IMAGE EVALUATION TEST TARGET (MT-3) 1.0 1.1 tit tii Li Its u 112 14.0 1.25 iu 2.0 1 1.8 1.6 150mm V Ol :% ^> ^a / y >»PPLIED^ IIVMGE . Inc jsss 1653 East Main street .sas '^ Rochester, NY 14609 USA J^S -^ Phone: 716/482-0300 .^!=--^=: Fax: 716/288-5988 © 1993. Applied Image. Inc . All Rights Reserved A i\^ A " '^ >^¥^ CIHM Microfiche Series (l\/ionographs) ICIMH Collection de microfiches (monographies) Canadian Instituta for Historical IMicroraproductions / inttitut Canadian da microraproductions historiquaa I Technical and Bibliographic Notes / Notes techniques et bibliographiques The Institute has attempted to obtain the best original copy available for filming. Features of this copy which may be bibliographically unique, which may alter any of the images in the reproduction, or which may significantly change the usual method of filming, are checked below. □ Coloured covers/ Couverture de couleur Covers damaged/ Couverture endommagte J I Covers restored and/or laminated/ n D n n Couverture restauree et/ou pellicula Cover title missing/ Le titre de couverture manque Coloured maps/ Caites giographiques en couleur Coloured ink (i.e. other than blue or black)/ Encre de couleur (i.e. autre que bleue ou noire) Coloured plates and/or illustrations/ Planches et/ou illustrations en couleur Bound with other material/ Relie avec d'autres documents Tight binding may cause shadows or d stortion along interior margin/ La reliure serree peut causer de l'omb«^e ou de la distorsion !e long de la marge interieure Blank leaves added during restoration may appear within the text. Whenever possible, these have been omitted from filr iq/ II se peut que certaines pages blanches ajouties lors d'une restauration apparaissent dans le texte, mais, lorsque cela etait possible, ces pages n'ont pas ete filmees. Additional cc nments:/ Commentaires supplementaires: This Item is filmed at the reduction ratio checked below/ Ce document est filme au taux de reduction indique ci-dessous 10X L'Institut a microfilm^ le meilleur exemplaire qij'il lui a iti possible de se procurer. Les details de cet exemplaire qui sont peut-«tre uniques du point de vue bibliographique, qui peuvent modifier une image reproduite. ou qui peuvent exiger une modification dans la mithode normale de f ilmage sont indiquis ci-dessous. □ Coloured pages/ Pages de couleur □ Pages damaged/ Pages endommsg^s □ Pages restored and/or laminated/ Pages restaurbcs et/ou pellicultes Pages discoloured, stained or foxed/ Pages decolorees, tachetees ou piquees Pages detached/ Pages ditachtes 0Showthrough/ Transparence Quality of print Vi Qualite inegale de varies/ inegale de I'impression □ Continuous pagination/ Pagination continue □ Includes index(es)/ Comprend un (des) index Title on header taken from:/ Le titre de Ten-tCts provient: □ Title page of issue/ Page de titre de la livraison □ Caption of issue/ Titre de depart de la livraison □ Masthead/ Gener ique (periodiques) de la livraison .—^ 1*X 18X 22X 26 X 30X ___ J 1 I i ^"^"* liX ^6X 20X 24 X 28 X 22 1 The copy ifilmed hero has been reproduced thanks to the generosity of: National Library of Canada L'exemplairr film* fut reproduit gr«c- d la g4n6ro8it6 de: Bibliothdque nationale du Canada The images appearing here are the best quality possible considering the condition and legibility of the original cooy and in keeping with the filming contract specifications. Original copies in printed paper covers are filmed beginning with the front cover and ending on the last page with a printed or iliustrated impres- sion, or the back cover when appropriate. API other original copies are filmed beginning on the first page with a printed or illustrated impres- sion, and ending on the last page with a printed or illustrated impression. The last recorded frame on each microfiche shall contain the symbol — ♦- (meaning "CON- TINUED"), or the symbol V (meaning "END"), whichever applies. Maps, plates, charts, etc., may be filmed at different reduction ratios. Those too large to be entirely included in one exposure are filmed beginning in the upper left hand corner, left to right and top to bottom, as many frames as required. The following diagrams illustrate the method: Les Images suivantes ont 6t6 reproduites avec le plus grand soin, compte tenu de la condition et de la nettet6 de I'exempiaire film6, et en conformity avec les conditions du contrat de filmage. Les exemplaires originaux dont la couverture en papier est imprim«e sont filmds en commenpant par le premier plat et en terminant soit par la dernidre page qui comporte une empreinte d'Impression ou d'illustration, soit par le second plat, selon le cas. Tous les autres exemplaires originaux sont filmds en commenpant par la premidre page qui comporte une empreinte d'Impression ou d'illustration et en terminant par la dernidre page qui comporte une telle empreinte. Un des symboles suivants apparaftra sur la dernidre image de cheque microfiche, selon le cas: le symbole — ^ signifie "A SUIVRE " le symbole V signifie "FIN ". Les cartes, planches, tableaux, ate, peuvent dtre filmds d des taux de reduction diffdrents. Lorsque le document est trop grand pour dtre reproduit en un seul cliche, il est film6 d partir de I'angle supdrieur gauche, de gauche d droite, et de haut en bas, en pr&nant le nombre d'images ndcessaire. Les diagrammes suivants illustrent la mdthode. 1 2 3 32 X 1 2 3 4 5 6 ^,^^^caom^^/,^ AN EPIC POEM In Six Cantos, BY H. SACKVILLE TREHERNE. " Quid di^um tantu feret hie proiiiissor hiatu " Horace—" Dt Arte Poeticu." " Hliall uoble Albion pass without a phrase From a bold Briton in her wonted praise." BvEON— " Age of Uronze. " " TL» "good oUl times "—all times when old are gooth«que Rationale of Canada du Canada Bnterpd nccording \o Act of P*rliameiit of Canada, in the year one thonund eight hnnired an-l sfeventy-fonr, by H. Saokvillb Trbhbrmb, in the Office of the Minister of Agriculture. ,\ I t^ X |. |iiouittns I lobcrte. My Dear Tkllke, — Having long felt anxious to adorn my pages with a name, at the same time classical, biblical, musical ami well Ijeloved, 1 venture to dedicate to you this unworthy praluction of an inexpi'rienceostowon his brow, Tliose scars ujion his chest, That lurrow ploughed upon his cheek, That mark upon his breast, Those had he gained before the hand, Of Ella, fairest in the land. Was joined with his in wedlock's band. Fair Ella, now Sir Oscar's bride, Was seated by Count Conrad's side. Her hair fell down in ringlets gay, And rustled as the wind would play Upon her cheek, where rose's red And lily's white quite turned tho head Of many a rough country boor, And nuide her lovers love^or more, ller eyes wei o bright, aye, brig!.ter far Than that fair gem the evening star; Her eyes were dark and flashed with glee As she sang sweet her melotly ; Her glance was love, and love in eyes Is meet reward for lover's sighs ; Her lips were rosy red in hue; Her iv'ry teeth wore fair to view ; Her skin so clear, transparent white. Might well have seemed to lover's sight A tine fair web of heavenly light. Oh I pleasant is the song. Ana sweet is music's strain, When minstrels sing of other times^ And tell ua stories in their rhymes Of knights, and wars' alarms, And nations risen up in arms, So that one's senses long Those times to come again. The words are like the dew, Which in the morning grey Falls on the hill, when yet the sun Has left the moon in light, when none Of the fair stars on high Have thought it time to leave the sky. And when the lake is blue And settled in the vale.* *Imitation.— " PJeasant are the words of the song, and lovely ai-e the tales of other times. They are like the calm dew of tlie inorning on tlie hill of roes, when the sun is faint on its side, and the lake is blue and settled in the valley."— 08SiAN-"J^- i 15 O-A-ISTTO III. " And now with shouts the shocking armies cloaeJ, To lances lances, shields to ahielas opposed, Host against host with shadowy legions drew, The sounding darts in iron tempest flew ; iscuous cries, » Victors and vanquished join promi Triumphant shouts and dying groans rise Pope—" Iliad of Homer," Bk. 8. " Comfort, comfort scorn of devils, It is true the poet sings, That a sorrow's crown of sorrows, Is remembering happier things." TKNNysoN — "Lockesley Hall." A week had passed since Conrad's flight, -^" And all within was sate and sound ; Outside a darlc, tempestuous night In cloudy mist swept o'er the ground ; When at the gale a summons shrill Called on Sir Oscar of the Hill To open in King William's name, And yield the keep to Conrad's claim.. And lay down arms o'er 'twas too late, And give up Ella as a mate To any Norman reprobate. Of course Sir Oscar mocked the Count, And bade him take his bride. And wrest the castle from his hands ; In fact, he loud defied King William's pow'r, and all the troops Who fought on William's side. Now listen to the angry din, The shouts without, the cries within ; See issue from that grove of oak, Where prophet crows are wont to croak, From those old oaks, those aged trees That tremble in the squally breeze, That glitt'ring troop, all fully armed, That round the castle furious swarmed. These, covered by the murky robe of night, Which hides their actions from the Saxons' sight, Construct a raft : those idly fly A cloud of arrows to the sky. WitMn the castle walls the knight Was armed for fierce and instant ficbt, And gath'ring i*ound him Saxon h^rts. 16 Who laughed at Norman bows and darts, llo said, " Behold the men who dare Attack the lion in his lair ! Count Conrad's doings this ! — see well You send that dastard's soul to hell: And aim your shiuts with so groat skill Thatov'ry one a foe shall kill: See that your swords strike swift and strong. And show the Normans you belong To that brave race of men, whom song Has made renowned : see that you guard Our maidens from the Normans' sword." The battle soon raged very fierce. And bows they break, and shields they pierce. The Saxons loud defiance shout, While ' Vive le Eoy 1' is heard without. It was so dai'k, that no one saw The Normans landing four bj>' four, On two small rafts, which to and fro Across the moat in silence go. Alas ! it is too late : the foe, That like a mighty torrent flow Upon the unsuspecting guards, Have gained the hall, and shouting charge. With threat' ning spear and upraised sword, Led on by Conrad's brother Claude. Dark as the vvave of swelling seas, That rush before the howling breeze, And roll upon a rocky coast. Came on that raging Norman host. Then shields they clang and swords they clash, As they each other furious slash. But Where's the Count ? We'll follow him Through passages that, mazy, dim, Appear to wander everywhere. Across this room, now down this stair, Until at last ht. enters hot A lovely, charming little grot. There Ella sat. Her pretty cheek Was painted white by palsied Fear ; A look, so eloquent and meek, She cast upon her maidens near ; Upon her neck of pearly white There fell her hair, so brown and bright. tf 17 But when the Count rushed in upon Thid timid, cow'ring, pretty throng Of maidens fair, Eoncnth her long and siltcen lashes, She cast a thousand angry flashes, As he stood there. He looked forsooth a " hardy knight, Caparisoned for instant fight;" Beneath his helm his jetty hair Peeped out in clust'ring curls ; and there. Across his sun-burnt cheek a scar, Which " planted there in recent war, Had dawn one long and blushing streak Over the darkness of his cheek ;" His eyes flnshed forth his passion strong, .- And, knowing he was doing wrong. He hesitated at the door. And seemed to search the reedy floor For reasoning. This Ella saw. " What means this wild uproar ?" she cried, " Your presence does no good brtide, Come ye in peace or war ? Oh 1 come ye here to aid my lord. Or do you 'gainst him turn your sword? Come ye in peace or war ?" *' Fair bride, to claim mine own I come, My wife, my lands, my future home, I come to claim it all. My soldiers now, with skilful band. Are battling with the Saxon band, They come to claim it all. Sir Oscar, in his great despair. Has suffered me to seek you here, To know if you Tvill come To share my home, and share my bed, And thus to save Sir Oscar's b -^ And snatch him fVom the tomb.'* •" Wretch 1 liar! ingrateJ coward thou! Written plain upon thy brow Is dastard, bastard's slave; Think not to 'fright me to caress That vicious lump of ugliness, E'en Oscar's life to saye."