CIHM Microfiche (IVIonographs) ICI\/IH Collection de microfiches (monographies) Canadian Institute for Historical MIcroredroductlons/lnstltut canadien de microreproductlons historiques Technical and Bibliographic Notes / Notes techniques et bibiiographiques The Institute has attempted to obtain the best original copy available for filming. Features of this copy which may be bibliographically unique, which may alter any of the images in the reproduction, or which may significantly change the usual method of filming are checked below. D D D n n D n a n Coloured covers / Couverture de couleur Covers damaged / Couverture endommag^e Covers restored and/or laminated / Couverture restauree et/ou pelliculee Cover title missing / Le titre de couverture manque Coloured maps / Cartes g^ographiques en couleur Coloured ink (i.e. other than blue or black) / Encre de couleur (i.e. autre que bleue ou noire) Coloured plates and/or illustrations / Planches et/ou illustrations en coulc-ur Bound with other material / Relie avec d'autres documents Only edition available / Seule edition disponible Tight binding may cause shadows or distortion along interior margin / La reliure serree peut causer de I'ombre ou de la distorsion le long de la marge interieure. Blank leaves added during restorations may appear within the text. Whenever possible, these have been omitted from filming / Use peut que certaines pages blanches ajoutees lors d'une restauration apparaissent dans le texte, mais, lorsque cela etait possible, ces pages n'ont pas ete filmees. Additional comments / Commentaires supplementaires: L'Institut a microfilm^ le meilleur exemplaire qu'il lui a 6te possible de se procurer. Les details de cet exem- plaire qui sont peut-etre uniques du point de vue bibli- ographique, qui peuvent modifier une image reproduite, ou qui peuvent exiger une modification dans la m6tho- de normale de filmage sont indiqu6s ci-dessous. I I Coloured pages / Pages de couleur I I Pages damaged / Pages endommag6 es D Pages restored and/or laminated / Pages restaur6es et'ou pelliculdes Pages discoloured, stained or foxed / Pages d^color^es, tachet^es ou piqu^es I I Pages detached / Pages d6tach6es I y[ Showthrough / Transparence I I Quality of print varies / D D D Quality inegale de I'impression Includes supplementary material / Comprend du materiel supplementaire Pages wholly or partially obscured by errata slips, tissues, etc., have been refilmed to ensure the best possible image / Les pages totalement ou partiellement obscurcies par un feuillet d'errata, une pelure, etc., ont 6t6 filmees a nouveau de iagon a obtenir la meilleure image possible. Opposing pages with varying colouration or discolourations are filmed twice to ensure the best possible image / Les pages s'opposant ayant des colorations variables ou des decolorations sont filmees deux fois afin d'obtenir la meilleure image possible. This item is filmed at the reduction ratio checked below / Ce document est filme au taux de reduction Indique ci-dessous. lOx 14x 18x 22x 26x 30x 7 12x 16x 20x 24x 28x 32x The copy filmed here has been reproduced thanks to the generosity of: Montreal Museum of Fine Arts Library The images appearing here are the best quality possible considering the condition and legibility of the original copy and in keeping with the filming contract specifications. Original copies in printed paper covers arm filmed beginning with the front cover and ending on the last page with a printed or illustrated impres- sion, or the back cover when appropriate. All other original copies are filmed beginning on the first page with a printed or illustrated impres- sion, and ending on the last page with a printed or illustrated impression. The last recorded frame on each microfiche shall contain the symbol -^ (meaning "CON- TINUED"), or the symbol V (meaning "END"), whichever applies. Maps, plates, charts, etc.. may be filmed at different reduction ratios. Those too large to be entirely included in one exposure are filmed beginning in the upper left hand corner, left to right and top to bottom, as many frames as required. The following diagrams illustrate the method: L'exemplaire film* fut reproduit grace ^ la g^n^rositd de: Musee des Beaux-Arts de Montreal Bibliotheque Les images suivantes ont ixi reproduites avec le plus grand soin, compte tenu de la condition et de la netret* de l'exemplaire film*, et en conformit* avec les conditions du contrat de filmage. Les exemplaires originaux dont la couverture en papier est imprim«e sont film«s en commenpant par le premier plat et en terminant soit par la derniAre page qui comporte une empreinte d'impression ou d'illustration, soit par le second plat, selon le cas. Tous les autres exemplaires origmaux sont film*s en commenpant par la premiAre page qui comporte une empreinte a'impression ou d'illustration et en terminant par la derniire page qui comporte une telle empreinte. Un des symboles suivants apparaitra sur la derniire image de cheque microfiche, selon le c»s- le symbols — ♦• signifie "A SUIVRE" le symbols V signifie "FIN". Les cartes, planches, tableaux, etc., peuvent etre film*s d des taux de reduction diff^rents. Lorsque le document est trop grand pour etre reproduit en un seul clich6, il est film* A partir de {'angle supArieur gauche, de gauche d droite, et de haut en bas, en prenant le nombre d'images n^cessaire. Les diagrammes suivants illustrent la m^thode. 1 2 3 1 2 3 4 5 6 MICROCOPY RESOIUTION TEST CHART ANSI and ISO TESi CHART No 21 1.0 I.I 1.25 I;. li ill 2.8 32 11 3,6 1.4 ill 2.5 II 2.2 1 2.0 1.8 1.6 ^1 'b'jj fast Mam Slreel r.S£ '■■ ■ ^"'^tpr. New ^ork 1..60^ u'.iA .^= -SI - 0.500 ~ Phone =^ ,'HB - 5989 - Fa« ART ASSOCIATION; (iAKLKllV, I'llll-I.ll'S SgilAIUv CATALOGUE (IK TITK, GIBB BEQUEST. AMI A Sl'K.II M. N OF PICTOBES, dVKN ON I'llK. (>("(;.\SI(lN OF I'MV' DOMINION EXHIBITION, MONT I{ KM. SKl'T,, ISSd. LOU[S l>HlllJA|-I/r \ (Jo, PIUNTEKS, 87 St. Jamks S'I'kkkt. *y ART ASSOCIATION : (lALi.Kitv, i'i!ii.Mi'.> s(^rAin;. CATALOGUE (IF riir. GIBB BEQUEST. AMI A sl'KilAI. LO AN COLLECTION OF PICTUB (il'KN iiN TlIK (iCCASKiN (if Till; DOMINION EXHIBITION MONTBEAL, SEPT.. 18.^0. ^ommi : LOUIS rERKAUI/r >^ Co., IMllNI'KIiS, 87, St. Ja.mt.s Sthkkt. 1880 ; ART ASSOCIATION OF MONTREAL. THE GIBB COLLECTION. Ik^,u,;lhe,l to the C!l,/ ufMnnlnal ,r,,rrMiih:l I'// ih' Art Assurhflon. 15x12 E. NOTERMAN . . . ij X It C. J. GRIPS 1. STOLEN PLEASURE 2. THE COURTSHIP a. MARKET SCENE IN ANTWERP. 1 ,„ ^ .v.< P. VAN-SCHENDEL ['(Moonlight.) ) 4. WILD FLOWERS '■'^'■' B. WEISER 5. CARD PLAYERS •'■"' •'' C DE PYLDER 0. ENVIRONS OF ANTWERP, Sunday Afternoon I ■:,r. X -yi F. CRABEELS 7. VIEW ON THE THAMES - - - -I ■■ x 2T J. TENNANT 8. VIEW NEAR HAARLEM, (Holland) ^i " ■^■'' W. VESTER 9. JOSEPH AND THE VIRGIN MARY, 1 (the central figures in Van-Schcn- del's picture of the " Adoration of the Shepherds,") 10. THE CONFIDANT . - - 11. LAKE COMO, (Italy) . - - - . 37 X 2,1 P. VAN-SCHENDEL U X 2:'. F. VERHEYDEN U5 X 4-i S. R. PERCY 12. THE LLYN IDWALL, N. WALES, \ 7, , ;>; S. H. PERCY (SUIlHCt) I l.J. THE STUDIO OF JEAN BREUGHEL, n ^ "• F. KRAMEll 14. SEAPORT OP CALAIS - - 1 ■> •' P MUSIN 15. CORDOVA, (Piiliiccol'tlio Moorish Kings) v- s ii F. ROSSUET 1(1. RLIND MAN'S DUFF, - - - '''■ >< •- F. DE IIEUVEL 17. MOZART PLAYING BEFORE ^ ) ,,, , „. * riNELLI THE PRINCE DE CONDfe / ' " ^- ^^^^*^^^^ 18. SHEEP 10. PARENTAL ALARM , 20. PIGEONS 21. A ZEELAND LADY 22. A GOSSIP AT THE SPRING M X hi F. VANSEVERDONCK U> X H HENIUETTE RONNER H X IS F. VANSEVERDONCK ■^'■^ X 2;' E. NOTERMAN •n; X ;ii; E. J. COBBETT 23. THE OLD TOWN of HOOP.NE, (Holland) -.'i x u W. KOEKKOEK 24. EHRENBREITSTEIN (ou the Rhine, "i x :;i J. WEBB 25. A VILLAGE FAIR IN KENT - 26. MOUNTAIN SHEEP - 27. SHEEP AND GOAT - 28. WINTER SCENE IN HOLLAND 29. LAKE WALLENSTADT - 30. A VILLAGE MARKET 31. LAKE OF ZUG, (Switzerland) - 32. FLEUR DE LIS - - - 41 X :y, G. A. WILLIAMS r,i X I'l J. C. MORRIS 47 X 33 E. VERBOECKHOVEN :.o X 33 W. VESTER 61 X 40 J. BUTLEH 2n X ]<: F. DE BRACKELEN 60 X 40 E. A. E. NYHOFP 18 X 24 J. H. S. MANN 33. CATTLE EETURNING from PASTURE 96 x G2 T. A, VERWBI i 34. SEAPORT OP VEERE (Dutch Niival Arsonal) 36. LAKE OP POUR CANTONS 30. GRINDENWALD AND THE WETTERIIORN \ .'.7 X ;;« J. A. RUST CI X II J. DtJTLER } ■■■ 1 \ !.! J. BUTLER 37. PREPARING TO DECORATE i -„ ^ ,, j jj heyERMANS THE CHURCH i "'• " "i^x*<««iAr*o 38. A WAYSIDE INN IN FLANDERS l x lo W. VERSCHAUR 30. DUTCH TRADER TOWING A' \ ., v ,„ it Tf TAYLOR FISHING BOAT OFF DOVER f ' "" "" ^- ^^Xl^UU 40. THELLYGATTHEFOOTOFMOEL ) SABOD, SNOWDON IN THE \ r.< x :;" S. R. PERCY DISTANCE J 41. A VILLAGE MARKET SHOP - 30 \ - , J. E. MASUREL 42. ST. MATTHIAS CHURCH, (Treves) ;!3 x I'l G. STANFIELD 43. THE .VILLAGE OF FLUELLEN i ^, ^ .„j p roffiaEN (Liike Lucerne)' i 44. GRANDMA'S PANCAKES 2J X 2J H. SALENTIN 45. THE SCHOOL MISTRESS' PETE DAY Hx'': P. VERHEYDEN 40. SURREY WOODLAND, Autumn) - m x i:'. P. W. HULME 47. A PINCH OP SNUFF - - - »2 x 4) p. VERHEYDEN 48. CATHEDRAL INTERIOR 49. MOUNT PILATE, Lake Lucerne) li'J X GENISSON I!. N ! . P. ROFFIAEN 50. THE VILLAGE OP BEILSTEIN 1 ... „ .,, r> sTANh'TFTTi ON THE MOSELLE ) -' ' "' ^ STANl^lELD 51. A GOOD TIME. [Skating in Holland] M x JO F. DE BRACKELEER 52. EXPECTATION - - - • 10 x ir B. WEISER 5 63. THE NECKLACE 54 'IHE NURSE - 55. " TETE A-TETE " 50. POMERANIAN DOG - 57. THE MOTHER 58. ILLAGE POLITICIAN 59. HIS PORTRAIT - ; 60. MESMERISING - TJ X 1" F. MOORMA-NS 13 X 11 C. GRIPS 1 1 X 1 J A. F. HEYLIGERS 10x11 HENRIETTE RONNER 1 1 \ u C. J. GRIPS r.t X M F. DE BRACKELEN LT, X 21 H. SALENTIN ■J4 X i'.' C. VENNEMAN 61. ON THE SHOE.. OF I-AKE^^^^ } „ , ,, {|; ?0™»'°'|5f 62. HAWKING, - " " WAGNER 63. THE SMOKER. 64. THE DRINKER. 65. HOLY FAMILY, copy from Andrea del Sarto by PETRINI. 66. THE VIRGIN AND CHILD, with St. John and St. Francis, Copy from Andrea del Sarto, by PETRINI. 67. CAPUCHIN MONKS AT PRAYER, copy (roin CHIARI. 68. BURIAL OF A CAPUCHIN MONK, copy from CHIARI- 69. MARINE VIEW, copy from CLAUDE. 70. LANDSCAPE, copy from SALVATOR ROSA. 71. LA SAINTE VIERGE AU CHARDONNERET, copy from RAPHAEL. 72. MADONNA DELL A SEGGIOLA, copy from RAPHAEL. 73. JE 74. C] 75. O] 76. e: BRONZES -F0U3IL\(> PART OF THE GIBB BEQUEST. 73 JENEAS CARRYING HIS FATHER FROM 1 F. BARBIJDIENNE THE DESTRUCTION OF TROY / k.k ni.ku. 74. CLEOPATRA, by J. CLESINGER 75. ORESTES AND IPHIGENIA, by GREGOIRE F. BARBfiDIENNE FOUNDKn. 76. ELIEZAR AND REBECCA, by GUILLEMIN - TIEVANT KDUNDEU. TIEVANT FOUNDER. IMCTIRHS— TIIK I'KOl'HK'I'V Ol' THH ASSOCIATION. 77. SCENE IN THE THOUSAND ISLANDS - - - - O. E. JACOBI 78. VIEW IN CORSICA - - 0. J. WAY I.UCKFiNK. 79. HOLLYHOCKS J. FOWLER ■|(il:iiNT(i. 80. PARLIAMENT BUILDINGS, (Ottawa) - - - - O. R. JAOOBI 81. THE SACRAMENTO VALLEY (Sunsot) - - - A. BIERSTADT .m;\v voiiK. I'lvsciiti'il !iy till' AuTis'i". 82. THE SPLUGEN PASS, Tyrol O. J. JACOBI TOUONTI). riv-.iit.Ml l,y .Mii..)(iiiN M,ntr.| hv .^Il!. W. ('. S.Mii.i.ii;. CASTS i'llOM Till' OllKMN'ALS, /'/■( SI ii/i (/ III/ /hr Scii/jifnr. 89. THE] SONG OF THE SHIRT MARSHALL WOOD DO. HEBE MARSHALL WOOD 01. HEBE (bust) MARSHALL WOOD 8 LOAN COLLECTION. OIL PAINTINGS. 'iitiircs iiiiirUfil Willi an usUi-iik * urn for siilr Tln^ Si'cictiiry will ,i;ivr iiif(Uiiiiitii>ii as to |iiii't', kr., on aiiplicatioii. 100. NEW YORK HARBOUR IN WINTER E. MORAN. NKW YOliK. 101. A DISASTER-GOING TO MARKET C. H. POINGDESTRE 102. HEADS OF SHEEP SCHENCK 103. LANDSCAPE (Eastern Townships) A. F. BELLOWS 104. HOMEWARD BOUND E. VAN MARCKE 105. A HIGHLAND FORAY R. BEAVIS 106. VIEW IN WALES J. SYER 107. ON THE CONNECTICUT RIVER A. F. BELLOWS 108. THE HARBOUR OF CHRISTIANA H. F. GUDE 109. THE MORNING BATH W. P. BABCOCK PAHIS. 110. WAKE UP . - . . T. GERARD I'AIIIS. 111. EVENING, ON THE THAMES - - BODDINGTON & SHALDERo . I.ONIKJN. 112. ON THE CONWAY (Wales) ... - - B- F. LEADER I,iiM)()\. 113. FOREST SCENE A. F. BELLOWS NH« VOIiK. "114. HUNTING AT FONTAINEBLEAU A. DE GESNE 115. A BREATH OF MORNING AIR A. VOGT IIG. THE OLD ARMOURER K. J. LITSCHAUR 117. VIEW IN HOLLAND G. W. NICHOLSON 118. RETURNING FROM THE. PASTURE - - E. VAN MARCKE 119. BETWEEN TORCELLO AND VENICE - - - : C, J WAY 120. ON THE CONWAY (Wales) - - - - B. F. LEADER l.iiMiilN. 121. IN THE GLOAMING [ - J. F. MILLET I'.MilS. 122. A WET DAY - - - - ^ - : - - C, PITTARA 123. VIEW ON THE RHINE - I 1. i - " J.R.COLLINS LONDON. 124. MILKING TIME . . j » ; e. VAN MARCKE 125. A WINTER SCENE (Canada) - - e J C. KRIEGHOFF 126. THE BRIDAL CROWN " - 'I t A TIDEMAND 127. SUPPER TIME - . - . j , . - c. KR^IJIGHOFF 128. A VISIGOTH WARRIOR E. Y. LUMINAIS 10 134. 135. 137. 139 143. 129. REST BY THE WAY - J- SANT, R. A. I.ONDll.V. 130. THE TOILET . - - .... V. CHEVILLARD. 131. LAKE MEMPHREMAGOG - - - - - A. F. BELLOWS 132. A COUNTRY ROAD (England) J- E. MEADOWS 1,')NI)'1N. 133. VIEW NEAR COMPTON A. F. BELLOWS 134. THE BIRD'S NEST ---,.•- V. CHEVILLARD 135. SUNSET - - ^- ^- JACOBI 136. A CANADIAN HOMESTEAD •.-.-- C KREIGHOFP 137. :. LANDSCAPE --..... 204. A WELSH MOOR j 205. LANDSCAPE • . ■ 206 NEAR MURRAY BAY (St. Lawrence) - . - 207. : ON THE LOOK OUT - . . . . . 208. EVENING 209. : A POW-WOW BY MOONLIGHT - - . 210 CHURCH OF SAN LORENZO Nuremberg). - - 211 THE CRITICS . - - .' . . . . 212. FOX HOUNDS 213. -i^TWILIGHT (Lake of the Woods) 214 -SALMON RUN OF THE MARGUERITES on the River Sagueiiuy" j 215. SHEEP 21G A BIT OF WELSH M'OOR 217. A MOUNTAIN TORRENT - J 218. ROCKY PORTAGE iNipigon River] 219 -CAP ROSIER [Gulf of St. Lawrence] 220. THE GIRDLE WEAVERS 221. THE PERRY 222. LANDSCAPE - - - 223 ELSTEAD BRIDGE - - - - • C. WERNER O. L. do GENNE BIRKET FOSTER l.ci\l)liN. G PIETTE W WHITTAKER G PIEITE C J WAY l..\l!.N 263. ROCKS AND SEA - ... - - C J WAY 264. ST. MARK'S (Venice) Do 265. HARVEST TIME - . Do 266. PUMPKIN HARVEST Do 267 SET OF SKETCHES J. A. FRASER IN COUNCIL ROOM. THE RAISING OF THE DAUGHTER OF JAIRUS GABRIEL MAX " This Painting, by one of the greatest living Mastei's of the Munich School, with its lofty realism, the startling eflfects of light and shade, and subdued pathos pervading the whole, will haunt the imagination of all who see It." 16 A. EDSON t JACODI . FRASER r IIAHDY :J J WAY VERNEU RINGTON .' J. WAY VERNER IIAYTER BARBER k EDS'>N 2. J WAY Do Do Do . FRASER lEL MAX ch School, 1 subdued e it." V ■Jl^- ^i^ ■>C( ■.'..(. His[i(ce!ieiicf tf][^Goh[ooiGe[ie[auii. ,: '"' 'I ttie Pfiiicess Lo'jise ' ) X'l'cat^'lciit THl. 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