| T H e Ar-f öT wclLu me; «1+Ä.IT \òlu&S. ¿ i t t f e K ; { Ä T Ä S i ¡ t i p k j r " : m m • M i i f t _ - y , s w y .v* Ä r r » V'-^'M ftk&.'r^m mé AT) G 7JS This series of booklets THE ART OF MAKING ALTAR LINENS THE ART OF MAKING ALTAR LACES SEWING FOR THE SANCTUARY Is lovingly dedicated to the Eucharistic Heart of Jesus. ORHER of Q A I N T T / E R O N I C A U R O l J N D A Y V T S T T O P H u n t i n g t o n , I n d i a M My Letter to You 4 Saint Veronica's Cupboard 5 The Way to Cut and Fold Linens 6 Simple Edges 7 Stole Collars 8 Sick-call Towel 9 Narrow Laces 10 Tatting Designs 12 Crocheted Cinctures 14 Cross and Heart Lace 15 Irish Crochet Surplice 16 I. H. S. Lace 18 Pineapple Lace 19 Seven Wheel Cross 20 Wheels of Time Lace 21 Diamond Shaped Frontal 22 Diamond Points in Altar Cloth 23 Altar Cloth with Medallions 24 Another Medallion for Altar Cloth 25 Lacet Cross 26 Cut Work Altar Cloth 27 Grape Design 29 Veronica Box Ready for Shipment 31 Weaving for the Master 32 O S & j U t f i e d •o F O R E W O R D THE ORDER OF SAINT VERONICA is a Society promoted by OUR SUNDAY VISITOR to instill int(\ all hearts a deeper devotion to the sufferings of Christ. MEMBERSHIP is extended to every soul for whom He walked to Calvary. THE OBLIGATION is to "perform one act of love to com- memorate the compassion which St. Veronica had for the pitiable condition of our dear Redeemer". THE OBJECT is to aid poor Mission Chapels where Jesus dwells in the Tabernacle for love of us, His children. A DONATION of linen or money—linens plain and service- able are preferred—should be sent to HUNTINGTON, INDIANA A PERPETUAL MEMBERSHIP CARD will then be mailed to the donor on which he may inscribe the name of the person, living or deceased, for whom membership is desired. Retain the card. Order the following books from us: THE ART OF MAKING ALTAR LINENS - - 25c THE ART OF MAKING ALTAR LACES - - 25c SEWING FOR THE SANCTUARY - - - - 50c -o- THE ART OF MAKING ALTAR LACES Eleven Huntington, Indiana. Summer of 1921. DEAR MARY ELIZABETH: It is a real pleasure to answer your letter of inquiry about the ORDER OF SAINT VERONICA. This unique Society was started in the office of our good F a t h e r Noll, Lent 1920, to assist needy Missions in securing A l t a r linens, this fabric having advanced beyond the means of many poor parishes. The idea of donating a piece of linen, or the price of it, "to commemorate the compassion which Saint Veronica had f o r our dear Redeemer" appealed to our generous Catholics, both men and women, and to supply the demand f o r simple, practical instructions we published a beautiful booklet entitled: " T H E ART OF MAKING ALTAR LINENS," price 25c, which became an instant success and thousands of copies have been sold. Then our members, who were skillful crocheters, requested us to issue a companion booklet on " T H E ART OF MAKING ALTAR LACES" t h a t they, too, might use their talents in decorating the Altars where dwells the Pris- oner of Love. Therefore, this goes out with dainty, original designs suitable f o r the adornment of sanctuary linens, yet always conforming to the pre- scribed rules of the Church. You have asked: "What are the greatest needs of the Missions?" Well, dear, owing to the greater cost of the larger pieces, we never receive enough Altar cloths, and the same is true of amices. The next need of the poor chapel is to have all offerings WELL MADE, BUT PLAIN. Fine laces and elaborate handiwork in a poor chapel are out of place, and m a y become, a burden to the missionary priest. Yes, we do love to tuck in one good set, f o r holy days, but we know the plain, serviceable set is what the priest welcomes most. How I wish you could peep over my shoulder to see some of the g r a t e f u l letters t h a t come f r o m the priests, or some of the interesting letters f r o m our members telling of the blessings procured through this charity. Many of our readers buy a few yards of linen which they shrink and cut according to the outline on page six. A few friends are invited to a porch p a r t y or an evening sewing, a pleasant diversion f o r busy women, and it is busy people who accomplish the worth-while things; they exchange household ideas over their stitches and soon there are nice linens f o r the pastor if the local church is in need and a bit to send to the ORDER OF SAINT VERONICA, f o r only when we share with God's poor is our g i f t perfect. There are many clever ways to pay f o r the linen thus used. One hostess may charge a quarter f o r the light refreshments she serves; another bakes a "guess cake" and the 5c guesses as to what unusual thing she has baked in it cause much merriment. Throwing pennies into a receptacle f o r a prize is heaps o' f u n , f o r you know how a woman throws; grab bags, parcel post, etc., will create mirth and accomplish much good. In case you organized a sewing circle, be sure to s t a r t it with prayer and invite as your "Silent Guest" the Housekeeper of Nazareth, whose hands made the clothing worn by the Child Jesus.. Worldly amusements are always changing because they soon bore the devotees of society: stitching linens and crocheting laces f o r our Blessed Savior have a joy unknown to the selfish heart, and this increases with every article made f o r Him. Heavenly treasures never go out of date, nor do they become food f o r moth. THE ART OF MAKING ALTAR LACES Eleven I'm tucking in a picture to show you Saint Veronica's Cupboard, where your linens will remain until sent on their errand of love. Through our loyal readers we have had the happiness of placing 7,000 pieces of linen. May Saint Veronica keep her cupboard well supplied so t h a t no appeal of a little chapel will go unanswered because the shelves are empty. With all good wishes f o r your success in this lovely work, and trusting to receive a bit of your handiwork to pass on to some poor Mission on our waiting list, I am, Very sincerely yours, P. S. I t is said a woman's postscript is the most important p a r t of her letter, so I'd better tell you t h a t the following abbreviations a r e : Ch chain; d s double stitch; k knit; 1 loop; m mesh; p picot; r r i n g ; s stitch; sts stitches; sh shell; si st slip stitch; s c single crochet; sp space; t r treble. The number of thread to be used has not been given, because a large article will require coarse thread to be effective; a smaller piece of linen should have a daintier trimming. Ordinary spool cotton and sewing thread may be used f o r the laces, as this does not have to be linen. A reading glass, with a straight strip of paper pasted across one-half of the lower side, will assist in reading directions and following rows. SAINT VERONICA'S CUPBOARD. The articles on the doors show what linens the continguous shelves contain. Every detail of cutting, sewing, marking, and laundrying is fully described in "THE ART OF MAKING ALTAR LINENS." Six THE ART OF MAKING ALTAR LACES Eleven The tiny red crosses of Turkey Red Cotton should be about this size when finished. T H E WAY TO CUT AND TO FOLD ALTAR LINENS. Two and one-half y a r d s of linen 36 inches wide will cut: 4 fiagertowels 14x9 3 purificators 18x12 2 corporals 18x18 5 pall covers 14x7 1 amice 36x remainder THE ART OF MAKING ALTAR LACES Twenty-three SIMPLE EDGES. Any dainty, little edge is suitable f o r the ends of fingertowels, and f o r the four sides of corporals, sick-call towels, and palls. STOLE COLLARS. This shows how bits of linen and simple edges, or pieces of lace may be utilized. Single edged collars are f o r vestment and benediction stoles; double edged collars are used when Baptism and when Extreme Unction are being administered. A good size la 3x18 inches. Eight THE ART OF MAKING ALTAR LACES • i p p p f S S p p p ^ THE ART OF MAKING ALTAR LACES Eleven m m i i l l ^ P I S m S ^ I K M H I Í SICK CALL TOWELS. Never waste linen f o r any small, sheer pieces should be made into sick call towels. These may be hemstitched or have a fine edge sewed or crocheted on. An average size is 3x5 inches, but it may vary somewhat according to your remnant. T HE ART OF MAKING ALTAR LACES Eleven A ROUND EDGE. Ch 10; 3 t r ; ch 4; join to first s t of ch; 12 t r in this sp; 3 t r in first sp; ch 2; 3 t r in same sp; ch 7 and t r 3 into ch of 2; ch 3; t r 3 between third and fourth treble you made first; ch 4; si st between 6th and 7th treble made first; ch 3 and t u r n ; 3 t r on ch; ch 3 f o r picot; t r 3; ch 3 f o r picot; t r 3; ch 3 f o r picot; t r 3; t r 3 in next sp; 1 ch; 3 t r into top space; ch 1; 3 tr. Repeat until long enough. F I L E T CROSS. Ch 29; t r into 8th s t f r o m hook; 8 Open sps. 2nd ROW: Ch 5 and t u r n ; 4 open sps; 1 filled; 3 open sps. 3rd ROW: Ch 5 and t u r n ; 2 open sps; 4 filled; 2 open. 4th ROW: Ch 5 and t u r n ; 4 open; 1 filled; 3 open. 5th ROW: Ch. 5 and t u r n ; 8 open sps; si st 2 meshes. 6th ROW: 6 open. 7th ROW: Ch 5 and t u r n ; 6 open. 8th ROW: Ch 5 and t u r n ; 6 open. This gives one scallop and one-half of the space between. Repeat. THE ART OF MAKING ALTAR LACES Eleven »XsL PICOT Ch 5; join; ch 5; 1 d s; ch 2; 1 d s; ch 2; 1 d s; ch 5; t u r n ; 1 d s; ch 2; 1 d s; ch 2; 1 d s; ch 2; 1 d s; ch 7; t u r n ; 1 d s; ch 2; 1 d s; ch 2; 1 d s; ch 2; 1 d s; ch 5; t u r n ; )INT EDGE. 1 d s; ch 2; 1 d s; ch 2; 1 d s; ch 2; 1 d s; 5 d s in ch of 7; ch 2; 5 d s; si st to first row; t u r n ; ch 5; si s t in ch of 2; 3 p; ch 5; si st to last row; ch 2; repeat. SIMPLE Make chain desired length. 1st ROW: t r in 8th st from hook; ch 2; miss 2; t r in next st; ch 2; miss 2; t r in next st; repeat to end of ch; 2nd ROW: ch 3; d t r in 3rd sp. Throw thread over hook. Work off 2 sts, and 2 sts, and 2 sts, leaving 2 on hook; 1 d t r ; work off 2 sts and 2 sts, leaving 'i sts on hook; draw these 3 sts off a t one time. Ch 3; make 3 more clusters of d t r s in same space with 3 ch between. Repeat to end of lace. SI s t ; ch 3; d on 3rd t r , taking 5 sps f o r a scallop. 3rd ROW: 2 d; 1 p ; 2 d in 3 ch; 2 d; 3 p; 2 d in each sp between clusters; 2 d; 1 p; 2 d in last ch. Repeat. Twenty-eight THE ART OF MAKING ALTAR LACES TATTING FOR ALTAR LINENS. Tatting is especially suited f o r palls and corporals. Avoid having too many picots or rings edging the design, as these go awry in ironing. A chainstitch edge crocheted on t a t t i n g will give firmness and ease in sewing to the linen. In a narrow design, 26 inches should go around a 6•'inch square pall; 72 inches should trim a corporal; 10 inches a finger towel. In the lace edgings, allow a bit more, as lace looks better with a little fullness. FOUR L E A F CLOVER TATTING. Make r of 2 d s; 6 p separated by 2 d s; 2 d s; close; r ; 2 d s; join to last p of r ; 2 d s: 5 p separated by 2 d s; 2 d s; close; repeat above to form a four-leafed clover. Tie and break thread. Repeat and join as pictured. THE ART OF MAKING ALTAR LACES Thirteen P P P P P I ! ^ STAR OF BETHLEHEM TATTING. Make r 4 d s; p; 4 d s; close; ch 4 d s ; r ; 6 d s; join to long p; 6 d s; close; make 3 p separated by 2 d s; 4 d s; r 6 d s; long3 more r in long p; ch 4 d s; 3 p separated p ; 6 d s; close; ch 3 d s; p; 2 d s; join to pby 2 d s; 4 d s; p; 4 d s; join to p of ch; of r 2 d s; 3 p separated by 2 d s; 3 d s; close. T H R E E L E A F CL< Make separate r ; 2 d s; p ; 3 d s; p ; 3 d s; p ; 3 d s ; p ; l d s ; close; f a s t e n tightly and break thread. R 7 d s; p; 3 d s; p ; 7 d s; close. Ch 4 d s; p ; 2 d s; p; 12 d s; join to separate r ; 6 d s; p; 6 d s; r ; 3 d s; 6 p separated by 3 d s; 3 d s; close. R; 3 d s; join to last p of r ; 3 d s; join to p of large r ; 3 d s : 2 d s; p; 3 d s; p ; 3 d s ; close. ER TATTING. R; 3 d s; join to last p of r ; 3 d s; 4 p separated by 3 d s; 3 d s; close. Ch 9 d s ; now make 2 more 3 leafed clover rings. Ch 6 d s; join to p of ch; 6 d s; join to separate r ; 12 d s; p ; 2 d s; p ; 4 d s; r ; 7 d s; join to next last p of second r of clover leaf; 2 d s; p ; 7 d s; close. Twenty-eight THE ART OF MAKING ALTAR LACES CROCHETED Cincture: Double Thread, white, No. 3; crochet hook No. 3 or 4. Chain 5; make double crochet in first stitch of chain mak- ing circle catch the inside threads of chain. This throws the spiral ridge around the out- side. Continue this, f o r the entire cord is made of single chain, row a f t e r row, until cord is 4*4 yards long. The only difficulty is in learning which inner stitch to lift. When we remember t h a t the cord is heavy and double we soon learn to go down a bit to catch the next inner stitch. Tassel f o r Cincture. No. 15 f o r the cap. No. 3 f o r the fringe. Chain 10, join; 1st row, 13 trebles; 2nd row, 15 trebles; 3rd row, 4th row, 5th row; 2 trebles between each preceding treble, 1 stitch between. 6, 7, 8, 9 and 10th rows, 3 trebles in groups, 1 stitch between. 11th row, 4 trebles, 1 stitch between. Into these last trebles the cord is knotted to form the f r i n g e about 24 ends in each. Cutting cardboard 6 or 7 inches long and wrapping 12 times and cutting one end is an easy way to make the fringe. Slip fin- CINCTURES. ished cap over end of rope and sew on with needle. Various styles of tassels may be used a t your pleasure. It is not necessary to follow this particular one. But be sure to have the cap f a i r l y short and the f r i n g e long f o r graceful effect. In case you prefer to use a single thread f o r the cincture, s t a r t with seven stitches. From f o u r to six balls are required, accord- ing to the kind used, the tightness of the stitch,—which is better than a loose one,—• and the style of the tassel. Number One cincture is knitted through a spool with four pins like children make reins. Use silkene No. 3 and when V4, inch has been made insert cable cord No. 70. Tie ends of cable to prevent f r a y i n g . Numbers Two and Three are made ac- cording to first directions. Number Five is the same stitch but reversed by a left- handed knitter, and these contain no cable. Number Four is the same stitch with single thread, seven stitches around, and has a cable in it. A long narrow bag will help keep the finished work spotless. THE ART OF MAKING ALTAR LACES Twenty-three mrnm^mm P» mntmtsgrMm J « : i * » » * * ; - P I CROSS AND HEART. Ch 72, making 24 meshes; ch 3; 4 trebles in 1 sp; 7 open sp; 3 filled sp; 13 open sp; ch 5 and t u r n ; 12 open sp; 5 filled sp; 6 open sp; 1 filled sp; ch 8 and t u r n ; 5 trebles; 6 open sp; 3 filled sp; 2 open sp; 3 filled sp; 12 open sp; ch 5; t u r n ; 5 open sp; 2 filled sp; 3 open sp; 3 filled sp; 2 open sp; 4 filled sp; 5 open sp; 1 filled sp; ch 8 and t u r n ; 4 t r ; 5 open sp; 3 filled sp; 2 open sp; 4 filled sp; 4 open sp; 2 filled sp; 5 open sp; ch 5 and t u r n ; 5 open sp; 3 filled sp; 5 open sp; 4 filled sp; 2 open sp; 4 filled sp; 4 open sp; 1 filled sp; ch 8 and t u r n ; 4 t r ; 4 open sp; 4 filled sp; 2 open sp; 16 filled sp; 2 open sp; ch 5 and t u r n ; 2 open sp; 16 filled sp; 2 open sp; 4 filled sp; 4 open sp; 1 filJ.'id sp; 3 ch; 1 filled sp; 4 open sp; 4 filled sp; 2 open sp; 4 filled sp; 5 open sp; 2 filled sp; 5 open sp; ch 5 and t u r n ; 5 open sp; 2 filled sp; 4 open sp; 4 filled sp; 2 open sp; 4 filled sp; 4 open sp; ch 3 and t u r n ; 4 t r ; 6 open sp; 3 filled sp; 2 open sp; 2 filled sp; 12 open sp; ch 5 and t u r n ; 13 open sp; 6 filled sp; 6 open sp; 1 filled sp; ch 3 and t u r n ; 4 t r ; 7 open sp; 3 filled sp; 13 open sp; ch 5 and t u r n ; 22 open sp; 1 filled sp. Repeat. This design may be successfully alternated with other patterns. Twenty-eight THE ART OF MAKING ALTAR LACES m i m Si •à m i m m m S Smaller Rose and Medallion: Make 6 petals instead of 7 petals. 1st ROW; ch 9; 1 p; ch 9; p; ch 3 si s t into 3rd t r of outer petal; ch 9; p; ch 9; p ; ch 3; si st into 9th t r of petal. Repeat on other 5 petals. 2nd ROW: Ch 9; p ; ch 9; p; ch 3; si st between p s ; ch 6 and si st between p s ; t u r n work, and 8 ds; ch 3; t u r n ; 8 t r s in 8 ds; f a s t e n between same p as ch of 6 is fastened. Re- p e a t until 16 spaces are made, t h a t is, 4 f a n s with 3 spaces between each f a n . 3rd ROW: Make 24 sps with 2 ps to each sp. 4th ROW: Make fan, or fallen petal in cor- n e r ; 5 open spaces with 2 picots to each space. Repeat around row. 5th ROW: open sp with 2 ps to each sp all around. Fasten thread and break. Join this square medal- lion to five-sided figure, and where a space occurs in the joining, cover with a small rose, making three different sizes of roses. IRISH CROCH Irish Crochet makes exquisite trii Directions f o r making these garments as general instructions could not ass size, will give. Many of the lace desij suit the t a s t e and skill of the crochet To make Rose: Ch 7 and join in ring. 1st ROW: Ch 6 and t r ; ch 3 and t r until 6 open sps are made; ch 2 and join into 3rd s t of 1st t r . Make 8 t r s in each of t h e 7 loops f o r the inner petals. 2nd ROW: Ch 6 and si s t under petal between petals. Re- peat until 7 loops are made; make 10 t r s in each petal. 3rd ROW: Ch 6 and si st under petal between petals; repeat until 7 loops are made; make 12 t r s in outer petals. THE ART OF MAKING ALTAR LACES Twenty-three OCHET LACE. 2 trimming f o r fine surplices and albs, lents are not contained in this booklet, ; assure results t h a t patterns, correct designs, as shown here, or combined to icheter, may be used to trim surplices. Irish Crochet: 1st ROW: Ch 9; and catch back into 6th st to form p; ch 9; 1 p; ch 3; si st on 5 t r of petal; ch 9; 1 p ; ch 9; 1 p ; ch 3; si st on 9th t r of same petal. Repeat this all around the rose. 2nd ROW: Ch 9 1 p; ch 9; 1 p; ch 3; si s t between ps; ch 9 1 p; ch 9; 1 p ; ch 3; si st between p s ; ch 6 si st between ps; turn your work; make 8 d in the 6 ch; ch 3; t u r n work; 8 t r s on the 8 ds; ch 3; f a s t e n between the same p as 6 ch is fastened. Repeat all around and when finished, you will have 5 f a n s . 3rd ROW: Ch 9; p ; ch 9; p; ch 3; si st into ends and middle of f a n , and f a s t e n be- tween ps around row. 4th ROW: ch 9; p; ch 9; p; ch 3; si st between ps; repeat around row. 5th ROW: Make 5 f a n s as in 2nd row. 6th ROW: Repeat like 5th row. This makes a 5-sided figure. When the lace is all joined, finish edge of work with 8 ch all around, and buttonhole 10 with picot in center. Twenty-eight THE ART OF MAKING ALTAR LACES I. H. S. ALTAR CLOTH LACE. Ch 54; make 16 open sp; 2 filled sp; ch 5 and t u r n ; 2 filled sp; 16 open sp; ch 5 and t u r n ; 7 open sp; 1 filled sp; 1 open sp; 4 filled sp; 3 open sp; 2 filled sp; ch 5 and t u r n ; ch 12; t r 7 times; 4 open sp; 1 filled sp; 3 open sp; 1 filled sp; 2 open sp; 1 filled sp; 6 open sp; ch 5 and t u r n ; 5 open sp; 2 filled sp; 3 open sp; 1 filled sp; 2 open sp; 2 filled sp; 3 open sp; 2 filled sp; ch 12; 7 t r ; 5 open sp; 1 filled sp; 3 open sp; 5 filled sp; 6 open sp; ch 5 and t u r n ; 7 open sp; 1 filled sp; 6 open sp; 1 filled sp; 5 open sp; 2 filled sp; ch 12; 7 t r ; 22 open sp; ch 5 and t u r n ; 7 open; 1 filled sp; 7 open sp; 1 filled sp; 6 open s p ; 2 filled sp; ch 12; t r 7 times; 6 open sp; 2 filled sp; 2 open sp; 8 filled sp; 6 open sp; ch 5 and t u r n ; 5 open sp; 1 filled sp; 8 open sp; 1 filled sp; 2 open sp; 1 filled sp; 6 open sp; 2 filled sp; ch 3; t r 7; 7 open sp; 2 filled sp; 8 open sp; 1 filled sp; 6 open sp; ch 5 and t u r n ; 3 open sp; 1 filled sp; 3 open sp; 1 filled sp; 5 open sp; 1 filled sp; 8 open sp; 2 filled sp; ch 3 and t u m ; t r 7; 7 open sp; 13 filled sp; 2 open sp; ch 5 and t u r n ; 3 open sp; 1 filled sp; 9 open sp; 1 filled sp; 6 open sp; 2 filled sp; ch 3 and t u r n ; 7 t r ; 22 open sp; ch 5 and t u r n ; 5 open sp; 1 filled sp; 7 open sp; 1 filled sp; 4 open sp; 2 filled sp; ch 3; 7 t r ; 3 open sp; 11 filled sp; 4 open sp; ch 5 and t u r n ; 5 open sp; 1 filled sp; 7 open sp; 1 filled sp; 2 open sp; 2 filled sp; 7 t r ; ch 3; 7 t r ; 16 open sp; ch 5 and t u r n ; 16 open sp; 2 filled sp; ch 3; 7 t r ; 7 open sp; 1 filled sp; 7 open sp; ch 5 and t u r n ; 7 open sp; 1 filled sp; 1 open sp; 1 filled sp; 7 open sp; ch 3; 7 t r ; 8 open sp; 1 filled sp; 7 open sp; re- peat until required length is made. THE ART OF MAKING ALTAR LACES Nineteen É É É i t ó É É É É s i ^ P P I P I P P P W P I f BORDER: Ch. 16 sts; make 3 t r s in 4th s t f r o m hook; 1st ROW: ch. 1; 3 t r s in same stitch making shell; ch 9; 3 trs, 1 ch it and 3 t r s in last st; t u r n ; 2nd ROW: ch 3; sh in sh; ch 9; sh in sh; t r in last st of *! ch; 3rd ROW: sh in sh; ch 9; sh in sh; turn. 4th ROW: ch 3; sh in sh; ch 7; link 4 chains together with loose d; t u r n ; ch 3; 6 t r s on next 6 sts; t u r n ; ch 3 f o r first t r ; 6 t r s in 6 t r s ; t u r n ; d in each of the 7 t r s ; t u r n ; ch 3 f o r first t r ; 6 t r s in next 6 sts completes block. Sh in sh; t r on 3rd of ch; t u r n . 5th, 6th, 7th and 8th ROWS are like 1st, 2nd and 3rd ROWS. 9th ROW is like 4th ROW. 10th and 11th ROWS are like 1st and 2nd ROWS. P I N E A P P L E : Ch. 3; sh in first loop; ch 9; sh in 3rd loop; ch 9; sh in last loop; ch »LE LACE. 3; d in first lower sh a t beginning; t u r n f o r next row. 8 ds in 3 ch; sh in sh; ch 3; 12 d t r s in center sh; ch 3; sh in sh; ch 3; sh in sh; ch 3; a d s between first and second d t r , making loop; repeat 9 times, making 10 loops. Ch. 3; sh in sh; ch 3; a d s in top of sh of lower row; turn. 8 d sts in 3 sh; sh in sh; ch 3; d s in first loop: ch 3; a d s in 2nd loop; repeat 8 times; ch 3; sh in sh; turn. Ch. 3; sh in sh. Repeat body of pineapple like last two rows, but decrease one loop each time, until only one loop remains. Ch. 3; sh in sh; ch 3; a d s in top of lower sh; 8 d in 3 sh; join with si st to opposite scallop on pineapple. Make 8 d on 3 ch to top of pineapple which com- pletes the first design. Sh. in sh; ch 9; sh in sh; t r in upper st of ch. Twenty-eight THE ART OF MAKING ALTAR LACES " S E V E N " OF T H E Ch 43 s t s ; turn. 1st ROW: Make sh in 6th st f r o m hook (1 t r ; 2 ch, 1 t r , 2 ch, 1 t r , 2 ch, 1 t r ) all in 6th s t ; miss 5 sts; sh in next s t ; repeat until 7 shs have been made. Ch 2 t r s in same st of last sh; turn. 2nd ROW: ch 5 t r s on first t r of sh; ch 2; make 7 shs in 7 shs; t r in top of ch a t beginning; turn. 3rd ROW: Ch 4; 7 sh in 7 shs; ch 2 t r s on last t r of sh; ch 2 t r on t r ; ch 2 t r s in 5 ch; turn. 4th ROW: Like 2nd row, in- creasing space in scallop. 5th ROW: Ch 4; 2 sh in next 2 shs; ch 7; si s t in 4th st f r o m hook f o r r ; ch 3; f a s t e n in last t r with si s t ; turn. Make 5 t r s in small r . Take hook out of work, insert in 3rd sh of 4th r ; draw loop through; make 6 more t r s in r ; turn. 4 shs in next 4 shs; ch 2; t r on last t r of sh; 3 more open sps; ch 2; t r in 5 ch; turn. 6th ROW: Ch 5; t r on t r ; 4 open sps; ch 2; t r on 1st of sh; 4 shs in 4 shs; f a s t e n with d between wheel and t r 11 t r s in r ; d in 1st t r ; 2 shs in 2 shs; t r in 4 ch; turn. 7th ROW: Ch 4; 1 sh in 1 sh; ch 7; si st in 4th s t f r o m hook; ch 3; si st in top of t r ; t u n u CROSS LACE. 5 t r s in r ; f a s t e n in lower sh as before; 6 t r s in r ; t u r n ; ch 7 si st in 4th st from hook; ch 3; si st in t r ; t u r n ; 5 t r s in r ; f a s t e n in center of wheel below; 6 t r s in r ; t u r n ; make 3 more half wheels; sh in sh; ch 2; t r in t r of sh; 5 open sps; ch 2; t r in 5 ch; turn. 8th ROW: Ch 5; t r in t r ; 6 open sps; ch 2; t r on t r ; sh in sh; d between wheel and t r 11 t r s in r . Continue until wheels are finished. Sh in sh; t r in 4 ch; turn. 9th and 10th ROWS like 5th and 6th rows. 11th and 12th ROWS like 4th and 5th rows. 13th ROW: Ch 4; 7 shs in 7 shs; d in first sp in scallop; sh made of 2 trs, 1 ch, 2 t r s in next sp; d in next sp; make sh in every other sp except when a t point where 3 trs, 1 ch, 3 trs, give fulness to turn. Make 5 shs on other side of scallop; d in last sp; turn. 14th ROW: Ch 1; 3 trs, 1 ch, 3 t r s in sh; ch 1; 1 d in d; ch 1; sh in sh all around. Make 4 t r s , 1 ch, 4 t r s in sh a t corner; 7 shs in 7 shs; t r in 4 ch. This completes the scallop. THE ART OF MAKING ALTAR LACES Twenty-three W H E E L S OF W H E E L S : Ch 8; join; treble 3 times; ch 5; treble 3 times; ch 5; treble 3 times; ch 5; treble 3 times; ch 5; treble 3 times; ch 5; treble 3 times; ch 5; si s t ; ch 4; treble 3 times in each sp, making 18 trebles with 3 ch between each treble. Repeat f o r 2nd wheel si st three last t r together to join. J O I N E R : Ch 8; join; treble 2; 2 ch si st ch 2 t r 2; repeat to join to 4 wheels. ME ALTAR LACE. BORDER: Treble meshes to make line straight in first row; 2nd row; 3 trebles, 6 times; .2 open sp; r e p e a t ; 3rd row; 1 open sp; 2 filled sp; repeat until end. EDGE: Treble 3 times in 7 meshes; 1 open sp; repeat all around; ch 4; treble two a t a time; ch 4; si s t ; ch 4; si s t ; ch 4; si s t ; treble to same sp; ch 4; repeat until border is finished. Twenty-two THE ART QF MAKING ALTAR LACES wmmmmmmmmmmmmmmmmm^ wmmmmmmmm DIAMOND SHAPED FRONTAL. 1st ROW: Ch 78 which will give 28 meshes; ch 5 and turn. 2nd ROW: 1 open sp; 1 filled sp; 2 open sp; 1 filled sp; 27 open sp; 2 filled sp; 1 open sp; ch 8 and turn. 3rd ROW: 2 filled sp; 8 open sp; 1 filled sp; 14 open sp; 2 filled sp; 2 open sp; ch 5 and turn. 4th ROW: 1 open sp; 1 filled sp; ch 3; si s t ; ch 3; 1 filled sp; 12 open sp; 3 filled sp; 8 open sp; 2 filled sp; 1 open sp; ch 8; turn. 5th ROW: 1 open sp; 2 filled sp; 8 open sp; 5 filled sp; 11 open sp; 1 filled s p ; ch 4; 1 filled sp; 1 open sp; ch 5 and turn. 6th ROW: 2 open sp; 2 filled sp; 1 open sp; 10 open sp; 8 filled sp; 8 open sp; 2 filled sp; 1 open sp; ch 8 and turn. 7th ROW: 1 open sp; 2 filled sp; 10 open sp; 7 filled sp; 10 open sp; 2 filled sp; ch 3; 1 filled sp; 1 open sp; ch 5 and turn. 8th ROW: 1 filled sp; ch 4; 1 filled sp; 10 open s p ; 11 t r ; ch 10 and catch back to 5th row; 10 t r on to this ch; ch 10 and catch back to 4th row; t r back on this ch; ch 10 and catch back to 5th row; t r back on this ch; 11 t r ; 10 open sp; 2 filled sp; 1 open sp; ch 8 and t u m . 9th ROW: 1 open sp; 2 filled sp; 8 open sp; 3 filled sp; 1 open sp; 3 filled sp; 1 open sp; 3 filled sp; 1 open sp; 3 filled sp; 9 open sp; 2 filled sp; 2 open sp; ch 5 and turn. 10th ROW: 1 filled sp; ch 3; si s t ; ch 3 1 filled sp; 6 open sp; 7 filled sp; ch 4; si; s t ; ch 4; 7 filled sp; 8 open sp; 2 filled sp; 1 open sp; ch 8 and turn. 11th ROW: 1 open sp; 2 filled sp; 8 open sp; 7 filled sp; ch 4; si st; ch 4; 7 filled sp; 5 open sp; 1 filled sp; ch 4; 1 filled sp; 1 open sp; ch 5 and turn. 12th ROW: 2 open sp; 2 filled sp; 5 open sp; 7 filled sp; ch 4 si st; ch 4; si s t ; ch 4; 7 filled sp; 8 open sp; 2 filled sp; 1 open sp; ch 8 and turn. 13th ROW: 1 open sp; 2 filled sp; 8 open sp; 7 filled sp; si s t ; ch 4; si s t ; ch 4; si s t ; ch 4; si st; ch 4; 7 filled sp; 5 open sp; 1 filled sp; ch 4; 1 filled sp; 1 open sp; ch 5 and turn. 14th ROW 2 open sp; 2 filled sp; 6 open sp; 7 filled sp ch 4; si s t ; ch 4; si st; ch 4; si s t ; ch 4 si s t ; 7 filled sp; 7 open sp; 2 filled sp; ch 8 and turn. This gives one-half of the point. EDGE: Ch 4; treble, two a t a time; ch 4; si s t ; ch 4; si s t ; ch 4; si s t ; treble to same sp; ch 4 continue around the points. THE ART OF MAKING ALTAR LACES Twenty-three DIAMOND POINTS IN ALTAR CLOTH. This Altar cloth was hemstitched a t a hemstitching shop. SI st twice in each space of hemstitching, doing this button-holing around the entire cloth, or f r o n t and sides as you desire. Make first mesh by a ch of 5; throw thread and catch in 3rd st of button- holing; take 2 sts off, and 2 sts off. Repeat meshes from lower point to inner corner. Make 1 mesh on opposite side. Turn, make 2 open meshes on meshes of first side; 1 filled mesh; 3 open meshes; ch 5 and t u r n ; 2 open sps; 1 filled sp; 1 open; 1 filled; 1 open; t r into buttonholing to finish mesh. Tr f o r next mesh; 1 filled; 1 open; 1 filled; 1 open; 1 filled; 1 open. Ch 5 and turn. 2 open; 1 filled; 1 open; 1 filled; 1 open; t r to finish mesh; t r f o r next mesh; 3 open sps; 1 filled; 3 open; ch 5 and t u r n ; 7 open sps which finishes meshes of crocheted point, and repeat this on each point. Make picot edge with si st and ch of 3 sts. Twenty-eight THE ART OF MAKING ALTAR LACES ALTAR CLOTH W This design was laid off a f t e r the medal- lions were crocheted to insure perfect fitting into the linen whether the design was knit- ted loosely or firmly. Ch 12 and fasten, making ring; si st into r i n g 29 times. 1st ROW: Ch 3; throw thread and t r 2 f o r beginning of solid point; ch 2; t r 2; ch 2; t r 2; repeat until 7 shs are made around ring. 2nd ROW: Ch 3; 4 t r s on 2 t r s ; ch 3; t r 2; ch 2; t r 2; repeat these 7 shs on 7 shs. 3rd ROW: Ch 3; 6 t r s on 4 t r s ; ch 4; t r 2; ch 2; t r 2; ch 4; repeat 7 shs on 7 shs. 4th ROW: Ch 3; 8 t r s on 6 t r s ; ch 5; t r 2; ch 2; t r 2; ch 5; repeat 7 shs on 7 shs. 5th ROW: Ch 3; 10 t r s on 8 t r s ; ch 6; t r into middle of sh; ch 6; d c and catch loose chains between shs of 2nd, 3rd and rH MEDALLIONS. 4th rows, and bind loosely together. Re- peat on all shells. 6th ROW: 12 t r s on 10 t r s ; 8 t r s in each space around shells. 7th ROW: Ch 3; 14 t r s on 12 t r s ; ch 8; 2 t r s ; 2 ch; 2 t r s ; fastening sh between 8th and 9th t r of former row. 8th ROW: Ch 3; 16 t r s on 14 t r s ; ch 9; t r 2; ch 2; t r 2; repeat around shs. 9th ROW: Ch 3; 18 t r s on 16 t r s ; ch 10; t r 2; ch 2; t r 2; repeat around shs. 10th ROW: Ch 3; 20 t r s on 18 t r s ; ch 13; catch back into 10th s t f o r picot; d c into center of sh; ch 5 and catch back into 3rd f o r p; d c into sh; ch 5 and catch back into 3rd st f o r p ; d c into sh; ch 5 and catch back into 3rd f o r p ; ch 5; d c and catch loose chains between shs of 7th, 8th and 9th rows. Repeat to make finishing edge around medallion. THE ART OF MAKING ALTAR LACES Twenty-three LACET CROSS. Make ch of 35 sts. Turn. 1st ROW: A d in 10th st f r o m hook; ch 3; miss 3; 4 t r s in next 4 sts; ch 2; miss 2; 1 t r in next st; ch 2; miss 2; 4 t r s in next 4 s t s ; ch 3; miss 2; a d in next; ch 3; miss 2; 2 t r s in next 2 s t s ; ch 2; miss 2; a t r in last; turn. 2nd ROW: ch 5; 2 t r s in 2 t r s ; ch 5; t r in next t r ; 12 t r s in next 12 sts; ch 5; a t r in 3rd st of loop a t end of row; ch 6; a t r in 8th st of same loop; turn. 3rd ROW: Ch 1; 12 d under 6 ch; t u r n ; 12 d in 12 d; t u r n ; 3 d in 3 d; ch 5 f o r picot; a d in same s t ; repeat this twice; 3 d in 3 d; ch 3; a d in center of 5th ch; ch 3; a t r in t r ; (this is called a lacet); make 3 more lacets; 2 t r s on 2 t r s ; ch 2; t r in 3rd of 5th ch. 4th ROW: Ch 5; 2 t r s on 2 t r s ; make 4 sps; ch 5; t r between first and second p; ch 6; t r between second and third p ; turn. 5th ROW: Make scallop as in third row; 5 lacets; 2 t r s on 2 t r s ; ch 2; t r in 3rd of 5 ch; turn. 6th ROW: Ch 5; 2 t r s on 2 t r s ; 5 sps; ch 5; t r between first and second p ; ch 6; t r between second and third p; turn. 7th ROW: Make scallop; 3 lacets; 7 t r s on next 7 sts; 2 lacets; 2 t r s on 2 t r s ; ch 2; t r in 3rd of 5 ch. 8th ROW: Ch 5; 2 t r s on 2 t r s ; 2 sps; 7 t r s on 7 t r s ; 2 sps; ch 5; t r between first and second p; ch 6; t r between second and third p ; turn. 9th ROW: Scallop; 1 lacet; 31 t r s on next 31 s t s ; 1 lacet; 2 t r s on 2 t r s ; ch 2; t r in 3rd of 5 ch; turn. 10th ROW: Ch 5; 2 t r s on 2 t r s ; 1 sp; 31 t r s on 31 t r s ; ch 5; t r on first d of scallop; ch 6; t r between first and second p ; t u r n . 11th ROW: Scallop; when scallop is finished make d in 3rd of 5 ch; ch 3; t r on t r ; 3 lacet; 7 t r on 7 t r ; 2 lacet; 2 t r s on 2 t r s ; ch 2; t r in 3rd of 5 ch; t u r n . 12th ROW: Ch 5; 2 t r s on 2 t r s ; 1 sp; 7 t r s on 7 t r s ; 3 sps; ch 6; t r between first and second p ; turn. 13th ROW: Make scallop as in 11th row. Fasten with d in 5 ch; ch 3; t r on t r ; 5 lacet; 2 t r s on 2 t r s ; ch 2; t r in 3rd of 5 ch; turn. 14th ROW: Ch 5; 2 t r s on 2 t r s ; 5 sps; ch 6; t r between first and second p ; turn. 15th ROW: Scal- lop; f a s t e n with d in 3rd of 5 ch; t r on t r ; 1 lacet; 13 t r s on next 13 s t s ; 1 lacet; 2 t r s on 2 t r s ; ch 2; t r on 3rd of 5 ch; turn. 16th ROW: Ch 5; 2 t r s on 2 t r s ; 1 sp; 4 t r s on 4 t r s ; ch 2; miss 2; t r in next s t ; ch 2; miss 2; 4 t r s in next 4 t r s ; ch 5; t r in next t r ; ch 9; turn. 17th ROW: a d in 3rd of 5 ch; ch 3; 4 t r on 4 t r s ; ch 2; t r on t r ; ch 2; 4 t r s on 4 t r s ; 1 lacet; 2 t r s on 2 t r s ; ch 2; t r on 3rd of 5 ch; turn. 18th ROW: Ch 5; 2 t r s on 2 t r s ; 1 sp; 13 t r s on next 13 s t s ; ch 5; a t r in 3rd of 9 ch; ch 6; a t r in 8th st of 9 ch; f a s t e n with a d in first p of pre- ceding scallop; turn. 19th ROW: Scallop; 4 lacet; 2 t r s on 2 t r s ; ch 2; t r in 3rd of 5 ch; turn. 20th ROW: Ch 5; 2 t r s on 2 t r s ; 4 sps; ch 5; t r between first and second p ; ch 6; t r between 2nd and 3rd p ; turn. 21st ROW: Scallop; 5 lacet; 2 t r s on 2 t r s ; ch 2; t r on 3rd of 5 ch; turn. 22nd ROW: Ch 5; 2 t r s on 2 t r s ; 5 sp; ch 5; t r between first and second p ; ch 6; t r between second and third p ; turn. 23rd ROW: Scallop; 6 lacet; t r on first of 2 t r s ; turn. 24th ROW: Ch 8; t r on t r ; 5 sps; ch 5; t r between first and second p; ch 6; t r between second and third p; turn. 25th ROW: Scallop; 6 lacet; t r on t r ; turn. 26th ROW: Ch 8; t r on t r ; 4 sps; Twenty-six m THE ART OF MAKING ALTAR LACES Eleven ch 5; t r on corner of scallop; ch 6; t r be- tween first and second p; turn. 27th ROW: Scallop; f a s t e n scallop with d in 3rd of 5 ch; ch 3; t r on t r ; 4 lacet; turn. 28th ROW: Ch 8; t r on t r ; 3 sp; t r on t r ; ch 6; t r be- tween first and second p; turn. 29th ROW: Scallop as before; 3 lacet; turn. 30th ROW: Ch 8; 2 sps; t r on t r ; ch 6; t r between first and second p; turn. 31st ROW: Scallop; 2 lacet; turn. 32nd ROW: Ch 8; t r on t r ; ch 5; t r on t r ; ch 6; t r between first and second p ; turn. 33rd ROW: Scallop; 1 lacet; turn. 34th ROW: Ch 8; t r on t r ; ch 6; t r between first and second p; turn. 35th ROW: Make scallop as usual. Fasten in 3rd of 8 ch; 3 singles along next 3 s t s ; turn. 36th ROW: Ch 6; t r between first and second p of scallop just made; turn. 37th ROW: Make the scallop; ch 3; a d in same st as last single was made in; ch 6; miss 2; a d in next; ch 3; t r on t r ; 2 lacet; t r on t r ; ch 3; d in 3rd of 5 ch; ch 3; si s t in 3rd of 8 ch; si st in 2 more of ch; turn. 38th ROW: Ch 5; t r on t r ; 3 sps; t r in 3rd of 6 ch; ch 5; a t r between first and second p ; turn. 39th ROW: Scallop; 5 lacet; t r on t r ; ch 3; d in middle of sp; ch 3; si st in 3rd of 8 ch; si st in next 2 sts; t u r n . 40th ROW: 6 sps; t r on corner of scallop; ch 6; t r between first and second p; turn. 41st ROW: Scallop; f a s t e n with d in 3rd of 5 ch; ch 3; t r on t r ; 5 lacet; t r on t r ; ch 3; d in center of lower sp; ch 3; f a s t e n with si st in 3rd of 5 ch; si s t over next 2 s t s ; turn. 42nd ROW: Ch 5; 2 t r s on 2 t r s ; 6 sps; t r on t r ; ch 6; t r between first and second p ; turn. THE ART OF MAKING ALTAR LACES Twenty-three CUT WORK AND SCALLOPED ALTAR CLOTH. When making a fancy design on an Altar cloth, it is a good plan to finish f r o n t and back hems and to hem only one END. A f t e r the p a t t e r n has been finished, it is easier to hem the remaining end to suit the pattern, than to change the p a t t e r n to suit the hem, f o r an inch or so in the length of the cloth will not matter. If the design requires a six-inch hem, draw out a thread six inches f r o m selvage along entire f r o n t of cloth to guide in lay- ing the hem perfectly straight. This fabric with missing thread will be cut off when scallop or point is ready to be worked, f o r this will be the edge of the hem. Sew three hems; wash, and iron while the linen is very damp to give a little stiffness. Run a light line with pencil (heavy marks are too hard to wash out) midway through the length of hems, t h a t is, 3 inches f r o m the edge of the f r o n t hem. Ditto hemmed end. Take a 2-inch square ol heavy card- board, m a r k off % inch around it. Place the design in the hemmed corner first and Twenty-eight THE ART OF MAKING ALTAR LACES work f r o m there. P u t the cardboard "guide" diamond-wise on the line and draw four lines, between the V* inch holding portions of the cloth, f o r the buttonholes. P u t a dot a t the hem end of the guide to space off the center of the scallop when you are ready f o r this, and a dot on the line to mark where the next set of button- holes is to go. When all buttonhole lines have been sketched, a gentle curve drawn f r o m end to end will insure evenness in turning r a w edges in between fabric. A ten-cent pro- tractor will give this curve and assist in laying off the scallops. Cut on buttonhole line, jabbing in center f o r safety, a tiny nick in widest p a r t will insure flatness; with needle t u r n f r o n t and back edges in between cloth and crease flat. Measure thread so t h a t one needleful will finish one buttonhole—22 inches will do a t first, but as linen thread is desirable in this work, it should not be wasted— make a small knot on the end of thread nearest the spool, before threading needle, as this twist direction of the thread sews without snarling. S t a r t buttonhole in cor- ner nearest center of design and this will give flatness by throwing final finishing to the four outside corners. F a s t e n raw angle securely with several buttonhole stitches. Sew f r o m r i g h t to left, as the stitches do not lace up well the other direction; pass the thread in f r o n t of, and under, the needle and draw thread up loosely, allowing central loops to be slightly larger t h a n end loops. In the center, the stitches should catch the raw edges to retain them in place. P u t same number of stitches on each side; f a s t e n this angle; t u r n work and l i f t stitches opposite each other, f r o m r i g h t to l e f t until all are loosely laced together; wrap thread around forefinger and pull gently until the network is even and the corners lie flat; fasten. Finish one button- hole, before cutting the next, lest the fabric stretch. A little practice in outlining and making this cut-work is suggested before s t a r t i n g on the linen goods. To get scallop, draw a line 2% inches f r o m the edge of hem. By placing the pro- tractor's arrow on this line and using the lower dot, made earlier in the outlining, the scallop can be drawn. P u t a row of machine stitching on pencil line of scallops to prevent f r a y i n g ; cut material away; buttonhole in each stitch of machine around all the scallops. Wrap thread around needle 4 times and crochet off 2 sts a t a time to make t r s ; 2 sts be- tween each tr. Between scallops, make 3 long t r s by wrapping thread around needle 6 times and taking off 2 sts a t a time. The final edge is made with 2 buttonholes; p; 2 buttonholes. Repeat. THE ART OF MAKING ALTAR LACES Twenty-three GRAPE No. 60 thread. To s t a r t with tendril point; ch 95. 1st ROW: Tr in 8th st f r o m hook; 14 open spaces (afterward called open or filled according to design); 1 filled; 12 open; 1 filled; 1 open; 1 filled. 2nd ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 10 open; 3 filled; 15 open. 3rd ROW: Ch 5 and t u r n ; 15 open; 1 filled; 1 open; 1 filled; 5 open; 3 filled; 3 open; 1 filled; 1 open; 1 filled. 4th ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 4 open; 1 filled; 1 open; 1 filled; 4 open; 2 filled; 1 open; 1 filled; 15 open. 5th ROW: Ch 5 and t u r n ; 15 open; 1 filled; 2 open; 2 filled; 1 open; 2 filled; 2 open; 1 filled; 5 open; 1 filled; 1 open; 1 filled. 6th ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 7 open; 1 filled; 2 open; 4 filled; 2 open; 1 filled; 16 open. 7th ROW: Ch 5 and t u r n ; 16 open; 1 filled; 4 open; 4 filled; 9 open; 1 filled; 1 open; 1 filled. 8th ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 9 open; 2 filled; 7 open; 1 filled; 3 open; 2 filled; 10 open. 9th ROW: Ch 5 and t u r n ; 9 open; 1 filled; 2 open; 1 filled; 2 open; 1 filled; 3 open; 2 filled; 3 open; 1 filled; 10 open; 1 filled; 1 open; 1 filled; 10th ROW: Ch 3 and fill 1; 1 open; 1 filled; 9 open; 1 filled; 3 open; 1 filled; 4 open; 1 filled; 5 open; 1 filled; 9 open. 11th ROW: Ch 5 and t u r n ; 10 open; 1 filled; 3 open; 1 filled; 5 open; 1 filled; 3 open; 1 filled; 8 open; 1 filled; 1 open; 1 filled. 12th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 8 open; 3 filled; 6 open; 5 filled; 11 open. 13th ROW.: Ch 5 and t u r n ; 13 open; 1 filled; 17 open: 1 filled; 1 open; 1 filled. 14th ROW: Twenty-eight THE ART OF MAKING ALTAR LACES Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 15 open; 1 filled; 14 open. 15th ROW: Ch 5 and t u r n ; 9 open; 3 filled; 2 open; 1 filled; 14 open; 1 filled; 1 open; 1 filled. 16th ROW: Ch 5 and t u r n ; 1 filled; 1 open; 1 filled; 8 open; 3 filled; 2 open; 1 filled; 3 open; 3 filled; 8 open. 17th ROW: Ch 5 and t u r n ; 8 open; 2 filled; 1 open; 3 filled; 2 open; 5 filled; 6 open; 1 filled; 1 open; 1 filled. 18th ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 7 open; 5 filled; 1 open; 5 filled; 10 open. 19th ROW: Ch 5 and t u r n ; 10 open; 4 filled; 1 open; 1 filled; 2 open; 1 filled; 11 open; 1 filled; 1 open; 1 filled. 20th ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 9 open; 3 filled; 1 open; 2 filled; 1 open; 3 filled; 1 open; 3 filled; 7 open. 21st ROW: Ch 5 and t u r n ; 6 open; 5 filled; 6 open; 5 filled; 2 open; 5 filled; 4 open; 1 filled; 1 open; 1 filled. 22nd ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 4 open; 4 filled; 1 open; 1 filled; 1 open; 3 filled; 1 open; 3 filled; 2 open; 1 filled; 1 open; 3 filled; 6 open. 23rd ROW: Ch 5 and t u r n ; 7 open; 3 filled; 2 open; 5 filled; 1 open; 3 filled; 2 open; 3 filled; 1 open; 1 filled 5 open; 1 filled; 1 open; 1 filled. 24th ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 7 open; 3 filled; 1 open; 2 filled; 4 open; 1 filled; 1 open; 4 filled; 12 open. 25th ROW: Ch 5 and t u m ; 9 open; 3 filled; 1 open; 3 filled; 3 open; 4 filled; 12 open; 1 filled; 1 open; 1 filled. 26th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 11 open; 1 filled; 1 open; 2 filled; 1 open; 2 filled; 3 open; 5 filled; 8 open. 27th ROW: Ch 5 and t u r n ; 8 open; 3 filled; 1 open; 1 filled; 2 open; 4 filled; 1 open; 2 filled; 11 open; 1 filled; 1 open; 1 filled. 28th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 13 open; 1 filled; 1 open; 2 filled; 3 open; 3 filled; 9 open. 29th ROW: Ch 5 and t u r n ; 12 open; 1 filled; 3 open; 2 filled; 13 open; 1 filled; 1 open; 1 filled. 30th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 17 open; 1 filled; 12 open. 31st ROW: Ch 5 and t u r n ; 11 open; 1 filled; 5 open; 1 filled; 11 open; 1 filled; 1 open; 1 filled. 32nd ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 10 open; 2 filled; 4 open; I filled; 11 open. 33rd ROW: Ch 5 and t u r n ; I I open; 1 filled; 2 open; 4 filled; 9 open; 1 filled; 1 open; 1 filled. 34th ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 10 open; 6 filled; 1 open; 1 filled; 11 open. 35th ROW: Ch 5 and t u r n ; 12 open; 6 filled; 1 open; 6 filled; 6 open; 1 filled; 1 open; 1 filled. 36th ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 6 open; 8 filled; 1 open; 7 filled; 10 open. 37th ROW: Ch 5 and t u r n ; 10 open; 3 filled; 1 open; 10 filled; 8 open; 1 filled; 1 open; 1 filled. 38th ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 10 open; 7 filled; 1 open; 6 filled; 9 open. 39th ROW: Ch 5 and t u r n ; 8 open; 7 filled; 1 open; 3 filled; 14 open; 1 filled; 1 open; 1 filled. 40th ROW: Ch 7 and t u m ; 1 filled; 1 open; 1 filled; 12 open; 6 filled; 1 open; 8 filled; 8 open. 41st ROW: Ch 5 and t u r n ; 10 open; 3 filled; 1 open; 3 filled; 2 open; 3 filled; 13 open; 1 filled; 1 open; 1 filled. 42nd ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 11 open; 3 filled; 1 open; 6 filled; 1 open; 3 filled; 10 open. 43rd ROW: Ch 5 and t u r n ; 11 open; 1 filled; 1 open; 13 filled; 8 open; 1 filled; 1 open; 1 filled. 44th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 9 open; 2 filled; 1 open; 2 filled; 1 open; 5 filled; 12 open. 45th ROW: Ch 5 and t u r n ; 12 open; 1 filled; 1 open; 3 filled; 2 open; 2 filled; 10 open; 1 filled; 1 open; 1 filled. 46th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 13 open; 3 filled; 14 open. 47th ROW: Ch 5 and t u r n ; 15 open; 1 filled; 13 open; 1 filled; 1 open; 1 filled. 48th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 28 open. 49th ROW: Ch 5 and t u r n ; 27 open; 1 filled; 1 open; 1 filled. 50th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 28 open. 51st ROW: Ch 5 and t u r n ; 29 open; 1 filled; 1 open; 1 filled. 52nd ROW: Ch 7 and t u m ; 1 filled; 1 open; 1 filled; 20 open; 1 filled; 9 open. 53rd ROW: Ch 5 and t u r n ; 10 open; 1 filled; 1 open; 2 filled; 18 open; 1 filled; 1 open; 1 filled. 54th ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 12 open; 2 filled; 4 open; 1 filled; 2 open; 1 filled; 10 open. 55th ROW: Ch 5 and t u r n ; 8 open; 1 filled; 4 open; 1 filled; 3 open; 1 filled; 16 open; 1 filled; 1 open; 1 filled. 56th ROW: Ch 7 and t u r n ; 1 filled; 1 open; 1 filled; 14 open; 1 filled; 1 open; 1 filled; 4 open; 1 filled; 2 open; 1 filled; 1 open; 1 filled; 7 open. 57th ROW: Ch 5 and t u r n ; 6 open; 1 filled; 3 open; 2 filled; 6 open; 1 filled; 1 open; ? f,Iied; 13 open; 1 filled; 1 open; 1 filled. THE ART OF MAKING ALTAR LACES Eleven 58th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 12 open; 1 filled; 14 open; 2 filled; 4 open. 59th ROW: Ch 5 and t u r n ; 1 open; 3 filled; 2 open; 1 filled; 15 open; 1 filled; 10 open; 1 filled; 1 open; 1 filled. 60th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 10 open; 2 filled; 1 open; 2 filled; 9 open; 1 filled; 6 open; 1 filled. 61st ROW: Ch 3 and t u r n ; 1 filled; 7 open; 2 filled; 2 open; 2 filled; 2 open; 1 filled; 2 open; 1 filled; 11 open; 1 filled; 1 open; 1 filled. 62nd ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 14 open; 2 filled; 2 open; 2 filled; 9 open; 1 filled. 63rd ROW: Ch 5 and t u r n ; 10 open; 1 filled; 4 open; 1 filled; 13 open; 1 filled; 1 open; 1 filled. 64th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 11 open; 1 filled; 4 open; 1 filled; 11 open. 65th ROW: Ch 5 and t u r n ; 5 open; 1 filled; 6 open; 1 filled; 4 open; 2 filled; 8 open; 1 filled; 1 open; 1 filled. 66th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 6 open; 1 filled; 7 open; 1 filled; 4 open; 1 filled; 1 open;l filled; 4 open; 67th ROW: Ch 5 and t u r n ; 7 open; 4 filled; 8 open; 1 filled; 5 open; 1 filled; 1 open; 1 filled. 68th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 5 open; 1 filled; 18 open. 69th ROW: Ch 5 and t u r n ; 13 open; 2 filled; 2 open; 1 filled; 5 open; 1 filled; 1 open; 1 filled. 70th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 5 open; 2 filled; 2 open; 1 filled; 1 open; 1 filled; 10 open. 71st ROW: Ch 5 and t u r n ; 9 open; 1 filled; Thirty-one pS^fa^S^gi 1 open; 2 filled; 8 open; 1 filled; 1 open; 1 filled. 72nd ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 8 open; 2 filled; 10 open. 73rd ROW: Ch 5 and t u r n ; 11 open; 1 filled; 7 open; 1 filled; 1 open; 1 filled. 74th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 7 open; 1 filled; 10 open. 75th ROW: Ch 5 and t u r n ; 9 open; 1 filled; 7 open; 1 filled; 1 open; 1 filled. 76th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 6 open; 1 filled; 9 open; 77th ROW: Ch 5 and t u r n ; 15 open; 1 filled; 1 open; 1 filled. 78th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 14 open. 79th ROW: Ch 5 and t u r n ; 13 open; 1 filled; 1 open; 1 filled. 80th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 11 open; 1 filled. 81st ROW: Ch 3 and t u r n ; 1 filled; 9 open; 1 filled; 1 open; 1 filled. 82nd ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 7 open; 1 filled; 1 open; 1 filled. 83rd ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 5 open; 1 filled; 1 open; 1 filled. 84th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 3 open; 1 filled; 1 open; 1 filled. 85th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 1 open; 1 filled; 1 open; 1 filled. 86th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled; 1 open; 1 filled. 87th ROW: Ch 3 and t u r n ; 1 filled; 1 open; 1 filled. 88th or final point of bor- der: Ch 3 and t u r n ; fill 1; ch 3, f a s t e n and break thread. Begin a t highest point of corner scallop. Linens folded according t o directions will fit the boxes. Boxes measure 13 inches long 10 inches wide 1 inches high A VERONIC 1 BOX READY FOR SHIPMENT Please do not roll Altar Cloths. WEAVING FOR THE MASTER In childhood's dewy morning hour, Thy g i f t was a white strand Of Life to weave upon Time's loom with faithful steadfast hand A bit of work, my happy play Some trivial woe, a holiday, Old fairy tales, a prayer to say. What wondrous things I planned. Noontide, as I review my work, the fabric in the frame (My shuttle holds both joy and care) no longer looks the same. My warp has not been placed with skill, The woof not bending to Thy will, What should be fair is often ill, And only I to blame. Dear Master, ere the twilight falls, give me grace to atone. My handicraft is poor because too late Thy love I've known. So, let me fashion laces fair To grace Thy holy altar where Love cradles Thee a Prisoner there I weave for Thee alone. —Troella V. Mills.