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 \^' MUSIC HALL, 
 
 Wednesday and Thursday Evenings, April 29th & 30th, 1874. 
 
 ELIJAH ; 
 
 An Oratof^io. 
 the english version by w. bartholomew. 
 
 TH8 MUbIC COHPOBED BY 
 
 DR. FELi:*^ MENDELSSOHN BARTHOLDY. 
 
 Fir»t Performance of this Work in Canada. 
 
 CONDUCTOR, - . - . 
 
 MR. TORRINGTON, 
 
 PBiM€SP^h r@€siEiisrs, 
 
 80PRAN0 I 
 
 MISS HILLARY. 
 
 
 CONTRAlTOl 
 
 MISS CORLETT. 
 
 TENOR s BAS8 1 
 
 MR. McMICHAEL. MR. MURRAY SCOTT. 
 
 Will be composed of Members of the PUJLHARMONIC SOCIETY, numbering 
 OVER 250 PERFORMERS. 
 
 Leader of the Orchestra, 
 Organist, 
 
 MR. WARWOOD. 
 MR. COLLINS. 
 
 PRICES t Keflervod SeaU, Nnmbered, 91.M. IJaMMiTed Seata, ■ • 75 Cents 
 
 Doors open at 7 ; Concert to commence at 8 o'clock, prompt. Carriages may be ordered tor 10 p.m. 
 
 N.B.—It it partinUarly requetted that thote teho have arranged to attend will be in thevr 
 retpeetive place* at least Five Minulee before Eight o'oloek, in order to prevent interruption after 
 the Oratorio hat oommtnoed. 
 
 . * 
 
 The Btelnway Ocand Piano used on this oooasion is from the Wareroomsof Messrs. Nordheimers. 
 
 ^'^'^/[m .u^iE 
 
 Ik 
 

 The EDITH and LORNE PIERCE 
 COLLECTION o/CANADIANA 
 
 # 
 
 ^een's C/niversity at Kingston 
 
 \ 
 
 . J' 
 
 
 •fc 
 
 if^ 
 
 % 
 
 ^ 
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 Q 
 Q 
 
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 "0 
 
 E L I J A H . 
 
 Jill' Aiifliar iif this English ivrsian has vtidctuvri'd to niukf it as natrhi in oixnnlKinr nith 
 thv Srriptnriil Tv.Hs us th>' Music ii> n'hich it is adufitcil n'ill ddniif ; the irfvitiiccs iiiiieridlii 
 arv thi'fvfort' to Im considered sim/ilji us onthoritifs, 
 
 PAirr THE FTEST. 
 
 RECITATIVE (<()— Mk. SCOTT. 
 
 KlMAU. — As Ciod the Lord of Israel livctli, before whom T stand, there sliall no( 
 
 he dew nor rain these years, but according' to my word. 
 
 I Kings xvii. 1. 
 
 OVEETUEE. 
 ' 1. CHORUS (h). ' 
 
 The Peo1'].k. — Help, Lord i wilt Thou quite destroy us? Jh 
 
 The harvest now is over, the summer days are gone, and yet no power cometh to 
 
 help us ! Will then the Lord ' o no more God in Zion ? 
 
 Jer. viii. 20. 
 
 (iij Meuilel.ssiihn ilisjdays n tliorougb ajiinxciatioii of the dramatic events to be described, by 
 i;iiMinieiioiii>; liis great Oratorio, not witli tlie orthodox Overture, but with a startling Recitative, 
 which gives the key to tlic incidents embraeeil in the Work. 
 
 The Overture follows -I) Minor — Modi'rnto mn /mco a poco pifi aijitato, 4-4 — one of the Com- 
 (loser's greatest instrunieiital Compositions— powerfully sujrgestive of the long-continued drought — 
 the parched earth the failing vegetation and ultimate famine. 
 
 Mendelsson has been one of the greatest exponents, in modern days, of Bach's st\le, and this 
 ■iubjeet may have i)een .'<ut,'gested by the opening of Bach's E Minor fugue for the Organ, to which, 
 ill structure, it bears a close resemblance. 
 
 (//) By skiiiiil preparation in tne last few bars, the Overture leads directly into this movement 
 D Miiiur Aiidoiiti li'iifo, 4-4 -in which, after thiilling exclamatory phrases by full Cliorus, the 
 Tenor nitriMluces an ex(|uisite subject on the wordc, "The harvest now is over,'- &c , afterwards 
 wrougtit up with increasing intensity into passages of impassioned declamation, in the midst of 
 which Chorus and Orchestra suddenly subside into jip on the words, "AVill then the Lord be no 
 more (iod in Zi(Ui V"' 
 
 The succeeding Choral llecitative is a striking illustration of the dramatic use Mendelssohn 
 sometimes made of the Chorus. Indications of Choral Recitative may be found in the works of 
 earlier writers, as, for example, at the close of the Chorus in Israil in E;iijj)l, " He sent a thick 
 <larkness ;" but it was left for him to develop a lield so rich in dramatic effects. 
 
 In the Duet and Chorus following, the melody is remarkably exi)reEsive, sustained by a delicate 
 iiccompaniment, enriched by passages of great lieauty for the Winds. 
 
 %. 
 
 ^o^-\(^-]o 
 
Choiui, IIkcii'ative. 
 
 The iliM'jKs allonJ no wjiter ; niitl tlio livers tire exhausted ! The Hucklin^'s tonj!;iir 
 
 now (ilfHVftli for thirst to his mouth ; tho infant (thiklren iisU tor bread, tiiid thoro ic 
 
 no one lireaU-elh it to feed thcni ! 
 
 liiiim'nt. iv. 4. 
 
 2. DUET— Miss IIILI.AUY and Miss COKLETT, witli <'II()RfS. 
 
 TiiK I'koI'I.k.— Lord ! how Thine o:ir to our pr.iyer. 
 
 I Duet. — Zion spreadcth her hands for :.id ; iuid there is rioithei' iiolp nor conifoi't. 
 
 Lament i. 17. 
 
 :(. (lECITATIVE (.). Mr. M<MICH.\EL. 
 
 ■ 
 
 OBAniAii. — Ye peojile, rend your hearts, and not your j^arments, for your trans- 
 gressions ; even as Elijah hath sealed tiie heavens tiiroutih the word of fJod. I there- 
 fore say to yc, Forsake your idols, return to God : for He is slow t( anther, and merci- 
 fid, and kind, and gracious, and repentctli Him of the evil. 
 
 .J..'el ii. l-J, 13. 
 
 4. ARIA.-Mr. McMlCHAEL. 
 
 Obadiah, — " If .111 your hearts yc truly seek me, yc shall ever surely find 
 
 me." Thus saith our u.,J. 
 
 Oh ! that I knew where I might find llim, that T might even come before Ills 
 preseneo. 
 
 I'eut. iv. '29, .Toll xxiii. 3. 
 
 5. CHORUS ((/). 
 
 The People. — Yet iloth tho Lord .see it not; He moeketh at us; Ilis curse lias 
 fallen down upon us; His wrath will pursue u.s. till He destroy us! 
 
 For He, the Lord our God, He is a Jealous God ; and Ho visiteth all the fathers' 
 sins on the children to the third and the fourth generation ot tliem that hate Him. 
 
 I'cill 
 
 hidi 
 
 (■oil 
 wo I 
 
 ((•) The short Recitative leads into an Aiv—E Flat Major— Amhnitr von niofn, .^ — in which the 
 DiviuB pii>iiiise of pardon ia proclaiuicd in acceiita of Uiuching l)eaiitj-, with felicity iifculiar tn 
 Mendelssohn. 
 
 {d) In this movement the state of the popular feeling is portrajed with vast appreciation and 
 power as nviilencod by the despairinp outbinst with which the Chorus oj)»ns. After the phrase, 
 " He mockcth at us," the exsitenient increases — the words, " His curse is fallen down upon us," .■ur 
 declaimed with appalling force, and as tach part in succession takes up the subject, the mind receives 
 an overwhelming impression of the intensity of human passion. 
 
 The Chorus then conies to nn abrupt pause — a change in the teiiipo]to (/ruri' introduces p.issages 
 of wonderful grandeur and solemnity, commeiicing, "For He the Lord our (Jed." Fear in the 
 mii.ds of the people i.s subiiued by returning faith— a modification of feeling strikingly deveio) ed as 
 the music progresses into the Key of C Major, on the words, " His mercies on tliouaands f.dl," the 
 effect of which is to lig.iten up the picture like a blaze of sunshine from behind a cloud. 
 
3 
 
 His lucrcicH on thdusiinds full — full on all tlioni that love Him anil keep Hi» 
 roinmandnicnts. 
 
 Muft. xxviii. '2'2 ; Kxcxl. xx. 5, H. 
 
 C. RECITATIVE (.). Miss ADA CORLETT. 
 
 An Anoei,. — Elijali ! <n:t tlicr liciico ; dt'i)ai(, and turn theo eastward; tliitlier 
 iiidf tlico by ('lieritirH brook. There slial. thoti drink its watorn ; and thti liord thy 
 (lod hath commanded the ruveins to feed thee there: wi do aceordinj; nnto His 
 
 word. 
 
 I Kiim.s xvii. .'J. 
 7. DOUBLE QUARTETT. 
 
 Misses (JATHRON, SCOTT, CORLETT. ADA (JORIiETT. ^ 
 
 Messrs. McMlCHAEL, IJILTON, WARRINGTON, JONES. 
 
 Anoels. — For He .shall give His angels charuie over thee ; that they shall |>roleet 
 
 thee in all the ways thou ^ocst ; that their harid.^ shall uphold and guide thee, lest 
 
 thou dash thy toot against a stone. 
 
 Pa. xci. II, l-J. 
 
 RECITATIVE (/).— Miss CORLETT. 
 
 A.N An(1EI.. — Now Cheritli's brook is dried up ; Elijah, arise and dejiart : and <;et 
 thee to Zaropath ; thither abide: for the Lord hath commanded a widow woman there 
 to sustain thee. And the barrel of meal shall not waste, neither .shall the crui.^^e of oil 
 fail until the day that the Lord sendeth rain upon the earth. 
 
 ' I Kings xvii. 7, !', 14. 
 
 8. RECITATIVE— AIRS-DUET. ^ 
 
 Miss HILLARY and Mr. SCOTT. ^ ' 
 
 The Widow. — What have I do with thee, O man of God ? art thou come to me 
 to call my sin unto remembrance ? — to slay my son art thou come hither ? Help me, 
 man of (xod, my son is sick ! and his sickness is so sore that there is no breath left 
 in him ! T iro mourninc^ all the day loni^ ; I lie down and weep at night. See mine 
 affliction. Be thou the orphan's lielpoi-. 
 
 Elmah — (live nie thy son. Tui-n unto her, O Lord my God ; turn, in mercy 
 help this widow's son ! For thou art gracious and full of compassion, and plenteous 
 
 ((') After IV shori IttH'itiitive, tlie Double Qiiartett — (7 Major — Allegro iioti trop/to, 4-4- arrests 
 iitt'.'ntioii liy the richness uf tl)u eight-part harmony, and the sparkling flow of its glorious melody. 
 
 fj'j 'riiis Itcoitiitive forms the u ■nn'^ctni^' link to one of those wonderfully vigorous drair.atic 
 sci'ufs, ill the L'onceptioii of which Mendelssohn shone pie eminent. In the dialogue between the 
 Willow and the Propliet, t-very chiinve in sentiment receives an appropriate musical expression the 
 niiioily sung liy tlie Widow is full of i)athos, supported by an accompaninu nt in which the Solo for 
 < Iboc ('onus a striking feature — the response by Elijah is immediate, and the exclamations of the 
 widow, as the excitement of the scene increases, are delivered in tones of thcnio-t impassioned musi- 
 ■•al deuK'vmati" n. 
 
 By the iutrnduction of the <,"horus — G Major A/lit/ro muderato, 4 4 — we liave a personified re- 
 Hcoticm on the action, in the manner of the ancient (ireek tJhorus. Tiie movement is one of the 
 most gra-iefal and melodious in the work, and a new phrase on the words. " Through d.arknes* 
 riseth light," leads to a climax of imposing dignity. 
 
•„,„...■.,■ H-.i.. 1 u„).,.,d,ia.i,^i 
 
 .r„ov „-vvi.Mi,....s»..w "-*-""""'" 
 
 S1...U .1,,. .1 1 a.-.- 1 v..»i- ""■- ' ; . „„„ , « .....y 
 
 live ! 
 
 "" . , I 
 
 ,„„W „.-^T„„T..,nn..,n,..c...-.UU,, ,e„0... -."..-> 
 
 B,,,M..-N...v. v.«i...ui .i.y -" i"«* ' ,,,„, „„a „...t H- «•»'■■' 
 
 "--T"";; :r:".„'':;r"o ,r:.:ti?ty w„o (o... hi. .. 
 
 soul, und with all thv m.jrl.t. u ^ ^^^^^^ 
 
 . • 1- Hi • I'h. Ixxxvui. 
 
 -V.., .-- ... ... ,.; -. ,, 14; ISXXVI. I.., »*>• 
 
 , King, xvii, 17, 18. -^l. -^^ ■• •'"'• "• '" '• loVcxxviii. 1. 
 
 «» OHOHUS. 
 vishlcous. 
 
 ■ 
 
 ,„. HECTATIVES W-M- ''^"" ' ^„„„ , ,,„„,,, tl.roo ,».-. 
 
 'S-:^^!i:-::-:;::t:t!:i- - - 
 
 n-:iin upon the ouvtli. 
 
 n upon uiiv 
 
 .„„.-A,....o„KH.i „cU...tt.-o«b>cU..«. 
 
 ,,„,,,„„„,,._T„o..,.nl-.U.,..K.-« 
 
 ,„„„, Yo have fe.-*.k.n God ^,^^^^,^^, , „,„ ,„„. 
 
 T„E T.0P>.».-A..d then we >ba« ^^^^^^^ ^,,„ p„, ,„, 
 
 • *„ r.f R'liil • select !ina si.ij 
 Ev-UAn.-Ri-. then, yc pi-sts of Baal ^ 
 
 ___. - TTT^aent. tev.ninati,.« o. Mount C'av.el .ay U- 
 
 between Abab, tne i r i 
 
iiin. 
 
 1 miiy 
 ..tl.'. 
 
 s WOl'll 
 to UK'. 
 
 ■a\\ ti'y 
 
 fire uiidiT it : iipIiCt ydiir voit-es. and dill the Ood ye wiHrtliip ; and I llii'ii will cmII 
 • III tliV Lord .loliovidi : mid tlip (ind wIki l>y fire sli.ill aiiHWcr. U'f llini l>i' (IcmI. 
 
 TiiK Pkui'i.k. — Vfii : and the (iod who by firo Hindi answer, lot lliin In- <iiid. 
 
 Kmjau. ('nil first npun your Ood : your nunilKTs aiv niiiny : 1, ovimi i mily, v •- 
 iniiih ono prophet of llic F-urd ! Iiiv(il<c your foi-Cht-«j;ods juid ninuiitiiiii.didtii's ! 
 
 I Kiii'.'s wii. 17 ; wiii. I, i:., IH, I'.i, •.',•(:.. 
 
 11. DOli'.IJ': CIIOKIJS (h). 
 
 riiiESTM OF Haai,. Haal, wo cry to tlio ; licar and answer us ! Heiul liic sacri- 
 lice wc ofli'r ! 
 
 Hear US, Baal; licar. inii,dity !>od ! Haai, O answer un ! Baui. let lliy tlaines 
 lull and extirpate tlio loo ! liear us, iJaal. 
 
 . Ixxxviii. 
 
 12. UECITATIVE.--Mr. SCOTT. 
 
 I'li.i.JAif Call liini louder ; for he i.s a sod ; he talketh ; or he is punsiiin^ ; or ho 
 is in a journey : or peradventure he slecpeth ; so awaken him : fidl him lou'l-r. 
 
 ol peace. 
 to ; He is 
 
 . I. -t 
 llUS. 
 
 lirne ycsivs 
 1 send vail) 
 
 CHORUS. 
 
 I'riests ov Baal. -Hear our cry, O Baal! now arise! wherefore slumber ? 
 
 i:{. RECITATIVE-Mr. SCOTT. 
 
 Eii.iaii.— Call him louder! ho hcureth not. With knivo.s and lancets cut your- 
 selves after your manner : leap upon the altar yo have made : call him. and juophcsy I 
 Xot a voice will answer vou : none will listen, none heed vou. 
 
 CHORUS. 
 
 My father' 
 
 im '. 
 
 there suni- 
 re feasted at 
 
 and put IX 
 
 Carmel may be 
 
 ; of whit:b it is 
 xciting aialogu(^ 
 ulinrly effective. 
 
 Mark how the scorner dc- 
 
 Prie.sts of Baai-. Baal ! hear an<l answer, Baal! 
 rideth us ! Hear and answer ! 
 
 1 Kings xviii. I. l.->, 17, 18, 1!>, -JU-'JK. 
 
 (//) In the first Chorii.s — conuuencing with eisjht parts -the invocation to Baal conunoncei in 
 majestic .strains. Tiie subject is repeated by .Soprano and Alto -and an alternate response by male 
 unci female voices is continued till botli unite in ])ass.igea of close imitation. The pecidiarity of toe 
 accompaniment, which is scored for Bnisw.^, with Tenor and Mass, aad H'ooil., with Snpraiio and 
 Alto, invests this ])art of the movement with an extraordinary character. A change of fniip/o to 
 V afterwards introduces a new subject, developed at considerable length, the voice parts princi[)ally 
 ill uiiiscui, and an arpeggio accompaniment for .Strings. 
 
 The bitterly ironical interruption by Elijah provokes an impetuous resumpt.ion of the invocation 
 — /'' Sliar/i Miiiiir - .\llii/rii, 4 4 -with a striking accompaniment, chiefly for Winds. 
 
 Vet another taunt from the Prophet, and the liaal I'riests make a last appeal in luiious accents 
 I'rcs/ii ()-S with a marvellous figure in thestiinged accompauiinent, bctrayiny intense agitation, and 
 the diamatic effect is heinhtene 1 by silent bars at the close of the movement, so expressive of the 
 eager suspense with which an answer is expected. 
 
 The admirable fitness of the antiphonal stj lo in which the voice parts are written i-i a reni.vrk- 
 abU' feature in this series of Clioiuses. 
 
14 i:K(jiT.\'riVK anh aiiia io M" scuit. 
 
 Ki.iJAll. I'liiw noiir, all ye pooplo : tiiinc ii me I 
 
 lior.l (i.i<l ol Abi'iili.im. Isiik; and Ixriicl ' tlii-^ Any lit it lie known thai Tlioii iirt 
 (ii.il ; and I am Thy servant ! O mIiuw Io all lliis pn.|.l.' tliat I liuvo clono tlictu thirii^'H 
 i.ci'ordin-: t(. Thy word ! O hear me, Fiord. and answiir iiu'i uml hIiow thin people 
 that Thnn ail I-ni«l Cud. and Ii-t ihcii- licarts ,i;,'aiii U- WwuvA ! 
 
 I Kiii'^K xviii. 'MK 'M't, 'M. 
 
 15. tirAIlTKIT. 0) 
 
 .Mi.s Hlld-AKY. MiHs ALICK COIM.KTT, Mr. M. MICH \KI.. and Mr. M StMHT. 
 
 Aniiki.s. -('ast thy burden upon tlio Lord, and Ifo Nliall suHtain tliee. lie nevor 
 will '-litVi T llic ri;;lite(»iiH to fall. lie is at tiiy rif,'ht liand. 
 
 Thy mercy, Ivnd, is k''*'-'' • •'""• ''"' ■•il">ve the li«avi'n>. Let imne be made 
 ashanuMi that wait ii)Mtn Thee. 
 
 I'm. U. -i'l ; xvi. H ; cviii, .'. : xxv. '.i. 
 
 l(i. {{KClTATiVK (/,). Mr. St'OTT. 
 
 MlJ.i.Mi. U Thoii, who luakost Ihine angel.s Siilrit.i : Thou wiiose miiiislors ar<t 
 
 flaniinL,'' tires : let tiieiu now (leM",'nd ! 
 
 r.s. .av. 4. 
 
 CHOIMJS. 
 
 TiiK I'kiii'I.k. The lire doseunds Croni heaven: the tlatnes consume his oHerlni^ ! 
 IJeliiro llim u|)(in your faces ih'l. 
 
 illit 
 
 hriti 
 
 ((') 'I'iui triuanili nf Khjiih, as tlif Divinu rei)rost'ntati\(', now apinoaches, anil tlu' music iioder- 
 giies a hijjlily saggcstive chaiif^u. 
 
 \ few larsof Koc'itativo Ifiul in the air A' Fldl Mnjo)-, Add'jM, 4-4 .solemn >uul prayerful, and 
 lendenid more iin|in'ssive l)y ooiilrast with th(^ (ieree |ii'tit,iinis of the i<liilatcr.s. Tlie vocal subject 
 is ili.siloMcil liy I'lurt! aii<l N'lcil.i in tlu' (p|u'iiini; synipliony. anil in the niidillc ol' the \ir. attur a rupid 
 and skilful modulation into /> /•'/((/. tin' lirst |ilir,is(5 is ri|icati'il with sliikin^' cfrect. -The a:'conii>iini- 
 ment throughout in of re.'h and vailed hariiioiiy. 
 
 (j) 'I'lii.s (((iiaitett I'J F/(tl Miijaf, 4 4 one of th': ino.st reinarUfthlu feature of the dratorio Ih 
 alnioMtfuuac('onii)aiiiod, and hence, after tlie iirofu-encsH of iiiHtrumeiitatio'i which has hitherto diar- 
 aetcri/ed the Work, rendered more imjuesaive. 'I'lu! aiiiiearance of the opening melody of tlie I'ro- 
 pliet'.s I'rayer, in the last phrase of the aecoinpaniineiit, di.splay.s a tinenesa of perception wliicli 
 merits speei il reniark. The t^iiartett i.i an a<laptation of an old (iorman Chorale. •'(^(Jott, dii 
 frominer liolt.'' |nil)li>ihcd in l(i4S. It.>< inlioduetion here in therefore a tribute to the woi'th of th.i 
 old I'saliii Tunes an acknowledgnent to l)e found likewise in the greatest works of Maeh. ami 
 indeed of all great ( 'oiniiosprs. 
 
 {In The I'rojihet calLs for the answer !iy Kire, and the eti'ect, instantly seen, is deseiilinl in tlie 
 ('horns h' Miiinr, Alliijru cmi /'iinfu. 4 4 one of those >;rand 'lescrijitive nioviMients in the eoneep 
 tioii of whicdi .NJ .'iidelssohn, next to Handtd, excelled. Tenor and I'.ass ojien on the elionl of the 
 honiiiiant .'^(^ventii, and Sojirano and Alto repeat the phrase, which vividly dcipicts the amazement 
 of the jissemhleil 8pc<!tator8. After a rapid modulation into /•' Mnjar, the t-'horns is left, unaccom- 
 panied, to utter, in awe-inspiring accents, the wonls. " I'pon your faces fall ! ' and then, as in most 
 situations of the kind, Mendelssohn linds expression for devotional feeling in a movement resembling 
 the ( 'horale in simplicity of structure and measured rliytlim. The dramatic action terminates in a 
 short Kecitativc and ( 'horns in iiii'uou, both enunciated with characteristie force. 
 
 MtHs'ld 
 
 iiicidei 
 Tl 
 of trill 
 the CI 
 is ini|ii 
 and th 
 of the 
 pp :-. tl 
 gradn, 
 K Mh 
 
riimi iirt 
 lu lliingH 
 
 l«, 37. 
 
 ;('(»'IT. 
 
 lit' tU'VOl- 
 
 be iiiiiilc 
 (XV. ',i. 
 
 Tlio LorJ is God : l>ruol lierir I Our (Jdd i» uiif Ijoni nml we will Imvi; iii> 
 
 nllii'i' ;;(kIh hvfoTc the Lord I 
 
 I KiiijjH xviii. I' V 3W. 
 
 |{K( ITATIVK Ml-. SCOTT. 
 
 i''.i,i.iAii. Taki' !iil till' prophets ot Hiial ; iiinl let not one of ilicin (xnpc _v<«ii ; 
 
 liriiiu liiom down to KiMlioii'M brook; mid tlit-re lot tbt-iii In- ."liiiii. 
 
 1 KiiiK xviii, 40. 
 
 CIIOIIUH; 
 
 TiiK PkdI'I.k Take ail the prophets of Haal ; and U)i not un« of f ln-m t-Kcapo hh j 
 brin^ ail iiud H\uy thvni t 
 
 17. AULA (O-Mr. SCOTT. 
 
 Kmjaii. I.s 111)1 Ills word liiio a fire . and like u liaminei' th.it Inonkoth liip nx k 
 in pioeoH ? 
 
 For (}ri(l i.s atii,'ry with the wieki'd everyday: and if tho wicked turn n«.l. tin- 
 Lord will whot His Hwoi-d ; and Ho bath bent iiin bow, and made it ready. 
 
 Jt^r. xxiii. •.'<.); I's. vii II, l'_' 
 
 i,s(ers aro 
 civ. 4. 
 
 olVci-lni,' ! 
 
 IH. ARIOSO (m). MISS ADA CORLETT. 
 
 Wo( unto tlit;ni who foi-sake Him! destruction shall fall upon thoni, for they 
 
 have tniiiHgrcKBed against Him. Though they aro by Him redeonud ; yet they have 
 
 spoken falsely against him. Even from Him have they fled. . 
 
 Husen vii. 18. 
 
 iisic unili^r- 
 
 ayerful, ami 
 
 )oal «ul>ject 
 
 liter tt rui>i|l 
 
 ) a3C()ii>i>iiiii- 
 
 dnitorio iH 
 itherto diar- 
 
 of tlie l'r<i- 
 ptiuii wliicli 
 ' (; (idtt, i1\i 
 
 k\'()''tll '<f thi> 
 
 f Kiu'ti. aiiil 
 
 i'ril>r(l ill till- 
 I the cKiK'fji 
 
 i'Imii'iI <if thi' 
 (.' iimazoinoiit 
 ;ft. uiuu'ciiiii- 
 ;li, as ill mo,st 
 it I fsemblinn 
 
 mi nates in a 
 
 I'J. RKCITATIVES AND AIR (») Mr. M.MICHAEL, Mi. SCOTT, 
 
 witli CHORIS. 
 
 Obadiah.— O man ot God, help thy ])eopIo ! Amoii^ tho idol.s of the (ienlile- art- 
 
 (/) iu tliie Air -.,4 Minor, Allfiro con fuoro, A-4 tbo (levtlopmeut ot' the Kulijcct is in a styJr 
 11 it .itM nptod i 1 .1 ly otlier put m' tliB Work — Tlio ai:coiiipiniineiit is highly [)ictureH(|ue, and illuK- 
 trativu of the iduiis embraced in the text. Tho Air is similar in si ruoture to X\w great model in thi- 
 .l/<»-iiV(A, " For he is like a relinur's lire," and though Mendtdssohn's success is undoulited, it must 
 l>H adinitteJ that the result is nc't ei|iial 'o the treatment of the kindred guhjilct hy HauiV-l. 
 
 (//() In this ^\r —li Minor, lenlo, 2-4— the coinpoisr introduces a rclloctioii ou the action >vhieh pio- 
 cedus -in this instance by a single person — possibly an I.sraelite who had not "bjwcd unto Kanl.'" 
 The music is chatacterized by intense exprea.sioii, both in the voice- part and accompaniinent. 
 
 (h) a short Recitative, by Obadiah, prefaces the concluding scene in a memorable chain of 
 iiicidpiits. 
 
 Tho ii^tercGssory prayer of Elijah — A Flat Major, Andante. SoflrmUo, 4A~\n appropriate strains 
 iif triiiiniili, toriiiinates ii. a melody (if heavenly beauty, reiterated with extraoiilinary felicity. b\ 
 the Cliiirus, "Open tlie heavens and send us relief ! Help, help thy servant now. () Lord." It 
 is impo.^sililci to describe, in words, the musical treatment ot the succeeding (larts of the number, 
 and the marvtUous accomiiiiniments. Particular attention may, however, be called to the grandeur 
 of the pas.M;ige.i comnu'iuiiig with tho di-covery of the " little cloud" -tlie accoiiipaiiiiiieiit beginning 
 /)/) v.trrimilo on tlie Violin.s witli a sustained note for the Winds,- and a cnsccndo which marks thr 
 gradual rise of tlic teuiiicst. The Chorus afterwards enters witli great etlVct on the Dominant m' 
 A' Mimir, and a aeries of masterly modulations leads to a grand climax on A' /'Vu/ Miijuy. 
 
there :iny rliut u,iii conimaiid tlic i-ain. nr (•juhi' iIk' liciivcns to uivc tlicir slioW' rs ? 
 'rii(( T, 11(1 our (itnl alone cjiii lio tln'su tliinsis. 
 
 l-;i,;.i.vii. La\\\. llimi liiist overthrown tliino ononiics niul clostrDved them, 
 iiuok down (in us from heivtn. O Lord: rei^'iird I ho distress (tl thy people: open the 
 hejiveiis .•ind send us relief; iiolp. lielp thy servant now. (rod I 
 
 'I'llK I'koI'i.k. -Op.Mi the luMvens uml send us relief: help, help thy servant now, 
 () (ioil ' 
 
 Ki.r.i.Mi. <i() up now. (diild, luid looiv toward the sea. llnth my prayer hteii 
 hi'.ird liy the liord ? 
 
 'I'llK VoiTH — There is nothiuir. The heavens are ms I>i:iss above me. 
 
 l']|,i.iAn.-"WhcM (ho he.ivons are elosed up because tliey have sinned against Tiice: 
 yet it they pr.iy and eonless Thy uaini!. and turn Irom their sin when Thou dost afflict 
 tlieni: then hear from heaven, ;unl fora;ivo the sin 1 llelji. send ''''hy people lielp, 
 Cod! 
 
 TifK I'koI'I.k. Tiieii liear. from heaven, and forgive the sin ! Help, send Thy 
 servant help, () (lod I 
 
 Ki.i.i.vil. (!.i up airaiii. and still look toward the sea. 
 
 TiiK Vol Til. There is nothinu-. The earth is as iron under me. 
 
 Eia.l.Ml. llt'arest tl;.)!! m) sound ol' rain /- seest thou nothinu arise from the docp'.' 
 
 \ TiiK Youth. There i.s uoihinu,-. 
 
 Kli.iaii. Have rcspeet to the prayer of Thy servant, O Lord my (iod! Unto 
 Thee will 1 cry. Lord, my rock : he not silent to me; and Thy great mercies remem- 
 l)er, Lord ! 
 
 YoMTU.— Behold, a little cloud ariscth 
 
 now 
 
 tVom the waters ; it is like a man's 
 
 h ukI ' The heav 
 and l(iud( i' 
 
 ens ai'C 
 
 black with clouds ami with wind ; th.e storm riisheth louder 
 
 tUMl-l 
 
 Uatin 
 anil 
 
 1.1 1'. I'K 
 
 Til alius be til ( Jod 
 
 ill II 
 
 is nn'rcie? 
 
 A ■Ci.vX li'citiit-ivc liy the I'liipliet intrniluces tlie ( (iiRliiilini; t'horus. The theme with whieh it 
 op'iia is i.ii;:c!ii np liy full ( 'hiirus ami < iiclicstra foi thirteen hai'K, when a ni'^hii j; iiml iuiiietiiuUi 
 tii,'ure for Strniys in imi-'idii, i.s iiitnuluced //', tlic voicL's ileelaiiniiig on tiie wnnl.s. "'("lie waters 
 i^iitl'er, they rush aloi.t;. ' The cimiliiiiod ell'eet <if ('horns and Orchestra now liecoiiies suiilinicly pic 
 turesi|iii'. thH dcchnnatioii of the voices aii'l the furious accompaniiiieiit liciiiy in the hiuheat laiijiii 
 ai;e of ile.scriptive Miiaic. A nuiilulatioii into the relative Mli/nr pnpai'es for the fillowinj: loaj^nili 
 cunt passa'if!, "Hut the Lord is ahove tliein. and .Minighty, " in whiili the woiuierful suspensions, and 
 their tinal resolution on /> Flat Malar, is oviirwhelniiiigly cttective tlie ]ilir,ise is repeated in 
 /> /■'//(/. and aLraiii in /' Xiitunil, acijuirini,', hy re])etitioii, an accession of iriandeiir. The climax 
 is heralded hy a rushing jia.ssage for Violins, .iloiie, when tlie < 'horns enters in iiiii-^fii, jl'. with the 
 opening suhject, and in a few bars leads to a niagniticcut close. 
 
 The vivid representation, in this closing movement, of the deiirinin of joy nianifesteil hy the 
 nuiltitnde, and the impetuosity of the storm which gave it hirtii. is unsurpassel in Music. 
 
Illll 
 
 J( r. X 
 
 xviii, 4.'i, 4ri. 
 
 I ; "Vi i ; I Killg.s 
 
 'M. CHORUS. 
 
 ^ "''"'-^"^"i::;;:y;:L.t:;::r :■---- -- '- 
 
 Tlie.torn.3- '''ilow. ,vv hiol, ,- tlu,',. Ciirv is nii-htv • finf tl, r i ■ , 
 ttiid Almighty. °"fe"ty ""< tii.- Lord is abov. tl.mi, 
 
 I's. xoiii, 3, 4. 
 
Ill 
 
 P A R T 
 
 THE SE( OND- 
 
 I I 
 
 21. AHIA («/). — Miss HILLAHY. 
 
 Ili'nr, \i'. Isr.'icl : l)c;ir wluil tlic IjoimI spciikctli : 'Oh liiidsl tlioii lii'cilcil my 
 (•iiiiiiiiJtndiiicnts ? " 
 
 Wlin liatli boliovcd our report; to wlioin is tlio ariii of tlif Lord revealed ? 
 
 Thus saitli tlio Loril, the Roiloemer of Isr;iol, and his Holy One, to hitn oppressed 
 liy tyr.iiits: thus saitli the Lord: — 
 
 1 mn He that comforteth : be not afraid, i'or T am tliv fiod, I will streiiifthcn thoe. 
 Say. who art thdii. that thou ar( afraid of a man ihat shall die ; and foi-irottost the 
 Lord (hy .Mil<er. who hath strefciied forth the heavens, and laid the :;arlh"s (oiiudii- 
 liiins ? Be uol afraid, tor 1. thy (Jod, will slroiiiithen theo. 
 
 Isa. xlviii. 1. 18 ; liii. I ; xlix. 7 : xli. 10; li. 1'-', l.'f. 
 
 '22. c Hours. 
 
 Bi' not afraid, saitli (iud the J.(0rd. Be not afraid I thy help is near. (Jod. the 
 litinl thy God. saith nnlfl tiieo. Be not afraid ! 
 
 Thouu^h thousands lanjjuish and fall beside thee and tens of tliousands around thee 
 perish ; yi't stil! it shall not eouie ni<rh thee. 
 
 Is:i. xli. 10 ; I'.s. xci. ". 
 
 •2;i. RECITATIVES (/>). Mr. SCOTT and Miss OORLKI'T. with CHORUS. 
 
 Klijah. — The Jjord hath exalted tliee from among the people; and over his peo- 
 
 (»>) This touching and plaintive .\ir — fl Miii'ir, Adivjio '* - witli its peculiarly syncupated ligure 
 ill the aecoinpaniineiit for Strings, is perhaps the most varied and jireteutious in the Work, and in 
 its treatment tiironghout displays the most eousummate skill. A short Recitative precedes the 
 Nccond p irt of i he Air, which o[iens with a change of time ami key to /f .Va/or, -l/Zci/zo J/ffcv/tMo, 
 ;,', and a reinforcement to the accompaniment of four linixKi's, productive of most brilliant efleci, and 
 Ntrikingly appropriate to the altereil character of the text. — The voice part is rem»rkal)lc for liold 
 and powerful declamation. 
 
 The Chorus — O Major, Allez/rn MacMoto, 4-4 -enters with stately grandeur, supported hy the 
 whole resources of the Orcliestra. A aubseciubiit change of time to Pin .-f »(;«'(/() introduces a fugue 
 led ofThy .\lti). Arpeggios, in tlio .Strings, form a pjjuliar feitiire of the accompaniment. The 
 magnificent return to tlie original subject is produced by an effect thoroughly Mendelssohn Tenor 
 ami Bass reiterate the words, "He not afraid," supported by /?ra.i.<r .« in /////.-»>«, //", and ti\e time i.s 
 gradually retarded, till the first phrase reajipears with tlie pinnp whicli marked its entrance. 
 
 ( //) In the l{ecit.ative-(r J/;»()r -the slurred accompaniment in the second part is highly Jiic 
 ture.si(ue. Tiie succeeding scene, A Afinor, is conceived in the loftiest dramatic style, and the con 
 struction of the <Ihoral responses is most .significant. At first the ]iarts (uiter succesively, as if the 
 replies came from various quarter*, and latterly, as the excitement increasef, the voices enter togetlKsr 
 jF. as if the people were animated by a common impulse. 
 
 In the final Chorus—" Woe to him"- ~Alli'(/r(i Moilrrttio, 4-4--thc f^-nzy of the multitude finds 
 utterance in wild deelamaticm. The closing symidiony .seems to .-JUg^^ t the gradual dispersion of 
 the throng. 
 
II 
 
 iu>(m1('i1 my 
 
 L"(l ? 
 
 rtlicii thet>. 
 rtrottest tin- 
 h's foiiiuln- 
 
 li. it>, i:<. 
 
 (i()>l. tin- 
 
 iromul ttifc 
 xci. 7. 
 
 iirs. 
 
 )vcr bis peo- 
 
 Jill' Israel hntli made tlioe Kin-;. But thd'i, Aliah, hnst -lone t^vil to iM'()V(.ke lliiii to 
 aii-er tiluno iill tlint wore before tlioe: as il it luid l)ecMi a liulit thin- iur tlieo to walk 
 in the sins of Jerohoani. Thou hast made a y;rove and an idlar to Uaal, and .served 
 liim and worshipped liim. Thon \in»l killeil the rijrhteons and al^() taken posseision. 
 
 And the J^ord Nhall i^mite all I,«real, as a reed is shaken in tiie water and He 
 >hall jiive Israel up, and thou shalt Icnow ITr is liie Lord. 
 
 I Kin^M xiv. 7 It. I."> ; wi ;{().,t; 
 
 The Qitkkn. — Have you not heard he iuilh prophesied ;ii;ainst all Israel ? 
 
 The People.— Wo heard it with our oars. 
 
 Th2 Queen.— llath he not prophesied also a<j;ainst the Kin^df Israel? 
 
 The Peopj.e.— We heard it with our oars. 
 
 The Qi'Een. -And why hath he spoken in the name of the Lord ? Doth Ahal. 
 govern the Idnydom of Israel while Elijah's power is creator than the kind's ? 
 
 The <j;ods do so to me, ami nioro, if l.y to-morrow about this time I make nut his 
 life as the life of one of thoin whom he saerificed at the brook of Ki.shon ! 
 
 The People.^ Ho shall perish ! 
 
 The Qi-EEN.-lIath he not destroyed Baal's prophets? 
 
 The People. -Ho shall perish I 
 
 The Qi.ee.n, - Vea, by the sword ho destroyed them all ! 
 
 The People. -Ho tiestroyed them all ! 
 
 The (|Ji:een — Jlcalso elosed tho heavens! 
 
 The People. -He aho closed tho heavens ! M 
 
 The Queen.— And called down famine upon the land : 
 
 The People — And called down famine upon the land I 
 
 The (JUEEN. -So go yo forth and seize Elijah, for ho is worthy to die: slaughter 
 him ! do unto him as he hath done ! 
 
 24. CHORUS. 
 
 Hiiited ligure 
 Work, and in 
 precedes tUi" 
 
 ant effect, and 
 rkaldc for l)olil 
 
 Hiortcd l>y the 
 oduces a fu«ue 
 aniincnt. Tlie 
 L-ls'*()hn Tenor 
 ud the time is 
 itraiK'o. 
 
 is hishly I'i'^ 
 u, anti tlio con 
 sively, as if tlie 
 8 cuter tofiethor 
 
 multitude finds 
 ;il digpcrsion of 
 
 The People — Woe to him, he shall perish ; for ho elo.sed tho heaven 
 
 An 
 
 why hath he spoken in the name of tho Lord ? Let the guilty prophet perish : Ht 
 hath spoken falsely against our land and us, as we have heard with our ears. So gi 
 ve forth, seize on him I Ho shall di ■ 1 
 
 Jcr. xxvi. 0, II ; I iviuL's xviii. 10 ; xix. '_' ; x 
 
 XI. ( 
 
 lOcclcsiasticuji xiviii. "J, 
 
 25. RECITATIVES (</).— Mr. McMlCHAEL and Mr. SCOTT. 
 
 Ohadiah. -Man of (lod, now let my words be precious in thy siL'ht. Thus saith 
 •ie/obel ; "Elijah is worthy to die." So the mighty gather against thee, and they 
 have prepared a not for thy steps, that thoy may seize thee, that they may slay thee. 
 
 (7) Preceded l)y connectiut^ llecitatives, tlie noble Air--/' Minor, AtUnjio, 4 excites the irio.sl 
 •<yiupathetie iinotion.s. It.s patlio.s, depicted with cIcKiuent l)rcvity in tiie opening; i)lirase, is deepen- 
 v(i by the Violencello Obligato, iinil by a cliange c)f time to Mullo Allajro Vivare. 4 4. with tlie addi- 
 tion to tlie a coinpiUiimcnT, of Ifooi/s and JirdK.irs, the inerea&ing sadnus.s of the I'mjilu't is iadic:ited 
 v^itli grciit [lower a recnrienee to tlie opening .subject brings the Air to a clos-c 
 
12 
 
 Arises, then, and hasten for tliy life, to tlin wililci'tioss joiiriuvy. Tlie L'>nl tliy God 
 doth 'f!;o with thoc : Ho will not fail th(>o. Hi* will not forsnK-d yt>. .Vow boiconi'. mikI 
 bloss mo also. 
 
 KiLlJAii. Thmiuh stfickiMi. they have not :,'r"ftvo.(l : Tarry here, my servant: tlif 
 
 Jjord l>o with ihoi'. I joiirnor Iumico to tho wildcriioss. 
 
 •J Kiiij,'s i. 12; .ler. v. ;{ ; xxvi. II ; I'.s. lix. ;{ ; I Kings xix. 4: Dcnit. xxxi. (J : 
 Kxidl. xii. :!'J ; Sail), xvii. 'VJ. 
 
 *2(!. ARIA. -Mr. SOOTT 
 
 I'li-i.iAU. It is (Mi()Ui;h, O Lord; now take away my Hie, lor 1 am not hotter than 
 my lathers 1 I desire to live no Ioniser : now let me die, for my days aro hut vrnity ! 
 
 I have been very jealous for tho Lord God of Hosts ! for tlio children of Israel 
 have broken Thy covenant and thrown down Thine altars; and nlain Thy pro])liot>. 
 with tlic sword : ami f. even I. only :im left ; and they seek tny life, to tike it away. 
 
 ,l(ili vii. If. ; I Kii)L,'s xix. I(». 
 
 27 RECITATIVE (/•). Mr .M<'.MICH.\EL. 
 
 See. now he sleejuith beiie.ith a juni|)er tree in the wilderness: atid there the 
 aiiy;els of the Lor<I ene;imp round about all theni that fear Him. 
 
 1 Kings xix. 5 ; Ps. xxxiv. 7. 
 
 28. TERZETT(>. 
 -Mi.ss S l.rrr, Miss .\DA (^)RLETT and Mi.ss ALICE CORLETT. 
 
 \ I 
 
 Angels. — Lift thine eyes to the mountains, whence cometh help. Thy help 
 eometh from the Lord, the Maker of heaven and earth. He hath said thy foot shall 
 not bo moved : thy Keeper will never slutnber. 
 
 Ps. cxxi. 1, 3. 
 
 20. CHORUS. 
 
 .\NaEi.,8. — He, watching over Israel, sliiinb^irs not nor sleeps. Shouldst thou. 
 
 walking in grief, languish, He will quicken thee. 
 
 Vs. cxxi. 4 ; exxxviii. 7. 
 
 (r) .\ sini;l(; sustained note on tiio ViolonL''llo, continiicil from the preeeiling nionlier, ami sm 
 sugLfjitive of repo-ii.', introlncu.s an'l forms the only !iecomiianiinent to tlio openin;; ])art of tlie Keci 
 tative, th3 last phrases of which pr..'pare t!ie niinil for a sjene of entiri'ly altered eliaraeter. 
 
 TlieTi'io— /> Major —Ai.'l'iiiti; CDii tii'tto, 2 4 — for fe. nale voices, unaccom])anie(l— of adinirahle 
 express! m an I i;i'acefiil nislo ly, possesses an inexpressible charm, arising from the combination of 
 voices an! the cx;ilteil serenity of the Music. 
 
 The heavenly strains are coatinne I by (Jiiorns —A> .'lf(W"r — /!//•' /ro Ma'! rd'o. 4-4 -in a subject 
 of remirkable l.eauty, sustained notes on the W'ni'lx. forming a prominent feature in tlic acconipani 
 ment. Th; Hissis nrirk tho lirst and third of the bir —a jjleasing li^'ure in triplets, for Violins, 
 runs through the whole movement -and a U'iw sn';ji>.et on the words, "Shouldst tliou, walking in 
 grief," &c., developed at length and ultiuiitely eomoiiie.l with ihe opniing [.hrase, ilispliy the skill 
 with which the compjsor adhered to strictness of f n-in witliout im|)iiring the How and ex(iui8ite 
 beauty of the melody. Tlie interpretation of themivemeut, with proper feeling and delicacy, is a 
 severe test of Choral trainiag. 
 
18 
 
 tb( 
 
 thou. 
 
 nil 81) 
 lt(;ci 
 
 |inira'>lf 
 
 latioii o 
 
 iiject 
 
 |iiii])!ini 
 
 k'iolins, 
 
 (king in 
 
 e »kill 
 
 luisite 
 
 I 
 
 4 
 
 :«). IIEOITATIVE (s), MIS>^ ADA OORLETT. ' 
 
 An AvOKL.-Arisi", Hlijali, for tlioii liast a loiii: journey beton- (hoc Porly days 
 •w\ forty nights shall thou <^n, to Ilorcb, Ihc mount of God. 
 
 1 Kill',';* xix 8 
 
 / 
 JIEUJTATIVE.— Mr. SCOTT. 
 
 Kmjaii.— Lord, I liavo labored in vain ; ye;», I imre spent my strength for 
 
 naught ! 
 
 tliat Tiiou wouldst n-nd tho heavens, that Thou wouldst come down; thii' the 
 mount lins would flow <lown al Thy presence, to make Thy namo known to Thine M<i - 
 versarios, tiirougli the wonders of Thy works! 
 
 L)nl, why hist Thou m ido tliem to aw from Thy ways, and hardened their 
 In^arts tliat they do not fear Thee? that I now miifht die ! 
 
 Isa. xUx. 4; ixiv. I, 'J : Ixiii 17. 
 31. ARIA— Mis.-* ADA OORLETT. 
 
 The Angel. -0 rest in (he Lm-d : wait patiently for Him, and lie shall give 
 thee thy heart's desire. Commit thy w.iy unto Him, and trust in llim, and fret not 
 thyself because of evil doei'.s. 
 
 Ps. xxxvii. 1.7. 
 :{2. CIIOJIUS. 
 
 ANUEr.s.-He that.siiall omhire to the end shall be saved. 
 
 Matt. xxiv. i;j. 
 :{:3. RECITATIVE (O-— Mr. SCOTT, ^ji 
 
 Elijah. —Night falletli round me, O Lord ! Be Thou not far from me ! hide not 
 Thy face, Lonl, from me; my soul is thirsting for Thee as a thirsty land. 
 
 I's. cxliii. fi,- 7. 
 
 {s) After two llucitafcives, angelic consolations are resumed. 
 
 The Aria— O Major, Aiulaiithin, 4-4 — is a gem of surpassing beauty, tho very simplicity of 
 which appeals at once to tho souHil)ilitiei of the iiearer. 
 
 The (Jhorus /■' Majar, Am/aiili-, Soslciiii/o, 4-4 — distinguislied by an extraordinary delicacy of 
 light and shade, appi'opi'iately coucludos a series of uioveiuents iu the cuncoptiou of which Men 
 delssnlin stan<ls Uhnvalod 
 
 (/) Tlio I'rophot is now to receive a solemn im[)ressioii of his own insignifieaneo.— The dramatic 
 contii]\iity ucconqilished liy the oponinj; Uecitativo, tlie solemn revelation is described, with highly 
 l)olitt.ing reverence, iu a magniricout chorus, wliich demands more than ordinary attenticm. 
 
 The entrance of the voices — A Minor, Allnjro Mo!(o, 4-4 — is startling, "Behold! (rod the 
 Lord pas.scd hy I" Tin ii foUows a picture nf the terriljle imagery described in the text. The vocal 
 phrases are short and impetuous ; and, notwithstanding tho friiodom of style necessarilj' demanded 
 by tile siiltjoct, we trace in tlu! introduction aud managenieut of close imitations, the learning of a pro- 
 found musician. Tlie aicoui[ia'iimeiit is a marvel of instrumental coloring. The opening sym])h<uiy, 
 I'onnneneiug /*/' with a crescciud) to //"iu the tirst live hars, produces an electrical eii'eet, and the long 
 siistaiuod notes for Wiirlx, in tiie Kue<;eeding ])assa;.;es, are grandly piotures(pie. A delicate eU'eet is 
 afterwards produi'od liy voices, unacconipauied, ou the words, " But yet the Lord was not in the 
 teinptest," lieginning in unison /)/'• -""l '>reakiiig into harnuiny in the last three hars, and th(^ first 
 division of the movement closes with tne piir.ase, " But yet the Lord was not in the lire," declaimed 
 by voices in unison //', on the dis(H)rd of the diniiuLshed ninth, which is left unresolved on the jrause. 
 
 Th(! key changes to M Major, and the " still small voice" is described in passages of m 'rvel- 
 lous beauty, the wonderful delicicy of which is heiglit(!ii(!il Ijy such rapid contrast with mignilioent 
 ilcclamation. — .\ few !> irs after the voices open, the Violins enter with a graeoful figure, continued 
 to the eiul of the movement. 
 
 i 
 
 r 
 
14 
 
 UE('1TATIVE-Mi.ss HILLAIIV 
 
 An Anuei,. -Ariw now! i^et tliei! without, stiiiid on the mount bolurt' the Lonl 
 Inr there His ^lory will jipponr .iiid shino on Tliee ! Thy face must lie Tcilcd, for Ht 
 (ir.iwoti) iHi.ir. 
 
 1 K 
 
 llim» XIX. 
 
 'M. CHOliriS. 
 
 liehnld ! (io<l the Lord pnssoil \>y ! 
 
 And ii tnifi'hty wind rent tiio nionntnins jiround. Iir.d<e in |iir(<'s the nu'lvs, br,ik<' 
 
 tiicrii before the Lord. 
 
 I5ut yet the Lord wms not in the tem|i(!st. 
 
 iJeliold ! fiod tlie Loi'ii pnssed by ! 
 
 And tlie sea wiis upheiivcd, and the enrth was shaken : 
 
 Hut yet the Lord was not in the oarthf|Uiil<e. 
 
 And after th(! e!U'th()Ui>l<e there cauio a fire. 
 
 The sea was U|)heaved, the eai'th was shaivon : , 
 
 And 301 the Lord was not in tlio fire. 
 
 And after the tire there eaine a still small voiee : and in lliat still voice. o'lW.'ird 
 
 came the Lord. 
 
 ■ 1 King« xix. II, 1 2. 
 
 :{.-). RPX'tTATIVE, QUAIITETT and OHOtiUS (»). 
 
 Mi8.s HILLAIIY, Miss CATHRON, and Misse.s CORLETT. 
 
 Above Kim stood the .Sera])him, ai>d one eried to another : 
 
 Holy, holy, holy is God the Lord — the Lord Saboatli ! Now his u:lory lialh 
 
 tilled all the earth. - 
 
 Isa. vi. •_', :r 
 
 ;{»;. CHORAL RECITATIVE (c). 
 
 Anoei.s Go, return uj)on thy way ! For tiie Lord yet hath left Ilini .seven 
 
 Ihousand in Israel, kneo-; which have not bowed to Baal; '^o, return upon thy way; 
 thus the Lord comiuiindeth. 
 
 I Iviiigs xix, 1."). IS. 
 
 KECLTATIVE -Mr. SCOTT. 
 
 Kl.ijAH. — I go on my w.iy in the strent^th of the Lord. For Thou ai't my Lord : 
 
 and r will suffer for Thy sake. My heart is tliereforo ulad. my ,ii;lory rejoieeth, an<i 
 
 my rie.sh shall al.so rest in hope. 
 
 I's. Ixxi. I(>; .wi. •' !). 
 
 ill) This majestic nunit)er- T' Major, -.hhti/io, iion troj>/io, 4 4 — is in the liigliest .st'iisfe a wortliv 
 niusit:al illustration of tbo suljliniity of tlie scene to which the text relates, ['receded by ii short 
 liecitative, the subject is opened in a Quartett of imposing solenniity, which is resiioiided to by full 
 < 'horns, /'<;(•/', and afterwards intensiticd by (i)uartett and Ciiorus eombined, do«i) to the closi of the 
 inovenient. The ert'ect produced by the female voices in Quartett, contrasted with the broad decla 
 mat on of the Chorus, is wonderfully impressive. 
 
 ((') A .strikiuf,' ("horal limitative, oommenciii; n unison for Male voices, and iieculiarly txpres 
 .^iv<! when the parts break into eiijiit-jiart liarrnons . is succeeiled by the Recitative and Ariuso — /' 
 Major Aiii/diitf, Sostfiiiito, (i 4. The melody of tiie latter is of j^'reat beauty, inhaiiied by a graci'- 
 nil aocomp.iuiment for Oboe and Strings. 
 
» 
 
 
 bniU*' 
 
 iw;ir<i 
 
 l-_>. 
 
 h.'illi 
 
 sevi'ii 
 way ; 
 
 •ilr 
 
 :i7. ARIOSO. Mr. SCOTT. 
 
 For till' niiniiilaiiis shall ilepart and the liills be reinovod ; luit Tliy kiiidiit'SM 
 shall not dcpail fVoin me. iieitlior shall (ho covenant of Thy poaco be roinovod. 
 
 Isa. liv. 10. 
 
 H8. OHOKUS (ir). ' ' . 
 
 The did Elijah the prophet break forth like a fire ; his words appeared liUe burii- 
 iiij; torches. Miijhty klnsrs by him wore overthrown. lie stood on the moiuit ot 
 Sinai, and heard tiio jud<^mctits of the future; and in Horeb, its vengeance. 
 
 And when the Lord would take him away to heaven., lo! there came a fiery chariot 
 
 with fiery horses; he went by a whirlwind to heaven. 
 
 \l Kings ii. 1. II. 
 
 39. ARIA (..).— Mr, MdVUCHAEL. 
 
 Then shall the riu;htcous shine forth as thes'in in thoir heavenly Father's realm. 
 
 Joy on their head shall he for everlastinjf, and all sorrow and mourning' shall flee 
 
 .iway for ever. 
 
 Mutt. xiii. 4;t ; laa. li. II. 
 
 40. RECITATIVE (;/). -Mi.ss. HILLARY. 
 
 Behold, God hath sent lOliJuh the prophet, before the coming of the groat and 
 
 dreadful day of the Lord. And he shall turn the heart of the fathers to the children, 
 
 and the heart of the children unto their fathers; lest the Lord shall come and smite 
 
 the earth with a curse. jK 
 
 ^H Mai. iv. 5, (>. 
 
 41. CHORUS. tIf 
 
 But the Lord from the north hath raised one, who from the rising of the sun 
 shall call upon His name and come on princes. 
 
 Behold my servant and mine elect, in whom my soul delighteth ! On him the 
 .Spirit of God shall rest : the spirit of wisdom and understanding, the spirit of might 
 and of counsel, the spiiit ef knowledge and the fear of the Lord. 
 
 Is.a. xli. 25 ; xliii. 1 ; xi. 2. 
 
 jorU 
 
 )l'tllV 
 
 sliort 
 y f'dl 
 )f tlie 
 
 pii 
 
 (lo) F Minor —Moih-nito Miv!ito:<ii, 4-4— inassivj in its declamation, and of surpassing power in 
 de.scriptive effect. The splendid pa^<sage, "Mighty kings by hitn were overthrown, " and the proini 
 nent fuaturea of the accompaniment -syncopations for Violins, and a fine bold figure for Basses- 
 claim special attention ; as also the musical imitations commencing on the words, " Lo! there came 
 a fiery chariot," combined with a highly suggestive figure, in triplets, for the Strings. The vocal 
 phrase is intensifieil by repetition in various kej's, till the movement reaches the climax, on the 
 words, " He went by a whirlwind to heaven," and ends, for voices in unison, with amazing power. 
 
 (,(•) The innnense popularity of this Air~J Flat Mnjor—Aitdau/c, 4-4— is in itself a tribute to 
 the ravishing beauty of the melody. The iutroiiuction of alto and tenor Trombones, ;>/>, in the 
 aceompaniment, is noticeable as a proof of Mendelssohn's fine appreciation of the effect of the soft 
 tones iiniihiccd on these instruments. 
 
 The appropriate assignment of the Bass voice to the principal character renders it impossible to 
 give proniiiicnce to the Tenor ; but of the two groat Tenor songs in the Work, the present is un 
 questionably the best. 
 
 ()/) The prophetic subject of the Recitative is continued by Chorus — D Major, AmlauU', con 
 moto, 4-4 —which opens impressively by Tenor and Bass ; and the treatment of the whole movement, 
 eharacterined by breadth of harmony and vigorous declamation, is strongly impregnated with the 
 Htylc of Handel. 
 
16 
 
 Tliu.-i sjiith till! Tiord : • I liiivi' r.iiMil one (nun tlic north wht) from the rising (m 
 tny iianic sliall cull." 
 
 (.UAItTKTT {;). MiH« M ll-LAUV, Miss COULETT, Mr. McMICHAEL and 
 
 Mr. SCOTT. 
 
 ! conio ovcry one licit thir.slotli, oonir tn tin- waters; come unto Him; O 
 
 hear, and your souls shall live liir ever. 
 
 I«ii iv, I, A 
 
 • 42. (WIOlll.S (.(.0. 
 
 And llieii shnll )diir li^lit break forth .i- the linhtol'tho morninir broaketh ; and 
 yuur health shall speedily sprin;^; forth thm ; anil Ihc i^iory of the Lord ever shall re- 
 ward you. 
 
 Lord, onr (Jreator. how excellent Thy iiaiue is in all the tiution.s : Thou tillest 
 
 heaven with Thy ^'lory. 
 
 .\nien. 
 
 Isia. Iviii. 8 ; I's. viii. 1. 
 
 (.) A laoilulution in the acconip&niniont of the preceding niinilit r Iriiil:^ into the strikinjj Quiirtctt 
 /»' I'Vttl Major, — Aiiiliiiitt' Sosteiiutu, 4-4 of ]ile<iHinj.; f riidnii!! s anil purity. 
 
 ((Ill) 'fill! lin.'ilo /J .\[iijiir AiKlitiilr Mai-^ttino, 4-4 — [irt'luileU lij- an arpeggio passiige forStringSi 
 unterH witii tlirillini; ctl'eut ; and tliu siiccL'i;iliii;» phrases -woniluidiUy ini|)rc8 ivu —are plahoratcrt 
 with great iiowor till ;> ladenue on the Ditunimiil introiliiees a fugae, with a liolil ami spirited suh 
 ject, every har of which, down to th(! in.-ignilicct.t elo.sing cadence, i» ili.itingiii.shcd l)y profomnl 
 learning and coii.sunniiate skill. 
 
 Anil thus the couipo.ser consecnitt .s tlie nuhle ollspriiig of liia ia.spired 1,'cniu.s in fitting atrnina of 
 PraiBe to the " .Mniii'.hty Qlrer." 
 
 .A 
 
TORONTO PHILHARMONIC SOCIETY. 
 
 SE(X)ND SEASON. 1878-4. 
 
 1 
 
 THE REV. JOHN McCAUL, LL.D., 
 
 Preiident Univemity Culleije, 
 
 1ST yiCE J^RESIDENT 1 
 
 /VIr, |]ohn Hague. 
 
 2ND yiCE J^RESIDENT ; 
 
 ^R. |J. ^. pF^ASSIC, 
 
 I 
 
 
 TREASIJRKR : 
 
 
 ■ ' - 
 
 '■; ^CUETARV : 
 
 
 MU. U. MARSH.ALL. 
 
 LIST 
 
 
 MR, #. H. PEARSON. 
 
 
 OF MIMBIBS. 
 
 
 Bsi^B. 
 
 • 
 
 
 Violins : 
 
 
 Contra Bassos: 
 
 Horns : 
 
 •M 
 
 !, WAKWOOD (L.a-/^/). 
 
 MH. 
 
 OLAXTON. 
 
 MR. KIDD. * 
 
 
 • BUCHANAN. 
 
 H 
 
 JAcOBT. 
 
 ■• BELL. 
 
 
 ' COWAN. 
 ■ (.'AMPBEI.L. 
 
 
 Flutes : 
 
 Trumpet : 
 
 
 ' (},-\RTON. 
 ' HARVEY. 
 
 MR. 
 
 ROBERTSON. 
 
 MR HOOK. 
 
 
 ' HASTINGS. 
 
 (4 
 
 WADDELL. 
 
 Trombones : 
 
 
 ' .TONES. 
 ' T[Ml'SON. 
 
 
 Oboe: 
 
 MR. WILLIAMS. 
 
 
 Viola : 
 
 MR. 
 
 BOECKH. 
 
 " MYERS. 
 
 
 
 Clarionettes : 
 
 Drums : 
 
 Ml 
 
 t BOECKH. 
 
 
 
 
 
 
 MIJ. 
 
 HASSARU. 
 
 MR. HUNTER. 
 
 
 Violoncellos : 
 
 (( 
 
 liANGTON. 
 
 Organist : 
 
 ]MI 
 
 {. (JOLDSMITH. 
 
 
 Bassoon : 
 
 " ' . 
 
 
 • 'PURVEY. 
 
 MR. 
 
 BARBER. 
 
 MR. COLLINS. 
 
 [turn OVKR.] 
 
 
 -.j^iM 
 
 ^ Jf 
 
 ■» . 
 

 
 
 
 SOPRANOS: 
 
 
 
 
 MRS. BKARD. 
 
 MISS CATHRON. 
 
 MISS K. McCALLOM 1 
 
 
 <« 
 
 BACK AS. 
 
 44 
 
 DEXTER. 
 
 44 
 
 Mn( ARROLL. 
 
 
 l« 
 
 CUTHBERT. 
 
 41 
 
 MARY DEXTER. 
 
 41 
 
 OVENS. 
 
 
 t( 
 
 DAl^.IEL. 
 
 44 
 
 H. DEXTER. 
 
 II 
 
 PEAU.SON 
 
 
 If 
 
 ELLIOTT. 
 
 4 4 
 
 DAY. 
 
 
 PATKRSON. 
 
 
 . 44 
 
 GRA8SI0K. 
 
 11 
 
 FAIRCLOTH. 
 
 II 
 
 RKID 
 
 
 41 
 
 JOHNSON. 
 
 11 
 
 FRANCIS. 
 
 It 
 
 RAWLINSON. 
 
 
 44 
 
 KLEISER. 
 
 44 
 
 GRAHAM. 
 
 •• 
 
 SK ELTON. 
 
 
 4* 
 
 LEWIS. 
 
 ft 
 
 HILLARY. 
 
 41 
 
 SINCLAIR. 
 
 
 4f 
 
 LOOAN. 
 
 41 
 
 HARRISON. 
 
 11 
 
 SYMONS. 
 
 
 44 
 
 V. PEARSON. 
 
 II 
 
 HUDDLESTONE 
 
 *• 
 
 L. SY.MONS. 
 
 
 41 
 
 SCOTT. 
 
 11 
 
 JOHNSON. 
 
 1 1 
 
 SPARLlNCi. 
 
 
 41 
 
 TITUS. 
 
 44 
 
 KNOX. 
 
 11 
 
 S. Sl'ARLLNG. 
 
 
 MISS ALEXAI«pEn. 
 
 11 
 
 KENNEDY. 
 
 11 
 
 SCOTT. 
 
 
 f ( 
 
 R. HILTON. 
 
 41 
 
 LEWIS. 
 
 II 
 
 SELLA R. 
 
 
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 BOECJKFI. 
 
 It 
 
 ELLEN LEWIS 
 
 4t 
 
 M. TOHRINCiToN 
 
 
 41 
 
 BlUSLEY. 
 
 41 
 
 MENET. 
 
 44 
 
 A 'l(>RRIN(iTuN. 
 
 
 44 
 
 BROADVVOOI). 
 
 11 
 
 MOORE. 
 
 4 1 
 
 WILL,S 
 
 
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 M. Bills LEY. 
 
 II 
 
 MUNRO. 
 
 4 1 
 
 W(IOI) 
 
 
 (1 
 
 CORLETT. 
 
 •• 
 
 McEWEN. 
 
 11 
 
 WRIGHT 
 
 
 4( 
 
 ADA CORLE'ir 
 
 41 
 
 McCALLOM. 
 
 ALTOS : 
 
 
 
 
 MRS 
 
 . DALRYMPLE. 
 
 MISSFAIRCLOTH. 
 
 MISS McMlNN. 1 
 
 
 li 
 
 HODOETTS. r 
 
 tt 
 
 FLINT. 
 
 t< 
 
 M. ov?:ns. 
 
 
 41 
 
 HENDERSON. M 
 S CORLETT. 'M. 
 
 .1 
 
 KINZINGER. 
 
 II 
 
 SEARL. 
 
 
 MIS 
 
 41 
 
 MADDI80N. 
 
 It 
 
 WOOD. 
 
 
 • 4 
 
 ADA CORLEIT.'k^ 
 
 11 
 
 McGRATH. 
 
 11 
 
 WRIGHT. 
 
 
 4? 
 
 EMERY. J| 
 
 1 
 
 TENORS: 
 
 
 
 
 MR, 
 
 AITKIN. WM 
 
 1 MR. 
 
 E GRAHAM. 
 
 MR. 
 
 McNAMARA. 
 
 
 41 
 
 BAXTER. IH 
 
 m 
 
 J. IV. GRAHAM. 
 
 
 MtRAE. 
 
 
 1 1 
 
 BILTON. ^M 
 
 W 
 
 GRAY. 
 
 
 MoMICHAEL. 
 
 
 I i 
 
 BEAVER. Si 
 
 1 
 
 HARPER. 
 
 If 
 
 NEILL. 
 
 
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 BUTLAND. Wm* 
 
 F •! 
 
 S. JOHNSON. 
 
 
 PEARSON. 
 
 
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 BLAKE. H 
 
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 KEITH. 
 
 
 PERKINS. 
 
 
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 BOWDEN. 
 
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 KENNY. 
 
 
 RONALD, 
 
 
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 CI^ARKE. 
 
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 LUCAS. 
 
 
 ROBINS. 
 
 
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 CREIGHTON. 
 
 14 
 
 LEWIS. 
 
 
 SUCKLING 
 
 
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 CATHRON. 
 
 If 
 
 LOVELL. 
 
 
 J. G. SHERRII'K 
 
 
 44 
 
 H. E. CLARKE. 
 
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 MILLER. 
 
 
 SHERRIFF. 
 
 
 tt 
 
 CLARK. 
 
 1| 
 
 MURRAY, 
 
 
 SCOTT. 
 
 
 ti 
 
 J. H. DAVIS. 
 
 • ( 
 
 MILFORD. 
 
 
 W ALMS LEY ' 
 
 
 41 
 
 doij{;las. 
 
 11 
 
 MUMFORD. 
 
 
 WOODS. 
 
 
 ti 
 
 DALTON. 
 
 11 
 
 J. MATHEWS. 
 
 
 WHATMOUGH. 
 
 
 11 
 
 faikcloth. 
 
 II 
 
 MOIR. 
 
 
 WOOD. 
 
 
 44 
 
 ERASER. 
 
 11 
 
 MO RLE Y. 
 
 BASSES: 
 
 
 WEST. 
 
 
 MR. 
 
 AVANT. 
 
 MR. 
 
 FRYER. 
 
 M"R. 
 
 c. jmatthe\\- 
 
 
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 ALLEN. 
 
 1* 
 
 FERGUSON. 
 
 tl 
 
 MANTON. 
 
 
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 GOODSON. 
 
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 41 
 
 PEARSON. 
 
 
 f 1 
 
 BAKER. 
 
 1 i 
 
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 ROBERTSON. 
 
 
 li 
 
 BROWN. 
 
 11 
 
 HAMILTON. 
 
 If 
 
 rawlin:«o 
 
 
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 BRISLEY. vr , 
 
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 HORTON. 
 
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 ROBERTSON. 
 
 
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 BONAR. 
 
 11 
 
 JONES. 
 
 11 
 
 H. M. SCOTT 
 
 
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 CLARKE. 
 
 11 
 
 JONES, (Rey. S. 
 
 It 
 
 SELLA R. 
 
 
 ti 
 
 CUTHBERT. : 
 
 11 
 
 JOHNSTON. 
 
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 C. W. COATES. 
 
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 LATHAM. 
 
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 44 
 
 WRKiHT. 
 
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 DAY (Rev. E.) 
 
 11 
 
 MOULTON. 
 
 4f 
 
 WINSCOM, 
 
 << 
 
 FAHEY. 
 
 II 
 
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 44 
 
 WOOD. 
 _ % 
 
 ONTARIO WORKMAN PRINT, 124 BAY «TRKIT TORONTO.