CIHM 
 Microfiche 
 Series 
 (Monographs) 
 
 ICIVIH 
 
 Collection de 
 microfiches 
 (monographles) 
 
 Canadian Institute for Historical Microreproductions / Institut Canadian de microreproductions historiq 
 
 ues 
 
i 
 
 riques 
 
 Technical and Bibliographic Notes / Notes techniques et bibliographiques 
 
 The Institute has attempted to obtain the best original 
 copy available for filming. Features of this copy which 
 may be bibliographically unique, which may alter any of 
 the images in the reproduction, or which may 
 significantly change the usual method of filming are 
 checked below. 
 
 D 
 
 Coloured covers / 
 Couverture de couleur 
 
 I I Covers damaged / 
 
 Couverture endommagee 
 
 □ Covers restored and/or laminated / 
 Couverture restauree et/ou pellicul^e 
 
 Cover title missing / Le titre de couverture manque 
 
 I I Coloured niaps / Cartes g6ographiques en couleur 
 
 I I Coloured ink (i.e. other than blue or black) / 
 
 Encre de couleur (i.e. autre que bleue ou noire) 
 
 Coloured plates and/or illustrations / 
 Planches et/ou illustrations en couleur 
 
 Bound with other material / 
 Reiie avec d'autres documents 
 
 n 
 
 D 
 
 Only edition available / 
 Seule edition disponible 
 
 Tight binding may cause shadows or distortion along 
 interior margin / La reliure serree peut causer de 
 I'ombre ou de la distorsion le long de la marge 
 interieure. 
 
 Blank leaves added during restorations may appear 
 within the text. Whenever possible, these have tieen 
 omitted from filming / Use peut que certaines pages 
 blanches ajoutees lors d'une restauration 
 apparaissent dans le texte, mais, lorsque cela etait 
 possible, ces pages n'ont pas et6 filmees. 
 
 
 
 L'Institut a microfilm^ le meilleur exemoiaire qu'il lui a 
 6t6 possible de se procurer. Les details de cet exem- 
 plaire qui sont peut-etre uniques du point de vue bibli- 
 ographique, qui peuvent modifier una image reproduite, 
 ou qui peuvent exiger una modification dans la m6tho- 
 de normale de filmage sont jndiqu6s ci-dessous. 
 
 I I Coloured pages / Pages de couleur 
 
 I I Pages damaged / Pages endommagees 
 
 D 
 
 Pages restored and/or laminated / 
 Pages restaur^es et/ou pellicul^es 
 
 I I Pages discoloured, stained or foxed / 
 
 Pages d^color^es, tachet^es ou piquees 
 
 n 
 
 I Pages detached / Pages d6tach6es 
 I Showthrough / Transparence 
 I I Quality of print varies / 
 
 D 
 D 
 
 D 
 
 Quality in^gale de I'impression 
 
 Includes supplementary material / 
 Comprend du materiel suppl^mentaire 
 
 Pages wholly or partially obscured by errata slips, 
 tissues, etc., have been refilmed to ensure the best 
 possible image / Les pages totalement ou 
 partiellement obscurcies par un feuillet d'errata, une 
 pelure, etc., ont et6 filmees a nouveau de fafon a 
 obtenir la meilleure image possible. 
 
 Opposing pages with varying colouration or 
 discolourations are filmed twice to ensure the best 
 possible image / Les pages s'opposant ayant des 
 colorations variables ou des decolorations sont 
 film6es deux fois afin d'obtenir la meilleure image 
 possible. 
 
 Additional comments / 
 Commentaires supplementaires: 
 
 This copy is a photoreproduction. 
 
 This item is filmed at the reduction ratio checked below / 
 
 Ce document est fllme au taux de reduction indique ci-dessous. 
 
 lOx 
 
 
 
 
 14x 
 
 
 
 
 18x 
 
 
 
 
 22x 
 
 
 
 
 26x 
 
 
 
 
 30x 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 >/ 
 
 
 
 
 
 
 
 
 
 
 
 
 12x 
 
 16x 
 
 20x 
 
 24x 
 
 28x 
 
 32x 
 
The copy filmed here has been reproduced thanks 
 to the generosity of: 
 
 National Gallery of Canada, 
 Library 
 
 The images appearing here arB the best quality 
 possible considering the condition and legibility 
 of the original copy and in keeping with the 
 filming contract specifications. 
 
 Original copies in printed peper covers are filmed 
 beginning with the front cover end ending on 
 the lest page with a printed or illustrated impres- 
 sion, or the back cover when appropriate. All 
 other original copies are filmed beginning on the 
 first pege with a printed or illustrated impres- 
 sion, and ending on the last page with a printed 
 or illustrated impression. 
 
 The last recorded frame on eech microfiche 
 shall contain the symbol — »■ (meaning "CON- 
 TINUED"), or the symbol V (meaning "END"), 
 whichever applies. 
 
 Maps, plates, charts, etc., may be filmed at 
 different reduction ratios. Those too large to be 
 entirely included in one exposure are filmed 
 beginning in the upper left hend corner, left to 
 right and top to bottom, as many frames as 
 required. The following diagrams illustrate the 
 method: 
 
 L'exemplaire filmd fut reproduit grace i la 
 gAnArosit^ de: 
 
 Husee des Beaux-Arts du Canada, 
 Bibliotheque 
 
 Las images suivantas ont 6tA reproduites avec le 
 plus grand soin. compte tenu de la condition at 
 de la nettetA de l'exemplaire filmA, et en 
 conformity avec les conditions du contrat de 
 filmage. 
 
 Les exempleires originaux dont la couverture en 
 papier est imprimis sont filmds en commencant 
 par le premier plat et en terminant soit par la 
 derniire page qui comporte une empreinte 
 d'impression ou d'illustration, soit par le second 
 plat, salon le cas. Tous les autres exemplaires 
 originaux sont filmis en commenpant par la 
 premiere page qui comporte une empreinte 
 d'impression ou d'illustration et en terminant par 
 la derniire page qui comporte une telle 
 empreinte. 
 
 Un des symboles suivants apparaitra sur la 
 dernidre image de cheque microfiche, selon le 
 cas: le symbols -*»' signifie "A SUIVRE ', le 
 symbols V signifie "FIN". 
 
 Les cartes, planches, tableaux, etc., peuvent etre 
 film^s i des taux de reduction diffdrents. 
 Lorsque le document est trop grand pour etre 
 reproduit en un seul cliche, il est f"m6 A partir 
 de Tangle sup^rieur gauche, de gauche i droits, 
 et de hidjt en bas, en prenant le nombre 
 d'images nicessaire, Les diagrammes suivants 
 illustrent le m^thode. 
 
 1 
 
 2 
 
 3 
 
 1 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 
MICROCOPY kESOlUTION TEST CHART 
 
 (ANSI and ISO TEST CHART No. 2) 
 
 1.0 
 
 m 
 
 2.8 
 3.2 
 
 IIIIM 
 
 m 
 
 1 2.5 
 22 
 
 2.0 
 
 lilll^ 
 
 1.8 
 
 1.6 
 
 ^ /APPLIED irvl^GE 
 
 1653 East Main Street 
 
 Rochester, New York M609 USA 
 
 (716) 482 - 0300 - Phone 
 
 (716) 288- 5989 -Fax 
 
ZU mt JUssociatloa 
 of fi^OHtrcal 
 
 SPECIAL LOAN EXHIBITION 
 
 OF PAINTINGS j. j^ jt, jk 
 
 BY 
 
 JAMES MARIS ^ ^ ^ 
 MATTHEW MARIS .^ ^ 
 WILLIAM MARIS ^ u* jfi 
 
 AND 
 
 HORATIO WALKER, N.A. 
 
 JANUARY J9th, J900, 
 
f\rt f\8SOQlatior) of /Ho^treal. 
 
 . ■» 
 
 CouiicU (or tbe ^ear, 
 
 Prtiidtnt, . . Mr, James Ross. 
 Vice-President, Hon. G. A. Drummond. 
 Treasurer, . Mr. c. J. Flkbt. 
 
 Councillors. 
 
 Mr. R. B. Angus. 
 
 " E. S. Clouston. 
 Dr. W. Gardner. 
 
 " F. J. Shepherd. 
 Mr. a. T. Taylor. 
 
 " D. A. Watt. 
 
 Rev. J. Edgar Hilu 
 Mr. E. B. Greenshields. 
 
 " W. J. Learmont. 
 
 " William McLennax. 
 
 " David Morrice. 
 Sir. Wm, C. Van Horne, 
 
 Robert Lindsay, 
 Secretary. 
 
 Miss Pangman, 
 
 As9t. Secretary, 
 
-**s^i: 
 
LOAN EXHIBITION, JANUARY, tOOO. 
 
 CATALOGUE. 
 
 JACOBUS MARIS 
 
 1837-1899. 
 
 Honourable mention, Salon, Paris, 1884 ; Gold Modal, 
 Exposition Univeraollo, 1889. 
 
 Tlio oldest of the throe brotliorfl, whoso fatliRr and teacher 
 was an able artist of the laxt century, wm Iwrn at the Hague 
 in J837. On leaving his' father's studio, he went first of all to 
 Antwerp where he studied at the Academy and then in 1865 
 to Paris working under Edouard Hebert a pupil of Couture, 
 and at the Ecole des Beaux Arts. 
 
 He first exhibited in the Salon of 1866a/»c<i^ Filk Italienne 
 and in 1868 a Ji^eolle dcs Pommea atuv Bordsdu llhin, Holland, 
 in 1869 a Tricolcunc and fJn/ant Atalade, oftor this with occas- 
 ional lapses into figure paintings he appears to have devoted 
 himself to landscape. 
 
 Ho was well known in Ijondon ond sent a good deal of his 
 best work to the Goupil Galleries, being not less facile than 
 industrious, jwinting with equal freedom in oils and water 
 colours, his achievement, which comprised all manner of 
 subjects, ia very large. 
 
 At his highest his production, rank with the best of their 
 time, his work ii stamped with a fine sincerity and is unsur- 
 passed in vigour, directness and variety; he was one of natures 
 intimates, and his expression of her innumerable moods most 
 true. His skies are a caae in point, not solid and still, but active 
 in space, full of the daylight and the wind, menacing with 
 storm or charged with rain, and they look out upon you from 
 the canvaasm like the children of th« weather that they an. 
 
 4 
 
 r 
 

LOAN KKinntTlOtf, JAf/UAHY, tOltO. 
 
 -• • "* 
 
 1 — G'\r\ Appio Gathering 
 
 Lant by R. B. Angtu, Eaq. 
 
 2 — Marine 
 
 Lent by A. A. Hrowne, Vmi„ M.D. 
 
 3 — Seascape 
 
 Lent by the Hon. 0. A. Drmnnoond. 
 
 4— Dordrecht Cathedral (Water Colour) 
 
 5— Landscape 
 
 6— Girl on the Sea Shore 
 
 7— The Fireside 
 
 Lent by C. R. Ilaimer, Esq. 
 
 8 — Canal Bridge 
 
 Lout by J. Reid Wilson, Esq. 
 
 9— On the Sea Shore 
 10 — Canal and Boats 
 
 Lent by Jamei Rose, Esq. 
 
LOAN EXHIBITION, JANUARY, 1000. 
 
 11 — A View in Amsterdam 
 12 — A Corner in Dordrecht 
 IS—Maid Washing 
 
 Lent by James Crathern, Esq. 
 
 14 — Dordrecht (Water Colour) 
 
 Lent by E. B. GreonshicUls, Esq. 
 
 15 — On the Y near Amsterdam 
 Lent by George Sumner, Esq. 
 
 16— Dordrecht, Winter Evening 
 17 — The Beach Scheveningen 
 18— Village and Canal, Holland 
 19 — Amsterdam on the Y 
 20 — Old Amsterdam 
 21 — River Scene, Holland. 
 
 Lent by Wm. Gardner, Esq., M.D. 
 
 22— Italian Girl 
 
 Lent by E. L. Pease, Esq. 
 
 : f 
 
LOAN EXniBITION, JANUARY, 1000. 
 
 11 
 
 23— A Corner in Old Amsterdam (Water Colonr) 
 
 24 — Near Rotterdam 
 *^ 25— The Picture Book 
 
 26 — The Rhine at Katwyk 
 
 27 — Near Scheveningen 
 *'28-^A Corner in Amsterdam 
 
 Lent by W. J. Losnnont, Eaq. 
 29 — The Fisherman 
 
 Lent by Mrs. W. W. Ogilvie, 
 
 30— Early Morning, Amsterdam 
 
 Lout by Moaars. W. Scott & Sona. 
 
 31— The Bridge 
 32— On the Beach 
 
 33— Dutch Mill (Water Colour) 
 
 34 — A Little Student " 
 35 — A Fisherman '• 
 
 The Property of the Art Aasooiation. 
 
LOAN EXHIBITION, JANtlARY, 1900. 
 
 13 
 
 MATTHYS MARIS 
 
 Born at the Hague, 1839. 
 
 36 — The Princess 
 
 Lent by R. B. Angus, Es.]. 
 
 37— Girl with Kid 
 
 Lent by The Hon. G. A. Dru.umond 
 
 38— A Bit of Old Amsterdam 
 39— Head . • 
 
 (Water Colour) 
 
 Lent by W. J. Learmont, Esq. 
 
 -i 
 
'<i 
 
'■t 
 
 LOAN EXHIBITION, JANUARY, 1000. 
 
 IS 
 
 
 *',.» 
 
 WILLEM MARIS 
 
 Born at Tho Hague 1844. 
 
 William, called "dor Zilvcron" or " the Silvery," tho 
 yoiu.gcst of the Maris Brothers, like his elders, James and 
 Matthew, began to draw while yet a boy and was to some ox- 
 tent a imiiil of his father, unlike thoi.i, however, he did not go 
 abroad in hcarch of instruction but learned his art at home. 
 
 He is a paintov of Cattle and the Country, his work i* 
 not vigorous but is seldom lacking in distinction and ha« often 
 a iwculiar charm of its own. 
 
 40— On the Beach 
 
 Lent b;; Samuel Coulson, Esq. 
 
 41--C0W Stables 
 
 42 — Spring Landscape 
 
 Lent by The Hon. G. A. Drummond 
 
 43 — Feeding the Calves (Crayon) 
 Lent by Mesara. W. Scott Ic Sons 
 
I 
 
I 
 
 ! 
 
 LOAN EXBIBITION, JANUARY, 1000. 17 
 
 . ■* 
 
 44 — Morning (Water Colour) 
 
 Lent b7 F. J. Shepherd, E»q., M.D. 
 45— Cattle Grazing 
 
 Lent by Wm. Gardner, Esq., M.D. 
 
 46 — A Welcome Retreat 
 
 Lent by Edward Helton, Esq. 
 
 47 — Canal in Holland (Water Colour) 
 V 48 — On the Beach at Scheveningen 
 
 Lent by W, J. Learmont, Esq. 
 
 49— Pool and the Ducklings 
 
 Lent by J. Reid Wilson. Esq. 
 
 r 
 
 60 — Portrait of Jacobus Maris (Water Colour) 
 
 By H. J. Harerman. 
 Lent by T. B. Brown, Esq. 
 
LOAN EXHIBITION, JANUARY, 1900. 
 
 19 
 
 . ■» 
 
 HORATIO WALKER, N.A. 
 
 Bora At LUtowel, Ontario, 1858, 
 
 51 — Wood Gatherer, After Rain 
 
 52—Tree-Feller3 at Work 
 
 53— The Prodigal Son 
 
 54~The Fallen Tree (Water Colour) 
 
 55— Oxen Drinking 
 
 56 — Moonlight 
 
 57 — Woodcutter 
 
 58 — The First Snow (Water Colour) 
 
 59— Sand Pits 
 
 60— Woman Feeding Calves 
 
 61— Hay-making (Water Colour; 
 
 62 — Spring « 
 
 63 — Preparing for Winter •* 
 
Ai 
 
 f 
 
 
lOAir ExniBmoH, January, 
 
 1900. 
 
 81 
 
 64— Potato Pickers (W.u. Catour.) 
 
 M-A Spring Evening : Shepherd and Sheep 
 
 (Water Colour) 
 
 I^nt by the Artiat, 
 
 66— Evening: A Canadian Pastoral 
 
 (Water Colour) 
 67— A Barnyard (W.ter Colour) 
 68— A Sty 
 
 69-Morning: Sherberd and Sheep 
 70— Sheep-Waahing 
 
 I^nt bj W. E. M. atrot., E«q. 
 
 71— A Sty 
 
 72— Hauling the Log 
 
 I^nt by A. T. Landen, Esq., M.D. 
 
 73-Ploughing : A Spring looming 
 74— The narrower : Momit / 
 
 Lent by George A. Hewn, Eeq. • 
 
lii^fl ^*^^^HE thanks of the Association 
 
 ^mj E^ are due to those who have so 
 
 kindly placed their valuable 
 pictures at the disposal of the Committee*