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2Jt5GC°FMi/§>ie 
 
 IN UNION WITH 
 
 
 lor^DONfolLEGEOFmuSIC 
 
 MOffriMCR PRINT. 
 
 ■iil 
 
2)irectors of Departments. 
 
 Qlbeory: 
 
 DINGLEY BROWN. F. C. SMYTHE. 
 
 piano: 
 
 DINGLEY BROWN, A.C.O., L. Mus., L.C.M., F.S.S.A. 
 MISS BERTHA O'REILLY, Graduate New England Conservatqire. 
 
 Otfian : 
 
 F. C, SMYTHE, Mus. Bac. T.C.D. 
 
 IDoice: 
 
 RUSHTON DODD. MISS A. DENZIL. 
 
 WoUn: 
 
 FRANCOIS BOUCHER. 
 
 'Ree^0: 
 
 J. MULLEN. 
 
 J3ra00 : 
 
 J. H. LEWIS. 
 
 flute : 
 
 H. KNAUF. 
 
 Guitar: 
 
 J. H. PARKER. 
 
 ®rcbC0tratfon : 
 
 F. C. SMYTHE. 
 
 Cbocal: 
 
 DINGLEY BROWN. RUSHTON DODD. 
 
 Xan0ttade0: 
 
 FRAULEIN VON JAUNSCH. 
 
 Xcctupere: ^ 
 
 Aiifusical History and Biography •' 
 DINGLEY BROWN. F. C. SMYTHE. 
 
 Medical— Vocal Physiology and Anatomy : 
 
 RUSHTON DODD, DR. ROGERS, DR. HURDMAN, and VISITING 
 
 PHYSICIANS AND SCIENTISTS. 
 
 TAe Directors in each Department are assisted by a Staff of Eminent Teachers, 
 
 Solicitors : 
 
 MESSRS. BISHOP & GREENE. 
 
 pb^iciane : 
 
 A. F. ROGERS, M D. B. F. W. HURDMAN, M.D.. G.M. 
 
 JSanliere: 
 
 BANK OF OTTAWA. 
 
 ' 
 
 1 'j^.* 
 

 THE 
 
 CanaMan College of /Ihusic, 
 
 < V r 
 
 I\ UNION WITH 
 
 THE LONDON COLLEGE OF MUSIC, 
 
 54 G^eat Marlborough Street, 
 
 LONDON, VL, ENGLAND. 
 
 Bank and Wellington Streets, 
 
 O T T -A 'W" J^ 
 
 \ib--s- 
 
 ^ 
 
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 3 
 
 t>OK 
 
 1^' 
 
 < c:> o <N\ 
 

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 ,TTAWA CITY — one of the most attractive Cities in the 
 Dominion — is most centrally located, and very accessible. In 
 all branches of Education it is fast becoming a centre. In- 
 deed, at no remote period, besides being the Political and 
 
 o 
 
 Social Capital, it will be the Art Capital ; and in selecting 
 this position the founders of the Canadian College of Music have 
 been fully cognizant of the importance attaching to this fact ; and, 
 furthermore, it must be noted that it is of the greatest moment, to 
 surround those who have to leave their homes with refining influences 
 only. While some of our larger cities have many good features, yet 
 there are many questionable surroundings therein for even the experi- 
 enced, which must be a cause of anxiety to parents entrusting their 
 sons and daughters away from the protection of home. 
 
 We can state with confidence, that an enquiry made to any of 
 the clergymen of this city, will be answered in the strongest afifirma- 
 tive that Ottawa is beyond question, in every sense, a most desirable 
 place of residerxe for young people pursuing their studies. 
 
^^-; 
 
 »* 
 
 Qinlroduclion. 
 
 THIS CALENDAR, which is submitted to your kindly notice, 
 has been purposely condensed as much as possible. Concern- 
 ing Music — no matter what period of its history we may take, what par- 
 ticular field in its universe of study, if. position and influence in our 
 midst, or as to the most advisable means of studying the art — concern- 
 ing these, or many other phases, volumes might be written. 
 
 It was thought best, however, to state as concisely as possible the 
 objects of the Canadian Coi.i.ix.e ok Music, and give such information 
 as would lead those interested to make further investigation either by 
 visiting or writing the I'rincipal. It would have been superfluous to have 
 given a biographical sketch of that gentleman, or an epitome of his 
 musical career, with the many works given under his baton. The 
 Principal and his history are too well and favorably known to render 
 this needful. An outline has been drawn of the reasons for founding 
 the College, and the advantages for students therein, together with the 
 principles and methods on which it will be conducted. For those net 
 resident in the city a brief description of the College buildings and 
 situation has been given. 
 
 Still, keeping the purpose of this Calendar^in view, we must ask 
 your consideration of the fact, that If we only take the Church and Home 
 aspects, the cjuestion of Music becomes one of national importance; and 
 we must realize how serious a matter, therefore, is the training of "Young 
 Canada." In the general education of our rising generation, this has 
 been recognized fully, by establishing our Public and High Schools, our 
 Colleges and Universities. Proud we may well be of the fact, that the 
 Dominion of Canada is in the front rank amongst the nations of to-day 
 in this respect. Private enterprise, no matter how earnestly or intelli- 
 gently directed, could not have accomplished what these centres of 
 education have done. 
 
 Next to these great Monuments of civilization^ those devoted to music 
 demand our most serious attention. To reiterate, if we take only the two 
 features named, Church and Home, we must admit this. If we ex. 
 
ft 
 
 
 cept Literature, Music is the greatest moral force by which we are 
 surrounded. The analogy between the methods of conducting our 
 recognized Collegiate Institutions and the Canadian Coli.egk of 
 Music is most strikingly complete. 
 
 1. A j^cneral education is compulsory. 
 
 2. The division of the College into Departments, each for a specific training 
 
 under a master of special ability in the subject taught. 
 
 3. Kach student has direct supervision and training, according to his respective 
 
 ability anil retpiirenients. Also, where undoul)tedly beneficial, the bring- 
 ing of the students together for class instruction. 
 
 4. The assembling of stadents, at freipient intervals, privately and publicly (as 
 
 explained hereafter.^ 
 
 5. The Diplomas and Scholarships, tending to promote healthful competition and 
 
 honorable stimulation. 
 
 6. The free advant.nges, with the aggregation of musical interest and public 
 
 ot)sorvation. 
 
 In these, and many other ways, the fundamental principles and 
 lines of procedure are parallel. 
 
 If we wish to educate our sons and daughters, we send them to 
 college. The reasons are obvious. If we wish to educate them in the 
 •' art universal," and follow the same lines of reasoning, we must send 
 them to a recognized College of Music, such as we believe the Cana- 
 dian College ok Music will prove to be on investigation. 
 
 In closing this introduction, we must refer to the affiliation of the 
 Canadian College of Music with the London College of Music, 
 whereby students can obtain Diplomas of sterling merit, by passing the 
 examinations necessary, to win this coveted and valuable proof of their 
 ability. Those obtaining the Diploma are allowed the distinction of 
 appending to their names the letters L. Mus. L.C.M. (See London Col- 
 lege of Music.) 
 
 fe^eir^aaicrr) fe-ollcqc of iT/usic, 
 
 :baNK and WELLINGTON STS. 
 Ottawa, ist September, 1889. 
 
i- §■ m- 
 
 This College has been founded at the earnest request of many of 
 the leading gentlemen of the Capital, not only because they are of 
 opinion that the location is the most favoural)le, but further, that (//lere 
 Imng no recognized Musical Institution of Education east of Toronto) 
 the time has come, when the Dominion should be i)repared to meet this 
 want, so apparent to every thoughtful mind, by affording the opportunity 
 to cultivate, in the most thorough manner, the musical art as in the cele- 
 brated European Schools. 
 
 Having this object in view, these gentlemen saw at once the desira] 
 bility of selecting, as Principal of the College, some eminent professor 
 who had been connected with a similar institution in Europe. They 
 decided that Mr. Dingley IJrown, A.C.O., L.Mus., L.C.M., F.S.S.A., who 
 is so widely known, and has demonstrated by experience his great fit- 
 ness therefor, should be offered that important position, and that he 
 should moreover proceed at once to lorm a faculty, each member of 
 which, should be a si)ecialist in his particular branch, thereby insuring 
 a perfect knowledge of the same. 
 
 It may be now s^nted that herein lies the great difference between 
 this College and the Conservatory principles of tuition. 
 
 On being communicated with, Mr. Dingley Brown, after carefully 
 considering these proposals, decided to accept the position of Princii)al, 
 and secured the services of an eminent faculty. 
 
 THE COLLEGE. 
 
 The College buildings are the most complete in the Donihilon and 
 are situated opposite the Houses of Parliament and Supreme Courts 
 commanding a fine view of the grounds and Ottawa River, with the 
 mountains beyond. The Street Cars pass the door. 
 
 On entering the building is the Receptim room immediately on the 
 right, wherein are to be found copies of all the principal musical journals 
 in the wodd, and which are placed at the disposal of any one interested 
 in the divine art, whether resident in, or a visitor to the city. Adjacent 
 
 
to the Reception room is the office of the Reghtrar, who will give eury 
 information as to the principles and mode of conducting the College, terms, 
 of study, tuition fees, or any relative cmpiiry, personally or by letter. 
 
 On the right of the Reception room are some of the lesson rooms. 
 We may here call attention to the clause on fpage 9, where it is stated, 
 thai teaching in class, as practised in the Conservatories and elsewhere, 
 is most strenuously avoided. Sight Singing, Harmony, and Choral work, 
 of course, excepted. 
 
 Adjacent to the Reception room is the College Ball, commodious and 
 well lighted, in every particular most suitable for the concerts, recitals, 
 lectures, conferring the Diplomas, Prize distributions, or any of the 
 assemblies connected with the College, such as combined, orchestral, and 
 choral practices, &c. Here the College organ will be placed. A 
 magnificent concert piano by those most celebrated makers, W. Knabe 
 & Co., Baltimore, has been purchased and placed therein. In this, as 
 in every thing, the founders are determined to have the best possible 
 equipment, believing that by so doing, they only add another endorse- 
 ment to the superior advantages and thorough principles ad/ocated for 
 the Canadian College of Music. Ascending by a commodious, 
 stairway from the College hall and immediately above the same aie other 
 lesson rooms for instrumental and vocal training. These are \\<M, lofty 
 and spacious. Across the corridor is the Lecture Room for class lectures,. 
 harmony, and other purposes not demanding the space of the College 
 hall. Adjoining this, and over the reception and lesson rooms before 
 mentioned, is a large room which will be appropriated for additional lesson 
 or practice rooms of various natures as occasion demands. l'.y reserving 
 so much space for the College, and adding, of course, proportionately to 
 the expenses, the advantages are obvious, as it will prevent overcro7cdtng, 
 and hurraing the studies. 
 
 The halls, lecture and lesson rooms, indeed the College generally 
 is thoroughly heated by steam on the most modern plan. Owing to the 
 fine open location and large windows, it is perfectly lighted also, a point, 
 together with good ventilation, of the greatest moment. The Trrande- 
 scent Electric light has been placed throughout the entire building, 
 none other being used. The advantages of this are too well known to 
 
wm 
 
 need exhaustive comment, but we may mention " its brilliancy, freedom 
 from smoke or smell, and best of all, it is the healthiest, as it does not 
 consume the oxygen in the air." 
 
 ADVANTAGES TO STUDENTS. 
 
 Scholarships. 
 
 As an incentive to earnest application, and in order to recognize 
 the desires of students who wish to acciuit themselves to the particular 
 satisfaction of the Faculty, (their success and that of the college being 
 one and the same), scholarships have been founded. These are of a 
 twofold nature. Firstly, those given by the Faculty in each Department 
 granting free or partial tuition according to merit for one year to success- 
 ful students, and, secondly, those given by the Patrons for a like term, 
 or as specified. The former are open to students of any age, the latter 
 according to the conditions named by the Donors, full particulars of 
 which can be had on application to the Registrar. The scholarships will 
 be awarded by the Principal on the recommendation of the Directors of 
 the departments, and (apart from the honor attaching thereto, indicating 
 the special ability of those to whom they are granted, being testimonials 
 of the highest order) will be oi great financial assistance, or aid, in the 
 studying of other branches of the art wheti desired. 
 
 Reduction in Fees. 
 
 Being most fully aware that the best assurance of the superior work 
 and methods of the College can be given by the students themselves, it 
 has been decided to make a reduction of io% (see regulations) in the 
 fees of one study, to those students who introduce another student for 
 a principal study. 
 
 This reduction will also be given to any student taking two princi- 
 pal studies. Students in the College will have the privilege of attending 
 the Piano and Organ recitals, Orchestral and Choral Concerts given at 
 regular intervals in the College Hall. Special arrangements will be made 
 for admission tx) any public entertainment of high order and appropriate 
 nature. 
 
 w 
 
9 
 
 . Special Recitals. 
 
 By visiting artists. These will be of a most instructive and at the 
 ■same time enjoyable character. Students will be expected to attend, 
 and also take notes and criticisms concerning the same, which must be 
 submitted to their professor. This is an invaluable means of instruction. 
 
 Concerts. 
 
 Will be given at fixed periods also by the students themselves. 
 These will be, Firstly^ of a private character^ students only being present 
 for mutual instruction and supervised criticism, combining the great 
 advantages of the class system advocated by the greatest masters past 
 and present, without the erroneous and impracticable mode of teaching 
 in class as practiced in some schools. In a word, individual instruction 
 with frequent class performances is the method to be understood as 
 advocated by the College. 
 
 Secondly, concerts at regular interrals by the students at which sub- 
 scribers, patrons and (by special permission only) friends of the students 
 will be admitted, thereby not only stimulating those taking part, but 
 giving them the needful confidence and ease. 
 
 It must have been often noticed that some of our most cultured 
 performers privately, who have been educated within the seclusion of 
 their homes only, have been quite unnerved on performing publicly, 
 not only doing little, if any, credit to themselves, and reflecting dis- 
 creditably on those who have supervised their education, but, bringing 
 •dissatisfaction to their friends also — the result of which is most dis- 
 couraging to sensitive minds and can rarely be removed. The methods 
 used in the College minimise this difficulty completely. These recitals 
 apply, of course, to all branches of vocal and instrumental work. 
 
 HARrTONY AND COMPOSITION -REDUCED FEES. 
 
 It is not within the province of this work to enter into details as 
 to the importance and the sad neglect of theoretical instruction. We 
 may say that to perform any composition intelligently, without a know- 
 ledge of theory, is no more possible than an attempt to read literature 
 without even knowing the alphabet, to say nothing of grammatical con- 
 
w 
 
 10 
 
 struction. But to analyse a composition (which is the basis of correct 
 
 interpretc tion), or criticise the pertormance of ?ny work, is simply 
 
 impossible without study in at least the fundamental principles or, to 
 avoid technicalities, the grammar of music. 
 
 In making this study compulsory the faculty have been thus actuated, 
 since the imperfect education allowed in most schools could not be con- 
 sistently permitted. 
 
 At the same time it must be mentioned, that to do everything in 
 their power to correct this neglect, the fees for study in this, the funda- 
 mental structure of a musical education, are merely nominal, viz. i 
 $2.50 per term. 
 
 ^4"^^// singing being of recognized importance and mutual benefit, 
 has been treated in like manner, insomuch that it is compulsory, /;/// na 
 charge is made for this study. 
 
 The remarks as to harmony and sight singing apply, of course, only 
 tD students taking a principal study. 
 
 Free Harmony Class. 
 
 This class will be forraed to assist those who have had no previous 
 instruction in harmony, and who may not be capable of beginning with 
 more advanced students. Though of a rudimentary character it will 
 save time to students in instrumental or vocal work, who would other- 
 wise have to devote portions of their individual lesson hours to acquire 
 such knowledge. 
 
 Tuition Fees. 
 These are graded to meet the needs of all ; the difference in the 
 rates only applies to the duration of the lesson and not to the choice of 
 professor. (See Tuition fees). 
 
 London College of Music. 
 
 Diplomas ; Certificates ; Gold, Silver and Bronze Medals. 
 
 Students can obtain these honors by passing examinations held at 
 the Canadian College of Music — a privilege not obtainable else- 
 where. (See London College of Music.) 
 
 S'-' 
 
w 
 
 11 
 
 -}rJ'^' Library. 
 
 In addition to the College Library, in which are to be found works 
 of a purely musical nature, Historical, Biographical, Theoretical and 
 Practical, together with the principal journals and periodicals, which 
 will be largely added to, students in the College will have access to the 
 Library of the Houses of Parliament, which is the most extensive and 
 comprehensive m the Dominion, This advantage cannot be over- 
 estimated. 
 
 Associations. 
 
 The students being surrounded, so to speak, with a musical atmos- 
 phere, and at all times within the elevating influences of the art, together 
 with accessibility to the various professors, who will be always glad to 
 advise students (when not strictly engaged), affords m"'rh profitable 
 individual advantage. 
 
 Practice. 
 When required, facilities will be afforded for practise m the various 
 private rooms within the College. Where a piano is used the nominal 
 charge will be five cents per hour. 
 
 Organ Practice. 
 
 Students have the privilege of practising on several fine organs if 
 they pay the cost of water, etc., for blowing. They will be afforded the 
 opportunity of taking part in the services of the different churches, gain- 
 ing the experience necessary for holding valuable appointments which 
 will be found for graduates. 
 
 Boarding. 
 For those not resident already in the city, arrangements have been 
 made for providing board and residence in comfortable and homelike 
 situations, terms for which can be had from the Registrar. 
 
 Piano Hire. 
 
 Pianos will be rented for private use of stuaents at their residences 
 at very low rates. 
 
13 
 
 DEPARTMENTS OF INSTRUCTION. 
 
 The facilities for study are complete, and on the broadest basis, as 
 ■will be seen from the list of Departments : — 
 
 Piano. 
 
 Organ. 
 
 Singing — Voice Production and Culture, Lyric Art, Oratorio, 
 etc. 
 
 Sight Singing — Including Primary Grammatical Knowledge. 
 
 Church Music — Oratorio, Chorus Practice. 
 
 Violin and other Stringed Instruments. 
 
 Wind Instruments — Including Wood and Brass. 
 
 Orchestra and Band Playing. 
 
 Quartette and Ensemble Playing. 
 
 Art of Conducting. 
 
 Theory of Music — Harmony, Counterpoint, Canon and Fugue, 
 Orchestration. 
 
 Languages — Italian, German, French. 
 
 Elocution. 
 
 Lectures in all Departments— by resident and visiting Pro- 
 fessors and by distinguished Physicians. 
 
 Besides the great advantage of having the undivided attention of 
 •specialists in each of the subjects named, the students being brought 
 together (for the purpose of giving regularly Private and Public recitals, 
 attending lectures and concerts as discussed before) promotes in a 
 marvellous degree their general culture of mind, removing the danger 
 of their being merely technical performers. The education of the mind 
 musically must be coincident with that of the fingers or voice— the 
 refining influences will thus be evident. 
 
 To use the language of a celebrated writer of the day, " Every 
 student of music learns the alphabet of his art through some special 
 vehicle of expression. In the early stages of his career, he as a singer, 
 
13 
 
 or as a player on some instrument, gains his initiation into the world ot 
 poetic sounds. Insensibly his ideas grow in the form and fashion peculiar 
 to his early guide and help. Unless very soon his survey of music 
 becomes more expanded, and he views the land through wider openings^ 
 he must be in danger of growing up a slave to early habit and confined 
 within a narrow groove." Mention has been made as to the attitude 
 of the College with regard to Harmony, Orchestral and Choral 
 study, with the analysing of works and performances, lectures, and other 
 advantages designed to educate the student in the broadest legitimate- 
 manner. Again we quote the clear and forcible words of the same 
 author when he says, " Our training must begin somewhere and we 
 must have within our own individual reach some means of studying 
 sounds," (not hearing alone), " and their combinations before we may 
 be skilled to mix chemically our different qualities of forces and tone. 
 The study of harmony must form the true basis of all real musical know- 
 ledge. The qualifications of a true artist are manifold. He must be 
 inspired with a message and skilled in the mode of delivering it. He 
 has something to say, but he cannot say it impressively unless he has 
 acquired command of a suitable mode of speech." 
 
 The study of harmony does not apply to composition alone, but, to 
 reiterate, "forms the basis of all musical knowledge," without this it is 
 not possible to express original thoughts, of course, and moreover it is 
 not possible to understand, or convey intelligently, the language of 
 others. 
 
 It is therefore as essential to the interpreter as the author. We 
 have only to take for examples the greatest masters of interpretation of 
 the present day, many, indeed the majority, of whom have no renown 
 for, and whose names are not honored through, their creative abilities 
 but yet are theorists of the ripest character. The compulsory subjects 
 for study with the advantages alluded to, and the principles of conduct- 
 ing the Canadian College of Music, only display, therefore, the 
 sound musical basis on which it has been established together with its. 
 elevating tendencies. 
 
u 
 
 TUITION FEES. 
 
 SPECIAL NOTICE. 
 
 It will be observed that the fees for instruction vary. Take Piano, 
 for instance : the rates of charge are from $5 to $15 ; Organ, $7 to $20 ; 
 Violin, $7 to $20 ; Voice, $6 to $20. It must be distinctly understood 
 that the Canadian College of Music has been established for the 
 people of Canada, and would not be true to its principles of four dation 
 if it did not provide for all, who wish to acquire a sound musical 
 education. 
 
 "Music is the " Art Universal," but, unfortunately, those who have 
 the most desire or ability, for financial reasons or through other contin. 
 gencies, are not able to pursue the study of the art in which they feel 
 naturally gifted, and love so much. Taking these facts into consid- 
 eration, therefore, the explanatmi of the different rates of tuition fees is 
 this : a student for the Piano, Organ, Violin or Voice, who has not the 
 means, through other educational necessities, or, perhaps, the time to 
 devote for long practice and study daily, can take the $5, $6 or $7 
 course, as the case may be, and be under the same professor, with pre- 
 cisely the same method of instruction, as the $15 or $20 students ; the 
 vnly differe7ice being the duration of the lesson and the amount ot work 
 given to do. Not being able to devote the time or pay so much 
 immediately, the payments and requirements for study are simply 
 extended over a longer period, with all the other advantages of being a 
 college student, the same exactly, as though the largest fees were paid. 
 
 COLLEGE TERMS OF TEN WEEKS EACH. 
 
 Fall term commencing Wednesday, 4th September, 1889. 
 Winter " " 13th November, 18S9. 
 
 Spring " Saturday, 5th February, 1S90. 
 
 Summer " " 19th April, 1890. 
 
 For further information see Regulations. 
 
 Students may enter at any date, and will be charged from that date 
 
 only. 
 
 L 
 
\6 
 
 TUITION FEES PER TERM. 
 
 (Payable in advance.) 
 
 Theoretical. 
 
 Harmony, if taken with another branch or in class . 
 Counterpoint, Canon and Fugue, " " 
 
 $2 50 
 
 5 00 
 
 With these subjects, and included in the fees, the usual accompany- 
 ing studies, Musical History, Instrumentation, etc., will be progressively 
 taken. 
 
 Private instruction will be given if desired, personally or by corres 
 pondence. 
 
 Vocal. 
 
 Singing— Voice Production and Culture . $10 co $15 00 $20 00 
 
 « 
 
 <( 
 
 <( (< /■ 
 
 6 00 10 00 
 
 Sight Singing, with a jTincipal study 
 
 " if studied alone .... 
 
 Ladies' Choral Class \ with a principal study 
 
 Gentlemen's Choral Class j without " " . 
 
 15 GO 
 
 Free. 
 2 50 
 Free. 
 
 2 00 
 
 The Sight Singing and Choral Classes will be combined, as occasion 
 may require, for practise and concert purposes. 
 
 7 GO 
 7 GG 
 
 Instrumental. 
 
 Piano 
 
 Organ 
 
 Violin ....... 
 
 Viola, Violoncello, and Contra- Basso, each 
 
 Flute 
 
 Oboe, Clarionet and Bassoon, each 
 
 Saxaphone, Horn, Cornet, Euphonium, Trombone, 
 
 Tuba, etc., each 5 00 
 
 Guitav and similar instruments ..... 
 
 $5 00 $10 GO $15 00 
 
 7 GG 14 GG 20 GO 
 
 14 GG 20 GG 
 
 14 GO 20 GO 
 
 5 OG 10 GO 
 
 5 00 iG 00 
 
 10 GG 
 2G 00 
 
 L 
 
16 
 
 Additional Subjects. 
 
 Orchestra and Band Practice, Quartette and Ensemble Playing, Art of 
 Conducing, and Orchestration . . Special fees and prtileges- 
 Church Music, Oratorio ard Chorus Practise 
 
 Italian, German, French 
 
 As applied to singing 
 As a separate study 
 
 Languages. 
 EJocution. 
 
 Lectures. 
 
 Students and contributors 
 
 For full particulars apply to the Registrar. 
 
 Special fees. 
 
 Free. 
 Special fees. 
 
 Free. 
 
17 
 REGULATIONS. 
 
 The College year is divided into four terms of ten weeks eaclv.- 
 
 Fall term commencing Wednesday, 4th September, terminating 
 12th November. 
 
 Winter term commencing Wednesday, 13th November, terminating 
 3rd February. 
 
 Christmas vacation of 12 days begins 21st December. 
 
 Spring term commencing Wednesday, 5ih February, terminating 
 i8lh April. 
 
 Vacation of four days, April 4th to 7th, inclusive. 
 
 Summer term commencing Saturday, 19th April, terminating 28th 
 June. 
 
 StP '' :nts may enter at any date and will be charged only from that 
 date. 
 
 Students must give at least one month's notice of their intention to 
 leave the College. 
 
 All s,tudents are required to learn Harmony (the fee for which is 
 nominal if taken with a principal study), and the rudimentary class 
 free. 
 
 All students to attend the sight-singing class (tor which there is no 
 charge if a principal study be taken). ' - ' 
 
 All vocal pupils are expected to study elocution (to whom this is 
 free also.) 
 
 Students learning orchestral instruments, must take part in the 
 practises of the orchestra, and all students, when competent, in the 
 private or public performances connected with the College. 
 
 A student is not allowed to perform in public without the consent 
 of the Principal. 
 
 A student is not permitted to publish any composition without the 
 sanction of the Principal, and a copy of all such compositions must be 
 presented to the library of the College. 
 
 A 
 
18 
 
 As a mark of particular distinction advanced students (unless 
 desiring exemption) are appointed sub-professors, and are required to 
 give instruction in the presence of their own professor. 
 
 London College of Music, England, Examinations. 
 
 These examinations will be held twice a year, commencing the 
 second Mondays in June and December, and for which the certificate 
 and diplomas will be awarded. The last day of entry being the 25th 
 day of each month preceding that in which the examination is held. 
 
 Canadian College of Music Examinations.— The examinations 
 tor scholarships will be held at the close of the summer term. 
 
 Students introducing new pupils will be entitled to enter for the Lon- 
 don College of Music examinations (except licentiate) free of charge, 
 or not taking these examinations, a reduction of 10 % in their own fees 
 for a fixed period (not less than one term). 
 
 Students are required to implicitly obey all persons placed in 
 authority over them, and to attend punctually at the time appointed for 
 their instruction. 
 
 Students taking two principal studies will be entitled to a reduction 
 of 10 % in the fees of one study. 
 
 Students desiring to be exempt from any compulsory subjects, or 
 regulations, must have permission from the Principal. 
 
 Visitors are not allowed in the class rooms without permission. 
 
 Any infringement or violation of the Regulations, or any discredi- 
 table or improper conduct, will subject the student, at the discretion of 
 the Faculty, to dismissal from the College. 
 
 These Regulations may be amended from time to time, of which 
 due notice will be publicly given. 
 
r 
 
 10 
 
 PRIVILEGES OF SUBSCRIBERS. 
 
 First Class. 
 
 Contributors of $ioo in one payment, or $20 annually, have the 
 privilege of being present at, and of introducing three persons to, all 
 the concerts, orchestral and choral recitals, practices, lectures, and prize 
 distributions, which take place in connection with the College. 
 
 Second Class. 
 
 Contributors of $50 in one payment, or $10 annually, have the 
 privilege of being present, and introducing one person on the occasions 
 above mentioned. 
 
 Many ladies and gentlemen, who are deeply interested, have 
 expressed a wish to be present at the various assemblies of the (College 
 students, and to not only show their sympathy by having the oppor- 
 tunity to visit the College, when so disposed, but to demonstrate their 
 support by being contributors. This oft repeated desire is a most grati- 
 fying feature to meet and it is to be hoped will be universal. 
 
 For further particulars address The Registrar, Canadian Col- 
 lege OF Music, Ottawa. 
 
 SCHOLARSHIPS. 
 
 The attention of persotis of wealth and iovers 0/ music fienerally, is 
 called to this commendable means of encouraging students. The scho- 
 larships can either provide for the free, or partially free tuition of students 
 shewing evidence of particular ability or industry, for a given number of 
 terms or years, and will be named after the donors. It is earnestly 
 hoped that the Patrons of art will not fail in this respect to further en- 
 dorse their proverbial munificence. 
 
 TEACHERS' SCHOLARSHIPS. 
 
 These scholarships will be given by the various teachers, granting 
 free or partial tuition for one year to successful students. 
 
 The names oj the donors and winners of scholarships will be pub. 
 lished annually. 
 
 For further information address, The Registrar, Canadian Col- 
 lege OF Music, Ottawa. 
 
30 
 
 ii^ 
 
 54 Great Marlborough St., London, W. England. 
 The names of Sir (George J. Elvey, Mus. Doc. Oxon. ; Sir Arthur 
 Sullivan, Mus. Doc. Oxon., and Cantab. ; Sir Herbert S. Oakeley, 
 Mus. Doc. Oxon. and Mus. Doc. Cantaur, L.L.D. ; W. H. Cummings; 
 and J. Baptiste Calkin, with many others connected with the London 
 College of Music, are sufficient authority for its high position, and 
 those who are fortunate enough to hold the Diploma granted by The 
 London Collkgk of Music, enabling them thereby to use the title 
 L. Mus. L.C.M., possess credentials which are highly valued and recog- 
 nized all over the Musical World. To those intendini^ to make music 
 their profession, the importance of acquiring this distinction cannot be 
 too strongly urged. To amateurs also it is invaluable, not only because 
 of the pardonable pride they may feel m having such proof of their 
 successful study, but who can tell ho7C> soon they may need to turn their 
 talents, or accomplishments, to more practical account and place them- 
 selves in the ranks as Professional musicians ? At such a period, to be a 
 Licentiate of the London Collkgk of Music, is a guarantee of fitness 
 and ability, the advantages of which cannot be overestimated, and to 
 parents and guardians, desiring a musical education for those in their 
 care, this feature is worth the most serious consideration. 
 
 /;/ addition to the Diplomas ; Gold, Silver and Bronze Medals will 
 be oftered for competition. These medals are specially designed for the 
 College. . 
 
 Being in union with the London College oj Music the course of 
 study in the Canadian Coi.i.kge of Music affords students every 
 facility for passing the necessary examinations in each department. JJy 
 special permission the Canadian College of Music is the only repre- 
 sentative in the Dominion, of the Londcn College of Muiic, and by special 
 arrangement, candidates for ex?^ mi nation in that College can sit for 
 examination at the Canadian College of Music (see regulations)^ 
 Biving the time and expense of going to London, which has hitherto 
 been a nec«sbUy» Candidates will be examintd in I'inno, Organ, Sing- 
 
 H 
 
21 
 
 ing, Violin, or llvjory, separately or together, acconling to the subject 
 for v/hich they wish to hold the Diploma. /In twdiiip/c is heiewith i^ivfn 
 of riano and Or^an work reqtdred Jor certificate: 
 
 PIANOFORTE PLAYING. 
 
 Candidates wiin)crc(|uirc(l:-( I). To play from memory any of the Major or 
 Minor (Harmonic) Scales* in 8lhs, 6ths, loths or Jrds, in similar or contrary motion, 
 and extending over several octaves; also the Major Scales in double 6ths and jrds ; 
 also the Chr.)matic Scale in 8ths, 6ths, loths or jrds, in similar and contrary motion ; 
 also Arpeijgi of Common Chords in similar or contrary motion. (2). To Read from 
 Kirst Sit;ht. (3). To Answer (^)uestions on the Theory of Music. (4). To Trans- 
 pose. (5). To Play Selectiims from eacli of the (ollowini,' lists (A and I'.) :— 
 
 Hallade in A flat 
 Andante and I'reslo Agitato 
 Studies, Op. 70* 
 Sonata, No. 21 ■ 
 Toccata, Op. 12 
 
 B 
 
 Douse etudes Caracteristicjues, Op. 2* 
 Menuet in B flat. Op. 18 (Augener) 
 Douse grande etudes. Op. lo* 
 Tarantellc (Augener) 
 Novelette in F, Op. 21, No. i, 
 
 Chopin 
 
 MKNI)F,I.SS0IIN 
 
 mosciiei.ks 
 
 - Bketiiovkn 
 
 RlIF.INBRRCKR 
 
 - IlKNZKi;r 
 
 SCHARWKNKA 
 ClIOl'IN 
 
 - MoSZKoWSKI 
 
 - Schumann 
 
 ORGAN PLAYING. 
 
 Caididatcs will be retpiircd :— (l). To Answer Questions on Organ Construc- 
 tion ; also the l»itch and Mode of Combining the various Stops. (2). To Play from 
 a figured Bass. (3). To Transpose. (4). To Read at First Sight. (5). To Play 
 Pieces selected from the following list :— 
 
 Sonata No. 2 Mkndei.ssohn 
 
 Sonata No. 4 Mrnuf.lssohn 
 
 Air and Variations in A flat Hessk 
 
 Passacaglia in C minor ]''^- Bach 
 
 Postlude in D Smart 
 
 Fugue in G minor (Book 2, Peters) - . - - J. S. Bach 
 
 : These should be prepared from the Academic Scale and Apeggio Manual; 
 
 (Weekes & Co. ) 
 * One only need b« selected from those series* 
 
22 
 CANADIAN COLLEGE OF MUSIC, 
 
 IN UNION WITH THE 
 
 LONDON COLLEGE OF MUSIC, 
 
 LONDON, ENGLAND. 
 
 PATRONS : 
 
 Sir George J. Elvey, Mus. Doc. Oxon. 
 
 Sir Arthur S. Sullivan, Mus. Doc. Oxon and Cantab. 
 
 The Most Noble the Marquis of Caermarthen, M.P. 
 
 The Hon. Sir William Grantham. 
 
 Sir Herbert S. Oakeley, Mus. Doc. Oxon, and Mus. Doc. Cantab, 
 LL.D., Professor of Music, Edinburgh University. 
 
 HONORARY PRESIDENT: 
 
 William H. Cummings, Esq., Professor Royal Academy of Music, 
 Hon. Treasurer Royal Society of Musicians. 
 
 VICE-PRESIDNTS : 
 
 J. Buptiste Calkin, Esq., Professor Guildhall School of Music, &c. 
 
 Frederic H. Cowen, Esq. 
 
 This College has chiefly for its objects the Examining of Students 
 in Practical and Tluorctical Music — Certificates a fid Diplomas being 
 granted to those who successfully pass the requisite Examination. 
 There are numerous students at the present time of the highest 
 attainments, whose skill and ability have been recognized in a cir- 
 cumscribed sphere only, and are consequently unable to obtain 
 the distinctions to which their abilities fairly entitle them. This 
 Institution is designed to remove the barriers which hinder their 
 progress and debar them from obtaining the rewards their merits 
 deserve. The value of the work carried on by the College has been 
 very generally recognised, and candidates are received from all parts of 
 the world. The Gjuncil of Examiners comprises the names of ^;enil«i- 
 
 V I 
 
inen of* high repute in the musical world, all of whom are well (lualified 
 to discharge their uiiportant functions with the strictest fidelity and un- 
 partiality. The required examination having been successfully passed, 
 the student then receives a certificate of proficiency in accordance with 
 the meritorious qualifications displayed. To gain the Certificate of the 
 London College of Music is a sure guarantee of the proficiency of the 
 student. 
 
 Higher Examinations. — Candidates can be examined tor the 
 Diploma of Licentiate, which carries with it additional special privi- 
 leges. The acquisition of such a diploma will afford proof of possessmg 
 great musical abilities, and conse(]uently be of immense value to all 
 who desire the possession of such a mark of meritorious qualifications. 
 
 Medals.— Competitions are held periodically in all the various 
 branches of musical knowledge, when the successful candidates receive 
 rewards for proficiency, the value of which is regulated according to 
 the character of the examination through which the student passes. 
 For the Silver or Bronze Medal competition there should be at least 
 twelve entries, and for the gold medal twenty-five entries. The com- 
 petitions are open to all, without the payment of any extra fee, the 
 award being made to the candidate possessing the highest musical 
 attainments, either Vocal, Instrumental, or Theoretical. 
 
 Fees — The fees for examination in Practical and Theoretical Music 
 range from $2.50 to $5.00. 
 
 Licentiate in Music — The fee for candidates who wish to enter for 
 this high distinction is $10.00. 
 
 The list of successful candidates will be published yearly. 
 
 All further information can be obtained from The Registrar, 
 Canadian College of Music, Ottawa. 
 
Dominton^^^ 
 
 TONE PURE AND SWEET. 
 
 ACTION PERFECT. 
 DURABILITY UNEQUALLED- 
 
 TJSEID BTT 
 
 ^he ^anadmt(, ^allege 0f] J^umc 
 
 — AND — 
 
 Leading Musicians of Ottawa and vicinity. 
 
 Prices low. Terms very liberal. 
 
 Every instrument guaranteed for five years. 
 
 » I 
 
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 SOLE AGENTS. 
 
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 RENOWNED FOR 
 
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 ENDORSED BY THE FOLLOWING ARTISTS: 
 
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 J". X4- ORDN^^E & SODSr, 
 
 113 & 115 SPARKS ST., OTTAWA, 
 
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 C. A. OLMSTED 
 
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 Watches, Clocks, Jewellery, 
 
 DIAMONDS, &c. 
 
 HUE WATCH RBPAIRING A SPECIALTY. 
 
 Clocks and Jewellery Repairs Promptly Attended to. 
 
 Jezvellery Manufacturing and Diamond Setting a Specialty. 
 
 97 Sparks Street. 97 
 
ITTAWAY 
 
 SUPERIOR 
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 MODERATE 
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 DfTY YEARS PEftRCTliE: PL/PUC. 
 
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 ^^^DRKmN^HlP &JL/RAB1UTY 
 
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