Despite a broadening of the research agenda on pornography in the late 1980s, pornography research largely remains its own distinct enterprise. This paper integrates pornography into the sociology of taste by examining the taste for pornography using the dominant theoretical perspectives and methods applied to other tastes, specifically the "omnivore thesis." Taking advantage of the unique set of variables in the 1993 General Social Survey, three hypotheses are tested: (1) pornography is low culture; (2) cultural omnivores are more likely to like pornography; and (3) the taste for pornography is indicative of exceptional political tolerance in people of otherwise similar omnivorousness. The results for Hypothesis 1 are unclear, pornography cannot easily be classified as high or low culture, but the results are consistent with Hypothesis 2 and Hypothesis 3. Implications of this analysis for both traditional "texts and effects" pornography research and the omnivore thesis are then discussed.