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New York 14609 USA SS (716) 482 - 0300 - Phone ^= (716) 288 - 5989 - Fax MICROCOPY RESOIUTION TEST CHART (ANSI and ISO TEST CHART No 2) 1.0 I.I 1.25 I4«> MM KMHt 1^ IIM 13.2 1.4 m 2.2 ZO 1.8 1.6 M -AP PLIED IfVH GE I r sir. '»5.! tosl Mom Street S g'^S "^ochestef. New York 14609 USA ('16) 482 - 0300 - Phone ^= (?16) 288- 5989 - Fa« OILS BeLL-SMITH. F.M. 1. Sunset, Holland 2. Evening CHALLENOft. F. S. 3 Old English Tavern 4. Where the Mistletoe Grows FORBES. J. C. 5. Marine aniER, E. WYUY 6. La Canne d'ivoire 7. S. V. Blake, Esq 8. Spirit of Twilight JACOB/, O. R. 9 Waterfall at.Moisic PATTERSON, A. D. 10. Fascination REID, a. A. 11. A Catskill Village REID, MARY HIESTER 12 Koses 13. October Sunshine 14 A Sunset Kose TULLY, MISS S. S. 15. Anticipation 16. Crossing the Sands WATSON, HOMER 17. Landscape 18. Landscape ig. Landscape WATER COLORS BELL-SMITH. F. M. 20 Tintern Abbey 21. London Bridge O'BRIEN, L. R. 22 The Kicking Horse Pass 23. Lake Memphremagog 24. Carrying Oats 25. On the Humber 26. Sle. Anne by the Sea 27 The Lime Walk, Clovelly JACOBI, O. R. 2S Landscape MANLEY, C. M. 29 Midsummer Days 30 Shimmering Heat 31 The House Among the Poplars •^ 32. "Autumn Scatters the Leaves Again" PATTERSON, A. D. 33. II I'enseroso (Charcoal) 34. Hibernia (Charcoal) REID, a. A. 35 Sheep P.isture 36. Late Afternoon (Pastel) TULLY.' MISS S. S. 37. Head (Pastel) THOMPSON, ERNEST E. 38. Studies of Animals 39. Studies of Animals .. .. - ■i^ *? OILS • 35 oo ' . . 2j OO 20 OO Srows 25 OO 125 00 75 00 40 00 50 00 • • • 75 00 100 00 60 00 :. 40 00 85 00 15 00 ;r colors 250 00 125 00 5S 350 00 200 00 200 00 1 50 00 140 00 ^iiy 200 00 f'5 00 Poplars 50 00 Leaves Again" 65 00 40 00 40 00 100 00 il) 100 00 75 00 d//; :.aiv; W'c do not lic>it.it<" to -,t.itc t'h.it tliis collrclioii i-^ llu- ht-st and most represent. itisc ol ihi- l'",n;.;lisl) Srliool over sent to (.'anada, and u(; eonsidi-r it an lioiior lo l)t; tin; means ot placin;^ them before the pnblie, as paintin;.;^ of '-uch a l'.i:-;'li class (.'(haeate thi' nn'nd. and nothini^r can tend more to make the i)eo|)le ol" ( 'anada Icnown as lovers of trne art, than to have the work of such eminent Artists appreciated and distributed in our homes, riierelore, we trust that not only the eili'ens ol' 'rorciito, but other ('ities as well, will take advantage to be pie>iMit at the sale. These picture-' i)ein;4 ot' a hiL;h order of merit, \i)U may perhaps think- that " bi;^- pric<'s '' niu^t bi- obi, lined tor them. Such is not the case, as the pictures ha\e been sent to n-^ to do the best \\t- can with them .it public competition ; and il tile sale is the last encoma',;in;.;, it is our intention to arranL;e with the^e and other l'ai,L;lish .\rlisls to hold an Aiuuial Sale in this ( 'it\-. We wish to state' that thesr- pictures ,in; tin: work- and the a!)solu;e pi-opert_\- of the Artists whose name ihey bear; and to L^uard a;_;,iinst any feeliiv,;- tiie public ma_\- possibl\- have in this respect, we will L;i\i' tln> private address of c-ach .\rt.ist to the i)Ui-chaser, so that they cm I'oi'rt'spond direct, shoiikl they desire lo do so, and substantiate what we L;uarantec. llopini;' to have the pleasure of. i visit h'om \-ou to view the ]'aintin;_;'s previous to da)- of sale, We are, Vours respectfully, R()151'.R1'S .^ SONS, 79 Ki\(; SrKi;i;r W'F.s'f, !•: OBKll'.N, Kepresentalive. TOkoxro. Artists Represented. ArMON'll'U. J. Moinlu'i iif till' Iviv.il Iii^tihili- nf |',uiitoi> in \V.U-.r (olois, .i tl liKiitiitt' 111 I'.iiiili-is III t >il ( 'iiUii,. AYI.IXC. A. \V. Mcmh.T (if the k.iv.il I '.uiilii i.iii Aci !ts. DrNNINC. I. 1'. Kl.I.IS. i:. (Dici' \sKii). M(-mi1km ff i!k- Konm! Scicii-ty I'f l; \MiM-. KS-|\\1.I., W. C. Mcii.lici I.)' ill- M.in.lii'-icr AiM.lriiiy i>f Ail-^ CAkLANh, \'A1,. r. (MIKNT, I'l' I1:K. Mcmlit-r of ilir k'ly.il ( '.niilui.iii A. .i.iciiiy uf Ails. (ikAci:, iAMi:s i;. McmliL'i 111 lliL- kiiy.il ^.icii'ly (if kiilisli .\rli>l>. llAkl'I.ANIi, .M.l'.l'.kl'. ;i>K.K\si.ii). .Meiiilii--i iif lilt- k'n.il An^i'i-Au-.!i li.iii S.n.-u'ly (if Arls. iiA\i:s, (i.Aiiii';. .McH)1m-i (. f ihc K'lval iii^lilu'f (if I'.iiiilris in WasiM (.'dloi^, also llic Iii>lihil(.' .if l'aiiil(.'i> 111 ()il ('iildi^. ll.WI',';, I'.HWiN. .\c.iil('mi(!:iii Koy.il I lilieiiii.ii. .\c:i'li'i,iy (.' .\ils ; MchiIht of tlic Knyal Iiisiiiiiie of I'.iiiitcr- in \V.iU-i- C()ii)r> ; Iii^tiliilL- of I'aiiUcis iii Oil C'oloi^. <--Il'. iii>C()\, t;i:o. I). I'aiiilL'i- ill <)i'liiiaiy to llu- i,'iicl-ii, IIOl.MKS, K. (I)KCI- AM 1.). Meinhcr of the Koyal Socicly of IJuiish AitisU. iiorKixs, AkTiiri^. AssciciatL' iif tlic I\iiJm1 Sdcicly of r.iiiilLTS in Wiilcr Colors, IIUSOX, TIKJMAS. Moinhei' of the koy.il lii^litiil^' of l',\intL'is in W.itcr Colors. JONI'.S, J. ('I,IN 1<)\. Mfiiil)LT of the Royal Cuiiliiiui Acadfiny of Ails. KiNc, ni:i:mi. ViCL'-rro^iclL-rit of llic Royal .S>oiclv of lirili-li ,\rli-.t>; Mcmht-i- of t lie Royal Iii^luiilL' of I'.iiiitur.-. in W'.ilL'r Colore ; lii^litiiiL' of I'aiiilcrs ii< Oil Colois, ftc. K()|:K KOI-.K, II. W. ma('Ki:n/ii:. ci-.o. a. MciiiluM- of the I.ivi-i |i.im1 .\ra ieiiiv of .V'ls. I'.Mri'oN', f.UNI'.sr, .MriulnM of ill'.' Iii-liliile of r.ii liters in Oil Colors. I'lCKl'.UlNC, J. I.. MciiiliiT ol ill.- koy.il Society of r.rili.^li .\rlis!-. Rl'.AP. C. C.\kl'l-.R. .MciiilitT of ilic liiniiiiiLjli.ini .Society of .\rlis!>. kicii.\kiisoN. F. s riAVAki'. Meiiilici ul tlir koyai SiMlli-li Socieiy ol I'.iinlfi-. kick.\rso.\. o. Mriiiui'id: the koy.il Society ol I'liiii-li .\ili>ls. STlAkT, cii.\ki.i;s. VAN ki'i I'll, iiokAci;. \v.\i I i:ks. c. s. M> i,ii.i .i| the koyal Society ol kiiii^li .\ili>ls, WAI.ION. I'K.WR. N'lc- I'le-i In It ol the lii^trute of I'.iiiitri , in ( )il c'olor-, ; a No .Mem'oer of llle Uoval lll^lllllte ol r,ii ilei> 111 \\',lt;'l (.'ofil^. WKKDON. .\. W. .Meinliei ol the R iv.il 1 ii-i iiiite ol I'.iiiUciM ill W.iter Coloi'-S ; aiiii the i\oyal Society of III iii>h .Aili^t--. V(i!,i;siAs, \ i.\(i;\ I' p. Mciiiher of the k"\al S icielv of I'.riii-li .\il'.sts. ©atc^foejLie. G. D. HISCOX, WiiKlsor, l'',nulaiul I'aintc- (~)r(Iiii;uy to the (Jucfii. Mr. C. 1). Ili>(.uv, In-, hi'cii iicm^l.iiii ixhilutor hir in;iiiy vc:u>i at the Koyal Acailomy, Kny,'! liisiitutL-, K.)>'.il I IiliL-nii,ni Ac.ulfiiiv, Koyil S.ififty nf llriliNli ArlisiN aiul dlliLT l.iri;e art cciitn.--. l''i)r Im year- in siu'ccs>i(m lie hi- liail lai,i;f and important jiiclurcs in Oil ami Water Cdhirs mi the line in the Koyal Acadfiny, and has had the honor to exhiliil his iiicliin'- on three occasions to the 'M^liu'en, and has sdld -onie of hi> works to 1 Icr . Majesty. Several of hi- pauilnii^s aie at \Vind>or Ca-tle and St. James I'alaee. Many of his pictnres have been imriha-ed by importanl Mn-li-h and Seoteli collectors. He has al-o in-lructed in ait ni.iny dlsiini;uislied per-oiis, incliiilni ■ rrincesses and Nolileineii, and has painted i>ictures by command ol the (Jueen. Mr. lliscox hold- live medals for ( '.eiieral .\rl ami Water Color I'aintini;-, ami on two occasions (1 Si) I and 1S9J) hi.-woik- h.ive been puicha-ed by the -Vn I laon of l.cox could L;ive her antl II.R. 11. Princess Beatrice six lessoirs in Water Color Painting. The i^»Ufen i;oes on Saturday, therefme the time is short. Monday at i;..^; and the live following davs woulil suit them. .Mr. Iliscox would lie t;oo 1 enough to bring a block for Water Colors. WiMisiiu C.\sri.K. July 17. iS()i. The (Jueen has seen your Water Color Drawings, and has much admired them. ler M.ijesly has selected three small drawings of Windsor Cattle n- irked ten guineas. I enclose my debt with many ihaidK l'\~,l i K MlM ll 12, iSo.v Sir lli'iiiv l'.>n~.inl.v |iir„'iii, \\\< i-MiniMnni-iil > lo \l i . lli^'"\. .ml will -hnw IS niflllli'- l<> lllf l^lllofll, ll ill -V .l'.'- -Ill !"■!'■ I'V Wcilllr-i.lV IliAt. WlsiMii; ('\siii, M.Mcli 15. iS'iV Sii- Ilrinv r.in-inliv li;i~ Im tliank Mr. HimoxIhi ^.■n'illll; hi- puiim'- lulc. rht'V llilVC lilMI -fl-ll by lllf VI 1 -Ml ;lll>l ill.' l.lll|M.->^ I'K- l.TU-K nf I ',rl 111,111 . G D. HISCOX \\.\ri:K COLORS. ^ -^ 1 / z-^- 2 ^■7 /^ /^ 4 ,^V:^^ 5 / ."' 6 ^ X/- / ^ ■/ S >-'' ^ 9 ^// 10 ^V*' 1 1 « /dJ 1 2 ^ /,' 13 River V.ir Isli; of \\"\ An \)\-(i.\'j^\n.,cJ / • ••^••-"^'^ '^/r. ^' O V G S.WALTERS, R.BA This Ailist's river -iccin'-' are cNrcr.liir^Iy ilelicatc in i-nlnr and so tnio to nature, that lliey leaililv coniiiieiiil themselves lo ait palioiis. They are ilitlkult to got ami alu: ys of vahie. ^_0 24 Suimncr Sunsd 5 A Pleasant Day in tlie Channel I'lxhiliiteil at the Kuv.il Society of I'.rilisli .\rtists. ■).■} ^ JOHN M. BROMLEY. R B A. ^j- f^ ,$ ::^.c> ^:J. 'I'liis Arti>l"s works are ivmaik:»l.ly Inu- an.l cU.ir.u im.lu- .)l tlu- mvm,'- Iu- [Mini.. In Ills siimll iMcliiiv^ tlRMv is .i sw«'lMf- nil,! a .pnil apiMic-iU in llu- work lli;it iiui^l ho \vorLh ^ /3 :S Midi^liaiii. Tx-rks EDWIN ELLIS. RBA. (deceased) Mr Klli. w,,. ■^ rol.lent of \I.uu:h.-^i.r. lii^ Inu ■ ,,. .. V-M .oLni.. i~ well U,„„v„ i:, (ire.t llrh:,,,,. an,l h,>w„:k. lu.ve .,Uv.,y. Leu welo,me,l .U .he princ.p.il A" 'i..lleries. Sinee Ins ,lea.h lu^ ,,i,,u,e. In ve , oum lr,.u .Iv ,,.lv,n,e,.l „i,,. ThevaredilVlCull to ..l.lain a> tho.e who own then, a.e lo,il, to p.n; hV^^ 111 I with them. Cotta-c. near Clu'sbr A. W. AYLING. RCA. n,. ,.Htire lone ol thi. ArliM^ work „ .l»tnu-tly I :n,l,.h. an.l ahu-ve, ol ,n,,nner tlu' evst. in tin. picture, i. the es .e.tion ofan ,Mrn.-,t lollo.vn,^ o( n „n.e for it is clear that the p.clute ha. Keen panad lro,n the ;^,ven lo,-,,liiy. /C^y 30) An Old Mill, in'u- r.uisam ;^ S^-J y / ^ J T. DUNNING. Mr. Dnnnin- i^ a l.on.lon AiliM, wlio-e pulni.- are aUvay. a plea-uie lo look at. lie paints ple.lsinj; Milijeels thai IIimI mm.Iv sale. II.- exhilut. .it ihe lloval .Xei'lemy and other Art ( lallerie. ol l'ai,:;iaii i. ./ 31 CalliiiL; tlu; Perry 10 /c^^ VAL. T. GARLAND. A clevi.-r nniiitcr of animals, whu^e works arc in t;reat demand. lie exiiihits at the Royal Acidc-niy and (.■UowIrml-, and i^ artist l> tlie "London Ilhistiatfd News." Tht; Mrislcr's V^iice //r^ ^- .*^». J. CLINTON JONES, RCA. This aitisl' . \vi>ik i; di>tini;iiidiod hy atcnralf diawin;^, iniic color and iiii^li tinish. Ml". Joni's hits the i,'oldeii ine,\n, nL-ithor slii^htini; natuic, noi tuitlini; her with haid realism, Imt views her with a hivei'-- eye, ti.ieini; her eh.nms with icveiential trulhlnlncss. S--V r.^ Tal V In.iU luid.^c Walts • -/- ^- -^.//"''^ ''"7' l'!xhii>ited at the I'hts Mawr Ait (i.vflerv. yy\-^f<:;L> 34 Autumn, Norih Wales l-;xhil)itcil at the Koval Camlnian (iallerv of .\its. WA'ri'.K COl.OR.S. ^ .::'j- FRANK WALTON, IPO.. R I. Mr. W.dlon is a 'I'uinei (lold Meiiadi-t of the Royal .Academy fof I.andsc.ipe. 1 lis jnctuies are i)f the mo~l excellent woikmanship and the details always pamted with n care which is not easilv e(|iia!led, and his picttiies are to he seen in the peiniiinenl exhihition of the \V.\lkei (i.dh v, I.iveipcjol. J--^ Kilbraiinan Souml, Scotland -/.<. A,'<<^* '""^'y "'" (^. ALisERT HARTLAND, R.A.S (deceased). Ml". Ilartlaiid. whose death occniied a few months atjo, was a very clever water color painter with a most delicate lonch, a i|iialily which none hut ^ n an oxpeiiL-ncca ailist civu ;j:ct. Tsvvniy-.mo ..flii, w.iIlt cnl,.,> au' In llie I.ivtr- l>o.)l IVimaiient K.xliil.ili..n. li.uiiii; luvn |uiu-h..>ol l,y ilu' » '.m poi.uioM oi iImI city. Recoiilly lii- iiiiUirc, liivc boon l.oii-lii l>y .iil collccu.i. (or /,J"0 >ti;. i,//. 3<0 A C.oUl.'n l-:ve. Walcrl.K) Saiuls .A..../fV.- ^■■/>.^- (J: ■^.; ERNEST PARTON, IPO. 'I'his is tlif only (.-xainple in w.itrr color wo li:\vo of tlii> ^'reat artist. 'rlic ileiicitc ir.icery of tlio w.iiL-r, liic w,\rin yet Imniiil atniosiilicrc is the very Incilii of .111 Knylish summer ilay. ^^ r^r^ ^, J Near Rick manswoith /;^ 3c> ^^ "" .y/,^.,-/. 9>^ .-yV'iL-S, A W. WEEDON, R I., RB A. The colorini; oflhi. arti-l'> woiU is l;oo,I an 1 of .i ip''''l tour, Iml llie lii^lu and sliaile in most cases slroni;. His -lyle is excellent, and .liovv, a clever manner of execution. / '■> JZ/ 3^ livthc, Kfiit y O. RICKATSON. R.BA Mr. Kickat>on'. fame as a lan.l^.Mpe painter l^ well Knmvii all over C.n-at liiitain ami liis pictures are in all the lea.lni^ exliihilion^ of l.omlon. lie i- a paintei of loni; -.lamlini;, a i;reat coloii.t, and the ,>uliject he depicts in .i stioni^ foicilile manner. *. /V 4 ' A\J 42 I'hc Gamekeepers Cotta,L,^e ^ -^'"^y y IJirchcs by the Lake A Promise of Spring- At KiUarnex' ,, /^y- /<• ^/l-n^->^c^*-* Old Mill, in r.ucks CHARLES STUART ;fgo A wrll liio.vn :nlul of M..unl.iiM.iii, 1 ..ulI^lmpi-. Ai ill'' Ail rmon l':xllil):tl..il, Nil. S'ii,iil\ SiiilOiiUf .nil \IUls, ;i I..M vir w n( mounlalli ^C'lifiv, was sL'Kxtfcl lor tlu- Ini^hc-l |>n/<.'. v.iluc'l ;it /,"lot). 4^j. I lie 1 ,r '.(Icr of lil< 1 1' I'll C^' A^Ur^' //. JAMES E. GRmCE. RB.A. M,. I. !■:. (liarc .,,i|.,iiiiUT uh . -CCS with .\ poflic eye the .inii.lcst tliini; in IMIUIC. - Ia'IIiI.'II '//'.//■t. Ml'. 1. K. (;r,ic/>'l-lu'.Uc l.iii.Kc.ii'os po-st-s ;iii mi.i.'al.lcl ..11.11111. /mlk. ;^ JtJ' 45 Pools on ilir ("Diniiion ■^ 3c:> 46 A Surrey Coinmon ■• ^>--y<^— -"-^ EDWIN HAYES, R HA., IPO., R I. Scvfu.l se.i-l.ieccs aivl o.;iM m-cmcs an- ni, ihc wills, nui.m-sl tluMii some j^eins by Mi. Ivlwiii ll.iye-. lie 1- an .\ili-.l wlio,e w.nk.aie pl.M-aiU lo .Iwell „l„„i aii'.l .lone with so evi leiilly i;enuine aii'l enlliUMa-lie a feeliii- lliat he i- Mire 10 aini,-e .-vnii.alhv in iho-e a.lniini,- the cLi-s of u,„k he ,le.si-ii.. lie has an unmislakal'.le ^ifl in reali/in- the |,.ulieulai- elleet ot ihe >ea aii.l ..Inio-phere, he wishe,-t.. ivcora •••riiaii whom ,1 liner o|,eii-sea luintei .ioes iiol exi>l at the IMeseiil ilay" - MiV^azi^it- of Ail, />.,., /^^V-'- C 4; \'armoiilh iMshin-^ lioals ' v"6 4^ ^''^*' ^'"'^'^ Coast j ,,//-^ 40 Sunset, ISass Rock /^^^HjJ^l^JlZ V i/-J 50r ^-> -*o A lai-e Walei Coloi. entitle.! " Trawleis olT (ioiNton," hy Mr. K. Hayes, is n mainie sui.jeet in winch the -hip, seem lo rise ami fill with the mothm of the water. The spcct.itor eanm.t but be imprc-cl with this leali-lic aii.l sUilfiiUy exeeule.l .liawin-. .Mr. Hayes i, an excellent .Irau-htMnan, with a ihoioii-h I.". p/2 o / (^/,* Uno\vIe.l|;e of ^ky a.vi s.m in .Ul tlu.. Immnr. .u.l tln^ is .< l.r.'.vler ;...,! nv.ro vij;orni,s picturo tli:in wl- Imvo seen for a l.nii; lina-. iIk- o.Ior. L ■i-,' I ...i on will. conMimmatc .kill an.l knowloisjc of cir ""^ - ;o Trawli rs oil ( "lorKii m "' '.-■^•"^ ,/ "*-'' '/'■ .<.... ■/'<- '- r"" .'' ?... " Kxhilntcd at tlu' Royal lli-tituU-. ARTHUR HOPKINS, R.WS. \,non- tlio t.oloworlhv piclurc. ai tin, yo:u\ cnIuIhi, i! woull !.,■ uniui.lon- ,l,k. toomu a iKaiuiful wo.k l.y Mr. Aiihur lloi-kin.. •■ II .v-,n .km-. 1 li.s chamiin<.' water color is .,n,ct an.l i^yllK- in feclin.; an i hnn.on.on, in tono. while the f.sjures are ,.kue.l will, excellent result. It > ontpa.es ,„o.t I avoral.Iy with Hirket Foster's best work. --/..J//.;.'// limes A,l \.U.. f1> / ,/ 51 ILiyniakin; I'.xhiliite.l at the Royal Water Color .Society. i^j") Now CoiiK's .Still I'.vcnin- On ^' •• Kxliiliite.l at the Royal Institute. ^Z .. ./A,./ . > ' ' ^•.J., r /•'« ' ' F. STEWART RICHARDSON, RSA \ lan.Kcape painter who has, withm the past few y.'ars, tak.'i, a leap in a.lvance, ami is now ranked anmn. the WA pain'ers in Kn-la.rl. IIu .lehcalely piinte.l i.ictnres show an acpiaiiitance will, the more mo.lein |.ha f Ian Uoap.> art In his " Win.l and Wave/' one can ahno.i iniai;iiie he hear, ihe ri.sh o! the win.l. so faithfully natur.al i> the effect. It i> a reiuark.iMy w-ll e.ecutel work and a credit t.) the artist. — /«J.'/V«.V .\ (■/<•. G ?0 Wiiiil and \\'av<- Kxhiliited at the Royal Iii-tilu; X Jl ' ' 't«A^^a., X'cnicc I'Ahihited al the (ili-'^ow \\\ Ci.iUery. St. Monan' nM Chuirh. I'ifr /^' ,^M'^r^ Mxhihi^-i al ihe R'.yal Scotii^h ■.uidcrny. 14 YE -.ND KING, RI ■ R BA , IPO Mr Vcrivl Km- i. .mc of iho ino.t al.lc ami ii,ins "f Eiifilish artists, a,„i at .... .listant .1.um1,..c i-, a Mrong p.ol.al.iluy of l.i, being elc-ctcl a.i associate of tlic Koyal Acailcniy. ^^, 2? 56 1 Icininiii^rorcl Clu;i-c;h, Ilanl- - .^'»'..— .. An UvcrhiU ..n iIm- Ousc ^. X^'^ /^^^-^..-.-^ ^* lA/ . OIL I'AINriNGS. PETER GHENT. RCA. Mr. IVtiM (lii.nl u a ti.ll M.-lilli-i of liic W.iiU.-r .\rt I i.iilciy. ,ii.,l (cw arti.t's of ,„okn. tun ■. bavc >o x.xyvWs; atl unci at an early .i;^e the int;li l"'sition i„iml.liL-.-.liin.iion occupi.-l Ly Inni. Many of tin, yonng artist's work, foumi an enwanje lo i-Lice^ ol h,.no,, one ot ins patron, l.en,- tlic I'iarl of 1 .l-i hy, while tlu- Mayor of l.ivupn,,!. .Mr. (J.ilisliott, pnreh.^scU liis pictnre. " .Nature s Mirrcn/'for 1 he sun. of /.-JSo, and p.esente.l it lo the I'ermailent {■Ixhih.tion ol ll.e W.illior .\ii (lillerv. .V waler eolor by this artist was soUl ni Montiea! loi $1,050 lo a proinilKnt merchant (or his private colleetion. ;S J^ ^y v/.»-*^ ^- '^ ^ o O 59 7^ 60 Nature's Su-sLa Kxhiliiled at tlie I'La., M.iwr Kxhibiti. n. OKI Lock on the .\von ^^^-^^^ / » GEO. A. MACKENZIE. ■l-hc ,nu.t prrvahn.. u. this p.nnl.n- vvouia sn-est to the l.ehol.ler ihe title. en if it ha.l .uv.r l,een >.an,e,l by Mr. Maeken/.ie. The hour, the atmosphere, [he entire sunou.uiini^s .how that" u ,. not a .lay of wo,k, n.ore especially when ,he place .Iq-ietul ,s a busy po,l. The arl.st ...u.t have made a slvly .-f thw .>«g^ivM^tMik«i< " i:. rfcot i. the coiiici'lci" ..f h^'it >ii'i subject. ai.a^Kcc,,., ...... •■•■;,;.,,,, „f^,.^.„„f „,,,„,.„ an I moUow sliilc l!ir.)U-li uf the picture. I h .u i. i,it.u , ..ui. ,cs^ of color, .u. 1 it is a wo>k vv,„:hy -f Hv l.i^l-^-' ^"l"^)' subject, aii.l .kelchel it on lU- -p.!, >■' po ^vl <5 I Sundav MoniinL^ >> r*» •*«*^ / ^; lIi.uacIlm HORACE VAN RUITH The .re.U meiit of th- .ut.^> ^ w„ik i. ih. tui.lilu! um,.1,ti.i ,„ ,he tvpicU >cn.c. -riu-i,- «cll lul.uu-.l. tell.u, nuumc, o( .onM.o.M.n ano ,he i.owe ..f clo.ulv .eve.du.^ what i. .iilen.lcl. n. >on.e i>.c,..e hu ,.ic,u.e~ .u. ;;;;.r::l I^^ctivJ a,,.l aUvav, welconie .. ,iu-l.onlon ..M,i,.it.on, ,u.„ .U ihe i.rinciiKil art ^aiiciio ihrouglwul Kuro-e oj Siriia W.i^hrrwDim'ii Kxhilntc.l .u the I.,v,!>'..ieof I'amlcr, m Oil i-lo,. ^//^/ .^ •''•'• ■'■^"'•^'^ V'""" /'j",tf I f ERNEST PARTON. IPO Mr Krne.t I'^mon ., an Anicu.u, l.y bull., L.ui^ 1, .rn a. ll.vKon. N V.. ,Si;' lie was cleelea a meinher ol ,hc Arli.u' 1-un : S.Kieiy in .S;,;. ami u, 1- f ■• tl . ,,iuM.,~e of M'en.iini.' a lew nioiuli- in lueai thai vear went to Kuiope f.M tl.e puipo-c ol . i <.n in^ „ , ...i,,.,. nntnin, Uit, nic.un, ui;h >ncee- m I. ..M ha, reinunea .here, an-l no o, 1, . a,t„tin Knt;ia...l ha, .n.le ..ch a .lecle.! a^lvanee m hi, prol.,-,.,n ,ln..n, e ,„„ f,.. vear. rhe one th.n, to he noticl .n al the paniuiu;, ;■'"-'; s the ren.arkahle ,kill he ai,play. m keeping; the .n.hvuU.aluy o Ch , Us tli, he pro.h.ee, char ., etTeC uh.re a ie„ ,kil...l a.tM wouM a .o nu .- the\.ict.,re .n.ere„in,. a.vi there ., alway, a .lee. e,l oufof-a,, ,r l'"'iy> ^ - .vo,l which tells the l.hoMer that .he arM,t pa„Ue.l Nunie p., a, he fonn- ,,..,. V r..aa Me.lal wa, awarlel to Mr. I'a.to,. a, .1,0 Woiio, Ian ,or In- lai... Oil enti.lea - When l.ayli;4lit Die,,- airl which i, ... he ,.'hl a. .h„ ,ale. Ml- ,„c,n.-e, are in >he hi,he,t repule ,n l-n.iaii.i, .ml he n.nv enj.,y- a -P— "J - ,l,ce, hnn a,n..n, Uie fneav-t laivUcaoe pauUer, .„ wIm,,. hn,.an u-.U ' .V l.velv .ian,cript of naune i, Mr. I'a.'on', •• Kaily M...n,n^ .m th- 1-h,,;,., ■• The ,ul.iect „ treated with poetic charm an.l at the ,ame tune with a f,ee.lom which ,h .w, .li,tinct ..ri:,inal,.y on the part of the uit„.. 1 he .leiicate ,,,,ervoftlie w: , and the ,ha low of the tree, therein. to,eti.rw.,n .he won. yet humid ear:y niornm^ ellecr ..f a.mo,phere, make a pienire fa,l of line fee, in, an.l ,inL;ulai beauly. o 63 I-:;irly M wniiliy of n"tuf. K-uim-' iwww^ tho-c wliicli \vf Av.xW iiiLMitioii wo aif iiKiiiK.'.! In I'l.n-c- •• W'licii I'.iyli-hi I •i<.■^" fxr tla- nm- tli.uiii ami miiMlpalile realilv of ilio -iil.ji.vl. If -acnglh .m! a rcnUuf i^iip cf \\\<- j^alcnt fact* of icaliiy 111.' of more rnYDiiiit tlian iltlicaiv. tlit-ti Mr. ICniest I'aiion'.- woiU i-. till.- t;uMlc>t 111 :li. (.•Nliilnt. — .V; .'.■.; //,■«/ ,'7<' //,/«'<•. in t'u /ififi^h D<-f.u-liii,iil, It'or'ii's /•>iii. o ^fTt 65 WIi-'ii I »a\li-lu Dit's , -' ^..--' •-' l'.xiiil.iti.-il at the S.iloii, I'atis lSo2 ; aUo Kxlnlmd, aiul .Xwanlcl a (lol.l Meilal.at tlic \VorM\ I air, Chicai^o, 18(13. ^t^^'.y '-~^<— /"y YEEND KING. RI, RBA. IPO. .Xw.u.ica Gold .Mcilal at tiio 'A'oiM ^ l-'air. Cliica-o. TIk- bloiuliii-.'; of ligiiies with Inmlscapes in .'^ui.-h a maiiiu-r as iicitlifi >liall be nil. Inly iiveilominant i^ an art in wliich the lmiIv school of llntjlisli laml-cape |iaiiilL-i.. were pmticularly nd. ],t. and -o it 1- with Mr. V. Kini;. Hi- ri>.i,u-s are aUvay- pail and parcel of the l.ind riopoii.linL; in tone. 111 deijise uf l^!:i-t>. . , i ■,,,. ■, S'iiv.'; iioivs a very trnthfiil land>i.'ape entitled '' Uoad.-.ide I'ond." It is a h-.ir-i -ctMe. ty]iical ( f" ho nictuie-S'pie coniitry which lias been often de>c;iiieti as '.i'-e viarden of l-".i- ,iand. }7^c^/ *.o I'y Ro.ul side Pontl ^^ /^ l-.xhibited ,it the Roval Institute. /■v-r^ /^^^^ »-* 0} ^1, »^ J^-M, ~, Jf F. STEWART RICHARDSON, R S A ^ > •>r |,.hIi All," I'V Ml !■ S- Ui.li.u U..11. 1^ .III ox.liiiMl.- woiU, 111 «ln '. '< ' .. .Mrh otlu-i wall iiifiiiiiL- Mil.tle v iii.iii..iis. !■ i ' . '. Moiiciv. Ml- ^coicli ni,»U>-> th'- col .1, |il,iy ml n.iUli.il :iul vivi.l |.i,.,.Mit.v!hm of 111,' cl.u.n. ..f mlai , , • , ,CrMc. .uc well knmvi. l.Kiliu.-. wl.uh a,.- ,,kMM,._;ly .u, 1 t.Ull.Ulll.V .I-im' '-l 6S Tlu- Narrows of l.orh Ard ^'Z^^^. Z"-'^^ Ksluliilc 1 .It llu' K.iy.U < H„.iy ..f llnii-.ti .\ili-i>. y *^ ,<'y 'f- (J J. AUMONIER. IPO RI The wo,k of ihi, ail.-t I. oxtioi.u-ly .l..-lic.,te mv\ su'-l. n, im.-. ,. 1 lu- !..'> the rcM-uMUon of lauiun^ N,.u,i. ,i, ho se-. it. Hi- liVo.ir l.ui l-..^ o.v.iy, a,„,u-L ;Ut,.|..>oi, .U tl.,- ,uny,iul KO.lu,,..,.,, II-- In- ^icU ,.owc.- lu .k-vln.^ with effects of li^li. .nul -Im.Ic wluch ...vc l- 1m^ i.,c.u.es .t lu.moii.ou ■ I1....I.. - I .million Times. (r.) ) llclluno, VciKtlia '''f/j'y ''««^' y ^' 1 .- k.i .wlcl^c ,u,4 .hil.ty. I Its l-l.tuvcs are ahvavs .le.tj;htt . a t'eat lostu.ly a„l Midi a- o„c uouM '• lik. to Uvc will..- -./../ '-"'K ■''/ -^ • ^^'^^" Kxliihit^.,! at the Uoyal Academy. ro Mr I un.s K. r.r.acc possesses the faculty of ,.ro,lac.M.^ bold cllccN an,l at n ' sam= lime liUmt; iu ..H .leLuls with .Iclicxcy ai> 1 l.n.-h. There „ a feel.n- ' re-tiul-.essau.lcalme..joynuMi. .tih.siut.itiu^, " IM.tn,^ 1 My, at tlu- Ii.-titu. I, i, t,c.ue>l w„l. a poetic charm ami we can pay no ln..licr compli.ncnt to M,. (irace than hy >ayin-.j thit this pai.itini^ is worll. ' its ma-ter. - An/)- le.c'mfi, London. 71 Parting Day _/: r.xhii.ite.l at tlu- Uoval ln>!.liil'- .,•> \^y '^ **^' W^t.r O. IS CHARLES STUART. '/ >^ (^ / < '!i,ii li,'-. Slu.nl 111 iki'~ oiu.' Mi;i;^ I'lir iliu hilU ;iii'l l.ikrs of ScnlLiiiil liv his liiillirul lepic^i'iil.iliiiii ill lii^ work oiilillc.l " !• roui Moiiiit.iiii to Ocimm." 'I'Ir' r||'-Li of Miuilniic is voiy Inij ,m 1 ilulic.ili; aii^l -lious liis pou'cr lo ileal uilli .\ hm.id cfk'tl of li.i,'lit up 111 a luoaiilaiii skKv il i^ a i^iainl work ami i;ivcs a illowiii'' view of lake airl iiioaiilain in llic I IiLjlilamK of Scollaii'l. 72 rVoin Mountain to Ocean -:r (A Scotch Valley) lAhiliited at the Institute of raiiiur> in Oil ( 'olors. -Mr. C. Stuail has i,'reMt power in dealiiii; with li;^hl an I >liade and his sunset effects are really remarkable, as can lie seen in lii> picture entitled " Freshwater.'' 'I'liere i^ inucli that is line in the color .iiid lii^hliiii; of this landscape. The i;lory of the sunset is seen in all its lieautv and rellecte 1 in the water. — London Tiniis. / O l'"i-csh\vaicr, Isle of WiVit -■^> ••■ - "''^ ■> (Lord 'rciiiiyson's lloiiie). .vo _/V.^ y .'.A* J' ■' -^- «> ;^t. « JL»S / W. C. ESTALL. M.A.A. Tlie " laid of the Day," l.y Mr. \V. C l';>l,ill, i^ a heautiful example of his work. 'I'lie subject, on,- of solemn L;raiideiir, represents a shepherd i^irl leluiniiii; from the jjra/iiiL;-t;ro:md with a Hock ofslieep. The mystery of iiii;hl has already stolen upon the earth, while the lit;! t of the li^n^ summer moo'i silvers the landscape and relied^ on the ln;uie and sheep. The uliole scene is one ol perfect placiditv and repose ; a pe.icrliil h.irmony of color canie^ out the restful sii_L;t;es- tivenes^ of the houi and scene. Mr. l'',>tall sluilied under the ijieat master, the kite j. l-'. Millet (of •■AiiL;eluN ■■ f.une), and this p.istoial p.niitiiii; does him credit indeed. -~.7((ii/r 'J' ./// Xolcs. /) -.\ The I'^nd (jf ihe Day -^'.^^ — <-- .^^ l'l\hiliited at the Royal Academy. .JL,^, »_^ ^,' J^ / J a r- ^»" .■f- — E. HOLMES, R.B.A (deceased). • «<" . ^^ ''- ^ j..^.,/... ,-,.,- ^^JO The late Mr. !•'.. Holmes' [lictures are admirable in teclinii|ue, fine in color, and linished in detail. l"he sky effects and landscape distances are di-.tinj^uislied bv much sweetness. I'.^ vV f c ■/ & A Sunny Day w:.,/>-' --^ "'•■ l-Ahiliilf'l nl the lv)y;il Af.uleiiiy. , . >••.. " t/^j:2 76 Attn- Kain I'Miiliilcl ;U llu" K.>y.il Sncicty of I'.rilUli Arli^l-. • -zr J. L. PICKERING. R.B.A. •' Fcbiiiai-y," I'y Ml-, I. I- l'i'.l<''i m.^. 1- •' '""^' nuiuilo :ui.i l.iti..uou. -'ulv of llu; lnc;ilily'nii,l I'lir mM^mm. with .ill it- minor rc:ililie> a.il luiur.il i.licii.nn.i.... Thou.- i. MO :,nemi.l at IilmIi.umU or dVccl ; u is a >im|.lc i.Mhiy wo.k,-! 0,11 Iron, a line paw-r of Kni-li-li lan.Ucapr. wilhou! >piviil.ilion .i- lo uh.it mi-lil be, bnt with .vtVivmc onK- to Mel. Ml. >i.ln 'V .oop,-,, K.A,, ncv, .1,.! l-llcM wo,k an.l Ihetrutli of ilie piciuif c;innoi \w. >nip.i.>sf.l. -./../ .•,'/;.)• ./'■' A-'.' '. l'\'l)niar\' -' J * .< > *• / / .xhiliUcil at tnf K'.y.il AcailL'iny. / .i ^JO o ARTHUR HOPKINS. R.W.S "All llan.U to ilu' CapM.ui," by Ml. ,\i!lun I lopkin-.. .-onlain - :i won.lnlnl amount of vii;our an.l li(<-. TIk- >CfiK- i. iai.i .m some point of lo.k-bonn.l .-oa^l, wlioro, presumably, the lishinj; b,,ats Im.i a .lifhailiy 111 1 ni iiiii;. Kii^qe.l up in a favourable position on >liore i. a eap>lan. bv means of ulnch llios,- on l.m.l len.lcr a-M>lanee to any returniiiL; boats, men an i women re-poii.lnn;. as m tie- oieiuie, U. do wh.U tliey can when their serviee- are nee le.l. llie aufeivnl atlilu.le, have evidently been' well and carefully studie.l. with the ie..ult that a very real .tic impre-sion of motion .and power is conveyed. -S All 1 lands lo llu' Capstan I'Ahibited al the Royal .\(Md.-my, the lierlin lAhibilion, and the lubilee I'ixhibilion al Adekiide. At>'*^ •^-'^ '^ 'X' (y .y y <^^^- e,^ yy- <^,^ C^rr/^ y^. .-Z^- en rf-f /r*'^< 20 I /v: / SECOND DAY. W.\ri:R COLOR I'Al.N 1 1N(..S. CLAUDE HAYES. I. PC R I. 'I'lic f.illduint; ceil li-ct ion cif iwcniy-lliree WnlL-r Color I)iawini;s niul ^cveii Oil r.niilini;^ liy Mr. ( l.iU'lo lliiyc^ will lio Ui\\\v\ voy inlorcstiiis,', as he Ic.ivcs ii.jtliiii;j; 1" i-iMiice. I'icHircs liki; tht'^e cli.uin liy :i mixiure of jioclry and roiuaiuo. His laiiilsca|K's and winter sccnos assii>n him an fniinenl posiiion •inion^ our lic^i p.Tinters. .As a rnlo lio srU-cIs tlu-nu's iliat arc allraclivc- ami ihey art- Ucali'il willi iuili;MiL-iiI, fcclin;^ and ^ood tas'o ; lii- sky lIVccIs arc inland and his colorint; liarnionions. lie was awarded tiie Silver Med.d al the C'lyslal I'alace Kxhibitioii, 1S91, for his lar^e Oil I'ainlinjj enlitled "Near Arundel." /;^l >7 79) /./' So ^<^ Si //J S2 (^// 83; ^ /J S4 «5 r^ .^ S6 7//^' 87 ^ •^' S8 Duiiwicli, SiitTolk In the Orchard ^'^^/* I)\- the River " An Old Cotta.L^e * Ciuiltord Collei^e ami Uridgc; After a Shower In the Woods The Road to Loinhtn /df /''• Across the Conmion In SnlTolk fV-yv I cJ-**-' ■2\ S i 89 // 90 ^^yS 91 i, ,,•. 9- ^^.S , "^ 93) /■' '-'/ »//'■ 9'-' ///^' 100 > 101 Road to the Common In 1 )orsrLshir(' /^//A^rU^^.u \ViiU;y Common On llu: llonrnti Near Wit lev . ,') xiv- .■'/n.,.ff Road Lo rortsmoulh Adillcston r>ridL;(' Lamhin^- Time Near Dordrichi A Showery Pay A Sli-liL l';ill of S now I^arK' Moon rise; ///' ^,,t^<^ /^^^- ^/*^" I'Alnliilcil ;il lliL- Roy;il liiMiliUe. A Surre\- Rasloral ^'^/<:X'i' /-^, -^^ I'.xliiliiltvl at ilie IiiMilulc (if I'.iiiitos in Oil. / ,A, --^ f.yi^ 105 > // 107 Sunset ill Surrc)- J?^ >: 7^ Arlitiile. On Ivov.il Common ^f x 3/1 /^.r/ ri-.'-- -<'i |-!vlnl)ilf'l at llic lii^liliilc iif I'aiiiUT^ in Oil. Winlcr '■"' '■^' s-">----^ "^-y"- "^ ^ ^^ M()()nli_!_;iu '/> ^ y '•^ Donlricht /^ ^ z^ o _^/^^r- <^^ »-".--/' -^ / ^ -/^/'J J. M. BROMLEY. R.B A (^ /// I loj) A SprinL^MorniiiL; s /J " III Milking- Timr //^ ^ /^ ^^.,^.^y >, /J 112 Apple lilossoms /^ ^^^ O. RICKATSON, R B A ^-i r7. , . , .^^^. ^ »/ • .V ;.. y/^ Mr. UickaN'in'^ f.iino as a l.uiil.-^caix' i>aiii!c.'r i, woll kiuiwii all over (Ire. it I'liitaii), anil his iiictuies are in all tlie leadini,' e.xliihilioiis. lii^ manner of tieat- nieill shows i^real orijnnalily ami a liii;h lieL^iee of self-|)o-,^ession, while Iiis niani|uilatioii is bio.iii ami nia^teily, Ins csjloriii:; rich ami ileep, ami the well known localities he selects for siihjccls arc nio>l ^kilfully ami l.iithfiilly vcpie- senteil. Mr. Kickatsoii is the winner of the '" Tiiriier" prize at ihc Royal Academy, also the "Creswick" schol.irNliip for l.iii'Ucapc, he lieiiii; the only artist ihat lias ever been awanled i)olli pii/es at the Royal Academy for landscape p.iinliiit;. >_:^ o 113 I 14 ' 15 Windmill Hill, PcM-lnshire ^% I'!xhil)iled at the Royal .\cademy. The River W'harfe. near ISollon Abbey -^-y x 7^ 111 the Wharfe X'allev ^v\ xs.nxj yu. < ^t^ A, /y 4 /7o f ^/•■-' -'^ CHARLES STUART. y^<^^ ■•^'^ ^^^ '^ , Amon^ xW mo,, in,.-,v,iu>- |.i. ■>.,-,■, :.t ih- U,.y..l Ar.l.MU- ,„.• ,l,->- nt Mr. Clnrlc, Slu.Hl : ihcv .iKv,.v> alMu'l :.Uciiti.m. ;iii.| .lo - >v.u alM \v.n. Any- one who 1,.. Mu.iie.1 ,lu. cv.r.v.uyinu ctlVctsol li^lu an,i >l.a.l.nv u. a n,o nlanu.w rc-ion.w,n l.av.. no l..v,:at,on n, .avu.. iha. Mr. S.uaM l.a> ,a,luT un^.T-eMunaUMl than olliiMui.c tiiox- >u.l.lcn i-liani^<'>. /'(/■> /;.•■,■' '/"'• ^ ..^.^' ^/-^o Il<'5 > /c"^):) I I A Mountain Tarn Isxhioiicl .>! ihr l^oyal .\c.i.ifiny. Scotch Mi.st.s •* 1.^1 . c/j-^-- 'f INhil.iic.l at !lu' Walker .\il C.alU'iv E. HOLMES. R B A. (deceased). Th,. luiuluv of Uu- laK- Mr. K. llohnes, onlitlcl '• The! launu.l 1 ixv, .s execmo.l in a .in.nt; an.l fovoM-- mann.-r, which sh,.w> the taha,, of tlu- att„l to Rrasp the oxpvesMn^ ol ,hr n...n,-Mt anM suu.mn.in,;.;,. 'l he l-^iUon ol the chihlren t;ivt> llieni cxeellni! cxpioMon. .^e'.' " S The HauiitiMl Ti-ft; /.^/^.<^.. ..... Kxlnliilf.l -It the Manclu--lci- .\it ('..liloiy. JAMES E GRACE. R B A M,-. j. K, c;,-ace's ,.ie,au.s af. al.av, .K^h^htlul to look at. a, he >, a .Uulenl a.vl woi-.hipp.T of inline, pure mil >iinple. ^/..'ii.Lu, ron.i. y. 1 I <) A Surrc'V Cottai;-*' A /l ,« O > _ I 20 Summer in Surrc'V '- 121 Gorse in Uloom , Z'//, rf 1/.*^ >- .,>', -^>-' • H W KOEK-KOEK. 1, i, one of the alie>ta,,ons of the impre^.^.n ma.le l.y Mei-,.nu a that in everv Ki.iopean stale theie i, .ome ,.a,ntci- ■■! aetail ,ac,uie, who, hv .he exeep- tio-ul exeellence of hi^woik. i, ,h,;,nlie,l with the sol.n.,uel of the uiea, l-reiuh- L'4 man. In lialy it is (Juadroin; ulio is tlio " Italian MiMsdnniiT," and in I'',ni;lan, as liu is certainly a master in iiis walk (if an. Mr. KuLd<-l\oek i- nnw a re-ideiu of London, and his paintini^s are controlled by Thos. .Macl-ean, the .\rt Dealer, of llayni.uket, London. Mr. l\oek-Koek is a medallist of .Vnlwerj), lini.ssel.s and I'ari^ l-^xliibilions. ■^ yC^ 122 A Ijlh kH,HlS«K /Of^/-^^^ /,,„yo^,f.. ^*/o' 123 A Grenadier //> x /i'. • ,.Vr YEEND KING. RI, R.B.A., I.P.O A constant and loving study of nature, and manly fidelity to her simple truths are characlertstic of .Mr. \'eend ivinij's landscapes, and it is in liis native scenes, so St roni; in their i;rasp of iiatuie and so modestly poetic in feelins; and expression thai his lotiie-t powers show. lie is one of the ablest livini^ painters of landscape subjects.— .SA/z/i/i;/-,/. ('^^^.^yS^ 124/ Path Tliroii^iih the. Wood.s /y/.) I'Ahiltiud at the Kov.d ln^tilul•. W'oolhainpton, lUn-k.s /'./" a / H THOMAS HUSON, HI. This artist's wink is known favorably for its excellent color, decided ?n\ (hin touch; and the handling; i>f his oil pictures is very clever. Mr. Hnson always gives to his pictures the as[)ect of pleasant nature, and when you look at any of them you perceive at once what it is. Two of his oil paintintjs hang in the Liverpool I'ermanent .\rt tiallery. The following six (pil jiainlings are the original works from which the engrav- ings in " Round About Snowdon" were produced : [26 Conway Castle 127 ; C".l\n LIcclr / cJ I 29 I,lllL^\V\- ', . - '^ -■-' //* ^fc.,..^^^ ,..,.. ^.^«^''^^,^^-' ;..> So 132 ^ Jo 133 M -'■'' 134 > ^^J ' 3 5 O*-'-'^- 136 ;^ 137 130 Mill at Polai-nvj ^x-'^^.v, ...'<. ''^ 131 Pont GylTm,^^ //.. ^^.,. ^-^^ The following MX oil iwintin--. aiv llu- ,.>i-innl woiU f,.-n. winch thr oui^i.iv- iii(;s in " Roiiivl AImhU Ilflvi'llvii " wciv |hoi1\u-o1 : Rytlal Mount "^'^^^ ,„a.^y^ ..^/ 'rhirlni(M-c ^^ ^■^■'' '" UpixM- Kydal l'"alls Dun-con (".lull >-''-.—• ^^'^< / ^^^ WATl'.K I'Ol.OK r.\lN l'!N(i> EDWIN HAYES. RHA. IPO. RI N'.l olh'T rhvin-:ulwt|..unUso.,, sky.n.l.«t,un,|,h..rl,k<-M.. IvluiM Il.nr.. /;,•//,;.(,' \V,-,'->-/..//<''. Mr. !•;. II.ivc- is o„L- wl th>- al.lfsl livin- luiuU-i.^^ uf ni.iinu- m. .joct>. .S'A7/;.;''/i/. ^0^7 13S Dutch W'sscls ''- ' ^ ^/./ ^ 139 Scarborough ilu-hour < - ,r >^-. ^^-^/>'" ^jc." 140 Cornwall ClitTs /.-. --v /^ 141 A Wrt'ck olf Dunstanhi'ro' ''"^ ^"'"' O RICKATSON. R B A. cxiulminn>^n Lnn.lnM :nc .lu.c .,f Mr. I ..l..vu,s kal^.K Th.^v .uo s;r,ku.^ly l,..uU>h.l .11o:.~, :u„i u, ,h. .UU.I-^ .u>t ,nv ln„si, ..n.i ,i.>:ul.-A.. »/;/..« .\c-A-.. //•^^ '43 /V 144 The I5r(H)k /^ ^ ^J ^ Near Ihtiiiov /^ '^ ^-^ ' Tlic l\ivcr Shannon /.T ^^ /*" Killai-nry /^ ^^^' y>/y ^.^-^^-w / G. S. WALTERS. R B A. Mr. (i. S. Wallci-. a> u^u:ll, i^ slmwiiv^' ^oiilf (.■m'l'Ui.'MI walcT cul'iis this vcai. His coa-I aiul >f,i vu'U- an' always I'li-^h ami Im'tvy in tllVcl, willi claiK'iiiL; waves spnrkliiii; in suii-.lnnc. iloiul sliaili)\\~ p.i^-in;^ nvfi ihc sra, ami ti>lini,L;- sniacks " .^dImk alimit ;" sliownii; .in a|i|in'i iali(ni of natinc, and tli.U i> .>ayiiij; a ^iiiiil lU-al. — /..■r'.''/i'i>/ /\'st. '4'> I4S) ■51 C'aiiL;ht in a S(iaall 3 ^/^ Sciually Weather /i^ x// /^-'<./ Sununcr Ai'tcM-noon />? ^ '' 7 /^/^) /y^,^.^^^ A Dutch Craft /J " ^ ('^ /a- ^^7 y^ IJafLics Ml tlic M''(.l\vay ^^ ''-^'''' Cahii I'lvcninL:' ^-' ' -'^ oil. I'.MN I'l.XC.S. ERNEST PARTON, IPO, RI Mr. l''.in-.--t I'ailDii i^ well to llic fionl llii> yt-.ir. He sends a lait^e cnnvas cnlitlcl " In ihi- lliMil of N.ii niamly."' .A lovely vi^Ia of a slreani, the elearne^s and snioolli >iii(aei.> of winch >eive lo retleel the sky and woods in white and i;ray and t;reen hues that are adniii.ilily s(n lied and jianiled. 'I'he sky, indicatiiii; autiiinn, is ehmdv, |i,de and daik j;iav and uhiie, while the .--tieani's hanks an' iicli in foliage wiiu h heie j;low> in autumnal iiisset and t;old, anil theie is splendid with tile hiilliant yreen of the second leaf. Upon the Lvel water yellow leaves llo.il -loulv i.uv.ii Is tli.- I'r.oii. .ml .i ^oficiu'.! liijlu iuMV.i.lr. the -r.MU'. It i> a ili.winiii'^ vvciiU, .\ii i um- iiukIi .\ liun.'.l ai lli<' Uov.il Ac i.kiiiy. —./>.' Aiitattiir, /St^' In lln' llcarLol Aonnaiuly _^ ^ ^j>^v^^^ /^y ,„Jud..^ ' -yir- 152 I'AhiliUf.l a! llu' U..ya', Aia.icmy. 1S91 \^^.;'^' "53^) Sunset. Nc\vl)ury (-/h AitiM>. Roval Soci.'ty of Ani-ls, liiiiiiiii-hai.i. el^-. Tht- attuu:liven.'s. o! In. woik loii-i,!-, 111 llu- luMUtvof ilu- Mil.jvct, .iiul 111 the marvellously lifelike elL-ct i-ioluoe,! l.v In. skiliul Kni.h : 11 i. ..1-. ^ liaraclen/ea by elal.orate sni Iv of ilela.l, no i-nu. beiu- .pare,! 10 ui.ikc llu- Inn<->1 acce-soiy feci. Ills niaiiiu-i- of lre;il.ueul .how. a ln:..;li ,1,-^u-r .>f self-lio..e..ioii. w lule lis inaiiipalalioii IS l.roa.l aiul ina.tei ly. ami llu- ur!|.|,iuuvii loriliiu-. lu- .eievi. for sulijects lire ino.l .kilfiiHy ie|iie.' ninl. per fxjir^^^s n ir- The Silent Hour ^^ -^-^ i ^-^ ^ ^-^'^ l';\lnlm.-il at till' Roval S-. u-ty .il lUin-li Aili.l.. / J. L. PICKERING, R.B A. Mr. l'ickiriut;'s " lilakeunv " show, the simple Irulli. of llu- place, mv\ i. cue of his happiest elf. CIS. Il is a iiMstei Iv woik in every 'h-Mil Mi. ruk.-iini; ,s one of the .\rli.l. ol iMi-l.iu.l v\!i.>.e all ha. ke|.l p.icewilh the tinu-. .uul u ho has not reslO'l up(Mi ..I.I laurel., hut '^oiie .te.ulily .m l.i the ..uppu.-.! ..i lr.--li ..iu-.. — I.oiuion Tiiiti-.i. akenav, Norfolk /^' Z'^— ^ '^'<— ^^>'^ ' ^''' ^^^^\ l-',\lliliite.l at the Roval lu.titute. \^ S6~ 157} Colonel North's l'"ann ^(^ ^ L'S VINCENT P. YGLESIAS, \l!_'inl)t'i- of ill'' R'lv.il Sn-K.-iy n f i;iiii,li AiiKi- Mc i.ili>t I rvsl.il r.il.K'L'. clc. Mr. V. r. V ^k-sias i> ,u kiMwli'.lL;''.! ill I'.ii.l;I.iih1 an arli>t of imuh pou-t-r and orijjiiiality, with llollliiii; imiv. 1111011:11 aliuiil In- Hill U(pik. Oiu' can ^ec llial he v> makes an ni-ciiiau-. careful and liiiilifiil mlci piclalion 1 f llio scene iiel' 11)11 1. Tlie hanillin.L; of llu; colouis is a clear iii.licalion tlial he has skill in man- laliii" llie liiii^h, aii'l iii> ^nl'jccK a^ a ilile aie all cli.niiiiii^ly familial, an the soil llial one i> mvrr liicil ol sei-lii'j his arlislic work, no nialli-r wliat lie llie .siihjei: his mole ijiiie; sceiu es an 1 of ;h all lijecl. anil this enhances llie cliaiin oi A leilain reliiieineiil inns llnoU! wilder views. .Ml piinnisiiu; and valua i modiiies withonl h.-iii'^ ihe chai.ulei of ilu- holdei' or i.iinlint;^ in ilet.iil .-how a caiefiil study which foiins luo-t lih' means fuj- inipoilanl woil od and ellcclivc, .m In con^eiiueiice his pictures 1 al once aiH-l alleiilioii in wli.Ucver po-,ili()ii ihcy lav he 111. iced. I' //^ ^58 I'i.ftiiniinL'' ti'oiii tnc i .isiurc ^^ y^ /^^^M. z:.^^"^."*- r**m \hiliiled ,11 the Koyal Society of I'.iili »V> <^/een reliuiiinL; home 1. 1 lu color i.f autumn in ihe foli.ii^c is made >pleiidid hy aloiii," the co\iiuiy 10a the elow of the dcscendini; sun, .and leavmi; t he •;ioiind in -.li.ide. I ,ike all Ml'. lesias pictuies, t he colour shows him at hi- In -1 in nu.lii.wiu. and h.irmonv. (/'.i- I S< n Diirl lani ^^^ K // r // hn'-^U.^^^ ,.J ///i9 l-.Nhiliile i .1.1 Ihe loi\;d li I'he l.n'i;e p.iiiili il llie ' I! V ol 1 luili.im. l.v Mr. \'. r. \'A esias, IS a lie ni'lile ( '.lilicdnal >'aii U 111 hold leiicf. .ind the ellecls iruthnil repie-.en!alion. I lie of li'dil and shadow are exlieuicly line and, delic.iic, and slhov hi- power to deal wilh dilluull sulijei .f tl ll is a iiolile woik, .ind 111 keep ilh ll le m.istfi ijiusli of the .iiti-t. y, 'y> 160 Loch l'\ne by INIoonlioht Si ^ 'Va I'.xhdiiled .It the Koy.d lii-litute. In nvM.nli'^hl ellccN Mr. \'i;le-ias >eeiii- nioM h.ippy, and has hit the correct senliineiil in his painting; ot '■ l.ocli I'yiie by Moonli-ht." It i> the lie-t woik hy this aiti-t that we have seen for somr lime, an.l we c.iimot L;ive it t>.o inueli praise, a- It ;'.' ^/» /.)•; A' . /J'. /S* <->f^ • fj' '' r^A ■i/. VV A. -j; / . / '. » /• / /, . -i A V iAi^^. / ■f A ./^. .-'A //^<* .-W^r *«-• *7 -'- // , .<-?../ / J'.Tr .^'.., -^'"^ F/,' f/- . /. .. •^ / • <' • r /••■ W , V ^ '^. 4-,. ''•• >,.-/, '--Z e ^ . r, t-'^Z .y/- '.S. /P/,.^ ^- A- *^ -^« /^v" .M.'A--^ vVr,.^/ / (f, ^ ^ # € . ^ /'.<'/, -/'•' /' v.. /,^, ,<'/ ' i-<-» Cr-t •yt-tf'J^ ///f c//>.^~ "7- a,. ■A ./ / // rt » / >» .1 > . r'. , > / / tV. ,.-<^--^ / /.►, . •/ ih^*£4f A,.y /> ^, ,.^, ^>,:^/^A ' 4^-«« # ►' .^ .J, /t y^ '- j'tw / / -^u-tro-x/ ^~" '' '/." •/-or.^ vf... ,,./..>^ . /''>^' ^*" ,.-/. / c:eO ^ '^<^ .-..0,^^'- -<-^-. ifc/^^c^ X-^,-. ,0- -^ 7^^ ■ v./-. ^..-^ r 'V ^' ^■^t/'/' >v<^ .^'•^■^4 r-o^ (^V • -^ »•''<— »^ ^i/t^ / / yt^x, A<«7 "V •"■"^ "-^ /^ .i'^^ — O — o Exhibition Days ThURSDHY, FrIDHY, SuTURDAY UNO NIONOftY, February, 20, 21, 22 &<^ 24. Ruction Days TUESDAY AND. WEDNESDAY, February 25 and 26, AT 2.30 O'CIOOK EACH AFTEBHOOH, DIGKSON & TOWNSEND, AUCTIONEERS.