In this dissertation I argue that by focusing on different forms of female desire contemporary Caribbean American women writers reinvent the literary genres of the romance and the historical novel and, in doing so, extend notions of what constitutes US-American literature and history. They create alternative accounts of US-Caribbean political and cultural relations that underscore the connection between women's desire for intimacy and national belonging on the one hand, and autonomy and independence on the other hand. I analyze the depiction of female desire in three contemporary English-language novels by US authors with origins in the hispano- and francophone Caribbean: Haitian American Edwidge Danticat's The Farming of Bones (1998), Dominican American Julia Alvarez's In the Name of Salom (2000), and Cuban American Ana Men ndez's Loving Che (2003). These authors challenge traditional representations of women's participation in nation building which link the female body to national territory and limit women to being suffering mothers, virgin lovers, or seductive traitors. Instead they privilege the embodied experiences of women based on specific material and historical conditions. This emphasis on the personal, intimate aspect of history foregrounds the implication of women in creating historical discourse and in developing transnational identities in the Americas.