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 ->..> WEST MAIN STREET 
 
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 (716) 872-4303 
 
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 CIHM/ICMH 
 
 Microfiche 
 
 Series. 
 
 CIHM/ICMH 
 Collection de 
 microfiches. 
 
 Canadian Institute for Historical Microreproductions / institut canadien de microrepror^*JCtions historiques 
 
Technical and Bibliographic Notes/Notas techniques et bibliographiques 
 
 The Institute has attempted to obtain the best 
 original copy available for filming. Features of this 
 copy which may be bibliographically unique, 
 which may alter any of the images in the 
 reproduction, or which may significantly change 
 the usual method of filming, are checked below. 
 
 □ Coloured covers/ 
 Couvertura de couieur 
 
 I I Covers damaged/ 
 
 Couverture endommagie 
 
 □ Covers restored and/or laminated/ 
 Couverture restaur^e et/ou pelliculde 
 
 □ Cover title missing/ 
 Le titre de couverture manque 
 
 I I Coloured maps/ 
 
 D 
 
 Cartes gdographiques en couieur 
 
 Coloured ink (i.e. other than blue or black)/ 
 Encre de couieur (i.e. autre que bleue ou noire) 
 
 I j Coloured plates and/or illustrations/ 
 
 
 
 n 
 
 n 
 
 Planches et/ou illustrations en couieur 
 
 Bound with other materia!/ 
 Relid avec d'autres documents 
 
 Tight binding may cause shadows or distortion 
 along interior margin/ 
 
 La re Mure serree peut causer de I'ombre ou de la 
 distorsion ie long de la marge interieure 
 
 Blank leaves added during restoration may 
 appear within the text. Whenever possible, these 
 have been omitted from filming/ 
 It se peut que certaines pages blanches ajoutdes 
 lors dune restauration apparaissent dans le texte, 
 mais, lorsque cela dtait possible, ces pages n'ont 
 pas 6x6 filmdes. 
 
 r~T\ Additional comments:/ 
 
 L'Institut a microfilm^ le meilleur exemplaire 
 qu'il lui a eti possible de S6 piocurer. Les details 
 de cet exemplaire qui sont peut-dtre uniques du 
 point de vue bibliographique, qui peuvent modifier 
 une image reproduite, ou qui peuvent exiger une 
 modification dans la mdthode normale de filmage 
 sont indiquds ci-dessous. 
 
 rri Colournd pages/ 
 
 D 
 
 Pages de couieur 
 
 Pages damaged/ 
 Pages endommagdes 
 
 Pages restored and/oi 
 
 Pages restaurdes et/ou peiliculdes 
 
 Pages discoloured, stained or foxe< 
 Pages ddcolor^es, tachetdes ou piqu^es 
 
 Pages detached/ 
 Pages ddtachees 
 
 Showthrough/ 
 Transparence 
 
 Quality of prir 
 
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 Includes supplementary materia 
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 Only edition available/ 
 Seule Edition disponible 
 
 I I Pages damaged/ 
 
 r~~| Pages restored and/or laminated/ 
 
 l~7| Pages discoloured, stained or foxed/ 
 
 I I Pages detached/ 
 
 rri Showthrough/ 
 
 I I Quality of print varies/ 
 
 I I Includes supplementary material/ 
 
 I I Only edition available/ 
 
 1 
 a 
 
 1 
 
 c 
 
 6 
 fa 
 
 n 
 r 
 n 
 
 Pages wholly or partially obscured by errata 
 slips, tissues, etc., have been refilmed to 
 ensure the best possible image/ 
 Les pages totalement ou partiellement 
 obscurcies par un feuillet d'errata, une pelure, 
 etc., ont 6X6 filmdes a nouveau de facon a 
 obtenir la meilleure image possible. 
 
 [Printed ephemera] [3] p. 
 
 Commentaires suppl^mentaires; 
 
 This item is filmed at the reduction ratio checked below/ 
 Ce document eat film* au taux de reduction indiqud ci-dessous. 
 10X 14X 18X 22X 
 
 J 
 
 12X 
 
 16X 
 
 20X 
 
 26X 
 
 30X 
 
 24X 
 
 28X 
 
 n 
 
 32X 
 
e 
 
 6tails 
 IS du 
 lodifier 
 r une 
 Image 
 
 rrata 
 to 
 
 pelure, 
 
 3 
 
 32X 
 
 The copy filmed here has been reproduced thanks 
 to the generosity of: 
 
 D. B. Weldon Library 
 University of Western Ontario 
 (Regional History Room) 
 
 The images appearing here are the best quality 
 possible considering the condition and legibility 
 of the original copy and in keeping with the 
 filming contract specifications. 
 
 Original copies in printed paper covers are filmed 
 beginning with the front cover and ending on 
 the last page with a printed or illustrated impres- 
 sion, or the back cover when appropriate. All 
 other original copies are filmed beginning on the 
 first page with a printed or illustiated impres- 
 sion, and ending on the last page with a printed 
 or illustrated impression. 
 
 The last recordei:^ frame on each microfiche 
 shall contain th<) symbol ^^ (meaning "CON- 
 TINUED"), or the symbol V (meaning "END"), 
 whichever applies. 
 
 , Maps, plates, charts, etc., may be filmed at 
 different reduction ratios. Those too large to be 
 entirei/ included in one exposure are filmed 
 beginning in the upper left hand corner, left to 
 right and top to bottom, as many frames as 
 required. The following diagrams illustrate the 
 method: 
 
 1 
 
 2 
 
 3 
 
 L'exempiaire fiim^ fut reproduit grice ^ la 
 gdnirositi de: 
 
 D. B. Weldon Library 
 University of Western Ontario 
 (Regional History Room) 
 
 Lee images suivantes ont 6x6 reproduites avec le 
 plus grand soin, compte tenu de la condition at 
 de la nettet^ de I'exemplaire filmd, et an 
 conformity avec les conditions du contrat de 
 filmage. 
 
 Lea exempiaires originaux dont la couverture en 
 papier est imprimiie sont filmds en comrranpant 
 par le premier plat et en terminant soit par la 
 derniire page qui comporte une ampreinte 
 d'impression ou d'iilustration, soit par le second 
 plat, salon le cas. Tous les autres exempiaires 
 originaux sont filmtkS en commenpant par la 
 premidre page qui comporte une empreinte 
 d'impression ou d'iilustration et en terminant par 
 la derniire page qui comporte une telle 
 empreinte. 
 
 Un des symboles suivants apparattra sur la 
 dernidre image de cheque microfiche, s<«lon le 
 cas: le symbole — ^signifie "A SUIVRE '. le 
 symbole V signifie "FIN". 
 
 Les cartes, planches, tableaux, etc., peuvent §tre 
 filmto d des taux de reduction diff Grants. 
 Lorsque le document est trop grand pour dtre 
 reproduit en un seul cliche, il est filmd d partir 
 de I'angle sup^rieur gauche, de gauche ^ droite, 
 et de haut en bas, en prenant le nombre 
 d':mages n^cessaire. Les diagrammes suivants 
 illustrent la m^thode. 
 
 1 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 
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 In wJiich is s/ioivn hoiv she, who was born blind, recovered 
 her sight through the power of love. 
 
 1 . Overture. 
 
 2. Chorus of Sicilian peasantry, who are rejoicing in the 
 beauties of their valley. 
 
 3. They are met by Marta and Beatrice, attendants of tlie 
 Princess, who, while joining in their song of satisfaction, 
 lament that so much happiness is denied to their mistress by 
 the cruelty of a wicked enchanter, the latter having caused her 
 to be born blind. This unhappy fate can only be remedied by 
 making his victim realize how much she has lost, and creating 
 in her a desire for sight. It is almost impossible to effect this, 
 as her parents' love has hitherto shielded her fiom all 
 knowledge of her misfortune, and of the fact that she is in any 
 way different to those about her. 
 
 4. Marta and Beatrice further relate how, while the 
 Princess sits at her casement, the notes of a lute are oftentimes 
 heard intermingling with those of the birds. 
 
 5. Song of the Troubadour. 
 
 6. Chorus, in wh 
 seen the Troul)adour, 
 him offer the Princes 
 return the white if si 
 would try to do so. 
 difference in color, is ] 
 
 7. Chorus of rejc 
 to be broken. 
 
 8. Tolanthe' mus 
 cannot tell which is 
 quickens her appreln 
 Troubadour explains '. 
 
 9. Marta tells B^ 
 to whom Tolanthe' ha« 
 
 10. Rejoicings oi 
 their mistress. She j 
 feels in her new acquii 
 
 1 1 . They are int( 
 sweetness. 
 
 « 
 
 12. Marta invok« 
 and calls on those aro 
 King. 
 
 13. Tolanthe' vov 
 Chorus of good wis 
 liridegroom. 
 
 B>»»i»ame««.i«i<w«Ba«.- 
 
6. Chonis, in which the peasants tell that they, too, have 
 seen the Troul)atlour, and Beatrice describes how she watched 
 him offer the Princess a red rose and a white, begging her to 
 return the white if she could not love him, but the red if she 
 would try to do so. Of course the Princess, knowing no 
 difference in color, is puzzled, and cannot answer. 
 
 7. Chorus of rejoicing that the enchanter's spell is likely 
 to be broken. 
 
 
 I' 
 
 8. Tolanthe' muses over the red and white roses, but 
 cannot tell which is which. The intense longing to do so 
 quickens her apprehension — wakes her realize a want — the 
 Troubadour explains her loss — she understands — desires — sa's ! 
 
 9. Marta tells Beatrice that the Troubadour is the Prince 
 to whom lolanthe' has been long 1)etrothed. 
 
 10. Rejoicings of both over the happiness experienced by 
 their mistress. She joins them, and dilates on the rapture she 
 feels in her new acquisition. 
 
 11. They are interrupted by the " Angelus," and extol its 
 sweetness. 
 
 12. Marta invokes a blessing on the Prince and Princess, 
 and calls on those around to hasten with the gkd tidings to the 
 King. 
 
 13. lolanthe' vows to make the rose her future emblem. 
 Chorus of good wishes and congratulation to bride and 
 bridegroom. 
 
 FINIS.