVI 
 
 PERISH NOT. MAN NONE CATCH HIM FROM ME. 
 
 ^3 
 
 ''*< 
 
 ''•'v, 
 
 & 
 
 S. 05, 
 
 JESUS SAID, 
 
 M 
 
 nf ! 
 
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 17 
 
 ^"", 
 
 'ifTB^^M^Wm^: (I 
 
 IF SACRED SPIRIT MAKES NOT MAN 
 
 HIS LIFE 
 
 Q- 
 
 NEV/ NOW, MAN ENTERS 
 
 GOD HIS KINCDOIVI 
 
 ^ 
 
 NOT 
 
 S. 05, 
 
 JESUS SAID, 
 
 18 
 
 ^^ kv^ yy 
 
 
 V 
 
 #^1¥ 
 
 JESUS SAID; I AM THE ROAD, lAM THE TRUTH, I AM THE 
 
 Ey^if^4 
 
 LIFE. I 
 
 ALONE MAKE MAN COME TO HEAVEN FATHER. 
 
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S. 5. 
 
 INDIAN SICN lALK. 
 
 JESUS SAID 
 
 C. I 
 
 mz\ <^~ 
 
 "^ 
 
 ■ ^ 
 
 V i 
 
 X \ 
 
 JESUS bAIDi LITTLK CHILDREN COME-TO-Mb:. STOP 
 
 
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 THEM NOT. BECAUSE PEOPLE ALL BELONG TO -GOD 
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 HISkincdom, hearts THEI RS GAM^-ASCHI ld hisheart 
 
 ill 
 
 % 
 
 V 
 
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 5. 
 
 JESUS SAID 
 
 C. 2. 
 
 father yours forget not 
 
 BAD YOU 
 
 DO . 
 
 n. ■ 
 
 
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INDIAN SIUN fA'-K. 
 
 S. 5. 
 
 JESUS SAID 
 
 C. 3. 
 
 f., ,i\ >-A 
 
 JESUS SAID; TRULY I SAY TO YOU. IF MA RECEIVES 
 
 
 <?f 
 
 o\. 
 
 NOT 
 
 GDD HIS K I NGDOM TH2-S AME-AS A-LITTLE 
 
 
 /-'^ 
 
 CHILD ACCEPTS T H E - S A M R , HE ENTERS-IT NOT 
 
 .■■--}% 
 
 . i; 
 
 S. 5. 
 
 JESUS SAID 
 
 - r^ '7 I ■■"■ ~- "i / 
 
 C. 4. 
 
 ■^.^r' 
 
 IF A-MAN MUST PART FROM BRO'EB, SISTER, FATHER, 
 
 ■^^SW\ c<:"f4' f,tf<:- :.•:•••• ■.. r^'' i 
 
 MOTHER. WIFE HIS, CHILDHIS. BECAUSE HE LOVES 
 
 J V 
 
 / 
 
 'y 
 
 'X ( 
 
 ME, HE SH A L L-R E C E I V E GOOD THE-SAME MUCH AHEAD. 
 
 
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S. 5. 
 
 INDIAN SIGN TALK. 
 
 JESUS SAID 
 
 C. 5, 
 
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 m. r/ 
 
 /■ 
 
 w \ 
 
 ■& 
 
 JESUS SAID I -AM THE-LIGHT OF AL L-THE-E ARTH, IF MAN 
 
 
 ^' ' ' ' 
 
 y 
 
 WALK ROAD MINE HE WALKS-IN DARKNESS 
 
 t>t 
 
 a V\ 
 
 NOT. HE HAS HEAVEN-LIGHT. TH E-SAME HEAVEN LIFE . 
 
 wk l. 
 
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 '^4^ 
 
 S. 5. 
 
 JESUS SAID 
 
 C. 6. 
 
 
 
 -t; <5-^ 
 
 'hi 
 
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 JESUS SAID; NOW a-little t i meLTHE-L!CHT-i s with you 
 
 WALK STRAIGHT-ROAD NOW YOU HAVE HEAVEN-LIGHT. I F 
 
 
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 t\U 
 
 DARKNESS COMES YOU SEE STRAIGHT ROAD NOT 
 
 A'. 
 
 if 
 
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 ■% 
 
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INDIAN SIGN TALK 
 
 ¥. 
 
 ^„ 
 
 JESU6 TEl.LS DISCIPLES HIS HOW TQ-PRAV 
 
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 K>^1 
 
 J!Z'3'J3 SIAD: PRAY ALVVAYS HZART-WgARY-QF SAME NOT 
 
 - - _v3-> 
 
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 PRAY GOD 
 
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 WATCH YOy ! BE-RASH NOT! 
 
 SPIRIT-BADLEAD YOU WRONG NOT. ASK GOD IN-SECRET 
 
 \u^\ . 
 
 i^^i A7 
 
 ■■■■■■ k 4 
 
 HE GIVE YOU GOOD AUL MEN SEE IT. 
 WHl. N YOU PRAY, REPEAT NOT SAME TALK. 
 
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 HEAVEN FATHER YOURS KNOWS-WELL THINGS YOU NEED 
 
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 ^f 
 
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4 
 
 ON PRAYEr? 
 
 'n4^ 
 
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 DAY YOU PRAY IF HEART YOURS FORGETS BAD 
 
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 MAN ANOTHER DO-TO YOU. 
 
 m 
 
 
 DAY THE SAME 
 
 HE/.N/EN FATHER Wl PES-OUT BAD 
 
 YOU RS 
 
 if- :f 
 
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 -m^ [un 
 
 RECEIVE THING YOU ASK. 
 
 
 ^ 
 
 
 YOU HAVE THINGS YOU WANT 
 
 
 /^ I , , 3 Y , J X i C 1 : \ / ■ J =" V r 1 ■ ? r D 3 I V I Y 3 J , 
 IF YOU HAVE-FAITH-IN NAME MINE. SPEAK THE-SAME 
 
 ALL 
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 TO-HIM HE WI LL-G I VE THI NGS YOU ASK 
 
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INDIAN SIGN TALK. 
 
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 ON PRAYER 
 
 
 / 
 
 / 
 
 ^> -^ 
 
 YOU NOT ALL GOOD LIKE GOD; IF 
 
 •^^ 
 
 ^ 
 
 t:Mt> 
 
 '' ll:> 
 
 
 YOU KNOW HOW TO-GIVE GOOD THINGS TO-CHILD YOURS 
 
 ^. f I y 
 
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 YOU HOLY SPIRIT 
 
 IF YOU ASK 
 
 HIM 
 
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 GOD IN-BOOK HIS SAYS: HE WHO 
 
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 WA LKS 
 
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 NOT ROAD MINE, PRAYERHIS SAME I-LISTEN-TO NOT 
 
INDIAN SKiN TALK. 
 
 ON PRAYER 
 
 c^ ^--^ i: 
 
 V 
 
 r ^ ^-^^ 
 
 ^. 
 
 JESUS HIS WORD I s -TRUE . if man asks rightly 
 
 ' %^ I 
 
 HE RECEIVESGOOD 
 
 * ♦ * * < : 
 
 7 \4v 
 
 THINGS YOU WANT MAY-BE-SO G OO D, M A Y -B E -3 O BAD 
 
 w I TP HEAVEN LIFE YOURS - GOD 
 
 :1 
 
 A LONE KNOWS 
 
 / 
 
 \ 
 
 THE-SAME. IF YOU ASK THINGS GOOD NOT HE 
 
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INDIAN SIGN TALK. 
 
 S. 6 
 
 COD HIS LAW OF LOVE 
 
 C. I 
 
 MIND 
 
 c 
 
 YOURS ALL. SPIRIT YOURS 
 
 ALL. 
 
 &^^\h ^ 
 
 STRCNCTH YOURS ALL 
 
 4. »«■ ^^•^''•'■'. 
 
 -—--■■■-/ h 
 
 WORSHIP GOD ALONE. 
 
 
 
 I 
 
 8. 6. 
 
 COD HIS LAW CF LOVE 
 
 -•. ^\ /TA 
 
 ^)i fe#^ /'TIS 
 
 C. 2, 
 
 WORSHIP GOD, SEEING HIM NOT. THINK STRONG HEART 
 
 
 YOURS; HIM CREAT-MYSTERY. NAME HIM NOT I i~ YOU 
 WORSHIP NOT. KEEP HIS DAY SEVENTH SACRED. 
 
 L 
 
 \\C 
 
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INDIAN SIGN TALK. 
 
 S. 6, 
 
 COD HIS LAW OF LOVE 
 
 C 3 
 
 '■"Sv 
 
 GOD 
 
 ^ 
 
 SAID; 
 
 
 ^^-^/^^ CNJ 
 
 DAY 
 
 SEVSM IS MINE: WORK SIX DAYS. 
 
 
 
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 5""\ 
 
 DAY SEVENTH WORK NOT. KEEP IT SACRED 
 
 1 
 
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 t 
 
 S. 6. 
 
 COD HIS LAW OF LOVE 
 
 C 4- 
 
 ^<^\-nk V . ^^^^^ 
 
 ^ 
 
 V. ^' 
 
 / 
 
 LOVE NE I GHBOR YOURS THESAME-AS YOU LOVE YOURSELF 
 
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 7f 
 
 ^ 
 
 HONOR FATHER MOTHER YOURS 
 
 T Is 
 
 THIS GIVES 
 
 >f-^ A^-- 
 
 YOU life: a-lonc-t I me the-earth to-sit 
 
 
IMDIAN SIGN TALK. 
 
 S. 6 
 
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 KILL 
 
 GOD HIS LAW OF LOVE 
 
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 # 
 
 ? 
 
 NOT 
 
 MAN . WOMAN . 
 
 KEEP HEART PURE. 
 
 
 STE AL 
 
 V 
 
 LIE-NOT AGAINST NEIGHBOR YOURS 
 
 C. 5. 
 CHILD. 
 
 t\i/ 
 
 NOT . 
 
 
 i. 
 
 I. 
 
 S. 6. 
 
 GOD HIS LAW OF LOVE 
 
 C. 6, 
 
 
 \. 'a"-'' 
 
 ^ -^VW-^fe^^V^f 
 
 TO-NEIGHBOR YOURS. WANT NOT HOUSE HIS. WANT NOT 
 WIFE HIS. WANT NOT SERVANT HIS CATTLE HIS 
 
 

 
 
 
 
 
 
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INDIAN SIGN TALK. 
 
 S. 6. 
 
 GOD HIS LAW OF LOVE 
 
 C. 7 
 
 LOVE GOD HEART ALL. MIND 
 
 YOURS THE-SAME- AS YOU LOVE YOURSELF, 
 
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 t 
 
 I 
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 S. 6 
 
 N. I 
 
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 GOD HIS LAW OF LOVE 
 
 
 JESUS SAID 
 
 ..-X ? 
 
 0. 8, 
 
 ALL 
 
 GOD HIS 
 
 LAW SITS WORD THE-SAME 
 
 LOVE 
 
 GOD LOVE NEIGHBOR YOURS. 
 
 \ 
 
 I 
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INDIAN SIGN TALK. 
 
 PSALM 19. 
 
 
 // / / 
 
 l^x 
 
 THE HEAVENS TELL-OF GOD HISWONDERFUL POWER 
 
 
 THE SKY SHEWS HIS WORKS BRAVE 
 
 
 — -n 
 
 DA Z 
 
 AFTER 
 
 DAY IT SPEAKS 
 
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 NIGHT 
 
 AFTER NIGHT 
 
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 MEN ALL UNDERSTA^D THEIR SPEECH. 
 
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 r i>w 1 
 
 THEY TALK T O- A L L -T H E - E A R T H THE-SAME 
 
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 THE SKY GOD 
 
 MAKES LIKE A-TEPEE-FOR THE-SUN. 
 
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 THE-SUN LIKE A-CHIEF COMES OUT. 
 
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 fe. 
 
PSALM 19 CON 
 
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 7 
 
 LIKE A -MAN STRONG, KERUNS-A-RACE OVER-ALL THE SKY 
 
 
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 HEAT HIS COMES-TO ALL THINGS 
 
 -.—X ♦ 
 
 GOD HIS LAW ALL GOOD 
 SAME MAKES MAN HIS LIFE WALK T H b S T R A 1 G H T- R O A D 
 
 THE-WORD OF-GOD IS SURE. MAKING WISE THE SIMPLE 
 
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 /- .....4/ 
 
 GOD HIS BOOK RIGHT M AK I NG T H E-H E A RT-G L A D . 
 
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 — X 
 
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 THE-ROADGOD TELLS MAN WALK I S-A-C L E A N R O A D. 
 
 THE-SAME IS-AS L I C H T T O-T H E -E Y E S . 
 
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 • :•: .-» \ 
 
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 i-if. '■'■ t 
 
 A- '--^ i4 .. ; (• 
 
INDIAN SIC.N TALK. 
 
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 ^.. 
 
 PSALM 19 . CON 
 
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 ^ 
 
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 IF MAN FEARS GOD HIS ANGER 
 
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 ^1 
 
 H E 
 
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 GOD 
 
 KCEPS HEART PURE ALWAYS. 
 
 / /.^^ \^^\ ■C""""-\ 
 
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 r 
 
 HIS JUDGEMENTS-ARE ALL R I C HT A N D-T R U E 
 
 YOU WANT 
 
 
 / 
 
 MUCH TO RECEIVE THE-SAME 
 
 r ^c. 
 
 \^.-x 
 
 YOU WANT TO POSSESS T H E M MO R E -T H A N G O L D 
 
 "^ /"■ 
 
 I 
 
 ,-X) 
 
 MORE-THA.vl MUCH FINE GOLD 
 THE-SAMt MORE GOOD-THAN FOODTO-TASTE 
 THEY WARN C ROOKED-ROAD DANGEROUS 
 
rSALM 91 CONCLUDED 
 
 ...t 
 
 IN-KEEPING THEM IS BLESSING BRAVE 
 
 WHO 
 
 GOD 
 
 MAKE CLEAN SECRET THOUCHTMINE 
 
 
 KEEP ME FROM P R E S U M P T U O U S S I N S . 
 
 STOP THEIR 
 ■"'••■■" 'Jf ^.-'^ 
 
 POWE R WITH ME 
 
 y-:^ 
 
 DAY 
 
 T H E - s A ryi n 
 
 ■"'' "^' 
 
 V , ^^ />/^ 
 
 I WALK THE-R I OHT-ROAD 
 FREE- FROM SIN 
 
 THE SAME DAY 1 AM 
 
 MAKEWORDS,THOUC.HTS.HEARTMINECLEA.sl 
 
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 I N-TH Y SIGHT. 
 
 > 
 
 ^ 3^ c:^ U /(it 
 
 O-GOD STRENGH mine. SALV ATION M i n e 
 
I i 
 
THE LORDS' PRAYER IN THE INDIAN SIGN LANGUAGE, 
 
 OUR FATHER IN HEAVEN SACRED THY NAME . THY 
 
 >. -yl 
 
 ^' ::^ 
 
 7f 
 
 KINGPOM COMl:, thy LAWS THE-EARTH SIT-QN, THE-SAME-AS 
 IN-HEAVEN. DAY AFTER DA^ FOOD GIVE-US. 
 
 
 RUB-OUT OUR 
 
 WORKS 
 
 
 'k 
 
 WE FORGE r THOSE WHO DO-UNTO- JS BAD. 
 
 %'M0%£ 
 
 us NOT IN -ROAD BAD. KEEP US 
 
 J> -« * i — ^ -*• 
 
 LEAD 
 
 IN-ROAD GOOD. BECAUSE TMINE THE - KINGDOM, THINE 
 
 c^0 
 
 /•■ 
 
 THE-POWER, THINE THE-GLORY. FOREVER, AMEN 
 
 1^ 
 
 These Si0n J>iag?rfniK are r(i])Tp'i<jhfr.rl lij/ Lewis V. HncHiij. Intl. Trrrilory. 
 
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