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 palura. 
 
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 32X 
 
 1 2 3 
 
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;/ 
 
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'P-PI 
 
 THE HOME 
 
 TREASURY OF SONG 
 
 FOR CANADIANS 
 
 ^ CONTAINING 
 
 THE RICHEST GEMS OF MUSIC: 
 Sacred and Secular 
 
 CAREFULLY SELECTED FROM THE WORKS OF THE MOST RENOWNED AMERICAN, 
 
 ENGLISH, SCOTCH, IRISH, FRENCH, SPANISH, GERMAN, ITALIAN 
 
 AND RUSSIAN AUTHORS, AND COMPRISING 
 
 THE CHOICEST AND GRANDEST HARMONIES 
 
 OF MOZART, BEETHOVEN, HANDEL, HAYDN, MENDELSSOHN, ABT, SULLIVAN, 
 
 GOUNOD, BLISS, PINSUTI, SWEENEY, O'KANE, GILCHRIST, MARSHALL, 
 
 LOWRY, ROOT, AND OTHER CELEBRATED COMPOSERS. 
 
 INCLUDING THEIR FAVORITE 
 
 SONGS HYMNS, GLEES, BALLADS, PASTORALS, RESPONSES, ANTHEMS, CHANTS, 
 AND SELECTIONS FROM OPERA AND ORATORIO IN 
 
 DELIGHTFUL VARIETY, CHOSEN EXPRESSLY ' 
 
 FOR THEIR EMINENT FITNESS 
 
 TO PROMOTE JOY AND PLEASURE IN EVERY HOME 
 
 EDITED BY PROFESSOR D. H. MORRISON 
 
 Superbly Embellished with Many Phototype Engravings 
 
 The Bradley Qarrefson Company, Limited 
 
 BRANTFORD, ONT. 
 

 202492 
 
 T 
 
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 INTRODUCTION. 
 
 USICAL knowledge is rapidly extending ; musical instru- 
 ments are now found in every home ; and the musica\ 
 tastes of the community are undergoing a rapid eleva- 
 tion. This general advancement demands a correspond- 
 ing advance in the books of song. The old style of 
 book, with its burden of uninteresting matter, is discarded. A newer 
 and better style, embodying the World's Sweetest Songs, is now in 
 demand. 
 
 This work has two distinctive characteristics. In the first place, it 
 is a collection of the very gems from the best writers. 
 
 Such a collection was not possible except as the result of immense 
 research and of large expenditure for copyright and other privileges. 
 These elements have been freely bestowed upon this book. The entire 
 range of vocal music has been studiously examined, and from all its 
 departments that which the great singers find the people really love and 
 which they love to sing, has been selected. Its cost in many cases has 
 been immense, but it has been freely met, and as the result, a casket of 
 gems " of purest ray serene," is now offered to the song-loving public. 
 A second distinctive feature of this book is its special adaptation to 
 the wants of the home. This shrine of all that is holy and good will 
 be made the happier and brighter by the incoming of the World's Sweetest 
 Songs as an abiding guest. So suitable is it for use at all times and by all 
 persons, the old folks and the young alike, that it will make the fireside 
 more than ever a delight, and the home-gathering a genuine festal time. 
 
 The Editor. 
 
 ' 
 
Rivers & Barteis. 
 
 PAQPNIKTaRS 
 
 Z^^ 
 
 «W ^*M^JQfJ* 
 
 The following is a copy of the above autograph letter, written by 
 the World's most famous Prima Donna, who has frequently been called 
 the " Queen of Song " : 
 
 Gentlemen: I have examined your beautiful volume, Treasury 
 of Song, and find it a charming collection of lovely songs, rich in 
 character and pleasing in variety. Very truly yours, 
 
 Adeuna Patti. 
 
r 
 
 -c 
 
 NEVER FORGET THE DEAR ONES. 
 
 Andantino. 
 
 ^ N—JL 
 
 ROOT. By 1 
 
 .ru. j jM j^ ^ 
 
 1. Nev - er for - get the dear ones A - round the io - cial hearth, 
 
 2. Ev - er their hearts are turn - ing To thee when far a • way, 
 
 3. Nev - er for - get tliy fa - ther, Who cheer - f ul toils for thee, 
 
 ^ 
 
 j5^ i J. J Ji^j J J i r'r i i 
 
 The sun - ny smiles of glad • ness, The songs of art • less mirth: 
 Their love so pure and ten • der, Is witn thee on thy way. i 
 
 With - in thy heart may ev - er Thy moth • er's im - age be. 
 
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 f hjmJ' J J i . i !■ r r i I II 
 
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 f 
 
 J j / i jt j-jid ;^ ; i jg3^ 
 
 Tho' oth - er scenes may woo thee In oth - er lands to roam, 
 
 Wher - ev - er thou may'st wan - der, wher - ev - er thou may'st roam, 
 
 Thy sis - ter and thy broth - er, They long for thee to come. 
 
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 Nev - er for - gel the dear ones That c'lus - ter round thy home. 
 
 
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 GAFFER GRAY. 
 
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 MARSHALL. Itf W- 
 
 Wsnaro. 
 
 1. "Oh! why dost thou bIuv - or and shako, Gaf-fer Grav 
 
 ^ 
 
 1. "Oh! why dost thou shiv - or and shako, Waf-fer Gray, And 
 
 2. " Then line thy worn doub - lot with alo, Gaf - for Gray, And 
 
 3. " The iquire has fat boes and brown boor, Gaf - f er Gray, And the 
 
 $ 
 
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 £ 
 
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 $ 
 
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 why does thy noso look so blue ? " " ' Tis the weath - er that's cold, and I'm 
 
 cheer thy old heart with a glass; " " Nay, for crt>d - it I've none, and my 
 
 sea -son will welcome you there;" "His fat be es and bro wn beer, and his 
 
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 ^p 
 
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 grown ver-y old, And ray doublet is not ver-y new. Well a -day!" 
 mon - ey's all gone. Then say how can that come to pass. Well a -day!" 
 mer - ry new year, Are all for the flush and the fair, Well a -day!" 
 
 ff' i^n^i ' u - ii-i i j ^^ 
 
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QAFrf.H ORAY. 
 
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 'TIh tin' wcftth • tT that's cold, mid I've grown ver • y old, And my 
 
 TU the weath • it thatV cold. and you've grown ver - y old. And your 
 
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 jj^j^^jip-^-^- 
 
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 doublet is not 
 
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 ver - y new. Well a - day 
 
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 doublet is not ver - y new. Well a - day 
 
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 Friend. 
 
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 hill, Gaf - for Gray, Warmly 
 
 hill, Gaf - for Gray, And 
 
 foss, Gaf - for Gray, What 
 
 4.*'The law - yer lives un - dor tho 
 
 5."Then hie to the house on tlio 
 6. "My le - ga - cv'h low I con 
 
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OAFFER OHAY 
 
 OAvrm OiuT. 
 
 fonoM, both ill I. i-k nm\ in front;" 
 knock lit th»' iol - ly priont'tt door;" 
 tlu'n? while it IimtH int mh nhan-;" 
 
 •'He will fiwt - en bin lock, he will 
 "Ah! the ])rient oft'n preaolieH ttu;i\iii-t 
 'TiH the poor man a - lone, wlu-ii he 
 
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 threat - on the Btook, Should ho ev - or • more find 
 world - ly rich - ch, But he nev'r jjives a mite 
 hears tho poor moan Of his mor - moI a mor 
 
 me in want, Well a -day!" 
 to tho poor, Well a -day!" 
 Bol will sparo. Well a -day!" 
 
 AMERICA. 
 
 r^j j jij, jj i J .UiJiJvij j ji^ii^ ^ 
 
 1. My country, 'tis of thco. Sweet land of liber -ty, Of theo I sing; Land where my 
 
 2. My native country, thee. Land of tho noble, free, Thy name Hove; I love thy 
 S. Let music swell the breeze, And ring from all the trees, Sweet freedom's song ; Let mortal 
 
 4- Our fathers' God, to tlu'i", Author of lib - or - ty, To thee we sing; Long may our 
 
 35r -M. • -m- 
 
 f^-- l^\Ui \ i:n \ i ^^flJ;JJ l ffl ^ i 
 
 
 fatlifrafie<l,Land of tho ])7lgrim's pride, FroiTiev'ry mountain's side Letfreedom ring 
 
 rocks and rills, Thy woods and t enijirfl hills ; My heart with rapture thrills Like that above 
 
 tongues awake; Let all tliat breathe partake ; Let rocks their silence break,The sound prolong. 
 
 land be bright With freedom's holy light; Protect us by thy might, Great God, our Kingl 
 
 ^SZ 
 
 ^^ 
 
ANNIE LAWRIE. 
 
 ■COTCH SONO. 
 
 1. Miix - wol - tonVhmos aro bon - nie, Wh»«r« ««r-Iy fiilln tho 
 
 2. Her brow 
 8. Like duw 
 
 H like the Himw- drift, 
 on tlio gowan ly • ing 
 
 n«>r throat in like th* 
 
 Ih tlic fa* o' hi'r fairy 
 
 dew, 
 ■wan, 
 feet, 
 
 And 'twas there that An - nio Law-rie, Gave me berprom-iHc 
 Hor face ia aa the fair - cot, That e'«r the Hun xliuiKt 
 
 And like winds in sum • mer sigh • ing, Hor voiuo is low mid 
 
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 true, 
 
 on, 
 
 ■weet, 
 
 Gave me her prom ■ ise true, 
 That e'er the sun shone on, 
 Her voice is low and sweet, 
 
 And ne'er for-get will 
 And dark blue is her 
 And she's a' tho world to 
 
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 But for bonnie An - nie Law - ric, rd lay me down and die. 
 And for bonnie An - nie Law - rio, I'd lay me down and die. 
 And for bonnie An - nie Law - rie, I'd lay me down and die. 
 
 ■5- '-^s.^-*'- '^dim.:^ 
 
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 IPK 
 
 \ ^-j* \ i * ^T T^ p i 
 
TWENTY YEARS AGO. 
 
 HATIS. 
 
 Moderaio. 
 
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 1. I've wander'd to the vil-lage, Tom, I've sat beneath the tree, ITp- 
 
 3. The grass is just as green, dear Tom, Bare foot- cd boys at play, Were 
 
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 M 
 
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 on thesohoolhoose play -ing ground, that shelter'd ^on and me. Bat 
 
 sport- ing there as we did then. With spir- its just as gay, Buttbe 
 
 
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 Tirana iirnArafliai*a frk /vi»AA^mA 'Prkm Atii) TAisr nrai^c 
 
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 none where there to greet me, Tom, And few were left to know, That 
 
 mas • ter sleeps up - on the hill, Which coat • ed o'er with snow, Af- 
 
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TWENTY YEARS AC30. 
 
 =^'=^=^ ^^j_ J I J JTTTj i J Mil 
 
 play'd with uh up - on t)ie grass, Some twen-ty years a - go. 
 
 ford • ed u« a slid • ins; place, Just twen-ty years a - go. 
 
 ^ m-'m^^^i-tiyt^ 
 
 3. The spring that bubbled 'neath the hill, close by the spreading beaoh, 
 Is very low, 'twas once so high, that we could almost reach ; 
 
 And kneeling down to get a drink, dear Tom, I started sol 
 To find that I had changed so much, since twenty years ago. 
 
 4. Down by the sprine, upon an elm, you know I cut your name. 
 Your sweetheart's just beneath it, Tom, and you did mine the same, 
 Some heartless wretch has peeled the bark, 'twas dying sure, but slow, 
 Just as the one whose name was cut, died tweuty years ago. 
 
 6. My lids have long been dry, dear Tom, but tears came to my eyes, 
 I thought of those we loved so well, those early broken ties; 
 I visited the old church-yard, and took some flowers to strew 
 Upon the graves of those we loved, some twenty years ago. 
 
 6. Some are in the church -yard laid, some sleep beneath the sea; 
 But few are left of our old class, excopting you and me ; 
 And when our time shall come, dear Tom, and we are called to go, 
 I hope they'll lay us where we played, just twenty years ago. 
 
 SILOAM. 
 
 WOODBURY. By per. 
 
 1. By cool Si - lo - am's aha • dy rill, IIow fair the li - ly grows! 
 
 2. By cool Si - lo - am's sha - dy rill, The li . ly must de - cay; 
 
 i B^ 
 
 ^ 
 
 r r^r r i r r 
 
 ^ 
 
 :zz 
 
 riii^i'i.'ii^i,i^i / ii ^;n , !f' i ^/i^ iii 
 
 How sweet the breath, be - neath the hill. Of Sha • ron's dew - y rosel 
 The rose, that blooms be - neath the hill, Must short- ly fiide a- way. 
 
 m^ 
 
 j i .i II ;. i|s r\r^sm 
 
 r i r r i r 
 
u 
 
 JANET'S CHOICE. 
 
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 CLARIBEL 
 
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 1. They 
 
 raj fj f i r g r ffu fj fijrjih i 
 
 1^1 J jjyji ^^ 
 
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 say I may mar-ry the Laird if I will, The Laird of high de • gree, And 
 
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 jew-els 80 fair I may twine in my hair, And a la-dy Tdsare-Iy be; But 
 
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 pr- c c n c ^ * j' \ Jj'sr m 
 
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 ohi where would my heart be? In spite of my gems so gay, 
 
 My 
 
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 4'IJ JJHJ 
 
 i 
 
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JANETTS CHOICI, 
 
 11 
 
 guuunj i jjjj >->ip jj; ^^^5i ^ 
 
 heart it would break for Bome-bod-y'c sake, So I think I bad bet-ter say " Nay " And 
 
 §'* ^ ^^ ^t^ j.^ 
 
 
 I will mar - ry my own love, my own love, my own love, And 
 
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 I 
 
 I wiil mar - ry my own love. For true of heart am I. 
 
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 1st A 2nd time- 
 
 Srd time. I 
 
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12 
 
 JANETS CHOICE. 
 
 ?S^^i ^=^E:tj=.^=j ^ j l J:"T~j i ;» j ;» J"^ 
 
 2. So tho Laird may mar . ry the La - dy, The La - dy of high de- 
 
 P 
 
 ^-«- 
 
 J-J - J J J J l J- J- J- J-^ i ^ 
 
 fiM 
 
 grce, And jew - ela bo fair she may twine in her hair, They are 
 
 rit. tempo. 
 
 J J jj j i j ^^^^-j^c c g c p nc ^ " J l 
 
 Lot- ter for her than mc. And gai ■ ly I'lldance at The bri-dal, I'll 
 
 /J J J J p-f-hi—jt=^^ i= £-i J j'jFj^ 
 
 mer - ri • ly dance on tho lee. With Sa - san and Al - ice and 
 
 >^»s, rtc. icfnpo, 
 
 >g .. w I ■ -% ^ ■ • ^ 
 
 j^> f i r ■i' j,, r'J i .i.J JT 
 
 p 
 
 dance 
 
 Em-raa. But Don - aid shall dance with me I . t And I will mar - ry my&o. 
 
 ^m 
 
 J J JlJ. J Jl/ J /3^ 
 
 3. So the Laird he mar • ried the La • dy, the La - dj of high de - 
 
 J J l ^ J 
 
 Jl J J 
 
 grce, And the low - land las - sie he lov*d bo well, A 
 
 ^^ 
 
 m^ 
 
 IX h 
 
 ^ 
 
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 bode in her own coun-try. "For oh I where would my heart be?" Was 
 
 > J J Jr-r^* J i J J J ^ Ji^/J^^'^ 
 
 ev - ev her con - slant cry, If ev - er I'd dar'd to mar-ry the Laird, Why 
 
 (?c-;,j j l J J J l J JjjJ 
 
 Don • aid would sure - ly 
 
 die. ... So I 
 
 will mar • ry my Sbo. 
 
 ROUND FOR FOUR VOICES. 
 
 MARSHALL. 
 
 i M°J > J J -^ I J ^ J i r> > > J 6 e I ^ ^ J'll 
 
 My Dame had a lame, tame crane, My Dame had a crane that was lame. Oh, 
 3. 4,, 
 
 j/e ee J >> I J J c j ll J JJj jlJ 
 
 Pray gcu- tie Jane; let my Dame's lame, tame crane, Drink and come home a • gun. 
 
RESTING BY AND BY. 
 
 DYER. . 
 
 LOWRY. Bypw. 
 
 1. When faint and wea - ry toil - ing, The sweat-drops on my brow, I 
 
 2. This life to toil is giv - en, And he im-proves it best Who 
 8, Nor ask, when o - ver - burdened, You long for friend - ly aid, " Why 
 4, Wan reap - ers in the Har - vest, Let this thy strength sustain, Each 
 
 ^: 
 
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 '^ 
 
 zz: 
 
 m 
 
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 long to rest from la - bor. To drop the bur-den now — There comes a gen- tie 
 
 seeks by pa-tient la - bor To en - ter in - to rest; Then, pilgrim, worn and 
 
 i - die stands my brother, No yoke up - on him laid?" The Mas-ter bids him 
 
 Bheaf that fills the gar - ner Brings yon e - tcr-nal gain; Then bear the cross with 
 
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 weary,Press on,the goal is nigh ; The prize is straight before thee,There's resting by and by. 
 patience, To fields 
 
 tarry; And^dare you ask him why? Go, labor in the vineyard. There's resting by and by. 
 _ - . - ^^ ^^^^ j^.^ ^ if^.^ Bwoet to work for Jesus, There's resting by and by. 
 
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 la - bor. We shall not al-ways cry; Ihe end is draw-ing near-er, iiio 
 
 end for which we sigh; We'll lay our heavy burdens down,There'8 resting ii>- and by. 
 
14 
 
 I'VE BROUGHT THEE AN IVY LEAF. 
 
 MARTIN. 
 
 WOOW 
 
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 1. I've 
 I. I'd have 
 
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 brought thee an I - vy leaf, on - ly an I - vy leaf, 
 brought thee a flow - er, a beau- ti - ful flow • er, 
 
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 From the land of the rose, wherethe Wild heath - er grows, . . 
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TTE BROUGHT TWEE AN TVT LEAF. 
 
 18 
 
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 pose; I've .... brought theo an I 
 tide, So I . . . . brought thee an I 
 ^ eoUapmie. a tempo. 
 
 vy loaf, on - ly an I • vy leaf, 
 vy loaf, on • ly an I • vy led*. 
 
 8. 
 
 I have brought thee a rose-bud, a fairy-like rose-bud, 
 
 To place in thy hair, 
 
 Ana to perfume the air, 
 
 But it lilce the flower would fade in despair, 
 
 So I brought thee an Ivy leaf, only an Ivy leaf. 
 
 4. 
 
 An Ivy leaf green, a beautiful Ivy leaf, 
 
 Bright type of true heart. 
 
 Of true friendship a part, 
 
 Oh, wear it for-ever, love, nearest thy heart, 
 
 I've brought thee a Ivy leaf, only an Ivy leaf. 
 
 SEYMOUR. 
 
 j'.^SJ | I J J l J ^ 
 
 TON WEBER. By p«f. 
 
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 there bo 
 
 1. Depth of mer • cyl can 
 
 2. I have scom'd the Son of God, Tram- pled on 
 
 3. Lord, in-oline me to 
 
 Mer - cy 
 Tram-plec 
 re - pent; Let me now my 
 
 still re-serv'd for me? 
 
 his pre • cious blood, 
 
 fall la • ment; 
 
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 Can my God his wrath for • bear? Me, the chief of sin- ners, spare? 
 Would notheark«en to his calls, Griev'd him by a thou- sand falls. 
 Deep - ly my re • volt de • plore, Weep, be - lieve, and sin no more. 
 
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16 
 
 THE MONKS OF OLD. 
 
 .'OtfBS 
 
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 -t^i^gj^^^ife^iri^g^p 
 
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 .Many iuivo told of tlio niuiiks of ol*],\VliiUa Baint • ly race thoy were, BttI 
 
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 'lis more true, that a luer • ri - er orow Could ncarce be found elaewhcre. For they 
 
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 sung and langli'd, and lliu rich wine quaff'd, And liv'd on the dain-ti - est cheer, Foi* they 
 
 
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 langh'd h:i! lial and theyquaflTd hal ha! And liv'd on thedain -ti-est cheer. 
 
 
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 THE MONKa OK OLD. 
 
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 And tliun thoy would jeHl at the lovo coiifuBHM |{y iiuiii - y uii art • Iumh Maid, And what 
 
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 liopes and feara they had breath'd in the ears Of thusu who had Hoiight their aid. And they 
 
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 Hungand laugh'd, and the rich wine qiiatf 'd, As they told of each love-sick jade. And they 
 
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 And the abbot meek, with his fonn so deek. 
 
 Was the heartiest of them all, 
 And would take his place with a smiling face, 
 
 When refection bell would call, 
 When they sung and laugh'd,and the rich wf ne 
 
 Till they shook the olden wall, [qnafl'd, 
 And they Isagh'd ha I ha i and they quaff'd 
 
 Till thuy nhook the olden wall, fha ! ha! 
 T S— 2 
 
 Then say what they vill, we'll drink to them 
 
 For a jovial band ^hey were, [•till, 
 
 And 'tis most true, that a merrier crew 
 
 Could not be found elsewhere. 
 For they sung and laa^h'd, and the rich wine 
 
 And lived on the damtest cheer, [quaff'd 
 For they laugh'd ha! ha! and they quaff*- 
 
 And lived on the daintiest cheer, (bn ' ^>- 
 
Ol&ri. 
 
 l.TwaH a Monday niglit, thu moon was shinin' bright, T\\o vindH had been a blowin' nil the 
 2. The tears were on his cheek, ho sobbM an'could'nt sjteak, lie Hhow'd us whore his back 
 
 [were torn an' 
 8. Then the planter he grew pale, an' like a cur turn'd tail, As quickly down the side went 
 
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 We were sit-tin' in a rin^, an' lor' how we did eing, I 
 
 He clutch'd us one an' all, an' ho trembled like to fall When he 
 Or on our Dritish deck, he'd soon ha' found his neck : An' the 
 
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 dolct. wiffio runsao. 
 
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 I'd sung o* lilack-oyed Sue,who 
 
 Then our Cap-'n he upstood, bo 
 Sq, here's good hick an' life, to out 
 
 reckon you'd ha' heard us'cross the bay. 
 saw the white-faced planter come aboard, 
 poor old eluve was free. 
 
 ^^=S 
 
 dolee. 
 
 
<IA0K'8 YARN. 
 
 19 
 
 a tempo. 
 
 WM HO fond an' true, Whoa wu hvant a Hurt u' H))laHhiii' in tho hub, An' a niggvr tliun we H|iici), 
 
 [Hcrnmhlin' 
 noble, proud an' good. An' thi* poor old nig were at his knee : " Ev'ry man Ih f ri'f," In- cru-H, 
 
 ["wluTo tilt* 
 Cap'n an' Iiih wife, (4od bleMH'n for Iuh noble wordH Hay wp. For to free the slavi'M, Bri- 
 
 up the Htarboard aide, An' ho tumbled on the deok in front o' we. 
 
 Bnt-iah eol-or flies, An' I'll nev-orgive him up," nays he. 
 
 tan-niiinilesthe waves. An' that's be-ing Mistress of the sea. 
 
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 ev'ry jol-ly Jack will soon be comin' back : Singin'haullee, hillee, haulleo, hilhc ho. 
 
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10 
 
 THE LAND O' THE LEAL. 
 
 NAtBNB. 
 
 WEBSTER. nyp*t. 
 
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 t. I'm woai-'iiig a- wt\\ Jean, Liku miiiw wliou itM thnw, Joan, I'm 
 3. Yu woiofiyu iuikl Ami tnio, Juun, Voiir tiiHk'Hund • i>«l nou\ Joan, And 
 3. Then dry that t\i' u'u, Juan, My houI would be iVoo, Joan, And 
 
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 wear - in 
 I'll 
 
 incr a • wa*, Jean, 
 wei • come you, Jean, 
 
 an 
 
 wait me, Joan, 
 
 To the land 
 To the land 
 To the land 
 
 o' the leal ; 
 o' the leal; 
 o* the leal ; 
 
 There's 
 Our 
 
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 nao 8or - row there, Jean, Thcre'd nae cauld noj caro, Joan, The 
 
 bon • nie bairn's thure, Jean, Sho was baith giide an' iair, Jean, We 
 
 faro . wool, my ain Jean, Tliiswarld'soaro in vain, Jean, We'll 
 
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 day ia 
 grudg'd her 
 meet and 
 
 aye fair, Jean, lu the land 
 
 right Bftir, Jean, To tho land 
 
 be fain, Jean, \n the land 
 
 o' the leal, 
 o' tho leal. 
 o' the leal. 
 
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THE UAND O' THE UEAU 
 
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 The iMt we ■hall find, Joan, The dear an'a eae kind, Juan, In day* o' Imiij 
 
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 ■yne, Jean, In the land o' the leal ; Then fare • weel, my ain Jean, This 
 
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 syne, Jean, In the land o' the leal; Then fare-weel, my ain Jean, This 
 
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 warld's care is vain, Jean, We'll meet and be fain, Jean, In the land o* tTe leal. 
 
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 warld'fl oare is vain, Jean, We'll meet and be fain, Jeaa, In the land o' the leal. 
 
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22 
 
 SUPPOSING. 
 
 3. W. BliSCRUFF. 
 
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 1 Sup-po8 - ing a man, av - a • ri-cious and old, Should come to me jing - ling his 
 
 2 Sup-poa • ing a he - ro all bristling with fame, And big with the weight of a 
 
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 ail - ver and gold, And of • fer a share of his mam-mon to me, If 
 won - der - ful name, Pro-posed, in a mo - ment of bland con-de-cension. To 
 
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SUPPOSING. 
 
 .28 
 
 
 T to the sale of myself would a-gree, I wouldn't, would you ? 
 give me his hand and a lit - tie attention,! wouldn't, would you ? 
 
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 wouldn't.would you f 
 wouldn'tiWould you ? 
 
 dm espresnione. 
 
 
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 3 Sup-pos • ing a youth,with his heart in his eyes, That shone like the light of the 
 
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 SUPPOSING. 
 
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 beau - tt- fill skies, Would promise to love me through all his glad life, And 
 
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 Tempo, a tempo. 
 
 beg that I'd be hia own dear lit -tie wife,Oae« I would.wouldn'tyou? 
 
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 Guess I would, wouldn't you 7 I would, 
 
 wouldn't 
 
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 FORGET ALL THY SORROW. 
 
 R. MILLARD. 
 Afoderato. 
 
 HARRISON MILLARD. 
 
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 cast off all gloom at the foot of the cross, 
 
 The Sav'iour iu 
 
 eopyrtght, IW, by H. Mii.i.ABni 
 
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 FORGET ALL THY SORROW. 
 dolee. 
 
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 pit • y will lis - ten to thee, Aud tea - der - ly whis - per " O 
 
 
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 Come un • to me I" Then go to Him frank - ly con • fess - ing thy 
 
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 weight - ed by sor - row or bur ■ den'd by grief Con - fide in the 
 
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FOROET ALL THY SORROW. 
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 27 
 
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 Sav - iour, thou'lt find there re - lief. 
 
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 mer • cj to share, E'en the spar - row that fall • cth He takes to his 
 
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ll 
 
 28 
 
 NORAH ACUSHLAI 
 
 OBOROE COOPER. 
 
 Moderato eon etprett. 
 
 a|5 
 
 HAHRISON MILLARD. 
 
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 SEK^OE 
 
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 1. Oh, No - rah, A • cash - la, the ros - es are wak - ing, The 
 
 2. Oh, No • rah, my jew • el, how can you be cru - el? The 
 8. Oh, No • rah, my treas-ure, 'mid sad-neas or pleas- ure. Your 
 
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 lark sings its mat -in call sweet -ly on high; And yet you are sleep-ing, your 
 birds now arewoo-ing on each bud-ding spray ; And long e'er the mor- row, my 
 im - age I'll keep in my heart ev • er- more ; May HeaTn bless you ev - er, and 
 
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 true love for - sak- ing, Who waits 'neath your window to " kiss you good-bye." The 
 heart in its sor-row. Will sigh for you, dar-ling, so far, far a -way! The 
 noth- ing e'er sev • er My heart from the col-leen I love and a - dore I Then 
 
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 Oopyiight, 1870, by S. T. Ookdon A SOK. 
 
NORAH ACUSHLAI 
 
 29 
 
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 white sails are flow-ing, and I must be ao - ing To wan-der in sor- row far 
 
 lark o'er the mead-ow, in sun- light and snad-ow, Is call- ing you fond-ly, he 
 
 wake from your dreaming, the dew-drops are gleaming, But brighter the eyes, love, that 
 
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 o - ver the sea ; Then come to this bo- som, my sweet love-ly blos-som, I 
 loves you like me! Then come to me smil-ing, my sad fears be - guil- ing, I 
 soon I shall see; I'm lone andfor-sak-en till you, love, a- wak- en And 
 
 I 
 
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 leave my heart with you, A-cush-la Ma-cree ! Oh, dearest, a - wake,, 
 can't live without you. A- cush-la Ma-cree 1 Oh, dearest, a - wake,, 
 tell me you'll miss me. A- cush-la Ma-cree I Oh, dearest, a - wake,. 
 
 For your 
 For your 
 For your 
 
 ^=P^ 
 
 A^ A 
 
 JU T? J : ■ ^i ^^ m 
 
 own true love's sake! 
 
 own true love's sake !. 
 
 own true love's sake !. 
 
 Fair No - rah, dear No- rah, A - cush - la Ma- cree ! 
 Dear No - rah, sweet No- rah, A - cush - la Ma- cree ! 
 Dear No - rah,sweet No- rah, A - cush - la Ma- cree ! 
 
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 col canto. 
 
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30 
 
 JAMIE O' DUNDEE. 
 
 HELEN A. KEAN. 
 
 Con K»prt»Kion«. 
 
 HARRISON MILLARD. 
 
 ton Mpre mone. fc k. fc. 
 
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 ^^^^^^^^m 
 
 '^^d ^-J^j-i>444^ic^_!^ l 
 
 1. Young Ja-mie was bonnie and braw and gay As ony in auld Dun-dee; But the 
 
 2. The days sped on and the years are flown.My heart iswither'dandsere, I 
 
 -=^" ores. ^=^" 
 
 ^^^m 
 
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 breath he drew, and his heart's-blood too, He counted as nought for ine, I 
 
 hope nae mair, but I watch and wail, For Ja-mie, sosweetandso dear Lock'd 
 
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 said to him "Nay," and his cheeks grew gray And ashen as those of the dead: With a 
 fast in sleep, so deep, so deep, Are the eyes that spake love to me; For the 
 
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 Copyright, 1882, by HAnni-.-iN Millakd. 
 
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JAMIE O' DUNDEE 
 
 81 
 
 ^^^^^^g^^^^i^^ 
 
 sad fare-well, like hift own death-knell.O'er the wild, wide wa-tera he sped, 
 cold, cold ariuH of the cru • el waves Are clotip'd where mine should be. 
 
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 fir 
 
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 wail'd and waited, ah I vain -ly and long, For he nev-er came back to me, tome, He 
 white lips kiss the bonnie, sweet brow,And he'll never come back to me, to me, He'll 
 
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 nev - er came back, He nev - er came back. He nev - er came back to me. 
 nev - er come back,He'U never come back,He'll uev • er come back to me. 
 
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 UNCLE JOE. 
 
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 1. Young folkBOonioliH- ten to my song, I'm old, and I wont do - tain you long, I'm 
 3. When I was young I knew life's joys. But now I'm old yet I'm one of the bovi, I 
 3. When I was young and in my primotlwaHohasingthogirletho mnBtofmytimo,r4 
 
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 eighty four, I'll have you know,Andthoyo«ngfolk8 call mo "Tin ■ cloJoe,"My 
 can take a smile, or sing a song With any good friend tliiitconu'salong, loan 
 take them out each day for a ride. And al • ways had one hy niynide; I'd 
 
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 hair once black, haa all tnrn'd gray. But what's the oddB,whiIo I feci gay; I 
 tell a story or crack a joke, And never re-fufte to drink or smoke; I'm a 
 hug and kiss thorn just for fun. And aint for-got the way its done; So if 
 
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 love to sing a song of glee, For it makes me as young as I used to be. 
 gay old sport you'll all a-gree. And I feel as young as I used to be. 
 any girl here is in love with me. She'll find me ns young as I used to be. 
 
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 UNCLE JOE 
 
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 Ti di id do hoop do do, How I lovo to Hinj; for you, IIow 
 
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 I ooiildsing with joy and gloo If I wasyouugns I usod to bo. 
 
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 WAITING. 
 
 REYNOLDS. 
 
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 Just AS I ntn, with 
 Just as I am, and 
 
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 out one plea, But that Tliy blood was shod for me, 
 wnit-ing not To rid my soul of one dark blot, 
 
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 God. 1 
 
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 And that Thou bid'st mo come to Thoe, O Lamb of 
 To Thoe, whose blood can cleanse each spot, O Lamb of 
 
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 od, 1 comei 
 Ood, I come. < 
 
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 Just as I am, though | tossed about 
 With many a conflict, | many a doubt, 
 With fenrs within, and J foes without, 
 O Lamb of | Ood, I came. 
 
 JuBt as I am — poor, | wretched, blind — 
 Sight, riches, healing I of the mind, 
 ea, all I need, in | Thee to find, 
 O Lamb of | God, I oome. 
 TS-S 
 
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 Just as I am. Thou | wilt receive, 
 Wilt welcome, pardon, I cleanse, reliercf 
 Because Thv promise | 1 believe, 
 O Lamb of | God, I come. 
 
 6 
 Just as I am, Thy | love unknown 
 Has broken every | barrier down; 
 Now to be Thine, Vea, I Thine aloM^ 
 O Lamb of | Ood, I oorn*. 
 
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 WHEN YE GANG AWA, JAMIE. 
 
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 JiANiK. 1. When yuffnii); n- wn, Jo-mio Par n-oroia tho Roa, Iml-die, 
 
 9. ni «uiul yu u bi'ttwnuw gown, Joaiiiu,The brawoBt In the town, Ins-tio, And 
 jAinH. 
 
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 Wlion yopmig to Qor • nia-nK»,Wlmtwill yo pond to nio, lad-dio 
 it ahall bo o' silk and gowd,Wi' Vnlen-oion-noa not round, Ina-sic. 
 
 
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 Jbakib. 3. That*BnaegiAi a -ta, Jn-mie, Silk and gowd and a*, laddie,Thore'i 
 4. When I oomeMoka ■ gain, Jeanie, Fra« ft for.eign land, las-iie} I'll 
 Jaiok. 
 
 ne'er a gown in a* the land Fd like, when ye're a • wa, laddie. 
 
 \ gown in a' the land Fd like, when ye're a • wa, laddie, 
 bring wi' me a Gal • lant gay. To be your ain gnde - man, laa-sie. 
 
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WHEN YB OANO AWA, JAMIB. 
 
 :>. Ho my jjiuloman your-Hcl, Jn-mio, Mur • ry niu your • hcI ln<l-<lio, And 
 6. I diiiiinkun bowtlintwitddu, Jon-nio,I tliiMiuNuohowtlintcnii lio, lart-HU*, Kur 
 
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 tnk' mooworto Gor-ma-nio, Wi' you nt liniiiu to dwell, liul-dio. 
 Fvo a wifo and boir - nies tliruo, And I diii-imkuowbuwyu'diwgrvo, luii-Hio. 
 
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 Ye shou'd hno tcit me that in timo, Jnniio, 
 Yo ehoa'd hno tolt mo that lang synu, laddio, 
 For had I kont o' your fauao heart, 
 You no'or had gotten nihio laddie. 
 
 9. 
 One back to your wife and hnmo, Jamie, 
 One baol( to your bturnics three, laddio; 
 And I will pray they no'er may tbolo 
 A broken heart like me, laddie. 
 
 11. 
 
 Think wool for fear yo riio, Jamie, 
 Ye'U no got aiio mair true, laddie, 
 But I have neither gowd nor lands, 
 To be a match for you, laddie. 
 
 jAAriK, 8. 
 
 Your con were like n opcll, Jennie, 
 Muir sweet than I could tell, lassie, 
 That ilka day buwituh'd nio sac, 
 1 could na help niysel, lassie. 
 
 10. 
 Dry that toarfu ce, Jennie, 
 Grieve na muir for mo, lassio, 
 I've neither wife, nor bnirnies thro*, 
 And I'll wed nnno but thee, lassie. 
 
 12. 
 
 Blair in Athol's mine, Jeanie, 
 Fair Dnnkeld is mine, lassie, [tow'ri 
 
 Bnint Johnstoun'a bow'r and Hunting 
 And a' that's mine ia thine, lassie. 
 
 ROUND FOR FOUR VOICES. 
 
 1. Ben mareato. 
 
 8. 
 
 MAHSHAtX. 
 
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 Hark I the lit - tie birds are smg-ing on theboogbs, Their iweetioDg, 
 
 And the met' ry bella are ring-ing, Dong, ding, dong, Dong, ding, doag. 
 
80 
 
 THE HEART BOW'D DOWN. 
 
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 The heart, bow'd down by weight of woe, 
 The mind, will, in ita worst despair, 
 
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 To weakest bope« will 
 Still pon.der o'er the 
 
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 cling ; To thought and im - pulse while they flow, That 
 
 On mo-ments of de • light, that were Too 
 
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 can no com 
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 - fort bring, that can, That can no com • fort 
 . . to last, that were Too beautiful, too beautiful to 
 
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THi; HEART BOWD DOWN. 
 
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 With those ex - cit - ing scenes will blend, O'er 
 
 To long do - part - ed years extend Its 
 
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 pleas- uro's path • - way thrown; 
 vis . ions with thoin flown, 
 
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 ou - ly friend That grief can call its own, 
 
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 That grief can call its own. 
 
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88 
 
 
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 BLOSSOMS FROM OVER THE SEA. 
 
 ARTHUR FRENCH J. P. SKELLY. 
 
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 1. Fra-grant with breath of the mead-ows 
 
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 3. Fond - ly I'll cher • ish and keep them . . . 
 
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 Of the old home and its 
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 OopyrfKht, 1806, by J. B. WiirnBV, Ptilladelphla. 
 
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 BLOSSOMS FROM OVER THE SEA. 
 
 89 
 
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 roam 
 
 joys 
 
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 Dear hearts have sent me sweet flow - era., 
 Scenes, though a - while I've for - sak - en,. 
 Till I re - turn to their fac-es,.. 
 
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 Gath-ered a - round the old home. 
 Wau -der- ing nev - er de - stroys., 
 Wait-ing to meet me at home. 
 
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 There is the place of all 
 Though ev-'ry leaf -let may 
 
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 Yet they are pre-cious to me. 
 Back where my heart longs to be.. 
 They shall be pre - cious to me. 
 
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 Breathing of love and re - mem - brance, Blossoms from o - ver the sea. 
 Oh, whatsweet fan-cies you bring me, Blossoms from o - ver the sea. 
 As the dear ones who have sent them. Blossoms from o - ver the sea. 
 
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 BLOSSUMS FHOti OVER THE SEA. 
 
 OHOROS. 
 
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 Vi - o- lets, blue-bellB and ros - es, Pre-cious as jew • ela to me. 
 
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 Vi - 0- lets, blue-bells and ros - es, Pre-cious as jew - els to me, 
 
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 Breathing of love and re - mem-brance, Blossoms from o - yer the sea. 
 
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 Breathing of love and re - mem-brance, Blossoms from o - ver the sea. 
 
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41 
 
 MY LOVE OF THE OLD SWEET DAYS. 
 
 Words by 
 ROBERT C. V MEYERS. 
 
 AndatUino. 
 
 MuRlo by 
 
 A. H. HoSEWio, Op. aae. 
 
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 twi - light falls and sha-dows rise., 
 twi - light falls when night is here,. 
 
 To press the stars that seal the 
 When dreams have made the dim-ness 
 
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42 
 
 MY LOVE OF THE OLD SWEET DAYS. 
 
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 skicB And rest ud • fiirta her brood • ing wing. That 
 
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 mem - 'ry may a - wake and sing, 
 noon mth ar • dent glow is bright, 
 
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 My thoughts reach past the 
 All times, all days, all 
 
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 miles ttiat part Thy Iot - ing heart from my fond heart, Un 
 sea • Boas, sweet. My heart, my soul leans out to greet Thy 
 
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 til there comes up - on my ear. Thy words I used of old to hear: "I 
 old - time words, that are but mine. Trans -la -ted to the soul of thine "I 
 
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MY LOVE OF THE OLD SWEET DAYS. 
 
 43 
 
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 PRETTY LITTLE JENNIE. 
 
 HARRISON MILLAHD. 
 
 Moderato. 
 
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 1. Prct- ty lit -tleJcnuie, with hair of gold- en hue, With you sit - ting by my side, ho>T 
 
 2. Prct- ty lit -tie Jennie, comeclos-er to my heart, I will shield you from all gales, wc* 
 8. Fret- ty lit -tie Jennie, when dark the world appears. Hasten quick-ly to my side, J'.U 
 
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 dear 
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 ly I love you I Nev - er was a faceless sad, Nev- er heart more true, 
 
 ' er more will part, Let your lov - ing arms en - fold. Lean up- on my breast, 
 
 a - way your tears, And as years roll on a -pace, When our heads are gray, 
 
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 And your mer - ry rogue - ish eyes Ri - val heav - en's blue. Ah ! 
 
 Tell me that you love me still. Love me still the best. Ah! 
 
 We'll re -mem - her these sweet days In life's ear - ly May. Ah! 
 
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 Copyright, 1888, by H. Millard. 
 
TXyOR. 
 
 PRETTY LITTLE JENNIE. 
 
 46 
 
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 ait • ting on my knee You 
 
 
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 make the world look bright and glad, For you're the world to me. 
 
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 You're the world to met 
 
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 THE TEMPEST. 
 
 PERKIHS. By ft. 
 
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 1. Wu wei'o orowdoil in the onb • in, 
 
 2. So wo gntliereU there in HJIonuo, 
 
 Not a soul would dnro to 
 Fur the Btout • evl huld his 
 
 sleep ; It was midnight on the waters, And a Btorm, . . . was on uie 
 
 broatli, While the angry waves were rolling And the break • ers talk'd of 
 
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 deep, 
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 Tis a feiir- fill thing in winter, To be shattered by the 
 
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 blast, And to hear the rattling trumpet thunder "Cut away the mast," And to 
 prayers, "We are lost," the captam shouted. As he utagger'd down the stairs, "We arc 
 
THB IKMPEiiT. 
 
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 niiur the ritl - ttiiig tniinpol thiiii<li<i' "Cut ii ■ way .... thu iiiuHt." 
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 land?" Then we kiss'd the lit • tie maiden, And we spoke in bet - ter 
 
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 When the 
 
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 THE STIRRUP CUP. 
 
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 Atteffn^ mari'm irnjypn. 
 
 Tlio liiHt Hii-i'iilmii(iliaMhcoiu1anoM ill tlio liiill, 
 I oiui • nut rulo oil', I itin liunv-y witlitimiH, 
 
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 The last pray- or brenth'd by the mai 
 No gay tliH - ro • gard from tlio flag 
 
 den oro sleep • ing, 
 on I bor - row. 
 
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 Tlie light of the orea . set has died from ttio watJ. 
 
 I pledge thee in wine but 'tia mingled with tears. 
 
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 Yet still a love watoh with ray La - dy I'm keep 
 Twin typ« of the love that is shad • ed by sor 
 
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sa 
 
 THE STIRRUP CUP. 
 
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 My oliar - gor is jaiig • Hug liin bri 
 Yol. tiour - age, mine own one, and if 
 
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 That back 
 
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 from the red 
 
 ing, dear love ! 
 field thy gal 
 
 we must 
 lant come 
 
 P gotto eoe«. 
 
 ^ | J,;^.J>g,-L^^ 
 
 ^^ 
 
 80V- er; 
 nev -er; 
 
 But pour 
 In death 
 
 out the wine, 
 he'll re - mem 
 
 that thy lov 
 ber, that she 
 
 er may 
 who had 
 
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 marcato. 
 
 leggeremente. 
 
 era. 
 
 ^^ 
 
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 8tir-rtip - cup 
 stir-rup - cup 
 
 to his true 
 was his true 
 
 maid - en 
 maid • on 
 
 'jJ3i:Ji' 
 
 'Ji^'^i 
 
IHE STIRRUP CUF 
 
 ^U-Ixj-^^^^ 
 
 ev - er I But pour 
 
 ov - er 1 In death 
 
 out tlio wine, that thy lov 
 
 ho'll ro - mem - ber,tbat she 
 
 or limy 
 who hud 
 
 i 
 
 Ji -i ^x- 
 
 JJ i J- ^J' 
 
 ^ji— •_— < 
 
 drain 
 fill'd 
 
 A last 
 His lant 
 
 stir - rup - cup 
 stir- r up - cup, 
 
 to his true 
 was his true 
 
 maid- en 
 maid- en 
 
 $ 
 
 1 1 X 1 
 
 £^i ^ i \ ^i -^ i[| J^' U i 
 
 ataee. 
 
 #|JUJ 
 
 — 1 
 
 -1- — 
 
 fona ed anima. apiacere. 
 
 Ji^»g i r':g^i^^jij-sjjj. i ^^^ 
 
 l1 X -f 
 
 ev-erl A last stir-rup-cup to his true maid- en ev-er! 
 
 ev-erl His last stirrup-cup, was his true maid- en ev-er! 
 
 RESPONSE. 
 
 
 MARSHALL. 
 
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 Not what we wish, but what we need. That grant us, we would ev - er pray. 
 
 Ifci^ ii ipif PF MP p 
 
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 SLEEPING. 
 
 H. ASHLAND KEAN. 
 
 Larghetto eon eapre$iione. 
 
 HARRISON MILLARD. 
 
 
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 1. Down where tho waves with gen - tie moan, Just kiss the yel-low sands,... Lies 
 
 2. Her soul was whit - er than thespray, That beats across her breast,... The 
 
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 one, in qui - et, dreamless sleep, With peaceful folded hands. No wail of winds, or 
 sweet-ness of her lov -ing heart No tongue hath e'er coufess'd; The ten-der works of 
 
 f^r 
 
 , cues. 1 ^ — — 
 
 moan of waves That sleep shall ov-er break, No wild ca-ress of sobbing waves Can 
 pit-y wrought With never tir - ing hands, Have bro't her sweet reward of peace In 
 
 
 Oopyrlght> MTO. by Habbiiioii Mn.i.tBW, 
 
 B ill 
 
HUEEPINQ. 
 
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 53 
 
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 force her to a - wake I Can force her to a - wake ! Who would uot o - pen 
 fkr off, heav'nly lauds, In far off, heavii'ly lauds 1 And left me but this 
 
 A a > 
 
 1st ending. 
 
 ]^^ 
 
 ^: 
 
 ^=a: 
 
 --m— K 
 
 =*i^ 
 
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 clo-sed lids. For ev- en love's sweetsake — While sleep 
 lit - tie grave Up-on the gold- en 
 
 ing there, while 
 
 Sd ending. Tranquillo. 
 
 »^i ^ 
 
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 sands, Where 
 
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 she yet! where^ sleeps she yet! 
 
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 54 
 
 THERE'S ALWAYS SUNLIGHT SOMEWHERE! 
 
 GEORGE COOPER. ADAM CEIBEL. 
 
 
 ^^ 
 
 ^^^^^ 
 
 Andante con enpr ejg. o. » 
 
 1. Far a- way a youth was 
 
 2. By the purch a raoth-er 
 
 3. Worn and wea- ry sat a 
 
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 sail - ing From the dar - ling of his heart ; Fair the maid tbatstood bci ide him, 'Twas the 
 lin-gered, As she bade her boy good-bye ; All the world was bright before him ; In her 
 husband, In a home that once was bright ; But the tide of fortune turning,Made the 
 
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 \s kE^^§ ^^fi =Mr ' c r ii -^^^^ ^ 
 
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 teci=ii 
 
 hour when they must pert Fast her si - lent tears were falling,But he kissed them all a- 
 heart a wea-ry sigh. With a pleading look she held him, And she pressed his lips once 
 fii - ture dark as night. Then his lit - tie wife benside him Placed his ba- by on his 
 
 way; Andhewhis- peredto herfond-ly.-Thesethewordsthathe did say:, 
 more ; Whilelie smooth'd her sil - ver trees-es. These the words hemurmured o'er: 
 knee, And she smiled a - way his sadness, Wbileso fond - ly whispered she:. 
 
THERE'S ALWAYS SUNLIGHT SOMEWHERE! 
 
 CHORUS. 
 
 ^^^^^^^^^^^^^m 
 
 "Oh, don't give in to sor-rowl There's joy in store to- morrow 1 Al - 
 
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 though the present may be sad and drear ; 
 
 Cheer up ! the skies will brighten, Anc 
 
 ^^fe^ 
 
 ad lib. ^ 
 
 all our troubles lighten ; There's always sunlight somewhere, never fear 1 ' 
 
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 68 
 
 YES SIRl 
 
 HADINQE 
 
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 WAKU^IEUi 
 
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 When the ship went o'er tho wa - tors Ah! but then my heart was 
 
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 sad; I was one of raan-y daughters, And I lov'd a sai- lor 
 
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 o tempo. 
 
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 lad. 
 
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 Said my mother 
 
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 to me af • ter, If the squire his suit should 
 
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 piu mosio. 
 
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 press, Dry your eyes and call up laugh - ter, And bo sure to an.Bwer 
 
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 lie'! 
 
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YES smt 
 
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 ritard, 
 
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 Yfsl Dry your eyes aiidcall up hiugli-ter, And bo siiro to an - swer 
 
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 Came the sqinro so shy aiul sur - ly, Came one 
 
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 mom • ing to vhe strand, And the birds sang blithe and ear - ly Sang o'er 
 
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 sea, and sang o'er land Said the Squire in awkward fashion, "Would it 
 
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58 
 
 YES SIRt 
 
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 vox you, now confess, 
 
 If I Hhoiild doolnro my pns • eion ?" And I 
 
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 a tempo. ere». 
 
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 a tempo. 
 
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 laugh'd and answer'd,Yc8 ; 
 
 If I should declare my pna • sion ?" And I 
 
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 raU. a tempo. 
 
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 answered, Yes. 
 
 laugh'd and 
 
 Quoth the Squire inan-ger 
 
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 Tru - ly I So you mock me then, you do ? And I spoke my answer 
 
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YES smi 
 
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 du . ly, Say - iiig on - ly Ye8»ir, too. Would you dis - Oobeyyour 
 
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 mother? Yes I said, norlaugh'dthe less Tell me do you love au- 
 
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 oth - er? Yes sir, yes. sir, yes sir, yes I Tell me do you love an- 
 
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 oth - er? Yes sir, yes sir, yes sir. Yes! And the birds sang leaf - y 
 
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60 
 
 YE8 smi 
 
 a tempo. 
 
 ^:^ j-:,#-g^-^?^ =S=E ■-gH ' -" ^ ?"?^Jtf^ :^f=^ 
 
 liiddcn, Siiii^ oVr liclil aiul morning noii, And I Iiiii<j:IiM tlx- luiHWcr 
 
 Ig^t^ B^ ^^^^^S 
 
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 bid - don, And was true, Hwuet-hcart to tlioo I 
 
 HE'S THE LILY OF THE VALLEY. 
 
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 He'stholil-y of the val - ley, Oh I my Lord; lie's the HI- y of the 
 
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 val - ley, 
 
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 11. King Je • sua in the ohar-iot rides, 
 
 2. What kind of shoes are those you wear, 
 
 3. These shoes I wear are gos - pel shoes, 
 
 m 
 
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 Ohl 
 Oh I 
 Ohl 
 
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 :9 
 
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 my 
 my 
 my 
 
 Lord; With four white horses, side by side, Ohl my Lord. 
 
 Lord; That you can ride up -on the air, Ohl my Lord. 
 
 Lord; And you can wear them if you choose, Oh I my Lord. 
 
 m •— - -«59 (=- 
 
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TIS THE LAST ROSE OF SUMMER. 
 
 RomAno. , FLOTOW. 
 
 1. 'Tin tho last rose of Hunimor, Lvf t bluoin ■ ing a - loiiu; All her 
 
 Al.TO. 
 
 &7Jj J JM m 
 
 ^^'4^"gT^ 
 
 3. I'll not leavo thoo, thou lono ono! To pino on tho Btom; Sinoo tho 
 p TnHon. 
 
 'i^J^f 5 r 
 
 3. So soon may I fol - low, When f riondMhips do • cay, And from 
 
 liAfW. 
 
 p ^r^! ^ 
 
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 lovely com - panions Aro f a - dod and guno: Noflow'r of hor kindred, No 
 
 f''jJ-^J | Jjj I jj jrg l ^rj I J l.,^ ^ 
 
 lovely are Hlcoping, Oo, sleep thou with them: Thus kindly I aoatterThy 
 
 f^jffr i r^ | J^iJ? i j>j iJJJ?ijJ^j I 
 
 love's shining cir - cle The gems drop a - way I When true hearts lie withered. And 
 
 ^ 
 
 ^g 
 
 mz 
 
 S 
 
 m 
 
 s^^ 
 
 m 
 
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 dim. ritm. 
 
 P tempo. 
 
 (Km. 
 
 prrrfj^\^irf ^ ijJi^cj l ^ ^ M ' ^J^ljl;*' 
 
 rosebud is nigh, To reflect back her blushes, Or give sigh for sigh. 
 IB if '^ P 
 
 iff 
 
 ^> 
 
 J I J . N J:; | J j-^- 4- J J Sl \ J/^ 
 
 leaves o'er tho bed, Where thy mates of the garden Lie scentless and dead. 
 
 SI 
 
 J j ^ar ir-^gjgi-J cpi^M JH i t 
 
 fond ones are flown. Oh I who would in - hab • it This bleak world a - lone. 
 
 ^^fl 
 
09 
 
 CLARK. 
 
 THE ROYAL FOUNTAIN. 
 
 
 KtRKPATniCK. »ywm. 
 
 1. St'u whvru tlio liv - ing wa - tiTs pfluh-, From Dft-vi<I'HhouHu thoy uwoi'tly 
 
 3. It ttowH nil ov • i<r run • ning Ntronni, Puro bh tJio fountain of his 
 
 8. Down through tho n • gi'H flow -ing widti, I'tu vir - tuo ih to-day tho 
 
 p-=p^=iHri^ 
 
 ^^ 
 
 5^ 
 
 P 
 
 l^p 
 
 flow; Who wttih- es in tho clcanH-nig tido, la whit • cr than tho driv- on 
 grace, Who died that lie might thus re • deem The fnl - Ion RonH of A- dam's 
 ■anio, Ah whonfromout hiH picro-ed eide, Tho min-glcdtide of bo-ing 
 
 enow. Then oomo to the Roy -al foun-tain, 
 race. Then come to the Roy -ol foun-tain, 
 camo. Then coino to the Roy -al foun-tain, 
 
 £v - cr in itn Htrcam a- 
 Ev • er in its stream a- 
 Ev • cr in it atream a- 
 
 ^ 
 
 sar 
 
 %^,r^^4^t^ 
 
 ^ * \ i j:j!ii p fe ^> | j vj^j_jj^ 
 
 bide; Come to the Roy -al foun-tain. Opened in tlio Saviour's Bide. 
 
 m 
 
 J- 
 
 m 
 
 
 ^ 
 
 GETTING READY TO DIE. 
 
 grJ.I | JJ JLi J^W-^J I j J JlJ -^ 
 
 Getting read-y to die. Getting read-y to die, Gottlug read-y to 
 
 -s^ ~ ' j i — g * J ■ 
 
 die, O Zi - on. 
 
 ^i^ 
 
 j^J^xxi 
 
 Zi-on, 
 
 ^e 
 
 Zi - on, 1. 
 
 01) I wa> but young, 
 B.C. 
 
 W 
 
 Zi - on, But - now my race is alnnost run, Zi - on. 
 
 ^ 
 
 ^ 
 
 ^i-oa. 
 
 S. Religion's like a blooming rose, Zion, Zion, 
 
 And none bat thoee that feel it knows, Zion, Zion. — Chom* 
 t. The Lord ia waiting to Teoeive, Zion, Zion, 
 
 If sinnen only would believe, Zion, Zion. — Chorus. 
 4» All thoM who walk in gospel shoes, Zion, Zion, 
 
 Thia faith in Christ thej'll never lose, Zion, Ia.<m.—Chani%, 
 
 \i 
 
THE BRIDGE OF SIGHS. 
 
 61 
 
 T«HOB. 
 
 HOOD 
 
 jSfe f ^ hi rF+P'^ i 'r c gicg r i r"g ^g^ 
 
 ( )iu» imiro un- for • tmiato Wonry of broiith, itiiHli-ly itii - |iur-tiinnti>, CJuiu' to hor 
 
 Al.T 1, 
 
 Onu mnro nil- for • tunat« Woary of breath, Kanh-ly iiii - pur-tuiiato, Uono to liu) 
 
 ROPAARO. 
 
 i}i '4' r I c hu^A^-^^^*]r^T^in^ ^ 
 
 One moro un- for - tunato Weary of bruath, linnh-ly iin - por-tunate, Goiio to her 
 Bam. 
 
 ^m 
 
 ^^ m~77\j^u jgi^Af^^^ ^ 
 
 yjn/. jj i / ^ 
 
 iJJij jj i jij-^ 
 
 death. Take hor up tcn-d«r-Iy, Lift her with care; Fashion'd bo Hlon-dor-ly, 
 
 jJi ' jJJ ' J^ J ' J -Lih^^^]=^^ 
 
 death. Take her up tea- dor -ly, Lift hor with care; Fashion'd bo slen-der-ly, 
 
 j'/Jdj , >j l J.J'JiJr J' l Jj I j rj l J.Jpl 
 
 death. Take her up ten-der-Iy, Lift hor with oare; Fashion'd so slen-dcr-ly, 
 
 g^^^^4^.-?^= : *^4=#. J J I J ^ "^'ir I J ; j' l J. J J ! 
 
 L f/j rf» i r^ i i'»^^'JiJ^' i ^'^c 
 
 ^ 
 
 Toung and on fair. Look at her garments, Clinging like ooremeDts^Whilst th« war* 
 
 f J J',J. l jM l '"J^ 
 
 ■ I JJ^ I J Jj l 
 
 Young and so fair. Lookathergarments,Clinginglikeoerement8,Whilat the wave 
 
 §*r J-J i J*"'"-' I II I i| 1 1 i|^ I |i I II 
 
 Toung and so fair. Look at her gaiments, Clinging like cerements, Wliilat the waye 
 
 C'e i j'' ii 'iir g g ill III till li itl 
 
•4 
 
 THE BRIDGE OF SIOHI. 
 
 i| 
 
 constant-ly Drips from bcr clothiug; Take her up in - Btantly, Loving not loathing 
 
 -&*: 
 
 ^ 
 
 jljjIj^&^.jJ I J-j j l JziH I 
 
 constant-ly Drips from hor clothing; Take her up in-stantly, Loving not loathing 
 
 fav^j \ ^-j-^i^ 
 
 ^rwTW^ 
 
 oonstant-ly Drips from hoi clothing; Take her up in - stantly, Loving not loathing 
 
 e^ii g-f fhr-J^^s^j'^if ^ ^\u'3r\i( gu^ii 
 
 fir-pp l J;>J l J Ii\lf^[^m-J>j\ 
 
 Touch her not scoumfuUy, Think of her moumful-Iy, Gent-ly and hu-man-ly; 
 
 ^'^••^^'^■^i 
 
 pjlj. >J | J JJ' l jJj l 
 
 Touch her not scoumfully, Think of her moumful-ly, Gent-ly and hu-man-ly; 
 
 ■ *^ H 
 
 ggig-r i r^ 
 
 «=a 
 
 m 
 
 r * 
 
 ^ 
 
 ^ 
 
 ^^ 
 
 Touch her not scoumfully, Think of her moumful-ly, Gent-ly and hu-man-ly; 
 
 g'-^N /■ > jTjr^j I r ^ cj P' g r I r j j i g' g f | 
 
 P 
 
 ad lib. 
 
 1 
 
 t« — K 
 
 g r i r c g ic's p 
 
 Not of the stains of her, All that re - siains of her, Now is pure wo- man-ly. 
 
 rt: 
 
 ^ 
 
 t5=^ 
 
 is 
 
 ^ 
 
 Not of the stains of her, All that re - mains of her, Now is pure wo- man-ly. 
 
 ^ ad lib. 
 
 fj jJUgTrJ jjUpriH? Ji^.JJ i i 
 
 NoA of the stains of her, All that re • mains of her, Now is pure wo- man-ly. 
 
 b'O J^iJJJi ^ ^r c' gr"' J-^ i />j i i 
 
THE BRIDGE OF SIGHS. 
 
 :* 
 
 TnEtiLB Solo. 
 
 a tnnpn. 
 
 rr~gTf^' ^^^T^ 
 
 f5=S: 
 
 01 
 
 m 
 
 fc-^rt 
 
 Loop up her tresscH, Eacapcd from thocomb, Ilcr fair aiibuni tressea, While 
 
 P 
 
 PF=rPF=g^^4^ = ^ 
 
 :g=:zmL-.z:^ 
 
 adm. 
 
 ^s 
 
 ^ 
 
 Tenor Hot.o. 
 
 j^r^^ 
 
 ^ 
 
 wonderment guossea 
 
 Where was her home? Who was her fa-tlier? 
 "^'*- a tempo. 
 
 -t r* — N: h J •' : 
 
 ^ 
 
 Who was her mother? Had sho a sis-ter? Or had she a brother? Or 
 
 m 
 
 ^^ 
 
 1 
 
 W=i 
 
 I 
 
 ^ 
 
 ##F3d 1 . 1 J'^Hj.JJ l-^^; l ja 
 
 was there a dear -er one Still, and a near- er one yet than all other? 
 
 m 
 
 ^H-^^jJi ' ^itiT^-Hj 
 
 "- - — 
 
 T. S. 6 "n. 
 
 
HI 
 
 ■fA ■ 
 
 ■I 
 
 66 
 
 THE BRIDGE OF SIGHS 
 
 f 
 
 : n g gr 
 
 ^ 
 
 A- li!s! for tlic rar-i-ty Of chriHtian char-i • ty Un - dor the mm; 
 
 P 
 
 at~."~y 
 
 J.iJ^lJ J>lJ.^MJ J J 
 
 A - las! for tlio rar-i-ty Of christian cliar-i - ty Uu - dor the Bun; 
 
 h Nr 
 
 i^ 
 
 N h 
 
 w 
 
 Jj^iJ r^"^ 
 
 A - las! for the rar-i-ty Of christian char-i - ty Un-der the sun; 
 
 f)j»J | J JJiJJJhiJ J J | Ji J J^Tf-p^f^ 
 
 Si <v1 
 
 ■1 
 
 P 
 
 '-J J Ji J J J I J. J J 
 
 ad lib. 
 
 ^ /^ 
 
 ^ r i ^ Jc 
 
 oil ! it was pit - i - f ul, Near a whole cit - y full, Home she had none. 
 
 f J J Jl J. J-^hhfr^ J J J. J J I J J J l J U 
 
 Oh ! it was pit • i - f ul, Near a M-hole cit - y full, Home she had none. 
 
 ad lib. ^ ^ 
 
 j'/ r c c I c e o^-g-r- UL-g-rTMcTry 
 
 Oh ! it was pit • i • fill, Near a whole c;it • y full, Home she had none. 
 
 i^*r c c I c g r I g' g r i ■''• "^ -^ i r r r ' ^ ^-^ 
 
 ere$. 
 
 P 
 
 J i J Jjij J/ I J J J^ip r-fir->J i J J''^ 
 
 The bleak winds of March Made her tremble and shiv-er, But not the dark arch Or the 
 
 jlj JJl/"JJ ljj~7tjJJlJ J^ 
 
 The bleak winds of March Made her tremble and shiv-er, But not the dark arch Or the 
 
 j;|j JJ i J JpiJLJJ iJj J i p - pr i f r'B 
 
 The bleak winds of March Made her tremble and shiv-er, But not the dark arch Or the 
 
 m^. \ r r- Ar r- A-^ -^ -i ig-C-F i Jjj|j ^ ^ 
 
THE BRIDGE OP SIOH& 
 
 RT 
 
 dt: 
 
 l IV ^-g i L' r ^ 
 
 black riowing riv - cr; MadfioiriliJc'a his- to - ry, Glad to death's mys-tcr . y, 
 
 S 
 
 F?r7. j>i-^-j jij-^j^ 
 
 black flowing riv -er; Mad from life's his - to - ry, Glad to death's myH-tor - y, 
 
 rj^j^r'^vi^=^A ^-^U^ ^M ^' J '^M 
 
 black flowing riv - er; Mad from life's his - to - ry, Glad to death's my^.tor - y. 
 
 w-j J-J|(; r^ir p nrg r^-j^zU- i ci z m 
 
 crei. 
 
 Swift to be hurl'd An - y - where, an - y - where out of the world. 
 
 ^ ' J J / I J " I J- J J I J. J J I J J jTj ^ 
 
 P 
 
 Swift to be hurl'd An - y - where, an - y - where out of the world. 
 
 era. 
 
 ^ 
 
 g -llC-^ J l J ^■J^ \ J »H 
 
 P 
 Swift to be hurl'd An - y - where, an - y - where out of the world. 
 
 ePTJ. J i f " i g'g ng-g Ji^ c'gN *i 
 
 Bass Solo. 
 
 m 
 
 v^^^ 
 
 ^ 
 
 Mr g'gir 
 
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 In she plung'd boldly, No mat-ter how cold- ly The rougi: riv- er ran ! 
 
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 THK BRIDOE OF SIOH3. 
 
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 O - vcr the brink of it, Pict-un! it, think of it, Dis-Ko-hito man. 
 
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 Lave in it, drink of it, 'I'lion if you can. Luvo in it, drink of it, 
 
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 Lave in it, drink of it. Then if you can. Lave in it, drink of it, 
 
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 Lave in it, drink of it. Then if you can. Lave in it, drink of it, 
 
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 Then if you can. Take her up ten - der - ly, Lift her with care, 
 
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 Then ;'" you can. Take her up ten- der -ly, Lift her with care, 
 
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 Then if you can. Take her up ten - der - ly. Lift her with care, 
 
 1 ^" r g g iJ " I J. ^ J I J. J g 
 
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THE BRIDGE OF KTOMft- 
 
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 61 
 
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 Faahion'd so slcn - dor- ly, Young and so fair. Own - in^ her weaknoBS, Ilor 
 
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 Fasbion'dso elen - dor- ly, Young and so fair, Own-ing her weakness, Ilor 
 
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 Fashion'dso slen-der-ly. Young and so fair, Own-ing her weakness, Her 
 
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 ad lib. 
 
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 e - vil be- haviour; And leav-ing with meekness, Ilor sins to her Sa - viour. 
 
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 e - vil be- haviour; And leaving with meekness, Her sins to her Sa • viour. 
 
 ad lib. -K -> 
 
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 e 'vil be- haviour; And leav-ing with meekness, Her sins to her Sa - viour. 
 
 3i=F 
 
 g r c i r c s\^'^ j l f fTT'^ ^ 
 
 FLAGG. 
 
 i4n({an(ino. 
 
 VON WEBER. By per. 
 
 s 
 
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 1. Praise the Lord, when blushing morning Wakes the blos-soms fresh with dew, 
 
 2. Praise the Lord, when ear - ly breezes Come bo f ra - grant from the flow'rs, 
 
 3. Praise the Lord, and may his blessing Guide us in the way of truth, 
 
 Praise him when re - vived ere a - tion Beams with beau - ties fair and new. 
 Praise, thou Mril - low, by the b.ookside, Praise, ye birds, a-mongthebow'ra. 
 Keep our feet fron paths of er - ror, Make us ho - ly in our youths 
 
s 
 
 ;5i 
 
 w 
 
 BENJAMIN. 
 
 RUSSEU* 
 
 THE OLD SEXTON. 
 
 1. Nigh to ii grave that wiiH iii'W - ly made Loan'd a box • ton old on his 
 
 2. I gath - or thorn in, for man and hoy, Yoar af - tor yoar of 
 3.1 gath- or them in, andthoirfl - nal rost Is horo, down horo in tho 
 
 gggzppga ,jpy^p^ 
 
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 =5= 
 
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 m 
 
 earth worn apade ; His work was done and ho paused to wait. The 
 grief and joy ; I've bnihl - ed the houses that lie a - round In 
 
 ear.h.s dark broast ; And the sex- ton ceas'dfor tho fun - *ral train "Wound 
 
 u=.sy^ 
 
 ^*±5 
 
 ^^ 
 
 fun' - ral train through the o 
 
 ev - 'ry nook of this bu 
 
 mute - ly o'er that sol 
 
 pen gate; A rel-ic of by - gone 
 
 rial ground; Mother and daugh-ter, 
 
 emn plain; And I said to my heart, 
 
 ^ 
 
 1=1 
 
 ^ 
 
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 rr f 
 
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 days was he, And his locks were white as the foam - y sea ; And 
 father and son, Come to my sol - i-tude, one by one; But 
 
 when time is told, A mightier voice than that sex • ton's old; Will 
 
his 
 tho 
 
 THE OLD SEXTON, 
 
 n 
 
 ^^^^ 
 
 e =r-^^^i^-g^^^^g"^ 
 
 in, i 
 
 thoao wonh camo from the lips ho thin: I pather thom in, 
 
 (•(»mo thoy Htran - fjoi-n or conic they kin, I gather tlicm in, I 
 
 HOund o'er the last trump's dreadful din, I j^ather them in, I 
 
 1 
 
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 gather them in, gather, 
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 gather, 
 
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 gather, 
 
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 gather ther. in. 
 
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 THE OWL. 
 
 CORNWALL, 
 
 THOMAS, nrrt 
 
 P^^ 
 
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 1. In the hoi • low tree, in tho 
 
 2. And the owl bath a bride who in 
 
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 old grcv tow'r, Tho spoo-tral owl doth dwell, Dull, ha-ted, doHpis'd in tho 
 fond and bold, And loveththu woods deep gloom, AudwitheyoHlikotheDbinoof the 
 
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 sun • 8hin« hour. Bat at dusk hc*a a-bro&d and well. Not a 
 
 moon-etone cold, She a- wait - €th hcrgbaat - !y groom I Not a 
 
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 bii'd of tho for -est ere mates with him. All mock him outright by day, 
 feather she mo vc8, not a car - ol she sings, As she waits in her tree so still, 
 
 But at 
 But 
 
 j;,^,';'M,j/,M;^nj^ip, , 
 
 P'^, ^ J f^ i J "I ^ i J r r r i J^^ -J 
 
THE OWL. 
 
 78 
 
 ifll^^''g^ |JJ | I J ^;cir J'jJ.^^ 
 
 night when the woodn grow Rtill and dim, Tho bold • OHt will shrink n - way. Oht 
 when her heart hear- eth his flap-ping winga, She hoots out her wol-como shrill. Ohi 
 
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 when the night falls and roosts the fowl, Then, then is thoroign of thohom>cd owll 
 when the moon shines, and dogs do howl, Then, then is the joy of thohom-cd owll 
 
 jjJi c ggc c r "^ i r r '"J''^^ 
 
 Then, then, then, then is the reign of the homed owl I Then, then, then, then is the 
 
 Then, then, then, then is the joy of the homed owl I Then, then, then, then is the 
 
 P 
 
 J .K^ J J F 
 
 reign of the hom- cd owL 
 joy of the hom-ed owL 
 
Ifl 
 
 I i. 
 
 I 
 
 74 
 
 THE UWU 
 
 i^ i r J J J J'Jij J j^'j i j ^J J i j>^*'J. jq 
 
 Monrnnnt forthuowl, nor hiit gloomy plight, Tlio owl hath liiHsliaro of good; If ii 
 
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 prisoner ho bo in tho broad day-light, IIu is lord of the dark greenwood. Nor 
 
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 lono - ly the bird, uor his ghast- ly mate, They're each unto each a pride, Thrioe 
 
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 f on - der, perhaps since a strange dark fate Hath rent them from all be- side. So 
 
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THE OWL. 
 
 7« 
 
 TJ-JZ3 i"?=?'-^^^^^.^^;=j g^"jy 
 
 whonthoiiiglil falls ft'i'l 'loff" ^^^ liowl, Sing lio I fortlicroign of tlioliorn - od owl! 
 
 
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 )Vo know nut nl-wayswhuaro kingnby dny, lint tliu kingof I liu niglit Ih tliu Itold brow 
 
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 Owl! Yos, tho king of tlic niglit is the bold brown owll 
 
 fl^=* 
 
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 :it 3: 
 
 I'M GOING TO LIVE WITH JESUS. 
 
 m 
 
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 1. I'm going to live with Jo - KU8, A Koldier of the Ju-bi-lee, I'm going to livo with 
 
 2. I've started out for heav-en, A Holdicr of the Ju - bi-lee, I've started out lor 
 
 3. I know I love my Je - bus, A soldier of the Ju - bi-lee, I know J lovo my 
 
 1 ^^^ 
 
 ^ 
 
 I 
 
 w — w 
 
 Je - BUS, A sol-dier of the cross. Oh I when you get there re -member mc, A 
 hcav-en, A sol-dier of the cross. 
 Jo - BUS, A sol- dier of the cross. 
 
 ^ 
 
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 soldier of the Ju-bilee,Ohl when you get there remember me, A soldier of the cross. 
 
i' 
 
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 ifi '.I 
 
 
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 I HEARD THE WEE BIRD SINGING. 
 
 UMLBY 
 
 r^e 
 
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 1. I hoard » wee bird Ringing, In my chiini-ht'r ah I lay, The 
 
 2. He heard the wee bird Hinging, For itH not i'h wore wond'rouH clonr. As if 
 9. We heard the wee bird singing, Aft - vr nmn • y years had tlown, The 
 
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 oaac • mento • pen Hwinging, As mom-ing woke tlio day, And the 
 
 wed • ding bells are ringing. Mo . lu-dious to the oar, And 
 
 true bells had boon ringing, And Wil-lie was my own, Oft 
 
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 a t0mpo. 
 
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 boughs a - round were twin- ing, The bright sun thro' thorn shin - ing. And 
 still it rang tliat wee bird's song, Just like the bells, ding dong, ding dong, While 
 strol - ling thro' the for - ( st glade, I mind him what tho wee bird said That 
 
 1 
 
 jF-OT-fElB^'J^ i OTOJ 
 
 s 
 
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 U a tempo. 
 
t HKARD THE WCE BIRO .SINOIN» 
 
 71 
 
 I lm<l lonj? hiMMi pin • inj;, Formy Wll -lit', far n • way; 
 licnrt lii'jtt tiiiit> NO i|iii(<kniiil !4triin)( I felt thiit h« waH near; 
 morn whoii Ik* ho Ioniser NtrH)f><l, hut tU>w to nu> a • loiiv; 
 
 Wlu-n 1 
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 Oh I we 
 
 a trmpo. 
 
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 hoiinl thftt w»'»'hinl Hiiigiiif^, Whi-it I hcnnl that wee l>ir(l Rinp^-in^, That 
 
 licnnl thfttWiM' hird Hin^iii)^, All! lu> licanl ihiit wt'u hird Hiii^-iii^, That 
 
 lovn tho wi'o hinl Hini^iiij^, Oil! wo lovi- llio wi'v bird MJiij^-iiif^, That 
 
 1^: 
 
 pin lento. 
 
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 m 
 
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 \v«'0 bird, that woo bird, When I heard that wta* bird singing, 
 wee bird, that woo bird, Ah! he heard that woo bird singing, 
 woo bird, that wee bird, Oh! wo love the woo bird singing. 
 
 piu lento 
 
 » n h ^^ =^^^^^=^ ^ ^"1*"'' IB 
 
 RESPONSE. 
 
 M. 
 
 TJ^T TTI 
 
 zs 
 
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 While pray'f ul sacri - fice we bring, 
 
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 Let our faith the oflf 'rings wing, A - men ! 
 
. . 
 
 ^ 
 
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 Afoderaio. 
 
 EE 
 
 »> . 
 
 MRS. LOFTY AND i. 
 
 HUTCHINSO.N. By pet, 
 
 rrrrn 
 
 ^m 
 
 1. Mrs. Lof - ty keeps a oar-ringe, So do 
 
 2. MorHiic hu8-band has white fin- gern, Mine lias 
 
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 I ; Shti has dap - pie grays to draw it, None liave I ; She's no prouder with her 
 
 not; Hecould givehis bride a pal • ace,Mine a cot; Iler'scomeshon.ebeneath the 
 
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 § 
 
 coachman, Than am I With my bine-eyed laughing ba ' by, Trundling by ; 
 starlight, Ne'ercareashe : Mine cornea in tiic )ur - plo twilight, — Kisses rae, 
 
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 And 
 
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 irras 
 
 hide 
 prays 
 
 is fa-;-, 'est she should seo the cher-rub boy, And en - vy me. 
 ip.t lie who turns life's sands, Will hold his lov denes in his hanc^s. 
 
 ^iiiilSf-j i J ^i^^-. 
 
 ♦#* 
 
 ^g^tic:^ 
 
 F r ' r " f^-^rp^^ 
 
MRS, LOFTY AND 1. 
 
 79 
 
 ^■^hrf^tf 
 
 rrrnr 
 
 la. 
 
 3. Mrs. Lof - ty has hor jow-els, So Imvo I; She wears hers up • on her 
 
 4. She has those that lovo her 8ta-tion,NoiiohavoI; But I'vu one true heart b<^- 
 
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 bo - Bom, In • side I; 
 side me, Glad am I; 
 
 She will leave her's at death's poi - tals, IJy and 
 I'd not change it for a king-doiu, No. noJ 
 
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 by; I shall bear the treasure with me, When I die; 
 
 I; God will weigh it in his bal - ance, By and by ; 
 
 For 
 And 
 
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 I liuvo love, and siie has gold; She counts her wealth, mine can't betold. 
 
 then the dif-f rence 'twill de-fine, 'Twixt Mrs. Lof-ty's wealth and mine. 
 
 $ 
 
 
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 -*-*- 
 
 BUS- (= 
 
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I 
 
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 •0 
 
 ROBIN RED-BREAST. 
 
 HUBBARD. By per. 
 
 I 
 
 ^^ I - | . ^-JUftijLjJ^cy ^ ^^ 
 
 1. Good-byo, good-bye to Bum-mer, For 
 
 2. Bright yellow, red and or • ange, The 
 
 3. The fire -side for the crick -et, The 
 
 sumiuor's near- ly done. Tiie gar-den smiling faint - ly, Coc 
 
 ^^ 
 
 ^—^ 
 
 % 
 
 Cool breezes in the 
 leaves come down in hosts, The trees are In- dian Prin - ces, But soon they'll turn to 
 wheat-stack, for the mouse, When trembling night-winds whistle And moan all round the 
 
 ^^ 
 
 ^-ur^i!^ ^^^^^^ 
 
 Btt 
 
 ^ 
 
 ^ ■ 
 
 ^ 
 
 ^ 
 
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 ^^ 
 
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 £ 
 
 :it-r5cr 
 
 Him; 
 ghosts, 
 house ; 
 
 Tl.e thrushes now arc si - - lent, Our swallows tlown away, But 
 
 The leathery pears and ap - pies Hang russet on the bough. It's 
 
 Thefros-ty w.ayslike i • ron. The branches pluin'd with snow, A- 
 
 
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 yt 
 
 iW 
 
 5^ 
 
 ^mm 
 
 f^: J ■^l^=^rTh^-?=^3^-^ =^=^ 
 
 Rob - in's here in coat of brown, And scar- let breaat-knot gay. 
 
 A'j-tumn, An - tumn, Au-tumnlate,,'Twill soon be win - ter now. 
 
 las ! in win - ter dead and dark Where can poor rob - in go ? 
 
 H^4^^^^^^^= ^^^ 
 
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liutODi 
 
 ROblN RED- BREAST. 
 
 ^^^ 
 
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 81 
 
 ^ 
 
 itaA 
 
 Rob -in, Rob •in Red - breast, 
 Rob -in, Rob -in Red - breast, 
 Rob -in, Rob. in Red • breast, 
 
 O Rol) - in dear, The 
 
 () Rob • in dear, And 
 
 O Rob • in dear, A 
 
 fert--j^x:^=i=p 
 
 sk±=i± 
 
 P Blue, 
 
 ^^ 
 
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 Rob - in Slugs so sweet - ly In the fall - ing of the year, 
 
 what Avill this poor Robin do? For pinching days are near, 
 
 crumb of bread for Rob - in. His lit - tie heart to cheer. 
 
 A 
 
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 li^EE 
 
 
 i 
 
 Rob - in sings sosweet-Iy 
 what will this poor Rob - in 
 crnmb of bread for Rob 
 
 In 
 
 do? 
 
 in. 
 
 F^TTlh ; - f 
 
 the fall - ing of the year. 
 For pinch - ing days are near. 
 His lit - tie heart to cheer. 
 
 raU. 
 
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 1 
 
 
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 THE MINIATURE. 
 
 MORRIS. 
 AndaiUf, 
 
 KNIOHT. 
 
 & 
 
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 William was holding in liix 
 
 ^ 
 
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 Fresh, as if touch'd by fai - ry 
 
 hand 
 
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 The like - ness of his wife, 
 
 ^ 
 
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 wand, With beauty, grace and lifo. 
 
 He almost thought it spoke: Pie 
 
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 gaz'd up -on the treasure Htill, 
 
 Absorb'd, delighted and a 
 
i i 
 
 THE MINIATURE. 
 
 83 
 
 ?=r 
 
 ^ 
 
 ^ 
 
 maz'd, To view the ar - list's Hkill. 
 
 jl^ c g c c l f'£L-i4i^^j^ 
 
 ^jp=^ 
 
 " Thia picture is yourself, dear Jano, 'Tis drawn to na - ture true. I've 
 
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 fc=5: 
 
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 221 
 
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 kiss'd it o'er and o'er a - gain, It i.s so much like yotu" "And 
 
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 has it kiss'd you back, my dear ?" "Why no, my love," said ho. 
 
 "Tho» 
 
 ^ 
 
 12 
 
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 £ 
 
 / 
 
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 THE MINIATUM. 
 
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 ^1 
 
 William it is vor-y clear, 'Tisuot at all like me!" 
 
 u 
 
 I 
 
 GOOD OLD CHARIOT. 
 
 Chnru*. pp 
 
 ^e 
 
 Swing low, swi'ot chari - ot, Swing low, Hweot chari - ot, Swing low, sweet char-i - ot, 
 
 ^m 
 
 ¥--it 
 
 \nt Unit: ^ rit. 2wl time. 7 Fine. | 
 
 Don't yoii leave me behind, Oh, 
 
 Don't you leave me behind. 
 
 1»=P= 
 
 ^ 
 
 I 
 
 f 
 
 r^. ,rrT T 
 
 f t z g- i 
 
 e: 
 
 ^ ^^=W^ '"^ ^■' ^ ^' M i' ^ 
 
 1. Good old char - iot, swing so low, Good old char -lot, swing so low, 
 
 2. Good old char - iot, take us all home. Good old char -lot, take us all home. 
 
 K 1 F F=^ 
 
 1t==t 
 
 m 
 
 m^ 
 
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 Good old char - iot, swing so low. Don't you leave me behind. Oh, 
 Good old char - iot, take us all home, Don't you leave me behind. Oh, 
 
' I il 
 
 (|ei(l|ter Herlust.) 
 
 IBIZ MUTSB-BELMUITS, Op. 5, ITo. L 
 
 P Allegretto tchenando. 
 
 V /tuegreiio icncrzanao. m^mm ^ ^ 
 
 A - las! A - las! I've lost my heart To a lit • tic maid's blue 
 fch Aab mein Hen vtr • to • ren an ein Hon • des MSg - de • 
 
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 eyes; My heart is young, and she so fair, How could it be oth • er • 
 
 inn, mein Hen itt jung, nV ist so lieb, viie ionnt' es auch an • den 
 
 mf IVith humor. 
 
 
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 Ah ! yes, and I lost my cap to - day, 
 Ich hab' meinen Hut vet • lo • ren, 
 
 wise? 
 sein. 
 
 
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 THE DOUBLE LOSB. 
 
 'Way by 8)K>rtive breeze In - to the ve • ry gar- den Whore sliciiaced'ncath the 
 /t>rt trug ihn mir dtr Wind, tr wfAf' ikn in dtn Ga r •_ tf n $u metHtm hoi den 
 
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 with (omie fervor. 
 
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 Oh! give mc back, my dar • ling, 
 «' Gieb mir sti ■ rlick, met Lieb • then. 
 
 Give me back my cap! My heart is thine nl - rea • dy, I^stl 
 
 gieb mir zu - riick den I/ut, mein Jiert kannst du he - fial • ten, es 
 
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 lost thro' my mis • hap! 
 ist dir gar zu gut." 
 
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 THE SWORD OF BUNKER HILL. 
 
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 WALLACE. 
 AlUyretto. 
 
 COVERT. By pet. 
 
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 1. Ho lay up - on his dy - inc bed, His eye 
 
 8."*Twa8onthatdroad, im-mor-tal day, I dar'd 
 
 was growing 
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 dim, When with a fco - bio voice he call'd His weeping son to 
 
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 ''Weep not, my boy!" thovot'ran Baid, 
 And while the glo • rious battle raged, It light • oncd freedom's 
 
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 I bow to Ileav'n's high 
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 will. But quickly from yon antlers bring, The sword of Bunker 
 
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 Hill, But quioklj from yon antlora bring, The aword of Bunkor Hill. 
 Hill, For boy the Gk>d of freedom blett, The aword c' Bunkor Hill. 
 
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 2. The iword was brouffht, the soldier's oyo Lit with a sud-don 
 
 4. "O, keep the sword!" his accent broke, A smile, and he wan 
 
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 flame; And as he g^rasp'd the ancient blade. He murmur'd War - ren's 
 
 dead, But his wrinkled hand still grasp'd the blade, Up -on that dy - ing 
 
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 name, 
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 Then said: "My boy, I le.avc you gold. But what is rich-er 
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THK HWOKD or BUNKKI\ HILL. 
 
 89 
 
 #=F— "gl rj- 3g-^= ?^^ N£ ^^^-g^ ^ 
 
 ■till, 
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 I leave you, mark inu niiirk inc now, Tho Hwoni of Blinker 
 And twunty mill • ioiiH bli'Hx thu Hire, And sword of liiinkrr 
 
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 Hill; I leave you, mark mo,mark me now, The nword of Hunker Ilill. 
 Hill; And twenty mill - ions, bloHs the Mire, And Hword of liunker Hill. 
 
 ITALIAN. 
 
 AlUgretlo. 
 
 aiARDINI. Byp«i. 
 
 ^P^^^^^^i 
 
 1. Come, thou Al- might - y Kiiiu;, Help uh thy name tu sin^; Help us to praise! 
 
 2. Come,thou all - gra - cious Lord 1 liy iieaven and earth adored; Our pray'r attend ! 
 
 3. Nev - er from uh " 
 
 dejjurt, Rule thou in ev 
 
 A 
 
 ry heart ; Hence, evermore I 
 
 Uniaun. 
 
 te^J i J l J. Jj l U J ^.1. Jjiij .1 j \ iii\ \ ^^ 
 
 Father all glo - ri - ous, O'er all victorious, Come and reign over us, Ancient of days. 
 Come, and thy children blesSjGive thy good word 8ucce88,Make thine own holines8,On us 
 
 [descend 
 Thy sovereign majesty, May we in glo - ry see, And to e - ter - ni - ty Love and adore. 
 

 IMAGE EVALUATION 
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 THE FRIAR OF THE OLDEN TIME. 
 
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 Allegro Spiriioto. 
 
 RUSSELL. 
 
 5 
 
 •X IX - 
 
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 1. I am a fri - ar of 
 
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 or - ders grey, And down in the rallies I take my way, I pull not black-berry, 
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 haw or hip. Good store of ven'son does fill my scrip. My long bead roll, as I 
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 ' mer-ri-ly chant, Where-ever I walk, no money I want, Where-ever I walk, no 
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 THE KRIAR OF THE OLDEN TIME. 
 
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 money I want, 
 lined with -in. 
 
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 And why I'm so plump the 
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 rea-son Pll tell. Who leads a gocu life is sure to live well; "What 
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 bar- on or squire, or knight of the shire Lives half so well as a ho - ly friar. 
 
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 so well, half so well, as a ho - ly 
 
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 THE FRIAR OK THE OLQEN TIME, 
 
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WHAT WILL YOU DO, LOVE? 
 
 i)9 
 
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 LOVE. 
 
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 "What will you do, love, when I am go - ing,With white sailttowing, The seas bo- 
 
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 fond ?"Tho' waves divide us and friends be chiding, In faith a - bid-ing I'll still be 
 
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 true, And I'll pray for thee on the stormy o-ceau. In deep devo- tion,That'8 what I'll do." 
 
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 WHAT WILL YOU DO. LOVE? 
 
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 What Mould you 'lo, love, if diH-tant tld - ings Thy fond con-fid -ings Should un-dci 
 
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 Lady. Appaslonata. 
 
 
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 thine!" Oh,nameit not! tho' guilt and Bhame Were on thy name I'd still be 
 
 
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 true. But that heart of thine should another share it, I could not bear it. What would I do? 
 
 
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WHAT WILL YOU DO, I.OVI f 
 
 Obht. 
 
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 What wonlfl you do, lovojwhcn home rt'turiiing,"\Vitbho))08 high hurniiifjAVlth wealth f 01" 
 
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 do? So thou v/ert fipared, I'd bless the morrow, InwantandsorroWjThatleftmo 
 
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 youl And I'd welcome thee from the wasting billoWjThis heart thy pillow,That's what I'd do ! 
 
 
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 THE BASKET-MAKER'S CHILD. 
 
 THOMPSON. 
 
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 1. Whoro tho green willows sway'd by the 
 
 2. Oh, weep not for mo she 
 
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 bo • side tho 
 
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 brook, And the sweet waters danced and smiled, In a cot • tage ncstTod in a 
 said, Tho' the death damp has dimm'd my eye. My Sa-viour'shand is bc- 
 
 brook, Where the sweet waters flow as mild, Andoarre on the tree whore I 
 
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 qui - et nook, Dwelt the bas • ket-mak • er's child, 
 neath my head, I do not fear to die. 
 
 nsed to piay> '-^be bas - ket-mak - er's child. 
 
 ff 
 
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 ho-ly sab • bath eve, The stars twinkled bright in the sky, The 
 
 go to my hap- py home, Mv earth work is al • most done, And I 
 
 green willows wave by the brook, And the sweet waters played and smiled. We have 
 
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THS BASKET MAKER'S CHILD. 
 
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 | ^!4Ji3;4!l^^i!U_ ^.=^ 
 
 hills re - eoh • oed the night bird's BongfWhenthe^ told mo she must die. 
 hear my bloss - od Saviour's worda," Let lit • tlo chil-dren come." 
 laid her to rest and oarv'd en the oak The has • kot mak • er's child. 
 
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 The green willows wav'd by the brook, The stars glitter'd bright in the sky, The 
 
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 wind's low moan the dry leaves On that stilly night by that mur- When they told me she must 
 
 [shook, [m'ring brook, [die. 
 
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 wind'slowmoanthedryleavesOnthatBtillynightby thatmur- Whenthey toldme shemust 
 
 [shook, [m'ringbrook, [die. 
 
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 PULLING HARD AGAINST THE STREAM. 
 
 CLIFTON. 
 
 HOBSON. 
 
 ,1 , »!r. . I <• 
 
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 1. In the world I've gain'd niv knowledge, Anil for it have had to ])ay, 
 
 2. Miiny a l)rigl:tgt>odl>eart-o(I fel - h»w, Many a no-ble minded man, 
 ;», If tlio wind in in yonr fa - vor. And you've woather'd ev - 'ry flonall, 
 4. Don t give way to fool - ish sor - row, Let this keep you in good elieer- 
 
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 Tliough I nev - er went to 
 Finds him -self in wa - ter 
 Think of thoso who luck- less 
 Bright- cr days may come to - 
 
 col - lege. Yet I've heard that po 
 shal - low. Then as - sist him if 
 
 ets say 
 you can. 
 la- bor, Nev - er get fair wind at all. 
 mor- row, If you try and per - so - vero, 
 
 Life is like 
 Some sue - ceed 
 Work-ing hard, con-tent - e^ 
 
 a might- y riv - cr, Roll - ing on from day to day, 
 
 at ev - 'ry turn - ing. For - tune fa - vors ev - 'ry schemo, 
 
 a, will - ing. Struggling thro' lifes o - cean wide, 
 
 Dark- est nights will have a morn - ing, Tho' the sky be o-ver-cast; 
 
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 Men are vessels launch 'dup-on it. Some times wreck'd and cast away. So then 
 
 Oth-ers too tho' more de- serv- ing. Have to pull a-gainst the stream. So then 
 
 Not a friend and not a shil-ling. Pull- ing nard a-gainst the tide. So then 
 
 Longest lanes must have a turn- ing. And the tide will turn at last. So then 
 
PULLING HARD AGAINST THE STREAM. 
 
 9i 
 
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 Do your btitit for oiio an - otii - c>r, Mak - iiig lifu a pli'aH-aiit droatn, 
 
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 Help a worn ami wea-ry broth-cr, PuU-ing hard a- gainst the utroain. 
 
 PETITION. 
 
 Andante. 
 
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 FROM ROSSINI. By 
 
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 1. My God, my prayer at 
 
 2. O, guard my soul a 
 
 3. Thy mer - cy I 
 
 en - 
 
 tend; O, bow thine ear to me, 
 round: Which lovea and trusts thy grace; 
 treat; Let mer - cy hear my criev. 
 
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 "With -out a hope, without a friend, With -out a help but thee. 
 Nor let the powers of hell con • found The hopes on thee I plaoe. 
 While hum - bly wait-ing at thy seat, My dai - ly pray'rs a - nae. 
 
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 MATRIMONIAL SWEETS. 
 
 Hi. _ 
 
 FREEMAN 
 
 !i 
 
 I. Duci'UHu ytdirclack, nndiu)!)! vuurtoiiguu, Yournl-wnyitU>azinf<, Nqiiallin^, lmwliI)^, 
 'i. You know yuii'ri! Ill- wayH gacl-dinga - bunt, Diino-iii^, walk-in^, chat-ting, tnlkin^, 
 H. You'll own yourti'm- por w vor-y bad, Luol.s ho tlout - ing, al-wayH pouting. 
 
 ^^^^ 
 
 ^^ 
 
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 8nEj ^ _ ^ He. 
 
 You'ro always quarrt'll-ing all day long, And ug - ly names aro call - ing. Yot» 
 
 You knitw frommorn 'till night you're out With oth • or la- dies walk-ing.You 
 
 YourH is e-nough to drive one nmd, Sum - ])i - ciouH, jeal- ouh, doubting. You 
 
 I 
 
 *: 
 
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 She. 
 
 ^ 
 
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 know you ne'er c.in be atpeace. Now i)ray do let your passion cease. You're 
 know you're always af-ter feliowB. 'Tis only you're so ver - y jealous. You'll 
 know mypas-sion don't re-niain, liut soon as off, bo - gins a -gain. Oh, 
 
 nev • er qui- et. I de - ny it. IVlad - am you'll my rage increase. 
 
 own you do it. You shall ruo it. We're a happy pair so peo - plo say. 
 
 how vex - ing! How ]ier-i)U'\ini,'! You'll put me in a rage a • Min. 
 
MATRIMONIAL tWEETB 
 
 101 
 
 |Ljir c : s ^^T c ^ ^^ - 
 
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 <)li,«U;ar! uhfduar I'tiHthfplaguoof my lifoThatuV'ur I bc>-eame yuurwif(.>,()li, 
 IIh. 
 
 ^j'j i f C'r^ T^-^=^ 
 
 Oh, (learl oh, doarl 'tis tin* plaguu of my life Tliat ov • or you boeumu my wif«', ( )li, 
 
 dear! oh, dear I 'tis the plaguo of my life That ever I became your wife. 
 
 P g ^ p glJ^TTp l f ^-^ JTJ^ J"!-^;^— ^ 
 
 dear! oh,dcar ! 'tis the plague of my life That ever you became my wife. 
 
 f f e i^ \ S^ J gif ff Jij^^ij^-Dju^ ii i 
 
 €^'^ CP 
 
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 grgf^cjiii 
 
 Hb. Madam, we had better part, Than by livina; conutant din in. 
 
 She. Oh, I'll agree, with all mv heart; T^et'e be tne task beginning. 
 
 Hk. I hereby Did a last adieu! 
 
 She. And I now take a final view! 
 
 Hb. North! 
 
 Sub. South! 
 
 Hb. East! 
 
 Shb. West! 
 
 He. Take which comer you like best. 
 
 Both \ ^'^' ^^*'"' *'^» ^l^**"' ^ "o* ^^r life Am rid of my toiinenting wife. 
 ' ( Oh, dear! oh, dear! I now for life Forsake the office of a wite. 
 
 Well then, madam, as you are determined to go, good bye! Good bye, sir! YoalJ 
 recollect, madam, 'tis all your own fault. I beg your pardon, sir, 'tis all your own fault. 
 I say 'tis yours, sir. Zounds, madam, I say 'tis yours. You know I never was in a passion. 
 
 Hb. 
 Shb. 
 
 He. 
 Shb. 
 
 Hb. 
 She. 
 
 Hb. 
 
 Both. I 
 
 My dearest love dont leave me bo; Without measure you're my pleasure. 
 
 You know my love I could not go. For you're my darling treasure. 
 
 Then for the future let's agree 
 
 And live in sweetest harmony. 
 
 Nor let to-morrow 
 
 Bring forth sorrow , , 
 
 To crush our sweet felicity. 
 
 Oh, dear! oh, dear! 'tis the joy of my life That ever I became your wife. 
 
 Oh, dear! oh, dear! 'tis the joy of my life That ever you became my wif* 
 
 i\ 
 
 
102 
 
 ROBIN RUFF. 
 
 RUSSELL. 
 
 If I had but a thousand a year, Gaffer Green, If I had but a thousan.l a 
 
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 year, 
 
 \\niat a man would I be, and Avhat sights would I see. If I 
 
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 had but a thousand a year, Gaffor Green, If I had but a thousand a year. 
 
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 The bMt wish Toa could have, take my word, 
 
 [Robin Ruff, 
 Would scarce find you in bread or in beer; 
 But be honest and time, and say what would 
 
 [you do 
 If you had but a thousand a year, Robin 
 If you had but a thousand a year ? [Ruff? 
 
 3. 
 I'd do, I scarcely know what, Gaffer Green, 
 I'd go, faith I hardly know where, 
 Pd scatter the chink and leave others to 
 
 [think. 
 If I had but a thousand a year, Gaffer Green ? 
 If I had but a thousand a year ? 
 
 4. 
 But when yon are aged and grey, Robin Ruff, 
 And the day of your death it draws near, 
 8«' what with your pains would you do with 
 
 [your gains. 
 
 If you then had a thousand a year,Robin Ruff? 
 If you then had a thousand a year? 
 
 5. 
 I scarcely can tell what yon mean, Oaffer 
 
 [Green, 
 For your questions are always so qneer ; 
 But as other folks die, I suppose so must I,— 
 What, and giye up your thousand a year. 
 
 [Robin Buffi 
 And giye np your thousand a year ? 
 
 6. 
 There's a place that is better than this, 
 
 [Robin Ru£^ 
 And I hope in my heart you'll go there, 
 Where the poor man's as great though h« 
 
 [hath no estate, 
 Aye, as if he'd a thousand a year, Robin 
 Aye, as if he'd a thousand a year ? [ Ruff f 
 
A SUMMER SHOWER. 
 
 :fc^ 
 
 108 
 
 MARZIALS. 
 
 C^fc 
 
 ^^^^^m^^^ -^^ ^^j;^^^^ ^^ 
 
 1. "Oh 'tis iiotli-injf but a nho\v'i', but a (juartor of an hour, Don't you 
 
 2. Now that lit- tlo suiuuier Hhow'r, niUMt have last- cd quito an liour, Ah I'ie 
 
 3. Now that lit- tie summer show'r, must have ceasM for quite an hour, As I've 
 
 I 
 
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 in 
 
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 think you'd better shel-ter by the chestnut tree,For the wind is blowing 8weet,and you've 
 heard a show-er can do in theNorthCountree,And she'd got a pret-ty shoe, she 
 heard a show-er can do in theNorthCountree, But if you're in the 8hade,with a 
 
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 dai-sies for your feet,And should you care to dance I can pipe,"said he, She was 
 lik'd to shew it too,But she could not dance for ev - cr, tho' light was she, So she 
 ver - y pret-ty maid. It cannot matter much what the weather may be ; And he 
 
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 2nd and 3rd verse. 
 
 
 Ca==P 
 
 S^^^ppl^^tei 
 
 go- ing to the to>vn in a fresh print gown, And n. dain-ty col- or flies 
 
 sat her down to rest,and the rose from her breast Sl»c gave it him so pret 
 
 must have said his 8ay,f or in his her fingers lay, As he took a thread of meadow 
 
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 the 
 ti-ly,and 
 grass and 
 
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 Fl>7 ftre Aral measiires fer Introduction. 
 
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 A SUMMER SHOWER. 
 
 meaiur 
 
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 dain-t i - er it be.And the pipers eyos are blue,and ho looks her thro'and thro' And the 
 ohiHO fair was 8ho,That the piper bhish'd and sigh'd,and he stutter'd when he triedTo say 
 jaiur'd for the ring, And she look'd him thro'anu thro'while he vow'd he'd lov'd her true 
 
 [Since the 
 
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 parson's piping bullfinch cannot jnpe as sweet and true, And thoro's not a bird in June knows 
 
 something about ro8es,and I don't know what beside.For she toss'd her dainty head,and 
 
 day he shar'd her book at ch urch and heard her sweetly sing, And not any one that June,sang 
 
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 such a mor- ry tunCjAs "Mer- ry mer-ry, mer-ry, in theNorthCountree,With a 
 Btart-ed up and said, "Mer- ry, mer-ry, mer-ry, in theNorthCountree,But it's 
 such a mer- ry tun* ,A9 "Mer- ry, mcr-ry, mer-ry, in theNorthCouniree,With a- 
 
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 f 1 and 2 verses. 
 
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 hey, my lad, and a play, my lad, And mer- ri - ly I'll dance to thee 1" 
 nay, iny lad, and its play, my lad, And mer- ri - ly I'll dance to thee !" 
 v.'ay, my lad, and a- , • . ; 
 
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 A SUMMER SHOWER. 
 
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 St;-, my lad, Andl'll live and I'll die for theo,f or thee,!'!! live and I'll die for thee." 
 
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 lolla voce. 
 
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 SAFE WITHIN THE VAIL. 
 
 EVANS. By par. 
 
 1. "Land a - head !" Its fruits are wav-ing O er the hills of fade-less ereen ; 
 
 2. Onward, bark ! the cape I'm rounding^ See the bless - ed wave their hands ; 
 
 3. There,let go the an-chor, rid-ing On this calm and silv-'ry bay ; 
 
 4. Now we're safe from all temp- ta- tion, All the storms of life are past ; 
 
 ^ 
 
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 And the liv - ing wa- ters lav- ing Shores wher^ hcav'nly forms are seen. 
 Hear the harps of God re-sonnding From the bright im- mor- tal bands. 
 
 Sea-ward fast the tide is glid- ing,Shores in sun - light stretch a - way. 
 Praise the Rock of our Sal- va-tion, We are safe at home at last ! 
 
 am safe with-in the vail ! 
 
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 106 
 
 REV. J. KEBLE. 1827. 
 Beverentlg. 
 
 SUN OF MY SOUL. 
 
 W. H. MONK. 
 
 1 Sun of my soul, Thou Sav - iour dear, It is not night if Thou be near; 
 
 2 When the soft dews of kind - ]y sleep My wea- ry eye - lids gen - tly steep, 
 
 3 A -bide with me from morn till eve, For with-out Thee I can - not live; 
 
 4 If some poor wand'ring child of Thine Have spurn'd to- day the voice di- vine, 
 
 m 
 
 Oh, 
 
 Be 
 
 A- 
 
 Now, 
 
 J. 
 
 may no earth-born cloud a - rifle To hide Thee from Thy ser- vant's eyes, 
 
 my last thought,how sweet to rest For ev - er on my Sav- iour's breast, 
 
 bide with me when night is nigh, For with-out Thee I dare not die. 
 
 Lord, the gra - ciouswork be -gin; Let him no more lie down in sin. 
 
 ^^ff^^P^ 
 
 6 Wateh by the sick ; enrich the poor 
 With blessings from Thy boundless store; 
 Be every mourner's sleep to-night. 
 Like infant slumbers, pure and light. 
 
 6 Come near and bless us when we wake, 
 Ere through the world our way we take, 
 Till in the ocean of Thy love 
 We lose ourselves in heaven abovft 
 
 GO CHAIN THE LION DOWN. 
 
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 Go chain the li • on down, Go chain the 11 - on down, Go 
 
 J. .J-^ J J- J l J. > J J 
 
 Do you 
 chain the li • on down, Be • fore the heav'n doors close, -j 2. Do yqn 
 
 Do yon 
 
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 see that good old sis - ter, Come a wagging np the hill so slow f She 
 see the good old Christians, Come a wagging np the hill so slow? They 
 see the good old preachers, Come a wagging up the hill so slow? They 
 
 D.a 
 
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 wants to get to heav'n in due time. Be - fore the heav'n doors oloee. 
 
CALL UNTO ME. 
 
 107 
 
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 Andanltno. 
 
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 MAnSHALU Br pw. 
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 Call un-to mo, 
 
 Soli. 
 
 call un - to me, and I •will answer thco, Call un-to me, 
 
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 Call un - to me. 
 
 call un - to me, and I will answer thee, call un-to me, 
 
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 call un-to me, and I will answer thee, and I will answer thee, and show thee great and 
 
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 call un-to me, and I will answer thee, 
 
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 and I will answer thee, and show thee great and 
 
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 might- y things which thou knowest not, which thou knowest not, call un-to 
 
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 might- y things which thou knowest 
 
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 not, which thou knowest not, call un-to 
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 22 
 
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 me, call un-to me, and I will an-swerthee, andl will an-swer thee. 
 
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 me, call un-to me, and I will an-swerthee, and I will an-^wer thee. 
 
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 108 
 
 ENOCH. 
 
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 EV THE BLUE SEA. 
 
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 I stood where the Hummcr tide flow • ing Home-ward tho bark gay ly 
 
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 bore, . . . But I saw the same o - cean was throw - ing 
 
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 To - kens of wreck on the shore, While a voice 'mid the tide's song of 
 
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 glad - ness Sighed thro' its sweetness to me . . . And it 
 
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BY THE BLUE SEA. 
 
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 fiU'cl all my heart with a sad 
 
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 By the blue . . sea, 
 
 By the blue, . 
 
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 I thought of brave Bails home-ward 
 
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 BY THE BLUE SEA. 
 
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 wing - ing, 
 
 Tide waves of mem ■ 'ry bore ... To the 
 
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 heart, Wliilo its wa-ters were fling - ing 
 
 To - kens of wreck to the 
 
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 And I felt, as o'er mem -'ry near - er 
 
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 freight with joy came to me, .... Still the wreck'd and the brokenwere 
 
 
BY THE BLUE SKA. 
 
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 ■ea, ... By the blue, . . the blue iea. 
 
 •^ ■*■ ^=- ^SS^pp^. coUavoee. 'XT pp Fed. "=^-^^ ^ 
 
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 RIDE ON, KING JESUS. 
 
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 Ride on, King Je - sua, No man can a bin • der me. 
 
 221 
 
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 Ride on, King Je 
 
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 No man can a hin-der me. 
 
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 1. I was but young when I be -gun. No man can a hin-der me. But 
 
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 now my race is al- most done. No man can a hin-der me. 
 
 S. Kin^ Jesus rides on a milk-white horse. 
 No man can a hinder me; 
 The river of Jordan he did cross, 
 No man can a hinder me. 
 Ride on, Ac. 
 
 t. If you want to find yoar way to Oo^ 
 No man can a hinder me; 
 The gospel highway must be trod, ' _ ». ^ 
 
 Ko man can a hmder me. 
 Ride OD, &0. 
 
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 112 
 
 "YOURS TRULY." 
 
 (BESSIE JANE.) 
 
 Modernlo. 
 
 
 ALICE HAWTHORNE. 
 
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 1. My boo - nie Bes • sie Jane, sweet las • sie in thy teens; Thy 
 
 2. Each bird up - on the bough, from ear - ly morn till late, Beems 
 
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 form is like a fai - ry's with the grace of a - ny queen's, Oh, thy 
 ev - er gay and hap - py as it chat - ters to its mate, And the 
 
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 Copyright, 1880. by Sfp. Winner & Bow. 
 
'YOURS TRULY." 
 
 na 
 
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 voice to me is sweet, in the morniiit^'s early (iawn.AH you trip acroasthe meadow, or me • 
 brook that hurries on, babbies as it tlowH a-lung, Mulling niuHicaweetand welcome to thy 
 
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 an-dero'er the lawn; My bon-nieBes-sieJane, My pret- ty Bes- sie Jane, The 
 ear - ly morn-ingsong; My boo - nie Bes- sie Jane, My pret- ty Bes- sie Jane, I'm 
 
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 5 
 
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 flow-er of the flock art thou, the belle of Bri-ar Lane; My hous-es and my lands, my 
 wait-ing for thy lips to breatheone true and tender strain, I'm waiting thy re - ply ; nor 
 
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 herds up -on the plain, Shallallbethine when thouartmine. Yours tru-ly, Bes-sie Jane, 
 may I wait in vain, For thee to 8ay,with-outde- lay, Yours tru-ly, Bes-sie Jane. 
 
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 114 
 
 YOUR8 TRULY." 
 
 PM 
 
 ,y OBORDR. 
 
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 My Boa • aic Jane, 
 
 My Bm - sio Jane, 
 
 My bon-nie Bm - tie 
 
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 8weet Bei • aie Janei 
 
 Sweet Bm - sie Jane, bon-nie Bm - ■!• 
 
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 Jane, The flow - er of the flock art thou My pret-ty Bes-sie Jane. 
 
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 Jaoei The flow -er of the flookortthou My pret-ty Bes-sie Jane. 
 
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WHAPPUtM 
 
 TARRY WITH ME. 
 
 na 
 
 KinKrATnicK. «y p«i. 
 
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 1. Tar - ry with in««, O, my Ha- viour.Thro'tho iiooiuIiiv'm hiirniiij^ lu-at, 
 
 2. When tliu dark - iiohh of idIh • for- tunu, IIi<loHthu I* av - ctiH from my oye, 
 
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 Smilo, O, Btnllo ap - nrov-al on mo, A» I urgo iny wca-ry fuut; 
 Whilo the earth wears mioH of lor • row, Let mo fuel that thou art nigh; 
 
 ^' I j j J-JHj-j-j JUt j'J/^a 
 
 And an ayo the nhadowH lengthen, While tho night steals hIow-Iv on; 
 Then, oh, then, what -e'er bo - falls mo, Pray'rful - ly I strug-glo on; 
 
 * 
 
 jrn i ;i J 
 
 it-j j' j' i (iii 
 
 Tar - ry with me, tar - ry with mo. For I can - not walk a - lono. 
 Tar - ry with me, tar - ry with me. Leave, O, leave mo not a - lono. 
 
 Chonu. 
 
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 Tar-ry with me, tar - ry with me, Thro' the darkn«88 and the light; 
 
 t\Vt \ ? f F'Fit f 
 
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 Ev - er near me, stay to cheer me. Then my honrs shall all be bright, 
 
 T*- -^ -^ ^ ^ ^ 
 
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 116 
 
 HARK! 'TIS THE TRUMPET SOUNDING. 
 
 BELLINI. 
 
 AUeqrn imieMom. 
 J, f^oniANO. 
 
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 Hark! 'tis thetrum-pet sound - iiig, 
 
 call - ing to vie - to - ly or 
 
 TO. 
 
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 Hark I 'tis thetrum-pet sound - ing, 
 Trnor. ^ 
 
 call - ing to vie - to - ry or 
 
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 Hark ! 'tis the trum-pet 
 Bass. 
 
 Bound - ing, 
 
 call - ing to vie - to - ry or 
 
 ar r 
 
 ^!—ii-i'i r^ ^ 
 
 isA 
 
 ACCOMP. 
 
 " • • • • • • 
 
 
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 Let not the foe dis - may . . ns, 
 
 Let not the foe dis - may . . us. We'll 
 
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HAIUCI 'TIS THE TRUMPET SOUNDING. 
 
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 fight . . . till the last breath. 
 
 Cour-agc ourl)o - soms 
 
 J. J J. J 
 
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 fight . . . till the last breath. 
 
 Cour-age our bo - sorai* 
 
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 fight . . . till the last breath. 
 
 Cour-age our bo • soms 
 
 ^^^ 
 
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 fir - ing, 
 
 Our country's cause in - spir 
 
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 Our country's cause in - spir 
 
 »ng; 
 
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 Our country's cause in - spir 
 
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 118 
 
 HARK I 'TIS THE TRUMPET SOUNDING. 
 
 $ 
 
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 Sing we in mar - tial cho - rus, Drive we th^foe be- 
 
 ^J J.JJ J 
 
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 Sing we in mar • tial cho 
 
 ru8. 
 
 Drive we the foe be- 
 
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 fore us, yes! Hark! 'tis the truYn - pet sound - ing, We 
 
 Mr%- 
 
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 fore us, yes! Hark! 'tis the trum - pet sound - ing,. We 
 
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HARK\ 'TIS THE TRUMPET SOUNDING. 
 
 lis 
 
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 fipht 
 
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 li - ber - ty ! 
 
 Hark! still the trum - pot 
 
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 li - ber - ty! 
 
 Ilark! still the trum - pet 
 
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 fight 
 
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 for 
 
 li - ber - ty! 
 
 Hark! still the trum- pet 
 
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 sound - ing, 
 
 We'll nev-er to the ty- rant bow; . 
 
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 sound - ing, 
 
 We'll nev-er to the ty- rant bow; . 
 
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 sound - ing, 
 
 We'll nev-er to the ty- rant bow; . 
 
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 120 
 
 HARK I 'TIS THE TRUMPET .80UNDIN0, 
 
 ^ 
 
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 Hands to your 8Word8,brave com - radcs, Bright lau 
 
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 Hands to your 8Word«,brftvc com - rades, Bright lau 
 
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 Hands to your 8words,l)rave com - rades, Bright lau 
 
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 rcls wait your 
 
 J. JJ. J 
 
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 brow, 
 
 brow, 
 
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 Coun - try and com- rades greet 
 
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 Coun - try and com- rades greet 
 
 ^^ 
 
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 Coun - try and com- rades greet . . you. 
 
 yow, 
 
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lUnKI 'TIS THE TRUMPET SOUNDlNa 
 
 121 
 
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 Let not thy foes de • feat you, sing we our mar - tial 
 
 m 
 
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 Let nottbyfoea de - feat you, 
 
 sing we our mar - tial 
 
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 Let not thy foes de - feat 
 
 you. 
 
 sing we our mar - tial 
 
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 See, now they fly be - fore us, yes! 
 
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 See, now they fly be - fore us, yes! 
 
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 See, now they fly be - fore us, yes! 
 
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 MARKI 'TIS THE TRUMPET SOUMDIMO. 
 
 P 
 
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 Hark ! still the trum-pet's Hound 
 
 ing, But 'tis 
 
 for vie - to» 
 
 ^ 
 
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 3 
 
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 Hark! still thotrum-pet's sound 
 
 ing, But 'tis 
 
 for vie - to- 
 
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 Hark! still thetrum-pet's sound 
 
 ing, But 'tis 
 
 for vie - to« 
 
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 ry! 
 
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 for vie 
 
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HARKl 'TIS THE TRUMPtT 80UNDINO. 
 
 128 
 
 l7^ 
 
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 List! 'tis thotrum • pot sound -ing, 
 
 But 'tis forvlo 
 
 m 
 
 V J J. ^ 
 
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 List! 'tis thotrum - put sound • ing, 
 
 But 'tis forvio 
 
 I 
 
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 to 
 
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 List! 'tis tbetrum • pet sound -ing, 
 
 But 'tis forvio 
 
 ^ 
 
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 fc y-i^ 
 
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 "7. 
 
 • • • 
 
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 yes, 
 
 'tis 
 
 for vie 
 
 - to - ry! 
 
 j-y. 
 
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 for vie - to - ry! 
 
 3 
 
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M! 
 
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 IM 
 
 REFUGE. ' 
 
 Andantino. 
 
 AHH.FROM ABT. 
 
 
 1. Jo - 8U8, ref-ugc of myBoul, Lot mo to thy bos - uiii fly, While the 
 
 2. 0th - or rcf - ugo havo I nono; Hangs my help -lesa soul on thoo; Leave, ah, 
 
 3. Thou, O Christ, art all I want; All in all in thoe I find; Raise the 
 
 U'M'' J^- ^i ii JV i ^-.Jg^/, ^i^40 
 
 a^'ijj.jj. Jc^r ii pp i J. FC'>J-^4U^ 
 
 f ' J' -^.j. jj I I J^ i J. Jr- r ' ^ * ^ \^' -^r- Jf e i f/ ii 
 
 rag - ing billows roll, While the tempest still is high; Hide mo, O, my Saviour, hide, 
 leave mo not alone; Still support and comfort me: All my trust on thee is stayed, 
 fallen, cheer the faint. Heal the sick, and lead the blind : Just and ho-ly iathy name ; 
 
 P 
 
 fi=* 
 
 * -J.. 
 
 ^i \ \f^ \ ij^i[p!^^-^i^jiM \ 
 
 W j./^-«hj| | JJ I J.JJ.J]r^ l lg'e l r-ccc l r 
 
 Till the storm of life is past; Safe in - to the ha 
 
 All my help from thee I bring; Cot • or my de- fence 
 
 I am all unrighteousness; Vile and fall of sin 
 
 veu guide; 
 less head 
 I am; 
 
 tfc 
 
 'gi f gcnr 
 
 si 
 
 g 
 
 m 
 
 y J j|j_J r i 4rU^» ii =' J U r\r J|J 
 
 O, re - ceive my soul at last, O, re - ceive my soul at last. 
 With the shad - ow of thy wing, With the shad - ow of thy wing. 
 Thou art full of truth and grace. Thou art full of truth and grace. 
 
 f ,i.'f/ i j^,'HjJH- ii |''"7 i n | l' , l[ ii 
 
 idt 
 
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 ± 
 
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 The first four linea may bu sung as a. Solo by a Sopiauo Voice if desirable. 
 
125 
 
 SILVER BELLS OF MEMORY. 
 
 ILOALB. 
 
 H. DAL» 
 
 Andante eon mprmnnne. 
 
 07-?- nfM^ ^^ 
 
 EEE^£^ 
 
 Vr 
 
 izn 
 
 #-#-* 
 
 m — » 
 
 I 
 
 #—#— ii- 
 
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 1 In the hush of ev • en - 
 
 2 Ma - • ny i'ac - es have grown 
 
 3 Now I seem to live once 
 
 ^ 
 
 fi=)5 
 
 ^ 
 
 m 
 
 i 
 
 i- 
 tide, . 
 old, . . 
 more, . . 
 
 Sit • ting by my cot- tage door, . . 
 Ma - ny forms been laid to rest, . . . 
 All the dear de- light- ful past,. . . 
 
I 
 
 V 
 
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 (I lii! 
 
 % '. '• 
 
 1: ^'v 
 
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 126 
 
 SILVER BELLS OP MEMORY. 
 
 ^^ J,J^^^^f=^^^p i ^^^ ^M^^ 
 
 Fan • oy soil • Iv seems to elide . . . Backwards to the days of 
 
 Un • derneath the churchyardmould . . Ones I loved the moat and 
 
 E'er the shadows long be • fore . . . 
 
 Sun- ny skies bad o • ver 
 
 yore, . 
 best, . 
 oast, . 
 
 d? ^ 
 
 • • 
 
 • • 
 
 And I hear in changeful swells, . . 
 Since I've heard the dis- tant swells, . . 
 When we wandor'd in the dells, . . . 
 
 $ 
 
 ^ 
 
 >^ 
 
 ^e 
 
 m 
 
 Sweetest tones of met - o - dy, 
 bating on the winds to me, 
 iinger'd in the flow'ry lea. 
 
 rr- c'cg-^ 
 
 'Tis the sound of silver 
 Low and sweet the silver 
 IdFt' - ningto the silver 
 
 gm" mt 
 
 fci i^ f ^-f— 
 
 
 j d 
 
 r=? 
 
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 J t \f'^=^t' p i ^-j. 
 
 I 
 
 Sil • Tor bells of mem • o - ty. . . 
 
 ft. 
 
 r i' i jiCT *™ 
 
 ^^ 
 
SILVER BELLI OF MEMORY. 
 
 127 
 
 $ 
 
 CHOMVa. 
 
 ijfcEZE 
 
 ^^^m^^^^m 
 
 Sil - ver bells, 
 
 fill - ver belli, 
 
 Sil - ver bells of mem- o • 
 
 M^^^^^m 
 
 m 
 
 ^"^PN^rr^ 
 
 ^^ ^^^^ ^^^^ 
 
 m 
 
 • • • 
 
 8il • ver bells, 811 • ver bells, 
 
 ^B 
 
 ^ 
 
 3p:r 
 
 m 
 
 9 W 
 
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 Bil • ver bells of mem • o - ry, 
 
T 
 
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 128 
 
 MY ANGELINEl 
 
 BALLAD. 
 
 Modtrnta etm iMprft»it». 
 
 HARRIION MILLARD 
 rU. 
 
 ^T^^^' fp:xjh^4:J,-jgiXi^ ^^^ 
 
 1. U oouKi my heart itii rap - ture tell, 
 
 2. O wert thuu here, luvM Au • ge-liuu I 
 
 On one dear word 'twould 
 My heart to cheor,iweet 
 
 ^P^ ^^ ^^E^ 
 
 sa^ ^ E ^^ ^j^f; — -#+^^f^ 
 
 l^^ ^^g^ jLc f e ^^ g_e= ^^^ 
 
 ev • er dwoll, 'Twere heav'n iu • deed to share the spell That love and 
 
 An • ge-linet Twouldbe for nic like mag • ic aJM-'ll, The joy of 
 
 nd lib. 
 
 A^ A. 
 
 l^jLJ-j/ff—^ 
 
 An- go -line do weave ao well I Thou art for me a fair-y queen, The 
 which no mor-tal tongue could tell I Then come to me in beau-ty bright And 
 
 
 1^ 
 
 ^^ 
 
 ^a=h= 3^ ^ »I \ P J J- ^ ETJ^^^^^S^ 
 
 daintiest of them all, I ween, 
 cheer my heart with wild de - light. 
 
 For thou art fair as e'er was seen, My 
 
 My dream of life has ev - er been To 
 
 g: 
 
 nr:^i\. -j 
 
 ^p 
 
 j^j:^ 
 
 ^ 
 
 Voprrif bt, uao, b7 H. MnxABB 
 
MY ANOCLINBt 
 
 ^ ^^.^=^^ ^^^^-^-^ 1^ 
 
 heart will wor- ihip An - ge • line, Dear An - ge- line t Tho' thou art far, lov'd 
 
 find a eoul like An • ge ■ line,Ix)v'd An • ge- line I Then smile on me dear 
 
 ^':r ^^^ ^ IJ*Z jLj''J^J^ ^^^E2^£^ ^J^ 
 
 An - geline ! Like yon- der star, sweet An - goline I Thy prescncn bright floats 
 An- geline I One smile would be, sweet An - geline 1 A ray of hope to 
 
 7^- 
 
 -f- 
 
 ^-S 
 
 
 -jn 
 
 m 
 
 ^ 
 
 s? 
 
 ^^m 
 
 'm 
 
 adia. 
 
 :pp=s=^^^m>&--Ji J- j^^". wm 
 
 down to me, Where- ev • er I may be, dear An « ge • line ! 
 cheer my soul, Ere I can reach the goal, dear An - ge • line I 
 
 ^^ 
 
 
 ere»e. mnlto. 
 
 m 
 
 TS-9 
 
 
8 
 
 1^ 
 
 '* ' 
 
 180 
 
 SEEK YE THE LORD. 
 
 Largheu,.. 
 
 MARSHAU. trf. 
 
 j PUK-^^ 
 
 3Z 
 
 j|j.. | j JJrr^r^i 
 
 Seek ye the Lord while he may be found, Call ye np - on him while 
 
 ^^m 
 
 =s=? 
 
 ^ 
 
 a i ■ & 
 
 m 
 
 Seek ye the Lord while he may be fo«nd, Call ye up - on him while 
 
 : )mjj J J-J|J-,^ ^ 
 
 m m 
 
 J^>t I J J J[ J J J 
 
 !^ 
 
 M 
 
 ^:«z 
 
 J J J J | J.^ I 
 
 fer 
 
 he is near, Seek ye the Lord 
 
 m 
 
 ^ 
 
 -s 
 
 while he may be found. 
 Tutti. 
 
 -s* — c J * e J • 
 he is near, 
 
 S=« 
 
 ^S 
 
 while he may be found. 
 
 \ \r I' l r 
 
 m 
 
 I- 
 iff it 
 
 I- 
 
 'fi: 'v 
 
 
 ^■1 
 
 I 
 
 4i 
 
 ^ 
 
 M 
 
 ^ 
 
 jCZ 
 
 ^ 
 
 i^: 
 
 ^ 
 
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 1ES=; 
 
 Solo. 
 
 while he is near, 
 Tuui. 
 
 s 
 
 r' r r r r ' r r 
 
 ^^ 
 
 s 
 
 Call ye np - on him 
 
 while he is near, 
 
 S 
 
 * 
 
 rJ mm 
 
 Seel: ye the Lord 
 Solo. 
 
 '^"' i ,^r-r-3 
 
 >'l,U-'JJ I .],*li?J-'hJ J^IJ JJIJ. »l 
 
 while he may be found. Call ye up - on him while he is neai', 
 Soli. Soli. TuUi. 
 
 while he may be found. 
 
 while he is near. 
 
 K 
 
 - I - I - I 
 
 zz 
 
 K=K 
 
 "^^-"Tl 
 
SEEK TE THE LOIU). 
 
 131 
 
 ftlJ Jr\f-J*\rJJJ\,lr* \ r rr l r rrl 
 
 Seek ye the Lord while ho may be found, Call ye up - on him while 
 
 Seek ye the Lord while he may be 
 
 IfeyH J J J|J- ^|J J J ^ 
 
 Call ye up - on him while 
 
 ^ 
 
 P P ^ 
 
 i 
 
 $ 
 
 ^ 
 
 /r.i j i .i" 
 
 JDjD/!> rtt. 
 
 2Z 
 
 23= 
 
 he is near, while he is near, while he is near. 
 
 PP f>pp rU. 
 
 he is near, while he is near, while he is near. 
 
 ^ 
 
 he is near, while he is near, while he is near. 
 
 sPV , 1 ,PPP i*^- 
 
 J|J>J|~J-J|J-J | J J | 
 
 ^\f\ rJ 
 
 BREAST THE WAVE, CHRISTIAN 
 
 fn J. J i I j 
 
 KIRKPATRICK. By per. 
 
 /'J ;'i J: J ' 
 
 1. Breast the wave, Chris -tian, when it is strong - est; Watch when the 
 
 2. Stand the storm, Chris -tian, Je - sub is o'er thee, Fear not the 
 
 3. Lift the eye, Chris -tian, just as it clos - cth; Raise up the 
 
 ^m 
 
 ^^ 
 
 te 
 
 j j i j J 
 
 JV JiJ: Jj 
 
 ^ 
 
 "f 
 
 nightshades lin - ger the long - est; On - ward and up- ward stall 
 temp • est, heav'n is be • fore thee; Qo where thy du - ty calls; 
 faint heart e'er it re - pos - eth; Thee, from the ':.ve of Christ, 
 
 ^^^^^^^^■^^fc 
 
 S 
 
 be thine en - deav - or. There is a rest forthee, peace-fnl for - ev - er. 
 fear may as- sail thee, God is thy strength and shield, He will not fail thee, 
 noth- ing shall sev - er. Mount when thy work is done — ^Peaceful, for - ev - er. 
 
 M 
 
 ^m 
 
 W 
 
 m 
 
I 
 
 
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 CI ' 
 
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 182 
 
 AND YE SHALL SEEK ME. 
 
 AUegro ModenUo. 
 
 MARSHALL, ^fm. 
 
 JN Jr l r r H^ Ml I M h 
 
 And ye shall seek me, and find ne, 
 
 shall search for me with 
 
 jM j I >-J 4 I j j ^-HW 
 
 And ye shall seek me, and find me, When ye shall search for me with 
 
 ^Wr^r-r^t r r ' r r -^* " ji/jJu^ i 
 
 g4^-^^ I f- JJ I J J J I J ^^ 
 
 all your heart, Ye shall seek me, and find me, When ye shall 
 
 ^^» . l I J J Jij ^:h^h^J -^-^h^ 
 
 all your heart. Ye shall sitek me, and find me, When ye shall 
 
 m 
 
 w 
 
 ■JO. 
 
 jJ i r r 
 
 ^ 
 
 f^^-^ 
 
 ^ 
 
 I r i r r -IX:^-^ 
 
 search for me with all your heart, with all your heart. 
 
 search for me with all 
 
 '(x\\^'^^ n 
 
 your heart, with 
 
 all your heart. Ye shall 
 
 i 
 
 seek me, and find me, ye shall seek me, and find me. 
 
 K 
 
 i 
 
 "^^m 
 
AND YE SHALL SEBK MB. 
 
 188 
 
 Kr c z \z^s r r i r- 
 
 P^ 
 
 When ye shall search for me with all . . yoar heart, ~ ^ 
 
 TuM. 
 
 f\K'\ i / i J. n „^ l J^_ jL-fL-3 l j_j l 
 
 When ye shall search for me with all . . year heart, 
 
 ISUti. 
 
 g- 8 r "r I 
 
 J H- I 
 
 te 
 
 1 ^ * r l r J3 I .I »l l |^ plJ 1 
 
 @ 
 
 &/•'. 
 
 with all your heart, Saith the Lord. 
 
 Tuiti. . p 
 
 .l|J jlpH l j :M^ 
 
 When ye shall search for me with all your heart, Saith the Iiord. 
 
 TttOi. p . / 
 
 FAREWELL, MY BROTHER. 
 
 'jr r Jf r- l p^-^^ |.r j. l p r. i i 
 
 Fare well, my bro - ther,* fare- well for-ev - er, Fare you well, my 
 
 mjT c- g C r- | ^ p'f t t: | r r g ^ 
 
 [; e e J-tiLU' J, p p I ^ 
 
 bro - ther, now. For I am eo-ins home. Oh. trood by 
 
 P^ 
 
 ther, now, For I am go-ing 
 
 1? 1? fif f:r :££ 
 
 home. Oh, goodbye, goodbye, For 
 
 fF'frr r i ff r ff ^ 
 
 « ^ 
 
 bJdb 
 
 ^■^' JljV j'j.:l' | .f.rj'j.,J | | 
 
 I am boun^to leave yon. Oh, good bye, good bye, for I am go-ing honM. \ 
 
 ATM 
 
 4/Zer Ai Capo mn^ Oii»: 
 Shake hands, shake hands, for I am bound to leare yon, 
 Oh, shake hands, Ao. 
 
 . I 
 
|| -M 
 
 184 
 
 f " ? jjj. jjjjijjj jij y*^' ^jj->jajj vj j i 
 
 MARSEILLES HYMN. 
 
 1. Te ■oni of freedom wake to glory,Hark I hark I what myriads bid you rise, Your children, 
 , / Alto. 
 
 ^ f TMfOB. 
 
 fi f I ;: ,ri jj;jjj J J I J jjj J jj- J f J. g I f . ^j J J: \ 
 
 2. Oh, liberty! can man resign thee, Once having felt thy glorious flame? Can tyrants' 
 /Ba ss. 
 
 c y i p^p Yc-|i i r-cr ca- i r ^p ^ 
 
 wives and grand-sires hoar- y, Behold their tears and hear their cries, Behold their 
 
 
 bolts and bars con - fine thee. And thus thy no • ble spir • it tame ? And thus thy 
 
 tf'" c a*^ E f ' -* v-^-^r r r -D i JiJ ''JJJi 
 
 tears and hear their cries. Shall lawless tyrants, mischief breeding. With hireling 
 
 P J^J^ I J VJJJJJ J I J J ^JJJ I 
 
 fr.fy.^i,\ M-h . riJ J J P i nrr ^J^'J i 
 
 no • ble spir - it tame ? Too long our country wept, bewailing. The blood-stain'd 
 
 fc!i^i« ^ Gr^Hr I ^ 
 
 I I' I ^I'JJl 
 
MAB8EILLE8 HTMM. 
 
 186 
 
 ^s' J. J- J /3|J >^"^ifc r ? - g"-p i '^-r *r' 
 
 host, ft ruf • fian band, Affright and des • o • late the land, While 
 
 JJlJ »-JlJ. J J J-T. J^Jj ^ 
 
 iword our oonqueron wield, But freedom is our sword and shield. And 
 
 ji'ii* If J j'p ^ ji jij tt .. %\\'-z 'fT^^r * "'^ ^ 
 
 peace and lib -er-ty lie bleeeding. To arms, toarms, ye bravel The 
 
 y^j.jjjjjj J *^-ji4^.e"C''^^ * V I 
 
 j,V J- C'p C L- Fl"(^ r >* "■gll-'C-p'JF- Jl|» T^rm 
 
 all theirartsareun-a- vail • ing. To a raaa , to arms, ye bravel The 
 
 1^ 
 
 £ 
 
 «1 it J I .J ■ J I f-' I 
 
 pa • • triotswordunsheath! March on, 
 
 \*$i 
 
 march on, 
 
 . gt'^^ *J l j. J l " 
 
 I 
 
 
 triot sword unsheath! March on. 
 
 nuurch on, 
 
 ^^ 
 
 ^^ 
 
 i l' iJ! I' l l Ul |i 
 
 m 
 
 I 
 
I 
 
 
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 fill; 
 
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 MAMEILLE8 HTMN. 
 
 jivr r r i p *r \ rr.'?^^ *p- — j-i 
 
 (j'iiM J J | rT-j | j.j.j;, j ^ n n i ^ j l 
 
 all hearts resolved On lib • er - ty or death t Maroh on, march 
 
 :X 
 
 f^-^^Jnr *T\rr.'J'^-t \ i' ''-Jif'-^pf'' 
 
 ^' ' all hearts resolved On lib - er-ty or death ! Maroh on, maroh 
 
 ln".' FE if J 'i | i ' i i 1 1 \ f Q\ l 
 
 m 
 
 p 
 
 Dca: 
 
 ir r r\^ * nr-^z- ^ cgi 
 
 on. 
 
 all hearts resolved. 
 
 On Ub 
 
 er - ty or 
 
 zz: 
 
 3 
 
 ^^^^^p 
 
 f 'V' E i f f '^' c^^ r i |- 'ui III I ' "I 
 
 on. 
 
 all hearts resolved, 
 
 On lib 
 
 er - ty or 
 
or 
 
 lit 
 
 I LOVE TO TELL THE STORY. 
 
 HANKET. 
 
 nSCHCH. 9r9m. 
 
 i^'''^U'i: Ji J ' tJi ^ ' ^' Jr^JUJ I jpl j"^ 
 
 1. I love to tell the sto - rj Of un-seen things a-bove, Of Je- sua and his 
 
 2. I love to tell the sto • ry I More wonderful it seems Than all thesrolden 
 
 3. I love to tell the sto - ry! 'Tis pleasant to re-peatWhatseenis,eaohtimeI 
 
 4. I love to tell the sto - ry! For those who know it best Seem hun-ger-ingand 
 
 J. 
 
 Fffff^Hjr^ 
 
 ^H J f^ \ ci {l i \ i : \\ i \ iiii \ i'}^ 
 
 fflo • ry, Of Je - sua and his love! I love to tell the sto - ry! Be- 
 
 fan-oies Of all our gold- en dreams. I • love to tell the sto-ry! It 
 
 tell it, More won-der - ful • ly sweet. I love to tell the sto - ryl For 
 
 thirst-ing To hear it like the rest. And when, in scenes of glo - ry, I 
 
 b>pp ^-^F P'f^'" 
 
 l ^H r* ! 
 
 0r^'^iJ J^UV U-U j l j i J l ^' ^ ^ 
 
 ) cause I know its true; It sat - is- fies my longings as nothing else would do. 
 I did so much for me! And that is just the rea-son I tell it now to thee. 
 
 \ some have nev-er heard Themes-sage of sal -va-tion From Ood's own Holy Word, 
 sing the new, new song, 'Twill be the old, old sto-ry That I have loved so long. 
 
 "^ 
 
 M 
 
 m 
 
 
 jN; J i 
 
 u 
 
 I love to tell the sto - ry, 'Twill be my theme in glo - ry, 
 
 f-hF Fip P" 
 
 ,Pj l J J jlj j J: JIJ: I II 
 
 tell the old, old sto • ry, Of Je - sua and his love. 
 
112 
 
 
 ii i 
 
 'I 
 
 •I 
 
 j l*» 
 
 li! 
 
 il 
 
 if. 
 
 188 
 
 TEMPERANCE RALLYING SONG. 
 
 BUNOAT KIRKPATRICK. Bypw, 
 
 r-r\ i: i i\ u. ^^^^ 
 
 1. Ral • ly round the temp'ranoe ban - ner, Wsk* the eoh • o with your song, 
 
 2. Ral-ly round the temp'rance standard; In the war against this foe, 
 9. Ral • ly round the temp'rance ban • ner ; On the hill • tops let it wave ; 
 
 )ban-ner; On the hill •tops let it wa' 
 
 f JT l 
 
 j i -r !-uij\^j ^ 
 
 Shake the hills with your ho • san - na, Swell the cho • rus loud and long. 
 Who will lead the glorious vanguard, Who will deal the oonq'ring blow ? 
 Toung and old with loud ho • san • na, Cheer the hearts ye toil to save. 
 
 f Ti'FrT 
 
 Onward still the cause is speed - ing, 
 Strike now, in and out of sea - son; 
 Wives and children join your prais - es, 
 
 Soon will dawn a brighter 
 Dash a - side the poi - son 
 Fill the air with glad re - 
 
 On ■ ward still the cause ia speed • ing, 
 Strike now, in and out of na • • son; 
 Wives and chil • dren Join your prais • es. 
 
 day; 
 bowl; 
 frain. 
 
 Where human - i - ty lies 
 Save immor - tal man his rea 
 As the daf - f o - dils and dai 
 
 mg, 
 son, 
 sies. 
 
 brtrri?:; 
 
 f-f i Fff'ff-fe 
 
 Soon wiUdawn a britdit er day; 
 
 Dasli a • side the pel • son bowl; 
 
 Fill the air with glad re - frain. 
 
 Where hu • man - i - ty lies bleed - ing; 
 Save im - mor • tal man his rea - son. 
 As the daf - fo - dils and dai - sies 
 
 j , J, JJ. JJV^f l 'll l -'^lJJ^ J J^ JJ'^1 
 
 Temp'rance soon shall win the sway. O ral - ly, ral - ly, 
 
 Stnlce the fet - tors from his souL O ral • ly, ral-ly, 
 
 Breathe their perfume af - ter rain. O ral-ly, ral • ly. 
 
 ral-ly, 
 ral-ly, 
 ral -ly. 
 
 U iff - B B ^ ^^ 
 
TXMPERANCIS lULLTINO SONa. 
 
 18f 
 
 ^, //'JJ'//- l j',Jj. jj'.J I i j ,iJ1 
 
 nl>l7, nl-ly> nl-l7> Soon will dawn » brighter day; . . . . 
 
 a ^^J.UMJ.ji>^4^ i j.j i j.J:l' ^^i 
 
 Bal - 17, ral • I7, ral • I7, ral - 17, ral • I7, ral • I7, TempVanoe soon will gain the ■wa7 
 
 i BB^f^eMg'fe'ge'H i Fjuii 
 
 I AM LOOKING, LORD, TO THEE. 
 
 KIHKPATRICK. ByiMT. 
 
 :-j7?J 
 
 1. I am look - ing, Lord, to thee, I am wait • ing at th7 feet, Faint and 
 
 2. I am look -ing, Lord, to thee; Tired of self and hat- bg Bin; Give me 
 
 3. I am look -ing, Lord, to thee; Ev-*r7 prom-ise I be • lieve; Tea, I 
 
 4. I am look -ing. Lord, to thee; £T-*r7 i • dol I re-sign; Take them 
 
 p i r*' t g g i p ^^ 
 
 r J. iii ' j J J'J. ^ N 
 
 ^^ 
 
 wea - 17 though I be, 
 
 per - feet lib - er - t7, 
 
 know the7*re all for me, 
 
 all, and let me be. 
 
 r 
 
 i 
 
 Thoa canst make me all com • plete. 
 
 Give me grace and peace with - in. 
 While I ask, I do re - oeive. 
 
 From this mo - ment, whol - 17 thine. 
 
 I' fii [ rric II 
 
 Cbobtib. 
 
 J. ^M:!' JirjVi^j J. if I J J,.^^ 
 
 I am lookine. Lord, to thee; I am com -ing, thine to 
 
 . ^ ^ ^" ^* ^ 4S- ^ M. Jt. M... .0.. ^ 
 
 f i i i'Ai rjij ^ /ijj 
 
 be; Wash and cleanse me in th7 blood, Plunge me deep beneath the flood. 
 
 I- b'bil--trFiF i 
 
 T*•i^ 
 
 
 
 ii 
 
 II 
 

 «i 
 
 ¥i 
 
 •A- ■>, 
 
 '1* 
 
 140 
 
 ONE SWEETLY SOLEMN THOUGHT. 
 
 flAKT. 
 
 PALMER. Wrwrn^ 
 
 o'er 
 
 1. Oneiweetlyioleinn thought Comci to me 
 
 S. Nearer the bound of life, Where wo lay our bur • 
 
 t. Father, perfect my trust. Strengthen the might of 
 
 and o*er, 
 dona down} 
 my faith. 
 
 m 
 
 »- 
 
 ^B 
 
 $ 
 
 ^ 
 
 ■jS 
 
 -m 
 
 rJfs I g ^^ I mm^ 
 
 Fm nearer my home to-day Than I ever 
 
 Nearer leaving the croea: Near 
 
 Let me feel aa I would When I stand on the rock 
 
 r 
 
 have been be 
 • er gaining the 
 of the shore of 
 
 fore; 
 
 crown; 
 
 death; 
 
 1^ 
 
 fS 
 
 ^m 
 
 fSL. 
 
 ^ 
 
 t 
 
 g 
 
 P 
 
 -S 
 
 a 
 
 ^m 
 
 Nearer my Father's house, Where the ma • 
 But lying darkly between, Winging down 
 
 Feel as l would when my feet Are slip • 
 
 f 
 
 ny man - sions be; 
 
 . . through the ni^ht, 
 
 ping o'er the bnnk. 
 
 ^ 
 
 M 
 
 ^ 
 
 =*: 
 
 Nearer the great white throne. 
 Is the deep and unknown stream, 
 For I may be nearer my home. 
 
 f 
 
 Neai 
 
 ftP bS 
 
 lai 
 
 i 
 
 fear - er the orys • tal sea. 
 
 That leads at last to the light. 
 
 Near • er now than I thmk. 
 
 3a: 
 
 s: 
 
 S 
 
 ^m 
 
 9h b MMiy ON^r (0>r lk< M ttoMO. /nMeMlcw(yW<iM(i«iret5bprmio«koHM(ef^A<<MMi.iAoi*igiiy. 
 
 JlJ i i^J^J i r 
 
 pp 
 
 Home,home,Bweet,8weet home ; There's no place like bome,There'8 no place like honi^ 
 
 'I'^r^'ir f fff ri'if I'l/ii't'l'"' 
 
ON TO THE FIELD OF GLORY. 
 
 141 
 
 AOtgrtmoiUrato, 
 
 DONizrm. 
 
 ^.x ^ j j^ jv ;H4^A=^ ^aAJl|iy^^ate=i 
 
 Fg 4-H4'44-^ ^1 
 
 ^-jjj./j.j ic r f~it- | j j'.'^pf^i^J'Tjj g^ 
 
 On, to tho field of glo - ry! Bravely the bat-tie wa » g>°g> 
 
 '.E dJJ^J J \f} ^ I J J.JJ_J_^^3^ 
 
 On, to the field of glo - ry! Bravely tho bat-tie wa 
 
 g»ng» 
 
 ^j jj^ i 'jjj i '^ij i mj.i l 
 
 ffrevBTfy'T'Tp i 
 
 (ret. 
 
 ^^JJJJJ 
 
 ^ 
 
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 jp gr r 
 
 zc 
 
 There, where the fates are ra - ging. 
 
 A-like the strife we'll dare! 
 
 ji^ J JJ J J ^IjjL^ ^- l-^'JT'^ ^ *^ 
 
 oaz 
 
 There, where the fates are ra - ging, 
 
 A-like the strife we'll dare! 
 
s* 
 
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 I 
 
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 ii ' «< 
 
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 ON TO THE FIELD Or OLORY. 
 
 i 
 
 P 
 
 ^^^JEi^^j hr" jJ\>\^^ ^^fm 
 
 A triumplifdenr toBar dio ito • ry, 
 
 K X J I ^J^i;; ^^^^^E^ 
 
 A triiiinph,duar toBftr-dio Hto • ry, 
 
 jg-^UJ 
 
 $ 
 
 m 
 
 m 
 
 ratt 
 
 ^ 
 
 «- 
 
 With thcc I'll die or with thoe oharol 
 
 raU. 
 
 J ' a^ ^!! -*St3 I ** tt^ '""*^~By~ 
 
 With thee !"< die or with thee share! 
 
 plA-^ t^ 
 
 a lempo. 
 
 ^r j7jjtj J i lp,^^ i j j^ 
 
 ^^ 
 
 ^ 
 
 £ 
 
 s 
 
 War, with his falchion go ■ ry, Fame,with her wreaths vio-to 
 
 nous, 
 
 War, with his falchion go - ry, Farae,with her wreaths vio-to 
 
 nous, 
 
 P * r /i ' * j!^Wr // I * mm 
 
 a tempo. 
 
 p^ /r ^Vr^lVrt" vt' ^ jHiH^ 
 
OM TO THE riCLD OF OLOKT. 
 
 M»nihftltb« path be -fore us, Tboirmm • lio flIU the airt Abt » triumph 
 
 ^p' ■* ''■^' ^^ ** I 
 
 MarHbal tbe path be • fore us, Th«irtnu • lio filla thu air! Abl a triumph 
 
 W^ j^JSi'.JM j^y^^>\^^r^ ^ 
 
 3^ 
 
 dear to Bardio ato • ry, With thee I'U die or with tbeeaharo Ah! a triumph 
 
 ^_J. jy. J i J J , j^r. j i . ^j^ J J. J i jvj.. .i*^/. Ji 
 
 dear to Bardio ato - ry, With thee I'll die or with thee Hbare Ah I a triumph 
 
 "^^-i' ^tit^ 
 
 ores. 
 
 
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 S^^§ 
 
 *^=i= 
 
 ^^ 
 
 g T c yr ri 
 
 dear to Bar- die ato - ry, With thee . . . I'll glad-ly die or 
 
 > J. _^\yj'- j > \ jjrJ^-J i -^ J^*^ i J'j'J M 
 
 dear to Bar^dio sto - ry. With thee . . . I'll glad-ly die or 
 
 £ 
 
 
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p 
 
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 M III ^ '' ^'''^ 
 
 144 
 
 OM TO THE FIELD OF OLORT. 
 
 ■hare! 
 
 No, No, 
 
 ^ 
 
 J.-^J.^J^U j"^ I - J, ^' 
 
 ■haro! 
 
 Nought the noble heart appall - ing, 
 
 Free - dom 
 
 poco piu f 
 
 ^ 
 
 W 
 
 ^ 
 
 ^ 
 
 ^^ 
 
 Freedom leading, Hon- or call - ing, 
 
 
 t 1^ ^ 
 
 
 I 
 
 ^^ 
 
 jy.jj ^-IfH' p> X l^"^*^!" f l '^ 
 
 On, tothcfioidof glo - ryl Bravely the bat-tie wa 
 P 
 
 ging 
 
 m 
 
 >j j i j-y;^ 
 
 On, to the field of glo - ryl Bravely the bat-tie wa 
 
 ging 
 
 P 
 
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ON TO THE FlEUi OF QLOFIY. 
 
 I4S 
 
 j>j J i r^r |!i3iM.j^c gp- 1)> 1^ I 
 
 There where thn Fates are ra - ging, 
 
 A- like the strife we'll dare ! 
 
 J J. ^J J | /> ^ " l ^-jfer-"^ ^ 
 
 3X 
 
 There where the Fates are ra • ging, 
 
 A- like the strife we'll dare! 
 
 #-' jT'" ja^V^LDT^^^ i f^ ^ 
 
 ^ 
 
 -^ 1 J-^ f ^ f^l^y -- 
 
 p 
 
 [■II I '" jj. J i r ^^ 
 
 P 
 
 A triumphjdear to Bar- die sto - ry, 
 
 :>J.. j^jj i J.^j^^ j 
 
 A triamph,dear to Bar- die sto - ry, 
 
 rgr ar I ^r'-f-g^g^ 
 
 s«* 
 
 p 
 
 With thee I'll die or share! Ah! a triumph, 
 
 •J J j;?ij,:_jjJJ.j | 
 
 TS~10 
 
 P 
 
 With thee I'll die or share! Ah! a triumph, 
 
 
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 f 
 
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 m d fd 
 
 
 
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 'I 
 
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 146 
 
 OM TO THE FIELD OF OLORT. 
 
 fe^jfJTft^KM^/.JU _AM',J|pr- (i^- pl 
 
 dear to Bardio sto • ry,With thoe I'll die or with thee share Ah ! a triumph, 
 
 frri_^^.^ \ Jj^:.j^ \ .i^j^ jj: ^J., J^. J| 
 
 dear to Bardio sto - ry, With thee I'll die or with thee share Ah ! a triumph. 
 
 pitt motto. 
 
 
 dear 
 
 to Bar-dio sto - ry, With thee 
 
 I'll glad-ly die or 
 
 '[ _j'^ >"* . fc i jjn ^ ^ J i ^J ^-Q I J / ^ ^3 
 
 dear 
 
 to Bar-dio sto - ry. With thee 
 
 I'll glad-ly die or 
 
 i»- 
 
 f 1 
 
 lm=¥^ 
 
 /^ '^ 
 
 share! Tri • umph or sto 
 
 ryWith thee, with tliee Ah! still with 
 
 A J , J | J ..AJ | J g 
 
 s 
 
 -J rn - ■ - . 
 
 g^ rr i 
 
 share! T)i • umph or sto - ryWith thee, with 
 
 thee Ah! still with 
 
ON TO THE FIELD OF OLORY. 
 
 147 
 
 ^,U^.jU^^^^jl^A^ Xj Jijj j^j ^ 1 
 
 ^^^^'^rArsf'Jifr-r.nf ^ \ iJ^^ 
 
 thee, with thee I'll glad - ly share, with thee I'll die or with thee 
 
 thee, with thee I'll glad - ly share, with thee Til die or with thee 
 
 F 
 
 h^ N 
 
 ^. JJJ J l jJ ^ 
 
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 ffc l j y J; r J l l 
 
 ISZ 
 
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 share, with thee I'll die or with thee share! Tri - umph or sto* 
 
 ^ 
 
 ^m 
 
 share, with the« I'll die or with thee share! Tri - umph or sto- 
 
 $ 
 
 ^ 
 
 ry,With thee I'll die or with thee share! 
 
 m J m. 
 
 :t 
 
 :z=t 
 
 ^ 
 
 ry,With thee I'll die or with thee share! 
 
 H-^i^W^- 
 
 
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 148 
 
 LITTLE WIFE NELLY. 
 
 "THE LIGHT OF MY HOME." 
 
 HAHRT KENNEDt. 
 
 j ',> JJIJ f -j ^jy j^JLJ_C_JUI e,-..^3g;^^ 
 
 1 There's a lit -tie, white cottsge,half hid bj thetreeSiWhereineninmerthe ros'Cs they 
 
 2 On the floor there's a ba-by .that's just turning three,And the lit-tle voice vhispers/'Comet 
 
 r jj ji iiiw-tf^ 
 
 U J J„J J ^gBrjjr-JT^^;f^^,jj ,,j^ 
 
 perfume the breeze ; And the song of the night-in • gale sing • ing its lay. Fills th* 
 Pa • pa, take me ;" Then a soft, silk •en arm round my neck is entwined,T\^ith a 
 
 U ^Wi ii 7i -^^^=J 
 
 J.) .f \ f—4-e - r l i' ^rT=^ 
 
LITTLE WIPB HILLY. 
 
 149 
 
 fi>F t F -^=i |^ fe&:d^ J i! | g g =g=gdp= .a 
 
 woodland with mu - sic at dooe of the daj. A lit • tie white face at the 
 kiasfrommy Nel-lj, so good and so kind. I care not for rich -es while 
 
 p=i=ttfW^ 
 
 t: :=c - g =r=g=g 
 
 ^ !• J J ^ nlJ _,* n=± 
 
 m 
 
 m 
 
 ¥ m 
 
 *=»: 
 
 :««: 
 
 win-dow is seen, 'Tis my wife's hap*p7 smile — of my heart she's the queen; And I 
 she's by my side, And I oft bless the day that I made her my bride ; For no 
 
 y= ^ T rr-^i Jl i i j ill 
 
 g 
 
 I f t: c i J-^-r-^ 
 
 ^^ ujJ.JLi±j\ g 1^ ; ■ m J .ij. Si 
 
 always shall love her.wherever I roam, Lit-tle Nelly, the light of my home I 
 matter what tri-als or sorrows may come,I shall always love Nel - ly, my own I 
 
 ^^ 
 
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 150 
 
 UTTLK WIF£ MBLLT. 
 
 BorxAiro. 
 
 » ,■ I g ; i ^ S EEJ ^:E^^£ ^^ : =S:^-f — e-m 
 
 Her eyes are like dia - monda, her face is so fair, And a 
 
 AX.TO. 
 
 3^LJL^_j L j ±=t:tJL-J^:^m 
 
 m 
 
 Her ejes are like dia-monds, her face is so fair, And a 
 TXiron. mf 
 
 ^^=^ 
 
 g 
 
 r m- 
 
 ^^^^^^^ 
 
 Her eyes are like dia-monds, her face is 
 MAaa, 
 
 so fair. And a 
 
 ^^^^^^^ 
 
 '^m 
 
 ^m 
 
 ^fe ^-j^f-^ass M^^ ^^ j^ ^-^ jT-^-jT 
 
 lit - tie pale rose decks her bon-nie brown hair ; Oh, I al-ways shall love her, wher- 
 
 lit • tie pale rose decks her bon-nie brown hair ; Oh, I al-ways shall love her, wher- 
 
 lit -tie pale rose decks her bon-nie brown hair ; Oh, I al-ways shall love her, wher- 
 
 h.c zzzz: \ ^ ^=^.^=.^^^^^^ ^ 
 
 ^1 
 
 «i 
 
 ik 
 
 ■ ) • •• 
 
 ■i if 
 
 L^LJ J r g-e^ ^ ^ja=j=aj-^:3=ii i 
 
 ■ ev - er I roam. Lit - tie Nel - ly, the light of my home. 
 
 
 p J J-JTJ--J J l ,»-^ .z.^ g^ 
 
 ' ev - er I roam. Lit • tie Nel - ly, the light of my home. . . . 
 
 pnr"c~rr~^^h i ^r • H^^ ^ 
 
 ev - er I roam, Lit - tie Nel • ly, the light of my home. . . . 
 
 - - - - ,==j 
 
 £ 
 
 t=T^~f^^^ ■^' ' -^ 
 
 ■Jl — t i 
 
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 m 
 
151 
 
 HIGHLAND MARY. 
 
 AMON. 
 
 (O.S I j JiJ.Jl^ J S4^T J3jg|= j_^jj jii 
 
 1. TeV)ankgaBd braes, and streams aronnd The castle o* M ont-gom- e - ry, Green 
 
 2. Howsweetlybloom'dthegay green birkHowriohthehawtfaom'sblossom, As 
 
 8. Wi' mony a vow and looked embrace Oar parting was fti' ten - der; And 
 
 4. O pale^ pale now those ro-sy lips I aft hae kissed so fond- ly; And 
 
 aasE 
 
 ^-JHTii^iJi^y: " I 
 
 ggs 
 
 -d»- 
 
 J^ l J-'T'i \ j \ 
 
 ^ jgj. Ji J sij g i r c rc/J^ ^ ='^=^ 
 
 t 
 
 be yonr woods and fair your flow' rs/Tonr waters nev • er dmm 
 
 nn- der- neath their fragrant shade I clasp' d her to my bos 
 
 pledging aft to meet a - gain, We tore ourselves a • sun 
 
 closed for aye the sparkling glance That dwelt on me sae kind 
 
 4 i ' ijj 
 
 lie! Ther^ 
 
 om! The 
 
 der: But, 
 
 ly; And 
 
 ^^^ 
 
 ^ 
 
 3 
 
 m 
 
 
 f f/a'^^' ^ i ^c/i' a-N fr^Jgij^jJ j;;! 
 
 Sim- mer first un-foulds her robes. And there they lang- est tar • ry, For 
 
 gold- en hours, on an • gel wings, Flew o'er me and my dear - ie; For 
 
 ohi felldeath'sun • time- ly frost That nipt my flower sae ear - lylNow 
 
 mouldering now in si -lent dust That heart that lo'd me dear - ly! But 
 
 n? J J -4 
 
 «-*- 
 
 m 
 
 $ 
 
 ^ 
 
 there I took the 
 dear to me as 
 
 , \ Il{fr y l r?^ 
 
 S 
 
 last fiEire-well C 
 
 my sweet Highland 
 my sweet Highland 
 
 light and life "Was _, „ 
 
 green's the sod, and cauld's the clay That wraps my Highland 
 still with -in my bos - om's core Shall live my Highlimd 
 
 Ma - 
 
 ry. 
 
 Ma • 
 
 ry. 
 
 Ma - 
 
 ry. 
 
 Ma - 
 
 ry. 
 
 ^^ 
 
 m-r- f . i r — f-T 
 
 
u 
 
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 11 ^:^^ 
 
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 152 
 
 « 
 
 COME UNTO ME." 
 
 Itgah. MfD 
 
 MARSHALL. Byp*. 
 
 ji^i^lTi-J J | J J J | m|J^JLJU._jj j4J ^1 
 
 1. Come an • to me, on - to me, all ye that la - bor and are hear • j 
 
 2. Come an - to me, un • to me, all ye that la • bor and are hear • y 
 mp 
 
 to^l,^ r f \ ^ r ^k l J r r+d~ J JJr -fM 
 
 mp 
 
 ^=-rPPP^ 
 
 \ .1 J JIJ. JJ ^^ 
 
 rJ . » I rJ rJ 
 
 f^ • ^ 
 
 U • den, and I will give you rest, will give you rest; take my yoke ap 
 mp ppp mp 
 
 ^ 
 
 «t= 
 
 Jlj:iiiUrHi i ji''g j j j i 
 
 la - den, and I will give you rest, will give you rest; take my yoke up 
 mp , ppp , mp 
 
 '••r' I rrr » t •"r' 
 
 j i4^, J J r l r ^ 
 
 f>/?JD 
 
 ^^ ^^ 
 
 J | j. "JM -J*^' ! 
 
 on yon and learn of 
 
 ^E 
 
 i 
 
 ^^^ 
 
 me, and learn of me, for I am 
 ppp mp 
 
 ^ 
 
 i 
 
 # 
 
 :z 
 
 J i d J I 
 
 on you and learn of 
 
 me, and learn of me, for I am 
 PPP , mp 
 
 civs,>.^ ^ P ,. i c _r If. p I.I .iiJ- J|J J I 
 
 W >l J l .l J JIJ. JU J J i .. IJ J J I 
 
 meek and low - ly of hearty and ye shall find rest nn - to your 
 
 ^ ' " ^ J. ig i J I J; j l j J j l ''- Jl.^ ^ 
 
 r 
 
 meek and low - ly of heart, and ye shall find rest an • to your 
 
 % I jij J jif^- r\r r r \ r-f\j j j i 
 
 1; 'l.\, ,j. 
 
"COME UNTO MB." 
 
 158 
 
 p 
 
 
 33= 
 
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 loula, my yoke is 
 
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 ea ' ay and my bur • den ia light. 
 
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 LORD, TEACH A LITTLE CHILD TO PRAY. 
 
 M. By par. 
 
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 1. Lord, teach a lit - tie child to pray. And oh, ac< cept my prayer! 
 
 2. A lit - tie spar- row can - not fall Un - no- tioed,Lord, by Thee; 
 
 3. Teach me to do what-e'er is right. And when I sin, for - give; 
 
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 Thou hear- eat all the words I say. For Thou art ev - ry • where. 
 And tho* I am so young and small, Thou car - est still for me. 
 And make it atill my chief de-light To love Thee while I live. 
 
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 wordaan-oonioioui-ly From her Birl-iBh,ffleefal tongue; Sang as lit • tie children 
 long as song could be. And she had notho'tbe-aide; All the words un - heeding- 
 ly and prayerfully ; Ev - 'ry word her heart did kno w ; Rose the song as storm-toard 
 
 sing; Sang as sing the birds in June! Fell the words luce light leaves down On the 
 
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 ly FelTfrom lips untouched by care, Dreaming not that each might be On some 
 
 bird. Beats with wea-*Ty wing the air, Ev-'ry note with sor-row stirr'd, Ev-'ry 
 
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 our-rent of the tune." Rook of A - ges, oleft for me, Let me hide myself in thee." 
 
 eth • er lips a prayer, 
 ■jl-la-ble a prayer. 
 
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 ••Rook of Ages, Cleft for me," 
 
 lips grown aged sung the hymn 
 Trustingly and tenderly. 
 
 Voice erown weak, and eyes grown dim. 
 •'Let me mde myself in thee," 
 
 Trembling though the voice, and low, 
 Ran the sweet stram peacefully, 
 
 Like a river in its now. 
 8tme as only they can sing. 
 
 Who life's thorny paths have pressed; 
 Sung as only they can sing, 
 
 Wlio behold the promised rest — 
 "Rock of Aees, cleft for me^ 
 
 Let me hide myself in thee." 
 
 ••Rock of Ages, oleft for me," 
 
 Sung above the cofftn-lid; 
 Underneath, all restfuUy, 
 
 All life's joys and sorrows hid, 
 Nevermore, O storm tossed souli 
 
 Nevermore from wind or tide, 
 Nevermore from billow's roll. 
 
 Wilt thou need thyself to hide. 
 Could the sightless, sunken eyes. 
 
 Closed beneath the soft gray hair, 
 Could the mute and stiffened lips 
 
 Move again in pleading prayer, 
 Still, aye, still the words would M^ 
 
 ••Let me hide myself in thee.** 
 
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 "CRADLE'S EMPTY, BABY'S GONE." 
 
 I M« ttmrttm HARRY KBNNftDT. 
 
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 1. Lit-tle emp-ty ore • die, treasured now with care, Though thy precious burden it has 
 
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 How we miss the locks of curl-y gold -en hair, 
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 Peep-ing from thy ti • ny snow-white bed,. 
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 When die dimpled cheeks and 
 There I laid my loved one 
 
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 •ORADLra EMPTY, BaBY'8 GONE." 
 
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 lit-tla laughing eyM From the rumnled pillow ihone ThonlgniedwlthgUdnoM, 
 
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 Still I fain would weep; Emp-ty is the era • die, Ba - by's gone. 
 
 
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 die For the gold • en shore, 
 
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 "CRADLE'S EMPTY, BABY'S OONE." 
 
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 O'er the lilv-'ry wa-tera ihe haa flown, 
 
 Gone to join the an - goli, 
 
 
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 peaoe-ful ev - er-more; Enip-ty is the cra-dle, Ba-by'a gone. 
 
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 HOME SO BLEST. 
 
 lOMTOOMERT. ABT. 
 
 1. The swal-lowleayeathe young with -in hcrncst 
 
 2. The swal -low glad -I7 wings hor dis-tantway 
 
 To God's moat ho - ly 
 Far o'er the shin ing 
 
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 care, Still soar • ing high where golden sunbeams rest Far off 'mid re-gions 
 foam, And yet, and yet, me thinks, her heart must stray Back to her dis-tant 
 
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 praise and pray'r, Oh, home so blest, oh, shelter'd nest, 
 ce-phyrsroam. Oh, home so blest^ oh, shelter'd nest. 
 
 Oh, land so 
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 When I must die, 
 
 When I must die. 
 When I must die. 
 
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 be free. My toul shall then be free. 
 
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 WORDS BEYOND RECALL. 
 
 OEOROE M. VICKERS. ADAM OEIBEL. 
 
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 Larghetto apretrito. 
 
 1. Oft words arespo - ken, Words we would for 
 
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 get, Whose sad remembrance On-Iy brings re • gret ; Oft hearts are wounded 
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 By the things we say; 
 That our lives be -fall. 
 
 Oft words we ut - ter Steal life's hopes a - way- 
 May this be spared you — Words beyond re - call. 
 
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 (SI<:E last TAOK of art SitppiJ-MENT for BIOORAPHY1 
 
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X 
 
 CAMILLE D'ARVILLE. 
 
 
 Born ill Holhuid, 1S63. First appeared in opera, Strand Theatre, 
 Loudon. Came to United States, 1888, to take role of Anita in " The 
 Queen's Mate," Broadway Theatre, New York. Became member of 
 the Casino Company and later of the Bostonians. Then with E. E. 
 Rice's Compam-, and after that as a star at the head of her own com- 
 pany in *' Madeline, or the Magic Kiss." Has taken numerous light 
 operatic roles. Her fine, sympathetic voice, splendid acting and 
 personalit}' render her every performance a great success. 
 
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ADELINA PATTI. 
 
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 Adeuna Patti was born at Madrid, April 9, 1843. ^^ early youth 
 she came to America with her parents and studied music with, her 
 brother-in-law, Maurice Strakosch. She first appeared in New York, 
 Nov. 24, 1859, and her voice at once attracted r vicution. In 1861 she 
 appeared in London in " La Somnambula." She took the town by 
 storm and became the prime favorite of the day. Since then she has 
 maintained her rank and is to-day the Tuost popular operatic star living. 
 Not only is she an unexampled vocalist, but her acting is such as would 
 place her in the first rank, were she not gifted with song. 
 
 The parts which she sings are numerous, and her " Lucia " in the 
 " Bride of Lammermoor," *' Violetta " and " Zerlina " are equally famed. 
 It was, however, as " Rosina " in " II Barbiere de Seviglia " that she 
 showed her comic powers. In 1863 she attempted the part of " Ninetta" 
 in "La Gaza Ladra" and gained a signal triumph. In 1864 she sang 
 " Margherita" in Gounod's " Faust " and in 1867 "Juliet" in " Romeo 
 and Juliet." In May, 1868, she was married at the Roman Catholic 
 Church, Chapham, to the Marquis de Caux, but the marriage proved 
 so stormy that a divorce was obtained. In the early part of 1870 Patti 
 visited Russia, where she met with an enthusiastic reception, receiving 
 from Alexander II. the Order of Merit, and the appointment as First 
 Singer of the Imperial Court. 
 
 Upon her return to America a few years ago she was received with 
 great eclat, and sang to overflowing houses, over the whole country. 
 The extortionate prices demanded for seats seemed to increase rather 
 than diminish the desire to hear her, and during the few years she 
 starred here she accumulated a fortune. Patti is the " Queen of Song," 
 and no other cantatrice, with the single exception of Jenny Lind, has 
 ever gained a fame so world-wide and a popularity so universal. 
 
» 
 
P i f ' !J 
 
 ANTON RUBINSTEIN. 
 
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 Indisputably the greatest living pianist, and, with the possible 
 exception of Liszt, the greatest that ever lived, is Anton Rubinstein. 
 He was born of Russo-Gernian parents at Vichvatijnetz, in Russia, in 
 1829, and six years later went with his family to Moscow. There his 
 mother taught him to play the piano ; and from his eighth to his 
 thirteenth year he studied the famous master, Villoing, of Moscow. 
 At ten years of age, he gave his first concert at Moscow, and then 
 made a tour of Europe as a *'boy pianist." In Paris he tried to enter 
 the Conservatoire as a student, but was rejected. Nevertheless, he 
 played before Chopin, Liszt, and other celebrities, and won their com- 
 mendation. Liszt was then supreme in the musical world, and young 
 Rubinstein imitated many of his mannerisms. Later, the boy studied 
 at Berlin and then taught music at Vienna. He was poor, success 
 seemed impossible to attain, and he once thought of forsaking music 
 and emigrating to America. But, in 1850, he went to St. Petersburg. 
 The Grand Duchess Helena, sister of the Czar Nicholas, recognized 
 his genius and befriended liini ; and thenceforth he prospered. He made 
 brilliant tours of Europe, gave in 1872 two hundred and fifteen concerts 
 in America, and devoted his energies largely to building up the great 
 Imperial Conservatory of Music at St. Petersburg. 
 
 In addition to his wonderful performances on the piano-forte, 
 Rubinstein has won much fame as a composer, his works including 
 oratorios, operas, symphonies, and songs. His visit to this country 
 made Rubinstein a familiar personality to our best lovers of music. 
 His success was great and instantaneous. His peculiar appearance 
 and his mannerisms left an impress on the memory, and his mag- 
 nificent playing, grand and colossal in style, stamped him at once as a 
 genius of no ordinary rank. 
 
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NORDICA. 
 
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 One of the most prominent concert singers of America is Mrs. 
 Frederick Gower, commonly known as Nordica. She is by birth an 
 American . Her maiden name was Lillian Norton, the stage name, 
 Nordica, being a corruption of Norton. Her musical education was 
 begun in Boston, and she is said to have had the most brilliant career 
 of any student who ever attended the Boston Conservatory of Music 
 She went abroad to prosecute her studies in Italy, and it was in that 
 country that she made her debut as an operatic singer. Her succesi 
 was instantaneous from the beginning. Gounod, the author of Faust, 
 heard her sing the part of Marguerite, and declared that she surpassed 
 all other singers in this character, with the possible exception of 
 Madame Patti. 
 
 Her husband, a wealthy gentleman of Rhode Island, was an enthu- 
 siastic aeronaut and lost his life in a balloon adventure. Since his death 
 Mrs. Gower is seldom seen on the operatic stage, confining herself 
 almost entirely to concert singing. Her voice is a pure, clear and 
 flexible soprano, not particularly powerful, but of exquisite sweetness. 
 Her style is natural and sympathetic and wins enthusiastic applause 
 wherever she is heard. 
 
 This distinguished singer has one of the largest repertoires of any 
 artist of the day. She is said to be familiar with 40 Operas. Her 
 principal fame rests, however, upon her impersonations of Marguerite in 
 " Faust," Elsa in " Lohengrin," Aida and Zelike in " L'Africane " and 
 Valentine in "Les Huguenots." She was one of the noted artists 
 engaged by Frau Cosima Wagner to sing in Baireuth Festival of 1894. 
 At the opening of the brief Spring Opera Season of 1896, Mme. 
 Nordica reappeared in New York, and her enthusiastic admirers presented 
 her with a beautiful diamond Tiara as a token of their esteem and 
 friendship. It is a very magnificent piece of jewelry, of exquisite 
 workmanship, and a roll of parchment accompanied it, inscribed with 
 the names of the people who have subscribed for its purchase. Several 
 hundred names sppear on the artistically illumined roll, as each sub* 
 scription was limited to ten dollars. Mrs. Astor's name heads the list, 
 and is followed by the names of Mrs. Vauderbilt, Mrs. Sloan, Mrs. Belmont, 
 Mrs. Goelet, Mrs. Kemochan, Mrs. Otis, Mrs. Cooper Hewett, Mrs. Ormc 
 Wilson, Mrs. John Jacob Astor, Mrs. Buchanon Winthrop, and in short, 
 everybody who is known in the social and artistic world. Mme. Nordica 
 will undoubtedly prize the roll of parchment as much, if not more, 
 than the jewel, showing as it does the affection of so many of her friends, 
 and their appreciation of her pluck and courage in making herself, by 
 the hardest kind of work, the greatest lyric artist on the stage to-day. 
 
^.l. 
 
 D< 
 
 JEAN DE RESZKE. 
 
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 The famous tenor was born in Warsaw in 1853, and made his debut 
 !n London, at Drury Lane Theatre, as a baritone, in 1875. It was not 
 discovered for sonic time that his voice was a tenor, and he sang baritone 
 parts in Paris and all the large cities of Europe until January 30, 1884, 
 when he made his debut as a tenor in the rdle of Jean, in " Herodiade," 
 fit the Theatre Italien, in Paris, and his success and popularity as a 
 primo tenorc have been firmly established since that time. He has 
 demonstrated, over and over again, that he is not only the most romantic 
 figure on the operatic stage, but an artist whose methods are beyond 
 reproach. It is impossible to sing with greater ease, or with deeper 
 sentiment. No artist is made more welcome or draws larger audiences 
 than this popular tenor, whose Faust and Romeo have seldom been 
 equalled, and certainly never surpassed. 
 
 In Russian Poland, at a short distance south of Warsaw, in one of 
 the most beautiful parts of the country, is the quaint and picturesque 
 Chateau of Borovono, a mixture of French and Russian architecture, 
 surrounded by lovely gardens and a superb forest of oak and chestnut 
 trees. This is the home of Jean de Reszke ; here he spends all his vaca- 
 tions, hunting and shooting in the forest, which is full of small game of 
 every description, also deer in plenty, and receiving his numerous friends, 
 whom he entertains in a most charming and unconventional manner. 
 He and his brother Edouard are the objects of the most profound 
 admiration of the people of the adjoining village, and are almost 
 worshipped by the peasants and children, who run to kiss their hands 
 whenever they appear in their midst. 
 
 Monsieur de Reszke is not married, and is much songht after in 
 society. He is received at all the Royal courts of Europe, and is often 
 invited to Windsor Castle to sing for the Queen, who has given him 
 many handsome souvenirs of her appreciatk)n. 
 
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 OLGA NETHERSOLE. 
 
 Bom in London, January i8, 1870. Youngest daughter of late 
 Henry Nethersole. Educated privately in London, Holland and 
 Germany. Made her professional debut at Theatre Royal, Brighton, 
 in Henry Hamilton's drama, "Harvest," March, 1887. D6but in 
 London at Royal Adelphi Theatre, June, 1888. Joined Garrick 
 Theatre under John Hare's management, April, 1889. Visited Aus- 
 tralia on starring tour, October, 1890. Was lessee and manager of the 
 Court Theatre, London, in January, 1894. Several times visited the 
 United States on starring tours. Was manager of Her Majesty's 
 Theatre, London, during the months of September and October, 1898, 
 when she produced Louis N. Parker and M. Carson's poetical piece 
 entitled, "The Termagant." lesides in London, England. 
 
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 MADAME NELLIE MELBA. 
 
 Of all the talented and charming prime donne who delight the 
 eyes and ears of the American public, Madame Melba is, without doubt, 
 the leading favorite of to-day. This brilliant singer, who is gifted with 
 a voice of wonderful sweetness and sympathy of tone, was bom in Mel- 
 bourne, Australia, from which town she takes the name of Melba. Her 
 father was a well-known organist, whose greatest pleasure was to teach 
 his little daughter music, and train her beautiful voice. She was a will- 
 ing and apt pupil, and made such rapid strides in the art which she loved, 
 that her father, anxious to give her advantages which it was impossible to 
 obtain in Melbourne, sent her to Paris where she followed a strict course 
 of study under Madame Marchesi, who has given us more good singers, 
 perhaps, than any other teacher of the present day. 
 
 Madame Melba sang in concerts and opera in many of the large 
 towns of Europe, but her first great success in a really great role, was at 
 the Grand Opera House in Paris, where she appeared in Gounod's 
 Romeo and Juliet on November 4, 1889 ; her Juliet on th..., occasion 
 being pronounced a complete and perfect success, and gaining for her 
 many admirers. She has sung many great r61es since then, amongst 
 others, Lucia, Marguerite, etc., etc., but it is as Juliet that she is always 
 at her best ; and it is with the ever popular opcia of Romeo and Juliet 
 that we always associate her name. 
 
 She is for d of America and of American audiences, and has appeared 
 more often in this aitry than any other prima donna. In 1895 she 
 made an extensive concert tour, visiting all the larger towns as far west 
 as Kansas City, giving thirty-eight concerts in all, and being greeted 
 with large audiences wherever she appeared. 
 
 Her re-appearance in New York at the termination of her tour in 
 the opera of Romeo and Juliet, was the occasion of an almost royal 
 reception. Every seat in the house v/as sold three weeks before the date 
 announced for the representation. The enthusiastic olcome she 
 received was such as might have made a queen feel envious. 
 
 At the close of the season, the ladies of New York showed their 
 admiration and appreciation of their favorite artist by presenting her 
 with a handsome diamond ornament of great value. 
 
 Personally, Madame Melba is very attractive, and possesses in an 
 unusual degree that indefinite something of which we speak as *' mag- 
 netism," and which, to tne artist, is almost as necessary as talent an<? 
 fi[ood looks. 
 
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 Mlrlba 
 
WALTER DAMROSCH. 
 
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 Dr. I "lOPOLD Damrosch, the father of the subject of this sketch, 
 came to America from Germany when Walter was a child and was the 
 first to introduce the German Opera in America on a successful basis. 
 He became the director of the New York Oratorio Society from its 
 organization in 1873, and, also, of the New York Symphony Society, 
 which he assisted in forming in 1878. He also introduced and became 
 director of the German Opera conducted at the Metropolitan Grand 
 Opera House in New York until his death, which occurred in 1885. In 
 the three capacities above referred to, Walter, from his boyhood, was 
 employed as an assistant ; first in playing the accompaniments at 
 rehearsals ; and, later, taking a prominent part, frequently directing the 
 music when his father was absent. 
 
 When a mere child young Damrosch could extemporize upon the 
 pianoforte in a manner that surprised and drew forth the admiration of 
 his elders. When fifteen years of age in 1877 he was selected by the 
 great violinist Wilhelmj who was then visiting America to play his 
 accompaniments. It is also related that Mr. Damrosch is an amateur 
 artist of no mean ability, in fact, during his earlier years his talent for 
 drawing was so great, it was a matter of serious question as to whether 
 he should devote himself to music or painting. His father's prominence 
 and desires in the matter, perhaps, prevailed in deciding the question. 
 With his mind once made up, he devoted himself with unremitting dili- 
 gence to his chosen profession and to his energy, perhaps, as much as to 
 his genius his exceptionally brilliant and successful career. 
 
 The musical education of Walter Damrosch was begun by his 
 father and was largely acquired under him, though he went to Germany 
 for special study. Soon after his return to this country, and while 
 engaged as assistant director under his father's leadership, the elder 
 Damrosch died, and his son naturally succeeded him as leader of the 
 Oratorio and Symphou}'- Societies, as well as director of the German 
 Opera, where he he has proved himself, as did Alexander of Macedon, 
 "A greater son of a great father." Since 1885 he has held a high rank 
 among the most noted musicians of the United States, being spoken of 
 in the same category with Patrick Gilmore and J. Philip Sousa. 
 
 During the past i'cw years Mr. Damrosch has devoted considerable 
 time to lecturing, and we frequently hear of him in society where he is 
 much sought often by the e/i'/e. This, however, is more attributable to 
 his charming young wife {nee Miss Margaret Blaine) than to himself. 
 She is a daughter of the late Hon. James G. Blaine, 
 
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LILIAN RUSSELL. 
 
 This lady, whose personal beauty and remarkable ability &% a 
 singer are well known, has displayed in her career that energy and enthusi' 
 asm, that devotion to art and its high ideals, which are always crowned 
 with success. Her mother, Mrs. Leonard, was a gifted woman and favor- 
 ably known as a writer and speaker upon many of those subjects to which 
 the women of the day give special attention. In very early life Lilian 
 showed the bent of her genius, and was a favorite singer in her own 
 neighborhood long before she became known to the public. 
 
 Her first engagement was with the chorus of a light opera company 
 that travelled from place to place with varying success. After visiting 
 the West she returned to New York and made an engagement with 
 Rice's Burlesque Opera Company. Soon afterwards her marriage with 
 Harry Braham, the leader of the orchestra, was announced, yet it was 
 not her intention to leave the stage or give up her chosen profession. 
 At this time the entertainments in which she took part were not of a 
 high order or conspicuous for their refinement. Next we hear of her 
 as a variety singer at Tony Pastor's theatre in New York. Her very 
 attractive face and figure gave her great popularity, while added to these 
 were the charms of a rich and powerful voice, a very pleasing presence 
 on the stage, and a magnetism as an actress which is essential to any 
 great success in opera singing. 
 
 She awakened a great craze, particularly among the male portion 
 of her audiences, by whom she was greatly admired. She next appeared 
 in Gilbert & Sullivan's opera of " Patience." Having been divorced, 
 she re-married Frederick Solomon, a conductor and composer of some 
 reputation, anc with him visited England, scoring a decided success. 
 She next sang at the New York Casino, returned to England in 1S90, 
 and afterward sang in New York at the Garden Theatre. She then 
 formed an opera company of her own, taking the leading parts, an^ 
 has achieved a brilliant success in all our American cities. 
 
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FRANZ LISZT. 
 
 The great pianist, Liszt, was born in 1811, near Pesth, in 
 Hungary. His father was an excellent musician, who put the boy 
 under instruction when he was but six years old, and who kept him 
 steadily at work for many years. Before he was nine years old he 
 played the most difficult music at concerts, and extemporized upon 
 airs suggested by the audience. When ten years old he played so 
 charmingly in a concert that the great Beethoven came forward and 
 embraced him. When about twenty years of age he secluded himself 
 for five years of hard studj', after which he entered on his triumphal 
 march over Europe. From 1836 to 1848 he was the idol of the con- 
 tinent. It is said the very sheets between which he slept were torn 
 into shreds and treasured as mementos. In 1848 Liszt abandoned 
 public performances and settled as musical conductor at Weimar, where 
 he remained for twenty years, having many distinguished pupils. In 
 1868 he joined a religious order in Rome, and devoted himself to mu- 
 sical instruction. Liszt introduced many improvements in fingering 
 and other matters, to a great extent revolutionizing piano playing. 
 He may, indeed, be regarded as the best representative of the modem 
 style of the art. Daunreuther, speaking of Liszt in 1878, said: 
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 . '^ ALBANI. 
 
 Here is a cosmopolitan artist She was born of French parents, 
 who were British (Canadian) subjects, on American soil. And she 
 has won high honors on the stage of almost every civilized land. 
 Emma La Jeunesse was her real name, and she was born at Plattsburg, 
 N. Y., in 1850. She manifested rare talent when very young, and 
 early became a music teacher. As a member of the Cathedral Choir 
 at Albany, she, one Sabbath, attracted the attention of Brignoli, who 
 sought an introduction, expressed the warmest admiration for her voice, 
 and recommended foreign study. In 1868 she went to Paris, where 
 she remained two years as a pupil of Duprez, who then sent her to 
 Lamperti, at Milan. In the summer of 1870, she made her debut in 
 "Somnambula". She met with great success throughout Italy, and 
 appeared in London in 1873, where she became at once a sterling 
 favorite. On her return to America, she was received with the highest 
 favor. Albani's voice is a rich soprano, with a large compass, singing 
 the E flat in alto. Her style resembles that of Patti, and it is with 
 pardonable pride that Americans pronounce her a bright star in the 
 galaxy of their prima donnas. Her stage name is an adaptation of 
 Albanj', the name of the city in which she first won recognition as 
 a singer. 
 

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 RICHARD WAGNER. 
 
 
 
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 Perhaps above all others, in the highest niche of fame among the 
 greatest composers of archestral music the world has ever produced, the 
 name of Richard Wagner should be inscribed. This distinguished com- 
 poser was bom at Leipsic, Germany, in 1813 on the 22 nd of May. In 
 childhood he was noted for a brilliant mind and vivid imagination, hav- 
 ing displayed considerable poetic talent, but, as he grew older under the 
 influence of Weber's music of which he was an ardent admirer, he 
 became inspired with a zeal to make a musician of himself and aban- 
 doned his literary ambitions to devote himself entirely to study and cojn- 
 posing. When he was twenty years old he produced an Opera calred 
 " The Fairies," and a year later, another entitled " The Novice of 
 Paleijno," neither of which was favorably received. For the next few 
 years he was compelled to conduct orchestral entaintainments for a 
 living^ while he devoted himself to further study and composition. In 
 1842, after reading Bulwer's novels, he wrote his opera " Rienzi," and 
 full of enthusiasm hastened to Paris, where he had no doubt it would be 
 warmly received and make him famous. To his great disappointment 
 and surprise the work was promptly rejected at the Grand Opera House. 
 
 A.11 this while Wagner had been endeavoring to subject his musical 
 compositions to the rules governing the popular schools of the times ; 
 but feeling desperate over his poor success, he determined to write an 
 opera after his own idea, independent of existing rules, regulations ^and 
 theories ; and while half starving he gave his genius free wing and pro- 
 duced " The Flying Dutchman," which was the first work in which he 
 displayed his characteristic genius and laid the foundation for the music 
 of the future. This placed him in opposition to the musical tastes of 
 the day, and for years he was in a constant conflict, endeavoring to 
 impress his peculiar notions upon the musical worlc.. 
 
 In 1845 he wrote "Tanhauser," in 185 1 "Lohengrin," then 
 " Tristan and Isolde," *' The Master Singer," and others which were 
 well received and fairly established his reputation. 
 
 About this time Louis II. of Bavaria, known as the " Crazy King," 
 became very fond of Wagner, patronized his music, lavished upon him 
 a fortune, and built for him the magnificent Opera House at Baireuth, 
 of which he made him superintendent, and where were produced his 
 operas with all of the magnificent staging and complete appointments 
 which the exquisite taste of Waguer himself could devise. In 1869 he 
 wrote " Rheingold," and in 1876 brought out in this Grand Opera 
 House bis " Tetralogy," composed " Rheingold," " Valkyria," " Sieg- 
 fried » and " The Twilight of the Gods." His last production, " Par- 
 sifal," appeared in 1882." 
 
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 EMMA EAMES. 
 
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 This young lady was born at Boston, and had the great advantage 
 of having a mother who was a good amateur rausician. When she dis- 
 covered that her daughter was gifted with a splendid voice, she took 
 great care in training it, and later on brough ther daughter to Paris, 
 where she was placed in the hands of that distinguished teacher, Mad- 
 ame Marchesi, with whom she made rapid progress. 
 
 Her musical education finished, she went to Brussels, hoping to 
 make a debut in that city. Several times she might have appeared in 
 minor r61es, but the famous director of the Conservatoire of Brussels, 
 M. Gwaert, dissuaded her, saying that she ought to make her debut as 
 a Prima Donna and nothing else. She was then engaged at one hun- 
 dred dollars a month at the Opera Comique in Paris, where she waited 
 month after month, learning now this opera and now that one, waiting 
 all the time, but no chance of singing was given her. At last her con- 
 tract was cancelled, and she signed an agreement with the Grand Opera, 
 where she made her first appearance as Juliette in Gounod's " Romeo 
 and Juliette." Her debut was triumphant. The freshness of her voice 
 was only equalled by the excellence of her method and her splendid 
 acting. As for her beauty, there was but one opinion. The next 
 morning all the papers spoke of her with enthusiasm, and Miss Eames 
 was immediately adopted as the charming idol of the Parisian musical 
 public. 
 
 She is tall, slender, well proportioned, very supple and lithe in her 
 movements, and carries herself with a queenly elegance. She has a 
 beautiful American head, fine, pure and clean-cut like a cameo, crowned 
 with a mass of brown, crisp hair ; her eyes are blue-gray, and her com- 
 plexion is simply admirable. America may well be proud of her 
 chaming debutante, who has become a splendid star in the operatic 
 Armament. 
 
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 BRIGNOLI. 
 
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 In the "old days" of Italian opera in America, when Mario and 
 Grisi and Jenny Lind were on the stage, there was no tenor more pop- 
 ular than Signor BrignoH. And so admirable was the art with which 
 he used his voice that his career was greatly prolonged. Perhaps no 
 one has for so many years held so high a place in popular favor on the 
 American stage. It was he who sang the leading role of Manrico in 
 "II Trovatore," when that imperishable opera was first performed in 
 New York, at the Academy of Music, on April 30th, 1855. The other 
 chief singers were Signora Steffanone, soprano; Signorina Vestvali, 
 contralto, and Signor Amodia, baritone. Signor Brignoli did not 
 possess a really good voice, but he used it with consummate skill. As 
 an actor he did not excel. He was amiable and obliging, however, 
 and was for many a year the idol of the opera-going public. Long 
 after nearly all his old associates were either dead or permanently 
 retired, he was still singing, apparently as well as ever. He was a 
 fine exemplar of the best Italian method of voice culture and preser- 
 vation. He knew how to make the most of every gift with which 
 nature had endowed him, and how to conceal all his deficiencies. Thus, 
 with comparatively moderate native powers, he was enabled to rank 
 among the great singers of the age, and to be an acceptable associate 
 of the foremost prime donne in operatic performances. Even now, by 
 old play-goers, he is mentioned with entliusiam in the same category 
 with Mario and Grisi and Jenny Lind. 
 
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 AGNES HUNTINGTON. 
 
 Among American singers few have gained a more enviable reputa- 
 tion than this celebrated lady, whose captivating voice and charming 
 personal presence have made her a universal favcnte. She is an artist 
 of whom our country may well be proud. By her family name and 
 connections she began life with high social rank, and, po£>:jjssing 
 oadoubted ability, she was encouraged to pursue the study of music. 
 Her parents sent her to Dresden and placed her under the best German 
 teachers, who found a very apt pupil in the young American girl ; she 
 was already an enthusiast and devoted to her art. Here she spent four 
 years, appearing during this time on a number of public occasions, and 
 as a contralto singer gained a wide reputation in the leading cities of 
 Germany. As might have been expected, she received flattering offers 
 from Paris and London, all of which she declined that she might return 
 to the land of her home and her love. 
 
 Upon arriving home in 1885 the great proficiency she had made was 
 immediately recognized, and both in secular and sacred music she 
 was considered a bright, particular star. It is sufficient to say that she 
 made an engagement with the Boston Ideal Opera Company, an organiza- 
 tion of highest repute, and became known as a singer in oratorio. In 
 
 1889 she was induced to visit London by Carl Rosa, where she appeared 
 in the light opera of " Paul Jones," taking the leading part. She was 
 received with extraordinary favor ; such favot , in fact, as a discriminating 
 public is always ready to bestow upon one possessed of undoubted 
 talent. The critics all approved, and the people, who are their own 
 critics, accorded her a remarkable welcome. Returning from London in 
 
 1890 she gave " Paul Jones " in the leading American cities, making 
 her first appearance in New York. 
 
 To the thrilling power of her superb voice and her graceful acting, she 
 added a fascinating beauty of person which lifted her at once into great 
 popularity. The saying that "America is too busy making money and 
 following the fashions ever to produce great singers," finds a conspicuous 
 «xception in this very gifted lady. 
 
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EMMA NEVADA. 
 
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 This brilliant American singer is a native of California, the 
 daughter of a Dr. Wixom. Her first public performance as a singer 
 was effected at the age of three years, when she sang in a church 
 concert. In childhood she often took part in private theatrical and 
 operatic representations, and showed herself the possessor of a fine 
 contralto voice, which afterward was transformed into a soprano of 
 remarkably high range and purity of tone. She was educated at Mills 
 Seminary, at Oakland, where she was graduated in 1876. Then she 
 set out for Europe to complete her preparation for the operatic stage. 
 She went first to Berlin, but, without stopping there tostudy, proceeded 
 to Vienna and placed herself under the direction of Mme. Marchesi. 
 That eminent teacher said to her : *' You have a voice. I can see the 
 vocalist in your eyes. You want a home. A pupil of mine has just 
 left a family with which she stayed for two years. You shall replace 
 her. When you are rested we shall begin our studies " She remained 
 there, under Mme. Marchesi's tuition, for two and a half years. Then 
 she adopted the stage name of Emma Nevada and made her first oper- 
 atic appearance in London. An engagement for five years was at once 
 oflfered to her, but she refused it and went to Italy to study Italian. 
 She sang in various Italian cities with great success. The great com- 
 poser, Verdi, heard her at Genoa, and recommended her to the director 
 of the Scala Opera House, at Milan, where she thereupon appeared 
 for twenty-one nights. On four of these nights the Queen and 
 Italian Court attended especially to hear her. Several short but exceed- 
 ingly profitable engagements followed. Then she sang at Florence, 
 Naples, Prague, Berlin, and Paris. In the latter city she made the 
 acquaintance of Ambroise Thomas, and studied under him for some 
 time. Afterward she visited America and was everywhere received 
 with great enthusiasm. Her voice is a light soprano of great range 
 and clearness. She is a clever actress and has a very winning person- 
 ality. She is a devout member of the Roman Catholic Church, and 
 her private life and character have always been as admirable and 
 lovable as her artistic talents are brilliant. 
 
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 NORMAN-NERUDA. 
 
 Whilhelniine Neruda, one of the best violinists of the generation, 
 is a Moravian, and was born at Bruenn on March 21st, 1840, her 
 father being organist in the Cathedral there. She studied under Jansa, 
 and in childhood made her first public appearance at Vienna. For 
 a number of years she traveled about Europe, giving concerts with 
 great success. At Paris, in 1864, she played at the Conservatoire, and 
 at the Pasdeloup concerts. In that year she married Ludwig Norman, 
 a Swedish musician, who died a few years later. ]jn 1869 she began 
 her annual seasons in London, which she has since maintained with 
 distinguished success. She was married again in 1888, her second 
 husband being the eminent English musician, Sir Charles Hall6. 
 She is thus properly known as Lady Hall6, but is best known by her 
 old-time name, Norman-Neruda. She is now regarded as a thorough 
 Englishwoman by adoption, and for years has been one of the most 
 popular artists iu London. The musical standard of that city is often 
 decried as not a high one, and the English are spoken of as an un- 
 musical people. Yet it is indisputable that many of the best musicians 
 of the age have their homes there, and receive there more encourage- 
 ment and appreciative patronage than they would find elsewhere. Mme 
 Norman-Neruda is one of these. She is, as we have said, exceedingly 
 popular. Everybody goes, or seeks to go, to her concerts. Yet her 
 music is not of a trashy, "catchy " character, but is noble and dignified, 
 worthy of serious regard by the most highly cultivated lovers of the 
 art. Her husband, Sir Charles Halle, is her collaborator in these 
 entertainments, and, as is well known, his attainments as a composer, 
 performer, and conductor are of sterling merit. 
 
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 SIMS REEVES. 
 
 Sims Reeves, the most famous of English tenors, was born at 
 Shooter's Hill, Kent, on October 21, 1822. He was instructed in 
 music by his father, and at the age of ten was a choir boy. At 
 fourteen he became organist of a local church, and was also an ac- 
 complished performer on the piano, violin, violoncello, oboe and bas- 
 soon. He also learned the art of engraving music. When his voice 
 matured he determined to become an opera singer in baritone parts. 
 His dedui was made in Newcastle-on-Tyne in 1839. At this time he did 
 not attract much attention. He then went to Italy and studied and 
 sang. Eight years later he returned to England, a full-fledged tenor, 
 and made, on December 6, 1847, a most brilliant de6u/ at Drury Lane 
 Theater, London, as Edgardo in " Lucia di Lammermoor. " His 
 success was immediate and extraordinar}'^, both with the critics and the 
 public, and thenceforward for many years he was without dispute the 
 leading singer of England in opera and concerts, and the foremost 
 oratorio singer of the world. After a public career of more than half 
 a century he gave his farewell at the Royal Albert Hall in London, on 
 Monday, May 11, 1891. A vast and brilliant audience was in attend- 
 ance, with the Prince of Wales at its head. On this occasion Mr 
 Reeves sang four solos. The first was the great air, "Total Eclipse", 
 from " Sampson ■', and he sang it with a degree of pathos that derived 
 not a little of its depth from the attending circumstances. The second 
 was a conventional modem song, "The Garden of Roses". The third 
 was Balfe's exquisite setting of Tennyson's immortal " Come into the 
 Garden, Maud." The fourth was that splendid old ballad, "The Bay 
 of Biscay ". Madame Christine Nilsson also took part in the concert, 
 singing several solos, and the two illustrious singers united their 
 voices in the great duet from " Ernani ". The position which Mr. 
 Reeves has held in the estimation of his countrymen is unique. For 
 f fty years his name has been one to conjure with. The announce- 
 ment that he would sing has always been sufficient to overcrowd any 
 public hall. He was a perfect master of the art of phrasing and pos- 
 sessed a method faultless in every detail, being equally at home in the 
 most dramatic scenes in grand opera, the stateliest oratorio airs, the 
 most sentimental love songs, or the most rollicking and hearty ballads. 
 
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EMMA THURSBY. 
 
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 Perhaps no singer produced by this country has a better place in 
 the American heart than Miss Emma C. Thursby. She is a native of 
 Brooklyn, N. Y., and a pupil of Mme. Rudersdorff and Sig. Errani. 
 Her voice is a pure, swe6t soprano. Its tones are " now richly colored 
 with warm feeling, now bright, and very bird-like." Her compass is 
 from G m alt. to A below the stafiF. For Sunday services in the Taber- 
 nacle Church of New York she received a salary of $3,cxxd. Strakosch 
 agreed to give her $100,000 for three years' singing in concert and 
 oratorio, with her expenses, two months' vacation each year, and the 
 privilege of giving parlor concerts. Miss Thursby was devotedly 
 attached to Mme. Rudersdt »rfF, to whom she considers herself greatly 
 indebted for her success. Her former teacher, in return, declared Miss 
 Thursby to be "just a little darling." She is of petite figure, with a 
 very expressive face, and a most charming and modest bearing. She 
 has always absolutely refused to appear upon the stage in opera. 
 During his visit to this country the Emperor of Brazil, Dom Pedro, 
 offered her the most flattering inducements to visit his dominions, but 
 she declined, preferring to pursue her studies and follow her own plans 
 of travel and study. 
 
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 EDOUARD DE RESZKE. 
 
 Edouard de Reszke, like his brother Jean, was bom in Warsaw, 
 in the year 1856. All the members of the de Reszke family were 
 musical, therefore it astonished no one when Edouard, at a very early 
 age, developed great talent, and showed a strong inclination for a musical 
 career. He made his debut in Italy, and was successful from the very 
 first. Before he was twenty years old he was well known throughout 
 Europe, and was soon acknowledged as the best basso singer on the 
 stage. He is as famous as a basso as his brother is as a tenor, and, like 
 him, is a bachelor ; they are very much attached to each other, invariably 
 travel together, and are often heard in the same opera. No one ever 
 thinks of inviting the one without the other, and at their home in Warsaw 
 it is difl&cult to say which of them holds first place in the hearts of the 
 tenants and peasantry of the estate. He is as noted as his brother for 
 his generosity and kindness to those less fortunate than himself, and in 
 particular to his poorer brethren in ihe theatrical profession. 
 
 Few people have any idea — I doubt if any one beyond themselves — 
 «;:^ the number of persons who have reason to be thankful to the two 
 brothers, whose purses are always open to the needy. 
 
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 EMMA ABBOTT. 
 
 Conspicuous among singers of American origin who have achieved 
 enduring distinction must ever be found the name of Emma Abbott. 
 She was born in the city of Chicago in 1850, and four years later was 
 taken by her parents to Peoria, 111., where her father was a rather 
 unsuccessful music teacher. Under his instruction, however, she 
 made such progress, with her voice and on the guitar, that at the 
 age of nine she was able to appear in concerts. At sixteen years old 
 she was a country school-teacher, but soon rejoined a concert troupe 
 and made her way to New York. There she met Miss Clara Louise 
 Kellogg, who took much interest in her and secured her a place in an 
 important church choir. Some admiring friends in the congregation 
 raised a purse of money, and, in 1872, sent her to Europe to study. 
 She did study, at Milan and Paris, and in 1880 came home and formed 
 an opera company. She married a Mr. Wetherell, who assisted her in 
 the business management of the company. Thenceforward for ten 
 years her career was one of unbroken success. '* The Emma Abbott 
 Opera Company " became known everywhere, and was regarded with 
 the highest popular favor. Miss Abbott thus grew rich ; and she 
 preserved the purity of her home life, and kept to the end a name 
 unmarred by scandal, and crowned with the genuine afiTcction of all 
 who knew her. She died suddenly in 1891. 
 
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AMALIA MATERNA. 
 
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 It is related that when Richard Wagner first heard Amalia Materna 
 sing, he exclaimed with fervent joy, '* God be thanked 1 I have found 
 my Bruennhilde I " His estimate of her was not ill-founded, for very 
 soon thereafter she was justly ranked at the head of the dramatic 
 sopranos of Germany. 
 
 Frau Materna was born at St. George, a village in Styria, in 1847, 
 the daughter of the local schoolmaster, who was also a clever musician. 
 Such were her natural gifts, and so good his instruction, that at the 
 age of nine 3'ears she was able to sing solos in the village church. 
 When she was twelve, her father died leaving his family penniless. 
 She and her older brother found means, however, to reach Vienna. 
 There Professor Gentiluomo tried her voice and admired it, but was 
 unwilling to teach her without more pay than she was able to give. 
 Bitterly disappointed, she returned to Styria, and lived with her mother 
 and brother at St. Peter for three years. Then they all went to Gratz, 
 where she sang in church and figured in several concerts. Presently 
 the manager of the local theater offered her an engagement to sing in 
 opera. Her voice was at this time a contralto, and her first appearance 
 was as the apprentice boy in Suppe's opera, *' Flotte Burschen." For 
 two years thereafter, she sang in Offenbach's operas and similar 
 work. 
 
 It was in 1872 that she made the acquaintance of Wagner. The 
 wonderful power and compass of her voice and her stately and im- 
 pressive style eminently fitted her to assume the leading parts in his 
 great music-dramas. She was therefore summoned by him to Bey- 
 reuth in 1876 to " create " the ro/e of Bruennhilde, the central female 
 character in his great Trilogy. 
 
 Frau Materna came to America, in 1882, and few singers coming 
 hither from other countries have aroused deeper interest than she, or 
 have more fully justified it. She was regarded by her American audi- 
 ences as one of the grandest prima donnas ever heard, and as incom- 
 parably the noblest interpreter of Wagnerian music. Her voice has 
 been developed from a contralto to a singularly broad and powerful 
 soprano, and her stage presence adequately completes one of the most 
 'mpressive figures on the operatic stage. 
 
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 RAFAEL JOSEFFY. 
 
 
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 Rafael Joseffy, one of the most brilliant pianists of the age, 
 is a native of Hungary, where he was bom at Miskolcz, in 1852. 
 Moscheles and Tausig were his teachers, and his first concert tour was 
 made in Germany and Holland while he was yet a mere youth. So 
 much favor did he win at this time that the Viennese critics hailed 
 him as destined to inherit the fame of Rubinstein. They spoke of his 
 technique as " fabulously brilliant," and praised his " extraordinary 
 versatility of conception," claiming that "with equal force he produces 
 the peculiar effect of the classic Bach, the tender Chopin, the senti- 
 mental Mendelssohn, and the impetuous Liszt, " and they further 
 added that " the softness and elasticity, the elegance and sparkle of 
 Joseffy's fioritura and runs cannot be described. " After winning 
 laurels in every European country, he came to America and made his 
 home at Tarrytown, N. Y. During several seasons he played at the 
 best concerts given in all the principal American cities. Ever3rwhere 
 he was greeted with the greatest possible enthusiasm, and the most 
 conservative critics lavished upon him all the resources of the vocabu- 
 lary of praise. Of late, Joseffy has not been heard by our public as 
 much as one would wish ; but he has been engaged in such practice 
 as would retain for him his wondrous skill unimpaired, and, as before 
 stated, in increasing a repertoire of which not many pianists can boast. 
 
 ^^ • JiJlr! 
 

 
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L. 
 
 'SI 
 
 EMMA JUCH. 
 
 Although, nlways regarded as an American, Miss Emma Juch was 
 born in Vienna, Austria, in 1863. In her infancy, however, she was 
 brought to America, and New York has been her home ever since. 
 Mme. Murio Celli was her teacher, and her first appearance in opera 
 was in a performance given by that lady's pupils. Such was her 
 success on that occasion that she immediately received a flattering 
 offer from an opera manager. After some experience in concert sing- 
 ing, she went to London under the management of Colonel Mapleson, 
 and sang leading soprano roles in grand Italian opera, taking such 
 parts as Violetta in "La Traviata, " Astrafiammanti in "The Magic 
 Flute, " and Marguerite in " Faust." She sang there three years. 
 Then Theodore Thomas engaged her for three seasons, to sing in 
 Wagnerian concerts, along with Matema and Nilsson. Thus she ap- 
 peared one hundred and sixty-four times. After a few years more of 
 miscellaneous work, she organized a grand opera company of her own, 
 with which she is now identified. She has an exquisitely pure and sym- 
 pathetic soprano voice, and decided dramatic ability. Her best parts 
 are Marguerite and Mignon, but in many others she has won the cor- 
 dial commendation of the most cautious and conservative critics, and 
 her place high on the list of singers is well assured. 
 
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 IGNACE IAN PADEREWSKl. 
 
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 The three greatest pianists of the nineteenth century are undoubtedly 
 Liszt, Rubinstein and Paderewski, and, we might add, " The greatest of 
 these is Paderewski." This world-renowned genius was: bom on the 6th 
 of November, i860, and is another one of the many great musicians 
 which Poland has given to the world. He comes from one of the noble 
 families which was reduced to poverty and obscurity by Russian oppres* 
 sion, and, no doubt, his fame rests largely upon the goad which poverty 
 applied to his genius. I 
 
 No early life, perhaps, was ever spent more largely in the " vale of 
 tears " than that of young Paderewski. His mother died when he was 
 very young. He was married at the age of 19, and his wife died a year 
 later, leaving him with a crippled babe and a widower before he was 21 
 years of age. But who knows how much he is indebted to these afflic- 
 tions ? Perhaps if his soul had not been baptized with this quartette of 
 sorrows — an impoverished and debased noble family, a motherless boy- 
 hood, a premature and youthful widowerhood, and a paternity which 
 found its offspring an invalid boy, dependent upon him for support and 
 happiness — his playing would have been different and lacked much of 
 that potent charm, which has made him an object of wonder and ador- 
 ation. His fondness for the unfortunate child, which he keeps in luxury 
 at his elegant home in Paris, is said to be little short of idolatry, and has 
 perhaps made him tender toward all children. It is a noticeable fact 
 that he never accepts invitations, while on his tours, to any entertain- 
 ments except to children's parties. 
 
 It is remarkable to know that Paderewski never took a music 
 lesson until after he was 21 years of age, and la less than ten years from 
 that time was the musical wonder of the world. It was his intention when 
 he began his studies in Berlin, to compose music — that appearing the 
 most lucrative — but his great talent as a performer was soon discovered, 
 and he decided to devote himself to piano playing. He studied for 
 sometime under Leschetizky, the husband of Mme. Essipoff. 
 
 His real fame began in London, where he appeared in concerts 
 during the early summer of 1890, In November, 1891, he came to 
 America and his European triumphs were repeated in this country. 
 Unlike most new aspirants for public favor, he was spared the ordeal of 
 adverse criticism. All the critics with one accord extolled his praises 
 from the beginning, declaring that in coloring and expression he was 
 equal to Liszt and Kubenstein, while his technical mastery of the key 
 board infinitely surpassed all other players. , No other pianist ever 
 exhibited so much power and endurance in finger and wrist movements, 
 or more delicacy and softness. 
 
iiyi 
 
 ANNIE LOUISE GARY. 
 
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 w. *■ 
 
 Annie Louise Gary is a native of Maine, where she began her 
 career as a vocalist and earned her first laurels. Her fame 
 soon reached Boston, where she pursued musical studies under 
 various competent instructors, and where she became a general 
 favorite. So great was the interest in her in that city that a concert 
 was given for her at Music Hall, which netted her an amount sufficient 
 to send her to Europe and to forward her studies under superior 
 masters there. On her return she appeared in opera and was enthu- 
 siastically received. She continued her studies diligently, both here 
 and abroad, and became, in the judgment of many good critics, the 
 foremost contralto singer of America. Her abilities as a singer are 
 no more conspicuous than her worth as a woman, as her host of admir- 
 ing friends unanimously testify. For a number of seasons she was 
 the leading contralto of the famous Italian Opera Gompany managed 
 by Golonel Mapleson, other members being Patti, Gampanini, Galassi, 
 and such famous artists. On June 29th, 1882, Miss Gary was married 
 to Mr. G. M. Raymond, of New York, and has not since appeared on 
 the operatic stage, though she occasionally sings at concerts for chari- 
 table purposes. 
 
N, 
 
 FRANZ ABT. 
 
 U' i 
 
 t.-, 
 
 Not as a singer, but as a composer of songs, this famous man , 
 deserves a place in our collection. There has been no writer whose 
 song-music has attained a wider and better-deserved popularity than 
 he ; and there are no songs that, more than his, combine the popular 
 quality with high artistic excellence. Such compositions as " When the 
 Swallows Homeward Fly," " Over the Stars There is Rest," etc., are 
 immortal. Franz Abt was born in 1819, at Calenburg, Prussia. He 
 was early destined for sacred orders, and was, in time, sent to one of 
 the famous schools to study theology. But Franz delighted more in 
 music than in theology, and began to compose simple pieces for the 
 piauo, and ballads, which soon gained wide favor and eventually secured 
 to him the position as musical conductor of the Stadt Theatre, in 
 Zurich, Switzerland. In 1852 he visited Brunswick, where there was a 
 festival of the North German Sangerbund, and he was so warmly 
 received that he was induced to emigrate thither. His fine and finished 
 rendering of Mendelssohn's " St. Paul " secured him the position as 
 chapelmaster of the Duke of Brunswick. The name of Franz Abt is 
 dear to every German of the Fatherland ; and throughout the world, 
 wherever the charms of refined melody hold sway, his delightful compo- 
 sitions are echoed from heart to heart. 
 
 
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i 
 
 ii 
 
 II 
 
 
MARIA ROZE. 
 
 ^i. 
 
 Maria Roze has for years been famous as one of the best dramatic 
 sopranos on the operatic stage. Her range of parts is wide, and her 
 successes have been marked in all parts of the world. She is a French 
 woman, and an ardent patriot. When the war of 1870-71, with Ger- 
 many, broke out, she was in Paris, and she remained there all through 
 the siege and the Commune. Frequently she appeared in public to 
 sing the " Marseillaise " or to recite some patriotic poem. She also 
 organized concerts for the aid of the hospitals, and was so energetic in 
 good works that several medals and a diploma were afterward conferred 
 upon her by the Government. During the Commune, it is related, 
 she was much annoyed by a disreputable young man, who sought her 
 love, and who threatened her frequently with a terrible punishment if 
 she continued to turn a deaf ear to his suit, and finally invited her to 
 meet him alone at a retired part of the Bois de Boulogne to say him 
 yes or no, again threatening her with permanent disfigurement in case 
 of another refusal. Greatly alarmed she consulted her friends, who 
 in turn informed the police. On their suggestion she went to the 
 rendezvous, and when the young man spoke to her, four concealed 
 gendarmes rushed upon him and secured him. A bottle of vitriol was 
 found upon him. He was tried, convicted, and sentenced to three 
 years' imprisonment. When the Communists threw open the prisons 
 this young man escaped, and, still vowing vengeance, he wrote to her 
 saying that he and his friends had sworn to hang her from the lamp- 
 post opposite the door of her residence ; but chance prevented him 
 from carrying out his horrible design. As he was crossing the bar- 
 ricade near Mme. Roze's house he was shot dead ! 
 
 
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 EDOUARD REMENYI. 
 
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 This popular violinist is of Hungarian origin, and his playing 
 partakes of the romantic nature of the people of that country. He has 
 had an extended and successful career in Europe and has spent several 
 years in this country. At the close of a protracted tour in America in 
 1884, a leading musical critic remarked: "During Mr. Remenyi's 
 sojourn in this country he has contributed a g^eat deal to the pleasure 
 of the lovers of a certain kind of violin-playing. He is so marked a 
 personality that he could not conceal, if he wanted to* the fact that he 
 does not pose as an interpreter of classical music, and he has not failed 
 to see the advantage which lay in appearing just as nature designed 
 him to be. By so doing he has imbued his work with a unique interest 
 which has fascinated his harshest judges and frequently left them 
 without a cause for complaint. He has figured as a violinist with a 
 most astonishing mechanical equipment and with a daring and unique 
 spirit ; one given to the practice of trickeries as Ole Bull, even in his 
 best period, was, and yet one full of original fire and poetry. There is 
 no denying the strong current of genuine musical culture, earnest 
 feeling, and sound education which flows through his playing, but it 
 whirls and eddies around the rock of his strong naturalism and becomes 
 eccentric and bizarre." 
 
 fit 
 
CHRISTINE NILSSON. 
 
 I» 
 
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 Christine Nilsson, the daughter of a laboring man, was born 
 at Wederslof, Sweden, August 3, 1843. At an early age she evinced 
 great taste for music. She became quite proficient on the violin, 
 learned the flute, and attended fairs and other places of public resort, 
 at which she sang, accompanying herself on the violin. While per- 
 forming in this manner at a fair at Ljungby, in June, 1857, her ex- 
 traordinary powers attracted *he attention of Mr. F. G. Thornferhjelm, a 
 gentleman of influence, who rescued her from her vagrant life, and 
 placed her at school, first at Halmstad, and afterwards at Stockholm, 
 where she was instructed by M. Franz Berwald. 
 
 She made her first appearance at Stockholm in i860, and after- 
 yards went to Paris to finish her musical education under Masset and 
 Wurtel. She made her first appearance in London at Her Majesty's 
 Theatre in 1867, and proved the great operatic attraction at that estab- 
 lishment during the season. She made her first appearance in this 
 country in 1870, and within less than a year she is said to have cleared 
 $150,000. 
 
 After a transatlantic trip of two years she returned to Drury Lane 
 Theatre, May 28, 1872, and during that year was married to M. Au- 
 guste Rouzaud, the son of an eminent French merchant. He died at 
 Paris, February 22, 1882. Madame Nilsson made her "farewell ap- 
 pearance" in New York, April 16, 1883, before a crowded audience, 
 thus closing the most successful concert tour ever made in this country. 
 Madame Nilsson again visited this country during the season of 1884-5, 
 and was received with much enthusiasm in all places where she made 
 her appearance. She is not more distinguished for her rare musicsd 
 gifts than for her charms as a woman and her noble character. 
 
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 XAVIER SCHWARENKA 
 
 Both as a composer of music and as a performer on the piano-forte, 
 Herr Scharwenka is entitled to the highest consideration. He is a 
 native of Santer, in Posen, where he was born in 1843, and he was one 
 of the most brilliant students in the famous Kullak's Academy in 
 Berlin. His first public peformance occurred at Berlin, in 1862, and 
 with the exception of five years of army service, he has taught music 
 there ever since. He has given concerts in most of the large cities of 
 Europe, and is regarded by the best critics there as in the foremost 
 rank. In 1890-91 he visited America, and won the most favorable 
 opinions of all who heard his masterly performances. His published 
 musical compositions are numerous, and comprise some concertos 
 and sonatas that hold a high place in the best piano-forte repertoires. 
 In his own performances, he does not confine himself to the works of 
 any one master, or to any especial class of music, but interprets all 
 with equal skill. He is now at the head of a great conservatory of his 
 own, which ranks among the most important schools of music on the 
 European continent . 
 
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JOHN PHILIP SOUSA. 
 
 The most popular band-master in America is John Philip Sousa, 
 but he is no less popular as a composer. In fact, as a creator of martial 
 music of a high order, perhaps, no writer of modern times approaches him. 
 
 He was Director of the Marine Band in Washington for a number 
 of years, furnishing music at nearly all great social occasions and public 
 gatherings in our National Capitol, being frequently employed at the 
 White House receptions of especially notable character. For the past 
 few years Mr. Sousa's headquarters have been in New York City, where 
 he is the head of a large organization and has the most splendidly 
 equipped band in America. Indeed, its superior is not to be found, 
 perhaps, anywhere in the world. His orchestra concerts furnish the 
 most popular entertainments for a large number of Gotham's elite. 
 
 During the summer of 1895, Mr. Sousa was stationed at Manhattan 
 Beach, where his daily concerts played no small part in attracting a 
 large attendance of the music-loving public to that popular resort from 
 New York and vicinity. 
 
 Among the many popular pieces of music which Sousa has com- 
 posed we may mention the " Washington Post " and " Liberty Bell " 
 marches, which have become familiar and famous throughout the world 
 His compositions command a high price, and the royalty received from 
 their sale is rapidly adding to the wealth of their famous author. By a 
 recent arrangement the ertire publication of Mr. Sousa's music has been 
 transferred to the management of one publisher, and it is so carefully 
 guarded and exclusively held that he will doubtless not be permitted 
 for many years to come, to favor the public as he has in the past, occa- 
 sionally, by allowing its publication in current literary journals. 
 
 By birth and education Mr. Sousa is an American, and all Ameri- 
 cans are justly proud of him. To those who have the pleasure of 
 knowing him personally he is said to be a most companionable man of 
 the world, possessing ir an eminent degree that grace of manner which 
 makes every one feel at ease and at home in his presence ; but when he 
 assumes the r61e of a director he becomes complete master of the situa- 
 tion. He is a rigid disciplinarian and thoroughly executive, looking 
 percionally and systematically into every detail, and exacting the most 
 scrupulous attention to, and execution of, his orders. 
 
 Mr. Sousa is said to be passionately fond of songs and vocal music 
 generally. Mr. Geo. M. Vickers, of Philadelphia, has written a spirited 
 song entitled " At the Gay Manhattan Beach," which he dedicated to his 
 friend Sousa upon its publication in 1896. 
 
EYES THAT WATCH FOR ME. 
 
 101 
 
 OBOItaK COOPER. 
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 ADAM OEIBEL. 
 
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 1. The Stan 
 
 2. Oft dark 
 8. I heed 
 
 that gem the evening sky 
 and lone - 17 life may seem, 
 not what the world maybring, 
 
 May cheer our lone • ly 
 But all its storms de 
 
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 way; While wea 
 
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 care; To one 
 
 ry hours are glid - ing by, May 
 
 may share one gen - tie beam, The 
 
 dear lov • ing heart I cling. For 
 
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 bless with gen - tie ray; 
 
 sun - shine of. tiie heart! 
 
 joy and rest are there! 
 
 But there 
 Our road 
 And if 
 
 are lights of pur - er 
 
 may lead thro' wea- ry 
 
 I'm lone - ly left to 
 
 T. 8. 11 Can. 
 
 OopTrlfht, ISM, bjr Hubbabd PuBLUHiRa Co 
 
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 162 
 
 XnS THAT WATCH fOH MS. 
 
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 beam ..* Than those o'er land or sea; 
 
 gloom, But oh, what joy to see, 
 
 grieve, like aome sad loif - leas tree, 
 
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 dear 
 
 all 
 
 know 
 
 er far than fair - est star, — Deai eyes that watch 
 
 is past, a smile at last And eyes that watch 
 
 a -hove, I'll meet in love Dear eyes that watch 
 
 for 
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 me!, 
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 met. 
 
 Oh, dear 
 When all 
 I know 
 
 er far than fair - est star, — 
 is past, a smile at last, 
 a- bove, I'll meet in love, 
 
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 Dear 
 
 And 
 
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 CHORUS. 
 
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 eyesjdear eyes that watch for me I 
 eyes, and eyes that watch for me I 
 eye8,dear eyes that watch for me I 
 
 1 
 
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 O eolla aoML I 
 
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 P eoUavoee. 
 
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 Lov-ing and ten - der. Sweet in their 
 
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EYES THAT WATCH FOR MB. 
 
 168 
 
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 splen • dor, Ko mat- ter where they may he I. 
 
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 Shar • ing life's glad • ness, Light- ing its sad • nesa, The dear eyes that 
 
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 watoh for me 1. 
 
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 164 
 
 THAT IS LOVE, 
 
 krW. D. 
 Modirato awn. 
 
 McOLBNNON. 
 
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 Love, sweet love is the po-et' 
 2. Love, sweetlove,how tfie word's misplaced, LovejBweet love, how the theme's di 
 
 True, true love that will nev-c< 
 4. Love, Bweetlove,not the passion's glow, Thatsome call love on this earth be- 
 
 1. Love, Bweetloveisthe po-et' 8 theme, 
 
 toe word' smisp 
 S. Oh, the love of a faithful friend, 
 
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 ^^m 
 
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 dream; 
 graced, 
 end; 
 low, 
 
 \r » gg rr3^ ^:^U — ^ *4 
 
 What is the love of which they singf 
 
 What is a fond lov • er's ar • dent glanoet 
 
 Where can such friendship be found on earth t 
 
 No, but the pure, theun-dy - ing love. 
 
 In 
 The 
 
 p^ j.J^^T^TTij -jL_[;r77j- J. ji 
 
 On - ly a phan-tom un-real thing ! 
 What is a maiden's shy ad-vancef 
 true hearts a-bove it find • eth birth, 
 
 cred af-fec • tion from a - bove, 
 
 'Tis but the dalliance, the 
 What is the pressure, the 
 Friends, meet with friends, and they 
 'Tis not the love, not the 
 
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 In 
 The 
 
 m 
 
 THAT IS LOVE. 
 
 165 
 
 Pj"jr::>i^ 
 
 daulanoe of youth and maid, 
 pressure of am • 'roua lipsf 
 vow, they vow to cling, 
 love for a beau- teous &ce, 
 
 ^hi — J. jJ=^^ ^gi 
 
 'Tis 
 
 What 
 
 Of 
 
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 but the pas 
 
 is thepres 
 
 ten, a •las! 
 
 not the love 
 
 sion, the 
 sure, the 
 does their 
 that Umo's 
 
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 pas-Bion of vows that fade ; 
 pres-sure of fin • ger tipsf 
 love, their love take wing; 
 rav • a - ges soon will chase, 
 
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 'Tis 
 On 
 
 Sel 
 'Tis 
 
 not the Heav • en, the 
 
 ly the pleas • ure, the 
 
 dom, a - las I can such 
 
 not the love born in 
 
 heaven implanted glow That trne hearts call love, ah "^ no ! 
 joys of passing day, 'Tis not the love that will live 
 
 faith - ly friendship be, As that of two comrades who went to 
 brightly sparkling eyes. Ah no, 'tis the love sent from Par - a 
 
 ah no! 
 for aye ! 
 
 sea. 
 
 dise. 
 
 See a mother gazin^^ on her ba - by boy. 
 See a father standing at his cottage door, 
 When the squall had struck the ship, and she was lost, 
 S ee a husband parting fro m a darling wife, 
 
 sartthat 
 
 With ecstatic eyes and heart that 
 Watching baby in the gutter 
 Clinging to a plank the chums were 
 Bearing arms for freedom and the 
 
 rrrr^^ T f i 
 
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 166 
 
 THAT IS LOVE. 
 
 fill 
 
 roll 
 
 
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 ing o'er ; 
 tern • peat tost ; 
 bat - tie's strife ; 
 
 p-Tf^ 
 
 He to her is pur-est gold without al - loy, 
 Laughing at his merry pranks, but hark, a roar t 
 But the plank was water-logg' d, and sank almost, 
 Ga z-ing on her portrait whe re the foesare rife, 
 
 tLff^^lhQ 
 
 ^ 
 
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 For him how she pray'd to Heav'n above. 
 Help, oh help him, gracious Heav'n above t 
 One of them must meet his God a-bove. 
 Treasur-ing a lock of hair, a glove. 
 
 rrgc"^^j^ 
 
 How she guides his footsteps thro' the 
 
 Dashing down the road there comes a 
 
 One of them said, " Jack this plank wiU 
 
 See the wife from whom the husband 
 
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 ^^r^rfng^ 
 
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 vale of strife, 
 
 mad-den'd horse, 
 
 not hold two," 
 
 had^ to part, 
 
 Watch-ee o'er his bedside when infeo - tion rife. 
 Out the fa-ther rush-eswith re-sist - less force, 
 You' ve a wife and children, so I'll die for you, 
 New s has come, he's fallen, how the tear-drops s tart! 
 
 Bisking for her ba-by boy her health, her life, That is love, that is love I 
 Saves the duld, but he lies there a mangled corpse, That is love, that is love I 
 Good-bye Jack! "he leaves the plank and drops from view, That is loye,thatis love ! 
 How she droops and the dies of a broken heart ! That is love, that is love ! 
 
167 
 
 A FLOWER FROM MOTHER'S GRAVE. 
 
 HAHHY KBNNEDr. 
 
 1. I've a oas - ket at home, that is fill'd with precious gems; I have pictures of friends dear to 
 
 2. In the quiet country chu rchyard they laid her down to sleep; Close beside the old home she'sat 
 
 F 
 
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 fci 
 
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 s 
 
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 me, 
 rest, 
 
 m 
 
 -t- 
 
 And I've trink - ets so rare, that came ma - ny years a - go, From my 
 And the low, sa-cred mound is enshrined with -in my heart. By the 
 
 i 
 
 ^^ 
 
 E 
 
 y r e c (;-»g r' e I ■'■-■•' '^- J l J- n J-^ ^ P -^ '^ -^ I 
 
 fiur dlrtant home a-croBB the sea But there's one sweet lit-tle trnas-ure that I'll 
 
 iweet ties of love for- ev • er blest In tlie still and si • lent night, I oft -en 
 
 Copyrlfjht, 1878, by WXUJAX H. KamiBDT. 
 
108 
 
 A FLOWER FROM MOTHER'S ORAVB. 
 
 ccz c g-g-M 
 
 m 
 
 rsr—. 
 
 «▼ - er dear-ly priie Bet - ter, far, than all the wealth beneath the wave; Tho' a 
 
 dream of home a - gain, And the via- ion tells me ev • er to be brave; For th« 
 
 f^iu i ji i ;^u-j -x i 'jif!' i 
 
 ^^ 
 
 ^£=3^ 
 
 ^=f^ 
 
 ^ 
 
 y rfcgcf!riJV ,jJr fpir r.erire \ 'iJ \ 
 
 ■mall,fiided flow'ret,that I pluck'd in childhood's davs, 'Tie aflow'rfirommyangel mother's grave, 
 last link that binds me to that place I love so well, Is the flo w'r from my angel mother's grave. 
 
 A.M .- gg "C "" S C ff I U w w U ~t~ 
 
 ff 
 
 OHOBVB. 
 
 SOPBANO. 
 
 J. J J i I J. J J. | l J 
 
 Treas - ured in my mem - 'ry, Like a 
 Alto. 
 
 hap - py dream. 
 
 ^ J*. J 
 
 a^^^ 
 
 3=2: 
 
 Treas - ured in my mem 
 
 TSNOB. 
 
 'ry, Like a hap - py dreat-. 
 
 I fflt* I. J J. ^ 
 
 p- J >J *\ 
 
 ^m 
 
 Treas - ured in 
 Bass. 
 
 my mem • 'ry, Like a hap • py dream. 
 
 h'r P— !^ ^ J I c- e c g J 
 
 AOOOMP. 
 
 i i j j I L 
 
 ^m 
 
 i 
 
 g 
 
 ^ 
 
 
A FLOWER PROM MOTHER'S GRAVE. 
 
 169 
 
 ^J.,jj j^-j^Tf^r ^-8 i r -S'^ J ^'J } 
 
 Are the lov -ing words she gftve, And my heart fond - ly cleaves To the 
 
 Are the lov - ing words she gave, And my heart fond - ly cleaves To the 
 
 i tj:LJj--^_j^.„j J. J i J jvijj -jm 
 
 Are the lov - ing words she gave, And my heart fond • ly cleaves To the 
 
 ^^■^F F 
 
 '■ J J ^' J I 
 
 If j J J 
 
 n_jTni 
 
 m 
 
 r J J I r f ,Q ^ I J— i-^=j^=it 
 
 ■ fc ^ c. (ffat. Wtord. . 
 
 |/JJJJJ J.J I J J J J. jTTJr j-jn 
 
 dry and withered leaves — 'Tis a flow'r from my an • gel moth- er's grave. 
 
 dry and withered leaves — 'Tis a flow'r fifom my an • gel moth-er's grave. 
 ^ dim. ritari. 
 
 ffj |>" J J J ;^ J J. J i J ^ 
 
 dry and withered leaves — 'Tis a flow'r from my an • gel moth-er's grave. 
 
 f=^f I r : ^^ 
 
 n] n \ i fM 
 
 rUard. 
 
 g^^ 
 
 i 
 
 
I 
 
 i 
 
 f : tii 
 
 I 
 
 Sf 
 
 it 
 
 m\ 
 
 
 MW-'^ 
 
 170 
 
 LOVELY, SILENT NIGHT. 
 
 0. H. O. 
 
 OHAS. H. OABRIIL. 
 
 1 How lUlI ii the hour of this OAim, li - lent night, The moon'a sil- Ter 
 
 2 We WAD - der a • down thro' the tall, murm'ring tree*, And breathe in the 
 8 No hour of the day it lo aweet and lo itill, No hour of the 
 
 ^'^ ' F'PF'P'F F ' P' pp i pFF ' ^'^^' 
 
 ^^ 
 
 hearts with de 
 
 * I B f ^ ^3 
 
 m 
 
 b«anu fill our hearts with de - light ; The leph - yr's low song, and the 
 joys of the soft, balm • y breeze ; The night • in- gale's song fills our 
 day can our bo - soins so fill With pleas - ure, and Aree • dom flrom 
 
 '■^- 
 
 ^ 
 
 ■ r gip :p-| 
 
 HH^i 
 
 fe^j Jl J ■.-^^EE^-J J N ^j; ! , ^^ 
 
 stars iu the sky, Seem to whis - per to us of 
 hearts with de - light As we wan - der a - long in 
 toil and from care, As the still, qui - et hour of 
 
 a sweet b^- and- 
 the sweet, si • lent 
 a night calm and 
 
 MU-JJi^ 
 
 T=fc 
 
 ^^J JN- P ^\ 
 
 -hyT 
 
 mrlit, 
 liur, 
 
 Yes, whis 
 We wan 
 As the still, qui 
 
 Ser 
 er 
 
 to us 
 a - long 
 
 et hour 
 
 of a 
 in the 
 of a 
 
 te ^H^-H 
 
 sweet by • and- 
 
 sweet, SI • lent 
 
 night calm and 
 
 i- 
 
 ^ 
 
 f'f f. \ r'L C I 
 
 Lovely, si- lent night ! 
 Lovely, si- lent night I 
 Lovely, si- lent night I 
 
 Love-ly, 
 Love-ly, 
 Love-ly, 
 
 si- lent night ! 
 si- lent night ! 
 si-lent night I 
 
 Jl 
 
 hp^ M^ ^ [ np'*- 1 ^ ^ nfT^ii 
 
 Copyright, Om. D. Nbwbali. ft Oa 
 
g ^iHW» filrU. 
 
 EBSfST BU88ILL 
 
 OIOBOI P. IC0BSX8. 
 
 This book Ui ftll that's loft me now I Tear* will un • bid • den etart; ^h 
 
 1. Tbia book la all that'a loft me now I Tear* will un- bid -den atart; WTth 
 
 2. Ah! well do I le - moiu - ber those Whose namea the roo - ords bear; Who 
 
 3. My tk - tber read thia ho • ly book To broth - on, sla - tera dear ; How 
 
 4. Thou tru • eat Mend man ev • er knew, Thy con - stan-oy I've tried; Where 
 
 m^-^i ^m J. j i ^ J I J i iJ'^ 
 
 flilt - 'ring Up and throbbing brow, I press it to my heart. For 
 
 round the hearth-atone used to dose Af - ter the ev' - ning prayer. And 
 
 calm was my poor moth - er's look. Who leaned God's word to hear. Her 
 
 all were fluie, I Ibund thee true, My coun - sel - lor and guide. The 
 
 h / J J U;- Ji^ cN' *^^ J I M ^ 
 
 'ly tree; 
 
 ma - ny gen - er - a - tions pant, Here la our fam-'ly tree; My 
 
 speak or what these pa - ges said, In tones my heart would thriu ! I'ho' 
 
 an - gel face— I see It yet! What throng -ing mem- 'ries come! A- 
 
 mlnes of earth no treas - ure give That could this vol- ume buy; In 
 
 ^g^ 
 
 ri' i f' ^f [ij^ur'n 
 
 moth 
 they 
 gain 
 teach 
 
 er's hands this Bi - ble clasped; She^ 
 
 are with the si - lent dead, Here ara 
 
 that lit • tie group is met With - in the halls 
 
 Ing me the way to live, It taught me how 
 
 ing, gave it 
 they liy - ing 
 
 to 
 
 me. 
 
 still. 
 
 home. 
 
 die. 
 
fA m\ mm f 
 
 llili 
 
 I i 
 
 f?: 
 
 
 
 '■€ 
 
 3 3ovt mu Mtr io8. 
 
 Ballad by 010. A. OftAQCK Am&gidfbrthaaiiltttbySlP. WZMITIB. 
 
 ▼<tM. 
 
 •«ltar. 
 
 /i ^^ ^> . JJ tJ^:J^^ %^^i^ 
 
 I, He Mid good-by • year ■ • go, And lail'd • ■ crow the 
 a.'TwM but adnun, thccni • el mb My love had not brought 
 
 yjj^ jj ^i-i i J^j^;,fc j!:^=^ 
 
 I 
 
 He uid, my love, I will return A - gain tweet • heart to 
 
 baek, And gold-en yean had (led apace, Since I had 
 
 thee. One night I had the aweet - eit dream, A via- ion v 
 Jack. But then there came an • oth - er dream, Hit form m 
 
 rous clear — I 
 
 >n drew When 
 
 'ilLiT'tirr rcfF' crytTi-F^ 
 
 aaw 
 
 I 
 
 hii ship at an - chor ride, My love Mood smil-ing near, 
 a -woke, oh joy, oh bliu. My dream, my dream wai true, 
 
 I 
 When 
 
 ^ cr- nr^-f-r i r r rrny -nia 
 
 ■aw his ship at an • chor ride, My love stood smil - ing near. 
 
 I a - woke, oh joy, ah bliat, My dream, my drvtam was true. 
 
 
 f~Sf 
 
I LOVB MY BAILOR BOY. 
 
 Ttm/* di Fa/u. 
 
 ^^^^^^^Ei szu \ f-f-a 
 
 *-iJ- J-l i r r i r r r I-* ^ i 
 
 Ah, hap - py meet • ing, What Joy • on* grtct • ing, 
 
 
 r 
 
 (^^^^^B 
 
 m 
 
 '.^£ 
 
 GaTe I my brave tail • or buy., 
 
 You hava my heait, lovt. 
 
 '*>' z=- » = siP X P Wr X = X 
 
 ^ X ^ X f^ »r * f * p X 
 
 fir ' I M r - ir > 
 
 Ump». 
 
 17« 
 
174 
 
 THE OLD ARM CHAIR. 
 
 COOKS 
 
 iifUMMo 0Ofl 6fpr6MtOIM* 
 
 RUSSELL. Bffw. 
 
 s 
 
 vh a » 
 
 TlJJ JJJ J l J J3J. J! 
 
 I love it, I love it, and who Bhall <1. re To 
 
 k[yi J J jTT-j i J^jpj. ,j i jj jj J J 
 
 ehide me for loving that old arm chair; I've treasured it long as a 
 
 f ' K ^ " ' f f 
 
 i 
 
 J jJ i Jpjj.i ■J'^ i -acFr- r" 
 
 I7 prize, Fvebe-dew'd it with tears, and embalm'd it vHlth sighs; Tis 
 
 bound by a thou - sand bands to my heart, Not a tie will break, not a 
 
 ^ 
 
 A Ij J If, . ^S 
 
tmt OLD AHM CHAlRi 
 
 176 
 
 i 
 
 m 
 
 ■f [f. inm :j. nn =±^^ ^ 
 
 link will itart. Would ye learn the spell, 
 
 a mother sat there, And a 
 
 ^^ 
 
 cjT jJi^ >gj ^ 
 
 T^"^ 
 
 sa • ored thing is that old arm chair. 
 
 ^rzFTj. jj. JJ -^Jj ^;ij J J "3 ^ 
 
 I sat and watoh'd her ma • ny a day, When her eye grew dim, and her 
 
 M -nji i i,njj. jjj i J-Dj-'j i j ij-^^ -M 
 
 lodu were grey, And I almost worship'd her when she snul'd. And tom'd from her liible to 
 
 r^^ r — ' r^r — - 
 
 <«^ 
 
i 
 
 I 
 
 1 1 
 
 176 
 
 im OLD AKM OHAnt 
 
 J J. JJ 
 
 bl«M her ohild. Yeui roll'd on, but the last one aped. My i • dol wm ihsttar'd, my 
 
 01 h g 
 
 S 
 
 f 
 
 S 
 
 I 
 
 JB 
 
 I 
 
 I 
 
 !■ i.-i'. n j JT-^ i -n. ! ; ;ir cj r i - ^ 
 
 earth-4tar fled; I learnt, how mach the heart can bear,When I mw her die in that 
 
 ^m 
 
 ^m 
 
 a. 1 " i p f 
 
 ^i>' i ' J j 3j - ^ 
 
 W- >L^IMJ J. ^ 
 
 old armchair. 
 
 Tispastl'tispaitlbatl 
 
 P - /3I^ ^? 
 
 p, if i^J' ^^^' j J II I f 
 
 ^ 
 
 .-j) "g j3j., ^j j.^ 
 
 gaxe on it now With qniyering breath,and throbbing broWfTwas there ihe nnrs'd me,'twM 
 
 I 
 
 j. ■]. - p y 4' ^^ 
 
TOE OLD ARM CHAIR. 
 
 177 
 
 J. ; i j I ■!■ J i -Ofp r * \ 
 
 there ihe died; And mem - 'ry flows with 1» • va tide. 
 
 '^J7i^J71i^"JT3 i *\ 
 
 iSA J3 J J J j^Ji J J J ^ 
 
 m 
 
 Say it is fol-ly, and deem me weak. While the scald -ing drops start 
 
 jm 
 
 i 
 
 i 
 
 r [• JJ i jj jjj J i J J3^^ 
 
 down my cheek; But I love it, I love it, and can • not tear 
 
 My 
 
 jf/ i / i t' fir j^ji. 1 ^^ 
 
 " X j : 
 
 soul from a mother's old arm chair. 
 
 TS— 19 
 
178 
 
 rSE COMIN' CLOSE TO EIGHTY YEAR 
 
 O. M. V. 
 
 OEOROE M. VIOKBR& 
 
 
 m 
 
 I 
 
 fi ' 
 
 li' 
 
 m 
 
 ^m 
 
 mf 
 
 1 I'ae 
 
 2 I'ae 
 8 I'ae 
 
 
 i 
 
 ^ 
 
 ^ 
 
 i**fc 
 
 ^^-j-j^^^^^^gj^J. j i J J'7f f ' e 
 
 com • in' close to eight - 7 year, Dis kead am white aa snow, But 
 com • in' dose to eight - 7 year, De work • in' da78 am o'er, An' 
 com - in' dose to eight • 7 7ear, De win • ter time am nigh, Oh, 
 
rax eoMiN* close to biohtt yeah. 
 
 179 
 
 p p f f J J 3^- J i f r r--tfT-^T ~^ 
 
 •till I lubs to tink a • bout De timei ob long * - go ; Oh, 
 
 ■oon I'll roam a - mong de fieldi Up • on de gold • en ahore ; Den 
 soon to all dis troubled world I'll eaj de lait good-bye, Den 
 
 ^M=^±=1:^=^ g C-LCl 
 
 S 
 
 m 
 
 ■oon I'll be march- ing home to glo 
 ahont for de com • in' ob de mom • 
 Stan' baok, de gos - pel train am com • 
 
 in/ 
 in', 
 
 I 
 Da 
 I'ss 
 
 JjLJ JjLi' 
 
 
 al - most hear de an- gel's horn, 
 mom dat sets dis darkej free, 
 glad I'se leayin' none tomoum, 
 
 Yet 'fore I goesI'U see de 
 
 I long to see de bright soa 
 Yet 'fore I goes I'll see da- 
 
 r r -cTr~ ji jc-p i^ 
 
 i 
 
 cab 
 
 beam 
 
 cab 
 
 in Whar dis poor darkey chile mm bom. 
 in' Dat brings de day ob rest fbr me. 
 in Whar dis poor darkey chile was bom. 
 

 ll* 
 
 ruooMur atoas to iioHTr nukii* 
 
 If r* \ r (!'^^ ^^ 
 
 Yei, I muat go to de lubb'd ones, No one un left for me to 
 
 AZTO. 
 
 ^j j.j j J.J.I ji^ij :.m:^ 
 
 Yea, I must go to de lubb'd ones, No one »m left for me to 
 Tjurojt. 
 
 Yes, I must go to de lubb'd ones. No one un left for me to 
 
 MABa. 
 
 :ct=£L 
 
 i 
 
 weep; 
 
 ^^ 
 
 weep; 
 
 f i ^ ! M L-lri rr fir J ;. .H i I'J'J JJI-'' ■i ll 
 
 Down 'neaf de shade ob de green palmetto tree, On • ly dar let dig poor darkey deepii 
 
 ^J J'.JJ J.A.^JJJJ J.Jj.jJJJJj.MI I 
 
 P 
 
 Down 'neaf de shade ob de green palmetto tree, On • I7 dar let dis poor darkey sleepk 
 
 *—M^ 
 
 Down 'neaf de shade ob de green palmetto tree. On -lydar let dis poor darkey ileepk 
 
 m 
 
KISS ME, AS I FALL ASLEEP. 
 
 181 
 
 Andanlt. 
 
 DouoHsmr. Brpw. 
 
 I f- Hf J l J r T'C I ^ l-F— ^ 
 
 know, . . . ' 
 now,. ... 
 boy, . . . , ' 
 
 Watch >ing by me night and day; 
 
 Broth • er Char -lie lay just so, . 
 
 And I'd rath*er stay with yon; 
 
 Soon you'll rest, for I must go — . . . 
 And yon kiss'd him, lips and brow, . . 
 Think, dear Ma -ma, of the joy 
 
 I must die, I heard them 
 When he said that he must 
 When we meet where all is 
 
 
 say. . . . 
 go. . . . 
 day. . . . 
 
 That means go -ing to the skies; . . . 
 Soon, dear Ma -ma, we shall mee^ . . . 
 Yon have told me of the land . . . 
 
 h.H i\*iii i *ii$ 
 
 ^'f*- \f*- ij-x- If « - ij»- ij^- 1 
 
 i 
 
IM 
 
 SISS Ml^ AS I PALL ASLKEP. 
 
 ! 
 
 i 
 
 s; 
 
 t 
 
 ^%' 
 
 J 
 
 I 
 
 
 
 Ma - ma, does that make 70U weep? . . 
 
 Be a - sain as brothers are, . . . 
 
 Where the udes are ev • er fair; . . . 
 
 Dim - mer grow my wea - rj 
 Play • ing thro' the hap - py 
 I am go • ing, take mj 
 
 J m jj 
 
 I - r ^m^ 
 
 i 
 
 I 
 
 M=: 
 
 i r- * \ f r i ^ r>r' J'- i -^ ^ 
 
 eyes; . . . Kiss me, as I fall a - sleep. . . . 
 
 street ... Of that snn-ny land a • far. .... 
 
 hand, . . . We shall be to-geth-er there! . . . 
 
 iniii \ *iii \ *iii \ JiJi jjlj l J.^ 
 
 ^^^^^ -*- I 
 
 i^^^ 
 
 SOFRAHO. 
 
 ►V'j i frrch ^'- i f l Upr-c i ^^ 
 
 O, your tears fall on my face; . . 
 Alto. 
 
 Ma - ma, mama,do not weep! . . 
 
 f .i;j i jjj.ji._ i ^i--ii.j|jjj.ji_ i i-- i 
 
 Tenor. 
 
 <fy>'r i rrr'ci^ i ri - i f r i rrr-p i ' ■ ''-i 
 
 O, yoar tears fall on my face; 
 Bass. 
 
 Ma • ma, mama,do not weep! . . 
 
 
 ^^ 
 
 m 
 
■m Ml, Al I PALL ASLEEP. 
 
 188 
 
 J>"r \ \^frf \ ' i r-H" lUrr-rr^-ipni 
 
 Hmt'd biaoha pretty piaoe; 
 
 Kilt me M I fall « • ileep! 
 
 Hear'n is rachA pretty place; 
 
 Kias me aa I fall »• ileepi 
 
 i rTlrrr'cl, ^ai 
 
 ZION'S CHILDREN.N 
 
 Oht Zi-on's children coming a • long, Coming a -long, Coming a-long, O 
 
 I j^r r I ii J'J J I I J J J .r nj Jl I II 
 
 Zi*on'8 cUl-dren com-ing a-long, Talking a - bout the wel-oome daj. 
 
 i jl^r i r r c^c' 9 \ r f- i J J j j i 
 
 1. I hail mj moth - er in the mom - ing, Com - ing a • long, 
 
 2. Oh! dont voa want to live np yon • der, Com - ing a - long, 
 I. I think they are might - y nap • py. Com • ing a • long, 
 
 ij i^J J V i r I r r : ' g c ' M 
 
 oom - ing a • long, I bail my 
 
 moth • er in the 
 
 ij! >r f I J J I' J. ^ I 1 1 I I I 
 
 atom • ing, Talk - ing a • bout the wel • oome day. 
 
184 
 
 i 
 
 i\ 
 
 TRUE TO THE LAST I 
 
 ONARLU i. ROWB. 
 MmmM*., 
 
 mPHBN ADAMIk 
 
 mp^^fm ^ 
 
 w=^ 
 
 * < it M 
 
 m 
 
 Wj ^tETif 
 
 « « » 
 
 > > > > 
 
 ±r^r^r='. — * *^ * A^n^nr=r±^ 
 
 fctli 
 
 r jJ JN/ ^.J -^ I cliLJ l j. J. I 
 
 With lance in rest, ... his pen - non spread, 
 
 f-" jj jU Ji ^U J'i j'i Ji J ' . ^^ 
 
 »)£ 
 
 ^^ 
 
 J J J|4 
 
 ^ 
 
 i-_.j. M'Tjrr] . 
 
 To woo the breeze that sweep* the plain, 
 
 A knight his 
 
 f i u ^u a iU a ^^ ji j'i ^ 
 
 CtoPTTlchti. ISH. by Hvbbabb 
 
TRUE TO THB LAST! 
 
 188 
 
 on - ward ooune pur • "um. 
 
 ■■/J Jij F =f^ip ~TT^ J^ J ' 
 
 And marlu that course with heaps of 
 
 f U^^A^ ^i ^ff^fr^ 
 
 Ei3 
 
 fM-.JJij I i ,| ^n» JJ JiJ^ 
 
 ^ 
 
 f 
 
 he I 
 
 alain, with heaps of elaiii ; Hit la- dy's glove . 
 
 e proudly 
 
 f j-^jlj-^- l j 
 
 0=±i 
 
 ^W 
 
 w J '* jij^j^ij^" X "I ^=^ — ijTn ? 
 
 feE# 
 
 I 
 
 nJ- 
 
 ^ ,1, JJ JU 
 
 g 
 
 ^^^ 
 
 ^3 
 
 ^g=3 
 
 The mot- to grav 
 
 en on his shield 
 
 "True to the 
 
 ^ 
 
 &E 
 
 m. 
 
 ^r iiCi 
 
 
 &iS.p-«l ^ 
 
 ^=5P 
 
 m 
 
TnUE TO THE LAST. 
 
 %Mt^^^^^ ^^i'^n^' i'^^^- \ 
 
 iMt I'll live or <iiu, 
 
 True, true to the iMt t " 
 
 i 
 
 'i 
 
 I 
 
 
 Poco andante. 
 
 ^ ^ iUMO anaant 
 
 *•> I ^ 
 
 ^^ 
 
 The day is spent, night looks up - on the bat - tie field with 
 
 =5P^=tR 
 
 i 
 
 zar 
 
 ~^r 
 
 ■za. 
 
 f 
 
 m 
 
 JEr^r-fn ; 
 
 lac 
 
 -cr 
 
 ■izsi 
 
 -^r 
 
 czi: 
 
 -sHt- 
 
 # 
 
 abl 
 
 «=^ 
 
 ^ 
 
 ^ 
 
 :*tT-g 
 
 t^ 
 
 
 :?: 
 
 car-nage spread, And marks the fight,80 
 
 m 
 
 th d ring heaps of valiant 
 
 s W It '"^ s^^^ji" 
 
 ^^ 
 
 -*3=-~^ 
 
 i 
 
 r^, s 
 
 1^/ 
 
TRUE TO THE LAIT. 
 
 Efci| 
 
 18T 
 
 
 
 iload, 
 
 jH^^irTJ^^ ^^Mil^i -J JLAJ 
 
 of val • Uut de»d. 
 
 Ex • pir • ing on hia dint-od 
 
 ^imiU'i'um 
 
 m 
 
 SE^£ 
 
 FJ. ^ | J. 3^?^#JM^=-^ 
 
 shield, The atal- wart warrior now doth lie, And with his lat-est breath ex- 
 
 
i • I? 
 
 188 
 
 TRUE TO THE LAST. 
 
 * , rJ ; i J.. .J J l r-TTj I j. j. 1 
 
 Anuiid-en ma • den o'er the plain. 
 
 '""' * ji j ' i ji j i ^ i j jU U i'i ^ 
 
 (ft£: 
 
 '/» JJ J | J,'_; Jlj. J, | J._.J, \ * JJ-^ 
 
 WitL ea • ger eye ... she aoans the ground, 
 
 She seeks for 
 
 F-j ji j'^^'4 ^' " ^ a ji j j j ' i^ 
 
 ^'/j ^ j V ;jji^ 
 
 ^ 
 
 one . . . she loves so well. 
 
 ^=m 
 
 Ah me I that he ' should thus be 
 
 f i j j j ' i J4 i'^k^^ j'^^T^ 
 
 IK ' ^ 
 
 Jd Jlj Jj jlj J j J i f^ 
 
 ^^yj 
 
 ^ ..JJU.j. l j^ ^^ 
 
 1 
 
 found,8hould thus be found I Up-on bis breast . . 
 
 she droops her 
 
 j ' j j i j^ i ji i r iirri 
 
 ^^ 
 
TRUE TC» THE LAST! 
 
 189 
 
 i py, J -K jj j | J.._J,j|j. iJ. i p'--^ 
 
 With breaking heart . . she thus doth cry : . . . 
 
 ^^ 
 
 «-«- 
 
 ^ n J J I J. J . 1^ ^■^J J! 
 
 di4 
 
 3^ 
 
 "Forme he fought. 
 
 f 
 
 or me he fell, . . . 
 
 »- 
 
 If I t • • EVE lUO JAO AQJ1| • • • 
 
 _ir J po 
 
 True to the 
 
 •Vt *< kt 
 
 W f ^ » ^ I J F^ pl"^ J ^ U F ^ F 
 
 ^^=w 
 
 ;^j. jJ i J. J- ir'^r pir "f' ^ 
 
 ImTT. . with him I'll die, . . . \rith him I'll 
 
 die. 
 
 miz 
 
 ii \ :r..\ 
 
 J^t 
 
 True to the last, with him I'll die I 
 
 :^y^ 
 
 ^ 
 
 ^S i""* * f '^ j » " PTi— x*" ! j 1 ^" l ^i m| 1 1 
 
 J(jr oofta voec 
 
 i 
 
 Si^ 
 
 sit 
 
 k" ^ w 
 
 
 1 
 
190 
 
 SUMMER ROSES IN THE HEART. 
 
 COOPER. THOMAS. By per. 
 
 ^'^ j. Jjj cg l r gf " I r- J-^ jJ' ^ 
 
 1. When the merry birds are fly - ing Far beyond the wintry wave, 
 
 2. When the days are dark and dreary, When the hopes of yoath decay, 
 
 ^ 
 
 m 
 
 1 ^ g| ' [TFS 
 
 ^ 
 
 p=T= 
 
 r 
 
 P 
 
 INMonten. 
 
 . jjjc'? i r^-Jj^ i j-jj/j-j.]^ 
 
 ¥ 
 
 When the purple leaves are dy - ing, And the floVrs are in the grave. 
 Shall we linger sad and wea - ry, Sighing for the gen -tie May ? 
 
 ffi^^j] ' J73 ^ m 'M ^ 'M ' Jn ' ^ P 
 
 eoUavoee. 
 
 m 
 
 ^m 
 
 I 
 
 32 
 
 ^ ■ c F jvj Jir -"P r ^-[FHH^ ^ 
 
 Shall we sigh while earth is sleep - ing ? Shall we mourn that Joys depart ? 
 Though the wintry winds are blow - ing, Yet we know they soon depart : 
 
 i 
 
 ^^=^ 
 
 ^ 
 
 ffi^ffl i ^mvu^ ^ 
 
 il! Ii J S =» 
 
 w 
 
 I 
 
 f=^='f^=^*=r 
 
 J. Jjcr c i ^^ 
 
 J-f;^J'.J^,l » ^ 
 
 ■» 
 
 Let us hold within our keeping — Summer ros-es in the hearti Let us 
 Sweet, O, sweet while time is flowing — Summer ros-es in the hearti Sweet, O, 
 
 m 
 
 ssa 
 
 I 
 
 ip^^^^w 
 
 ^ *'if^ f^ If ^ 
 
 Lfe * * 
 
 g 
 
w- 
 
 BUMMER ROSES IN THE HEART. 
 
 h- 
 
 191 
 
 eg g' g i r r 
 
 ->t — ■ 
 
 ^ 
 
 1 
 
 ^1 
 
 hold . . with -in our keep-ing — Sum-mer ro - ses in the heart, 
 sweet,. . while Time is flow-ing — Sum-mer ro - ses in the heart. 
 
 ^!^ 
 
 ^m 
 
 ^9 
 
 ^^m 
 
 H' f r ^ 
 
 a: 
 
 tp2= 
 
 g 
 
 WAITING AT THE POOL. 
 
 HOUGH. 
 
 FISCHER. By per. 
 
 If'i^^HJjJ' I J JViljiiJ l jr jr fHi 
 
 1. Thousands stand to-day in sorrow, Waiting at the pool; Say-ing they will 
 
 2. Souls, your filthy garments wearing,Waiting at the pool; Heart8,your heavy 
 8. Step in boldly, death may smite you,'Waiting at the pool; Jc- sub may no 
 
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 ooIT 0th - ers sten in 
 
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 wash to - mor-row, Wait-ing at the pool; 
 bur - den bear-ing, Wait-ing at the pool; 
 more in- viteyou, Wait-ing at the pool; 
 
 0th - ers step in 
 Can it be you 
 Faith is near you, 
 
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 left and right,Wa8h their stained garments white, Leaving you m sorrow's night 
 nev - er heard, Je - sus long ago hath stirred The waters with his mighty word, 
 take her hand. Seek with her the bet - ter land, And no longer doubting stand. 
 
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 Waiting at the pool, Waiting, Wait - ing, Wait-ing at the pooL 
 
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192 
 
 DRIFTING CLOUDS. 
 
 H L. D'AROY JAXONE. 
 
 WALTER A. SLAUOHTBlt 
 
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 day-light fad - ed low and dim ; 
 
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 The tide came in with snow • 7 
 
 Copyright. 1884, by HVBBAmo BWW. 
 
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DItlFTINO CLOUDS. 
 
 $ 
 
 193 
 doiM. 
 
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 crest, . . . 
 
 The songbird sang its vcs • per hymn; 
 
 The 
 
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 eve - ning bells rung out their chime.... To bless the hour that heav'n had 
 
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 Had lent us from the hours of Heav'n. 
 
 T. vS. 13 Can. 
 
194 
 
 DRIFTING CLOUDe. 
 
 For you and I were plight • ed, Plight - ed to part no 
 
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 hush fell o'er the ves- per chime, 
 
 5 
 
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 A shad - ow stole o'er you and 
 
 No. 2.-28. 
 
 
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 196 
 
 DRIFTli'M CLOUDa 
 
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 me, 
 
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 -«y 
 
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108 
 
 DRirriNO CLOUDS. 
 
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 • 27 
 
in 
 
 GOING TO MARKET. 
 
 HAROLD WYNN, 
 
 Allrgretto con gr«mia. 
 
 LOUIS BIEHL. 
 
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 1 She was stand - ing by the wick - ct, and she 
 
 2 Ma • ny mer - ry words wore spo - ken, and the 
 
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 droop'd her pret - ty head : " I am go - ing to the mar- ket," with a 
 sun - light round them fell, But at e - yen, when re • turn - ing, he had 
 
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200 
 
 OOtNO TO MARKET. 
 
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 lit • tie figh/'iihu Huid, "An«l tliu bna • kot is ■<> hi'u - vy, nud I 
 Homo-thing iiiuro to toll : " Oh ! the nmii of lit'ti wo trav • t>l hint iti 
 
 • • • • • . 
 
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 think that it will rain, And tho road is long and lone- ly thro' the 
 bur- dens we muHt bear, And the road is long and drcnry; will you 
 
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 cop- pice and the lane." . . . 
 wish me with you there ? " . . . 
 
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 an- swer'd, as her trou- bled look be met : " I am sure it will be 
 ro - sy as the sun set in the west. And she an - swer'd, look- ing 
 
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OOINO TO MARKET. 
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 w«a • ry, uiul it m\if,\\l Im' vor ■ y wet Anil the 
 
 Hhy - ly, at the lil • icH in hiT l>rt'iut : . . . " You were 
 
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 eolla voce. 
 
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 a tempo. 
 
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 hay is hard •\y ri • pen'd, so I hav - 'nt much to do, And if 
 Icind to come to mar - kot, and you ul - ways toll mo truo, Ho I 
 
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 you will lot me, Jen • nio, I would like to go with you; And if 
 think I'll have you, Don- aid, for tho oth • cr jour • noy, too ; Bo I 
 
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 you wil let me, Jen - nie, I should like to go with you." 
 think I'll have you, Don- aid, for the oth- er jour - ney, too." 
 
 
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202 
 
 OOINO TO M\RKET. 
 
 Andantino eon ftpreu. 
 
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 You and I . . . to - geth - - er, love. 
 
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vJOINO TO MARKET. 
 
 
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 miud the weatb • er, love, 
 
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 TTords )jj Sr. BLATH2BWI0Z. 
 
 Modtrato, 
 
 Music by VIBaZHIA aABBISL. 
 
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 ^3tfc^:i^= ^'Jr ^iJ'Jj jn 
 
 1. S1eep,ba-by, sleep your father's a -way, Sleep, ba- by, sleep, and moth-er will pray, 
 
 2. Sleep, ba - by, sleep, your father's a - way. Sleep, ba - by, sleep, and moth-er will pray. 
 
 
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 Pray for poor fa - ther who sails on the sea, 
 Pray all the night thro' the sea's sul - len roar, 
 
 Pray while I'm rodk-i'ng his 
 Pray while I'm watching and 
 
 ^^^i^JdJjJdjb^ jJJM ' JJJJ JJ^S 
 
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 babe on my knee; May breez-es blow gent- ly wher-e'er he may be. And 
 weep - ing so sore ; But there's fa - ther's voice com-iiig up from the shore, And 
 
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A ilOTIIER'S SONG. 
 
 r4»=iC 
 
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 blow him home safe- ly to ba - by and me; Safe-ly, safely, to 
 
 ba - by and moth-cr are wcep-ing no more; Ba - by and mother are 
 
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 ba-byanu ..e to ba- by and me, 
 
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 Animato. 
 
 
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 1. If I should see up -on thy face A smile a -kin to sad-ness, I 
 
 2. Then if I saw the shades depart. Love's peace - ful sk/ re - veal - ing, And 
 
 would 'twere mine the cloud to chase, 
 marked the sun • shine of the heart 
 
 And fill thy soul with glad - ness, Ay, 
 
 O'er ev - 'ry feature steal - ing I'd 
 
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HEART WHISPERS. 
 
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 I would prom 
 woBve for thee 
 
 ise happy hours, When grief should harm thee never, 
 a chaplet bright No cimnce nor change should sever; 
 
 I'd 
 I'd 
 
 ^fff^-=^4g^ 
 
 a^IJ.. ^:i^3^ ^ 
 
 seek to strew thy path with flow'rs, And whisper, " Thine 
 welcome d«ys of calm de- light. And whisper, "Mine 
 
 for-ev-er!" I'd 
 
 for-ev-er!" I'd 
 
 ;^^J'»-^J^ 
 
 8 y.* 
 
 |^-4^-==g^ s-^:j^-^ z \ ^:^t '^- ^^^^ 
 
 seek to strew 
 wel - come 
 
 thy path with flow'rs. And whisper, " Thine for - ever ! " 
 of calm de- light. And whisper," Mine for -ever!" 
 
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iihe g0ttng Jlfcrttit. 
 
 Written and Arr. bj LZ17BLE7. 
 
 AUeyrvllo. 
 
 Oomposod by Zt^OZElT. 
 
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 1. SccltlicBcrib - bona 
 
 2. AVetwillmurcU a • 
 U. Slmiiio 1 Lizetto, to 
 
 gal • ly 
 way to 
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 Ing, I'm a sol -dlernow.Ll-zctte, I'm a sol -diernow.Ll-zetto, Yes, of 
 row, At the break - ing of the day, At the break • ing of the day, And the 
 Ing, Wbilo tliere's fame in store for me, While there's fame in store for me, Think when 
 
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 bat - tie 
 trum • pets 
 home I 
 
 I am 
 will bo 
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 dream 
 sound 
 turn 
 
 ing. And the 
 ing. And the 
 ing, What a 
 
 hon • or 
 mer • ry 
 joy - ful 
 
 
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 I shall 
 
 cym - b.'ils 
 day 'twill 
 
 get. 
 
 play. 
 
 be, 
 
 With a sa - bre by my 
 Yet be - fore I say good ■ 
 When to church you're fondly 
 
 ^^ 
 
 f>ide, And s 
 bye, And a- 
 led. Like some 
 
 N 
 
 ■A--m 
 
THE YOUNG llECUUIT. 
 
 hul • met on iiiy brow, And a pnxitl Hicitl to rult-, I slmll riiHli on the 
 laHt etui purtitiK take, Ah a proof of your love, Wear thiH nit't for my 
 la • <ly smartly druHt, Ami a be-ro you ahull wc<l, Witli a iu<!(l-al on his 
 
 ^^g^^i^^^^^i^i 
 
 foe. Yea, I flat-ter me, Li ' 
 sake: Then cheer up my own Li • 
 breast; Ha! there's not a maid-en 
 
 ( 
 
 zette, 'Tia a life that well will suit; The gay 
 zette. Let not grief your bcua-ty stain, Soon you'll 
 fair. But with wel-como will sa - lute. The gay 
 
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 life of a 
 
 see the Re 
 
 bride of the 
 
 young Re 
 • cruit a 
 young Re 
 
 cruit, 
 gain, 
 emit. 
 
 The gay life of a 
 Soon you'll see the Re- 
 The gay bride of the 
 
 i^pg^ ^ gfg-g^=---^ 
 
 I 
 
 811 
 
 ■i; 
 
 209 
 
By SIOBSl ALSZAHSSS STITIHSL 
 
 1. Ceuae, rude Bo-reM,bluat'rlngraller I List, ye landmen, all to mo; Metwrnittfis, bear a brother 
 
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 fe;^ ^j J=J-J-jt;^JlJ4C--^^^J^J-^-J^H 
 
 sail - or Sing the dan-gera of the bcu ; From bounding billows flrat in motion, When the 
 
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 dU- taut whlrlwindH rise, To the tempest troubled o - cean,Where the seas contend with skies. 
 
 ip^^ii^^^^: 
 
 Hark! the boatn wain lumrsely bawling,— 
 
 By to]Mail sheets uuil haul yards stand, 
 Down top-gullunts quick be hauling, 
 
 Down your staysails, — hand, boys, hand ! 
 N<nv it frosliens, set the braces, 
 
 (|uick the tousuil-sheets let go; 
 Luft', boys, lull, don't make wry faces, 
 
 Up your topnails nimbly clow. 
 
 Now all you at home in safety, 
 
 Sheltered from the howling storm. 
 Tasting Joys by Heaven voucbrtafud ye, 
 
 Of our state vaiu uotions form, 
 Kound us roars tlie temi)e8t louder, 
 
 Think what fear our mind enthralls ! 
 Harder yet it blows, still harder, 
 
 Now again tlie boatswain calls. 
 
 The topsail-yards point to the wind, boys, 
 
 Sec all clear to reef each course — 
 £iet tlie foreslieet go— don't mind, boys, 
 
 Though the weather stiould be worse. 
 Iffore and aft the sprit-sail yard get, 
 
 Reef the mizzen— see all clear — 
 Hand up, each preventer-bratse set — 
 
 Man tlie foreyards — cheer, lads, cheer ! 
 
 Now the awful thunder's rolling, 
 
 Peal on peal contending clash ; 
 On our heads fleroe rain falls pouring, 
 
 In our eyes blue lightnings flash ; 
 One wide water all around us, 
 
 All above us one black sky ; 
 Ditrerent deaths at once surround us, 
 
 HmA I what meaus that dreadful cry? 
 
 m ^ 
 
 ^m 
 
 The foremast's gone I cries every tongue, out 
 O'er the lee, twelve ft-ot 'hove deck ; 
 
 A leak beneath the chest-tree's sprung out- 
 Call all hands to clear the wreck. 
 
 Quick, the lanyards cut to piece»— 
 Come, my hearts, be stout and bold I 
 
 Plumb the well — the leak increases — 
 Four feet water in tlie hold ! 
 
 While o'er the ship wild waves are beatingv 
 
 We for our wives and children mourn; 
 Alas, from hence there's no retreating I 
 
 Alas, to them, there's no return ! 
 Still the danger grows upon us. 
 
 Wild confusion reigns oelow ; 
 Heaven liavo mercy here upon us, 
 
 For only tiiat can save us now. 
 
 O'or the leo-l)eam is the land, boys — 
 
 Let the puns o'erboard be tiirown — 
 To the pump, come, every hand, boys, 
 
 Bee, our niizzenmast is gone. 
 The If^ak we've found, it cannot i>our fast, 
 
 We've ligiitened her a foot or more; 
 Up and rig a jury foremast — 
 
 She rights I— she rights I— boys, wear offshore. 
 
 Now once more on joys we're thinking, 
 
 Since kind heaven has spared our liveiv 
 ('onie, the can, boys, let's be drinking 
 
 To our sweethearts and our wives: 
 Fill it up, about ship wheel it. 
 
 Close to tlie lips a brimmer Join ; — 
 Where's the tempest now, who feels it? 
 
 None — our danger's drowned in wiam. 
 
 ■( ; 
 
211 
 
 OH, THAT WE TWO WERE MAY! 13. 
 
 (DUET.) ' 
 
 BEV. CHARLES KINOSr.EY 
 Aniantino. 
 
 ^ 
 
 CHARLES OOU NOD. 
 
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 Like 
 
 Oopyrigbt, ISM, by Hdbbabo Bbos. 
 
 
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 212 
 
 OH, THAT WE TWO WCRE MATING. 
 
 p_f^^.-i^f^ ^,fL^_j^i^ ^ ^^m ^ 
 
 ohil-drcn with yuung flowers plaj 
 
 ing Down the stream of tho rich spring 
 
 ohil-drcn with young flowoni play 
 
 ing Down the stream of the rich spring 
 
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 breeze, Down the stream of the rich spring breeze. Oh, that we 
 
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 breeze, Down the stream of the rich spring breeze. 
 
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 two, Oh, that. we two, 
 
 oh, that we two were may - 
 
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- OH, THAT WE TWO WFPE MAVINO, 
 
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 ing. . . 
 
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 Oh, that we two mit dream - ing On the 
 
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 111 
 
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 sward of some stocp trimm'd down, . . 
 
 Watch - iiig the white mist 
 
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 From riv- er and mead and town. 
 
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 OILBERTSON 
 ArularUino. 
 
 THE HARP OF WALES 
 
 RICHARDS. 
 
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 1. Oh,wako a- yain the Harp of Wales! Thou inin-strel old 
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 hand, And sing once more those ancient tales, That charm'd of yore thy na-tive 
 vain. For him who slain in bat- tie fray, Lay cold and pale up- on the 
 
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 land. When dewy twi - light gathers round Each glen,and yon - der mountain 
 plain. Then sound again, thouQueenof song. While deep within the si- lent 
 
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 veils, I love to hear the plaintive sound Of thy sweet chords.old Harp of 
 
 vales. The list'ning ech - oes still prolong. Thy sil- ver tones, old Harp of 
 
THE HARP OF WALES. 
 
 219 
 
 
 Oh! wakua-gain thcHarpof \Valt'H,Th(»uminstri'l old with trcnihling 
 
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 hand, And King once more those ancient tale8,That charm'd of yore thy native land. 
 
 DANA. 
 
 Larghetto. 
 
 Arranged from DONIZETTI. 
 
 1. Hap-py the meelTj-whose gentle breast Cleai as the summer's eve - ningray, 
 
 2. His heart no bro - ken friendships sting, No storms his peaceful tent in-vade; 
 
 3. Spir- it of grace,all meek and mild. Inspire our breasts,our souls possess; 
 
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 Calm as the re-gions of the blest, En- joys on earth ce - les- tial day. 
 
 He rests be-neath th' Almighty's wing, Hos- tile to none, of none a - f raid. 
 Re- pel each pas-sion rude and wild, And bless us as we aim to bless, 
 
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 ERIN! THE TEAR AND THE SMILE. 
 
 MOORE. 
 \tc con eitpre»». 
 
 THOMAS MOORE. 
 Andante con eiq>re§s. 
 
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 skies ! 
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 Shin - ing thro' sor- row's stream, Sadd'ning thro' pleasure's beam, 
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 Thy suns with doubtful gleam Weep while they rise I 
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 Copyright, 18*1, by Hubbako Ehos. 
 
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221 
 
 GRACIOUS SPIRIT, LOVE DIVINE. 
 
 IRVINO EMERSON. By per. 
 
 Andantino. 
 
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 ' Gra - cious Spi - rit, Love di -vine, 
 
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 Gra - cious Spi - rit. Love di -vine, 
 
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GRACIOUS SPIRIT, LOVK DIVINE, 
 
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224 
 
 GRACIOUS SPIRIT, LOVE DIVINE. 
 
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 sal • va • tion on my heart, Brcatliu Thy -golf in 
 
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 to my breast ; Ear - nest of im • mor • tal rest. 
 
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 to my breast ; Ear • nest of im • mor • tal rest. 
 
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GRUMBLE, GRUMBLE, GROWL! 
 
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 1. Wo aro all gmniblorHlu'i'tsFromtlu'liirgt'Hf, to tlio 
 
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 least, No mat - tor what our choer, Be it f am-inc, bo it foaat ; For this 
 seen; Lot our fate bo o'or so fair Wo do nothing but com-]>lain. Some • 
 here; I tell it now in song, To press it on you here. Give 
 
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 world is vor - y strange, Let times be fair or foul; No mat - ter where we 
 times a muttered curse, Sometimes al-most a howl; Never bet -tor, al-ways 
 thanks for what you have; Always smile and never scowl; And speak intones of 
 
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 GRUMBLE, GRUMBLE, GROWL/ 
 
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 range, It ir grumble,grumble, growl ; We nev • er are oon - tent, But we 
 worse, And its grumble,grumble, growl ; We nev - er are oon •• tent. But we 
 love, 'Stead of grumble.grumble, growl. Thus will we be oon -tent ; Al-ways 
 
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 frown and we Bcowl,And our breath is ev -er spent In a grumble and a growl I 
 
 ftf^wnandwe Boowl,And our breath is ev-er spent In a grumble and a growl! 
 
 smile and nev-er scowl, And our breath in love be spent,2rot in grumble, grumble,growl I 
 
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 Andante. 
 
 MARSHALL. By pw. 
 
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 1. Calm on the listening ear of night Come heavVs me -lo-dious strams, 
 
 2. Ce - les - tialchoirs,from courts a-bove, Shed sa - credglo-ries there; 
 
 3. The answering hills of Pal - es-tine Send back the glad re - ply; 
 
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 Where wild Ju -de - a stretch -es far Her sil • ver man -tied plains I 
 And an - gels,with their spark -ling lyres, Make mu - sic on the air. 
 
 And ' greet,from all their ho - lyheights,The day-spring from on high. 
 
 ■1! 
 
227 
 
 " SLEEP 1 BABY, SLEEP!" 
 (CRADLE SONG.) 
 
 FROM THE GERMAN. 
 
 A. H. PEASE. 
 
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 I Ah ! sleep, ba - by, sleep, Thy Fa - ther is watch - ing his 
 
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 dvynght, 1S74, by Wm. A. POHO A 00. UMdby permlMlon. 
 
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 down falls a lit - tie dream on thee. Oh ! Sleep I 
 
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 sleep, ba- by, sleep ! 
 
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 81 -%p, ba - by, sleep ! The large stars are the 
 
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 great round moon is the shep - herd -ess. Ahl Sleep 
 
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 sleep, ba - by, sleep ! The Fa - ther lov - eth his 
 
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 •SLEEP I BABY, 8LBCPI' 
 
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 are the lambs of . . . Ood on high, Who came on earth for our 
 
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 sleep, ba- by, sleep 1 All 1 sleep 1 
 
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 HE KISSED ME. AND I KNEW 'TWAS WRONG. 
 
 "REPENTANCE' 
 AHON. 
 
 Attesfretto. 2. • 
 
 ALFRED O. ROBTM. 
 
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 He kiss'd me, and I knew 'twas wrong, For he was nei- ther kith nor 
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 He press'd my hand,Now that's not right ! Why w ill men have su ch wicked 
 
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 HE KISSED ME, AND I KNEW 'TWAS WRONG. 
 a tempo. 
 
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 y et it Bcem'd lik e days and days, And yet it seem'd like days and days I 
 
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 There's mis- chief in 
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HE KI88ED ME, AND I KNEW TWAS WHONO. 
 
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 wink 
 
 When I re- quest- ed him to go, — I meant it too, or so I 
 
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 think. But af-ter all I'm not to blame, He stole the kiss, he stole the 
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 284 
 
 ENOCH. 
 
 THE VALLEY OF CHAMOQNI. 
 
 OLOVER. 
 
 fan- ciefl, To tlie sway of happiest dreams 
 
 ring-ing, When Mont Blanc foretells the day ; 
 
 8va. 
 
 Back to scenes of beau-ty 
 And the breeze of morning 
 
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 glan-ces, Lit by mem - ry's brightest beams : Then I see that vale of 
 
 bring-ing Mountain chime and mountain lay ! Then once more, with rapture 
 
 8va. 
 
 f ount-ains, Where the Alp-flow'rs woo the gale, 
 glow-ing. All that mountain land I hail, 
 
 Under all the snow crown'd 
 But my heart with joy o'er- 
 
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THE VALLEY OF CHAMOUNL 
 
 fit. ^ f ^ a tempo. 
 
 286 
 
 mountains, Sliining o'er . . that beauteous vale. Obi Chamouni, Hweut 
 
 flow-ing, Lin-gcra in , . . that beauteous vale. Oh! Chamouni, Nwc-ut 
 
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 Chamouni ! 
 
 sweet Chamouni ! 
 
 Oh ! Chamouni's .... sweet 
 
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 THE POSTILLION, 
 
 WEATHBRLT. 
 V%vae«. 
 
 UOLUTt. 
 
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 winds be - gin to blow, An' ere we gain the hol-low plain, there'll be a storm I 
 
 trow, . . An' as we pass the Beg-gar's tree, look out'n the dark, look out, . The 
 
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 phantom horseman yon will see, He'll crack his whip and shout, Ho-lal Ho- la! Ho- 
 
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 THE POSTILLION. 
 
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 la!... H«*U crack his whip an' shout, Ho - la! Ho- la! Ho -la! .... 
 
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 Who's for the coach to - night? For we are boun' for Bristol town be - fore the morning 
 
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 Oh, I've a wife in Bris- tol town, a 
 
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 THE POBTILLtON. 
 
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 wifu an* uhil-drcn three, An' thoy are iloop'in' safe an' noun', But iiho keep* watch for 
 
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 mo; . . . An' who would quake, the road to take with Huch a prize in store, Tho' 
 
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 ravens croak on Hangman's oak. An' a storm be at our fore. Ho- la! Ho-lat Ho- 
 
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 THE POaTILLION. 
 
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 889 
 
 WIio'h for tliu ooaoh to • ni^ht? For wo aro bouii' for HrUtol town bo • foro tho morning 
 
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 Then one glasa more, The ale in fine, a 
 
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 toast sweet la • dies fair, . To each man's home,goodmasterB,mine,An' may he soon be 
 
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 THE POSTILLION. 
 
 there, . . . The sparks shall flash as on we dash, The clatt'rin' wheels shall spin, An* 
 
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 ev' - ry sleep- in' loon shall stir, to see the coach roll in,.. Ho -la! Ho-lal Ho- 
 
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 gaiement. 
 
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 Who's for the coach to - night? For we are boun' for Bristol town be - fore the morning 
 
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THE POSTILLION. 
 
 raU. « 
 
 241 
 
 COME, YE DISCONSOLATE. 
 
 WEBBE. By per. 
 
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 1. Come, ye dis -con -so-late, where- e'er ye Ian- guish; Come, at the mer-cy seat, 
 
 2. Joy of the des - o- late, light of the stray - ing, Hope of the pen - 1 -tent, 
 
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 fer - vent -ly kneel; Here bring your wounded hearts, here tell your an - guish; 
 fade- less and pure; Here speaks the Com-fort-er, ten - der - ly say - ing. 
 
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 Earth has no sor - row that heav'n can - not heal — Here bring your wounded hearts. 
 Earth has no sor - row that heav'n can - not cure — Here speaks the Com-f ort-cr, 
 
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 here tell your an- guish; Earth has no sor-row that heav'n can-not heal, 
 ten - der - ly say - ing. Earth has no sor-row that heav'n can-not cure. 
 
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 242 
 
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 OODSHALL. 
 
 Andante eon eapreas. 
 
 AT THE WICKET GATE. 
 
 OEIBEL. BrPMk 
 
 tg^Bj 
 
 / JJ .ni^r^ J JJ 
 
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 A' gain I will go to the old wiok-et gato, 
 
 He gave me this to« ken, this jew - el bo rare, 
 
 And a* 
 And he 
 
 
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 lono I will dream it all o • ver; Look down on me, stars, And 
 said, "dearest,part with it nev • er. And if I dare hope for a 
 
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 eret. tUtn. poeo ratt, 
 
 atemp«. 
 
 fe^^g f^g^ir c p cJ 'c p i r r ^V'^ ' 
 
 tell me my fate. Just whis- per a word of my lov - er; Yes, 
 
 treas- ure so fair. In re-torn, oh, be mine, loTe,for- ev - er.** In my 
 
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 a tempo. 
 
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 whis-per so low from voor home in the sky. That no one can hear it, but 
 heart were is min> gled both pleasure and pain; How bit • terthe tearsjshouldmy 
 
AT THE WICKET OATE. 
 eru. poco i 
 
 243 
 
 poeo nUL a temao. . en$. poco cued. 
 
 V t^mt «m« on/I T ni> I ooir ^-liof */> mA 'fnx - Air - a> V«>11 V^ T\-^ 
 
 Iost you and I, Ohl say that to me 
 
 ove be in vain, Oh! is it this joy 
 
 for - ev - er he'll be, Dear 
 and rap«ture8 for me, Or 
 
 dim. a tempo. 
 
 Btars, just as true and as faith • ful as ye. Oh! say that to me, for • 
 
 is it a dream that with wak- ing will nee? Oh! is it this joy and 
 
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 peeo aeed. 
 
 dtm. a tempo. p eret. pbcoaeea. 
 
 _,. ^ _ ^"'^-Z nuitovoee. i^4^. ^ .-^ N ■••^ 
 
 ev - er he'll be, Dear starSjjoBt as true, and as f aith-f ul as ve. 
 rap-tnresfor me. Or is it a dream that with wak-ing will nee? 
 
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 244 
 
 THE BEAUTIFUL CITY OF GOD. 
 
 MCKEE. 
 
 OEIBBL. 
 
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 1. With mansions of fair-ness, And beau - ty, and rareness, And streeta with a 
 
 2. Its riv - ere of glad-ness. Will ban • ish all sad-ness, And sor • row shall 
 
 3. But light will be giv - en, All storm-clouds be riv-en, From o - ver that 
 
 4. Xo sor • row or ugh- ing, No an • guish or dy - ing, Can shad • ow t^e 
 
 ^rrLi'[F'F'F' FF i gF^F i F^g=H 
 
 pave-ment of gold; 
 
 van - ish a • way; 
 
 ci - ty of (Jod; 
 
 bliss of that home; 
 
 I bliss of thai 
 
 @=i: 
 
 Where no one grows weary, — No pros - pect is 
 The moon shall not lighten. The sun shall not 
 We'll view them in wonder, Thro' all that may 
 And pilgrims who rest there. For - ev - er more 
 
 ^-^ — - — - 
 
 r' g r'l : 
 
 , t — M — m — 
 
 •v.» 
 
 Chorus. 
 
 drear- y, — And no one can ev- er grow old. 
 
 brighten. That cit - y by night or by day. 
 
 sun-der, The path that in sor-row we trod, 
 
 blest there. Nor yearn in their rapture to roam. 
 
 Oh, there is a cit-y, a 
 
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 beau - ti - fill cit - y. Whose builder and mak-er is God ; 
 
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 cit-y, A won-der - ful cit - y. The beau - ti - ful cit-y of Gtod. 
 
 Used bjr per. from " Thb Hblpbb.' 
 
/ 
 
 BELLAMY. 
 
 AndaiUino, 
 
 THE LADY OF THE LEA. 
 
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 6h! the la - dy of the Lea, Fair and young and gay was she, Beau-ti-ful ex* 
 
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 ceed-ing-ly, The La - dy of the Lea. Ma • ny a woo-er sought her hand For 
 
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 she had gold, and she had land, Ev-'rything at her command, The La-dy of the 
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 Lea.... Oh! the La-dy of the Lea, Fair and young and gay was she. 
 
246 
 
 THE LADY OF THE LEA. 
 
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 Fan - ci -f ul ex - ceed-ing-ly, The La - dy of the Lea. The La - dy of the 
 
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 When she held, in bow'r or hall, Ban- quet high or 
 
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 fes - ti -val, On ev - 'ry side her glance would fall, Spark - ling mer - ri- 
 
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 But when ask'd if she would wed. She would toss her 
 
THE LADY OF THE LEA. 
 
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 dain • ty head, Say - ing, laugh - ing- ]y, in - stead "Sirs, we would bo 
 
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 free," ..." Time e-nough I trow," quoth she, "When we're tir'd of 
 
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 248 
 
 THB LADY OF THE fXA. 
 
 animato. 
 
 aninMMo. __^ Jt^^^^ 
 
 To her bow'r at length there oame, A youth-f ul Knight of no • ble name, 
 
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 Hand and heart in hope to claim, And in love fell she, . . Still she put hia 
 
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 suit a - side, So he left her in her pride; And bi *> -ken heart -ed, 
 
 
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 a piaeere. ^ p p poco lento, ^^ 
 
 droop'd and died, The La-dy of the Leal. .. Oh! theLa-dy of th Lea, 
 
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 THE LADY OP THE LEA 
 
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 Fair and young as fair could be, Cold within the tomb lies she! Sleeping pcaoe-ful- 
 
 
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 Sleep -ing peace -ful - ly! 
 
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 Andantino. 
 Tenor. 
 
 ORION. 
 
 MARSHALL. By pw. 
 
 
 1. Soft be the gen -tly breathing notes That sing the Sa - viour's dy - ing love; 
 
 2. Soft as the morn-ing dews descend, While warbling birds ex - uft - ing soar. 
 
 
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 3. Pure as the sun's en - liv'n-ing ray, That scat-ters life and joy a - broad; 
 
 Bail. 
 
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 Soft as the eve - ning zeph-yr floats. And soft as tune - ful lyres a - bove. 
 So soft to our a 1- migh- ty Friend Be ev - 'ry sigh our Do-soms pour. 
 Soli. I I ^_ Ttttti. 
 
 Pure as the lu - cid orb of day. That wide pro-claims its Ma-ker, God. 
 
 ^ 
 
 -»-»- 
 
 I J./J3 I J Jl^ J l j l 
 
250 
 
 Bol 
 
 WHEN WE HEAR THE MUSIC RINGING. 
 
 MARSHALL. Bjr »«. 
 
 ^=j7jjJij zj^ jJ ^-j-jL^M^t^^ z^zgig 
 
 Thro' the bright celeHtial dome, 
 As we go to join their band ; 
 
 Whi. . Hweet angels voices sing • ing, Oladly 
 Shall wo know the friends that greet us, In the 
 
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 bid H8 wel-come home, 
 glorious spir-it land? 
 
 To the land of ancient sto - ry,Where the spirit knows no 
 Shall we see the same eyes shining On us, as in days of 
 
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 care, — 
 yore? 
 
 In the land of light and glo-ry, Shall we know each other there ? 
 Shall we feel their dear arms twining. Fondly round us, as be -fore ? 
 
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 WHSM WB MBAK THB MUnO RINOIHO. 
 
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 f^jtj^^ifit^-^ ^^ ^^^^^ga 
 
 Shall we koow eaohoth - er, Shall we know each oth • cr, Shall we 
 
 :^ 
 
 We shall know eaohoth • er, 
 
 We ehall know each oth - er, 
 
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 know each oth • • er, Shall we know each oth • er there? 
 
 ^^m^ 
 
 
 We shall know each oth - - er, We shall know each oth • er there. 
 
 area. 
 
 dim. 
 
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 I Yes, my earth-worn sonl rejoices, 
 And my weary heart grows light. 
 For the thrilling angel voices 
 And the angel faces bright 
 That shall welcome us in heaven. 
 
 Are the loved of long ago, 
 4nd to them, 'tis kindly given. 
 Thus their mortal friends to know. 
 Cho. — 
 
 4 Oh! ye weary, sad, and tossed ones. 
 Droop not, faint not by the way, 
 Ye shall join the loved and just ones 
 
 In the land of perfect day! 
 Harp-strings touched by angel fingert^ 
 
 Murmured in my raptured ear. 
 Evermore their sweet song lingers, 
 " We shall know each other ther*!** 
 Cho.— 
 
 t 
 
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I,' 
 
 IN HAPPY MOMENTS. 
 
 WALLAOB 
 
 lttL!j iJ._Jtc F=3 ^,a=i=Jb | 
 
 1 . In liap • py momuntii day by day, 
 
 2. Tlio' anx-ioua uy va upon us gaze, 
 
 Tho landa of life may pau, 
 Andhvarti with fondnoMH beat, 
 
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 In 
 WhoM 
 
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 swift but tranquil tidu away Fromtimu'a un-err • ing glass; Yet 
 
 smile upon each feature plnys With truth • f ul- nesa re-pletc, Some 
 
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 hopes wo used as bright to deem, Remembrance will re ' call, Whose 
 
 thoughts none oth • er can re-place, Remembrance will re 'call, Which 
 
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 pare and whose unf ad-ing beam, 
 in the flight of years we trace, 
 
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 Is dear - er than them all. Whose 
 
 Is dear • er than them all, Whidi 
 
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IM MATPT MOMENTS. 
 
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 puro and whose unfading beam, Ih 
 
 in tlio flight of ycttrH wu trauu, Ih 
 
 diMir - or than thorn all. 
 duur • vr than ibvin alL 
 
 THE PIRATE'S CHORUS. 
 
 BALFB. Br pw. 
 
 Ev - or be hap - py and light, as thou art Pride of tliu pi - rate'n heart ; 
 
 Long be thy reign, O'er land and main, By the glaive, by the chart. Queen 
 
 ^m 
 
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 f { jT j ~* l ' * J' i E rs — H 
 
 P dot. 
 of the pi -rate's heart, queen! Ev - cr be hap - py and light, as thou art 
 
 Plide of the pirate's heart,Pride,pride of the pirate's heart,Pride,piide of the pirate's heart. 
 
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 S64 
 
 THE ROSE BY THE DOOR. 
 
 SMITH. ■ MARSHALL. Br f 
 
 Andante e hgato. Solo. 
 
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 1. When 
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 fare-wells were spoken, I left the dear spot, And as I de - ' 
 
 gath-eredthe flow-ers of fair, sun-ny climes, Yet childhood's sweet 
 
 P 
 
 7SZ 
 
 :rtD^"?7=^ 
 
 part - ed 
 ech - oes 
 
 I gazed on the cot — 
 Still min • gle their chimes : 
 
 The home of my 
 Though for - tune its 
 
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 childhood ; And turn - ing once more, ... I pluck'd some sweet 
 blesB-ings Up - on me may pour, ... I cher - i«h the 
 
THE ROSE BY THE DOOR. US. 
 
 P r ir~f ^ J 1 ^=^ ^ 1 -^ J ^- ^ ^ 
 
 ro-pea That bloomed by the door, That bloomed by the door, 
 
 ro • ees lliat bloomed by the door, That bloomed by the door. 
 
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 f-r r nrr^^ 
 
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 2. Now, home and its pleasures Are left far be -hind, And nought but sweet 
 
 ^Jj^ iTj p i p t^ J I j_ jj^ j I j ^ \l ii p 
 
 4. The pet - als have fad-ed. And lost their perfume, Yet mem-*ry en • 
 
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 memories Their bright spell doth bind ; I sigh for the dear ones And fair scenes of 
 
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 dowB them With fragrance and bloom ; And hope is e'er smil - ingWith greetings in 
 
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 ftf. : — tempo. — 1^ ■ r»<. D.C Bym. 
 
 yore ; And gaze on thu roses That bloom'd by the door,That bloom'd by the door. 
 
 D.C. Sym. 
 
 store. With dear ones, where roses Shall bloom by the door,Shall bloom by the door. 
 
 m 
 
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 III! 
 
 
 .■■■I 
 
 ti' : 
 
 256 
 
 THE GARDEN GATE. 
 
 Moderalo. 
 
 T. CRAMPTOM. 
 
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 1. The day 
 
 2. She paced 
 
 3. She paced 
 
 was spent, the moon shone bright, The 
 the gar - den here and there. The 
 the gar - den here and there. The 
 
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 yil • lage clock struck ei^ht, 
 yil - lage clock struck nine, 
 vil • lage clock struck ten, 
 
 Youne Ma - ry has • tened 
 Which made young Ma • ry 
 Young Will • iam caught her 
 
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 with de • light Un - to the gar - den gate ; 
 
 sigh and say, "You shan't, you shan't be mine! 
 
 in his arms. No more to part a - gain; 
 
 But 
 
 You 
 For 
 
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 Oopyrlgbt, 18M, bj Hubbabd Bros. 
 
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THE GARDEN GATE. 
 
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 what was there to 
 
 said you'd meet me 
 
 he had bought the 
 
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 257 
 
 make her sad? The gate wn» there, but 
 here at eight, You ne'er shall keep nor 
 ring that day, And trav - elled fast a 
 
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 not the lad I Which made young Ma - ry droop and 
 make me wait, For I'll let all such crea - tures 
 
 long, long way ; Then how could Ma - ry cru - el 
 
 sigh, "Was there 
 see They 
 prove, To 
 
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 ev-er a poor girl half so sad as IT" 
 ney • er shall make such a fool of me." 
 ban • ish the lad she did dear - ly love? 
 
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 4. Next morn the bells rang merrily, 
 While from the garden gate, 
 Young William and his blooming bride 
 
 Stepped forth, with joy elate. 
 Now oft the garden path she'll roam 
 At eve, to welcome William home, 
 Bhe blesses the night when she did wait 
 For her abeent iwnin at the garden gate. 
 
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 SING, LITTLE BLUE-BIRD, SING. 
 
 CALLAN. WEBSTER. By pw. 
 
 Allegretto mtderuio. 
 
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 1. Sinj;, lit- tit' blue 
 
 2. Sing, lit- tlo blue 
 
 3. Sing, lit- tie blue 
 
 bird, sing, 
 bird, sing 
 bird, sing, 
 
 Sweet her - aid of the 
 The song vou sung in 
 Tho' mem - ries fond voi 
 
 you 
 
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 spring ; 
 spring : 
 bring. . 
 
 Let all the wild - wood ring, . 
 For joy and hope you bring, , 
 Of ev' - ry by - gone spring, 
 
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 old time mel 
 notes you oft 
 life was in 
 
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 o - dy. . 
 re - peat. . 
 its May. . 
 
 Tell us Flo - ra 
 Glad the hearts of 
 Sing of home, by 
 
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 comes a - gain, Fair young flow'rs in her train; . . . 
 
 school -boy gay; Chirp in ear of old and gray; . . . 
 
 poor man's door ; Tell him win - tr'y care is o'er ; . . . 
 
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 SING, LITTLE BLUE-BIRD, SING. 
 A ritard. 
 
 261 
 
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 Sing in sweet so - pra - no strain, Of sun - ny days to be. . . . 
 Cheer them on life's cheer-less way, With mea-sures soft and sweet. . 
 
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 Joy shall fill his heart once more: Ring out yourmer- ry lay. 
 
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 Sing, lit-tle 
 
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 lit-tle blue - bird, sing. 
 
 The song you 
 
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 sung in spring. 
 
 Whose sweet so - pra - no 
 
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 charm'd us so In our spring - time long a - go. 
 
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 SINO, LITTLE BLUE-BIRD, SINO. 
 
 Sing, 
 
 lit • tie blue • bird, sing 
 
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 song you sung in spring, .... Whose sweet so - pra - no 
 
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 charra'd us so In our spring - time long a - go. 
 
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COOPER. 
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 A JOLLY GOOD LAUGH. 
 
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 THOMAS. 
 
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 laugh, ha! ha! For a won -der • ful thing is a laugh, ha! ha! Why, its 
 
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 bet -ter than all the tears That a bo • dy could shed for years. And there's 
 
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 notb-ing so good as a laugh; It's a charm for the dark - est 
 
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 A JOLLY GOOD LAUOH. 
 
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 ills, ha! ha! And it light -ens the doo - tor's bills, ha! ha! Why, it V 
 
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 food and it's sun, and it's air, ha! ha! And it drives to the wall old 
 
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 care, ha! ha! Oh, there's nothing so good by half. As a jol -ly good hear- ty 
 
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 laugh; 
 
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A JOLLY GOOD LAUOH. 
 
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 jol - ly tjduil Ih'iU' • ty laugh! 
 
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 ha, ha, ha, ha! As a jol - ly good hear - ty laugh. 
 
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 laugh, ha! ha! For a won-der-ful cure is a laugh, ha! ha! Why, there's 
 
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 A JOLLY GOOD LAUOH. 
 
 mUmpo, 
 
 laughter in ev • '17 thing, In the riv- era, and birds that sing; And thore*i 
 
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 noth-ing so good aa a laugh I Don't be mood-y, and grow so 
 
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 laugh, and you'll soon con -f ess, ha! ha! That your shad -ow will not grow 
 
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A JOLLY OOOD LAUOH. 
 
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 laugh; Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha! As a 
 
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 ha, ha, ha, ha! Ah a jol - ly good hear - ty laugh. 
 
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 BEFORE THE MORNING SUN IS BEAMING. 
 
 KUCKEN. 
 Alhgro. 
 
 1. Ue-foro the morning iun U beam • ing, And Holilloniof thoir oonqiicNtH 
 
 2. And while tho cnll to arniH ifl poal • ing, Racli Holdior to hJH true 
 
 8. Wliile undinturbod all otli-prx are aioop- ing, Her bright eyoH thro'tho oanoinunt art 
 
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 4. Farowcll,d(>nrniaid,andceaHi*thy weop - ing, Wo all, all are horo in hoavf'u'n 
 
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 are dreaming, The <lrum re-Hounds to arms, to armM. Did-o 
 
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 is Btoal-ing Her lips to bid the last fare-wel! 
 
 peep - • ing, The drums a-rous*d a • larm and fcai 
 
 nit it 
 
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 keep - - ing. The sol- dier's bride will true re - main. Did-e- 
 
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 rum dum dum did-e-rum dum dum did- e - rum dum dum did-e-rum dum dum did-e 
 
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 Dear - est maid 
 
 now fare 
 
 thee 
 
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UrORC THE MORNINO BUN II BCAMINO. 
 
 96T 
 
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 did - e-rum duni dum,did-<>-rum dum dum,did- o-rum dura dum,did- r- rum did* e • 
 
 well, Dear • v»t maid, now fare tbue 
 
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 did • e-rumdum dum,did« ••nun dum dum,did- e-rum dum dum,did •«- rum did- u- 
 
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 P ritard. 
 
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 rum. Dear - est maid, now fare thee well, now 
 
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 well. 
 
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 rum. Dear - est maid, now fare thee well, now fare 
 
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 ritard. 
 
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 well,DeareHt maid,now fare thee well, fare thee well, farewell, farewell. 
 
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 ciet-eir^FC^-fiJ "'^r"^i-^^' a 
 
 well,Dearest maid,now fare thee well, now fare thee well, farewell, farewell 
 
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 268 
 
 DEAR REFUG£. 
 
 riMBT TtCNOn. 
 
 btUo etpr.- 
 
 'ffrjjTf^Jjn-^ g'gir^c^ 
 
 R. R. BATTBfi, ESQ. Brp«r. 
 piuforte. 
 
 1. Dear Re - f uge of the wea-ry,On Thee, when sorrows risPjWhen waves roll dark and 
 
 ^ ^ BMCOKD TXNOK 
 
 'l^j^j^^J- ;^J'[J_^^J^-;kih^-f^ ^^ 
 
 2. When gloom-y doubts prevailing,! fear to call Thee miue,The springs of comfort 
 
 WXXBT BABSt ' 
 
 m; | J_J-3^^J^,^|j_;J,^.glJ >1,J^ 
 
 3. Thy mer - oy*seat is o-pen;Here let my soul retreat,With humble faith at 
 
 BMOOJm BABB. 
 
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 drea-ry, My faint- ing hope re • lies. A sweet re-lief shall cheer me. In 
 
 jx^' j'^ p \ ^- J^^-^. /iJ'.jj^ i J' rj' 
 
 fail- ing. And all my hopes de-cline, Where shall I flee, O Sa-viour ? Thou 
 
 PP^ '^ */^-== .. I. « 
 
 Vf: J^J'IJ, J^Jl] ,f\^L,U^ 
 
 tend Thee, And wait be-neath Thy feet. Thy ear is ev - er read- y To 
 
 jie g^^^j'^ jlX^aj. Jij; p l p ^^ 
 
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 rail PP 
 
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 ev'-ry pain I feel, For Thou art ev- 9r near me, In all Thy grace to heal. 
 
 art my on- ly Trust ;1'11 cling more close-ly to Thee, When prostrate in the dust. 
 »fP ^ .PP^=% . .^ ^ / ^ =5: R . rail. PP 
 
 r]i"^frTO^^^JSJ3|p g^y l. ^ 
 
 hear the mourner's prayer ;0 may I still find ao - cess. To brerthe my ^or-rows there ! 
 
 - jjIj.jjTTjj.^^ i^-gr ~J TJJi 
 
 Copyrifflit, 1880, by J. M. RCHILI. 
 
WOULD YOU? 
 
 MAMHALL. 
 
 u^-^ip-.^ ^ 
 
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 3 
 
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 1. Ba • by crow - ing on your knee, 
 
 2. Wife with arm a - bout your neck, 
 
 3. Lit • tie la • bor, lit • tie strife, 
 
 4. Health and com - fort, chil - dren fair, 
 
 ? 
 
 ^ 
 
 ^^r^=^ ^ 
 
 While you sing some lit • tie dit-ty 
 
 Says you look jv»t like the ba-byj 
 
 Liii • tie care and lit • tie cot ; 
 Wife to meet ypu at the door. 
 
 ^4^ :^ 
 
 rf.>j J r -1 1 ^ r r hJ- J j rif^J^^J'f^^ 
 
 Pulls your hair or thumbs your "ee," Would you think it was not pret-ty? 
 Wants some cash to make a "spec,** And you would re-fuse her maybe? 
 Would you sigh for sin - gle life? Would you mur-murat your lot? 
 Fond hearts throbbing for you there; Tell me would you ask for more? 
 
 Tell me, could yoo. Tell me, could you, If you owned the baby, would you ? 
 Could you ? should you? Could you? should you? If you owned the woman, would you ? 
 
 Tell me, should you? Tell me, should you? If you owned "the cottage** would you? 
 
 Should you ? could you ? Should you ? could you ? If you owned " the baby** would you ? 
 
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 270 
 
 AWAKE! AWAKE I FOR THE SPRING HAS COME. 
 
 
 Allegro non troppo. 
 
 THOMAS P. MURPHY. Bn 
 
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 Allegro non troppo. 
 ACCOMP, 
 
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 wake! Awake! for the Spring has come, Lift up your voi - ces in joy, Raise 
 
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 ^ ake ! Awake! for the Spring has come. Lift up your voi -ces in joy, Raise 
 
 3^ 
 
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 ••prright, ItSI, br J. M. HVMBLL. 
 
m 
 
 AWAKE I AWAKE I FOR SPRINO HAS COME. 
 
 p Soli. 
 
 271 
 
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 loud your song, for life is young,And the birds with the blossoms 
 
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 loud,Raise loud your song, for life is young, And the birds with the blossoms 
 
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 toy, 
 
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 /TUTTI. 
 
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 And the 
 
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 birds with the bios • soma toy. 
 
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 toy, And the 
 
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 birds with the bios • soms toy. 
 
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 $ikertando. 
 
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 AWAKE J AWAKE I FOH SPRINO HAS COMb. 
 
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 stream-lets run as If mad with fun, Through mead - ows, oh so 
 
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 stream 
 
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 lets run as if mad with fun, Through mead-ows, oh 
 
 so 
 
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 ^MB i^HB motto. -- -z raZ^ / ^ a tempo. 
 
 green. All na - ture's gay the live - long day ! At the 
 
 P eret. moUo. raU. f ^ a ttmpo. 
 
 ^=g 
 
 i£~7:^ 
 
 P cres. 
 
 molto. 
 
 rtdl ^ 
 
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 green, All na 
 p cres. 
 
 ture's gay the live - long day I 
 
 moUo. era. e ralL «. 
 
 «c 
 
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 j" J J J /T^%fi^ 
 
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AWAKE I AWAKE I FOR SPRING HAS COME. 
 
 278 
 
 TCTTI. / 
 
 J J "^r f i rT^^^' P^ 
 
 to: 
 
 I 
 
 thought of a Summer's Queen ; At the thought of a Summer's Queen ! 
 
 i^=b^jL^Li£gT^ /j | ;-3^^ ^ 
 
 ■Of- 
 
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 TUTTI. / 
 
 pii^C' 9r r m 
 
 At the thought of a Summer's Queen I 
 
 i 
 
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 I 
 
 fii 
 
 ^ 
 
 Con/ona. 
 
 / TUTTI. 
 
 ^m 
 
 r=r-r^ 
 
 Where are the frosts, the winds, the sno^. The win • ter, oh so 
 
 cir c r- g 
 
 1 
 
 y ToiTi, 
 
 wrn-z j^ 
 
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 TS-18 
 
 m 
 
 Where are the frosts, the winds, the snow, The win • ter, oh bo 
 
 
 i 
 
h 
 
 h' '■ 
 
 E' > 
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 If' 
 
 I 
 
 
 
 AWAKE I AWAKE I FOR SPRINO HAS COME. 
 
 i^y J J ' J. ^ 
 
 JJ l g. g 
 
 ta=C: 
 
 drear? They are gone for a time, to an- otb - «r clime, To 
 
 i 
 
 ^ 
 
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 drear ? They are gone for a time, to an- oth • er clime, To 
 
 
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 rail. 
 
 ^ 
 
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 let young Spring us cheer ! To let young Spring us cheer ! 
 
 ^^1 
 
 se 
 
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 // 
 
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 let young Spring us cheer ! 
 
 To let young Spring us cheer ! 
 
 ^=i 
 
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AWAKE I AWAKE I FOR SPRING HAS COME. 
 
 275 
 
 Tempo primo. 
 
 ^ TOTTI./ 
 
 i^fr7 i r;r I AJ ^L ^-^^ U -r^ ^ ^^ 
 
 Awake ! Awake ! for the Spring has come, Lift up your voi-oesin j'^y.Raise 
 
 ^ ^^jj /jijgj) ^^j>ij j,^^ 
 
 I ^ I, TUTTI.^ 
 
 J. Ji-L? ^i - jd^^i^^ire-irrt 
 
 E m?" i J^cJ p-B i crg/J ■'j-^-g;"^^ =^^ 
 
 Aw<ike ! Awake ! for the Spring has come, Lift up your voi-oesin joy,Rai8e 
 
 Tempo primo. 
 
 ^M-^J .ra l J^ 
 
 ^ 
 
 snt 
 
 m 
 
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 P Sou, 
 
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 loud your song, for life is young, Ano the birds with the olossoms 
 
 ==- p Soli. 
 
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 loudjRaise loud your song, for life is young, And the birds wit the blossoms 
 
 ^ 
 
 ^ — =-P "^ — ^ ♦ 
 
It 
 
 '.1 .! 
 
 N 
 
 m 
 
 
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 IS'.' 
 
 276 
 
 AWAKE I AWAKE I FOR 3PRIN0 HAS COME. 
 
 TuTTI./ 
 
 ^ - ^^^^^^g^^^E^ 
 
 toy, And the birds with the blos-soms toy, 
 
 Awako t for the Spring has 
 
 / 
 
 p^=z^^^ ^^-p-J^ 3^^E ^/\j j.^ ^i 
 
 i 
 
 TnTTi./ 
 
 3feg=£3 
 
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 toy, And the birds with the blos-soms toy, A - wake ! 
 
 t r»-^^ f-M^ ^^I 
 
 for the Spring has 
 
 j.v n 
 
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 It'' 
 
 I 
 
 g r c - gT 
 
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 come. Awake ! for the Spring 
 
 has come. 
 
 Awake ! for the Spring has 
 
 ffij' ^j j^j^nr 
 
 gFF=»=g^ TJ J. J^ 
 
 i 
 
 i; 
 
 t:: 
 
 p-^g r ir g- ^^ 
 
 come, for the 
 
 H-Yg- 
 
 Spring, the Spring has come,Awake ! . . for the Spring has 
 
 fs: 
 
 '^^$. 
 
AWAKE I AWAKE I FOR SPRINO HAS COME. 
 
 m 
 
 m 
 
 p- r . r r . - f^ 
 
 tueel. 
 
 W^* * -^ 
 
 oome, A-wake ! for the Spring 
 
 hM oome, 
 
 -UE.JM. J JU * * J I 
 
 A A 
 
 Ml r r r 
 
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 oome, for the Spring, the Spring has oome. 
 
 // 
 
 ^ 
 
s 
 
 i 
 
 hi'i 
 
 ijlf 
 
 III 
 
 i 
 
 w 
 
 278 
 
 SONG OF THE OLD CHURCH BELL. 
 
 COOPER. CAMP. Sy, 
 
 fr TJJ J^-g 
 
 Ci I rmjr, 
 
 1. Up in the bel • fry I awing, 1 ring, 
 
 2. Come from the la • bom And dreams of life, 
 
 3. Down, when the HtarH are a • loft I gaee, 
 
 Here on the throne I am King; 
 
 Mai ■ den and gen • tie wife; 
 
 Watoh-ing the twink- ling rays 
 
 Who shall de - ny my 
 Youth of the proud am 
 Out from the vil • lag' ' 
 
 bold Se • best ? Hith - er I sum • mon the best, 
 
 bi - tiouB brow, Where are thy vis - ions now ? 
 
 win - dow shine; Some - bo - dy there is mine. 
 
 Hith • er I summon the 
 
 Where are thy vis - ions 
 
 Some - bo - dy there is 
 
 best. 
 
 now? 
 
 mine. 
 
 Hith - er to wor-ship 
 0th - era are tell • ing the 
 Hands there are part-ed and 
 
fHE SONO OF THE OLD CHUUCH BILL. 
 
 271 
 
 
 ■ 1- 
 
 ^^P 
 
 hith - er to wed, 
 
 sto • r^ you told, 
 
 young lipH meet, 
 
 ^3^^ 
 
 Ilith-orto sleep in a qui • ot IxhI. 
 0th- urti are nuhoming for glory and gold. 
 O, but tliu days of Hfu aio (Tcotl 
 
 Swing, 
 Swjng, 
 Swing, 
 
 
 King, 
 
 ung. And thus I bring, 
 
 Ring, And here I cling. 
 
 Ring, They're van • ish-ing; 
 
 All at my beck aa I'm swinging, 
 Shak • ing the grave with my sing-ing, 
 Gone like the strokes I am ring-ing. 
 
 All at my beok as I'm 
 Shak • ing the grave with my 
 Gone like the strokes I am 
 
 swinging, 
 singing, 
 ringing, 
 
 swinging I 
 singling ! 
 ring-ing I 
 
 « ntenuto lin at fine. 
 
fc': 
 
 liiii 
 
 111 
 
 i 
 
 i'< 
 
 880 
 
 MUNDAY, 
 THKHl.m. 
 
 YOU STOLE MY LOVE. 
 
 MACPARRCN. 
 
 g? ^^. ^-,-A jfab i--fc jr^lB Mz^,J_ J i. J 
 
 You stole my love ; f y up - on you, fy ! You Htoiu my love, fy, fy, a ; 
 
 ALTO. 
 
 You stole my love ; fy up - on you, fy I You stole my love, fy, fy, a 1 
 
 BAM». 
 
 ^'^^r-^t^t^jFSF^^^-^^f r ^ ^^^^ 
 
 f.-jLjiJJ. J|AA3 ^^^43-^^g^ ^4j=^ 
 
 Guessed you but what a pain it is to prove, You for your love would die, a ; Aud 
 
 ^^E^f^ ^^^ 
 
 You for your love would die, a ; 
 
 »•/ 
 
 ^^^^ ^^^^^^^^^ f ^ J ^ 
 
 Guessed you but what a pain it is to prove, You for your love would die, a ; And 
 
 J"/ 
 
 m ^^T^iwrfrr i J -^ ^-^fi=^ 
 
 ^^ ^^^^ fj g J i -AA-,^ ^^ ^^ 
 
 henceforth nc V - lt long ■ er, Be such a craf-ty wnmK 
 
 Hr. 
 
 ^^^ 
 
 3"=^^%^^^^?^. 
 
 fe^j^i ^^^^H^j-, T-^ J / ^j^ ^^^^^ ^ 
 
 m 
 
 henceforth nev - er long* cr, Be Bach a cnl-lj wrong - er: Bub 
 
 r T~rrg^F^ 
 
 t .J g L 
 
 I 
 
YDU STOLE MY LOVE, 
 
 t81 
 
 3^ ^^U_aJi-l 
 
 wlu>n (U'Ci'ittnkoHHUch a fall, Thuii fari> - wull, Hly «lu • vioN and all 
 
 3^^^^ 
 
 ^==fi 
 
 ^^^ 
 
 when tU'Ci'it tttkcH Niich a full, Then fiiniw(>ll,ilcvuH> niul nil. 
 
 whondu - ccit takcHHUchafall, 
 
 Then fnrowoll.tU'vioo and all 
 
 wbeo dtiCtiittakoBBUoh a fall,Tliun faro • wull, 8ly dvvicu and all. 
 
 ^H?^;^^ ^sM; ^i ^tJ^J.ii^^ p. |J:.. ^ j 
 
 You stole my lovo ; fy up - on you, fy I You stole my love, fy fy, a, 
 
 f " J J J J ^ 
 
 You stole my lovo ; fy, 
 4i 
 
 fy, fy, fy up - on you, 
 
 You stole my love ; fy, 
 
 fy, fy, fy up - on you, 
 
 i^jL-Af-f,=^ ^^m^^^^ ^^^^ m 
 
 You stole my love ; fy up -on you, fy! You stole my love, fy, fy, a, fy. 
 
 n 
 
 j^^^^.=_UXs>J"j j ?^fM'»-^ 
 
 fy up-on youjfy I 
 
 f y up-on you,fy upon you, f y up-on you, fy ! 
 
 m 
 
 jtjj^j^ i j. jT-^ -ig -^^^ 
 
 S 
 
 'y. 
 
 fy upon you, fy, fy, f y ! 
 
 (y, 
 
 fy up-on you, 
 
 iN=iM# 
 
 ^ 
 
 1^^ 
 
 fy up-on you,fy, 
 
 fy, fy, fy! 
 
 fy up-on you, fy ! 
 
 b»r 64J--^ i p J JJa err e ^ e"^ 
 
 f y up-on you, f y, fy, fy up-on you, f y, f y, up - on you, 
 
' 
 
 282 
 
 YOU STOLE MY LOVE. 
 eru. 
 
 ^^= 
 
 fprj, J J J ^ ^ ^-^z Z ^EE^^^m 
 
 $ 
 
 (y up - on you, fy ! You stole my love, you stole ray love ; f y, f y, up 
 
 cret. -- / 1= 
 
 ^ ^ ^ 
 
 ij, fy. 
 
 m^ JL 
 
 *f, 
 
 ^^^ 
 
 h i^ 
 
 fy, fy, fy I You stole ray love, stole 
 
 crea. 
 
 pu- p e =g=g=.g ^;^ 
 
 my love; fy, fy, up 
 / 
 
 ^^ 
 
 f y ! You stole ray love, you stole my love ; f y, f y, up 
 
 mt 
 
 s^^gl^^ 
 
 fy, fy I You stole my love, stole my love, ;f y, f y, up 
 
 iifi>- 
 
 f 
 
 ^ 
 
 ere$. 
 
 1^=^ 
 
 $ 
 
 wm 
 
 tf==ft 
 
 on you, fy ! "fou stole my love ; f y up - on 
 
 ■M 
 
 ^^IL^ 
 
 ^ 
 
 on you ; fy, fy, f y ! You stole my love ; fy, fy, up - on you ; 
 
 erea. 
 
 up - on you. 
 
 crea. 
 
 fijr~e a- ^^^^^ ^ ^ 
 
 on you, fy ! you stole my love ; fy, f y up - on you, 
 
 on you, fy fy ! You stole my love ; fy, fy up - on you ; 
 
 u 
 
 I 
 
 / eon/uoco. 
 
 fej^ ==^ |=zg=. ^_|_C g Ufg 
 
 ^ 
 
 ^Jk 
 
 You stole my love ; fy up -on you, fy! You stole my love, fy on you, fy 
 / 
 
 ^,^M^-^^-^\ J' J J- 
 
 N - N - 
 
 You stole my love ; f y up - on you, f y ! You stole my love, fy on you, f y 
 
 / 
 
 M:S^^:^^^ ^i^E^E^d^:^ m^^^ 
 
 You stole my love ; fy up-oti you, fy ! You stole my love, fy on you, fy 
 
 You stole my iove ; fy up-onyou, fyl You stole my love, fy on you, fy 
 
TOU STOLE MY LOVE 
 
 on you, ray love, You stole my love ; fy, fy, up - on 
 ff 
 
 you! 
 
 sy 
 
 I 
 
 on you, my love, stole my love ; fy, f y, up - on 
 
 you I 
 
 ^fef^ g> I J. ^^|g [I c c i e^ 
 
 i 
 
 on you, my love, 
 ff 
 
 my love ; you stole, f y, f y up - on you ! 
 
 t ar g SH" 
 
 c | g g g 
 
 i 
 
 I 
 
 on you, my love. 
 
 my love ; you stole, f y. f y 
 
 on you ! 
 
 Andante con moto. 
 
 WE'LL MEET ABOVE. 
 
 LIEBE. Anr. bjr MARSHALL. By par. 
 
 te^-^F^ ^ rrAti'fr\^.'^Jh^^ i^^s^ ^ 
 
 I. Sun -ny rays, sun-ny light,Drive from my heart its night, "Tis like the bir- die bright, 
 
 1 meadow ereen shall bear Flowers of beau-ty rare. So lone they blossom there.I 
 
 2. Yon meadow green shall bear Flowers of beau-ty rare. So long they blossom there,Un- 
 
 3. When I shall cease to live, And thy fare -well receive,Then one last kiss to give,Do 
 
 .s 
 
 Hound - ing in glee, Sorrow will now depart, For all my own thou art, Close to thy 
 
 ^ ^^^ ^m 
 
 bro - ken lie, Tlion must they fr.dt' away. My love shall ever stay, Tho' my heart 
 not dis-iliiin ; When thou mine eyet< shall close, And wish me sweet repo8e,Say.as my 
 
 fe^Pii^^^g^^^it^i^p 
 
 rit. 
 
 i 
 
 lov-ing heart, Thou boldest me, Close to thy lov-ing heart,Thou boldest me 
 
 hou holdeat me, Ulose to tny lov-mg ueari, j nou noiaesi me. 
 
 per - ish may, That ne'er can die ; Tho' my heart per-ish may,That ne'er can die. 
 spir - it goes. To meet a - gain ; Say, as my spir - it goes, To meet a - gain. 
 
 g^JiJ-J- j^t.j *\J'i r i rc^^^^a^ 
 
pi! 
 
 lit- 
 
 6 
 
 '■ ': 
 
 i..f 
 
 'f r 
 
 mi 
 
 t 
 
 ■if 
 
 4 
 
 M 
 
 I 
 
 M 
 
 *'i 
 
 
 
 Mw 
 
 III 
 
 284 
 
 FAITHFU' JOHNIE. 
 
 AndMUe gempliu. 
 
 BEETHOVE^ 
 
 1. When will you come a - gain, 
 
 2. Then winter's wind will blow, 
 
 3. Then will you meet me here, 
 
 4. O come na by the muir, 
 
 5. And shall we part a - gain. 
 
 my 
 my 
 my 
 my 
 my 
 
 faith-fu' Joh-nie, 
 faith-fu' Joh-nie, 
 faith-fu' Joh-nie, 
 faith-fu' Joh-nie, 
 faith-fu' Joh-nie, 
 
 When will you 
 Then win-ter's 
 Then will you 
 O come na 
 Shall we then 
 
 It 
 
 ^ 
 
 i n ^ B [jt ' ^^P^'^ ' ^ ^^ 
 
 m 
 
 ^m 
 
 ffi 
 
 ^ 
 
 ^ 
 
 ^ 
 
 4J^^^J i 
 
 come a - gain? 
 
 wind will blow: 
 
 meet me here? 
 
 by the muir. 
 
 part a - gain? 
 
 When the com ia 
 
 Though the day be 
 
 Though the night were 
 
 Though the wraiths were 
 
 So lang's my eye 
 
 f^'^ ' JllD' 
 
 ga - ther-ed, 
 
 dark wi' drift, 
 
 hal - low e'en, 
 
 glist'ning white, 
 
 can see, Jean, 
 
 and the leaves 
 
 that I can 
 
 when the fear 
 
 by the dim 
 
 that face so 
 
 are with-er - ed, 
 not see the lift, 
 f u' sights are seen, 
 elf - can- die's light, 
 dear to mc Jean, 
 
 I will 
 
 I will 
 
 I would 
 
 I would 
 
 We shall not 
 
 s 
 
 JIBJ^ 
 
 W Lfl* 
 
 P 
 
 m 
 
 'i^St 
 
 m 
 
 Bvcr 
 
 [h^- L^ U ' 
 
 II 
 
FAITHPTJ' JUHNIE. 
 
 285 
 
 rail. 
 
 como a - gain, my 
 
 come a • gain, my 
 
 meettheenere, my 
 
 come to thee, my 
 
 part a • gain, my 
 
 sweet and 
 sweet and 
 sweet and 
 sweet and 
 sweet and 
 
 bon-ny, 
 bon-ny, 
 bon-ny, 
 bon-ny, 
 bon-ny. 
 
 I will come a - gain. 
 I will come a - gain. 
 I would meet thee here. 
 I would come to thee. 
 Shall not part a • gain. 
 
 
 Ped. ^ tTM. 
 
 m ;^. ^. | ^.^. | ^ ^ \lj r j i- ^ 
 
 ! i 'i'i 
 
 
 SCENES THAT ARE BRIGHTEST. 
 
 Tenderly. 
 
 WAUACB. 
 
 s 
 
 
 1. Scenes that are brightest may charm fo< a - while,Heart8 that are lightest and 
 2.Words ^annot scat-ter the thoughts we fear For though they natter the j 
 
 J.-J 
 
 Si 
 
 
 f=r 
 
 dim. 
 
 ga=F^j j ^:^jJii^J::S J j^lj 'jrj; pi 
 
 eyes that smile; Yet o'er them, above us, though nature beam, With none to 
 mock the ear; Hopes will still de-ceive us with tearful cost, And when the^ 
 
 s 
 
 ,fe=: 
 
 I 
 
 ZJ! *• * . 
 
 m 
 
 sz: 
 
 ft 
 
 j ^_^j\j._j ^[ihh: \ ^jf \ ^ ^^ 
 
 ^ 
 
 r *r V-^r 
 
 m 
 
 love us, how sad they seem! With none toloveus,how sad they seem! 
 leave us the heart is lost! And when they leave us the heart is lost! 
 
 ifc fifp i;JT^%^ff^F l f Ff I F ^ 
 
 s 
 
 ■ 
 
I 
 
 fi 
 
 f 
 
 ■l 
 
 m 
 
 !iri 
 
 m 
 
 286 
 
 LOVE'S REPLIES. 
 
 BALLAD 
 
 CHARLES MACKAY. 
 Andante. 
 
 FREDERIC H. COWER 
 P 
 
 ^^ 
 
 i J'i ^J J^ 
 
 sead a ques- tion to my dear Each morn- ing by the lark And 
 
 send a mes-sage by the rose, It says: "Thou breathing grace, . . . Thy 
 
 urr^i^f^ ^ 
 
 m. — m- 
 
 fa^ ^lj ijj 
 
 w m 
 
 m 
 
 ^i 
 
 i 
 
 cren. 
 
 S^ 
 
 :fE=:q= 
 
 -m — J- 
 
 ^^ 
 
 :*^ 
 
 ev' - ry night the night- in - gale Brings an - swer ere the dark, . . . 
 mod -est vir - tue, like this flow'r. Spreads fragrance round thy place;" . . . 
 
 The 
 The 
 
 Jf^ -^ |5t 
 
 Copyrli^ht. 1884, by Mubbard BBOS. 
 
LOVE'S REPLIES. 
 
 m 
 
 ^^ ^:^^^^ ^^^^ 
 
 m 
 
 quea - tion needs nc oth - er words, And this is the re- 
 
 lil - y brings the an - swer meet, The an - swer, an - swer 
 
 h a i 
 
 Ff^^ 
 
 9*4 
 
 ^^ 
 
 ^ 
 
 rJM* _"-r=i 
 
 i J. J j-+^ ^ 
 
 tft$. 
 
 ^^"^ 
 
 -m 
 
 meet, 
 
 The ques - tion needs no 
 The lil • 7 brings the 
 
 oth • er words, And 
 an - swer meet, "O 
 
 I' i ii i^^fi fUT^^ ^ 
 
 cret. 
 
 nr J J J I 
 
 ^=j^ 
 
 P a tempo. 
 
 - *u — / , dim. p atei 
 
 m 
 
 this 
 thou 
 
 is the 
 whom I 
 
 re 
 a 
 
 dore 1 . . 
 rit. 
 
 "I'll love thee, dear 
 My heart is spot 
 
 est, 
 less 
 
 P 
 
 3= 
 
 :jf 
 
 ^^ 
 
 J J I J. 
 
 while 
 as 
 
 I live, And bless thee if 
 these leaves, And loves thee ev 
 
 I 
 er 
 
 die; . 
 more, 
 
 ^^ 
 
 m 
 
 No. 2— 32. 
 
 m 
 
 I'll 
 
 ^ 
 
 ' i^ 
 

 I/.t 
 
 
 288 
 
 LOVE'S REPLIES. 
 
 ^ 
 
 ^m 
 
 s 
 
 ^=3=^ 
 
 I 
 
 love thee, dear - est, Mrhile I live, And bless thee if 
 
 heart is spot - less as these leaves. And loves thee ev - er 
 
 fTCS* 
 
 ^ 
 
 
 I 
 
 J, J J J 
 
 And bless, and bless . . . thee, And bless thee if 
 And loves, and loves . . . thee, And loves thee ev 
 
 r 
 
 er- 
 
 I 
 
 dim. 
 
 rit. 
 
 WW 
 
 m 
 
 i 
 
 $ 
 
 a tempo. 1st time. 
 
 a tempo. 2d time. pp 
 
 ^^ 
 
 ^ 
 
 ^ 
 
 ^ 
 
 die. 
 
 - more, 
 
 And loves thee ev 
 
 er- 
 
 ^""^ 
 
 P a tempo. 
 
 m 
 
 P a tempo. I 
 
 ^^ 
 
 i 
 
 ^m 
 
 ^ 
 
LOVE'S REPLIES. 
 
 280 
 
 m 
 
 pp 
 
 *— 
 
 more, 
 
 And 
 
 ^^ TMb bbz^ 
 
 f 
 
 rr^ 
 
 '■f. 
 
 3 
 
 te "'* «& 
 
 ^ 
 
 
 :^a=t 
 
 fc=fc 
 
 ?^?§^ 
 
 Mmpre. ^/D 
 
 "J ■ 
 
 4a:=«= 
 
 lovee thee ev - er - more, 
 
 And 
 
 loves 
 
 W. 
 
 
 r-r 
 
 f 
 
 i 
 
 * s» 
 
 J — J «i 
 
 ?^ 
 
 ^^ 
 
 thee 
 
 raU. 
 
 n t 
 
 ^ 
 
 ev - er 
 
 more. 
 
 
 thee ev 
 
 er - more. 
 
 i ^^ ^^^ 
 
 ^rt 
 
 i 
 
 
 1 
 
 «" 
 
 ^ • f £' 
 
 :i^E^ 
 
 f- f' 
 
 T S. 19 Can 
 
 f 
 
 ii 
 
290 
 
 BEV/ARE, 
 
 LONOFBLLOW . 
 
 riunv TMSom 
 
 P Allegro non truppo, 
 
 0. B. BROWM. Syti« 
 P 
 
 ^^^EfiS 
 
 1. I know a mai-don fair to see, 
 
 2. Shu has two eyes so soft and brown, 
 
 HBCOtrO TKWOK. 
 
 She can 
 She gives 
 
 both 
 a 
 
 1. Take care, 
 
 FIRST BAMB, 
 
 take care, 
 
 ^^ 
 
 Yes, fair to 8ee,take care, Be- ware, 
 
 f^^^^^^^l 
 
 ^^fe 
 
 '_'. Take care, 
 
 tUSCOND HASS. 
 
 take care, 
 
 So soft and brown,take care. Be- ware, 
 
 =^ 
 
 ¥=¥ 
 
 £3 
 
 $ 
 
 t^Fm 
 
 ^lf^4fg 
 
 ss 
 
 23= 
 
 f «l8e and friendly be, 
 side glance and looks down, 
 
 ^^ 
 
 ~*)--s^ 
 
 t 
 
 ^ 
 
 ±=«I 
 
 Trust her not I 
 
 trust her not I 
 
 ^ 
 
 be-ware, Yes,friendly be,beware. 
 
 w- J" J" ^ \ ^0^^ ^ \r c i c ^-g^^ ^ 
 
 •^1 — r 
 
 beware,And looks down,beware!TruBt her notlshe is fooling,tru8t her notlShe is fooling 
 
 ^ 
 
 S^^^J ^ 
 
 ^--# 
 
 / 
 
 § 
 
 J!K 
 
 S 
 
 g^^ 
 
 sz: 
 
 ^£ 
 
 ;^= 
 
 13 
 
 Trust her not ! trust her not ! . . . She is fool • ing thee. 
 
 She is 
 
 ^ 
 
 =F--i»- 
 
 *=^ 
 
 ^ 
 
 E^ 
 
 m 
 
 -W^i^ii-JZ^- 
 
 
 ffli 
 
 i 
 
 ^^ 
 
 5=31 
 
 1= 
 
 Trust her not, trust her not! She is 
 thee,Trust her not, 
 
 fool • ing thee. 
 
 She is fooling thee. 
 
 CopTrlgbt, IHW, \>J <Ii iU 
 
BEWARE. 
 
 201 
 
 ^ 
 
 ^rr— jcpt 
 
 3. And the hBH hair of n gold-cn hue, 
 
 4. She givoB tbeu a gar-land wov- en fair, 
 
 And whut hHo 
 
 A fool's cap 
 
 
 Of gold-t>n hui>,taiiL> cari>, Be- ware, 
 
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 says it is not true, 
 'tis for thee to wear. 
 
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 Trust her not ! 
 
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 trust her not i 
 
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 be-ware, It is not true,beware ! 
 
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 beware,For thee to wear,beware!Trust her notishe is fooling, trust her notiShe is fooling 
 
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 Trust her not. Trust her not ! She is fool - ing thee,Sbe is fooling thee. 
 
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 Trust her not, Trust her not I She is fool - ing thee,She is fooling thee. 
 
 thee,Tru8t her 
 
 Fine. 
 
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 MotUrato, 
 
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 GRANDMOTHER'S CHAIR. 
 
 MAO. Mtim, 
 
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 1. My grand - moth-cr the at the 
 
 3. I thot' it hard-lv fair, ■tilll 
 8. What my brother Haid was true.for 
 
 4. One night the chair fell down ;whonI 
 
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 One 
 
 I 
 
 age of eijp^h-ty-three One day in May waa ta - ken ill and died ; 
 
 ■aid I did not oare, And in the ev'nins tooic the chair a • way ; 
 
 in a year or two.Strange to say, I set-tlod down in mar - ried life ; 
 
 ick'd it up I found The seat had fall -en out up -on the floor, 
 
 And 
 
 The 
 
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 And 
 
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 a^y a lawyer i 
 
 af - ter ahe waa dead, the will,of courB6,wa8 read^By & lawyer aa we all atood by bis 
 neighbors the^ me chafTd.my brother at me laugh'd, And said " it will be uaef ul, John,aom(> 
 first a girl did court,and then the ring I bought,Took her to ohurch,and when she wotimy 
 there,to my surprise, I saw beiore my eyes A lot of notes,two thousand pounds or 
 
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 side ; 
 dav, 
 wife, 
 more 
 
 To my brotn-er. 
 
 ^ 
 
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 To my brotn-er, it was found,8he had left a hundred pounds. The 
 When you aet-tle down in lif e,find some girl to be your wife, You'll 
 The old girl and me, were as hap - py aa could be, For 
 When my broth-er heard of this, the fel - low, I con-fesa, Went 
 
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ORANDMOTHBB'S CHAm. 29S 
 
 •ame un • to ray sia-ter I de • olare, 
 And it ve-ryhand-y I de-oUrc, 
 
 when my work was o • vur I de - olare, 
 D«ar-ly raad with ragf,and tore his hair, 
 
 But when it came to ine, tho 
 On a oold and froi • ty night,whcn the 
 I ne'er abroad would rnAm,l)utfncli 
 But I on • ly laugh'd at him, thin 
 
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 law • yer said, " I see. She has left to you her old arm chair." 
 
 fire is bum-ing bright, You can then sit in your old arm chair, 
 
 night would stay nt home, And be seat • ed in my old arm chair, 
 
 said un • to him" Jem,Don't you wish you had the old arm chair?" 
 
 ^^M 
 
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 $ 
 
 f- 
 
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 And how they titter'd, how they chafiTdjUow my brother and siH - ter laugh'd, 
 
 
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 When they heard the lawyer declare. Granny had only left to me her old arm ch.-iir ! 
 
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 8 
 
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 394 
 
 SWISS PEOPLE'S SONG. 
 
 Aniantt eon moto. dim. 
 
 r, KUCKXN. 
 
 1. ThiTo'ij ono that I lovo dear - ly, And I 
 
 ii\f eru. r- legato. 
 
 can toll you 
 
 ^^ ^^= ^^ ^, j=^T^7=-_p| ^ 
 
 2. There's ono that I lovo duar • ly, Her imiiiv 
 
 I will not 
 
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 3. At morn I climb tho moun - tiiin, Antl K-nvi* 
 iHf __ erf. z legato. 
 
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 my niai* dun 
 
 g^^^^^ ^s=^^j ==g 
 
 ^gi 
 
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 this, There's ono that I love dear • ly, And I can tell you this, If 
 
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 ^^^^W^P^^P^ 
 
 tell, Thorc'H one that I love dear • ly. Her namo I will not tell; But 
 
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 i^-^r r i ta^T T f c P^ ir^ jg 
 
 dear, At morn I climb the moun • tain, And leave my mai- den dear, But 
 
 Zcres.. 
 
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 ^ 
 
 ^ r~rfrr nf _ 
 
 
 i 
 
 i 
 
 Ir, 
 
 11 
 
 i 
 
 I could own that mai*den sweet With face so lov - ly, form so 
 
 mountain e - chocs know the sound, That oft in song, with glad re- 
 
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 ah! tho' I 
 
 be far a- way, My heart remains, nor will it 
 
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 could own 
 
 With face so lov - ly,form so 
 
nwtsa mople'b bono. 
 mp. poeo animato < tmmprt eru. 
 
 S96 
 
 
 If I oouldown that maiden Hwoot, My heart would bumt with 
 dot. ■ — _— / ri<«ii. 
 
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 bound, That oft in mim, witii ^hid ri>hound, FIIIm nil tin* for* uMt 
 
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 •tray, 
 Htray, 
 
 My heart romainn nor will it utray. Our love Ih ho hIu- 
 dol. poeo animato e itmpre eret, i — «=/ nt«n. 
 
 ^.M£^^^^^^^^ 
 
 neat, 
 
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 ^a e l^^-^^E ^TTTFTfe^^^ - l^^i^ 
 
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 la, la. 
 
 la, la, My heart would burst with bliss. 
 
 J-^J'-i'^ 
 
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 la, la. 
 
 la, la, Fills all the for - eat dell. 
 
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 la, la, 
 
 la, la, Our love is so sin - cere. 
 
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 11 
 
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 2P6 
 
 HUNTER. 
 Vhaee. 
 
 OVER THE GARDEN- WALL. 
 
 FOX. By pM 
 
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 1 Oh, ray love 8t'>odun-der the wal- nut tree, O - ver the gar -den wall,. . She 
 2. But her father litamp'd, and her fa- ther raved, O - ver the gar -den wall,. . And 
 
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 whisper'd and said she'd be true tx) me, O - ver the gar - den wall... 
 
 like an old mad - man he be-haved, O • ver the gar - den wall. . . 
 
 Slie'd 
 She 
 
 beau-ti-f ul eyes, and beautiful hair, She was not ve - ry tall so she stood on a chair, And 
 made a bouquet of ro - ses red, But im- me -di - ate- ly I popp'd up my head, He 
 
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 ma- ny a time have J kiss'd ber there, O - ver the gar - den wall, 
 gave me a buck- ct of wa-ter in -stead, O - ver the gar - den waU. . . 
 
 wm ^i t i^m^ 
 
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'd 
 
 OTBR THE OARDCN WALL. 
 
 J97 
 
 ^^^_ g_^L=^^i£3T^|lS^ ^ 
 
 O - ver thtj gar - de'.; wall, . . The sweet - est girl of all, 
 
 There 
 
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 nev - er were yet such eyes of jet, And you may bet I'll nev - er for- get. The 
 
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 night our lips in kiss - es met, 
 
 O - ver the gar - den wall. 
 
 i 
 
 H 
 
 S One day I jumped down on the other side, 4 
 Over the garden wall. 
 And she bravely promised to be my bride. 
 
 Over the garden wall; 
 But she scream'd in a f right,"Here'8 father, 
 
 quick, 
 I have an impression he's bringing a stick;" 
 Bat I brought the impression of half a brick 
 Over the garden wall. 
 r-Ho.— 
 
 But where there's a will, there's always a 
 Over the garden wall, [v»y, 
 
 There's always a night as well as a day, 
 Over the garden wall. 
 
 We hadn't much money, but weddings are 
 cheap, 
 
 So while the old fellow was snoring asleep, 
 
 With a lad and a ladder she managed to 
 Over the garden wall [c^f 
 
 Cho.— 
 
t' ' 
 
 ^M 
 
 203 
 
 MAMMA, MAMMA. 
 
 BAYLY 
 
 AUegrtUt 
 
 BLEWn . 
 
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 ■^^ -2 L.g : 
 
 1. Why don't the men propose, mamma? Why don't the men pro-pose? Each 
 
 2. I'm Bure I've done the best, mamma, To make a prop - er match ; For 
 
 3. Ithrewa-side the books and thought That Ig- norance was bliss; I 
 
 4. And what is to be done mamma ? Oh, what la to be done ? I 
 
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 seems just com- ing to the point, And then a-way he goes! It 
 
 Cor - o-nets and eld - est sons, I'm f>v - er on the watch; I've 
 
 felt convinced that men prcfer'd A sim - pie sort of Miss; And 
 
 real - lyhave no time to lose, For I amthir-ty - one; Jk% 
 
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 is rofault of vonrs, mamma. That ev'-ry bo- dvkiiows; You feto the fin - est 
 hopes T.'hen some aistinyuo bean, A glance upon me throws ; But though he'll dance and 
 
 K, I lisp'd out naught beyond Plain "yeses," or "plain noes," And wore a sweet un- 
 bahc ' am too oft - en left Where spinsters sit in rows; Why won't the men pro- 
 
 
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MAMMA, MAMMA. 
 
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 men in town, Yet, oh, theywon'tpro-posel 
 smile and flirt, A - las, he won't pro -pose! 
 mean- ing smile; Yet, oh, they won't pro -pose! 
 pose, mamma ? Why won't the men pro -pose! 
 
 ^^ 
 
 they won't, 
 
 he won't, 
 
 they won't, 
 
 they won't, 
 
 they 
 
 he 
 
 they 
 
 they 
 
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 won't, 
 won't, 
 won't, 
 won't, 
 
 they won't, they won't pro- pose, mam - ma, 
 
 he won't, he won't pro- pose, mam -ma, 
 
 they won't, they won't pro-pose, mam - ma, 
 
 they won't, they won't pro- pose ? mam - ma. 
 
 rmnji s\ 
 
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 mam- 
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 ma, 
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 they won't, they won't propose! 
 
 he won't, he won't propose! 
 they won't, they won't propose! 
 ,, why won't the men propose ? 
 
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 30U 
 
 THE THREE CALLS. 
 
 AUegretto piu BeeitarUt. 
 
 WOODBURY. Br POT. 
 
 3d kour. — -O Blum 'ber-er, rouse thee! oe-spiso not the truth, But eivc thv 
 
 m 
 
 3d hour, — O Blum - ber-er, rouse thee ! oe - spiso not the truth, But give thy Cre- 
 6th dk 9th houra.-O loi - ter-er, speed thee I the mom wears a - pace ; Then squan - der no 
 11th hour. — O sin - ner, a-rousetheelthyraom - iug is pass'd; Al-read -y the 
 
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 : \ 1 J JiT-^^gnj i j, J J] 
 
 a - tor the days of thy youth; Why stand - est there i - dlel the 
 lone - er the mo-mentsof grace, But haste while there's time! with thy 
 Bhad - ows are length -en - ing Fast; Es - capo, for thy life! from the 
 
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 «K=. J^ ^ L T , .__; ^ I 1 
 
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 day breaketh, see! The Lord of the vine - yard is wait - ing for theo. 
 
 Mas - ter a - gree; The Lord of the vineyard stands waiting for thee, 
 dark mountains flee; The Lord of the vine- yard yet wait-eth for thee. 
 
 Andante affetuoio. 
 
 "Ho-iy Spir-it. bv thv pow-er. Grant me vet an-oth-er hour: Earthly 
 
 P 
 
 " Ho -iv Spir-it, by thy pow-er, Grant me yet an-oth-er hour; Earthly 
 Gep-tle Spir-it, stay, oh stay, Brightly beams the jar- ly day; Let me 
 Spir-it, cease thy mournful lay, Leave me to my-aelf, I pray; Earth hath 
 
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THE THREE CAUA 
 
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 pleas- ures I would prove, Earth-ly joy, and earth- ly love ; Scarcely 
 lin - ccr in these bow-ers ; God shall have my noon- tide hours ; Chide me 
 flung ner spell a- round mc^ Pleasure's silk • en chain hath bound me; When the 
 
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 rf,^jjj^j | ^_.i-^j8J,r | j.Mtl - I 
 
 yet han dawn'd the day ; Ho-1 v Spir-it, wait, I pray I 
 not, for my de - lay. Gentle Spir-it, wait, I pray I 
 sun his path hath trod, Spir-it, then I'll turn to God I 
 
 
 W^l^ f-blff ^\ 
 
 Pmseroso Recitante. 
 
 ^M 
 
 — - | 1 
 
 XIX 
 
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 Hark! borne on the wind is the bell's sol-enm toll;'TismourDful-ly peal-ingthe 
 
 
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^M 
 
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 302 
 
 THE THRRE CALLS. 
 
 ^m. 
 
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 knell of a Boiil — The Spir- itV sweet pload-ings and Btrfv-ings arc 
 
 o'er; The Lord of the vineyard stands waiting no more 
 
 r^Pr 
 
 
 r-^--r 
 
 BOWLY. 
 Allegro moderato. 
 
 ALL IS WELL. 
 
 MARSHALL. Br I 
 
 JiUi I LiJi l LNU -JJiUill 
 
 l.ThroHhe love of God,our Saviour, AH will be well ; Free and changeless is His f a-vor; 
 
 2. Tho' we pass thro* tribulation, All will be well; Ours is such a full sal -va-tion; 
 
 3. We expect a bright tomorrow. All will be well ; Faith can sing thro' days of sorrow; 
 
 , all is well! Precious is the Bloodthat healed us, Per-fect is the grace that 
 
 All, all is well! Ilap-py.stiil in 6odcon-fid-ing, Fruit-ful, if in Christ a 
 All, all is well! On our Father's love re -ly -ing, Je - bus eve-ry need sup - 
 
 NRalfid ua-Stronff the haad stretched forth to shield us; AH must be welll 
 
 sealed u8,Strong the haad stretched forth to shield us ; 
 bid -ing, Ho- ly,through the Spir - it's guid-ing; 
 ply - ing, Or in liv - ing, or in dy - ing ; 
 
 All must be well." 
 All must be welll 
 
^ttnl t0 ^t Ms With mint %$. 
 
 Blir J02TS01T.* 1C02L^T. 
 
 " J' J' J i i Q M^iJXJJ^ ^^ 
 
 t. Drink to me on - ly with thine eyes, And I will pledge with mine,.. 
 a. I sent thee Inte • ro • sy wreath, Not so muck hoa'ring thee,.., 
 
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 HtllLl.f Ujf 7£=g |LAJtfiP^4 
 
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 Or leave a kiss with • in the cup, And I'll not ask for wine;. 
 As giving it a hope that there It could not with • ered be;. 
 
 The 
 But 
 
 Gjryr&Tf c i r (!& 
 
 thint that from the soul doth rise. Doth ask a drink 
 
 thint that from the soul doth rise, Doth ask a drink di - vine,, 
 thou the.'eon did'st on • ly breathe, And sent'st it back to me,< 
 
 mf 
 
 
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 But might I of Love's nec • tar sip, I would not change for thine... 
 Since when it grows, and smells, I swear, Not of it - self but thee 
 
 ^-i- 
 
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 • The wonb of thia old Mag an from Bcb JooiOD'a " The ForcM," Iiaiiilau4 fiXHa tiic Crack of Pbilottratuf, wk* 
 
 imririihrri in lbs MGoad ctatmy of our ca, 
 
 303 
 
* 1 
 
 .1 
 
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 illi 
 
 ! 
 
 'M 
 
 804 
 
 IF PAPA WERE ONLY READY. 
 
 pi 
 
 Thought/My. 
 
 BLISS. Br pli. 
 
 i=rjrf[J-^^-3'^ ^TT ^\^^h± ii : :^^ 
 
 1. 
 2. 
 3. 
 4. 
 ft. 
 
 I should like to die, said Willie, if my pa-pa oould die too; But he 
 
 But she told me, I remember, onoe while sitting on her knee, That the 
 
 There I know I shall be hap-py, and will al-ways want to stay ; I shall 
 
 There will be none but the ho-ly — I shall know no more of sin ; Tho' I'll ' 
 
 Ni'llie says, that may be I shall ve - ry soon be call'd a- way; If pa- 
 
 says he is • n't read -y, 'cause he has so much to do; And my lit - tie sis-ter 
 
 an - gels nev- er wea- ry, watching o - ver her and me; And that if we're good — ( and 
 
 love to hear the sing-ing, I shall love the end-less day; I shall love to look at 
 
 see mam-ma and NeT- lie, for I know he'll let them in. But I'll have to tell the 
 
 pa were on -ly read-y, I should like to go to-day; But if I should go be- 
 
 Nel- lie says that I niUHt sure-ly die, And that she and mamma — then she stopp'd, be- 
 
 mam-ma told me just the same before,) They will let us in - to heav - en when they 
 
 Je - BUS, I shall love him more and more. And I'll gath-or wa - ter - lil - ies for the 
 
 an- gel, when I meet him at the door. That he must ex-cuse my pa - pa, 'cause he 
 
 fore him to that world of light and joy, Then I guess he'd want to come to heav'n to 
 
 ^Srj i ^ ^-J-^ 
 
 m 
 
 ^ 
 
 ^£^^a 
 
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 ad lib. 
 
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 cause it made me cry; And that she and mamma — then she 8topp'd,becau8e it made me cry. 
 see us at the door; They will let us in - to heaven when they see us at the door, 
 an -gel at the door; And I'll gather wa- ter -lil - ies for the an - gel at the door, 
 could-s't leave the store; That he must excuse my papa, 'cause he couldirt leave the store, 
 see his lit - tie boy; Then I guess he'd want to come to heav'n to see his lit-tle boy. 
 
 w=^ 
 
 ^ 
 
 3 
 
 Sf- 
 
 i 
 
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O HUSH THEE, MY BABIEl 
 
 mMBtm, 
 
 ]^J-J^l^ ^^ ^ 
 
 O hush thee, my ba- biu! thy sire was a knight, Thy inoth>er a 
 
 ALTO. 
 
 PI 
 
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 O huHh thee, my barbie! thy sire was a knight, Tl»y moth-era 
 
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 O hush thee, my ba- bie! thy sire was a knight, Thy muth-cr a 
 HAaa. 
 
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 O hush thee, my ba> bie! thy sire was a knight, Thy motb-er a 
 
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 ereg. 
 
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 dim. 
 
 g^J J/ | j_^ 
 
 la - dy both gen-tle and bright, both gen-tle and bright; The woods and the 
 ere». dim. p 
 
 f^^^^^=^^> J J /- Jl-^ 4^^.^^^^ 
 
 la- dy both gen-tle and bright, both gen-tle and bright; The woods and the 
 eru, dim. p 
 
 ^^ 
 
 p ■* u i ^ ^"p p 
 
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 la- dy both gen-tle and bright,both gen - tie and bright; The woods and the 
 era. dim. p 
 
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 tcrrfc 
 
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 la • dy both gen-tle and bright, both gen-tle and bright; The woods and the 
 
 bl= 
 
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 ^-^w-^S' 
 
 ten 
 
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 glens from the tow'rs which we 8ee,They are all be - long-ing,dt'ar ba-bie, to 
 
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 ^ 
 
 N N 
 
 glens f rr a the tow'rs which we see. 
 
 I 
 
 They are all 
 crea 
 
 be- long-ing to 
 
 CCTl 
 
 ^ 
 
 ^ 
 
 N N 
 
 a^=^M 
 
 5^=^ 
 
 glens from the tow'rs which we see. 
 
 They are all 
 
 be- long-ing to 
 
 e^y J J J 1 ^^ 
 
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 f f f- 
 
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 glens from the tow'rs which we see, 
 T S— 20 
 
 They arc all 
 
 b'-- long-ing to 
 
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 i 
 
 !(( 
 
 M0 
 
 o Hum nam, my bake i 
 
 *k / ^ ^ ^ dim. 
 
 thuu, Tbvy are all be- long-ing, doar ba- bit>, to tbue. 
 
 / pp riae. 
 
 '^^m^^^^^^ 
 
 tlio(>, They aru all bu- lon^-iiig, dear ba- bio, to tluc. O hunb tbce, my 
 
 do. f , dim pp 
 
 M^J^^^ms=^^^^^^^^ 
 
 thoL', Tlioy are nil bo- long-ing, dear ba- bio, to thoe. O IiuhIi thoo, aiy 
 
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 thee, They are all be- long-ing, to thee. O huab thee, O bush thee, my 
 
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 O hush .... thee, my ba- 
 
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 O fear not the bu- gle, though loud-ly it blows; It calls but the 
 
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 O fear not the bu- gle, though loud-ly it blows; It calls but the 
 
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O HUSH THEE, MT BABId 
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 warden that guard tliy re- pone, thnt guard thy ru- poHe. Their bow8 would be 
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 warden that guard thy ve- po«e, that guard thy re- pose. Their bowH would be 
 
 ^ ere* ^» - c«i . 
 
 bund-ed; their blades would Ik- red, Ere the step of a foeinan drnwH near to thy 
 
 bend-ed; their blades would be red, 
 
 P 
 
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 crea - - cen 
 
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 bond-ed; their blades would be red, 
 
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 bend-ed ; their blades would be red, 
 
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 near,Ere the step of a foeman draws near. O hush thee,0 hush thee,my babie, O 
 

 IMAGE EVALUATION 
 TEST TARGET (MT-3) 
 
 A 
 
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 {< 4^ 
 
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 £ Ui 12.0 
 
 "^ Wl U -1 1.6 
 
 Hiotograiiiic 
 
 Sciences 
 Corporation 
 
 23 WIST MAIN STREET 
 
 WEBSTER, N.Y. MSM 
 
 (716) S72-4S03 
 
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 HUSH THBb, MY BABIEi 
 
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 thee my ba - - - - bie. 
 
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 hu8hthee,my babie, O hush thee,my ba - bie. 
 
 O hush thee,my babie, the 
 
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 hnsh thee,my babie, O hush thee,my ba - bie. 
 
 O huBhthee,my babie, the 
 
 £=Xz 
 
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 huBhthee,my babie, Ohu8hthee,my ba - bie. 
 
 S^tg-g-s^i g-g^ 
 
 O hu8htliee,my babie, the 
 
 "ii 
 
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 time soon will come. When thy sleep shall be bro-ken by trumpet and drum, by 
 
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 time soon will come, When thy sleep shall be bro-ken by trumpet and drum, by 
 
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 time soon will come. When thy sleep shall be bro-ken by trumpet and drum,bytrum- 
 
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 time soon will come, When thy sleep shall be bro-ken by trumpet and drum, by 
 
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 trumpet and drum;Then hush thee,my darling, take rest while you may,For strife comes with 
 
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 trumpet and drum ;Then hush thee,my darling, take rest while you may,For strife comes with 
 
 crea. 
 
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 pet and drum;Then hush thee,my darling, take rest while you may,For strife 
 
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 trumpet and drum;Then hush thee,my darling, take rest while youmay,For strife conies with 
 
w 
 
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 O HUSH rHEE, MY BASIEt 
 
 309 
 
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 m 
 
 iaanhood,and waking with day ;For strife comes with manhood,andwak - ing with 
 dim. 
 
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 manhood,and waking with day ;For strife comes with manhood,and wak 
 dim. 
 
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 manhood,and waking with day ;For strife comes with manhood,and waking with day. O 
 
 day. O hush thee, my ba-bie! O hu8hthee,my ba-bie! O hush thee, my 
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 day. O huHhthee,my ba-bie! O hushthee,my ba-bie! O hush thee, my 
 stac. . stoQ. 
 
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 ha8hthee,0 hushthee,my ba-bie! O hu8hthee,my ba-bie! O hush thee, my 
 
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 . . thee, O hush . 
 
 J'TTT^ J-J^ 
 
 thee, O hush thee, O hush thee,my ba - 
 =" dim. pprall. 
 
 bie! 
 
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 ba-bie! O hu8hthee,my babe! 
 
 O hu8hthee,my ba 
 pprall. 
 
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 ^ 
 
 ba- bie! O hush 
 
 eyr^^in7 
 
 thee, O hush thee, O hush thee,my ba 
 =~ dim. PPraU. 
 
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 bie! 
 
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 jtzzt? 
 
 Va- bie! O ha8hthee,my babe! 
 
 O hushthfle.my ba - - bi«l 
 
810 
 
 Trrhle. With tTfrctmm 
 
 HOME, SWEET HOME. 
 
 BISHOP. 
 
 1. Mid pIoaHures and ])a - la-cos tlumgli wo may roam, Be it ev - er so 
 Alto. 
 
 
 
 Tknok. 
 
 JE^fe ^-^^zp ^ gf 
 
 ^S 
 
 t?=tc: 
 
 2. An ex - lie from home, splondor dazzles in 
 
 BA88. 
 
 vain, Oh I give me my 
 
 B'li 
 
 $ 
 
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 hum - ble, there's no place like home ! A charm from the skies seems to hal - low us 
 
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 low - ly thatch 'd cottage a - gain; The birds sing-ing gr.i - ly, that came at my 
 
 I eres. 
 
 -=ff: 
 
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 tvttA enpremon.- 
 
 ^ 
 
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 there, WhichjSeek through the worId,l3 ne'er met with elsewhere ; Home ! home ! 
 
 ~^, with efpression.-:^~^ 
 
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 call, Give me them with that peace of mind,dearer than all, Home! home! 
 
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HOME. SWEET HOME. 
 
 ealando. 
 
 su 
 
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 I 
 
 Bweet,Bweet homo! There's no place like home! There's no place like home! 
 era. 2» ealando, ^ 
 
 ^a 
 
 ^ 
 
 
 I5=K= 
 
 ■tx: 
 
 t^^i^ *-LJ-— i T-^ 
 
 er«a. ^— . . -» cafando. "^^ 
 
 8 weetjsweot home! There's no place like home! There's no place like home! 
 
 eret. ~^ eakmdo. ^ w 
 
 Kj j \ r:c i r-^-g i rFfU ^m=m 
 
 A. L.C. 
 
 WAITING, ONLY WAITING. 
 
 Solo. With feeling. 
 
 PERKINS. By per. 
 
 ^^J^^j^^ijj^j /7 i j.^^j-7rj:^j. j^-^^i ^ 
 
 ^ 
 
 V ar;;:; 
 
 1. Wait-ing,on - ly wait-ing, 
 
 2. Wait-ing, on - ly wait-ing, 
 
 3. Wait-ing, on - ly wait-ing, 
 
 till the shadows long-er grow ; Wait-ing, on - ly 
 for our sor-rowsto be o'er; Wait-ing, on - ly 
 life is on - ly one long wait; Wait-ing, on - ly 
 
 m 
 
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 wait-ing, for the sunshine to break thro'. Wait-ing, on - ly wait-ing, for God's 
 
 wait-ing, till we reach the golden shore. Wait-ing, on - ly wait-ing, for our 
 
 wait-ing, for our pleas-ure and our fate. Wait-ing, dear Lord, waiting, oh, how 
 
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 mes-sage from on high; Wait-ing, on - ly wait-ing, to be summon'd to the sky. 
 
 triumphs to be through;Waiting, dear Lord, waiting: it is all that we can do. 
 
 much some have to wait! Wait-ing, oh yes, wait-ing, till pcr-haps it is too late. 
 
 ^ 
 
 m^n-s^ 
 
 -iS- 
 
 P Chonu. tempo ad lib. 
 
 ^^^^^^^ 
 
 pp. 
 
 ^ 
 
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 Wait - ing. 
 Wait - ing, 
 Wait - ing. 
 
 ^ 
 
 .^0. 
 
 wait - 
 wait - 
 wait - 
 
 ing, to be summon'd to the sky — Wait - ing. 
 ing: it is all that we can do — Wait - ing. 
 mg, till per-haps it is too late — Wait - ing. 
 
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 /sa_ 
 
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 22 
 
 Z2I 
 
812 
 
 ill: 
 
 A MOTHER'S GENTLE LOVE. 
 
 te 
 
 M. SPENCER. 
 
 Moderato. p* 
 
 n 
 
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 A. LEB. 
 
 ^ 
 
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 1. The 
 
 2. How 
 
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 flow- era of the earth are fair, Of 
 
 beauteous is a moth-er's love, In 
 
 var - ied tint and hue, They 
 last • ing truth ar- rayed, Un- 
 
 ^m 
 
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 t=t: 
 
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 shed a - round their per • fume rare, 
 changed, un - var - ied in its tone. 
 
 Re - freshed with morning dew ; The 
 In sun - shine and in shaae. Oh, 
 
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 Copyright, 1884, by Hvbbabo Bkob. 
 
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A MOTHER'S OENTLE LOVE. 
 
 313 
 
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 ^ 
 
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 $9: 
 
 heart may weave in ma • ny epells, But one all else a- 
 
 where can dwell a pur • er apell Ab con - stant as the 
 
 m 
 
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 mi 
 
 ^^ 
 
 ^ 3 ^ 
 
 ^=T^^=^ 
 
 hove, A charm all - ther charms ex - eels, 
 dove, Oh, no af-fec-tion can ex - eel 
 
 A 
 A 
 
 i-~^-\U J "i i jl^^^ 
 
 mother's gen • tie 
 mother's gen - tie 
 
 ^m 
 
 nm-^- 
 
 i 
 
 w-r- 
 
 ^ 
 
 -s 
 
 m 
 
 5-^a- 
 
 t=^ 
 
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 zM — ^— #- 
 
 love, 
 love, 
 
 ■— 1 — 
 A moth-er's 
 A moth-er's 
 
 ^ 
 
 gen- tie love, 
 gen- tie love, 
 
 A moth-er's gen- tie 
 
 A moth-er's gen- tie 
 
 ^ 
 
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 •14 
 
 ROCK'D IN THE CRADLE OF THE DEEP. 
 
 WILLARD. 
 
 KNIOHT. 
 
 1^ 
 
 J J". »>y 
 
 ^ ^^-^-r^ j^^^m 
 
 1. Rook'din thecra-dlo of Iho deep, ... .1 lay mo down. ... in peace to 
 
 2. And such the truit that still were mine . . . Tho' stormy winds . . swept o'er the 
 
 sleep; 
 brine, 
 
 ^ ' ^ ' ^—^ •• "1 
 
 Se - cure I rest up - on the wave, 
 Or though the tern- pest's fi - cry breath 
 
 For Thou, oh 
 Roused me from 
 
 ^m 
 
 ^ 
 
 J l J. J 
 
 Lord! hast power tc sa^. 
 sleep to wreck and death I 
 
 ^P 
 
 I 
 
 ^ 
 
 ^ 
 
 I know Thou wilt not slieht mv 
 In o - oean cave still sale witn 
 
 ^=*= 
 
 :=: X : = 
 
 m 
 
 M. 
 
 ^m 
 
 B 
 
 I 
 
 $ 
 
 i 
 
 J|J. J ^ J^ ^ 
 
 call, 
 Thee, 
 
 For Thou dost mark the spar- row's falll 
 The germ of im - mor - tal - i - ty; 
 
 P 
 
 And 
 And 
 
 •nv tut fear I 
 
 $ 
 
 I (or iBtndnoUoB uul InUidad*. 
 
 ^ 
 
 1 
 
rock's in the cradle of the deep. 
 
 316 
 
 calm and peaouf ul is my sleep, Rook'd in the oradlo of the deep. And 
 
 Rook'd in the oradlo of the deep, 
 
 EfcggrJi^ 
 
 SS 
 
 ^^^ 
 
 i 
 
 ^ 
 
 ^a^ 
 
 5 
 
 calm and peaceful is my sleep, 
 
 Rock'd in the cra-dle of the deep. 
 
 2. And 
 
 §&mm-i^ m 
 
 i 
 
 JESUS. TO THEE I COME. 
 
 OOVLO. 
 
 J i .J J J i iJ i J jX^'J f f^Tfif^fH-- 
 
 1. Je-Bus, loome — I oome to-night; Be-store tome myblind-edBight;And in my 
 
 2. Je-Bus, I oome — ^I can - not stay From Thee an-oth- er pre-cious day ; I would Thy 
 
 3. Je-suB, loome, "Just as I am," To Thee, the ho- ly, spotless Lamb; Thou wilt re- 
 
 £^£ 
 
 tof f FF Ff f r f^fff^ff-iq 
 
 M 
 
 ^w 
 
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 soalj'lettherebelight!" Je-aaB,toThee I cornel Je-flUH, to Thee 1 cornel 
 word this night o-bey ; Je<su8,toTbee I cornel Je-saa, to Thee I cornel 
 oeiTemeas I am; Je4uB,toThee 1 comet Je-sns, to Thee I come I 
 
 J J J. ii rr-pm :^: 
 
!iil 
 
 ' ti 
 
 •It 
 
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 '{' 
 
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 1 ! 
 
 1'' 
 
 116 
 
 TINNYSON. 
 Larghetto.jOp 
 
 SWEET AND LOW. 
 
 J Jr' i p ^ ^ibb^ ^ ^ 
 
 Sweet and low, sweet and low.Wind of the western sea, Low, low, breathe and blow, 
 
 K—K-^ 
 
 ^^ 
 
 -W 
 
 m 
 
 e 
 
 Sweet and low, sweet and low. Wind of the western sea. Low, low, breathe and blow, 
 
 rrTj:ji3=e^ 
 
 Sweet and low, sweet and low, Wind of the western sea. Low, low, breathe and blow, 
 BASH.PP , ^ ^-*s -ss- -c=- . -«^-^. 
 
 ^ J ' J IM^^MJ'-J^-^^^^^ ^^^^ 
 
 I 
 
 Sweet and low, sweet and low, W ind of the western sea. Low, low, breathe and blow, 
 
 Wind of the western sea. O-ver the roll ■ ing wa - ters go. Come from the dy>ing 
 
 P "l/" PP 
 
 li^. — ±=ib=iJ^j Jj' li-^ 
 
 Wind of the western sea. O • ver the wa - ters go. Come from the 
 
 P _ «/ w _ PPj^ 
 
 Wind of the western sea. O-ver the roll - ing wa - ters go. Come from the dy-ing 
 
 P^ ^ - — - «/- ^ --v - V^ PP 
 
 Wind of the western sea. O -ver the roll - ing wa - ters go. Come from the 
 
 ^f ^-J^^^^=^ F f ^ ^— ^ i^M 
 
 moon and blow, Blow him a - gain to me. 
 
 ^^^^^ 
 
 "While my lit - tic one 
 p raU. « 
 
 moon and blow. Blow him a • gain to me? 
 
 P^ 
 
 ^ 
 
 ^ 
 
 While my lit • tie one 
 ::'* P rail. e 
 
 Tan 
 
 Qp: 
 
 moon and blow, Blow him a - gain to me. . . 
 
 / 
 
 ^^ 
 
 While my lit - tie one 
 p rail. « 
 
 I ^Li_jLAJ ULjL ji_p_ p \r -nrzj:=zLtJH 
 
 moon and blow, Blow him a - gain to me. . . . While my lit tie one 
 
SWEET AND LOW. 
 ppTtmpo primo 
 
 417 
 
 while my pret-ty out! HlvepH Slucp and ru8t,Hlei>|) and rimt, Father will come to tbt>« 
 
 dim. pp — ■ pp 
 
 3^fe^ 
 
 ^.^M^ 
 
 wliilomyprot-tyonc slui-pH Sluop and ruwt.Hleop and restjFathor will come to thee 
 
 wliile my pret-ty one Hlecps Sloop and rostjHlecp and rest.Fatliorwiili'onu' to thee 
 
 dim. pp_ - pp 
 
 g^:iij:3i^gi^Mi 
 
 while my prot-ty one -K'ups Sloop and ro8t,8lotp and rest, Faiher will come to thee 
 
 i^^ EE^S^ j^ ^-^^Fi^^g i^il^ 
 
 soon. Rest, rest, on motli-cr's breast, Fa-ther will come to thee soon; 
 
 »/♦ P 
 
 pS=^^f^ E^3M 
 
 soon. Rest, rest, on moth-er's breast, Fa-ther will come to thee soon; 
 
 ^ 
 
 soon. Rest, rest, on moth-er's breast, Fa-ther will come to thee soon; 
 
 \ei}r'r^U' J :^Ejj-jgi=[5 :^^ p^^&=^M 
 
 soon. Rest, rest, on moth-er's breast, Fa-ther will come to thee soon; 
 "•/ w . . . PP 
 
 ?t=R 
 
 ^u r J J' I J^J^ Ji J r t .-^ 
 
 Fa-ther will come to his babe in the nest, Sil - ver sails all out of the west, 
 mf pp 
 
 m 
 
 i 
 
 ?S=q5 
 
 :tj 
 
 -w 
 
 the west, 
 
 Fa 
 
 ther will come to his babe, Sil - ver sails out of 
 
 ^ ^^^ 
 
 - — 0—r — >=■ — r — - — r — p . ^ 
 
 ( ■ ^ 
 
 ^^ 
 
 Fa-ther will come to his babe in the nest, Sil • ver sails all out of the west, 
 
 ^ 
 
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 ^— # 
 
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 m 
 
 pp 
 
 ± 
 
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 Fa-ther will oome to bis babe iu tke nest. SU • ver sails out of the west. 
 
I I 
 
 M 
 
 •WIET AND LOW 
 ^ P raU. t liim. 
 
 ys-^^^^^MTM? 
 
 Undvr thu nII- vit moon. Slvi>{i, tny lit-tk* ono, nlt'cp, my pretty one, Kloop. 
 ,/ =-.^ P raU. « dim. ftp 
 
 fep^/s^^^^ ^rlljg^ 
 
 Uudur the i\\- vor moon. SU-op, my lit-tle ono, Hlcon, my pretty one, Hleep. 
 
 
 lender tlio 8il- \or moon. Sleep, my lit-tle one. Bleep, my pretty one, sleep. 
 / ^-^ P rali, « dim. ppi 
 
 fe^fe^ ^^B^ 
 
 Under the ail- vcr moon. 81eep, my lit-tle one, sleep, my pretty one, sleep. 
 
 CLING CLOSE TO THE ROCK. 
 
 TAYLOR. 
 
 MARSHALL. Br pw. 
 
 ^^ 
 
 1. CliTig uIoBe to the Rock, brothor, dan-Ker iH near; C'liTig close to tHy Saviour, and 
 
 2. Cling close to the Rook, brother, closely to> <lay, Ere waves of tempta - tion shall 
 
 3. C-'ling close to the Rock, brother, close to the Rock, Tho' tempests may rage, and tho* 
 
 doubt not nor fear. For Je - sus will hold ihee, Al -migh- ty to save. Thy 
 
 sweep thee a - way. Cling cluwe to the Rock, in the time of thy grief. For 
 
 bil - lows may shock; For Je - sus, thy Sa-viour, thy Ref-uge, thy Friend, In 
 
 Je - BUS, who triumphed o'er death and the ^rave. Cling close to the Rock, Tho' the 
 Je - SUB brings speed-y and pre-cious re- hef. Cling close, etc. 
 mer - cy hath loved thee, and loves to the end. Cling close, etc. 
 
 tern- pests may shock; As-sured of sal - va - tion, 
 
 ^ _ _ 
 
 ^ 
 
 ^ 
 
 8U8, the 
 
 ^ 
 
tOWFt. 
 
 bej\utiful land. 
 
 81» 
 
 LOWRY. ■y^M'. 
 
 1. Je • rii • Hu-U'in, f<ir-('V-or1>ri};(lit, Hcftutiful landof rt-Ht I Kn wiii-tiT then', nor 
 
 2. Jc - ru • Hrt- h'lM, for • ovMT fn-f! Itoniitiftil iniul of ri'HtlTlu'Houl'sHwtTt lioiiii'of 
 
 3. Je • ru - Ba-li'in, for-i'v-i'i dt-nr, Hoiintiful liuul of ri'ctl Thy jioiirly giiti-Hiil- 
 
 ^^M 
 
 
 i^^^m 
 
 ohill of nir*ht,B(^Aiitif 111 land of rent ! The dripping cloud is ohnfU'd away.Tho nun hreaku forth 
 Liberty, Keautifiil liind of rcNt! The pyveH of tiin,the oiiainsof woe,Tlu'rannoined there will 
 iuuittapp«ir,lieaiUiful land of ri<«tt And when wo tread thy lovely shore, We'll sing the song 
 
 we've 
 
 l^= g~f7JJJ^^1fp 
 
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 end- less day. Je • ru • ea - leral Thebeau-ti- ful land of rest; Jo - ru - sa • 
 nev-erlcnow. Jo - ni - Ra - leni! Thebeau-ti - ful land of rest; Je - ru - sa < 
 Bung be-fore. Je - ru - oa - leinl Thobeau-ti • ful land of rest; Je - ru - sa • 
 
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 lem I The beautiful land of rest. Bsau - ti • ful land ! Bean • ti-f ul land I 
 
 lem I The beautiful land of rest. Bsau - ti • ful land ! 
 lera ! The beautiful land of rest, 
 lem I Tho beautiful land of rest. 
 
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 We vrait ira - pa-tient to be- hold Tho gates of pearl, the streets of gold, And 
 
 nes - tl< ! safe in Je-sus' fold, In the beautiful land, The beau ti-f ul land of rest. 
 
 :e3?:* 
 
820 
 
 KATE KEARNEY. 
 
 LADT MOMAN. 
 
 
 ALEXANDER LBK. 
 
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 1. Oh, did you not hear of Kate Kear-ney? . . 
 
 2. For that eye ia so mod- est - ly beam- ing, . . . 
 
 She live.i on the banks of Kil- 
 You ne'er think of mischief she's 
 
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 lar • ney ; From the glance of her eye, Shun dan - ger and fly, For 
 
 dreaming; Yet, oh! I can tell How fa- tal the spell That 
 
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 fa- tal's the glance of Kate Kear-ney. 
 lurks in the eyes of Kate Kear- ney. 
 
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 Oh ! should you e'er meet this Kate Kearney, 
 Who lives oji the hankie of Killaruey, 
 
 Beware of her smile, 
 
 For many a wile 
 Lies hid in the smile of Kate K imey. 
 
 Tho' she looks so bewitchiugly simple, 
 Yet there's mischief in every dimple f 
 
 And who dares inhale, 
 
 He sighs spicy gale, 
 Must die by the breath of Kate Keameja 
 
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Andmitiiio. 
 
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 THE CHILD'S WISH. 
 
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 DAVENANT. 
 
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 _. thinkjwhen I read that sweet Btory of old, When Je- bus was hero among 
 
 2. Yet still to Hii foot-stool in prayer I may go, And ask for a aharo in His 
 
 3. But thousands and thousands, who wander and f all,Never heard of that heavcn-ly | 
 
 P ^ ^^ BU-.i i J ^' J'^ ' ^ f^ P ^ 
 
 men, IIow He call'd lit-tle chil-drcn, as lambs to His fold, I should 
 love; And if I now earn -est - ly seek Him be - low, I shall 
 
 home, — I should like thera to know there is room for them all. And that 
 
 liko to have been with them then, 
 Me Him and hear Him a - bove. 
 Je • BUS has bid them to come. 
 
 I wish that His hands had been 
 
 In that beau - ti • f ul placo He has 
 I long for tho joy of that 
 
 : J.r J. jj'Uj^ia 
 
 placed on m7 head. That His arm had been thrown a-round me, And that 
 
 gone to pre - j>are For all that are wash'd and for • given; And 
 
 glo •■ ri • ous time, The sweet -est, and bright- est, and best; When the 
 
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 I might have seen His kind look when He 8aid,"Letthe little onescofne unto Me." 
 many dear children are gathering there," For of such is the kingdom of heaven." 
 dear Kt- tie children of ev - er-y clime, Shall crowd to His arms and be blest. 
 
 T. S. 21 Can. 
 
 flil[[[l[i' II I 
 
Il 
 
 S22 
 
 WEATHERLET. 
 
 ^TKiante con moio. 
 
 DARBY AND JOAN. 
 
 MOLLO\ 
 
 noto. ^ eru. 
 
 Darby, dear, we are old and f^ray, Fifty years since our wedding day, Shadow and sun for 
 
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 ev'ry one as tbe years roll on; Darby, dear, when the world went wry,Hard and sorrowful 
 
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 then was I — Ah ! lad, how you cheer'd me then,"Thing8 Mrill be better, sweet wife, again !" 
 
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 Al-waysthe same, Dar-by, my own, Al-waysthe same to your old wife, Joan, 
 
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DARBY AND JOAN. 
 
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 Always the same to your old wife Joan. 
 
 
 
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 co//a coc«. 
 
 t Darby Dear, but my heart was wild, 
 When we buried our baby child, 
 Uukii you whisper'd " Heaven knows bestl" 
 
 and mv heart found rest. 
 Darby Dear, 'twas your loving hand 
 Show d the way to the better land — 
 Ah! lad, as you kissed each tear, 
 Life grew bettor and Heaven more near: 
 Always the wune. Darby my own, 
 Always the same to your old wife Joan, 
 Always the «ame to your old wife Joan. 
 
 3. Hand in hand when our life was May, 
 Hand in hand when our hair is gray. 
 Shadow and sun for ev'ry one as th* 
 
 years roll on; 
 Hand in hand when the long night-tid« 
 Gently covers us side by side — 
 Ah! lad, tho' we know not when, 
 Love will be with us forever then; 
 Always the same. Darby my own. 
 Always the same to your old wife Jottn. 
 Always the same to your old wife JoUt 
 
 MEDITATION. 
 
 MARSHALL. Br pw 
 
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 Thro' the pleasures of the day. 
 When I read and 
 
 When the sun withdraws his 
 light. And I go to 
 
 Till 1 lift my heart in prayer. 
 For my heavenly 
 
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 when I 
 
 rest at 
 
 Father's 
 
 pray, 
 night, 
 
 care, 
 
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 Let me ever keep in view, 
 God is seeing 
 Let me never lay my head, 
 Down to rest up- 
 Praying Him to kindly 
 make Me His child, for 
 
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 on my 
 Je-sus' 
 
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 bed, 
 sake. 
 
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 GRACE. 
 
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 Lord, bless the food before us spread. And be thou still our living head; 
 Thy mercies Lord, are large and free, Then may we not ungrateful be. A • men. 
 
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 (24 
 
 THE BRAVE OLD OAK. 
 
 * IFtti boldness and animation. 
 
 lodeh. 
 
 
 A song for the Oak,the brave old Oak,Who hatli rul'd in the green wood long. Here's 
 
 2. Inthedaysof old, when the spring with gold Was light-ing his branches grey,Thro' the 
 
 3. He saw the rare times, when the Christmas chimes Were a merry sound to hear. And the 
 
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 health and renown to his broadjgrcen croAvn, And his fif-ty arms so strong' There's 
 
 grass at his feet crept maid-ens 8weet,To gather the dew of May; And 
 
 Squire's wide hall, ana the cottage small,Were full of good Eng- lish cheer; Now 
 
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 fear in his frown When the Sun goes down, And the fire in the west fades out, And !>*» 
 all that day, to the rebec gay, They f rolick'd with lovesome swains.They arc 
 gold hath the sway we all o • bey. And a ruth - less king is he ; But be 
 
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 shew-tith his might on a wild mid-night,When storms thro' his branches shout, 
 gone, they are dead,in the church-yard laid. But the tree, he still re - mains, 
 nev - er shall send our an - cient friend To be tossed on the storm -y sea. 
 
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 ritard. 
 
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 *n»i Brat !!▼• nMMorai for Introdactioa. 
 
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 THE BRATB OLD OAK* 
 
 815 
 
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 'ben sing to the oak,thft brave old oak, Wbo stands in bis pride alone, And still flourish be, A 
 
 
 iale,green tree. When a hundred years are gone, 
 
 lleisit Ire th ite tkt BM». 
 
 BS7. JOHN FAWOSTT« 1772. 
 
 LOWELL MASON. "Boyletan." 
 
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 I. Blest Se the tie that binds Our hearts in Je • sus' lovet 
 
 J. Si Be • fore our Fa • ther's throne We pour u • nit ■ ed prayen; 
 
 \ . 3. We share our mu • tual woes, Our mu • tual bur • dens Mar; 
 
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 The fel • low -ship of Christian minds 
 Our fears, our hopes, our aims are one; 
 And oft • en for each oth - er flows, 
 
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 Is like to thai 
 Our com -forts and 
 The sym • pa - thu 
 
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 oar coies. 
 ing tear. 
 
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 4. When we at death must part, 
 Not like the world's, our pain; 
 But one in Girist, and one in heiut, 
 W^ Bart to meet again. 
 
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 From sorrow, toil, and pain. 
 And sin, we shall be free; 
 
 And perfect love and frievidsbq> it)9 
 Throughout eternity. 
 
I ' 
 
 828 
 
 BONAPO. 
 
 A MKOLBT. 
 
 Andantino, 
 
 BLISS. Bfpw 
 
 By the darkly flowing river, Where the leaves in silence quiver,In a cold forboding shiver 
 
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 See the exile Bonapo.Dark and damp the ivy clingingTo the branches o'er him swinging, 
 
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 Mourn-ful-ly and low he's sing-ing. Not for Joe, not for Joe, not for Joe is The 
 
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 farm, the farm, the dear old farm, We'll have to mortgage the farm. We'll 
 
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BONAVe. 
 
 817 
 
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 have to mortgage the "Banks and Br aee of Bon-nieDoon."Now fare thee well my 
 
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 Ti-ni-min-ni-win-kum-ka,Fare thee well,8aid Bo-na-po. Sce,where bat and owl are flitting, 
 
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 Mood • i - ly his dark brows knitting, Bo - na- po in si- lence sit- ting, 
 
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 Under the beautiful stars, Under the beautiful stars. 
 
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 heard in the ivy ) 
 
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828 
 
 BONAM. 
 
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 tree. And the janswered me: NowI'U whi8tle,Nowril sing;Nowril oaper,Nowril fling; 
 \ratchergray thusl 
 
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 Now the chairs around I'll swing.For know you,8ir,I'm married ; So Hush thee my 
 
 Lively. 
 
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 baby,the time will soon come When thy sleep shall be broken by Jol-ly old Roger the 
 
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 tin-maker raanWho lived in a gar-ret inNew Amsterdam, With his Sons of brave 
 
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•ONAM. 
 
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 sires, born of fore- fa- thers free, Mid the tinkle,tinkle,tinkleof thetin, In the 
 
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 lining room,the kitchen and the hall. AH in the gold - en prime of May; All in the 
 
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 gold - en prime of Bo - na- po. Now the pur- pie twi-light f ail-ing, 
 
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 Now his tear- wet cheek is pal - ing, Now I seem to hear him wail- ing, 
 
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 BONAK. 
 
 Sotul nio •ome inonuy from hume, Sonil rac some raonoy from homo, For I 
 
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 wont go home until morning, I wont go home until morning, I wont go home until 
 
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 Grass grows green a - bove me. And a sweet sad yoioe shall say : 
 
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 High, did-dle, did-dle, the cat's in the fid-die, They all ran up to the 
 
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ttONAPO. 
 
 881 
 
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 farmer's wife,Di(l you ev- er aee such a Hight in your lif« As poor Old Bo- ua-poy 
 
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 MACLEOD. 
 
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 DO THE RIGHT. 
 
 MOKSE. BrfW. 
 
 fe^mJ-^:^^llj^-tit^-j g ^P 
 
 1. Courage, brother, do not stura-ble, Tho' thy path be dark as night,There'B a 
 
 2. Trust no par- ty, sect, or fao-tion, Trust no lead- er in the tight; But iu 
 
 star to guide the hum-ble; "Trust in God, and do the right." Let the 
 eve - ry word and ac- tion, " Trust in God, and do the right." Some will 
 
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 road be rough and drea- ry. And its end far out of sight. Foot it 
 hate thee,some will love thee. Some will flat • tcr, some will slight; Cease from 
 
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 brave- ly! strong or wea - ry, "Trust in God, and do the right." 
 man, and look a - bove thee, "Trust in God, and do the right." 
 
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 882 
 
 SPEED AWAY! SPEED' AWAY! 
 
 AUtgreHo ipiritoao. 
 
 WOODBURY. B| P« 
 
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 ^n^\\\^ lu'iirt nwaitiiig thy 
 
 Spi>o(l awftv ! Spiu'il ft-wav ! on thiiiu i>rrniul of liylit ! 'l'lu'ri''H n yo 
 
 Ami oh! will thou ti'fl bt>r, ItluHt bird on tliowuig,That iter iiiotlii>rhiUhuv • ur ' a 
 
 . »nd TBNOH. 
 
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 8. 
 
 Speed away! S|)cod a-wav! on thine errand of light! TheroV a young heart awaiting thy 
 And uh I wilt thou tell her, blest bird on the wing,That her mother bath cv • er a 
 
 9n4 BABB, 
 
 
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 com-ing to-night; She will fondle thee close,Bhe will ask for the loved, Who nine up-on 
 sad song to sing ; That she standeth alone, in the still quiet night, And her f ona heart goes 
 
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 oom-ing to-night ; She will fondle thee closCjShe will ask for the loved, Who pine up-on 
 sad song to sing ; That she standeth alone, in the still quiet night. And her fond heart goes 
 
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 earth since the "Day Star" has rov'd. She will ask if we miss her, so long is her stay, 
 forth for the be- ing of light, Who had slept in her bosom, but who would not stay ? 
 
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 earth since the "Day Star" has rov'd. She will ask if we miss her, so long is her stay, 
 forth for the be- ing of light, Who had slept in her bosom, but who would not stay ? 
 
 W p F F-UU!^IJ J JhN t^^4 i ^^^?[JJ^ ^J=^ 
 
SPEED aWAVI APICD AWAT) 
 
 dim. _,-,_ 
 
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 Spt'tMl iiwny ! Speed iiwny ! Sp«>«'(l n way 1 2. Wil t tlioii t«'II licr.briKlit HonpHtcr.tlw old chief in 
 HpeedftWftyISpoedftWfty!Spee>lft-way!4.')<i Itird of the Hil-ver wing! fot-t«r-lcBil 
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 Speed away! Speed away! Speed awr\y ! 2. Wilt thou tell her.bright nong»ter,the old chief is 
 Speedaway!SpeedawayISpeeda-wayl 4.G0, bird of the Hil-ver wing! fet-ter-lowi 
 rxt. dim. 
 
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 lone; That ho Hits all the day by his cheerloNH hearth ntone; That his torn -a • hawk 
 now; Stoop not thy bright pinions on yon raountain*H brow; But hio tho a- 
 
 lone 
 now 
 
 ; Thatho fiits all tho dayby his chcerle&s hearth stone; That hifl torn -a • hawk 
 '] Stoop not thy bright pinions on yon mountain's brow ; But hio thco a- 
 
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 lies all unnoted tho while, And his thin lips wreathe ev-er in one sunless smile ; That the 
 way o'er rock, river and glen. And find our young "Day Star" ere night close again. Up t 
 
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 lies all unnoted the while, And his thin lips wreathe ev-er in one sunless smile ; That the 
 way o'er rock, river and glen. And find our young "Day Star" ere night close again. Up ! 
 
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 884 
 
 SPEED AWAY I SPEED AW AT? 
 
 P^-t g l^-H ^^JJg^g^pi^ 
 
 f^ titt thitu 
 
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 old chieftain moui-ns her,and why will she stay ? Speed away! Speed away! Speed away! 
 
 onward! let nothing thy rais-sion de - lay. Speed away! Speed away! Speed awayt 
 
 j» ^ rU. dim. 
 
 . fit. dim. 
 
 old chieftain mourns he 
 
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 old chieftain mourns her,and why will she stay ? Speed away! Speed away! Speed away! 
 onward! let nothing thy mis-sion de-lay. Speedaway! Speed away! Speed awayl 
 
 - ^ rtt. dim. 
 
 Andante, 
 
 GOD IN NATURE AND GRACE. 
 
 MARSHALL. Br PW. 
 
 1. God is love; the heav-ens tell it Thro' their glo - rious orbs of lighty 
 
 2. And the teem - ing earth re - joic - es In that mes - sage from a - bove, 
 
 3. Thro' these an - thcms of ore - a - tion, Stmg-gling up with gen - tie strife, 
 
 4. Up to Him let each af •feo-tion Du - ly rise, and round Him move; 
 
 S 
 
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 ^lad and gold -en Ian- guage, Speak -ing to us day and night, 
 With ten thou - sand tnou-sand voio - es Tell - ing back from hill and grove, 
 Chris-tian songs of Christ's sal -va - tion To the world with blesa-ings rife, 
 Our whole lives one res - ur-reo-tion To the life of life a • bove; 
 
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 Their great sto 
 Her glad sto 
 Tell their sto 
 Our glad sto 
 
 ry, Their great Bto 
 
 ry, Her glad sto 
 
 ry, Tell their sto 
 
 ry, Our glad sto 
 
 P^^ 
 
 ^ dH r.- ffft 
 
 ry, God Is love and God is light, 
 
 ry, God is might, and God is love, 
 
 ry, God is love, and God is life, 
 
 ry, God is life, and God is love. 
 
 1 ^ J ^ & 
 
 ^i^-^ ^ ^^^^M i j, JJ. J' l j ' III 
 
 Their great sto 
 Her glad sto 
 Tell their sto 
 Our glad sto 
 
 ry. Their great sto 
 ry. Her glad sto 
 ry, Tell tneir sto 
 ry. Oar glad sto 
 
 ry, God 
 ry, God 
 ry, God 
 God 
 
 is love, and God 
 is might, and God 
 is love, and God 
 is life, and God 
 
 is light, 
 
 is love, 
 
 is life, 
 
 is love. 
 
 liip: gFFM 
 
THE FINE OLD IRISH GENTLEMAN. 
 
 BBOUOHAkf. ByffW. 
 
 g^ 
 
 ^ 
 
 ^ 
 
 ^=^ 
 
 ril sing you a fine ould song made by a fine ould Pad-dy's pate, Of a 
 
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 1 
 
 ^^ ^g ? ^^ 
 
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 322: 
 
 fine ould Irish gintleman who ^ taste of an es-tate Ex - cept a fine ould patch of ) 
 
 pi tatys that he liked ex- I 
 
 had the devil a 
 
 f 
 
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 ceed-in-ly to ate,For they were beef to him and mutton too and barrin a red her- ) 
 ring or a rusty rasher of bacon now and thin almost ev'ry ) 
 
 K^ 
 
 ^ 
 
 £ 
 
 ^ 
 
 m 
 
 i 
 
 ■3 
 
 Bt 
 
 ^j:±t:^ ^ ^ f^ti nrrc- t \ ^^^'^ m 
 
 oth -er sort of mate Yet this fine ould Irish gin - tleman was one of the rale ould stock. 
 
 &. 
 
 i 
 
 m 
 
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 886 
 
 THE FINE OLD IRISH 0ENTL£MAM. 
 
 And tert4. 
 
 S 
 
 I 
 
 ^ 
 
 * m 
 
 -^ — 0— 
 cabin walls were cover'd o'er with fine ould I - rish mud, Be 
 
 S 
 
 izz: 
 
 cause he could'nt aflford to have any paper hangings, and between you and me he ) 
 would'nt give a | 
 
 1^^^^^ 
 
 ^^ 
 
 pin for them if he could, And just as proud as Julius Sayzer or Alix-ander the great,This 
 
 P 
 
 I 
 
 iiuk'pendent ragamuffin stood with a glass of fine ould Irish whiskey in his fist which he's ) 
 decidedly of the opinion will do a J 
 
 EE 
 
 /JjJlJ^^ l t^ fel ^ C p g g^g.^^J^ ^ 
 
 mighty dale of good,To this fine ould I-rish gin-tie-man. All of the rale ould stock. 
 3rd terse. 
 
 ?CT 
 
 Jowthii 
 
 h » N 
 
 3§E 
 
 Nowtliis fine ould Irish gintleman wore migh-ty curious clothes, Tho' for 
 
 P 
 
 is: 
 
 comfort I'll be bail that they'd bate any of your fashion- a- ble beaux,For 
 
 $ 
 
 \^ 
 
 ]JJJ/_J. 
 
 when the sun was very hot the gintle wind right through ) beauti-ful-ly blows, 
 his ventilation garments most . . . - . j 
 
 i 
 
 IP 
 
 Z2S1 
 
 i 
 
 And he's niver troubled with any corns and I'll tell you why, because he despises the ) 
 wakeness of wearing any thing as hard as . . j 
 
 
 =•=*= 
 
 j> i j^ rgTT^ 
 
 gjJ/jjJ 
 
 ^ 
 
 leather on his toes, Yet this fine ould Irish gin-tie-man was one of the rale ould stock. 
 4th verse. 
 
 I ow tnii 
 
 1S=R: 
 
 i 
 
 Now this fine ould Irish gintleman has a migh-ty curious knack Of 
 
 nourishing a tremendous great shillaly in his hand and letting it drop down with a most 
 
 un- 
 
 PVJJ/JJ-'^ 
 
 m 
 
 compromising whaok. So of most superior shindies yon may take your oath if yoa ) 
 
 ever happen to be called upon for it he very nearly f 
 
THE FINE OLD IRISH GENTLEMAN. 
 
 88T 
 
 ^ l^AJUj^U^M 
 
 in= 
 
 never had a lack, And it's very natural and not at all surprising to suppose that the 
 
 fine ould Irish mud was well ac - - - - 
 
 quainted with the back of this fine ould I- rish gin-tle-raan, All of the rale ould stock. 
 Sth verse. 
 
 (^ 
 
 This fine ould Irish gintleman he was once out up - on a spree, And as 
 
 1^: 
 
 many a fine ould Irish gintleman has done, and more betoken will do to the end of ) 
 time, he got about as j 
 
 I 
 
 m 
 
 ^ K K 
 
 dhrunk as he could be ; 
 
 His senses was completely mulvather'd, and the conse- ) 
 quence was that he could j 
 
 |bi ^'W^,f^; N-J^ 
 
 Z^Z 
 
 I 
 
 neither hear nor see,So they thought he was stone dead and gone intirely, so the best ) 
 
 thing they could do would be to have him waked and J 
 
 l k& A2Z/ J JT7> ^^^ ^ P g P ■ P -^ T^XS E^ij^l 
 
 buried da-cint-ly, Like a fine ould I-rish gin-tie-man All of the rale ould stock. 
 6th verse. 
 
 ^ffi 
 
 ^=^ 
 
 is;=t 
 
 --1 — 
 
 So thie 
 
 is fine ould Irish gintleman he was laid out up- on a bed, 
 
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 '"ith half a dozen candles at his heels, and two or three dozen more or less about his head, 
 
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 But when the whiskey bottle was uncorked he could'nt stand it any longer, so he 
 
 J^JJJJ 
 
 ^ 
 
 ZZ2Z 
 
 riz right up in bed, " And when sich mighty fine stuff as that is goin about,"8ay8 ) 
 he, " you dont think I'd be such a soft headed . . \ 
 
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 fool as to be dead !"Oh,this fine ould I-rish gin-tie-man it was mighty hard to kill. 
 T S— 22 
 
i! 
 
 
 :|if 
 
 t 
 
 1 1 
 
 |i 
 
 |i 
 
 ^ darddt of |i0ses. 
 
 Wora> and Mnslo I7 ALICE HAWTEOB^.a. 
 
 Mederaio. 
 
 VolM. 
 
 I. In a garden of ro - ses I met her, On a beauti-ful bright after-noon, And the 
 3. In a garden of ro - ses we laid her. On a sorrowful morning in Spring, But the 
 
 PiMM. 
 
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 mild, balmy breezes of Summer were sweet From the meadows and flowers of June. We 
 bright sunny fields, nor the meadows again A comfort - ing so-lace could bring. We were 
 
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 wandered a -round as the sun -set Brought the gloom of the twi-light a - bout. But we 
 part-ed at last and for • ev • er. And the swi:etest com-pan-ion was lost; Ah, the 
 
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 part-ed at last when the shadows of night Had the beauties of day blotted out Oh, that 
 
 world seemed a deso- late region ofgloora When we buried the one we loved most A - 
 
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 838 
 
A aARDj:N OF ROSES. 
 
 ^^iS 
 
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 K^=9' 
 
 tc=^=tc=^nilti:ti 
 
 bcau-ti • ful gar -den of ro-ses On my mind halh its sweet pic-ttire set; And the 
 
 las! for the hearts that are broken When near ones and dear ones arc gone; A - 
 
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 8=F 
 
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 moments.sweetmomentsof pleasure enjoyed In its beauties 1 nev-er for-get. I 
 
 las! for all sigh -ing and weeping is vain When we lind we are left all a - lone. In a 
 
 
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 nev-er for-get for a moment Tliose eyes th;it cn-cliant-ed me there, Nor the 
 gar-den of ro-ses I'm sigh-ing, Nor peace for tlie fu - ture I see, Yet I 
 
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 ^ tempo. 
 
 :^=ii;-»-j?~a: :?=!?- 
 
 charm of that voice, so per -sua -si ve to joy. In that j^bt- den of ro-ses so fair, 
 rather would grieve for ray dar-ling so dearTlianthat: lie sliould be weeping for me. 
 
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B7 TfiAHOZS T. S. SABLZ7. 
 
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 1 Whatpow'ris this that 
 3 This love so great, this 
 
 me,., 
 love.. 
 
 a tim - 
 a pow - 
 
 id maid, Hath forced a- 
 er strong, With ev' - ry 
 
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 'far in this strange mas- qaer - ade? 
 act for thee doth speed a - long. 
 
 What pow'r is this that me,.. 
 This love so great, this love. 
 
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 tim • id maid, Hath forced a- &r in thisstangemas-quer • ade? 
 pow • er strong, With ev'-ry act for thee doth speed a - long. 
 
 Aamaa to 
 Omay'itfhoa 
 
 a 
 
 JTr^5Jip"^^^?fr 
 
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 840 
 
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 By Pbh. or SEP. WINNER tt SON. Owkbrs op Copyiogiit. 
 
 ^ 
 
WHAT POWER IS THISt 
 
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 fight, aa man 
 
 know, e'er ma 
 
 to brore all woe, And wan-der forth 'midst dangers great to 
 
 ny years be told, How I love thee, and what bath made ma 
 
 ^ 
 
 ^^j^^t—i-f-j, gir ■ ;. E - Hf ^ ^ 
 
 old.. 
 
 mie*Mw'rfa }*•'•' yes, lore of thee, my King, To whom e'« 
 
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 a tempo. 
 
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 now 
 
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 my heart its flight doth wing. 
 
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 now my heart 
 
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 its flight doth wing. 
 
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 eon voce. 
 
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 ARM, ARM, YE BRAVE. 
 
 mOM " JUDAS MACCABiCUS." 
 Allegro. 
 
 HANCBU 
 
 no - ble cause, a no • ble cause, 
 
 The cause of Heav'n your zeal demands, 
 
 ^^M 
 
 no - ble cause, The cause of Heav'n your zeal dc-mands, a no - ble cause. The 
 
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 cause of Heav'n your zeal demands. 
 
 Ann,arm,ye brave I 
 
 
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Al^M, ARM, YE BRATB I 
 
 848 
 
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 Arm, arm, ye brave! a no - bio cause. 
 
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 Arm, arm, Arm, arm, yebrave! Ann, arm. Arm, arm, ye bravo! a no - blecau8e,Tho 
 
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 cause of Heav'n your zeal demands, a no - ble cause, Arm, arm, ye brave! a 
 
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 no - ble cau8e,The cause of Heav'n your zeal demands. 
 
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 844 
 
 AHM, ARM, YE BRAVCT 
 
 ^•- • !fJ-4j fe%E =^= 4 — ^ ^ = r-^^^^ ; 
 
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 oause of Heav'ii your zual demands. 
 
 i 
 
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 In def en<^e of your nation,ro • li-gion,and laws, Th'al* 
 
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 migh - ty Je - ho - vah will stongth-en your hands, 
 
 
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 fence of your nation, re - li-gion, and laws, Th'al-mighty Je- ho-vah will 
 
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 ^^^ 
 
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AKM, ARM, YS BRAVI I 
 
 845 
 
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 en, Til' Almighty Jo- 
 
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 hovah will strengthen your bands. 
 
 Arm, arm, Arm,arm,yebrave!a 
 
 ^^^^^^^^^^ 
 
 1 ^ 
 
 ^rriS^^ ^^m 
 
 tj^" j\^-jj^J\^^ r ^^ ^ 
 
 no - ble cause, The cause of Heav'n demands your zeal, a no - ble cause: 
 
 Obow. ^ 
 
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 Arm,ann,ye brave! Arm,arm,ye brave! The cause of Ileav'n your zeal de-manda. 
 
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 f 
 
 I' 
 
 846 
 
 THE CORK LEO. 
 
 Atlfurrtio, 
 
 S^£^^^^^g 
 
 1 I'll toll you a tale now with -out a- ny flam, In HoUaud there dwelt Myn- 
 
 >i- /4^-^ 
 
 ^^ 
 
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 heer Von ClaratWho ev' - ry morn - ing said : " I am the rich-est merchant in 
 
 g^3P3^^gr3:fi?^ ^p 
 
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 Rot - ter-dam." Ri tu, di nu, di nu, di nu, Rt tu, di ni nu, ri 
 
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 tu, di nu, ri nal 
 
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[n 
 
 H 
 
 e 
 
 I 
 
 10 
 
 n 
 
 THE CORK LEO, 
 
 One <Ujr, when he had ituff'd bim am ftiU nit an egg, 
 A \vM)r rt'lntioit came to b«)(, 
 But ho kickM him out without brottchiii^ a keg, 
 And in kicking him out he broke liis \vg. 
 Rit tu, di iiu, etc. 
 
 A Rurgcon, the flrat in hiH vocation, 
 Came and made u long oration, 
 He wanted u limb for anatomization, 
 So ho tininhed hiH jaw by amputation. 
 Kit tu, di nu, etc. 
 
 " Mr. Doctor," nays ho, when he'd done his work, 
 " Hy your hharp knifo I lose one fork ; 
 But on two crutches I never will Htalk, 
 For I'll have a beautiftil leg of cork." 
 Rit tu, di nu, etc. 
 
 An Artist in Rotterdam, 'twould seem, 
 Had made cork legs his Htudy and theme ; 
 Each ioint wati as strong as an iron beam, 
 And tne springs were a com{)ound of clock-work and sMix^ 
 Rit tu, di nu, etc. 
 
 The leg was made, and fitted right, 
 Inspection the Artist did invite ; 
 Its fine shape gave Mynheer delight, 
 As he fixed it on and screwed it tight. 
 Rit tu, di nu, etc, 
 
 He walked through sauarcs, passed each shop, 
 Of speed he went to the utmost top ; 
 Each step he took with a bound and a hop, 
 knd he round his leg he could not stop I 
 Rit tu, di nu, etc. 
 
 Horror and fright were in his face, 
 The neighbors thought he was running a race ; 
 He clung to a lamp post to stop his pace, 
 But the Teg wouldn't stay, but kept on the chaN. 
 Rit tu, di nu, etc. 
 
 Then he called to some men with all his might t 
 "Oh, stop this leg, or I'm murdered quite I" 
 But though they neard him aid invite, 
 In less than a minuete he was out of sight. 
 Rit tu, di nu, etc. 
 
 He ran o'er hill and dale and plain, 
 To ease his weary bones he'd fcin. 
 Did throw himself down, but all in vain. 
 The leggot up and was ofi again. 
 Kit tu, di nu, etc. 
 
 He walked of days and nights a score, - 
 Of Europe he had made the tour. 
 He died — but though he was no more, 
 fhe leg walked on the same as before! 
 Kit tu, di nu, etc. 
 
 MT 
 
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 848 
 
 THE SAND-MAN. 
 
 AVtgnUt. 
 
 ADAMOEIBBL. 
 
 Vi • \ f_[Jj \ j±^ ^ 
 
 m 
 
 rf,>» F r r r 
 
 flle^j-fAfiTi ^ ^ 
 
 Cf0t* 
 
 s 
 
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 F 
 
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 tjij-j J J j i J J' jj 
 
 ^ ^i^J | j- j i 
 
 1. He peep in at the kej-hcie, And he bobs up at the pane, 
 
 2. He whispers quaintest fan • ciea ; With a ti - ny sil - ver thread 
 8. I see two eyes the bright-est; But I'll not tell whose they are 
 
 When 
 He 
 
 They 
 
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 W '\. 
 
 m 
 
 V i t f i \ l 1 ' J l J J J c 
 
 e:3: 
 
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 scar • let fire • light dan - ces On wall and floor a - eain. Hush I 
 
 sews up silk ~ en eye - lids That ought to be in bed. Each 
 
 shut up like a HI ° y — That sand-man can't be fkr. Some- 
 
 ^ 
 
 ^^ 
 
 \ r J l 
 
 n' . r r r 
 
 p 
 
 :^p=t 
 
 p 
 
THI 8AMD-MAN. 
 
 * 
 
 ^^=^^1^: r. m 
 
 here he comes the Band-man, 
 wee head nods ac • quaintauce, 
 bo • dy grows so qui - et^ 
 
 With his dream cap he is crowned, 
 He's known where-ev - er found; 
 Who comes with-out a sound? 
 
 iU J J Jij 
 
 M=S^ 
 
 ^^ 
 
 349 
 
 m 
 
 An 
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 ^ 
 
 
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 grains of sleep he scat • ters. Go - ing round, and round, and round — While the 
 stay - up - lates he catch • es Go - ing round, and round, and round — With a 
 leads once more to dream-land, Go • ing round, and round, a_d round And a 
 
 ^^ 
 
 .S 
 
 ^ 
 
 ^ 
 
 P 
 
 ^ 
 
 f rfi^ f f fir rrri^ i i 
 
 ^ 
 
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 lit - tie ones are 
 pack of dreams for 
 good-night to the 
 
 nod - ding, go - ing round. . 
 
 ev • er go • ing round. . 
 
 sand- man go - ing round. . 
 
 m 
 
 • • .• 
 
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 ^ 
 
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 No. 2.-7. 
 
 •__f if . f . \t . ^_ 1 ^-^ 
 
i i\ ' i 
 
 I 1 ! 
 
 [;f I 
 
 850 
 
 WHEN THE CORN IS GATHERED IN. 
 
 S 
 
 I. When the com is gather'd in, And tho Bum - mer dayaaro o'er, And the 
 
 2.There'8a beau - ty on tho land, And a splen • dor on tho sea, Aa we 
 
 3. At tho fall • ing of the leaves, When No^vem - ber daya draw nigh, And die 
 
 J'?L ' Uj^4i ' "4^ji ' iiiii ' ijiji ' 
 
 P legato. 
 
 F^* Met 
 
 ^=^ 
 
 W: 
 
 I 
 
 <s 
 
 i 
 
 i 
 
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 arts - em ' do. 
 
 TSl 
 
 p dotee. 
 
 P'e i r- pp-gir reir-cp^i 
 
 throngs re-tarn a-gain From the mountains and the shore, Then tho light of gentle 
 wan- der hand in hand — For my love oomea back to mo ; There's a si - lence on the 
 drea-ry north wind grieves, With a more than hu-man cry, I shall clasp her to my 
 
 fr^i^ii ' ^Jii^ii'ggirr^ 
 
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 ^=^ 
 
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 ores - een - do. 
 
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 •J77T1 
 
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 eyesComes where si-lent homes have been,'Neath the cool September skies, When tho 
 beach. Where her footsteps late have been, As we whis - per,each to eacl^ When the 
 heart; — I have woo'd and I shall win; We shall dwell no more a-part. When the 
 
 ■I flj I I I :tf f "Itij l iJ^J^ J I fi 
 
 m 
 
 .J77J7-J7m 
 
 w 
 
 ^ 
 
 £ 
 
 em - een - wo. 
 
 ,p poeoratt. 
 
 J. Jjjjj -i^v- gcncrrg-B i r^ ^a 
 
 com is gather'd in ; 'Neath the cool September skies. When the com is gather'd in. 
 com is gather'd in ; As we whis • per,each to each. When the com is gather'd in. 
 com is gather'd in ; We shall dwell no more a- part. When the com is gaUier'd in. 
 
 f;t^ii 
 
i 
 
 in. 
 in. 
 in. 
 
 WHEN THE CORN 18 OATHEnED Hf. 
 *f dim. 
 
 851 
 
 >r^i \ r ^ rnrcir ^ J^ nr -u^ fi^ iJ J- J i 
 
 Gathered in, Yes gathered in, When the com is gathered in. When the 
 
 " JJ I J V/ J4^JL^. JI J . ^/ J I J 3^^ 
 
 P 
 
 mf 
 
 dim. 
 
 i r 'g c g i ^ *-c-gir' c c cir cgi 
 
 Gathered in, Yes gathered in. When the com is gathered in, When the 
 
 P nif dim. 
 
 L^ | | lu ' i T " Lull ni 
 
 E m: i r ■ LTf F l ^ ^ 
 
 l |ir^j J r I f J" r 1' elf J J J. I .J II I 
 

 1 ; 
 
 i ! 
 
 
 1, ^ 
 
 II 
 
 ¥ 
 
 111 
 
 352 
 
 JAMIE. 
 
 ^m 
 
 ad lib. 
 
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 MOLLOT. 
 
 1. Ja • mid Ja - mici Ja - miel Ja-mic! do you hear me 
 
 2. Ja • mic! Ja - mie! Ja • mie! Ah! if ho were nev - er. 
 
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 call-ing in the gloaming, Calling to you, lad-die to come home?Long and lone I'm 
 nev- er more to hear me, Nev-er to comeback to me a- gain; Sure I'm on - ly 
 
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 watching, and my heart is wond'ring Why up-on the hill so late you roam. Ja-miei 
 dreaming,and I know he's com-ing, All the same the tears will flow like rain. Ja-miel 
 
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 Ja-mie!Are you nev-er com-ing To the lit- tie heart that's waiting sad at home? 
 Ja-mie!Ah! the fear is on me. And my heart is ach - ing ' with dull pain; 
 
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 mio I Jamie, do you hear me Calling in the 
 mie I Jamie, do you hoar me Calling in the 
 
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 gloaming,Callingtoyou,lad-die, calling Ja>miel 
 gloamingjCaUing to you,lad-die, to come home. 
 
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 an-8wer. And it says he's 
 
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 com- ing, coming doMm the hill- side; Well I know his voice, my bonnie lad; 
 
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 Now I ]ii':ir Iiim sing • ing to the cat- tlo blithe-ly, And the lit- tie sheep-bella 
 
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 tinkling glad. Jamie ! Jamie 1 Ah ! the joy is on me,And my heart is go- ing, 
 
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 just like mad ! Ja- mie I 
 
 Ja- mie! 
 
 Ja - mie! Welcome to you, 
 
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 lad-die, welcome in the gloaming, All my heart is crying welcome, Ja - mie! 
 
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 WZLLZAM BALL. 
 
 AtulMiHtu, 
 
 o'er the wave, aa mom's soft beam re - turn - Ins, Slow - ly un • veiled th* 
 -ly for me Love's aig-nal radiance briphtn'nmg, Flamed from his al - tars 
 , ye who sing the wand'rer's heartless pleas -ure, Leave, leave my path I no 
 
 well- re-member'd shore, Howswell'dmy heart, with ea - ger fan-ciee burn-ing, 
 o'er my tru - ant way, Ab - sent ttom. thee, the summer's beauteous light'ning, 
 more, no more I roam : Here lives a charm, worth all un - counted treas - uw, 
 
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 Dreams of past Joys, and hopes of price -less store! Bweet home, receive me! 
 All harm -less, played not round the fad - lug day. Bweet home, receive me! 
 
 Here breathes the sigh of Welcome, welcome home ! Sweet home, receive me I 
 
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 Faith - ful I come, Nev - er, oh I nev-er io leave thee, Dear na - tive home. Sweet home, re 
 
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 ceive me! Faith-ful I come, Nev-er, oh! never to leave thee, Dear na- tive home. 
 
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 Words aad Muio I37 ALIOS HAWTUUBN. 
 
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 ^. if in this world there is a flow'r To 
 
 J. And now when spring is on her way, Whea 
 
 3. What -e'er my heart may learn to prize 'Till 
 
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 me more love • ly than the rest, It is the rose, the pale white rose, The 
 flow'rs with their per • fume a • bound, I seek the grove and love to dwell 'Where- 
 life shall meet its cer • tain close; I know I ne'er shall cease to love The 
 
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 snow-white rose I love the best, But why 
 e'er the snow-white rose is found. But why 
 beau - ty of the snow-white rose. For oh, 
 
 this flow'r so dear to me ? Why 
 this flow'r so dear to me? Why 
 this flow'r so dear to me. So 
 
 £ 
 
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 85G 
 
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 THE BNOW-WHITE ROBE. 
 
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 first fond gift 
 first fond gift 
 was the gift 
 
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 Of one who ev • er 
 
 Of one who ev • er 
 
 Of one whose heart is 
 
 is my friiind, Be ■ 
 
 is roy friend, Be 
 
 ev - er true, I 
 
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 cause it was the first fond gift Of one who er - er 
 
 cause it was the first fond gift Of one who ev - er 
 
 love be • cause it was the gift Of one whose heart is 
 
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 BUT THE L ORD IS MINDFUL OF HIS OWN. 
 
 FROM "sT. PAUL." MENDELSSOHk 
 
 AndtnUimt. 
 
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 But the Lord ih mindful of Hih own, lie ru • muiu-horM IIIh oliil 
 
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 dren; But the Lord is mindful of His own, 
 
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 ■•n.-rur Ont •▼• BMWUM far laindi 
 
BUT THE LORD 18 MINDfUL OF HIS OWN. 
 
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 for thoLordiM nunr ut! Uow iluwn befurc IIim,yo migh • ty, 
 
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 ub! Yea, tho Lord in mindful of Ilia 
 
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 LEAD, KINDLY LIGHT. 
 
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 NEWMANN, I8M. 
 
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 1 Lca«l,kin(l-ly Light, a-mid th' en-circling gloom, 
 
 2 I was not ev - er tliuN, nor pray'd that Thou 
 
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 err 
 
 8 So long Thy pow'r haa blest me, sure it Htill 
 
 Ijek .ou me on; 
 Bhouluuk lead me on ; 
 Will li>ad me on 
 
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 The night is «lark, and I am far from home, 
 
 I lov'd to choose and hco my path ; hut now 
 O'er moor and fen, o'er crag an<l tor- rent, till 
 
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 I^ad Thou me on. 
 Lead Thou me on. 
 The ni<;ht is gone. 
 
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 Keep Thou my feet; 
 
 I lov'd th gar 
 
 And with th morn 
 
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 I do not ask to see 
 
 ish day ; and, spite of fears, 
 
 those an - gel fa - ccs smile, 
 
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 The dis - tant 
 
 Pride rul'd my 
 
 Which I have 
 
 scene; one step e - noiij^.j 
 will : re • mem - her not 
 
 lov'd long since, and lost 
 
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 for me. 
 past years, 
 while. 
 
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 DOWN THE GREEN LANE. 
 
 BALLAD. 
 
 3. H. MACCULLOCH. 
 
 FRANK L. ARM8TBONO. 
 
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 1 8(>(l waa the breeze on that 
 
 2 Warm waa the air uii that 
 
 3 Cloud - less the sky on that 
 
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 morn - ing in May, 
 eve' • ning in June, 
 mid • sum • mer noon. 
 
 Down the green lane she went 
 Down the green lane went the 
 Down the green lane once a- 
 
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 OopTiltht, 1884, by ABKaTROMo A Mao Cdxj.ooh. Uaed by pennisalon. 
 
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 862 
 
 DOWN THE OREEN LANE. 
 
 trip • pine 
 
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 ping a - long; 
 Man and the Maid; 
 gain they have pass'd ; 
 
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 Ap - pie Tree, Ap - pie Tree, 
 Ap - pie Tree, Ap - pie Tree, 
 Ap - pie Tree, Ap - pie Tree, 
 
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 tell me I pi^y> 
 
 hid - ing the moou, 
 la - den so soon. 
 
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 Why are they lin - ger - ing 
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 heart of her song? 
 
 there in thy shade? 
 
 first to the last! 
 
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 Is she en - snar'd by the 
 Are they en - trapp'd by thy 
 Was not the Spir • it that 
 
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 Spir - it of Spring, 
 bloB -am - ing Sprite, 
 slept in thy root, 
 
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 Hid in thy ten - der green 
 
 Peep • ing from pink • and • vhite 
 
 Ris - ing in Spring to the 
 
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 DOWN THE OREEN LANE. 
 
 803 
 
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 huSs up a 
 boughs up a 
 branch- es a 
 
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 bove? 
 bove? 
 bove, 
 
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 buds up a 
 boughs up a 
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 buds up 
 boughs up 
 branch-es 
 
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 bove? 
 bove? 
 bove, 
 
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 Dark danc 
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 Bud - ding 
 
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 eyes like a 
 
 kiss • ee and 
 
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 len 
 and bloom- ing and 
 
 
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 bird on the wing, 
 
 words of de - light 
 
 now bear - ing fruit. 
 
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 Pass - ing have greet- ed with sig - nal of 
 
 Hast - en the buds in - to bios - soms of 
 
 Spir - it of Na - ture and Spir - it of 
 
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 love, 
 love, 
 Lovef 
 
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 Pass - ing have greet - ed with sig - nal of love. 
 Hast • en the buds in • to bios - soms of love. 
 Spir - it of Na - ture and Spir - it of Love 7 
 
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 I. The am ahines bright in the old Kentucky home, 'Tis sununer, the darkies are 
 
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 gi^; The ooni lop's ripe and the meadow's in the bloom. While the birds make music all ths 
 
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 The young folks roll on the lit • tie cab • in floor. All 
 
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 ty, all hap • py ar J bright. 
 
 By'm by, hard time* oomes ft 
 
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 864 
 
 W^ifteUfemiinUmof Wn.JLHmd4t<J^ 
 
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MY OLD KENTUCKY HOME. 
 
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 knocking at the door, Then, my old Kentuck - y home, good -night I 
 
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 Werp no more, my la- dy, Oh! weep no more to day I 
 
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 sing one song for the old Kentucky home, For the old Kentucky home, far a - way. 
 
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 MY OLD KENTUCKY- HOME. 
 
 and Verse. 
 
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 3. They hunt no more for the possum and the coon, On the meadow, the hill, and the 
 
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 shore, They sing no more by the glimmer of the moon, On the bench by the old cab • in 
 
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 door. 
 
 The day goes by like a sha - dow o'er the heart. With 
 
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 aor • row where all was de - light; 
 
 The time has come when the 
 
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 dar-kies have to part. Then my old Kentuck ■ y home, good -night! — CAarus. 
 
 3rd Verse. 
 
 mJ|J J J ;^.i\rp-f ^'f. \ n *n^ 
 
 3. The head must bow and the back will have to bend, Wherev • er the darkey may 
 
 J-^-^NtJt^ ^^3 J iLULLbt 
 
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 A few mor? days, and the trouble all will end In the field where the sugar-canes 
 
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 A few more days for to tote the wea - ry load. No 
 
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 mat - ter, 'twill nev - er be light, 
 
 A few more days 'till we 
 
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 tot -ter on the road. Then, my old Ken -tuck- y home, good -night I — CAomt- 
 866 
 
M 
 
 GO, LET THE ANGELS IN. 
 
 867 
 
 ANDERSON. 
 
 1. Qo, o- pen wide the door, Mother, And let the an - geU in; Tliey 
 
 2. I know tnat death has come,Mother, His hand is on my brow; You 
 
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 are so bright and fair, Mother, So pure and free from sin. I 
 
 can - not keep me here, Mother, For I must leave you now. The 
 
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 hear them speak my name,Mother,They softly whis-per,' Come / ' Oh ! let the an-gels 
 room is growing dark,Mother, I tho't I heard you weep ! 'Tis ver - y sweet to 
 
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 in, Mother,They wait to take me home, Oh, let the an - gels in, Mother,They 
 die. Mother, Like sink-ing in - to sleep, 'Tis ver - y sweet to die,Mother,Like 
 
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 wait to take me home, 
 
 sink -ing in - to 
 
 , ■ (■ Qo, let the an - gels in. Mother, Go, let the an - gels 
 
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 in ! Yes, o - pen v/ide the door,Mother, And let the an - gels in ! 
 
i 
 
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 S68 
 
 REMEMBER THE LITTLE ONES AT HOME. 
 
 WOOD. 
 Moderato. 
 
 DOLFUSS. By p« 
 
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 1. Re - mem-ber the lit- tie ones at home . 
 
 2. Re • mem-ber the lit • tie ones at home . 
 
 3. Re • mem-ber the lit • tie ones at home . 
 
 That yon 
 With their 
 With their 
 
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 kiss'dwith a fa-ther'sfond pride; .... They'll be watching for vou when you 
 
 sweet lit -tie faces so tme; Yes I where ev-er your foot-steps may 
 
 fa - ces so full of de • light, . . . . When they see yon at eve -ning come 
 
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 come, . . 
 roam, . . 
 home, . . 
 
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 To re-ceive you in their arms o - pen wide. 
 They are think - ing,and watch • ing for you. 
 For the first kiss,eachone claims a right. 
 
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REMEMBER THE LITTLE ONES AT HOME. 
 
 869 
 
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 Remember the lit-tle ones at home 1 Remember the lit-tle ones at homo ! With their 
 
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 Remember, the little ones at home I 
 
 TBNOR. 
 
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 Remember, the little ones at home! 
 
 BASK, 
 
 faces so true,Tbey are watching for you. Remember the little ones at home! 
 
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 HE SHALL FEED HIS FLOCK. 
 
 FROM THE "MESSIAH." COME UNTO HIM. 
 
 La I ghetto. 
 
 HANDEU 
 
 
 lie shall feed HiB flock like a sliep 
 
 herd, And He shall gath - cr tht 
 
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 shall feed His flock li 
 
 ike a shei) - herd. 
 
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 herd, and He shall gatfi - er the 
 
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 lambs with His arm, 
 
 with 
 
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 His arm, 
 
 And 
 
 
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 HI SHALL PEED HIS FLOCK. 
 
 HI 
 
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 car - ry them in His bo • Bom, And gently lead thuHv that 
 
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 are with young, and gent -ly lead, and gent - ly lead those that 
 
 COME UNTO HIM. 
 
 SOPBAXO. 
 
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 un - to Him all ye that la - bor, Come un - to Him ye that 
 
 TS-S 
 
1^ 
 
 I 
 
 III* 
 
 ) i 
 
 
 872 
 
 C9Ur: ttNTO HTM. 
 
 r 
 
 ?^^ 
 
 liE^ JE^ 
 
 ar« ht'iivy In-dt'ii, ami Uo will givu you rust. 
 
 Come 
 
 ^:Sp^^^i^^i^^^^ 
 
 nn - to Him all ye that la - bor, Como un - to Him 
 
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 ;tei g^^^^ ^f^f ff gg=f:^^ 
 
 ^^ 
 
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 that are heavy la - den, and He will give you rest. 
 
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 :«*t 
 
 g^fej 
 
 Take His yoke upon you,aDd learn of Him, for He is meek and 
 
 i^^^^ 
 
 
COME UNTO MIM. 
 
 8Tb 
 
 i^s^^M..tefgrr g-'-g^-^ :3Zg^»"^ 
 
 low - ly of heart, and yo Bbollflndrott, audyu hIuUI tliid iVNt un- 
 
 ft^r 5 ^ ^ 
 
 ^^ — >• --^- - - — ^^-+1 
 
 yo 
 
 gg^glgjpi^ ^ 
 
 Tuku HIh yoke up- un yuu, and 
 
 ^^ 
 
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 learn of Him, for He is meek iind low • ly of heart, and 
 
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 jtafc^gj= J^^sJ;^:^ 
 
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 g^ ^ j ^^^^M^ij 
 
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 r 
 
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 pll m—^m 
 
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 ^ ye ahall find rest, and ye shall find rest un - to your souls, 
 
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 874 
 
 WHERE ARE THE OLD FOLKS? 
 
 CnOSBY. BWCNKT. Mffm 
 
 ril. 
 
 m^^^^^^ 
 
 m^' 
 
 ^^^^^^^^^^1 
 
 ^^^r^s^'f ^^Tl ^: J- j^:^ ;^gg g^^ 
 
 1. Tako mo back, take me hack, where thu HWoetMaffiiulia treuHWave thoir white iinowj 
 
 2. Tako mo back to the hanks of a riv-or far a- way,Wb«roI|)la^od onmr 
 
 3. Take mo back, tako me back, let mo see my muther'Hfaoe,Though thefroMtar.il tne 
 
 4. Take mc back, tako me back to my lun- ny southern homo, To kii fieldi and it* 
 
 
 ^^fr^'^-i \' ^-r-^-i-j^ 
 
 &f r*'~'~-^ ^=3 i. 
 
 i 
 
 ^ ^^ 
 
 ^^^^^:^^=? ^ss3Fi- j^ jjrr"T Y"r gS 
 
 blossoms on the mer- ry laughing breeze,To the onoe hap- py home where I 
 bsn« 1o and I sang the livc-long;-day, To my own na • tive home by the 
 wrinkles on her brow have left thttir traoe.How her dear eyes would blink with the 
 meadows where my mem'ry loves to roam,Though the dear ones are gone yet be- 
 
 ^JT^M^-^^J I -jT^^ 
 
 S 
 
 f 
 
 I J ^ H J •< ^ ^ 
 
 I 
 
 ad lib. 
 
 ■V C J J J J j^J^ir-C-^ ; ? fiMr^ ii^ 
 
 nev- er knew a care;Takemeback. Oh, I won-der, if tl' 
 
 orange grove dO fair,Take me back. Oh, I won-df*r if f 
 
 FiUile they used to wearCould she know how I won-d 
 
 yond the reach of care, I will look nev-er doubtii. .at the 
 
 th«re. 
 
 ..... there. 
 
 'olk» there. 
 
 lolkh ...re there. 
 
 ^ 
 
 r5g=^ 
 
 j^n-^i-jTJjy 
 
 ^^ 
 
 I J < J J » I 
 
WHERE ARC THE OLD FOLKSr 
 
 S*d in my heart and thu ti-antaru fall- itig fuNt, Tell mi>, O tuU mo, yu 
 
 ^^^P^^ 
 
 ^|-:^#^ 
 
 
 ecboen of the pant, Wheru aro the uld fulk» that used to love mu so ? 
 
 J- 
 
 mm^^^^^ 
 
 P^ 
 
 ad lib. 
 
 Sleeping, aro they slecp-ing with the days of long a - go? 
 
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 M. ad lUt. ^ '^i 
 
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 ^. 
 
 ^ ad lib. *. 
 
t 
 
 I . 
 
 w 
 
 I 
 
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 :', r! 
 
 Iiii ; 
 
 
 Fll ' 
 
 I 
 
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 5:: 
 
 m 
 
 SMITH. 
 
 BABY't; GONE TO SLEEP. 
 
 MUHRAT 
 
 te^fP^ 
 
 lis- 
 
 ^^. 
 
 i 
 
 1. There's a pair of lit - tie hands 
 
 2. There's an -oth- er bud re-moved, 
 
 3. She will wake in fair • er lands, 
 
 Laid to rest for-cv - er - more; 
 Ere it felt the blight of sin; 
 Where the an - gel voi-ces sing; 
 
 >-tj: 
 
 r 
 
 ^F^^^^^^^^m 
 
 ggi 
 
 ^^^ 
 
 ^^' 
 
 ^^^ 
 
 TSSZIZ 
 
 f^^f^^ 
 
 gE 
 
 There's two pear-ly dim-pled cheeks, 
 Thro' the door the an- gels made 
 There the flow'rets shall ex- pand. 
 
 Whose rich blossom-ing is o'er; 
 Dar- ling ba - by has pass'd in ; 
 There shall love per-fec-tion 'oring; 
 
 fe^ 
 
 i^^^P^ 
 
 ^^# 
 
 Se 
 
 s 
 
 7SIIZ 
 
 -*- 
 
 Death has seal'd two lit- tie eves. That w iil no more smile or weep ; Ti - ny 
 
 Far beyond the a-zure sfeiea. Where the il - ny star-eyes peep, From ail 
 
 She has reach'd the golden shore, Thro' the riv-or cold and deep; An -gels 
 
 ^^^^ 
 
 rU. . . 
 
 a tempo. 
 
 1 
 
 rit. 
 
 ^^^^ 
 
 a tevipa. 
 
 tes 
 
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 rit. e dim. 
 
 =^ 
 
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 ^S2^ 
 
 a tempo. 
 
 H"^=* 
 
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 windows of the soul ; Little baby's gone to sleep. Little baby's gone to sleep, 
 
 earth's sad doubts and fears, Little baby's gone to sleep. Little liisby's gone to sleep, 
 bore her safe-ly there ; Little baby's gone to sleep, Little baby's gone to sleej). 
 
 ^ ^T"^ 
 
 rit. e dim. 
 
 ^^^^^ 
 
 a tempo. 
 
 ^ 
 
 ^m 
 
 ¥^ 
 
 %fU^ l^^ :»= hfT-H I 
 
m-^^^m 
 
 BABY'S GONE TO SLEEP. 
 
 \rU. 
 
 8Tt 
 
 i 
 
 i«UM'if4^ 
 
 An- gt'ls boro her saf e-ly home ; 
 
 So for her we may not weep; Soft-ly 
 
 W^W 
 
 *t=5C=:l* 
 
 I 
 rit. e dim. 
 
 w 
 
 pp 
 
 ftp a tempo, 
 
 
 to the doorway come, Little baby's gone to sleep : She has on - ly gone to sleep. 
 
 THOMPSON. 
 
 SO I CAN WAIT. 
 
 SWENEY. By im. 
 
 ^^Ij^gg^^^ieili^iiE 
 
 1. I know that heav'n lies just be-yond This earth- ly state, this earth-ly state; 
 
 2. I know the heart-aches of this life Will all be Iiealed, will all beliealed; 
 
 3. I know that when my time shall come To dwell a-lxive, to dwell a-<bove, 
 
 ^P^^^i^gfli 
 
 'I hat Christ himself holds death's cold 
 
 ^mm^ 
 
 ean wait. 
 
 L'oldwand; So I can wait, so I 
 When the blest peace that ends earth's strife Sha'il be re-veal'd, shall be re-veul'd 
 Je - sus his child will welcome home With tend'rest love, with tend'-rest love, 
 
 I know 
 
 I know 
 
 His an ■ 
 
 the dark mys - te-rious ways My feet may tread, my feet may tread 
 that 'mid the world's tur-moil God giv - eth rest, God giv - eth rest; 
 gel guards will o - pen wide Heav'n's pear-ly gate, heav'ns pear- ly gate; 
 
 ^m^ - 
 
 1 
 
 P 
 
 mi 
 
 sx: 
 
 Will all 
 His arm 
 And I 
 
 f 
 
 ^^ 
 
 ^ 
 
 be plain when heav'nly rays Are on them shed, are on 
 is round me in its toil; And I am blest, and I 
 shall then be sat- is-fied: So I can wait, so I 
 
 them 
 ftm 
 can 
 
 shed, 
 blest, 
 wait. 
 
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 11 
 
 378 
 
 MY OLD COTTAGE HbME. 
 
 R. A. O. 
 
 R. A. OLENN 
 
 f^ijii i'Ji i- iu i:W:W 
 
 II am think • ing to-night of my old cot - tase home That 
 
 2 Ma • ny yean have gone By since in pray'r there I knelt With 
 
 3 One by one they have gone from the old cot - tage home, On 
 
 m 
 
 ^ 
 
 
 stands on the brow of the hill, Where in life's ear • ly morn- ing I 
 
 dear ones a- round the old hearth ; But my moth - er's sweet prayers m my 
 
 earth I shall meet them no more, But with them I shall meet round the 
 
 J- 
 
 P'^Hitivt^zt-mHH'^ 
 
 ± 
 
 :»5 
 
 i 
 
 once lov'd to roam. But now all is qui - et and still. ") Oh,my old cottag« 
 
 heart still are felt, I'll treasure them up whi 
 beau- ti-ful throne. Where parting will come 
 
 et and still. ~\ < 
 ile on earth. >■ 
 nevermor?. J 
 
 Oh, my old 
 
 
 f 
 
 ^ 
 
 y-fr "1 
 
 d d ^ d d m ■< S ^ e» d ' d 
 
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 home '' That stands on the brow of the hill, Where in 
 
 cot-tagehome of the hill. 
 
 g-gh U- 
 
 > P 
 
 ti=:*: 
 
 ^^ 
 
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 ^Hfffm 
 
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 life's ear - ly morning I once lov'd to roam,But now all is qui - et and still. 
 
 Oonrright, Oao. D. Mivball & Co. 
 
LOVE ME LITTLE, LOVE ME LONG. 
 
 379 
 
 P 
 
 ANONYMOUS. 
 SOPRANO. 
 WUk »pxrit. mf^ 
 
 H, LAHEE 
 
 *:ff=3t 
 
 \ » 
 
 - g— g- 
 
 i h 
 
 J JIJ JJJ ^ ) 
 
 1 Love me lit - tie, love me long, 
 
 2 Winter's cold or summer's heat, 
 
 ALTO, nf 
 
 is the bur - den of my 
 Autumn's tem- pests on it 
 
 g:r n~ ^ nr-K 
 
 :t«=K 
 
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 ^= 
 
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 1 Love me lit - tie, love me long, is the bur - den . . 
 
 2 Winter's cold or summer's heat, Autumn's tem - pesta . . 
 
 TMHOB. f , ■> 
 
 of 
 on 
 
 my 
 it 
 
 rFvrjji j J J ^ i j. jj j;i 
 
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 B.MS. 
 
 1 Love me lit - tie, love me long is the bur - den of my 
 
 2 Winter's cold or sum-mer's heat, Autumn's tem - pests on it 
 
 ■BMa. f . 
 
 ^ ^ ^^^^J J J |J ra ^g|r' c^ 
 
 
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 ssU 
 
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 song, 
 beat, 
 
 Love that is too hot and strong. 
 It can nev-er know de - feat. 
 
 Love that is too hot and 
 It can nev- er know de - 
 
 J /^ J ^ J-^ ^ 
 
 *1 
 
 i 
 
 ^fe 
 
 song, . . 
 beat, . . 
 
 Love 
 It. 
 
 that is too hot and strong, 
 can nev- er know de - feat, . . . 
 
 that is too 
 can nev-er 
 
 ± 
 
 ^ 
 
 T=1^ 
 
 -l^-t^ 
 
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 § 
 
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 song, .... Love that is. Love 
 beat, .... It can nev- er. 
 
 ^i^ 
 
 ± 
 
 ^ 
 
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 that is too hot and strong, 
 can nev- er know de - feat. 
 
 can 
 
 t=t 
 
 ± 
 
 song.Love that is too hot and strong, . . . Love that is too hot and strong,too 
 beat. It can nev- er know de - feat, It can never know de - feat, can 
 
 Oop7rli(ht, 18M, by Hubbakd bbua 
 
 
380 
 
 LOVE ME LITTLE, LOVE ME LONO. 
 
 ZlSl 
 
 ^ 
 
 i 
 
 ES 
 
 ^ 
 
 ^ 
 
 :5^= 
 
 1 1- 
 
 stroug bum- eth soon, 
 
 • feat, ... It ney 
 
 . burn-eth 
 er, ney - er 
 
 soon to waste, 
 can re - bel. 
 
 mi 
 
 =F 
 
 «ci 
 
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 joziizm. 
 
 za. 
 
 irarJ 
 
 hot and strong burneth soon, burncth 
 know de- feat, It nev - - er . . . 
 
 soon, 
 can, 
 
 burn-eth 
 ney- er 
 
 soon to waste, 
 can re - bel. 
 
 =ff=e 
 
 stiir 
 
 Such 
 
 1 ^ 1^ 
 
 szl 
 
 5= 
 
 zzi'?^ 
 
 'JOZ 
 
 hot, Love that is too hot 
 
 ney - - er know de - feat. 
 
 burneth soon to waste. Htill, 
 ney - er can re - bel. Such 
 
 ±n 
 
 ^= 
 
 S3^^-¥ 
 
 iizrt: 
 
 hot unil strong.Love that is too hot and 
 know de- feat, It can nev - er know de 
 
 ^ 
 
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 -I — I- 
 
 A. 
 
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 strong burn- eth 
 feat. It nev - er 
 
 soon to waste, 
 can re - bel. 
 
 tlP= 
 
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 Still, I would uot.would not have thee cold ; Still, still,. .. I would not 
 
 Such the love, the love that I would gain. Such, such . . . the love, I 
 
 ^^■^ 
 
 I 
 
 the 
 
 would not have. . . . thee cold; Still,still still, still 
 
 love. . . that I, . . . . that I would gain,Such,8uch the love. 
 
 P- 
 
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 wouhl . . not have, I would not have thee cold ; Still still, ... I would not 
 love . .. that I, the love that I would gain, Such, suc h . . . the love, I 
 
 ^m 
 
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 Still, 
 Such 
 
 I would 
 the love 
 
 not have thee cold ; Still, still, ... I would not 
 that I would gain. Such, such . . . the love,I 
 
 'K^^.- 
 
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 LOVE ME LITTLE, LOVE ME LONO. 
 
 881 
 
 have thee too bold, 
 tell, I tell thee plain. 
 
 ^^ 
 
 4^ 
 
 not too backward 
 Buch the luve I 
 
 S^: 
 
 «c 
 
 i»^ 
 
 i»=^ 
 
 =E 
 
 -4- 
 
 not 
 tell 
 
 too bold, . 
 thee plain, . 
 
 not too backward 
 auch the love I 
 
 BS=g=g 
 
 ^ 
 
 y-ir 
 
 ^^ 
 
 ^ 
 
 or: 
 
 ^ 
 
 have thee too bold,not too backward, not too backward or too bold, 
 tell thee plain,8uch the love I tell thee piain,I tell, I tell . 
 
 FTf^ 
 
 have thee too bold, not too backward, not too backward or 
 tell thee plain,8uch the love I tell thee plain,I tell 
 
 or too bold; 
 tell thee plain, 
 
 Love that lasteth 
 Thou must give or 
 
 till 'tis old, 
 woo in vain. 
 
 ^ad 
 So. 
 
 - - eth not in 
 , . to thee«tarn - 
 
 fe 
 
 S^ 
 
 ^ 
 
 ^ 
 
 "ly 
 
 or too bold; 
 tell thee plain. 
 
 i?=?2 
 
 Love that lasteth 
 Thou must give or 
 
 till 'tis old, 
 
 woo in vain. . . . 
 
 Fad - 
 So. 
 
 Br 
 
 1© s>- 
 
 J J J .PIJ . JJ 
 
 .... too bold ; 
 .... thee plain, 
 
 Love that lasteth 
 Thou must give or 
 
 till 'tis old, . . . 
 woo in vain. . . 
 
 Fad- eth not in 
 So to thee fare- 
 
 itci 
 
 zisi 
 
 ^7f7 n "r^ 
 
 icne 
 
 ^^M4=^ 
 
 ^fc 
 
 TW 
 
 5 
 
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 ;hrJ-J 
 
 ^rpt 
 
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I 
 
 
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 882 
 
 P 
 
 crM. 
 
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 LOVE ME LITTLE, LOVE ME LONO. 
 _ riten. ^ filower. 
 
 m^ -n^^^ 
 
 EC 
 
 ilG 
 
 I 
 
 haste, Love that last - etli till 'tia old, fad • eth not in baate. 
 
 well I Thou must give or woo in vain, so to thee fare- well I 
 
 
 ignzji: 
 
 4=5? 
 
 -i»- 
 
 P 
 
 eth not in baste, fad - eth not, fad - eth 
 to thee fare - well, fare • • well ! so to 
 fit. '^ . fthwer. 
 
 not . . in haste, 
 thee . . fare - well I 
 
 I 
 
 ^ 
 
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 m 
 
 haste, fad- eth not, . 
 well I so to thee, . 
 
 rit. 
 
 m 
 
 zszz 
 
 Z2I 
 
 ^=^ 
 
 fad • eth 
 
 80 to 
 
 filower. 
 
 ^ 
 
 ^: 
 
 not 
 thee 
 
 in haste, 
 fare - well ! 
 
 ^m 
 
 haste, 
 - -well! 
 
 fad - • eth 
 BO to 
 
 not, 
 thee. 
 
 ^ rit 
 
 fad • eth 
 so to 
 slower. 
 
 not in haste, 
 thee fare - well ! 
 
 -T-* 
 
 ^ 
 
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 rrr^f 
 
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 THE 
 
 aoPRAyo. 
 
 Moderato. 
 
 BLUE BELLS OF SCOTLAND. 
 
 (FOUR-PART SONG.) 
 
 ^t^^ 
 
 g^^f 
 
 ^ 
 
 A. NEITHARDT, 
 
 — r- » 
 
 A.LVO. 
 
 ^^ 
 
 1 O where, and O where 
 
 18 
 
 your High - land lad - die 
 
 w& 
 
 :»: 
 
 ^: 
 
 TEyOR, 
 
 2 O where, and O where did your High - land lad - die 
 
 &. 
 
 i 
 
 3 Sup - pose, 
 
 BASS, m/ 
 
 g^ 
 
 #=^ 
 
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 and sup - pose that your High - land lad should 
 
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 ±±± 
 
 ^ 
 
 Moderato. 
 
 k 
 
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 KS 
 
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i 
 
 le 
 
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 fr J ^I^ IJ" 
 
 THE BLUE BELLS OF SCOTLAND 
 .^ K 
 
 m 
 
 m 
 
 888 
 
 ^J 
 
 gone? He's gone to fight the foe for Vic - • to - ria on the 
 
 3^ 
 
 ^V^^M J 1 7-;^^JU-^ -J^ - 
 
 At I 
 
 K=F 
 
 «= 
 
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 dwell ? He dwelt in mer - ry Scot • land, At the sign of the Blue 
 b -I ./ >^ — N .^ N ^ 
 
 ^^ J -^i *'- 
 
 J J J 
 
 m 
 
 5^^ 
 
 4i«7 The bag-pipes should play o'er him, And I'd sit me down and 
 
 m.r -i'-^ir P ^ 
 
 j^ 
 
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 3=h 
 
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 ^^3^ 
 
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 =e==:|K 
 
 =>*==ta 
 
 ^ 
 
 ~s — V 
 
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 throne, And it's O 
 
 dim. p 
 
 in my heart I 
 
 wish him safe at home ! 
 
 K-^-ft 
 
 ;S=* 
 
 ■^^ipii 
 
 Bell, 
 dim. 
 
 Bt 
 
 And it's O 
 
 in my heart I 
 
 love my lad - die well ! 
 
 j ^_^rj ^.£^.^^ 
 
 - \ ^ ■» 
 
 d U 
 
 cry, . . . And it's O 
 dim. p 
 
 in my heart I . . . wbh he may not die ! 
 
 m 
 
 »=g^ 
 
 ^ 
 
 ^i 
 
 ^=it 
 
 i 
 
 »=F=*F 
 
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 :*=* 
 
 dtm. 
 
 P 
 
 te 
 
 r^:: 
 
 1 
 
 i 
 
 1^ 
 
 =*=^* 
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 ^ 
 
 1 
 
 ^ 
 
 ' I 
 
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I 
 
 II' 
 
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 ! ! 
 
 w\ 
 
 ! 
 
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 I 
 
 184 
 
 THE LITTLE ONES AT HOME. 
 
 AflpTHttfOt 
 
 LOCK WOOD. Br*M 
 
 St:^ ..! J-JLj ^g:^^ t:g=g=g= ^ J. J1 
 
 1.1 am tbink-inff now of homo a • moii^ my iia - tivo hillR, And 
 4. The moon Iooks mild- ly down, tho uamu as oft bo - fore, And 
 8. May guar- dian an- gols still their vig- iln o'er thee keep; May 
 
 ji'« C ■ ^ g-^izi^zj-jn^. -oaJ J-ij< r--C4 
 
 though a- far thro' dis-tant lands I roam, 
 
 bathes tho earth in floods of mel-low light, 
 
 heav-cn's choicest blessings on thee rest, 
 
 The mem'ries of the past my 
 Ijiit its beams are not so bright up* 
 Till I am safe-ly borne a 
 
 s 
 
 5lt^ 
 
 ^-J i Q \ 'SM 
 
 ^^ 
 
 ^jt 
 
 «* 
 
 m 
 
 i 
 
 $ 
 
 ^i L J^yif. ^r^p±3 ^^ 
 
 heart with long- ing fills, 
 
 on this lone - ly nhoro 
 
 cross the storm- y deep, 
 
 To see the dar« ling lit - tie ones at 
 
 Ah they seemed at hoiae one year a • go to ■ 
 
 And meet a- gain with those I luve the 
 
i 
 
 THB UTTLE ONES AT HOMB. 
 
 88ft 
 
 Far o'er tbo rolMng o-ooan'a foam, And hoar their voioos ring-ing in 
 
 Whor&- ov - er I mayohanooto roam, I hoar your voiooH ring*ing in 
 
 Never, nov- cr-moro from thoe to roam, Soon Hball I hear your voi- oea in 
 
 :s 
 
 m 
 
 ' 1 
 
 m 
 
 *iPm 
 
 ^ 
 
 ^^ 
 
 ^^m 
 
 ^T-T 
 
 m 
 
 mer-ry, childish glee; Oh 1 1 long to see the lit- tie ones at home, 
 roer-ry, childish glee; Oh 1 1 long to see the lit- tie ones at home, 
 mer-ry, childish glee. Pro- claim the joy-ous welcome, welcome home. 
 
 ^m 
 
 % 
 
 i 
 
 m 
 
 «*— ^ 
 
 -^^^^T^ 
 
 a — -^ 
 
 j^ 
 
 s 
 
 m 
 
 i 
 
 at 
 to • 
 the 
 
 m 
 
 pUJ ^ J' ^F=y 
 
 i 
 
 T S— 25 
 
 I 
 
 ^ 
 
 ^EEEE^ 
 
 The lit - tie ones at home, the lit • tie ones at home, 
 
 t J R^ "J J J^ 
 
 g 
 
 S 
 
 t-c-c-^ 
 
 g 
 
 I 
 
 The lit - tie ones at home, the lit • tie ones at home, I 
 
 £^iT I c -c= ^^r'~rf^~^ ^ & f — p 
 
 j d ^ ydj i - j =^-^ ^-^ 
 
 tl< 
 
I 
 
 I 
 
 f I : 
 
 880 
 
 THE LITTLE ONES AT HOME. 
 
 ^^J=:.4^^^^^^J^hi:. =-^^^^^^^t ^^^ 
 
 long to BOO tbo lit* tlo ones at homo, And hoar thuir voi-cos rins-ing in 
 
 (Last time.) Soon ■hall I hoar your voT-ooa in 
 
 E;3';Ej^;^^^ ^^;g^^3£3^^ gr^-3" 
 
 '^i'^^^^=mm^^^^^ ^^^^^^ 
 
 long to aoe the lit* tie ones at homo, And hear their voi-oes rin^-ing in 
 
 (Last time.) Soon shall I hear jour voi-oes in 
 
 BI^E ^/ ^ J fe ^E^fe 
 
 
 1 
 
 i 
 
 WS^-^ 
 
 
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 sryz 
 
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 HOLY MOTHER, GUIDE HIS FOOT-STEPS. 
 
 FROM "mARITANA." 
 
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 Guide them at a mo-mcut, guidti tuum at a mo • muuibure. 
 
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 wick - 0(1 heart thuu per • ihIi, And the good, the good rumaiiuae- 
 
 
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 COME CLOSER, SOUL, TO ME. 
 
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 1. Me-thinks I hear my Saviour 8ay,"Comeclo8-er,clos - er, soul, to-day; Of 
 
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 all my ful • ne88,come, partake, And I thy joy will por- feet make, 
 
 let one doubt thy peace al-loy; A - bide in Me, thy life, thy joy. 
 
 up with faith; I know thygrief,And I will give thee blest re -lief, 
 
 the bright dawning of that day,When gloom and night shall flee a -way. 
 
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 IT WAS A SONG MY MOTHER SANG. 
 
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 IT WAS A aOMO MT MOTHER SANO. 
 
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 bring, When, all at once, I knew it was ... A song my mother used to slug. . . 
 thing That I should think an angel sang . Those songs my mother used to sing. . . 
 
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 bring, Of days, when at her side I heard, The songs my mother used to sing. 
 
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 1 I am for one,and there's one for me, Some-vhere, aome-whfare, 
 
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 Whisper, ye breezes, of land and sea, And tell him I love him,where'er he t>e ; O, 
 May oe his face I shall nev - er see, Till,"o- var the riv-er" we wan-der free; But 
 
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 tell hira I'm waiting for him a - lone. Some- where, 
 there for his com- ing my heart shall wait, Some- where. 
 
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 Waiting and longing my king to own, From o - ver tho dis - tant sea. . . • 
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 Still, at the last we shall meet, I know, And nev - er-more jparted be. . 
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 WOULDN'T YOU LIKE TO KNOW. 
 
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 things be - fore your eyes? 
 
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WOULON'T YOU LIKE TO KNOW. 
 
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 Pro Pliundo Has-Ho Ih my name, My voice is ve-ry loud and strong; I 
 
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PRO PHUNDO BASSO. 
 
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 THE LITTLE FISHERMAIDEN. 
 
 OEOROE COOPER 
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 LODOLF WALDMANN. 
 
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 joy un-to the sight 1 A joy uu-to the sight! The fair- est maid in 
 
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 A-mid the tern - pest 
 

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 THE LITTLE PI8HERMAIDEN. 
 
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 heart so light and free, With heart so light and free! The Mermaid's came with 
 
 help, for help she cried 1 For help, for help she cried! Her frag -ile boat ihey 
 
 drew her safe to land! He drew her safe to land! But since that hour her 
 
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 is o'er. She sails the sea. 
 
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 of dan - gers near ! To warn the maid of 
 
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 THE LITTLE FISHERMAIDEN. 
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 mermaid's song rang long. 
 
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 den I Tempt no more, a • lone, the sea! 
 
 P 
 
 Dan - ger's wait • ing 
 8vo. 
 
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 there for thee! 
 8va 
 
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 Lit - tie Fish • er-maid - en, Skies with storms are la • den! 
 
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 Tempt no more, a • lone, the sea ! Dan • ger waits for thee I " 
 
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 Me 
 
 WITH VERDURE CLAD. 
 
 nECITATTTK. 
 
 HAYDN'S "creation.* 
 
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 ndGod Bai(l,Let the earth bring forth gra88,the herb yielding 8ced,and the f ruittree yielding 
 
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 fruit af - ter his kind, whose seed is in it - self up - on the earth, And it yraa 
 
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 verdure cladjtho fields appear, de-'ightful to the ravish'd sense; By flow-era 
 
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 ATITH VERDURE CLAD. 
 
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 sweet and gay, on-haiiccd ih tbu clmrming sight,tin-banc • . - ed 
 
 
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 is the charming sight. 
 
 Here vent their fumes the 
 
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 fragrant herbs,here shoots the healing plant, here shoots the healing plant, . 
 
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 408 
 
 WITH VERDURE CLAD. 
 
 Here shootH tho healing plant .... the healing plant . . . 
 
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 With CO - pious fruit th'ex-panded boughs are hung; 
 
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 In lea- fyarch-es twine the sha - dy groves; O'er lofty hills ma' 
 
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WTTH VERDI RE CLAD. 
 
 409 
 
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 jt'H - tic for - I'HtH wave, majestic f orcsta wave. 
 
 With verdure clad the tiehls appoaridelightful to the 
 
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 ravish'd sense ; By flow-era sweet and gay, 
 
 uaiiced is the 
 
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 410 
 
 WITH VERDURE CLXD. 
 
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 IIiTO vi'iit tlu'ir t'uiiu'M the fragrant lu'rl)M,lii'rt' hIiooIh tlu> la iiliiig 
 
 
 
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 shoots the heal . . ingplant,hcre vent their fumes the fragrant herb8;here shoots the 
 
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 healing plant 
 
 the healing plant 
 
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 the healing plant . . . here 
 
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WITH VERDURE CLAD. 
 
 o'kane. 
 
 FOLLOW ME. 
 
 o'kane. nypM. 
 
 1. Hear you not the Sa-viourcall-ing, Call- ing you bo earn - est - ly ? 
 
 2. "Lay not up - on earth your treasure; Tran-Hient,per - ish - ing 'twill be; 
 8. "In my Fa - ther'a house in heaven, , Let your hearts un-trou- bled be; 
 4. " Be thy path-way bright or drea - ry, Whith -er du - ty lead - eth theo, 
 
 6. "When thy days on earth are end- ing, And the close of life you see, 
 
 »- 
 
 ^^^i^ 
 
 s 
 
 Gen- tly, too, the tones are fall -ing, 
 
 Rath - er seek e - ter - nal pleasure; 
 
 Glo-rious man-sions will be giv - en, 
 
 Strong thy steps, or faint and wea - ry, 
 
 £ - van to the grave descending, 
 
 * Come, ohjcome, and fol - low iVle. 
 
 Would you find it? Fol-low Me. 
 
 On - ly come and fol - low Me. 
 
 I will guide thee, fol - low Me. 
 
 Nev-eriear, but fol-lojv Me." 
 
 W^ 
 
 Let us round ourLcad-er ral - ly. 
 
 ^ ^^ 
 
 Je - BUS bids us each to come; 
 
 W=^ 
 
 fer 
 
 & 
 
 h^- t^'Tijj, r^ 
 
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 He will lead us thro' life's val- ley, O'er the riv-er safe-ly home 
 
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 412 
 
 FOREVER AND FOREVER. 
 
 VIOLET FANE. 
 
 m 
 
 r. FAOLO T08TI. 
 PP t Muni trgato. 
 
 ^E@ 
 
 1. I think of 
 
 2. Pprclmiice if 
 
 
 '"j^^g'lg 
 
 ^^ii^^ 
 
 all 
 wo 
 
 thou art to me, 
 had nev-er met 
 
 ^^L 
 
 * 
 
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 J =3=1=5 =15: 
 
 I dream of what thou caii'st not be, Mv life is 
 I had been spared this mad re - gret, This endless 
 
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 cursed with tho'ts of thee, For-ev-er and for - ev 
 striv - ing to for - get, For^y-er and for - ev 
 
 P P piu (inimato, 
 
 er. My heart is full of grief and 
 ■ er ! Perchance if thou wert far a - 
 
 woe ; I see thy face wher-e'er I go ; 
 way, Did I not see thee day by day, 
 
 I would, a 
 I might a 
 
 las ! it were not 
 gain be blithe and 
 
 l il 
 
roRKvrn and fobever. 
 
 4!:l 
 
 HO, For^v-er and ibr - ev - cr ! 
 gay, For-ev-er and for • ev - ( Omit. 
 
 ?^^^»^^P^^^ 
 
 )-erl Ah, no! I could not hear the 
 
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 ;» -» -^ ert* • ten • • do. rit. dim. 
 
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 13^ 
 pain Of never seeing thee a • gain ; I cliu)^ to thee with might and niuin For- 
 
 ced 
 
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 co( oanto. 
 
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 lento, ppp 
 
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 ev-er and for- ev-er! Ah,leave me not! I love but thee! Blessingorcurse.which-e'erthou 
 'rit. col canto. 
 
 
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 be, Oh, be as thou hast been to me, For-ev-er and for-ev 
 
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 114 
 
 THE MONARCH OF THE WOODS. 
 
 Bold. 
 
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 =^gp^&^P 
 
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 CHERRY. 
 
 « — ^s- 
 
 1. lit'hold tlie iiioiiarch of the wouds! Tliu mighty okl oak tree; He 
 
 2. IIow oft the monarch of the woods, Up - on a summer'H day, lias 
 
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 22 
 
 braves the rag-ing of the storm, On land or roll - ing sea; He 
 
 seen the mer- ry chil-dren sport. And 'neath its shad - ow play ; From 
 
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 waves his branches deck'd with green, 
 youth to manhood they spring up. 
 
 In sum-raer's gol - den glow. And 
 
 And old age comes at last, Then 
 
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 slow. 
 
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 I - vy clothes his leaf - less form Thro' win - ter's frost and snow : King 
 green grass waves up - on their graves, And all life's dreams are past! Yet 
 
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 colla voce. 
 
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 a tempo. 
 
 ?^ 
 
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 THE MONARCH OF THE WOODS. 
 
 415 
 
 a tempo eon spirito. 
 
 Timi', tlie con-(|m'r-or of all, 
 8troug-er grows the mighty tree, 
 
 He bold - ly doos <U'-t\, Kor 
 
 In hale and hear - ty itr'imc. And 
 
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 green and hearty will he stand 
 stands the monarch of the woods, 
 
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 When a - ges have gone by. 
 De - fy - ing age and time. 
 
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 Repeat Qhoruajor ad lib. 
 
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 Green and hearty,green and hearty, hear-ty will he stand. When a-ges have gone 
 Stands the monarch of the woods, the monarch of the woods, De - f y- ing age and 
 
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 by. When a - ges have gone by. 
 time, De -f y - ing age and time. 
 
 a tempo. 
 
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 416 
 
 THE CLARION NOW SOUNDS TO THE FIELD. 
 
 WALTON. 
 
 TBirOB BOItO. 
 
 Maestoso. 
 
 MARSHALL. Br |MK 
 
 1. The clar-ion now sounds to the field, 
 
 2. See the foe in his mar - tial ar - ray, 
 
 The clarion now sounds to the 
 See the foe in bis martial ar- 
 
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 field; 
 ray, 
 
 Each heart, each heart, each heart to that summons must 
 
 Each plume, each plume, each plume waving proudly and 
 
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 FLUTE. 
 
 yield. Farewell, my beloved, we must part ; Bright honor now calls me a - 
 
 gay ; Then weep not, my love, let a smile The reward of thy soldier still 
 
 ^^=^1 / r ,r^H^— Jt^'^ 
 
 FLUTS. 
 
 way ; Tho' thy im - age still f et - ters my heart, 
 
 be, Ev' - ry fear, ev' - ry doubt to be - guile. 
 
 Yet 
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THE CLARION NOW SOUNDS TO THE FIELD. 
 
 411 
 
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 lion -or for-bids me to stay, Then inarch, 
 
 fight for my home,love,and thee. Then march, etc. 
 
 march. 
 
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 CLARINET. 
 
 fe - # — p — r- 
 
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 march we all dan-gers de - fy, To the field, to the 
 
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 field, 
 
 To the field ; we will conquer,or die , To the field ; we will conquer, oi. 
 
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 cres. 
 
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 418 
 
 COOPER. 
 
 Moderato. 
 
 ,4f --4 — M 
 
 PRETTY AS A PICTURE. 
 
 BUmoP. Sip* 
 
 1. Oh, ray heart is gone, 
 
 2. As we Btrav'd along, 
 8. When 'twas time to go, 
 
 And I'm forlorn, A 
 
 The Bweet bird's song Waa 
 We talked so low The 
 
 m 
 
 r J J. Jlj f p-f l JJJ J IJJ-^ ^ 
 
 dar-ling face has won me; Such a love-ly girl. With teeth of pearl, I 
 ring-ing o'er the meadow; Andlcull'da rose, You may suppose, To 
 ro • Bcs scarce could hear us; Then my heart in sport, 'Twas cu-pid caught, Like 
 
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 met down by the brook ! She's the pret-ti - est. And the wit- ti - est, Her 
 give my charm- er fair. So we'd gai-ly chat, While her 6yp-sy hat Half > 
 
 fish-esnear the shore. When I told her so. As I tamed to go, She 
 
fHETTY AS A PrcTIJt^K. 
 
 419 
 
 amile haH quite iin-dorio mo; I'm Iut oii- ly beau, She told mo «<), When 
 hid her face in shiid-ow; But whom-'or I sigh'd, llor oyoH ropHod, They 
 fond- ly lin-gorcd noiirmo; And nhe drooped her head, And Hweetly Haid, "I 
 
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 - -*- 
 
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 first my arm she took ; She's as pret-ty 
 shone like diamonds there ;She'8 as pret-ty 
 wish you au re'voir." She's as pret-ty 
 
 as a pic-turel 
 as a pic-ture I 
 as a pic-ture I 
 
 
 l- ^zz^r.r. l r ^ j.j1J?-JJj J I j ^^ ^ ^ 
 
 And her voice is just a cage where lit-tle birds are singing I 
 
 And you nev-er miss the sun when-ev-er she is near you I 
 
 And my heart's a golden frame, whenever you may find her; 
 
 She's the 
 If yoa 
 She's a 
 
 fr^-H-i^ 
 
 m 
 
 m 
 
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 ft* 
 
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 sweetest, 
 
 saw her, 
 
 f ai- ry, 
 
 cM^i^^^ l - rrlgf -^'-^-^ B^^'^ 
 
 And the neatest I 
 You'd a-dore her; 
 blithe and air- y; 
 
 She's as pret-ty >,s a picture all the 
 She's as pret-ty as a picture all the 
 She's as pret-ty as a picture all the 
 
 
 
 
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 PRETTY AS A PICTURE. 
 
 r—T-m — f-m m »- — ^^ M I-— W M T ' 
 
 c c IT r r ir ^ f r r r r • c 
 
 Oh, my heart is gone, And I'm forlorn, A dar-ling face has 
 
 TW=^^^^=i*^n}ii 
 
 ^\m n ^B^ 
 
 MJJJ^-IJJUB 
 
 J . J J/ 
 
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 wonme;Suoh a love-ly girl. With teeth of pearl. An an-gel without wings! 
 
 m 
 
 ^^^^^^M 
 
 IS- * I ^D^ 
 
 CAST THY BURDEN UPON THE LORD. 
 
 FROM "elwah; 
 
 PP Piu aiagio. ^ ^ 
 
 P^ JIJ 3 3^^ 
 
 3 3 g l ^p L^ 
 
 Cast thy bur-den up-on the Lord, 
 
 And He shall sus- tain thee; He 
 
 Js- 
 
ELIJAH." 
 
 erea. 
 
 CA£>T THY BUHDEN UPON THE LORD> 
 
 421 
 
 ncv-or will suf-fur tho right - ouus tu fall; He is at thy right Laiid.ThT 
 
 ti ^ff -g-ff fe ^ljjg 
 
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 iner-oy,Lord,iB great, 
 
 erea. 
 
 dim. 
 
 ^ 
 
 and far a-bove the heav'ns. Let none be made a - 
 
 dim, _ :ftvM. 
 
 m 
 
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 422 
 
 THERE'/S A LIGHT IN THE VALLEY. 
 
 With ac]}re»Hon, 
 
 bLISS. Bypw. 
 
 1, Thro' the val-ley of tncBhaoow 1 must go, Where the cold wavenof J()r-(lan 
 
 2. Now the rolling of the billowH I can hear, Ah they beat on the turf-bound 
 
 ^m^ 
 
 ^^M 
 
 roil ; But the promiHoof ray Shepherd will, I know, Be the rod and the staff to my 
 Mhore ; lint the beacon light of love ho uright and clear,Guide8 my bark,f rail and 1< iiic.safeiy 
 
 mmmif 'fvm 
 
 Slower, 
 
 soul. E-ven now down the 
 o'er. I shall find down the 
 
 valley as 1 glide, I can hear my Saviour say, "Follow 
 valley no alarms. For my Saviour's blessed smile I can 
 
 f^^^^^mm mfmm 
 
 ^a tempo. 
 
 me '."And with him I'm not afraid to cross the tide,There's a light in the valley forme, 
 see; lie will bear me in his loving mighty arms,There's a light in the valley for mc. 
 2 • 
 
 u^^mm^ 
 
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 There's a light in ilic val-ley. There's a light in tlie val-ley. There's a 
 
 
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 light in \he val-ley for me, tor me. And no e - vil will I fear, While my 
 
 L- "ir M u» u 
 
 By permission of .Tohii rimrcli A Co. 
 
 ^^i 
 
5S. By pit. 
 
 aff to my 
 |()ii(',safelv 
 
 E 
 
 ^\ 
 
 iy,"Follow 
 smile I can 
 
 forme, 
 forme. 
 
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 tS>-i -■ 
 
 It 
 
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 ^'here's a 
 
 BiE^ 
 
 1^ 9 
 
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 Vliile my 
 
 THERE'S A LIQHT IN THE VALLEY. 
 
 428 
 
 ^» 
 
 -«*-T- 
 
 
 Shepherd is so 
 
 near, There's a light 
 
 in the val-ley for me, for me. 
 
 ji 
 
 mmm^^^M^^^^ 
 
 REST ON THE BOSOM OF LOVE. 
 
 Andantino, 
 
 ROOT 
 
 ^l^^l 
 
 Pil-fjrim, tho' la - tleu with sor - row, Look from the clouds and the gloom ; 
 Here, tho' thy heart may be wea - ry, Long with temjj-ta-tionH o|>-i)ressed, 
 Safe from tenipta- lion and tri - al, Safe from all sor - row and woe, 
 
 .^a- 
 
 mm 
 
 Bright-ly the gleam of the mor 
 Here, tho' thy path may be drear 
 Safe from the cut - ting de - ni 
 
 row Shines on the path to the tomb ; 
 • y, Sweet is the i)rom-ise of rest ; 
 al, Mor - it oft meets with be low, 
 
 m^ 
 
 Soon shall thy spir - it 
 Rest from thy la - bor 
 Safe "as a brand from 
 
 a - wak 
 for - ev 
 the burn 
 
 ing, Gaze on the rap-tures a - bove ; 
 er ; Rest in the mansions a • bove ; 
 
 mg," rhanks to the Sa-viour 
 
 Tlien all its sor - row 
 Naught shall dis-turb thee, 
 Safe from all trou - bles 
 
 for - sak 
 
 oh, nev 
 re - turn 
 
 $i^^mw 
 
 er, 
 ing. 
 
 P 
 
 Rest on the bo - som of love. 
 Safe on the bo - som of love. 
 Here, on the bo - som of love. 
 
 
 g 
 
 Rest, Rest, Yes, rest 
 
 Rest, Rest, Yes, rest 
 
 Rest, on the bo - som of love, Yes, rest 
 
 on 
 on 
 on 
 
 the bo - som of love, 
 the bo - sora of love, 
 the bo - som of love. 
 
 Kest. 
 
 
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 424 
 
 TAKE ME HOME. 
 
 Andanle nft'elfuofo. 
 
 RAYMOND, •tftk 
 
 fer 
 
 1. Take me home to the place where I first saw the Iight,To the sweet sunny South take nie 
 
 2. Take me home to the place where the orange trees grow,To my cot in the ev - er-green 
 a. Take me home,let me see what is left that I know; Can it be that the old house is 
 
 ^^^^^^^ 
 
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 A-H !!-lj|- I .!L_ ?! !L__ i __A_ 31 _!L__ 51 ., 
 
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 home, 
 shade, 
 gone! 
 
 f=f 
 
 ^^^^^ 
 
 Where the mocking bird sung me to rest ev'- ry night, Ah ! 
 Where the flow-ers on the river's green mar - gin may blow Their 
 The dear friends of my child • hood in-deed must be few, And 
 
 why was I tempted to roam? 
 sweets on the banks where we played, 
 I must lament all a - lone; 
 
 I think with re-gret of the 
 The path to our cot - tage they 
 But yet I'll re-tum to the 
 
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Ah! 
 
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 the 
 
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 the 
 
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 TAKE ME HOME. 
 
 436 
 
 tluar ones I left, Of tbu warm huartH that HhelturM me then, 
 Hay baa grown greuii,Aii(l the plaeu Ih quite luiiu-ly a -round; 
 place of my birth, Where my chil-dreii have play'd at my door; 
 
 Of the 
 And I 
 VVhori'tbey 
 
 P 
 
 ^ ^^^^^^^^^^^±^ 
 
 te 
 
 i 
 
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 fe 
 
 f * m -\ 
 
 J.J | J jjd i^^^ 
 
 wife and the dear ones of whom I'm bereft, And I sigh for the old place a - gain, 
 know that the smiles and the forms I have 8oen,Now lie deep in he soft moHsy ground, 
 puird the white blossoms that gamish'd the earth. Which will echo their footsteps no more. 
 
 ^%^^g^=|EEt ^^ g::p:^p:3;^gg ^ 
 
 itzzit 
 
 -^ 
 
 Take nie home to the place where my little ones 8leep,Poor niasHa lies bu-ried close 
 
 ^ts: 
 
 ^ 
 
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 gy^p=» 
 
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 by ;0'er tho ^mvos of the lov'd onefll long to weep, And among them to reat when I die. 
 
 rail. 
 
 fef 
 
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 111 
 
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 111 
 
 THE JOVIAL FARMER BOY. 
 
 AlUifretto, 
 
 ARR. FROM "ri^UMPET OF REFORM." Hypn 
 
 I. A jci- villi fariii-tT Itoy I'll lu', An freo hh hinlN tliitt Miiiir, AihI ciir-ol I'ortli my 
 2.N()|)liic(' IdniH' t lie crowiliil town NVi til itavfiiii'iitH hard iiiul dry Willi UMij;{tlu'n»'(lHJri'i'tN<»f 
 :i. ThuHqiiinvl li-ii|)iii^ rr()iiitlioliml),lI^|M)ii the into- top higli,TiK'liirkthutNuai'N with 
 
 Monj^Mof glci' A-iiioiigllu' tlow'rsof Kpritij^; I'll |»h)W,ttn(lHow,nn<l drive my t('ttTn,lk'- 
 diiH-ty liruwii.Aiid gloomy liouM-i'n high, Wlu'n-t'V-'ry hoy muHt hound liiNhiillUp- 
 nia-tin hymn, Is nut nioiv guy than I. I'll go an<l eoni<> a farm-iT boy, From 
 
 g_l:! 
 
 fore the ris-ing sun, I'll swim and sail in silvi'ry stream, VVhon all my work is dont-. 
 onant'ighhor'sground, And I'V-'ry shout and ev'ry call Disturbs the folks a- round, 
 cit - y trammels frt'c, I'll live the lifu that I en-joy, A farmer boy I'll be. 
 
 ^E-5'iT3; 
 
 Interlude to be whistled. 
 
 y^T^Tp-^liils ^^E^l^^ 
 
 ACCOM V A SIMBXT. 
 
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 Repeat pp after last verae. 
 
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 IPO^ 
 
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 By permitwiou of John Church &, Co. 
 
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 HEAR THE ANGELS. 
 
 mtlli 
 
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 O'KANK. Ilvf» 
 
 an-^olH in thuir (light, Trnt el o • vcr ottrtli and HJcy, ActM of 
 2. Tho'triuirforniHwi! cnn not hw, ' lu-yiU* tend nnd guard our wity, Till we 
 8. Had wo hut an an-gul'ii wing, Ami an iin-golV huart of ttunic, Oli, Itow 
 
 1. n<) • Iv 
 
 I)' tfu 
 
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 ^^Sil 
 
 - '(i- 
 
 Interlude, to be played vn-i/ ■■<>ftltf 
 
 indnosstheirdcliglit.Wingi'd witliincr-cy hm tlu-y fly. Ju - iii - In - t»', ju- l/; 
 join tlioir(!oin-i)ii - ny, In the flt'ldH of luMivi'nly d.iy. Ju - l)i - la - t«', fto. 
 swL'ot-ly would we niii^.Tliro'tlio world tlutHaviour'MnftUH'.Ju - bi ■ la - t«>, vU\ 
 
 
 on the organ, or sinuj hy a quartet in an a^oining room. 
 
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 Coming, 
 
 Don't you hear the aii-;',ilr 
 
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 Com - ing, 
 
 Ov - or hill and plain, Hoar the an - gels com- ing With Rwoot 
 
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 Com - ing 
 mu - sic in tlioir train ? Yos, we hear the an - gels 
 
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 From their heavenly home. Hear the an - gels sing- ing as they oome. 
 
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 GOOD-BYE I 
 
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 6ood-bye 1 the word ia light-ly epo- ken, When ties but light-ly bound ar* 
 
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 Good-bye 1 the word is light-ly spo- ken. When ties but light-ly bound are 
 
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 bro-ken; But in that word, to you and me, Is all that nev-er more may 
 
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 bro-ken; But in that word, to you and me, Is all that nev-er more may 
 
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 And you and I would sooner die, 
 
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 be. And you and I would sooner die. 
 
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 would sooner die, would sooner 
 
 l>«. And you and I would sooner die, . . . would sooner die, would sooner 
 
OOOD-BYEI 
 
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 Than ut - ter now . . . "Good-bye, Good-bye, Good - bye !" 
 
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 Good-bye ! to some, O joy, not sor - row ! It speaks of meet-ing on some 
 
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 Good-bye ! to some, O joy, not sor - row 1 It speaks of meet-ing on some 
 
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 mor-row. To us, that word can on - ly tell, A hope- less, end-less, last f are- 
 
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 nior-row. To us, that word can on - ly tell, A hope- less, end-less, last fare- 
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 mor-row. To us, that word can on - ly tell, A hope- less, end-less, last fare- 
 
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 mor-row, To vi, that word oa^ on • ly Veil, i hope- less, end-less, last fare- 
 
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 430 
 
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 GOOD-BYE I 
 
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 well; 
 
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 And Bob and Bigh,Our heart's wild cry, 
 
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 And sob and sigbjOur heart's wild cry, 
 
 
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 well ; And sob and sigh,Our heart's wild cry 
 
 Our heart's wild cry, Are in that 
 
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 well; And sob and 8igh,0ur heart's wild cry . 
 
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 Are in that word, . . "Good-bye, Good-bye, Good - bye !" 
 
 I III 
 
 Gently. 
 
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 HOW MANY MILES 
 
 By p«r. 
 
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 1. How ma - ny miles to Ba - by Land? A - ny one can tell: 
 
 2. What do they do in Ba - by Land? Dream, and wake, and play; 
 
 3. What do they do in Ba - by Land? Why, the odd - est things; 
 
 4. Who is the queen in Ba - by Land? Moth - er, kind and sweet; 
 
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 Up one flight, To the right; Please to ring the 
 
 Laugh and crow. Shout and grow; Jol - ly time have 
 
 Might as well Try to tell What a bir - die 
 
 And her love, Born a - bove, Guides the lit - tie 
 
 beir 
 they, 
 sings, 
 feet. 
 
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 Bj permission of John Church & Co. 
 
 * ■' 
 
THE ROAD TO SLUMBER-LAND. 
 
 FROM THE NURSERY. 
 tt IP Andantino, 
 
 By per. 
 
 481 
 ROOT. Byp«i, 
 
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 1. What is tho road to Slum-ber-land, and when does the ba - by go? 
 
 2. Two lit- tie tir - ed satin- v feet from the ehoe and the Htock it * 
 
 3. And close and closer tho blue-veined lida are hid- ing the bii - by eyes, 
 
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 road lies straight thro' mother's arms, when the sun is sink- ing low; He 
 
 Two little palms to - eeth- er pressed at the pa - tient moth-er's knee, Some 
 
 over the road to sTum-ber-land the dear little trav'ler hies; Aud 
 
 goes by the drows-y "land of nod," to the mii-sio of "lul - la - by," When 
 ba - by words that are drowsily lisped in the ten - der Shepherd's ear, And a 
 this is tne way, thro' moth-er's arms, the prec - ious dar- lings go To the 
 
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 all wee lambs are safe in the fold, un- <ler the eve-ning sky. 
 
 kiss that only a moth-er can place on the brow of her ba - by dear 
 
 beautiful city of Slum - berland when the sun is sink-ing low. 
 
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 482 
 
 MR. LORDLY AND I; 
 
 Moderato. 
 
 BLISS. Brp«. 
 
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 1. Mis-ttT Lord-ly keeps a wal-let, so do I. 
 
 2. HIh fine wife has dain-ty fingers, mine has not; 
 
 He has piles of Greenbacks 
 But she gives him "curtain 
 
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 in it,none have I. He's no happier with his coupons than am I With my 
 
 lectures, "mine does not. He goes home and gets a scolding, I, a kiss. She a 
 
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 ^VJJJJj/ pg 
 
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 lit - tie emp-ty wal -let light and drv. I hide my purse, lest he should see The 
 
 f rown,but mine a smile and perfect bliss. She rules his nouse,her rights demands. And 
 
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 emp - ty thing,and pi - ty me. 
 holds "pos - ses - sion" in her hands. 
 
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MH. LORDLY AND I. 
 
 488 
 
 t-i^\J' J J iLJ J J. J|;±=3Ej^/| J J'J'.^ 
 
 3. MiH-tcr Lorti-ly has his failings, so have I; 
 
 4. He has those who court his fa-vor, none have I; 
 
 But he wears his in his 
 But I've wondrous sat - is- 
 
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 bo8om,out-Bide I. He will leave the world his money,by and by ; I shall 
 
 f action,glad am I ; I'd not change it for his millions, nc,not I. We must 
 
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 leave ray friends my mem'ry when I die. He's worlds of wealthjhis own to call, I've 
 both "return our income" by and by; Then,pray,what diff'rence will there be 'Twixt 
 
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 Love and Hope, and that is all. 
 Mis - tcr Lord - ly's self and me. 
 
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 T 8—28 
 
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 SONG-GRATITUDE. 
 
 CHARi^iiS mCKDON. 
 Andante c^ffettuoao. 
 
 L. MARSHALL. 
 
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 1 The waves 
 
 2 Time's sands 
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 shall cease to 
 shall cease to 
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 flow, 
 
 go 
 way 
 
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 Or on the beach in - trude; 
 
 False pleas - ures to de • lude, 
 
 As time keeps roll - ing on ; 
 
 Ciopyright, 18S4, by Hubbard Bros. 
 
aONO.-ORATITUDE. 
 
 43;-) 
 
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 The winds 
 Or youth 
 Life Boems 
 
 shall cease to blow, 
 
 ful hearts be slow to love 
 as but a day 
 
 The 
 When 
 When 
 
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 - cean to be rude, 
 they are fond - ly wooed, 
 months and years are gone, 
 
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 Ere I for- get, ah ! 
 
 Ere I for- get, ah 1 
 
 Ere I for- get. ah ! 
 
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 no 
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 , The bond 
 , The bond 
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 of grat - i - tude. 
 of grat - i - tude. 
 of grat - i - tude. 
 
 
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 SONO.-ORATlTbDE. 
 
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 tude, sweet grat 
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M. U ELLIOTT. 
 
 aopnAiro. 
 
 f AlUgretto. 
 
 FAIR KATIE. 
 
 FOUR-PART SONG. 
 
 48T 
 
 J. W. ELLIOTT. 
 
 (TC«. 
 
 1 Ra • tie is a maid- on fair, Ver - y fair to view ; Azure eyes uii 
 
 .\zure eyes un J 
 
 ^W^^PW^ 
 
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 2 Ka - tie is the Rweet-est prize Man could hope to win ; 
 
 / ALTO. ^ ^ ^ 
 
 Fragrant are her 
 
 ^^ 
 
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 3 Now and then a mant-ling flush Brings sweet hope to me, 
 / BAaa, ^ mf 
 
 Sure she'd not so 
 crea. 
 
 WfTit ^ J^l ; ^t - J- t r- t ^ 
 
 A-zure eyes and 
 Fragrant are her 
 Sure she'd not so 
 
 / AUegretto. 
 
 J^N^-^y^dfi^p-: !^^ 
 
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 gold - en hair, Cheeks of ro - sy hue ; 
 
 Dain- ty is her 8tep 
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 and mien. 
 
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 ver - y sighs. Born of truth with - in. 
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 Soul as pure as she iH fair, 
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 soft - Jy . blush, And yet cru - el be 
 
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 Love- lit eyes and glow- ing cheek 
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 Copyright, 18tM, by Hubbab* Bbos. 
 

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 KA!R KATIK. 
 
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 riau- cy Ih hvr Hinile ; Lit - tie does she giiesH, I ween, How her ohftrnis be- 
 dim, ern. i ^ / ^ i p 
 
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 Miud and thu'ts se • ri'iiu, Dare I lio|)e to win and wear, Of all giria the 
 
 dim. ern. iC f "Si p ligato, 
 
 Ctin't their truth (liH - own : What care I for lipH toxpeak Whileherhcart'f>niy 
 
 dim. crei. t.c f ?i p 
 
 s,3J3firi^;^g=|^:^|pj|^ 
 
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 Lit - tie does she gueHH, I ween, How her charms be - guile. 
 
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 Queen? Dare I hope to win and wear, Of all girls the Queen? 
 
 cre». • e • ral • lentamlo. Lentit. 
 
 m^^^^^m^i^i^^ 
 
 own ! What care I for lips to tjpeak While her heart's my own ! 
 \— . £ £_.. £«- 
 
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 No. 2.-*. 
 
489 
 
 CANADIAN BOAT SONO. 
 
 FOR THREE VOlcrrs. 
 
 THOMAS JMOORB, 
 
 AndoHt*. ^. -^ 
 
 •/ 
 
 <Nm. 
 
 /n rowinji «m«. 
 
 i«« roiam. 
 
 
 1 Faiutly as tolls the ev'ning ohime,Our voices keep tune and our oara keep time, Our 
 
 »rf VOICE, 
 
 ^:^.^^^^^^^^:i^M 
 
 ^^^^ 
 
 2 Why should we yet our sail un-furl? There is not abreaththeblue wave to curl, There 
 ad roicK. 
 
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 3 Ot-ta-wa tide! this trembling moon Shall seo us float o - ver thy sur-ges soon, 8hall 
 
 ^^ 
 
 St: 
 
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 ~ ~^ ■ \^-\-t — ^^^.zzdi^Siziz^czdlt:!:^ 
 
 
 voic- es keep tune and our oars keep time. Soon as the woods on shore look dim, We'll 
 
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 is not a breath the blue wave to curl. But when the wind blows off the shore, Oh, 
 
 :=ex 
 
 ^ = £1^ 
 
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 see us float o • ver thy sur - ges soon. Saint of this green isle, hear our pray'r. 
 
 Copyright, 1884, by Hvbbah» "hoa. 
 
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 440 
 
 CANADIAN BOAT BONO. 
 
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 Hing at 8t. Ann'ii uur parting hymn t Row,broth()ni,row, the itreAm ruuit fut, Tho 
 w • -fen • • rfo . rf<«. <r. / _•/ J 
 
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 ■weetly we'll reat our wea- ry oar. Blow,br«ezM, blow, the stream rum faat, The 
 
 erra ■ • een - - do. dim. 
 
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 Grant us cool heav'ns and fav'ring air. Blow.breeses.blow, the stream runs fast, The 
 
 eru • > CM • <io. dm. 
 
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 rapids are near and the day-light's past, The rapids are near and the day-light's past. 
 
 rapidu are near and the day-light's past. The rapids are near and the day-light's past. 
 
 /-jt- 
 
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 if dim. 
 
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 rapids arc near and the day-light's past, The rapids are near and the day-light's past. 
 
 ^^^ 
 
 
441 
 
 !;l 
 
 The 
 
 The 
 
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 A SONG OF THANKFULNESS. 
 
 JOHNPARttV. 
 
 
 
 ia*i:^gg;^g^;^^r ^-[Tpt^ " ^^E£a 
 
 W« thank you moit sin - cere • ly For the kind • new you have 
 
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 shewn To us poor lit • tie ohil- dren, And for the good seed 
 
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 man that giv ■ elh to the Poor, But lend • eth to the LORD." May < ur 
 
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 THE WELCOME MEETING. 
 MALE QUARTETTR 
 
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 1 Welcome! welcome 1 wel-come is this meet- ing Which with joy hath fill'd each 
 
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 2 Cheerful, cheerful, cheer- ful be our voi - ces, Met a pleas - ant hour to 
 
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 breast, Friends ac-cept our hon-est greet - ing, Welcome here to ev'-ry guest. 
 
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 Life has not a great- er treas-ure Than the friend whose love we gain, 
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 Life is ev - er worth en- joy- ing With a friend whose heart is true, 
 
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 THE WELCOME MESTINO. 
 
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 Ab- sence pains, but sweet-er is the pleas-ure, When at last we meet a-gain. 
 
 a tempo. 
 
 Care be gone! no more, no more an-noy- ing, Friendship here we treas-ure you. 
 
 a tempo. 
 
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 Welcome! welcome! Now we all re - joice . 
 
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 cheer - ful heart and voice. 
 
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 With cheer-ful heart and voice. 
 
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 cheer- fu! heart and voice. 
 
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THE WELCOME MEETiNO. 
 
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 here at last we meet a - gain. May we ev - er tbua u - nite to- 
 
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 here at last we meet a - gain. May we ev - er thus u • nite to- 
 
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 - geth- er,And on - ly part, and on- ly part to meet a • gain. May we ev - er 
 
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 And on- ly part to meet a - gain.May we ev - er 
 
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 thus u-nite to-geth • er, And on - ly part, and on • ly part to meet a - gain. 
 
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 Allegro moderato. 
 
 OLE NICKER DEMUS. 
 
 LUCAS. BypM 
 
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 1. Tou talk about your white folks, O my Lord! You talk about your white folks, 
 
 2. Den oome a-long yon white folks, O my Lord I Den come along you white folks, 
 8. De dark-ey he is faith<f ol, O my Lord I De dark-ey he is faith-fal, 
 4. De dark-ey he is hand-some, O my Lord ! De dark-ey he is hand-some^ 
 
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 O my Lord I Dey say dat de dark-ey can't stand in der shoes, But 
 
 O my Lord] Be friends to de dark-ey you neb Vr kin re-fuse, For 
 
 O my Lord I He*U shave you,and dress you,an' pol - ish yer shoes. For 
 
 O my Lord! To do you a good turn he nebbVwill re-fuse. For 
 
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 ole Nick-er De-mus was der rul- er ob de Jews ! O my Lord ! O my Lord 1 
 
 ole Nick-erDe-mus was der rul- er ob deJews! O my Lord 1 O my Lord 1 
 
 ole Nick-er De-mus was der rul- er ob deJews! O my Lord ! O my Lord! 
 
 ole Nick-erDe-mus was der rul- er ob deJews! O my Lord! O my Lord I 
 
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 OLE NICKER DEMOS. 
 
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 1. If I want a good man A dark- ey I will chooHc, For 
 
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 2. If you want a good man A dark- ey you will choose, For 
 
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 4. If you want a good man A dark- cy you will choose, For 
 
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 ole Nick-er De- mus was de rul- er ob do Joavs I O my Lord ! O my Lord 1 
 
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 ole Nick-er De- mus was de rul- er ob deJewsl O my Lord ! O my Lord 
 
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 ole Nick-er De- mus was de rul- er ob de Jews I O my Lord I O my Lord I 
 
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 ole Nick-er Do- mus was do rul- er ob de Jews ! O my Lord I O my Lord I 
 
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 BIRDIE LOOKING OUT FOR ME. 
 
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 patting on the vindow,Two laughing bright eyes looking out for me; Two rosy-red cheeks 
 something white and azure Saw I in the window,a8 1 passed the tree;Well I knew the aprooand 
 
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 dented with a dimple ; Mother-bird is coming, ba- by, do you see ? 
 shoulder-knots of ribbon,All belonged to baby, looking out for me. 
 
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BIHOnC iX)OKINO OUT FOR M& 
 
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 Keep my darling free from ill.W orldly gear and worldly honors A«k I not for ner of Thee; 
 
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 But from want and sin and Borrow,Keep her ever pure and free." 
 
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 4 Two lit-tle wax- en hands.Folded soft and si - lent-ly ; Two lit- tie curtained eyes 
 
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 BIRDIB LOOK t NO OUT FOR MA 
 
 Looking oat no more for me; Two lit- tie snow- y ob«eka,Dimple-dented neT-«r-more ; 
 
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 Two little trodden ahoee,Tlutt will never touch the floor; Shoulder-ribbon softly twitted. 
 
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 Apion folded clean and wlute,TheM are left me^and theee only Of the childish preeenoe bright. 
 
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 5 Thus He sent an answer to my earnest praying.Thus He keeps my darling 
 
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3v-er-mor« ; 
 
 BmDIE LOOKING OUT FOR MK. 
 
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 ft«e firom earthly stain, Thui He fold* the pet lamb aafe from eartb-ly etray-ing, 
 
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 But I miM her lad* ly by the win-dow pane, Till I look a- bove it ; — 
 
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 then, with pur- er vis • ion,Sad, I weep no Ion- ger the li • lac-buah to paae, 
 
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 For I see her an * gel, pare and white,and aiii!>leH, Walking with the barpen, 
 
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 BtKDIE LOOKtNO OUT FOR ME. 
 
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 Soft-ly flut- tor to and fro Two ti-ny childish hands Beckon still to me be- low; 
 
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 Two ten- der an-gel eyes Watch me ev-er earn-est-ly Thro' the loop-holes of the skies ; 
 
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 Baby's looking out for me. 
 
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Rlt^G ON, MY BELLS. 
 
 468 
 
 VINCSNZO CIRILLO. Ir »«• 
 
 1. King 
 '2. King 
 
 «. TUMOU. 
 
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 out, my bells, in ao • cents clear,Ring Hoft,ring Hoft and sweet, 
 out, my bells, a • cross the plain,Ring wild,ring wild and free, 
 
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 out, my bells, in ac • cents clcar,Ring Hoft,ring soft and sweet, And 
 out, my bells, a - cross the plain,Ring wild,ring wild and free, And 
 
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 lUMO ON, MY BBU.!. 
 
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 take • tnuM-aagu truo and oluar tu boart«, to hearts that 
 wake the eob -uoe back a • gaiu, and wake to mel • o 
 
 beat Soothe the 
 dy. O'et .Jie 
 
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 take a mea-Hage trut ad clear to heart*, to heartu that beat Soothe the 
 wake the eoh -oee back a • gain, and wake to mel • o • dy. O'er (h« 
 
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 soul with Bor - row aoh -ing, 
 mountains waft my dreaming, 
 
 Cheer the life when all's for - sak - ing,Sing of 
 Where the sun -set glo -ry's streaming, Where the 
 
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 Soothe 
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 the Houl, 
 the mountains, 
 
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 Boul with Hor -row ach -ing, 
 mountains waft my dreaming. 
 
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 Cheer the life when all's for - sak • ing, 
 Where the sun -set glo - ry's streaming, 
 
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 the mountains, 
 
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niWO ON, MY alLLil. 
 
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 ^ Joy t<> lumrtB now britakiujgf, King on, my Ik'Hh, Kih|i{ <>n, my IkIIm, Hinu 
 
 joy iio iiuarirB iitfw iirt'BKiujg, '^'■■K ""> Illy oi'iin, iviii||( (Ml, iiiy ik'iim, iiiii^' 
 
 pur -plo vinoa aru gleamliug, Ring on, my IioIIh, King on, my Ik>IIh, IMn^ 
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 Sing, oh Hing of joy. Ring on, my bvlln.Ring on, my bollH.Ring 
 
 'hnru the vinos are giflam-ing. Ring on, my b<>IU,Ring on, my bi>llH,Ring 
 
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 Ring on, 
 
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 my bi'lls. 
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 on. Ring on, Ring on, Ring on. Ring on, Ring on, my bells. 
 

 
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 OLD JOE'S DREAM. 
 
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 1. De od-der dark night ole Joe hadadream, An' it's made his ole heart ber-ry 
 
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 Once mo' be saw de cab- ins in de sha-dy lane, An' de 
 
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 lit -tie black niggers in de doah, 
 
 Ole mas-sa on de stoop in his 
 
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 big rock-in' cheer, An' ole mis-sus with a kind word for all. 
 
 WhUede 
 
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OLD JOE'S DREAM. 
 
 457 
 
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 cabins of de niggers had plenty hoe cake, An' de bes' kind o' ba-oon in dc f >11. 
 
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 Ohiwharam gonedemgoodole daySjOh! wbar has depickanin-ies fled? An'de 
 
 
 
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 warm souf wind am say-ing un • to me Dat de meadow grass kiv-ers my dead. 
 
 
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 OLD JOE'S DREAM. 
 
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 . Dar washenpsto do, but de days was long, An' wo had _'l an- 
 
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 fear; An' each nig-ger he warrea-dy at de brake ob day, Fur de 
 
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 horn ob do pushin' o-ber-seer. But de days am fled, dey'll neb-er return; No, we 
 
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 neb-er shall see dem an - y mo', Till de an -gels gibs de word, an' we 
 
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 all step a -way Fur de hills on dat Heav- en -bless -ed wo*. 
 
 ^ittti piglii 
 
 ui^\U\ iiiihihht^ \ iii\:\ i\ 
 
 Now to all a kind good night, Sweet- ly sleep till morn- ing light, Till 
 
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 mom- ing light, To all goodnight; Sweet- ly sleep till mora- ing light, Good 
 
 feyiifcif f i f fifnT-pTrr 
 
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 night, good night. Good night, good night. Good night, good night, good night. 
 
 ^.fHlf!.JV.J.f lf.>f!p f I f fl ^ 
 
 
Moderato. 
 
 SOLO. 
 
 BE HAPPY. 
 
 KIRKFATHICK. By pm. 
 
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 1. This life is not all 8uii8hint>, Nor \h it yet all Bhow'ra; But storms and calms al- 
 
 2. This life has Ilea - vy cros8-es As well as joys to share; And griefs and dis-aj)- 
 
 3. The sum of our en - joy-ment, Is made of lit-tle things, — As oft the broadest 
 
 4. Perchance we may not lol - low Am- bi - tion to its goal ; So let us an - swer 
 
 -^m i ^ s ^i=^ ^^ ^ ^^^ ^ 
 
 ter-nate, As thorns a- mong theflow'rs; And while we seek the roa - es, The 
 pointments Which you and I must bear. Yet, if mis -for-tune's la - va En - 
 
 riv - ers Are form'd from smallest springs. By treas- ur-ing small wa- tern The 
 "Pres-ent!" Whendu- ty calls the roll. What- ev - er our ap-point-ment, Be 
 
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 thorns full oft we scan : Still let us, tho' they wound us, Be hap-py as we can. 
 
 tombs hope's dearest plan. Let us, with what is left us. Be hap-py as we can. 
 
 riv-ers reach their span ; So we in-crease our pleasures En - joy-mg what we can. 
 
 noth-ing less than man ; And, cheerful in sub -mis-sion. Be hap-py as we can. 
 
 
 Be hap-py, be hap-py, be hap- py as we can, hap-py as we can. 
 
 ^ 
 
 Mttehfaater. 
 
 V ritard. 2^ 
 
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 Be happy, happy, hap-py, hap-py, happy as we can, hap-py as we can. 
 
 n 
 
MO 
 
 PARTING AND MEETING. 
 
 MACPARRBN. 
 TBMBtm. 
 
 P Poeo loitmuto. 
 
 MENDELSSOHN. ARHANOED BY LE8UB. 
 
 ^^^^^^^ 
 
 
 1. The heav'ii-ly coun-cil hath de-crerid To try us, if wc love in-dced,B7 
 ;?. And hast thou one.whom thou dost love, One dear to thee all else a-bove,Tbin« 
 
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 TBNOM. SMiMMT, 
 
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 2. If e'er thouhas'ta rose-bud fair, And if thou cher-ish it with care, Be 
 4. But I would have thee hear aright, would have thee hear,yes,hear a-right; When 
 
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 part - ing,by p.art-ing,Altho"twixt heav'n and earth there's nought,So bitter-ly with 
 on • ly,thine on - ly? Be-fore the ro-ses bloom itgain,For happy hours thou'lt 
 
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 do. 
 
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 *^ ware then,beware then,Thou'lt see the ilow'r that bloom'd at dawn,Ere night is closing, 
 part - ing rends the heart in twain, 'Tis then we say; We 
 
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 sor-row fraught Ah part - ing, as part - ing, yes, part 
 sigh in vain. So lone - ly, so lone - ly, so lone 
 
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 dead and gone,Pre - pare then, pre - pare then, pre - pare then ! 
 
 meet a-gain, /e meet a-gain, we meet a - gain, we meet a - gain : 
 
 hr.r -r,r fYrTz^\rr r j ^ f^^ 
 
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 46t 
 
 HAVE YOU SIR JOHN HAWKINS' HIST'RY? 
 
 (ROUND.) 
 
 J. W. CALLCOTT, 
 
 Have you Sir John Haw- kins' hist'- ry ? some folks think it quite a 
 
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 Mu • sir fiU'd his wond' - rous brain, 
 
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 Both I've read and can't a - gree, for Bur- ney's hist' - ry pleas-es 
 
 his I like best, 'tis so 
 
 i^JS=S=^ 
 
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 myBt'ry,Sir John Hawkins', 
 
 8ir John Hawkins', 
 
 Sir John 
 
 ^=J^VJJJt J'jJ'j ;>/ /^ 
 
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 plain, his I like be8t,his I like beBt,his I like best,his I like best, 
 
 his I 
 
 :^-:t. 
 
 ^^^^==^^-=^^g ^^f^ 
 
 me^ 
 
 Burney's hist'ry. 
 
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 Buroey'fl hut'ry,BurDey'e hist'ry, Buroey't 
 
 -*■—«- 
 
 5e 
 
 s 
 
 Haw- kins', 
 
 Sir John Haw -kins', Sir John Haw- kins', Sir John 
 
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 -\^—y- 
 
 like best, 
 
 how d'ye like him ? how d'ye like him ' how d'ye 
 
 :^=^ 
 
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 hist' - ry, Bur - ney's hist'- ry, Bur- ney's hist' - ry. Bur- ney's hist' - ry, Bur-ney'i 
 
 I 
 
 I 
 
 rite 
 
 ± 
 
 Haw - kins', Some folks think it quite 
 
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 a myst' - ry. 
 
 ^ 
 
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 like him? 
 
 His 
 
 like 
 
 L 3t, 'tis 80 plain. 
 
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 hist' - ry. Bur - ney's hist' - ry pleas - es me. 
 
 N. B.— Leave out the Bars between + + ttU the 3rd voice comes In, then go on. 
 
 1 
 
4(i2 
 
 11 
 
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 MISTER SPEAKER, THO' 'TIS LATE. 
 
 . , (ROUND.) 
 
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 J. BAILDON. 
 
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 Mis - ter Sj)eak - er, tho' 'tia 
 
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 ques - tion, ques • tion, 
 
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 Or - der, or - der, or - der, hear him i hear him ! 
 
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 tho' 'tis late, I must length 
 
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 hear 
 
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 him ! hear him ! hear ! 
 
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 Sir, I shall name you if you 
 
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 hear him ! hear him 1 hear ! pray sup - port the chair. 
 
 pray sup-port the 
 
 
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 - bate, I must length 
 
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 stir, 
 
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 if you stir. Sir, I shall name you if you stir, Sir, I shall 
 
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 chair, pray sup - port the chair, 
 
 pray sup-port the chair, Ques 
 
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 Speak - er, tho' 'tis late. 
 
 must length-en the de - bate. 
 
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 name you, Sir, I shtill name you. Sir, I shall name you if you stir. 
 
 FEPl 
 
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 Or - der, hear him ! hear ! pray sup - port, sup - port the chair. 
 
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 COME TO THE DEEP, CLEAR RIVER. 
 
 4t)b 
 
 WARING. 
 
 KIEFFER. 
 
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 1. Come to thodeep,clearriv- or, Corao whore the pastiiiTs call; Coino to the 8frc'iit,good 
 
 2. He will not now ro- fuse thee, Weak hand and vis-ion dim. For Bonu'thinglle will 
 
 3. For one transporting min-uto The bock'ning word o - bey; Tlieri' is a power with- 
 
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 Giv- or. The truat that is thy all. From want o - ter- nal ilee-ing, Come 
 use thee, But first thou wanteat Him. The spir - it woni with straying, Will 
 in it To bear thee on thy way. That voice of raer- cy speaking Ts 
 
 M ^^ 
 
 ^^^& M 
 
 to an end-less store ;Bring thy whole famished be- ing, For He wants nothing more, 
 find His judgment best, Oh,hear what He is say- ing. And yield thyself to rest. 
 God, the Saviour's might, And all thy heart is 8eeek-ing,Lies safe- ly in His light. 
 
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 Oh, Come to the deep,clear riv - er, Come where the pastures call; Yes, 
 
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 come to the great,good Gir - er. The trust that is thy all 
 
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 MUUKH. 
 
 Andante upreirioo. 
 
 TENDER AND TRUE. 
 
 wlARSTOf'. 
 
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 In the old likc-nesa that I knew, I'd be so Iov>ing, bo faithful,DoaglM' 
 
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 j9oeo roJI. 
 
 aiampo. 
 
 
 Douglas 1 Douglas ! ten-der and true. Nev-er a sorrowful wor^'. should griev«yoa; 
 
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 I'd smile as sweet as the an-gels do, Sweet as your smile shone on me ev- er, 
 
 
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TENDER AND TKO*. 
 
 465 
 
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 Doug*laft ! Doug-las ! ten- der snd truo, 
 
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 Oh, to call back the days that are notlMinu eyes werublind-ed; you i 
 
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 words were few.Do you know tho truth now up in Heav-en ? Douglas I Douglas I 
 
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 ten-cTer and true. I was not wor- thy of you, Douglas, Not half wor-thy the 
 
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 TENDER AND TKUI. 
 
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 iiki' ut' yuu. Now all mttn hcuiii to ino lut Hhodown, Douglas I DouglttN I 
 
 CODA. 
 poMnonato. 
 
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 ten - dor and truu. Stretch out your hand to mo, Doug-laa I Doug-las 1 
 
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 And drop for-giv- ness from heav'n like dew, Ab I lay my heart on your 
 
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 dead heart, Doug-Ian ! Doug-las ! Doug-las 1 ton • dor and true. 
 
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 ERE THE RUN GOES DOWN. 
 
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 K>LLARD. 
 
 KIRKPATRICK, nr l»r, 
 
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 )U^ii to <l<) Krctlu'Hiin p^ovn down, For iiiyHfIt' arid 
 loving wonlKivthu Hill) got-M «lowti, I tniiHt l«>t inv 
 on my way,Kri>tlu>Hun )i^oi<H <lown,(io(l'M(!*)niiniiiiatt 
 Kri> tho Hun,i>rv tho hiui ffo«'s down, 
 
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 voire l>e 
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 mimm 
 
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 too, Brotho 8nn gocH down; Every i - die whinpcr Htill-inK,Witli a 
 
 heard Ere the sun gocB down; Every cry of pi - ty heeding, For the 
 
 bey, Ere tho sun goen down. There are tiinH that need con- feMtingi'Difre are 
 
 ore tho Run gocH down, 
 
 purpose firm and wiil-ing All my dai-ly tasks f ul-flU-in^, Ere the Han goes down. 
 
 in-jured in- tor-ccd-ing,To the light the loMt oneH leading,Ero tho snn goes down. 
 
 wrongs that need redreNHing,If I would o-btuin the blcHsingEre the Hun goes down 
 
 Ere tho Hiin,ere tho Hun gooH down 
 
 
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 Ere the sun goes down. Ere tho Hun gooH down. 
 
 Ere the sun goes down. Ere the sun goes down, 
 
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 I must do my dai - ly du - ty Ere the sun goes down. 
 
 Ere the sun goe8 down, goes down. 
 
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 468 
 
 JACK AND JILL. 
 
 (NURSERY RHYME.) 
 
 Vivaet. . 
 
 HOfmAiro. J 
 
 CALDioorr. 
 
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 Jack, Jack and Jill, 
 
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 Jack, Jack, . . Jack, Jack and Jill, 
 
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 Jack, Jack, Jack, Jack and Jill, 
 
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 Jack and Jill, Jack and Jill, Jack and Jill. 
 
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 Jack, Jack, 
 
 Jack and Jill, Jack and Jill, Jack and Jill. 
 
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 Unj be mng wiUioiit the Hcooiupuulinent 
 
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JACK AND ilLL. 
 
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 469 
 
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 Jack and Jill wont up tho hill to futoh a pail of wa • tor, of wa - 
 
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 Jack and Jill went up the hill to fetch a pail of wa - ter, of wa • ter, 
 
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 Jack and Jill went up the hill to fetch a pail of wa - ter, of 
 
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 • ter ; wont up tho hill .... to - geth - - er to fetch a pail, to 
 
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 ter to - geth - er. Jack 
 
 and Jill went up the 
 
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 Jack and Jill went up the hill. 
 
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 MCK AND JIIX. 
 
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 wa 
 
 ter, went ap the hill 
 
 to fetch a pail of 
 
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 ft'tch a pail of wa 
 
 ter, 
 
 Jack and Jill went 
 
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 hill to fetch a pail, to fetch a pail of wa - ter; 
 
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 Jack and Jill went up the hill to fetch a pail of 
 
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 up the hiTl tc fetch a pail of wa- ter, went up the hill to 
 
 Jack and Jill went up the hill to 
 
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 wa • ter, of wa 
 
 ter, went up to fetch a pail. 
 
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 JACK AND JILL. 
 
 471 
 
 p- - .j ^ ^^i _r lJ_,J J lis^M 
 
 Jack and Jill went up tho hill, 
 
 
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 fetcli a pail ... of wa 
 
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 tcr,Jack and Jill went up tho hill, 
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 fetch a pail of wa - ter, of wa - - ter,Jack and Jill went uj) the hill, 
 
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 TO. 
 
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 JackandJiIl,wentup the hillto-geth - er, Jack and Jill went up the hill, 
 
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 Jack and Jill went up the hill, went up, 
 
 Jack and Jill wi^rit 
 
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 Jack and Jill went up the hill, Jack and Jill went up the hill, Jack and Jill wvnt 
 
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 472 
 
 JACK AMD JIXX. 
 
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 up the hill to fetch a pail, to fetch a pail of wa 
 
 ter, 
 
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 up 
 
 to fetch a pail, to fetch a pail of wa 
 
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 went up 
 
 the hill. 
 
 up the hill, 
 
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 Jack and Jill went up the hill, wen^ up . 
 
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 Jack and Jill went up 
 
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 Jack and Jill went up the hill, 
 
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 Jack and Jill went up the hill. Jack and Jill went 
 
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JACK AND JIU.. 
 
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 Jack and Jill went up the hill to 
 
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 Jack and Jill went up the hill, 
 
 Jack went up thu hill t( 
 
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 Jack 
 
 and Jill went up the hill, 
 
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 up the hill to 
 
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 up the hill, ... up 
 
 the hill. 
 
 went up the hill to 
 
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 fetch a pail, to fetch a pail of wa - ter; Jack fell down and broke his crown. 
 
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 fetch a pail, to fetch a pail of wa • ter; Jack fell down and broke his crown^ 
 
 ii 
 
Jack fell down And broke his crown, And Jill came tumbling, tum - bling, 
 
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 Jack IVII down And broke bis crown, 
 // «. rail. 
 
 And Jill came tumbling, 
 
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 Jack fell down And broke his crown, 
 
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 And 
 
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 came turn - bling, turn - bling af - ter. 
 
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 turn - bling, tum - bling af - ter, came tum- - bling, tum - bling 
 
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 .TiU came tumbling, turn - bling af - tor, 
 
 came tum - bling, 
 
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 And Jill <'aiiio tumldin!? nf - ter, 
 
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 ^^^i^m 
 
 JACK AND JILL. 
 
 eret. / 
 
 475 
 
 F^^^ ^^Ff^ i r r r n 
 
 and Jill, and Jill; 
 
 p eru. 
 
 Poor Jack and Jill went up tli 
 
 rjf"^ JXTT-rS^ ^* * J I f J J *^ ^^ 
 
 af - ter. Poor Jack, poor Jack went ap the hill, 
 
 eru. f 
 
 went up the 
 
 < f>ri:rr^iJr ^ 
 
 »* I* J "LaJz l f y r 
 
 turn - blins, Jack and Jill, and Jill went up the hill. 
 
 jE^f^r r i r^^rr i r * ^ nn^ ^ r i^T"^ 
 
 turn - bling tum-bling. Poor Jack and Jill went up the hill, . 
 
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 to fetcli a pail of wa - ter, Jack fell down and 
 
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 went up the hill to fetch a pail of wa - ter, Jack fell down and 
 
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 JACK AND JILL. 
 
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 broke Iuh crown, 
 
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 broke liis crown. 
 
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 broke his crown, Jack fell down And brok'' 'lis crown. He broke his crown. 
 
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 He broke his crown. He broke his crown, his crown. And Jill came tumbling. 
 
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 JACK AND JILL. 
 
 477 
 
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 Jill came tumbling,tum - bling turn - bling af - tcr^ turn - bliii'^ 
 
 And Jill came tumbling turn • Itling, 
 
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 MNAR 
 
 TIME AND ETERNITY. 
 
 471 
 
 KIRKPATniCK. Hnwr. 
 
 1. It ifl nottiino that iliu0;'Ti8 wo, 'tis wo are flying. It is not lifuthatdio«;'Tifl 
 
 2. It is not truth tljtttflie8;'TiB wc, 'tis we are flying. It i8notfiiiththatdieH;'Tia 
 
 3. It ifl not hope that flies ;'TiH wu, 'tis wo are flying. It is not hope that dies ;'Tia 
 
 4. Yet we but die to live, It is from death we're fly ing,For>ov- er lives our life; For 
 
 we, 'tis wo are 
 
 we, tis we are 
 OB there is no 
 
 dy-ing. 
 dy-ing. 
 dy-ing. 
 dy-ing. 
 
 Time and e- ter - ni 
 
 ty are one; Time is e - tor- ni • 
 O ever duringFaitb andTruth, Whose youth is a^e, whose 
 Ye streams that iiave in heav'n your birth, Ye glide in genii* 
 We die but as the springtime dies. In summer's gold-en 
 
 ty be-gun; Time changes,but without de- cay; TMs we a- lone who pass a- way. 
 age is youth,Twin stars of im-mor- tal - i • ty. Ye can-not per - ish from the sky. 
 ^y thro' earth ;We fade like flow'rs beside you sown, Ye are still now-ing,flow-ing on. 
 joy to rise. These be our days of ver-nal bloom ;Ourhar- vest is be-yond the tomb. 
 
 Andante non iroppa. 
 
 SAFETY. 
 
 M. nypMk 
 
 Oh, cease, my wandering soul. 
 Be - hold the ark of God; 
 Thc>re,8afe thou shalt a - bide. 
 
 
 On rest - Ie"88 wing to roam; 
 Be • hold the o - pen door; 
 There, iwcet shall be thy rest, 
 
 All this wide world, to ei • ther pole. Has not thcc for a home. 
 
 Oh, haste to gain that dear a - bode. And rove, my soul, no more. 
 
 And ev - ery long- ing sat - is - fied, With full sal- va - tion blest. 
 
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480 
 
 TAYLOR. 
 
 riHHT TBlfOR. 
 
 AUfijrii nutiUrmto. 
 
 AT THE DOOR. 
 
 MALE VOICES. 
 
 MARSHALL. Rf pm. 
 
 m 5 ^.^m^M^mM=^m 
 
 Omit tteond timt. 
 
 j My Saviour NtaiulH wnitin);,aiH] kn(H'knatthu<l(><>r,IIaMknocki<(luh(l is knocking auuiii; 
 I I lioat- IliHkiixl V(iii'«>,ril rcjiu-t lliinnoinorc, 
 
 Nor 
 
 j ()Saviour,niyltiiiiM(>in,|{('(U»i'iiK'r,aii<lFiiMii(l,Tlu'Iiif(>aii(l th«' Truth and tlicWay, 
 
 I On Tliy |>i'''i'i(iiiNiiiurit a- loni' 1 (li'-|u'n*l; I)wi>li 
 
 BBCOND TKNOH. 
 
 "^^^fW^^m^^^^^^^^^ 
 
 rtHKT BASH, 
 
 Omit tecond lime. 
 
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 mm=^:^^^MiMi^^^ s^^MMM 
 
 . i My Saviour Htands waitin){,an(l knuukMatthudoor, 
 I I hear I lis kind voicism rvjuut llini no m<>r(', 
 
 . j 08avioiir,n)yKanHoni,Kodm 
 ( On Tliy prt'cioiisnu'rit a 
 
 I luH knooktid and is knocking again ; 
 
 nor 
 
 leumoi-,aiidFritMid,TliuLifo and thuTruth and th'j Way, 
 
 lone I di'-piMid; 
 
 Dwell 
 
 MMCUW HASH. 
 
 tmi^^^^^^ 
 
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 let Him stand pleading in vain. In in- fi- nite mercy He came from a-bove, To 
 in me, and keep me, I pray. Thy goodness hath opened the door of my heart ;'Ti8 
 
 ^1^-^^^^^^^5^1^ 
 
 slil^iKiJMi^l 
 
 let Him stand pleading in vain. In in- fi- nite mercy He c.imc from a-bove. To 
 in mo, andkeejjme, I pray. Thy tfoodness hath opened the door of my heart ;'TiH 
 
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 ransom, to cleanse me from sin; I'll yield to the voice of His mcr- ci - ful love,And 
 o-pened in welcome to Thee; Come in, bless-ed Saviour,and nev-er depart;C'omo 
 
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 ransom, to cleanse me from sin; I'll yield to the voice of His mer- ci - ful love, And 
 o-pened in welcome to Thee; Come in,ble88-edSaviour,and nev-er depart ;Come 
 
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AT THE DOOR. 
 
 481 
 
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 li>tmy(U>arSnviourcomt>iii.Saviour,comoin;oloanaum«!fruinHin;Je8UH,mySaviuiir,coniu 
 in witli'lliy inur -oy to me. 
 
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 — -^bkil^zErj^-r^g-r-^r-feiy--^ 
 
 let my dcnr Saviour romu in.Savioui',como in ;oleai)Hu mc from niu ;Ji'HU8,my8aviour,com» 
 in witliTliymtT- cy to me. 
 
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 in,oomoin; En-ter the door, wait-ing nomore, Savioiir,clear Saviour,come in. 
 
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 in,comein; En-tcr the door, wait-ing nomore, Saviour,dear 8avioiir,come in. 
 
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 SHALL WE MEET? 
 
 DUNBAR. Myptr. 
 
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 1. 1 love to sing of heaven, Where white • robed an - gels are ; 
 
 2. I love to think of heaven, Where ray Re - deem - er reigns ; 
 
 Cbo. There'll be no sor - row there, There'll be no sor - row there; 
 
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 Where many a friend is gath • ered safe From fear, and toil, and 
 
 Where raptur-ous songaof tri • umpb rise, In end -less joy-ous 
 
 In heaven a - bove, where all is love. There'll be no sor - row 
 
 care, 
 strains, 
 there. 
 
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 483 
 
 HANSFORD. 
 BOPHAyO, 
 
 LUNA. 
 
 ■ARNBT, 
 
 
 I. KairLii - iin foilh iMxIii'd - diii^ Iti'rlM'iiiiiHU|i-oii tlio 
 'i, 'i'lii' iiight-iii - giilu Ih Hiiig - ing Ilvrplaintivu uv'iiing 
 
 I. Fair TiU - iiii forth U hIhuI 
 'J. Tlu'iiight • iii-gnlu U Miig 
 
 TmNOR. PP 
 
 (ling Ilurbi'ainHii|) • on thu Bvn, 
 ing llur plain- ttvuuvun-ing song, 
 
 . tliu 
 ,hi'r 
 
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 BABB. PP 
 
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 1. Fair Lii • na fortli is Hhcd • ding IIorbcamHiip^on tho sea, 
 
 2. Thu night- in- galo is sing • ing Ilur plain- tivuevvn-ing song, 
 
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 sea, . . Anil spreading silv'ry lus • tre O'er mountain,grove, and lea, . . O'er 
 song, . . Whusewarblingsnowcomo winging The gentle breeze a - long, . . The 
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 sea, 
 song, 
 
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 , And spreading silv'ry Ins - tre O'er mountain,grove, and lea, . . O'er 
 Whose warblings now come winging The gentle breeze a - long, . . The 
 
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 on the sea,An(lspri'Julinjyt silv'ry lus - tre O'er mountain,erove, and lea, . . O'er 
 plaintivesongjWhose warblings now come winging,The gentle breeze a - long, . . Tho 
 
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 moun-tnin,grove and lea; Then come,let us be straying, While all around is 
 gen - tie breeze a- long; Tho balm -y air is la - den With perfume from tho 
 
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 moiin-tain,grove,and lea; Thencome,let ns be straying. While all around is 
 gen - tie breeze a-long; The balm -y air is la - den With perfume from the 
 
 grove 
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 lea; Thencome,let us bestraying.Whileall around is 
 long; The balm -y air is la - den With perfume from the 
 
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 LUNA. 
 
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 bri^^ht.Aml l»n>iith<>niittiotoHof plfAM • urt>,To hail thoQiiooii of iiiglit,To hail . . 
 hrit'r,Thi'n,withNiK'h(ih«riii(»in-vit - ing,WuMltuiu>thcgi>l<lt>iiiyri>,Wi)'il tiiiiii . . 
 
 
 hright,Aii(Uiri'athuoutiioti>H()f pluaH - iirv,T(> bail thu Quuun of night, To 
 
 britT.Thfii, with such ehaniiHiii-vit ■ i»g, We'll tune thogoldon lyre, We'll 
 
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 the Queen 
 the goKl - 
 
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 night, 
 lyre. 
 
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 hail the Queen of night, Tu hail the Queen of night. ) Fair Lu - na forth is 
 
 tune the gold -en lyre, We'll tune the gold-en lyre. ) 
 
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 To hail the Queen of night. | ci„- t,. „„ r„..i :^ 
 
 We'll tune the gold - eu ,y« ^. f Fair Lu - na forth .h 
 
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 Lu 'Oa forth is shed - ding Her Wuioeup-on the sea, . . . AnilsprcadiugeilVry 
 
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 shed - ding Her beams up-on the sea, ... the sea, . . . And spread-ing sil'vry 
 
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 shed • ding Her beams upon the sea. 
 
 up-on the sea, And spreading ail'vrj 
 
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 484 
 
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 LUNA. 
 piu iento. 
 
 rail 
 
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 lii8 - treO'ermountain,grove,and lea,0'ermountain,grove,andlea. 
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 rail. 
 
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 rtiJi 
 
 WHISTLE AND HOE. 
 
 Allegrelto, 
 
 Br per. 
 
 - p^^ fff ^ fff^M-^^n,^^ 
 
 1. There's a boy just o - ver the gar -den fence, Who is whistling a -long thro' the 
 
 2. Not a word be-moan-ing his task I hear; He has scarcely the time for a 
 
 3. Butthen,whileyouwhi8-tle be sure to hoe, For if i - die, the bri- era will 
 
 ^ Sztittf-g- - g-^=^-c-^£ ^^^ g:xTS^ 
 
 ^ yyjTt^^i :^ 
 
 livelong day ;And bis work is not just a mere pretensCjFor you see all the weeds he has 
 growl,I know;Forhia whistle merry sounds out bo clear,He must find it some pleasure in» 
 thrive and spread ; And the whistle only thro'out the row,May do well for the weeds,but is 
 
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 cut away. Whistle and hoe, whistle and hoe,Shorten the row by the songs you know, 
 ev - ery row. 
 bad for the bread. 
 
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 To be whistled. 
 
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 Join 2d and 3d verses closely to thit interlude. 
 
 2 
 
 By permission of John Church & Co. 
 
I V 
 
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 -W j T 
 
 JAMES. 
 
 COMPANIONSHIP WITH JESUS. 
 
 485 
 
 KIRKPATRICK. By per. 
 
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 1, Oh, bloHs - od fel - low-ship di - vine ! Oh, ioy su-preine-ly .sweet! C'om- 
 
 2. I'm walk - ing close to Je - bus' side; So close that I can hear The 
 
 3. I'm lean - ing on His lov - ingbreast, A- long life's wea-ry way; My 
 
 4, I know His shelt'ring wings of love Are al - ways o'er me spread, And 
 
 
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 pan - ion -ship with Je - sus here Makes life with bliss re-plete. In 
 
 soft - est whis - per of His love, In fel - low -ship m» dear, And 
 
 path, il - lu - mined by His smiles, Grows brighter day by day. No 
 
 tho' the storms may fierce - ly rage, All calm and free from dread, My 
 
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 \xn - ion with the pur - est one I find my heav'n on earth be - gun, 
 feel His great, al- might -y hand Protects me in this hos - tile land. 
 
 foes, no woes my heart can fear, With my al - might - y Friend so near. 
 
 peace - f ul spir - it ev - er sings," I'll trust the co - vert of Thy wings." 
 
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 Oh, won-drous bliss ! oh, joy sublime ! I've Je - sus with me all the time! 
 
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 Oh, wondrous bliss! oh, joy sub - lime ! I've Je - sus with me all the time ! 
 
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 HEAR OUR PRAYER. 
 
 AndanU, 
 
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 Hear, O Fathcr,bear our prayer, While on Thy great name we call,Hear our prayer,0 
 
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 Hear, O Father,bcar our prayer, While on Thy great name we call. Hear our prayer,0 
 
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HEAR OUR PRAYER. 
 
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 ter and the blood, 
 
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 Let me hide ray -self in Thee, 
 
 Let thewa -ter and the bloody 
 
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 Let the wa-ter and the blood, 
 
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 a hoal-ing flood, Be of sin the dou - blc cure, 
 
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 From Thy side a heal-ing flood. 
 
 Be of sin the dou • ble cure, 
 
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 From Thy side a heal-ing flood. 
 
 Be of sin the dou - ble cure. 
 
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 BOFBJjrO BOZO on QVABTXTTW. 
 
 Quicker, 
 
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 Save from wrath and make me pure. Should my zeal no Ian - guor know, Should my 
 
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 Save from Arrath and make mo pure. Should my zeal no Ian • guor know, Should mj 
 
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 Save from wrath and make me pure. Should my zeal no Ian - guor know, Should my 
 
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 468 
 
 
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 MEAH OUB PRAYER. 
 
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 tears for-ev - erflow, All for hIii could not a - tone ;Thoumuttt8ave,and Thou alone. 
 
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 tears for-ev - erfiow, All for sin could not a - tone;Thou must save.and Thou alone, 
 
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 In my hand no price I bring: Sim -ply to 
 
 Thy cross I 
 
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 In my hand no price I bring; 
 
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 Sim- ply to Thy cross I 
 
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 In my hand no price I bring; 
 
 Sim- ply to Thy cross I 
 
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 Slow and soft. 
 
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 cling. While I draw this fleet-ing breath, When mine eye-lids close m death, 
 
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 cling. While I draw this fleet-ing breath, When mine eye-lids close in death, 
 

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 HEAR OUR PRAYER. 
 
 / Tempo. eret. 
 
 48ft 
 
 rit. 
 
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 jg^^g^g ^^ir p i r r r i ^ l^ 
 
 When I rise to worlds un-known, See Theoon Thy judg-ment throne, Rook of 
 
 When I rise to worlds un-known, See Thee on Thy judg-ment throne, 
 
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 cleft for me, Let me hide 
 
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 my-self in Thee. 
 
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 Let me hide my - self in Thee. 
 
 te^ J J C J fl^ Si 
 
 
 I COME TO THEE. 
 
 $ 
 
 BECK. By par. 
 
 ~yg" 
 
 1. Jesus, Thy love alone, — alone Thy love, Re - 
 
 2. It is Thy cross alone, — alone Thy cross. That 
 
 3. It is Thy blood alone, — alone Thy blood. That 
 
 4. Jesus, Thy grace alone , — alone Thy grace, Suf 
 6. Saviour, 'tia Thou Thyself, — alone Thyself, Art 
 
 T- 
 
 I 
 
 me; 
 me; 
 
 fresheth 
 healeth 
 cleansethi me; 
 
 me; 
 
 me; 
 
 fi - ceth 
 all to 
 
 m 
 
 
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 And for that love of Thine, that freshening love, I 
 
 And for that cross of Thine, that healing cross, I 
 
 And for that blood of Thine, that cleansing blood, I 
 
 And for that grace of Thine, that all-sufficmg grace, I 
 
 Aftd for that all, of every thing I need, I 
 
 come to jThee. 
 
 come to f Thee, 
 
 come to i Thee, 
 
 come to jThee. 
 
 come to iThes. 
 
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 JESUS. I MY CROSS HAVE TAKEN. 
 
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 JESUS, I MY Ca03S HAVE TAKEN. 
 
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 all my omti ; Yet iio w rich is my con - cli-tion ! God and hcav'n are all my own. 
 
 
 
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 my con - di - tion ! God and heav'n are all my own. A - men. 
 
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 JESUS, I MY CROSS HAVE TAKEN. 
 
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 JESUS, I MY CnoSS HAVE TAKEN. 
 
 While Thy lovo in left to me; Oh, 'tin not in joyto charm me. Were that j(»y iin 
 
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 NAMES UPON THE SAND. 
 
 Modtrate, 
 
 MORLEY, By'pv. 
 
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 1. We sat be-n«ath the drooping willows, 
 
 2. The gol - (loll HUH wtw hIuw-Iv Hiiik • ing, 
 
 3. Thu' years have i)at)8ed 1 wuuder loiu ly, 
 
 Wliere wo oft had luit be • 
 
 Twi • light gather'd o'ot the 
 
 LiHt' • uing tu the u-ieau's 
 
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 fore, 
 Boa; 
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 Gaz - ing on the foam • y bil • lows, 
 Still we lin-ger'd, fond-ly think -ing. 
 Sigh - ing for one sweet face on - ly, 
 
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 As they dash'dup-on the shore. 
 Dream - ing of the days to be — 
 Lost to me for - ev - or - more. 
 
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 Ten • der were the word's we'd 
 Fu - ture joys in fan - cy 
 Once my poor heart fondly 
 
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 When I saw her ti - ny hand, 
 Thus we spent the bap - py day, 
 Hopes a • gain to press her hand. 
 
NAMES UrON THE SAND. 
 
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 Traco with-lii a ring un-brnk-on, 
 But thi« t iilo mmo on ward Hweitpiiiff, 
 But iu vain, ala«! tbey perlMh'a, 
 
 Both our naiitit^ upon UiC'titiKl. 
 And our iianioH wnc wasii'd away. 
 Likti ournani(<«4Uiiuuthcsaud. 
 
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 Traced our names upon the sand. 
 
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 LET ERIN REMEMBER THE DAYS OF OLD. 
 
 THOMAS MOORE. 
 
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 1. Let E - rin re-inem-ber the days of old.Ere her faithless sons betray'd her; When 
 
 2. On Lough Neagh's bank,as the fisherman 8trayB,When the clear cold eve's declining,H6 
 
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 Ma - la-chi wore the col-lar of gold,Which he won from her proud in- va - der ; 
 sees the round tow'rs of oth - er days In the wave be - neath him shin - ing ; 
 
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 When her kings, with standard of green unfurl'd.Led the Red-Branch knights to danger ; 
 Thus «hall mem'- ry oft- en,in dreams 8ublime,Catch a glimpse of the days that are over ; 
 
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 Ere the em'rald gem of the west- em world Was set in the crown of a stran- ger. 
 Thus sighing, look thro' the waves of time For the long-faded glories they cov - er. 
 
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 Oopyrlglit, 1884. by Hvbbars Bsoa. 
 
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 fe 
 
 II 
 
 D.a 
 
 LOVELIGHT. 
 
 SOMETHING FOR JESUS. 
 
 497 
 
 KIRKPATRICK. By per. 
 
 ^^^m 
 
 1. Oh, to do something for Je - sus, 
 
 2. Oh, to do scmt'thing for Je - 8us, 
 ?. Oh, to do something for Je - sus. 
 
 Who suf-fered and died for me, 
 To go where lie points v - <vr,-- 
 Be it on-ly a little . •. 
 
 To love Him and serve Him, my Saviour,And uphold Him where'er I may be ! 
 And do with :uy might, in His service, What-8o-ev -er my hands find to do; 
 A look or a smile for the Mas-ter, Or a stand for the truth and the right ! 
 
 Oh, to do something, just something. That per - ish-ing sin-ners a - round May 
 
 Al - ways to speak at His bid - ding Or hush Avhen He whispers "be still ; " In 
 
 Hold - ing my light to the win- do w, Thatsomeonemay welcome its rays; Re- 
 
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 tr-j-sr^^-r-i — ^ 
 
 D.G. 1st versK. 
 
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 come to the fountain of mer - cy. Where life and sal - va - tion are found, 
 patience to wait His ap - prov - al. In firm - ness to fol - low His will ! 
 peat - ing my songs of thauks-giving, That some one may join me in praise. 
 
 9—9 
 
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 GRACE. 
 
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 O God, who with the man-na fed, Who by the fie- ry pil- lar led. 
 Feed us and lead us day by day: Permit us not from Thee to stray. A - ubn. 
 
 Assembled at our fami-ly board, We ask Thy blessing,dearest Lord; 
 May soul and bo-dy both oe fed A8heav'nwardbyThyhandwe'reled.A - men. 
 
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 THE SONGS MY DARLING SANG. 
 
 FLORENCE L. CARTER. 
 TVanquiUo. 
 
 HARRISON MILLARD. 
 
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 1 The wild rain is stead - i • ly fall - ing, .... And the 
 
 2 And tell me, my song - bird, my bless • ing, .... Have you 
 
 3 That heart is but wait - ing, my own one,. ... To 
 
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 pil - I'tw thy 
 
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 shine, . 
 gain! . 
 
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 think - ing to - night of my 
 hand that gave fond • er ca- 
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THE SONOS MY DARLINQ SANO 
 
 499 
 
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 Bang m 
 kias - es 
 good - bye 
 
 the years that are 
 more lov - ing than 
 
 gone. . 
 mine ? , 
 
 to 
 
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 row and pain ; 
 
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 years I have you 
 heart that was 
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 left 
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 gold 
 
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 dear voice as ring - ing and 
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 old, when she 
 sang to me, 
 were when you 
 
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 light, 
 light, 
 
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 With her 
 With your 
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 wi - ligh t. . . Wi th you 
 
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500 
 
 THE :X)NOS MT DABLINO SANO. 
 
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 head bend • ing low on my knee, 
 
 head ^end • iog low on mj knee, 
 
 head bend • ing low on my knee, 
 
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 old when she sang ia the twi - light, 
 Bang to me, dar • ling, at twi - light, 
 
 were when you sang in the twi - light, 
 
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 With her 
 With your 
 With your 
 
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 head bend • ing low on 
 head bend • ing low on 
 head bend • ing low on 
 
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 my 
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 knee? . 
 kneel . 
 
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 ("Home, SutMt Home.") 
 
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 tranqvtiOo. 
 
 ^^r^L^^ r i j ^ r i j^tr^^ ' j^iJ-i-^ 
 
 ills 
 
Lb of 
 hen you 
 lan tney 
 
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 ^ith your 
 '"ith your 
 
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 THE ROSE-BUSH. 
 
 W. CALDWELL. 
 Tempo di mareia. p 
 
 FAUSTINA HASSE HODOCt. 
 
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 A child sleeps un - der a Rose - bush fair, The 
 
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 bud swell out in the soft May air ; Sweetly it rests and on dream-wings flies, To 
 
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 <fHG ROSE-BUSH. 
 
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 Sweetly it rests and on dream-wings flie8,To play with the angels in Par - a-diae, Tc * 
 
 iwd. 
 
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 play with the an • gels in Par - a - diae, And the years glide by. 
 
 tempo \mo. 
 
 A^j i ;;f; fl p | j s^&j ^^>.^ ^^a 
 
 A maiden stands by the rose-bush fair, The dew- y blossoms perfume the air, She 
 
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 presses her hand to her throbbing breast, With love's first wonderfVil rap - ture blest, 
 
 * When mng by one voice, take the tower notes; when by two, the tenor takes the «|>per notec 
 
i-dise, Tc 
 
 de by. 
 
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 air, She 
 
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 re blest, 
 
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 rit. 
 
 THE ROSE-BUSH 
 
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 And the years glide by. She pr csBcs her hand to her throbbing breust.With 
 
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 Love's first wonderful rap- ture blest.With Love's first wonderful rap- ture blest. 
 
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 P eon espreat. 
 
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 And the years glide by. 
 
 A mother kneels by the rose- bush fair. 
 
 Soft sigh the leaves in the evening air, _ Sorrowing thoughts of the past a - rise, And 
 
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 THS ROSE-BUSH. 
 
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 tears of an - guish be • dim her eyes, And the years glide by. 
 
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 Sorrowing thoughts of the past a- rise, And tears of anguish be-dim her eyes, 
 
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 Tears of an • guish be- dim her eyes. And the years glide by. 
 
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 Naked and lone stands the rose-bush fair, Whirl' d are the leaves in the autumn air. 
 
 
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THE ROB&BUtN. 
 
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 Withered and dead they fall to the ground, And si - lent- ly cov • er 
 
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 new made mound, And the yean glide by. 
 
 Withered and dead they 
 
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 fall to the ground, And si • lent - ly cov • er a new made mound, They 
 
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 si • lent- ly cov • er a new made mound, And the years glide by. 
 

 
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 FADING, STILL FADING. 
 
 Andante. 
 
 PORTUGUESE MELODT. 
 
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 1. Fti • ding, Ntill fn - (ling, tlio Inst hoiiiii is HJiiii • iiig, Ku • tlu>r in 
 
 2. Fa - tluT ill lii'iiv ■ oil, oil 1 hour whi'ii wt> cull, . . . Hear for ChriHt'i 
 
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 hcav - en the day is de - cliii - iiig. Safe 
 sake, who is Sa - viour of all; . . . Fee 
 
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 fly with the light, Temp-ta - tion and dan - ger walk forth with the 
 trust in Thy might, In doubt - ing and dark - ness Thy love be our 
 
 
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 night; From the fall of the shade till the morn - ing bells chime, 
 light; Let us sleep on Thy breast while the night ta- per bums, 
 
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rADINO, STILL FADINO. 
 
 MIT 
 
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 Shii'Ul me from (Iftii - ger, and savo mo from crime. Fa - thor.havo mor - cy, 
 And wake in Thy arniHwhen murn-ing ri'-tunm. Fa - thor, have nier - cy, 
 
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 Fa • ther. have mer - cy, Fa - ther, have mer - cy thro' Je - bus Christ our Lord 
 
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 Fa - ther, have mer - cy. Fa - ther, have mer - cy thro' Je - bus Christ our Lord. 
 
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 THE CONTRITE HEART. 
 
 AMBROSft. 
 
 Andante. 
 
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 1. The Lof-tyOne, be -fore whose throne The 
 
 2. The Ho-ly Spir - it, from on high. Will 
 
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 shin-ing hosts of heav'n bow down, In tender love, will not disown, " A con - trite 
 lis - ten to its faintest cry. Will corn-fort, aid, and pu- ri - f y, " The con - trite 
 
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 Heart." The pit - y - ing God will not de - spise. But will be - hold with 
 
 Heart." O Sa - viour of the world I by Thee, May this, my pray'r ac . 
 
p 
 
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 THE CONTRITE HE/.RT. 
 
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 m 
 
 lov - ing eyes, And welcome as a sac - ri - fice, " A con - trite heart I " 
 oept - cd be, " In mer - cy Lord be • stow on me A con - trite heart I " 
 
 SWEET BY-AND-BY. 
 
 BENNETT 
 
 WEBSTER. By I 
 
 1. There's a land thatis fairer than day, And by faith you may see it a -far; For the 
 
 2. We shall sing on that beautiful shore The me-lo • di-ous songs of the blest, And our 
 8. To our boun-ti-f ul Fa-ther a-bove We will of - f er our tribute of praise, For the 
 
 g;p l ^ i'^ Vi \ f ^ 
 
 Fa-ther waits o - ver the way, To prepare us a dwelling place there. In the 
 
 spir - its shall sor - row no more, Not a sigh for the blessing of rest. In the 
 
 glo - ri-ous gift of His love. And the blessings that hal-low our days. In the 
 
 ^ 
 
 ^ ^ 
 
 i 
 
 I 
 
 Jt 
 
 ^ k 
 
 •=■ 
 
 m 
 
 I 
 
 ^ li\.^=nM\i J J J jj i j, ^feg 
 
 sweet 
 
 N ^ 
 
 i 
 
 W 
 
 by and by. 
 
 We shall meet on that beauti- f ul shore, 
 
 X X ^ 
 
 ■m-m-ot 
 
 * ■ "Cgrg 
 
 In the sweet 
 
 by and by, 
 
 p *r "^~^r ^ ^"^ W ^T' 
 
 In the 
 X 
 
 by and by 
 
 rf 
 
 i 
 
 ^ 
 
 sweet 
 
 by and by, 
 
 We shall meet on that beau • ti - f ul shore. 
 
 *^ii[{m^^\H \ \ rrrrnr'ii 
 
 I 
 
 by and oy, By anA by, by and by, 
 
Vlr: 
 
 i,!' 
 
 
 ^^ i 
 
 no 
 
 WHILE THE YEARS ARE ROLLING ON. 
 
 MCKEEVER. 
 Becitante. 
 
 SWENEY. Bji 
 
 1. In a world so full of weeping, While the years are roll-ing on, Chris-tian 
 
 2. There's no time to waste in sign-ing While the years are roll-ing on ; Time is 
 
 3. Let us strengthen one an - oth - er, While the years are roll-ing on; Seek to 
 
 4. Friends we love are quick-ly flying, While the years are roll-ing on; No more 
 
 souls the watch are keeping,While the years are rolling on; While ourjour-ney we pur - 
 fljr - ing, souls are dy - ing. While the years are rolling on. Lov - ing words a soul may 
 
 raise a f all - en broth-er, While the years are rolling on; This is work for ev-ery 
 part-ing, no more dy-ing, While the years are rolling on. In the world beyond the 
 
 ^'^'[^['•lllll 
 
 ^ ^ u -^ 
 
 f ^ ^: M J: I ; j 1^ 
 
 fc 
 
 sue, With the ha-ven still in view, There is work for us to do. While the 
 
 win From the wretched paths of sin; We may bring the wand'rers in, While the 
 
 hand, Till, throughout ere - a - tion's land, Ar - mies for the Lord shall stand. While the 
 
 tomb Sor - row nev - er more can come. When we meet in that blest home. While the 
 
 ^ 
 
 ^ 
 
 l \ ll''Z'-^\ wi'W'l I 
 
 f i^mi wj^m 
 
 ± 
 
 years are roll-ing 
 
 years are roll-ing 
 
 years are roll-ing 
 
 years are roll-ing 
 
 pv F p p r 
 
 on. 
 on. 
 on. 
 on. 
 
 Are roll - 
 
 Are roll - 
 
 Are roll - 
 
 Are roll - 
 
 ing on, 
 ing on, 
 ing on, 
 ing on, 
 
 nrrnf 
 
 W^ 
 
 are roll - ing on, are roll - ing 
 
 are roll - ing on, are roll - ing 
 
 are roll - ing on, are roll - ing 
 
 are roll - ing on, are roll - ing 
 
 ^^ 
 
 * 
 
 on, are rolling on. Oh, the joy that we may scatter. While the years are rolling on. 
 
 on, are rolling on. Oh, the ]oy that we may scatter, While the years are rolling on. 
 
 on, are rolling on. Oh, the joy that we may scatter. While the years are rolling on. 
 
 on, are rolling on. Oh, the ]oy that we may scatter. While the years are rolling on. 
 
»7P« 
 
 THE ARROW AND THE SONG. 
 
 511 
 
 LONOFELLOW. 
 
 Andante moderato. 
 
 Cmo PINSUTI. 
 poco piu mo«80. 
 
 m. 
 
 I 
 
 -*r^ 
 
 Ishotau 
 
 L.H. 
 
 i 
 
 motto cantabile. 
 
 m 
 
 t 
 
 :»i 
 
 --fr-p 
 
 ^ 
 
 "j .-^' "'-^ /□ 
 
 5^'-^ 
 
 ^ 
 
 -^SF 
 
 5;^=-^ 
 
 L.H. 
 
 * t 
 
 
 ;■ 
 
 IT 
 
 L.U. 
 
 i 
 
 ^ 
 
 m 
 
 ing 
 ing 
 ing 
 ing 
 
 1 
 
 ;on. 
 ^on. 
 fon. 
 ron. 
 
 1s==^ 
 
 ^^^^ 
 
 ar-row 
 
 in • to the air, . 
 
 -^^- 
 
 =1 — ^^ 
 
 It fell to earth, 
 
 P 
 
 I knew not 
 
 arpeggiate. 
 
 f ^^ H t^ 
 
 -==1 *- 
 
 n 
 
 i 
 
 
 >*— *- 
 
 n 
 
 =?=^¥= 
 
 ::^^- 
 
 ^ X 
 
 am'mando. 
 
 8«mpr« antmandO' 
 
 fc— fe 
 
 where ; 
 
 -gJ^J^ 
 
 ^»: 
 
 ^^ 
 
 ^ 
 
 3 ^itJ j^T'^ q*"** 
 
 For, so swift - ly it flew, 
 
 so swift - ly itflew,Thesightcoulduot 
 
 fol - low it in its flight! For, so swift-ly it flew, the sight could not 
 
%' H'i 
 
 vH■^ 
 
 I. - 
 
 I-':, 
 
 612 
 
 THE ARROW AND THE SONO. 
 
 fol • low it, The aightcould not lol 
 
 ^ 
 
 i 
 
 r=9-- 
 
 low it in its flight! 
 
 m 
 
 anitncmdo, a poco a poeo> 
 
 ^^=^ 
 
 ^ 
 
 where ; For who has sight 
 
 ^^ 
 
 ^m 
 
 t *t ■ r-a^^^g 
 
 f> 
 
 m 
 
 Kt 
 
 I 
 
 i 
 
 so keen and strong, 
 
 That it can 
 
 ;g7t^.^ 
 
 v S TU mm i»- 
 
 *S 
 
 i 
 
 eonmoto. 
 
 ij* 1 X 
 
 — K=— a F- 
 
 i 
 
 ::h: 
 
 / 
 
-JF 
 
 1 
 
 m 
 
 IM mo«M. 
 
 eath'd a 
 
 cnew not 
 
 ^^ 
 
 ; can 
 
 / 
 
 THE ARROW AND THE SONO. 
 
 r)i3 
 
 I 
 
 ^^ 
 
 3^ 
 
 :i=q^--:p: 
 
 / 
 
 ^ 
 
 :j?-t: 
 
 :^=:q^ 
 
 fol - low the flight of song? For who has sight 
 
 P 
 
 so keen and 
 
 -Jt=il= 
 
 strong That it can 
 
 u ' 
 
 ^^.g^^ 
 
 X X 
 
 ^ 
 
 ^ 
 
 ^^ 
 
 low the flight of song ? 
 
 mentmosao. 
 
 Long, long 
 
 A^ 
 
 ^^f—^ 
 
 ^« | 1 X "S U i 
 
 ■f-^ 
 
 • • • ' • 
 
 iO 
 
 ■ > 1 -» 
 
 '/l^ 
 
 5 
 
 IX X' 
 
 J^J-J-J-J- 
 
 i 
 
 piu mosso a««ai. 
 
 pl^\ JJ. J 
 
 ■ * ' * 
 
 •" N N N 
 
 «ii 
 
 aft- er-ward, in an oak I found the Ar - row, still un- broke; Long 
 
 ^^"j sij^^^ J J- i u^— ^'^g^i 
 
 aft - er-ward, 
 
 8 s 
 
 I found the ar - row 
 8 a 
 
 still un ■ 
 
 cre$, 
 
 :fs^ 
 
 ^===E^- 
 
 ^ 
 
 P2 
 
 tt^ 
 
 I 
 
 T. S. 33 Can. 
 
li' 
 
 4 ■;■■ 'f| :; 
 
 C'i^:"^ .'; 
 
 
 ;; I' 
 
 fii 
 
 iM,-. ^i' 
 
 \ti'M- 
 
 di4 
 
 THE ARROW AND THE SONG. 
 
 / nwltomattitofto. 
 
 broke ; 
 
 r«i:i?:H-r!;«:i 
 
 
 And the Song from be-gin-ning to 
 
 aUargando. 
 
 i!«-r*_-: 
 
 
 ^i=3^gs^^^^^l 
 
 incalzanrfo. 
 
 ::?:: 
 
 ^ 
 
 end, 
 
 > >.:> ^ ^ ^ i:> ^ 
 
 I found a - gain in the heart of a friend ; And the 
 
 >>>>>>>>> _ 
 
 e area, a poco a poco. 
 
 ^ f * ->- ^ — h 
 
 ZZZZIZ. ff ffrandioBo. a 
 
 ^^ ^^^ ^^^^^ ^ 
 
 song from be-gin-ning to end, 
 
 Ifo.und a - gain in the heart of a 
 
 > > > > 
 
 rail «WMI. 
 
 !^^^^^^^^J=J=?=a 
 
 I 
 
 lit > 
 
 friend, I found a - gain in the heart of a friend. 
 
 largamenU. 
 
 '^m 
 
^ 
 
 n-ning to 
 
 > > > 
 
 wm 
 
 > I > 
 
 ealzando. 
 
 Aud the 
 
 incaltando. 
 
 leartof a 
 
 3^ 
 
 
 — H •* •* II 
 
 IF WITH ALL YOUR HEARTS. 
 
 fin 
 
 Andante con moto. ^ = 72. 
 
 FROM "ELIJAH." 
 
 ^^ei^^E^^^ 
 
 "If M'ith all your lioiirts ye tni-ly Mi'ck nie, 
 
 S^ 
 
 d=^^^. 
 
 ^^ 
 
 ( ■ » 
 
 ^t"bs 
 
 I 
 
 ye shall ev-er surely find me." Thus saith our God. 
 
 ' If with 
 
 & 
 
 ■s 
 
 sf 
 
 tfc 
 
 Et 
 
 
 rr=f 
 
 ^fe^^ ^M ^ 
 
 fc=ft 
 
 Bt 
 
 i 
 
 £-I^C p C«^ 
 
 «i 
 
 ^ — *-- 
 
 all your hearts yetru-lyseek me, ye shall ev-er surely find me." 
 
 W^ 
 
 ^^^ 
 
 
 ^ 
 
 crti. 
 
 ^- 
 
 -i9- 
 
 !_aJ_^ j4p 
 
 ^ 
 
 Thus saith our God, 
 
 thus saith our God. 
 
 Oh! that I 
 
 5E ^-^ ^p^^ ;gl^ 
 
 ^^Sh 
 
Mi 
 
 J|pf 
 
 mi 
 
 • IT: 
 t » 
 
 'lil 
 
 
 516 
 
 IF WITH ^LL VOUR HEARTS. 
 
 SE^E^^I 
 
 cr«*. 
 
 itzifc* 
 
 K— --^ 
 
 t ^^C ^ ^"^ 
 
 Oh ! that I knew whore I might find IIiin,that I might even come before His presence, 
 
 ■'■: '!• 
 
 iii 
 
 ■< A. !! 
 
 u 
 
 Vi .' S 
 
 f* 
 
 L*\ii,.a l.Li;: 
 
 ^i 
 
 :lpif 
 
 ^ 
 
 dtm. 
 
 =g 
 
 -* 
 
 ^: 
 
 come before His presence I 
 
 P 
 
 ^ 
 
 tl^^j 
 
 ti^ mi- | ti- ^ 
 
 '/ 
 
 ^ 
 
 fcfls 
 
 find 
 
 PP 
 
 P 
 
 Oh, that I knew 
 
 !!5 
 
 where I might 
 
 • 
 
 ^AdliMi^d^ 
 
 m 
 
 ^ 
 
 / 
 
 f 
 
 ^ ^ U 
 
 Him! 
 
 'If with all your hearts ye tru-ly 
 
 W9 
 
 s 
 
 »^ 
 
 3 
 
 « 
 
 ^ 
 
 ^ ^ ^ 
 
 ^ 
 
i^^Eg 
 
 IC» I 
 
 P=)8^ S « 
 
 m 
 
 18 presence, 
 
 u* 
 
 dim. 
 
 ?re I might 
 
 ^@ 
 
 ye tru-ly 
 
 IF WITH ALL YOUR HEARTS. 
 
 ^ „,...b .„«. I. ..II _.,.._.. 1.. »!...! »' M'l 
 
 Mi'i'k me; _vi'sIi,ilU-vi'rsuro-ly find me." Tliiiw nuith our G<hI, 
 
 
 "Ye Hhall e - vcr sure-1 v find niv." TIimh sait li our (4(m1. 
 
 tfc 
 
 
 GARY. 
 
 TOURJ^E. by par. 
 
 1. One sweet-ly sol - emn thought Comes to me o'er and o'er, — 
 
 2. Near - er my Fa - ther's house. Where tlie many man-sions be ; 
 
 3. Near-er the bound of life, Where M-e lay our burdens down; 
 
 4. But ly - ing dark - ly between. Wind - int; down through the night. 
 
 ^m 
 
 f ~f~¥ 
 
 ^^m 
 
 I am near - er home to - day Than I ever have been be - fore. 
 Near-er the great white throne; Near-er the crys - tal sea; 
 
 Near-er leav-mg the cross; Near-er gain-ing the crown. 
 
 Is the deep and un - known s trea m. That leads at last to the light. 
 
 f Father, perfect my trust 1 
 
 Strengthen the might of mv faith; 
 Let me teel as I would when I stand 
 On the rook of the shore of death: 
 
 Feel as I would when my fe«t 
 Are slipping over the brink; 
 For it may be, I am nearer home- 
 Nearer now than I think ! 
 
e I 
 
 m 
 
 ■ r t 
 
 \i 
 
 ,h 
 
 .\ •:' 
 
 Ml 
 
 ilodemio. 
 
 THE CHAPEL. 
 
 KREUTZER. 
 
 1. What friendlylitfhtNliinoH from yonder hill, Whili'HtnrHthohoav'nH with snlcntlor till? W 
 What hoav'iily9triiinMfromthoohapc'lro»ouini,An«l fill with joytho hearts thitliiT bound W 
 
 «II?What 
 hil 
 
 "j^^.- gg'S^ 
 
 3. What sil-v'ry tones aro thoHe wohear, Wliosee-ehosoundsa - far andnear,What 
 
 ^N^^ife^jg 
 
 dim. 
 
 aoLo. 
 
 ^ PP 
 
 friend -ly light shines from yon - derhilI,WhiIo stars the heav'ns with splendor fill? It 
 heav'n-ly strains from the chapel rovound. And till with joy the hearts thither bound?Sweet 
 
 SOLO. 
 
 dim. 
 
 ^ 
 
 ^ PP 
 
 sil - v'ry tones are 
 
 those we hear, Whose - cho sounds a - far and near? They 
 Am. ^ aoLO. 
 
 ^^ 
 
 P 
 
 hill, 
 
 -sound, 
 
 hear. 
 
 CBORVa. 
 
 PP 
 
 ^^^^^m 
 
 gleams from the hons<! of (Tod a - far, In-vit-ing the pil-grim to ev'ningpray'r, It 
 voic- es we hcareoinclloating nigh, Uplift - ing a psalm to theLord cnhign.Swcet 
 
 OHORVa. 
 
 PP 
 
 "i«g=^f^ 
 
 W=W- 
 
 ^ 
 
 ^^ 
 
 come from the bell in yon -dertow'r,That tells all a -round 'tis the ves - per hour, They 
 
 cuonva. 
 
 gleams from the house of God a - far, In • vit • ing the pilgrim to 
 
 voic - es we hear como float - ing nrgh, Up - lift - ing a psalm to the 
 
 it* 
 
 '!f=^ 
 
 ■% 
 
 % 
 
 ^ 
 
 1 
 
 come from the bell in yon - der tow'r, That tells all a • round 'tis the 
 
 ie 
 
 rfsz::^ 
 
 ^^ 
 
 u u 
 
 ^^-^ J 
 
KREUTZER. 
 
 lorHIiyWhat 
 •boimdWhik 
 / 
 
 (1 ni'ar,What 
 
 aoLo. 
 
 ^ PP 
 
 ^m 
 
 lor fill? It 
 )ound?Sweet 
 
 SOLO. 
 
 ^ PP 
 
 J neat? They 
 /^ BOLO. 
 
 m 
 
 ^ 
 
 CHOHtra, 
 
 PP 
 
 mk 
 
 prav'r, It 
 nigii.Swoot 
 
 CHOH VS. 
 
 . PP 
 
 ' hour, Thoy 
 cuoit vs. 
 
 PP 
 
 m 
 
 ^ 
 
 grim to 
 Im to the 
 
 B 
 
 nd'tis the 
 
 i^l 
 
 
 THE CHAPEL. 
 
 ^^^^NM^i^^N^I^^ 
 
 619 
 
 iv'-niiigpray'r, in - vit • ing tho i>il-grim to <v' - ning prayV. 
 Lord on high, up - lift - ing a pNalni to tlio Lord on hi"h. 
 
 t-f *' :\ h:^ ^^^§: 
 
 pfe— : 
 
 vcs - p(«r lioiir, that tcllH all a-ronnd 'tia the von - por hour. 
 
 ^=^^ feCzC:- Cz^ :^^ 
 
 NEARER, MY GOD, TO THEE. 
 
 ARR. BY MASON. Ilyp«». 
 
 ^ F TJ^rTiJT ^^ 
 
 1. Near - cr, my God, to Thee, Near - cr to Thee; E'en though it 
 
 2. Though like the wan-der-er, The sun goes down, Dark - ness bo 
 
 3. There lot the way ap-pear Steps un - to heaven; All that Thou 
 
 bo a cross That rais - eth me; 
 ov - er mo. My rest a stone; 
 send'st to me, In mer - cy given; 
 
 Still all my song shall bo, 
 Yet in n»y dreams I'd bo 
 An - gels to beck -on me 
 
 t 
 
 ?^ff^^ 
 
 S 
 
 Near - cr, my God, to Thee, Near-er, my God, to Thee, Near-er to Thoe. 
 Near - cr, my God, toTlieo,Near-er, my God, to Thee, Near-er to Thee. 
 Near - cr, my God, to Thee, Near-er, my God, to Thee, Near-er to Thee. 
 
 wr}t \ f if-wtf p i f gp 
 
 nn^fc^ 
 
 m 
 
 4 Then with mv waking thoughts 
 Bright witn Thy praise, 
 Out of my stony griefs 
 
 Bethel I'll raise ; 
 So by my woes to be 
 Nearer, my God, to Hiee, 
 Nearer to Thee. 
 
 5 Or if on joyful wing 
 
 Cleaving the sky, 
 Sun, moon, and stars forgot, 
 
 Upwards I fly, 
 Still all my song shall be, 
 Nearer, my God, to Thee^ 
 
 Nearer to Thee. 
 
wrr 
 
 THE LOST BOAT. 
 
 BTUDLEY. Syt<« 
 
 AlUgrtHo con moto. 
 
 1. O - vur tilt) bar, in thcglvam uf tbu nun, Thuj 
 
 
 ir^^ :y~^ 
 
 ^^^i^^ 
 
 ^ K p-j^ q 
 
 Bailed a - way totlio nortlutrnHua;Icoul(ltvllyoutlionnini>tiofthoor<«w, uavhono, And 
 
 -^^J-K^'U^ 
 
 eafUoMfo. 
 
 S^ 
 
 S 
 
 ^ 
 
 ?C^q="^ 
 
 which waatho dcar-oHt of all for mo. Ilail, brave boat I hail, brave boat I Bat 
 
 j ^^ 
 
 w^w 
 
 fcr_]:=^ 
 
 irfTSi 
 
 pfe— ■ 
 
 eaniabile. 
 
 \ eantaotie. ^ ^ 
 
 ^^^^^^^^P^ 
 
 a^i^^^r^8^ 
 
 ^ 
 
 sad is my heart as I nay good-bye ! Sail, brave boat ! sail, brave boat! 
 
)1.EY. B,t«, 
 
 10 mill, They 
 
 will Olio, And 
 
 ^ 
 
 ^ 
 
 boat I Bnt 
 
 >raveboatI 
 
 I'HE LOST BOAT. 
 
 Hid by tho miHt of • t«ar>f ul oyo. 
 
 Tmpo Imo. 
 
 > 1 •' 
 
 i: :^, I A..~j m 
 
 
 L^^ 
 
 2. With ea - gor eycH, byjiightandbyday, Wo 
 
 ^ 
 
 ^ ^Tf ^ ^fgnw 
 
 women gacod towards tho northern iiea;Wti f oar'd to think,and wo f oarM to ttay,£aoh 
 
 rantahile. 
 
 ^ ^F^ i^ ^^^^P ^E^fep .^^Ea 
 
 murraur'd:"ray lovo stays long from me." IIail,brave boat 1 hail,brave boat! 
 
 IT in 
 
 sr^"^ 
 
 J fc N ^ cantabue. 
 
9\v- 
 
 522 
 
 THE LOST BOAT. 
 
 j^\ „j J I, J /-;r-^jg^_^ ^ I J J J^iz ^zj 
 
 Would that my heart were not bow'd with fear; 8ail,brave boat I Hail,brave boat ! 
 
 
 r^ 
 
 fc^-E 
 
 Ktit? 
 
 J 
 
 ^ 
 
 ^ 
 
 Oh,that ray lovo,aiul his boat were here ! 
 
 Tempo Imo. 
 
 fefei53 
 
 
 ^a^^--^ 
 
 3, Man-y a night when tlie moon is liigh,And there's 
 
 t^i=^^^ ^ ^^^^^^^ 
 
 ne'er a boat that the shore-men see, I see my Willie come sailing nigh,With the 
 
 i^^^^f^Wff ^ ^^^-fff^ 
 
 
 ^ 
 
 t^- :^. 
 
 I 
 
i 
 
 m 
 
 s 
 
 THE LOST BOAT. 
 
 628 
 
 boat and uio crew that won 
 
 eantabiU. 
 
 W. 
 
 m 
 
 boat and tiM! crew that wore lost at Bea ; IIail,bravc boat ! hail, brave boat ! 
 
 & 
 
 N h _ eantabUe. ' 
 
 ■ "^ l> ■ 
 
 » » 
 
 i 
 
 i 
 
 ^ 
 
 :;^ 
 
 
 ^ 
 
 I J J . :::g--=g=- — ! 
 
 oc . 
 
 s^ 
 
 Nobofl-y secH you at niglit but I ; Sail,bravi' boat! Bail,bravc boat! I shal! meet him a- 
 
 $ 
 
 ESS 
 
 ^ 
 
 
 i^d— -1 
 
 m 
 
 gain,and the time is nigh,I shall meet him again,and the time . . is iii^rh 
 
 I 
 
 »=F* - 
 
 cel . . er . . an . . do. 
 
 rtM . . do. ^^ a tempo. ^h^J ^^^ — '^ 
 
 m 
 
 i 
 
 -^ 
 
 
 GRACE. 
 
 
 w. w. o. 
 
 Give us this day our dai-ly bread ; Let us with Thy rich grace be ev-er fed ; 
 
 -^ 0- 
 
 ^ 
 
 ■^- 
 
 m 
 
 ^-^^^^^^^ ^ U'^#j^ 
 
 t22 
 
 Accept our thanks for that we now receive,Make us in Thy rich graces still to live. Amrk. 
 

 'i -f. 
 
 524 
 
 THE I TTTLE OLD CABIN IN THE LANE. 
 
 HAYS. Brpw. 
 
 1. I'm getting old and fee-ble now, I oan-not work no more, I've laid the rus-ty 
 
 2. Darwasa hap-pytime to me, 'twas ma-ny years a - ^o. When de darkius used to 
 
 3. Dc footpath now is covered o'er dat led us round de hill, And de fences all an 
 
 ^ 
 
 ^-^L^ i U i^W 
 
 !b 
 
 S 
 
 m: 
 
 irT7 
 
 I 
 
 I 
 
 I 
 
 i&^ 
 
 -^'-^'^^Ji'^ ^ f-^\rrfnrt=^^ 
 
 blad-ed hoe to rest; . . . 
 gath-er round de door; . . 
 go-ing to de - cay, . . 
 
 Ole mas - sa an ole miss's am dead, dev're 
 When dey used to dance an' sing at night, I 
 An' de creek is all dried up where we 
 
 rj'j . ^j'j^_p | jj' f pr JJ-J ' I J 
 
 sleeping side by side ; Deir spir-its now are roaming wid de blest, 
 played de ole ban -jo, But a -las, I can-not play it a - nymore. 
 used to go to mill, De time has turned its course anodder way. 
 
 De 
 
 De 
 But I 
 
 ^^ 
 
 m^ 
 
 ^ 
 
 ^^ 
 
 ^ri 
 
 7 J : p [g - g-c -^ J. J I 
 
 scene am changed a • bout de place; de dar-kies am all gone; 111 
 
 hing - es dey got rust - cd, an' de door has turn - bled down. And de 
 
 aint got long to stay here, an' what lit • tie time I got, I'll 
 
 
 i-rJ ''J i j i. m 
 
 tata 
 
YS. Br per. 
 
 le rus-ty 
 38 used to 
 i all an 
 
 *ad, dey're 
 night, I 
 vhere we 
 
 i 
 
 De 
 De 
 But I 
 
 ^ ITl 
 
 Jid de 
 
 I'U 
 
 THE LITTLS OLD CABIN IN THE LANS. 
 
 MIS 
 
 t±^^rrr^ti^^=;^^i ^^^^m 
 
 nebber heard em singing in de oane; 
 
 roof lets in de sunahitie an' de rain, 
 
 try and be content-ed to remain 
 
 And I'se de on*ly one dat'a left wid 
 An' de on - ly friend I've got now !■ dls 
 Till death shall call my dog an' me to 
 
 ^ 
 
 * — » — m 
 
 r~^ m ^i~~^ i i ^ 
 
 ^ 
 
 
 ' » ^ ^-j^ ^ 
 
 15==^ 
 
 r J J -^ g g g-^ 
 
 i 
 
 dis ole dog ob mine. In de lit • tie old log cab - in in de lane, 
 good ole dog ob mine, In de lit • tie old log cab •in in de lane, 
 find a bet-ter home Dan dat lit - tie old log oab - in in de lane. 
 
 ^m 
 
 ^F 
 
 ^m=^^=^=^ 
 
 fe^^j j j J 
 
 
 i 
 
 .«^ 
 
 BOPWtANO AJn> AliTO. 
 
 i \ i i i i i i i \ i £-i~^^ ^ 
 
 De chim-ney's fall - ing down, and de roof is car - in' in; 
 Txiron. 
 
 g p g c r grg i g c e e r ^ 
 
 De chim-ney's fall -ing down, and de roof is oav-va' in; 
 
 BABB. 
 
 F f i j 
 
^' ly 
 
 2*1 
 
 526 
 
 THE LITTLG OLD CXBIN IN THE LANE. 
 
 ^ ^^tt ^'-^^^^^^^^^^^^f fW 
 
 aint got long round here to re-main, 
 
 But de an-gels watches o - ver me when 
 
 -1^=^ 
 
 ^^^ 
 
 JB 
 
 w-&-lf=g-f~P~C C ^^ 
 
 aint got long round here to re-main, 
 
 But de an-gels watches o • ver me when 
 
 ^W 
 
 w-^ 
 
 ^^ 
 
 * — w 
 
 ^4j = #^ ^=g =# ^ 
 
 ■I- 
 
 m 
 
 1 
 
 iM 
 
 I lays down to sleep, In de lit - tie old log cab - in in de lane. 
 
 bt 
 
 ¥ 
 
 E 
 
 k t^ 1^ k z=bi 
 
 ^ 
 
 I lays down to sleep, In do lit - tie old log cab - in in de lane. 
 
 i?).* J J J J^; ^ 
 
 g-g c 'c c-g_fTg 7 
 
 ^^^ 
 
 i 
 
 ^ 
 
 s 
 
irer me when 
 
 ^ 
 
 rer me when 
 
 I 
 
 I 
 
 COME THIS WAY, MY FATHER. 
 
 627 
 
 MARTIN. Br i-r. 
 
 I^E^^^ 
 
 1. I re-mem-ber a voiuu which once guided 
 
 2. I re-mem-bor that voice, as it lea our 
 
 3. I re-mem-ber my joy, when I held to 
 
 4. That voice is now hushed which then guided 
 
 my 
 lone 
 my 
 my 
 
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 way. When tossed on the sea, fog en-shrouded I lay ; 'Twas the voice of a 
 way, 'Midst rooks and thro' breakers and high dashing spray ; How sweet to my heart 
 breast The form of that dear one, and soothed it to rest; For the tones of my 
 way, The form I then pressed is nowmingling with clay; But the tones of my 
 
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 child, as he stood on the shore. It sounded like music o'erthe dark billows roar :"Come 
 did it sound from the shore, As it echoed so clearly o'er the dark billows roar, "Come 
 child whispered soft to my ear, "I called you, dear father, and knew you would hear The 
 child still sound in my oar, "I am calling you father, oh ! can you not hear The 
 
 this way, my father; steer straight for me ; Here, safe on the shore I'm waiting for 
 this way, my father; steer straight forme ; Here, safe on the shore I'm waiting for 
 voice of your darling far o'er the sea, "NVliilo safe on the shore I was waiting for 
 voice of your darling as you toss on lif e'ssea? For on a bright shore I am waiting for 
 
 thee. '* 
 thee. " 
 thee. " 
 thee." 
 
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 JERUSALEM THE GOLDEN. 
 
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 REV. I. M NEALE, FR. ST. BERfJARD. 
 
 A. EWTNO. 
 
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 1 Je • ru - sa - lem 
 
 2 Thej stand, those halls 
 
 3 And they who with 
 
 4 Oh, sweet and bless 
 
 the gold 
 of Zi 
 
 their Lead 
 
 ■ ed 
 
 ^ ^ I j"l1=^^ 3b^ 
 
 coun 
 
 en I With milk and hon - ey blest, 
 on, All ju • bi • lant with song, 
 er Have oon - quered in the fight, 
 try. The home of God's e - lect! 
 
 m^ ,' F pre p I f I f p Jg-i-Lp 
 
 =^=t^-^-^ 
 
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 Be- neath thy con - tern - pla 
 
 And bright with many an an 
 
 For - ev - er, and for - ev 
 
 Oh, sweet and bless - ed coun 
 
 ^i \ d \ d d i ^^ 
 
 tion Sink heart and voice op • preaa'd. 
 
 gel. And all the mar - tyr throng. 
 
 er Are clad in robes of white. 
 
 try, That ea - ger hearts ex - pect I 
 
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 I know not,— oh, I know 
 
 There is the throne of Da 
 
 Oh, land that see'st no sor 
 
 Je - BUS, in mer • cy bring 
 
 not. What joys 
 vid. And there 
 row ! Oh, state 
 us To that 
 
 f^ 
 
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 a - wait me there, 
 
 from toil re - leas'd, 
 
 that fear'st no strife I 
 
 dear land of rest; 
 
 i 
 
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 What 
 The 
 Oh, 
 
 Who 
 
 ra - dian 
 shout of 
 roy - al 
 art, with 
 
 - cy 
 them 
 land 
 God 
 
 85t 
 of 
 
 that 
 of 
 the 
 
 glo 
 tri ■ 
 flow 
 Fa 
 
 ry. What bliss 
 umpb, The song 
 - ers I Oh, realm 
 ther. And Spir 
 
 be 
 
 of 
 
 and 
 
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 yond 
 them 
 home 
 
 ev 
 
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 ^ i iv M' j i p 
 
 P ' rir J" 
 
 com- pare. 
 
 that feast. 
 
 of life! 
 
 ■ er blest. 
 
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 B fight, 
 
 • lect! 
 
 
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 FLEE AS A BIRD. 
 
 DANA. 
 
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 1. Flee as a bird to yon inoun - tiiiii, Thou who art wca-ry of 
 '2. Ho wiilprotuct tbeefoi-ev - - cr, Wipe ev-'ryfall-ini» 
 Moderato e.ipretaivo. 
 
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 ^^g=g ^^.;fefe ^j ^JSj=»= ^^pg^f^ 
 
 Bin ; . 
 tear ; 
 
 Go to the clear flowing f oun . tain. Where you may wash and be clean. 
 He will forsake thee,Onev - er, Sheltered so ten-der-ly there. 
 
 
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 Fly, for th'avenger is near thee ; Call and the Saviour will hear thee ; He on His bosom will 
 Ha8te,then,the hours are fly ing ;Spend not the moments in sighing,Cea8e from your sorrow and 
 
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 Un poco ritenuto. 
 
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 bear thee, Thou who art wea-ry of sin, O thou who art weary of sin, 
 cry - ing, The Saviour will wipe ev'-ry tear, The Saviour will wipe ev'ry tear. 
 
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 WORK, FOR THE NIGHT IS COMING. 
 
 MASON. Br I 
 With vigor. 
 
 1. Workjfor the niglit ih coming, Work thro' tho inorniiig hours; Work whiU* the dew Ih 
 
 2. Work, for the night is coniing,Work thro' the sun-ny noon ; Fill brightest hours with 
 (3. 
 
 . Work,for the night is coming, Un-der the sun-set skies, While their briglit tints aro 
 
 ^p^i 
 
 w^^mm. 
 
 spark-ling, Work 'midspringing flow'rs ; Work when the day grows bright - er, 
 
 la • bor. Rest comes sure and soon ; Give ev- ery fly - mg nio - ment 
 glow -ing. Work, for day-light flies ; Work till the last beam fad - eth. 
 
 Work in the glowing sun ; Work,f or the night is coming. When man's work is done. 
 
 Something to keep in store ; Work,for the night is coming. When man works no more. 
 
 Fadeth to shine no more ; Work while the night is dark'ning, When man's work is o'er. 
 
 MS^^ L^^m 
 
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 M. 
 
 GRACE. 
 
 W. W. 0. 
 
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 Fa - ther, we own Thy jjrosence here, 
 
 bjlfc-S=£ ■ '■■' ■■ '' ' 
 
 »wn Thy jjrosence here. Thy gifts de-mand our praise sir 
 
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 Ac - cept the thanks we of - fer Thee, And let Thy name still hal-lowed be ; 
 
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 Thy bounties rich prolong our days. To Thee be ev - - er- last - ing praise. Amkn. 
 
 To Thee, to Thee be ev- er- last - ing praise. 
 
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^SON. n,,m. 
 
 « the dew iH 
 L'8t hours with 
 riurlit tints are 
 
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 ight - er, 
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 I - eth, 
 
 is done, 
 no more, 
 k is o'er. 
 
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 5in - cere ; 
 
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 iwed be ; 
 
 Be. Amgn, 
 
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 (yacliet »uf.) 
 
 PBIUP mOOLAIiUW. 
 
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 8. Now 
 
 t^rd=fc4=EJ ^^^=^^:^^iN 
 
 a 
 
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 let 
 
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 wake, 
 
 hears 
 
 all 
 
 for 
 
 nluht Is fly 
 the wuicli-meu sinfj 
 the heavens a - dure 
 
 Thee, 
 
 The 
 And 
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 watfii-men on the 
 all her heart wltb 
 men and an - gelH 
 
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 heights are cry - ing ; A - wake, Je - ru - sa - 1cm, at last ! ^Tid - night hears the 
 Joy is spring -lug; She wakes, she ris - es from her gloom ; For her Lord comea 
 sing be^ - fore Thee, With harp and cymbal's clearest tone ; Of one pearl each 
 
 welcome vol 
 down all glo 
 shin- ing por 
 
 ^. A. 
 
 - ces. And at the thrilling cry re - Joic 
 rioiiH, The strong in grace, in truth vit - to - 
 
 - tal, Where we are with the choir im - raor 
 
 - es; Come forth, ye vir-gins, 
 rious; Her Star is ris'n, her 
 -tal Of an-gels round Thy 
 
 ^^M^m 
 
 ^^ zjEg^^z ^^^fpp^ 
 
 night is past! The Bridegroom comes, awake. Your lamps with gladness take; Hal-le - lu ' 
 Light is come! Ah, oome. Thou blessed Lord, O Je-sus, Son of God, Hal - le - lu - 
 dazzling throne; Nor eye hath seen, nor ear Hath yet attained to hear What there is 
 
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 kft t \ fi^im m^p 
 
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 jah! And for 
 jah! We fol 
 oun, But we 
 
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 His marriage feast pre - pare, For ye must go to meet Him there, 
 low till the halls we see Where Thou hast bid us sup with Thee, 
 re-joice and sing to Thee, One hymn of joy e - ter-uai - ly. 
 
 
le SM letter. 
 
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 ^.K 
 
 $ 
 
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 Woicbi by F. S. WSATHSItLT. 
 
 Alhgro AUJtiato. 
 
 ICtuIo by J. L. M0LL37. 
 
 ^ ^ -^i^- 
 
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 ile'ia- way onthoftiiwi. Arotin o cuaii. Ami (t luiul bv the cold thitt hM 
 
 own true lad ; Ile'i a - way on the (y<i<tei. Arotin o 
 ■all -or lad ; There are no Hue word* of teadur piv 
 
 8ion, Uui ii't all Jiut ezpreaed aa I 
 
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 jf Tp r rfjHr JJ^jjftH.i i .jiut. ^ 
 
 made him bold To write to me all hla heart's de - to - Uon; Hetalk'dofhlaHblpwheahe 
 like it best, In hla oira simple hon-est lov - ing fash • ion : My dear llt-tle girl, I'm so 
 
 last was on shore, Of the cap-tian and crew, of the weather and war. Then said he must go, and 
 baid and so rough. And you're sweet and good, and I'm not good enough. But my heart it is true, and my 
 
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 532 
 
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THE FIRST LETTER 
 
 Mlhlnff, nothing moi«,Thn' I know that ha loTad mo. Oho (lo«r • Ijr'AadI know thai my lad wwm 
 lot* It ti lough, Aud I lovo you tor ov • er and tor «v • »t" I iu«y 
 
 ^ r r reir - ^J JjJJi-ft i >i-^-^ ii. 
 
 Md, w Md, Am the ihip wiled away io gay and ohe«r • ly. 
 
 ^''- J Jjj J^r r ns^gjJ-JJ'JjJU ^ 
 
 hBT« man-y let • ten in day* to come.Butthoro'sonothatwIUbe for-got-ten nev • er, It'itbe 
 
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 i.l(;''P''(r^l'^-^-^''J"J 
 
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 /tfftf lentando, rail, ad lib. 
 
 
 lint that I've had fttxn my own true lad, And 'tis writ in my loving heart for cv - er. 
 
IS 
 
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 IB 
 
 $ 
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 IB ill 
 
 
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 JouJit the (|uiet ^allrn 
 
 SONO AND CHORUS 
 By SEP. WINNER 
 
 •«••• 
 
 Moderalo. 
 
 ^M^^^^ 
 
 
 fe^^£2^^^^ 
 
 1. 'Noftth lh« wlldwtKMl •liwln hy s running liniok Tliat fluwi BlonK lliv val - Icy I linvr wiinili-n'il uft wlirn Um 
 9. Ai tlin limy flmi on with Ita lun ami nltailv, llowrv - or kiifllit or drrary, I hiukIiI lipr •llll ore Ita 
 
 m^m^ 
 
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 ISZJZ 
 
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 JISZT-Z 
 
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 ■un wna lilRh,Tu tlio lowland home of llallie ; Thndavi ware liiight and our licartawvrollglil, AiifHrnda wollDiatand 
 light woulu fiuls, Km my atop waa never weary : With chat and loug Ihv whole day long, V,'e work'd and toli'd to- 
 
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 ISC 
 
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 =P;=I9 
 
 fczt 
 
 itos 
 
 ^ 
 
 ^s 
 
 cleT • er, For our reat waa made 'neatli the wlldwood ahade, And oi'' hearta were chcerhil ev ■ er. 
 gath • er, And we knew no care that we did not ahare, In fbul orpleaa-ant weath-er. 
 
 
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 By Per. of SEP. WINNER. 
 
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m 
 
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 AIR. 
 
 ALTO. 
 TENOR. 
 
 BASS. 
 
 DOWN TIIK qllfhr VALLMY. 
 CIIOIUIH. 
 
 p^ - ^.\ ^ .^ d ^M^=J:M^ \^^^^^ 
 
 Hal • III, llal-IU, Mr Mid guudi M7 lilnil miiI gfii • IU IUI-IUi IIwvM 
 
 
 lUI • lU, lUI - lla, Mr •ml (.ml ', Mjr kinil ■nd Kxn - ll« IIhI ■ ll« : HwmI 
 
 :^3^g^^ ^ ;^^3 ^ 
 
 Hwiicl Ih< tliy 
 
 PIANO. I 
 
 Plll^f¥-^^Pf^^ 
 
 g^^; 
 
 ^^i^i^^ 
 
 *^ lk« thv alnMn with In tliM tviu 
 
 ^ n't, tempo. 
 
 i^s* 
 
 iM thy ilovp with In th« wikmI, A • down the qui • ei nl 
 
 ^ be thy ileep with • in the wood, A-duwn the qui • et vkl - ley. 
 
 ^ 
 
 :9mz 
 
 Czrffi 
 
 1 h 
 
 iffuff: 
 
 ileep, thy ileep with • in the wood, 
 
 -V-l^- 
 
 P-P^ 
 
 Let my grave be made 'neath the wildwood 1 
 
 Beiide my dnrlinK HhIIIo; 
 Oh let me rest near the one loTed bett. 
 
 Now ileeping in the valley : 
 For mvjoys have flod and my hope* are dead, 
 
 My heart l» niching ever; 
 Since her smile la gone and I'm left alone, 
 
 For our fiite has been to sever.— Chobci. 
 
5/<i ji 
 
 ..»' 
 
 
 ^1 
 
 
 3 'i 
 
 if,rii 
 
 530' 
 
 MoAerato. 
 
 ONLY TO SEE HER FACE AGAIN. 
 
 JAMES E. STEWAKT. 
 
 M« A ttmpo. 
 
 3E 
 
 jvj J ^ WTpI^ i 
 
 7==^ 
 
 ^ 
 
 p^ 
 
 3x3 
 
 1 On - Ij to see her face m- gain, On - ly to hear her apeak, . . . 
 
 2 On • I7 to see her face a« gain, Fair aa t^e stars a • bore, . . . 
 
 m» A tempo. 
 
 I7i \R]i"Jih?] i ^jJ] \^ \ ^"^m 
 
 ^m 
 
 zs 
 
 ^.M-^-^ 
 
 ^ 
 
 ^ 
 
 :^. HjL,/,ji^ 
 
 On - ly to Bee her smil^ once more, On - ly to hear her speak ; 
 On • ly to hear one lit - tie word, On - ly one word of love;. 
 
 ^-jT] ^m'MM\prww^ - 
 
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 s 
 
 p* 
 
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 r- a T^m-i::^^ 
 
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 S 
 
 :p=P= 
 
 ia=ti=itiiz: 
 
 - ^"^ ~^,- 
 
 ^=^ 
 
 ^ 
 
 She was as fair as a - nyflow'r. Full of beauty and of grace, 
 Sad was the night when we part - ed, Down by the old trysting place, . . 
 
 staccato. 
 
 ^5^ 
 
 IS 
 
 m 
 
 1^ 
 
 T-^ 
 
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WART 
 
 ^ 
 
 ^?3 
 
 ^ 
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 1 
 
 m 
 
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 ONLY TO SEE HER FACE AOAIN. 
 
 rit. 
 
 537 
 
 ^^.£^_J-Ji JM-' > J.J1^ ^ 
 
 One lit • tie wish u all I ask, On - ly to see her face. . 
 Where last we kiss'd our sad fare - well, On - ly to see her face. . 
 
 cBonus. 
 
 BOPBAirO. 
 
 ms A tempo. 
 
 On - ly to see her face a - gain, Full of beau- ty and of grace ; 
 
 AX,TO. 
 
 me 
 
 J J J.' 
 
 m P f 
 
 W— U u—^ 
 
 f5> m ^ - - 
 
 to see her face a - gain, Full of beau- ty and of grace ; 
 
 On • ly to see her face a • gain. Full of beau- ty and of grace ; 
 
 H^^^^^ ^^T cir yfe^^ri n 
 
 One lit 
 
 ^^^. 
 
 One lit 
 
 ^m 
 
 tie wish is all I ask, On • ly to see her face. . . 
 
 XiM^-^J-^-J^lL^nU^-J^^ 
 
 tie wish is all I ask, On • ly to see her &ce. . . 
 
 ■^J J | J J ^.^ fJ-t-f. J-JU.^^ 
 
 One lit • tie wish is all I ask. On - ly to see her face. . . 
 
 p^r r-?r r ^ 
 
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,*» 'k! 
 
 .(*! 
 
 588 
 
 ROBIN ADAIR. 
 
 „ . AndanU. 
 
 KINOSLEY. 
 
 1. What's this dull 
 1. What made th' as- 
 3. But now thou'rt 
 
 ^^ 
 
 ^m 
 
 a 
 
 i 
 
 ^ 
 
 ^ 
 
 ^ 
 
 ^ » 
 
 town to me? Ro - bin's not near; 
 sem - bly shine, Ro • bin A - dair! 
 cold to me, Ro • bin A - dair! 
 
 ^ 
 
 I 
 
 Whatwas't I wish'd to see. 
 What made the ball so fine? 
 But now thou'rt cold to me, 
 
 
 m 
 
 I 
 
 X X - 
 
 
 ^^ 
 
 What wish'd to hear, 
 Ro - bin was there. 
 Ro - bin A - dair. 
 
 Where's all tho jtty andmirth,Made this town a 
 
 What,wlien llie ).l;iy was o'er, What made my 
 
 Yet him I lov'd so well, Still in my 
 
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 ^ 
 
 m 
 
 * * - 
 
 twt 
 
 ^ 
 
 ^ 
 
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 heav'n on earth? Oh! they're ail fled with thee, Ro - bin A 
 heart so sore? Oh! it was part -iug with Ro - bin A 
 heart shall dwell,Oh! I can ne'er for-get Ro - bin A 
 
 dair. 
 dair. 
 dair. 
 
 fj^J^T^^^^WB^t 
 
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 ^ m 
 
THE BLOOM IS ON THE RYE. / 
 
 639 
 
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 rrrzBALu 
 
 AndaiUino etprtnim. 
 
 eiSHOP 
 
 ^ 
 
 ^■-eOrC T \ [^r~^^^^'^ U W^ ^^ 
 
 
 ^^^\r- r I! r r r I J^D JT I J '.I ■ ^^ 
 
 1. My pret - ty Jane! my pretty Jane 1 , . . Ahl nev-er, nev-erlookso 
 
 2. Bat name the day, the wedding day, . . . And I will buy the 
 
 ^s 
 
 ^ 
 
 C"* ^•'X '-,#-•'>' ■j^-'^X V^X jP''X ^ 
 
 MX « 1 g = 
 
 ^ 
 
 dair. 
 dair. 
 dair. 
 
 3 
 
 *t=tiE 
 
 epfUJJJJ ^ 
 
 8hy, 
 ring. 
 
 But 
 The 
 
 meet 
 lada 
 
 me,meetmein the eve - 'ning, While the 
 and maids in fav - ors white, And 
 
 I 
 
 ^ 
 
 ffl-V? f,-ffl -i gMiii 
 
 g^x ^ix ' g-ix ^iX 
 
 -X X *■ 
 
 i 
 
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 ^J<J J J 
 
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 bloom is on the rye. . 
 
 village bclls,the village bell shall ring. 
 
 The spring is wan - ing 
 The spring is wan - ing 
 
 m 
 
 ^ 
 
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 W 
 
 f 
 
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 =^F=X= 
 
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m 
 
 THE BLOOM 18 ON THE RYK. 
 
 f/j > »j, |i ■ fffl r XjcLffJVi.J l J^ -.^ ^ 
 
 fast, my love, The corn is in the ear, The summer nights aru 
 
 fast, my love. The corn is in the ear; The summer nights nre 
 
 P 
 
 fcq?=n 
 
 L J J L ^ ii r ^ 
 
 ^ 
 
 " J i g r ' F-i^ l 
 
 com - ing love, The moon shines bright and clear; Then pretty Jane, my 
 
 com - iug love. The moon shinea bright and clear; Then pretty Jane, my 
 
 ^^ 
 
 m 
 
 i 
 
 ^ 
 
 ^ 
 
 SS 
 
 
 1 X » n^^^ 
 
 y T' r^- n i ' l ff- '? r l i '^ r r I r • jLlJL.g4i 
 
 dear - est Jane, Ah 1 nev-er look so 
 dear • est Jane, Ah ! nev-er look so 
 
 shy, But meet me, meet me in the 
 shy. But meet me, meet me in the 
 
 r * r * 
 
 -^ 
 
 eve - - ning, While 
 eve • - ning, While 
 
 the bloom 
 the bloom 
 
 ^^ 
 
 18 on 
 is on 
 
 the rye. 
 the rye. 
 
 ?»^q=iF 
 
 1^ 
 
 W 
 
 T^ — sr 
 
 p . ' ' * 
 
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ghts nro 
 gilts ftro 
 
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 ne, my 
 tie, my 
 
 me in the 
 me in the 
 
 ^1 
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 mt 
 
 BAKER. 
 ModercUo. 
 
 MY BOY, REMEMBER ME. 
 
 BAKEH. nriwi 
 
 ^^ 
 
 3^ ^^EE;g-:ffi ^s^fe g^i^^EE ^^ 
 
 1. Long a-go in drear Decern -ber When the snow was fall-ing fast, Moth-er 
 
 2. Years arc past, and I've been Hail-ing O-ver life's tempcs-t'ous sea, Still the 
 
 3. Af-ter years up- on the o- cean Those dear words came back again. And with 
 
 ^^w^^^^^^rt 
 
 s 
 
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 ^ !J ii •»»— 1 1 ¥» <•• J l!l_l!i> ^1 
 
 ^^ 
 
 ^J^ 
 
 said, " My boy,remem-ber,I'm your friend while life shall lafit :" I was leav- ing her uii - 
 
 voice comes to me ringing, "John,my boy, re-mem-berme." Early in the morn last 
 
 hon - est heart dc-vo-tion Fain would see that face again. She is now with an-gels 
 
 ^ rrW^^^^ 
 
 bl=:ls 
 
 i 
 
 i 
 
 5^ 
 
 ^ 
 
 m 
 
 I 
 
 heeding. For a life upon the 8ea,And she stood with heart-strings bleeding,Crying, 
 winter. Came a let - ter sealed black. Mother's dy - ing word8soten-der,"John,my 
 singing. From her toils and sorrows f ree,Still these words in me are ringing, "John,my 
 
 "^iUU^saff^^' tP^i ^ 
 
 m 
 
 ^ 
 
 m^ 
 
 I 
 
 w=^ 
 
 ss 
 
 ^ 
 
 k-t?=e 
 
 ? =r^^A^-:r^ 
 
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 'John remember me."And she stood with heartstrings bleedingCrying, "John remember me. 
 son,to me come back." Mother's dying words so ten-der,"John,my son,to me come back." 
 boy, remembor me." Still these words in me are ringing, "John,my boy,remember me." 
 
*J 
 
 i- Li 
 
 r)42 
 
 MY BOY, REMEMBER MB. 
 
 aopsxiro. 
 
 ^ ^— ' r* J ' ^v= ^^-^ 
 
 Re - mem • ber, .... Be - mem • ber, . 
 
 . John, my boy,re-member 
 
 ALTO. 
 
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 TXNOIt, 
 
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 Remember me, John,my boy, remember 
 
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 Oh, remember,Oh,remember! John,myboy, remember me. 
 
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 Oh, remember! Oh, re-membcr! 
 
 remember me. 
 
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 BONNIE DUNDEE. 
 
 RtMBAULT. 
 
 ^^!i iqr M-g-p=^M^^^ ^ 
 
 Lords of convention 'twas Claverhouso spoke, Ere the King's crown go down there are 
 hills beyond Pentland and streams beyond Forthjif the'ro Lords in the Southland the're 
 dee he is mount -ed,he rides up the street; The bells arc rung back-wui'd,the 
 wa to the hills, to the woods, to the rocks; Ere I own a u-surp-cr I'll 
 
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 crowns to be broke, So each ca-va-lier who loves hon-or and mo, T^thim 
 chiefs in the North ;There are wild dun-nie wassals, three thousand times three, Will cry 
 drums they are beat; But the Provost,douceman,said just e'en let him be. The 
 couch with the fox; And tremble,false Whigs,tho* triumphant ye be, You have 
 
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 follow the bonnet of Bonnie Dundee. Come fill up my cup, come fill up my can,Com!6 
 Hey for the Bonnets of Bonnie Dundee. Come fill up,<&o. 
 town is weclquitof that deil of Dundee. Come fill up,4&c 
 not seen the last of my bonnet and me. Come fill up,4feo. 
 
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 horn- es and call up my men, Como o - pen theWestPort and 
 
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 tno Bon-nets of 
 
 let me gae free, And its room for the Bon-nets of Bonnie Dundee, 
 let me gae free, For 'tia up with the Bon-nets of Bonnie Dundee. 
 
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 KINOSLEY. BrpM. 
 
 1. I would not live al - way : I ask not to stay Where storm af • ter 
 
 2. I would not live al • way, thus fet- terod by sin, Temp - ta - tion with- 
 3. Who, who would live al - way, a • way from his God I A - way from yon 
 
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 storm ris - es dark o'er the way ; The few lu - rid mom-ings that 
 
 oat and cor - rup- tion with- in : E'en the rapture of par- don 
 
 faeav- en, that bliss- ful a - bode. Where the riv - ers of pleas - ure flow 
 
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 dawn on us here Are e-nough for life's woes, full e-nough for its oheer. 
 is mingled with fears, And the oup of thanks-giv- ing with pen - i -tent tears, 
 o'er the bright plainB,And the noon-tide of glo - ry e - ter - nal- ly reigns. 
 
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 WITHIN THIS SACRED DWELLING. 
 
 IL FLAUTO MAOICO. MOZARt 
 
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 1. Within thiHBacrefltlwellingjRovcngc no ref-ugo finds; Where 
 
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 leas'd from cares that bound us, We fear no trait'-rous arts; 
 
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 Thus led by friendship's guid - ing hand, in peace 
 
 Normor-tal har - b'ring thoughts un - kind, With -in these 
 
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 reach the bet - ter land; Thus led by friendship's guiding hand, In peace we 
 halls can ref - uge find; Nor mortal harb'ringtho'ta unkind Witoin these 
 
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 WITHIN THIS SACRED OWBLLINO. 
 
 reach the 
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 bot- ter land, Thus led by friundahip'sguid-ing hand.In peaoo wo 
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 reach the better land,the better, the bet 
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 BEYOND THE SMILING AND THE WEEPING. 
 
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 1. Beyond the smiling and 
 
 the weeping, 
 
 2. Beyond the blooming 
 and the fading, 
 
 Beyond the rising and 
 
 the setting. 
 
 Beyond the parting and 
 
 tthe meeting, 
 
 shall be 
 shall be 
 shall be 
 shall be 
 
 soon ; 
 soon ; 
 soon ; 
 soon ; 
 
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 Beyond the wakingCBeyond the sowing 
 
 and the sleeping, and the reaping, 
 Beyond the shining Beyond the hoping, 
 
 and the shading, and the dreading. 
 Beyond the calming Beyond remember- 
 
 and the fretting, ing and forgetting. 
 Beyond the farewellBeyond the pulse's 
 
 and the greetingj fever beating, 
 
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 home. 
 
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 I shall be soon. Love,reBt,and home ISweet home ILord tar-ry not, but come. 
 
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 home. . • • 
 
OLD FOLKS AT HOME.* 
 
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 1. Way down up- on do Swft-neo rib-bor, Pnr, far a- way, Dcfo'h wha my heart Ih 
 
 2. Ail round (lu lit-tlo farm I wandttr'dWhi>n I waHyounf(, Don nia- ny liap-py 
 
 3. Onu lit- tlu but among d(> buHh-i'H,(>nu dat I love, Still Had< ly v> my 
 
 
 
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 turn-ing cb-bur,DorL''8 wha de old folks stay. All up and down de whole cre-a-tion, 
 
 days I 8quander'd,Ma-ny de songs I sung. When I was playing wid my bnidder, 
 
 mem'ry rush-es, No mat-tor where I rove. When will I see de bees a hum-niing 
 
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 Sad- ly I roam, Still longing for the old plantation, And for de old folks at homo. 
 Hap-py was I, Oh itakc me to my kind old mudder,Dere let me live and die. 
 
 All round de comb ?When will I hear de banjo tumming,Down in my good old home ? 
 
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 OLD FOLKS AT HOME. 
 
 oil ! (IitrkcyH.lidw my hciu-t grown wvary, Far fruiii tlu old follcH at hoinv. 
 
 
 -St 
 
 SAVIOUR. PILOT ME. 
 
 OOULD. Iljrtwr. 
 
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 1 . .!« - NiiH, Sft • viour, pi - lot mo O - vcr lifeV totn-post-uoua soa ; 
 D.M. Clmrt, ftiul oom-pftHH catni' from Thco ; Jo -huh, Sa - viour, ]»i - lot me. 
 
 2. Ah a moth - cr fltilln her child Thou canst huoh thu o - ouan wild ; 
 D.H. Wondrous Sa - viour of the sea, Jo - huh, Sa - viour, i)i - lot mt>. 
 
 .'<. Whunat hiNt I near the shore And the fear- ful oreak-ers roar 
 i).s.May I hear Thee say to me, "Fear not, I will |»i - lot thee." 
 
 
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 Unknown waves be-foro me roll. Hid- ing rook and treacherous shoal ; 
 Boisterous waves o - boy Thy will When Thou sayest to them "Bo still." 
 'Twixtme and the peace-ful rest. Then, while lean - ing on Thy breast, 
 
 
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 COME AND KISS ME. 
 
 OEOROE COOPER HAnRlSON MILLARD. 
 
 Sempliee. 
 
 poco fit. 
 
 
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 "Come and kin mer'sbgathe bir-die, High on the tree; 
 
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 "Come and kisB me!" sighs the rose -bud, Don't so long de-layl 
 
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 Entered at Stationer's Hall. Eng. 
 
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 If you love me, love me true. Kiss me all the day! All the day, 
 
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 If you love me, dear* est, darling. Kiss me ev • 'ry day 1 
 
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 Dowi in the dell, 
 Swcbt-er than they; 
 
 To the blossoms, bending o'er it. Lov- ing them welll 
 Ti-uy, dimpled arms are round me, Ere I can say I 
 
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 "Come and kiss me! "says the zeph- yrs With the leaves at play; 
 "Come and kiss me I "then I wnis-per, Dear - est, while you may! 
 
 
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 BELIEVE ME, IF ALL THOSE ENDEARING 
 YOUNG CHARMS. 
 
 THOMAS MOORE. 
 Andantino. 
 
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BELIEVE ME, IF ALL THOSE ENDEARINO YOUNO CHAAM8. 
 
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 still be a - dor'd, as this mo-ment thou art, Let thy love - li- uess fade as it 
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 will, And a- round the dear ru - in each wish of ray heart. Would en- 
 
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 twine it - self ver - dant- ly still, 
 look which she turn'd when he rose. 
 
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 TWICKENHAM FERRY. 
 
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 THEO. MARZIAL8. 
 
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 1. O - hoi - ye-ho, Ho - ye- ho Who's for the far ■ 
 
 2. O - hoi - ye-ho, Ho - ye- ho " I'm for the fer- ry," (The 
 
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 bri - ars in bud, the sun go-ing down,) And I'll row vr ho quick and I'll 
 bri - ars in bud, the sun go-ing down,) And it's late as it is, and I 
 bri - ars in bud, the sun ;o-ing down,) And he's not row-ing quick and he's 
 
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 row ye so stead -y, And 'tis but a pen - ny to Twick - en-ham Town; The 
 haven't a pen- ny. And how shall I get me to Twick -en-ham Town; She'd a 
 not row-ing stead- y, You'd think was a jour-ney to Twick - en-ham Town. "O 
 
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 fefr^man's slim and the fer • ryman's Toung,And he's just a soft twang, in the 
 rose in her bon - net,and Oh I she look'd sweet As the lit - tie pink flow - er that 
 hoi, and O, ho," you may call as you will. The moon is a ris - ing on 
 
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 turn of his tongue. And he's fresh as a pip- pin and brown as a ber-ry, And 
 grows in the wheat; With her cheeks like a rose and her lips like a cher-ry,"And 
 Pe - tersham Hill, And with Love like a rose in the stern of the wherry ,There'8 
 
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 'tis but a pen • ny to Twickenham Town. 
 
 sure and you 're welcome to Twickenham Town." 
 
 dan - ger in cross- ing to Twickenham Town. 
 
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 EVERY DAY BLESSINGS. 
 
 MAHIANNE FARNINOHAM. 
 
 DH. LESLIE. 
 
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 1. Ev' - ry day are drop 
 
 2. Ev' - ry day are fall 
 
 3. Ev' - ry day yet near 
 With simplicity and expremon. 
 
 ping Ble8s-ing8 fresh from heav'n, Ev*-ry day good 
 ing Ten - der words of love, Soft- ly o'er our 
 er To the heav'nly home, An- gel hands are 
 
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 fav - or To our hands are giv'u. Ev' - ry day our kind - ness 
 spir - its From the Friend a - Dove. Ev' - ry day are need - ed 
 lead - ing, Till God's peo - pie come. Ev' - ry day hands ea - ger, 
 
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 Findeth room and need To up- hold the fee - ble. And the hun-gry feed. 
 
 Lov-ing words of ours For the lit - tie chil- dren, Men - ti - ful as flow'rs. 
 
 Lips be- seech-ing, bring Bands of lit - tie chil- dren Near - er to the King. 
 
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 TERZETT. 
 
 " MOST BEAUTIFUL APPEAR." 
 
 JOSEPH HAYDN, 
 
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 INDEX TO TITLES AND FIRST LINES, 
 
 m 
 
 PAOB 
 
 A garden of roses . Alice Hawthorne 838 
 A flower from mother's grave. Kennedy 167 
 A joUpr good laugh .... Thomaa 2lil 
 
 A jovial farmer boy I'll be 426 
 
 Alas ! Alas ! I've lost my heart, 
 
 Meyer Helmund 85 
 A letter I've ha<l from my own true lad, 
 
 WecAherby 532 
 
 All b well Marshall 302 
 
 America 6 
 
 A mother's gentle love . . , A. Lee 312 
 A mother's song .... Blatherwiek 204 
 
 And Ood said Haydn 406 
 
 And ye shall seek me . . . Marahall 132 
 
 Annie Lawrie Scotch Air 7 
 
 Arm, arm, ye brave .... Handel 342 
 A song for the Oak .... Loder 324 
 A song of thankfulness . John Parry 441 
 
 A summer shower Marzials 103 
 
 At the door Marahall 480 
 
 At the wicket gate .... Oeibel 242 
 Awake, awake for the spring has corner 
 
 Thomas P. Murphy 270 
 
 Baby crowing on your knee . Marahall 269 
 Baby's gone to sleep .... Murray 376 
 
 Beautiful Land Lotvry 319 
 
 Before the morning sun is beaming, 
 
 Kucken 266 
 
 Be happy Kirkpatriek 459 
 
 Behold the monarch of the woods! Cherry 414 
 Believe me, if all thost^ endearing young 
 
 charms Thomas Moore 552 
 
 Bessie Jane .... Alice Hawthorne 112 
 
 Beware 0. B. Brown 290 
 
 Beyond the smiling and the weeping, 
 
 TarbuiUni 546 
 
 Birdie looking out for me 448 
 
 Blest be the tie that binds, Lowell Mason 325 
 Blossoms from over the sea, J. P. Skelly 38 
 
 Bonapo Blisa 826 
 
 Bonnie Dundee Rlmhault 543 
 
 Breast the wave. Christian . Kirkpatriek 131 
 But the Lord is mindful of his own, 
 
 Mendelssohn 358 
 By cool Siloam's shady rill . Woodbury 9 
 
 By the blue sea Smart 108 
 
 By the darkly flowing river . . . Bliss 326 
 
 Call unto me Marshall 1 07 
 
 Calm on the listening ear of night Marahall 226 
 Canadian boat song . Thomas Moore 439 
 
 Cary Tourjee 517 
 
 Cast thy burden upon the Lord, 
 
 Mendelaaohn 420 
 Cease, rude Boreas .... Stevena 210 
 Clefbforme Bruce 154 
 
 PAnR 
 
 Cling close to the rock . . . Marshall 318 
 Come and kiss me . Harrima Millard 549 
 Come closer, soul to me . . O'AViwe 391 
 Ct»nie this way, my Father . . Martin 527 
 Come, thou Almighty King . Giardini 89 
 Come to the deep, clear river . Kieffer 463 
 
 Come unto him Handel 370 
 
 Come unto me Marshall Wl 
 
 Come, ye disconsolate .... Webhe 241 
 Companionship with Jesus . Kirkpatriek 485 
 Could ye come back to me, Douglas ! 
 
 Marston 464 
 Courage, brother, do not stumble . Morse 331 
 
 Cradle Song A. H. Pease 227 
 
 Cradle's Empty, Baby's Gone, Kennedy 155 
 
 Dana Donizetti 219 
 
 Darby and Joan Molloy 322 
 
 Darby, dear, we are o'd and gray, Molloy 322 
 
 Dear refuge R. R. Battee 268 
 
 Dear native home Ball 355 
 
 De odder dark night ole Joe iuul u dream, 
 
 Alixa 456 
 Depth of mercy can there be ! Von Weber 15 
 Do cease your clack .... Freeman 100 
 
 Do the right Morse 331 
 
 Drifting clouds . Walter A. Slaughter 192 
 Down tne green lane, Frank L. Armstrong 361 
 Down the quiet valley . Sep, Winner 534 
 Drink to me with thine eyes. . Mozart 303 
 
 Ere the sun goes down . Kirkpatriek 467 
 Erin ! The tear and the smile, 
 
 Thomas Moore 220 
 Ever be happy ...... Balfe 253 
 
 Every day blessings . . . Dr. Leslie 556 
 Eyes that Watch for me . Adam Oeibel 161 
 
 Fair Katie J. W. Elliot 437 
 
 Fair Luna forth is shedding. . Bamby 482 
 Fading, still fading . . Portuguese Air 506 
 Faithfu' Johnny .... Beethoven 284 
 
 Far o'er the wave Ball 355 
 
 Farewell, my brother . . Jubilee Songs 133 
 
 Flagg Von Weber 63 
 
 Flee as a bird Dana 529 
 
 Follow me O'Kane 411 
 
 Forget all thy sorrow, Harrison Millard 25 
 Forever and for ever . F. Paolo Tosli 412 
 Frederick Kingaley 644 
 
 Gaffer Gray Marshall 4 
 
 Getting ready to die 62 
 
 Give us this day our daily bread, W. W. O. 528 
 Go chain the lion down . Jubilee Songa 106 
 God in nature and grace . . Marahall 334 
 God is love ; the heavens tell it, Marahall 884 
 
 CAN.-651 
 
652-oAN. 
 
 INDEX TO TITLES AND FIRST LINES. 
 
 fell 
 
 m: 
 
 PAOB 
 
 Go. let the angels in . . . Andertoti 867 
 Going to maritet . . . LouU Diehl 199 
 
 Gooifbye HaUon 428 
 
 Good-bye. good-bye to lumnier, Hubbard 80 
 
 Good Diffht 468 
 
 Good old chariot . . . Jubilee Songs 84 
 Go, open wide the door, mother, 
 
 Andermm 867 
 
 Grace, No. 1 • ... 323 
 
 Grace, No. 2 if. 497 
 
 Grace, No. 8 W. W. 0. 623 
 
 Grace, No. 4 W.W.G. 530 
 
 Gracious Spirit, love divine Emerton 221 
 
 Grandmother's chair Beeul 292 
 
 Grumble, grumble, growl . . PhiUipa 226 
 
 Happy the meek, whoee gentle breast 
 
 Donitetti 219 
 Hnrk I the little birds are singing, Marshall 86 
 Harkl 'tis the trumpet sounding, Bellini 116 
 Have you Sir John Hawkins' Hist'ry ? 
 
 J. W. CallcoU 461 
 Hear, O Father, hear our prayer, Ryder 486 
 
 Hear our prayer Ryder 486 
 
 Hear the augels CfKane 427 
 
 Hear you not the Saviour calling? Of Kane 411 
 
 Heart whispers Fvwm Ahi 206 
 
 He kissed me and I knew 'twas wrong, 
 
 Alfred O. Rob^ 281 
 He lay upon his dying bed . . Cvmi 87 
 He peeps in at the keyhole . . Qeibel 348 
 He said good-bye a year ago, «Sep. Winner 172 
 He shallfeed his flock . . . Handel 370 
 He's the lily of the valley, Jubilee Songs 60 
 Highland Mary ...'... Anon 161 
 Holy angels in their flight . . C^Kane 427 
 Holy Mother, guido his footsteps, Walhuie 387 
 
 Home so blest Aht 168 
 
 Home, sweet Home .... Bishop 310 
 How many miles to Baby Land ? . . . 430 
 
 I ain't going to die any more, Jubilee Songs 163 
 I am a friar of orders gray . . Rusml 90 
 I am looking, Lord to thee, Kirkpatrick 139 
 I am thinking now of home . Loekwood 384 
 
 I come to thee Beck 489 
 
 If I had but a thousand a year . Russell 102 
 If in this world there is a flower, 
 
 Alice Hawthorne 366 
 If Papa were only ready . . . Bliss 804 
 If witn all your hearts . . Mendelssohn 616 
 If I should see upon thy face, Frant Abt 206 
 I have work enough to do . Kirkpatrick 467 
 I heard the wee bird sinring . Linley 76 
 Iknowthatheav'nliesjt XMjon6,Su}eeny 377 
 I'll sin^ you a fine ould song. Brougham 336 
 
 I love It, I love it Russell 174 
 
 I love my sailor boy . . . Sep. Winner 172 
 I love to sbg of Heaven . . . Dunbar 481 
 I love to tell the story . . . Fischer 137 
 I'm getting old and feeble now . Hays 624 
 
 PAoa 
 I ' m goin{| to live with Jcaus, Jubilee Songs 76 
 I'm wearing awa', Jean . . . Wtbtter 20 
 In a garden of roMi I met her, 
 
 Alice Hawthorne 888 
 In a world so ftill of weeping . Sweney 610 
 In happy moments .... Walltue 262 
 lu the hollow tree, in the old gray tower, 
 
 Thomas 72 
 In the world I've gained my knowledge, 
 
 Hi^mn 98 
 I remember a voice . . . Martin 627 
 I'so comin' mighty close to eiehty year, 
 
 Oewge M. Viokers 178 
 " I should like to die," said Willie. BlUs 804 
 I stood where the summer tide flowing, 
 
 Smart 108 
 
 Italian Oiardini 89 
 
 It is not time that flies . . Kirkpatrick 479 
 I thmk when I read that sweet story, 
 
 Dave7uint 821 
 It was a song my mother sang . Viekers 392 
 I've broueht thee an ivy leaf . . Wood 14 
 I've wan^red to the village, Tom, Hayes 8 
 I would not live ahvay . . . Kingeley 644 
 
 Jack and Jill Oaldvoott 468 
 
 Jack's Yarn Diehl 18 
 
 Jamie MoUoy 352 
 
 Jamie O'Dundee . . Harrison Millard 30 
 
 Janet's Choice Claribel 10 
 
 Jerusalem, forever bright . . . Louny 319 
 Jerusalem the Gk>lden . . A. Ewing 528 
 Jesus, I come, I come to-night . Qmtld 316 
 Jesus, I my cross have taken, . Oikhrid 490 
 Jesus, refuge of my soul, . . . . Abt 12i 
 Jesus, Thylove alone .... Beck 489 
 Jesus, To Thee I come . . . Oould 316 
 Just as I am Reynolds 33 
 
 Kate Kearney 
 Kiss me as I fall 
 
 Alexander Lee 320 
 . Dougherty 181 
 
 Land ahead ! its fruits are waving, Evans 106 
 Lead, Kindly Light! . . . ffewmann 360 
 Lesson books .... Odoardo Barri 667 
 Let Erin remember the days of old, 
 
 Thomas Moore 496 
 Little wife Nellie . . Harry Kennedy 148 
 Lord, bless the food before us spread 823 
 Love me little, love me long, . H. Lahee 379 
 Lovely, silent night . Charles H. Babriel 170 
 Love's replies . . Frederic H Cowen 286 
 Luna Bamby 482 
 
 Mama, you are tired, I know, Dougherty 181 
 
 Mamma, Mamma, Jsieuntt 298 
 
 Many have told ofthe Monks of old, OAwer 16 
 
 Marseillefl FrenehAir 134 
 
 Matrimonial sweets . . . Freeman 100 
 Mazwelton's banks are bonnie Scotch Air 7 
 
 Meditation Marshall 323 
 
 Methinks I hear my Saviour say, (yKane 391 
 
INDEX TO TITLES AND FIRST LINES. 
 
 cAN.-orja 
 
 PAOB 
 MjU 75 
 
 lear 20 
 
 me 888 
 my 510 
 {000 262 
 ver, 
 
 mew 72 
 ige, 
 
 ^•on 08 
 rftn 627 
 ear, 
 
 ken 178 
 3/wj 804 
 
 ing. 
 
 nart 108 
 ■dtm 89 
 triek 479 
 
 7)an< 821 
 )i«r« 392 
 food 14 
 ibyM 8 
 galey 644 
 
 jteoif 468 
 r)t«A/ 18 
 folloy 352 
 ;/fard 30 
 irt&e^ 10 
 iowry 319 
 WinjjT 528 
 }<yuld 316 
 lAme 490 
 Abt 124 
 £eeik 489 
 fouM 316 
 noldt 33 
 
 Xee 320 
 
 herty 181 
 
 ?van« 106 
 lann 360 
 iarri 667 
 
 'Mid pleMurefl and palaces 
 
 PAOI 
 
 Biakt^ 310 
 
 181 
 298 
 16 
 \Air 134 
 Ein 100 
 \Air 7 
 u7 323 
 tatur 391 
 
 12 
 99 
 
 Mr. Lordly and I Blita 432 
 
 Mr. Speaker, tho' 'tis late, . J.Baitdon 462 
 Mrs. Lofty and I . . . Hutehituon 78 
 My Angeune . . . Uarrwm Millard 128 
 My boy, remember me, .... Baker 541 
 
 My country, 'tis of tbee, 6 
 
 My dame had a lame.tame cTane,MarahaU 
 My Oud, my prayer attend . . /fo«nnt 
 Mygrandmotner.she, attheage, . Read 292 
 My love of the old sweet days . Roaewig 41 
 
 My Mother's Bible Mmrta 171 
 
 My old cottage home . . R. A, Olenn 378 
 My old Kentucky home . . . Fouler 364 
 
 My pretty Jane Biahop 639 
 
 My Saviour stands waiting. . Marthall 480 
 
 Names upon the sand .... Morley 494 
 Nearer, my Qod, to Thee . . . Maaon 619 
 Never forget the dear ones . . . Root 3 
 Nigh to a grave that was newly made, 
 
 Rwaell 70 
 Norah Acuslila . . Harrison MiUard 28 
 Not what we wish .... Marshall 51 
 Now to all a kind good night .... 45H 
 Nursery Rhyme Caldicott 468 
 
 Oh I ain't I glad . . . Jubilee Songs 153 
 Oh, blessed fellowship divine, Kirkpatrick 485 
 Oh, cease, my wandering soul . . M. 479 
 Oh, God, who with the manna fed . M. 497 
 Oh, hush thee, my babie . . Stdlivan 306 
 Oh, I lovo' a good laugh . . Thomas 261 
 Oh, my heart is gone .... Bishop 418 
 Oh, my love stood under tiie walnut tree, 
 
 Fox 296 
 Oh, the lady of the Lea . . . Smart 246 
 Oh, 'tis nothine but a shower, MarzUas 103 
 Oil, to do sometliing for Jesus, Kirhaatrick 497 
 Oh, that we two were Maying . Gounod 211 
 Oh, wake again the harp of Wales, 
 
 Richards 218 
 Oh, wliy dost thou shiver and shake? 
 
 Marshall 4 
 Oh ! Ziun's children coming along. 
 
 Jubilee Songs 183 
 
 Old Joe's dream Alixa 466 
 
 Old folks at home 647 
 
 Ole Nicker Demus Lnuias 446 
 
 One more unfortunate .... Hood 63 
 One sweetly solemn thought . . Palmer 140 
 One sweetly solemn thought Tourjee 617 
 
 Only to see her face again, Jas. E. Stewart 636 
 On to the field of glory . . Donizetti 141 
 
 Oi'ion Marshall 249 
 
 O slumberer, rouse thee . . Woodbury 300 
 Over the bar, in the gleam of the sun, 
 
 Studley 620 
 Over the garden wall Fox 296 
 
 Mendelssohn 460 
 . . Rosnni 99 
 
 Parting and meeting 
 Petition . . , . 
 
 PAOI 
 
 423 
 
 69 
 418 
 
 44 
 398 
 
 98 
 
 Pilf^rim, the' laden with sorrow . Root 
 Praise the Lord when blushing moniing, 
 
 Vm Weber 
 Pretty as a picture' .... Bishop 
 I'retty Little Jennie . Harrison Millard 
 
 Pro rhundo Basso Bliss 
 
 Pulling hard against the streuni, Hobson 
 
 Rally round the temp'rance banner, 
 
 Kirkpairick 138 
 
 Refuge Abt\2\ 
 
 Remember the little ones at \\oma, Dolfuss 368 
 
 Response, No. 1 3/. 61 
 
 Response, No. 2 M. 11 
 
 Resting bv and by ■ . . . . Lowry 1.3 
 Rest on the bosom of love . . . Root 423 
 Ride on. King Jesus . . Jubilee Songs 111 
 Rin^ on, m^ bells . . Vincemo Oiritlo 463 
 
 Robui Adair Kingsley 638 
 
 Robin Red-breast .... Hubbard 80 
 
 Robin Ruff Riissell 102 
 
 Rocked in the crudie of llie deep, Knight 314 
 Rock of age8, cleft for me . . Bruee 154 
 Round for four voices. No. 1 .Marshall 12 
 Round for four voices, No. 2 . Marshall 35 
 
 Safety if. 479 
 
 Safe within the vail .... Evans 105 
 
 Saviour, pilot nie Gould 648 
 
 Scenes that arc brightest . . . Wallace 285 
 
 Sears Marshall 226 
 
 Seek ye the liord .... Marshall 130 
 See those ribbons ^tiily stream . Kticken 208 
 See where the living waters glide, 
 
 Kirkpatrick 62 
 
 Seymour Von Weber 15 
 
 Shall we meet ? Dunbar 481 
 
 Si loam WooMury 9 
 
 Silver bells of memory . . . H.Dale 125 
 Sing, little blue bird, sing . . Webster 258 
 Sleep, baby sleep . . . A. H. Pease 227 
 Sleep, baby sleep . . . Blatherwick 204 
 Sleeping .... Harrison Millard 52 
 Soft De the gently breathing \uA^,Marshall 249 
 Soft was the breeze .... Armstr<mg 361 
 
 So I can wait Sweney 377 
 
 Something for Jesus . . Kirhpatriek 497 
 Somewhere .... George F. Root 394 
 Song — Gratitude . . . L. Marshall 434 
 Song of the old church bell . . Camp 278 
 Speed away! speed away Woodbury 332 
 
 Summer roses in the heart, TAomoA, i^oer 190 
 Sun of my soul . . . . W. H. Mmk 106 
 Sunny rays, sunny light . . . Liebe 283 
 
 Supposing J. W. Bischoff 22 
 
 Sweet and low Bamby 316 
 
 Sweet bye and bye 509 
 
 Swing low, sweet chariot. Jubilee Songs 84 
 Swiss people's song .... Kucken 294 
 
 Take me back 
 Take me home 
 
 . Sweney 374 
 Raymond 424 
 
Ori-i-CAN. 
 
 :ni)EX to titles and first lii^es. 
 
 I'\ 
 
 VAUK 
 
 Tarry witli m*' . . . IClrhpafrhk lift 
 
 Tenii)crniu'oruliviiig Hiiig . Kirkpalrick i<'iH 
 
 Teiiuer tiiul true M- -titon 4U4 
 
 That ia love MoUlennon 164 
 
 The arrow and tht* hoiiu . Giro IHtuuii 511 
 The baukct-inuk< t'h chilii . Thmnpmn 96 
 The beautiful City of Ctod . . Geibel 244 
 The bh)uni is on the rye . . . Bishop 58U 
 The blue bella uf Scutlaud, A. Neithardt 882 
 
 The brave old ouk fjoder 824 
 
 The bridge of f\tsh>' Hood 68 
 
 The chapel KrcuUer 51fi 
 
 The child'H wiith .... Davenani 821 
 The clarion uow souikIh to the fleld, 
 
 Marshall 416 
 
 The contrite heart 608 
 
 The cork leg 346 
 
 The double loss . . . Meyer Uelmund 85 
 The enrden gate ... 7. Crampton 256 
 The nne old Iriah gentleman, Brougham 385 
 The first letter . ... Weatherly 582 
 The fi-iar of the olden time . Ruatell 90 
 The harp of Wales .... Richards 218 
 The heart bow'd <iowu .... Balje 36 
 The heav'uly council hath decreed, 
 
 Mendelsshon 460 
 
 The jovial liiniier boy 426 
 
 The lady of the lea .... Smart 2Ab 
 The land o' the leal .... Webster 20 
 The lost saraband has been danu'd, Arditi 49 
 The light of my home, Harry Kennedy 148 
 Tiie little iiBhermaiden,/{M(/o//' natdtnann 403 
 The little old cabin in the lane . Hays 524 
 The little ones at home . . Lockwood 384 
 The Lofty One, before whose throne, 
 
 Atnbrone 508 
 
 The lost boat Studley ',20 
 
 The miniature Knight 82 
 
 The monarch of the woods . Cherry 414 
 The Monks of old , • . . . Olover 16 
 The night is late, we dnre not wait, Molloy 236 
 
 The old arm chair Russell 174 
 
 The old sexton Russell 70 
 
 The owl Thomas 72 
 
 The pirate's chorus Balje 253 
 
 The postillion • Molloy 286 
 
 The road to Slumber-land . . . Root 481 
 The rose bush . Faustina Hasse Hodges 501 
 The rose by the door . . . Marshall 254 
 The royal fountain . . . Kirkpatrick 62 
 The sand man .... Adam Odbel 348 
 The snow-white rose . Alice Hawthorne 356 
 The songs my darling sang . . Millard 498 
 
 The stirrup cup Arditi 49 
 
 The storm Stevens 210 
 
 The sun shines bright .... Foster 858 
 The swallow leaves the young . . A bt 15S 
 The sword of Bunker Hill . . Covert 87 
 
 The tempest Perkins 46 
 
 The three calls Woodbury 300 
 
 The valley of Chamouni . . Olover 234 
 
 PAua 
 The welcome meeting . . A. Marshall 448 
 The ycuiitj; recruit .... Kuoken 208 
 There's a ixiy lust over the garden fence, 484 
 Therv'H ii landf that is fairer than day, 
 
 Webster 509 
 There's always HUnlight somewhere, t/ot'Ae/ 54 
 There's a light in the valley . . Bliss 422 
 There's a pair of little hands . Murray 876 
 There's one that I love dearly, Kucken 294 
 They say I may marry the Laird, Claribel 10 
 This Iwok is all that's left me now, Morris 171 
 Tliis life is not all sunshine, Kirlmatriek 459 
 Thousands stand to-day in sorrow, Fiseher 191 
 Thro' the love of God, our Saviour, 
 
 Marshall 302 
 Thro' the pleasures of the day, Marshall 823 
 Thro' the valley of the shadow . Bliss 422 
 Time and eternity . . . Kirkpatrick 479 
 'Tis the lust rose of summer . Flotow 61 
 To the lords of convention . Rimbault 543 
 True to the last . . . Stephen Adams 184 
 'Twas a Monday night . . . Diehl 18 
 
 Twenty years ago Hayes 8 
 
 Twickenuam Ferry Theo, Marttals 554 
 
 Uncle Joe • . GiOt^t 32 
 
 Up in the beltry I swing . , . Camp 278 
 
 Waiting Reynolds 33 
 
 Waiting at the pool .... Fisher 191 
 Waiting, only waiting . . . Perkins 311 
 Wuke,for the night is flying . Nicolai 531 
 Way down upon de Swanee Ribber, Foster 547 
 We are grumblers here . . . Phillips 225 
 
 We'll meet above Liebe 283 
 
 We were crowded in the cabin, Perkins 46 
 What friendly light shines . Kreutzer TAS 
 What is the road to Slumber-land? Root 481 
 What power is this ? . . . . Darky 340 
 What will you do, love ? . . . Love 93 
 When farewells were spoken . Marshall 254 
 When faint and wearv toiling . Lowry 13 
 When the corn is gathered in . Henry 350 
 When the heart in golc'en fancies, Glover 284 
 When the merry birds are flying, Thomas 1 90 
 When the ships went o'er the waters, 
 
 Wakefield 56 
 When we hear the music ringing, Marshall 250 
 When will you come again 1 . Beethoven 284 
 When ye gang awa, Jamie . Demar 84 
 Where are the old folks? . ■ Sweeney 374 
 Where the green willows sway'd, 
 
 Thompson 96 
 While pray'rful sacrifice we bring . M. 77 
 While the years are rolling on . Sweeney 510 
 
 Whistle and hoe 484 
 
 Whv don't the men propose? . Blewitt 298 
 William was holding in his hand. Knight 82 
 Within this sacred dwelling . Mozart 545 
 With verdure clad .... Haydn 406 
 Words beyond recall . . Adam Geibel 160 
 
rAUB 
 
 tail 443 
 ken 20H 
 ICC, 484 
 
 Hler 609 
 ibet M 
 UtM 422 
 Toy 376 
 ken 2U4 
 i6«/ 10 
 irria 171 
 rteib 459 
 oAer 191 
 
 hall 802 
 Aa// 823 
 'ilm 422 
 Im-Jb 479 
 btow 61 
 tault 543 
 /oww 184 
 Held 18 
 fawfti 8 
 ■zia/» 554 
 
 Iberl 82 
 7am;) 278 
 
 nold» 33 
 wAer 191 
 rAi'jM 311 
 coUti 531 
 \w*<er 547 
 llipii 225 
 ite6<! 283 
 •A;mw 46 
 \utzer 518 
 Koot 431 
 irUy 340 
 lliove 93 
 8W/ 254 
 13 
 
 'enry 350 
 |/ot'e?' 234 
 ,«» 190 
 
 INSTKl'MKNTAli MUSIC. 
 
 I'ANf 
 
 t'AKI 
 
 YdiiiiK .Ihiiiu) whm huiinit', 
 
 Hairiion Milhtnl 30 
 
 Work, tor tlie uighl m «'(iiiiiiig . Mnmn 530 
 
 Would you? AlafKhiill '2i\\i 
 
 Wouldn t you liku to know ? . E. Jieyloff '.Wii You ntnlo my love . . . . MarFarnn 280 
 
 You tiilk libout your white I'oIkH, Lums 4-iii 
 Ye loiiH of freedom, wnko to glorv . . 134 Yourn Truly . . . Alice Iltiwthorne 112 
 
 Yen, sir I WakejieM M 
 
 Young tblks, come listen . . (hlber 32 ! ZIou'h cliiltlren 
 
 Jubiltr Sonyn 18 
 
 INSTRUMENTAL MUSIC. 
 
 \mericKn Line March . Fred. T. Baker (i4l 
 /Vudaute nud Meuuett . . W. A. Mozart 5U4 
 \uduut« from the Hymphonie in D, 
 
 Joseph Haydn 593 
 A.rie from Rinaldo . . O. F. Handel 620 
 Arie from the Mewiah . Q. F. Handel 847 
 Arie from the Opera " Die Weiwe Dame," 589 
 Autumn Reverie for Piano, Alonto Stone 597 
 
 Boccaccio March . . Frans von Suppe 618 
 Bright Eyes Polka . . W. Deidencha 578 
 Brudder Lustig Btidin 584 
 
 Choral from the Passion Musik, 
 
 J. Seb. Bach 570 
 
 Don Juan C. Cierney 627 
 
 Eventide Sep. Winner 562 
 
 Echo Song Sep. Winner 561 
 
 EdolweiM Glide . . F. E. Vunderbeok 644 
 
 Farewell Haydn 626 
 
 Harvest hymn .... /Sep. Winner 561 
 Heather Bells .... Omtave Lany 614 
 How Beautiful . . . . 0. F. Handel 647 
 
 II Bacio Waltz . . . . Fr. Lanner 671 
 "Im Wald" . . . C. M. V. Weber 596 
 
 Jolly Brothers Galop .... Budin 584 
 Jolly Sisters Galop , John P. Dougherty 608 
 Joys of Spring Waltz. . Adam Oeibel 621 
 
 Tieliigh Polka . . . 
 Lied from "Gberon " . 
 Lied from " PrecioHa " 
 
 vAon 
 
 . D.A. Dre«her 602 
 
 C. M. V. Wfber 5H6 
 
 C. M. V. Weber 588 
 
 Mazurka de Salon, S, Mdntyre Birheck 634 
 Meuuet De Mozart . . . J. Srhulhof 667 
 
 Menuetto Joseph Hayan 564 
 
 Most beautiful Appear . Joseph Haydn 649 
 
 Norweischer Hochreitz Marsch, 
 
 Airanged by Benno Sehereck 574 
 Pizzicato Polka, 
 
 Johann and Josef Strauns 624 
 
 Regimental March F. A. Lorrliliere 600 
 
 Schaferlied .... Joseph Hnydn 5()5 
 Secret Love Gavottee . Jowu n Jiesch (iW 
 
 Smile Waltz E. Muck 648 
 
 Sonate Beethovni 650 
 
 St. Alban'sGrand March, ^, //. J^oseiriy 630 
 Swedish Wedding March, 
 
 Airanged by Benno Sehereck 574 
 
 Terzett Joseph Haydn 649 
 
 The Kiss Waltz .... Fr. Lanner 571 
 The Pearly Dewdrop, S. Mdntyre Birbeck 634 
 The Rivulet . . . . E. A. Eavarger 637 
 Two by Two March . C. Josie Naree 581 
 
 When the Bloom is on the Rye, 
 
 H. It. Bishop 573 
 William Penn March . John R, Sweney 604 
 Zigeuuerelior aii.s Precifjsa, V. M. V. Webei' 696 
 
 son 96 
 
 M. 77 
 
 510 
 
 484 
 
 ritt 298 
 
 kight 82 
 
 pzart 545 
 
 Ldn 406 
 
 ibel 160