IMAGE EVALUATION 
 TEST TARGET (MT-3) 
 
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 ► 
 
 Hiotographic 
 
 Sciences 
 Corpcjralion 
 
 [\ 
 
 iV 
 
 4 
 
 ■s^ 
 
 
 cS\ 
 
 23 WEST MAIN STMET 
 
 WEBSTER, N.Y. 14S80 
 
 (716)872-4303 
 
 '9> 
 
CIHM/ICMH 
 
 Microfiche 
 
 Series. 
 
 CIHM/ICMH 
 Collection de 
 microfiches. 
 
 Canadian Institute for Historical Microraproductions / Institut Canadian da microraproductions h!storiquas 
 
Tschnical and Bibliographic Notait/Notas tachniquaa at bibliographiquas 
 
 Tha ( 
 to til 
 
 Tha Inatituta haa attamptad to obtain tha baat 
 original copy availabia for filming. Faaturaa of th!a 
 copy which may ba bibiiographicaHy uniqua, 
 w/hich may aKar any of tha imagaa in tha 
 raproduction. or which may aignificantly changa 
 tha uaual mathod of filming, ara chackad balow. 
 
 D 
 
 D 
 
 D 
 
 D 
 D 
 
 D 
 
 Coiourad covara/ 
 Couvartura da coulaur 
 
 I — I Covars damagad/ 
 
 Couvartura andommagia 
 
 Covara raatorad and/or laminatad/ 
 Couvartura raataurAa at/ou pailicuite 
 
 I I Covar titia miaaing/ 
 
 La titra da couvartura manqua 
 
 □ Coiourad mapa/ 
 Cartas gtogiaphiquas an coulaur 
 
 Coiourad ink (i.a. othar than biua or black)/ 
 Encra da coulaur (I.a. autra qua blaua ou noira) 
 
 I I Coiourad platas and/or illuatrations/ 
 
 D 
 
 Planchaa at/ou illustrations 9n coulaur 
 
 Bcund with othar r.atarial/ 
 RaliA avac d'autras documanta 
 
 Tight binding may causa shadows or distortion 
 along intarior margin/ 
 
 La re liura sarr6e paut cauaar da i'ombra ou da la 
 diatortion la ..jng da la marge intiriaura 
 
 Blank laavas addad during rastoration may 
 appaar within tha taxt. Whanavar posaibia, thasa 
 hava bean omittad from filming/ 
 II sa paut qua cartainac pagaa blanches ajoutAas 
 lors d'una rastauration apparaiaaant dans la taxta, 
 mais. lorsqua cala Atait poaaibia, cas pagaa n'ont 
 paa (kt6 fiimtes. 
 
 Additional comments:/ 
 Commentaires supplAmantairas; 
 
 L'Institut a microfilm* la mailleur exemplaira 
 qu'ii lui a it* poaaibia da sa procurer. Las dAtaiis 
 da cat exemplaira qui sont paut-Atre uniquea du 
 point da vua bibliographique, qui peuvent modifier 
 une image r^produita. ou qui peuvent exiger une 
 modification dans la mithoda normaia da fiimcge 
 sont indiquis ci-dessous. 
 
 I I Coloured pages/ 
 
 D 
 
 Pagaa da coulaur 
 
 Pagaa damaged/ 
 Pages endommagias 
 
 Pages restored and/oi 
 
 Pages restaurias at/ou pellicuides 
 
 Pages discoloured, stained or foxei 
 Pages dicoiories, tachaties ou piquias 
 
 Pages detached/ 
 Pages d6tach6es 
 
 Showthroughy 
 Transparence 
 
 Quality of prin 
 
 Qualit* inigaia da I'impression 
 
 Includes suppiementery materii 
 Comprend du matiriel suppiimentaira 
 
 Only edition available/ 
 Seule Edition disponible 
 
 r-pt Pagaa damaged/ 
 
 pn Pages restored and/or laminated/ 
 
 I I Pages discoloured, stained or foxed/ 
 
 I I Pages detached/ 
 
 r~^ Showthrough/ 
 
 I I Quality of print varies/ 
 
 I I Includes suppiementery material/ 
 
 r~n Only edition available/ 
 
 Thai 
 poaal 
 ofth 
 filmii 
 
 Origi 
 
 bagii 
 
 theh 
 
 aion, 
 
 othai 
 
 firat 
 
 aion, 
 
 or ill( 
 
 Thai 
 ahail 
 TINU 
 whic 
 
 Mapi 
 diffai 
 entin 
 begir 
 right 
 requi 
 meth 
 
 Pages wholly or partially obscured by errata 
 slips, tissues, etc., have been refilmed to 
 ensure the best possible image/ 
 Les pages totalament ou partiellement 
 obscurcies par un feuiiiot d'errata, une pelure, 
 etc., ont M fiimies A ncuveau de fapon * 
 obtenir la meilleure image possible. 
 
 This item is filmed at the reduction ratio checked below/ 
 
 Ce document est film* au taux da reduction indiqu* ci-deaaous. 
 
 10X 
 
 
 
 
 14X 
 
 
 
 
 18X 
 
 
 
 
 22X 
 
 
 
 
 26X 
 
 
 
 
 30X 
 
 
 
 
 
 
 
 
 
 
 
 7 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 □ 
 
 12X 
 
 16X 
 
 20X 
 
 24X 
 
 28X 
 
 32X 
 
TiM copy filmMl tmn has b—n r«produc«d thanks 
 to tho gonorotity of: 
 
 Mttiopolitan Toronto Library 
 Cmadian HIttory Dtpertrntnt 
 
 L'oxomptoir* fllmA f ut roproduit grico i la 
 g4n4rosM da: 
 
 MttrapolHan Toronto Library 
 CMiidiin History Dspirtniint 
 
 Tha imagaa appaaring hara ara tha bast quality 
 posslbia consMaring tha condition and laglbillty 
 of tha original copy and In kaaping with tha 
 filming contract sfiaclflcatlons. 
 
 Original copias In printad papar covars ara fllmad 
 baglnning with tha front covar and anding on 
 tha last paga with a printad or lllustratad Impras- 
 slon, or tha back covar whan appropriata. All 
 othar original copias ara fllmad baginning on tha 
 first paga with a printad or lllustratad impras- 
 slon, and anding on tha last paga with a printad 
 or lllustratad imprassion. 
 
 Las Imagas suK^antas ont 4t4 raproduitas avac la 
 plus grand soln, compta tanu da la condition at 
 da la nattat* da Taxamplalra film*, at an 
 conformit* avac las conditions du contrat da 
 fllmaga. 
 
 Las axamplairas origlnaux dont la couvartura an 
 papiar ast ImprimAa sont fllmto an comman9ant 
 liar la pramiar plat at an tarminant salt par la 
 darnlAra paga qui comporta una amprainta 
 d'Impraaalon ou d'lllustration, solt par la sacond 
 plat, salon la cas. Tous las autraa axamplairas 
 origlnaux sont fiimte an commanpant par la 
 pramiAra paga qui comporta una amprainta 
 d'imprasslon ou d'liiustration at a.^ tarminant par 
 la darnlAra paga qui comporta una taiia 
 amprainta. 
 
 Tha last racordad frama on aach microfiche 
 shall contain tha symbol •^^ (moaning "CON- 
 TINUED"), or the symbol y (moaning "END"), 
 whichavar applies. 
 
 Un das symboles suivants apparattra sur la 
 darnlAre image do cheque microfiche, selon le 
 ces: is symbols — ► signifie "A SUIVRE", le 
 symbole ▼ signifie "FIN". 
 
 IWIaps, plates, charts, etc., mey be filmed at 
 different reduction ratios. Those too large to be 
 entirely included in one exposure ara filmed 
 beginning in the upper left hand corner, left to 
 right and top to bottom, as many frames as 
 required. The following diagrams illustrate the 
 method: 
 
 Les cartes, planches, tableaux, etc., peuvent Atre 
 flimAs i des taux do rMuctlon diffArents. 
 Lorsque le document est trop grand pour Atro 
 reproduit en un soul cilchA, 11 est film* A partir 
 da Tangle supArieur gauche, do gauche A drolte, 
 et do haut en bas, en prenent le nombre 
 d'Images nAcessaire. lias diagrammas suivants 
 iliustrant la mAthode. 
 
 1 2 3 
 
 1 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 
.y^(S^ 
 
 THE VOICE OF THE WIND, 
 
 tSq 
 
 VS. BAvsntA ffigb. 
 
 i 
 
 N 
 
 $n M nf 
 
 . 5lt laktfiBli, Inrtji Bntirn, 
 
 ^ntEito, l/Eoaitfl, 
 
 1<?59. 
 
Mt ^okt ai m mM. 
 
 -**- 
 
 N echo was borne me on the wind, 
 
 It sounded like a sigh, 
 "Some one in giief!'' it seemed to say, 
 
 And my heart made tliis reply. 
 "Is it the siilor on ocean tossed^ 
 
 By the wild wind and the wave ; 
 <Jr is it the mother at home on land, 
 Who pleads with Heaven to save?" 
 
 "Both sigh deeply, their hearts are drear, 
 Btit it was not their sighs that reached thine ear, 
 
 "Who can it be?" said my heart again; 
 
 "The child with its first great grief. 
 When it lays its head on the mother's breast 
 
 And in slumber finds relief? 
 Or the bride ere the ring has already thrown 
 
 Its magic circlet round. 
 Does she weep to part from a home well loved. 
 
 For another on stranger- ground ? " 
 
 " Both the tears of the child and the bride were sincere^ 
 But it was not their soimd that reached thine e.ar.'' 
 
 
T/je Voice of the Wind. 
 
 "Does the widow sigh loud as she sits alone, 
 
 And recalls the happy past, 
 When loving arms were around her tlirown. 
 
 And slie thouglit such Joy could last ? 
 A little mound in tlie churchyard low, 
 
 Is all that now meets lier eyes ; 
 Ah! sad indeed is the widow's lot, 
 
 No wonder that she siglis." 
 
 *'To desolate hearts there are sighs and tears, 
 But it is not these sounds that reach thine eai-s 
 
 "Tell me, <^ wind, who art passing by, 
 
 What my heart desires to know; 
 What are the dismal sounds I hear, 
 
 Through what channel do they flow? 
 Are they regrets of the thousands dead. 
 
 Who passed from this earth of yore, 
 Who neglected to work while yet 'twas day, 
 
 And who now can work no more?" 
 
 ''Yes, " saith the wind, "but few mortals hear 
 The sounds of woe which strike thine ear.'' 
 
 Behold a lesson to thee is given, 
 
 ^Yhen the rustling winds pass by; 
 To work for the Master great in Heaven, 
 
 Before thou art called to die. 
 For many and many lie low in dust. 
 
 Who would warn you, if they could, 
 To labour and strive and pray on earth. 
 
 Tu win men to be good, 
 
 Lest thou, too, come, in future years, 
 
 To sigh like the wind which meets thine ears. 
 
ROBERT ROMAINE, 
 
 PRINTER AND PUBLISHER, 
 
 PETERBOROTTGH.