fb Z-'L rrs Si , % y * . ■ I Part III. MORAL PHILOSOPHY. 22,6 Unfat isfied defires of exiftence and happi- »eis. Motives to ^ood minds, and feme traces of which arc found in the Virtue. loWert, are feldom united with proportioned means or v opportunities of exercifing them : fo that the moral faring, the noble energies and impulfesof the mind, can hardly find proper fcope even in the moft fortunate con¬ dition ; but are much depreffed in feme, and almoil en¬ tirely redrained in the generality, by the numerous clogs of an indigent, fickly, or embarraffed life. Were fuch m’ghty powers, fuch godlike affeitions, planted in the human breaft to be folded up in the narrow womb of our prefent exiftence, never to be produced into a , more perfect life, nor to expatiate in the ample career of immortality ? Let it be confidered, at the fame time, that no pof- feftion, no enjoyment, within the round of mortal things, is cornmenfurate to the delires, or adequate to the capa¬ cities, of the mind. The moft exalted condition has its abatements-; the happieft: conjundlure of fortune leaves many withes behind ; and, after the highett gratifica¬ tions, the mind is carried forward in puriuit of new ones without end. Add to all, the fond defire of im- mortalitij, the fecret dread of non-exifence, and the high unremitting pulfe of the foul beating for perfeBion% joined to the improbability or the impoftibility of attain¬ ing it here; ?LX\d. then judge whether this elaborate ftru&ure, this magnificent apparatus of inw’ard powers and organs, does not plainly point out an hereafter, and intimate eternity to man ? Does nature give the finilhing touches to the leffer and ignoble initances pf her {kill, and raife eveiy other creature to the maturity and per¬ fection of his being ; and (hall (he leave her principal workmanlhip unfinifhed ? D >es (he carry the vegetative and animal life in man to their full vigour and higheft deftination ; and (hall (he fuffer his intelleBual, his mor¬ al, his divine life, to fade away, and be for ever extln- guifhed ? Would fuch abortions in the moral world be congruous to that perfection of wiflom and goodnefs which upholds and adorns the natural? We muft therefore conclude from this detail, that the prefent fate, even at its beft, is only the WOMB of man’s being, in which the nobleft principles of his nature are in a manner fettered, or fecluded from a correfpondent fphere of action ; and thereiore dellined for a future and unbounded ftate, where they (hall emancipate themfelves, and exert the fulnefs of their firength. The moft: accompliftied mortal, int this low and dark apartment of nature, is only the rudiments of what he (hall be when he takes his ethereal (light, and puts on immortality. Without a reference to that ftate, man were a mere abortion, a rude unfinilh- ed embryo, a monfter in nature. But this being once fuppofed, he ftill maintains his rank of the mafter- piece of the creation ; his latent powers are all fuitable to the harmony and progrejfon of nature ; his noble af- pirations, and the pains ol his dilTolution, are his ef¬ forts towards a birth, the pangs of his delivery into light, liberty, and perfe&ion ; and death, his dif- cbarge from gaol, his feparation from his fellowr pri- foners, and introduction into the affembly of thofe he¬ roic fpirits who are gone before him, and of their great eternal Parent. The fetters of his mortal coil being loofened, and his prifon walls broke down, he will be bare and open on every fide to the admiftion of truth and virtue, and their fair attendant happinefs; every vital and intellectual fpnng will evolve itfeif with Vol. XIV. Part II. 237 Therefore man im¬ mortal. a divine elafticity in the free air of heaven. l4e will From the, not then peep at the univerfe and its glorious Author through a dark grate or a grofs medium, nor receive the reflections of his glory through the ftrait openings —— of ienfible organs: but will be all eye, all ear, all ethe¬ real and divine feeling *. Let one part, however, of^ the analogy be attended to : That as in the womb we flfunre' receive our original conftitution, form, and the elfen- j tia! famina of our being, which we carry along with t us into the light, and _which greatly alFeCt the fuc- ceeding periods of our life ; fo our temper and condi¬ tion in the future life will depend on the conduCt we have obferved, and the charader we have formed, in^1 the prefenl life. We are here in miniature what we {hall be at full length hereafter. The firft rude fhetch or outlines of reafon and virtue mull be drawn at pre-fent, to be afterwards enlarged to the f attire and beauty of angels. 238 This, if duly attended to, muft prove not only almmoita- guard, but an admirable incentive to virtue. For fie luy » g^aid who faithfully and ardently follows the light of know-^,!ve ™ ledge, and pants after higher improvements in virtue,tue. will be wonderfully animated and inflamed in that pur- fuit by a full convidion that the feene does not clofe with life—that his ftruggles, ariftng from the weaknefs of nature and the ftrength of habit, will be turned into triumphs—that his career in the track of wifdom and goodnefs will be both fwifter and fmoother—and thofe generous ardours with which he glows towards heaven, i. e. the perfection and immortality of virtue, will find their adequate objeCt and exerciic in a fphere propor- tionably enlarged, incorruptible, immortal. On the other hand, w’hat an inexpreftible damp muft it be to the good man, to dread the total extinction of that light and virtue, without which life, nay, immortality it¬ feif, were not worth a {ingle wifti ? 239 Many writers draw their proofs of the immortality Proot nom of the foul, and ot a future ftate of regards and pU_ jF? inequa- nilhments, from the unequal diftribution. of thefe here, It cannot be differnbled that wicked men often efcape butions. the outward punifhment due to their crimes, and do not feel the inward in that meafure their demerit feems to require, partly from the calloulnefs induced upon their nature by the habits of vice, and partly from the diftipation of their minds abroad by pleafure or bufinefs—and fometimes good men do not reap all the natural and genuine fruits of their virtue, through the many unforefeen or unavoidable calamities in which they are involved. To the fmalleft refleCfion, how¬ ever, it is obvious, that the natural tendency of virtue is to produce happinefs; that if it were univerfally pra&iLd, it would, in fad, produce the greateft fum of happinefs of which human nature is capable ; and that this tendency is defeated only by numerous indi¬ viduals, nho, forfaking the laws of virtue, injure and opprefs thofe who fteadily adhere to them. But the natural tendency of virtue is the refult of that confti¬ tution of things which was eflabliftied by God at the creation of the world. This being the cafe, we muft: either conclude, that there will be a future ftate, in which all the moral obliquities of the prefent (hall be made ftraight; or elfe admit, that the defigns of infi^ nite wifdom, goodnefs, and power, can be finally de¬ feated by the perverfe conduft of human weaknefs.— But this laft fuppoliticn is fo extravagantly abfurd, 3 E that 402 1 24° Belief of immortali¬ ty, &c. a great fu ,>- port- amidfl trials. MORAL P H I L O S O P H Y. Part III. 241 In the ge¬ tter. 1 courf of life. that the reality of a future ftate, the only other pof- fible alternative, may be pronounced to have the evi¬ dence of perfedl demon ft rat ion. Virtue has prefent rewards, and vice prefent punifti- ments annexed to it; fuch rewards and punilhments as make virtue, in mod cafes that happen, far more eli¬ gible than vice : but, in the infinite variety of human contingencies, it may fometimes fall out, that the in¬ flexible pradlice of virtue fliall deprive a man of con- fiderable advantages to himfelf, his family, or friends, which he might gain by a well-timed piece of roguery; fuppofe by betraying his truft, voting againit his con- fcience, felling his country, or any other crime where the fecurity againft difeovery lliall heighten the temp¬ tation. Or, it may happen, that a ftridl adherence to his honour, to his religion, to the caufe of liberty and virtue, (hall expofe him, or his family, to the lols of every thing, nay, to poverty, flavery, death itfelf, or to torments far more intolerable. Now what fliall fecure a man’s virtue in circumftances of fuch trial ? What fliall enforce the obligations of confcience againft: the allurements of fo many interefts, the dread of fo many and fo terrible evils, and the almoft unfurmountable averfion of human nature to exceflive pain ! The con¬ flict is the greater, when the circumftances of the crime are fuch as eafily admit a variety of alleviations from vecejjity, naturalajfeBion, love to one's family or friends, perhaps in indigence : thefe will give it even the air of virtue. Add to all, that the crime may be thought to have few bad confequences,—may be eafily concealed,— or imagined poftible to be retrieved in a good meafure by future good conduft. It is obvious to which fide moft men will lean in fuch a cafe and how much need there is of a balance in the oppofite fcale, from the con- fideration of a God, of a Providence, and of an immor¬ tal fate of retribution, to keep the mind firm and un¬ corrupted in thofe or like inftances of lingular trial or dill refs. But without fuppofing fuch peculiar inftances, a fenfe of a governing Mind, and a perfuafion that vir¬ tue is not only befriended by him here, but will be crowned by him hereafter with rewards fuitable to its nature, vail in themfelves, and immortal in their du¬ ration, mu ft. be not only a mighty fupport and incen¬ tive to the pradlice of virtue, but a ftrong barrier againft vice. The thoughts of an Almighty Judge, and of an impartial future reckoning, are often alarm¬ ing, intxpreflibly fo, even to the ftouteft offenders. On the other hand, hoiv fupporting mull it be to the good roan, to think that he a£ls under the eye of his ty of the Sonl. 242 friend, as well as judge! How improving, to confuler From the the prefent fate as connedted with a future one, and Fnmoruli- every relation in which he ftands as a fchool of difeip/ine for his a feci ions; every trial as the exercife of fame vir¬ tue ; and the virtuous deeds which reiu't from both, as introductory to higher feenes of aciion and enjoymentl Finally, How tranfporting is it to view death as his difeharge rrom the warfare of mortality, and a trium¬ phant entry into a ftate of freedom, iecurity, and per- fedtion, in which knowledge and wifdom fliall break upon him from every quarter 5 where each faculty fliall have its proper objedl : and his virtue, which was often damped or defeated here, fliall be enthroned in undif- turbed and eternal empire ? On reviewing this fliort fystem of morals, and the ^dvanta- motives which fupport and enforce it, and comparing both with the Christian fcheme, what light and vigourfch-me, do they borrow from thence! How clearly and lully and its cbn- does Christianity lay open the connexions ©f our na-,'ex^on wdk ture, both material and immaterial, and future as well ! ' rF’* as prefent l What an ample and beautiful detail does it m"orality# prefent of the duties we owe to God, to fociety, and ourfelves, promulgated in the moft Ample, intelligible, and popular manner } divefted of every partiality of fedl or nation •, and adapted to the general ftate of mankind ! With what bright and alluring examples does it illuftrate and recommend the pradlice of tliofe du¬ ties : and with what mighty fandiions does it enforce that pvadfice ! How ftrongly does it deferibe the cor-- ruptions of our nature ; the deviations of our life from the rule of duty, and the caufes of both ! How7 marvel¬ lous and benevolent a plan ol redemption does it un¬ fold, by which thofe corruptions may be remedied, and our nature reflored from its deviations to tranfeend- ent heights of virtue and piety ! Finally, What a fair and comprehenfive profpedt does it give us of the ad- minf ration of God, of which it reprelents the prefent fate only as a fmall period, and a period of warfare and trial! Flow folemn and unbounded are the feenes which it opens beyond it ! the refurredlion of the dead, the general judgement, the equal difnbution of rewards and punifhments to the good and the bad ; and the full com¬ pletion of divine wifdom and goodnefs in the final efa- blifhmcnt ef order, perfection, and Iwppinejs! How glorious then is that Scheme of Religion, and how worthy of affeciion as wTell as of admiration, which, by making fuch difeoveries, and affording fuch offences, has difclofed the unfading fruits and triumphs of vir¬ tue, and fecured its interefts beyond the power of time and CHANCE. M O R Moral Senfe, that whereby we perceive what is good, virtuous, and beautiful, in adtions, manners, and characters. See Moral Philofoph/. MORALITY. See Moral Philofophy. MoRANT-Point, the moft eafterly point or promon- toiy of the ifland of Jamaica, in America. W. Long. 75. 56. N. Lat. 17. 56. MORASS, a marflr, fen, or low moift ground, which receives the waters from above without having any de¬ le ent to carry them off again, Somner derives the M o R word from the Saxon tnerfe, “ lake Salmafius from mare, “ a colledfion of waters }” others from the Ger- '■ man maraf, “ a muddy place f and others from marefc, of maricetum, a marifcis, i. e. ruihes. See Draining, Agriculture Index. In Scotland, Ireland, and the north of England, they have a peculiar kind of moraffes called mojfes or peat-mojfes, whence the country people dig their peat or turf for firing. See Moss. MORAT, or Murten, a confiderable town of Switzerland. Morat. M OR [4 Moral, Switzerland, capital of a bailiwick of the fame name, Rlorata. belonging to the cantons of Bern and Friburg. It is v feated on the lake Moral, on the road from Avenche to Bern, 10 miles weft of Bern and 10 miles north-eaft of Friburg. The lake is about fix miles long and two broad, and the country about it pleafant and well cul¬ tivated. The lakes of Moral and Neufchatel ar^ parallel to each other, but the latter is more elevated, difcharging itfelf by means of the river Broye into the lake of Neufchatel. According to M. de Luc, the former is 15 French feet above the level -of Neuf¬ chatel lake } and both thefe lakes, as well as that of Bienne, feem formerly to have extended confiderably beyond their prefent limits, and from the pofition of the country appear to have been once united. Former¬ ly the large fiili named jiturus giants, or the faluth, frequented thefe lakes, but has not been caught in them •for a long time paft. The environs of this town and lake were carefully examined by Mr Coxe, during his refidence in Switzerland, who made feveral excurfions acrofs the lake to a ridge of hills fitUated betwixt it and Neufchatel. bdere a:e many delightful profpefts j particularly one from the top of Mount Vuilly, which, he fays, is perhaps the only central fpot from which the eye can at once comprehend the vaft amphitheatre formed on one fide by the Jura ftretching from the environs of Geneva as far as Bafle, and, on the other, by that ftupendous chain of fnowy Alps which extend from the frontiers of Italy to the confines of Germany, and is loft at each extremity in the horizon. Moral is celebrated for the obftinate defence it made againft Charles the Bold, duke of Burgundy, and for the battle which afterwards followed on the 22d of June 1476, where the duke wa^ defeated, and his army almoft en- * Se« Hi- tirely deftroyed *' Not far from the town, and ad- Jfory of joining to the high road, there ftill remains a monu- France' ment of this viftory. It is a fquare building, filled with the bones of Burgundian foldiers who were ftain at the fiege and in the battle ; the number of which ap¬ pears to have been very cohfiderable. There are fe¬ veral infcriptions in the Latin and German languages commemorating the viftory. MOR ATA, Olympia Fulvia, an Italian lady, di- ftinguilhed for her learning, was born at Ferrara, in 26. Her father, after teaching the belles lettres in feveral cities of Italy, was made preceptor to the two young princes of Ferrara, the fons of Alphonfus L The uncommon abilities he difcovered in his daughter determined him to give her all the advantages of edu¬ cation. Meanwhile the princefs of Ferrara ftudying polite literature, it was judged expedient that’ (he Humid have a companion, in the fame purfuit j and Mo- rata being called, Ihe was heard by the aftonilhed courtiers to declaim in Latin, to fpeak Greek, and to explain the paradoxes of Cicero. Her father dying, Hie was obliged to return heme to take upon her the management of family affairs, and the education of her brother and three fitters ; both which Ihe executed with the greateft diligence and fuccefs. In the mean time Andrew Grunthler, a young German phyfician, who had married her, and with him (he went to Germany, taking her.brother along with her, whom ftieinftru&ed in the Latin and Greek tongues; and after Haying a fliort time at Auglburg, went to Schweinfort in Fran- ’tonia, where her hulband was born : but they had not ^ ] M O ft been there long before that town was unhappily befieged Moravia, and burnt $ however, efcaping the flames, they lied in '“■"‘"v the utmoft diftrefs to Hammelburg. This place they were alfo obliged to quit, and were reduced to the ialt extremities, when the eledor Palatine invited Grunth¬ ler to be profeffor of phyfic at Heidelberg. He en¬ tered on his new office in 1554; but they no fooner began to tafte the fweets of repofe, than a difeafe, oc- cafioned by the diftreffes and hardlhips they had fuf- fered, feized upon Morata, who died in 1555, in the 29th year of her age ; and her hufbartd and brother did not long furvive her. She compofed feveral works, great part of which were burnt with the town of Schweinfort j the remainder, which confift of orations, dialogues, letters, and tranflations, wTere colleded and publiffied under the title of Olympiee Fulviee Moratce, fceminx doBiffimce, et plane divlnce, opera omnia qua hac- tenus mvemri poluerint; quibus Ccelii fecundi curionis epijlolce ac orationes accejjerunt. MORAVIA, a river of Turkey in Europe, which rifes in Bulgaria, runs north through Servia by Niffa, and falls into the Danube at Semendria, to the eaft- ward of Belgrade. MoraVia, a marquifate of Germany, derives the name of Mahern, as it is called by the Germans, and of Morawa, as it is called by the natives, from the ri¬ ver of that name, which rifes in the mountains of the county of Glatz, and paffes through the middle of it. It is bounded to the fouth by Auftria, to the north by Glatz and Silefia, to the weft by Bohemia, and to the call by Silefia and Hungary j being about 123 miles in length and 100 in breadthi A great part of this country is overrun with woods and mountains, where the air is very cold, but much wholefomer than in the low grounds, which are full of bogs and lakes* The mountains, in general, are barren j but the more champaign parts tolerably fer¬ tile, yielding corn, with plenty of hemp and flax, good faffron, and pafture. Nor is it altogether deftitute of wine, red and white, fruits, and garden fluff. Moravia alfo abounds in horfes, black cattle, (beep, and goats. In the woods and about the lakes there is plenty of wild fowl, game, venifon, bees, honey, hares, foxes, wolves, beavers, &c. , This country affords marble* alum, iron, fulphur, faltpetre, and vitriol, wuth mineral waters, and warm fprings 5 but fait is. imported. Its rivers, of wdiich the March, Morawa, or Morau, are the chief, abound with trout, crayfiih, barbels, eels, perch, and many other forts of filh. The language of the inhabitants is a dialedl of the Sclavonic, differing little from the Bohemian ; but the nobility and citizens fpeak German and French. Moravia was anciently inhabited by the Quadi, who were driven out by the Sclavi. Its kings, who were once powerful and independent, afterwards became de¬ pendent on, and tributary to, the German emperors and kings. At laft, in the year 908, the Moravian kingdom was parcelled out among the Germans, Poles, and Hungarians. In 1086, that part of it properly called Moravia was declared a marquifate by the Ger¬ man king Henry IV. and united with Bohemia, to whofe dukes and kings it hath ever fince been fubjeft. Though it is not very populous, it contains about 42 greater or walled towns, 17 fmaller or open towns, and 198 market towns, befides villages, &c. The 3 E 2 ftates M O R [ 404 ] M O R flates of the country confift of the clergy, lords, knights, and burgeffes j and the diets, when furnmoned by the regency, are held at Brunn. The marquifate is dill governed by its own peculiar conftitutions, under the dirc&orium in publicis et cameralibus, and the fupreme judicatory at Vienna. It is divided into fix circles, each of which has its captain, and contributes to its fovereign about one third of what is exacted of Bohe¬ mia. Towards the expences of the military eftabliQi- ment of the whole Aultrian hereditary countries, its year¬ ly quota is 1,856,490 florins. Seven regiments of foot, one of cuirafliers, and one of dragoons, are ufually quartered in it. Chriflianity was introduced into this country in the 9th century; and the inhabitants continued attached to the church of Rome till the 15th, when they efpoufed the do&rine of John Hufs, and threw off Popery : but after the defeat of the ele&or Palatine, whom they had chofen king, as well as the Bohemians, the emperor Ferdinand II. re-eftablilhed Popery j though there are fiill fome Proteftants in Moravia. The biflaop of 01- tcmiz, who ftands immediately under the pope, is at the head of the ecclefiaflics in this country. The fu- jireme ecclefiaflical jurifdi&ion, under the bilhop, is veft- ?d in a confiftory. The commerce of this country is inconfiderable. Of what they have, Brurin enjpys the principal part. At Iglau and Trebitx are manufa&ures of cloth, paper, gunpowder, &c. There are alfo fome iron works and giafs houfes in the country. The inhabitants of Moravia in general are open- hearted, not eafy to be provoked or pacified, obedient to their matters, and true to their promifes ; but credu¬ lous of old prophecies, and much addicled to drinking, though neither fuch fots or bigots as they are reprefent- ed by fome geographers. The boors, indeed, upon the river Hank, are faid to be a thievilh, unpoliihed, brutal race. The fciences now begin to lift up their heads a little among the Moravians, the univerfity of Olmutz having been put on a better footing *, and a riding aca¬ demy, with a learned fociety, have been lately eftablifh- ed there. MORAVIAN brethren. See Hernhutters, anti Unitas Fratrum. MORAW, or Morava, a large river of Germany, which has its fource on the confines of Bohemia and Silefia. It crolTes all Moravia, where it waters Ol¬ mutz and Hradifch, and receiving the Taya from the confines of Lower Hungary and Upper Auftria, fepar parates thefe two countries as far as the Danube, into which it falls. MORBID, among phyficians, fignifies “ difeafed or corrupt a term applied either to an unfound confti- tution, or to thofe parts or humours that are affe&ed by a difeafe. MORBUS COMITIALIS, a name given to the epi- lepfy •, becaufe if on any day when the people were aflhmbled in comitia upon public bufinefs, any perfon fuddenly feized with this diforder fliould fall down, the aflfembly was diffolved, and the bufinefs of the comi- tia, however important, ivas fufpended. See Comitia. Morbus Regius, the fame wdth the Jaundice. See Medicine Index. Morbus, or Difeafe, in Botany. See Varietas. MORDAUMT, Charles, earl of Peterborough, a MonLuat celebrated commander both by fea and land, was the * fon of John Lord Mordaunt Vii'count Avalon, and was Rlore' born about the year 1658. In 1675 fucceeded his father in his honours and eilate. While young he fer- ved under the admirals Torrington and Narborough in the Mediterranean .againii the Algerines j and in 1680 embarked for Africa with the earl of Plymouth, and diftinguilhed himfelf at Tangier when it was belieged by the Moors. In the reign of James II. he voted againtt the repeal of the tell aft; and difliking the meafures of the court, obtained leave to go to Hol¬ land to accept the command of a Dutch fquadron in the We it Indies. He afterwards accompanied the prince of Orange into this kingdom ; and upon his advancement to the throne, was fvvorn of the privy- ccuncil, made one of the lords of the bedchamber to his majcfiy, alfo firfl: commiflioner .of the treafury, and advanced to the dignity of earl of Monmouth. But in November 1690 he was difmifTed from his poft in the treafury. On the death of his uncle Henry earl of Peterborough in 1697, he fucceeded to that title ; and, upon the acceffion of Queen Anne, was invefted with the commiffion of captain-general and governor of Jamaica. In 1705 he was fworn of the privy- council ; and the fame year declared general and com¬ mander in chief of the forces lent to Spain, and joint admiral of the fleet with Sir Cloudlley Shovel, of which the year following, he had the foie command. His taking Barcelona with a handful of men, and af¬ terwards relieving it when greatly diftreffed by the enemy ; his driving out of Spain the duke of Anjou, and the French army, which confifted of 25,000 men, though his own troops never amounted to 10,000 ; his gaining pcffeffion of Catalonia, of the kingdoms of Valencia, Arragon, and the ifle of Majorca, with part of Murcia and Caftile, and thereby giving the earl of Galway an opportunity of advancing to Madrid with¬ out a blow; are aftoniflaing inttances of bis bravery and conduft. For thefe important fervices his lord- fhip wjas declared general in Spain by Charles III. afterwards emperor of Germany ; and on his return to England he received the thanks of the houfe of lords. His lordlhip was afterwards employed in feveral embattles to foreign courts, inftalled knight of the gar¬ ter, and made governor of Minorca. In the reign of George I. he was general of all the marine forces in Great Britain, in which port he was continued by King George II. He died in his paffage to Lifbon, where he was going for the recovery of his health, in 1735. His lordihip was diflinguiflied by various finning qua¬ lities : for, to the greatefi perfonal courage and refolu- tion, he added all the arts and addreis of a general ; a lively and penetrating genius ; and a great extent of knowledge upon almoft every fubjeft of importance within the compafs' of ancient and modern literature ; hence his familar letters, inferred among thofe of his friend Mr Pope, are an ornament to that excellent col- left ion. MORDELLA, a genus of infefts of the coleoptera order See Entomology Index. MORE, Sir Thomas, lord high chancellor of England, the ion ot Sir John More, knight, one of the judges of the King’s Bench, was born jn the year 1480, in More. M O Pv [ 405 1 M O R •in M’lk-ftieet London. He was finl fent to a fchool at St Anthony’s in Threadneedle iireet j and after- ward introduced into the family of Cardinal Moreton, who in 1497 fent him to Canterbury college in Ox¬ ford. Daring his refidence at the univerfity he con- iianily attended the ledlures-of Linacre and GrocinuS, on the Greek and Latin languages. Having in the fpace of about two years made confiderable proficiency in academical learning, he came to New Inn in Lon¬ don, in order to (ludy the law *, whence, after iome time, he removed to Lincoln’s Inn, of which his father was a member. Notwithilanding his application to the law, however, being now about 20 years old, he was lb bigotted to monkuh difeipline, that he wore a hair Ihir*- hext his Ikin, frequently failed, and often flept on a bare plank. In the year 1503, being then a burgefs in parliament, he diftinguifhed himfelf in the houfe, in oppofition to the motion for granting a fubfidy and three fifteenths for the marriage of Hen¬ ry VII.’s eldeil daughter, Margaret, to the king of Scotland. Idle motion was rejdded; and the king was fo highly offended at this oppofition from a beard- lefs boy, that he revenged himfelf on Mr Pvlore’s father, by fending him, on a frivolous pretence, to the Tower, and obliging Ifim to pay 1001. for his liberty. Bung now called to the bar, he was appointed law reader at Furnival’s inn, which place he held about three years j but about this time he a!To read a public leflure in the church of St Lawrence, Old Jewry, upon St Au- flin’s treatife Dc civitate Dei, with great applaufe. He had indeed formed a defign of becoming a Francifcan friar, but was diffuaded from it 3 and, by the advice of Dr Colet, married Jane, the eldefl daughter of John Colt, Efq. of Newhall in Elfex. In 1508 he was ap¬ pointed judge of the fheriff’s court in the city of Lon¬ don, was made a juflice of the peace, and became very eminent at the bar. In 1516 he went to Flanders in the retinue of Biihop Tonflal, and Dr Knight, who were fent by King Henry VIII. to renew the alliance with the archduke cf Aufhia, afterwards Charles V. On his return, Cardinal Wolfey wrould have engaged Mr More in the fervice of the crown, and offered him a penfion, which he refufed. Nevertbelefs, it was not long before he accepted the place of mafler of the requefls, was created a knight, admitted of the privy council, and in 1520 made treafurer of the ex¬ chequer. About this time he built a houfe on the bank of the Thames, at Chelfea, and married a fecond wife. This wife, whofe name was Middleton, and a widow, was old, ill tempered, and covetous 3 neverthe- leis Erafmus fays, he was as kmd of her as if ihe were a young maid. In the 14'h year of Henry VIII. Sir Thomas More was made fpeaker of the houfe of commons: in which capacity he had the refolufion to oppofe the then powerful minifter, Wolfey, in his demand of an op- preffive fubfidy 3 notvvithilandmg which, it was not long before he was made chancellor of the duchy of Lanca- fter, and was treated by the king with lingular familiari¬ ty. The king having once dined with Sir Thomas at Chelfea, walked with him near an hour in the garden, with his arm round his neck. After he was gone, Mr Roper, Sir Thomas’s fon-in-law, obferved how happy he was to be fo familiarly treated by the king : to which ^ Sir Thomas replied, “ I thank our lord, foil Roper, I find his grace my very good lord indeed, and believo. he doth as fingularly favour me as any fubjedl within this realm : howbeit, I mull tell thee, I have no caufe to be proud thereof 3 for if my head would wan him a cable in France, it would not fail to go off.” From this anecdote at appears, that Sir Thomas knew his grace to be a villain. In 1526 he was fent with Cardinal Wolfey and others, on a joint em-bafiy to France, and in 1529 with Bifinop Tonflal to Cambray. The king, it feems, was fo well fatisfied with his fervices on thefe occa- fions, that in the following year, Wolfey being dif- graced, he made him chancellor 3 which feems the more extraordinary, when we are told that Sir Tho¬ mas had repeatedly declared his difapprobation of the kingh divorce, on which the great defenfor jidei fo pofitively bent. Having executed the office of chan¬ cellor about three years, with equal wifdom and inte¬ grity, he refigned the feals in 1533, probably to avoid the danger cf his refuling to confirm the king’s di¬ vorce. Fie now retired to his houfe at Chelfea 3 dif- miffed many of his fervants 3 fent his children with their refpeflive families to their own houfes (for hi¬ therto, he had, it feems, maintained all his children, with their families, in his own houfe, in the true llyle of an ancient patriarch 3 and fpent his time in itudy and devotion : but the capricious tyrant w7ould not fuf- fer him to enjoy his tranquillity. Though now re¬ duced to a private flation, and even to indigence, his opinion of the legality of the king’s marriage with Anne Boleyn wras deemed of fo much importance, that various means wTere tried to procure his approbation ; but all perfuafion proving ineffeflual, he was, with fome others, attainted in the houfe of lords of miffiri- fion of treafon, for encouraging Elifabeth Barton, the nun of Kent, in her treafonable pradlices. His innocence in this affair appeared fo clearly, that they were obliged to flrike his name out of the bill. He w7as then accufed of other crimes, but with the fame effecl ; till, refufing to take the oath enjoined by the adt of fupremacy, he w^as committed to the Tower, and, after 15 months imprifonment, was tried at the bar of the King’s Bench for high treafon, in denying the king’s fupremacy. The proof relied on the foie evidence of Rich the fdicitor general, whom Sir Tho¬ mas, in his defence, fufficiently diferedited 3 neverthe- lefs the jury brought him in guilty, and he wascom- demned to fpffer as a traitor. The merciful Harry, however, indulged him with fimple decollation 3 and he wjas accordingly beheaded on 'I'ower hill, on the 5th of July 1535. His body, which was firil interred in the Tower, was begged by his daughter Pvlargaret, and deposited in the chancel of the church at Chelfea, where a monument, with an infer!prion written by hirnfelf, had been fome time before erected. This mo¬ nument with the infeription is lliil to be feen in that church. The fame daughter, Margaret, a ho procured his head after it had remained 14 days upon London bridge, and placed it in a vault belonging to the Roper family, under a chapel adjoining to St Dun- flan’s church in Canterbury. Sir Thomas More was a man of fome learning, and an upright judye 5 a very prietl in religion, yet cheerful, and even affeblchy witty t Mcm*a, Morel. M OR f 406 witty (a). He wanted not fagacity, where religion was out of the quell on *, but in thac his faculties were fo en¬ veloped, as to render him a weak and credulons enthu- fiaft. He left one fon and three daughters *, of whom Margaret, the eldeft, was very remarkable for her knowledge of the Greek and Latin languages. She parried a Mr Roper of Wellhall in Kent, whofe life of Sir Thomas More was publifhed by Mr Hearne at Oxford in 1716. Mrs Roper died in 15445 and was buried in the vault of St Dunftan’s in Canterbury, with her father’s head in her arms. Sir Thomas was the author of various works, though his Utopia is the only performance that has furvived in the efteem of the world 5 owing to the reit being chief¬ ly of a polemic nature : his anfwer to Luther has only gained him the credit of having the bell knack of any man in Europe, at calling bad names in good Latin. His Englilh works were collefled and publilhed by order of Queen Mary, in 15575 his Latin, at Bafil, in 1563, and at Louvain, in 1566. MOREA, formerly called the Peloponnefus, is a peninfula to the foutb of Greece, to which it is joined by the ifthmus of Corinth. Its form refembles a mul¬ berry leaf, and its name is derived from the great num¬ ber of mulberry trees which it produces. It is about 180 miles in length, and 130 in breadth. The air is temperate, and the land fertile, except in the middle, where it is full of mountains, and is watered by a great number of rivers. It is divided into three pro¬ vinces 5 Scania, Belvedera, and Brazzo-di-Maim. It rvas taken from the Turks by the Venetians in 1687 5 but they loll it again in 1715. The fangiac of the Morea relides at Modon. See Greece and Pelopon¬ nesus. MOREL, the name of feveral celebrated printers to the kings of France, who, like the Stephens, were alfo men of great learning. Frederic Morel, who wTas interpreter in the Greek and Latin tongues, as well as printer to the king, was heir to Vafcofan, whofe daughter he had married.— He W'as born in Champagne, and he died in an ad¬ vanced age at Paris, 1583. His fons and grandfons trode in his fleps 5 they diftinguilhed themfelves in li¬ terature, and maintained alfo the reputation which he had acquired by printing. The edition ef St Gregory of Nyjfa, by bis fon Claude Morel, is held in great ellimation by the learned. Morel, Frederic, fon of the preceding, and Rill more celebrated than his father, was profeflbr and in¬ terpreter to the king, and printer in ordinary for the Hebrew, Greek, Latin, and French languages. Pie was fo devoted to Rudy, that when he was told his wife was at the point of death, he would not flir till he had finilhed the fentence which he had begun. Be¬ fore it was finiflied, he was informed that Ihe was ac- ] M O E tually dead : lam forry for it (replied he coldly), Motel was an excellent woman. This printer acquired great reputation from the works which he publiihed, which ! Via ’ were very numerous and beautifully executed. From the manuferipts in the king’s library, be publilhed fe¬ veral treatifes of St Bafil, Theodoret, St Cyrille 5 and he accompanied them with a tranflation. His edition of the wTorks of CEcutnenius and Aretas, in 2 vols. folio, is much eReemed. In Riort, after diltinguilhing himfclf by bis knowledge in the languages, he died June 27. 1630, at the age of 78. His fons and grand¬ fons followed the fame profeflion. Morel, William, regius profeflbr of Greek, and direblor of the king’s printing houfe at Paris, died 1564. He compofed a DiBionnaire Grsc-Latin Fran* fois, which was publilhed in quarto in 1622, and fome other works which indicate very extenfive learn¬ ing. His editions of the Greek authors are exceed- ingly beautiful. This great fcholar, who was of a difterent family from the preceding, had a brother named John, who died in prifon (where he had been confined for herefy) at the age of 20, and whofe body was dug out of the gtave, and burnt Feb. 27. 1559* They were of the parith of Tilleui, in the county of Mortein, in Normandy. MOREN A, in Ancient Geography, a didrift or dL vifion of Myfia, in the Hither Afia. A part of which was occupied by Cleon, formerly at the fiiead of a band of robbers, but afterwards pried of Jupiter Ab- rettenus, and enriched with poiTeflions, firtt by Antony, and then by Casfsr. MORESQUE, Morksk, or Mori/ho, a kind of painting, carving, &c. done after the manner of the Moors 5 confifting of feveral grotefque pieces and com- partiments promifcuouRy intermingled, not containing any perfeft figure of a man, or other animal, but a wild refemblance of birds, beads, trees, &c. Thefe are alfo called arahefques, and are particularly ufed in embroi¬ deries, damalk work, &C. Moresque Dances, vulgarly called Morricc dance1:, are thofe altogether in imitation of the Moors, as fa- rabands, chacons, &c. and are ufually performed with cadanets, tambours, &c. There are few country places in England where the morrice dance is not known. It was probably intro¬ duced about, or a little before, the reign of Henry VIIL and is a dance of young men in their .Hurts, with bells at their feet, and ribbands of various colours tied round their arms and flung acrofs their ihoulders. MORGAGN A. See Fata. MORGAGNI, John Baptist, doftor of medicine, fird profeflbr of anatomy in the univerfity of Padua, and member of feveral of the mod eminent focieties of learned men in Europe, was born in the year 1682, at Forli, a town in the didrift of La Romagna in Italy. His (a) This lad difpofition, w:e are told, he could not redrain even at his execution. I he day "being come, he afeended the fcaffold, which feemed fo weak that it was ready, to fall 5 whereupon, “ I pray (faid he) fee me fafe up, and for my coming down let me Ihirt for myfelf.” His prayers being ended, he turned to the executioner, and with a cheerful countenance laid, “ Pluck up thy fpirits, man, and be not afraid to do thy office 5 my neck is very (hort, take heed therefore thou drike not awry tor faving thy honedy.” I hen laying his head upon the block, he bid him day until he had put afide his beard, faying, “ I hat had never committed any treafon,” A 2 M O R [ 4°7 1 M O K Morgagni. His parents, who were in eafy circumfhnces, allowed '—nr——' him to ollow that courfe in life Ins genius dilated. He began his fluriies at the place of his nativity ; but foon after removed to Bologna, where he obtained the degree of Doclor of Medicine, when he had but juft reached the 16th year or his age. Here his peculiar tafte for anatomy found an able preceptor in Vallalva, who beftowed on him the utrpoft attention •, and fuch w7as the progress he made under thi > excellent mafter, that at the age of 20 he himfelf taught anatomy with high reputation. Soon, however, the fame of his pre¬ lections, and the number of his pupils, excited the jealoufy ol the public profeffors, and gave rife to in¬ vidious -perlecutions. But his abilities and prudence gained him a complete triumph over his enemies } and all oppofition to him was finally terminated from his being appointed by the fenate of Bologna to fill a me¬ dical chair, which foon became vacant. But the du¬ ties of this office, although important,' neither occu¬ pied the whole of his time, nor latisfied his anxious defire to afford inftruffion. He ftiil continued to la¬ bour in fbcret on bis favourite fubjeft, and foon after communicated the fruits of thefe labours to the public in his Adv erf aria Anatomica, the firft of which was pub- lithed in the year 1706, the fecond and third in 1717, and the three others in 1719. The publication of this excellent work fpread the fame of Morgagni far be¬ yond the limits of the ftate of Bologna. Such was his reputation, that the wife republic of Venice had no hefitation in making him an offer of the fecond chair of the theory of medicine in the univerfity of Padua, then vacant by the death of M. Molinetti j and, to enfure his acceptance, they doubled the emoluments of that appointment. While he was in this department, he publiflied his treatife, entitled Nova Injlitutionum medicarum idea, which firft appeared at Padua in the year 1712. From this work his former reputation fuf- fered no diminution. And foon after he role, by dif¬ ferent fteps, to be firft profeffor of anatomy in that celebrated univerfity. Although Morgagni was thus finally fettled at Padua, yet he gave evident proofs of his gratitude and attachment to Bologna, which he confidered as his native country wuth refpedft to the fciences. Pie exerted his utmoft efforts in eftabliftiing the academy of Bologna, of which he was one of the firft affociates; and he enriched their publications with feveral valuable and curious papers. Soon after this, the Royal Societies of London and Peris received him among their number. Not long after the publication of his Advcrfaria Avatomica, be began, much upon the fame plan, his Kpiflolce An atomic a', the firft of which is dated at Padua in the beginning of April 1726. The works of Morgagni which have already been mentioned, are to be confidered, in a great mea- fure, as ftriflly anatomical : but be was not more emi¬ nent as an anatomift, than as a learned and fuccefsfui phyfician. In the year 1760, when he was not far di- ftant from the 80th year of his ape, he publifhed his large and valuable work- De canjis et fedibus niorborum per anatomen indagatis. This !aft and moft important of all his productions will afford convincing evidence of his indufiry and abilities to lateft pofterity. Befides thefe works, he nubiifhed, at difterent periods of his life, feveral mifceilaneous pieces, which were after¬ wards colleCled into one volptnej and printed tender his Morifon. own eye at Padua, in the year 1765. It does not ap~ Morganar pear that he had in view any future publications j but lie intended to have favoured the world with a com¬ plete edition of all his works, which would probably have been augmented with many new obfervations. In this he was engaged when, on the fifth of December 1771, after he had nearly arrived at the 90th year of his age, death put a period to his long and glorious career in the learned world. MORGANA, or Morgagna, Fata. See Fata. MORGES, a town of SwiiTerland in the canton of Berne, a place of fome trade, and fituated on the lake of Geneva, five miles from Laufanne. E. Long. 6. 42. N. L^t. 46. 29. MORGO, anciently Amorgos, an ifland in the Ar¬ chipelago, which produces wine, oil, and corn* It is well cultivated, and the inhabitants are affable, and ge¬ nerally of the Greek church. The beft parts belong to a monallery. The greateft inconvenience in this ifland is the want of wood. It is 30 miles in circumfe¬ rence. E. Long. 26. 15. N. Lat. 36. 30. MORIAH, one of the eminences of Jerufalem ; on which Abraham went to offer his fon, and David wanted to build the temple, which was afterwards exe¬ cuted by Solomon : The threlhing floor of Araunah $ originally narrow, fo as fcarce to contain the, temple, but enlarged by means of ramparts 5 and furrounded with a triple wall, fo as to add great ftrength to the temple, (Jofephus). It may be confidered as a part of Pdount Sion, to which it was joined by a bridge and- gallery, (Id.). MORILLES, a kind of mufhroom, about the fize of a walnut, pierced with holes like a honey-comb, and faid to be good for creating an appetite. It is often ufed in lauces and ragouts. M0R1NA, a genus of plants belonging to the di- andria clais ; and in the natural method ranking under the 48th order, Aggregatce. See Botany Index. MORINORUM Castellum, in Ancient Geography, Amply Caftelium (Antonine) •, fituated on an emi¬ nence, with a fpring of water on its top, in the terri¬ tory of the Morini. Now Mont Cajfel, in Flanders. MORINDA, a genus of plants belonging to the pentandria clafs, and in the natural method ranking under the 48th order, Aggregatce. See Botany In¬ dex. MORISON, Robert, phyfician and profeffor of botany at Oxford, was born at Aberdeen in 1620, bred at the univerfity there, and taught philofophy for fome time in it} but having a ftrong inclination to bo¬ tany, made great progrefs in that fcience. The civil wars obliged him to leave his country ; which, how¬ ever, he did not do till he had firft jignalized his zeal for the intereft of the king, and his courage, in a battle f©ught between the inhabitants of Aberdeen and the Prefbyterian troops on the bridge of Aberdeen, in which he received a dangerous wound on the head. As foorv as he was cured of it, he went into France j and fixing at Paris, he applied affiduoufly to botany and anatomy. He was introduced to the duke of Orleans, who gave him the direblion of the royal gardens at Blots. He exercifed the office till the death of that prince, and afterwards went over to England in 1660. Charles II. to whom the duke of Orleans had prefented him at Sloisj for him to London, and gave him the title * ✓ I Morifon:a, Morlachia. M O *R [ 4c* 1 MO R of Ills phyfician, ?.nd that of profejfor royal of botany, with a penfion of 200I. per annum. The Prcclucltum Botanicum, which he publiihed in 1669, procured him fo much reputation, that the univerfity of Oxford in¬ vited him to the profeffcrfhip of botany in 1669 i which he accepted, and acquitted himfehf in it with great ability. He died at London in 1683, aged 63. He publifhed a fecond and third part of his Hiftory of Plants, in 2 vo!s. folio ; with this title, Plantarum Jii/ioria Oxonievf.t Univerfalis. The firlt part of this excellent work has not been printed $ and it is not known what has become of it. MORISQNfA, a genus of plants belonging to the monadelphia clafs, and in the natural method ranking under the 25th order, Pataminece. See Botany In- tiex. MORLACHIA, a mountainous country of Dal¬ matia. The inhabitants are called Mor/achs ox-Mor- lacchi; they inhabit the pleafant valleys of Koter, along the rivers Kerha, Cettina, Narenta, and among the inland mountains of Dalmatia. The inhabitants are by home fa:d to be of Walachian extradlien, as is indicated bv their name ; Morlachia being a contraction of Mauro Walachia, that is, Black Walachia : and the Walachians are faid to be defeendants ol the ancient •Roman colonies planted in thefe countries. This, how¬ ever, is denied by the Abbe Fortis, who publiihed a volume of travels into that country. He informs us, that the origin of the Morlacchi is involved in the darknefs of barbarous ages, together with that of many other nations, refembling them fo much in cuftoms and language, that theV may be taken for one people, d;f- perfed in the vaft trafts from the Adriatic lea to the Frozen ocean. With regard to the etymology of the name, the Abbe obferves, that the Morlacchi generally call them- felves, in their own language, Vlcfji; a national term, of which no velime is found in'the records of Dal- O matia till the 13th century. It fignifies powerful men, or men of authority; and the denomination of Mo- ro Vlaffi, corruptly Morlacchi, as they are now called, may perhaps point out the original of the nation. This word may poffibly fignify the conquerors that came from the fea ; moor, in all the dialeds of the Sclavonian language, figPtfving the fea. With regard to the charafler of thefe people, we are informed that they are much injured by their ma¬ ritime neighbours. The inhabitants of the fea coaft of Dalmatia tell many frightful {lories of their avarice and cruelty : but thefe, in our author’s opinion, are all either of an ancient date, or if any have happened in latter times, they ought rather to be aferibed to the corruption of a few individuals, than to the bad dif- pofition of the nation in general ; and though thievifh tricks are frequent among them, he informs us, that a ilranger may travel fecurely through their coun¬ try, where he is faithfully elcorted, and hofpitably treated. As to the Morlacchi themfelves, they are repre- fented as open and fincere to fuch a degree, that they would be taken for fimpletons in any other country j and by means of this quality they have been fo oft< n duped by the Italians, that the faith of an Italian and the faith of a dog, are fynonymous among the Morlacchi. They are very hofpitable to ftrangers j and their hof- 3 pitality is equally confpicuous among the rich and poof.Morlachia. The rich prepares a roalled lamb or (beep, and the —v'"*' J poor with equal cordiality offers whatever he has j nof is this generofity confined to ftrangers, but generally extends itfelf to all who are in want. When a Mor- lack is on a journey, and comes to lodge at a friend’s houfe, the eldeff daughter of the family, or the new married bride, if there happen to be one, receives and kiffes him when he alights from his horfe or at the door of the houfe : but a foreigner is rarely favoured with thefe female civilities j on the contrary, the wo¬ men, if they are young, hide themfelves, and keep out of his way. The Morlacchi in general have little notion of do- meftic economy, and readily confume in a week as much as would be lufficient for feveral months, when¬ ever any occafion of merriment prefents itfelf. A mar¬ riage, the holiday of the faint protestor of the family, the arrival of relations or friends, or any other joyful incident, confumes of courfe all that there is to eat and to drink in the houfe. Yet the Morlack is a great economift in the ufe of his wearing apparel ■, for rather than fpoil his new cap, he takes it off, let it rain ever fo hard, and goes bareheaded in the ftorm. In the fame manner he treats his flioes, if the road is dirty and they are not very old. Nothing but an abfo- lute impeffibility hinders a Morlack from being punc¬ tual ; and if he cannot repay the money he botrowed at the appointed time, he carries a {mail prefent to his creditor, and requefts a longer term. Friendlhip is lading among the Morlacchi. They havp even made it a kind of religious point, and tie the facred bond at the foot of the altar. The Sclavo¬ nian ritual contains a particular benedi&ion for the fo- lemn union of two male or two female friends in the prelence of the congregation. The male friends thus united are called Pobratimi, and the female Poje/lreme, which mean half-brothers and half filters. From thefe confecrated friendlhips among the Morlacchi and other nations of the fame origin, it {hould feem that the fworn brothers arofe *, a denomination frequent enough among the common people of Italy and in many parts of Europe. The difference between thefe and the Pobratimi of Morlachia confifts not only in the want of the ritual ceremony, but in the defign ol the union itfelf. For, among the Morlacchi, the foie view is reciprocal fervice and advantage j but fuch a brother¬ hood among the Italians is generally commenced by- bad men, to enable them the more to hurt and diiturb fociety. But as the friendlhips of the Morlacchi are ftrong and facred, fo their quarrels are commonly unextin- guilhable. They pafs from father to fon ; and the mothers fail not to put their children in mind of their duty to revenge their father if he has had the mis¬ fortune to be killed, and to Ihow them often the bloody Ihirt and arms of the dead. And fo deeply is revenge rooted in the minds of this nation, that all the miffionaiies in the world would not be able to eradicate it. A Morlack is naturally inclined to do good to his fellow creatures, and is full of grati¬ tude for the fmalltft benefit j but implacable if injured or infulted. A Morlack who has killed another of a powerful family, is commonly obliged to fave himfelf by flight, and M O R • . [ Morlacch!. and to keep out of the way for feveral years. during that time he has been fortunate enough to efcape the fearch of his purfuers, and has got a fmall fum of money, he endeavours to obtain pardon and peace ; and, that he may treat about the conditions in perfon, he afks and obtains a fafe condudf, which is faithfully maintained, though only verbally granted. Then he finds mediators; and, on the appointed day, the relations of the two hoftile families are aflembled, and the criminal is introduced, dragging himfelf along on his hands and feet, the mufket, piifol, or cutlafs, with which he committed the murder, hung about his neck ; and while he continues in that humble pofture, one or more of the relations recites a panegyric on the dead, which fometimes rekindles the flames or revenge, and puts the poor proftrate in no fmall dan- ger. The Morlacks, whether they happen to be of the Roman or of the Greek church, have very Angular ideas about religion j and the ignorance of their teach¬ ers daily augments this monflrous evil. They are as firmly perfuaded of the reality of witches, fairies, en¬ chantments, nofturnal apparitions, and fortileges, as if they had feen a thoufand examples of them. Nor do they make the leaft doubt about the exiflence of vampires 5 and attribute to them, as in Tranfylvania, the fucking the blood of infants. Therefore, when a man dies fufpe&ed of becoming a vampire, or vu- kodlak, as they call it, they cut his hams, and prick his whole body wdth pins; pretending, that after this operation he cannot wralk about. rI here are even in- ftances of Morlacchi, who, imagining that they may pofhbly third; for children’s blood after death, entreat their heirs, and fometimes oblige them to promife, to treat them as vampires when they die. A mod perfedt difcord reigns in Morlachia, as it generally does in other parts, between the Latin and Greek communion, which their refpedlive priefls fail not to foment, and tell a thoufand little fcandalous do¬ ries of each other. The churches of the Latins are poor, but not very dirty ; thofe of the Greeks are equally poor, and fhamefully ill kept. Our author has feen the curate of a Morlack village fitting on the ground in the churchyard, to hear the confedion of women on their knees by his fide : a drange podure indeed ! but a proof of the innocent manners of thofe good people, who have the mod profound veneration for their fpiritual padors, and a total dependence upon them •, who, on their part, frequently make ufe of a difcipline rather military, and correft the bodies of their offending flock with the cudgel. Innocence, and the natural liberty of pafloral ages, are dill preferved among the Morlacchi, or at lead many traces of them remain in the places farthed Ai¬ dant from our fettlements. Pure cordiality of fenti- ment is not there refrained by other regards, and dif- plays itfelf without any didindlion of circumiT nces. A young handfome Morlack girl, who meets a man of her didriiff on the road, kiffes him affectionately, without the lead imputation of impropriety ; and M. Fortis has feen all the women and girls, all the young men and old, kiffing one another as they came into the churchyard on a holiday; fo that they looked as if they all belonged to one family. He often obferved the fame thing on the road, and at the fairs in the ma- VoL. XIV. Part II, R M O where the Morlacchi came to fell their Morlacchi 4°9 1 If rltime town commodities. The drefs of the unmarried wromen is the mod com¬ plex and whimflcal, in refpeCl to the ornaments of the head ; for wLen married they are not allowed to wear any thing elfe but a handkerchief, either white or co¬ loured, tied about it. The girls ufe a fcarlet cap, to which they commonly hang a veil falling down on the. droulders, as a mark of their virginity. The better fort adorn their caps with drings of filver coins, a- mong which are frequently feen very ancient and va¬ luable ones} they have moreover ear rings of very cu¬ rious work, and fmall filver chains with the figures of half moons fadened to the ends of them. But the poor are forced to content themfelves with plain caps ; or if they have any ornaments, they confid only of fmall exotic ffiells, round glafs beads, or bits of tin. The principal merit of thefe caps, which conditute the good tade as well as vanity of the Morlack young ladies, is to attraft and fix the eyes of all who are near them by the multitude of ornaments, and the noife they make on the lead motion of their heads. Both old and young w’omen wear about their necks large drings of round glafs beads, of various fize and colour j and many rings of brafs, tin, or filver, on their fingers. Their bracelets are of leather covered with wrought tin or filver ; and they embroider their domachers, or adorn them wdth beads or Ihells. But the ufe of days is unknown, nor do they put whale¬ bone or iron in the domacher. A broad woollen girdle furrounds their petticoat, which is commonly decked wdth diells, and of blue colour, and therefore called modrina. Their gown as well as petticoat, is of a kind of ferge ; and both reach near to the ancle : the gown is bordered with fcarlet, and called fadak. They ufe no modrina in fummer, and only wear the fadak without ileeves over a linen petticoat or fliift.— The girls always wear red dockings *, and their (hoes are like thofe of the men, called opanke. The foie is of undreffed ox hide, and the upper part of fheep’s Ikin thongs knotted, which they call apute; and thefe they faden above the aricles, fomething like the ancient co¬ thurnus. The unmarried women, even of the riched families, are not permitted to wear any other fort of Ihoes; though after marriage, they may, if they will, lay afide the opanke, and ufe the Turkifh dippers. The girl* keep their hair treffed under their caps, but when mar¬ ried they let it fall didrevelled on the bread ; fometimes they tie it under the chin j and always have medals, beads, or bored coins, in the Tartar or American mode, twided amongd it. Nothing is more common among the Morlacchi than marriages concluded between the old people of the rc- fpe&ive families, efpeeially when the parties live at a great didance, and neither fee nor know.each other j and the ordinary motive of thefe alliances is the am¬ bition of being related to a numerous and powerful fa¬ mily, famous for having produced valiant men. A de¬ nial in fuch cafes is very rare 5 nor does the father of the maid inquire much into the circumdances of the fa¬ mily that afks her. Sometimes a daughter of the mnder is given in marriage to the fervant or tenant, as was ufual sn patriarchal times j fo little are the women re¬ garded in this country. But on thefe occafions, the Morlacchi girls enjoy the privilege of refufal. For he 3 F who M O R [ 410 ] M O R Morlaccli’. who a&s by proxy, having obtained his iuit, is obliged ' v ^ to go and bring the bridegroom : and, if on feeing each other, the young people are reciprocally content, the marriage is concluded, but not otherwife. In fome parts it is the cuifom for the bride to go to fee the houfe and family of the propofed hufband, before the gives a definitive an fiver ; and if the place or perfons are difagreeable to her, Ihe is at liberty to annul the con- tradl. The bride is conduced to a church, veiled, and fur- rounded by the friends of the bridegroom, or fvati, as they are called, on horfeback j and tire facred cere¬ mony is performed amidlt the noife of mulkets, piftols, barbaric fiiouts and acclamations, which continue till Ihe return to her father’s houfe or to that of her huf¬ band, if not far off. The firif day’s entertainment is fometimes made at the bride’s houfe, but generally at the bridegroom’s, whether the fvati haften immediately after the nuptial benedidlion; and at the fame time three or four men run on foot to tell the good news; the firft who gets to the houfe has a kind of a towel embroidered at the ends, as a premium. The domachin, or head of the houfe, comes out to meet his daughter in-law 5 and a child is handed to her, before lire alights, to carefs it-, and if there happen to be none in the houfe, the child is borrowed from one of the neighbours. When fine alights, Ihe kneels down, and kilTes the threfhold.— Then the mother-in law, or in her place fome other female relation, prefents a corn fieve, full of different kinds of grain, nuts, almonds, and other fmall fruit, which the bride fcatters upon the fvati, by handfuls, behind her back. The bride does not fit at the great table the firft day, but has one apart for herfelf, the two diveri, and the ftacheo. The bridegroom fits at table with the fvati j but in all that day, confecrated to the matrimonial union, he muft neither unloofen nor cut any thing whatever. The knum carves his meat, and cuts his bread. It is the domachin’s bufinefs to give the toafts ; and the ftari-fvat is the firft who pledges him. Generally the bukkara, a very large wooden cup, goes round, firft to the faint protedlor of the fa¬ mily ; next to the profperity of the holy faith ; and fometimes to a name the moft fublime and venerable. The moft extravagant abundance reigns at thefe feafts j and each of the fvati contributes, by fending a {hare of provifions. The dinner begins with fruit and cheefe j and the foup comes laft, juft contrary to our euftem. All forts of domeftic fowls, kid, lamb, and fometimes venifon, are heaped in prodigal quantities up¬ on their tables. Thefe nuptial feafts, called fdravc by the ancient Huns, are by the Morlacchi called fdravixe, from whence the Italian word firavi%%o is undoubtedly de¬ rived. They continue three, fix, eight, or more days, according to the ability or prodigal difpofition of the family where they are held. The new married wife gets no inccnfiderable profit in thefe days of joy ; and it ufually amounts to much more than all the portion (he brings with her, which often confifts of nothing but her own clothes and perhaps a cow 5 nay, it hap¬ pens fometimes that the parents, inftead of giving money with their daughter, get fomething from tire bridegroom by way of price. The bride carries wrater every morning, to wTafti the hands of her guefts as long as the feafting lafts} and each of them throws a fmall piece of money into the bafon after performing that func- Mornay. tion, which is a very rare one among them, excepting on v~ fuch occafions. The Morlacchi pafs their youth in the woods, attend¬ ing their flocks and herds; and in. that life of quiet and leifure they often become dextrous in carving with a fim- ple knife : they make wooden cups, and whiffles adorn¬ ed with fanciful bafs-reliefs, which are not void of merit, and at leaft {how the genius of the people. MORNAY, Philippe be, feigneur du Pleffis Marly, was born at Buhy or Biftiuy in Upper Norman¬ dy in France, in 1549, and was educated at Paris. What was then thought a prodigy in a gentleman, he made a rapid progrefs in the belles lettres, in the learned languages, and in theology. He was at firft deftined for the church -, but the principles of Calvi- nifm, which lie had imbibed from his mother, effec¬ tually excluded him from the ecclefiaftical preferments to which he was entitled hy his intereff, abilities, and birth. After the horrible rnaffacre of St Bartho¬ lomew, Philippe de Mornay made the tour of Italy, Germany, England, and the Low Countries ; and he was equally improved and delighted by his travels* Mornay afterwards joined the king of Navarre, at that time leader of the Proteftant party, and fa well known fince by the name of Henry IV. This prince fent Mornay, who employed his whole abilities, both as a foldier and a writer, in defence of the Proteftant caufe, to conduft a negotiation with Elizabeth queen of England ; and left him wholly to his own diferetion in the management of that bufinefs. Fie was luccefs- ful in almoft every negotiation, becaufe he conduc¬ ed it like an able politician, and not with a. fpirit of intrigue. He tenderly loved Henry IV. and fpoke to him on all occafions as to a friend. When he was wounded at Aumale, he wrote to him in thefe words : “ Sire, You have long enough aefed the part of Alexander, it is norv time you fhould aC that of Coefar. It is our duty to die for your majefty, &.c. It is glorious for you, Sire, and I dare venture to tell you it is your duty, to live for us.” This faithful fubjeC did every thing in his power to raife Henry to the throne. But when he deferted the Proteftant faith, he reproached him in the bittereft manner, and retired from court. Henry ftill loved him ; and was extremely affeCed with an infult which he received in 1 ^97 from one Saint Phal, who beat him with a cudgel, and left him for dead. Mornay demanded juftice from the king; who gave him the following anfiver, a proof as well of his fpirit as of his goodnels * of heart. “ Monfieur Dupleffis, I am exceedingly of¬ fended at the infult you have received ; and I fympa- thize with you both as your fovereign and your friend. In the former capacity, I {hall do juftice to you and to myfelf; and had I fuftained only the character of your friend, there are few perhaps who would have drawn their fword or facrificed their life more cheer¬ fully in your caufe. Be fatisfied, then, that I will aC the part of a king, a mafter, and a friend,” &c. Mor¬ nay’s knowledge, probity, and valour, made him the foul of the Proteftant party, and procured him the contemptuous appellation of the Pope of the Huguenots. He defended their doCrines both by fpeech and writ¬ ing. One of his books on the Iniquity of the Mafs, having ftirred up all the Catholic divines, he retufed to M O R [ 41 Jvfcrnay to make any reply to their cenfures and criticifms 1! except in a public conference. This was accordingly Motoc. 8pp0|nted to be held A. D. 1600, at Fountainbleau, : v where the court then was. The two champions were, Du Perron biihop of Evreux, and Mornay. After a * great many arguments and replies on both fides, the victory was adjudged to Du Perron. He had boafted that he would point out to the fatisfa&ion of every one five hundred errors in his adverfary’s book, and he partly kept his word. The Calvinifts did not fail to claim the victory on this occafion, and they ftill Continue to do fo. This conference, inlfead of putting an end to the differences, was productive of new quarrels among the controverfialifls, and of much profane wit a- mong the libertines. A Huguenot minifter, w'ho was prefent at the conference, obferved with great concern to a captain of the fame party,—“ The biihop of Evreux has already driven Mornay from feveral ftrong holds.” “ No matter (replied the foldier-), provided he does not drive him from Saumur.” This was an important place on the river Loire, of which Dupleffis was go¬ vernor. Hither he retired, his attention being con- ftantly occupied in defending the Huguenots, and in making himfelf formidable to the Catholics. When Louis XIII. was making preparations againft the Pro- teftants, Dupleffis wrote him a letter, difluading him from fuch a meafure. After employing the molt plaufible arguments, lie concludes in the following manner : “ To make war on the fubjedf, is an indi¬ cation of weaknefs in the government. Authority confifts in the quiet fubmiffion of the people, and is eftablithed by the prudence and juftice of the governor. Force of arms ought never to be employed except in re¬ pelling a foreign enemy. The late king would have fent the new minifters of ftnte to learn the firft elements of politics, who like unfldlful furgeons would apply violent remedies to every difeafe, and advife a man to cut off an arm when his finger aches.” Thefe remonftrances pro¬ duced no other effecl than the lofs of the government of Saumur, of which he was deprived by Louis XIII. in 1621. He died two years after, November 11. 1623, aged 74, in his barony de la Foret-fur-Seure in Poitou. The Protellant caule never had an abler fupporter, or one who did it more credit by his virtues and abilities. Cenfeur des courtifans, tnais a la cour a tine ; Ficr ennetni de Rome, et de Rome ejlnne.—HENRIADE, Tire following is a lift of his works : Fn Traite de FEuchariJle, 1604, in folio. 2. Un Trane de la verite de la Religion Chretienne, 8vo. 3. A book entitled La Myficrc d'Iniqaite, 4to. 4. Un difcours fur le droit pretendu par ceux de la maifon de Guife, 8vo. 5. Ca¬ rious and interefting Memoirs from the year 1572 to 1620, 4 vols, 410, valuable. 6. Letters; which are written w’ith great fpirit and good fenfe. David des Liques has given us his life in quarto •, a book more in¬ terefting for the matter than the manner. MORNE-GAROU>a very remarkable volcanic moun¬ tain on the ifland of St Vincent’s in the Weft Indies. It was vifited by Mr James Anderfon furgeon in the year 1784. See St Vincents. MOROC, or Maroc, a beautiful bird of Abyffinia, defcribed by Mr Bruce, who thinks its name is derived from mar “ honey,” though he fays that he never heard 1 ] M o R it w’as further concerned in the honey than deftroying Morning, bees. It feems to purfue thofe infedls out of enmity or : J‘^C( ;>' diverfion as well as for food, leaving great numbers dead on the ground, befides thofe which it devours for food. The moroc refembles the cuckoo in fize and Ihipe, but differs in other refpects. Its mouth is very wide, the opening reaching alrnoft to its eyes; the infide of the mouth and throat yellow, the tongue iharp- point¬ ed, and capable of being drawn almoft half its length out of the mouth beyond the point of its beak, and is very flexible. The head and neck are brown, v/ithout any mixture of other colours; there are likewife a num¬ ber of very fmall and fcarcely vilible hairs at the root of the beak. This feems to be the bird mentioned by Sparman under the name of cuculus indicator, which (he fays) has the Angular property of difcovering the nefts of wild bees, and leading travellers by a certain cry to the place where the treafure is dcpofited. According to Spar- man’s account, it makes known thefe difcoveries by the fame cry to foxes as wyell as to the h*.man fpecies ; but Jerome Lobo, who mentions the Abyffinian bird, takes no notice of the foxes, though he mentions its finging melodioufly when it arrives at the place where the honey is depofited. Both thefe accounts are feverely criticifed by Mr Bruce, wffio fays, that honey is fo abundant on every hillock and every tree, that a bird poffeffing this faculty could be of no ufe to man or to any other ani¬ mal in that country, and that having never heard of fuch a bird in Abyffinia, he confiders the account of it as a fidlion. MORNING, the beginning of‘the day, or the time of the fun rifing. The aftrcnomers reckon morning, mane, from the time of midnight to that of mid-day. Thus an eclipfe is faid to begin at 11 o’clock in the morning, &c. Morning ftar, is the planet Venus, when a little to the w'eftward of the fun ; that is, when (he rifes a little before. In this fituation fhe is called by the Greeks phorus ; by the Latins Lucifer, Sic. 1 MOROCCO, an empire of Africa, comprehending Situation a confiderable part of the ancient Mauritania, is bound-^.pb°ul,‘ ed on the weft by the Atlantic ocean ; on the eaft by1"11''' the river Mulvya, which feparates it from Algiers; on the north by the Mediterranean ; and on the fouth by Mount Atlas, or rather by the river Sus, which di¬ vides it from the kingdom of Tafilet. Its greateft length is from the north-eaft to the fouth-weft, amounting to above 590 miles ; its breadth is not above 260 where broadeft, and in the narroweft places it is not above half that breadth. 2 The ancient hiftory of Morocco has been already given under the article Mauritania. It continued under the dominion of the Romans up-wards of 400 years. On the decline of that empire it fell under the Goths, who held it till about the year 6co, when the Goths were driven out by the Vandals, the Van¬ dals by the Greeks, and they in their turn by the Saracens, who conquered not only this empire, but we may fay the whole continent of Africa ; at leaft their religion, one way or other, is to be found in all parts of it. The Sarafcen empire did not continue long united under one head, and many princes fet up for themfelves in Africa as well as elfewhere, through whofe diffenfions the Almoravides were at length 3 F 2 railed Morocco. 3 CJovern- ai*nt. M O H [41 raiTed to the fovereignty, as related under the article Algiers, N° 2. Yufef, or Jofeph, the fecond mo¬ narch oi that line, built the city of Morocco, con¬ quered the kingdom of Fez, and the Moorifh domi¬ nions in Spain ; all which were loft by his grandfon Abbu Hali, who was defeated and killed by the Spa¬ niards. On this prince’s death the crown paffed to the Mohedians, or Almohedes, with w’hom it had not continued above three generations, when Mohammed the fon of A1 Manfur loft the famous battle of Sierra Morena, in which 200,000 Moors were flain, and in confequence of which Alphonfo X. retook a great many of the Moorilh conquefts immediately after. Mohammed died foon after this difgrace, and left feveral fons, between whom a civil war enfued, during which the viceroys of Fez, Tunis, and Tremefen, found means to eftablilh themfelves as independent princes. At length one of the princes of the royal blood of Tremelen having defeated the Almohedes, made him- felf mailer of the kingdoms of Morocco and Fez, and entailed them on his own family. In a Ihort time, however, this family was expelled by the Merini, the Merini by the Oatazes, and thefe by the Sharifs of Flafcen, who have kept the government ever fince. Nothing can be conceived more unjuft and defpOtic than the government of Morocco, and nothing more de¬ generate than the charafter of the people. The em¬ peror* is allowed to have not only an uncontrollable power over the lives and fortunes of his fubjefts, but in a great hieafure over their confciences, in as much as he is the only perfon who, as the fucceffbr of the pro¬ phet, has a right to interpret the Koran ) and appoints all the judges under him, of whom thofe of Morocco and Fez are the chief, wdiofe bufinefs it is to explain and difpenfe all matters relating to their religion ; and who, being his creatures and dependents, dare not fteer ctherwife than as he directs. Whenever therefore the laws are enadled by him, and proclaimed by his gover¬ nors in all the provinces, as is commonly done, that none may plead ignorance, they are everywhere received with an implicit and religious fubmiffion. On the other hand, the lubjefts are bred up with a notion, that thofe who die in the execution of his command are en¬ titled to an immediate admittance into paradife, and thofe who have the honour to die by his hand to a flill greater degree of happinefs in it. After this we need not wonder at finding fo much cruelty, opprefllon, and tyranny on the one fide, and fo much fubmiflion, paf- fivenefs, and mifery on the other. This latter, however, extends no farther than the ' Account of ^OOTS : for as to the mountaineers, the fubje£lion and the black tribute they pay to thofe tyrants was always involun- troops. tary ; and as for the negroes, their zeal and attachment is owing merely to the great fway and power which they have gained in the government, on various ac- , counts. They wrere firft introduced, or rather their im¬ portation increafed, by the policy of Muley Ifhmael, a late emperor, at a period when there was a great de- creafe of population in the empire, occafioned in feme degree by the enormous cruelties excrcifed by its former fovereigns, who have been known not unfrequently, through a flight difgufl, to abandon a whole town or province to the fword. In the charafter of Muley Ilh- mael were found the moft Angular inconfiflencies; for it is certain, that although a tyrant, yet in other re- 2 ] M O R fpeffs, as if to repair the mifehief which he committed, Morocce. he left nothing undone for the encouragement of popu- lation.—Fie introduced large colonies of negroes from Guinea ; built towns for them, many of which are ftill remaining ; affigned them portions of land, and encouraged their increafe by every poflible means. * He foon initiated them in the Mahometan faith ; and had his plan been followed, the country by this time would have been populous, and probably flourilhing. As the negroes are of a more lively, a£Hve and enter- prifing difpofition than the Moors, they might foon have been taught the arts of agriculture ; and their lin¬ gular ingenuity might have been dire&ed to other ufe- ful purpofes. It is true, Muley Ifhmael, when he adopted this plan, had more obje&s in view than that of merely peopling his dominions. He flaw plainly that his own fubjedfs were of too capricious a difpofition to form foldiers calculated for his tyrannical purpofes. They had uniformly manifefted an inclination to change their fovereigns, though more from the love of variety than to reform the government, or reftrain the abufes of tyranny. Muley Ifhmael had difeernment enough to fee, that by forming an army of flaves, whofe foie dependence fliould reft upon their mafter, he could eafdy train them in fuch a manner as to adl in the ftridteft conformity to his wifhes. Fie foon learnt that the great objedl with the negroes \vas plenty of money and liberty of plunder ; in thefe he liberally indulged them, and the plan fully anfwered his expectations. Though, however, Muley Ifhmael had no great merit in introdu¬ cing fubjedts for the purpofes of tyranny, yet the good effedts of this new colonization were very generally ex¬ perienced. By intermarrying among themfelves, and intermixing among the Moors (for the Moors will keep negro women as concubines, though they feldom marry them), a new race of people ftarted up, who became as ufeful fubjedls as the native inhabitants, and brought the empire into a much more flourifhing ftate than it had ever been in fince their great resolution. Sidi Mahomet, his grandfon and fucceflbr, had dif¬ ferent views, and was adluated by different motives. From his inordinate avarice, he ceafed to adt towards his black troops in the generous manner which had di- ftinguifhed his predeceffor Muley Iftimael; and they foon Ihowed themfelves difeontented with his condudl. They offered to place his eldeft fon Muley Ali, on the throne ; but this prince, not unmindful of the duty which he owed his father and fovereign, declined their offer. They next applied to Muley Yazid, who at firft accepted of the affiftance they tendered, but in a ihort time relinquiftied the plan. Sidi Mahomet, difgufted with this condudl of the negroes, determined to curb their growing power, by dilbanding a confiderable part of thefe troops, and banifhing them to diftant parts of the empire. A moft flagrant fpecies of defpotifm, which rendersDef^ifra the emperors more formidable to their fubjefts, is theirof the era- making themfelves their foie heirs, and, in virtue of that,PerorSi feizing upon'all their effe&s, and making only fuch pro- vifion for their families as they think proper • and often, on feme frivolous pretence, leaving them deftitute of any, according to the liking or dillike they bear to the deceafed 5 fo that, upon the whole, they are the only ma¬ kers, judges, and interpreters, and in many inftances likewile the executioners, of their own laws, which have 6 Admini- ftration of juftice. M O Pi [ 413 Morocce. no other limits than their own arbitrary will. The titles which the emperors of Morocco affufne, are thofe of Mo/7 glorious, mighty, and noble emperor of Afric ; ling of Fe% and Morocco, Tafilet, Su%, Dorha, and all the Algarbe, and its territories in Afric ; grand Sharif (or, as others write it, Xarif that is, fucceffor, or vice¬ gerent), of the great Prophet Mohammed, is’c. The judges or magiilrates w7ho aft immediately under the emperor are either fpiritual or temporal, or rather ecclefiaftical and military. The mufti and the cadis are judges of all religious and civil affairs; and the bafhaws, governors, alcaides, and other military officers, of thofe that concern the flate or the army : all of them the moft obfequious creatures and Haves of their prince, and no lefs the rapacious tyrants of his fubjefts, and from whom neither juftice nor favour can be obtained but by mere dint of money and extortionate bribery, from the high- eft to the kweft. Neither can it indeed be otherwife in fuch an arbitrary government, where the higheft polls muft not only be bought of the prince at a moil extravagant price, and kept only by as exorbitant a tri¬ bute, wffiich is yearly paid to him, but where no one is fure to continue longer than he can bribe fome of the courtiers to infinuate to the monarch that he pays to the utmoft of his powder and much beyond what was expec¬ ted from him. There are inftances of the fultan eleva^ ting at once a common foldier to the rank of a baffiaw, or making him a confidential friend ; the following day he would perhaps imprifon him, or reduce him again to the ftation of a private foldier. Yet fuch is the difpo- fition of thefe people, that they have an unbounded thirft for rank and power with all their uncertainties ; and what is more extraordinary, when they have ob¬ tained a high ftation, they feldom fail to afford their fovereign a plea Tor ill treating them, by abufing in fome w7ay or other their truft. From wffiat has been faid, it may be reafonably con¬ cluded that the.revenue arifingto the emperor from the laft mentioned fource, that of bribery, extortion, and confifcation, muft be very confiderable, though there is no poffibility to make any other conjefture of its real amount than that it muft be an immenfe one. Another confiderable branch is the piratical trade, which brings the greater income into his treafury, as he is not at any expence either for fitting out of corfair veffels, or main¬ taining their men ; and yet has the teYith of all the car¬ go and of all the captives; befides which, he appropri¬ ates to himfelf all the reft of them, by paying the cap- tors 50 crowns per head, by wffiich means he engroffes all the Haves to his own fervice and advantage. This article is indeed a very confiderable addition to his re¬ venue, not only as he fells their ranfom at a very high rate, but likewife as he has the profit of all their labour, without allowing them any other maintenance than a little bread and oil, or any other affiftance when fick, than what medicines a Spanifh convent, which he tole¬ rates there, gives them gratis ; and wffiich, neverthelefs, is forced to pay him an annual prefent for that tolera¬ tion, befides furniffiing the court with medicines, and the Haves with lodging and diet when they are not able to work. Another branch of his revenue confifts in the tenth part of all cattle, corn, fruits, honey, w7ax, hides, rice, and other produfts of the earth, wffiich is exafted of the Arabs and Brebes, as well as of the natives ; and thefe are levied, or rather farmed, by the baffiaws, go- Royal reve¬ nue 4 M Q R vernors, alcaides, Sec. with all poffible feverity. The Morocco. Jewrs and Chriftians likew’ife pay an income or capita- v 'f tion, the former of fix crowns />crhead on all males from j 5 years and upwards, befides other arbitrary impofts, fines, &c. That on the Chriftians, for the liberty of trading in his dominions, rifes and falls according to their number, and the commerce they drive ; but which, whatever it may bring yearly into his coffers, is yet de¬ trimental to trade in general, feeing it difcourages great numbers from fettling there, notvvithftanding the artful invitations wffiich the emperors and their minifters make ufe of to invite them to it ; for, befides thofe ar¬ bitrary exaftions, there is ftill another great hardffiip attending them, viz. that they cannot leave the country W’ithout forfeiting all their debts and effefts to the crown. The duties on all imports and exports is ano¬ ther branch of his income, the amount of which, it is faid, does not exceed 165,000!. per annum. s The climate of the empire of Morocco is in general Climate of fufficiently temperate, healthy, and not fo hot as its fitu- Morocco, ation might lead us to fuppofe. The chain of moun¬ tains wffiich form Atlas, on the eaftern fide, defends it from the eaft wfinds, that would fcorch up the earth were they frequent. The fummit of thefe mountains is always covered with fnow; and their abundant de¬ fending ftreams fpread verdure through the neigh¬ bourhood, make the winter more cold, and temper the heats of fummer. The fea on the weft fide, which ex¬ tends along the coaft from north to fouth, alfo refreflies the land with regular breezes, that feldom vary accor¬ ding to their feafons. At a diftance from the fea, with¬ in land, the heat is fo great, that the rivulets become dry in fummer ; but as in hot countries dew's are plen¬ tiful, the nights are there always cool. The rains are tolerably regular in winter; and are even abundant, though the atmofphere is not loaded with clouds as in northern latitudes. Thofe rains wffiich fall by intervals are favourable to the earth, and increafe its fecundity. In January the country is covered wffih verdure, and enamelled wffiffi flowers. Barley is cut in March, but the wheat harveft is in June. All fruits are early in this climate ; and in forward years the vintage is over in the beginning of September. Though in general there is more uniformity an^ lefs variation in hot than in north¬ ern climates, the firft are neverthelefs expofed to the intemperance of weather : too heavy rains often impede the harveft ; and drought has ftill greater inconvenien¬ ces, for it enfures the propagation of locufts. y The foil of Morocco is exceedingly fertile. It is Soil, and moft fo in the inland provinces. On the w7eftern coaft it is in general light and ftony, and is better adapted to the vine and olive than the culture of wheat. They an¬ nually burn, before the September rains, the ffubble, which is left rather long ; and this and the dung of cattle, every day turned to pafture, form the foie ma¬ nure the laud receives. The foil requires but little labour, and the ploughing is fo light that the furrows are fcarcely fix inches deep ; for which reafon, in fome provinces, wooden ploughffiares are ufed for cheap- nels. . ^ iq The empire of Morocco might fupply itfelf with all produce neceffaries, as wdll from the abundance and nature of*^0115- its produfts, as from the few natural or artificial wants of the Moors occafioned by climate or education. Its wealth confifts in the fruitfulnefs of its foil: its corn, fruit?,,, M O R [ 414 ] M O R ^Torccco. fruits, flocks, flax, fait, gums, and wax, would not only v *' fupply its necefllties, but yield a fuperfiux, which might become an object of immenfe trade and barter with other nations. Such numerous experts might return an inexhauftible treafure, were its government fixed and fecure, and did fubjedls enjoy the fruits of their labour and their property in fafety. The increafe of corn in Morocco is often as fixty to one, and thirty is held to be but an indifferent harveft. The Moors, naturally indolent, take little care of the culture of their fruits. Oranges, lemons, and thick fk mned fruits, the trees of which require little nurture, ■grow in the open fields •, and there are very large plan¬ tations of them found, which they take the trouble to water in order to increafe their product. Their vines, tvhich yield excellent grapes, are planted as far as the 33d degree, as in the fouthern provinces of France, and are equally vigorous. But at Morocco, where they yield a large and delicious grape, they are fupported by vine poles five and fix feet above ground ; and as they are obliged to be watered, the little wine made there is feldom preferved. Figs are very good in fome parts cf the empire, but toward the fouth they are fcarcely ripe before they are full of worms 5 the heats and night dews may, perhaps, contribute to this fpeedy decay. Melons, for the fame reafon, are rarely eatable ; they have but a moment of maturity 5 which paffes fo rapidly that it is with difficulty feized. Water melons are everywhere reared, and in fome provinces are excellent. Apricots, apples, and pears, are in tolerable plenty in the neighbourhood of Fez and Mequinez, where water is lefs fcarce and the climate more temperate. But in the plain, which extends along the weflern coaft, thefe delicate fruits are very indifferent, have lefs juice or tafle, and the peaches there do not ripen. The tree called the prickly pear, or the Barbary fig, is plentifully found in the empire of Morocco ; and is planted round vineyards and gardens, becaufe its thick, and thorny leaves, which are wonderfully prolific, form impene¬ trable hedges. From thefe leaves a fruit is produced, covered with a thorny fkin, that muft be taken off with care. This fruit is mild, and full of very hard, fmall kernels. The olive is everywhere found along the coait, but particularly to the fouth. In the province of Snz, between the 25 th and 30th degrees, the inhabitants have an almond harveft, which •varies little becaufe of the mildnefs of the climate ; but the fruit is fmall, for which reafon they take little care of the trees, and they degenerate with time. The palm tree is common in the fouthern provinces of Morocco ; but dates ripen there with difficulty, and few are good ^except in the province of Suz and toward Tafilet. On the epaft of Sallee and Mamora there are forefts of oak, which produce acorns near two inches long. They tafte like cbefnuts, and are eaten raw and roafted. Salt abounds in the empire, and in fome places on the coaft requires only the trouble of gathering. Independent of the fait pits formed by the evaporation of the foft water, there are pits and lakes in the country whence great quantities are obtained. It is carried even as far as Fombut, whence it paffes to the interior parts of Africa. I he Moors cultivate their lands only in proportion to their wants •, hence two-thirds of the empire at leart lie wafte. Here the doum, that is, the fan or wild palm tree, grows in abundance ; and from which thofe peo- Moroce-. pie, when neceffity renders them induftrious, find great ^— advantage. The ffiepherds, mule drivers, camel drivers, and travellers, gather the leaves, of which they make mats, fringes, bafkets, hats, Jljoaris or large wallets to carry corn, twine, ropes, girths, and covers for their pack laddies. J his plant, with wnich alfo they heat their ovens, produces a mild and refinous fruit that ri¬ pens in September and Odlober. It is in form like the raifin, contains a kernel, and is aftnngent and very pro¬ per to temper and counteraft the effedls of the watery and laxative fruits, of which thefe people in fummer make an immoderate ufe. ^ Unacquainted v-.ith the fources of wealth of which Mines, their anceftors were poffeffed, the Moors pretend there are gold and filver mines in the empire, which the em¬ perors will not permit to be worked, left their fubjedls ftiould thus find means to ftiake off their yoke. It is not improbable but that the mountains of Atlas may contain unexplored riches; but there is no good proof that they have ever yielded gold and filver. There are known iron mines in the fouth j but the working of them has been found fo expenfive, that the natives would rather ufe imported iron, notwithftanding the heavy duty it pays, by which its price is doubled. There are copper mines in the neighbourhood of Santa Cruz, which are not only fufficient for the fmall confumption of the empire, where copper is little ufed, but are alfo an objefl of exportation, and would become much more fo were the duties lefs immoderate. I2 > Neither the elephant nor the rhinoceros is to be found Animals, either in this or the other ftates of Barbary j but the deferts abound with lions, tigers, leopards, hyaenas, and monftrous ferpents. The Barbary horfes were formerly very valuable, and thought equal to the Arabian. Though the breed is now faid to be decayed, yet fome very fine ones are occafionally imported into Eng- , land. Camels and dromedaries, affes, mules, and kum- rahs (a moft ferviceable creature, begot by an afs upon a cow), are their bsafts cf burden. Their cows are but fmall, and barren of milk. Their ffieep yield but indifferent fleeces, but are very large, as are their goats. Bears, porcupines, foxes, apes, bares, rabits, ferrets, weafels, moles, chameleons, and all kinds of reptiles, are found here. Partridges and quails, eagles, hawks, and all kinds of wild fowl, are frequent on the coaft. i" The principal mountains form the chain which goes Mountains, under the name of Mount Atlas, and runs the whole&c- length of Barbary from eaft to weft, paffing through Morocco, and abutting upon that ocean which feparates the eaftern from the weltern continent, and is from this mountain called the Atlantic Ocean. See Atlas. The principal rivers, befides the Malva or Mulvya above mentioned, which rifes in the deferts, and running from fouth to north divides Morocco from the kingdom of Algiers, are the Suz, Ommirabih, Rabbata. Earache, D-rodt, Sebon, Gueron, and Tenfift, which rife in Mount Atlas, and fall into the Atlantic ocean. _ The traffic of the empire by land is either with Ara-Inland bn or N. groland to Mecca they fend caravans, con-traffic, filling of feveral thoufand camels, horfes, and mules, twice every year, partly for traffic, and partly on a religious account; for numbers of pilgrims take that opportunity of paying their devotions to their great r-.ophet. The goods they carry to the eaft are woollen m.anufaclures, r5 Traffic. 16 Foreign eomnierce MOB. [ 4J5 5?orcrco. manufa^ures, leather, indigo, cochineal, and oftrich u feathers 3 and they bring back from thence, filk, muflms, and drugs. By their caravans to Negroland, they lend fait, lilk, and woollen manufadures, and bring back gold and ivory in return, but chiefly ne¬ groes. The caravans always go flrong enough todefendthem- fel ves againft the wild Arabs in the delertsof Africa and Aha 3 though, notwithftanding all their vigilance, fome o! the flragglers and baggage often fall into their hands: they are alfo forced to load one half of their camels with w ater, to prevent their periiLing with drought and thirft in thcfe inhofpitable deferts. And there is Hill a more dangerous enemy, which is the fand itfelf: when the wtnds rife, the caravan is perfedfly blinded with duft 3 and there have been inftances both in Africa and Alia, where whole caravans, and even armies, have been bu¬ ried alive in the fands. d he natives have hardly any trading veffels, but are feldom without fome corfairs. Thefe, and European merchant Ihips, bring them whatever they want from abroad 3 as linen and woollen cloth, fluffs, iron wrought and unrought, arms, gunpow der, lead and the like : for which they take in return, copper, wax, hides, Morocco leather, wool (which is very fine), gums, foap, dates, almonds, and other fruits. The duties paid by the Englifh in the ports of Morocco are but half thofe paid by other Europeans. It is a general obfer- vation, that no nation rs fend of trading with thefe Hates, not only on account of their capricious depotifm, but the villany cf their individuals, both natives and Jews, many of whom take all opportunities of cheating, and when detebled are feldom punifhed. The land forces of the emperor of Morocco confifl: principally of black troops, and fome few white ; amounting altogether to an army of about 36,000 men upon the eHablifliment, two thirds of w hich are cavalry. rIh:s eHabliHrment, however, upon occahon, admits of a confiderable increafe, as every man is fuppofed to be a foldier, and when called upon is obliged to act in that capacity. About 6cco of the Handing forces form the emperor’s body guard, and are always kept near his perfen ; the remainder are quartered in the different towns of the empire, and are under the charge of the bafhaws of the provinces. They are all clothed by the emperor, and receive a trifling pay 5 but their chief de¬ pendence is on plunder, which they have frequent op¬ portunities of acquiring. i he black troops are naturally of a very fiery difpo- ;tion, capable of enduring great fatigue, hunger, third:, and every difficulty to which a military life is expofed. J hey appear well calculated for fkirmiihing parties, or for the purpofe of haraffing an enemy 3 but were they obliged to undergo a regular attack, from their total want ot difeiphne they would foon be routed. In all their manoeuvres they have no notion whatever of order and regularity, but have altogether more the appear- ance of a rabble than of an army. Navy. 1 he emperor’s navy confifls of about 15 frnall fri¬ gates, a few xebecks, and between 20 and 30 row-gal¬ leys. The whole is commanded by one admiral 3 but as thefe veffels are principally ufed for the purpofes of piracy, they feldom unite in a fleet. The number «f ] M O R ■7 J and forces. I he coins of this empire are a fluce, a blanquil, and Morocco, ducat. The fluce is a fmall copper coin, 20 whereof J "v " make a blanquil, of the value of twopence fterling. CoM9 The blanquil is of filver, and the ducat of gold, not ^ * unlike that of Hungary, and worth about nine flullings. Both thefe pieces are fo liable to be clipped and filed by the Jew's, that the Moors always carry feales in their pockets to weigh them 3 and when they are found to be much diminilhed in their weight, they are recoined by the Jews, who are maffers of the mint, by which they gain a confiderable profit 3 as they do alfo by exchan¬ ging the light pieces for thofe that are full weight. Mer¬ chants accounts are kept in ounces, 10 of which make a ducat 3 but in payments to the government, it is faid they reckon 1 7 one-half for a driest. ^ With refpe6l to religion, the inhabitants of Morocco RehVicn are Mohammedans, of the fed of Ali ; and have a and mufti or high-priefi, who is alio the fupreme civil magi- Hrate, and the laH refort in all caufes ecclefiafiical and civiL They have a great veneration for their hermits, and for idiots and madmen ; as well as for thofe who by their tricks have got the reputation of wizzards : all whom they look upon as infpired perfons, and not only honour as faints while they live, but build tombs and chapels over them when dead 3 which places are not only religioufly vifited by their devotees far and near, but are efieemed inviolable fanduaries for all forts of criminals except in cafes of treafon. Notwithflanding the natives are zealous Mohamme¬ dans, they allow foreigners the free and open profef- fion of their religion, and their very Haves have their priefis and chapels in the capital city 3 though it muft be owned that the ChriHian Haves are here treated with the utmofi cruelty. Here, as in all other Mo-l; hammedan countries, the Alcoran and their comments upon it are their only written law's 3 and though in fome intlances their cadis and other civil magiffrates are controlled by the arbitrary determinations of their princes, bafhaws, generals, and military officers, yet the latter have generally a very great deference and regard for their laws. Murder, theft, and adultery, are commonly punidied with death : and their puuifli- ments for other crimes, particularly thofe againft th& Hate, are very cruel; as impaling, dragging the prifon- er through the flreets at a mule’s heels till all his Hefli is torn off, throwing him from a high tower upon iron hooks. The inhabitants of the empire of Morocco, known by the name of Moors, are a mixture of Arabian anduf 'h V-L0 African nations formed into tribes 3 with the origin pno ot alo¬ of whom we are but imperfedly acquainted. Theferocco* tribes, each Hrangers to the other, and ever divided by traditional hatred or prejudice, feldom mingle. It reems 21 iw;. the lean en in fervice is computed at 6cco. probable that moft of the caffs who occupy the provin¬ ces of Morocco have been-repulftd from the eaitern to the weffern Africa, during thofe different revolutions by which this part of the world has been agitated 3 that they have followed the Handard of their chiefs, whole names they have preferred 3 and that 'by thefe they, as well as the countries they inhabit, are diflinguilhed. At prefent thefe tribes are called cq/i/cs or "cabi/es, from the Arabic word ksbei/a; and they are fo nu me¬ rous, that it is impoffible to have a knowledge of them all. 0 The M-crocco. 23 The Brebes or Maun- taineers. 24 The Moors of the coun try. IS Their Am¬ ple way of life. 26 Occupa¬ tions of the women, Sec. M Oft [41 The native fubjefts of the empire of Morocco may be divided into two principal clafles ; the Brebes and the Moon-. The etymology of the name, and the origin of the people, of the firft clafs, are equally unknown. Like the Moors, at the time of the invafron by the Arabs, they may have adopted the Mahometan religion, which is confonant to their manners and principal ufages; but they are an ignorant people, and obferve none of the precepts of that religion, but the averfron it enjoins againft other modes of worlhip. Confined to the mountains, the Brebes preferve great animofity againft the Moors, whom they confound with the Arabs, and confider as ufurpers.— I hey thus con- tradl in their retreats a ferocity of mind, and a ftrength of body, which makes them more fit for war and every kind of labour than the Moors of the plain in general are. The independence they boaft of gives even a greater degree of expreflion to their countenance. The prejudices of their religion make them fubmit to the authority of the emperors of Morocco •, but they throw off the yoke at their pleafure, and retire into the moun¬ tains, where it is difficult to attack or overcome them. The Brebes have a language of their own, and never many but among each other. They have tribes or ca- file- among them who are exceedingly powerful both by their number and courage. The Moors of the plains may be diftinguifhed into thofe who lead a paftoral life, and thofe who inhabit the cities. The former live in tents; and that they may allow ■their ground a year’s reft, they annually change the place of their encampments, and go in fearch of freffi pafturage } but they cannot take this ftep without ac¬ quainting their governor. Like the ancient Arabs, they are entirely devoted to a paftoral life : their en¬ campments, which they call douchars, are compofed of feveral tents, and form a crefcent; or they are ranged in two parallel lines, and their flocks, when they return from pafture, occupy the centre. The tents of the Moors, viewed in front, are of a conical figure •, they are from 8 to 10 feet high, and from 2Q to 25 feet long } like thofe of high antiquity, they referable a boat reverfed. They are made of cloth compofed of goats and camels hair, and the leaves of the wild palm, by which they are rendered impervi¬ ous to water j but at a diftance their black colour gives them a very difagreeable look. The Moors, when encamped, live in the greateft fivnplicity, and exhibit a faithful pifture of the inhabi¬ tants of the earth in the firft ages of the world. 'J he nature of their education, the temperature of the cli¬ mate, and the rigour ®f the government, diminifti the wants of the people, who find in their plains, in the milk and wool of their flocks, every thing neceffary for food and clothing. Polygamy is allowed among them \ a luxury fo far from being injurious to a people who have few wants, that it is a great convenience in the economy of thofe focieties, becaufe the women are in¬ truded with the whole care of the domeftic manage¬ ment. In their half-clofed tents, they are employed in milking the cows for daily ufe 5 and when the milk abounds, in makings butter, in picking their corn, their bailey, and pulfe, and grinding their meal, which they do daily in a mill compofed of two ftones about 18 1 6 ] M O ft inches in diameter, the uppermoft having a handle, and Morocco, turning on an axis fixed in the under one : they make'"1 'v bread likewife every day, which they bake between two earthen plates, and often upon the ground after it has been heated by fire. Their ordinary food is the coofcoofoo 5 which is a pafte made with their meal in the form of fmall grains like Italian pafte. This coof¬ coofoo is dreffed in the vapour of boiling foup, in a hol¬ low difti perforated with many fmall holes in the bot¬ tom, and the diffi is enclofed in a kettle where meat is boiled ; the coofcoofoo, wffiich is in the hollow difh, grows gradually foft by the vapour of the broth, with which it is from time to time moiftened. This fimple food is very nourifliing, and even agreeable when one has got the better of the prejudices which every nation entertains for its own cuftoms. The Common people eat it with milk or butter indifferently j but thofe of higher rank, fuch as the governors of provinces and lieutenants, wffio live in the centre of the encampments, add to it fome fucculent broth, made with a mixture of mutton, poultry, pigeons, or hedgehogs, and then pour on it a fufficient quantity of freffi butter. The women in their tents fpin wool, and weave it into cloth on looms fufpended the whole length of the tent. Each piece is about five ells long, and one and a half broad $ it is neither dreffed nor dyed, and it has no feam ; they waffi it when it is dirty j and as it is the only habit of the Moors, they wear it night and day. It is called Ziaick, and is the true model of the ancient draperies. 27 The Moors of the plain wear nothing but their Drefs, &c. woollen fluff} they have neither Hurts nor drawers. Linen among thefe people is a luxury known only to thofe of the court or the city. The whole wardrobe of a country Moor in ealy circumftances confifts in a haick for winter, another for fummer, » red cap, a hood, and a pair of flippers. The common people both in the country and in towns wear a kind of tunick of woollen cloth, white, gray, or ftriped, which reaches to the middle of the leg, with great fleeves and a hood 5 it re- fembles the habit of the Carthufians. * The women’s drefs in the country is likewife confin¬ ed to a haick, which covers the neck and the fhoul- ders, and is faftened with a fiiver clafp. The orna¬ ments they are fondeii of are ear rings, which are ei¬ ther in the form of rings or crefcents, made of fiiver, bracelets, and rings for the fmall of the leg j they wear thefe trinkets at- their moft ordinary occupations; lefs out of vanity than becaufe they are unacquainted with the ufe of calkets or cabinets for keeping them. They alfo wear necklaces made of coloured glafs beads or cloves flrung on a cord of filk. The Moors confider their wives lefs in the light of companions than in that of flaves deftined to labour. Except in the bufinefs of tillage, they are employed in every fervile operation 5 nay, in fome of the poorer quarters a woman is often feen yoked in a plough along with a mule, an afs, or fome other animal. When the Moors remove their douchars, all the men leat them- felves in a circle on the ground j and with their elbows refting on their knees, pafs the time in converfation, while the women flrike the tents, fold them up into bundles, and place them on the backs of their camcis or oxen. The old women are then each loaded with a parcel, and the young carry the chiklrefi on their ftioulders Morocco. sS Marriages, See. 29 Entertain¬ ment of travellers. 3° .Markets. M O R [4 (houlders fufpended in a cloth girt round their bodies. In the more fouthern parts the women are likewife em¬ ployed in the care of the horfes : the hulband, who in thefe climates is always a defpot, iffues his orders, and feems only made to be obeyed. The marriage ceremonies of the Moors that live in tents pretty much referable thofe of the fame people that live in the cities. In the douchars they are gene¬ rally molt brilliant and gay •, the ftrangers that pafs a- long are invited, and made to contribute to the feaft ; but this is done more from politenefs than from any mercenary motive. The tribes of the plain generally avoid mixing by marriage with one another : the prejudices that divide thefe people are commonly perpetuated ; or, if they are partially healed, they never fail to revive upon trifling occalions, fuch as a ftrayed camel, or the pre¬ ference of a paflure or a w'ell. Marriages have fome- tiir.es taken place among them, that, fo far from ce¬ menting their differences, have occafioned the moll tra¬ gical feenes. Hulhands have been known to murder their wives, and women their hulhands, to revenge na¬ tional quarrels. Parents are not encumbered with their children, however numerous they may be, for they are very early employed in domeltic affairs •, they tend the flocks, they gather wood, and they affifl; in ploughing and reaping. In the evening, when they return from the field, all the children of the douchar affemble in a com¬ mon tent, where the iman, who himfelf can hardly fpell, makes them read a few fentences from the Koran written on boards, and inftrudls them in their religion by the light of a fire made of ftrawq of bullies, and cow dung dried in the fun. As the heat is very great in the inland parts of the country, children of both fexes go quite naked till the age of nine or ten. The douchars difperfed over the plains are always in the neighbourhood of feme rivulet or fpring, and they are a kind of inns for the reception of travellers. There is generally a tent ere&ed for their ufe, if they have not brought one along with them, where they are ac¬ commodated with poultry, milk, and eggs, and with whatever is neceffary for their horfes. Inilead of wood for fuel, they have the cow dung, w-hich, when mixed with charcoal, makes a very brilk fire. A guard is always fet on the tents of travellers, efpecially if they are Europeans, becaufe the opinion of their wealth might tempt the avidity of the Moors, who are natu¬ rally inclined to thieving. With refpefl to the roads, a very judicious policy is eftablifhed, which is adapted to the charadler of the Moors, and to their manner of life. The douchars are refponfible for robberies committed in their neighbour¬ hood and in fight of their tents : they are not only obliged to make reflitution, but it gives the fovereign a pretence for exafting a contribution proportioned to the abilities of the douchar. In order to temper the rigour of this law', they are made refponfible only for fuch robberies as are committed during the day 5 thofe that happen after funfet are not imputed to them, as they could neither fee nor prevent them : on this ac¬ count, people here travel only from funriling to fun- fetting. To facilitate the exchange of neceffaries, there is in the fields every day, except Friday, which is a day of Voi. XIV.' Part II. I 7] MO R prayer, a public market in the different quarters of Morocco, each province. The Moors of the neighbourhood af- v femble to fell and buy cattle, corn, pulfe, dried fruits, carpets, haicks, and in (hort all the produdlions of the country. This market, which is called Soc, re- fembles our fairs. The buflle of the people w’ho go and come, gives a better idea of the manner of life of the Moors than can be had in the cities. The al¬ caides, who command in the neighbourhood, always at¬ tend thefe markets with foldiers to keep the peace 5 as it frequently happens that the grudges which thele tribes harbour againft one another break out upon fuch occa- fions into open violence. 31 The Moors who inhabit the cities differ from the Of the others only in having a little more urbanity and a L|Io°Ijs ,w*19 more eafy deportment. Though they have the fame In u' origin with thofe of the plains, they affedl to decline all intercourfe with them. Some writers, without any foundation, have given the name of Arabs to the in¬ habitants of the towns, and that of Moors to thofe of the plains. But the greater part of the cities of this empire are more ancient than the invafion of the Arabs, w’ho themfelves lived in tents. The houfes in moft of the towms in this empire ap-Their pear at a little diflance like vaulted tombs in a church-houfes and yard ; and the entrance into the bell of them has furnkure. a mean appearance. The rooms are generally on the ground floor, and whitened on the outfide. As the roofs are quite flat, they ferve as verandas^ where the Moorilh women commonly fif for the benefit of the air; and in fume places it is poflible to pafs nearly over the whole town without having occafion to defeend in¬ to the ftreet. As the belt apartments are all backwards, a liable, or perhaps fomething worfe, is the place to which vifi- tors are firft introduced. Upon entering the houfe, the ftranger is either detained in this place, or in the ftreet, till all the women are defpatched out of the wayj he is then allowed to enter a fquare court, into which four narrow and long rooms open by means of large folding doors, which, as they have no windows, ferve likewife to introduce light into the apartments. The court has generally in its centre a fountain •, and if it is the houle of a Moor of property, it is floored with blue and white chequered tiling. None of the cham¬ bers have fire places ; and their victuals are always dreffed in the court-yard in an earthen ftove heated with charcoal. When the vifitor enters the room, where he is received by the mafter of the houfe, he finds him fit- ’ ting crofs-legged and barefooted on a mattrefs, covered with fine white linen, and placed on the floor or elfe on a common mat. This, with a narrow piece of carpet¬ ing, is in general the only furniture he will meet with in Moorifti houfes, though they are not deftitute of other ornaments. ^ The wardrobe of the inhabitants of cities is but little the different from that of thofe who live in tents.—Like the men- latter, they have a haick, and a hood more or lefs fine, and have alfo a hood of coarfe European cloth of dark blue for the winter. What farther diftinguifhes them from the country Moors is, that they wear a ftiirt and linen drawers, and an.upper garment of cotton in fum- mer, and of cloth in winter, which they call a caftan. I he white or blue hood, the purpofe of which feems to be to guard againft bad weather, and which is called 3 G bernuSy / M O ]l [ 418 ] M 'O R Morocco. 34 Drets of the ladies. 35 Neyots. 3« Renega- aipes. lernus, is likewife a ceremonial part of drefs ; without which, together with fabve and canjer (or dagger) worn in a bandelier, perfons of condition never appear before the emperor. The Mootifh women who live in cities are, as in other nations, more addicted to Ihovv and finery in drefs than thofe of the country ; but as they generally leave the boufe only one day in the week, they feldom drefs themfelves, Not allowed to receive male vifitors, they remain in their houfes employed in their families, and fo totally in defhabile that they often wear only a thift, and another coarfer ffiift over the firft, tied round their vvaift, with their hair plaited, and fometimes with, though often without, a cap. When dreffed, they wear an ample and fine linen fhift, the bofom embroid¬ ered in gold •, a rich caftan of cloth, ftuft, or velvet, worked in gold •, and one or two folds of gauze, (freak¬ ed with gold and filk, round the head, and tied behind fo as that the fringes, intermingled with their trefffs, defeend as low as the waiff ; to which fome add a rib¬ band of aTout two inches broad, worked in gold or pearls, that encircles the forehead in form of a diadem. Their caftan is bound round their waiff by a crimfon velvet girdle, embroidered in gold, with a buckle of gold or filver, or elfe a girdle of tamboured fluff, ma- nufaftured at Fez. The women have yellow flippers, and a cuffom of wearing a kind of flocking of fine cloth fomewhat large, which is tied below' the knee and at the ankle, over which it falls in folds. This flocking is lefs calculated to fhow' what we call a hand Tome leg, than to make it appear thick ; for to be fat is one of the rules ot beauty among the Moorifh women. To obtain this quality, they take infinite pains, feed when they become thin on a diet fomewhat like forced meat balls, a certain quan¬ tity of which is given them daily 5 and in fine, the fame care is taken among the Moors to fatten young women as is in Europe to fatten fowls. The Negroes, who conftitute a large proportion of the emperor’s fubjedfs, are better formed than the Moors; and as they are more lively, daring, and ac¬ tive, they are intrufted with an important (hare in the executive part of government. They conffitute in fadl the rnoft confiderable part of the emperor’s army, and are generally appointed to the command of provinces and towns. This circumffance naturally creates a jea- loufy between them and the Moo/s, the latter confider- ing the negroes as ufurpers of a power wTdch they have no right to affume. Eefides thofe negroes which form the emperor’s array, there are a great many others in the country, who either are or have been (laves to pri¬ vate Moors: every Moor of confequence, indeed, has his proportion of them in his fervice. To the difgrace of Europe, the Moors treat their Haves with humanity, employing them in looking after their gardens, and in the domeffic duties of their houfes. They allow them to marry among themfelves •, and after a certain num¬ ber of years, fpontapeoufiy prelent them with the in¬ valuable boon of liberty. They foon are initiated in the Mahometan perfuaficn, though they fbmetimes in¬ termix with it a few of their original fuperftitious cu- floms. In every other refpedl they copy the drefs and manners of the Moors. Among the inhabitants of Morocco there is ano¬ ther clafs, of whom we muff not omit to make men- 37 tion, Thefe are the Renegndoes, or foreigners, who Morocco, have renounced their religion for the faith of Maho- v met. Of thefe there are a great number who have been originally Jews: they are held in little eftimation by the Moors; and would be held in abhorrence by the Jews, if they durft freely e^prefs their averfion. The families of thefe apoflates are called Toormdis: not having at any time married with the Moors, they Hill preferve their ancient charadlerillics, and are known almoft at fight to be the progeny of thofe who formerly embraced the Mahometan religion. The Chriitian re- negadoes are but few 5 and generally are fugitive pecu¬ lators of Spain, or men fallen from power, who becaufe of theic mifconducl, or in defpair, quit one unfortunate fituation for another much more deplorable. The J'i Ws were formerly very numerous in this cm-jews pire. After being proferibed in Spain and Portugal, multitudes of them palled over'to Morocco, and fpread themfelves through the towns and over the country. By the relations they themfelves give, and by the ex¬ tent of the places affigned them to dwell in, it would appear there were more than 30,000 families, of whom at prefient there is fcarcely a refidue of one-twelfth ; the remainder either having changed their religion, funk under their bufferings, or fled from the vexations they endured, and the arbitrary taxes and tolls impofed upon them. The Jews poffefs neither lands nor gardens, nor can they enjoy their fruits in tranquillity : they muff wear only black ; and are obliged, when they pafs near mofqnes, or through llreets in which there are fanc- tuaries, to walk barefoot. The loweft among the Moors imagines he has a right to ill-treat a Jew j nor dares the latter defend himfeif, becaufe the Koran and the judge are always in favour of the Mahometan.—Not- withflanding this Hate of oppreffion, the Jews have ma¬ ny advantages over the Moors : they better underlfand the fpirit of trade ; they acl as agents and brokers, and profit by their own cunning and the ignorance of the Moors. The Moors, who derive their language and religion state of from the Arabs, feem not in any manner to have par-knowledge ticipated of their knowledge. United and confound-amunS ^ ed as thofe of Morocco have been with the Moors 0fMoors- Spain, the latter of whom cultivated the arts and gave birth to Averroes, and many other great men, the Moors of this empire have preferved no traces of the genius of their ancefiors. They have no conception of the fpeculative fciences. Education confifts merely in learning to read and write •, and as the revenues of the learned are derived from thefe talents, the priefts and talbes among them are the foie depofitories of thus much knowledge : the children of the Moors are taught in their fchools to read and repeat feme fixty leffons, fe- leffed from the Koran, which for the fake of economy are written upon fmall boards. The Moors who formerly inhabited Spain gave great application to phyfic and aflronomy and they have left manuferipts behind them which Hill remain monu¬ ments of their genius. The modern Moors are infinite¬ ly degenerate ; they have not the lead inclination to the fiudy of fcience ; they know the properties of fome fimples; but as they do not proceed upon principle, and are ignorant of the caufes and effeffs of difeafes, they generally make a wrong application of their remedies. Their moll ufeful phyficians ate their talbes, their fa- kTs, M O R [ 419 ] Morocco, kirs, and their faints, in whom they place a fuperftiti- as the houfes. ous confidence. Notwithftanding the Moors have occupied themfelves little in the ftudy of aftronomy, they have been eager after aftrology. This imaginary fcience, which made fo rapid a progrefs at Rome in fpite of the edicts of the emperors, may be conceived to make ftill greater ad¬ vances among a people wholly ftupid and ignorant, and ever agitated by the dread of prefent evils, or the hope of a more happy futurity. Magic, the companion of aftrology, has here alfo found its followers, and is par¬ ticularly ftudied by the talbes in the fouthern parts, who fuccefsfully ule it in impofing upon Moorifti credu¬ lity with ftrange dreams and ambiguous forebodings and 39 prophecies. IVIanutac- The Moorifti manufactures are—The haick, which, tures and as was before obferved, is a long garment compofed of *ra^es* white wool and cotton, or cotton and filk woven to¬ gether, and is ufed by the Moors for the purpofe of covering their under drefs when they go abroad, which they do by totally wrapping themfelves in it in a care- lefs but eafy manner; filk handkerchiefs of a particu¬ lar kind, prepared only at Fez ^ filks checkered with cotton ; carpeting, little inferior to that of Turkey j beautiful matting, made of the palmetto or wild palm tree; paper of a coarfe kind ; cordovan, comm mly called Morocco leather; gunpowder of an inferior na¬ ture ; and long-barrelled mulkets, made of Bifcay iron. The Moors are unacquainted with the mode of carting cannon : and therefore thofe few which are now in the country are obtained from Europeans.— The manufacture of glafs is likewife unknown to them ; as indeed they make great ufe of>«arthen ware, and have few or no windows to their houfes, this com¬ modity may be of lefs importance to them than many others. They make butter, by putting the milk into a goat ikin, with its outward coat turned inwards, and fhaking it till the butter collefts on the fides, when it is taken out for ufe. From this operation it proves always full of hairs, and has an infipid flavour. Their cheefe confifts merely of curds hardened and dried, and has uniformly a difagreeable tafte. The bread in fome of the principal towns, particularly at Tangier and Sallee, is remarkably good, but in many other places it is coarfe, black, and heavy. Their looms, forges, ploughs, carpenters tools, &c. are much upon the fame conftruftion with the unim¬ proved inftruments of the fame kind which are ufed at this time in fome parts of Europe, only ftill more clumfily finiftied. In their work, they attend more to ftrength than neatnefs or convenience ; and, like all other ignorant people, they have no idea that what they do is capable of improvement. It is probable, indeed, that the Moors have undergone no very ma¬ terial change fince the revolution in their arts and fciences, which took place foon after their expulfion from Spain. Previous to that period, it is well known they were an enlightened people, at a time when the greater part of Europe wras involved in ignorance and barbarifm ; but owing to the weaknefs and tyranny of their princes, they gradually funk into the very op- pofite extreme, and may now be confidered as but a few degrees removed from a favage ftate. Their mofques or places of public worlhip are uftially large fquarc buildings, compofed of the fame materials M O R The building confifts of broad and Morocco, lofty piazzas, opening into a fquare court, in a manner ^ in fome degree fimilar to the Royal Exchange of Lon- 40 don. In the centre of the court is a large fountain, Re!,g10US and a fmall ftream furrounds the piazzas, where the cerenKmie3* Moors perform the ceremony of ablution. The court and piazzas are floored with blue and white checquer- ed tiling j and the latter are covered with matting* upon which the Moors kneel while repeating their prayers. In the moft confpicuous part of the mofque fronting the eaft, ftands a kind of pulpit, where the talbe or prieft occafionally preaches. The Moors al¬ ways enter this place of worfhip barefooted, leaving their flippers at the door. On the top of the mofque, is a fquare fteeple with a flag ftaflf, whither at ftated hours the talbe afeends, hoifts a white flag, and. calls the people to prayers, for they have no bells. From this high fituation the voice is heard at a confiderable diftance \ and the talbes have a monotonous mode of enunciation, the voice finking at the end of every flrort fentence, which in fome meafure refembles the found of a bell. The moment the flag is difplayed, every perfon forfakes his, employment, and goes to prayers. If they are near a mofque, they perform their devo¬ tions within it, otherwife immediately on the fpot where they happen to be, and always with their faces towards the eaft, in honour of their prophet Mahomet, who it is well known was buried at Medina. Their Sabbath is on our Friday, and commences from fix o’clock the preceding evening. On this day they ufe a blue flag inftead of the white one. As it has been prophefied that they are to be conquered by the Chriftians on the Sabbath day, the gates of all the towns and of the emperor’s palaces are ftiut when at divine fervice on that day, in order to avoid being fur- prifed during that period. Their talbes are not di- ftinguilhed by any particular drefs. The Moors have three foleran devotional periods in the courfe of the year. The firft, which is named Aid de Cabier, is held in commemoration of the birth of Mahomet. It continues feven days; during which pe¬ riod, every perfon who can afford the expence kills a (beep as a facrifice, and divides it among his friends. The fecond is the Ramadam. This is held at the fea- fon when Mahomet difappeared in his flight from Mec¬ ca to Medina. Every man is obliged at that period tofaft (that is, to abftain from animal food from fun- rife to funfet each day) for 30 days ; at the expiration of which time a feaft takes place, and continues a week. The third is named L/aJhore, and is a day fet apart by Mahomet for every perfon to compute the value of his property, in order for the payment of %akat, that is, one-tenth of their income to the poor, and other pious ufes. Although this feaft only lafts a Angle day, yet it is celebrated with far greater magnificence than either of the others. The Moors compute time by lunar months, and count the days of the w’eek by the firft, fecond, third, &c. beginning from our Sunday. They ufe a common reed for writing, and begin their manuferipts from right to left. The Moors of the empire of Morocco, as well asLangtage thofe to the northern limits of Africa, fpeak x'irabic ; of the S but this language is corrupted in proportion as we re-^oors* tire farther from Afia, where it firft took birth ; the 3 G 2 intermixture M O R [ 420 ] M O R Morocco Z2 Their tem¬ per and diipUition. 43 Mode of li¬ ving, nfan- ners, See. intermixture which has happened among the African nations, and the frequent tranfmigrations of the Moors, during a fucceflion of ages, have occaiioned them to lofe the pur’tv of the Arabic language-, its pronun¬ ciation has been vitiated, the ufe of many vords loll, and other foreign words have been introduced without thereby rendering it more copious •, the pronunciation of the Africans, however, is lofter to the ear and lefs guttural than that of the Egyptians. The language, when written, is in effedt much the fame at Morocco as at Cairo, except that there are letters and expreffions among the Moors which differ from thofe of the Orien¬ tal Arabs, who, however, underfland the Moors in con- verfation, notvvithllanding their vitiated manner of pro¬ nouncing. They mutually read each others writings with fome difficulty. The Moors are naturally of a grave and penfive dif- pofition, fervid in profeffions of friendfhip, but very iniincere in their attachments. They have no curio- fity, no ambition of knowledge •, an indolent habit, united to the want of mental cultivation, renders them perhaps even more callous than other unenlightened people to every delicate fenfation ; and they require more than ordinary excitement to render them fenfible of pleafure or of pain. This languor of fentiment is, however, unaccompanied with the ffnalieil fpark of courage or fortitude. When in adverfity, they mani- feft the moft abjedl fubmiflion to their fuperiors ; and in profperity their tyranny and pride are infupportable. Perfonal cleanlinefs has been confidered as one of thofe circumffances which ferve to mark and deter¬ mine the civilization of a people. It was in vain that Mahomet enjoined the frequency of ablution as a re¬ ligious duty to the Moors. Their drefs, which fhould be white, is but feldom wafned •, and their whole ap¬ pearance evinces that they perform this branch of their religious ceremonies in but a flovenly manner. With this degree of negligence as to their perfons, we may be juflly furprifed to find united a moft fcrupulous nicety in their habitations and apartments. They enter their chambers barefooted, and cannot bear the ilighteft de¬ gree of contamination near the place where they are feated. This delicacy again is much confined to the infides of their houfes. The ftreets receive the wdiole of their rubbiih and filth j and by thefe means the giound is fo raife * in moft parts of the city of Morocco, that the new buildings always ftand confiderably higher than the old. With refpe£l to the hours for eating, the people of this country are remarkably regular. Very foon after daybreak they take their breakfaft, which is generally a compofition of flour and water boiled thin, together rvith an herb which gives it a yellow tinge. The male part of the family eat in one apartment and the fe¬ male in another. The children are not permitted to eat with their parents, but take their meals afterw/ards with the fervants ; indeed in moft other refpedls they are treated exafidy as fervants or flaves by their pa¬ rents. The mefs is put into an earthen bowl, and brought in upon a round wooden tray. It is placed in the centre of the guefts, who fit crofs-legged either on a mat or on the floor, and who form a circle for the purpofe. Having previouily wafhed themfelves, a ceremony always performed before and after meals, each perfon with his fpoon attacks vigoroufly the Morocco. bowl, while they diverfify the entertainment by eat¬ ing with it fruit or bread. At twelve o’clock they dine, performing the fame ceremonies as at breakfaft. For dinner, from the emperor down to the peafant, their difh is umverfally coofcoofco, the mode of preparing which has been already def'eribed. The dilh is brought in upon a round tray and placed on the floor, round which the family fit as at breakfaft, and with their fin¬ gers commit a violent affauit on its contents : they are at the fame time, however, attended by a (lave or do- medic, who prefents them with water and a towel oc- caiionally to wadi their hands. From the want of the fimple and convenient invention of knives and forks, it is not uncommon in this country to fee three or four people pulbng to pieces the lame piece of meat, and afterwards with their fingers dirring up the palle &r coofcoofoo, of which they often take a whole handful at once into their mouth. At funfet they fup upon the fame diih ; and indeed fupper is their principal meal. But the common people mud content thernftlves with a little bread and fruit inftead of animal food, and deep in the open ftreets. Tliis kind of exiftence feems ill calculated to endure even in an inatftive liate ; far more fev ere muft it therefore be to thofe who exercife the la¬ borious employment of couriers in this country, who tra.'el cn foot a journey of three hundred or four hunch ed miles at the rate of between thirty or forty- miles a-day, without taking any other nourilhment than a little bread, a few figs, and fome water, and who have no better Ibelter at night than a tree. It is wonderful with what alacrity and perfeverance thefs people perform the moft fatiguing journeys at all feafons of the year. There is a regular company of them in every town, who are ready to be defpatclied at a mo¬ ment’s warning to any part of the country their em¬ ployers may have eccafion to fend them. As the Moors are not fond of admitting men into their houfes except upon particular occalions, if the weather be fine they place a mat, and fometimes a carpet, on the ground before their door, feat them¬ felves upon it crcfs-Iegged, and receive their friends, who lorm a circle, fitting in the fame manner, with their attendants on the ouiiide of the groupe. Upon thefe occafions they either drink tea or fmoke and con- verfe. Ihe ftreets are fometimes crocvded with parties of this kind ; fome engaged in playing at an inferior kind of chefs or draughts, at which they are very ex¬ pert; but the majority in conveifation. The people of this country, indeed, are fo decidedly averfe to ftanding up, or walking about, that if only two or three people meet, they fquat themfelves down in the firft clean place they can find, if the converfation is to hold but for a few minutes. The Moors have in general but few amufements j Their a- the fedentary life they lead in cities is little variegated mufemente. except by the care they take of their gardens, which are rather kept for profit than pleafure. Moft of thefe gardens are planted with the orange, the lemon tree, and the cedar, in rows, and in fuch great quanti¬ ties, that the appearance is rather that of a foreft than that of a garden. T.he Moors fometimes, though rare¬ ly, have mufic in thefe retreats : a ftate of llaveiy but ill agrees with the love of pleafure : the people of Fez alone, either from a difference in education, or be- caufe their organs and fenfibility are more delicate, make <4 45 Manage¬ ment of horfes. M O R [42 Morocco.”make mufic a part of their amufements. There are — not in Morocco, as in Turkey, public coffee-houfes, where people meet to inquire the news of the day ; but inflead of thefe, the Moors go to the barbers {hops, which in all countries feem to be the rendez¬ vous of newfmongers. Thefe (hops are furrounded by benches ; on which the cudomer, the inquifitive, and the idle, feat themfelves, and when there are no more places vacant, they crouch on the ground like monkeys. A common diverfion in the towns where there are foldiers, as well as in the country, is what the Moors call the game of gunpowder; a kind of military ex- ercife, that is the more pleating to thefe people, in- as much as, by the nature of their government, they all are, or are liable to become, foldiers, therefore all have arms and horfes. By explofions of powder, too, they manifelt their feftivity on their holidays. Their game of gunpowder confifts in two bodies of horfe, each at adiidance from the other, galloping in fucceflive parties of four and four, and firing their pieces charged with powder. Their chief art is in galloping up to the oppofite detachment, fuddenly flopping, firing their mufkets, facing about, charging, and returning to the attack ; all which manoeuvres are imitated by their opponents. The Moors take great pleafure in this amufement, which is only an imitation of their mi¬ litary evolutions. The common topics for converfation among the Moors, are the occurrences of the place, religion, their women, but above all their horfes. This lall to¬ pic, indeed appears to occupy by far the greateft por¬ tion of their attention. Thefe animals are feldom kept in flables in Morocco. They are watered and fed only once a-day, the former at one o’clock at noon, and the latter at funfet: and the only one mode which they ufe to clean them is by wafhing them all over in a river two or three times a-week, and fuffering them to dry themfelves. Like all barbarous nations, the Moors are paflion- ately fond of mufic, and fome few have a talle for poetry. Their flow airs, for want of that variety which is introduced when the fcience has attained a degree of perfe&ion, have a very melancholy famenefs ; but fome of their quick tunes are beautiful and fimple, and partake in fome degree of the charafteritlic melody of the Scotch airs. The poetry of their fongs, the con- flant fubjedl of which is love, though there are few na¬ tions perhaps who are lefs fenfible of that paffion, has certainly lefs merit than the mufic. Their inftruments are a kind of hautboy, which differs from ours only in having no keys ; the mando¬ line, which they have learnt to play upon from their neighbours the Spaniards; another infirument, bear¬ ing fome refemblance to a violin, and played upon in a fimilar manner, but with only two firings *, the large drum, the common pipe, and the tabor. Thefe united, and accompanied with a certain number of voices, upon many occafions form a band, though folo mufic is more common in this unfocial country. The Moors marry very young, many of their fe¬ males not being more than 1 2 years of age at their nuptials. As Mahometans, it is well known that their religion admits of polygamy to the extent of four wives, and as many concubines as they pleafe ; but if we except the very opulent, the people feldom avail 46 Love of mufic. Morocco. 47 1 ] M O R themfelves of this indulgence, fince it entails on them a vafi additional expence in houfe keeping, and in pro¬ viding for a large family. In contradling marriage, the parents of both parties are the only agents ; and the intended bride and bridegroom never fee each other till the ceremony is performed. The marriage fettle- Marriage ments are made before the cadi; and then the friendscerem011ie*' of the bride produce her portion, or if not, the huf- band agrees to fettle a certain fum upon her in cafe he flroul'i die, or divorce her on account of barrennefs, cr any other caufe. The. children of the wives have all an equal claim to the eftedls of the father and mother, but thofe of the concubines can each only claim half a ihare. When the marriage is finally agreed upon, the bride is kept at home eight days, to receive her female friends, who pay congratulatory vifits every day. At the fame time a talbe attends upon her, to converfe with her relative to the folemn engagement on which fhe is about to enter : on thefe occafions he commonly accompanies his admonitions with linging a pious hymn, which is adapted to the folemnity. The bridegroom, on the other hand, receives vilits from his male friends in the morning, and in the evening rides through the town accompanied by them, fome playing on hautboys and drums, while others are employed in firing volleys of mulketry. In all their feftivals, the difcharge of mulketry indeed forms a principal part of the enter¬ tainment. Contrary to the European mode, which particularly aims at firing with exaftnefs, the Moors • difcharge their pieces as irregularly as poflible, fo as to have a continual fucceffion of reports for a few mi¬ nutes. On the day of the marriage, the bride in the even¬ ing is put into a fquare or o£fagonal cage about X 2 feet in circumference, which is covered with fine white linen, and fometimes with gauzes and filks of various colours. In this vehicle, which is placed on a mule, (he is paraded round the llreets, accompanied by her relations and friends, fome carrying lighted torches, others playing on the hautboys, and a third party again firing volleys of muiketry. In this manner (he is carried to the houfe of her intended hufband, who returns about the fame time from performing fimilar ceremonies. On her arrival, file is placed in an apart¬ ment by herfelf, and her hufband is introduced to her alone for the firft time, who finds her fitting on a filk. or velvet cuftiion (fuppofing her to be a perfon of con- fequence), with a fmail table before her, upon which are two wax candles lighted. Her (hift, or more pro¬ perly fhirr, hangs down like a train behind her, and over it is a filk or velvet robe with clofe fieeves, which at the breaft and wrifis is embroidered with gold ; this drefs reaches fomething lower than the calf of the leg. Round her head is tied a black filk fcarf, which hangs behind as low as the ground. Thus attired, the bride fits with her hands over her eyes, when her hufband appears, and receives her as his wife without any further ceremony : for the agreement made by the friends be¬ fore the cadi is the only fpecific contraift which is thought neceffary. If the hufband fhould have any reafon to fufpeft that his wife has not been ftri&ly virtuous, he is at liberty to divorce her and take another. For fome time after marriage, the family and the friends are engaged in • much s M O 11 [ 422 ] M O R Morocco. 48 . Circumci- ' lion. 49 Education of children 5° ’Funeral rites. much fearting, and a variety of amufements, which laft a longer or Ihorter time according to the circumflances of the parties. It is ufually cuftomary for the man to remain at home eight days and the woman eight months after they are firft married ; and the woman is nt liberty to divorce herielf from her hufband, if fhe can prove that he does not provide her with a proper fubfi Hence. Women fuffer but little inconvenience in this coun¬ try from child-bearing ; they are frequently up the next day, and go through all the duties of the houfe tvith the infant upon their backs. In celebrating the rite of circuincifion, the child is dreffed very fumptu- ouily, and carried on a mule, or, if the parents are in poor circumftanees, on an afs, accompanied with flags Hying and muficians playing on hautboys and beating drums. In this manner they proceed to the mofque, where the ceremony is performed. Children, as foon as they can be made in the leal! degree uleful, are put to the various kinds of labour adapted to their age and ftrength. Others, whofe parents are in better circum¬ flances, are fometimes fent to febool 5 and thofe who are intended for the church, ufually continue their fludies till they have nearly learnt the Koran by rote. In that cafe they are enrolled among the talbes, or learned men of the law j and upon leaving fchool are paraded round the ftreets on a, horfe, accompanied by raufic and a large concourfe of people. When any perfon dies, a certain number of women are hired for the purpofe of lamentation ; in the per¬ formance of which, nothing can be more grating to the ear, or more unpleafant, than their frightful moans, or rather bowlings: at the fame time, thefe mercenary .mourners beat their heads and breads, and tear their cheeks with their nails. The bodies are ufually buried a few hours after death. Previous to interment, the corpfe is vvafhed very clean, and fewed up in a fhroud, with the right hand under the head, which is pointed towards Mecca : it is carried on a bier fupported upon men’s {boulders, to the burying place, which is always, with great propriety, on the outfide of the town, for they never bury their dead in the mofques, or within the bounds of an inhabited place. Morocco, a city of the kingdom of Morocco in Barbary, lying about 1 20 miles to the north of Tarudant, 90 to the eaft of Mogodore, and 350 to the fouth ®f Tangier. It is fituated in a beautiful valley, formed by a chain of mountains on the northern fide, and thofe of Atlas, from which it is difrant about 20 miles, on the fouth and eaft. The country which immediately furrounds it is a fertile plain, beautifully diveifified with clumps of palm trees and ftirubs, and watered by fmall and numerous firearm which defeend from Mount Atlas. The emperor’s out gardens, which are fituated at the diftance of about five miles to the fouth of the city, and are large plantations of olives walled in, add confiderably to the beauty of the feene. Morocco, though one of the capitals of the empire (for there are three, Morocco, Mequinez, and Fez), has nothing to recommend it but its great extent and the royal palace. It is enclofed by remarkably ftrong walls built of tabby, the circumference of which is about eight miles. On thefe walls there are no guns mounted; but they are flanked with fquare towers, and ftmounded by a wide and deep ditch. The city 3 has a number of entrances, confiding of large double Morocco, porches of tabby in the Gothic liyle, the gates of ' v ' which are regularly fhut every night at certain houts. As polygamy is allowed by the Mahometan religion, and is fuppofed in fome degree to affeft population, it would be difficult to form any computation near the truth with refpe£t to the number of inhabitants which this city may contain. The mofques, which are the only public buildings except the palace worth noticing at Morocco, are more numerous than magnificent j one of them is ornamented with a very high and fquare tower, built of cut ftone, which is vifible at a confider- able djftance from the city. The fireets are very nar¬ row, dirty, and irregular, and many of the houfes are uninhabited and falling to ruin. Thofe which are de¬ cent and refpeClable in their appearance are built of tabby, and enclofed in gardens. That of the effendi or prime minifter (according to Mr Lempriere, from whofe Jhar* this account is tranferibed), was among * Publiflied the befi in Morocco. This houfe, which confifted oful J??1- two ftories, had elegant apartments both above and be¬ low, furnifiled in a ftyle far fuperior to any thing our author ever faw in that country. The court, into which the lower apartments opened, was very neatly paved with glazed blue and white tiling, and had in its centre a beautiful fountain. The upper apartments were connected together by a bread gallery, the bal- lufters of which were painted of different colours. The hot and cold baths were very large, and had every convenience which art could afford. Into the garden, which was laid out in a tolerably neat ftyle, opened a room adjoining to the houfe, which had a broad arched entrance but no door, beautifully ornamented with chequered tiling j and at both ends of the apartment the walls were entirely covered with looking glafs. The flooring of all the rooms was covered with beau¬ tiful carpeting, the walls ornamented with a large and valuable looking glaffes, intermixed with watches and clocks in glafs cafes. The ceiling was carved wood¬ work, painted of different colours ; and the whole was in a fuperior ftyle of Mooriih grandeur. This and a few others are the only decent habitations in Morocco. The generality of them ferve only to imprefs the tra¬ veller with the idea of a miferable and deferted city. The Elcaifferia is a particular part of the town where fluffs and ether valuable articles are expofed to fale. It confifts of a number of fmall fiiops, formed in the walls of the heufes, about a yard from the ground, of fuch a height within as juft to admit a man to fit in one of them croft-legged. The goods and drawers are fo arranged round him, that when he ferves his cu- ftomers, who are {landing all the time out in the ftreet, he can reach down any article he wants without be¬ ing under the neceffity of moving. Thefe {hops, which are found in all the other towns of the empire, are fuffi- cient to afford a ftriking example of the indolence of the Moors. There are three daily markets in different parts of the town of Morocco where provifions are fold, and two weekly fairs or markets for the difpofal of cattle. The city is fupplied with water by means of wooden pipes connected with the neighbouring ftreams, which empty themfelves into refervoirs placed for the purpofe in the luburbs, and fome few in the centre of the town. The caftle is a large and ruinous building, the outer ‘ walls M O R r 423 ] M O R Morocco- walls of which enclofe a fpace of ground about three —""v miles in circumference. It has a mofque, on the top of which are three large balls, formed, as the Moors allege, of folid gold. The caftle is almoft a town of itfelf; it contains a number of inhabitants, who in fome de¬ partment or other are in the fervice of the emperor, and all under the direflion of a particular alcaide, who is quite independent ©f the governor of the town. On the outfide of the cable, between the Moor’fh town and the Jewdry, are feveral fmall diftindt pavilions, en- clcfed in gardens of orange trees, which are intended as occafional places of refidence for fuch of the empe¬ ror’s fons or brothers as happen to be at Morocco. As they are covered with coloured tiling, they have at a fmall dillance rather a neat appearance ; but upon ap¬ proaching or entering them, that effedl in a great mea- fure ceafes. The Jew’s, who are at this place pretty numerous, have a feparate town to themfelves, walled in, and un¬ der the charge of an alcaide, appointed by the empe¬ ror. It has two large gates, which are regularly {hut every evening about nine o’clock •, after which time no perfon whatever is permitted to enter or go out of the Jewdry till they are opened again the following morn¬ ing. The Jews have a market of their own ; and when they enter the Moorifh town, caftle, or palace, they are always compelled to be barefooted. The palace is an ancient building, furrounded by a fquare wall, the height of which nearly excludes from the view of the fpedlator the other buildings. Its principal gates are conftru£!ed with Gothic arches, compofed of cut ifone, which condudi to feveral open and fpacious courts ; through tbefe it is neceflary to pafs before we reach any of the buildings. Tbefe open courts were ufed by the late emperor for the purpofes of tranfafling public bufinefs and exercifing his troops. The habitable part confifts of feveral irregular fquare pavilions, built of tabby, and whitened over ; fome of which communicate with each other, others are diftinfl, and mofl of them receive their names from the different towns of the empire. The principal pavilion is named by the Moors the Douhar, and is more properly the palace or feraglio than any of the others. It confifts of the emperor’s place of refidence and the harem, form¬ ing altogether a building of confiderable extent. The other pavilions are merely for the puvpofes of pleafure or bufinefs, and are quite diftinff from the douhar. The Mogodore pavilion, fo named from the late emperor’s partiality to that town, has by far the fairefl claim to grandeur and magnificence. This apartment was the work of Sidi Mahomet, and is lofty and fquare. It is built of cut ftone, handfomely ornamented with win¬ dows, and covered with varnished tiles of various co¬ lours ; and its elegance and neatnefs, contrafted alto¬ gether with the fimplicity and irregularity of the other buildings, produce a mofl ftriking effeff. In the in- fide, befides feveral other apartments, we find in the pa¬ vilion a fpacious room floored with blue and white chequered tiling, its ceiling covered with curioufiy carved and painted wood, and its fluccoed walls vari- oufiy ornamented with looking glaffes and watches, re¬ gularly difpofed in glafs cafes. To this pavilion the late emperor manifeiled an exclufive preference, fre¬ quently retiring to it both for the purpofe of bufinefs and of recreation. The apartments of the emperor have in general a much fmaller complement of furniture than thofe of the Moors in the inferior walks of life. Handfome csrpeting, a mattrefs on the ground covered with fine linen, a couch, and a couple of European bed- fteads, are the principal articles they contain. The gardens within the walls of the palace, of which he has feveral, are very neat: they contain orange and olive trees, varioufly difpofeu and arranged, and inter- fecled with flreams of water, fountains, and refervoirs. Thofe on the outfide are nothing more than large trafls of ground, irregularly planted with olives; having four fquare walks, and furfounded by walls. Morocco, or Marrscuin, the fkin of a goat, or fome other animal resembling it, drefled in fumach or galls, and coloured at pleafure ; much ufed in bookbinding, &c. The name is commonly derived from the kingdom of Morocco, whence it is fuppofed the manner of preparing thefe fkins W’as firfl borrow¬ ed. We have Morocco fkins brought from the Le¬ vant, Barbary, Spain, Flanders, and France; red,black, yellow, blue, &c. For the manner of preparing them, fee Leather. MORON, a town of Spain, in Andalufia, feated in a fertile plain about 30 miles fouth-eafl of Seville. W. Long. 5. 20. N. Lat. 37. o. MORPETH, a handfome town of Northumber¬ land, 14 miles from Newcafile, 286 miles from Lon¬ don, is an ancient borough by prefeription, with a bridge over the Wanfbeck. It had once an abbey and a caftle, now in ruins, fituated about a quarter of a mile fonth of the town and river Wanfbeck, on an eminence which overlooks both. The market-place is conveniently fituated near the centre of the town ; and an elegant townhoufe was built by the Carliile family in 1714, in which the quarter-feffions is held for the county. It is built of hewn ftone, with a piazza. The church being a quarter of a mile diftant from the town, a tower containing a good ring of bells Hands near the market place. Near the bridge is the county gaol, a modern ftruflure. Here are a free grammar fchool, a chapel near the river, on the fite of a chantry that was granted for the fupport of the foundation of the fchool, which was part of the old ftruclure, and an hofpital for infirm people. In 1215, the townfmen themfelves burnt their town, out of pure hatred to King John, that he might find no (heller there. Here is a good market on Saturday for corn, cattle, and all neceftary provi- fions; and there is another on Wedncfday, the greatefl in England except Southfield, for live cattle. This is a poft town and a thoroughfare, with many good inns, and plenty of fifh ; and here are feveral mills.— The earl of Carlifle’s fteward holds a court here twice a year, one of them the Monday after Michaelmas, when four perfons are chofen by the free barge fie s, who are about 107, and prefented to the fteward, who names two of them to the bailiffs, who, with feven aldermen, are its governors for the year enfuing. Its fairs are on Wednefday, Thurfday, and Friday before Whitfunday, and the Wednefday before July 22. It fends two members to parliament. MORPHEUS, in Fabulous HiJIory, the god of fleep, or, according to others, one of the minifters of"' Somnus, He caufed fleepinefs, and reprefented the - for ms Morocco 11 Morpheus. M O R [ 424 ] MO R Morreri forms of dreams. Ovid ftyles him the kindeft of the II,. deities ; and he is ulually defcribed in a recumbent po- l iture, and crowned with poppies. MORRERI, Lewis, author of the Hiftorical Dic¬ tionary, was born at Barge-mont in Provence, 1643. He learned rhetoric and philofophy at Aix, and di¬ vinity at Lyons. At 18 years of age he wrote a fmall piece, entitled Le Pays d'*Amour, and a collection of the fined French poems entitled Doux plaijirs de la Poejie. He learned Spanith and Italian •, and tranflated out of Spanilh into French the book ehtitled La Per- feelion Chretienne de Rodrigues. He then refined the Saints Lives to the purity of the French tongue. Be¬ ing ordained pried, he preached at Lyons, and under¬ took, when he was but 30 years of age, a new Hido- rical Dictionary, printed at Lyons in one vol. folio, 1673. But his continual labour impaired his health; fo that he died in 1680, aged 37. His fecond volume was publidied after his death ; and four more volumes have fince been added. He left fome other works be¬ hind him. MORRHINA VASA, were a fort of cups or vafes made ufe of by the ancients for drinking out of, and other purpofes. Authors are not agreed as to the fub- llance of which they were made. Some fay it was a done ; fome afiert that it wTas a fluid condenfed by being buried under ground. All that wre know con¬ cerning it is, that it was known by the name of tnurrha, and that Heliogabalus’s chamber pot was made of it. The word is fometimes written myrrhina. MORRISE-dances. See MoRES%UK-Dances. MORS, Death, one of the infernal deities, born of Night without a father. She was wTordiipped by the ancients wTith great folemnity. She was not repre- fented as an actually exiding power, but as an imagi¬ nary being. Euripides introduces her in one of his tragedies on the dage. The moderns reprefent her as a fkeleton armed with a feythe and a feimitar. MORSE. See Trichecus, Mammalia Index. MORTALITY, a term frequently ufed to fignify a contagious difeafe, which dedroys great numbers of cither men or beads. . Bills of Mortality, are accounts or regiders fpeci- fying the numbers born, married, and buried in any parifh, town, or didrift. In general they contain only thefe numbers; and, even when thus limited, are of great ufe, by (howing the degrees of healthinefs and prolificknefs, and the progrefs of population in the places where they are kept. It is therefore much to be widied, that fuch accounts had been always cor- reftly kept in every kingdom, and regularly publifiied at the end of every year. We diould then have had under our infpeftion the comparative drength of every kingdom, as far as it depends on the number of inha¬ bitants, and its increafe or decreafe at different periods. But fuch accounts are rendered more ufeful, when they include the ages of the dead, and the dillempers of which they have died. In this cafe they convey fome of the mod important indruftioas, by furnifliing us with the means of afeertaining the law which governs the wTade of human life, the values of annuities depend¬ ent on the continuance of any lives, or any furvivor- diips between them, and the favourablenefs and unfa- vourablenefs of different fituatioas to the duration of human life. There are but few regiders of this kind ; 4 nor has this fubjeft, though fo intereding to mankind, Mortality, ever engaged much attention till lately. The fird bills ' v~' J containing the ages of the dead were thole for the town of Breflaw in Silefia. It is well known what ufe has been made of thefe by Dr Halley, and after him by De Moivre. A table of the probabilities of the duration of human life at every age, deduced from them by Dr Halley, has been publidied in the Philo- fophical Tranfaftions, (fee the Abridgement, vol. iii. p. 699.) and is the fird table of that fort that has been ever published. S nee the publication of this table, fimilar bills have been edablilhed in a few towns of this kingdom ; and particularly in London, in the year 1728, and at Northampton in 1735- Two improvements of thefe regiders have been pro- pofed : the fird is, That the fexes of all that die in every period of life fhould be fpecified in them, under the denomination of boys, married men, widowers, and bachelors ; and of girls, married women, widows, and virgins. The fecond is, That they fhould fpecify the number of both fexes dying of every didemper in every month, and at every age. See the end of the 4th effay in Dr Price’s Treatife on Reverfionary Payments. . Regiders of mortality thus improved, when compared with records of the feafons, and with the circumdances that diferiminate different fituations, might contribute greatly to the increafe of medical knowledge ; and they would afford the neceffary data for determining the difference between the duration of human life among males and females; for fuch a difference there certainly is much in favour of females, as will appear from the following fafts. At Northampton, though more males are born than females, and nearly the fame number die ; yet the number of living females appeared, by an account tak¬ en in 1746, to be greater than the number of males, in the proportion of 2301 to 177°* or 39 to 3°- At Berlin it appeared, from an accurate account which was taken of the inhabitants in 1747, that the number of female citizens exceeded the number of male citizens in the proportion of 459 to 391- And yet out of this fmaller number of males, more had died for 20 years preceding 1751, in the proportion of 19 to 17. At Edinburgh, in 1743, the number of females wras to the number of males as 4 to 3. (See Mait¬ land’s Hiftory of Edinburgh, p. 220.) But the fe¬ males that died annually from 1749 to 1758, were to the males in no higher proportion than 3-j- to 3. He that wall take the pains to examine the accounts in Phil. Tranf. Abr. vol. vii. part iv. p. 46, &c. will find, that though in the towns there enumerated, the proportion of males and females born is no higher than 19 to 18, yet the proportion of boys and girls that die is 8 to 7 ; and that, in particular, the ifill-born and chryfom males are to the ftill-born and chryfom females as 3 to 2. In 39 parifhes of the difirift of Vaud in Switzer¬ land, the number of males that died during ten years before 1766 was 8170; of females 8167; of whom the numbers that died under one year of age were 1817 males and 1305 females; and under ten years of age, 3099 males and 2598 females. In the beginning of life, therefore, and before any emigrations can take place, the rate of mortality among males appears to M O R [ 425 ] M O R Mortality, be greater than among females. And this is rendered * vr“— yet more certain by the following accounts. At Ve- vey, in the diilrici ol Vaud jufl mentioned, there died in the courfe of -20 years, ending at 1764, in the fird. month after birth, of males 135 to 89 females ; and in the iird year 225 to 162. To the lame etfecd it ap¬ pears from a table given by Sivfmilch, in his Gottliche Ordnung, vol. ii. p. 317, that in Berlin 203 males die in the firlt month, and but 168 females 5 and in the firit year, 489 to 395 ; and alio, from a table of Struyck’s, that in Holland 396 males die in the firft year to 306 females. The authorities for the facts here mentioned, and much more on this fubjeft, may be found in the 4th eflay in Dr Price’s Treatife on Reverfionary Pay¬ ments, and in the fupplement at the end of that treatife. We fhall here only add the following table, taken from a memoir of Mr Wargentin’s, publifhed in the collection of the Memoirs of the Royal Academy of Sciences at Stockholm, printed at Paris in 1772. In ail Sweden for nine years, ending in 1763, the proportion of females to males that died out of a given number living, was Under the age of one year, From 1 to 3 years oi age, 5—to — JC—15 — 15— 20 — 20—25 “ 25—3° , — 30—35 — 35—4° — 40—45 — 45—5° — 50—55 — 55_60 — 60—65 — 65—70 — 70—80 — 80—90 — Above 90 — 1000 to 1099 1000 — 1022 1042 io74 1080 1097 ' 1283, 1161 993 ”59 !”5 134° J339 1292 1115 io8o 1022 1046 1044 Regifters of mortality on the improved plan before mentioned, were eftablilhed in 1772 at Chefter, and alfo in ,1773 at Warrington in Lancafliire 5 and they are fo comprehenfive and corredt, that there is reafon to expedf they will afford much inftruftion on the fub- jedl of human mortality, and the values of lives. But the country moft diifinguilhed in this refpeft is Sweden : for in that kingdom exadt accounts are taken of the births, marriages, and burials, and of the numbers of both fexes that die at all ages in every town and diftridf, and alfo at the end of every period of five years, of the numbers living at every age : and at Stockholm a fociety is eilablifhed, whole bnfi- nefs it is to fuperintend anti regulate the enumerations, and to colledt from the different parts of the king¬ dom the regifters, in order to digeft them into tables of obfervation, Thefe regulations were begun in Sweden in 1755 ; and tables, containing the refult of them from 1755 to 1763, have been publiihed in Mr Wargentin’s memoir juft referred to j and the moft Vol. XIV. Part II. material parts of them may be found in an effay by Mort Hr Price on the Difference between the Duration of Human Life in Towns and in Country Parifhes, printed in the 65th volume of the Philofoph. Tranf. Part II. In the fourth effay in Dr Price’s Treatife on Re- yerfionary Payments and Life Annuities, the follow¬ ing account is given of the principles on which tables of obfervation are formed from regifters of mortality j and of the proper method of forming them, fo as to render them juft reprefentations of the number of in¬ habitants, and the probabilities of the duration of hu¬ man life in a town or country. In every place which juft fupports itfelf in the num¬ ber of its inhabitants, without any recruits from other places , or where, for a courfe of years, there has been no increaie or decreafe ; the number of perfons dying every year at any particular age, and above it, mull be equal to the number of the living at that age. 1 he number, for example, dying every year at all ages from the beginning to the utmoft extremity of life, rnuft, in fuch a fituation, be juft equal to the whole number bom every year. And for the fame reafon, the number dying every year at one year of age and upwards, at two years of age and upwards, at three and upwards, and fo on, muft be equal to the numbers that attain to thofe ages every year ; or, which is the fame, to the numbers of the living at thofe ages. It is obvious, that junlefs this happens, the number of inhabitants cannot remain the fame. If the former number is greater than the latter, the inha-, bitants muft decteafe $ if lefs, they muft increafe. brom this obfervation it follows, that in a town or country where there is no increafe or decreafe, bills of mortality which give the ages at which all die, will fhow the exadft number of inhabitants, and alfo the ex- aft law according to which human life waftes in that' town or country. In order to find the number of inhabitants, the mean numbers dying annually at every particular age and up¬ wards muft be taken as given by the bills, and placed under one another in the order of the fecond column of the following tables. Thefe numbers will, it has ap¬ peared, be the numbers of the living at 1, 2, 3, &c. years of age ; and confequently the fum diminifhed by half the number born annually will be the whole num¬ ber of inhabitants. This fubtraftion is neceflary, for the following rea¬ son. In a table formed in the manner here directed, it is fuppofed that the numbers in the fecond column are all living together at the beginning of every year. "I bus the number in the fecond column oppofite to o in the firft column, the table fuppofes to be all juftr born together on the firft day of the year. The num¬ ber, likewife, oppofite to x, it fuppofes to attain to one year of age juft at the fame time that the former number is born. And the like is true of every num¬ ber in the fecond column. During the courfe ^of the yeqr, as many will die at all ages as were born at the beginning of the year, and confequently, there will be an excefs of the number alive at the beginning of the year above the number alive at the end of the year, equal to the whole number of the annual births j and the true number conftantly alive together, is the arithmetical mean between thefe two numbers; or a- 3 H - greeably Vortallty. M O ft [ 4-26 ] M O ft greeably to the rule here given, the Turn of the num¬ bers in the fecond column of the table leffened by half the number of annual births. In fuch a feries of numbers, the excefs of each num¬ ber above that which immediately follows it will be the number dying every year out of the particular number alive at the beginning of the year •, and thefe exceffes fet down regularly as in the third column of the table to which we have referred, will (how the different rates at which human life wades through all its different pe¬ riods, and the different probabilities of life at all par¬ ticular ages. It mud be remembered, that what has been now faid goes on the fuppofition, that the place whofe bills of mortality are given, fupports itfelf, by pro¬ creation only, in the number of its inhabitants. In towns this very feldom happens, on account of the lux¬ ury and debauchery which generally prevail in them. They are, therefore, commonly kept up by a conftant acceffion of drangers, who remove to them from coun¬ try pariflres and villages. In thefe circutndances, in order to find the true number of inhabitants, and pro¬ babilities of life, from bills of mortality containing an account of the ages at which all die, it is necelfary that the proportion of the annual births to the annual fettlers thould he known, and alro the period of hie at which the latter remove. Both thefe particulars may be difeovered in the following method. If for a courfe of years there have been no fenfible increafe or decreafe in a place, the number of annual fettlers will be equal to the excefs of the annual bu¬ rials above the annual births. If there be an increafe, it will be greater than this excefs. If there be a de¬ creafe, it will be lefs. The period of life at which thefe fettlers remove, will appear in the bills by an increale in the number of deaths at that period and beyond it. I bus in the London bills the number of deaths between 20 and 30 is generally above double •, and between 30 and 40 near triple the number of deaths between 10 and 20; and the true account of this is, that from the age of I 3 or 20 to 3 5 or 50, there is an afflux of people every year to London from the country, which occa- fions a great increafe in the number of inhabitants at thefe ages ; and confequently raifes the deaths for all ages above 20 confiderably above their due proportion when compared with the number of deatns before 20. This is obfervable in all the bills of mortality for towns with which we are acquainted, not even excepting the Breflaw bills. Dr Halley takes notice', that thefe bills gave the number of deaths between 10 and 20 too {mail. This he confidered as an irregularity in them owing to chance : and, therefore, in forming his table of obfervations, he took the liberty fo far to corredl it, as to render the proportion of thofe who die to the liv¬ ing in this divifion of life nearly the fame with the pro¬ portion which, he fays, he had been informed die annu¬ ally of the young lads in Chrift Church hofpital. But the truth is, that this irregularity in the bills was deri¬ ved from the caufe we have iuft afligned. During the five years for which the Brtflavv bills are given by Dr Halley, the births did indeed a little exceed the bu¬ rials ; but it appears that this was the effedf of fome peculiar caufes that happened to operate juft at that time ; for during a complete century, from 1633 to 3 - 1734, the annual medium of births was 1089, and of Mortality, burials 1256. This town, therefore, muft have been all along kept up by a number of yearly recruits from other places, equal to about a feventh part of the yearly births. It appears from the account in the Philofophical Tranfadtions (Abridgement, vol. vii. N* 382, p. 46, &c.), that from 1717 to 1725, the annual medium of births at Breflaw was 1252, of burials 1507 ; and alfo that much the greateft part of the births died under jo years of age. From a table in Sufmilch’s works, vol. i. p. 38. it appears that in reality the greater part of all that die in this town are children under five years of age. What has been nowr obferved concerning the period of life at which people remove from the country to fet¬ tle in towns, would appear fufficiently probable were there no luch evidence for it as has been mentioned ; for it might well be reckoned that theie people in general muft be Angle perfons in the beginning of mature life, who not having yet obtained iettlements in the places where they were born, migrate to towns in oueft of em^ ployments. Having premifed thefe obfervations, it will be pro¬ per next to endeavour to explain diflindlly the effect which thefe acceffions to towns muft have on tables of obfervation formed from their bills of mortality. This is a fubject proper to be infilled on, becaufe miftakes have been committed about it ; and becaufe alfo the difeuflion of it is neceilary to (how how near to truth the value of lives comes as deduced from fuch tables. The following general rule may be given on this fubjeft. If a place has for a courfe of years been maintained in a Hate nearly ftationary, as to number of inhabitants, by recruits coming in every year, to prevent the decreafe that would arife from the ex¬ cefs of burials above the births, a table formed on the principle, “ that the number dying annually after every particular age, is equal to the number living at that age,” will give the number of inhabitants, and the probabilities of life, too great, for all ages preceding that at which the recruits ceafe : and af¬ ter this it will give them right. If the acceffions are fo great as to caufe an increafe in the place, fuch a table will give the number of inhabitants and the probabilities of life too little alter the age at which the scceffions ceafe ; and too great if there is a decreafe. Before that age it will in both cafes give them too great ; but mofl confiderably io in the former cafe, or when there is an increafe. Agreeably to thefe obfervations, if a place increafes not in confequence ol acceffions from other places, but of a conftant excefs of the births above the deaths, a table conftruffed on the principle that has been mentioned will give the probabilities of life too low through the whole extent of life 5 becaufe in fuch circumftances the number of deaths in the firft ftages of life muft be too great in comparifon of the number of deaths in the latter ftages and more or lefs fo as the increafe is more or lefs rapid. The contrary in all refpefls takes place where there is a decreafe arifing from the exceff of the deaths above the buths. For example : Let us fuppofe that 244 of thofe born in a town attain annually to 20 years of age, and M O Pv [ 427 ] M O R Mortality, and that 250 more, all likewife 20 years of age, come —v into it annually from other places, in confequence of which it has for a courfe of y«ars been juft maintained in the number of its inhabitants, without any fenfible increafe or decreafe : in thefe circumfiances, the num¬ ber of the living in the town of the age of 20 will be always 244 natives, and 250 fettlers, or 494 in all ; and fince thefe are fuppofed all to die in the town, and no more recruits are fuppofed to come in, 494 will be likewife the number dying annually at 20 and upwards. In the fame manner it will appear, on thefe fuppofitions, that the number of the living at e- very age fubfequent to 20 will be equal to the number dying annually at that age and above it ; and con- fequently that the number of inhabitants and the de¬ crements of life, for every fuch age, will be given ex- a£fly by the table. But for all ages before 20, they will be given much too great. For let 280 of all born in the town reach 10; in this cafe, 280 will be the true number of the living in the town at the age of 10 j and the recruits not coming in till 20, the number given by the bills as dying between 10 and 20 will be the true number dying annually of the living in this divifton of life. Let this number be 36 ; and it will follow that the table ought to make the numbers or the living at the ages between 10 and 20, a feriesof decrea- fing means between 280 and (280 diminithed by 36, or) 244. But in forming the table on the principle juft mentioned, 250 (the number above 20 dying annually in the town who were not born in it) will be added to each number in this feries ; and therefore the table will give the numbers of the living, and the probabilities of life in this divilion of life, almoft twice as great as they really are. This obfervation, it is mantfeft, may be ap¬ plied to all the ages under 20. It is neceffary to add, that fuch a table will give the number of inhabitants and the probabilities of life equally wrong before 20, whether the recruits all come in at 20, agreeably to the fuppofition juft made, or only begin then to come in. In this laft cafe, the table will give the number of inhabitants and probabilities of life too great throughout the whole extent of life, if the recruits come in at all ages above 20. But if they ceafe at any particular age, it will give them right only from that age ; and before, it will err all along on the fide of excefs 5 but lefs conliderably between 20 and that age than before 20. For example : if, of the 230 fuppofed to come in at 20, only 150 then come in, and the reft at 30 5 the number of the living will be given 100 too high at every age between 20 and 30 j but, as juft fhown, they will be given 25o too high at every age before 20. In general, therefore, the num¬ ber of the living at any particular age muft be given by the fuppofed table as many too great as there are annual fettlers after that age ; and if thefe fettlers come in at all ages indifcriminately, during any certain interval of life, the number of inhabitants and the probabilities of life will be continually growing lefs and lefs wrong, the nearer any age is to the end of that interval. Thefe cbfervations prove, that tables of obfervation formed in the common way, from bills of mortality for places where there is an excefs of the burials above the births, muft be erroneous for a great part of the duration of life, in proportion to the degree of that excefs. They {bow likewife at what parts of life the errors in fuch Mortality tables are molt confiderable, and how they may be in a ' great meafure correfted. All this (hall be exemplified in the particular cafe of London. The number of deaths between the ages of 10 and 20 is always ib fmall in the London bills, that it feems certain few recruits come to London under 20, or at leaf! not fo many as before this age are fent out for education to fchools and univeffities. After 20 great numbers come in till 30, and fume perhaps till 40 or 50 : but at every age after 50, it is probable that more retire from London than come to it. The London tables of obfervation, therefore, being formed on the principle already mentioned, cannot give the probabili¬ ties of life right till 40. Between 30 and 40 they muft be a little too high j but more fo between 20 and 30, and moft of all fo before 20. It follows alfo that thefe tables muft give the number of inhabitants in London much too great. The fir ft of the following tables is formed in the manner here explained, from the London bills for 10 years, from 1759 to 1768, and adapted to 1000 born as a radix. The fum of the numbers in the fecond column, diminiftied by half the number born, is 25.757. According to this table, then, for every 1000 deaths in London there are 25^ as many inhabitants; or, in other words, the expectation of a child juft bom is 254 ; and the inhabitants are to the annual burials as 25^ to 1. But it has appeared, that the numbers in the fecond column, being given on the fuppofition that all thofe who die in London were born there, muft be too great ; and we have from hence a demonftration, that the probabilities of life are given in the common tables of London obfervations too high for at lead the firft 30 years of life j and alfo, that the number of in¬ habitants in London muft be lefs than 25^ multiplied by the annual burials. The common tables, therefore, of London obfervations undoubtedly need correction, as Mr Simpfon fuggefted, and in fome meafure performed; though too imperfeCtly, and without going upon any fixed principles, or {bowing particularly how tables of obfervation ought to be formed, and how far in difFer- ’ent circumftances, and in different age«, they are to be depended on. The way of doing this, and in general the right method of forming genuine tables of obfervation for towns, may be learned from the following rule : “ From the fum of all that die annually, after any given age, fubtiact the number of annual fettlers after that age ; and the remainder will be the number of the living at the given time.” This rule can want no explication or proof after : what has been already faid. If, therefore, the number of annual fettlers in a town at every age could be afeertained, a perfeCI table of obfervations might be formed for that town from bills of mortality, containing an account of the ages at which all die in it. But no more can be learned in this inftance from any bills, than the whole num¬ ber of annual fettlers, and the general divifion of life in which they enter. This, however, may be fuffi- cient to enable us to form tables that {hall be tolerably exaCL For inflance : Suppofe the annual deaths in a town which has not increafed or dec re a fed, to have 3 H 3 „ been . % M OR [ 42B ] M O R Mortality, been for many years in the proportion of 4 to 3 to the annual births. It will hence follow, that ^ of the perfons who die in fuch a town are fettlers, or emigrants from other places, and not natives ; and the hidden increafe in the deaths alter 20 will alfo (how, agreeably to what was before obferved, that they enter after this age. In forming, therefore, a table for fuch a town, a quarter of all that die at all ages throughout the whole extent of life mull be deduc¬ ed from the fum of all that die after'every given age before 20 } and the remainder will be the true num¬ ber living at that given age. And if at 20, and every age above it, the dedudion is omitted, or the number of the living at every fuch age is taken the fame with the fum of all that die after it, the refult will be (fuppofing moft of the fettlers to come in be¬ fore 30, and all before 40) a table exadt till 20 ; too high between 20 and 305 but nearly right for fome years before 40 ; and after 40 exad again. Such a table, it is evident, will be the fame with the table laft defcribed at all ages above 20, and different from it only under 20. It is evident alfo, that on account of its giving the probabilities of life too great for fome years after 20, the number of inhabitants deduced from it may be depended on as fomewhat greater than the truth j and more or lefs fo, as the annual recruits enter in general later or fooner after 20. Let us now confider what the refult of thefe re¬ marks will be, when applied particularly to the London bills. It muft be here firft obferved, that at leaft one quar¬ ter of all that die in London are fupplies or fettlers from the country, and not natives. The medium of annual burials for 10 years, from 1739 t0 *768, was 22,956 •, of births 15,710. The excels is 7246, or near a third of the burials. The fame excefs during 10 years before 1750 was 10,500, or near half the burials. London was then decreafing. For the laft 12 or 15 years it has been increaling. This excefs, therefore, agree¬ ably to the foregoing obfervations, was then greater than the number of annual fettlers, and it is now lefs. It is however here fuppofed, that the number of an¬ nual fettlers is now no more than a quarter of the an-^ nual burials, in order to allow* for more omiftions in the births than the burials j and alfo, in order to be more fore of obtaining refolts that Ihall not exceed the 4ruth. Of every 1000 then who die in London only 750 are natives, and 250 are recruits who come to it after 18 or 20 years of age *, and, confequently, in order to obtain from the bills a more corre£l table than the firft of the following tables, 250 muft be fobtra&ed from every one of the numbers in the fecond column till 20 j ‘ and the numbers in the third column muft be kept the fame, the bills always giving thefe right. After 20, the table is to be continued unaltered $ and the refult will be, a table which will give the numbers of the living at all ages in London much nearer the truth but ftill fomewhat too high. Such is the fecond of the following tables. The fom of all the numbers in the fecond column of this table, diminilhed by 500, is 20,75°. For every 1000 deaths, therefore, in London, there are, according to this table, 20,750 living perfons in ft j or for every fingle death 2o^ inhabitants. It was before Ihown, that the number of inhabitants in Mortal."ty. London could not be fo great as 25 ^ times the deaths. v— ■* It now appears (fince the numbers in the fecond co¬ lumn of this table are too high) that the number of in¬ habitants of London cannot be fo great as even 20 |- tim^s the deaths. And this is a conclufion which every one, w’ho will beftow due attention on what has been faid, will find himfelf forced to receive. It will not be amifs, however, to confirm it by the following faff, the knowledge of which is derived from the particular in¬ quiry and information of Mr Harris, the late ingenious matter of the royal mathematical fchool in Chrift- Church hofpital. The average of lads in this fchool has, for 30 years paft, been 831. They are admitted at all ages between 7 and I 1 } and few flay beyond 16 : they are therefore in general, lads between the age of 8 and 1 6. They have better accommodations than it can be fuppofed children commonly have ; and about 300 of them have the' particular advantage of being educated in the country. In fuch circumftances, it may be well reckoned, that the proportion of chil¬ dren dying annually muft be lefs than the general pro¬ portion of children dying annually at the fame ages in London. The fa& is, that for the laft 30 years 1 have died annually, or one in 70-3-. According to Table II. one in 73 dies between 10 and 20, and one in 70 between 8 and 16. That table, therefore, probably gives the decrements of life in Lon¬ don, at thefe ages, too little, and the numbers of the living too great : and if this is true of thefe ages, it muft be true of all other ages under 20 j and it fol- low'S demonftrably, in conformity to what was before ftiowm, that more people fettle in London after 20 than the fourth above foppofed y and that from 20 to at leaft 30 or 35, the numbers of the living are given too great, in proportion to the decrements of life. In this table the numbers in the fecond column are doubled at 20, agreeably to what really happens in London $ and the fum of the numbers in this column diminiftied by half the whole number of deaths, gives the expe&ation of life, not of a child juft born, as in other tables, but of all the inhabitants of London at the time they enter it, whether that be at birth or at 20 years of age. The expe&ations, therefore, and the values of London lives under 20, cannot be calcu¬ lated from this table. But it may be very eafily fitted for this purpofe, by finding the number of births which, according to the given decrements of life, will leave 494 alive at 20 5 and then adapting the intermediate numbers in foch a manner to this radix, as to preferve all along the number of the living in the fame pro¬ portion to the numbers of the dead. This is done in the third of the following tables j and this table may be recommended as better adapted to the prefent ftate of London than any other table. The values of lives, however, deduced from it, are in general nearly the fame wfith thofe deduced by Mr Simplon from the London bills as they flood forty years ago y the main difference-is, that after 52, and in old age, this table gives them fomewhat lower than Mr Simpfon’s table. The fourth and fifth of th - following tables, compared with the two laft, will give a diftinft and full view of the difference between the rate of human mortality in great towns and in country parifties and villages. TABLE Mortality. M O R TABLE I. [ 429 1 M O R TABLE III. Mortality. Showing the Probabilities of Life in London, on the Showing the true Probabilities of Life in London foj1 fuppclition that all who die in London were bom there. Formed from the Bills for ic years, from 1759 to 1768. all ages. Formed from the Bills for 10 years, from 1759 to 1768. 4ges. Perfons iving. Deer. ofLifc IOOO 760 66l 619 59° 569 558 548 541 535 53° 526 5I5 512 5°9 506 5°3 499 494 487 479 471 463 455 447 439 431 422 4J3 Perfons living. Deer, of Life Ages. Perfons Deer, living, of Life Ages. Perfons living. Deer, of Life i5i8 1022 832 747 688 646 623 603 589 577 567 558 549 541 534 528 522 515 508 5°i 494 487 479 471 463 455 447 439 431 422 4I3 Ages. Perfons living1. 4°4 395 386 377 368 359 350 341 332 322 312 302 292 282 272 262 252 242 233 224 215 206 198 190 183 176 169 162 I55 J47 !39 Ages Perfons living. Deer, of Life 132 i25 1x8 in 104 97 90 83 76 70 64 58 53 48 43 38 33 29 25 22 . *9 16 TABLE II. Showing the true Probabilities of Life in London till the age of 19. Ages. Perfons living. DeVr. of Life 75° 510 4X1 369 340 3J9 308 298 291 Perfons living. Deer, of Life Ages &C. Perfons living. Deer. ofLife 253 249 494 487 &c. The numbers in the fecond column to be continued as in the laft table. All the bills, from which the following tables are formed, give the numbers dying under 1 as well as un¬ der 2 years j and in the numbers dying under 1 are in¬ cluded, in the country parifh in Brandenburg and at Berlin, all the ftillborns. All the bills alfo ! numbers dying in every period of five years. give the TABLE M O R M O R [ 43= ] Mortal'ty. TABLE IV. TABLE V Mortality ^ 1 Sltoaving the Probabilities of Life in the Dili riel of Showing the Probabilities of Life in a Country Pan la P „ . , , r 1 r __ .1- ^ Jn Brandenburg, formed from the Bills ror 1 ears, from 1710 to 1759, as given by Mr Sufmiich, in his Gottliche Ordnung. Vaud, Switzerland, formed from the RegUters of 43 Parilhes, given by Mr Muret, in the Eirft Part of the Bern Memoirs for the Year 1766. Age. 10 11 12 J5 16 17 18 J9 20 21 22 23 24 25 26 Living IOOO 8ll 765 735 7i5 Deer. 189 46 3° 20 I4 701 688 677 667 659 6S3 648 643 639 635 631 626 622 618 614 610 606 602 597 592 587 582 27 ! 577 28 572 29 5^7 563 l3 11 10 8 6 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 Age. Living. Deer 55 56 57 58 59 60 61 558 553 548 544 539 533 527 520 5I3 506 coo 494 488 482 476 469 461 451 441 431 422 414 406 397 388 377 364 348 s 331 j 3X4 I 299 l 7 8 10 10 10 J3 16 17 17 15 13 Age. 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 Living. Deer 286 274 262 250 236 220 202 184 168 l53 140 129 H9 109 98 85 71 58 46 36 29 24 20 85 86 87 88 89 *7 11 9 7 90 12 12 12 I4 16 18 18 16 T5 *3 11 10 10 13 14 !3 12 10 7 5 4 3 TABLE M O 11 [ 43i ] M O R Mortality- Mortality !! Mortar. TABLE YI. Showing the Probabilities of Life at Vienna, form¬ ed from the Bills for Eight Years, as given by- Mr Sufmilch, in his Gottliche Ordnung, page 32, Tables. TABLE VII. Showing the Probabilities of Life at Berlin, formed Brief q/'MORTANCESTRY, in Scots Law ; an¬ ciently the ground of an action at the inftance of an heir,- in the fpecial cafe where he had been excluded from the poffeffion of his anceftor’s ellate by the fupe- rior, or other perfon pretending right. MORTAR, a preparation of lime and fand mixed v/ith water, which ferves as a cement, and is ufed by mafons and bricklayers in building walls of done and brick. See Lime, Chemistry Index. Mortar, a chemical utenfil, very ufeful for the di- vifion of bodies, partly by percuflion and partly by grinding. Mortars have the form of an inverted bell. The matter intended to be pounded is to be put into them, and there it is to be (truck and bruifed by a long initrument called a pefile. The motion given to the peftle ought to vary according to the nature of the fubftances to be pounded. Thole which are eafily bro¬ ken, or which are apt to fly out of the mortar, or which are hardened by the (troke of the peitle, require that this initrument (hould be moved circularly, rather by grinding or bruifing than by (triking. Thofe fub¬ ftances which are foftened by the heat occafioned by rubbing M O R [ 432 ] M O R Mortar, rubbing and percuflion, require to be pounded very “‘"r v*flowly. Laftly, Thofe which are very hard, and which are not capable of being foftened, are eafily pounded by repeated ftrokes of the peftle. They require no bruifing but when they are brought to a certain degree of finenefs. But thefe things are better learned by ha* bit and pradtice than by any diredfions. As mortars are inftruments which are conftantly ufed in chemiflry, they ought to be kept of all fizes and materials $ as of marble, copper, glafs, iron, gritftone, and agate. The nature of the fubftance to be pounded determines the choice of the kind of mortar. The hardnefs and diffolving power of that fubftance are par¬ ticularly to be attended to. As copper is a metal, which is folubfcp by almoft all menftrua, and hurtful to health, this metal is rarely or never employed for the purpofe of making mortars. One of the principal inconveniences of pulveriza¬ tion in a mortar proceeds from the fine powder which rifes abundantly from fome fubftances during the ope¬ ration. If thefe fubftances be precious, the lofs will be confiderable 5 and if they be injurious to health, they may hurt the operator. Thefe inconveniences may be remedied, either by covering the mortar with a fk.in, in the middle of which is a hole, through which the peftle pafles j or by moiftening the matter w ith a little water when this addition does not injure it j or, laftly, by covering the mouth and nofe of the operator with a fine cloth, to exclude this pow’der. Some fub¬ ftances, as corrofive fublimate, arfenic, calces of lead, Mort; cantharides, euphorbium, &c. are fo noxious, that all ——y thefe precautions ought to be ufed, particularly when a large quantity is pounded. Large mortars ought to be fixed upon a block of wood, fo high, that the mortar ftiall be level with the middle of the operator. When the peftle is large and heavy, it ought to be fufpended by a cord or chain fixed to a moveable pole placed horizontally above the mortar: this pole confiderabiy relieves the operator, becaufe itselafticity ailifts the railing of the peftle. MORTAR-PIECE, in the military art, a fhort piece of ordnance, thick and wide, proper for throwing bombs, carcafes, ftielis, ftones, bags filled with grape-Ihot, &c. See Gunnery, N° 50. Land Mortars, are thofe ufed in fieges, and of late in battles, mounted on beds made of folid timber, con- fifting generally of four pieces, thofe of the loyal and cohorn excepted, which are but one fingle block y and both mortar and bed are transported on block- carriages. There is likewife a kind of land mortars, mounted on travelling carriages, invented by Count Buckeburg, which may be elevated to any degree •, w'hereas ours are fixed to an angle of 45 degrees, and firmly laftied with ropes. The following table fhows the weight of land mortars and Ihells ; together with the quantity of powder the chambers hold when full j the weight of the {hells, and powder for loading them. Sea Mortars, are thofe wdiich are fixed in bomb longer and much heavier than the land mortars. The veffels for bombarding places by fea : and as they are following table exhibits the weight of the fea mortars generally fired at a much greater diftance than that and (hells, and alfo of their full charges, whiph is required by land, they are made fomewhat f l Nature of the mortar. 10-inch howitzer. 13-inch mortar. 10-inch mortar. Powder con¬ tained in the chamber when full. lb. oz. IZ O 30 O I 2 O Weight of the mortar. C. qr. lb. 31 2 26 8lZ I 34 2 II Weight of the fliell when fixed. lb. 93 Weight of powder con¬ tained in tine fliell. lb. oz. 7 ° To Charge or Load a Mortar, the proper quantity of gunpowder is put into the chamber, and if there be any vacant fpace they fill it up with hay ; fome choofe a wooden plug : over this they lay a turf, fome a wood¬ en tompion fitted to the bore of the piece; and laftly 2, the bomb \ taking care that the fufe be in the axis thereof, and the orifice be turned from the muzzle of the piece : what Space remains is to be filled up ■with hay, ftravv, turf, &c. fo as the load may not be explod¬ ed without the utmoft violence. The M O R [ 433 ] MGR Mortar. The quantity of gunpowder to be ufed is found by •"“'V"" ■' dividing the weight of the bomb by 30 ; though this rule is not always to be ftri&ly obferved. When the proper quantity of powder neceffary to charge a fea mortar is put into the chamber, it is co¬ vered with a wad w’ell beat down with the rammer. After this the fixed (hell is placed upon the wad, as near the middle of the mortar as poffible, with the fufe hole uppermofi, and another wad prefled down clofe upon it, fo as to keep the (hell firm in its pofi- tion. The officer then points the mortar according to the propofed inclination.—When the mortar is thus fixed, the fufe is opened; the priming iron is alfo thrult into the touch-hole of the mortar to clear it, after which it is primed with the fined pow’der. This done, tw7o of the matrofles or failors, taking each one of the matches, the firfl lights the fufe, and the other fires the mortar. The bomb, thrown out by the explofion of the powder, is carried to the place intended : and the fufe, which ought to be exhaufled at the inflaut of the ffiell’s falling, inflames the powder contained in it, and burfls the Ihell in fplinters j which, flying off circularly, occafion incredible mifchief wherefoever they reach. If the fervice of mortars flrould render it neceffary to ufe pound fliots, 200 of them with a wrooden bot¬ tom are to be put into the 13 inch mortar, and a quan¬ tity of pow’der not exceeding 5 pounds ; and 100 of the above ffiot with pounds of powder, for the 10 inch mortar, or three pounds at mod. To Elevate the Mortar fo as its axis may make any given angle wflth the horizon, they apply the artillery level or gunner’s quadrant. An elevation of 70 or 80 degrees is what is commonly chofen for rendering mor¬ tars mod ferviceable in cafling flrells into towms, forts, &.c. though the greated range be at 45 degrees. All the Englidi mortars are fixed to an angle of 45 degrees, and laflred drongly with ropes at that eleva¬ tion. Although in a fiege there is only one cafe in which flrells fliould be thrown with an angle of 45 de¬ grees j that is, when the battery is fo far off that they cannot otherwife reach the works; for when ihells are thrown out of the trenches into the works of a fortification, or from the town into the trenches, they fliould have as little elevation as poffible, in order to roll along, and not bury themfelves; whereby the da¬ mage they do, and the terror they occafion, are much greater than if they fink into the ground. On the con¬ trary, w7hen fliells are thrown upon magazines or any other buildings, with an intention to dedroy them, the mortars fliould be elevated as high as poffible, that the fliells may acquire a greater force in their fall, and con- fequently do greater execution. If all mortar pieces were, as they ought to be, ex- aftly fimilar, and their requifites of powder as the cubes of the diameters of their feveral bores, and if their fliells, bombs, carcaffes, &c. were alio fimilar } then, comparing like with like, their ranges on the plane of the horizon, under the fame degree of eleva¬ tion, would be equal 5 and confequently one piece be¬ ing well proved, i. e. the range of the grenado, bomb, carcafs, &c. being found to any degree of elevation, the whole work of the mortar piece would become very eafy and exadl. But fince mortars are not thus fimilar, it is required, V01.. XIV. Part II. that the range of the piece, at fome known degree of elevation, be accurately found by meafuring j and from hence all the other ranges may be determined. Thus, to find the range of the piece at any other elevation required j fay, As the fine of double the angle under which the experiment was made, is to the fine of double the angle propofed, fo is the range known to the range required. Suppole, for inflance, it be found, that the range of a piece, elevated to 3c0, is 2000 yards : to find the range of the fame piece with the fame charge when elevated to 450 j take the fine of 6o°, the double of 30°, and make it the firfl term of the rule of three 5 the fecond term muft be the fine of 90°, the double of 450, and the third the given range. 2000 ; the fourth term will be 2310, the range of the piece at 450. If the elevation be greater than 450, inftead of doubling it, take the fine of double its complement to 90°. As fuppofe the elevation of a piece be 50°, take the fine of 8o°, the double of 40°. Again, If a determinate di- ftance to which a Ihot is to be call, be given, and the angle of elevation to produce that effeft be required •, the range known muft be the firft term in the rule ot three, which fuppofe 2000 yards ; the range propofed, which we fuppofe 1600 yards, the fecond term 5 and the fine of 60 double of the elevation for the range of 2COO yards, the third term. The fourth term will be found the fine of 430 52', whofe half 21® 56' is the angle of elevation the piece muft have to produce the defired efi’edl. And if 21° 56' be taken from 90°, you will have 68° 4' for the other elevation of the piece, with which the fame effeft will likewife be produced. Note, To avoid the trouble of finding fines of double the angles of the propofed elevations, Galileo and Torri¬ celli give us the following table, wherein the fines of the angles fought are had by infpedlion. Morta D; grees. 90 89 88 87 86 85 84 83 82 81 8 j 79 78 77 76 75 74 73 72 71 70 69 68 67 Degrees. o 1 2 3 4 5 6 7 8 9 10 1 x ] 2 x3 *4 15 16 17 18 20 21 22 23 Ranges. ' Degrees, fDegrees. | Ranges. 349 698 io45 1392 !736 2709 24x9 2556 3090 3420 3746 4067 4384 4695 5000 5299 5592 5870 6157 6428 6691 6947 7'93 o 66 65 64 63 62 61 60 59 58 57 56 55 54 53 52 51 5° 49 48 47 46 45 24 25 26 27 28 29 3° 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 7431 7660 7880 8090 8290 8480 8660 8829 8988 9135 9272 9397 95x1 96i3 9703 9781 9841 9903 9945 9976 9994 10000 3 1 The M O H [ 434 ] M O R Mortgage. The ufe of the table is obvious; Suppofe, for in- y-. fiance, it be known by experiment, that a mortar ele¬ vated 150, charged with three pounds ot powder, will throw a bomb to the diftance of 350 fathoms j and it be required, with th6 fame charge, to throw a bomb too fathoms farther j feek in the table the number an. fwering to 15 degrees, and you will find it 5000. Then as 330 is to 450, fo is 5000 to a fourth number, which is 6428. Find this number, or the neareft to it, in the table, and againft it you will find 20° or 70° j the pro¬ sper angles of elevation. MORTGAGE, in Law, (tnortuum vadium, or dead pledge), is where a man borrows of another a fpecific lum (e. g. 200I.), and grants him an eftate in fee, on condition that if he, the mortgager, {hall pay the mort¬ gagee the faid fum of 200I. on a certain day mentioned in the deed, that then the mortgager may re-enter on the eftate fo granted in pledge ; or, as is now the more ufual way, that the mortgagee {hall re-convey the eftate to the mortgager : in this cafe the land which is fo put in pledge, is by law, in cafe of nonpayment, at the time limited, For ever dead and gone from the mortga¬ ger j and the mortgagee’s eftate in the lands, is then no longer conditional, but abfolute. But fo long as it continues conditional, that is, between the time of lending the money and the time allotted for payment, the mortgagee is called tenant in mortgage. But as it was formerly a doubt, whether, by taking fuch eftate in fee, it did not become liable to the wife’s dower, and other encumbrances of the mortgage (though that doubt lias been long ago overruled by our courts of equity), it therefore became ufual to grant only a long term of years, by way of mortgage *, with condition to be void on repayment of the mortgage money : which courfe has been fince continued, principally becaufe on the death of the mortgagee fuch term becomes veiled in his perfonal reprefentatives, who only are entitled in equi¬ ty to receive the money lent, of whatever nature the mortgage may happen to be. As foon as the eftate is created, the mortgagee may immediately enter on the lands *, but is liable to be dif- poffeffed, upon performance of the condition by pay¬ ment of the mortgage money at the day limited. And therefore the ufual way is to agree that the mortgager lhali hold the land till the day afligned for payment : when, in cafe of failure, whereby the efiate becomes abfolute, the mortgagee may enter upon it, and take poffeftion, without any poflihility at law of being af¬ terwards evifted by the mortgager, to whom the land is now for ever dead. But here again the courts of equity interpofe *, and though a mortgage be thus for¬ feited, and the eftate abfolutely vefted in the mortga¬ gee at the common law, yet they will confider the real value of the tenements compared with the fum borrow¬ ed. And if the eftate be of greater value than the fum lent thereon, they will allow the mortgager at any rea- fonable time to recal or redeem his eftate ; paying to the mortgagee his principal, intereft, and expences: for otherwife, in ftriflnefs of law, an eftate worth 1000I. might be forfeited for non-payment of look or a lefs fum. This reafonable advantage, allowed to mortga¬ gers, is called the equity of redemption; and this en¬ ables a mortgager to call on the mortgagee, who has poffeftion of his eftate. to deliver it back, and account tor the rents and profits received on payment of his whole debt and intereft, thereby turning the mortaum MortTer into a kind of vhum vadium; (fee Vadium). But, ^ t on the other hand, the mortgagee may either compel ~v v f the i’ale of the eftate, in order to get the whole of his money immediately ; or elfe call upon the mortgager to redeem his eftate prefently, or, in default thereof, to be for ever foveclofed from redeeming the fame ; that is, to lofe his equity of redemption without poftibility of recal. And alfo, in fome cafes of fraudulent mortga¬ ges, the fraudulent mortgager forfeits all equity of re¬ demption w'hati'oever. It is not, however, ufual for mortgagees to take poffeflion of the mortgaged eftate, unlefs where the fecurity is precarious, or {mall; or where the mortgager negledls even the payment of in¬ tereft : when the mortgagee is frequently obliged to bring an eje&ment, and take the land into his own hands, in the nature of a pledge, or the pignus of the Roman law : whereas, while it remains in the hands of the mortgager, it more refembles their hypotheca, which was where the pofleflion of the thing pledged re¬ mained with the debtor. But by ftatute 7 Geo. II. c. 20. after payment or tender by the mortgager of principal, intereft, and cofts, the mortgagee can main¬ tain no eje&ment ; but may be compelled to re-afiign his fecurities. In Glanvil’s time, when the univerfal method of conveyance was by livery of feifin or corpo¬ ral tradition of the lands, no gage or pledge of lands was good unlefs poffeflion was alfo delivered to the cre¬ ditor •, ft non fequatur ipftus vadii tradit 10, curia demini regis hujufmodi prhatas conventiones tuen non folet: for which the reafon given is, to prevent fubfequent and fraudulent pledges of the fame land; cum in tali cafu pojftt eadetn res pluribus aliis crednoribus turn prius turn poferius invadiari. And the frauds which have arifen, flnee the exchange of thefe public and notorious convey¬ ances for more private and fecret bargains, have well evinced the wifdom of our ancient law. MORTIER, an enfign of dignity, which was borne by the chancellor and grand preftdents of the parliament of France. That borne by the chancellor was a piece * of cloth of gold, edged and turned up with ermine ; and that of the firft prefident w-as a piece of black vel¬ vet edged with a double row of gold lace. MORTIFICATION, or Gangrene. See Medi¬ cine and Surgery Index. Mortification, in religion, any fevere penance ob- ferved on a religious account. See Fast. MORTISE, or Mortoise, in carpentry, &c. a kind of joint wherein a hole of a certain d»pth is made in a piece of timber, which is to receive another piece called a tenon. MORTMAIN, or Alienation in Mortmain {in mortua tnanti), is an alienation of lands or tenements to any corporation, foie or aggregate, ecclefiaftical or tem¬ poral * : but thefe purchafes having been chiefly made * See Cfa. by religious houfes, in confequence whereof the \zs\Asporation. became perpetually inherent in one dead hand, this hath occafioned the general appellation of mortmain to be applied to fuch alienations, and the religious houfes themfelves to be principally conlidered in forming the ftatutes of mortmain : in deducing the hiftory of which fiatutes, it will be matter of curiofity to obferve the great addrefs and fubtle contrivance of the ecclefiaftics, in eluding from time to time the laws in being, and the zeal with which fucceflive parliaments have purfued 3 them M O It [ 43S ] M O R Mortmain, them through all their fineffes: how new remedies were '-■-'■v--"' {till the parents of new evalions j till the legiflature at laft, though with difficuky, hath obtained a decifive viftory. By the common law any man might difpofe of his lands to any other private man at his own difcretion, efpecially when the feodal reilraints of alienation were worn away. Yet in confequence of thefe it was al¬ ways, and is kill neceflary, for corporations to have a licenfe of mortmain from the crown, to enable them to Slackjl. purchafe lands : for as the king is the ultimate lord of Comment, every fee, he ought not, unlefs by his own confent, to lofe his privilege of efcheats and other feodal profits, by the vetting of lands in tenants that can never be at¬ tainted or die. And fuch licenfes of mortmain feem to have been necelfary among the Saxons above 60 years before the Norman conqueft. But, befides this gene¬ ral licenfe from the king as lord paramount of the king¬ dom, it was alfo requifite, whenever there was a mefne or intermediate lord between the king and the alienor, to obtain his licenfe alfo (upon the fame feodal princi¬ ples) for the alienation of the fpecific land. And if no fuch licenfe was obtained, the king or other lord might refpedlively enter on the lands fo alienated in mortmain, as a forfeiture. The neceffity of this licenfe from the crown was acknowledged by the Conftitutions of Cla¬ rendon, in refpedf of advowfons, w hich the monks al¬ ways greatly coveted, as being the groundwork of fub- fequent appropriations. Yet fuch were the influence and ingenuity of the clergy, that (notwithftanding this fundamental principle) we find that the largeit and moft confiderable ddnaiions of religious houfes happen¬ ed within lefs than two centuries after the Conqueft. And ( when a licenfe could not be obtained) their con¬ trivance feems to have been this: That as the forfei¬ ture for fuch alienations accrued in the firft place to the immediate lord of the fee, the tenant who meant to alienate firft conveyed his lands to the religious houfe, ■and inftantly took them back again to hold as tenant to the monaftery \ which kind of inflantaneous feilin was probably held not to occafion any forfeiture : and then, by pretext of feme other forfeiture, furrender, er efeheat, the ioclety entered into thofe lands in right of fuch their newly acquired figriiory, as immediate lords of the fee. But when thefe donations began to grow numerous, it was ohferved that the feodal fervices, or¬ dained for the defence of the kingdom, were every day vifibly withdrawn •, that the circulation of landed pro¬ perty from man to man began to ftagnate ; and that the lords were curtailed of the fruits of their figniories, their efcheats, wardfhirs, reliefs, and the like: and there- foie, in order to prevent this, it was ordained by the feeond of King Henry’s IIl.’s great charters, and af¬ terwards by that printed in our common ftatufe books, that all fuch attempts thould be void, and the land for¬ feited to the lord of the fee. But as this prohibition extended only to religious houles, billrops and other foie corporations were not in¬ cluded therein •, and the aggregate ecclefiaftical bodies (wire, Sir Edward Coke obferves, in this were to be commended, that they ever had of their counfel the heft learned men that they could get) found many means to creep out of this ftatute, by buying in lands that were bona fide holden of therofelves as lords of the fee, and thereby evading the forfeiture ; or by taking long leafes for years, which firfi: introduced thofe extenfive terms, for a thoufand or more years, which are now fo frequent in conveyances. This produced the ftatute de re/igiofis, 7 Edvv. I.; which provided, that no per- fon, religious or other whatfoever, fhould buy, or felij or receive under pretence of a gift, or term of years, or any other title whatfoever, nor fliould by any art or in¬ genuity appropriate to himfelf, any lands or tenements in mortmain ; upon pain that the immediate lord of the fee, or, on his default for one year, the lords para¬ mount, and in default of all of them, the king, might enter thereon as a forfeiture. This feemed to be a fufficient fecurity againlt all alienations in mortmain : but as thefe llatutes extend¬ ed only to gifts and conveyances between the parties, the religious houfes now began to fet up a fitlitious title to the land, which it was intended they fiiould have, and to bring an aflion to recover it againtt the tenant *, who, by fraud and collufion, made no defence, and thereby judgement wTas given for the religious houfe, which then recovered the land by a fentence of law upon a fuppofed prior title. And thus they had the honour of inventing thofe fictitious adjudications of right, which are fince become the great affurance of the kingdom, under the name of common recoveries. But upon this the ftatute of Weftmintler the fecond, 13 Edw. I, c. 32. ena61ed, that in fuch cafes a jury {hall try the true right of the demandants or plaintiffs to the land ; and if the religious houfe or corporation be found to have it, they (hall dill recover leifin ; other- wife it fhall be forfeited to the immediate lord of the fee, or elfe to the next lord, and finally to the king, upon the immediate or other lord’s default. And the like provifion was made by the fucceeding chapter, in cafe the tenants fet up croffes upon their lands (the badges of knights templars and hofpitallers) in order to protetft them from the feudal demands of their lords, by virtue of the privileges of thofe religious and mili¬ tary orders. And ie careful was this provident prince to prevent any future evafions, that when the ftatute of quia emptores, 18 Edw. I. abolifhed all fub-infeuda- tions, and gave liberty for all men to alienate their lands to be holden of their next immediate lord, a pro- vifo was inferted that this fhould not extend to autho¬ rize any kind of alienation in mortmain. And when afterwards the method of obtaining the king’s licenfe by writ of ad quod damnum was marked out by the ftatute 27 Ed ward 1. ft. 2. it w^as farther provided by ftatute 34 Edward I. ft. 3. that no fuch licenfe fhould be ef- fecfual without the confent of the mefne or intermediate lords. Yet ftill it was found difficult to fet bounds to ec¬ clefiaftical ingenuity : for when, they were driven out of all their former holds, they devifed a new method of conveyance, by which the lands were granted, not to them'elves directly, but to nominal feoffees to the ufe of the religious houfes j thus diftinguifhing be¬ tween th^ poffefiion and the ufe, and receiving the ac¬ tual profits, while the feifin of the land remained in the nominal feoffee $ who was held by the courts of'equity (then under the direffion of the clergy) to be bound in conicience to account to bis cefiuy que vfie for the rents and emoluments of the eftate And it is to thefe inventions that our praflifers are indebt¬ ed for the introduction of ufes and trulls, the fourtda- 3 I 2 tion Mortmain. M O R [ 436 ] M O R • tion of modern conveyancing. But, unfortunately for the inventors themfelves, they did not long enjoy the advantage of their new device ; for the ftatute 15 Rich¬ ard II. c. 5. enatls, that the lands which had been fo purchafed to ufes fhould be admortifed by licenfe from the crown, or elfe be fold to private perfons -7 and that, for the future, ufes fhall be fubjeft to the ftatutes of mortmain, and forfeitable like the lands themfelves. And whereas the Ifatutes had been eluded by purcha- fing large trafts of land adjoining to churches, and con- fecrating them by the name of churclnjards, fuch lub- tile imagination is alfo declared to be within the com- pafs of the ftatutes of mortmain. And civil or lay cor¬ porations, as well as ecclefiaftical, are alfo declared to be within the mifchief, and of courfe within the remedy provided by thofe falutary laws. And laftly, As during the times of popery lands were frequently given to fu- perflitious ufes, though not to any corporate bodies j or were made liable in the hands of heirs and devifees to the charge of obits, chauntries, and the like, which were equally pernicious in a well-governed date as ac¬ tual alienations in mortmain •, therefore at the dawn of the Reformation, the llatute 23 Hen. VIII. c. 10. de¬ clares, that all future grants of lands for any of the purpofes aforefaid, if granted for any longer term than 20 years, lhall be void. But, during all this time, it was in the power of the crown, by granting a licenfe of mortmain, to remit the forfeiture, fo far as related to its own rights j and to enable any fpiritual or other corporation to purchafe and hold any lands or tenements in perpetuity ; which prerogative is declared and confirmed by the ftatute 18 Edw. III. ft. 3. c. 3. But as doubts were conceived at the time of the Revolution how far fuch licenfe was valid, fince the king had no power to difpenfe with the ftatutes of mortmain by a claufe of non ob/lante, which was the ufual courfe, though it feems to have been un- neceffary ; and as, by the gradual declenfion of mefne figniories through the long operation of the ftatute of quia cmptores, the rights of intermediate lords were re¬ duced to a very fmall compafs ; it was therefore pro¬ vided by the ftatute 7 & 8 W. III. c. 37. that the crown for the future at its own dircretion may grant li- cenfcs to alienate or take in mortmain, of whomfoever the tenements may be holden. After the dilfolution of monafteries under Hen. VIIL though the policy of the next popifti fucceffor affedted to grant a fecurity to the pofl'effors of abbey lands, yet, in order to regain fo much of them as either the zeal or timidity of their owners might induce them to part with, the ftatutes of mortmain were fufpended for 20 years by the ftatute 1 & 2 P. & M. c. 8. and dur¬ ing that time any lands or tenements were allowed to be granted to any fpiritual corporation without any licenfe whatfoever. And long afterwards, for a much better purpofe, the augmentation of poor livings, it was enabled by the ftatute 17 Car. 11. c. 3. that ap- propriators may annex the great tithes to the vicarages, and that all benefices under tool, per annum may be augmented by the purchafe of lands, without licenfe of mortmain in either cafe 5 and the like provifion hath been fince made in favour of the governors of Queen Anne’s bounty. It hath alfo been held, that the fta¬ tute 13 Hen. VIII. before-mentioned, did not extend to any thing but fuperftitious ufes 5 and that therefore a man may give lands for the maintenance of a fchool, Mortmain. an hofpital, or any other charitable ufes. But as it -v—-J was apprehended from recent experience, that perfons on their deathbeds might make large and improvident diipofitions even for thefe good purpofes, and defeat the political ends of the ftatutes of mortmain ; it is therefore enabled by the ftatute 9 Geo. II. c. 36. that no lands or tenements, or money to be laid out thereon, fhall be given for or charged with any charitable ufes whatfoever, unlefs by deed indented, executed in the prefence of two witnelfes 12 knlender months before the death of the donor, and enrolled in the court of chan¬ cery within fix months after its execution (except flocks in the public funds, which may be transferred within fix months previous to the donor’s death), and unlefs fuch gift be made to take effe<5t immediately, and be without power of revocation ; and that all other gifts lhall be void. The two univerfities, their colleges, and their fcholars upon the foundation of the colleges of Eton, Winchefter, and Weftminfter, are excepted out of this a£t ; but fuch exemption was granted with this provifo, that no college (hall be at liberty to pur¬ chafe more advowfons than are equal in number to one moiety of the fellows or ftudents upon the refpe&ive foundations. MORTUARY, in Law, is a fort of ecclefiaftical he- riot*, being a cultomary gift claimed by and due to* See the minifter in very many pariihes on the death of his Heriat* parilhioners. They feem originally to have been only a voluntary bequeft to the church j being intended, as Lyndewode informs us from a conftitution of Archbi- fliop Langham, as a kind of expiation and amends to the clergy for the perfonal tithes, and other ecclefiaf¬ tical duties, which the laity in their life time might have negledfted or forgotten to pay. For this purpofe, after the lord’s heriot or beft good was taken out, the fecond beft chattel was referved to the church as a mortuary. And therefore in the laws of King Canute, this mortuary is called foul-foot, ox fymbolum animw. And, in purfuance of the fame principle, by the laws, of Venice, where no perfonal tithes have been paid du¬ ring the life of the party, they are paid at his death out of his merchandife, jewels, and other moveables. So alfo, by a fimilar policy in France, every man that died without bequeathing a part of his eftate to the church, which was called dying without confejjion, was formerly deprived of Chriftian burial ; or, if he died inteftate, the relations of the deceaied, jointly with the bilhop, named proper arbitrators to determine what he ought to have given to the church, in cafe he had made a will. But the parliament, in 1409, redreffed this grievance. It was anciently ufual in England to bring the mor¬ tuary to church along with the corpfe when it came to be buried; and thence it is fometimes called a corpfe* prefent: a term which befpeaks it to have been once a voluntary donation. However, in Bra&on’s time, fo early as Henry III. we find it rivetted into an efta- bliihed cuftom j infomuch that the bequefts of heriots and mortuaries were held to be neceffary ingredients in every teftament of chattels. Imprimis autem debet qul libet, qui tef amentum fecerit, dominum fumn de meliorl re quam habuent recognofcere ; et pofea ecclefiam de aha meliore: the lord muft have the beft good left him as a heriot} and the church the fecond beft as a mor.-. tuaryv M O n [ 457 ] M O S Mortuary, tuary. But yet this cuftom was different in different v places : in quibufdam locis habet ecclejia melius animal de confuetudine; in quibufdam: fecundum, vel tertium melius; et in quibufdam nihil: et idea confderanda ejl confuetudo loci. This cuitom ffill varies in different places, not only as to the mortuary to be paid, but the perfon to whom it is payable. In Wales a mortuary or corfe-prefent was due upon the death of every clergy¬ man to the bilhop of the diocefe •, till abolifhed, upon a recompenfe given to the bilhop, by the ftatute, 12 Ann. ft. 2. c. 6. And in the archdeaconry of Che- fter a cuftom alfo prevailed, that the biihop, who is alfo archdeacon, ftiould have, at the death of every clergyman dying therein, his belt horfe or mare, bridle, faddie, and fpurs j his belt gown or cloak, hat, upper- garment under his gown, and tippet, and alfo his beft fignet or ring. But by ftatute 28 Geo. II. c. 6. this mortuary is directed to ceafe, and the aft has fettled upon the biftiop an equivalent in its room. The king’s claim to many goods, on the death of all prelates in England, feems to be of the fame nature} though Sir Edward Coke apprehends, that this is a duty upon death, and not a mortuary : a diftinftion which feems to be without a difference. For not only the king’s eccieliaftical charafter, as fupreme ordinary, but alfo the fpecies of the good claimed, which bear fo near a refemblance to thofe in the archdeaconry of Chefter, which was an acknowledged mortuary, puts the matter out of difpute. The king, according to the record vouched by Sir Edward Coke, is entitled to fix things j the bilhop’s beft horfe or palfrey, with his furniture 5 his cloak or gown, and tippet \ his cup and coyer; his bafon and ewer ; his gold ring ; and laftly, his muta canum, his mew or kennel of Founds, This variety of cuftoms wdth regard to mortuaries, giving frequently a handle to exactions on the one fide, and frauds or expenfive litigations on the other, it was thought proper by ftatute 21 Henry VIII. c. 6. to reduce them to fome kind of certainty. For this purpofe it is enabled, that all mortuaries, or corfe- prefents to parfons of any parilh, ftrall be taken in the following manner, unlefs where by cuftom lefs or none at all is due ; viz. for every perfon who does not leave goods to the value of ten marks, nothing ; for every perfon who leaves goods to the value of ten marks and under 30 pounds, 3s. qd. ; if above 30 pounds, and un¬ der 40 pounds, 6s. 8d.; if above 40 pounds, of what value foever they may be, 10s. and no more. And no mortuary ftiall throughout the kingdom be paid for the death of any feme-covert; nor for any child ; nor for any one of full age, that is not a houfekeeper ; nor Morua for any wayfaring man ; but fuch wayfaring man’s mor- ^ J! . tuary fhall be paid in the pavith to which he belongs. And upon this ftatute ftands the law of mortuaries to this day. MOR US, the MULBERRY TREE, a genus of plants belonging to the monoecia clafs, and in the natural me¬ thod ranking under the 53d order, Scabridee. See Bo¬ tany Index. MOSA, in Ancient Geography, a river of Belgica, rifing in Mount Vogefus on the borders of the Lingo- nes, and which, after receiving a part of the Rhine called Vahalis, forms the illand of the Batavi, and pafles off into the fea, at the diftance of 80 miles. Now call¬ ed the Maefe, or Meufe; rifing in Champagne, on the borders of the county of Burgundy, or Franche Compte, at a village called Meufe, whence the appella¬ tion ; and running north through Lorrain and Cham¬ pagne into the Netherlands: it aftemards dire£ls its courfe north-eaft and then weft; and joining the Waal, runs to Dort, and falls into the German fea, a little be¬ low the Briel. MOSiE Pons, in Ancient Geography, fuppofed to be Maeftricht, fituated on the Maefe. E. Long. 5. 40. N. Lat. 50. 55. MOSAIC Law, or the Law of Moses, is the moft wilfor.’s ancient that we know of in the world, and is of three Archxol. kinds ; the moral larv, the ceremonial law, and the judicial lawn The difierent manner in which each of thefe was delivered, may perhaps fuggeft to us a right idea of their different natures. The moral law, or ten commandments, for inftance, was delivered on the top of the mountain, in the face of the whole world, as being of univerfal influence, and obligatory on all mankind. The ceremonial was received by Mofes in private in the tabernacle, as being of peculiar concern, belonging to the Jew& only, and deftined to ceafe when the tabernacle was down, and the vail of the temple rent. As to the judicial law, it was neither fo public¬ ly nor fo audibly given as the moral law, nor yet fo privately as the ceremonial; this kind of law being of an indifferent nature, to be obferved or not obferved, as its rites fuit with the place and government under which we live. The five books of Mofes called the Pentateuch, are frequently ftyled, by way of emphafis the Law. This was held by the Jews in fuch vene¬ ration, that they would not allow it to be laid upon the bed of any fick perfon, left it fliould be polluted by touching the dead. A TABLE or EIARMONY of the MOSAIC LAW, digefted into proper Heads, with References to the feveral Parts of the Pentateuch where the refpective Laws occur. Class I. The Moral Law written on the two Tables, containing the Ten Commandments. The frjl table, which includes The firft commandment 'The fecond commandment, The third commandment, Exod. chap. Levitic. chap. Numb. chap. Deut. chap. 20. 23. 20.23.34. 20. 23. 19. 20. 26, 1 5- 6. 13. 4.5.6.7.8. ro. 11.12,. I3- 5- The M O S [ 438 ] M O S Mofaic Law. The fourth commandment, - The fecond table includes The fifth commandment, The fixth commandment, The feventh commandment, The eighth commandment, The ninth commandment, The tenth commandment, The fum of both tables, Class II. The Ceremonial Law may be fitly reduced to the following heads, viz. Of the holy place, - “ - Of the matter and ftru&ure of the tabernacle. Of the inftruments of the fame, viz. The laver of brafs, The altar of burnt offering, The altar of incenfe, - The candleftick of pure gold, The table of fhew-bread, Of the priefts and their veftments for glory and beauty, Of the choofing of the Levites, Of the priefts office in general, Of their office in teaching, Of their office in bleffing, Of their office in offering; which fun&ion largely fpreading itfelf, is divided into thefe heads, viz. What the facrifice ought to be, Of the continual fire, Of the manner of the burnt offerings, — the peace offerings, Of the manner of the facrifices according to their feveral kinds, viz. Tor fin committed through ignorance of the law, For fin committed through ignorance of the faprecious ftone, and which is to ferve as a ground to a work, either of lapis, agate, alabafter, or the like, that the defign to be reprefented is drawn : having been firft pounced or chalked. To hollow or imprefs the defign, they ufe the fame inftruments that fculptors do ; the ground wdiereon they are to work not being much lefs hard than the marble itfelf. The cavities being thus made in the ground, are filled with the fame gypfum boiled in glue, only differently coloured, and thus are the different colours of the original repre- fented. In order that the neceffary colours and teints may be ready at hand, the quantities of the gypfum are tempered with the feveral colours in pots. After the defign has been thus filled and rendered vifible, by half polilhing it with brick and foft ftone, they go over it again, cutting fuch plates as are either to be weaker or more fhadowed, and filling them with gypfum y which work they repeat till all the colours being added one after the other, reprefent the original to the life. When the work is finifhed, they fcour it with foft ftone, fand, and water ; after that with a pumice ftone ; and in the laft place polifli it with a wooden mullet and emery. Laftly, They give it a luftre, by fmearing it over with oil, and rubbing it a long time with the palm of the hand, which gives it a luftre nowife inferior to that * ofam- L>i(]ue. MOSAMBIQUE, a kingdom of Africa, lying fouth of Quiloa, and taking its name from the chief town, which is fituated on an ifland, at the mouth of a river of the fame name, in 15 deg. S. Lat. The ifland is 30 miles in circumference, and very populous, though the air is faid to be very hot, and the foil in general dry, fandy, and barren $ yet they have moft: of the tropical fruits, with black cattle, bogs, and ftieep. There is a kind of fowl here, both the feathers and flefli of which are black, infomuch that, when they are boiled, the broth looks like ink 5 and yet their flefn is very delicate and good food. The town of Mofambique is regularly fortified, and has a good har¬ bour, defended by a citadel, with feveral churches and monafteries. The Portuguefe (hipping to and from India touch here for refreihments. As the ifland a- bcunds in cattle, the Portuguefe {laughter and fait up a great deal of beef, which they afterwards fend to the Brazils, or fell to the European (hipping. They alfo M O S [ 443 ] M O S Mofcow. Blcfchion alfo barter European poods with the natives for gold, II elephants teeth, and Haves. There is another town, called Mongale, fituated alfo on an ifland, and garri- foned by the Portuguefe, being their chief magazine for European goods. The gold they receive from the natives is found near the furface of the earth, or in the fands of rivers j no gold mines, or at leal! very few, being at prefent wrought in Africa. MOSCHION, a name common to four different writers, whofe compofitions, charadfcr, and native place, are unknown. Some fragments of their workings, remain, fome few verfes, and a treatife De muherum ajfefiibus. MOSCHUS, a Grecian poet of antiquity, ufually c; uoled with Bion •, and they were both of them co¬ temporaries with Theocritus. In the time of the latter Grecians, all the ancient idylliums were colledted and attributed to Theocritus j but the claims of Mof- chus and Bion have been admitted to fome few little pieces; and this is fufficient to make us inquifitive about their charadfers and ftory •, yet all that can be known about them muft be colledfed from their own remains. Mofchus, by compofing his delicate elegy on 'Bion, has given the befl memorials of Bion’s life. See Bion. Mofchus and Theocritus have by fome critics been fuppofed the fame perfon 5 but there are irrefragable evidences againft it: others will have him as well as Bion to have lived later than Iheoeritus, upon the authority of Suidas : while others again fup- pofe him to have been the fcholar of Bion, and pro¬ bably his fucceffbr in governing the poetic fchool j which, from the elegy of Mofchus, does not feem un¬ likely. Their remains are to be found in all the edi¬ tions of the Poetce Minores. Moschus, a genus of quadrupeds of the order of pecora, having no horns. See Mammalia Index. MOSCOW, the chief province of the empire of Ruflia, deriving its name from the river Mufcova, or Mcfkva, on which the capital is fituated. It was from this duchy that the czars of old took the title of dukes of Mufcovy. The province is bounded on the north by the duchies of Twere, Roflow, Suldal, and Wo- lodimer; on the fouth by Rezan, from which it is fe- parated by the river Occa ; on the eaft by the princi¬ pality of Cachine, and the fame river Occa parting it from Nifi-Novogorod ; and on the well by the duchies of Rzeva, Bielar and Smolenlko. It extends about 200 miles in length, and about ICO in breadth ; and is watered by the Mofkva, Occa, and Clefma/which fall into the Wolga : neverthelefs, the foil is not very fer¬ tile. The air, however, though {harp, is falubrious ; and this confideration, with the advantage of its be¬ ing fituated in the midft of the beil provinces in the empire, induced the czars to make it their chief refi- dence. In the weftern part of Mofcow is a large fo- reft, from whence flows the celebrated river Dnieper, or Boryfthenes, which, traverfing the duchy of Smoienfko, winds in a ferpentine courfe to Ukraine, Lithuania, and Poland. Moscow, the capital of the above province, and till the beginning of the prefent century the metropolis of all Ruffia, is fituated in a fpacicus plain on the banks of the river Mofkva. E. Long. 37. 31. N. Lat. 55. 45. The Ruffian antiquaries differ confiderabb* in their opi¬ nions concerning the firft foundation of Mofcow7; the following relation, Mr Coxe fays, is generally efteem ed by the bell authors the moll probable account. Kiof wTas the metropolis, when George fon of Vla¬ dimir Monomaka afeended in 1154 the Ruffian throne. That monarch, being infulted in a progrefs through his dominions by a rich and powerful nobleman named Stephen Kutchko, put him to death, and con fi tea ted his domains, which confided of the lands now occu¬ pied by the city of Mofcow and the adjacent terri¬ tory. Pleafed with the fituation of the ground lying at the conflux of the Mofkva and Neglina, he laid the foundation of a new towrn, wdiich he called Mofkva from the river of that name. Upon the demife of George, the new towrn wras not negledled by his fon Andrew, who transferred the feat of empire from Kiof to Vladimir j but it fell into fuch decay under his immediate fucceffors, that when Daniel, fon of Alexander Nevfki, received, in the divifion of the em¬ pire, the duchy of Mufcovy as his portion, and fixed his refidence upon the conflux of the Moikva and Ne¬ glina, he may be faid to have new founded the town. The fpot now occupied by the Kremlin was at that time overfpread wuth a thick w;ood and a morafs, in the midft whereof was a fmall ifland containing a tingle wooden hut. Upon this part Daniel conftrucled churches and monafteries, and various buildings, and enclofed it wdth wooden fortifications : he firft affumed the title of duke of Mofcow ; and was fo attached to this fituation, that when in 13°4 fucceeded his brother Andrew Alexandrovich in the great duchy of Vladimir, he did not remove his court to Vladimir, but continued his refidence at Mofcow7, which then be¬ came the capital of the Ruffian dominions. His fuc¬ ceffors followed his example "y among whom his fon Ivan confiderably enlarged the new metropolis, and in 1367 his grandfon Demetrius Ivanovitch Donlki fur- rounded the Kremlin with a brick w7all. Thefe new fortifications, however, were not ftrong enough to pre¬ vent Tamerlane in 1382, from taking the town after a ffiort liege. Being foon evacuated by that defultory conqueror, it again came into the poffeffion of the Ruffians-, but w-as frequently invaded and occupied by the Tartars, who in the 14th and 15th centuries overran the greateft part of Ruffia, and who even maintained a garrifon in Mofcow until they were finally expelled by Ivan Vaffilievitch I. To him Mofcow is indebted for its principal fplendour, and under him it became the principal and moft confiderable city of the Ruffian empire. Mofcow continued the metropolis of Ruffia until the beginning of the 18th century, when, to the great dif- fatisfadlion of the nobility, but with great advantage probably to the ftate, the feat of empire was transferred to Peterfburgh. Notwithftanding the predileftion which Peter con¬ ceived for Peterffiurgh, in which all the fucceeding fovereigns excepting Peter the II. have fixed their re¬ fidence, Mefcow, according to Mr Coxe, is ftill the moft populous city of the Ruffian empire. Here the chief nobles who do not belong to the court refide: they here fupport a larger number of retainers; they love to gratify their tafte for a ruder and more expen- five magnificence in the ancient ftyle of feudal grandeur j and are not, as at Peterfburgh, eclipfed by the fuperior fplendour of the court. 3 K 2 Mofcow Mofcow. M O S / [ 444 ] M O S Mofcow. Mofcow is reprefented as the large ft' town in Eu- ——v—— r0pe . ]ts circumference within the rampart, which enclofes the fuijmrbs, being exabtiy 39 verfts or 26 miles; but it is built in fo draggling and disjointed a manner, that its population in no degree correfponds to its extent. Some Ruffian authors date its inhabi¬ tants at 500,000 fouls, a number evidently exagger¬ ated. Accoiding to a computation, which Mr Coxe i fays may be depended upon, Mofcow contains within the ramparts 250,000 fouls, and in the adjacent vil¬ lages 50,000. The dreets of Mofcow are in gene¬ ral exceedingly long and broad j fome of them are paved ; others, particularly thofe in the fuburbs, are formed with trunks of trees, or are boarded with planks like the door of a room ; wretched hovels are blended with large palaces j cottages of one dory Hand next to the mod fuperb and dately mandons. Many brick ftructures are covered with wooden tops $ fome of the wooden houfes are painted ; others have irons doors and roofs. Numerous churches prefent themfelves in every quarter, built in a peculiar dyle of erchitedure ; fome with domes of copper, others of tin, gilt or painted green, and many roofed with wood. In a word, fome parts of this vad city have the look of a fequedered defert, other quarters of a populous town ; fome of a contemptible village, others of a great capital. Mofcow may be confidered as a town built upon the Afiatic model, but gradually becoming more and more European, and exhibiting in its prefent date a motley mixture of difcordant architefture. It is didributed into the following divifions. 1. The Kremlin. This Hands in the central and highed part of the city ; is of a triangular form, and about two miles in circumfe¬ rence } and is furrounded by high walls of done and brick j which were c-ondnuded in the year 1491, un¬ der the reign of Ivan Vaffilievitch I. It contains the ancient palace of the czars, feveral churches, two convents, the patriarchal palace, the arfenal now in ruins, and one private houfe, which belonged to Boris Godunof before he was railed to the throne. 2. Khi- taigorod, or the Chinefe town, is enclofed on one bde by that wall of the Kremlin wffiich runs from the Molkva to the Neglina j and on the other bde by a brick wall of inferior height. It is much larger than the Kremlin, and contains the univerdty, the printing- houfe and many other public buildings, and all the t-radefmen’s Ihops. The edifices are modly duccoed or white wTadied, and it has the only dreet in Mofcoiv in which the houfjs band clofe to one another without any intervals between them. 3. The Bielgorod, or White T own, which runs quite round the two pre¬ ceding divifions, is fuppoled to derive its name from a white w'all with wffiich it was formerly encloied, and of which fome remains are dill to be feen. 4. Sem- lainogorod, which environs all the three other quarters, takes its denomination from a circular rampart of earth with which it is encompaffed. Thefe twro lad mention¬ ed dividons exhibit a grotefque groupe of churches, con¬ vents, palaces, brick and wooden houfes, and mean ho¬ vels, in no degree fuperior to peafants cottages. 5- The Sioboda, or fuburbs, form a vad exterior circle round all the parts already defcribed, and are inveded with a low Timpart and ditch. Thefe fuburbs contain, befide build¬ ings of all kinds and denominations, corn fields, much open padure, and fome ftnall lakes, which give rife to the Neglina. '1 he river Mojlva, from which the city takes its name, flows through it in a winding channel j but excepting in Spring is only navigable for rafts. It receives the Yauia in the Semlainogorod, and the Neglina at the weflern extremity of the Kremlin; the beds of both thefe lad mentioned rivulets are in fuminer little better than dry channels. The places of divine wordiip at Mofcow are exceed- ingly numerous; including chapels, they amount to above loco : there are 484 public churches, of which 199 are of brick ; and the others of v\ood ; the former are com¬ monly fluccoed or white-wafhed, the latter painted of a red colour. The mod ancient churches of Mofeow are generally fquare buildings, with a cupola and four fmall domes, fome whereof are of copper or iron gilt ; others of tin, either plain or painted green. Thefe cupolas and domes are for the mod part ornamented with croiTes entwined with thin chains or wires. The church of the Holy Trinity, fometimes called the church of Jerufalem, which bands in the Khitaigorod, clofe to the gate leading into the Kremlin, has a kind of high deeple and nine or ten domes ; it was built in the reign of Ivan Vaffilie¬ vitch II. The indde of the churches is modly com- pofed of three parts; that called by the Greeks u^oyuo?, by the Ruffians trapeza ; the body ; and the faniftuary or dirine. Over the door of each church is the portrait of the faint to whom it is dedicated, to which the corri'- mon people pay their homage as they pafs along, by tak¬ ing off their hats, eroding themfelves, and occafionally touching the ground with their heads. The bells, which form no inconfiderable part of public worfhip in this coun¬ try, as the length or fiiortnefs of their peals afeertains the greater or Idler fanffity of the day, are hung in belfrys detached from the church : they do not fwing like our bells ; but are fixed immcveably to the beams, and are rung by a rope tied to the clapper and pulled fidewife. Some of thefe bells are of a dupendous fize ; one in the tower of St Ivan’s church weighs 3551 Ruffian poods, or 127,836 Englifh pounds. It has always been edeem- ed a meritorious a£l of religion to prefent a church with bells ; and the piety of the donor has been meafured by their magnitude. According to this mode of edimation, Boris Godunof, who gave a bell of 288,000 pounds to the cathedral of Mofcow, was the mod pious fovereign of Ruffia, until he was furpaffed by the emprefs Anne, at whofe expence a bell was cad weighing 432,000 pounds, and which exceeded in bignefs every bell in the known world. The height of this enormous bell is 19 feet, its circumference at the bottom 21 yards x 1 inches ; its greated thicknefs 23 inches. The beam to which this vad machine was fadened being accidentally burnt, the bell fell down, and a fragment was broken oft' towards the bottom, which left an aperture large enough to ad¬ mit two perfons abread without dooping. The palace, inhabited by the ancient czars, dands at the extremity of the Kremlin. Part of this palace is old, and remains in the fame date in which it was built un¬ der Ivan Vaffilievitch I. The remainder has been fuc- ceffively added at different intervals, without any plan, and in various dyles of architecture, which has produced a motley pile of building, remarkable for nothing but the incongruity of the feveral druClures. The top is thickly fet with numerous little gilded fpires and globes; and a large portion of the front is decorated with the arms of Mtfcoir. M O S [ 445 ] MGS Mofccw. of all the provinces which compofe the RutTian empire. The apartments are in general exceedingly fmall, ex¬ cepting one llngle room called the council chamber, in which the ancient czars ufed to give audience to foreign ambaffadors, and which has been repeatedly defcribtd by feveral Engl'dh travellers who vifited Mofcow before the imperial refidence wms transferred to Peterihurgh, The room is large and vaulted, and has in the centre an enormous pillar of flone which fupports the ceiling.- In this palace Peter the Great came into the world, in the year 1672. In that part called the treafury are depofited the crown, jewels, and royal robes, ufed at the corona¬ tion of the fovereign, belldes feveral curiofities relative to the hi dory of the country. Of the great number of churches contained in this city, tvro in particular, name¬ ly, that of St Michael and that of the Affumption of the Virgin Mary, are remarkable ; the one for being the place where the fovereigns of Ruffia were formerly in¬ terred, and the other where they are crowned. Thefe edifices, which are fituated in the Kremlin, are both in the fame ilyle of archite&ure ; and their exterior form, though modelled according to the ancient flyle of the country, is not abfolutely inelegant. In the cathedral of St Michael, wdiich contains the tombs of the Ruffian fo¬ vereigns, the bodies are not, as with us, depofited in vaults, or beneath the pavement, but are entombed in raifed fe- pulchres, mollly of brick, in the drape of a coffin, and about two feet in height. When Mr Coxe vifited the cathedral, the moft ancient were covered with palls of red cloth, others of red velvet, and that of Peter II. with gold tiffue, bordered with filver fringe and ermine. Each tomb has at its lower extremity a fmall filver plate, upon which is engraved the name of the deceafed fovereign, and the era of his death. The cathedral of the Affumption of the Virgin Mary, which has long been appropriated to the coronation of the Ruffian fovereigns, is the moft fplendid and magni¬ ficent in Mofcow7. The fereen is in many parts covered with plates of folid filver and gold richly worked. From the centre of the roof hangs an enormous chandelier of maffy filver, weighing 2940 pounds : it was made in England, and was a prefent from Morofof, prime mini- fter and favourite of Alexey Michaelovitch. The facred utenfils and epifcopal vefiments are extraordinarily rich, but the tafte of the wmrkmanfhip is in general rude, and by no means equal to the materials. Many of the paintings which cover the infide w7alls are of a coloffal fize : fome are very ancient, and w7ere executed fo early as in the latter end of the 15th century. It contains, amongfi: the reft a head of the Virgin, fuppofed to have been delineated by St Luke, and greatly celebrated in this country for its fanffity and the power of W'orking miracles. Its face is almoft black j its head is orna¬ mented with a glory of precious ftones, and its hands and body are gilded, which gives it a moft grotefque appearance. It is placed in the fkreen, and enclofed within a large filver covering, which is only taken off on great feftivals, or for the curiofity of ftrangers. In this cathedral are depofited the remains of the Ruffian patriarchs. The place in the Khitaigorod, where the public ar¬ chives are depofited, is a ftrong brick building, contain¬ ing fevcral vaulted apartments with iron floors. Thefe archives, confiding of a numerous colleftion of ftate pa¬ pers, were crowded into boxes and thrown aide like com¬ mon lumber, until the emprefs Catharine ordered them Mofcow. to be revifed and arranged. In conformity to this man- — date, Mr Muller has difpofed them in chronological or¬ der with fuch perfect regularity, that any fingle docu¬ ment may be infpefted with little trouble. They are enclofed in feparate cabinets with glafs doors : thofe re¬ lative to Ruffia are all claffed according to the feveral provinces which they concern 5 and over each cabinet is inferibed the name of the province to which it is appro¬ priated. In the lame manner the manuferipts relative to foreign kingdoms are placed in feparate divifions under the refpedlive titles of Poland, Sweden, England, Francs', Germany, Sec. The univerfity of Mofcow7, sll fituated in the Khitai¬ gorod, was founded, at the iufiance of Count Shuvalof, by the emprefs Elizabeth, for 600 ftudents j who are clothed, boarded, and inftrufted, at the expence of the crown. Befides this inftitution, there are two gymnafia or feminaries for the education of youth, en- dow'ed alfo by Elizabeth j in which are taught, by tw7enty-three profefiors, divinity, claiffics, philofophy, the Greek, Latin, Ruffian, German, French, Italian, and Tartar languages •, hiftory, geography, mathema¬ tics, architecture, fortification, aitillery, algebra, draw¬ ing and painting, mufic, fencing, dancing, reading and writing. Mofbow is the centre of the inland commerce of Ruffia, and particularly connefls the trade between Europe and Siberia. The only navigation to this city is formed by the Molkva, which falling into the Occa near Columna, communicates by means of that river with the Volga. But as the Mofkva is only navigable in fpring upon the melting of the fnows, the principal merchandife is conveyed to and from Mofcow upon fledges in winter. The whole of the retail trade is car¬ ried on in the Khitaigorod •, where, according to a cuf- tom common in Rufiia, as well as in moft kingdoms of the Eaft, all the thops are colleCled together in one fpot. The place is like a kind of fair, confiding of many rowe of low brick buildings ; the interval between them re- fembling alleys. Thefe (hops or booths occupy a con- fiderable fpace *, they do not, as with us, make pait of the houfes inhabited by the tradefmen, but are quite de¬ tached from their dwellings, w'hich for the moft part are at fome dftlance in another quarter of the town. The tradefman comes to his {hop in the morning, remains there all day, and returns home to his family in the af¬ ternoon. Every trade has its feparate department; and they who fell the fame goods have booths adjoining to each other. Furs and fkins form the moft confiderable article of commerce in Mofcow 5 and the {hops which vend tho-fe commodities occupy feveral ftreets. Amongft the curiofities of Mofcow, the market for v the fale of houfe-s is not the leaft remarkable. It is held in a large open fpace in one of the fuburbs ; and exhibits a great variety of ready made houfes, thickly ftrewed upon the ground. The purchafer who wants a dwelling, repairs to this fpot, mentions the number of rooms he requires, examines the different timbers, which are regularly numbered, and bargains for that which fuits him. The houfe is fometimes paid for - on the fpot, and taken away by the purchafer ; or fometimes the vender contrafls to tranfport and ereft it upon the place where it is defigned to ftand. It may appear incredible to affert, that a dwelling may be thus bought v \ M OS [ 446 ] M O S Mofcow. bcuglit, removed, raifed and inhabited, within the fpace v——1 0f a Week ; but we fhali conceive it practicable by con- fidering that thefe ready made houfes are in geneial merely collections of trunks of trees tenoned and mor- tifed at each extremity into one another, fo that nothing more is required than the labour of tranfporting and ad- jufting them. But this fummary mode of building is not always peculiar to the meaner hovels ; as wooden Itructures of very large dimenfions and handfome appear¬ ance are occafionally formed in Ruffia with an expedi¬ tion alraoft inconceivable to the inhabitants of other Countries. A remarkable inftance of this defpatch was difplayed the lr«ft time the emprefs came to Mofcow. Her majefly propoled to refide in the manfion of Prince Galitzin, which is efieemed the completed: edifice in this city ; but as it was not fufficiently fpacioufr for her re¬ ception, a temporary addition of wood, larger than the original houfe, and containing a magnificent fuite of a- partments, was begun and finifhed within the fpace of fix weeks. This meteor-like fabric was fo handfome and commodious, that the materials which were taken down at her majefty’s departure, were to be re-conftruc- ted as a kind of imperial villa upon an eminence near the city. Mr Coxe mentions an admirable police in this city for preventing riots, or for flopping the con- courfe of people in cafe of fires, which are very frequent and violent in thofe parts, where the houfes are moflly of w'ood, and the flreets are laid with timber. At the entrance of each ftreet there is a chevaux-de-frize gate, one end whereof turns upon a pivot, and the other rolls upon a wheel ; near it is a centry box in which a man is occafionally ffationed. In times of riot or fire the centinel fliuts the gate, and all puffage is immediate¬ ly flopped. Among the public inflitutions of Mofcow, the mod remarkable is the Foundling Hofpital, endowed in 1764 by the emprefs Catharine, and fupparted 'by voluntary contributions and legacies, and other charitable gifts. In order to encourage donations, her majedy granted to all benefactors fome valuable privileges, and a certain degree of rank in proportion to the extent of their libe¬ rality. Among the principal contributors mud be men¬ tioned a private merchant named Dimictof a perfon of great wealth, who has expended in favour of this chari¬ ty-abovre xco,oool. The hofpital, which is fituated in a very airy part of the town upon a gentle afcent near the river Mofkva, is an itnmenfe pile of building of a quadrangular fhape, part of which was only finifhed when Mr Coxe (whofe account we are tranfcribing) wTas at Mofcowu It contained, at that time, three thoufand foundlings *, and, when the whole is completed, will re¬ ceive eight thoufand. The children are brought to the porter’s lodge, and admitted without any recommenda¬ tion. The rooms are lofty and large •, the dormitories, which are feparate from the work rooms, are very airy, and the beds are not crowded : each foundling, even each infant, has a feparate bed. The children remain two years in the nurfery, when they are admitted into the lowefl clafs ; the boys and girls continue together until they are feven years of age, at which time they are feparated. They all learn to read, write, and call ac¬ counts. The boys are taught to knit •, they occafionally card hemp, flax, and wool, and work in the different manufadlures. The girls learn to knit, Ret, and all kinds of needle work j they foin end weave lace they • 2 are employed in cookery, baking, and houfe woik of all Mofelle,' forts. At the age of fourteen the foundlings enter into Mo^es‘ the firfl clals; when they have the liberty of choofing v " any particular branch of trade 5 and for this purpofe there are different fpecies of manufactures eflablifhed in the hofpital, of which the principal are embroidery, filk (lockings, ribbands, lace, gloves, buttons, and cabi¬ net work. A feparate room is appropriated to each trade. Some boys and girls are inftrudled in the French ami German languages, and a few boys in the Latin tongue 5 others learn mufic, drawfing, and dancing. MOSELLE, a river of Germany, which rifes in the mountains of Vofges in Lorraine, and falls into the Rhine at Coblentz. Moselle is alfo the name of a department of France, which includes part of the late province of Lorraine. MOSES, the fon of Amram and Jochebed, was born in the year 1571 before Chrift. Pharaoh king of Egypt, perceiving that the Hebrews were become a formidable nation, iffued forth an edidt commanding all the male children to be put to death. To avoid this cruel edidl, Jochebed, the mother of Mofes, having concealed her fon for three months, at length made an ark or balket of bulruflies, daubed it with pitch, laid the child in it, and expofed him on the banks of the Nile. Thermuthis the king’s daughter, who happen¬ ed to be walking by the river’s fide, perceived the floating cradle, commanded it to be brought to her, and (truck with the beauty of the child, determined to preferve his life. In three years afterwards the princefs adopted him for her own (bn, called his name Mofes, and caufed him be diligently inltrudled in all the learning of the Egyptians. But his father and mother, to whom he was reftored by a fortunate acci¬ dent, were at Kill greater pains to teach him the hi- (lory and religion of his fathers. Many things are related by hiftorians concerning the firft period pf Mo- fes’s life, which are not to be found in the Old Te- ftament. According to Jofephus and Eufebius, he made war on the Ethiopians, and completely defeated them. They add, that the city Saba, in which the enemy had been forced to take refuge, was betrayed into his hands by the king’s daughter, who became deeply enamoured of him, when (he beheld from the top of the walls his valorous exploits at the head of the Egyptian army. But as the truth of this expedi¬ tion is more than doubtful, we (hall therefore confine ourfelves to the narrative of facred writ, which com¬ mences at the fortieth year of Mofes’s life. He then left the court of Pharaoh, and went to vifit his coun¬ trymen the Hebrews, who groaned under the ill ufage and oppreflion of their unfeeling mailers. Having perceived an Egyptian fmiting a Hebrew, he flew the Egyptian, and buried him in the fand. But he was obliged, in confequence of this murder, to fly into the land of Midian, where he married Zipporah, daugh¬ ter of the pried Jethro, by whom he had two fons, Gerfhom and Eliezar. Here he lived 40 years 5 dur¬ ing which time his employment was to tend the flocks of his father-in-law. Having one day led his flock towards Mount Horeb, God appeared to him in the midd of a bufh which burned with fire but was not confumed, and commanded him to go and deliver his brethren from their bondage. Mofes at fird re- fufed to go $ but was at length prevailed on by two mi- „ racks M O vS [ 447 J M O S racles which the Almighty wrought for his convic¬ tion. Upon his return to Egypt, he, together with his brother Aaron, went to the court of Pharaoh, and told him that God commanded him to let the He¬ brews go to offer facrifice# in the defert of Arabia. But the impious monarch difregarded this command, and caufed the labour of the Tfraelites to be doubled. The meffengers of the Almighty again returned to the king, and wrought a miracle in his fight, that they might move his heart, and induce him to let the people depart. Aaron having call; down his miraculous rod, it was immediately converted into a ferpent: but the fame thing being performed by the magicians, the king’s heart was hardened more and more ; and his ©bftinacy at laft drew down the judgements of the Al¬ mighty on his kingdom, which was afflidted with ten dreadful plagues. The firfl was the changing of the waters of the Nile and of all the' rivers into blood, fo that the Egyptians died of thirft. In confequemce of the fecond plague, the land was covered with innumer¬ able fwarms of frogs, which entered even into Pha¬ raoh’s palace. By the third plague, the dufl was con¬ verted into lice, which cruelly tormented both man and bead. The fourth plague was a multitude of de- ftrudlive flies which fpread throughout Egypt, £hd in- fefted the whole country. The fifth was a fudden pe- ftilence, which deflroyed all the cattle of the Egypti¬ ans, without injuring thofe of the Ifraelites. The fixth produced numberlefs ulcers and fiery boils upon man and upon bead. The feventh was a dreadful dorm of hail, accompanied with thunder and lightning, which dedroyed every thing that was in the field, whether man or bead, and (pared only the land of Gofhen, where the children of Ifrael dwelt. By the eighth plague fwarms of locuds were brought into the country, which devoured every green herb, the fruit of the trees and the produce of the harved. By the ninth plague thick darknefs covered all the land of Egypt, except the dwellings of the children of Ifrael. The tenth and lad plague was the death of the firdborn in Egypt, who w'ere all in one night cut off by the dedroying an¬ gel, from the firdborn of the king to the firdborn of the Haves and of the cattle. This dreadful calamity moved the heart of the hardened Pharaoh, and he at length confented to allow the people of Ifrael to depart from his kingdom. Profane authors who have fpoken of Mofes, feem to have been in part acquainted with thefe mighty wonders. That he performed miracles, mud have been allowed by many, by whom he was confidered as a fa¬ mous magician ; and he could fcarcely appear in any other light to men who did not acknowledge him for the meffenger of the Almighty. Bsth Diodorus and HerodotOs mention the didreffed date to which Egypt was reduced by thefe terrible calamities. The Hebrews, amounting to the number of 600,000 men, without reckoning women and children, left Egypt on the 15th day of the month Nifan, which, in memory of this de¬ liverance, was thenceforth reckoned the fird month of their year. Scarcely had they reached the drore of the Red fea when Pharaoh with a powerful army fct out in purfuit of them. On this occafion Mofes dretched forth his rod upon the fea ; and the waters thereof be¬ ing divided, remained fufpended on both fides till the Hebrews paffed through dry-footed,--The Egyptians determined to follow the fame courfe ; but God caufed Mofes. a violent wind to blow, which brought back the wa- ¥~“" ters to their bed, and the whole army of Pharaoh pe- riihed in the waves. After the miraculous paffage of the Red fea, the army proceeded towards Mount Sinai, and arrived at Marah, where the waters were bitter; but Mofes, by cading a tree into them, rendered them fit for drinking. Their tenth encampment was at Rephidim ; where Mo¬ fes drew water from the rock in Horeb, by fruiting it wnth his rod. Here likewife Amalek attacked Il'rael. While Jodiua fought againd the Amalekites, Mofes dood on the top of a hill, and lifted up his hands ; in confequence of which the Ifraeiites prevailed, and cut their enemies in pieces. They at length arrived at the- foot of Mount Sinai on the third day of the ninth month after their departure from Egypt. Mofes hav¬ ing afcended feveral times into the mount, received the law from the hand of God himfelf in the midd of thun¬ ders and lightnings, and concluded the famous cove¬ nant betwixt the Lord and the children of Ifrael. When he defcended from Sinai, he found that the peo¬ ple had fallen into the idolatrous wordiip of the golden calf. ( The meffenger of God, diocked at fuch ingrati¬ tude, broke in pieces the tables of the law winch he carried in his hands, and put 23,000 of the tranfgref- fors to the (word. He afterwards reafcended into the mountain, and there obtained new tables of done on which the law was infcribed. When Mofes defcended, his face drone fo that the Ifraelites dared not to come nigh unto him, and he was obliged to cover it with a veil. The Ifraelites were here employed in condru&ing the tabernacle according to a pattern diown them by God. It was erefted and confecrated at the foot of the Mount Sinai on the fird day of the fird month of the fecond year after their departure from Egypt ^ and it ferved the Ifraelites indead of a temple till the time of Solomon, who built a houfe for the God of his fathers after a model diown him by David. Mofes having dedicated the tabernacle, he confecrat¬ ed Aaron and his fons to be its miniders, and appoint¬ ed the Levites to its fervice. He likewife gave various commandments concerning the wordiip of God and the political government of the Jews. This was a theocracy in the full extent of the word. God him¬ felf governed them immediately by means of his fer- vant Mofes, whom he had chofen to be the interpret¬ er of his will to the people ; and he required all the honours belonging to their king to be paid unto himfelf. He dwelt in his tabernacle, which was fituated in the middle of the camp, like a monarch in his palace. He gave anfwers to thofe who confulted him, and himfelf denounced punidiments againd the tranfgreffors of his laws. This properly was the time of the theocracy, taken in its full extent \ for God was not only conddered as the divinity who was the object of their religious wordiip, but as the fovereign to whom the honours of fupreme majedy were paid.., The cafe was nearly the fame under Jodiua j who, being filled with the fpirit of Mofes, undertook nothing without confulting God. Every meafure, both of the leader and of the people, was regulated by the direftion of the Almighty, who rewarded their fidelity and obedience by a feries of miracles, vidories, and fucceffes. After Mofes had regulated every thing regarding the civil adminiflva- M O S [ 44S ] M O S •Mofe.s •J'loflieim. tion, and the marching of the troops, he led the Ifrael- ites to the confines of Canaan, to the foot of Mount Nebo. Here the Lord commanded him to afcend into the mountain •, whence he {bowed him the pro- mifed land, whereinto he was not permitted to enter. He immediately after yielded up the ghoft, without Jicknefs or pain, in the 120th year of his age, and I/}51 years before Jefus Chriif. Mofes is inconteflably the author of the firft five books of the Old Teftament, which go by the name of the Pentateuch ; and which are acknowledged to be infpired, by the Jew's and by ChriIlians of every per- fuafion. Some, however, have denied that Mofes was the author of thefe books •, and have founded their opi¬ nion on this, that he always fpeaks of himfelf in the third perfon. But this manner of writing is by no means peculiar to Mofes: it occurs alfo in feveral ancient hiftorians; fuch as Xenophon, Caefar, Jofepbus, &c. who poffeffed of more modefty or good fenfe than fome mo¬ dern hiftorians, whofe egotifm is altogether difgufting, have not like them left to pofterity a fpedlacle of ridicu¬ lous vanity and felf-conceit. Alter all, it is proper to ob- ierve, that profane authors have related many falfehoods and abfurdities concerning Mofes, and concerning the origin and the religion of the Jew^s, with which they w’ere hut little acquainted. Plutarch, in his book concerning Ills and Ofiris, fays that Judaeus and Hierofolytnus were brothers, and defeended from Typhon ; and that the former gave his name to the country and its inha¬ bitants, and the latter to the capital city. Others fay that they came from Mount Ida in Phrygia. Strabo is the only author who fpeaks any thing like reafon and truth concerning them •, though he too fays that they were defeended from the Egyptians, and confiders Mo¬ fes their legifiator as an Egyptian prieft. He acknowT- ledges, how’ever, that they were a people firidlly juft and fincerely religious. Other authors by whom they are mentioned, feem not to have had the fmalleft ac¬ quaintance either with their law^s or their worfhip. They frequently confound them with the Chriftians, as is the cafe with Juvenal, Tacitus, and Quintilian, MOSHEIM, John Laurence, an illuftrious Ger¬ man divine, wras born in 1695, a n°hle family, which might feem to open to his ambition a fair path to civil promotion ; but his zeal for the interefis of religion, his thirft after knowledge, and particularly his tafte for fa- cred literature, induced him to confecrate his taleats to the fervice of the church. The German univerfities loaded him with literary honours; the king of Den¬ mark invited him to fettle at Copenhagen ; the duke of Brunfwuck called him thence to Helmftadt, where he filled the academical chair of divinity j was honoured with the chara&er of ecclefiaftical counfellor to the court *, and prefided over the feminaries of learning in the duchy of Wolfenhuttle and the principality of Blackenburgh. When a defign w7as formed of giving an uncommon degree of luftre to the univerfities of Got¬ tingen, by filling it with men of the firft rank in let¬ ters, Dr Moftieim was deemed wTorthy to appear at the head of it, in quality of chancellor ; and here he died, in 1755, univerfally lamented. In depth of judgement, in extent of learning, in purity of tafte, in the powers of eloquence, and in a laborious application to all the various branches of erudition and philofophy, he had certainly very few fuperiors. His Latin tranflation of 3 Cudworth’s Intelle&ual Syftem, enriched with large Mofkito, annotations, difeovered a profound acquaintance with Mofque. ancient learning and philofophy. His illuftrations of v the Scriptures, his labours in defence of Chriftianhy, and the light he caft upon religion and philofophy, ap¬ pear in many volumes of facred and profane literature; and the Ecclefiaftical Hiftory, from the birth of Chrift to the beginning of the 18th century, is unqueftionahly the heft that is extant. This w^ork, written in Latin, has been tranflated into Englifh, and accompanied until notes and chronological tables by Archibald Mac¬ laine, D. D. and from this tranflator’s preface to the fecond edition, 1758, in 5 vols. 8vo, this fliort account is taken. MOSKITO, or Mosquito country, is fituated in North America, betwreen 85 and 88 degrees of weft longitude, and between 13 and 15 degrees of north la¬ titude ; having the north fea on the north and eaft, Nicaragua on the fouth, and Honduras on the weft ; and indeed the Spaniards efteera it a part of the princi¬ pality of Honduras, though they have no colonies in the Molkito country. When the Spaniards firft invad¬ ed this part oL-Mexico, they maflacred the greateft part of the natives, which gave thofe that efcaped into the inacceftible part of the country an infuperable averfion to them ; and they have always appeared ready to join any Europeans that come upon their coafts againft the Spaniards, and particularly the Englifh, who fre¬ quently come hither ;.and the Mofkito men being ex¬ cellent markfmen, the Englifh employ them in ftriking the manati fifh, &c. and many of the Mofkito In¬ dians come to Jamaica, and fail with the Englifh in their voyages. Thefe people are fo fituated between morafles and inacceflible mountains, and a coaft full of rocks and fhoals, that no attempts againft them by the Spa¬ niards, whom they mortally hate, could ever fucceed. Neverthelefs, they are a mild inoffenfive people, of great morality and virtue, and will never truft a man who has once deceived them. They have fo great a veneration towards the Englifh, that they have fpon- taneoufly put themfelves and their lands under the prote&ion and dominion of the crown of England. This was firft done when the duke of Albermarle was governor of Jamaica, and the king of the Mofkitos re¬ ceived a commiftion from his grace, under the feal of that illand ; and fince this time they have been fteady in their alliance wdth the Englifh. But in the year 1786, this country wras ceded to Spain, and confequent- 1} became a Spanifli province. MOSQUE, a temple or place of religious worfhip among the Mahometans. All mofques are fquare buildings, generally conftruc- ted of ftone. Before the chief gate there is a fquare court paved with white marble *, and low galleries round it,? whofe roof is fupported by marble pillars. In thefe galleries the Turks wafh themfelves before they go into the mofque. In each mofque there is a great number of lamps ; and between thefe hang many cryftal rings, oftriches eggs, and other curiofities, which, when the lamps are lighted, make a fine fiiow. As it is not lawful to enter the mofque with ftockings or fhoes on, the pavements are covered with pieces of fluff few- ed together, each being wide enough to hold a row of men kneeling, fitting, or proftrate. The women are \ M OS [ 449 ] M O S Mofs. not allowed to enter the mofque, but Ray in the porches v.ilhout. About every molque there are Rx high towers, called minarets, each of which has three little open galleries, one above another : thefe towers, as well as the mofques, are covered with lead, and adorned with gilding and other ornaments ; and from thence, inRead of a bell, the people are called to prayers by certain oRicers appointed for that purpofe. MoR of the mofques have a kind of hofpital belonging to them, in which travellers of what religion foever, are entertained three days. Each mofque has alfo a place called tarbe, which is the burying-place of its founders; within which is a tomb fix or ieven feet long, covered with green velvet or fatin \ at the ends of which are two tapers, and round it feveral feats for thofe who read the Koran and pray for the fouls of the decealed. MOSS, or Mosses. See Musci, Botany Index. Moss on Trees, in gardening. The growth of large quantities of mofs on any kind of tree is a dillemper of very bad confequence to it* increafe, and much damages the fruit of the trees of our orchards. The prefent remedy is the feraping it off from the body and large branches by means ot a kind of wood¬ en knife that will not hurt the bark, or with a piece of rough hair cloth, which does very wTell after a foak- ing rain. But the mofi effeflual cure is the taking away the caufe. This is to be done by draining off all the fuperfluous moiRure from about the roots of the trees, and may be greatly guarded againff in the firfi planting of the trees, by not fetting them too deep. If trees Rand too thick in a cold ground, they will always be covered with mofs ; and the beR way to remedy the fault is to thin them. When the young branches of trees are covered wutb a long and lhaggy mofs, it wrill utterly ruin them j and there is no way to prevent it but to cut off the branches near the trunk, and even to take off the head of the tree if ne- ceffary ; for it will fprout again ; and if the caufe be in the mean time removed by thinning the plantation, or draining the land and flirring the ground well, the young ffroots will continue clear after this. If the trees be covered with mofs in confequence of the ground’s being too dry, as this wull happen from either extreme in the foil, then the proper remedy is the laying mud from the bottom of a pond or river pretty thick about the root, opening the ground to fome diRance and depth to let it in 5 this wall not only cool it, and prevent its giving growth to any great quantity of mofs, but it will alfo prevent the other great mifehief which fruit-trees are liable to in dry grounds, which is the falling off of the fruit too early. The moffes which cover the trunks of trees, as they always are freRieR and moR vigorous on the fide which points to the north, if only produced on that, ferve to preferve the trunk of the tree from the feverity of the north winds, and direct the traveller in his way, by al¬ ways plainly pointing out that part of the compafs. Moss is alfo a name given to boggy ground in many parts of England, otherwife called a fen and bog. In many of tbefe grounds, as well in England and Ireland as in other parts of the world, there are found vaff numbers of trees Randing with their flumps ere, its own fubftance. It is vain to allege that any he-See. terogeneous matter floating in the air, or that the air itfelf, may have been hurried into the mafs by the ac¬ tion of the fire, and that by this additional matter the weight was increafed j for it is known experimentally, that if a quantity of metal be even hermetically fecur- ed within a veffel of glafs to keep off the air and all foreign matter, and the veffel be placed for fome time in a ftrong fire, it wall exhibit the fame effeft. “ I have feen the operation performed (fays Mr Jouesf) on tvvof E/fay on' ounces of pewter filing?, hermetically fealed up in Florence flafk, which in trvo hours gained 5 5 grains, 0f Natural that is nearly one 17th. Had it remained longer in Philofophy, the fire, it might probably have gained fo met lung more •, as, in one of Mr Boyle’s experiments, fteel filings were found to have gained a fourth. “ Of accounting for thefe effedls there are but two poflible ways : 1. If the quantity of matter be the fame, or, in the cafe of calcination, be fomewhat lefs, after being expofed to the aflion of the fire, while the gravity of the whole is become greater j then does it follow, that gravity is not according to the5* quantity of matter, and of courfe is not one of its properties. 2. If there be an increafe of the mafs, it can be imputed to nothing but the matter of light or fire entangled in its paffage through the fubftance, and fo fixed in its pores, or combined with its folid parts, as to gravitate together with it. Yet it is cer¬ tain, from the phenomenon of light darting from the fun, that this elementary fire does not gravitate till it is fixed in metal, or fome other folid fubftance.—-Here then vve have a fluid which gravitates, if it gravitate at all, in fome cafes and not in others. So that which way foever the experiment be interpreted, we are forced to conclude that elementary or folar fire may be the caufe of the law of gravitation.” That it is likewife in many cafes the caufe of repui¬ fion, is known to every one who has feen it fufe metals, and convert water and mercury into elaftic vapour. But there is a faft recorded by Mr Jones, which feems to evince that the fame fluid, which as it ifllies from the fun exhibits itfelf in the form of light'and heat, is in other circinuftances converted into a very fine air. Motion. MOT r 454 ] or cold aether, which rallies very forcibly towards the material body of that luminary. “ As a fequel to what has been obferved (fays he) concerning the impregnation of folid fubllances with the particles of fire, give me leave to fubjoin an experiment of M. de Stair. He tells us, that upon heating red lead in a glafs, whence the air was exhaufted by the rays of the fun colle£led in a burning glafs, the vefl'el in which the faid red lead was contained burft in pieces with a great noife. Now, as all explofions in general mull be afcribed either to an admiffion of the air into a rarefied fpace, or to what is called the generation of it} and as air wTas not admit¬ ted upon this occafion, it muft have been generated from the calx within the veffel; and certainly was fo, becaufe Dr Hales has made it appear that this fub- flance, like crude tartar and many others, will yield a confiderable quantity of air in diflillation. What went into the metal therefore as jire, came out of it again as air; which in a manner forces upon us con- clufions of inellimable value in natural philofophy, and fuch as may carry us very far into the mofl lublime part of it.” One of the conclufions which the ingenious author thinks thus forced upon us, is, that the motion of the planets round the fun, as well as round their own axes, is to be attributed to the continual agency of this fluid, under its two forms of elementary fire and pure air. As fire and light, we know that it ruihes with inconceiv¬ able rapidity from the body of the fun, and penetrates every corporeal fubftance, exerting itfelf fometimes with fuch force as nothing wdth vrhich we are acquainted is able to refift. If it be indeed a faft, that this ele¬ mentary fire, or principle of light and heat, afterwards cools, and becomes pure air, there cannot be a doubt, but that under fuch a form it will return with great force,- though furely in a fomewhat different direction, towards the fun, forming a vortex, in which the planets are included, and by wdiich they muft of courfe be car¬ ried round the centre. Mr Jones does not fuppofe that the air into which the principle of light and heat is converted, is of fo grofs a nature as our atmofphere. He rather confiders it as cool aether, juft as he repre- ients light to be aether heated : but he maintains, that this aether, in its aerial form, though not fit for human refpiration, is a better pabulum of fire than the air which we breathe. This theory is exceedingly plaufible 5 and the au¬ thor fupports it by many experiments. He has not, indeed, convinced us that the folar light is converted or convertible into pure air ; but he has, by juft reafon- ing from undoubted fadfs, proved that the vvhole ex- panfe of heaven, as far as comets wander, is filled not only with light, which is indeed obvious to the fenfes, but alfo with a fluid, which, whatever it may be called, lupplies the place of the air in feeding the fire of thefe ignited bodies. That the motion of the heavenly bodies fhould re- enae of fuch fult from the perpetual agency of fuch a medium, ap- an aether, pears us a much more rational hypothefis, than that does'not * which makes them adf upon each other at immfenfe di- completely fiances through empty fpace. But the hypothefis is folve the by no means fo complete a folution of the phenomena phenome- £S foirie of its fond admirers pretend to think it. This fluid, whether called aether, heat, light, or air, is ftill 9 The exift- MOT and the queftion returns upon him who Motion, imagines that it is fuiiicient to account for gravitation, y repulfion, magnetifm, and cohefion, &c. “ What moves the fluid itfelf, or makes the parts of which it is compofed cohere together ?” However widely it may be extended, it is incapable of pofitive infinity; < and therefore may be divided into parts feparated from each other ; fo that it muft be held together by a fo¬ reign force, as well as a ball of lead, or a piece of wax. As matter is not effentially adlive, the motion of this ffither, under both its forms, muft likewife be confidered as an effeft, for which we do not think that any pro¬ pelling power in the body of the fun can be admitted as a fufficient caufe. For hour comes the fun to poficfs that power, and what makes the fluid return to the fun ? We have no notion of power, in the proper fenfe of the word, but as intelligence and volition ; and, by the pious and excellent author of the EiTay on the Firlt Principles of Natural Philofophy, we are certain that the fun was never fuppofed to be intelligent. Biftiop Berkeley, who admits of light or aether asIt;s^ere- the inftrumental caufe of all corporeal motion, getsridforeby of this difficulty, by fuppofing, hwith the ancients, that1'ome ft'?- this powerful agent is animated. “ According to thepofecl to be Pythagoreans and Piatonifts (fays his Lordihip *),“^y^ed' there is a life infufed throughout all things; the ttvo N° 277. mgsv, wp Tixnx.cv, an intellectual and artificial fire, an inward principle, animal fpirit, or natural life, produ¬ cing and forming within, as art doth without 5 regulat¬ ing, moderating, and reconciling the various motions, qualities, and parts of this mundane fyftem. By virtue of this life, the great maffes are held together in their ordinary courfes, as well as the minuteft particles go¬ verned in their natural motions, according to the feveral laws of attradlion, gravity, electricity, magnetifm, and the reft, ft is this gives inftinds, teaches the fpider her web, and the bee her honey. This it is that directs the roots of plants to draw forth juices from the earth, and the leaves and cortical veffeis to feparatc and attract fuch particles of air and elementary fire as fuit their refpedlive natures.” This life or animal fpirit feems to be the fame thing which Cudworth calls plaftic nature, and which has been confidered elfewhere. (See Mktaphysics, N° 200, and Plastic Nature). We fhall thereforeMiimifs it at prefent, with juft admitting the truth of the bi- ftiop’s pofition, “ that if nature be fuppofed the life of the world, animated by one foul, compacted into one frame, and directed or governed in all its parts by one fupreme and diftimt intelligence, this fyltem can¬ not be accufed of atheifm, though perhaps it may of mlftake or impropriety.” A theory of motion fomewhat fimilar to that of A new tj,e. Berkeley, though in feveral refpefts different from it,ory oi mo- was not many years ago Hated with great clearnefs,d°n> and fupported with much ingenuity, in An Effay on the Powers and Mechanifm of Nature, intended to improve, and more firmly eftablifh, the grand fuperftructure of the Newtonian fyftem. Mr Young, the author of the effay, admits with moft other philofophers of the prefent age, that body is compofed of atoms which are impene¬ trable to each oriter, and may be denominated folid. Thefe atoms, however, he does not confider as primary and Ample elements, incapable of refolution into prin¬ ciples ; 4 M O T [ 455 ] M O T Motion. by fuppof- ing that a fubftanee effentiaily acftive per¬ vades the univerfe- 13 Proofs of the exift- ence of fuchtt chan^ a iubftance. - cipies; but thinks that they are formed by certain mo¬ tions of the parts of a fubftance immaterial and effen¬ tiaily aflive. As this notion is uncommon, and the offspring of a vigorous mind, we (hall confider it more attentively under the article Plastic Nature. It is mentioned at prefent as a neceffary introduction to the author’s theory of motion, of which he attributes both the origin and the continuance to the agency of this elementary fubflance pervading the moll folid atoms of the denfeft bodies. Of every body and every atom he holds the conilituent principles to be effentiaily active : but thofe principles a£1 in fuch a manner as to counterbalance each other j fo that the atom or bc^ly confidered as a whole is inert, unlefs in fo far as it refills the compreifion or fepara- tion of its parts. No body or atom can of itfelf begin to move, or continue in motion for a fingle inftant : but being pervious to the adlive fubllance, and coalef- cing with it, that fubftance, when it enters any body, it carries it along with it, till, meeting feme other body in the way, either the whole of the aflive fubftance lodged in the former body paffes into the obftacle, in which cafe the impelling body inftantly ceafes to move : or elfe part of that fubftance pafi'es into the ob¬ ftacle, and part remains in the impelling body ; and in this cafe'both bodies are moved with a velocity in pro¬ portion to the quantity of matter which each contains, combined with the quantity of aClive fubftance by which they are refpeclively penetrated. In order to pave the way for his proof of the exift- ence of one uniform aflive fubftance, he obferves, that e being an effentially conftituent part of m<3- tion, and change implying aflion, it follows that all motion implies ait ion, and depends on an affiive caufe. Every motion (he continues*) has a beginning, a mid¬ dle, and an end. The beginning is a change from reft to motion ; the middle is a continuance in motion ; the end is a change from motion to reft.” He then proceeds to fttow', that the beginning of motion is by an aflion begun ; the continuance of motion by an aflion continued 5 and the end of motion by a ceffation of a£lion. “ The firft of thefe pofitions is admitted by every body. That the continuance of motion is by an a£Hon continued, will be proved, if it fhall be Ihown that the continuance of a motion is nothing different from its beginning, in regard to any point of time affumed in the continued motion. Now the beginning of mo¬ tion (he fays) confifts in the beginning of change of place. But if any given portions of time and of fpace are affumed, a body beginning to move in the com¬ mencement of that time, and in the firft; portion of the fpace affumed, then and there begins that parti¬ cular motion : and whether before the body began to move in that fpace it was moving in other fpaces and times, has no relation to the motion in queftion ; for this being in a fpace and time altogether diftinfl, is a diftinfft motion from any which might have preceded it immediately, as much as from a motion which pre¬ ceded it a thoufand years before. It is therefore a new motion begun ; and fo it may be faid of every affumable point in the continued motion. The term continued ferves only to conneft any two diftinft motions, the end of one with the beginning of the other ; but does not d.eftroy their ciftindnefs,” ->■ He then proceeds to combat, which he does very Motion- fuccefsfully, the arguments by which the more rigid w‘~v ' Newtonians endeavour to prove that a body in mo¬ tion will continue to be moved by its own inertia, till ftopt by feme oppofite force. Having done this, he eftablilhes the contrary conclufion by the following fyilogiims : “ I. Whatever requires an aclive force to ftop its motion, is difpofed to move. Every body in motion requires an adlive force to ftop its motion : Therefore every body in motion is difpofed to move. “ IE Whatever is difpofed to motion is poffeffed of adlion. But a body in motion is difpofed to continue in motion : Therefore a body in motion is poffeffed of adlion. Thus it appears, that the middle part of any motion is action equally with the beginning. “ The laft part of motion is its termination. It is admitted that all motion is terminated by an a£lion Contrary to the direction of the motion. _ It is ad¬ mitted, too, that the moving body aBs at the time its motion is deftroyed. Thus the beginnirig and the end oi any uniform motion are confefied to be actions; but all the intermediate continuation which connects the be¬ ginning with the end is denied to be aftion. What can be more unaccountable than this denial ? Is it not more conlonant to reafon and analogy, to aferibe to the whole continued motion one uninterrupted aftion ? Such a conclufion true philofophy, we think, requires us to make. “ To move or a£l, is an attribute which cannot be conceived to exift without a fubftance. The aclion of a body in motion is indeed the attribute of the body, and the body relatively to its owm motion is truly a fubftance, having the attribute or quality of motion. But the body being a name fignifying a combination of certain ideas, which ideas are found to arife from aclion (fee Plastic Nature), that adlion which is pro- duclive of thofe ideas whofe combination we denomi¬ nate body, is of the nature of an attribute fo long as it is confidered as conftituted of adtion.—To this attribute we muft neceffarily afiign its fubftance. The adlions which conftitute body muft be aftions of fomething, or there muft be fomething which a£ls. What then is this ACTIVE SOMETHING from whofe agency we get the idea of body, or whofe aftions conftitute body ? Is it not fufficient that it is fomething aftive ? A name might be furely given it, but a name would not render the idea more clear. Its defeript/on may be found in every fen- fation ; it is colour to the eye, flavour to the palate, odour to the nofe, found to the ear, and feeling to the touch ; for ail our fenfations are but fo many ways in which this active something is manifefted to us. A fubftratum of folidity philofophers have imagined to exift, and have in vain fought to find. Our active substance is the fubftratum fo long fought for, and With fo little fuccefs. We give it a quality by which it may be perceived ; it acts. One modification of achon produces matter, another generates motion. Thefe modifications of adftion are modes of the adive fubftance, whofe prefence is adion : matter and motion conftitute- MOT [ 456 ] MOT .'4 . "Which is unintelli¬ gent, Motim. conftir.ute the whole of nature. There is therefore ~ V “* THROUGHOUT nature an active substance, the CONSTITUENT ESSENCE OF MATTER, AND IMMEDIATE NATURAL AGENT IN ALL EFf ECTS.” By an argument which we do not think very con- cluhve, our author determines this a£bve fubfiance to be unintelligent. li In our feniations individually, not discovering (fays he) the traces, not feeing the chara61ers of intelligence, but finding only a£lion pre- fent and neceffitry, our inferences go no farther than our obfervations warrant us to do j and we conclude in all thefe things an a&ion only, and that adlion un¬ intelligent.1’ Having given our opinion of real agency elfewherfi (fee Metaphysics, IN 118.), we lliall not here flop to examine this reafoning.—We may however alk, Whether all our fenfations individually be not excited for a certain end? If they be, accord¬ ing to our author’s mode of arguing in another place, the exciting agent fliould be an intelligent being. By this we are far from meaning to deny the reality of h fecondary or inftrumental caufe ol fenfation which is deilitute of intelligence. We are ftrongly inclined to think that there is fuch a caufe, though our per- fuafion refults not from this argument of our author’s. In our opinion, he reafons better when he fays, “ that a fubordinate agent conftrufted as the matter crea¬ tion, inveftedwith perpetual laws, and producing agree¬ ably to thofe laws all the forms of being, through the varieties of which inferior intelligences can, by pro- greflive fteps, arrive ultimately at the fupreme con¬ triver, is more agreeable to our ideas of dignity, and tends to imprefs us with more exalted fenti- ments, than viewing the Deity diredlly in all the in¬ dividual impreffions we receive, divided in the infi¬ nity of particular events, and unawful, by his conti¬ nual prefence in operations to our view imignificant and 15 mean.” and nei- xhis aftive fubftance, or fecondary caufe, our au- nor^nind^ th°r concludes to be neither matter nor mind. Mat¬ ter (fays he) is a being, as a whole quiefeent and in- adlive, but conftituted of adlive parts, which refill fe- paration, or cohere, giving what is ufually denomi¬ nated folidity to the mafs. Mind is a fubftance which thinks. A being which (hould anfwer to neither of thefe definitions, would be neither matter not mind ; but an immaterial, and, if I may fo fay, an immental fubftance.” Such is the aaive fubftance of Mr Young, which, confidered as the caufe or motion, Teems not 1.0 differ greatly from the plajhc nature, hylarchical prin¬ ciple, or vis genitnx, of others. Ihe manner in which v it operates is indeed much more minutely detailed by our author than by any other philoiopher, ancient, or modern, with vvhofe writings we have any acquaint¬ ance, ^ 1 “ Every thing (he fays) muft be in its own nature either dift'ofed to reft or motion confequently the active substance muft be confidered as a being na¬ turally either quiefeent or motive. But it cannot be naturally quiefeent •, for then it could not be active, be- j6 caufe affivity, which is a tendency to motion, cannot The man- originate in a tendency to reft. Therefore the active ner in SUBSTANCE is by nature motive, that is, tending to mo- whieh it is tjon> ACTIVE SUBSTANCE is not folid, and does fuppofed j-gfift penetration. It is therefore incapable of O opera e. or 0£ fufta!ning impulfc. Whence it follows, 2 that as it tends to move, and is incapable of having its motion impeded by impuife, it muft aflually and conti¬ nually move : in other words, motion is essential TO THE ACTIVE SUBSTANCE. “ In order that this fubftance may feme other thing upon wdiicli it may produce a change is necel- fary ; for whatever fuffers an action, receives fome change. The active fubftance, in a cling on fome other thing, muft impart and unite itfelf thereto tor its aBion is communicating its acliviiy. But it cannot communicate its activity without imparting its fub¬ ftance : becaufe it is the fubftance alone which poilcffes activity, and the quality cannot be feparated from the fubftance. THEREFORE THE ACTIVE SUBSTANCE ACTS BY UNITING ITSELF WITH THE SUBSTANCE ON WHICH IT acts. The union ot this fubftance with bodies, is not to be conceived of as a junction of fmall parts in¬ timately blended together and attached at their fur- faces •, but as sn entire diffufion and incorporation of one fubftance with another in perfeft coaiefcence. As bodies are not naturally a61ive, whenever they become fo, as they always do in motion, it muft be by the ac- ceffion of fome part of the aftive fubftance. The aclive fubftance being imparted to a body, penetrates the molt folid or refilling parts, and does not refide in the pores without, and at the furfaces of the felid parts. For the activity is imparted to the body itlelfj and not to its pores, which are no parts of the body : therefore if the a&ive fubftance remained within the pores, the caufe would not be prefent with its effe£t j but the caufe would be in one place and the effefl in another, which is impoffible. “ Bodies by their impuife on others lofe their a£fi- vity in proportion to the impuife. 1 his is matter ot obfervation. Bodies which fuffer impube acquire ac¬ tivity in proporDon to the impuife. 1 his alio is mat¬ ter of obfervation. In impulie, therefore, the aclive fubfiance paffes out of the impelling body into the body impelled. For fince bodies in motion are a&ive, and adlivity confifts in the prefence of the adlive fub¬ ftance, and by impuife bodies lofe their adlivity, there¬ fore they lofe their adlivd fubftance, and the lofs.is proportional to the impuife. Bodies impelled acquire adlivity ; therefore acquire adlive fubftance, and the acijiiifition is proportioned to the impuife. But tne adlive fubftance loft by the impelling body ought to be concluded to be that found in the other ■, becaufe there is no other receptacle than the impelled body to which the fubftance parted from can be traced, nor any other fource than the adlive body whence that which is found can be derived. Therefore, in impulie, the adlive fubftance ought to be concluded to pafs from the impelling body to the body impelled. The flow¬ ing of fuch a fubftance is a fufficient caufe of the com¬ munication of adlivity, and no other rational caufe can be affigned. “ The continued motion of a body depends not upon its inertia, but upon the continuance or the ac¬ tive fubftance within the body. The motion of a body "is produced by the motion of the active fub¬ ftance in union with the body. It being evident, that fince the aclive fubftance itfelf does always move, what¬ ever it is united to will be moved along with it, if no obftacle prevent. In mere motion, the body moved is the patient, and the adlive lubftance the agent. In impuife. Motion. Motion. produces impulfe, iS aud caufes the motion of the hea¬ venly bo¬ dies. MOT [ impulfe, the body in motion may be confidered as an agent, as it is made adlive by its adiive fubftance.— While the adlive fubftance is flowing out of the adfive body into the obftacie or impelled body, the adtive body will prefs or impel the obftacie. For while the adlive fubftance is yet within the body, although flow¬ ing through it, it does not ceafe to impart to the body its own nature, nor can the body ceafe to be adlive oecaufe not yet deprived of the active fubftance. There¬ fore during its paflmg out of the body, fuch portion of the adlive fubftance as is yet within, is urging and dif- poftng the body to move, in like manner as if the adlive fubftance were continuing in the body ; and the body being thus urged to move, but impeded from moving, prefies or impels the obftacie. “ We fee here (fays our author) an obvious explana¬ tion of impulfe ; it conflfts in the flowing of the motive fubftance from a fource into a receptacle and he thinks, that although the exiftence of fuch a fubftance had not been eftablifhed on any previous grounds, the communication of motion by impulfe does alone afford a fufhcient proof of its reality. He employs the agency of the fame fubftance to ac¬ count for many other apparent adlivities in bodies, fuch as thofe offire, cleBricity, attraBion, repuljion, elaf- ticity, &c. All the apparent origins of corporeal ac¬ tivity ferve, he fays, to impart the adlive fubftance to bodies; “ and where adlivity is without any manfiejl origin, the adfive fubftance is derived from an invifible fource.” Our limits will not permit us to attend him in his fo- lution of all the apparent adlivities in bodies 5 but the or¬ bicular motions of the planets have been accounted for in fo many different ways by philofophers ancient and modern, and each account has been fo little fatisfadlory to him who can think, and wiflies to trace effedts from adequate caufes, that we confider it as our duty to fur- niflr our readers with the account of this phenomenon which is given by Mr Young. The queftion which has been fo long agitated, “ Whence is the origin of motion ?” our author com fiders as implying an abfurdity. “ It fuppofes (fays he) that reft was the primitive ftate of matter, and that motion was produced by a fubfequent adl. But this fuppofition muft ever be rejedled, as it is giving precedency to the inferior, and inverting the order of nature.” The fubftance which he holds to be the balls of matter is effentially adlive ; and its adlion is motion. This motion, however, in the original ele¬ ment, was power without diredlion, agency without order, adlivity to no end. To this power it was ne- ceffary that a Law fticuld be fuperadded ; that its agency fliould lie guided to fome regular purpose, and its motion confpire to the produdlion of fome uniform effedls. Our author (hows, or endeavours to fhow, by a procefs of reafoning which {hall be examined elfe- where, that the primary atoms of matter are produced by the circular motion of the parts of this fubftance round a centre $ and that a flrnilar motion of a num¬ ber of thefe atoms around another centre common to them all, produces what in common language is called a folid body; a cannon ball, for inflance, the terreftrial globe, and the body of the fun, &c. In a word, he labours to prove, and with no fmall fucccfs, that a prin- Vol. XIV. Part If. 457 ] MOT ciple of union is implied in the revolving or circulating ^ movements of the adlive fubftance. “ But we may alfo affume (he fays) a prion, that a principle of union is a general law of nature becaufe we fee in fadl all the component parts of the univerle are united fyftems, which fucceflively combine into larger unions, and ultimately form one whole.” . Let us then fuppofe the fun with all his- planets, primary and fecondary, to be already formed for the nurpoie of making one fyftem, and the orbits of all of them, as well as thefe great bodies themfelves, to be pervaded by the adlive fubftance, which neceffarily exifts in a ftate of motion, and is the caufe of the motion of every thing corporeal. ‘£ If to this motion a principle ot union be added, the effedt of fuch a principle would be a determination of all the parts of the adlive fubftance, and of courfe all the bodies to which it is united, to¬ wards a common centre, which would be at reft, and void of any tendency in any diredlion. But this determi¬ nation of all the parts of the fyftem towards a common centre, tends to the deftrudtion both of the motion of the adlive fubftance and of the fyftem j for thould all the parts continually approximate from a circumference towards a centre, the fun and planets would at laft meet, and form one folid and quiefcent mafs. But to preferve exiftence, and confequently motion, is the firft law of the adlive fubftance, as of all being > and it cannot be doubted, that to preferve diftindl the feverai parts of the folar fyftem, is the firft law given to the fubftance adluating that fyftem. The union of the fy¬ ftem is a fubfequent law. “ When the direB tendency of any inferior law is obviated by a higher law, t^e inferior law will operate indireBly in the manner the neared to its diredl ten¬ dency that the fuperipr law will permit. If a body in motion be obliquely obftrudled, it will move on in a diredlion oblique to its firft motion. Now the law of union, which pervades the folar fyftem, being conti¬ nually obftrudled by the law of felf-prefervation, the motion of the adlive fubftance, and of the bodies to which it is united, can be no other than a revolving motion about the common centre of approach, towards which all the parts have a determination. But when this revolution has adlually taken place, it gives birth to a new tendency, which fuperfedes the operation of the law of felf-prefervation. It has been ftiown, that the motion effential to the adlive fubllance, required to be governed by fome law to give being to an orderly- date of things. Now, there are motions Ample and motions complex ; the more.Ample is in all things Aril in order, and out of the more Ample the more complex arifes in order pofterior. The mod Ample motion is rectilineal > therefore a redtilineal motion is to be con- Adered as that which is the original and natural ftate of things, and confequently that to which all things tend. It will follow fr m hence, that when any por¬ tion of adlive fubftance in which the law of union ope¬ rates, has in the manner above explained been com¬ pelled to affume a revolving motion, that is, a motion in fome curve ; a tendency to a redlilineal motion will continually exift in every part of the revolving por¬ tion, and in every point of the curve which it deferibes during its revolution. And this redlilineal tendency will be a tendency to recede from the centre in every .3 M point Motion. Mo*'on. M revolvin' o T r 45 Cbjeclions to this theory. ^ point of the revolving orbit, and to proceed in a tan- ^ gent to the orbit at each point. Thefe f.vo tenden¬ cies, if not originally equal, rauft neceffarily in all cafes arrive at an equality. For the tendency towards the centre, calied the cenii-betal tendency, that is, the law of union, operating firit, if we fuppofe the motion ap¬ proaches the centre, the tendency to recede from it, called the centrifugal tendency, will have its propor¬ tion to the centripetal continually increafed as the orbit of revolution grows lefs, fo as ultimately to equal the centripetal tendency, and refirain the motion from its central courfe, at which point it will no longer feek the centre but revolve round it.” As our author holds that every atom of matter is formed by the motion of parts of the aefive fubftance, and every body formed by the motion of atoms; fo he maintains, not only that the fun, moon, earth, planets, and ftars, are penetrated by the fame fubftance, but that each is the centre of a vortex of that fubftance, and that of thefe vortices fome are included within others. “ The fubtle revolving fluid, the centre of whofe vortex the earth occupies, not only furrounds but pervades the earth, and other vortices their earths, to their centres •, and the earth and planets are by its re¬ volutions carried around on their own axes. The earth is an inaffive mafs, and all its component maffes are fe- verally as well as colledtively inactive ; but the earth and all its parts have various coliedtive and feparate movements, imparted from the fluid which furrounds, pervades, and conftitutes it. Being immeried together With its proper furrounding fphere or vortex in the larger fphere or vortex of the fun, it is carried thereby in a larger orbit about the fun, at the fame time that by the revolution of its proper fphere it rotates on its own axis.” Such is the moft complete view which our limits will permit us to give of Mr Young’s theory of mo¬ tion. To the philofopher who confiders experiment as the only teft of truth, and who in alb his inquiries employs his hands more than his head, we are fully aware that it will appear in no better light than as “ the bafelefs fabric of a Villon.” Even to the intel- leflual philofopher who is not frightened at the word metaphyfics, we are afraid that fuch an aclive fubftance as the author contends for, will appear as inadequate to the production of the phenomena of gravitation and repul non as the material aether of Mr Jones and his followers. A being void of intelligence, whether it be material or immaterial, quiefeent or motive, cannot be the fubjeft of law, in the proper fenfe of the wmrd. The laws of which Mr Young fpeaks as neceffary to regulate the motions of the active fubftance, muft be xnere forces, applied by fome extrinfic and fuperior power. And lince “ motion, as it is effential to the active fubftance, is power without direction, agency without order, activity to no end; fince it is of fuch a nature, that from its unguided agitations there could refult neither connexion, order, nor harmony it fol¬ lows that thofe extrinfic forces muft be perpetually applied, becaufe what is ejfential to any fubftar.ee can never be deftroyed or changed fo long as the fubftance itfelf remains. Forces producing order out of confufion, can be ap¬ plied only by a being poffefled of intelligence ; and if the immediate and perpetual agency oi an intelligent s ] M o T being be neceffary to regulate the motions of the ac- Motion. live fubftance,' that fubftance itfelf may be thought fuperfluous, and its very exiftence be denied. Entla tion finl niultiplicaneJa ahfque ncceffitate, is a rule of phi- lofophizing which every man of fcience acknowledges to be juft. And it will hardly he denied, that the immediate and perpetual agency of an intelligent being upon Mr Jones’s etherial fluid, or even upon the mat¬ ter of folid bodies themfelves, would be capable of producing every kind of motion -without the inftru- mentality of a fubftance which is neither mind nor matter. Such, we conceive, are the objedlions which our metaphyfical readers may make to this theory. Part of their force, however, will perhaps be removed by the ingenious manner in which our author analyzes matter into an immaterial principle. But fo much of it remains, that the writer of this article is inclined to believe that no mechanical account can be given of the motions of the heavenly bodies, the growth of plants, and various other phenomena which are ufually folved by attrabfion and repulfion. In the prefent age, phi-Other theo- lofophers in general are ftrangely averfe from admitting ries more on any occafion the agency of mind ; yet as every ef- anc‘ent and feel muft have a caufe, it is furely not irrational to at_ratl0nal- tribute luch effeffs as mechanifm cannot produce to the operation either of intelligence or inttinft. To fuppofe the Deity the immediate agent in the great motions of the univerfe, has been deemed impious ; and it muft be confeffed that very impious conclufions have been deduced from that principle. But there is furely no impiety in fuppofmg, with the excellent bi- fhop of Cloyne, that the fluid which is known to pervade the folar fyftem, and to operate with refiftlefs force, may be animated by a powerful mind, which aofed in oppofite pairs. In the night time they rife perpendicularly, and join fo clofe at the top that the flowers are concealed by them. In like manner do the leaves prctedl the flowers of the fida or althaea theo- phrafti, oenothera, folanum, and the Egyptian vetch. All thefe are ere&ed during the night; but thofe of the white lupine, in time of fleep, hang down. The flowers of plants alfo have motions peculiar to themfelves. Many of them during the night are en- clofed in their calyxes. Some, particularly thofe of the German fpurge, geranium ftriatum, and common whitlow grafs, when alleep, bend towards the earth j by which means the noxious effects of rain or dew are prevented. All thefe motions have been commonly aferibed to the fun’s rays ; and Mr Smellie informs us that in fome of the examples above mentioned the ef- fe&s were evidently to be aferibed to heat : but plants kept in a hot-houfe, where the temperature of the day and night are alike, contract their leaves, and fleep in the fame manner as if they were expofed to the open air; “whence it appears (fays he), that the fleep of plants, is owing rather to a peculiar law, than to a quicker or flower motion of the juices.” He fufpe&s, therefore, that as the fleep of plants is not owing to the mere abfence of heat, it may be occafioned by the want of light ; and to afeertain this he propofes an experiment of throwing upon them a ftrong artificial light. If notwithftanding this light (lays he), the plants are not roufed, but continue to lleep as ufual, then it may be prefumed that their organs, like thofe of animals, are not only irritable, but require the re¬ paration of fome invigorating influence which they have loft while awake, by the agitations of the air and of the fun’s rays, by the a£t of growing, or by fome other latent caufe.” On this, however, we muft re¬ mark, that the throwing of artificial light upon plants cannot be attended with the fame confeqtiences as that of the light of the fun, unlefs the former were as ftrong as the latter, which is impofflble ; and even granting that we could-procure an artificial light as ftrong as that of the fun, a difference might be occa¬ fioned by the different direflions of the rays, thofe of the fun being very nearly parallel, while the rays of all artificial light diverge very greatly. If therefore, we are to make an experiment of this kind, the rays fliould be rendered parallel by means of a burning mirror. Here again we would be involved in a diffi¬ culty ? for the rays of the fun proceed all in one di- reftion ; but as of neceffity we muff employ different mirrors in our experiment, the light muft fall upon the plant in different dire&ions, fo that we could not rea- fonably expect the fame refult as when the plants are diredfly expofed to the rays of the fun. The motion of plants, not being deducible from fenfation, as in animals, muft be aferibed to that pro¬ perty called irritability; and this property is poffeffed infenflhly by the parts of animals in a greater degree ' than even by the moft irritable vegetable. The rnuf- cular fibres will contract on the application of any fti- mulating fubftance, even after they are detached from the body to which they belonged. The heart of a fros* will continue to beat when pricked with a pin for feve- ral hours after it is taken out of the body. The heart of a viper, or of a turtle, beats diftin<5tly from 20 to 30 hours after the death of thefe animals. When the inteftines of a dog, or any other quadruped, are fud- denly cut into different portions, all of them crawl a- bout like worms, and contracl upon the flighteft touch. The heart, inteflines, and diaphragm, are the moft irritable .e MOT [ 464 ] MOT irritable parts of animal bodies ; and to diicover whe¬ ther this quality refides in all plants, experiments {hould be made chiefly on leaves, flowers, buds, and the ten¬ der fibres of the roots. The motions of plants are univerfally afcribed by our author to irritability, to which alfo we have afcribed them under the article Animal. The term, however, requires an explanation ; and to give this in ah intelli¬ gible manner requires fome attention. The mofl: ob¬ vious comparifon is that of an ele6!rified thread ; which on the approach of any uneledlrified lubftance, (hows a variety of motions, equally furprifing with thofe of the parts of plants or the mufcular fibres cut out of the body. Could we fuppofe that the eledlricity of a thread might be preferved after it was cut olf from the eledlri- fying fubftance, it would fliow as much irritability as even the mufcular fibres, or portions of the inteflines of animals. We know, from the hifiory of the torpedo, ele&rical eel, &c. that there are animals in which the ele&ric fluid acts in fuch a manner as to produce a much mere powerful effeft than that of giving motion to the leaves of plants. The readinefs, therefore, with which this fluid is thrown into agitations when any fubftance in which it a£ts is touched, is without doubt the irrita¬ bility in queftion •, but tve have from thence no more reafon to afcribe fenfation to thefe irritable bodies, than to an ele&rified bottle when it difcharges itfelf, or makes a cork ball play around it. In a paper read before the Academy of Sciences at Paris, by M. Brouffonet, the author inclines to con¬ found irritability and fenfibility together. “ The dif¬ ferent parts of plants (fays he) enjoy the faculty of motion j but the motions of a vegetable are very diffe¬ rent in their nature from thofe of an animal: the moft fenfible, thofe that are produced with moft rapidity in plants, are always influenced by fome ftimulating caufe. Irritability, which is nothing but fenjibihty made ma- nifeft by motion, is a general law' to which nature has fubjedfed all living beings *, and it is this that conti¬ nually watches over their prefervation. Being more powerful in animals than in plants, it may be often confounded in thefe laft with phenomena that depend on a quite different caufe. In the vegetable it is only the organ which is expofed to the adlion of the ftimu¬ lating po'.ver that moves. Irritation in particular pla¬ ces never produces that prompt combination of fenia- tions which we obferve in animals j in confequence of which certain parts are put in motion without being direclly affefted, and which otherwife might have been pafiive. “ The more perfect the organization in the differ¬ ent parts of animals is, the more apparent are the figns of irritability. The parts that come neareft to thofe of vegetables, and in which of confequence the organi¬ zation is moft imperfeft, are the leaft irritable. The fame law holds with regard to plants •, but the refult is oppofite : the figns of irritability are moft fenfible in proportion to the analogy of the parts with thofe of animals j and they are imperceptible in thofe that are diflimilar. This aflertion is proved by what w’e oblerve in the organs deftined in vegetables to perpetuate the fpecies. Thofe parts alone feem fenfible to ftimuli ; the bark, leaves, ftalks, and roots ftiowing no figns of irritability. “ The motions effentially vital, which have in plants 1 the greateft affinity with thofe of animals, are the courfe of the fap, the paffage of the air in the trachea, the ' different pofitions which the flow’ers of certain plants take at certain hours of the day, &c. But if we attend to the manner in which all thefe motions in plants are performed, W'e (hall find that they prefent a greater number of modifications than the analogous motions that take place in animals. The temperature of the atmofphere, its agitation, light, &c. have great influ¬ ence on the motions of plants, by accelerating or re¬ tarding the courfe of their fluids \ and, as they can¬ not change their place, thefe variations produce in them changes more obvious and more uniform than in animals.” Our author now proceeds to inform us, that fome of the motions of plants are occafioned by the rarity of the juices in plants, and others by their abundance. Of the former kind are thofe by wffiich the capfules of fome plants fuddenly burft with a fpring, and throw their feeds to fome diftance. Of the other kind are the adtion of the ftamina in the parietaria, the inflec¬ tion of the peduncles of flowers, and of the piftilla. “ Thofe motions (fays he) which are particularly ob- ferved in the organs deftined to the reproduction of the individual, not appearing except in circumltances that render them abfolutely neceffary, feem in fome meafure to be the effedt of a particular combination : they are, however, merely mechanical *, for they are always produced in the fame way and in the fame cir- cumftances. Thus the rofe of Jericho, and the dry fruit of feveral fpecies of mefembryanthemum, do not open but when their veffels are full of wTater. “ The fudden difengagement of fluids produces a kind of motion. To this caufe we mult attribute a great number of phenomena obfervable in the leaves of feveral plants, and which do not depend on irrita¬ bility. The fmall glands in each leaf of the dioncra are no fooner puadlured by an infedt, than it inftantly folds up and feizes the animal: the pundture feems to operate a difengagement of the fluid which kept the* leaf expanded by filling its veffels. This explanation is the more probable, that in the early ftate of the vegetation of this plant, when the fmall glands are hardly evolved, and when probably the juices do not run in fufficient abundance,, the leaves are folded up exadlly as they appear when nundturfd by an infedl at a more advanced period. W'e obferve a phenomenon fimilar to this in both fpecies of the drofera (fun-dew), mentioned above. The mechanifm here is very eaftly obfervable : the leaves are at firft folded up ; the juices are not yet propelled into the fine hairs with which they are covered $ but after they are expanded, the prefence of the fluid is tnanifeft by a drop feen at the extremity of each hair : it is by abforbing this fluid that an infedt empties the veffels of the leaf, which then folds up, and refumes its firft ftate : the promptitude of the adtion is proportioned to the number of hairs touched by the infedt. This motion in fome degree reiem les that which takes place in the limb of an animal kept in a ftate of flexion by a tumor in the joint •, when the matter'which obftrudted the motion is dilcharged, the limb inftantly refumes Its former pofition. I.e phe¬ nomena that depend on the abundance of fluids are particularly evident in plants which grow in wet iods •, the drofera and dicneea are of this kiui : and it is,known MOT r 465 ] MOT Motion by tbe experiments of Meff. Du Fay and Du Hamel, II that«fenfitive plants are particularly fenfible when the Motouali". pun js o^fcured by clouds and the air w'arm and moift. The influence of external caufes fometimes fo modifies s the vital motions in plants, that we would be tempted to afcribe them to volition, like thofe that depend en¬ tirely on that faculty in animals. If we fet a pole in the ground near a twining plant, it always lays hold of the pole for fupport, in whatever place we put it. The lame thing occurs in the tendrils of the vine •, which always attach themfelves to the fupport prefented them, on whatever fide it may be placed, provided they can reach it : but thefe motions are entirely vital : the twining plants and the tendrils direcd themlelves to every quarter, and consequently cannot fail of meet¬ ing with the bodies within their reach. Thefe mo¬ tions are performed as long as the parts continue to grow ; but when they ceafe to elongate, if they have not been able to reach any body on which they can fix, they bend back upon themfelves. This and other ob¬ servations fhow how far the vital motions in plants may be modified by external caufes, and how effentially they differ from thofe that are the effeft of volition in animals. “ Some plants appear endowed with no fort of mo¬ tion : fame have leaves that can move in different di- reffions: their motions ai'e generally modified by dif¬ ferent caufes 3 but none appear (o eminently poffeffed of this quality as the hedyfarum gyrans of Linpaeus.—» No part of this plant {hows any figns of irritability upon application of ftimuli : and the motion of its foliola ceafes when the leafets are agitated by the wind.— When the fun is rvarm, the little leaves of the hedy¬ farum are alfo immoveable ; but when the weather is warm and moift, or when it rains, they move very freely. This motion feems indifpenfably neceffary to the plant; for it begins as foon a? tbe firft leaves un¬ fold, and continues even during the night ; but in time it grows rveaker. In our ftoves it is moft con- fiderable during the firft year •, in the fecond, it is not very fenfible : in its native place all the leaves have a motion never obferved here. The moving leafets are moft: agitated while the plants are in full flower, and the procefs of fructification goes on. The ofcillatory motion is fo natural to it, that it not only remains for three or four days in the leafets of a branch that has been cut off and put in water, but is even continued though the branch be expofed to the air. The leaves Jeem to perform the office of the heart in vegetables. When a plant is ftripped of its leaves, the progrefs of vegetation is arrefted 5 and fuch vegetables refemble thofe animals which have a periodica! lleep, induced by a diminution of the aftion of the heart. Many plants hardly fhouT any figns of motion-, many feem alfo wdiolly cataleptic ; which is rarely if ever found in animals. The footftalks of the flowers of dracocephalum, a Vir¬ ginian plant, ^referve themfelves in whatever pofition they arcplnced. Mvfcular Motion See Muscle. MOTIVE, is fometimes applied to that faculty of the human mind, by which we purfue good and avoid evil. Thus Hobbes diftinguifhes the faculties of the mind into two forts, the cognitive and motive. MOTOUALIS, a fmall nation of Syria, inhabiting to the eaft of the country of the DRUSES, in the valley Vol. XIV. Part II. which feparates their mountains from thofe of Damaf- Motoualis. cus -, of which the following account is given by Vol- ney in his Travels, vol. ii. The charafteriflic diftimftion between them and the other inhabitants of Syria (fays our author) is, that they, like the Perfians, are of the fed! of Ali, while all the Turks follow that of Omar or Moaouia. This diftin&ion, occafioned by the fchifm wffiich in the 36th year of the Hegira arofe among the Arabs, re- fpeding the fucceffors of Mahomet, is the caufe of an irreconcilable hatred between the two parties. The fedaries of Omar, who confider themfelves as the only orthodox, affume the title of Sonnites, which has that fignification, and term their adverfaries Shiites, that is “ fedaries of Ali.” The word Motouali has the fame meaning in the dialed of Syria. The followers of Ali, diffatisfied with this name, fubflitute that of Adlia, which means “ affertors of julfice,” literally “ Jufti- ciarians a denomination which they have affumed in confequence of a dodrinal point they advance in oppofition to the Sonnite faith. A fmall Arabic trea- tife, entitled Theological Fragments concerning the Seds and Religions of the World, has the following pafiage : “ Thefe fedaries who pretend that God ads only on principles of juftice, conformable to human reafon, are called Adlia or JuJficiarians. God cannot (fay they) command an impradicable worihip, nor ordain impoffible adions, nor enjoin men to perform what is beyond their ability ; but wherever he requires obedi¬ ence, will beftow the power to obey. He removes the caufe of evil, he allows us to reafon, and impofes only what is eafy, not what is difficult $ he makes no man refponfible for the adions of another, nor puniffies him for that in which he has no part 3 he imputes not as a crime what himfelf was created in man 3 nor does he require him to avoid what deftiny has decreed.— This would be injuftice and tyranny, of which God is incapable, from the perfedion of his being.” To this dodrine, which diametrically oppofes the fyftetn of the Sonnites, the Motoualis add certain ceremonies which increafe their mutual averfion. They curfe Omar and Moaouia as rebels and ufurpers 5 and cele¬ brate Ali and Hofain as faints and martyrs. They begin their ablutions at the elbow, inftead of the end of the finger, as is cuftomary with the Turks 3 they think themfelves defiled by the touch of ftrangers 3 and, contrary to the general pradice of the Eaft, neither $at nor drink out of a veffel which has been ufed by a per- fon not of their fed, nor will they even fit with fuch at the fame table. Thefe dodrines arfd cuftoms, by feparating the Mo¬ toualis from their neighbours, have rendered them a diftind fociety. It is faid they have long exifted as a nation in this country, though their name has never been mentioned by any European writer before the 18th century 3 it is not even to be found in the maps of D’Anville : La Roque, who left their country not a hundred years ago, gives them the name of Ame- diens. Be this as it may, in later times their wars, robberies, fucceffes, and various changes of fortune, have rendered them of confequence in Syria. Till about the middle of this century, they only pofleffed Balbec their capital, and a few places in the valley, and Anti- Lebanon, which feems to have been their original 3 N country. M At that O T [ Motouali?, country. At that period we find them under a like , Motto- government with the Druzes, that is to fay, under a number of Shaiks, with one principal chief of the family of Harfoufh. After the year 1750 they efta- bliihed themfelves among the heights of Bekaa, and got footing in Lebanon, where they obtained lands belonging to the Maronites, almofi: as far as Befharrai, They even incommoded them fo much by their ravages, as to oblige the emir Youfef to attack them with open force and expel them • but on the other fide, they advanced along the river even to the neighbourhood of Sour (Tyre). In this fituation, Shaik Daher had the addrefs, in 1760, to attach them to his party.— The pachas of Saide and Damafcus- claimed tributes, which they had negledted paying, and complained of feveral robberies committed on their fubjefts by the Motoualis j they were defirous of chaftifing them j but this vengeance was neither certain nor cafy. Da¬ her interpofed ; and by becoming fecurity for the tri¬ bute, and promifing to prevent any depredations, acquired allies who were able, as it is faid, to arm 10,000 horfemen, all refc’ute and formidable troops. Shortly after they took poffeflion of Sour, and made this village their principal fea port. In 1771 they were of great fervice to Ali Bey and Daher againft the Ottomans. But Emir Youfef having in their ab- fence armed the Druzes, ravaged their country. He was befieging the cable of Djezin, when the Motoualis, returning from Damafcus, received intelligence of this invalion. At the relation of the barbarities com¬ mitted by the Druzes, an advanced corps, of only 500 men, were fo enraged, that they immediately ruthed forward againft the enemy, determined to perilh in taking vengeance. But the furprife and confufion they occafioned, and the dilcord which reigned be¬ tween the two fadftions of Manfour and Youfef, fo much favoured this defperate attack, that the whole army, conlifting of 25,000 men, was completely over¬ thrown. In the following year, the affairs of Daher taking a favourable turn, the zeal of the Motoualis cooled to¬ wards him, and they finally abandoned him in the ca- taftrophe in which he loft his life. But they have fuffered for their imprudence under the adminiftration of the pacha who fucceeded him. Since the year 1777, Djezzar, mailer of Acre and Saide, has incef- fantly laboured to deftroy them. His perfecution for¬ ced them in 1784 to a reconciliation with the Druzes, and to enter into an alliance with the emir Youfef. Though reduced to lefs than >700 armed men, they did more in that campaign than 15,000 or 20,000 Druzes and Maronites affembled at Dair-el-Kamar. They alone took the ftrong fortrefs of ManDjebaa, and put to the fwmrd 50 or 60 Epirots who defended it. But the mifunderllanding which prevailed among the chiefs of the Druzes having rendered abortive all their operations, the pacha has obtained poffeffion of the whole valley, and the city of Balbec itfelf. At this period not more that 500 families of the Motoualis remained, who took refuge in Anti-Lebanon, and the Lebanon of the Maronites •, and, driven as they now are from their native foil, it is probable they will be totally annihilated, and even their very name become ^xtinfl. ,MQI TO, in armoury, a fhort fen'.ince crphrafe, 466 ] M O U carried in a fcroll, generally under, but fometimes over, Moveable the arms : fometiines alluding to the bearing, fome- I! times to the name of the bearer, and fometimes con- , taining whatever pleafes the fancy of the devifer. v ” MOVEABLE, in general, denotes any thing ca¬ pable of being moved. Moveable Fea/ls, are fuch as are not alwrays held on the lame day of the year or month j though they be on the fame day of the week. See Feasts. Thus, Eafter is a moveable feaft, being always held on the Sunday which falls upon or next after the firft full moon following the 21ft of March. All the other moveable feafts follow Eafter, i.e. they keep their diftance from it : fo that they are fixed with refpedl thereto. Such are Septuagefima, Sexagefima, Afti Wednef- day, Afcenfion day, Pentecoft, Trinity Sunday, &c. which fee under their proper articles, Septuagesi- MA, &C. Moveable SubjeB, in Law, any thing that moves it- felf, or can be moved in contradiftindHon to immove¬ able or-heritable fubjedls, as lands, houfes, &c. MOVEMENT, motion, a term frequently ufed in the fame fenfe with automaton. The moft ufual movements for keeping time are watches and clocks : the firft are fuch as (how the parts of time, and are portable in the pocket; the fecond, fuch as publifh it-by founds, and are fixed as furniture. See Horology. Movement, in its popular ufe among us, fignifies all the inner works of a w-atch, clock, or other engine, w'hich move, and by that motion carry on the defign of the inftrument. The movement of a clock or watch is the infide, or that part which meafures the time, ftrikes, &c. exdu- five of the frame, cafe, dial plate, &c. The parts common to both of thefe movements are, the main-fpring, with its appurtenances j lying in the fpring box, and in the middle thereof lapping about the fpring-arbor, to which one end of it is faftened, A-top of the fpring-arbor is the endlefs ferew and its wEeel} but in fpring clocks, this is a ratchet-w'heel with its click, that Hops it. That which the main-fpring draws, and round which the chain or firing is wrapped, is called the fufy; this is ordinarily taper; in large works, going with weights, it is cylindrical, and called the barrel. The fmail teeth at the bottom of the fufy or barrel, which flop it in winding up, is called the ratchet; and that which flops it when wound up, and is for that end driven up by the fpring, the gara’A-gat. The wheels are various : the parts of a wheel are, the hoop or rim, the teeth, the crofs, and the collet or piece of brafs foldered on the arbor or fpindle whereon the wheel is rivetted. The little wheels playing in the teeth of the larger are called pinions; and their teeth, which are 4, 5, 6, 8, &c. are called leves ; the ends of the fpindle are called pivots ; and the guttered wheel, with iron fpikes at bottom, wherein the line of ordi¬ nary clocks runs, the pulley. We need not fay any thing of the hand, ferews, wedges, flops, &c. See Wheel, Fusy, &c. Perpetual Movement. See Perpetual Motion, MOUFET, Thomas, a celebrated Engliih phyfi- cian, was born at London, and praclifed medicine with great reputation. Towards the latter end of his life M O U [ 467 ] M O U Moug-den, life he retired to the country, and died about the year Moulds. 1600. This phylician is known by a work which was begun by Edward Wotton, and printed at London in 1634, folio, with the title of Theatrum InfeBorutn. A tranflation of it into Englilh was publifhed at London in 16158, folio. Martin Lifter gives a very unfavour¬ able opinion of this book : “ As Moufet (fays he) made ufe of Wotton, Gefner, &c. an excellent work might have been expelled from him ; and yet his Thea¬ trum is full of confufion, and he has made a very bad ufe of the materials with which thefe authors have fur- nilhed him. He is ignorant of the fubjeft of which he treats, and his manner of expreflion is altogether bar¬ barous. Befides this, he is extremely arrogant, to fay no worfe •, for though he has copied Aldrovandus in in¬ numerable places, he never once mentions his name.” But Ray thinks that Lifter, by exprefting himfelf in this manner, has not done juftice to Moufet j and he main¬ tains that the latter has rendered an eflential fervice to the republic of letters. MOUG-DEN, or Chen-yang*, a city of Chinefe Tartary, and capital of the country of the Mantchews or Ealiern Tartars. Thefe people have been at great pains to ornament it with leveral public edifices, and to provide it with magazines of arms and ftorehoufes. They confider it as the principal place of their nation ; and fince China has been under their dominion, they have eftablifhed the fame tribunals here as at Peking, excepting that called Lii-pou : thefe tribunals are com- pofed of Tartars only; their determination is final; and in all their afts they ufe the Tartar characters and language. The city is built on an eminence ; a num¬ ber of rivers add much to the fertility of the furround¬ ing country. - It may be confidered as a double city, of which one is enclofed within the other : the interior contains the emperor’s palace, hotels of the principal mandarins, fovereign courts, and the different tribu¬ nals ; the exterior is inhabited by the coi^mon people, tradefmen, and all thofe who by their employments or profeffions are not obliged to lodge in the interior. The latter is almoft a league in circumference ; and the walls which enclofe both are more than three leagues round: thefe walls were entirely rebuilt in 1631, and repaired feveral times under the reign of Kang-hi. MOULD, or Mold, in the mechanic arts, &c. a cavity artificially cut, with a defign to give its form or impreflion to fome fofter matter applied therein. Moulds are implements of great ufe in fculpture, foundery, &c. The workmen employed in melting the mineral or metallic ore dug out of mines, have their feveral moulds to receive the melted metal as it comes out of the fur¬ nace ; but thefe are different according to the diverfity of metals and works. In gold mines, they have moulds for ingots ; in filver mines, for bars; in copper and lead mines, for pigs or falmons; in tin mines, for pigs and ingots; and in iron mines, for fows, chimney backs, anvils, caldrons, pots, and other large utenfils and mer- chandifes of iron ; which are here caft, as it were, at firft hand. Moulds of founders of large works, as ftatues, bells, guns, and other brazen works, are of wax, fupported within-fide by what we call a core, and covered with- out-fide with a cape or cafe. It is in the fpace which the wax took up, which is afterwards melted away to leave it free, that the liquid metal runs, and the work is formed ; being carried thither through a great num- Moulds, ber of little canals, which cover the whole mould. See Foundery. Moulds of moneyers are frames full of fand, where¬ in the plates of metal are caft that are to ferve for the ftriking of fpecies of gold and filver. See Coining. A fort of concave moulds made of clay, having within them the figures and inferiptions of ancient Roman coins, are found in many parts of England, and fuppofed to have been ufed for the calling of money. Mr Baker having been favoured wdth a fight of fome of thefe moulds found in Shropftiire, bearing the fame types and inferiptions with fome of the Roman coins, gave an account of them to the Royal Society. They w’ere found in digging of fand, at a place called Ryton in Shroplhire, about a mile from the great Watling- ftreet'road. They are all of the fize of the Roman de¬ narius, and of little more than the thicknefs of oor halfpenny. They are made of a fmooth pot or brick clay, which feems to have been firft well cleanfed from dirt and fand, and well beaten or kneaded, to render it fit for taking a fair impreffion. There were a great many of them found together, and there are of them npt unfrequently found in Yorklhire; but they do not feem to have been met wdth in any other kingdom, ex¬ cept that fome have been faid to be once found at Lyons. They have been fometimes found in great numbers joined together fide by fide, on one flat piece of clay, as if intended for the calling of a great num¬ ber of coins at once ; and both thefe, and all the others that have been found, feem to have been of the empe¬ ror Severus. They are fometimes found impreffed on both fides, and fome have the head of Severus on one fide and fome well known reverfe of his on the other. They feem plainly to have been intended for the coin¬ age of money, though it is not eafy to fay in what manner they can have been employed for that purpofe, efpecially thofe which have impreflions on both fides, unlefs it may be fuppofed that they coined two pieces at the fame time by the help of three moulds, of which this was to be the middle one. If by difpofing thefe into fome fort of iron frame or cafe, as our letter- founders do the brafs moulds for calling their types, the melted metal could be eafily poured into them, it would certainly be a very eafy method of coining, as fuch moulds require little time or expence to make, arid therefore might be fupplied with new ones as often as they happen to break. Thefe moulds feem to have been burnt or baked fufficiently to make them hard ; but not fo as to ren¬ der them porous like our bricks, whereby they would have loft their fmooth and even furface, which in thefe is plainly fo clofe, that whatever metal Ihould be form¬ ed in them would have no appearance like the fand- holes by which counterfeit coins and metals are ufually detefted. Moulds of founders of fmall works are like the frames of coiners : it is in the'e frames, which are likewife filled* with fand, that their feveral works are falhioned ; into w'hich, when the two frames of which the mould is compofed, are rejoined, the melted brafs is run. Moulds of letter founders are partly of fteel and partly of wood. The wood, properly fpeaking, ferves only to covet the real mould which is within, and to 3 N 2 prevent M O U t46B] M O U Moulds. prevent the workman, who holds it in his hand, from being incommoded by the heat of the melted metal. Only one letter or type can be formed at once in each mould. See Letter Foundery. Moulds, in the manufatlure of paper, are little frames compofed of feveral brafs or iron wires, faflen- ed together by another wire flill finer. Each mould is of the bignefs of the fheet of paper to be made, and has a rim or ledge of wood to which the wires are faftened. Thefe moulds are more ufually called frames or forms. See Pafkr-Making. Moulds, with furnace and crucible makers, are made of wood, of the fame form with the crucibles j that is, in form of a truncated cone : they have handles of wood to hold and turn them with, when, being covered with the earth, the workman has a mind to round or flatten his veflfel. Moulds for leaden bullets are little iron pincers, each of whofe branches terminates in a hemifpherical concave, which when {hut form an entire fphere. In the lips or fides where the branches meet, is a little jet or hole, through which the melted lead is conveyed. Laboratory Moulds -are made of w'ood, for filling and driving all forts of rockets and cartridges, &c. Glaciers Moulds. The glaziers have two kinds of moulds, both ferving to caff their lead : in the one they cafl: the lead into long rods or canes fit to be drawn through the vice, and the grooves formed therein 5 this they fometimes call ingot-mould. In the other, they mould thofe little pieces of* lead a line thick and tw7o lines broad, faftened to the iron bars. Thefe may be alfo caft in the vice. Goldfmiths Moulds. The goldfmiths ufe the bones of the cuttle fifti to make moulds for their fmall works; which they do by prefling the pattern between two bones, and leaving a jet or hole to convey the metal through, after the pattern has been taken out. Mould, among mafons, is a piece of hard wood or iron, hollowed within fide, anfwerable to the contours of the mouldings or cornices, &c. to be formed. This is othervvife called caliber. Moulds, among plumbers, are the tables on which they caft ftieets of lead. Thefe they fometimes call {imply tables. Befides which they have other real moulds, wherewith they caft pipes without foldering. See each defcribed under Plumbery. Moulds, among the glafs grinders, are wooden frames, whereon they make the tubes wherewith they fit their perfpedlives, telefcopes, and other optic ma¬ chines. Thefe moulds are cylinders, of a length and diameter according to the ufe they are to be applied to, but always thicker at one end than the other, to facilitate the Aiding. The tubes made on thefe moulds are of two kinds j the one Amply of pafteboard and paper ; the other of thin leaves of wood joined to the pafteboard. To make thefe tubes to draw out, only the laft or innermoft is formed on the mould j each tube made afterwards ferving as a mould to that which is to go over it, but without taking out the mould from the firft. See Grinding. Moulds ufed in bafket-making are very Ample, con¬ fiding ordinarily of a willow or ofier turned or bent in¬ to an oval, circle, fquare, or other figure, according to the balkets, panniers, hampers, and other utenfils in¬ tended. Ou khefe moulds they make, or more properly meafure, all their wrork j and accordingly they have Mould them of all fizes, fhapes, &c. li Mould, in Ihip-building, a thin flexible piece of ^0Ulinet,l timber, uftd by ihipwrights as a pattern whereby to ”~V form the different curves of the timbers, and other com- pafting pieces in a {flip’s frame. There are two forts of thefe, viz, the bend mould and hollow mould ; the form¬ er of thefe determines the convexity ot the timbers, and the latter their concavity on the outfide, where they ap¬ proach the heel, particularly towards the extremities of the veffel. The figure given to the timbers by this pattern is called their bevelling. Moulds, among tallow chandlers, are of twTo kinds: the firft for the common dipped candles, being the vef¬ fel wherein the melted tallow is difpofed, and the wick dipped. This is of wood, of a triangular form, and fupported on one of its angles; fo that it has an open¬ ing of near a foot a-top : the other, ufed in the fabric of mould candles, is of brafs, pewter, or tin.—Here each candle has its feveral mould. See Candle. Mould, among gol^-beatersT1 a certain number of leaves of vellum or pieces of gut, cut fquare, of a cer¬ tain fize, and laid over one another, between which they put the leaves of gold and filver which they beat on the marble with the hammer, See Gold leaf. They have four kinds of moulds j two whereof are of vellum and two of gut : the fmallelt of thofe of vellum confifts of 40 or 50 leaves j the largelt contains 100 : for the others, each contains 500 leaves. The moulds have all their feveral cafes, confiding of two pieces of parchment, ferving to keep the leaves of the mould in their place, and prevent their being diforder- ed in beating. Mould, in Agriculture, a general name for the foft earthy fubftance with which the dry land is generally covered, and in which all kinds of vegetables take root and grown It is far from being an homogeneous fub¬ ftance 5 being compofed of decayed animal and vege¬ table matters, along with calcareous, argillaceous, and filiceous earths, mixed together in various proportions, and with the different degrees of moiftme, conftituting every variety of soil. MOULDINESS, is a white down or lanugo, which is produced on the furface of animal or vegetable mat¬ ters in a ftate of putrefaction 5 and which viewed th rough a microfcope appears like a kind of meadow, out of wdiich ariie herbs and flowers. See Mucor, Botany Index. MOULDING, any thing caft in a mould, or that feems to have been fo, though in reality it were cut with a chifel or the axe. Mouldings, in ArchiteBure, projectures beyond the naked wall, column, wainfcot, &c. the affemblage of which forms corniches, door cafes, and other deco¬ rations of Architecture. See that article. MOULINET is ufed, in Mechanics, to fignify a roller, which, being ctoPfed with two levers, is ufually applied to cranes, capftans, and other forts of engines of the like nature, to draw ropes, heave up ftones, &c. Moulinet is alfo a kind of turnftile, or wooden crofs, w hich turns horizontally upon a flake fixed in the ground •, ufually placed in paffages to keep out horfes, and to oblige paffengers to go and come one by ojie. Thtfe moulinets are often fet near the outworks of M O U [ 469 ] M O U Monlins of fortified places at the fides of the barriers, through which people pafs on foot. •Mountain. MQULINS, a town of France, in the department of Allier, and containing about 16,000 inhabitants. The houfes of the Chartreux, and that of the Viiita- tion, are magnificent. It has a confiderable trade in cutlery ware, and is feated on the river Allier, in a pleafant fertile plain, almoft in the middle of France, 30 miles fouth of Nevers, and 55 north of Clermont. E. Long. 3. 25. N. Lat. 46. 34. MOULTON, North, a town of Devonlhire, on the river Moul. Moulton, South, on the fame flream, 182 miles from London. This, as well as the former, was anciently royal demefne. It fent members to parlia¬ ment in the reign of Edward I. confills of a mayor, 18 capital burgeffes, a recorder, town clerk, and 2 fer- jeants at mace. Its chief manufa£lures are ferges, lhalloons, and felts j and a confiderable market for wool. MOULTING, or Molting, the falling off or change of hair, feathers, Ikins, horns, or other parts of animals, happening in feme annually, in others only at certain ftages of life. The generality of animals moult in the fpring. The moulhng of a hawk is called mewing. The moulting cf a deer is the quitting of his horns in February or March. The moulting of a ferpent is the putting off his lkin. See Exuviae. MOUND, a term ufed for a bank or rampart, or other fence, particularly that of earth. Mound, in Heraldry, a ball or globe with a crofs upon it, fuch as our kings ai-e ufually drawn with, holding it in their left hand, as they do the feeptre in the right. MOUNT, an elevation of earth, called alfo moun¬ tain. See Mountain. Mount Edgecumbe, a prodigious high peak, at the entrance of Cook’s ftrait, in New Zealand, on the weft fide. Its height is fuppofed not to be much inferior to that of the Peak of Teneriffe. Mount Sorrel, a town in Leicefterftiire, fo named from a high mount or folid rock adjoining to the town, of a duiky red or forrel-coloured ftone, extremely hard. Of rough ftones hewn out of this rock the town is- built.. It has a market on Mondays. It was noted formerly for its caftle, and is feated on the river Stour, over which there is a bridge. It is 20 miles fouth-eaft by fouth of Derby, and 10 ^ north-weft by north of London. W. Long. 1.9. N. Lat. 52. 45,. Mounts of Piety, certain funds or eftablifhments in Italy, where money is lent out on fome fmall fecurity. There were alfo mounts of piety in England, railed by contribution for the benefit of people ruined by the ex¬ tortions of the Jews. MOUNTAIN (Mans'), a confiderable eminence of land, elevated above the furrounding country : It is commonly full of inequalities, cavities more or lefs ex- pofed, and ftrata uncovered. For the natural hiftory of mountains, fee Mountain, Geology Index. AtlraBion of Mountains. This is a late difeovery, Mouataim and a very confiderable confirmation of Sir Ifaac New- ton’s theory of univerfal gravity. According to the Newtonian fyftem, an attraflive power is not only exerted between thofe large maffes of matter wdfich conilitute the fun and planets, but likewife between all comparatively fmaller bodies, and even between the fmalleft particles of which they are compofed. A- greeably to this hypothefis, a heavy body, which ought to gravitate or tend toward the centre of the earth, in a direfeion perpendicular to its furface, fuppofing the faid furface to be perfeiftly even and fpherical, ought likewife, though in a lefs degree, to be attracted and tend towards a mountain placed on the earth’s fur¬ face ; fo that a plumb line, for inftance, of a quadrant,, hanging in the neighbourhood of fuch a mountain, ought to be drawn from a perpendicular fituation, in confequence of the attraflive power of the quantity of matter of which it is compofed afting in a dire£liou dif¬ ferent from that exerted by the whole mafs of matter in the earth, and with a proportionably inferior degree of force. Though Sir Ifaac Newton had long ago hinted at an experiment of this kind, and had remarked, that “ a mountain of an hemifpherical figure, three miles high and fix broad, would not, by its attradlion, draw the plumb line two minutes out of the perpendicular ^e) yet no attempt to afeertain this matter by aftual experi¬ ment was made till about the year 1738 ; when the French academicians, particularly Meffrs Bouguer and Condamine, who were fent to Peru to meafure a de¬ gree under the equator, attempted to difeover the at- traflive power of Chimboraco, a mountain in the pro¬ vince of Quito. According to their obfervations, which were however made under circumftances by no means favourable to an accurate folution of fo nice and dif¬ ficult a problem, the mountain Chimboraco exerted an attra&ion equal to eight feconds. Though this experi¬ ment was not perhaps fufficient to prove fatisfadlorily even the reality of an attraction, much lefs'the precife quantity of it 5 yet it does not appear that any fteps had- been fince taken to repeat it- Through the munificence of his Britannic majefty^. the Royal Society were enabled to undertake the exe¬ cution of this delicate and important experiment 5 the aftronomer royal was chofen to conduCl it. After va¬ rious inquiries, the mountain Schehallien, fituated near¬ ly in the centre of Scotland, was pitched upon as the moft proper for the purpofe that could be found in this ifiand. The obfervations were made by taking the me- ridi an zenith diftances of different fixed ftars, near the zenith, by means of a zenith feftor of ten feet radius $ firft on the fouth, and afterwards on the north fide of the hill, the greateft length of which extended in an. eaft and weft direction. It is evident, that if the mafs of matter in the hill exerted any fenfible attraction, it would caufe the plumb-line of the feCtor, through which an ob’erver viewed a liar in the meridian, to deviate from its per¬ pendicular fituation, and would attraCt it contrariwife at the* (e) By a very eafy calculation it is found that fuch a mountain would attraCt the plumb line i' 18" from the perpendicular.. M O U [ 470 ] M O U Motintains. tlie two ftations, thereby doubling the effeft. On the v ftmth fide the plummet would be drawn to the north¬ ward, by the attraflive power of the hill placed to the northward of it : and on the north fide, a contrary and equal defleftion of the plumb line would tak* place in ccnfcquence of the attraftion of the hill now to the fouthward of it. The apparent zenith dillances of the ftars would be affe&cd contrariwife •, tbofe being increafed at the one fiation which were diminilhed at the other : and the correfpondent quantities of the defleflion of the plumb line would give the obferver the fum of the contrary attraflious of Ehe hill, a fling on the plummet at the two (rations $ the half ot whicn will of courfe indicate the attradiive power of the bin. ’I'he various operations requifite for this experiment laded about four months j and from them it appears that the fum of the two contrary attraflions of the mountain Schehallien, in the two temporary obferva- tions ■which were (uccefhvely fixed half way up the hill (where the effecl of its attraflion would be greateft), was equal to ii".6.—From a rough computation, founded on the known law of gravitation, and on an affumption that the denfity of the hill is equal to the mean denfity of the earth, it appears that the attiacbon of the hill (houlq amount to about the. double of this quantity. From thence it was inferred that the denfity of the hill is only about half the mean denfity of the earth. It does not appear, however, that the moun¬ tain Schehallien has ever been a volcano, or is hollow, *s it is extremely folid and denfe, and feemingly com- pofed of an entire rock. The inferences drawn from thefe experiments may be reduced to the following : “ 1. It appears, that the mountain Schehallien ex¬ erts a fenfible attraflion ; therefore, from the rules of philofophizing, we are to conclude, that every moun¬ tain, and indeed every particle of the earth, is endued wdth the fame property, in proportion to its quantity of matter. “ 2. The law of the variation of this force, in the inverfe ratio of the fquares of the diftances, as laid down by Sir Ifaac Newton, is alfo confirmed by this experiment. For if the force of attraflion of the hill had been only to that of the earth, as the matter in the hill to that of the earth, and had not been greatly in¬ creafed by the near approach to its centre, the attrac¬ tion thereof muff have been wholly infenfible. But now, by only fuppofing the mean denfity of the earth to be double to that of.the hill, which feems very pro¬ bable from other confiderations, the attraftion of the _ hill will be reconciled to the general law sf the varia¬ tion of attraflion in the inverfe duplicate ratio of the didances, as deduced by Sir Ifaac Newton from the comparifon of the motion of the heavenly bodies with the force of gravity at the furface of the earth 5 and the analogy of nature will be preferved. “ 3. We may now, therefore, be allowed to admit this law, and to acknowledge, that the mean denfity of the earth is at lead double of that at the furface j and confequently that the denfity of the internal parts of the earth is much greater than near the furface. Hence alfo, the whole quantity of matter in the earth will be at lead as great again, as if it had been all com- pofed of matter of the fame denfity with that at the 3 furface j or will be about four or five times as great as Mountains, if it were all compofed of water.— ibis conclufion, Mr *"~v w Malkelyne adds, is totally contrary to the hypothefis of ibme naturalids, ‘ who luppofe the earth to be only a great hollow ihcil or matter } 'upportmg itfell from the property of an arch, with an immenfe vacuity in the midd of it.’ But, weie that the cafe, the attraction of mountains, and even fmaller inequalities in the earth’s fui-face, would be very great, contrary to experiment, and would affeCt the mealures of the degrees of the me¬ ridian much more than we find they do $ and the vari¬ ation of gravity, in different latitudes, in going from the equator to the poles, as found by pendulums, would not be near fo regular as it has been found by experi¬ ment to be. “ 4. As mountains are by thefe experiments found capable of producing fenfible deflections of the plumb lines of aflronomical inflruments ; it becomes a matter of great importance, in the menfuration of degrees m the meridian, either to choofe places where the irregu¬ lar attraction of the elevated parts may be fmall 5 or where, by their fituation, they may compenfate or counteract the effeCts of each other.” For meafuring the heights of mountains, fee Baro¬ meter. Burning Mountains. See ./Etna, Hecla, Vesu¬ vius \ fee alfo VOLCANO, Geology Index. Marble Mountains. Of thefe there are great num¬ bers in Egypt, from which, though immenfe quantities have been carried off for the multitude of great works ereCled by the ancient Egyptians: yet in the opinion of Mr Bruce, who paffed by them in his journey to A- byffmia, there is dill a fufficient fupply to build Rome, Athens, Corinth, Syracufe, Memphis, Alexandria, and half a dozen more of fuch cities. The fird mountain of this kind mentioned by Mr Bruce is one oppofite to Terfowey, confiding partly of green marble, partly of granite, with a red bluff upon a gray ground, and fquare oblong fpots. Here he faw a mondrous obelifk of marble very nearly fquare, bro¬ ken at the end, and nearly 30 feet long and 19 feet in the face. Throughout the plain there were fcattered fmall pieces of jafper, with green, white, and red fpots, called in Italy diafpro fanguineo ; and all the moun¬ tains upon that fide feemed to confid of the fame mate¬ rials. From Mr Bruce’s defeription of thefe moun¬ tains, it would appear that they are compofed of ferpen- tine, and not of calcareous marble. Written Mountain, Mountain of Inferiptioni, or Ji- bel-al-Mokatteb, a fuppofed mountain, or chain of moun¬ tains, in the wildernefs of Sinai $ on which, for a great extent of fpace, the marble of which the moun¬ tain confids is inferibed with innumerable characters, reaching from the ground fometimes to the height of 12 or 14 feet. Thefe were mentioned by a Greek au¬ thor in the third century, and fome of them have been copied by Pococke arid other late travellers ; but, after all, there is dill a very great uncertainty even of the exiftence of fuch mountain or mountains. The vaft number of thefe inferiptions, the delert place in which they are found, and the length of time requifite for ex¬ ecuting the talk, have induced a notion by no means unnatural, that they are the work of the Ifraelites dur¬ ing their forty years wandering in the wildernefs. Ci¬ thers are of opinion that they contain nothing of any importance^ M O U [ 471 ] M O U Mountains, importance, but confift merely of the names of tiavel- ' Y~— lers and the dates of their journeys. M. Niebuhr, who vifited this country during his travels in the eaft, made every attempt in his power, though without fuccefs, to obtain a light of this cele¬ brated mountain. On applying to fome Greeks at Suez, they all declared that they knew nothing of the written mountain : they, however, directed him to an Arabian flieik, who had paffed all his lifetime in travelling be¬ tween Suez and Mount Sinai ; but he knew no more of it than the former. Underfianding, however, that a confiderable reward would be given to any perfon who would conduct them thither, this Arab directed them to another •, who pretended not only to know that mountain, but all others upon which there were any infcriptions throughout the defert. On inquiring particularly, however, our travellers found that he was not to be depended upon •, fo that they were obliged to have rccourfe to a fourth (heik, who by his converfa- tion convinced them that he had feen mountains with infcriptions in unknown charadlers upon them. It does not appear, however, that this perfon was very capable, more than the reft, of leading them to the place they fo much wilhed for; though he conducted them to fome rocks upon which there were infcriptions in un¬ known characters. They are moft numerous in a nar¬ row pafs between two mountains named Om-er-ridjlein ; and, fays M. Niebuhr, “ the pretended Jibel-el-Mo- katteb may poffibly be in its neighbourhood.” Somg of thefe infcriptions were copied by our author ; but he does not look upon them to be of any confequence. “ They feem (fays he) to have been executed at idle hours by travellers, who were fatisfied with cutting the unpolifhed rock with any pointed inftrument, adding to their names and the date of their jourheys fome rude figures, which befpeak the hand of a people but little fkilled in the arts. When fuch infcriptions are execu¬ ted with the defign of tranfmitting to pofterity the me¬ mory of fuch events as might afford inftruClive leffons, greater care is generally taken in the preparation of the ftones, and the infcriptions are engraven with more regularity.” When M. Niebuhr arrived at laft at the mountain to which the Iheik had promifed to condufl him, he did not find any infcriptions; but on climbing up to the top, he found out an Egyptian cemetery, the ftones of which were covered with hieroglyphics. The tomb ftones are from five to feven feet "n length, fome Hand¬ ing on end and others lying flat 5 and “ the more care¬ fully they are examined (fays he), the more certainly do they appear to be fepulchral ftones, having epitaphs inferibed on them. In the middle of thefe ftones is a building, of which only the walls now remain •, and within it are likewife a great many of the fepulchral ftones. At one end of the building feems to have been a fmall chamber, of which the roof ftill remains. It is fupported upon fquare pillars; and thefe, as well as the walls of the chamber, are covered with hierogly¬ phic infcriptions. Through the whole building are va¬ rious bufts executed in the manner of the ancient E- gyptians. The fepulchral ftones and the bufts are of hard and fine grained fand ftone.” M. Niebuhr is of opinion that this cemetery was not the work of the E- gyptians themfelves, but of fome colony which came from Egypt, and had adopted the manners and cuftoms of the people. He fuppofes that it might have been Mountain^. built by the Arabs, who had conquered Egypt under " the (hepherd kings, and adopted the Egyptian manners during their refidence there. As it muft have belong¬ ed to an opulent city, however, he owns that there is a great difficulty in accounting for the exiftenceof fuch a city in the midi! of a defert. The tranflator of Volney’s travels aferibes thefe in¬ fcriptions to the pilgrims who vilit Mount Sinai. But to this, as well as to every other conje£fure, there is this obje£tion, that whether the infcriptions be well executed or not, whether they contain matters of im¬ portance or not, they ought to have been written in a language which fomebochj could underftand ; but from the copies that have been taken of them by Dr Po- cocke and others, it does not appear that they could be explained either by him or any other perfon. When Dr Clayton, bilhop of Clogher, vifited this part of the world about the year 1723, he expreffed the greateft defire to have the matter concerning this written mountain or mountains afeertained, and even made an offer of cool, tlerling to any literary perfon who would undertake the journey and endeavour to de¬ cypher the infcriptions ; but no fuch perfon has appear¬ ed, and the exiftence of the mountains is teftified only by the fuperior of a convent at Cairo, who gave that mentioned in the beginning of this article. Until that part of the world, therefore, become more acceffible to travellers, there is but little hope that we can come to any certainty in the matter. M. Niebuhr plainly, from his own accounts, had not influence enough with the Arabs to (how him almoft any thing, as they refufed to condufl him even to the fummit of Mount Sinai. White Mountains. See New Hampshire. Mountains of the Moon, a chain of mountains in Africa, extending between Abyffinia and Monomotapa, and fo called from their great height. Mountains of the Lions, alfo in Africa, divide Ni- - gritia from Guinea, and extend as far as Ethiopia. They were ftyled by the ancients the mountains of God, on account of their being greatly fubject to thunder and lightning. Mountain of Forty Days ; a mountain of Judea, fi- tuated in the plain of Jericho to the north of that city. According to the abbe Mariti’s defeription, the fummit of it is covered neither with (hrubs, turf, nor earth ; it confifts of a folid mafs of white marble, the furface of which is become yellow by the injuries of the air.. “ The path by which you afeend to it (fays our author) fills one with terror, as it rifes with a winding courfe between two abyffes, which the eye dares fcarcely be¬ hold. This path is at firft pretty broad, but it at length becomes fo confined, that one cab with difficulty place both feet upon it at the fame time. When we ■ had afeended a little higher, vve found an Arab ftreteb- ed out on the path, who made us pay a certain toll for our paflage. Here the traveller requires courage. One of the parapets of the path being broke, we clung to the part which remained until we bad reached a fmall grotto, fituated very commodioufiy, as it gave us an op¬ portunity of recovering our breath. When we had relied ourfelves a little, we purfued our courfe, which became ftill more dangerous. Sufpended almoft from the rock, and having before our eyes all the horror of ' the M O U [ 47 -Mourning, the precipice, we could advance only by dragging one foot after the other ; fo that had the fmalleft fragment given way under us, we fliould have been hurried to the bottom of this frightful abyfs. “ This mountain is one of the higheft in the province, and one of its moft facred places. It takes its name from the rigorous fall which Chrift obferved here after having triumphed over the vanities of the wror!d and the power of hell. In remembrance of this miracle, a chapel was formerly conftrudled On the fummit of the mountain. It may be feen from the plain, but we could not approach it, as the path was alyiott entirely deftroyed. It, however, may be acceffible on the other fide of the mountain, which we did not vifit. A great many fcattered grottos are feen here ; in one of w'hich, according to Quarefmius, were depofited the bodies of feveral anchorets, which are flill entire. I have heard the fame thing afi'erted in the country, but I could never meet with any perfon who had feen them. Here we enjoyed the molt beautiful profpeft imagina¬ ble. This part of the mountain of Forty Days over¬ looks the mountains of Arabia, the country of Gilead, the country of the Ammonites, the plains of Moab, the plain of Jericho, the river Jordan, and the whole extent of the Dead fea. It was here that the devil faid to the Son of God, ‘ All thefe kingdoms will I give thee, if thou wilt fall down and w'orlhip me.” MOURNING, a particular drefs or habit worn to fignify grief on fome melancholy occafion, particularly the death of friends or of great public charadlers The modes of mourning are various in various coun¬ tries ) as alfo are the colours that obtain for that end. In Europe, the ordinary colour for mourning is black-, in China, it is white •, in Turkey, blue or violet ; in Egypt, yellow ; in Ethiopia, brown. White obtained formerly in Cafiile on the death of their princes. Her¬ rera obferves, that the laft time it was ufed was in 1498, at the death of Prince John. Each people pretend to have their reafons for the particular colour of their mourning : white is fuppofed to denote purity ; yellow, that death is the end of human hopes, in regard that leaves when they fall, and flowers when they fade, be¬ come yellow7 : brown denotes the earth, whither the dead return $ black, the privation of life, as being the privation of light : blue expreffes the happinefs which it is hoped the deceafed does enjoy and purple or vio¬ let, forrow on the one fide, and hope on the other, as being a mixture of black and blue. Mourning, among the ancients, was expreffed va¬ rious ways. Amongft the Jexvs, on the death of their relations or intimate friends, grief or mourning was fignified by weeping, tearing their clothes, fmiting their breafts, or tearing them w7ith their nails, pulling or cutting off their hair and beards, walking foftly, i. e. barefoot, lying upon the ground, fading, or eating upon the ground. They kept themfelves clofe fnut up in their houfes, covered their faces, and abftained from all work, even reading the law7, and faying their ufual prayers. They neither dreffed themfelves, nor made their beds, nor ftiaved themfelves, nor cut their nails, nor went into the bath, nor faluted any body : fo that fulkinefs feems to have been an indication of forrow7 5 and dirtinefs, of diftrefs. The time of mourning a- '•mong the Jews was generally feven days: though this 2 ] m o u wTas lengthened or (hortened according to -circumflan- Mourning, ces -, but 30 days were thought fufficient upon the fe- v ~ ,{ vereft occafions. The different periods of the time of mourning required different degrees ol grief, and dif¬ ferent tokens of it. The Greeks, on the death of friends, fliowed their forrovv by fecluding themfelves from all gaiety, en¬ tertainments, games, public folemnities, the enjoy¬ ment of wine, and the delights of mufic. They fat in gloomy and folitary places, flripped themfelves of all external ornaments, put on a coarfe black fluff by way of mourning, tore their hair, flraved their heads, rolled themfelves in the dull and mire, fprinkled allies on their heads, fmote their breafts with their palms, tore their faces, and frequently cried out with a la¬ mentable voice and drawling tone, reiterating the in- terjeftion e, e, 8, e ; hence funeral lamentations were call¬ ed EAeyoi. If they appeared in public during the time of mourning, they had a veil thrown over their faces and heads. During the funeral proceflion, certain per- fons called marched before, and fung me¬ lancholy ftrains called oyoipv^oi lette/uoi, Aivot and AtMvoi. Thefe vocal mourners fung thrice during the procel- fion round the pile and round the grave. I* lutes wrere alfo ufed to heighten the folemnity. At the fune¬ rals of foldiers, their fellow foldiers who attended, as a teftimony of their afflicfion, held their (hields, their fpears, and the reft of their armour, inverted. The tokens of private grief among the Romans were the fame as thofe already obferved as cuftomary among the Greeks. Black or dark biown were the colours of the mourning habits worn by the men 5 they wrere alfo common to the women. The mourning of the emperors at firft was black. In the time of Auguftus, the women wore white veils, and the reft of their drefs black. From the time of Domitian they wore nothing but white ha^ bits, without any ornaments of gold, jew7elc, or pearls. The men let their hair^and beards grow, and wore no wreaths of flowers on their heads while the days of mourning continued. The longeft time of mourning w7as ten months : this was Numa’s eftablifhment, and took in his whole year. For a widow to marry during this time was infamous. Mourning was not ufed for children who died under three years of age. From this age to^ten they mourned as many months as the child was years old. A remarkable vitftory, or other happy event, occafioned the fhortening of the time of mourn¬ ing : The birth of a child, or the attainment of any remarkable honour in the family, certain feafts in ho¬ nour of the gods, or the confecration of a temple, had the fame effetft. After the battle of Cannae, the com¬ monwealth decreed that mourning fhould not be worn for more than 3© days, that the lots might be forgotten as foon as poflible. When public magiftrates died, or perfons of great note, alfo when any remarkable cala¬ mity happened,. all public meetings were intermitted, the fchools of exercile, baths, {hops, temples, and all places of concourfe wrere fhut up, and the whole city put on a face of forrow 5 the fenators laid afide the la tic lave, and the confuls fat in a lower feat than ordinary. This was the cuftom of Athens alfo, and w7as obferved upon the death of Socrates not long after he had been Sen¬ tenced to death by their judges. Pra’Jiccc, or mourning wo nen, (by the Greeks called went about the ftreets; this was cufto¬ mary t M O U [ 473 ] M O U Moufe II Mouful. mary among the Jews as w'ell as the Greeks and Romans, (Jerem. is* 17O MOUSE. See Mus, Mammalia Index. Mov$E-Ear. See Hieracium, 7 -d t j MousE-TaiL See Myosurus, j BoTAKT Dor-MousE. See Myoxus, 7 r i S/trezv-Movss. See Sorex! | Mammal,a Mtx- ?/IOUSELLE, the name of an Eaft Indian tree, with white tubular flowers, which fall off every day in great plenty. They are of a fweet agreeable fmell, and the Gentoos are very fond of wearing them, ftringing and hanging them about their necks and arms. The fruit is a pale red cherry, of the fhape and lize of our white heart cherry, but the footflalk is not quite fo long. This fruit h^s a Hone in it, containing a bitter oily kernel. The Indians rub with this oil any part flung by a fcorpion or bitten by a centipede, which it foon cures. The crows are very fond of the fruit. MOUSUL, or Mosul, a large city of Turkey in Afia, and capital of a beglerbegate, {lands on the v/eft bank of the Tigris, in the latitude, according to Mr Ives’s obfervation, of 36° 30' north. It is furrounded with {lone walls, but has many of its flreets lying wafte. Tavernier fpeaks of it as a ruined place, with only two blind markets and a forry callle ; yet, he fays, that it is mqch frequented by merchants, and that its baflia comrJiands 3000 men. There is a bridge of boats over the Tigris; and the city is a thoroughfare from Perfia to Syria, which makes it a place of trade, and which is more augmented by a conftant traffic from this place to Bagdad. The country on this fide the river is fandy and barren ; but on the oppofite fide it is exceedingly fruitful, yielding good crops of corn and fruit in abundance. Mr Ives fays it was the bell built city he had feen in Turkey •, bu? had nothing in it to attradl the notice of an European. It was be- fieged for near fix months by Nadir Shah without fuc- cefs. Breaches were frequently made in the walls, and affaults continued for three days fucceffivdy ; but the affailants were conftantly repulfed, and the breaches made in the day time repaired during the night. The befieged had unanimoufly refolved to die rather than to fubmit. The Turks declared, that fhould the place be forced to furrender, they were determined to put to death all their wives and daughters firft, that they might not fall into the vile hands of the abhorred Per- fians. The place was therefore defended with uncom¬ mon bravery ; even the women and children exerted th emfelves with the greateft alacrity. The Chriftians behaved in fuch a manner as to gain the efteem and ad¬ miration of the other inhabitants ; and fome of their churches being demolilhed, they were afterwards repair¬ ed at the expence of government. In this city there are a great many mofques, the larged and mod dately of which is ornamented on the top with green tiles. At the doors of thefe houfes there are ufually inferiptions in gilt letters, declaring the awfulnefs of the building, as being the houfe of God. One of them has a minaret which bends like thofe of Bagdad. Some of the mod bigotted Turks fay, that Mahomet faluted this minaret as he paffed ; on which it bent its head in reverence to the prophet, and ever after continued in that fituatton. The ma- Vol. XIV. Part II. nufailure of this city is t?iuJJ'o/en (muflin), which is made very fliong and pretty fine. In the year 1757 this, ~ li' , city and the country adjacent were vifited by a dread¬ ful famine, owing to the preceding hard winter, and innumerable multitudes of locuds, by which the fruits of the earth were dedroyed. When Mr Ives was there in 1758, the country was comparatively depopu¬ lated. Almod all the brute creation had been de¬ droyed for the fubfidence of man. During the famine^ the people had eaten dogs, and every kind of animal which is held in abhorrence at any other time, not fparing even their own children ; and the dead bodies lay in the fireets for want of people to bury them. Their fruit trees were alfo dedroyed by the {rod j fo that when our author was there fcarcely any fruit could be had. The neighbouring mountains afford filver mines; and they would yield much quickfilrer if the Turks had either the drill or inclination to work them to advantage. Lanza fays, that fome time ago an Englishman who travelled through this country got two or three bottles of it, which he prefented to the badia as a fpecimen of what might be done in that way : but no farther attempt was made. Here alio are feme lead mines, which fupply as much of that metal as furnilhes them with bullets and iome neceffary utenfils. MOU-TAN, or PEONY SHRUB of China : alfo call¬ ed hoa-ouang, or “ the king of dowers,” and pe/eang- hin, “ an hundred ounces of gold,” in allufion to the exceffive price given formerly by lome of the virtuofi for certain fpecies of this plant. The mou~tan feems to claim pre-eminence, not only on account of the fplendour and number of its flowers, and of the fweet odour which they diffufe around, but alfo on account of the multitude of leaves which compofe them, and of the beautiful golden fpots with which they are in- terfperfed. This plant, which is of a {hrubby nature, fhoots forth a number of branches, which form a top almoft as large as thofe of the fined: orange trees. MOU TH, in Anatomyy a part of the face, confid¬ ing of the lips, the gums, the infides of the cheeks, the palate, the falival glands, the os hyoides, the uvula, and the tonfils 5 which fee under the article Ana¬ tomy. Mr Derham obferves, that the mouth in the feveral fpecies of animals is nicely adapted to the ufes of fuch a part, and well fized and draped for the formation of fpeech, the gathering and receiving of food, the catch¬ ing of prey, &c. In fome creatures it is wide and large, in others little and narrow : in fome it is formed with a deep incifure into the head, for the better catch¬ ing and holding of prey, and more eafy comminution of hard, large, and troublefome food ; and in others with a diorter incifure, for the gathering and holding of her¬ baceous food. In birds it is neatly (haped for piercing the air ; hard and horny, to fupply the want of teeth ; hooked, in the rapacious kind, to catch and hold their prey j long and {lender in thofe that have their food to grope for in moorifh pihees; and broad and long in thofe that fearch for it in the mud. Nor is the mouth lefs re¬ markable in infects ; in fome it is forcipated, to catch, hold, and tear the prey \ in others aculeated, to pierce and wound animals, and fuck their blood 5 in others, ftrongly rigid, with jaws and teeth, to gnaw and ferape 3 O out / M U F [ 474 ] M U L Mowee out their food, carry burdens, perforate the earth, nay the hardeft wood, and even ftones themfelves, for houfes ^ and nefts for their young. MOWEE, one of the Sandwich iflands, difcoverc(f by Captain Cook, is 162 miles in circumference. A low iithmus divides it into two circular peninfulas, of which the eaftern is double the fize of the weftern. The mountains in both rife to a great height, and may be feen at the diilance of more than 30 leagues. The northern Ihores, like thofe of Owhyhee, afford no found¬ ings, and the country prefents the fame appearance of verdure and fertility. The number of inhabitants is computed at about 65,000. W. Long. 175. 56. N. Lat. 20. 53- MOXA, or ajugwort of China, is a foft lanugi- nous fubftance, prepared in Japan from the young leaves of a fpecies of Artemisia, by beating them together when thoroughly dried, and rubbing them betwixt the liands till only the fine fibres are left. The down on the leaves of mullein, cotton, hemp, &c. anfwers the fame purpofe. In the Eaflern countries it is ufed by burning it on the fkin : a little cone of the moxa is laid upon the part, previoufly moiftened, and fet on fire at the top ; it burns down with a temperate glowing heat, and produces a dark coloured fpot, the exulceration of which is promoted by applying a little garlic; the ulcer is left to difcharge, or is foon healed, according to the intention in ufing the moxa. MOYRA. See Moira. MUCILAGE, in Phartnacyt is in general any vifcid or glutinous liquor. Mucilage alfo imports the liquor which princi¬ pally ferves to moiflen the ligaments and cartilages of the articulations, and is fupplied by the mucilaginous glands. MUCOR, in Botany, a genus of the order of fungi, belonging to the cryptogamia clafs of plants. See Bo¬ tany Index. MUCUS, a mucilaginous liquor fecreted by certain glands, and ferving to lubricate many of the internal cavities of the body. In its natural flate it is generally limpid and colourlefs ^ but, from certain caufes, affumes a thick confidence and a whitifh colour like pus. For the diftJnguifhing charadlers between pus and mucus, fee Chemistry, N° 2769. MUCK, or running A muck, is a practice that has prevailed time immemorial in Batavia. To run a muck, in the original fenfe of the word, is to get intoxicated with opium, and then rufh into the flreet with a drawn weapon, and kill any one that comes in the way, till the party is himfelf either killed or taken prifoner. If the officer take one of thefe atnocks or mohawks (as they have been called by an eafy corrup¬ tion) alive, he has a confiderable reward j.and the un¬ happy "wretch is always broken alive on the wheel: but fuch is the fury of their defperation, that three out of four are neeeffarily deftroyed in attempting to fecure them. MUD-iguana. See Murjena, Ichthyology Index. MUFFLE, in Chernijiry, a veffel employed in fome metallurgic operations. In figure it reprefents an ob¬ long arch or vault, the hinder part of which is clofed by a femicircular plane, and the lower part or floor of which is a re£langular plane. It is a little oven that is Mufti placed horizontally in affay and enamelling furnaces, „ II fo that its open fide correfpoiids with the door of the fire- ‘ ~ L ~ ’ place of the furnace. Under this arched oven finall cupels or crucibles are placed j and the Jubilances con¬ tained are thus expofed to intenfe heat without contadl of fuel, fmoke, or afhes. MUFTI, the chief of the ecclefiaflical order, or primate of the Muffulman religion. The authority of the mufti is very great in the Ottoman empire •, for even the fultan himfelf, if he w'ould preferve any ap¬ pearance of religion, cannot, without hearing his opi¬ nion, put any perfon to death, or fo much as intlidl any corporal punilhment. In all a&ions, efpecially criminal ones, his opinion is required, by giving him a writing in wdiich the cafe is Hated under feigned names; which he fubfcribes with the words, He Jhall, or /hall not, he punifljed. Such outward honour is paid to the mufti, that the grand fignior himfelf rifes up to him, and advances feven Heps to meet him when he comes into his prefence. He alone has the honour of kiffmg the fultan’s left Ihoulder, whilfl the prime vizier kiffes only the hem of his garment. When the grand fignior addrtffes any writing to the mufti, he gives him the following titles: To the Efad, the wifejl of the wife, injlrucled in all knowledge, the mqft excellent of excel- lents, ahjlaining from things unlawful, the fpring of vir¬ tue and of true fcience, heir of the prophetic doBrines, refolver of the problems of faith, revealer of the ortho¬ dox articles, key of the treafures of truth, the light to the doubtful allegories, frengthened with the grace of the fupreme Legifator of mankind, may the Mofl High G&dperpetuate thy virtues ! The election of the mufti is folely in the grand fignior, who prefents him with a veil of rich fables, &c. If he is convidled of treafon or any great crime, he is put into a mortar kept for that purpofe in the Seven To wTers at Conftantinople, and pounded to death. MUGGLETONIANS, a religious fe£l which arofs in England about the year 1657 ; fo denominated from their leader Lodowdck Muggleton, a journeyman taylor, who, with his affociate Reeves, fet up for great prophets, pretending, as it is faid, to have an abfolilte power of laving and damning wdiom they pleafed ; and giving out that they were the two laft witneffes ef God that Ihould appear before the end of the world. MUGIL, the mullet, a genus of fifties belonging to the order of abdorninales. See Ichthyology Index. MUG WORT, a fpecies of Artemisia j which fee, Botany Index. MUID, a large meafure in ufe among the French, for things dry. The muid is no real veffel ufed as a meafure, but an eftimation of feveral other meafures j as the feptier, mine, minot, bufhel, &.c. Muid, is alfo one of the nine calks, or regular vef- fels ufed in France, to put wine and other liquors in. The muid of wine is divided into two demi-muids, four quarter-muids, and eight half-quarter muids, containing 36 feptiers. MULATTO, a name given in the Indies to thofe wdio are begotten by a negro man on an Indian or white wo¬ man, or by an Indian or white man on a negro woman. MULBERRY. See Morus, Botany Index. Mul berrx-Cyder, a name given by the people of Devonlhire, and fome other parts of England, to a fort.. Mulct I! Mulier. perfon *. a woman, mulier. if M U L [ 475 1 fort of cyder rendered very palatable by an admixture heir of tbe father of mulberry juice in the making ; they choofe for this purpofe the ripelt and blacked mulberries, and pref- fing out their juice, and mixing it with a full bodied cyder at the time of the grinding and preffing, give juft fo much of it as adds a perceptible flavour. It is very worthy the attention of people who live in other countries, where ftrong and good cyder is made, that this renders it a fort of wine much more agreeable than any other Englilh liquor, and might be brought into general ufe, to the great advantage of the dealer. The colour of this liquor refembles that of the brighteft red wine, and the flavour of the mulberry never goes off. Phil. Tranf. N° 133. MULCT, a fine of money laid upon a man who has committed fome fault or mifdemeanour. MULE, a mongrel kind of quadruped, ufually ge¬ nerated between an afs and a mare, and fometimes between a horfe and a Ihe afs; but the fignification of the word is commonly extended to every kind of ani¬ mal produced by a mixture of two different fpecies. See Mammalia Index. Mules, among gardeners, denote a fort of vege¬ table monfters produced by putting the farina fcecun- dans of one fpecies of plant into the piftil or utricle of another. The carnation and fweet-william being fomewhat alike in their parts, particularly their flowers, the farina of the one will impregnate the other, and the feed fo enlivened will produce a plant differing from either. An inftance of this we firft had in Mr Fairchild’s gar¬ den at Hoxton 5 where a plant is feen neither fweet- william nor carnation, but refembling both equally : this was raifed from the feed of a carnation that had been impregnated by the farina of the fweet-william. Thefe couplings being not unlike thofe of the mare with the afs, which produce the mule, the fame name is given them 5 and they are, like the others, incapable of multiplying their fpecies. This furnifhes a hint for altering the property and tafte of any fruit, by impregnating one tree with the farina of another of the fame clafs j e. gr. a codlin with a pear-main, which will occafion the codlin fo impreg¬ nated to laft a longer time than ufual, and to be of a (harper tafte. MULHAUSEN, an imperial and Hanfeatic town of Germany, in Upper Saxony, and in Thuringia, un¬ der the protedfion of the eledtor of Saxony; feated in a fertile country, on the river Unftrutht, 15 miles north- eaft of Eifenach, and 45 eaft by fouth of Caffel. E. Long. 10. 49. N. Lat. 51. 13. Mulhausen, a confiderable town of Germany, in Alface, and capital of a republic in alliance wTith the Sw’ifs. It is populous, wTell built, and adorned wdth handfome public ftrufiuresy feated in a pleafant fertile country, on an ifland formed by the river 111, 15 miles north-weft of Bafle, and 20 eaft of Befort. E. Long. 7. 24. N. Lat. 47. 48. MULIER, in Law, fignifies the lawful iffue born in wedlock, though begotten before. 1 he mulier is preferred to an older brother born out of matrimony *, as for inftance, if a man has a fon by a woman before marriage, which iflue is a baftard, and afterw'ards*mar- ries the mother of the baftard, and they have another fon, this fecond fon is mulier and lawful, and (hall be m u l but the other can be heir to no Muli By the civil law, after that he marries rhere a man has iffue by Mul|nga her, the rilue is ■ * See the MULL, one of the Weftern iflands of Scotland, about article is m ge- 25 miles long, and as much in breadth. It _ neral rocky and barren, not producing a fuflicient quantity of corn for the inhabitants j but a great num¬ ber of cattle are annually exported, w'hich with the fiftr- ings and a confiderable quantity of kelp are the only articles of commerce. It is deeply indented with bays and creeks, forming in feveral parts good natural har¬ bours. There are no villages except Tobermorey, near the northern point of the ifland, where a filhing ftation has been eredled. The ifland was originally part oi the dominions of the Lords of the Ifles j but in after¬ times it became a part of the poffeflions of the ancient family of Macleans, who ftill retain a confiderable part. The duke of Argyll is alfo a confiderable proprietor. The ruins of feveral ancient caftles are feen on this ifland. The population of Mull, in 1795, amounted t© about 8000 perfons. Mvll of Cantyre. See Cantyre. Mull of Galloway. See Galloway. MULLEIN. See Verbascum, Botany Index. MULLER, or Regiomontanus, John, a cele¬ brated aftronomer of the 15th century, w^as born at Koninglhoven in Franconia in 143^’ an<^ acquired great reputation by publilhing an abridgement of Pto¬ lemy’s Almageft, which had been begun by Purback. He went to Rome to perfedl himfelf in the Greek tongue, and to fee the Cardinal Baffarion } but find¬ ing fome faults in the Latin tranflation of George de Trebizond, that tranflator’s fon affaflinated him in a fecond journey he made to Rome in 1476, where Pope Sixtus IV. had provided for him the arch- bilhopric of Ratifbon, and had fent for him to reform the calendar. Others fay that he died of the plague. Muller, or Mu/lar, denotes a ftone flat and even at bottom, but round atop j ufed for grinding of matters on a marble,—The apothecaries ufe mullers to prepare many of their teftaceous powders ; and painters for their colours, either dry or in oil. Muller is an inftrument ufed by the glafs grinders; being a piece of wood, to one end whereof is cement¬ ed the glafs to be ground, whether convex in a ba- fon, or convave in a fphere or bowl.—The mailer is ordinarily about fix inches long, turned round : the cement they ufe is compofed of allies and pitch. See Grinding. MULL ERAS, a town of Germany, in the circle of Upper Saxony, and rnarquifate of Brandenburg, feated 38 miles fouth of Berlin, upon a canal which joins the Oder and the Spree. This canal is 15 miles in length, 10 yards in breadth, and feven feet in depth. It was eight years in making •, and fince that time Baflari. the cities of Hamburg and E. Breflaw have carried on Long. 14. 50. N. Lat. great trade by water. 52. 21. MULLET. See Mugil, Ichthyology Index. Mullet, or Mullet, in Heraldry, a bearing in form of the rowTel of a fpur, which it originally repre- fented. MULLINGAF , the county town of Weftmeath, and province of Leinfter, in Ireland, 38 miles from 3 O 2 Dublin. Mull us ii Mum. M N. Lat. U M [ 47 Vv ithin a 6 ] M U M Dablln. N. Lat. 53. 30. W. L«ong. 7.50 few miles of it are the ruins of a church, and alfo thofe ; of a caflle. It is fituatecl on the river i'eyle. It holds a great wool fair, and is a place of good trade. In 12 27, the priory of St Mary, formerly known by the name of The Hottfe of God of Mullingar, was founded here by Ra!ph de Petyt biihop of Meath, for regular canons of the order of St Augudin. A Dominican friary was alfo founded here in 1237 by the family of Nugent; fome ruins of which {till remain. In 1622, the friars of Multlfarnham began to ere6t a houfe there for friars of the order of St Francis, but it was never completed. MULLUS, the Surmullet, a genus of filhes be¬ longing to the order of thoracici. See Ichthyology Index. MULTIPLE, in Arithmetic, a number which com¬ prehends fome other feveral times; thus 6 is a multiple of 2, and 1 2 is a multiple of 6, 4, and 3 ; comprehend¬ ing the firft twice, the fecond thrice, Sec. Actio*} of MULTIPLEPOINDING, in Scots Law. See Law, N° clxxxhi. 24. MULTIPLICAND, in Arithmetic, the number to be multiplied by another. See Arithmetic. MULTIPLICATION, in general, the a£l of in- creafing the number of any thing. Multiplication, in Arithmetic, is a rule by which any given number may be fpeedily increaled, accord¬ ing to any propofed number of times. See Arith¬ metic. Multiplication, in Algebra. See Algebra. MULTIPLICATOR, or Multiplier, in Arith¬ metic, the number by which any other is multiplied, or the number of times it is fuppofed to be taken. MULTIPLICATUS Flos, a luxuriant flower, whofe petals are multiplied fo as to exclude a part or the whole of the ftamina. MULTIPLYING glass, in Optics, a glafs where¬ with ohjeSls appear increafed in number. See Optics. MULTURE, in Scots Daw, a certain ftipulated quantity of meal given as payment tb the proprietor or tackfman of a mill for grinding the corn : and all corn ground on farms thirled to the mill is obliged to pay multure whether the corn be ground at that mill or elfewhere. MULVIA, a river of Barbary in Africa, which rifes in the mountains of Atlas, and divides the em¬ pire of Morocco from that of Algiers, and then falls into the Mediterranean, to the welt ward of Marfal- quiver. MUM, a k,ind of malt liquor much drunk in Ger¬ many, an(I chiefly brought from Bmnfwick, which is the place of moll note for making it. The procefs of brewing mum, as recorded in the townhoufe of that city, is as follows : Take 63 gallons of w-ater that has been boiled till one third part is confumed, and brew it with feven bufhels of wheaten malt, one bufhel of oat meal, and one bufhel of ground beans. When it is tunned, the hoglhead muft pot be filled too full at firfl: : as foon as it begins to wmrk, put into it three pounds of the inner rind of fir, one pound of the tops of fir and beech, three handfuls of carduus benediffus, a handful or twro of the flower of rofa foils : add bur- net, betony, marjdram, avens, pennyroyal, and wild thyme, of each a handful and a half; of elder flowers, two handfuls or more ; feeds of cardamom bruif- Mumnltus ed, 30 ounces ; barberries bruifed, one ounce : when ii the liquor has worked a while, put the herbs and feeds Mu^Riy-j into the veflel; and, after they are added, let it work over as little as poffible ; then fill it up ; laftly, when it is flopped, put into the hogfhead ten new-laid eggs unbroken ; flop it up clofe, and ufe it at two years end. The Englhh brewers, inflead of the inner rind of fir, ufe cardamom, ginger, and faflafras ; and alfo add elecampane, madder, and red fanders. MUMMIUS, L. a Roman conful lent againfl the Achaeans, whom he conquered B. C. 1*7. He de- ftroyed Corinth, Thebes, and Chalcis, by order of the fenate, and obtained the furname of Achaicus from his victories. He Aid not enrich himlelf with the fpoils of the enemy, but returned home without any increafe of fortune. He was fo little acquainted with the value of the paintings and works of the moft celebrated artifts of Greece which were found in the plunder of Corinth, that he faid to thofe who conveyed them to Rome, that if they lofl or injured them, they ftiould make others in their ftead. MUMMY, a body embalmed or dried, in the man¬ ner ufed by the ancient Egyptians ; or the compofition with which it is embalmed. There are two kinds of bodies denominated mummies. The firfl are only car- cafes dried by the heat of the fun, and by that means kept from putrefadlion : thefe are frequently foutid ia the fands of Libya. Some imagine, that thefe are the bodies of deceafed people buried there on purpofe to keep them entire without embalming ; others think, they are the carcafes of travellers who have been over¬ whelmed by the clouds of fand raifed by the hurri¬ canes frequent in thofe deferts. The fecond kind of mummies are bodies taken out of the catacombs near Cairo, in which the Egyptians depofited their dead af¬ ter embalming. See Embalming. We b ave. two different fubflances preferved for me¬ dicinal ufe under the name of mummy, though both in fome degree of the fame origin. The one is the dried and preferved flefh of human bodies, embalmed with myrrh and fpices; the other is the liquor running from fnch mummies, when newly prepared, or when aft'e&ed by great heat or damps. The latter is fome- times in a liquid, fometimes of a foil’d form, as it is preferved in vials ivell flopped, or fufifered to dry and harden in the air. The firfl kind of mummy is brought to us in large pieces, of a lax and friable texture,, light and fpongy, of a blackifh brown colour, and of¬ ten damp and clammy on the furface : it is of a flrong but difagreeable fmell. The fecond kind of mummy, in its liquid ftate, is a thick, opaque, and vifeous fluid, of a blackifh colour, but not difagreeable fmell. In its indurated ftate, it is a dry folid fubftanee, of a fine finning black colour, and clofe texture, eafily broken, and of a good fmell; very inflammable, and yielding a feent of myrrh and aromatic ingredients while burning. This, if we cannot be content with¬ out medicines from our own bodies, ought to be the mummy ufed in the (hops; but it is very fcarce and dear ; while the other is fo cheap, that it will always be moft in ufe.- All thefe kinds of mummies are brought from E- gypt. But we are not to imagine, that any body breaks up the real Egyptian mummies, to fell them in pieces ; V Mummy 1! Munch. M U N [ 477 ] M U N pieces to the druggtfts, as they make a much better market of them in Europe whole, when they can con¬ trive to get them. What our druggifts are (applied with, is the fleth of executed criminals, or of any other bodies the Jews can get, who fill them with the common bitumen, fo plentiful in that part of the world ; and adding a little aloes, and two or three other cheap ingredients, fend them to be baked in an oven, till the juices are exhaled, and the embalming matter has penetrated fo thoroughly that the fielh will keep and bear tranfporting into Europe. Mummy has been elleemed refolvent and baliamic : but whatever virtues have been attributed to it, feem to be fuch as depend more upon the ingredients ufed in preparing the flefh than in the fielh itfelf; and it would furely be better to give thofe ingredients without fo (hocking an addition. There are found in Poland a kind of natural mum¬ mies, or human bodies preferved without the adidance of art. Thefe lie in confiderable numbers in fome of the vaft caverns in that country. They are dried with the fiefih and (kin fhrunk up almoil clofe to the bones, and are of a blackith colour. In the wars which fe- veral ages ago laid wafte that country, it was com¬ mon for parties of the weaker fide to retire into thefe caves, where their enemies, if they found them out, fuf- focated them by burning draw, &c. at the mouth of the cavern, and then left the bodies j which, being out of the way of injuries from common accidents, have lain there ever fince. Mummy, among gardeners, a kind of wax ufed in grafting and planting the roots of trees, made in the following manner : Take one pound of black pitch, and a quarter of a pound of turpentine ; put them to¬ gether into an earthen pot, and fet them on fire in the open air, holding fomething in your hand to cover and quench the mixture in time, which is to be alter¬ nately lighted and quenched till all the nitrous and vo¬ latile parts be evaporated. To this a little common wax is to be added ; and the compofition is then to be fet by for ufe. MUMPS. See Medicine Index. MUNDA, an ancient town of Spain, in the king¬ dom of Granada, feated on the declivity of a hill, at the bottom of which runs a river. W. Long. 4. 13. N. Lat. 48. 15. This city was anciently famous for a vidlory gained by Csefar over the two fons of Pomney, who-had col¬ lected an army in Spain after the defeat of their father at Pharfalia. See {Hiftory of) Rome. The Porapeys ported their army advantageoufly on a rifmg ground, whereof one fide was defended by the city of Munda, and the other ♦ a fmall river which watered the plain, and by a marih : fo that the enemy could not attack them but in front. Csefar likewife drew up his troops with great art, and having advan¬ ced a little way from his camp, ordered them to halt, expedling the enemy would abandon their advan¬ tageous port, and come to meet him. But as they did not ftir, Cmfar made as if he intended to fortify him- felf in that port; which induced the young general, who looked upon this as a fign of fear, to advance into the plain, and attack the enemy before they could fecure themfelves with any works. Pompey’s army was by far the molt numerous: for it confided of 13 legions, 6000 horfe, and an incredible number of auxiliaries, among whom were all the forces of Bacchus king of Mauritania, commanded by his two fon«, both youths of great valour and bravery. Coefar had 80 cohorts, three legions, to wit, the third, the fifth, and the tenth, and a body of 8o®0 horfe. As the enemy- drew near, Csefar betrayed a great deal of uneafinefs and concern, as if he were doubtful of the fuccefs, knowing he was to engage men no way inferior in va¬ lour and experience to his own, and commanded by officers who had on many occaiions given iignal proofs of their bravery and conduft. Cneius, the elder of the two brothers, was generally looked upon as an able commander •, and Labienus, who had revoked, efteemed fcarce inferior to himfelf. However, the ditdator, defirous to put an end to the civil war, either by his own death or that of his rivals, gave the (ignal for the battle, and fell upon the enemy with his ufual vigour and refolution. At the find onfi t, which was dreadful, the auxiliaries on both fides betook themfelves to flight, leaving the Romans to decide their quarrel by themfelves. Then the le¬ gionaries engaged with a fury hardly to be expreffed ; Caefar’s men being encouraged by the hopes of putting an end to all their labours by t1,*j battle, and thofe of Pompey exerting themfelves out of nec * :ty and def- pair, fince moft of them expected no quarter, as hav¬ ing been formerly pardoned. Never was victory more obrtinately difnuted. Caefar’s men, who had been al¬ ways ufed to conquer, found themfelves fo vigoroufly charged by the enemy’s legionaries, that they began to give ground ; and though they did not turn their backs, yet it was manifeft that (hame alone kept them in their ports. All authors agree, that Crefar had never been in fo great danger; and he himfelf, when he came back to his camp, told his friends, that he had often fought for viftory, but this was the firft time he had ever fought for life. Thinking hirnfelf abandoned by tor- tune, which had hitherto favoured him, he had fome thoughts of dabbing himfelf with his own fword, and by a voluntary death preventing the difgrace of a de¬ feat : but returning foon to himfelf, and concluding it would be more to his reputation to fall by the enemy’s hand at the head of his troops, than, in a fit of deip ir, by his own, he difmounted from his horfe, and (hatch¬ ing a buckler from one of his legionaries, he threw him¬ felf like a man in defpair into the mi dll of the enemy ; crying out to his men. Are you not afhamed to deliver your general into the hands of boys ? At thefe words, the foldiers of the tenth legion, animated by the ex¬ ample of their general, fell upon the enemy with freih vigour, and made a dreadful havock of them. But in fpite of their utmoft efforts, Pompey’s men tlill kept their ground, and, though greatly fatigued, return¬ ed to the charge with equal vigour. Then the Cre- farians began to defpair of viflory ; and the dictator, running through the ranks of his difheartened legion¬ aries, had much ado to keep them together. The battle had already lafted from the rifing to the fetting of the fun, without any confiderable advantage on either fide. At length a mere accident decided the difpute in favour of the diftator. Bogud, a petty king of Mau¬ ritania, had joined Cartar foon after his arrival in Spain, with fome fquadrons of Numidian horfe ; but, in the very M U N [ 478 ] M U N MunJic very beginning of the battle, being terrified at the il fhouting of the foldiers, intermingled with groans, and Mumc t. ciafhing 0f ^eir arms, he had abandoned his poll, and retired with the auxiliaries under his command to a rifing ground at a fmall diftance from the enemy’s camp. There he continued the whole day an idle fpedlator of the battle that was fought in the plain. Jlut towards the evening, partly out of fhame and partly out of compaffion for his friend Caefar, he re- folved to fall upon Pompey’s camp 5 and accordingly flew thither with all the forces he had with him. La- bienus, apprifed of his defign, haftened after him to the defence of the camp *, which Csefar obferving, cried to his legionaries, Courage, fellow foldiers ! the viBory at length is ours ; Labietius fies. This artifice had the defired effeft : Caefar’s men, believing that Labienus was truly fled, made a lafl: effort, and charged the wing he commanded fo brifkly, that after a moft ob- flinate difpute they put them to flight. Though the enemy’s left wing was thus entirely defeated, the right wing, where the elder Pompey commanded, ftill kept their ground for fome time. Pompey difmounting from his horfe, fought on foot like a private man in the firfl: line, till molt of his le¬ gionaries being killed, he was forced to fave himfelf by flight fri-M falling into the enemy’s hands. Part of his troops fled back to their camp, and part took fhelter in the city of Munda. The camp was imme¬ diately attacked, and taken fword in hand j and as for the city, Caffar, without lofs of time, drew a line cf circumvallation round it. This victory was gained on the 16th of the kalends of April, i. e. according to our way of counting, on the i^th day of March, when the Dionyfian feftival, or the Liberalia, were celebrated at Rome; the very day, as Plutarch obferves, in which Pompey the Great, four years before, had fet out for the war. In this aftion Pompey loft 30,000 men •, among whom were the famous Labienus, Attius Va¬ rus, and 3000 Roman knights. Seventeen officers of diftin&ion were taken, and all the enemy’s eagles and enfigns, together with Pompey’s fafces, which he had affumed as governor of Spain. On Caefar’s fide, pnly 1000 men were killed and 500 wounded. MUND1C, or Marcasite, an old name for py¬ rites of copper or iron. See Ores of Copper and Iron, Mineralogy Index. MUNDINGOES, the name of a people who live on the fides of the river Gambia in Africa, and who are of a jet black colour, ftrong, and well made. They have a prieft fent over every year from one of the Cape de Verd iflands to chriften and marry. MUNDUS patens, the open world, in Roman antiquity, a folemnity performed in a imall temple, of a round form like the world, dedicated to Dis and the reft of the infernal gods. This temple was opened but three times in the year, viz. the 24th of Auguft, the 4th of Oflober, and the 7th of November. During thefe days, the Romans believed hell was open ; on thefe days therefore they never offered battle, lifted fol¬ diers, put to fea, or married. MUNICH, a town of Germany, capital of the whole duchy of Bavaria, and the refidence of the elec¬ tor. It Hands on the Ifer, 70 miles fouth of Ratii- bon and 214 weft of Vienna, being one of the moft pleafant and populous cities of Germany for its big- 4 nefs. The number of the inhabitants is faid to be about 40,000. Having been built at firft on a fpot of ground belonging to a convent, it had from thence ; in German the name of Munchen, i. e. Monk's town, and a monk for its arms. The eledtor’s palace here is a very grand ftrudture, confifting of feveral courts, furniflied and adorned in the moft magnificent manner, with tapeftry, gilding, fculpture, ftatues, and paintings. It contains an amazing colledlion of jewels, antiquities, and curiofities. The great hall isn8 feet long and 52 broad 5 and the ftaircafe leading to it, from top to bottom, of marble and gold. In the hall of antiquities are 354 bufts and ftatues of jafper and porphyry, brafs and marble. In this palace is a library, containing a vaft colledtion of books, and many valuable manufcnpts, in moft languages, ancient and modern; and a chamber of rarities, among which is the pldlure of a bravo or affaf- fin, who is faid to have committed 345 murders with his own hand, and to have been accomplice in, or privy to, 400 more. The treafury in the chapel con¬ tains alfo a vaft number of pictures, precious ftones, medals, veffels of gold and filver, &c. Among other curiofities, here is a cherry ftone with 140 heads dif- tinflly engraved upon it. The gardens of the palace are alfo very fine, and it is faid a fecret paffage leads from it to all the churches and convents in the town. There is a gteat number of other fine buildings in this city, public and private, particularly the riding houfe, town houfe, opera room, the Jefuits college, the large edifice for tournaments, the churches, convents, foun¬ tains, &c. Its manufadtures are thofe of filk, particu¬ larly velvet, woollen cloths, and tapeftry ; and it has two annual fairs, at which great quantities of fait, wine, &c. are fold. The ftreets are broad and regular j and moft of the houfes well built, and painted on the out- fide. The market place is extremely beautiful. Not far from Munich are four other palaces, with fine gar¬ dens, belonging to the eledlor, viz. thofe of Sleiffieim, Nymphenburg, Dauchau, and Starenberg. The firft and laft are about three leagues from the capital; the fecond about half a league *, and the third about two, at a market town of the fame name. It was unfuecefs- fully attacked by the French in 1796. Munich, Count de, was the favourite of the cza¬ rina Ann, and w*as concerned in all the events of her reign. Being appointed general of her armies, he gained great advantages over the Grim Tartars, beat the Turks, A. D. 1739, in an engagement near Choc- zim, and took that city together with Jaffi the capital of Moldavia. He was afterwards prime minifter to the czar Iwan VI. but in a fliort time after he wras accufed of employing the powrer which his office con¬ ferred on him to gratify his own ambition and private refentment. The emprefs Elizabeth brought him to trial, and he wos condemned to lofe his life, A. D. 1742. This fentence w’as mitigated to baniffiment into Siberia, w’hither many of the victims of his powrer had been exiled. He wTas recalled by Peter HI. A. D. 1762, and declared field marffial. Upon the death of this prince, the emprefs Catharine II. appointed him direftor general of the ports of the Baltic. He died on the 8th of October 1767, at the age of 84. MUNICIPAL, in the Roman civil law, an epi¬ thet which fignifies invefted with the rights and privi¬ leges of Roman citizens. See Municifium. Municipal, Munich Municipes Munlter. the M U N t 479 ] Municipal, among us, is applied to the laws that quarries of ilone. obtain in any particular city or province. And thofe are called municipal officers who are elefted to defend the interefts of cities, to maintain their rights and pri¬ vileges, and to preferve order and harmony among the citizens \ fuch as mayors, fheriffs, confuls, &c. MUNICIPES, an appellation given by the Romans to the inhabitants of the municipia or municipal cities. See Municipium. MUNICIPIUM, in Roman antiquity, a corporation borough, or enfranchifed city or town, where the inha¬ bitants enjoyed their own laws and cuftoms, and at the fame time were honoured with the privileges of Roman citizens j but then this privilege generally reached no further than the bare title. Some indeed, by parti¬ cular merit, obtained the liberty of votes, which occa- fioned that diftin&ion of municipium Jine fuffragio, and municipium cumfiffragio.—The inhabitants of the mu¬ nicipium fine j’uffragio were called barely Romani, but thofe of the municipium cum fuffragio were called cives Romani. The difference between proper citizens of Rome and the inhabitants of the municipium may be thus ex- preffed. The proper citizens of Rome were, I. Re- giftered in the cenfus j 2. Had the right of fuffrage and of bearing honours; 3. Were affeffed in the poll- tax \ 4. Served in the legions } 5. Ufed the Roman laws and religion ; 6. Were called fuiretes and po- pulus Romanus : Whereas the municipes enjoyed the three firfl of thefe privileges, but were denied the three lad. MUNITION, the provifions with which a place is furnilhed in order for defence j or that which follows a camp for its fubfiltence. Munition Ships, are thofe that have ftores on board in order to fupply a fleet of men of war at fea. In an engagement, all the munition {hips and victuallers at¬ tending the fleet take their ftation in the rear of all the reft *, they are not to engage in the fight, but to attend to fuch directions as are fent them by the ad¬ miral. Munster, in Latin Monomia, and in Irifh Moun, the molt foutherly province of Ireland j bounded on the north by Leinfter and Connaught, and on the eaft, weft, and fouth, by the ocean. It contains the coun¬ ties of Cork, Clare, Kerry, Limerick, Tipperary, and Waterford ; and 3,289,932 Irilh plantation acres, 740 parifhes, 63 baronies, and 26 boroughs. It is about 125 miles long and 120 broad 5 and its principal town is Cork. Its ancient name was Mumhan ; and in lat¬ ter ages it was divided into Dcfmond or South Munfter, Ormond or Eaft Munfter, and Thomond or North Mun¬ fter. It lies between 51. 15. and 53. o. N. Lat. and 7. 10. and 10. 40. W. Long. Munster, a territory of Germany in the circle of Weftphalia ; bounded on the north by Embden and Oldenburg, on the fouth by the county of Mark and duchy of Weftphalia, on the w'eft by the county of Bentheim and the United Provinces, and on the eaft by the bilhoprics of Ofnaburg and Paderborn together with the county of Ravenlberg. It is the largeft of all the Weftphalian biftroprics, being in length about 80 miles, and in breadth from 20 to 60. It is divided into 13 bailiwicks : and though in general but a bar¬ ren country, has fame fruitful plains, with wroods, and MUR The inhabitants, excepting a few of Munfter nobility and gentry, are all Roman Catholics} jyj-Jlena though Lutheranifm had once a confiderable footing t ‘ here. The biftiop, w’ho is generally alfo eleClor of Cologne, has a revenue from hence of about 70,000 pounds, and can maintain 8000 men. In confequence. of an unjuft cuftom, unknown in the reft of the em¬ pire, he is heir to all ftrangers who die in the country without children. In the matricula he is rated at 30 foot and 118 horfe ; or 832 florins monthly in lieu of them. His chapter conlifts of 40 canons, who are all noble. Munster, a city of Germany, capital of a bifliopric of the fame name and of all Weftphalia, Hands at the conflux of the river Aa with the Ems, in E. Long. 7. 49. N. Lat. 52. o. It is of a circular form, large, and well fortified both by nature and art. It has a fine citadel called the Rrille, eredled by a biftiop named Bernard van Galen in order to awTe the burghers. The dean and chapter now ele£t the biftiop j but till the be¬ ginning of the 13th century he was nominated by the emperor. This city has been rendered famous by three remarkable tranfaQions. 1. By the peace concluded here in 1648, which put an end to a w7ar of 30 years j occafioned by the perfecuting fpirit of bigotted Papifts,.. who chofe rather to plunge their country into all the calamities of war than allow liberty of confcience to the Proteftants. By this peace, however, they confented, much againft their inclinations, to grant them a tolera¬ tion. 2. By the diforders and difturbances occafioned here in 1553, by a parcel of enthufiafts, headed by a taylor, called ffolin of Leyden from the place of his birth, wTo turned out the magiftrates, and took pof- feflion of the city, where they perpetrated the moft hor¬ rid villanies and cruelties. 3. For the noble, though unfuccefsful, efforts it made in defence of its liberties- againft the tyranny and oppreflion of the above men¬ tioned turbulent and bloody-minded biftiopr Bernard van Galen. In this city are a great number of con¬ vents and other religious houfes, many of them ftately piles, and furrounded with beautiful gardens. MUNYCHIA, or Munichius Portus, in Ancient Geography, a village and port of Athens, nearer to the city, fortified in the fame manner as the Piraeus, to the eaft of wdrich it lay, or between it and the promontory Sunium, at the mouth of the Iliffus. Strabo fays it was an eminence in form of a peninfula, at the foot of which flood three harbours, anciently encompaffed with a wall, taking within its extent the Piraeus and other harbours, full of docks,. with the temple of Diana Mu- nychia ; taking its name from Mynichus, the founder of the temple. Munychia, an anniverfary folemnity obferved at Athens, in honour of Diana, on the 16th of the month Munychion. Cakes were offered on the occafion, called MUNYCHION, the tenth month of the Athenian year, containing 29 days, and anfwering to the latter part of our March and the beginning of April. It was fo called from the feftival Munychia, which was obferved in this month. See Month and Muny¬ chia. 1 MU PH IT. See Mufti. MURiENA, or Eel } a genus of fifties, belong¬ ing to the order of anodes, See Ichthyology Index, MURAL',.. MUR r 480 i MUR •Mural MURAL, fomething belonging to a wall, which H . the Latins call mums. ,"JUrm' , Mural Crown, among the ancient Romans. See Crown. Mural arch,\ is a wall, or walled arch, placed ex- aftly in the plane of the meridian, i. e. upon the meri¬ dian line, for the fixing of a large quadrant, fextant, or other inifrument, to obferve the meridian altitudes, S:c. of the heavenly bodies. Tycho Brahe was the firft who ufed a mural arch in his obfervations } after him Hevelius, Mr Flam- ftead, De la Hire, &c. ufed the fame means. See A- STRONOMY. MURANUM, in Ancient Geography, a town on the confines of Lucania. Now Morano ; a citadel in Calabria Citra, at the fprings of the Sybaris, midway between the Sinus Tarentinus to the eafi, and the luf- can fea to the weft. Suppofed to have arifen from the ruins of Syphaeum, a town of the Bruttii mentioned by Livy. MUR AT OR I, Lewis Anthony, a learned and celebrated Italian writer, born at Vignolcs, in the ter¬ ritory of Bologna, in 1672. He early difeovertd an extreme fondnefs for the learned languages and fciences; and this was fee ended by an excellent education. After having completed his firft ftudies, he embraced the date of an eccltftaftic •, and applied himfelf to polite literature, philofophy, theology, civil law, an¬ tiquities, and other fciences ; by which means he be¬ came in a manner univerfally learned. He was fearcely 22 years of age when he was made librarian of the Ambrofian library at Milan. In 1700 the duke of Modena, his fovereign, recalled him, and made him bis librarian, and keeper of the archives of his duchy. Muratori difeharged this double employment during the reft of his life, and had no other benefice than the provoftftiip of Santa Maria del Pompofa. T he princi¬ pal of his works are,— 1. Anecdota, or a colledlion of pieces taken from the Ambrofian library, 2 vols. 4to, with learned notes and differtations. 2. A treatife on the perfection of the Italian poetry, 2 vois. qto. 3. Anecdota Grwca, 3 vols. 4to. 4. A genealogical hiftory of the houfe of Modena, 2 vols. folio. 5. An excellent collection of the writers of the Italian hiftory, 27 vols. folio, with learned notes. 6. Another collec¬ tion, under the title of Antiquitates Italicce. 7. A collection of ancient inferiptions, under the title of Novus Thefaurus, 6 vols. folio. S. The annals of Italy, i 2 vols. 410, in Italian, &c. 9. Letters, dillertations, Italian poems, &c. MURCIA, the Pagan goddefs of idlenefs. The name is taken from murcus or murcidus, an obfolete wTord, ftgnifying a dull, flothful, or lazy perfon.— The ftatues of this goddefs rvere always covered with duft and mofs, to exprefs her idlenefs and negligence. She had a temple in Rome, at the foot of the Aven- tine mount. Murcia, a kingdom in Spain, bounded on the north by New Caftile, on the eaft by the kingdom of Valencia, 'on the weft by Andalufta and Granada, and on the fouth by the Mediterranean fea. It is about 62 miles in length, and 58 in breadth ; and its prin¬ cipal river is the Segura. The foil is dry, becaufe it fel- dora rains, and therefore it produces little corn or wine ; but there is plenty of oranges, citrons, lemons, 3 Murder. olives, almonds, mulberries, rice, pulfe, and fugar. It Murcia has alfo a great deal of fi!k. It wra£ taken from the Moors in 1265. The air is very healthful. u Murcia, a large, handfome, and populous town of Spain, capital of a kingdom of the fame name. It is a bifhop’s fee, and contains fix parifties. The cathe¬ dral is a moft fuperb edifice, with the flairs of the fteeple fo contrived that a man may ride up to the top, either on horfeback or in a coach. It is fituated in a pleafant plain, which abounds in fine gardens about the city, and in which are the belt fruits in Spain. It is feated on the river Segura, in W. Long. 8. 36. N. Lit. 37. 48. MURDER, or Murther, the aft of killing ano¬ ther with violence and injuftice. The word comes from the Saxon morth “ death which fome will have to fignify a violent death ; whence the barbarous La¬ tin murdrum and modrum. Among the number of popular errors, is the notion which has obtained, that the dead body would bleed in the prefence or upon the touch of the murderer. The crime of murder is puniftied with death in al- moft all nations. Murder, or Murther, in law, is thus defined, or rather deferibed, by Sir Edward Coke : “ When a perfon, of found memory and diferetion, unlawfully killeth any reafenable creature in being, and under the king’» peace, with malice aforethought, either exprefs or implied.” The beft way of examining the nature of this crime will be by confidering the feveral branches of this definition. 1. It rnuft be committed by a perfon of found me- morif and difcretion : for lunatics or infants are inca¬ pable of committing any crime ; unlefs in fuch cafes where they ftiow a confcioufnefs of doing wmong, and of courfe a difcretion or difeernment between good and evil. 2. Next, it happens when a perfon of fuch found difcretion unlawfully killeth. The unlawfulnefs arifes from the killing without warrant or excufe : and there muft alfo be an actual killing to conftitute murder j for a bare affault, with intent to kill, is only a great mifdemeanor, though formerly it was held to be murder. The killing may be by poifoning, ftriking, ftarving, drowning, and a thoufand other forms of death, by wdiich human nature may be overcome. Ot thefe the moft deteftable of all is poifon 5 becaufe it can of all others be the leaft prevented, either by manhood or forethought. And therefore, by the flat. 22 Hen. VIII, c. 9. it was made treafon, and a more grievous and lingering kind of death was inflicted on it than the com¬ mon law allowed ; namely, boiling to death : but this aft did ret live long, being repealed by 1 Edw. VI. c. 12. There was alio, by the ancient common law, one fpecies of killing held to be murder, which may be du¬ bious at this day, as there hath not been an inftance wherein it has been held to be murder for many ages paft, viz. bearing falfe witnefs againlx another, with an exprefs premeditated defign to take away his life, lo as 'the innocent perfon be condemned and executed. The Gothic laws puniftied in this cafe both the judge, the witneffes, and the profecutor } and, among the Romans, the lex Cornelia de f earns, puniftied the falfe witneffes with death, as being guilty of a fpecies of affafiination. And there is no doubt but this is equally murder in form confcientice MUR [ 481 1 MUR Murder, confcientice as killing with a fword j though the modern ]aw ^to avoid the danger of deterring witneffes from giving evidence upon capital profecutions, if it mufl: be at the peril of their own lives) has not yet punilhed it as fuch. If a man, however, do fuch an aft, of which the probable confequence may be, and eventually is, death \ fuch killing may be murder, although no broke be flruck by himfelf, and no killing may be primarily intended : as was the cafe of the unnatural fon who ex- pofed his fick father to the air againft his will, by reafon whereof he died j and of the harlot, who laid her child under leaves in an orchard, w’here a kite bruck and killed it. So too, if a man have a beaft that is ufed to do mifchief; and he, knowing it, fujfers it to go abroad, and it kills a man ; even this is manflaughter in the owner ; but if he have purpofely turned it loofe, though barely to frighten people, and make what is called /port, it is with us (as in the Jewifh law) as much murder as if he had incited a bear or dog to worry them. If a phyfician or fur- geon give his patient a potion or plafter to cute him, which, contrary to expeftation, kills him, this is nei¬ ther murder nor manflaughter, but mifadventure ; and he {hall not be puniflied criminally, however liable he might formerly have been to a civil aftion for negleft or ignorance ; but it hath been holden, that if it be not a regular phyfician or furgeon who adminifters the medicine, or performs the operation, it is manflaughter at the leaft. Yet Sir Matthew Hale very jufily que- bions the law of this determination j fince phyfic and falves were in ufe before licenfed phyficians and fur- geons: wherefore he treats this doftrine as apocry¬ phal, and fitted only to gratify and flatter licentiates and doftors in phyfic 5 though it may be of ufe to make people cautious and wary how they meddle too much in fo dangerous an employment. In order alfo to make the killing murder, it is requifite that the party die with¬ in a year and a day after the broke received, or caufe of death adminibered ; in the computation of which the whole day upon which the hurt was done {hall be reck¬ oned the firfl. 3. Farther : The perfon killed mub be “ a reafon- able creature in being, and under the Ling'’s peace f at the time of the killing. Therefore to kill an alien, a Jew, or an outlaw, wTho are all under the king’s peace or proteftion, is as much murder as to kill the mob regular-born Englhhman ; except he be an alien-enemv, in the time of war. To kill a child in its mother’s womb, is now no murder, but a great mifprifion ; but if the child be born alive, and dieth by reafon of the po¬ tion or bruifes it received in the womb, it feems, by the better opinion, to be murder in fuch as adminiftered or gave them. As to the murder of baflard children, fee Bastard. 4. Laflly, The killing mub be committed “ with malice aforethoughtf to make it the crime of murder. This is the grand criterion which now diflinguibies murder from other killing : and this malice prtpenfe, tnalitia prcecogitata, is not fo properly fpite or malevo¬ lence to the deceaied in particular, as any evil defign in general ; the dictate of a wicked, depraved, and ma¬ lignant heart ; vn difpoftion d fairc une trial chofe : and it may be either exprefs, or implied, in law. Exprefs malice is when one, with a fedate deliberate mind and formed defipm, doth kill another, which formed de- Vol. XIV. Part II. fign is evidenced by external circumflanccs difcovering that inward intention j as lying in wait, antecedent menaces, former grudges, and concerted fchemes to do him fome bodily harm. This takes in the cafe of deliberate duelling, where both parties meet avowedly with an intent to murder : thinking it their duty, as gentlemen, and claiming it as their right, to wanton wdth their own lives and thofeof their fellow' creatures; without any warrant or authority from any pow’er ei¬ ther divine or human, but in direft contradiftion to the laws both of God and man ; and therefore the law has jubly fixed the crime and punifliment of murder on them, and on their feconds alfo. Yet it requires fuch a degree of paflive valour to combat the dread of even undeferved contempt, arifing from the falfe notions of honour too generally received in Europe, that the firongeb prohibitions and penalties of the law will ne¬ ver be entirely efteftual to eradicate this unhappy cu- flom, till a method be found out of compelling the original aggreflbr to make fome other fatisfaftion to the affronted party, which the world brail ebeem equally reputable as that which is now given at the hazard of the life and fortune, as well of the perfon infulted, as of him who hath given the infult. Alfo, if even upon a bidden provocation one beats another, in a cruel and unufual manner, fo that he dies, though he did not intend his death, yet he is guilty of murdef by exprefs malice ; i. e. by an exprefs evil defign, the genuine fenfe of malitia : As wdren a park-keeper tied a boy that was bealing wood to a horfe’s tail, and dragged him along the park ; when a maber correfted his fervant with an iron bar, and a fchoolmaber damp¬ ed on his fcholar’s belly, fo that each of the fufferers died ; thefe were jubly held to be murders, becaufe the correftion being exceflive, and fuch as could not proceed but from a bad heart, it was equivalent to a deliberate aft of {laughter. Neither {hall he be guilty of a lefs crime wrho kills another in confequence of fuch a wilful aft as {how's him to be ail enemy to all mankind in general ; as going deliberately, and with an intent to do mifchief, upon a horfe ufed to flrike, or coolly difcharging a gun among a multitude of people. So if a man refolves to kill the next man he meets, and does kill him, it is murder, although he knew him not ; for this is univerfal malice. And if two or more c6me together to do an unlawful aft againb the king’s peace, of which the probable con¬ fequence might be bloodffied ; as to beat a man, to commit a riot, or to rob a park, and one of them kills a man ; it is murder in them all, becaufe of the un¬ lawful aft, the malitia pratcogvata, or evil intended be¬ forehand. Alfo in many cafes where no malice is expreffed, the law will imply it: as, where a man wilfully poifons another, in fuch a deliberate aft the law prefumes ma¬ lice, though no particular enmity can be proved. And if a man kills another fuddenly, without any, or with¬ out a confiderable provocation, the law implies malice ; for no perfon, unlefs of an abandoned heart, would be guilty of fuch an aft upon a flight or no apparent caufe. No affront, by words or geffures only, is a fufficient provocation, fo as to excufe or extenuate fuch afts of violence as manifeflly endanger the life of another. But if the perfon fo provoked had unfortunately killed the other, by beating him in fuch a manner as {bowed 3 P only Murder. MUR [ 4& Murder, -only an intent to chaftife and not to kill him, the law ■—""v~ fo far confiders the provocation of contumelious beha¬ viour, as to adjudge it only manflaughter, and not mur¬ der. In like manner, if one kills an officer of juftice, either civil or criminal, in the execution of his duty, or any of his affiftants endeavouring to conferve the peace, ox any private perfon endeavouring to fupprefs an affray or apprehend a felon, knowing his authority or the in¬ tention with which he interpofes, the law will imply malice, and the killer ffiall be guilty of murder. And if one intends to do another felony, and undefignedly kills a man, this is alfo murder. Thus if one ffioots at A, and miffes him, but kills B, this is murder becaufe of the previous felonious intent, which the law transfers from one to the other. The fame is the cafe, wffiere one lays poifon for A, and B, againft whom the pri- foner had no malicious intent, takes it, and it kills him, this is likewife murder. So alfo, if one give a woman with child a medicine to procure abortion, and it oper¬ ates fo violently as to kill the woman, this is murder in the perfon who gave it. It were endlefs to go through all the cafes of homicide, which have been ad¬ judged, either exprefsly or impliedly, malicious: thefe therefore may fuffice as a fpecimen j and we may take it for a general rule, that all homicide is malicious, and of courfe amounts to murder, unlefs where juftified by. the command or permiffion of the law ; excufed on a principle of accident or felf-prefervation *, or alleviated into manflaughter, by being either the involuntary con- fequence of fome a6t, not ftri&ly lawful, or (if volun¬ tary) occafioned by fome hidden and fufficiently violent provocation. And all thefe circumftances of juftifica- tion, excufe, or alleviation, it is incumbent upon the prifoner to make out, to the fatisfadlion of the court and jury, the latter of whom are to decide whether the circumftances alleged are proved to have a&ually ex- ifted 5 the former, how far they extend to take away or mitigate the guilt. For all homicide is prefumed to be malicious, until the contrary appeareth upon evi¬ dence. The puniftiment of murder, and that of man-flaugh- ter, were formerly one and the fame 5 both having the benefit of clergy ; fo that none but unlearned perfons, who leatt knew the guilt of it, were put to death for this enormous crime. But now, by feveral ftatutes, the benefit of clergy is taken away from murderers, through malice prepenfe, their abettors, procurers, and counfellors. In atrocious cafes it was frequently ufual for the court to direct the murderer, after exe¬ cution, to be hung upon a gibbet in chains near the place where the faft was committed $ but this was na part of the legal judgement j and the like is ftill fome- times praftifed in the cafe of notorious thieves. This, being quite contrary to the exprefs command of the Mofaical law, feems to have been borrowed from the civil law j which, befides the terror of the example, gives alfo another reafon for this practice, viz. that it is a comfortable fight to the relations and friends of the deceafed. But now, in England, it is enabled by ftatute 25 Geo. II. c. 37. that the judges, before whom any perfon is found guilty of wilful murder,, {hall pronounce fentence immediately after conviftion, unlefs he fees caufe to poftpone it •, and (hall in paf- fmg fentence direft him to be executed on the next day but one (unlcfs the fame (hall be Sunday, and 2 ] .MUR then on the Monday following), and that his body Murderers be delivered to the furgeons to be differed and anato- H mized ; and that the judge may diredft his body to be fVluri^ ine% afterwards hung in chains, but in nowife to be buried without diffedlion. And, during the ftiort but awful interval between fentence and execution, the prifoner ffiall be kept alone, and fuftained with only bread and water. But a power is allowed to the judge, upon good and fufficient caufe, to refpite the execution, and relax the other reftraints of this adt. See farther, Parricide, and Petit Treafon. Murderers, or Murdering Pieces, in a ffiip, are fmall pieces of ordnance, either of brafs or iron, which-.. have chambers put in at their breeches. They are ufed at the bulk-heads of the fore-caftle, half-deck, or fteerage, in order to clear the deck, on the ffiip’s be¬ ing boarded by an enemy. MURENA. See Murjena, Ichthyology /«-- dex. MURENGERS, two officers of great antiquity i»- the city of Chefter, annually chofen out of the aider- men, to fee that the walls are kept in repair, and t© receive a certain toll and cuftom for the maintenance thereof. MUREX, a genus of animals belonging to the order of vermes teftacea. See Concholooy Index. Murex, a caltrap or iron inftrument, with ffiarp points projecting in every direction, ufed by the Romans - as a defence againft: the enemy’s horfe. It was fo call¬ ed, probably, becaufe the points bore fome refemblance to the fpines and tubercles with which the ffiell of the fiffi murex is furrounded. MURGI, or Murgis, in Ancient Geography, the laft town of Baetica, next the Tarraconenfis : the Urce- of Ptolemy. Now Muxara, a port-town of Granada, on the Mediterranean. W. Long. i° 50'. N. Lat. 370 6'.. MURIA, the Latin name of common fait. See Soda, Muriate of. Chemistry Index. MURINA, or Murines, a delicious fweet wine, • medicated with fpices, and the ufual drink of the ladies of antiquity. MURRAIN, or Gargle, a contagious difeafe among cattle. See Farriery Index. MURRAY, or Moray, the name of a diftridf in the north of Scotland, which, in a former divifion of the kingdom, was denominated a province. This diftridl- includes the counties of Banff, Elgin and Nairn. The county of Elgin, the middle divifion of this diftridt, is ftill known by the name of Morayffiire. MURRHINE, Murrhinus, Meggw?, in antiqui¬ ty, an appellation given to a delicate fort of ware brought from the eaft, whereof cups and vafes were made, which added not a little to the fplendour of the Roman banquets. Critics are divided concerning the matter of the po- cula or vafa murrhina, murrina, or murrea. Some will have them to have been the fame with our porcelain or china ware. The generality held them to have been made of fome precious kind of ftone, which was found chiefly, as Pliny tells us, in Parthia, but more efpecially in Car- mania. Arrian tells us, that there was a great quantity of them made at Diofpolis in Egypt. This he calls another fort of murrhina work j and it is evident, from all accounts, that the murrhina of Diofpolis was a fort of, M U S [ 483 3 M U S Murrtune of glafs ware, made in imitation of tlie porcelain or 11 murrha of India. There is fome difference in the ac- Mnfeus. counts given by Pliny and Martial of the murrhina vafa. v The firfl; author fays, that they would not bear hot li¬ quors, but that only cold ones were drank out of them. The latter, on the other hand, tells us, that they bore hot liquors very well. If we credit Pliny’s account, their porcelain was much inferior to our’s in this parti¬ cular. Some conjefture them to have been of agate, others of onyx, others of coral. Baronius, doubtlefs, was fartheft out of the way, when he took them to be made of myrrh, congealed and hardened. Some have fuppofed thefe veffels to be made of cryftal, but this is contrary to the account of all the ancients. The Greeks had the words for cryftal, and e-pv^i for myrrh, very common among them } and therefore, if thefe veflels" had been made of either of thefe fubftances, they would in fome places have called them fymrna or cnftalline. On the contrary, the moft correft among them call them murrhina or morrina. The cups made of cryftal, which were alfo in ufe at thofe times were called cryftallina, and thefe murrhina or murrhaea, by way of keeping up the diftinftion j and Martial tells us, that the ftone they were made of was fpotted or varie¬ gated, calling them pocula maculofae murrae. And Statius mentions the cryftalline and murrhine cups in the fame fentence, but as different things, not the fame. Arrian mentions alfo the po^tet} which his inter¬ preters cenfure as an error of the copies, and would alter into myrrha, the name of the gum myrrh. Pompey is recorded as the firft who brought thefe murrhine veffels out of the eaft, which he exhibited in his triumph, and dedicated to Jupiter Capitolinus. But private perfons were not long without them. So fond, in effea, did the Roman gentry grow of them, that a cup which held three fextaries was fold for 70 talents. T. Petronius, before bis death, to fpite Nero (or as Pliny expreffes it, ul tnenfam ejus exhceredaret, to difinherit his table), broke a bafon, trul/a murrhina, valued at 300 talents, on w'hich that emperor had fet his heart. MUS, a genus of quadrupeds belonging to the order of Glires. See Mammalia Index. MUSA, the PLANTAIN-TREE 5 a genus of plants be¬ longing to the polyandna clafs j and in the natural me¬ thod ranking under the eighth order, Scitaminea:. See Botany Index. MUS^US, an ancient Greek poet, was, according to Plato and Diodorus Siculus, an Athenian, the fon of Orpheus, and chief of the Eleufinian myfteries inftitut- ed at Athens in honour of Ceres : or, according to others, he was only the difciple of Orpheus : but from the great refemblance which there was between his charaaer and talents and thofe of his mafter, by giving a ftronger outline to the figure he w^as called Visfon, as thofe were ftyled the children of Apollo who cultivated the arts of which he wras the tutelar god. Mufeus is allowed to have been one of the firft poets who verftfied the oracles. He is placed in the Arun- delian marbles, epoch 15. 1426 B. C. at which time his hymns are there laid to have been received in the celebration of the Eleufinian myfteries. Laertius tells us, that Mufeus not only compofed a theogony, but formed a fphere for the ufe of his companions •, yet as this honour is generally given to Chiron, it is mote na¬ tural to fuppofe, with Sir Ifaac Newton, that he enlar- Mufeus ged it with the addition of feveral conftellations after the conqueft of the golden fleece. The fphere itfelf ftiows that it was delineated after the Argonautic expe- v dition, which is deferibed in the afterifms, together Byrney’s^ with feveral other more ancient hiftories of the Greeks, and without any thing later ; for the (hip Argo was the "i - firft long veffel which they had built : hitherto they had ufed round fhips of burthen, and kept within fight of the fhore ; but now, by the diftates of the oracle, and confent of the princes of Greece, the flower of that country fail rapidly through the deep, and guide their fliip by the ftars. Mufeus is celebrated by Virgil in the charaffer ot hierophant, or prieft of Ceres, at the head of the moll: illuftrious mortals who have merited a place in Elyfium. Here he is made the conduftor of iEneas to the recefs where he meets the ftiade of his father Anchifes. A hill near the citadel of Athens was called Mu~ feeum, according to Paufanias, from Mufeus, who ufed to retire thither to meditate and compote his religious hymns ; at which place he was afterwards buried. 1 he works which went under his name, like thofe of Or¬ pheus, were by many attributed to Onomacritus. No¬ thing remains of this poet now, nor were any of his writings extant in the time of Paufanias, except a hymn to Ceres, which he made for the Lycomides. And as thefe hymns were likewife fet to mutic, and fung in the myfteries by Mufeus himfelf in the cha- radler of prieft, he thence perhaps acquired from fu¬ ture times the title of mujician, as well as of poet ; the performance of facred mufic being probably at firft con¬ fined to the priefthood in thefe celebrations, as it had been before in Egypt, whence they originated. . How¬ ever, he is not enumerated among ancient muficians by Plutarch j nor does it appear that he merited the title offon and fuccejfor to Orpheus for his mufical abilities, fo much as for his poetry, piety, and profound knowr- ledge in religious myfteries. MUSCA, the FLY ; a genus of infers belonging to the order of diptera. See Entomology Index. Musca, a name given to fuch perfons among the Romans as officioufly thruft themfelves into the compa¬ ny of their fuperiors and thofe who defpifed them, by finding means of getting admittance to entertainments without invitation, and without a welcome : So that mufece were the fame as parafites, who were frequently by the Greeks termed tAvim. See Parasite. MUSCADINE, a rich wine, of the growth of Provence, Languedoc, Cividad, &c.—The word is fuppofed to be derived from mitfk ; the wine being fup¬ pofed to have a little of the fmell of that perfume 5 others from mufea, “ a fly,” becaufe the flies are ex¬ tremely fond of its grapes j as the Latins had their vi- num apianum, fo called ab apibus, from the bees which fed on it. The procefs for making mufeadine at Frontignac, is the follow'ing : The mufeadine grapes are allowed half dried on the vine ; and as foon as they are gathered, they are trod and preffed, and the liquor is tunned, without letting it ftand to ferment in the fat j the lee which remains is fuppofed to produce the peculiar fla¬ vour of this wine. MUSCHENBROECK, Peter de, a very diftin- guifljed natural philofopher and mathematician, was ^ P 2 bom Mafci M U S [ 484 ] M U, S born at Utrecht a little before 1700. He was firft pro- feflbr in his own univerfity, and afterwards invited to the chair at Leyden, where he died full of reputation and honours in 1761. He was a member of feveral academies ; particularly the Academy of Sciences at Paris. He was the author of feveral works in Latin, which are frequently referred to, and all of which dif- cover great penetration and exa£lnefs of the fufcjecfs of which he treats. He was alio confummate in the know¬ ledge of law. MUSCI, Mosses, one of the orders of the clafs cryptogamia*, which fee, Botany Index.—The ancients took the mofs of trees to be the effccl of a diforder or difcompofure of the texture of the bark ; or at moft a kind of little filaments arifing from the bark : but the moderns find, by more accurate obfervation, that mof- fes are real diftindt plants, whofe feed, being extremely fmall, is enclofed in little capfules; which burfting of themfelves, the feed is carried off by the winds ; till, falling into the inequalities of the bark of trees, it is there flopped, takes root, and feeds at the expence of the tree, as mouidinefs does on bread, &c. PvdUSCLE, or Mussel. See Mytulus, Concho- logy Index. MUSCOVY. See Russia. Mvscovr G/afs, or Glimmer. See Mica, Mine¬ ralogy Index. MUSCULUS, a military machine, made ufe of by the Romans to cover and protedl the foldiers wdrile they approached and undermined the walls of befieged places, or filled the ditches. It feems to have refem- bled the tefludo in form, but was fmaller in fize. See Testudo. MUSEIA, were Grecian feftivals in honour of the Mufes, celebrated with games every fifth year, parti¬ cularly by the Thefpians. The Macedonians alfo ob- lerved a feftival of the fame name in honour of Jupi¬ ter and the Mufes, wdrich lafled for nine days, and was celebrated with flage plays, fongs, and poetical compofitions. MUSES, certain fabulous deities among the Pa¬ gans, fuppofed to prefide over the arts and fciences : for this reafon it is ufual for the poets, at the be¬ ginning of a poem, to invoke thefe goddefles to their aid. The Mufes were originally only fingers and muficians in the fervice of Ofiris, or the great Egyptian Bacchus, under the inftrudlion and guidance of his fon Orus 5 but in fucceeding times they were called the daughters of Jupiter and Mnemofyne or Memory, Thefe are the only pagan divinities whofe worfhip has been continued through all fucceeding changes in the religion and fentiments of mankind. Profelfors of every liberal art in all the countries of Europe flill revere them •, particularly the poets, who feldom undertake the flighteft work without invoking their aid. Sir liaac Newton tells us, that the finging wmmen of Oiiris w7ere celebrated in Thrace by the name of the Mufes ; and that the daughters of Pierius, a Thra¬ cian, imitating them, were celebrated by the fame Mufes. name. -y— Diodorus Siculus informs us, that Aleman of Mef- fene, a lyric poet who flouriihed in the 27th Olympiad, 670 years B. C. makes them the daughters of Uranus and lerra. It has been afferted by fome ancient writ¬ ers, that at firft they were only three in number ; but Homer, Ilefiod, and other profound mythologills, ad¬ mit of nine (a). In his hymn to Apollo, Homer fays, By turns the nine delight to fing. And Hefiod, in his Theogony, names them all.—They are faid feveraliy to prefide over fome art or fcience, as mufic, poetry, dancing, aftronomy. By fome they are called virgins, becaufe the virtues of education appear unalterable : they are called mufes from a Greek word Burney's which fignifies to explain myfteries, becaufe they have taught things the moft cuiious and important to know, and which ate above the comprehenfion of vulgar minds. Each of their names is faid to include fome particular allegory ; Clio, for infiance, has been thus called, becaufe thofe who are praifed in verfe acquire immortal fame; Euterpe, on account of the pleafure accruing to thofe who hear learned poetry j Thalia im¬ plies for ever fiourifhing j Melpomene, that her melody infinuates itfelf into the inmofi receffes of the foul; Terpjichore marks the pleafure which thofe receive who are verfed in the liberal arts 5 Erato feems to indicate, that the learned command the efleem and friendfhip of all mankind ; Polyhymnia, that many poets are become immortal by the number of hymns which they have ad- dreifed to the gods j Urania, that thofe whom ihe in- ftru&s elevate their contemplations and celebrity to the heavens and the liars ; and laftly, the exquifite voice of Calliope has acquired her that appellation, as the inven- trefs and guardian of eloquence and rhetoric. An epigram of Callimachus gives the attributes of the Mufes in as many lines. Calliope the deeds of heroes fings j Great Clio fweeps to hiftory the firings ; Euterpe teaches mimes their filent fhow 5 Melpomene prefides o’er feenes of wo 5 Terpjichore the flute’s foft pow’r difplays ; And Erato gives hymns the gods to praife $ PolymniaPs Ikill infpires melodious drains : Urania wife, the ftarry courfe explains ; And gay Thalia's glafs points out where folly reigns. This epigram does not, however, exaftly correfpond with the ideas of other poets, or of the ancient painters, in characterizing the attributes of the Mufes. The an¬ cients had numberlefs ingenious and fanciful ideas con¬ cerning the Mufes, which we have not room to recite. —“ It feems (fays the abbe Barthelemi f) as if the firft f. Travels poets, enchanted with the beauties of nature, occafion-o/Ater?- ally were led to invoke the nymphs of the woods, hills, and fountains ; and that yielding to the prevailing taftevol‘ for allegory, they gave them names relative to the in-P' 2 fluence (a) It has been faid, that when the citizens of Sicyon direfted three fkilful ftatuaries to make each of them natues ot the three Mufes, they were all fo well executed, that they did not know which to choofe, but erefted all the nine, and that Hefiod and Homer only gave them names. M U S [4! Mufeum. fluence they might be fuppofed to have over the pra- —— elusions of the mind. At firft three Mufes only were admitted, Melete, Mneme, and Acede : that is to fay, the meditation or reflection neceffary to ftudy; memo¬ ry, which records illultrious deeds j and fong, which accompanies their recital. In proportion 's improve¬ ment was made in the art of verfification, its characters and effeCts were perfonified, the number of the Mufes increafed, and the names they now received referred to the charms of poetry, its celeftial origin, the beauty of its language, the pleafure and gaiety it infpires, the fong and dance which add to it new charms, and the olory with which it is crowned. Afterwards were af- fociated with them the Graces, whole employment it is to embellifh poetry, and Love who is fo frequently its objeft. Thefe ideas took birth in a barbarous country, in Thrace, wrhere Orpheus, Linus, and their difciples, fuddenly appeared in the midfl of ignorance. The Mufes were honoured there on the Pierian mount ; and extending their dominion, fucceflively took their ffa- tions on Pindus, Parnaffus, Helicon, and all thofe fo- litary places where the painters of nature, furrounded by the moft pleafing images, experience the divine glow of infpiration.” Pythagoras, and afterwards Plato, make the Mufes the foul of the planets in our fyftem ; from whence the imaginary mufic of the fpheres. MUSEUM, a name which originally fignified a part of the palace of Alexandria, which took up at lead one-fourth of the city. This quarter was called the mufeum, on account of its being fet apart for the Mufes and the tludy of the fciences. Here were lodged and entertained the men of learning ; who were M U Definition. r'F'HE art of combining founds in a manner agree- able to the ear. This combination may be either fimultaneous or fucceflive : in the firft cafe, it conlli- tutes harmony ; in the laft, melody. But though the fame founds, or intervals of found, wdiich give plea¬ fure when heard in fucceflion, wall not always produce the fame eflfedt in harmony ; yet the principles which conftitute the Ampler and more perfect kinds ®f har¬ mony, are almoft, if not entirely, the fame with thofe of melody. By perfefl harmony, wm do not here mean that plenitude, thofe complex modifications of harmo¬ nic found, which are admired in praftice ; but that har¬ mony which is called perfect by theoricians and artiils; that harmony which refults from the coalefcence of fi- multaneous founds produced by vibrations in the pro¬ portions of thirds, fifths, and obtaves, or their dupli¬ cates. The principles upon which thefe various combina¬ tions of found are founded, and by which they are re¬ gulated, conftitute a fcience, wLich is not only exten- fhe but profound, when we would inveftigate the prin¬ ciples from whence thefe happy modifications of found refuit, and by which they are determined ; or when rve would explore the fenfations, whether mental or cor¬ poreal, with which they affebl us. The ancient defini¬ tions of mufic are not proportioned in their extent 5 ] M U S divided into many companies or colleges, according to the fciences of which they were the profeffors ; and to each of thefe houfes or colleges was allotted a handfome revenue. The foundation of this eftablifhment is attri¬ buted to Ptolemy Philadelphus, who here placed his library. Hence the word mufeum is now applied to any place fet apart as a repofitory for things that have an immediate relation to the arts. The mufeum at Oxford, called the Afhmolean mu¬ feum, is a noble pile of building, erebled at the expente of the univerfity, at the weft end of the theatre, at which fide it has a magnificent portal, fuftained by pil¬ lars of the Corinthian order. The front, which is to the ftreet, extends about 60 feet, where there is this infeription over the entrance in gilt charablers, Mufeum Ajhmoleanum, fchola naturalis hiforiev, qfficina chymi- cha. It was begun in 1679, and finifhed in 1683, when a valuable colleblion of curiofities was prefented to the univerfity by Elias Afhmole, Efq. which were the fame day repofited there : feveral acceflions have been fince made to the mufeum ; among which are hie- roglyphics, and other Egyptian antiquities, an entire mummy, Roman antiquities, altars, medals, lamps, &c. and a variety of natural curiofities. For an account of the Britilh mufeum, fee London", N° 146. MUSHROOM. See Fungi, Botany Index. To try the quality of mufhrooms :—Take an onion, and ft rip the outer fldn, and boil it with your mulh- rooms : if the onion become blue or black, there are certainly dangerous ones amongft them J U it remain white, they are good. I C; • to our prefent ideas of that art ; but M. Rouffeau be¬ trays a temerity highly inconfiftent with the philofo- phical character, when from thence he infers, that their ideas were vague and undetermined. Every foul fuf- ceptible of refinement and delicacy in tafte or lenti- ment, muft be confcious that there is a mufic in abtion as well as in found ; and that the ideas of beauty and decorum, of harmony and fymmetry, are, il we may ufe the expreflion, equally conftituent of viiible as of audible mufic. Thofe illuftrious minds, whofe com- prehenfive profpebts in every fcience where tafte and propriety prevail took in nature at a fingle glance, would behold with contempt and ridicule thofe narrow and microfcopic views of which alone their fucceffors in philofophy have dilcovered themfelves capacious. With thefe definitions, however, wTe are lefs concerned, as they bear no proportion to the ideas which are now entertained of mufic. Nor can we follow M. Rouffcau, from whatever venerable fources his authority may be derived, in adopting his Egyptian etymology for the word mujic. The eftablithed derivation from Mufa could only be queftioned by a paradoxical genius. That mufic had been praftifed in Egypt before it wTas known as an art in Greece, is indeed a fa& which can¬ not be queftioned ; but it does not thence follow that the Greeks had borrowed the name as well as the art from i 486 See Com- pojitisn. M U from Egypt. If tne art of rnufic be fo natural to man that vocal melody is pradtifed wherever articulate founds are ufed, there can be little reafon for deducing the idea of muiic from the whittling of winds through the reeds that grew on the river Nile. And indeed, when we refiedi with howr eafy a tranfition we may pafs from the accents of fpeaking to diatonic founds ; when we obferve how early children adapt the language of their amufements to meafure and melody, however rude j when we confider how early and univerfally thefe prac¬ tices take place—there is no avoiding the conclufion, that the idea of mufic is connatural to man, and im¬ plied in the original principles of his conftitution. We have already faid, that the principles on which it is founded, and the rules by which it is condudled, con- ftitute a fcience. The fame maxims when applied to pradlice form an art : hence its firft and raoft capital divifion is 'into fjbeculative and prattical mufie. Speculative mufic is, if wre may be permitted to ufe the expreflion, the knowledge of the nature and ufe of thofe materials which compofe it ; or, in other words, of all the different relations between the high and low, between the harfh and the fweet, between the fwift and the flow, between the ftrong and the weak, of which founds are fufceptible : relations which, comprehend¬ ing all the poflible combinations of mufio and founds, feem likewife to comprehend all the caufes of the im- preflions which their fucceffion can make upon the ear and upon the foul. PraBical mufic is the art of applying and reducing to praftice thofe principles which refult from the theory of agreeable founds, whether fimultaneous or fuccef- five $ or, in other words, to conduft and arrange founds according to the proportions refulting from confonance, from duration and fucceflion, in fuch a manner as to produce upon the ear the effedl which the compofer intends. This is the art which we call cofapojition *. With refpecl to the adlual produftion of founds by voices or inftruments, which is called execution, this department is merely mechanical and operative : which, only prefuppofing the powers of founding the intervals true, of exadlly proportioning their degrees of dura¬ tion, of elevating or depreflfmg founds according to thofe gradations which are preicribed by the tone, and to the value required by the time, demands no other knowledge but a familiar acquaintance with the charac¬ ters ufed in mufic, and a habit of exprefling them with promptitude and facility. Speculative mufic is likewife divided into two depart¬ ments ; viz. the knowledge of the proportions of founds or their intervals, and that of their relative durations 5 that is to fay, of meafure and of time. The firft is wdiat among the ancients feems to have been called harmonical mufic. It (hows in what the nature of air or melody confifts ; and difcovers what is confonant or difcordant, agreeable or difagreeable, in the modulation. It difcovers, in a word, the effe&s which founds produce on the ear by their nature, by their force, and by their intervals ; wThich is equally applicable to their confonance and their fucceflion. The fecond has been called rhythmical, becaufe it treats of founds with regard to their time and quantity. It contains the explication of their continuance, of their proportions, of their meafures, whether long or ftiort, quick or flow, of the different modes of time and the S I c. parts into which they are divided, that to thefe the fuc- ceflion of founds may be conformed. PraBical mufic is likewife divided into two depart¬ ments, which correfpond to the two preceding. I hat which anfwers to harmonical mufic, and which the ancients called melopee, tbaches the rules for com¬ bining and varying the intervals, whether confonant or diflbnant, in an agreeable and harmonious manner. The fecond, which anfwers to the rhythmical mufie, and which they called rhythmopee, contains the rules for applying the different modes of time, for under- ftanding the feet by which verfes were fcanned, and the diverfities of meafure ; in a word, for the pra&ice of the rhythmus. Mufic is at prefent divided more {Imply into melody and harmony ; for fince the introduction of harmony, the proportion between the length and fhortnefs of founds, or even that between the dittance of returning cadences, are of lefs confequence amongft us. For it often hap¬ pens in modern languages, that the verfes affume their meafures from the mufical air, and almoft entirely lofe the fmall fhare of proportion and quantity which in themfelves they poffefs. By melody the fucceflions of found are regulated in fuch a manner as to produce pleafing airs. See Me¬ lody. Harmony confifts in uniting to each of the founds, in a regular fucceflion, two or more different founds, which fimultaneoufly ftriking the ear foothe it by their concurrence. See Harmony. Mufic, according to Roufleau, may be, and perhaps likewife ought to be, divided into the physical and the imitative. The firft is limited to the mere mechanifm of founds, and reaches no farther than the external fenfes, without carrying its impxeflions to the heart, and can produce nothing but corporeal fenfations more or lefs agreeable. Such is the mufic of fongs, of hymns, of all the airs which only confift in combinations of melo¬ dious founds, and in general all mufic which is merely harmonious. It may, howrever, be queftioned, whether every found, even to the mofl: fimple, is not either by nature or by early and confirmed affociation, imitative. If we may truft our owm feelings, there is no fuch thing in nature as mufic wThich gives mechanical pleafure alone. For if fo, it muft give fuch pleafure as we receive from taftes, from odours, or from other grateful titillations j but we abfolutely deny that there are any mufical fen¬ fations or pleafures in the fmalleft degree analogous to thefe. Let any piece of mufic be refolved into its ele¬ mentary parts and their proportions, it will then eafily appear from this analyfis, that fenfe is no more than the vehicle of fuch perceptions, and that mind alone can be fufceptible of them. It may indeed happen, from the number of the performers and the complica¬ tion of the harmony, that meaning and fentiment may be loft in the multiplicity of founds; but this, though it may be harmony, lofes the name of mufic. The fecond department of this divifion, by lively and accentuated inflexions, and by founds which may be faid to fpeak, exprefles all the paffions, paints every poflible pidlure, refleXs every objeX, fubjeXs the whole of nature to its ikilful imitations, and imprefles even on the heart and foul of man fentiments proper to affeX them in the moft fenfible manner. This, conti¬ nues M U S nues he, which is the genuine lyric and theatrical mu- fic, was what gave double charms and energy to ancient poetry *, this is what, in our days, we exert ouri'elves in applying to the drama, and what our fingers execute on the ftage. It is in this mufic alone, and not in har¬ monics or the refonance of nature, that we muft expedl: to find accounts of thofe prodigious effe&s which it for¬ merly produced. But, with M. Roufi'eau’s permiflion, all mufic which is not in fome degree chara&erifed by thele pathetic and imitative powers, deferves no better name than that of a mufical jargon> and can only be effefluated by fuch a complication and intricacy of harmony, as may con¬ found, but cannot entertain the audience. This cha- rafter, therefore, ought to be added as elTential to the definition of mufic ; and it muit 6e attributed to our negleft of this alone, whilft our whole attention is be¬ llowed on harmony and execution, that the bell per¬ formances of our artiltS and compofers are heard with lilflefs indifference and ofcitation, nor ever can conci¬ liate any admirers, but luch as are induced, by pedan¬ try and affeftation, to pretend what they do not feel. Still may the curie of indifference and inattention pur- fue and harrow up the fouls of every compofer or per¬ former, who pretends to regale our ears with this mu- fical legerdemain, till the grin of fcorn, or the hifs of infamy, teach them to correft this depravity of taftey and entertain us with the voice of nature ! ' Whilft moral effefts are fought in the natural effefts of found alone, the fcrutiny will be vain, and difputes will be maintained without being underftood : but founds, as reprefentatives of objefts, whether by nature or affociation, introduce new fcenes to the fancy and new feelings to the heart; not from their mechanical powers, but from the conneftion eftablifhed by the Au¬ thor of our frame between founds and the objeft which either by natural refemblance or unavoidable affociation they are made to reprefent. It would feem that mufic was one of thofe arts which were firft difeovered : and that vocal was prior to inftrumental mufic, if in the earlieft ages there was any mufic which could be faid to be purely inftru¬ mental. For it is more than probable, that mufic was originally formed to be the vehicle of poetry j and of confequence, though the voice might be fupported and accompanied by inftruments, yet mufic was never in¬ tended for inftruments alone. We are told by ancient authors, that all the laws, whether human or divine, exhortations to virtue, the knowledge of the charafters and aftions of gods and heroes, the lives, and atchievements of illuftrious men, were written in verfe, and fung publicly by a quire to the found of inftruments j and it appears from the Soriptures, that fuch from the earlieft times was the cuftom among the Ifraelites. Nor was it poftible to find means more efficacious for impreffing on the mind of man the principles of morals, and infpiring the love of virtue. Perhaps, however, this was not the re- fult of a premeditated plan ; but infpired by fublime fentiments and elevation of thought, which in accents that were fuited and proportioned to their celeftial na¬ ture endeavoured to find a language worthy of them- felves and expreffive of their grandeur. It merits attention, that the ancients were duly fen- ftble of the value and importance of this divine art, I c. not only as a fymbol of that univerfal order and fym- metry which prevails through the whole frame of ma¬ terial and intelligent nature, but as produftive of the moft momentous effefts both in moral and political life. Plato and Ariftotle, .who difagreed almoft in every other maxim of politics, are unanimous in their approbation of mufic, as an efficacious inftrument in the formation of the public charafter and in conduft- ing the ftate } and it was the general opinion, tuat whilft the gymnaftic exercifes rendered the conftitution robuft and hardy, mufic humanifed the charafter, and foftened thofe habits of roughnefs and ferocity by which men might otherwife have degenerated into la¬ vages. The gradations by which voices were exerted and tuned, by which the invention of one inftrument fucceeded to another, or by which the principles of mufic w7ere collefted and methodifed in fuch a manner as to give it the form of an art and the dignity of a fcience, are topics fo fruitful of conjefture and fo void of certainty, that we muft leave them to employ minds more fpeculative and inventions more prolific than ours, or transfer them to the Uifiory of Mufic as a more proper place for fuch difquifitions. For the amule- ment of the curious, Rouffeau in his Mujical Dictionary^ Plates C and N, has tranferibed fome fragments of Grecian, Perfian, American, Chinefe, and Swifs muficy with wffiich performers may entertain themfelves at leifure.- When they have tried the pieces, it is imagin¬ ed they will be lefs fanguinely fond than that author of aferibing the power of mufic to its affinity with the na¬ tional accents where it is compofed. fthis may doubt- lefs have its influence ; but there are other caufes more permanent and lefs arbitrary to which it owes its moft powerful and univerfal charms. The mufic now moft generally celebrated and prac- tifed is that of the Italians, or their fuccefsful imita¬ tors. The Engliffi, from the invafion of the Saxons, to that more late though lucid era in which they im¬ bibed the art and copied the manner of the Italians, had a mufic which neither pleafed the foul nor charm¬ ed the ear. The primitive mufic of the French de¬ ferves no higher panegyric. Of all the barbarous na¬ tions, the Scots and Iriffi feem to have poffeffed the moft affefting original mufic. The firft confifts of a melody charafterifed by tendernefs : It melts the foul to a pleafing penfive languor. The other is the na¬ tive expreffion of grief and melancholy. Taffoni in¬ forms us, that in his time a prince from Scotland had imported into Italy a lamentable kind of mufic from his own country ; and that he himfelf had compofed pieces in the fame fpirit. From this expreffive though laconic defeription, we learn, that the charafter of our national mufic was even then eftablithed j yet fo grofs is our ignorance and credulity, that wre aferibe the beft and moft impaffioned airs which are. extant among us to David Rizzio 3 as if an Italian lutanift, who had lived fo ftiort a time in Scotland, could at once, as it rvere by infpiration, have imbibed a fpirit and com¬ pofed in a manner fo different from his own. It is yet more furprifing that Geminiani fhould have enter¬ tained and publiffied the fame prejudice, upon the mi- ferable authority of popular tradition alone 3 for the faft is authenticated by no better credentials. The pri¬ mitive mufic of the Scots may be divided into the mar¬ tial) the paf. oral) and the fefiive. T he firfi confifts. either 483 r M U S either in marches, which were played before the chief¬ tains, in imitation of the battles which they fought, or in lamentations for the cataftrophes of war and the extinflion of families. Thefe wild effufions of natural melody preferve feveral of the rules preferibed for cora- pofition. The {trains, though rude and untutored, are frequently terrible or mournful in a very high degree. The port or march is fometimes in common, fometimes in treble time ; regular in its meafures, and exafl in the diftance between its returning cadences 5 molt fre¬ quently, though not always, loud and brilk. The pi¬ broch, or imitation of battles, is wild, and abrupt in its tranfitions from interval to interval and from key to key $ various and defultory in its movements j fre¬ quently irregular in the return of its cadences ; and in (hort, through the whole, feems infpired with fuch fury and enthuliafm, that the hearer is irreliftibly in- fefted with all the rage of precipitate courage, not- withftanding the rudenefs of the accents by which it is kindled. To this the pajloral forms a Unking contrail. Its accents are plaintive, yet foothing j its harmony generally flat j its modulations natural and agreeable} its rhytbmus Ample and regular; its returning caden¬ ces at equal d.illance \ its tranfitions from one concin- nous interval to another, at leaft for the moll part $ its movements flow, and may be either in common or treble time. It fcarcely admits of any other harmony than that of a Ample bafs. A greater number of parts would cover the air and dellroy the melody. To this we lhall add what has been faid upon the fame fub- je£l by Dr Franklin. Writing to Lord K , he proceeds thus: 0 Give me leave, on this occafion, to extend a little the fenfe of your pofition, ‘ That melody and harmony are feparately agreeable, and in union delightful and to give it as my opinion, that the reafon why the Scotch tunes have lived fo long, and will probably live for ever (if they efcape being llifled in modern affe6l- ed ornament), is merely this, that they are really com- pofitions of melody and harmony united, or rather that their melody is harmony. I mean, the Ample tunes fung by a Angle voice. As this will appear pa¬ radoxical, I muft explain my meaning. In common acceptation, indeed, only an agreeable fucce(fion of founds is called melody; and only the coexijlence of agreeable founds, harmony. But fince the memory is capable of retaining for feme moments a perfeft idea of the pitch of a pall found, fo as to compare it with the pitch of a fucceeding found, and judge truly of their agreement or difagreement, there may and does ariie from thence a fenfe of a harmony between the pre- fent and pall founds, equally pleafing with that be¬ tween twro prefent founds. Now the conllrufticn of the old Scotch tunes is this, that almoft every fuc¬ ceeding emphatical note is a third, a fifth, an oflave, or in Ihort fome note that is in concord with the pre¬ ceding note. Thirds are chiefly ufed, which are very pleafing concords. I ufe the word emphatical, to di- fiinguifh thofe notes which have a llrefs laid on them in finging the tune, from the lighter connefling notes that ferve merely, like grammar-articles in common fpeech, to tack the whole together. “ That wTe have a molt perfeft idea of a found juft pall, I might appeal to all acquainted with mufic, who know how eafy it is to repeat a found in the fame 4 I c. pitch with one juft heard. In tuning an inftrument, a good ear can as ealily determine that two firings are in unifon by founding them feparately, as by founding them together 5 their difagreement is alfo as eafily, I believe I may fay more eafily and better dillinguilhed when founded feparately 5 for when founded together, thoughjyou know by the beating that one is higher than the other, you cannot tell which it is. I have aferibed to memory the ability of comparing the pitch of a prefent tone with that of one pall. But if there ftiould be, as poftibly there may be, fomething in the ear fimilar to what we find in the eye, that ability would not be entirely owing to memory. Poffibly the vibrations given to the auditory nerves by a particular found may aflually continue for fome time after the caufe of thefe vibrations is pall, and the agreement or difagreement of a fubfequent found become by compari- fon with them more difcernible. For the impreflion made on the vifual nerves by aluminous objedt will con¬ tinue for 20 or 30 feconds.” 4 After fome experiments to prove the permanency of vifible impreflions, he continues thus : “ Farther, when we conlider by whom thefe ancient tunes were compofed, and how they wrere firll per¬ formed, we fhall fee that fuch harmonical fucceflion of founds was natural and even neceflary in their con- ftrudlion. They were compofed by the minftrels of thofe days, to be played on the harp accompanied by the voice. The harp was llrung with wire, which gives a found of long continuance 5 and had no con¬ trivance like that of the modern harpfichord, by which the found of the preceding note can be llopt the moment a fucceeding note begins. To avoid adlual difeord, it was therefore neceffary that the fuc¬ ceeding emphatic note Ihould be a chord with the pre¬ ceding, as their founds muft exift at the fame time. Hence arofe that beauty in thofe tunes that has fo long pleafed, and will pleafe for ever, though men fcarce know why. That they were originally com¬ pofed for the harp, and of the moll Ample kind, I mean a harp without any half-notes but thofe in the natural fcale, and with no more than two odlaves of firings, from C to C, I conjefture from another cir- cumltance 5 which is, that not one of thele tunes really ancient, has a Angle artificial half-note in it •, and that in tunes where it is moil convenient for the voice to ufe the middle notes of the harp, and place the key in F, there the B, which if ufed fhould be a B flat, is al¬ ways omitted, by palling over it with a third. The connoiffeurs in modern mufic will fay I have no tafte : but I cannot help adding, that I believe our anceftors, in having a good fong, diftindtly articulated, lung to one of thofe tunes, and accompanied by the harp, felt more real pleafure than is communicated by the gene¬ rality of modern operas, exclufive of that arifing from the feenery and dancing. Moll tunes of late compo- fition, not having this natural harmony united with their melody, have recourfe to the artificial harmony of a bafs, and other accompanying parts. This fup- port, in my opinion, the old tunes do not need, and are rather confufed than aided by it. Whoever has heard yames Ofveald play them on his violinceilo, will be lefs inclined to difpute this with me. I have more than once feen tears of pleafure in the eyes of his auditors: and yet I think, even his playing thofe tunes would > 1 489 Hiftory. M U would pleafe more If he gave them lefs modern orna¬ ment.” As thefe obfervations are for the mod part true, and always Ingenious, we need no other apology for quot¬ ing them at length. It is only proper to remark, that the tranfition in Scots mufic by confonant intervals, does not fcem, as Dr Franklin imagines, to arife from the nature of the inftruments upon which they played. It is more than probable, that the ancient Britiih harp was not ftrung with wire, but with the fame materials as the Webb harps at prefent. Thefe firings have not the fame permanency of tone as metal ; fo that the found of a preceding emphatic 'note muff have expired before the fubfequent accented note could be introdu¬ ced. Befides, they who are acquainted with the ma¬ noeuvre of the Irifh harp, know wTell that there is a method of difcontinuing founds no lefs eafy and effec¬ tual than upon the harpfichord. When the performer SIC. finds it proper to interrupt a note, he has no more to do but return his finger gently upon the firing immediately (truck, which effectually flops its vibration. That fpecies of Scots mufic which we have diftin- guifhed by the name feems now7 limited to reels and country-dances. Thefe may be either in common or treble time. They moft frequently confifl of two ftrains : each of thefe contains eight or twelve bars. They are truly rhythmical •, but the mirth which they excite feems rather t© be infpired by the vivacity of the movement, than either by the force or variety of the melody. They poflefs a manoeuvre and expreffion pecu¬ liar to themfelves, which it is impoflible to defcribe, and which can only be exhibited by good performers,. Having thus far purfued the general idea of mufic, we fhall, after the hiftory, give a more particular detail of the fcience. HISTORY of MUSIC. No accu-' MUSIC is capable of fo infinite a variety, fo greatly rate ac- does the moft fimple differ from the moft complex, and the'ftaufof mu^P^"le^ are t^e degrees between thefe two ex- mufic in tremes, that in no age could the incidents refpeCting the earlier that fafcinating art have been few or unintereff ing. ages of the But, that accounts of thefe incidents fhould have been world. handed dowm to us, fcanty and imperfqft, is no matter of furprife, when w7e recollect that the hiftory of mufic is the hiftory only of founds, of which writing is a very inadequate medium j and that men would long employ themfelves in the pleafing exercife of cultivating' mufic before they poffefied either the ability or the inclination to record their exertions. No accurate traces, therefore, of the aflual ftate of mufic, in the earlier ages of the world, can be difcern- ed. Our ideas on the fubjedt have no foundation firm¬ er than conjedlure and analogy. It is probable, that among all barbarous nations fome degree of fimilarity is difcernible in the ftyle of their mufic. Neither will much difference appear du¬ ring the firft dawnings of civilization. But in the more advanced periods of fociety, wffien the powxrs of the human mind are permitted without obftacle to exert their native adlivity and tendency to invention, and are at the fame time affedted by the infinite variety of circumftances and fituations wdiich before had no ex- iffence, and wdiich in one cafe accelerate, and in ano¬ ther retard ; then that fimilarity, once fo diftinguifhable, gives place to the endlefs diverfity of which the fubjedt is capable. Mufic not Pra(ffice of mufic being univerfal in all ages and the inven- all nations, it w7ould be abfurd to attribute the invention tion of asy 0f the art to any one man. It muff have fuffere'd a re- ®ne man. gUlar progreflion, through infancy, childhood, and youth, before it could arrive at maturity. The firft attempts muff have been rude and artlefs. Perhaps the firft flute was a reed of the lake. No nation has been able to produce proofs of an¬ tiquity fb indifputable as the Egyptians. It wrould be vain, therefore, to attempt tracing mufic higher than Egyptian the hiftor-y of ^P^ mufic. By comparng the accounts of Diodorus Siculus Vol. XIV. Part II. and of Plato, there is reafon to fuppofe, that in very ancient times the ftudy of mufic in Egypt w7as con¬ fined to the priefthood, w7ho ufed it only on religious and folemn occafions j that, as w7ell as fculpture, it was cxrcumfcribed by law7; that it was efteemed fa- cred, and forbidden to be employed on light or com¬ mon occafions *, and that innovation in it was prohi¬ bited : But what the ffyle or relative excellence of this very ancient mufic ’was, there are no traces by w7hich w7e can form an accurate judgement. After the reigns of the Pharaohs, the Egyptians fell by turns under the dominion of the Ethiopians, the Perfians, the Greeks, and the Romans. By fuch revolutions, the manners and amufements of the people, as well as their form of government, mUft have been changed. In the age of the Ptolemies, the mufical games and contefis inflituted by thofe monarchs were of Greek origin, and the muficians who performed were chiefly Greek. The moft ancient monuments of human art and in- duftry, at prefent extant at Rome, are the obelifks brought thither from Egypt, tw7o of which are faid to have been eredled by Sefoftris at Heliopolis, about 400 years before the fiege of Troy. Thefe were by the or¬ der of Auguftus brought to Rome after the conquefl of Egypt. One of them called gt/gha rotta, or the broken pillar, which during the facking of the city in 1527 was throwm dowm and broken, ftill lies in the Campus Martius. On it is feen the figure of a mu¬ fical inftrument of tw7o firings, and w7ith a neck. It tian nuificaf refembles much the calafcione ftill ufed in the kingdom of Naples. This curious relick of antiquity is mentioned, be- caufe it affords better evidence than, on the fubjecl of ancient mufic, is ufually to be met with, that the Egyptians, at fo very early a period of their hiftory, had advanced to a confiderable degree of excellence in the cultivation of the arts. By means of its neck, this inftrument w7as capable, with only two firings, of producing a great • number of notes. Thefe two firings, if tuned fourths to each other, would furnifh that feries of founds called by the ancients heptachord, 3 Q. which. 49° M U S I C. The Egyp¬ tian Her¬ mes the in¬ ventor of the 1 vre. The (ingle fiute of the Egyptians. which confifts of a conjunfl tetrachord as B, C, D, E ; E, F, G, A ; if tuned fifths, they would pro¬ duce an o(Slave, or two disjunft tetrachords. J he calafcionc is tuned in this lail manner. 1 he annals cf no nation other than Egypt, for many ages after the period of the obelilk at Heliopolis, exhibit the veflige of any contrivance to (horten firings during performance by a neck or finger board. Father Mont- faucon obferves, that after examining $oo ancient lyres, harps, and citharas, he could difeover no fuch thing. Egypt indeed feems to have been the fource of hu¬ man intelligence, and the favourite refidence of genius and invention. From that celebrated country did the Greeks derive their knowledge of the firft elements of thofe arts and fciences in which they afterwards fo emi¬ nently excelled. Irom Greece again did the Romans borrow their attainments in the fame purfuits. And from the records of thofe different nations have the moderns been enabled to accomplifli lo wonderful an improvement in literature. The Hermes or Mercury of the Egyptians, firnamed Trifmegijhis, or thrice illujlrious, who was, according to Sir ifaac Newton, the fecretary of Ofiris, is cele¬ brated as the inventor of mufic. It has already been obferved, that no one perfon ought ilri&ly to be call¬ ed the inventor of an art which Items to be natural to, and coeval with, the human fpecies ; but the Egyptian Mercury is without doubt entitled to the praife of ha¬ ving made ftriking improvements in mufic, as well as of having advanced in various refpedls the civilization of the people, whofe government was chiefly committed to his charge. The account given by Apollodorus of the manner in which he accidentally invented the lyre, is at once entertaining and probable. “ The Nile (fays Apollodorus), after having overflowed the whole country of Egypt, when it returned within its natural bounds, left on tbe ftiore a great number of dead ani¬ mals of various kinds, and among the reft a tortoife ; the flefli of which being dried and wafted by the fun, nothing remained within the (hell but nerves and car¬ tilages, and thefe being braced and contra fled by the drying heat became fonorous. Mercury, walking along the banks of the Nile, happened to ftrike his foot a- gainft this ftiell j and was fo pleafed with the found pro¬ duced, that the idea of a lyre ftarted into his imagina¬ tion. He conftrufted the inftrument in the form of a tortoife, and lining it with the dried finews of dead animal;.” Flow beautiful to conceive the energetic powers of the human mind in the early ages of the world, ex¬ ploring the yet undifeovered capabilities of nature, and direfled to the inexhauftible ftore by the finger of God in the form of accident ! The monaulos, or fingle flute, called by the Egyp¬ tians photinx, was probably one of the moft ancient inftrumer.ts ufed either by them or any other nation. From various remains of ancient fculpture, it appears to have been flraped like a bull’s horn, and was at firft, it may be fuppofed, no other than the horn itfelf.— Before the invention of flutes, as no other inftrument except thofe of percuffion were known, mufic muft have been little more than metrical. When the art of refining and lengthening founds was firft difeovered, the power of mufic over mankind, from the agreeable furprife occafioned by foft and extended notes, was Hiftoiy. probably irrefiftible. At a time when all the reft of the world was involved in favage ignorance, the Egyp¬ tians were poffefled of mufical inftruments capable of much variety and expreffion.—Of this the aftoniihing remains of the city Thebes ftill fublifting afford ample evidence. In a letter from Mr Bruce, ingroffed in Dr Burney’s hiftory of Mufic, there is given a particular defeription of the Theban harp, an inftrument of ex-^ tenfive compafs, and exquifite elegance of form. It is^anjiarp 0f accompanied with a drawing taken from the ruins of an figjpt. ancient fepulchre at Thebes, fnppofed by Mr Bruce to be that of the father of Sefoftris. On the fuhjeft of this harp, Mr Bruce makes the following ftriking obfervation. “ It overturns all the accounts of the earlieft (late of ancient mufic and in- flruments in Egypt, and is altogether, in its form, or¬ naments, and compafs, an inconteftable proof, ftronger than a thoufand Greek quotations, that geometry, drawing, mechanics, and mufic, were at the greateft perfetfion when this harp was made ; and that what we think in Egypt was the invention of arts was only the beginning of the aera of their reftoration.” Indeed, when the beauty and powers of this harp, along with the very great antiquity of the painting which reprefents it, are confidered, fuch an opinion as that which Mr Bruce hints at, does not feem to be de¬ void of probability. It cannot be doubted that during the reigns of the Ptolemies, who were voluptuous princes, mufic muft: have been much cultivated and encouraged. T he fa¬ ther of Cleopatra, who was the laid of that race of kings, derived his title of auletes, or flute player, from his exceflive attachment to the flute. Like Nero, he ufed to array himfelt in the drefs of a tibicen, and exhi¬ bit his performance in the public mufical contefts. Some authors, particularly Am. Marcellinus and M. Pau, refufe to the Egyptians, at any period of their hiftory, any mufical genius, or any excellence in the art •, but the arguments ufed to fupport this opinion feexu to be inconclufive, and the evidences of the oppofite de- cifion appear to be inconteftable. The facred Scriptures afford almoft the only mate- Hebrew rials from which any knowledge of Hebrew mufic can mufie be drawn. In the rapid iketch, therefore, of ancient mufic which v.-e mean to exhibit, a very tew oblerva- tions are all which can properly be given to that de¬ partment of our fubject. Mofes, who led the Ifraeliles out of Egypt, was educated by Pharaoh’s daughter in all the literature and elegant arts cultivated in that country. It is pro¬ bable, therefore, that the tafte and ftyle of Egyptian mufic would be infufed in fome degree into that of the Hebrews. Mufic appears to have been interwoven through the whole tiffue of religious ceremony in Pa- leftine. The priefthood feem to have been muficians hereditarily and by office. The prophets appear to have accompanied their infp’red effufions with mufic ; and every prophet, like the prefent improvifatori of Italy, feems to have been accompanied by a mufical in¬ ftrument. Mufic, vocal and inftrumental, conftituted a great part of the funeral ceremonies of the Jews. I he pomp and expence ufed on thefe occafions advanced by de¬ grees to an exceffive extent. The number of flute- players in the proceffions amounted fometimes to ieveral hundreds. Hiftory. M U .£ hundreds, and the attendance of the guefts continued * frequently for 30 days *. hb. in. c. 9. 'jr[je Hebrew language abounds with confonants, and has (b few vowels, that in the original alphabet they had no charafters. It muft, therefore, have been harth and unfavourable to muiic. Their inllruments of rnufic were chiefly thofe of percuflion j fo that, both on account of the language and the inflruments, coarfe and tjle mujiC muft have been coarfe and noify. The vaft numbers of performers too, whom it was the tatfe of the Hebrews to colleft together, could with fuch a lan¬ guage and fuch inllruments produce nothing but cla¬ mour and jargon. According to Jolephus, there were 200,000 mulicians at the dedication of Solomon’s temple. Such are the circumftances from which only an idea of Hebrew mafic can be formed 5 for the Jews, neither ancient nor modern, have ever had any charac¬ ters peculiar to mufic ; and the melodies ufed in their religious ceremonies have at all times been entirely tra¬ ditional. Grecian Cadmus, with the Phoenician colony which he led mufic.j into Greece, imported at the fame time various arts into that country. By the affiftance of his Phoenician artificers, that chief difeovered gold in Thrace and copper at Thebes. At Thebes that metal is {till term¬ ed cadmia. Of thefe materials, and of iron, they formed to themfelves armour and inftrunaents of war. Thefe they ilruck againft each other during their dances at facrifices, by which they firft obtained the idea of mufic. Such is the account given of the ori¬ gin of that fpecies of mufic in Greece produced by inflruments of psreuflion. The invention of wind in¬ llruments in Greece is attributed to Minerva ; and to the Grecian Mercury is afiigned, by the poets and hiftorians of that country, the honour of many difeo- veries probably due to the Egyptian Hermes, particu¬ larly the invention of feringed inllruments, The lyre of the Egyptian Mercury had only three ftrings ; that of the Grecian feven : The laft was perhaps no more than an improvement on the other. When the Greeks deified a prince or hero of their own country, they ufually alhgned him an Egyptian name, and with the name bellowed on their new divinity all the adlions, attributes, and rites of the original. The Grecian lyre, although faid to have been in¬ vented by Mercury, was cultivated principally by Apollo, who firll played upon it with method, and accompanied it with the voice. The celebrated con- tell between him and Marfyas is mentioned by various authors *, in which, by conjoining the voice with his lyre (a combination never before attempted), his mufic was declared fuperior to the flute of Marfyas. ihe progrefs of the lyre, according to Diodorus Siculus, Proffrefs of is the following. “ The mufes added to the Grecian the Grecian lyre the firing called mefe; Linus that of lichanos $ and Orpheus and Thamyras thofe ftrings which are named hypate and parhypate.” It has been already mentioned, that the lyre invented by the Egyptian Mercury had but three ftrings. By putting thefe cir- ; 1 c. 491 cumftances together, wc may perhaps acquire forac knowledge of the progrefs of mufic, or at leaft of the extenfion of its fcale in the highell antiquity. Mefe, in the Greek mufic, is the fourth found of the fecond tetrachord of the great fyftem, and firft tetrachord in¬ vented by the ancients, anfwering to our A, on the fifth line in the bafe. If this found then was added to the former three, it proves that the moft ancient te¬ trachord was that from E in the bafe to A j ana that the three original ftrings in the Mercurian and Apol¬ lonian lyre were tuned E, F, G, which the Greeks call hypate niefon, parhypate mejon, and mefon diatonos: Ihe addition, therefore, of mefe to thefe, completed the firft and moft ancient tetrachord E, F, G, A. rlhe firing lichanos again being added to tbefe, and anfweving to our D on the third line in the bafe, extended the com- pafs downwards, and gave the ancient lyre a regular feries of five founds. The two ftrings hypate and par¬ hypate, correfponding with our B and C in the bafe, completed the heptachord or leven founds b, c, d, e, f, g, a 5 a compafs which received no addition till after the days of Pindar. It might perhaps be expefled, that in a hiftory of Greek mufic fomething ought to be faid concerning the mufes, Apollo, Bacchus, and the other gods and demi-gods, who in the mythology of that country ap- pear to have promoted and improved the art. But luch a difeuflion would be too diftutive, and involve too much foreign matter for the plan we have chofen to adopt. We cannot avoid, however, making a few obfervations on the poems of Homer, in fo far as con- nefted with our fubjefl. It has been imagined, with much appearance of probability, that the occupation of the firft poets and muficians of Greece refembled Occupation that of the Celtic and German bards and the icalds °f the fiijt of Iceland and Scandinavia. They fung their poems in the ftreets of cities and m the palaces or princes. in Greece. They were treated with high refpedl, and regarded as infpired perfons. Such was the employment of Ho¬ mer. His poems, fo juftly celebrated, exhibit the moft authentic picture that can be found in the annals of antiquity, although perhaps fomewhat highly co¬ loured, of the times of which he wrote and in which he lived. Mufic is always named throughout the Iliad • and Odyfley with rapture } but as in thefe poems no mention is made of inftrumental mufic unaccompanied with poetry and finging, a confiderable fliare no doubt of the poet’s praifes is to be attributed to the poetry. The inflruments moft frequently named are the lyre, the flute, and the fyrinx. The trumpet appears not to have been known at the fiege of Troy, although it had come to be in ufe in the days of Homer him- felf. From the time of Homer till that of Sappho, there is almoft a total blank in literature. Only a few fragments remain of the works of thofe poets and mu¬ ficians whofe names are preferved as having flourifhed between thofe periods (a). During the century which elapfed between the days of Sappho and thofe of Ana¬ creon, no literary produdlions are preferved entire.— 3 £) 2 From (a) Hefiod lived fo near to Homer, that it has been difputed which of them is the moft ancient. It is now, we believe, univerfally admitted, that the palm of antiquity is due to Homer j but we confider them as having both flouriihed in the fame era. 49 2 The inven¬ tion of mu- firai eha- iidters. Vociferous mafic of the. Greeks. M U From Anacreon to Pindar there is another chafm of near a century. Subfequent to this time, the works fiill extant of the three great tragic poets, iEfchylus, Sophocles, and Euripides, together with thole of Plato, Arhlotle, Ariiloxenus, Euclid, Theocritus, Callima¬ chus, Polybius, and many others, produced all within a ipace lei’s than 300 years, diftinguilh this illuftrious and uncommon period as that in which the whole powers of genius feem to have been exerted to illumi¬ nate and inPirudl mankind in future ages. Then it was that eloquence, poetry, miific, architedfure, hiitory, painting, fculpture, like the fpontaneous bloiToms of na¬ ture, flourilhed without the appearance of labour or of art. The poets, as well epic as lyric and elegiac, were all like wile muficians •, fo ftriclly connedled were mulic and poetry for many ages. It would afford amufement to colledt the biographical anecdotes of tbeie favourites of genius, and to affign to each the refpedlive improve¬ ments made by him in muffc and poetry ; but our limits clo not admit of fo extenfive a difquifrtion •, for which, therefore, reference muff be made to the editors and commentators of thefe authors, and to the voluminous hiffories of mufic lately publifhed. The invention of notation and mufical characters marked a diffinguithed aera in the progrefs of mufic. There are a diverfity of accounts relpedting the perfon to whom the honour of that invention is due ; but the evidences feem to preponderate in favour of Terpan- der, a celebrated poet and mufician, to whofe genius mufic is much indebted. He flourithed about the 27th Olympiad, or 671 years before Chriff. Before that valuable difeovery, mufic being entire¬ ly traditional, muff have depended much on the me¬ mory and taffe of the performer. There is an incident mentioned in the accounts handed down to us of the Olympic games, which may ierve in fome degree to mark the character of mufic at the time in which it happened. Lucian relates that a young flute-player named Harmonides, at his firft public appearance in thele games, began a lolo with fo violent a blaft, on purpofe to Jurprife and ele¬ vate the audience, that he breathed his lajl breath im0 his flute, and died on the fpot. When to this anec¬ dote, w'onderful to us, and almoft incredible, is added the circumftance, that the trumpet-players at thefe public exhibitions exprelled an excefs of joy when they found their exertions had neither rent their cheeks nor burft their blood-veffels, fome idea may be formed of the noify and vociferous llyle of mufic which then pleafed ; and from fuch faiffs only can any opinion be obtained of the actual Rate of ancient mufic. In whatever wanner the flute was played on, there is no doubt that it was long in Greece an infhument of high favour, and that the flute-players were held in much eftimation. The flute ufed by Ifmenias, a celebrated Theban mufician, colt at Corinth three ta¬ lents, or 58 il. 5s. If, fays Xenophon, a bad flute- player would pafs for a good one, he muft, like the great flute-players, expend large fums on rich furniture, and appear in public with a great retinue of fervanls. S I C. Hiitory, The ancients, it appears, were not lefs extravagant kxtrava- in gratifying the miniffers of their pleafmes than our- gance °/ felves. Amoebaeus, a harper, was paid an Attic talent, or 193I. 15s. per day for his performance (b). fpt(q tG It is proper to add, that the celebrated muficians mufic. of Greece who performed in public were of both fexes j and that the beautiful Lamia, who wms taken captive by Demetrius, in the fea engagement in which he van- quilhed Ptolemy Soter, and who herfelf captivated her conqueror, was a public performer, as wrell as were many other elevated female fpirits, who are recorded by ancient authors in terms of admiration, and of whom, did our limits here admit of biography, w-e would treat with pleafure. The philofophers of Greece, whofe capa¬ cious minds grafped every other objedt of human in¬ telligence, were not inattentive to the theory of mufic, or the philofpphy of found. This department of fei- ence became the fource of various fedts, and of much diverfity of opinion.—The founders of the molt diliin- guilhed fedts were Pythagoras and Ariffoxenus. Like every other people, the Romans, from their Roman firff origin as a nation, wrere poffeffed of a fpecies ofmu®e- mufic which might be diffinguiihed as their own. It appears to have been rude and coarfe, and probably was a variation of the mufic in ufe among the Etruf- cans and other tribes around them in Italy ; but as foon as they began to open a communication with Greece, from that country, with their arts and philo- fophy, they borrowed alfo their mufic and mufical in- flruments. No account, therefore, of Roman mufic is to be expected that wTouli not be a repetition of wLat has been faid on the fubjedt of the mufic of Greece. The exceflive vanity of Nero with refpedt to mufic, Vanity of difpLyed in his public contentions for fuperiority with Nero with the molt celebrated proteffors of the art in Greece10 and Rome, is known to every one converfant in the™111"" hiffory of Rome. The foliciiude with which that deteliable tyrant attended to his voice is curious, and will throw fome light on the pradtices of - fingers in ancient times. He was in ufe to lie on his back, with a thin plate of lead on his ftomach. He took frequent emetics and cathartics, abftained from all kinds of fruits and fuch meats as were held to be prejudicial to finging. Apprehenfive of injuring, his voice, he at length defifted from haranguing the foldiery and the fenate and after his return from Greece eftabliffied an officer (Phonafcus) to regulate his tones in fpeak- ing. Moff nations have confented in introducing muficSacPej into their religious ceremonies. That art was early mufic admitted into the rites of the Egyptians and Hebrews j and that it conftituted a confiderable part of the Gre¬ cian and Roman [religious fervice, appears from the writings of many ancient authors. The fame pleafing art foon obtained an introdudtion into the Chriflian church, as the Adis of the Apoftles difeover in many paffages. There remain no fpecimens of the mufic employed in the worlhip of the primitive Chriftians j but probably it was at firft the fame, with that ufed in the Pagan rites of the Greeks and Romans. The pradlice (b) Rofcius gained 500 fdkrtia, or 4036k 9s. 2d. fterling. 49S Hiftory. M U practice of chanting the pfalms was introduced into the weOern churches by St Atnbrofe, about 350 years after Chriit. In the year 600, the method of chant¬ ing was improved by St Gregory the Great. The Ambrofian chant contained four modes. In the Gre¬ gorian the number was doubled. So early as the age of Conftantine the Great, prior to either of the pe¬ riods laft mentioned, when the ChriRian religion firft obtained the countenance of power, inftrumental mu- fic came to be introduced into the fervice of the church, introduced In England, according to Ihlhop Stillingfleet, mufic into the was employed in the church fervice, firft by St Auguf- •chur^h! 5;‘ne, anc^ afterwards much improved by St Dunftan, 1U'e who was himfelf an eminent mufician, and who is faid to have firft furnilhed the Engliih churches and con¬ vents with the organ. 1 he organ, the moft majeftic of all inftruments, feems to have been an improvement of the hydraulican or water organ of the Greeks.— The firft” organ feen in France was fent from Conftan- tinople in 757, as a prefent to King Pepin from the emperor Conftantine Copronymus VI. In Italy, Ger¬ many, and England, that inftrument became frequent during the 10th century. During the dark ages no work of genius or tafte in any department of Icience feems to have been produ¬ ced in any part of Europe \ and except in Italy, where the cultivation of mufic was rather more the objedf of attention, that art was negledled equally with all others. There has always been obferved a corre- fpondence in every country between the progrefs of mufic and the cultivation of other arts and fciences. In the middle ages, therefore, when the moft fertile provinces of Europe were occupied by the Goths, Huns, Vandals, and other barbarous tribes, whole language was as harfti as their manners were favage, little perfedlion and no improvement of mufic is to be looked for. Literature, arts, and refinements, The great were encouraged more early at the courts of the Ro- improve- man pontiffs than in any other country ; and owing to ments in that circumftance it is, that the fcale, tne counter- mufic had p0;nt) t}ie beq melodies, the dramas religious and fe- their origin cuiar, ^ cl-ief graces and elegancies of modern mu¬ fic, have derived their origin from Italy. In modern times, Italy has been to the reft of Europe what an¬ cient Greece was to Rome. The Italians have aided the civilization of their conquerors, and enlightened the minds of thofe whofe fuperior prowefs had enflaved them. Having mentioned counterpoint, it would be im¬ proper not to make one or two obfervations on an in¬ vention which is fuppofed to have been the fource of great innovation in the pracfice of mufic. Counter¬ point, or mufic in parts, leems to be an invention purely modern. The term harmony meant in the language of antiquity what is now underitood by me¬ lody. Guido, a monk of Arezzo in Tufcany, is, in Counter- ^ genera] opinion, fuppofed to have entertained the firft idea of counterpoint about the year 1022 : an art wdiicb, fince his time, has experienced gradual and im¬ perceptible improvements, far exceeding the. powers or comprehenfion of any one individual. The term counterpoint, or contra punftutn, denotes its own ety¬ mology and import. Mufical notation was at one time performed by fmall points j and the prefent mode is point- S I c. only an improvement of that praftice. Counterpoint, therefore, denotes the notation of harmony or mufic in parts, by points oppofite to each other. The im¬ provements of this important acquifition to the art of mufic kept pace at firft with thofe of the organ •, an in¬ ftrument admirably adapted to harmony : And both the one and the other were till the 13th century em¬ ployed chiefly in facred mufic. It was at this period that facred mufic began to be cultivated. Before the invention of characters for time, mufic in parts mult have confifled entirely of fimplc counter¬ point, or note againft note, ss is ftill praClifed in pfal- mody. But the happy difcovery of a time-table ex¬ tended infinitely the powers of combined founds. The ancients had no other resource to denote time and movement in mufic except two charadters (— equivalent to a long and a fhort fyllable. But time is of fuch importance in mufic, that it can impart meaning and energy to the repetition of the fame found. Without it variety of tones has no effedl with refpect to gravity and acutenefs. The invention of fhe ;Kren- the time-table is attributed by almoft all the writers tion of the on mufic of the laft and prefent century to John de t'me"tab^e* Muris, who floumhed about the year 1330. But in a manufcript of John de Muris himfelf, bequeathed to the Vatican library by the Queen of Sweden, that honour feems to be yielded to Magifter Franco, who appears to have been alive as late at leaft as 1083. John de Muris, however, who there is iome caule to believe was an Englilhman, though not the inventor of the cantus menfurabilis, did certainly by his nume¬ rous writings greatly improve it. His trad! on the Jlrt of Counterpoint is the moft clear and ufeful efl'ay on the fubjedt of which thofe times can boaft. In the nth century, during the firft crufade, Eu¬ rope began to emerge from the barbarous ftupidity and ignorance which had long overwhelmed it. While its inhabitants were exercifing in Afia every fpecies of rapine and pious cruelty, art, ingenuity, and reafon, infenfibly civilized and foftened their minds. Then it was that the poets and ibngfters, known by the name of Troubadours, who firft appeared in Provence, inftitu-Troubau. ted a new profeflion ; which obtained the patronage clours.. of the count of Poidtou, and many other princes and barons, who had themfclves cultivated muiic and po¬ etry with fuccefs. At the courts of their munificent patrons the troubadours were treated with refpedl. The ladies, whafe charms they celebrated, gave them the moft generous and flattering reception. The fuc¬ cefs of Tome infpired others with hopes, and excited exertions in the exercife of their art ; impelling them towards perfedlion with a rapidity which the united force alone of emulation and emolument could occa- fion. Tbefe founders of modern verfification, con- ftrudfing their fongs on plans of their own, claflical au¬ thority, either through ignorance or defign, was en¬ tirely difregarded. It does not appear, however, du¬ ring the cultivation and favour of Provencal literature, that any one troubadour fo far outflrjpped the reft as to become a model of imitation. The progrefs of tafle muft ever be impeded by the ignorance and caprice of thofe who cultivate aa art without fcience or prin¬ ciples. During almcft two centuries after the arrangement: off: 494 The harp the favour¬ ite inftru- ment of the Trou¬ badours. The viol ;or violin. M U of the fcale attributed to Guido* arid the invention of the time-table afcribed to Franco, no remains of fecu- lar munc can be difcovered, except thofe of the trou¬ badours or Provencal poets. In the fimp.le tunes of thefe bards no time indeed is marked, and but little variety of notation appears : It is not difficult, how¬ ever, to difcover in them the germs of the future me¬ lodies, as well as the poetry of France and Italy. Had the poetry and mufic of the troubadours been treated of in an agreeable manner by the writers who have cho- fen that fubjedf, it would have been difcovered to be worthy of attention *, the poetry, as interefting to li¬ terature ; the melody to which it was fung, as curious to the mufical hillorian. Almoft every fpecies of Italian poetry is derived from the Provencals. Air, the moll captivating part of fecular vocal mufic, feems to have had the fame ori¬ gin. The moll ancient drains that have been fpared by time, are fuch as were fet to the fongs of the trouba¬ dours. The Provencal language began to be in favour with poets about the end of the loth century. In the 12th it became the general vehicle, not only of poetry, but of profe, to all who were ignorant of Latin. And thefe were not the laity only. At this period violars, or performers on the vielle or viol, juglars or flute- players, tnvfars or players on other inllruments, and comics or comedians, abounded all over Europe. This fwarm of poet-muficians, who were formerly compre¬ hended in France under the general title of jongleurs, travelled from province to pi-ovince, linging their verfes at tire courts of princes. They were rewarded with clothes, horfes, arms, and money. Jongleurs or mufi- cians were employed often to fing the verfes of trouba¬ dours, who themfelves happened to be deficient in voice or ignorant or mufic. The term troubadour, therefore, implies poetry as well as mufic. The jongleurs, mene- triers, ftrollers, or minftrels, were frequently muficians, without any pretenfions to poetry. Thefe laft have been common at all times j but the troubadour or bard has difiinguiffied a particular profeffion, either in ancient .or modern times, only during the early dawnings of li¬ terature. In the 13th century the fongs were on various fub- je£ts 5 moral, merry, amorous : and at that time me¬ lody feems to have been little more than plain fong or chanting. The notes were fquare, and written on four lines only like thofe of the Romiffi church in the cliff C, and without any marks for time. The move¬ ment and embelliffiments of the air depended on the abilities of the finger. Since that time, by the culti¬ vation of the voice modern mufic has been much ex¬ tended, for it was not till towards the end of St Lewis’s reign that the fifth line began to be added to the Have. The finger always accompanied himfelf with an jnftrument in unifon. As the lyre is the favourite infirument in Grecian ■ poetry, fo the harp held the fame place in the elfima- tion of the poets who flouriffied in the period of which we at prefent fpeak A poet of the 14th century, Machau, wrote a poem on the fubieiff of the harp alone ; in which he affigns to each of its 2? firings an allegorical name 5 calling one liberality, another wealth, &c. The infirument which frequently accompanied, and indeed difputed the pre-eminenc'e with the harp, was 2 S I C. Hiftory. the viol. Till the 16th century this infirument was furniffied with frets j after that period it was reduced to four firings : and ftill under the denomination of violin holds the firft place among treble inftruments. The viol was played with a bow, and differed entirely from the vielle, the tones of which were produced by the friction of a wheel : The wheel performed the part of a bow. Britiffi harpers were famous long before the con- queft. The bounty of William of Normandy to his joculator or bard is recorded in the Doomfday book. The harp feems to have been the favourite inftrument in Britain for many ages, under the Britilh, Saxon, Danilh, and Norman kings. The fiddle, however, is mentioned fo early as 1200 in the legendary life of St Chriftopher. The ancient privileges of the min¬ ftrels at the fairs of Chefter are well known in the hi- ftcry of England. The extirpation of the bards of Wales by Edward I. is likewife too familiar an incident to be particularly mentioned here. His perfecuting fpirit, however, feems to have been limited to that principality ; for we learn, that at the ceremony of knighting his fon, a multitude ofiminfirels attended. In 1315, during the reign of Edward II. fuch ex- tenfive privileges were claimed by the minftrels, and fo many diffolute perfons affumed that chara&er, that it became neceffary to reftrain them by exprefs laws. The father of our genuine poetry, who in the 14th century enlarged our vocabulary, poliffied our num¬ bers, and with acquifitisns from France and Italy aug¬ mented our ftore of knowledge (Chaucer), entitles one of his poems The Hiftory of St Cecilia ; and the ce~gt cecu:a lebrated patronefs of mufic muft no doubt be men¬ tioned in a hiftory of the art. Neither in Chau¬ cer, however, nor in any of the hiftories or legendary accounts of this faint, does any thing appear to au¬ thorize the religious veneration paid to her by the vo¬ taries of mufic j nor is it eafy to difcover whence it has arifen. As an incident relative to the period of which we fpeak, it may be mentioned, that, according to Spel- mann, the appellation of Doblor was not among the de- Origin of’ grees granted to graduates in England fooner than thf degree the reign of King John, about 1207; although, in E** Wood’s hiftory of Oxford, that degree is faid to have been conferred, even in mufic, in the reign of Hen¬ ry II. It is known that the title was created on the continent in the 12th century j and as, during the middle ages, .mufic was always ranked among the feven liberal arts, it. is likely that the degree was ex¬ tended to it. After the invention of printing, an art which has tended to diffeminate knowledge with wonderful ra¬ pidity among mankind, rrufic, and particularly coun¬ terpoint, became an objeft of high importance. The names of the moil eminent compofers who fiourifhed in England, froir that time to the Refoimation, were, Fairfax, Wiliiain of Newark, Sheryngham, Turges, Banifter, Tudor, Taverner, Tye, Johnfon, Parfons j to whom may be added John Marbeck, who fet the whole Englifh cathedral fervice to muiic. Before this period Scoitiffi rnufic had advanced toSeottifti a high degree of perfection. James I. was a great muflc* compofer of airs to his own verfes; and may be confi- dered Hiftory. M U ! dered as the father of that plaintive melody which in Scotch tunes is fo pleaiing to a tarte not vitiated by modern affedhation. Eefides the teftimony of Fordun and Major, who may be fufpedfed of being under the influence of national prejudice, we have that of Alef- fandro Tefiani, to the muiical fidll of that accompliih- ed prince. “ Among us moderns (fays this foreigner) We may reckon James king of Scotland, who not only compofed many facred pieces of vocal mafic, but alio of himfelf invented a new kind of mufc, plaintive and melancholy, different from ail others ; in -which he has been imitated by Carlo Gelueldo prince of Venoia, who in our age has improved muuc with new and admirable inventions.” Under fuch a genius in poetry and mufic as King James I. it cannot be doubted that the national mufic muif have been greatly improved. We have feen that he compofed feveral anthems, or vocal pieces of fa¬ cred mufc, which (hows that his knowledge of the fei- ence mulf have been very coniiderable. It is likewife known, that organs were by him introduced into the cathedrals and abbeys of Scotland, and choir-fervice brought to fiich a degree of perfection, as to fall little fhort of that edablilhed in any country of Europe.— ^ j, t By an able and ingenious antiquary f the great ler's Dif- era mtdic, as of poetry, in Scotland, is fuppofed to fertatio/i have been from the beginning of the reign of James I. on the down to the end of the reign of James V. During vW ^hat period flourilhed Gavin Douglas bifhop of Dun- the Tranf. held, Ballenden archdeacon of Murray, Dunbar, Hen- aftions of ryfon, Scott, Montgomery, Sir David Lindfey, and many the Society others, whofe fine poems have been preferved in Ba- ot Anticjua-natyne’s Collection, and of which feveral have been laiid'' ^ UL publilhed by Allan R.amfay in his Evergreen. Before the Reformation, as there was but one reli¬ gion, there was but one kind of facred mufic in Eu¬ rope, plain chant, and the defcant built upon it,— That mufic likewife was applied to one language only, the Latin. On that account, the compolitions of Italy, France, Spain, Germany, Flanders, and England, kept pace in a great degree with each other in ityle and excellence. All the arts feem to have been the companions, if not the produce, of fuccefsful commerce: they appeared firft in Italy, then in the Hanfeatic towns, next in the Netherlands; and during the 16th century, when commerce became general, in every part of Europe. I*i ti c iC'h t^ie century mufic was an indifpenfable part century °f polite education : All the princes of Europe were rrufic an inftru&ed in that art. There is a colleflion preferved ir.difpen- ]n manufeript called Queen Eli^abetDs Virginal Book. cf educa *" ^ her majefty was able to execute any of the pieces in ticc. book, ihe mulf have been a great player; a month’s praftice would not be fufficient for any mailer now in Europe to enable him to play one of them to the end. Tallis, Angularly profound in mufical conipofition, and Bird his admirable fcholar, were two of the authors of this famous colleffion. During the reign of Elizabeth, the genius and learn¬ ing of the Britifh muficians w*ere not inferior to any on the continent; art obfervation fcarcely applicable at any other period of the hiftory of this country. Sa¬ cred mufic was the principal object to ftudy all over Europe. The moft eminent mufical theorifts of Italy, who i I C. 495 flourilhed in the 16th century, were, Franchinus Ga-Eminent fierius, or Gaftbrio of Lode, Pietro Aaron of Flo-pu^jans rence, Lodovico Fogliano, Giov. Spatro, Giov. Ma- ria da Terentio Lanfranco, Steffano Uanneo, Anton, j^th‘cen- Francifco Done, Luigi Dentice, Nicolo Vicentino,tury. and GiofefFo Zarlino, the moft general, voluminous, and celebrated theorift of that period, Vincentio Gali¬ lei, a Florentine nobleman, and father of the great Ga¬ lileo Galilei, Maria Artufe of Bologna, Orafeo Te- grini, Pietro Pontio, and Lodovico Zacconi. The principal Roman authors were, Giovanni An- muccia, Giovanni Pierluigi da Paleftrma, juftly cele¬ brated, Ruggiero Giovanelli, Luca Marenzio, who brought to perfection madrigals, the moft cheerful fpecies of fecular mufic. Of the Venetians, Adrian Willaeri is allowed to be at the head. At the head of the Neapolitans is defervedly placed Rocco Rodio. At Naples, too, the illuftrious dilettante, Don Carlo Gefualdo prince of Venofa, is highly celebrated. Pie feerns, however, to have owTed much of his fame to his high rank. Lombardy might alfo furnifli an ample lift of eminent muficians during the 16th century, of whom, however, our limits will not admit of a particular enumeration :— The chief of them wrere, Ccnftanzo Porta, Gaftoldi, Biffi, Cima, Vocchi, and Monteverde. At Bologna, befides Artufi already mentioned, An¬ drea Rota of the fame city appears to have been an ad¬ mirable contrapunctift. Francifco Corteccia, a celebrated organift and com- pofer, and Aieffandro Strigglio, a lutanift and volu¬ minous compofer, were the moft eminent Florentines. The inhabitants of the extenfive empire of Germany In Germa- bave long made mufic a part of general education.— nI* They hold the place, next to Italy, among the moft fuccefsful cultivators of the art. During the i6th cen¬ tury, their moft eminent compofers of mufic and wri¬ ters on the fubjedt were, Geo. Reifchius, Michael Rof- wick, Andreas * Ornithorparchus, Paul Hofhaimer, Lufpeinius, Henry Loris or Lorit, Faber, Fink, Hol¬ man, and many others whom it would be tedious to mention ; and for a particular account of whole trea- tifes and compofitions we muft refer to more volumi¬ nous hiftories of mufic. In France, during, the 16th century, no art except jn pj.ance> the art of war made much progrefs in improvement.— Ronfard, Baif, Goudimel, Claud le Jeune, Caurroy, and Maudit, are the chief French muficians of that period. In Spain, mufic was early received into the circle of Spain. fciences in the univerfities. The mulical profeflbrlhip at Salamanca was founded and endowed by Alfonzo the Wile, king of Caftile. One of the moft celebrated of the Spanifh muficians wTas Francis Salinas, who had been blind from his in¬ fancy. He was a native of Burgos. D. Criftofero Morales, and Tomafo Lodovico da Vittorio, deferve likewife to be mentioned ; and to mention them is all we can attempt ; the purpofe of * which is, to excite more minute inquiry by thofe who may choofe to invelligate the fubjedb particularly. The Netherlands, likewife, during the period of which The Ne- we have been fpeaking, produced eminent compofers •, therlands. of 40 Mufical compofevs in England during the 17th cen¬ tury. Mean ft ate of the opera in the be¬ ginning of the 18 th century. State of raufic ia France in the 17 th dgntury. M U of whom we may mention Verletot, Gombert, Arka- delt, Berchem, Richefort ®r Ricciafort, Crequilon Le Cock or Le Coq, Canis, Jacob Clemens Non Papa, Pierre Manchicourt, Bafton, Kerl, Rore, Orlandi di Lafl’o, and his Tons Ferdinand and Rodolph. In the 17th century, the mufical writers and com- pofers who acquired fame in England, were, Dr Na¬ thanael Giles, Thomas Tomkins, and his fon of the fame name ; Elway Bevin, Orlando Gibbons, Dr Wil¬ liam Child, Adrian Batten, Martin Pierfon, William Lawes, Plenry Lawes, Dr John Wrilfon, John Hil¬ ton, John Playfovd, Captain Henry Cook, Pelham Humphrey, John Blow, WTilliam Turner, Dr Chri- flopher Gibbons, Benjamin Rogers, and Henry Pur¬ cell. Of thefe, Orlando Gibbons, Pelham Humphrey, and Henry Purcell, far excelled the reft. About the end of the reign of James I. a mufic-lec- ture or profefforfhlp was founded in the univerfity of Oxford by Dr William Hychin. In the reign of Charles I. a charter was granted to the muficians of Weftminfter, incorporating them, as the king’s muficians, into a body politic, with powers to profecute and fine all who, except themfelves, fhould “ attempt to make any benefit or advantage of mufic in England or Whies j” powers which in the fubfequent reign were put in execution. About the end of the reign of Charles II. a paf- fion feems to have been excited in England for the ■violin, and fcr pieces exprefsly compofed for it, in the Italian manner (b). Prior to 1600, there was little other mufic except maffes and madrigals, the two principal divifions of facred and fecular mufic j but from that time to the prefent, dramatic mufic becomes the chief obie£t of attention. The mufic of the church and of the chamber continued indeed to be culti¬ vated in Italy with diligence, and in a learned and •elaborate fiyle, till near the middle of the century j yet a revolution in favour of melody and expreflion was preparing, even in facred mufic, by the fuccefs of dramatic compofition, confifting of recitation and •melodies for a fingle voice. Such melodies began now to be preferred to mufic of many parts ; in which canons, fugues, and full harmony, had been the pro- dudlions which chiefly employed the mailer’s ftudy and the hearer’s attention. So late as the beginning of the 18th century, ac¬ cording to Riccoboni, the performers in the operas of Germany, particularly at Hamburg, “ were all tradefmen or handicrafts. Your fhoemaker (fays he) was often the firft performer on the ftage ; and you might have bought fruit and fweetmeats of the fame girls, whom the night before you had feen in the cha- radlers of Armida or Semiramis. Soon, however, the German opera arofe to a more refpedlable fituation •, and even during the 17th century many eminent compofers flourifhed in that country. The lift of great muficians which France produced during the early part of the fame century is not nu- S I C. Hiftory. merous. Mufic feems to have been but little culti¬ vated in that country, till the operas of Lulli, under the powerful patronage of Louis XIV. excited public attention. The favourite finging-mafter and compofer of France, about the middle of the 17th century, was Michael Lambert. John Baptift Lulli, foon after this time, rofeffrom the rank of a menial fervantto fame, opulence, and nobility, by his fk 11 in mufical compofiticns. The celebrated finger La Rochois was taught finging and \ afting by Lulli. La Maupin the fucceffor of La Rochois, on ac-Curious count of her extraordinary character and romantic ad-anecdotes ventures, deferves to be mentioned. She eloped from a ^rcnc^ her hufhand wdth a fencing-mafter, of whom {he learnt in^e ‘ the fmall fword. She became an excellent fencer. At Marfeilles fhe entertained a ftrange attachment to a young lady, who was feized with a whimfical fondnefs in re¬ turn, on account of wftnch the latter was confined in a convent. I^a Maupin obtained admiffion into the fame convent as a novice. She fet fire to the building, and in the confufion carried off her favourite. At Paris when fire appeared on the ftage in 1695, Dumeni a finger having affronted her, flie put on men’s clothes, and infilled on his drawing his fword and fighting her. When he refufed, fhe caned him, and took from him his watch and fnuff-box as trophies of her vidlory. At a ball given by Monfieur brother of Louis XIV. fhe again put on men’s cloathes 5 and having behaved im¬ pertinently to a lady, three of the lady’s friends, fuppo- fing La Maupin to be a man, called her out. She killed them all; and returning coolly to the hall, told the ftory to Monfieur, who obtained her pardon. She became afterwards miftrefs to the eledlor of Bavaria. This prince quitting her for the countefs of Arcos, fent her by the count, hufhand of that lady, a purfe of 40,000 livres. She threw it at the count’s head, tell¬ ing him, it was a recompenfe worthy of fuch meannefs as he difplayed. At laft, feized w-ith a fit of devotion, file recalled her hufband, and fpent the remainder of her life in piety. She died in 1707 at the age only of 34- The Englifh mufician whom we laft mentioned was C{lief conj_ the celebrated Purcell. After his time the chief com-pofen for pofers for the church were Clarke, Dr Holden, Dr the church Creyghton, Tucker, Aldrich, Golwin, Weldon, Drln EnSlaIi(3, Crofts, Dr Greene, Boyce, and Nares.; to whom may be added John Stanley, who attained high proficiency in mufic, although from two years old totally deprived of fight. The annals of modern mufic have hitherto furnifh- ed no event fo important to the progrefs of the art as the invention of recitative or dramatic melody ; a ftyle of mufic which refembles the manner of the ancient rhapfodills. The Orfeo of Politian was the firft attempt at niu-Firfl. mufi_ fical drama. It was afterwards perfected by Metafta-Cal drama, fio. No mufical dramas fimilar to thofe afterwards known (b) The moft celebrated violin players of Italy, from the 16th century to the prefent time, have been Fa¬ rina, M. Angelo Roffi, Baffani the violin-mafter of Corelli, the admirable Angelico Corelli himfelf, d oreiii, Alberti, Albenoni, Teffarini, Vivaldi, Geminiani one of the moft diftinguifhed of Corelli’s fcholars, Tartini, Veracini, Barbella, Locate!!:, Ferrari, Martini, Boccherini, and Giardini. 3 \ Hiftoiy. M U known by the names of opei'A and oratorio, had exift- ence in Italy before the beginning of the 17th cen¬ tury. It was above the 1600, or a little before that time, that eunuchs were firlt employed for finging in Italy* Firft fing- There feein to have been no Jinging eunuchs in an- ing eu- cient times, unlefs the galli or archigalli, prielfs of nuchs. Cybele, were fuclw Caflration has, however, at all times been praftifed in eatfern countries, for the pur- pofe of furniftiing to tyrannic jealoufy guards of fe¬ male chadity ; but never, fo far as modern writers on the fubjeft have difcovered, merely to preferve the voice, till about the end of the 16th century. At Rome, the firft public theatre opened for the ex¬ hibition of mulical dramas, in modern times, was tl Torre da Nona, where in 1671 Giafone was perform¬ ed. In 1679, the opera of Dou e Amore, fet by the famous organift Bernardo Pafquini, wras reprefented at Ni/la Sa/a de Signori Capranica ; a theatre which dill fubfids. In the year 1680, VOneJla negl' Amore w&s exhibited *, the fird dramatic compodtion of the ele¬ gant, profound, and original Aleflandro Scarlatti. The inhabitants of Venice have cultivated and en¬ couraged the mudcal drama with more zeal and di¬ ligence than the red of Italy, during the end of the lad and beginning of the prefent century •, yet the opera was not edablidied in Venice before the year 1637. In that year the fird regular drama wras per¬ formed. It was Andromeda. Opera of In 1680 the opera of Berenice was exhibited at ■Berenice. pa(]ua vvjth fuch adonithing fplendour as to merit notice. There were chorufes of 100 virgins, 100 foldiers, 100 horfemen in iron armour, 40 cornets of horfe, 6 trumpeters on horfeback, 6 drummers, 6 en- figns, 6 fackbuts, 6 great dutes, 6 mindrels playing on Turkifh indruments, 6 others on o&ave fiutes, 6 pages, 3 fergeants, 6 cymbalids. There w’ere l 2 huntfmen, 12 grooms, 6 coachmen for the triumph, 6 others for the procefiion, 2 lions led by two Turks, 2 elephants by two others, Berenice’s triumphal car drawn by 4 horfes, 6 other cars with prifoners and fpoils drawn by 12 horfes, 6 coaches. Among the fcenes and reprefentations in the fird acl w^ere, a vad plain with twm triumphal arches, another plain with pavilions and tents, and a fored for the chafe. In a£t third, the royal drefiing room completely fumifhed, dables with 100 live horfes, portico adorned with tapeflry, and a dupendous palace in perfpedtive. At the end of the fird aft were reprefentations of every kind of chafe, wild boar, dag, deer, bears. At the end of the third aft, an enormous globe, defcending as from the fky, divided itfelf into other globes fufpended in the air, and ornamented wdth emblematical figures of time, fame, honour, &c. Early in the lad century, machinery and decoration ufurped the importance due to poetry and mufic in fuch exhibitions. Few indances occur of mufical dramas at Naples till the beginning of the prefent century. Before the time of the elder Scarlatti, it feems as if Naples had been lefs fertile in great contrapuntids, and lefs di¬ ligent in the cultivation of dramatic mufic, than any other date of Italy. Since that time all the red of Europe has been furnifhed with compofers and perfor¬ mers from that city. VOL. XIV. Part II. SIC. - 497 The word opera feems to have been familiar to French Englilh poets from the beginning of the lad century Stilo recitativo, a recent innovation even in Italy, islU ' mentioned by Ben Johnfon fo early as 1617. From this time it was ufed in mafques, occafionally in plays, and in cantatas, before a regular drama wholly let to mufic was attempted. By the united abilities of Qui- nault and Lulli, the opera in France had arifen to high favour. This circumdance afforded encourage¬ ment to feveral attempts at dramatic? mufic in Eng¬ land by Sir William D’Avenant and others, before the mufic, language, or performers of Italy were em¬ ployed on our dage. Pieces, dyled dramatic operas, preceded the Italian opera on the dage of England. Thefe were v/ritten in Englilh, and exhibited witn a profufe decoration of fcenery and habits, and with the bed fingers and dancers that could be procured : Pfyche and Circe are entertainments of this kind : The Temped and Macbeth were afted with the fame accompaniments. During the 17th century, whatever attempts w-ere made in mufical drama, the language fuiig wTas al¬ ways Englilh. About the end of that century, how¬ ever, Italian finging began to be encouraged, and vocal as well as indrumental muficians from that country be¬ gan to appear in London. The fird mufical drama, performed wholly after the Italian manner in recitative for the dialogue or narrative parts, and meafured melody for the airs, was Arfinoe Queen of Cyprus, trandated from an Italian opera of the fame name, written by Stanzani of Bo¬ logna. The Englilh verfion of this opera was fet to mufic by Thomas Clayton, one of the royal band, in the reign of William and Mary. The fingers were all EnglirtrJ Meffrs Hughes, Leveredge, add Cook j Mrs Tofts, Mrs Crofs, and Mrs Lyndfey. The tranf- lation of Arfinoe, and the mufic to which it is fet, are execrable 5 yet fuch is the charm of novelty, that this miferable performance, deferving neither the name of a drama by its poetry, nor of an opera by its mufic, fudained 24 reprefentations, and the fecond year 11. Operas, notwithdanding their deficiencies in poetry, mufic and performance (no foreign compoler or emi¬ nent finger having yet arrived), became fo formidable to our aftors at the theatres, that it appears from the Daily Courant, 14th January 1707, a lubfcription was opened “ for the encouragement of the comedians act¬ ing in the Haymarket, and to enable them to keep the diverfion of plays under a feparate intered -from operas.” Mr Addifon’s opera of Rofamond appeared about this time $ but the mufic fet by Clayton is fo contemp¬ tible, that the merit of the poetry, however great, could not of itfelf long fupport the piece. The choice of fo mean a compofer as Clayton, and Mr Addifon’s partiality to his abilities, betray a want of mufical tade in that elegant author. The fird truly great finger who appeared on the dage of Britain was Cavalier Nicolino Grimaldi, com¬ monly known by the name of Nicolini. He was a Neapolitan j and though a beautiful finger indeed, was dill more eminent as an aftor. In the Tatler, N° 115. the elegance and propriety of his aftion arcf-Seealfo particularly defcribed f. Recently before his appear speElator, ence, Palentini Urbani, and a female finger called The v°b i- N0 3 B- Baronefs, 498 ... M U Baronefs, arrived. Margarita de I’Epini, who afterwards married Dr Pepufch, had been in this country fome time before. The firft opera performed wholly in Italian, and by Italian Jingcrs, was Almalnde. As at prefent, fo at that time, operas were generally performed twice a week. Arrival of The year 1710 is diftinguilhed in the annals of mu- Handel in ^ avr;val in Britain of George Frederick Han- Eagiand. 7 Hanclei had been in the fervice of the ele&or of Hanover, and came fir ft to England on a vifit of cu- . riofity. The fame of this great mufician had pene¬ trated into this country before he himielf arrived in it ; and Aaron Hill, then in the direftion of the Haymar- ket theatre, inftantly applied to him to compofe an opera. It was Rinaldo •, the admirable mufic of which he produced entirely in a fortnight. Soon after this period appeared, for the firft time as an opera finger, the celebrated Mrs Anaftafia Robinfon. Mrs Robin- fon, who was the daugher of a portrait painter, made her firft public exhibitions in the concerts at York- buildings ; and acquired fo much the public favour, that her father was encouraged to take a home in Gol¬ den Square, for the purpofc of eftablilhing weekly concerts and aflemblies, in the manner of Converfa- %iom, which becanu? the refort of the moft polite audi¬ ences. Soon after Mrs Robinfon accepted an engagement at the Opera, wdiere her falary is faid to have been 1000I. and her other emoluments equal to that fum. She quitted the ftage in confequence of her marriage with the gallant earl of Peterborough, the friend of Pope and Swift. The eminent virtues and accomplilh- ments of this lady, who died at the age of 88, entitled her to be mentioned even in a compend too fhort for biography. The conducing the opera having been found to be more expenfive than profitable, it was entirely fufpend- ed from 1717 till 17 20, when a fund of 50,000!. for fupporting and carrying it on was fubfcnbed by the Pro refs of perfonages of the kingdom. The fubfcribers, of the^opera whom King George I. was one for 1000I. were for- under bis med into a fociety, and named The Royal Academy manage- ^ Mujtc. Handel was commiftioned to engage the uient. performers: For that purpofe he went to Drefden, where Italian operas were at that time performed in the moft fplendid manner at the court of Auguftus eleflor of Saxony, than king of Poland. Here Han¬ del engaged Senefino-Berenftadt, Bofchi, and the Du- ranftanti. In the J723, the celebrated Francefca Cuzzoni ap¬ peared as a firft-rate finger : and two years afterwards arrived her diftinguiflied rival Signora Fauftina Bor- doni. In a cantabile air, though the notes Cuzzoni added were few, ftie never loft an opportunity of enriching the cantilena w'ith the moft beautiful embellifhments. Her (hake was perfect. She noffeiTed a creative fancy ; and (he enjoyed the power of occafionally accelerating and retarding the meafure in the moft artificial and able manner, by what is in Italy called tempo rubato. Her high notes wrere unrivalled in clearnefs and fvveet- nefs. Her intonations were fo juft and fo fixed, that it feemed as if (he had not the power to ling cut of tune. SIC. Hiftory. Fauftina Bordoni, wife of the celebrated^ Saxon compofer HaiTe, invented a new kind of finging, by running diviiions, with a neatnefs and volocity winch aitonifhed all who heard her. By taking her breath imperceptibly, (lie had the art of fuftaining a note ap¬ parently longer than any other finger. Her beats and trills were ttrong and rapid } her intonation perfeci. Her profefiional perfedions were enhanced by a beau¬ tiful face, fine fynimetry of figure, and a countenance and gefture on the ftage which indicated an enliie intel¬ ligence and poffeffion of the feveral parts allotted to her. Thefe two angelic performers excited fo fignally the attention of the public, that a party fpirit between the abettors of the one and of the other wTas iormed, as vio¬ lent and as inveterate almoft as any of thofe that had ever occurred relative to matters- either theological or political j yet fo diftir.a were their ftyles of finging, fo different their talents, that the praife of the one vvas no reproach to the other. In lefs than feven years, the whole 50,000!. fubicri* bed by the Royal Academy, befides the produce of ad- miffion to non-fubferibers, ivas expended, and the go¬ vernor and directors of the fociety relinquiftied the idea of continuing their engagements j coniequently, at the clofe of the feafon I727> t^ie whole band of fingers difperfed. rl he next year we find Senefino, Fau¬ ftina, Balde, Cuzzoni, Nicolini, Farinelli, and Bofche, at Venice. Handel, however, at his own rifk, after a fufpen- fion of about a twelvemonth, determined to recom¬ mence the Opera 5 and accordingly engaged a band of performers entirely new. iheCe were Signior Bernac- chi, Signora Merighi, Signora Strada, Signer Anibaie Pio Fabri, his wife, Signora Bertoldi, and John Godi- frid Reimlchneider. The facred mufical drama, or oratorio, was invent-Invention ed early in the 14th century. Every nation in Europe feems firft to have had recourfe m religious fubjefts for hs in,tro_ dramatic exhibitions. The oratorios had been common duiftion in- in Italy during the laft century. They had never been to England publicly introduced in England, till Plandel, ftimulated by the rivaHhip of other adventurers, exhibited in 1732 his oratorios of Either, and of Acis and Galatea, the laft of which he had compofed twelve years before for the duke of Chandos’s chapel at Cannons. T he. moft: formidable oppofition which Handel met with in his conduct of the Italian opera was a new theatre for exhibiting thefe operas, opened by fubfeription in Lin- coln’s-inn Fields, under tfie conduit of Nicola Porpora, a refpe(liable compofer. A difference having occurred between Handel and Senefino j Senefino had for (ome time deferted the Haymavket, where Handel managed, and was now engaged at the rival theatre of Lincoln s- inn Fields. To fupply the place of Senefino, Handel brought over Giovanni Carejlini, a finger of the moft extenfive powers. His voice was at firft a power.ul and clear foprano: Afterwards it changed into the fulleft, fined, deepeft counter-tenor that has perhaps ever been heard. Careftini’s perfon was tall, beautitul, and majeftic. He rendered every thing he fung inte- refting by energy, tafte, and judicious embellifnment. In the execution of difficult divifions from the cheft, his manner was articulate and admirable. It was tne opinion of Haffe, as well as other eminent profeffors, that 499 Hiftory Opera in England given up. Revived. M U that Whoever had not Heard Careflini, was unacquaint¬ ed with the mod perfect ftyle of tinging. The opera under the direftion of Porpora was removed to the Haymarket, which Handel had left. Handel occu¬ pied the theatre of Lincoln’s-inn Fields ; but his rivals tiow acquired a vaft advantage of attraction, by the accefiion of Carlo Brofchi detto Farinelli to their part, who at this time arrived. This renowmed finger feems to have tranfcended the limits of all ante¬ rior vocal excellence. No vocal performer of the pre- fent century has been fo unanimouily allowed to poffels an uncommon power, Iweetnefs, extent, and agility of voice, as Farinelli. Nicolini, Senefino, and Ca- reftini, gratified the eye as much by the dignity, grace, and propriety of their a£lion and deportment, as the ear, by the judicious ufe of a few notes within the li¬ mits of a fmall compafs of voice; but Farinelli, with¬ out the affiftance of fignificant gefiures or graceful at¬ titudes, enchanted and aitonilhed his hearers, by the force, extent, and mellifluous tones of the mere organ, when he had nothing to execute, articulate, or exprefs. Though during the time of finging he was as molion- lefs as a ftatue, his voice was fo aflive that no inter¬ vals were too clofe, too wide, or too rapid, for his exe¬ cution. Handel having loft a great part of his fortune by the opera, was under the neceflity of trying the public gra¬ titude in a benefit, which was not dilgraced by the event. T1 re theatre, for the honour of the nation, was fo crowd¬ ed, that he is faid to have cleared 8ool. After a fruitlefs attempt by Heidegger, the coad¬ jutor of Handel in the condudt of the opera, and pa¬ tentee of the King’s Theatre in Haymarket, to procure a fubfcription for continuing it, it was found neceffary to give up the undertaking. It w'as about this time that the ftatue of Handel was eredted in Vauxhall, at the expence of Mr Tyers, pro¬ prietor of thofe gardens. The next year (1739) Handel carried on oratorios at the Haymarket, as the opera there was fufpended. The earl of Middlefex now undertook the troublefome office of mprefario of the Italian opera. He engaged the King’s theatre, with a band of fingers from the continent almoft entirely new. Calluppi was his com- pofer. Handel, almoft ruined, retired at this time to Ireland, where he remained a confiderable time. In 1744 he again attempted oratorios at the King’s thea¬ tre, which was then, and till 1746, unoccupied by the opera, on account of the rebellion. The arrival of Giardini in London this year forms a memorable aera in the hiftory of inftrumental mufic of England. His powers on the violin w7ere unequalled. The fame year Dr Croza, then manager of the opera, eloped, leaving the performers, and innumerable trades people, his creditors. This incident put an end to ope¬ ras of all kinds for fome time. This year a comic opera, called 11 Tilofofo di Cam- pagna, compofed by Caluppi, was exhibited, which furpafled in mufical merit all the comic operas per¬ formed in England till the Bicona Tigliula. Signora Paganini acquired fuch fame by the airs allotted to her in that piece, that the crowds at her benefit were beyond example. Caps were loft, gowns tom in pieces, and ladies in full drefs, without fervants or carriages. S I c. were obliged to walk home, arnidft the meairnent of the fpeiftators on the ftreets. At this period the arrival of Giovanni Manzoli mark- an ed a fplended era in the annals of mufical drama, by Janzolk conferring on ferious opera a degree of importance to which it had feldom yet arifen fince its eftablifhment in England. Manzoli’s voice was the moft powerful and ‘ voluminous foprano that had been heard fince the time of Farinelli : His manner of finging was grand, and full of tafte and dignity. At this time Tenducci, who had been in England Tenducci. fome time before, and was now returned much im¬ proved, performed in the ftation of feccnd man to Manzoli. Gaetano Guadagni made a great figure at this time. He had been in this country early in life (1748), as ferious man in a burletta troop of fingers. H;s voice was then a full and well-toned counter tenor j but he fung wildly and carelefsly. The excellence of his voice, however, attracted the notice of Handel, who aflign- ed him the parts in his oratorios, the Mefliah and Sam- fon, w'hich had been originally compofed for Mrs Cib¬ ber. He quitted London for the firil time about 1753* The highelt expectations of his abilities were raifed by fame before his fecond arrival, at the time of which we treat. As an after he feems to have had no equal on any ftage in Europe. His figure was uncommonly elegant and noble*, his countenance replete with beau¬ ty, intelligence, and dignity*, his attitudes, were full of grace and propriety. Thofe who remember his voice when formerly in England were now difappoint- ed : It was comparatively thin and feeble : He had now changed it to a foprano, and extended its compafs from fix or feven notes to fourteen or fifteen. '1 he mufic he fung was the moft fimple imaginable ; a few notes with frequent paufes, and opportunities of being libe¬ rated from the compofer and the band, were all he re¬ quired. In thefe effufions, feemingly extemporaneous, he difplayed the native power of melody unaided by harmony or even by unifonous accompaniment: The pleafure he communicated proceeded principally from his artful manner of diminifhing the tones of his voice, like the dying notes of the ALolian harp. Moft other fingers affeft a fwell, or mejfa de voce; but Guadagni, after beginning a note with force, attenuated it fo deli¬ cately that it pofleffed all the effeft of extreme diftance. During the feafon 1770 and 1771, Tenducci was the immediate fucceffor of Guadagni. This performer, who appeared in England firft only as a finger of the fecond or third clafs, was during his refidence in Scot¬ land and Ireland fo much improved as to be well re¬ ceived as firft man, not only on the ftage of London, but in all the great theatres of Italy. It was during this period that dancing feemed firft: to gain the afeendant over mufic by the fuperior talents of Mademoifelle Heinel, whofe grace and execution were fo perfedl as to eclipfe all other excellence. In the firft opera performed this feafon (Lucco Vero) 1773. appeared Mifs Cecilia Davies, known in Italy by the Dar name of L’Inglefina. Mifs Davies had the honour oP125* being the firft Engliflr woman who had ever been thought worthy of finging on any ftage in Italy. She even performed with eclat the principal female charac¬ ters on many of the great theatres of that country. 2 R 3 Gabrielli 500 0 \ C?terina Gabiielli. Agujari at the Pan¬ theon. Anna Pozzi. tSeorgi. M U Gabrielli only on the Continent was faid to furpals her. Her voice, though not of great volume, was clear and perfe&ly in tune; her fliake was open and dillin&, with¬ out the iluggilhnefs of the French cadence. The flexi¬ bility of her throat rendered her execution equal to the moft rapid divifions. Next feafon introduced Venanzio Ravygini, a beauti¬ ful and animated young man ; a compofer as well as a finger.—His voice was fweet, clear, flexible; in compafs more than two odfaves. The feafon 1775 and 1776 was rendered memorable by the arrival of the celebrated Caterina Gabriel/i, fiyled early in life La Cuochetina, being the daughter of a cardinal’s cook at Rome. She had, however, in her countenance and deportment no indications of low birth. Her manner and appearance depidted dignity and grace. So great was her reputation before her arrival in Eng¬ land for finging and for caprice, that the public, ex- pedling perhaps in both too much, were unwilling to al¬ low her due praife for her performance, and were apt to afcribe every thing (he did to pride and infolence. Tier voice, though exquifite, was not very powerful. Her chief excellence having been the neatnefs and rapidity of her execution, the furprife of the public mult have been much diminifhed on hearing her after Mifs Davies, who fung many of the fame fongs in the fame flyle, and with a neatnefs fo nearly equal, that common hearers could diftinguifh no difference. The difcriminating cri¬ tic, however, might have difcovered a fuperior fweetnefs in the natural tone of Gabrielli’s voice, an elegance in the finifhing of her mufical periods or paffages, an accent and precifion in her divifions, fuperior not only to Mifs Davies, but to every other finger of her time. In flow movements her pathetic powers, like thofe in general of performers molt renowned for agility, were not exqui- fitely touching. About the time of which we have been treating, the proprietors of the Pantheon ventured to engage Agujari at the enormous falary of tool, per night, for finging two fongs only ! LucrerJa Agujari was a truly wonder¬ ful performer. The lower part of her voice was full, round, and of excellent quality ; its compafs amazing. She had two odlaves of fair natural voice, from A on the fifth line in the bafe to A on the fixth line in the treble, and beyond that in alt (Ire had in early youth more than another odlave. She has been heard to afcend to Bb in altijjitno. Her (hake was open and perfeft ; her intonation true ; her execution marked and rapid ; the ffyle of her finging, in the natural compafs of her voice, grand and majeftic. In 1776 arrived Anna Pozzi, as fuccefforto Gabriel¬ li. She poffeffed a voice clear, fweet, and powerful ; but her Inexperience, both as an adtrefs and as a finger, produced a contrail very unfavourable to her when com¬ pared with fo celebrated a performer as Gabrielli. Af¬ ter that time, however, Pozzi, with more ftudy and knowledge, became one of the beft and moft admired female fingers in Italy. After the departure of Agujari for the fecond and laft time, the managers of the Pantheon engaged Georgi as her fucceffor. Her voice was exquifitely fine, but totally uncultivated. She was thereafter employed as the firft woman in the operas of the principal cities of Italy. SIC. Hifloiy. During the feafons 1777 and 1778, the principalRoncagfia fingers at the opera in London were Franceico Ron-anc^ caglia and Francefca Danze, afterwards Madame Le Brun. Roncaglia poffeffed a fweet toned voice ; but of the three great requifites of a complete ftage finger, pathos, grace, and execution, which the Italians call cantabi/e, graz-iofa, and bravura, he could lay claim only to the fecond. His voice, a voce de camera, when confined to the graziofa in a room, left nothing to wifh for. Danze had a voice well in tune, a good {hake, great execution, prodigious compafs, wdth great knowledge of mufic ; yet the pleafure her performance imparted was not equal to thefe accompliftiments. But her ob- jedh was not fo much pathos and grace, as to furprife by the imitation of the tone and difficulties of inftru- ments. This year Gafparo Pachierotti appeared in London, Pacchib- whither his high reputation had penetrated long before.10tt1' The natural tone of his voice was interefting, fweet and, pathetic. His compafs downwards was great, with an afcent up to B b, and fometimes to C in alt. He pof¬ feffed an unbounded fancy, and the power not only of executing the moft difficult and refined paffages, but of inventing embelliihment entirely new. Ferdmando Ber- toni, a well knowm compofer, came along with Pacchie- * rotti to Britain. About this time dancing became an important branch Dancing of the amufements of the opera houfe. Mademoifelle &*ins Heinel, M. Veftris le Jeune, Mademoifelle Baccelli, had, ovemnufic during fome years, delighted the audience at the opera ; at the ope- but on the arrival of M. Veftris PAine, pleafure was ra houfe. exchanged for eeftafy. In the year 1781, Pacchierotti had by this time been fo frequently heard, that his fing¬ ing was no impediment to converfation ; but while the elder Veftris was on the ftage, not a breathing was to be heard. Thofe lovers of mufic who talked the loudeft while Pacchierotti fung, were in agonies of terror left the graceful movements of Veftris, le dieu de la danse, Ihould be difturbed by audible approbation. After that time, the moft: mute and refpedtful attention was paid to the manly grace of Le Picq, and the light fantaftic toe of the younger Veftris ; to the Roffis, the Theo¬ dores, the Coulons, the Hillingftmrgs; while the flight¬ ed fingers were difturbed, not by the violence of applaufe, but the clamour of inattention. The year 1784 was rendered a memorable era in the annals of mufic by the fplendid and magnificent man-Comme- ner in which the birth and genius of Handel were moration of celebrated in Weftminfter Abbey and the Pantheon, by ^n^el. *n five performances of pieces feledled from his own works, and executed by a band of more than 500 voices and inllruments, in the prefence and under the immediate aufpices of their majefties and the firft perfonages of the kingdom. The commemoration of Handel has been fince eftablifhed as an annual mufical feftival for charitable purpofes; in which the number of per¬ formers and the perfeftion of the performances have continued to increale. In 1785 the-band, vocal and inftrumental, amounted to 616 : in 1786 to 741 ; in 1787 to 8c6 ; and in fubfequent years to {fill greater numbers. Dr Burney publiflred An Account of the Mufical Performances in Commemoration of Handel, lor the benefit. Hiftory. M U S I C. benefit of the Mufical Fund. The members and guar¬ dians of that fund are now incorporated under the title of Royal Society of Mujicians. See Handel. This year Pacchierotti and his friend Bertoni left England. About the fame time our country was de¬ prived of the eminent compofer Sacchini, and Giar- dini the greateft performer on the violin now in Eu¬ rope. Excellence As a compenfation for thefe Ioffes, this memorable of Madame year is diftlnguifhed by the arrival of Madame Mara, Mara. wbofe performance in the commemoration of Handel in Weftminfter Abbey infpired an audience of 3000 of f the firft people of the kingdom, not only with pleaiure but with ecllacy and rapture, Puibinelli. In 1786 arrived Giovanni Rubtnelh. His voice was a true and full contr’alto from C in the middle of the fcale to the oaave above. His ftyle was grand j his execution neat and diftindt; his tafte and embellifhments new, feledf, and malterly. Anew In 1788 a new dance, compofed by the celebrated dance by M. Noverre, called Cupid and Rfijche, was exhibited N. No- along with the opera La Locandiera, which produced verre. eflFeA^ f0 uncommon as to deferve notice. So great was the pleafure it afforded to the fpedffators, that Noverre was unanimoufly brought on the ftage and crowned with laurel by the principal performers, ihis, though common in France, was a new mark, of appro¬ bation in England. Marchefi. This year arrived Signior Luige Marchefi, a finger whofe talents have been the fubjedl of praife and ad¬ miration on every great theatre of Europe. Marchefi’s ftyle of fmging was not only elegant and refined . in. an uncommon degree,_ but often grand and full of dignity, particularly in his recitative and occafional low notes. His variety of embellithment and facility of running ex¬ tempore divifions w7ere wonderful. Many of his graces were elegant and of his own invention. . . The three greateft Italian fingers of thefe times were rated cha- certainly Pacchierotti, Rubinelii, and Marchefi. In rafters of difcriminating the feveral excellencies of thefe great Pacchie- performers, a very refpeftable judge, Hr Burney, has^ rotti, Rubi- particularly praifed the fweet and touching voice of Marchefi. Pacchierotti j his fine lhake, his exquifite tafte, his great fancy, and his divine expreffion in pathetic fongs: Of Rubinelli’s voice, the fulnefs, fteadinefs,. and ma- jefty, the accuracy of his intonations, his judicious graces: Of Marchefi’s voice, the elegance and flexibi* litv, his grandeur in recitative, and his boundlefs fancy and’ embellilhments.—Having mentioned Hr Burney, we are in juftice bound to acknowledge the aid w'e have derived from his hiftory } a work which wTe greatly prefer to every other modern produtffion on the fubjeft. During the latter part of the 18th century many eminent compofers flouriftied on the continent j fuch as Jomelli, the family of the Bachs, Gluck, Haydn, and ixrany others, whofe different ftyles and excellencies would well deferve to be particularized, would our Sovereign limits permit. W ith the fame regard to brevity, we can princes di- (jt) no more t\)an juft mention the late king of Pruffia, lettanti. the jate e]eftor 0f Bavaria,, and Princ© Lobkowitz, as eminent dilettanti of modern times. Singers on Befides the opera fingers whom we have mentioned, theatresi our theatres and public gardens have exhibited fingers andinpub-of confiderable merit. In 1730 Mifs Rafter, after- ic war{js the celebrated Mrs Clive, firft appeared on the 501 ftage at Drury-lane as a finger, Ifhe fame year in¬ troduced Mils Cecilia Young, afterwards the wife of Dr Arne. Her ftyle of finging was infinitely fuperior to that of any other Engliftr woman of her time. Our favourite muficians at this time were, Dubourg, Favourite Clegg, Clarke, and Felling, on the violin j Kytchraul'K1£rtlsv on the hautboy ; Jack Felling on the German llute ; Ballon on the common ilute •, Karba on the baffoon > Valentine Snow on the trumpet : and on the organ,. Rofeingrave, Green, Robinfon, Magnus, Jack James, and the blind Stanley who feems to have been pre¬ ferred. The favourite playhoufe finger was Salway $ and at concerts Mountier of Chichefter. « As compofers for our national theatre, Pepuich and Galliard feerti to have been unrivalled till 1732; whea two competitors appeared, who were long in poffeflion of the public favour : We allude to John trederick Lampe and Thomas Auguftus Arne. In 1736 Mrs Cibber, who had captivated every hearer of fenfibility by her native fweetnefs of voice and powers- of expreffion as a finger, made her firft: attempt as a tragic adlrefs. The fame year Beard be¬ came a favourite finger at Covent-garden. At this time Mifs Young, afterwards Mrs Arne, and her two filters Ifabella and Efther, were the favourite Englilh female fingers. ' In 1738 was inftituted the fund for the fupport ofFundfor decayed muficians and their families. decayed It was in 1745 that Mr Tyers, proprietor of Vaux-mu iuan''' hall gardens, firlt added vocal mufic to the other enter¬ tainments of that place. A Ihort time before Ranelagh had become a place of public amufement. In 1749 arrived Giardini, whole great tafte, hand, Arrival of and ftyle in playing on the violin, procured him uni- Giardini. verfal admiration. A few years ^fter his arrival he formed a morning academia or concert at his houfe, compofed chiefly of his fcholars. About this time San Martini and Charles Avifon were eminent compofers; Of near 150 mufical pieces brought on our national theatres within 40 years, 38 of them at lealt were^^ of- fet by Arne. The ftyle of this compofer, if ana-'Arnei lyzed, would perhaps appear to be neither Italian not Englilh j but an agreeable mixture of both and of Scotch. . The late earl of Kelly, who died fome years ago, ^“^eancr deferves particular notice, as poffeffed of a very eminent degree of mufical fcience, far fuperior to other dilettanti, and perhaps not inferior to any profeffor of his time. There was no part of theoretical or practical mufic in which he was not thoroughly verfed : He poffeffed a ftrength of hand on the violin, and a genius for compo- fition, with which few profeffors are gifted. Charles Frederic Abel was an admirable mufician : Abel* His performance on the viol da gamba was in every particular complete and perfeft. He had a hand which no difficulties could embarrafs ; a tafte the molt re¬ fined and delicate *, a judgement fo corre£t and certain as never to permit a Angle note to efcape him with¬ out meaning. His compolitions were eafy and ele¬ gantly Ample. In writing and playing an adagio he was fuperior to all praile } the molt pleafing yet learn¬ ed modulation, the ricbeft harmony, the molt elegant and polilhed melody, were all expreffed with the molt exquilite feeling, tafte, and fcience. His manner or 502 Mrs Bil- lington. The catch- club and the concert of ancient mufic. Madame Graffini. Madame Catalan!. M U playing an adagio Toon btcame the model of imitation for all our young performers on bowed inftruments. Barthokmon Cervetto, Cramer, and Crofdil, were in this refpeft to be ranked as of his fchool. All lovers of mufic mull have lamented that Abel in youth had not attached himfelf to an inftrument more worthy of his genius, taite, and learning, than the viol da gamba, that rpmnunt of the old cheft of viols which duriag the 17th century was a neceffary appendage of a noble¬ man’s or gentleman’s family throughout Europe, pre¬ vious to the admiflion of violins, tenors, and bafes, in private houfes or public concerts. Since the death of the late eletlor of Bavaria, (who was next to Abel the bed performer on the viol da gamba in Europe) : the indrument feems quite laid afide. It was ufed longer in Germany than elfewhere j but the place of gambid feems now as much fuppreded in the chapels of German princes as that of lutanid. The cele¬ brated performer on the violin, Lolle, came to Eng¬ land in Such was his caprice, that he was fel- dom heard 5 and fo eccent-ric was his dyle and com- pofition, that by many he was regarded as a madman. He was, however, during his lucid intervals a very great and expreffive performer in the ferious dyle. Mrs Bhlingtcn, after didinguifhing herfelf in child¬ hood as a neat and expretlive performer on the piano¬ forte, appeared all at once in 1786 as a fweet and cap¬ tivating linger. In emulation of Mara and other great bravura fingers, fire at fird too frequently attempted paffages of difficulty ; afterward, however, fo greatly was die improved, that no fong feemed too high or too rapid for her execution. Now, at the didance of 20 years, die retains her high reputation. The natural tone of her voice is fo exquifitely fweet, her know¬ ledge of mufic fo confiderable, her drake fo true, her clofes and embelliffiments fo various, her expreffions fo grateful, that envy only or apathy could hear her with¬ out delight. The prefent compofers, and performers of the fird clafs, are fo well known to the lovers of the art, that it would be needlefs and improper to mention them particularly. The Catch-club at the Thatched Houfe, indituted in 1762 by the earl of Eglinton, the prefent duke of Queenfberry, and others ; and the concert of ancient mufic, fuggeded by the earl of Sandwich in 1776, have had a beneficial effedl in improving the art. Two female performers have lately appeared of di- ftinguidied eminence. Madame Graffini had exhibited her vocal powers in Paris with extraordinary applaufe, and arrived in Lon¬ don in 1805, where die excited uncommon admira¬ tion. She appeared in Zaira, wffiere the difplay of her powers not only pleafed, but die adonifhed, when it was confidered that the compafs of her voice did not exceed eight or ten notes. Ihe year following Madame Catalani divided the public attention with Graffini.—This eminent perform¬ er is a native of Sinigaglia in Italy, where her father was a finger of the comic order. She was educated in a convent. The virtuous im- S I C. Hiftory. preffions die there received, have continued ever fince invariably to iniluence her conduct. Her father foon difeovered the excellence and the value of her vocal powers, which were fird exiiibited on the provincial theatres of Italy.—He loon carried her to Spain, where die attained very high celebrity. It was there her bulband, IVX. de Valabregue, fil'd paid his addredes to her j and it was not till after a perieve- rance of feven months that he at lad obtained her con- fent, to unite her fortunes with his. Her heliiation proceeded from the reluftance of her father, at once to btt deprived of his daughter, and of the very great emolument which die brought him. M. de Vala¬ bregue had been an officer in the French army under General Moreau. From Spain Madame Catalani (for die has retained her father’s name), proceeded to Portugal, where die accepted an engagement to come to London. She tra¬ velled through France, and at Paris appeared at an oc- cafional concert, where her fame was lo great, that the ufual price of admiffion was trebled. She particularly attradled the attention of the lingular man who now holds the imperial feeptre of the continent of Europe. Fie ordered her a penfion (its value is about 30I. per annum) ; and it was with much difficulty, and only through the interference of the Britidi ambailador (the earl of Lauderdale) then at Paris, that Ihe was per¬ mitted to leave that capital, and proceed on her jour¬ ney. In the dramatic mufic of the opera, this finger is far fuperior to any performer ever heard in this country. Her merit in Semiramide, in particular, prefents ai¬ med the idea of perfection, tier voice is equal to the mod difficult execution, while her countenance is inte- reding, her gedures graceful, and her perlon elegant. It has been reported that die does not ling in tune j but it is an undeniable faCl, vouched by the fird mufi- cians, that die poffedes a mod accurate ear. Every vo¬ cal performer occadcnally emits a falfe found in conle- quence of fome temporary organic caufe. Catalani’s eafy and clear articulation are particularly driking. Her tones are full and liquid. Her caden¬ zas are appropriate and maderly. She has a praClice of rapidly defeending in half notes, which has excited admiration chiefly by its entire novelty. The clearnefs and rapidity difplayed by her in chromatic palfages ex¬ cite afloniihment ; and ihe combines mellownefs with didinClnefs, a high qualification which Mara fird taught us to appreciate. In the courfe of fummer 1807, Madame Catalani vifited the provincial theatres of England, and appeared likewfife in Dublin, Edin¬ burgh, and Glafgow. Her total receipts for that year are faid to have exceeded 15,000!. We have been fome what particular in our account of mufical affairs in our owm country during the 18th century, as what would be mod inteieding to general readers, and of which a well-informed gentleman w'ould not w’iili to be ignorant. The profeffor and connoiffeur will have recourfe to difquifitions much more minute than thofe of which our limits can be fuppofed to admit. ELEMENTS 3 Element®. MUSIC. So? ELEMENTS of MUSIC, Theoretical and Practical (c). PRELIMINARY DISCOURSE. Mufic con- MUSIC may be confidered, either as an art, which fideredin has for its objeft one of the greateft pleafures of which a double our fenfes (d) are fufceptible ; or as a fcience, by which view. that art is reduced to principles. This is the double view in which we mean to treat of mufic in this work. Progrefs It has been the cafe with mufic as with all the other ofimific like arts jnvented by man : feme fa£Is were at firft difeover- th'r arts* e<^ accident 5 foon afterwards reflexion and obferva- andftien- tion invefligated others : and from thefe fadfs, proper- tss- ly difpofed and united, philofophers were not fiow in forming a body of fcience, which afterwards increafed by degrees. The firft theories of mufic were perhaps as ancient as the earlieft age which we know to have been diftin- guiftied by philofophy, even as the age of Pythagoras ; nor does hiftory leave us any room to doubt, that from the period when that philofopher taught, the ancients cultivated mufic, both as an art and as a fcience, with great affiduity. But there remains to us much uncer¬ tainty concerning the degree of perfedlion to which they brought it. Almoft every queftion which has been propofed with refpeft to the mufic of the ancients has divided the learned ; and probably may ftill conti¬ nue to divide them, for want of monuments fufficient in their number, and inconteftable in their nature, from whence we might be enabled to exhibit teftimonies and difeoveries inftead of fuppofitions and conjeftures. In the preceding hiftory we have ftated a few fafls refpedT ing the nature of ancient mufic, and the inventors of the feveral mufical inftruments 5 but it were to be wifh- ed, that, in order to elucidate, as much as poflible, a point fo momentous in the hirtory of the fciences, fome perfon of learning, equally fkilled in the Greek lan¬ guage and in mufic, (hould exert hirnfelf to unite and The hi- difeufs in the lame work the moft'probable opinions ft°ry eftablilhed or propofed by the learned, upon a fo difficult and curious. This philofophical hiftory ofjniitera. ancient mufic is a woik which might highly embellilh ture. the literature of our times. In the mean time, till an author can be found fuffi- ciently inftruded in the arts and in hiftory to under¬ take fuch a labour with fuccefs, we fnall content our- felves with confidering the prefent ftate of mufic, and limit our endeavours to the explication of-thofe accef- fions which have accrued to the theory of mufic in thefe latter times. There are two departments in tjnufic, melody * and * ^ee harmony f. Melody is the art of arranging feveral founds in fucceflion one to another in a manner agree- mcny, able to the ear •, harmony is the art of pleafing that or¬ gan by the union of feveral founds which are heard at one and the fame time. Melody has been known and felt through all ages : perhaps the fame cannot be af¬ firmed of harmony (e) ; we know not whether the an¬ cients made any ufe of it or not, nor at what period it began to be pradlifed. Not but that the ancients certainly employed in their mufic (c) To deliver the elementary principles of mufic, theoretical and practical, in a manner which may prove at once entertaining and inftruftive, without protra&ing this article much beyond the limits preferibed in .our plan, appears to us no eafy talk. We therefore hefitated for fome time whether to try our own ftrength, or to follow fome eminent author on the fame fubjeft. Of thefe the laid feemed preferable. Amongft thefe authors, none ap¬ peared to us to have written any thing fo fit for our purpofe as M. d’Alembert, whole treatife on mufic is the • moft methodical, perfpicuous, concife, and elegant differtation on that fubjeft with which we are acquainted. As ■ it was unknown to meft Englifh readers before a former edition of this work, it ought to have all the merit of an original. We have given a tranflation of it ; and in the notes, we have added, from the works of fuccecding au¬ thors, and from our own obfervation, fuch explanations as appeareu neceuary, to adapt the work to the pre¬ fent day. (d) In this paffage, and m the definitions of melody and harmony, our author feems to have acop^ed the vul¬ gar error, that the pleafures of mufic terminate in corporeal fenie. He would have pronounced it abfurd to af¬ fect the fame thing of painting. Yet if the former be no more than a mere pleafure of corporeal fenfe, the lat¬ ter muft likewife be ranked in the fame predicament. We acknowledge that corporeal fenfe is the vehicle of found ; but it is plain from our immediate feelings, that the refults of found arranged according to the princi¬ ples of melody, or combined and difpofed according to the laws of harmony, are the objedts of a reflex or inter¬ nal fenfe. For a more fatisfattory difeuflion of this matter, the reader may confult that elegant and judicious treatife on Mufical Expreflion by Mr Avifon. In the mean time it may be necefiary to add, that, iif order to ftnm the ap¬ pearance of affe&ation, we fhall ufe the ordinary terms by which mufical fenfations, or the mediums by which they are conveyed, are generally denominated. (e) Though no certainty can be obtained what the ancients underftood of harmony, nor in what manner and in what period they pradlifed it ; yet it is not without probability, that, both in fpeculation and pra&ice, they W'ere in poffeffion of what we denominate counterpoint. Without fuppofing this, there are fome paflages in the Greek authors which can admit of no fatisfa&ory interpretation. See the Origin andProgrefs of Language, vol.ii. BefidsSj. Difcourfe. llifi origin of arts of¬ ten acci- rfual. 504 M U Preliminary mufie tliofe chords wliicli Were moft perfect and fimple j fucli as the oftave, the- fifth, and the third ; but it feems doubtful whether they knew any of the other con- fonances or not, or even whether in practice they could deduce the fame advantages from the fimple chords which were known to them, that have afterwards ac¬ crued from experience and combinations. If that harmony which we now pradlife owes its ori¬ gin to the experience and refledlion of the moderns, there is the highelt probability that the firft effays of this art, as of all the others, wrere feeble, and the pro- grefs of its efforts almofl imperceptible •, and.that, in the eourfe of time, improving by fmall gradations, the fucceffive labours of feveral geniufes have elevated it to that degree df perfeflion in which at prefent we find it. The firfl inventor of harmony efcapes our invefliga- tion, from the fame caufes which leave us ignorant of ^ jthofe who firft invented each particular fcience ; be- their*pro- caiI^e t^le orl'ginal inventors could only advance one ftep, greis gra- a fucceeding difcoverer afterwards made a more fenfible improvement, and the firft imperfeft elfays in every kind were loft in the more extenfive and ftriking view’s to which they led. Thus the arts which we now enpy, are for the moft part far from being due to any particu¬ lar man, or to any nation exclufively : they are produ¬ ced by the united and fucceflive endeavours of man¬ kind ; they are the refolts of fuch continued and united refledtions, as have been formed by all men at all pe¬ riods and in all nations. It might, however, be wifhed, that after having af- certained, with as much accuracy as poftible, the ftate of ancient muftc by the fmall number of Greek authors which remain to us, the fame application w’ere imme¬ diately direfted to ftiveftigate the firft inconteftable traces of harmony wrhich appear in the fucceeding ages, and to purfuc thofe traces from period to period. The produfls of thefe refearches would doubtlefs be very im- perfedf, becaufe the books and monuments of the mid¬ dle ages are by far too few to enlighten that gloomy and barbarous era ; yet thefe difcoveries would ftill be precious to a philofopher, who delights to obferve the human mind in the gradual evolution of its powers, and the progrefs of its attainments. The firft compofitions upon the laws of harmony tions of the yvhich we know, are of no higher antiquity than two jaws of bar-ages prjor to our own . an(j t^ey were f0ll0we(J by ma¬ ny others. Tut none of thefe efifays was capable of fa- tisfying the mind concerning the principles of harmo¬ ny : they confined themfelves almofl: entirely to the Angle occupation of colledling rules, without endeavour¬ ing to account for them ; neither had their analogies one with another, nor their common fourcc, been per¬ ceived ; a blind and unenlightened experience was the only compafs by which the artift could dire£f and regu¬ late his courfe. s i a Elements. Delinea- mony re¬ cent and iinperfecft. M. Rameau was the firfl: who began to tfnnsfufe light Preliminary and order through this chaos. In the different tones ■fiiicourf'e.^ produced by the fame fonorous body, he found the rts precepts moft probable origin of harmony, and the caufe of that,not dedu- pleafure which we receive from it. His principle lieced from unfolded, and ihowed how the different phenomena °fany mufic were produced by it: he reduced all the confo-^3^^ * nances to a fmall number of fimple and fundamental meau. chords, of which the others are only combinations or various arrangements. He has, in ftiort, been able to difcover, and render fenfible to others, the mutual de¬ pendence between melody and harmony. Though thefe different topics may be contained inTheau- thc writings of this celebrated artift, and in thefe writ-,!'‘or 5 mo" ings may be underftood by philolophers who are like-11^5-*01^ wdfe adepts in the art of mufic 5 ftill, how'ever, fuch theJe^c- muficians as were not philofophers, and fuch philofo-meats, phers as wTere not muficians, have long delired to fee thefe objects brought more wdthin the reach of their capacity. Such is the intention of the prefent treatife j ia which we claim rio other merit than that of having de¬ veloped, elucidated, and perhaps in feme refpe&s im¬ proved, the ideas of another (f). The firfl: edition of this eflay, publiflied 1752, hav-Improve* ing been favourably received, w’e have endeavoured to^ntsof render this more perfe£l. The detail which is meant to1!1186^- be given of my labour, will prefent the reader with a ge- A0cc'ount 0f neral idea of the principle of M. Rameau, of the confe-the workia quences deduced from it, of the manner in which I general, have difpofed this principle and its confequences j in ftiort, of what is ftill wanting, and might be advanta¬ geous to the theory of this delightful art j of what flill remains for the learned to contribute towards the per¬ fection of this theory ; of the rocks and quickfands which they ought to avoid in this refearch, and W'hich could ferve no other purpofe than to retard their progrefs. Every fonorous body, befides its principal found,Rameau’s likewife exhibits to the ear the 12th and 17th major “nolnof of that found. This multiplicity of different yet con- arm0R-v* cordant founds, knowm for a confiderable time, confti- tutes the bafis of the whole theory of M. Rameau, and the foundation upon which he builds the whole fuper- ftruClure of a mufical fyftem *. In thefe our elements* ^ce may be feen, how from this experiment one may de-jse’,, duce, by an eafy operation of reafon, the chief points Cion/, of melody and harmony; the perfeft f chord, as well--See TV- major as minor ; the tw'o $ tetrachords employed in an-t^ac^or^‘ cient mufic ; the formation of our diatonic |j fcale ; the \^jc different values § which the fame found may have in fsee Fa* that fcale, according to the turn which is given to the^* bafs ; the alterations * which we obferve in that 0See fcale, and the reafon w’hy they are totally impercepti- ble to the ear ; the rules peculiar to the mode f major ;fsee Mode. the difficulty in ^ intonation of forming three tones || in 1 See Inta- fucceflion ; the reafon why two perfeCf chords are pro- nation. feribed ifSee Tonc' Befides, w’e can difcover fome veftiges of harmony, how'ever rude and imperfed, in the hiftory of the Gothic ages, and amongft the moft barbarous people. This they could not have derived fron more cultivated countries, becaufe it appears to be incorporated with their national mufic. The moft rational account, therefore, which can be given, feems to be, that it wras conveyed in a mechanical or traditionary manner through the Roman provinces from a more remote period of antiquity. (f) See M. Rameau’s letter upon this fubjeft, Merc, de Mai, 17 % Elements. M U Preliminary fcribed in immediate fucceflion in the diatonic order j .Pilcourfe. orjg;n 0f xninor mode, its fiibordination to the $ See Dif- m°de tnajor, and its variations j the ufe of difcord J ; cord. the caufes of fuch effefts as are produced by ditferent * See Ciro-kinds of mulic, whether diatonic, chromatic*, or en- matic. harmonic f ; the principles and laws of temperament Jiarmonic ^^cour^e we can on^y po'nt out thofe ditfer- ■\ See Tetn- ent objedts, the fubfequent eflay being deligned to ex- ferament. plain them with the minutenefs and precifion which they require. One end which wre have propofed in this treatife, was not only to elucidate, but to limplify the difcove- ries of M. Rameau.—For inftance, befides the funda¬ mental experiment mentioned above, that celebrated mulician, to facilitate the explication of certain phe¬ nomena, had recourfe to another experiment 5 that which (hows that a fonorous body llruck and put in vibration, forces its 12th and 17th major in defcend- ing to divide themfelves and produce a tremulous found. The chief ufe which M. Rameau made of this fecond experiment was to inveiHgate the origin of the minor mode, and to account for fome other rules eftablifhed in harmony $ but we have found means to deduce from the firft experiment alone the formation of the minor mode, and, befides, to difengage that formation from all queftions foreign to it. In fome other points alfo, (as, the origin of the * See Sub- chord of the fub-dominant *, and the explication of the dominant. feVenth in certain cafes) it is imagined that we have limplified, and perhaps in fome meafure extended, the principles of the celebrated artiit. We have like wife bamfhed every confideration of geometrica", arithmetical, and harmonical proportions and progrefTions, which have been fought in the mix¬ ture a id protia&ion of tones produced by a fonorous body} perfuaded as we are, that M Rameau was under no neceflity of paying ;he lead regard to thefe propor¬ tions, which we believe to he not cnlj ufelefs, but even, if vve may venture to fay fo, fallacious when applied to the theory of mulie. In mort, though the relations produced by t *e ohlave, the tifth. and the third, &c. were quite different 'rom what they aie ; though in thefe chords vve thouid neither remark any progrelfion nor any law ; thou-h they Ihould be incommenfurable one with another; the protra 'ted tone of a fono¬ rous body, and the multipli. d founds which refult from it, are a fufficient foun ration for the whole har¬ monic fyftem. Theoretical pjut though this work is intended to explain the muficians tileory 0f muliCj and to reduce it to, a ‘ Hem more with regard complete and more luminous than has hitherto been to the ad- done, we ought to caution our readers again ft mifappre- miffion of henfion either of the nature of our fubjeft or of the matbe;nati- purpofe of our endeavours. cal or me taphyfical principles in mufic. We muft not here look for that ftriking evidence which is peculiar to geometrical difeoveries alone, and which can be fo rarely obtained in thefe mixed difquilitions, where natural philofophy is likewife concerned. Into the theory of mufical phenomena there muft always en¬ ter a particular kind of metaphyfics, which thefe phe¬ nomena implicitly take for granted, and which brings along with it its natural obfeurity. In this fubjeff, therefore, it would be vain to expeft what is called de- monfiration : it is much to have reduced the principal fafts to a confiftent and conne&ed fyftem j to have de- Vol. XIV. Part II. S I C. 505 duced them from one Ample experiment j and to have Preliminary eftablifhed upon this foundation the moft common and -DUcourfe'. eflential rules of the mufical art. But if the intimate v " and unalterable convi&ion which can only be produced by the ftrongeft evidence is not here to be required, we muft alfo doubt whether a clearer elucidation of our fubjett be poflible. After this declaration, it will not excite furprife, that, amongft the fadls deduced from our fundamental experiment, fome ftiould immediately appear to depend upon that experiment, and others to refult from it in a way more remote and lefs direct. In difquifitions of natural philofophy, where we are fcarcely allowed to ufe any other arguments than thofe which arife from analogy or congruity, it is natural that the analogy fhould be fometimes more and fometimes lefs fenfible j and we will venture to pronounce that mind very un- philofophical, which cannot recognife and diftinguilh this gradation and the different circumftances on which it proceeds. It is not even furprifing, that, in a fubjedl where analogy alone can take place, this conduc- treis fhould defert us all at once in our attempts to ac¬ count for certain phenomena. This likewife happens „ in the fubjedt which we now treat ; nor do we conceal the fadt, however mortifying, that there are certain points (though their number be but fmall) which ap¬ pear ftiil in fome degree unaccountable from our prin¬ ciple. Such, for inftance, is the procedure of the dia¬ tonic fcale of the minor mode in defeending, the for¬ mation of the chord commonly termed the Jixt/i re¬ dundant j- or fuperjluous, and fome other fadts of lefsf See importance, for which as yet we can fcarcely offer any dundant. fatisfadlory account except from experience alone. Thus, though the greateft number of the pheno¬ mena of mufic appear to be deducible in a Ample and eafy manner from the protradled tone of fonorous bo¬ dies, it ought not perhaps with too much temerity to be affirmed as yet, that this mixed and protradled tone is demonjiratively the only original principle of harmo¬ ny. But in the mean time it would not be lefs unjuft^■^rneau’3 to rejedl this principle, becaufe certain phenomena ap-^nrn The author is juftly of a contrary opinion It may cer amly be doubted with great juftice, whether the fo'.id contents of fonorous bodies, and their degrees of cohefion or elaftidty can be afeertained with fufficient accuracy to render them the fubiefts of mu,.cal (peculation and to dete mine their effeds with fuch precifion as may render the conclufions deduced from them geometrically true. It isTdmitted thatfoundisa fecondary quality of matter, and that fecondary qualities have no obvious con- nexion* which ie can trace with the (enfatious produced by them. Experience therefore and not (.peculation £ the grand criterion of mufical phenomena. For the eftefis of geometry illuliratmg the theory of mufic (tf any win ftm be fo credulous as to pay them much attention), the Englifh reader may confult Smith’s Harmonics, Malcolm’s Differtation on Mufic, and Pleydel’s Treatife on the fame fubjeft mfertedin a former editicfi of this work Our author next treats of the famous difeovery made by Signor lartmi, of which the reader may accept ^^fiwoToun^br produced at the fame time properly tuned and with due force, from their conjunaion a third found is generated, fo much more diftindly to be perceived by delicate ears as the relation between the venerating founds'i^^imre fimple ; yet from this rule we muft except the unifon and oflave. From the fifth reproducer! abound unifon wfth fts Wft generator , from the fourth, one which »s an o^ave ower than the_ liipheft of its generators : from the third major, one which is an oftave bwer than its lowett , and rom the fxth minor (whofe hbhk note forms an odave with the loweft in the third formerly men mned) will be pro¬ duced a found lower by a double oftave than the higheft of the leffer fixth • from the third minor, one which ■ A W.X rftZire of a Preater third from its loweft j but from the fixth major (whofe higheft.note makes is double the diftanc g produced a found only lower by double the quantity of a “ 0“d “h'ingh^ .;“rLond a found lower by a d.ub.e^ve .W .he Wft i from a fecond minor, a found lower by triple the quantity of a third major than the higheft Horn the^ t of a diatonic or greater femitone, a found lower by a triple oftave than chromatic femitone, a found lower by the quantity of a fifth four times multiplied than the lo^ But that thefe mufical phenomena may be tried by experiments proper to afeertain them '"J with fcrupulous exaftnefs muft be procured, whilfhthe muficians are placed at the ^ m be from the other, and the hearers in the middle. The violin will hkewife give the fame cWs bu they will be lefs diftindly perceived, and the experiment more fallacious, becaufe the vibrations of ot it g y P ?° Ifd ou^EnglT^reader Ihould be curious to examine thefe experiments and the deduaions made from ti^tn in the theory of mufic, he will find them clearly explained and illuftrated in a treaufe called Pnnaples and Povxr qf Harmony, printed, at London in the year 1771. Elements. M U S Preliminary which he has not communicated with fufficient perfpicui- Difcourfe. ty, and from whence the art might perhaps derive con- fiderable advantage if they were placed in a proper light. Of this we are fo much the more perfuaded, that even though this experiment (hould not be regarded by others in the fame view with M. Tartini as the foun¬ dation of the mufical art, it is neverthelefs extremely probable that one might ufe it with the greateft ad¬ vantage to enlighten and facilitate the pra&ice of har¬ mony. In exhorting philofophers and artifts to make new at¬ tempts for the advancement of the theory of mufic, we ought at the fame time to caution them againft miftak- ing the real end of their refearches. Experience is the only foundation upon which they can proceed } it is alone by the obfervation of fafts, by bringing them to¬ gether in one view, by (howing their dependency upon one, if poffible, or at lead; upon a very fmall number of primary fa£fs, that they can reach the end to which they fo ardently afpire, the important end of eftablilh- ing a theory of mufic, at once great, complete and lu¬ minous. The enlightened philofopher will not attempt the explanation of fafts, becaufe he knows how little Mechanical fuch explanations are to be relied op. . To eftimate conclufions them according to their proper value, it is only necef- inadequate fary. t0 configgr the attempts of natural philofophers -“who have difcovered the greateft fkill in their fcience, fical pheno- to explain, for inftance, the multiplicity of tones pro- mena. duced by fonorous bodies. Some having remarked (what is by no means difficult to conclude) that the univerfal vibration of a mufical firing is a mixture of feveral partial vibrations, infer, that a fonorous body ought to produce a multiplicity of tones, as it really does. But why {hould this multiplied found only ap¬ pear to contain three, and why thefe three preferable to others ? Others pretend that there are. particles in the air, which, by their different degrees of tenfion, be¬ ing naturally fufceptible of different ofcillations, pro¬ duce the multiplicity of found in queftion. But what do we know of all this ? And though it ffiould even be granted, that there is fuch a diverfity of tenfion in thefe aerial particles, how ffiould this diverfity prevent them from being all of them confounded in their vibra¬ tions by the motions of a fonorous body ? What then ffiould be the refult, when the vibrations arrive at our * See In- ears, but a confufed and inappretiable * noife, where &ppreti- one could not diftinguiffi any particular found ? Kble.t I C. 5°7 If philofophical muficians ought not to loie their Prelimniary time in fearching for mechanical explications of the 1 v °U1 c phenomena in mufic, explications which will ^always be Metaphyfi- found vague and unfatisfa&ory •, much lefs is it their Cal oonclu- province to exhaufl their powers in vain attempts to lions lefs rife above their fphere into a region ftill more remote adequate, from the profpe£l of their faculties, and to lofe them- felves in a labyrinth of metaphyfical fpeculations upon the caufes of that pleafure which we feel from harmo¬ ny. In vain would they accumulate hypothefis on hy- pothefis, to find a reafon why fome chords ffiould pleaie us more than others. The futility of thefe fuppofiti- tious accounts muft be obvious to every one who has the leafl penetration. Let us judge of the reft by the moft probable which has till now been invented for that purpofe. Some afcribe the different degrees of pleafure which we feel from chords, to the more or lefs frequent coincidence of vibrations j others to the relations which thefe vibrations have among themfelvei as they are more or lefs Ample. But why ffiould this coincidence of vibrations, that is to fay, their fimul- taneous impulfe on the fame organs of fenfation, and the accident of beginning frequently at the fame time, prove fo great a fource of pleafure ? Upon what is this gratuitous fuppofition founded ? And though it ffiould be granted, would it not follow, that the fame chord ffiould fucceffively and rapidly affe& us with contrary fenfations, fince the vibrations are alternate¬ ly coincident and difcrepant ? On the other hand, how ffiould the ear be fo fenftble to the fimplicity of relations, whilft for the moft part thefe relations are entirely unknswn to him whofe organs are not- withftanding fenfibly affe&ed with the charms of a- greeable mufic ? We may conceive without difficulty how the eye judges of relations j but how does the ear form fimilar judgements ? Befides, why ffiould, certain chords which are extremely pleafing in themfelves, fuch as the fifth, lofe almoft nothing of the pleafure which they give us, when they are altered, and of confequence when the fimplicity of their relations are deftroyed •, whilft other chords, which are likewife ex¬ tremely agreeable, fuch as the third, become harffi al¬ moft by the fmalleft alteration ; nay, whilft the moft; ’perfefl and the moft agreeable of all chords, the o&ave, cannot fuffer the moft inconfiderable change ? Let us in fincerity confefs our ignorance concerning the genuine caufes of thefe effedls (h). I he me- 3 S 2 taphyfical fH>) We have as great an averfion as our author to the explication of mufical phenomena from mechanical principles ; yet we fear the following obfervations, deduced from irrefiftible and umverfal exper.ence evidently ffiow that the latter neceffarily depend on the former. It is, for inftance, umverfally allowed, t.iat diffonances orate and concords pleafe a mufical ear : It is likewife no lefs unanimoufly agreed, that in proportion as a chord is perfeft, the pleafure is increafed •, now the perfection, of a chord confifts in the regularity and re- quency of coincident ofcillations between two fonorous bodies impelled to vibrate : thus the thira is a chord lefs perfeft than the fifth, and the fifth than the odtave. Of all thefe confonances, there.ore, the octave is moft pleafing to the ear ; the fifth next, and the third laft. In abfolute difcords, the vibrations are never coin¬ cident and of confequence a perpetual pulfation or jarring isrecognifed between the protrailed founds, which exceedingly hurts the ear •, but in proportion as the vibrations coincide, thole pulfations are fupcrfeded, and a kindred formed betwixt the two continued founds, which delights even the corporeal Jenfe : that 1 elation, therefore without recognizing the aptitudes which produce it, muft be the obvious caufe of the pleaiure which chords give to the ear. What we mean by coincident vibrations is, that while one fonorous body performs a o-iven number of vibrations, another performs a different number in the fame time •, i.o that the vibrations of&the quickeft muft fometimes be fimultaneous with thofe of the floweft, as will plainly appear fr'^n t ie SIC. Elements. mony may be deduced from ©ne Angle experiment ; 1 .eliminary for which, if we may fpeak fo, preceding artiits have Dilcourle. been under a ncceflity of groping in the dark. ~ v * With an intention to render this work as generally ufeful as poflible, w7e have endeavoured to adapt it to the capacity even of thofe who are abfolutely uninftrudled in mufic. To accomplilh this defign, it appeared ne- ceffary to purfue the following plan. To begin with a fhort introdudlion, in which are plan of the defined the technical terms mofl: frequently ufed in thistreatife. art) fuch as chord, harmony, hey, third, fifth, oEiave, &c. Afterwards to enter into the theory, of harmony, which is explained according to M. Rameau, with all poffible perfpicuity. 'I his is the fubjedi of the Firfl Part; which, as well as the introdudfion, prefuppofes no other knowledge of mufic than that of the names of the notes, C, D, E, F, G, A, B, which all the world knows (i). The theory of harmony requires fome arithmetical calculations, neceffary for comparing founds one with another. Thefe calculations are Ihort, Ample, and may be comprehended by every one •, they demand no operation but what is explained, and which every fchool-boy may perform. Yet, that even the trouble of this may be fpared to fuch as are not difpofed to take it, thefe calculations are not inferted in the text, but in the notes, which the reader may omit, if he can take for granted the propofitions contained in the text which will be found proved in the notes. Thefe calculations we have not endeavoured to mul¬ tiply , we could even have wilhed to fupprefs them, if it had been pofiible : fo much did it appear to us to be apprehended that our readers might be mifled upon this fubjedl, and might either believe, or fufpeft us of believing, following deduftion : Between the extremes of a third, the vibrations of the higheft are as 5 to 4 of the loweft thofe of the fifth as 3 to 2 j thofe of the odtave as 2 to x. Thus it is obvious, that in proportion to the frequent coincidence of periodical vibrations, the compound fenfation is more agreeable to the ear. Now, to inquire wrhy that organ fliould be rather pleafed wbth thefe than with the pulfation and tremulous motion of encountering vibrations which can never coalefce, would be to afk why the touch is rather pleafed with polilhed than rough furfaces ? or, why the eye is rather pleafed with the waving line of Hogarth than with fharp angles and abrupt or irregular prominences ? No alteration of which any chord is fulceptible will hurt the ear unlefs it ftiould violate or deftroy the regular and periodical coincidence of vibrations. When altera¬ tions can be made without this difagreeable effeft, they form a pleafing diverfity ; but ftill this fad corro¬ borates our argument, that in proportion as any chord is perfeft, it is impatient of the fmalleft alteration j for this reafon, even in temperament, the odave endures no alteration at all, and the fifth as little as poflible. (1) In our former editions, the French fyllabic names of the notes ut,re, mi,fa,fol, la,f, were retained, as being thought to convey the idea of the relative founds more diftindly than the feven letters ufed in Britain. It is no doubt true, that by conftantly ufing the fyllables, and confidering each as reprefenting one certain found in the fcale, a finger will in time affociate the idea of each found with its proper fyllable, fo that he will habitually give ut the found of the firft or fundamental note, re that of a fecond, mi ad a third, &c. but this requires a long time, and much application : and is, befides, ufelefs in modulation or changes of the key, and in all inftrumental mufic. Teachers of fol-fa'ing as it is called, or finging by the fyllables, in Britain, have long difcarded, (if they ever ufed) the fyllables ut, re, and f: and the prevalent, and we think, the founder opinion is now, that a fcholar will, by attending to the founds themfelves rather than to their names, foon learn their diftindl charaflers and relations to the key, and to each other, and be able of courfe to aflign to each its proper degree in the fcale w'hich he employs fijr the time, by whatever name the note reprefenting that degree may be generally known. See Holden's E/Jhy towards a Rational St/fem ofMufc, Part I. chap. i. § 32, 33. We have therefore, in our pre'ent edition, preferred to the French fyllables the Britilh nomenclature by thq letters C, D, E, F, G, A, B, as being more Ample, more familiar to Britilh muficians, and equally applicable io inilrumental as to vocal mufie. 508 M U preliminarytaphyfical conie&ures concerning the acouftic organs Dxfcourfe. k'l’ r "Lir , are probaoly in the lame predicament with thofe which are formed concerning the organs of vifion, if one may fpeak fo, in which philofophers have even till now made fuch inconfiderable progrefs, and in all likelihood will not be furpaiTed by their fuc- ceffbrs. Since the theory of mufic, even to thofe who con¬ fine themfelves within its limits, implies queftions from which every wife mufician will abftain $ with much greater reafon ihould they avoid idle excurfions beyond the boundaries of that theory, and endeavours to in- veftigate between mufic and the other fciences chime¬ rical relations which have no foundation in nature. The Angular opinions advanced upon this fubjedl by fome even of the moft celebrated muficians, deferve not to be refcued from oblivion, nor refuted ; and ought only to be regarded as a new proof how far men of genius may err, when they engage in fubjeds of which they are ignorant. The rules which we have attempted to efiablilh con¬ cerning the track to be followed in the theory of the mufical art, may fuffice to fhorv our readers the end which we have propofed, and which we have endea¬ voured to attain in this Work. We have here (we repeat it), nothing to do with the mechanical prin¬ ciples of protraded and harmonic tones produced by fonorous bodies j principles which have hitherto been and perhaps may yet be long explored in vain : we have lefs to do with the metaphyfical caufes of the fenfations im- preffed on the mind by harmony ; caufes wdiich are Aill lefs difcovered, and which, according to all appearances, will remain latent in perpetual obfcurity. We are alone concerned to fliow how the principal laws of har- / Elements. M U S Preliminary Difconrie. tical con- dufions r ot tidi'fcferabie to fenlible ebjetits without i^ution. * See Com- Jjofition. believing, all this arithmetic neceffary to form an artilt. Calculations may indeed facilitate the underilanding of certain points in the theory, as of the relations between the different notes in the gammut and of the tempera¬ ment •, but the calculations neceffary for treating of thefc points are fo fimple, and of fo little importance, that nothing can require a lefs oftentatious difplay. Let us not imitate thofe muficians, who, believing them- fr ves geometers, or thofe geometers who, believing themf* Ives muficians, fill their writings with figures upon figures •, imagining, perhaps, that this apparatus is receffnry ro the art. The propenfity of adorning their works with a falfe air offcience, can only impofe upon ignorance, and render their treatifes more obfcure and lefs in(lruBetween that the intervals between C and D, between D and tonic and E, between F and G, between G and A, between A femitonic and B, are equal, or at lead nearly equal; and thatintervals* the intervals between E and F, and between B and C, are likewife equal among themfelves, but confift almoft only of half the former. This faft is known and re- cognifed by every one : the reafon for it (hall be given in the fequel j in the mean time every one may afcer- tain its reality by the afliftance of an experiment (o). 7. It (n) We (hall afterwards find that three different feries of the feven letters are ufed, which we have diftinguifhed by capitals, fmall Roman, and Italic charafters. When the notes reprefented by fmall Roman chara&ers occur in this treatife we (hall, merely to diftinguifh them from the typography of the text, place them in inverted commas, thus ‘c’, ‘d’, &c. (o) This experiment may be eafily tried. Let any ontffing the fcale C, D, E, F, G, A, B, ‘c’, it will be immediately obferved without difficulty, that the laft four notes of the oftave G, A, B, ‘c’, are quite fimilar to the firft C, D, E, F; infomuch, that if, after having fung this fcale, one would choofe to repeat it, beginning with C in the fame tone which was occupied by G in the former fcale, the note D of the laft fcale would have the fame found with the note A in the firft, the E with the B, and the F with the ‘c\ Whence it follows, that the interval between C and D, is the fame as between G and A ; between D and F, as between A and B, and E and F, as between B and ‘c\ From D to E, from F to G, there is the fame interval as from C to D. To be convinced of this, we need only ling the fcale once more 5 then ling it again, beginning with C, in this laft fcale, in the fame tone which was given to D in the firft $ and it will be perceived, that the D in the fecond fcale will have the fame found, at lead as far as the ear can difcover, with the E in the former fcale j whence it follows, that the difference be¬ tween D and E is, at lead as far as the ear can perceive, equal to that between C and D. It will alfo be found, that the interval between F and G is, fo far as our fenfe can determine, the fame with that between C and D. This experiment may perhaps be tried with fome difficulty by thofe who are not inured to form the notes and change the key 5 but fuch may very eafily perform it by the afliftance of a harpfichord, by means of which the performer will be faved the trouble of retaining the founds in one intonation whilft he performs another. In touching upon this harpfichord the keys G, A, B, ‘f’, and in performing with the voice at the fame time C, D, E, F, in fuch a manner that the fame found may be given to C in the voice with that of the key G in the harpfichord, it will be found that D in the vocal intonation (hall be the fame with A upon the harpfi¬ chord, &c. It will be found likewife by the fame harpfichord, that if one (liould fing the fcale beginning with C in the fame tone with E on the inftrument, the D, which ought to have followed C, will be higher by an extremely perceptible degree than the F which follows E : thus it may be concluded, that the interval between E and F is lefs than between C and D j and if one would rife from F to another found which is at the fame diftance from F, as F from E, he would find, in the fame manner, that the interval from E to this new found is almoft the fame as that between C and D. The interval then from E to F is nearly half of that between C and D. Since then, in the (bale thus divided, S!’ 5’ Yl ’ ’ G, A, B, ‘c , the firft divifion is perfedlly like the laft •, and fince the intervals between C and D, between D and E, and be¬ tween F and G, are equal •, it follows, that the intervals between G and A, and between A and B, are likewife equal to every one of the three intervals between C and D, between D and E, and between F and G ; and that the intervals between E and F and between B and ‘c’ are alfo equal, but that they only conftitute one half oft^je others. Elements. M U Definitions. 7- ^ is for this reafon that they have called the inter- V— ' val from E to F, and from B to C, a femitone ; where¬ as thofe between C and D, D and E, F and G, G and A, A and B, are tones. cc" XXIII tone likewife called a fecond major*, and the fig- i. femitone a fecond minor f. i See Inter- 8. To defcend or rife diatonically, is to defcend or vat. rife from one found to another by the interval of a tone or of a femitone, or in general by feconds, whether major or minor 5 as from I) to C, or from C to D, from F to E, or from E to F. Third mi¬ nor, what. Third ma¬ jor, what. Fourth, what. Triton, what. Fifth, what. Sixth mi¬ nor, what. Skth ma¬ jor, what. Seventh mi¬ nor, what. Seventh major, what. 0(flave, what. Unifon, '♦hat. II. T/ie Terms by which the different Intervals of the Scale are denominated. 9. An interval compofed of a tone and a femitone, as from E to G, from A to C, or from D to F, is called a third minor. An interval compofed of two full tones, as from C to E, from F to A, or from G to B, is called a third major. An interval compofed of two tones and a femitone, as from C to F, or from G to C, is called * fourth. An interval confiding of three full tones, as from F to B, is called a tritone or fourth redundant. An interval confiding of three tones and a femitone, as from C to G, from F to C, from D to A, or from E to B, &c. is called a fifth. An interval compofed of three tones and two femi- tones, as from E to C, is called a fixth minor. An interval compofed of four tones and a femitone, as from C to A, is called a fixth major. An interval confiding of four tones and two femi- tones, as from D to C, is called a feventh minor. An interval compofed of five tones and a femitone, as from C to B, is called a feventh major. And in fiiort, an interval confifting of five tones and two femitones, as from C to ‘c’ is called an oBave. Several of the intervals now mentioned, are diftinguifh- ed by other names, as may be feen in the beginning of the fecond part; but thofe now given are the moft com¬ mon, and the only terms which our prefent purpofe de¬ mands. 10. Two founds equally high, or equally low, how- S I d. 511 ever unequal in their force, are faid to be in unifon one Definitions, with the other. —y——> 11. If two founds form between them any interval, whatever it be, we fay, that the higheft when amend¬ ing is in that interval with relation to the loweft ^ and when defcending, we pronounce the lowed in the fame interval w'ith relation to the higheft. Thus in the third minor, E, G, where E is the loweft and G the higheft found, G is a third minor from E afcendiug, and E is- third minor from G in defcending. 12. In the fame manner, if, fpeaking of two fono- rous bodies, wre fttould fay, that the one is a fifth above the other in afcending ; this infers that the found given by the one is at the diftance of a fifth afcending from the found given by the other. III. Of Intervals greater than the OBave. 13. If, after having fung the fcale C, D, E, F, G,Fig. 2, A, B, c, one wmuld carry this fcale ftill farther in afcent, it w’ould be difcovered w'ithout difficulty that a new fcale would be formed, ‘c, d, e, f’, &c. entirely fimilar to the former, and of which the founds will be an oflave afcending, each to its correfpondent note in the former fcale \ thus ‘d’, the fecond note of the fecond fcale, will be an o61ave in alcent to the D of the firft fcale } in the fame manner ‘e’ ihall be the oftave to E, &c. and fo of the reft. 14. As there are nine notes from the firft C to the Ninth,- feeond ‘d’, the interval between thele two founds is call- ed a ninth, and this ninth is compofed of fix full tones and two femitones. For the fame reafon the interval from C to ‘f’ is called an eleventh, and the interval be¬ tween C and ‘g’ a twelfth, &c. It is plain that the ninth is the oftave of the Elevsntfi the eleventh of the fourth, and the twelfth of thean<* twelfth fifth, &c. whaU The o6tave above the odlavfc of any found is called a double oBave * j the odtave of the double odlave is call- * §ee /w_ ed a triple oBave, and fo of the reft. tefval ancL- The double o£lave is likewife called a fifteenth : and Double for the fame reafon the double odlave of the third iS°^ave’ called a feventeenth, the double o&ave of the fifth a nineteenth, &c. (p). IV. (p) Let us fuppofe two vocal firings formed of the fame matter, of the fame thicknefs, and equal in their ten- fion, but unequal in their length *, it will be found by experience, ifi. That if the ftiorteft is equal to half the longeft, the found which it will produce muft be an o£!ave above the found produced by the longeft. idly. That if the ftiorteft conftitutes a third part of the longeft, the found which it produces muft be a twelfth ■ above the found produced by the longeft. ^dly. That if it conftitutes the fifth part, its found will be a feventeenth above. Befides, it is a truth demonftrated and generally admitted, that in proportion as one mufical firing is lefs than another, the vibrations of the leaft will be more frequent (that is to fay, its departures and returns through the fame fpace) in the fame time ; for inftance, in an hour, a minute, a fecond, &c. in fuch a manner that one firing which conftitutes a third part of another, forms three vibrations, whilft the largeft has only accompliftied one. In the fame manner, a firing which is one half lefs than another, performs two vibrations, whilft the other only-* completes one ; and a firing which is only the fifth part of another, will perform five vibrations in the fame time which is occupied by the other in one. From thence it follows, that the found of a firing is proportionally higher or lower, as the number of its vi¬ brations is greater or fmaller in a given time } for inftance, in a fecond. It is for that reafon, that if we reprefeni-any found whatever by 1, one may reprefent the odlave above by 2, that is to fay, by the number of vibrations formed by the firing which produces the oftave, whilft the longeft firing only vibrates once $ in the fame manner we may reprefent the twelfth above the found I by 3, the feven¬ teenth r 5I2 M U Definitions. '"'“"v IV. IVhat is meant by Sharps and Flats. Sharps and j It is plain that one may imagine the five tones enter into the fcale, as divided each into two 7®/. n e> femitones; thus one may advance from C to D, form¬ ing in his progrefs an intermediate found, which fhall be higher by a femitone than C, and lower in tne fame degree than D. A found in the fcale is called when it is raifed by a fermtone 5 and it is marked with this charafler : thus C % fignifies C Jharp, that is to fay, C raifed by a femitone above its pitch in rhe natu¬ ral fcale. A found in the fcale depreffed by a femitone is called fiat, and is marked thus, \): thus A b fignifies A fiat, or A depreffed by a femitone. V. IV/iat is meant by Confonances and Difibnances. Confo- 16. A chord compofed of founds whofe union or nance, coalefcence pleafes the ear is called a confonance $ and 'see Chord t^ie ^oun^s which form this chord are faid to be conlb- S I C. Elements. nant one with relation to the other. The reafon of this Definitions, denomination is, that a chord is found more perfe&, as v ' ^ the founds which form it coalefce more clofely among themfelves. 17. The odlave of a found is the moft perfedl: of confonances of which that found is fufceptible 5 then the fifth, afterwards the third, &c. This is a fadl founded on experiment. 18. A number of founds fimultaneoufly produced Diffonance, whofe union is difpleafing to the ear is called a ^^o-what. nance, and the founds which form it are faid to be dif- fonant one with relation to the other. The fecond, the tritone, and the feventh of a found, are diffonants See with relation to it. Thus the founds CD, C E, orcorA' F B, &c. fimultaneoufly heard, form a diffonance. The reafon which renders diffonance difagreeable, is, that the founds which compote it, feem by no means coalefcent to the ear, and are beard each of them by itfelf as diftindt founds, though produced at the fame time. Part I. THEORY of HARMONY. * Ch AP. I. Preliminary and Fundamental Experi¬ ments. Experiment I. 19. WHEN a fonorous body is ftruck till it gives a found, the ear, befides the principal found and its odtave, perceives two other founds very high, of which one is the twelfth above the principal found, that is to fay, the o&ave to the fifth of that found j and the other is the feventeenth major about the fame found, that is to fay, the double octave of its third major. 20. This experiment is peculiarly fenfible upon the thick firings of the violoncello, of which the found being extremely low, gives to an ear, though not very much pradlifed, an opportunity of diftinguifhing with iudv lent eafe and clearnefs the twelfth and feventeenth now in quefiion (Q_)k 21. teenth maior above 5, &c. But it is very neceflWy to remark, that by thefe numerical expreffions, we do not pretend to compare founds as fuch ; for founds in th-m rlves are notbing but mere 'enfations, and it cannot be faid of any fenfation that it is double or triple ro another 1 thus the expreffions I, 2. 3, &c. employed to denominate a found, its oftave above, its twelfth above, &c. f.gnif, only, that it a flnng performs a certain number of vibra¬ tions, for inftance, in a fecond, the firing which is in the octave above llrall double the number in the fame time, the firing which is in the twelfth above fhall triple it, &c, , r Thus to compare founds among themfelves is nothing elfe than to compare among themfelves the numbers ot vibrations which are formed in a given time by tht firings that produce thefe founds. , . r , (0) Since the o&ave above the found I is 2, the jftave below that fame found fhall be ; that is to ay, that the firing which produces this oaave fhall have performed half its vibration, vvh.lft the firing which produces the found 1 fhall have completed one. To obtain therefore the o&ave above any found, the opeiator inu.t urn tip y the quantity which expreffes the found by 2; and to obtain the odave below, he muft on the contrary divide the feme quantity by 2. „ . „ . j It is for that reafon that if any found whatever, for infiance C, is denominated Its odlave above will be Its double odave above Its triple odave above _ - In the fame manner its odave below will be Its double odave below Its triple odave below And fo of the reft. Its twelfth above Its twelfth below Its 17th major above * " " _ The fifth then above the found 1 being the odave beneath the twelfth, (hall be, as we have immediately ^ob- 3 Part T. Theory of Haimony. * See Ge¬ nerator. Generator, ■what. § See Har¬ monic. M U 21. The principal found is called generator * \ and the two other founds which it produces, and with which it is accompanied, are, incluilve of its oftave, called its harmonics Experiment II. 22. There is no perfon infenlible of the refemblance which fublills between any found and its oftave, whe¬ ther above or belown Thefe two founds, when heard together, almoft entirely coalefce in the organ of fen- fation. We may betides be convinced (by two fafts which are extremely fimple) of the facility with which one of thefe founds may be taken for the other. Let it be luppofed that any perfon has an inclina¬ tion to fing a tune, and having at firil berun this air Voe. XIV. Part II. SIC. 513 upon a pitch too high or too low for his voice, fo that Theory of he is obliged, left he Ihould ftrain himfelf too much, Harmony.. to fing the tune in queftion on a key higher or lower than the firft j he will naturally, without being initiated in the art of mufic, take his new key in the odave be¬ low or the o£tave above the firft *, and in order to take this key in any other interval except the octave, he will find it neceflary to exert a fenfible degree of attention. This is a fa has given 10. Afterwards may be multiplied the numerator of the fecond fradion by the denominator of the firft, which will give a fecondary number, as here 12 is the produdl oi 4 multiplied by 3 j and the relation between thefe two numbers (which in the preceding example are 10 and J 2), will exprefs the relation between thefe founds, or, what is the fame thing, the interval which there is be¬ tween the one and the other ; in fuch a manner, that the farther the relation between thefe founds departs from unity, the greater the interval will be. Such is the manner in which we may compare two founds one with another whofe numerical value is known. We {hall now fhow the manner how the numerical expreflion of a found may be obtained, when the relation which it ought to have wuth another found is known whofe numerical expreflion is given. Let us fuppofe, for example, that the third major of the fifth 4 is fought. That third major ought to be, by what has been fhowm above, the 4 of the fifth *, for the third major of any found whatever is the 4 of that found. We muft then look for a fradlion which expreffes the 4 °f 4 > which is done by multiplying the numerators and denominators of both fradlions one by the other, from whence refults the new fradion Ls. It will likewife be found that the fifth of the fifth is |, becaufe the fifth of the fifth is the 4 of 4. I bus far we have only treated of fifths, fourths, thirds major and minor, in afeending $ now it is extremely eafy to find by the fame rules the fifths, fourths, thirds major and minor in defeending. For fuppofe C equal to 1, we have feen that its fifth, its fourth, its third, its major and minor in afeending, are 4» 4* r* To find its fifth, its fomth, its third, its major and minor in defeending, nothing more is neceffary than to reverfe thelc fradlions, w'hich will give 4, fj 4* (O*) ^’s not t^lcn imagined that we change the value of a found in multiplying or dividing it by 2, by 4, or by 8, &c. the number which exprefies thefe founds, fince by thefe operations w’e do nothing but take the fimple double, or triple odlave, See. of the found in queftion, and that a found coalefces with its odtave. M U Harmony reduced to chords, fifths, and odlaves. 514 MU Theory of , Hannony. II. 'The Origin of the Modes Major and Minor i of the tnof natural Modulation} and the mofl perfeEt Harmony. mental"and 23' ren^er our ideas ftill more precife and per- harmonics manent, we iliall call the tone produced by the fono- \vhat. rous body C : it is evident, by the firft experiment, that this found is always attended by its 12th and 17th major j that is to fay, with the oftave of G, and the double odlave of E. 24. This o£tave of G then, and this double oftave of E, produce the moft perfeft chord which can be joined with C, lince that chord is the work and choice of nature (r). 25. For the fame reafon, the modulation formed by C with the o6tave of G, and the double oftave of E, fung one after the other, would likewife be the moft fimple and natural of all modulations which do not de- fcend or afcend diredlly in the diatonic order, if our voices had fufficient compafs to form intervals fo great without difficulty: but the eafe and freedom with which we can fubftitute its o&ave to any found, when it is more convenient for the voice, afford us the means of reprefenting this modulation. 26. It is on this account that, after having fung the tone C, we naturally modulate the third E, and the fifth G, inftead of the double odlave of E, and the oftave of G j from whence we form, by joining the oftave of the found G, this modulation, C, E, G, ‘c’, which in effe£l is the fimplfft and eafiefl of them all j aad which likewife has its origin even in the protracted and com¬ pounded tones produced by a fonorous body. 27. The modulation C, E, G, ‘c’, in which the chord C, E, is a third major, conftitutes that kind of harmony or melody which we call the tticde major ; from whence it follows, that this mode refults from the immediate operation of nature. 28. In the modulation C, E, G, of which we have now been treating, the founds E and G are fo propor- Mode ma¬ jor, what. See Mode. See likewife Interval. Mode mi¬ nor, what. S I C. Part I. tioned one to the other, that the principal found C Theory ox (art. 19.) caufes both of them to refound j but the fe- Harmony^ cond tone E does not caufe G to refound, which only forms the interval of a third minor. 29. Let us then imagine, that, inftead of this found E, one ftiould fubftitute between the founds C and G, another note which (as well as the found C) has the power of caufing G to refound, and which is, however, different from the found C j the found which we explore ought to be fuch, by art. 19. that it may have for its 17th major G, or one of the oCfaves of G $ of confe- quence the found which we feek ought to be a 17th major below G, or, what is the fame thing, a third major below the fame G. Now the found E being a third minor beneath G, and the third major being (art. 9.) greater by a femitone than the thitd minor, it follows, that the found of which we are in fearch fhall be a femitone beneath the natural E, and of confequence E &• . 30. This new arrangement, C, E b, G, in which the founds C and E jj have both the power of caufing G to refound, though C does not caufe E fp to refound, is not indeed equally perfeft wdth the firft arrangement C, E, G j becaufe in this the two founds E and G are both the one and the other generated by the principal found C j whereas, in the other, the found E |?, is not generated by the found C ; but this arrangement C, E b, G, is likewife diClated by nature (art. 19.), though lefs immediately than the former ; and accor¬ dingly experience evinces that the ear accommodates it- felf almoft as well to the latter as to the former. 31. In this modulation or chord C, E f, G, C, Origin of it is evident that the third from C to E jj is minor j m°de mi- and fuch is the origin of that mode which we ca^5ee"ytforff minor (s). See alfo 32. The moft perfe£l chords then are, 1. All chords related one to another, as C, E, G, ‘c’, confifting of perfeifl any found, of its third major, of its fifth, and of its chords, oftave. 2. All chords related one to another, as Cwhat, E b, G, ‘c’, confifting of any found, of its third minor, (r) The chord formed with the twelfth and feventeenth major united with the principal found, being exactly conformed to that which is produced by nature, is likewife for that reafon the moft agreeable of all ; efpecially when the compofer can proportion the voices and inftruments together in a proper manner to give this chord its full effeft. M. Rameau has executed this with the greateft fuccefs in the opera of Pygmalion, page 34. where Pygmalion lings with the chorus Id amour triomphe, &c.: in this paffage of the chorus, the two parts oi the vocal and inftrumental baffes give the principal found and its o&ave ; the firft part above, or treble, and that of the Counter-tenor, produce the feventeenth major, and its odlave, in defcending j and the fecond part, or tenor abo gives the twelfth. See fig. 3. (s) The origin which we have here given of the mode minor, is the moft fimple and natural that can poflibly be given. M. Rameau deduces it, more artificially, from the following experiment.—If you put in vibration a mufical firing HI, and if there are at the fame time contiguous to this two other firings KN, RW, of which the firft (hall be a twelfth, and the fecond a feventeenth major below the firing HI, the firings KN, RW will vibrate without being ftiuck as foon as the firing HI {hall give a found, and divide themfelves by a kind of un¬ dulation, the firft into three, the lafl into five equal parts •, in fuch a manner, that, in the vibration of the firing KN, you may eafily diftinguilli two points at reft LM, and in the tremulous motion of the firing RW, four qui- efrent points S, T, U, V, all placed at equal diftances from each other, and dividing the firings into three or five equal parts. In this experiment, fays M. Rameau, if we reprefent by the note C the tone of the firing HI, the tv.o other firings will reprefent the founds F and A j and from thence M. Rameau deduces the modulation F, A t?, C, and of confequence the mode minor. The origin which we have affigned to the minor mode, ap¬ pears more direft and more fimple, becaufe it prefuppofes no other experiment than that ef art. 19. and becaufe alf< ‘be fundamental found C is ftill retained in both the modes, without being obliged, as M. Rameau found himfelf, to change it into F* Funda¬ mental bafs, what. Parti. M U S Theory of minor, of its fifth, find of its o&ave. In effeft, thefe Harmony. two 0f chords are exhibited by nature ; but the v - more immediately than the fecond. The firft are called perfect chords major, the fecond perfect chords minor. Chap. III. Of the Succejfton by Fifths^ and of the Laws which it obferves. 33. Since the found C caufes the found G to be heard, and is itfelf heard in the found F, which founds G and F are its twro twelfths, we may imagine a modu¬ lation compofed of that found C and its two twelfths, or, which is the fame thing (art. 22.), of its two fifths, F and G, the one below, the other above ; which gives the modulation or feries of fifths F, C, G, wdiich we call the fundamental bafs of C by fifths. We fhall find in the fequel (Chap. XVIII.), that there may be fome fundamental bafes by thirds, de¬ duced from the two feventeenths, of which the one is an attendant of the principal found, and of which the other includes that found. But we muft advance ftep by ftep, and fatisfy ourfelves at prefent to confider im¬ mediately the fundamental bafes by fifths. 34. Thus, from the found C, one may make a tranf- ition indifferently to the found G, or to the found F. 35. One may, for the fame reafon, continue this kind of fifths in afcending, and in defcending, from C, in this manner : Ej>, Bb, F, C, G, D, A, &c. And from this feries of fifths one may pafs to any found which immediately precedes or follows it. 36. But it is not allowed in the fame manner to pafs from one found to another which is not immediately contiguous to it j for inftance, from C to D, or from D to C : for this very fimple reafon, that the found D is not contained in the found C, nor the found C in that of D *, and thus thefe founds have not any alliance the one with the other, which may authorife the tranfi- tion from one to the other. 37. And as thefe founds C and D, by the firft ex¬ periment, naturally bring along with them the perfeft chords confifting of greater intervals C, E, G, ‘c’, and "D, F$, A, ‘d’ j hence may be deduced this rule, That two perfect chords, efpecially if they are major (x), cannot fucceed one another diatonically in a funda¬ mental bafs 5 we mean, that in a fundamental bafs two founds cannot be diatonically placed in fucceflion, each of which, with its harmonics, forms a perfedl chord, efpecially if this perfe61: chord be major in both. Chap. IV. Of Modes in general. 38. A mode, in mufic, is, the order of founds pre- fcribed, as well in harmony as melody, by the feries of E*ception to the rule. Two per¬ fect chords in fuccef- fion profcri bed. Mode in general, what. I C. 51S fifths. Thus the three founds F, C, G, and the bar- Theory of monies of each of thefe three founds, that is to fay, Haimon-'-. their thirds major and their fifths, compofe all the major modes which are proper to C. 39. The feries of fifths then, or the fundamental bafs Modes, F, C, G, of which C holds the middle fpace, may be j.^JjePie’ regarded as reprefenting the mode of C. One may ^ feriej0f likewife take the feries of fifths, or fundamental bafs, fifths. C, G, D, as reprefenting the mode of G j in the fame manner B b, F, C, will reprefent the mode of F. Thus the mode of G, or rather the fundamental bafs of that mode, has two founds in common with the fun¬ damental bafs of the mode of C. It is the fame with the fundamental bafs of the mode F. 40. The mode of C (F, C, G) is called the principalPv'mci^X mode with refpedl to the modes of thefe two fifths, which mode, and are called its two adjunRs. what^* 41. It is then, in fome meafure, indifterent to theSee ear wdiether a tranlition be made to the one or to \S\tjunEl. other of thefe adjundls, fince each of them has equally Modes re- two founds in common wdth the principal mode. Yetltfl|ec^^ the mode of G feems a little more eligible : for G is their ^ heard amongft the harmonics of C, and of confequence founds are is implied and fignified by C j whereas C does notcommon. caufe F to be heard, though C is included in the fame found F. It is hence that the ear, affefted by the mode of C, is a little more prepoffeffed for the mode of G than for that of F. Nothing likewife is more frequent, nor more natural, than to pafs from the mode of C to that of G. Dominant 42. It is for this reafon, as well as to diftinguifh the two fifths one from the other, that wTe call G the wjiat> ’ fifth above the generator dominant [onnd, and the See Do- fifth F, below the generator, the fubdominant. minant. 43. As in the feries of fifths, we may indifferently ^ran^on pafs from one found to that which is contiguous: f°» o^founck" having paffed from the mode of C to that of G, one how to be’ may from thence proceed to the mode of D. And on managed, the other hand, having paffed from the mode of C to that of F we may then pafs to the mode of Bb. But it is neceffary, however, to obferve, that the ear, which has been immediately affefled with the principal mode, feels always a ftrong propenfity to return to it. Thus the further the mode to which we make a tranlition is re¬ moved from the principal mode, the lefs time we ought to dwell upon it 5 or rather, to fpeak in the terms of the art, the lefs ought the phrafe (u) of that mode to be protrafted. Chap. V. Of the Formation of the Diatonic Scale as ufed by the Greeks. 44. From this rule, that two founds which are con¬ tiguous may be placed in immediate fucceflion in the feries of fifths, F, C, G, it folknvs, that one may 3 T 2 form (x) We fay efpeciallif if they are major; for in the major chord D, F$!, A,‘d’, befides that the founds C and D have no common harmonica! relation, and are even diffonant between themfelves (art. 13.), it will likewife be found, that F$ forms a diffonance wdth C. The minor chord D, F, A, ‘d’, wmuld be more tolerable, becaufe the natural F, which occurs in this chord carries along with it its fifth C, or rather the o&ave of that fifth : It has likewife been fometimes the praftice of compofers, though rather by a licence indulged them than ftriflly agree¬ able to their art, to place a minor in diatonic fucceflion to a major chord. (u) As the mere Englilh reader, unacquainted with the technical phrafeology of mufic, may be furprifed at the 5*6 Theory of Harmony. See fig. 4. Formation of the Greek dia¬ tonic fcale by the fun¬ damental bafs. Se, fi g- 4- M U form this modulation, or this fundamental bafs, by fifths, G, C, G, C, F, C, F. 45. Each of the founds which forms this modula¬ tion brings neceffarily along with itfelf its third major, its fifth, and its oftave 5 infomuch that he who, for inftance, fings the note G, may be reckoned to fing at the fame time the notes G, B, ‘d, g’ : in the fame manner the found C in the fundamental bafs brings along writh it this modulation, C, E, G, C : and, in fhort, the found F brings along writh it F, A, C, ‘f\ This modulation then, or this fundamental bajp, G, C, G, C, F, C, F, gives the following diatonic fenes, B, ‘c, d, e, f, g, a’•, which is precifely the diatonic fcale of the Greeks. We are ignorant upon what principles they had formed this fcale $ but it may be fenfibly perceived, that that feries arifes from the bafs G, C, G, C, F, C, F j and that of confequence this bals is juflly called fundamental, as being the real primitive modulation, that which conducts the ear, and which it feels to be implied in the diatonic modulation, B, ‘c, d, e, f, g, a’ (x). 46. We (hall be ftill more convinced of this truth by the following remarks. Sic. Parti. In the modulation B, ‘c, d, e, f, g, a’, the founds ‘d’ Theory of and ‘f’ form between themfelves a third minor, which is Harmony, not fo perfectly true as that between ‘e’ and ‘g’ (y). v Neverthelefs, this alteration in the third minor between ‘d1 and ‘f’ gives the ear no pain, becaufe that ‘d’ and that ‘f’ which do not form between themfelves a true third minor, form, each in particular, confonances perfectly juft with the founds in the fundamental bafs which cor- refpond with them : for ‘d’ in the fcale is the true fifth of G, which anfwers to it in the fundamental bafs j and ‘f’ in the fcale is the true oflave ofF, which anfwers to it in the fame bafs. 47. If, therefore, thefe founds in the fcale form con-A‘tered i*- fonances perfeftly true with the notes which correfpond ter.^s’110 to them in the fundamental bafs, the ear gives itfelf little trouble to inveftigate the alterations wdiich there may be in the intervals which thefe founds in the fcaie form between themfelves. This is a new proof that the fundamental bafs is the genuine guide of the ear, and the true origin of the diatonic fcale. 48. Moreover, this diatonic fcale includes only feven Reafons founds, and goes no higher than ‘b’, which would ^y this be the o£tave of the firft : a new Angularity, for which a reafon may be given by the principles above eilablilh- fever. ed. founds. the ufe of the word phrafe when transferred from language to that art, we have though proper to infert the defini¬ tion of Roufleau. A phrafe, according to him, is in melody a feries of modulations, or in harmony a fucceftion of chords, which form without interruption a fenfe more or lefs complete, and which terminate in a repofe by a cadence more or lefs perfeft. (x) Nothing is eafier than to find in this fcale the value or proportions of each found with relation to the found C, which we call 1 j for the two founds G and F in the bafs are 4 and y j from whence it follows, 1. That ‘c1 in the fcale is the o&ave of C in the bafs •, that is to fay, 2. 2. That ‘b’ is the third major of G j that is to fay 4 x (note oj, and of confequence . 3. That ‘d’ is the fifth of G j that is to fay 4- of and of confequence •£• 4. That ‘e’ is the third major of the oftave of C, and of confequence the double of | j that is to fay, 5. That ‘f’ is the double o&ave of F of the bafs, and confequently y» 6. That ‘g’ of the fcale is the o61ave of G of the bafs, and confequently 3. 7. That ‘a’ in the fcale is the third major of ‘f ’ of the fcale 5 that is to fay, | of y, or Hence then will refult the following table, in which each found has its numerical value above or below it. , Diatonic T Vs 2 £ | 4 3 'y0 Scale. B, c, d, e, f, g, a. Fundamental V G, C, G, C, F, C, F. Bafs. 1 4 I, 4: 1 y I y And if, for the conveniency of calculation, wTe choofe to call the found C of the fcale 1 ; in this cafe wre have only to divide each of the numbers by 2, which reprefent the diatonic fcale, and we ftiail have T 5 T 0 S 4 l s t-j i t ^ t ir f B, c, d, e, f, g, a. (y) In order to compare ‘d’ with ‘f’, we need only compare 4 with 4; . the relation between thefe fraflicns wdll be, (note c) that of 9 times 3 to 8 times 4 ; that is to fay, of 27 to 32 : the third minor, then, from ‘d’ to ‘f’,is not true 5 becaufe the proportion of 27 to 32 is not the fame with that of 5 to 6, thefe two proportions being between themfelves as 27 times 6 is to 32 times 5, that is to fay, as 162 to 160, or as the halves of thefe two numbers, that is to fay, as 81 to 80. M. Rameau, when he publiftied, in 1726, his New theoretical andpraciical Syflcm of Mufc, had not as yet found the true reafon of the alteration in the confonance wdiich is between ‘d’ and ‘f’, and of the little attention which the ear pays to it. For he pretends, in the work now quoted, that there are two thirds minor, one in the proportion of 5 to 6, the other in the proportion of 27 to 32. But the opinion wdiich he has afterwards adopted, feems much preferable. In reality, the genuine third minor, is that which is produced by nature between ‘e’ and ‘g’, in the continued tone of thofe Ibnorous bodies of which ‘e’ and ‘g’ are the two harmonics : and that third minor, which is in the proportion of 5 to 6, is likewife that which takes place in the minor mode, and not that third minor which is falfe and different, being in the proportion of 27 to 3 2. Part I. MUSIC. Them , of ed. In reality, in order that the found ‘b’ may fucceed Harmony, immediately in the fcale to the found ‘a’, it is neceflary v_ that the note ‘g’, which is the only one from whence ‘b’ as a harmonic may be deduced, (hoivld immediately fucceed to the found ‘fin the fundamental bafs, which is the only one from whence ‘a’ can be harmonically de¬ duced. Now, the diatonic fucceffion from F to G cannot be admitted in the fundamental bafs, according to what we have remarked (art. 36.). The founds ‘a’ and ‘b’, then, cannot immediately fucceed one another in the fcale ; we (hall fee in the fequel why this is not the cafe in the feries ‘ c, d, e, f, g, a, b’, c, wThich begins upon C $ whereas the fcale in queftion here be¬ gins upon B. 49. The Greeks likewife, to form an entire o£lave, added below the firft B the note A, which they di- ftinguilhed and feparated from the reft of the fcale, which for that reafon they called prqflambanomene, that is to fay, a firing or note fubadded to the fcale, and put before B to form the entire oflave. 50. The diatonic fcale B, ‘c, d, e, f, g, a’, is compofed oftwofimi t'vo tetrac^or^s> is to fay, of two diatonic fcales, far conjunc-each confiding of four founds, B, ‘c, d, e, and ‘e, f’, tive tetra- g, a’. Thefe two tetrachords are exactly fimilar ; for chords. from ‘e’ to ‘f’ there is the fame interval as from B to ‘c,’ from ‘f’ to ‘g’ the fame as from ‘c’ to ‘d,’ from ‘g’ to ‘a’ the fame as from ‘d’ to ‘e’ (z) : this is the reafon why the Greeks diftinguifhed thefe two tetrachords j yet they joined them by the note ‘a’ which is common to both, and which gave them the name of conjunBlve tetrachords. Intervals in 51. Moreover, the intervals between any two founds, both tetra- taken in each tetrachord in particular, are precifely chords e- true . ;n tetrachord, the intervals of C ‘e’, and B ‘d’, are thirds, the one major and the other mi¬ nor, exactly true, as well as the fourth B ‘e’ (aa); it is the fame thing with the tetrachord ‘e, f, g, a’, fince this tetrachord is exactly like the former. Intervals 52. But the cafe is not the fame when we compare betweenthe j-wo founds taken each from a different tetrachord j for different vve ^ave a’ready feen, that the note *d’ in the firft tetra- tetrachords chord forms with the note ‘f’ in the fecond a third mi- diffmilar. nor, which is not true. In like manner it will be 517 Theory of Harmony. Comple¬ tion oi the Greek oc¬ tave. See Pro- /lambano- mene. The fcale found, that the fifth from ‘d’ to ‘a’ is not exactly true, which is evident; for the third major from ‘f ’ to ‘a’ is true, and the third minor from ‘d’ to ‘f ’ is not fo : now, in order to form a true fifth, a third major and a third minor, which are both exactly true, are necef- fa ry. 53. From thence it follows, that every confonance is abfolutely perfect in each tetrachord taken by it- felf; but that there is fome alteration in paffing from one tetrachord to the other. This is a new rea- fon^ for diftinguiihing the fcale into thefe tw'o tetra¬ chords. 54. It may be afcertained by calculation, that in the tetrachord B, ‘c, d, e’, the interval, or the tone from ‘d’ to ‘e’, is a little lefs than the interval or tone from ‘c’ to ‘d’ (bb). In the fame manner, in the fecond tetrachord ‘e, f, g, a’, which is, as we have proved, perfedtly limi- lar to the firft, the note from ‘g’ to ‘a’ is a little lefs than the note from ‘t’ to ‘g1. It is for this reafon that they diltinguifh two kinds of tones j the greater tone *, as from ‘c’ to ‘d’, from ‘f’ to ‘g’, &c. j and the leffer f, from ‘d’ to ‘e’, from ‘g’ to ‘a’, &c. Chap. VI. ‘The formation of the Diatonic Scale among the Modernst or the ordinary Gammut. 55. We have juft ftiown in the preceding chapter, T'ie m0' hov the fcale of the Greeks is formed, B, ‘c, d, e, g, a’, by means of a fundamental bafs compofed of three e[j founds only, F, C, G j but to form the fcale ‘c, d, e, f, g, a, b,’ c, which we ufe at prelent, we rnuft neceffini- ly add to the fundamental bafs the note D, and form, with thefe four founds F, C, G, D, the following fun¬ damental bafs : C, G, C, F, C, G, D, G, C ; See fig. 5. from wrhence we deduce the modulation or fcale See Scale. ‘c, d, e, f, g, a, b,’ c. In effect (cc), ‘c’ in the fcale belongs to the harmony, of C which correfponds with it in the bafs j ‘d’, which is the fecond note in the gammut, is included in the harmony of G, the fecond note of the bafs ; ‘e’, the third note of the gammut, is a natural harmonic of C, which is the third found in the bats, &c. 56. From Another reafon for diftinguifh- ing the fcale into two tetra- e herds. The fource of tones major and minor inve- Itigatcd. Greater tone. * See Interval. Leffer tone, f See Inter’’ vat. (z) The proportion of B to ‘c’ is as Ty to G that is to fay as 15 to 16 ; that between ‘e’ and /f’ is as | to 4, that is to fay (note £>), as 3 times 3 to 4 times 4, or as 15 to 16: thefe two proportions then are equal. In the fame manner, the proportion of ‘c’ to ‘d’ is as 1 to or as 8 to 9 j that between ‘f ’ and ‘g’ is as 4 4 > that is to fay (note qJ, as 8 to 9. The proportion of ‘e’ to ‘c’ is as 4 to 1, or as 5 to 4 j that between ‘f ’ and ‘a’ is as 4 to 4? nr as 5 to 4 : the proportions here then are likewife equal. (aa) The proportion of ‘e’ to ‘c’ is as 4 to 1, or as 5 to 4, which is a true third major j that from ‘d’ to ‘b’ is as 4 to 44 *> that is to fay, as 9 times 16 to 15 times 8, or as 9 times 2 to 15, or as 6 to 5. In like manner we (hall find, that the proportion of ‘c’ to ‘b’ is as 4 to 44 5 that is to fay, as 5 times 16 to 15 times 4, or as 4 to 3, which is a true fourth. (eb) The proportion of ‘d’ to ‘c’ is as f to 1, or as 9 to 8 ; that of ‘e’ to ‘d’ is as 4 to that is to fay, as 40 to 36, or as 10 to 9 : noiv ^ is lefs removed from unity than 4 } the interval then from ‘d’ to ‘e’ is a little lefs than that from ‘c’ to ‘d\ If any one would with to know the proportion which bear to he will find (note qJ that it is as 8 times 10 to 9 times 9, that is to fay, as 80 to 8r. Thus the proportion of a leffbr to a greater tone is as 80 to 81 \ this difference between the greater and leffer tone is what the Greeks called a comma. We may remark, that this difference of a comma is found between the third minor when true and harmoni- cal, and the fame chord when it fuffers alteration ‘d’, ‘fof which w7e have taken notice in the fcale (note v) 5 for we have feen, that this third minor thus altered is in the proportion of 80 to Si with the true third minor. (cc) The values or efiimates of the notes thall be the fame in this as in the former fcale, excepting only the , . tone pier tii an ours, and why. 518 M U Theory of ^5. Hence it follows, that llie diatonic fcale of the .hhinuonv. jSj at ]eaft in fome refpefts, more Ample than The Greek 0lirs > hnce the fcale of the Greeks (chap, v.) may diatonic be formed alone from the mode proper to C j whereas fcule fnn- ours is originally and primitively formed, not only irom the mode of C (F, C, G), but likevvife from the mode of G, (C, G, D). It will likevvife appear, that this lafl fcale conftfts of two parts; of which the one, ‘c, d, e, f, g,’ is in the PI o note niode of C ; and the other, ‘g, a, b,’ c, in that of G. (<■' twice 57* ^or t^1’s rea^on note ‘g’ ,s twice repeated in "repeated in immediate fuccefhon in this fcale •, once as the fifth of the diatonic C, which correfponds with it in the fundamental bafs j fcale from anc] again, as the o£tave of G, which immediately fol- lows G in the fame bafs. Thefe two confecutive ‘g’s tions to "the are otherwife in perfect unifon. For this reafon we fundamen- fing only one of them when we modulate the fcale ‘c, d, e, f, g, a, b,’ c; but this does not prevent us from employing a paufe or repofe, exprefied or underflood, after the found ‘f\ There is no perfon who does not perceive this whilft he himfelf fings the fcale. 58. The fcale of the moderns, then, may be confi- dered as confifting of two tetrachords, disjundtive in¬ deed, but perfedlly fimilar one to the other, ‘c, d, e, f’, junftive te-and ‘g, a, b, c’, one in the mode of C, the other in that trachords 0f G. We fhall fee in the fequel, by what artifice one may caufe the fcale ‘c, d, e, f, g, a, b, o’, to be regarded as belonging to the mode of C alone. For this pur- pofe it is necefiary to make fome changes in the funda¬ mental bafs, which we have already afligned : but this {hall be explained at large in chap. xiii. cq. The introdudlion of the mode proper to G in the fundamental bafs has this happy effedl, that the the*funda-' notes ‘f, g, a, b’, may immediately fucceed each other in mental bafs afcending the fcale, which cannot take place (art. 48.) produdtive in the diatonic feries of the Greeks, becaufe that feries ofcenve- js forraetj from the mode of C alone. Whence it mences. r follows : tal bafs. The mo¬ dern fcale. compofed of two dif- of different inodes. The mode of G in¬ troduced in S I C. Parti. 1. That we change the mode at every time when Theory of we modulate three whole tones in fucceflion. Harmony.^ 2. That if thefe three tones are fung in fucceflion in ~v~ the fcale ‘c, d, e, f, g, a, b’, c, this cannot be done but by the afliftance of a paufe expreffed or underftood af¬ ter the note ‘f’} infomuch, that the three tones ‘f g’, ‘g a*, ‘a b’, are fuppofed to belong to two different tetra¬ chords. 60. It ought not then any longer to furprife us, Change°f that we feel fome difficulty whilft we afcend the fcale of t! “ in finging three tones in fucceflion, becaufe this impradticable without changing the mode j and if one finging paufes in the fame mode, the fourth found above thethreecon- firfl note will never be higher than a femitone above fecug1^ that which immediately precedes it *, as may be feen by c°^ng" ‘c, d, e, f’, and by ‘g, a, b’, c, where there is no more than a femitone between ‘e’ and ‘f’, and between ‘b’ and c. 6r. We may likewife obferve in the fcale ‘c, d, e, f’, Intervals, that the third minor from ‘d’ to ‘f’, is not true, for the Jhough a^ reafons w'hich have been already given (art. 49.). It themfelves is the fame cafe with the third minor from ‘a’ to.c, and form true with the third major from ‘f ’ to ‘a’; but each of thele confonances founds forms otherwife confonances perfedlly true, the with their correfpondent founds in the fundamental ^ bafs. 62. The thirds ‘a’c, ‘fa’, which were true in the former fcale, are falfe in this 5 becaufe in the former fcale ‘a’ was the third of ‘f’, and here it is the fifth of D, which correfponds with it in the fundamental bafs. 63. Thus it appears, that the fcale of the Greeks ^ewer a*“ contains fewer confonances that are altered thanf^ancesitt ours (dd) ; and this likewife happens from the intro-the dudlion of the mode of G into the fundamental fcale than bafs ( ee). incurs. We fee likewife that the value of ‘a’ in the diatonic fcale, a value which authors have been divided in afcer- taining, folely depends upon the fundamental bafs, and that tone ‘a’; for ‘d’ being reprefented by -f-, its fifth will be expreffed by ^ j fo that the fcale will be numerically fig- nified thus : TP»4S*7i5o c, d, e, f, g, a, b, c, Where you may fee, that the note ‘a’ of this fcale is different from that in the fcale of the Greeks; and that the ‘a’ in the modern feries fiands in proportion to that of the Greeks as to t> *s t0 ^ay> as 81 to 80 ; thefe two *a’s then likevvife differ by a comma. (dd) In the fcale of the Greeks, the note ‘a’ being a third from ‘f’, there is an altered fifth between ‘a’ and ‘d’: but in ours, ‘a’ being a fifth to ‘d’, produces two altered thirds, ‘f a’ and ‘a’ c ; and likewife a fifth altered, ‘a’ e, as we (hall fee in the following chapter. Thus there are in our fcale two intervals more than in the fcale of the Greeks which fuffer alteration. (ee) But here it may be with fome colour obje&ed: The fcale of the Greeks, it may be faid, has a fundamen¬ tal bafs more Ample than ours ; and befides, in it there are fewer chords which will not be found exaftly true : why then, notwithftanding this, does ours appear more eafy to be fung than that of the Greeks ? The Grecian fcale begins with a femitone, whereas the intonation prompted by nature feems to impel us to rife by a full tone at once. This obje&ion may be thus anfwered. The fcale of the Greeks is indeed better difpofed than ours for the fimplicity of the bafs, but the arrangement of ours is more fuitable to natural intonation. Our fcale commen¬ ces by the fundamental found c, and it is in reality from that found that we ought to begin ; it is from this that all the others naturally arife, and upon this that they depend ; nay, if we may fpeak fo, in this they are included : on the contrary, neither the fcale of the Greeks, nor its fundamental bafs, commences with C; but it is from this C that we mufi: depart, in order to regulate our intonation, whether in rifing or defcending ; now, in af¬ cending from ‘c’, the intonation, even of the Greek fcale, gives the feries ‘c, d, e, f, g, a’; and fo true is it that the fundamental found C is here the genuine guide of the ear, that if, before we modulate the found ‘c’, we 3 (hould Part I. M U Theory of that it muft be different according as the note ‘a’ has Harmony. <£» or <(£5 for jts gee ^ note ^cc). Chap. VII. Of Temperament. Tempera- The alterations which we have obferved in the neceffary/ intervais between particular founds of the diatonic fcale, naturally lead us to fpeak of temperament. To give a clear idea of this, and to render the neceflity of it pal¬ pable, let us fuppofe that we have before us an inilru- ment with keys, a harpfichord, for inftance, confifting of feveral oftaves or fcales, of which each includes its twelve femitones. See fig. 6. Let us choofe in that harpfichord one of the llrings which will found the note C, and let us tune the firing G to a perfect fifth with C in afcending j let us after¬ wards tune to a perfeft fifth with this G the ‘d’ which is above it \ we fiiall evidently perceive that this ‘d’will be in the fcale above that from which we fet out : but it is alfo evident that this ‘d’ muft have in the fcale a D which correfponds with it, and which muft be tuned a true o&ave below ‘d’ j and between ‘d’ and G there sic. 5i9 fiiould be the interval of a fifth ; fo that the I) in the Theory of firft fcale will be a true fourth below the G of the fame Harmony, fcale. We may afterwards tune the note A of the firfl: fcale to a juft fifth with this laft D j then the note ‘e’ in the higheft fcale to a true fifth with this new A, and of confequence the E. in the firft fcale to a true fourth beneath this fame A : Having finilhed this operation, it will be found that the laft E, thus tuned, will by no means form a juft third major from the found C (FF) : that is to fay, that it is impoffible for E to conftitute at the fame time the third major of C and the true fifth of A; or, what is the fame thing, the true fourth of A in defcending. 65. If, after having fucceflively and alternately tuned the firings C, G, ‘d’, A,, E, in perfedl fifths and fourths one from the other, we continue to tune fucceflively by true filths and fourths the firings E, B, F$, C^, G$(, ‘d^1, E$, ; we fhall find, that, though B^, being a femitone higher than the natural note, fhould be equi¬ valent to ‘c’ natural, it will by no means form a juft oc¬ tave to the firft C in the fcale, but be confiderably higher (gg) $ yet this upon the harpfichord ought not fhould attempt to rife to it by that note in the fcale which is moft immediately contiguous, wTe cannot reach it but by the note B, and by the femitone from B to ‘c\ NW to make a tranfition from B to ‘c’, by this fe¬ mitone, the ear muft of neceffity be predifpofed for that modulation, and confequently preoccupied with the mode of C : if this were not the cafe, we ftiould naturally rife from B to ‘c$’, and by this operation pafs into an¬ other mode. (ff) The A confidered as the fifth of D is 4^, and the fourth beneath this A will conftitute ^ of 4-7, that is to fay, t^len ^ha^ he the value of E, confidered as a true fomth from A in defcending : now E, confidered as the third major of the found C, is or •’ thefe two E’s then are between themfelves in the proportion of 81 to 80 *, thus it is impoffible that E ftiould be at the fame time a perfesft third major from C, and a true fouith beneath A. (gg) In effedft, if you thus alternately tune the fifth above, and the fourth below7, in the fame oflave, you may here fee wffiat w'ill be the procefs of your operation. C, G, a fifth ; D a fourth j A a fifth j E a fourth ; B a fifth j a fourth ; C$ a fifth j Gi^ a fourth j ‘d^.’ a fifth j A $ a fourth ; ‘e^’ or ‘ft]’ a fifth ; BigC a fourth : now it will be found, by a very eafy computation, that the firft C being reprefented by 1, G fhall be D f, A 4"4> L 44>-&-c* and fo of the reft, till you arrive at B$, which will be found This fraction is evidently greater than the number 2, which expreffes the perfect octave c to its correfpondent C; and the o£tave below Bi^ would be one half of the fame fraction, that is to fay xirt-rs-* which is evidently greater than C reprefented by unity. This laft fraction x^44gx's compo- fed of two numbers ; the numerator of the fraftion is nothing elfe but the number 3 multiplied 11 times in fuc- ceffion by itfelf, and the denominator is the number 2 multiplied 18 times in fucceflion by itfelf. Now it is evi¬ dent, that this fraction, which expreffes the value of B$, is not equal to the unity which expreffes the value of the found C, though, upon the harpfichord, B$ and C are identical. This fraction rifes above unity by that is to fay, by about ^ j and this difference w7as called the comma of Pythagoras. It is palpable that this comma is much more confiderable than that which we have already mentioned (note bb), and which is <>nly -ro- We have already proved that the feries of fifths produces a ‘c’ different from B$, the feries of thirds major gives another ftill more different. For, let us fuppofe this feries of thirds, C, E, GB$, we fhall have E equal to -j, G$ to if, and B to l-$-p, whofe o&ave below is 444 5 fr°m whence it appears, that this laft B is lefs than unity (that is to fay than C), by Ta-g-* or by or near it: A new comma, much greater than the preceding, and which the Greeks have called apotome major. It may be obferved, that this B$, deduced from the feries of thirds, is to the Bj^ deduced from the feries of fifths, as 444’s to 444444? that is to fay, in multiplying by 524288, as 125 multiplied by 4096 is to J31441, or as 51200 to 531441, that is to fay, nearly as 26 is to 27 : from whence it may be feen, that thefe two B’s^ are very confiderably different one from the other, and even fufficiently different to make the ear fenfible of it 5 becaufe the difference confifts almott of a minor femitone, whofe value, as will afterwards be feen (art. 139.), is 44* Moreover, if, after having found the G^: equal to 44, we then tune by fifths and by fourths, G$, ‘d^’ 0% as we have done with refpedft to the firft feries of fifths, we find that the Bj& muft be 4444 ? its differ¬ ence, then, from unity, or, in other words, from C, is t44f> that is to fay, about j a comma (till lefs than any of the preceding, and which the Greeks have called apotome minor; In 520 Theory of Harmony. MUSI C. Part I. not to be different from the oflave above C } for every and every‘c’ is the fame found, fince the oftave or the Icale only confirts of twelve femitones. 66. From thence it neceffarily follows, I. That it is impoffible that all the o&aves and all the fifths Ihould be jaft at the fame time, particularly in inflruments which have keys, where no intervals lefs than a femi- tone are admitted. 2. That, of confequence, if the fifths are juftly tuned, fome alteration muft be made in the o6faves j now the fympathy or found which fub- fifls between any note and its o6tave, does not permit us to make fuch an alteration : this perfect coalefcence of found is the caufe why the oftave fhould fervc as. li¬ mits to the other intervals, and that all the notes which rife above or fall below the ordinary fcale, are no more than replications, i. e. repetitions, of all that have gone before them. For this reafon, if the o6fave tvere al¬ tered, there could be no longer any fixed point either in harmony or melody. It is then abfolutely neceffary to tune the ‘c’ or BjgC in a juft o&ave with the firft ; from whence it follows, that, in the progreftion of fifths, or, what is the fame thing, in the alternate feries of fifths and fourths, C, G, D, A, E, B, F$, C$, G$, ‘d^’, A$, ‘e$’, B;$, it is neceffary that all the fifths fliould be altered, or at leaft feme of them. Now, fince there is no reafon why one fhould rather be altered than an¬ other, it follows, that we ought to alter them all equal¬ ly. By thefe means, as the alteration is made to in¬ fluence all the fifths, it will be in each of them almoft imperceptible j and thus the fifth, which, after the oc- Theory of tave, is the moft perfect of all confonances, and which Harmony. w7e are under the neceflity of altering, muft only be al- v tered in the leaft degree poflible. 67. It is true, that the thirds will be a little harfh : but as the interval of founds which conftitutes the third, produces a lefs perfect coalefcence than that of the filth, it is neceffary, fays M. Rameau, to facrifice the juilice of that chord to the perfedlion of the fifth j for the more perfedl a chord is in its own nature, the more difpleafing to the ear is any alteration which can be made in it. In the odftave the leaft alteration is in- fupportable. 68. This change in the intervals of inftruments Its defini- which have, or even which have not, keys, is that which tion. we call temperament. 1 69. It refults then from all that we have now faid, Principle that the theory of temperament may be reduced tow“enceis this queilion.—The alternate fucceflion of fifths and he^duced fourths having been given, (art. 66.), in which B$ or C is not the true otlave of the firft C ; it is propo- fed to alter all the fifths equally, in fuch a manner that the two C’s may be in a perfect odta ’* the one to the other. 70. For a folution of this queftion, we muft begin Pra&iral with tuning the two C’s in a perfect odlave the one to directions the other ; in confequence of which, we will render alltor teraPe- the femitones which compofe the odfave as equal asr poflible. By this means (hh) the alteration made in each In a word, if, after having found E equal to in the progreflion of thirds, we then tune by fifths and fourths E B, F$, OK,’ &.c. we fhall arrive at a new B$, which (hall be and whic^ wiI1 not differ from unity but by about which is the laft and fmalleft of all the commas •, but it muft be obferved, that, in this cafe, the thirds major from E to G$, from G% to B£< or C, &c. are extremely falfe, and greatly altered. (hh) All the femitones being equal in the temperament propofed by M. Rameau, it follows, that the twelve fe¬ mitones C, c$:, D, D$;, E, E$, &c. fhall form a continued geometrical progreflion ; that is to fay, a feries in which C {hall be to in the fame proportion as to D, as D to D$, &c. and .fo of the reft. Thefe twelve femitones are formed by a feries of thirteen founds, of which C and its oftave ‘c’ are the firft and laft. Thus to find by computation the value of each found in the temperament, which is the prefent objeft of our" fpeculations, our ferutiny is limited to the inveftigation of eleven other numbers between I and 2 which may form with the 1 and the 2 a continued geometrical progreflion. However little any one is praftifed in calculation, he will eafily find each of thefe numbers, or at leaft a num¬ ber approaching to its value. Thefe are the chara&ers by which they may be expreffed, which mathematicians will eafily underftand, and which others may neglett. C D D& E F F$ G G* 11 II IX IX IX IX II II I C/2 V2* -\/2J V2* v/2* V*6 v'*7 v/28 A A$ B ‘o’ * 2 V?9 x/” V' It is obvious, that in this temperament all the fifths are equally altered. One may likewife prove, that the al ration of each in particular is very inconfiderable ; for it will be found, for tcration ot each m parucuiar is very lueumiueiauic , *«. vyii± uv xwu.jw, inftance, that the fifth from C to G, which fticuld be 4, ought to be diminifhed by about ttt of TJT; that is to fay, by a quantity almoft incon¬ ceivably fmall. # < r r* c It is true, that the thirds major will be a little more altered } for the third major from C to E, for inftance, (hall be increafed in its interval by about ^ : but it is better, according to M. Rameau, that the alteration fhould fall upon the third than upon the fifth, which after the o6lave is the moft perfeft chord, and from the per- feflion of which we ought never to degenerate but as little as poflible. Befides. it has appeared from the feries of thirds major C, E, G$, Bj&, that this lad B#C is very different from confequence of the difference which we find between the degrees of perfe£tion in thefe intervals j a difference with which, if we may fpeak fo, the temperament propofed conforms itlelf. T. bus this diverfity of alteration is rather advantageous than inconvenient. 2 Part I. ' MU Theory of each fifth will be very confiderable, but equal in all of Haimony. tlicm* Rameau’s 71* In this, then, the theory of temperament con- method of lifts : but as it would be difficult in praflice to tune a tempera- harpfichord or organ by thus o rdering all the femi- ment pro- tones equal, M. Rameau, m his Generation Harmoniqite, pofed. • y,as fundfhed us with the following method, to alter all the fifths as equally as poffible. 72. Take any key of the harpfichord which you pleaft ; but let it be towards the middle of the inftru- ment j for inftance, C : then tune the note G a fifth above it, at firft with as much accuracy as polhble ; this you may imperceptibly diminilh : tune afterwards the fifth to this with equal accuracy, and dlminifh it in the fame manner j and thus proceed from one fifth to another in afcent: and as the ear does not appreciate fo exaflly founds that are extremely fharp, it is neceffary, when by fifths you have rifen to notes extremely high, that you diould tune in the mod perfeft manner the oc¬ tave below the lad fifth which you had immediately Vol. XIV. Part II. S I C. 5211 formed j then you may continue always in the fame Theory of manner •, till in this procefs you arrive at the lad fifth .Ha,mon\,„ from E$ to B$, which diould of themfelves be in tune that is to fay, they ought to be iq fuch a date, that B$:, the highed note of the two which compofe the fifth, may be identical with the found C, with which you began, or at lead the o£lave of that found perfectly jud : it will be neceffary then to try if this C, or its oftave, forms a jud fifth with the lad found E$ or F, which has been already tuned. If this be the cafe, w^e may be certain that the harpfi¬ chord is properly tuned. But if this lad fifth be not true, in this cafe it will be too diarp, and it is an indication that the other fifths have been too much diminifhed, or at lead fome of them $ or it will be too dat, and confequently difcover that they have not been fufficiently diminifhed. We mud then be¬ gin and proceed as formerly, till we find the lad fifth in tune of itfelf, and without our immediate interpofi- tion (11). 2 U By (11) We have only to acknowledge, with M. Rameau, that this temperament is far remote fiom that which is now’ in practice : it may here be feen in what this lad temperament confids as applied to the oigan 01 harp¬ fichord. They begin with C in the middle of the keys, and they flatten the four fird fitths G, D, A, E, till they form a true third major from E to C ; afterwards, fetting out from this E, they tune the fifths B, I C$, G$, but flattening them dill lefs than the former, fo that G^ may almod form a true third major with E. When they have arrived at G$, they dop j they refumc the fird C, and tune to it the fifth 1* in defcending, then the fifth Bfr, &c. and they heighten a little all the fifths till they have arrived at Ab, which ought to be the fame with the G$C already tuned. if, in the temperament commonly pra&ifed, fome thirds are found to be lefs altered than in tnat preicribed by M. Rameau, in return, the fifths in the fird temperament are much more falle, and many thirds are likewife fo; infomuch, that upon a harpfichord tuned according to the temperament in common ufe, there are five or fix modes which the ear cannot endure, and in which it is impoffible to execute any thing. On the contrary, in the tem¬ perament fuggeded by M. Rameau, all the modes are equally perfedl ; which is a new argument in its favour, fmce the temperament is peculiarly neceffary in paffing from one mode to another, without (hocking the ear $ for indance, from the mode of C to that of G, from the mode of G to that of D, Sec. It is tiue, that this uni¬ formity of modulation will to the greated number of muficians appear a defeft : for they imagine, that, by tuning the femitones of the fcale unequal, they give each of the modes a peculiar chara&er; fo that, acfoiding to them, the fcale of C, C, D, E, F, G, A, B, C, is not perfedflly fimiiar to the gammut or diatonic fcale of the mode of E, E, F$, G$:, A$, B,c$, d$, e,. which, in their judgement, renders the modes of C and E proper for different manners of expreffion. But af¬ ter all that we have faid in this treatife on the formation of diatonic intervals, every one flrould be convinced, that, according to the intention of natur-e, the diatonic fcale ought to be perfefty the fame in all its modes: The contrary opinion, fays M. Rameau, is a mere prejudice of muficians. The charaider of an air arifes chiefly from the intermixture of the modes 5 from the greater or leffer degrees of vivacity in the movement j from the tones, more or lefs grave, or more or lefs acute, which are affigned to the generator of the mode ; and from the chords more or lefs beautiful, as they are more or lefs deep, more or lefs flat, more or lefs (harp, which are found in it. In (liort, the lad advantage of this temperament is, that it will be found conformed with, or at lead very little different from that which is pradtifed upon indruments without keys ; as the bafs-viol, the violin, in which true fifths and fourths are preferred to thirds and fixths tuned with equal accuracy ; a temperament which appears in¬ compatible with that commonly ufed in tuning the harpfichord. Yet M. Rameau, in his New System of Mufc, printed in 1726, adopted the ordinary temperament. In that work, (as may be feen chap, xxiv.), he pretends that the alteration of the fifths is much more fupportable than that of the thirds major ; and that this lad interval can hardly fuflfer a greater alteration than the o£lave, which, as we know, cannot fuffer the flighted alteration. He fays, that if three drings are tuned, one by an oc¬ tave, the other by a fifth, and the next by a third major to a fourth dring, and if a found be produced from the lad, the drings tuned by a fifth will vibrate, though a little lefs true than it ought to have been ; but that the o£!ave and the third major, if altered in the lead degree, will not vibrate : and he adds, that the temperament which is now pra&ifed, is founded upon that principle. M. Rameau goes dill farther j and as, in the ordinary temperament, I c. 522 M U S Alterations by either method hardly dif- arreeabie. iheoryof By this method all the twelve founds which compofe one 0f fca]es all be tuned : nothing is neceffary but to tune with the greateft poflible exadlnefs their pflaves in the other fcales, and the harpfichord Uiall be well tuned. We have given this rule for temperament from M. Rameau j and it belongs only to difinterefted artifts to judge of it. However this queftion be determined, and whatever kind of temperament may be received, the alteration which it produces in harmony will be but very fmall, or not perceptible to the ear, whole attention is entirely engrofi'ed in attuning itself with the funda¬ mental bafs, and which fuft'ers, without uneafinefs, tbefe alterations, or rather takes no notice of them, becaufe it fupplies from itfelf what may be wanting to the truth and perfeftion of the intervals. Simple and daily experiments confirm what we now advance. Liften to a voice which is accompanied, in finging, by different inftruments; though the tempera¬ ment of the voice, and the temperament of each of the inftruments, are all different one from another, yet you will not be iti the lead affefled with the kind ef caco¬ phony which ought to refult from thefe diverfities, be¬ caufe the ear fuppofes thefe intervals true, of wrhich it does not appreciate differences. We may give another experiment. Let the three keys E, G, B be flruck upon an organ, and the minor perfecf chord only will be heard ; though E, by the con- llrudfion of that inflrument, muft caufe G$ likewife to be heard; though G fhould have the fame effect upon D, and B upon F$ } infomuch that the ear is at once affedted with all thefe founds, D, E, F$, G, G$:, B: how many diffonances perceived at the fame time, and what a jarring multitude of difcordant fen- fations, would refult from thence to the ear, if the perfedt chord with which it is preoccupied had not power entirely to abftradt its attention from fuch founds as might offend ! Chap. VIII. Of Repcfes or Cadences (kk) Part L Theory of Harmony. 73. In a fundamental bafs whofe procedure is by pe-fe# and fifths, there always is, always may be, a repofe, or imperfect, crifis, in which the nnnd acquiefces in its tranfition w^at antl- from one found to another : but a repofe may be morev'^’* or lefs diiiindily fignified, and of coniequence more or lefs perfedl. If one fhould rife by fifths •, if, for Repofe ffance, we pafs from C to G 5 it is the generator which01 Cadence‘ paffes to one of thefe fifths, and this fifth was already pre-exiflent in its generator : but the generator exiits no longer in this fifth \ and the ear, as this generator is the principle of all harmony and of all melody, feels a defire to return to it. Thus the tranfition from a found to its fifth in afeent, is termed an itnperfeB re¬ pofe, or imperfcB cadence; but the tranfition from any found to its fifth in defeent, is denominated a perfect cadence, or an abfolute repofe: it is the offspring w'hich returns to its generator, and as it were recovers its ex- iflence once more in that generator itfelf, with which wdien founding it refounds (chap, i.) 74. Amongfl abfolute repofes, there are fome, if Perfect ca*- wi may be allowed the expreflion, more abfolute, thatc*ences is to fay, more perfedt, than others. Thus in the fun- damental bafs and why. C, G, C, F, C, G, D, G, C. which forms, as we have feen, the diatonic fcale of the moderns, there is an abfolute repofe from D to G, as from G to C ; yet this laff abfolute repofe is more per¬ fedt than the preceding, becaufe the ear, prepoffelfed with the mode of C by the multiplied impreffion of the found C which it has already heard thrice before, feels a defire to return to the generator C ; and it according¬ ly does fo by the abfolute repofe G C. 75. We may {till add, that what is commonly called Cadence in cadence in melody, ought not to be confounded with melody dif- what we name cadence in harmony. lerent from T what it is in harmony.. temperament, there is a neceffity for altering the laft thirds major, and to make them a little more (harp, that they may naturally return to the odlave of the principal found, he pretends that this alteration is tolerable, not only becaufe it is almoft infenfible, but becaufe it is found in modulations not much in ufe, unlefs the compofer Ihould choofe it on purpofe to render the expreffion ifronger. “ For it is proper to remark (lays he), that we re¬ ceive different impreffions from the intervals in proportion to their different alterations: for inllance, the third major, which naturally elevates us to joy, in proportion as we feel it, heightens our feelings even to a kind of fury, when it is tuned too {harp ; and the third minor, which naturally inlpires us with tendernefs and ferenity, depreffes us to melancholy when it is -too flat.” All this is very different from what this celebrated mufician after¬ wards exhibited in his Generation Harmonique, and in the performances which followed it. From this we can only conclude, that the reafons which, after him, we have urged for the new temperament, muft without doubt have ap¬ peared to him very ftrong, becaufe in his mind they had fuperfeded thofe which he had formerly adduced in fa¬ vour of the ordinary temperament. We do not pretend to give any decifion for either the one or the other of thefe methods of temperament, each of which appears to us to have its particular advantages. We (hall only remark, that the choice of the one or the other muft be left abfolutely to the tafte and inclination of the reader ; without, however, admitting this choice to have any influence upon the principles of the fyftem of mufic, which we have followed even till this period, and which muft always fubfift, whatever temperament we adopt. (kk) That the reader may have a clear idea of the term before he enters upon the fubjeft of this chapter, it may be neceffary to caution kirn againft a miftake into which he may be too eafily led by the ordinary fignifica- " tion of the word repofe. In mufic, therefore, it is far from being fynonymous with the word ref. It is, on the contrary, the termination of a mufical phrafe which ends in a cadence more or lefs emphatic, as the fentiment im¬ plied in the phrafe is more or lefs complete. Thus a repofe in mufic anfwers the fame purpofe as punctuation in language. See Repos, in Rcuffeau’s Mufi.cal Dictionary. Part I. Theory of Harmony. Cadences in the funda¬ mental hafs neceflary in the diatonic fcale, and which the moft per- fedh Definition and ufe of a fen fib le note. See Senfible Note. M U In the firft cafe, this word only figniiies an agree¬ able and rapid alteration between two contiguous founds, called likewife a trill or Jhake ; in the fecond, it fignifies a repofe or clofe. It is however true, that this fnake implies, or at leail frequently enough pre- fages, a repofe, either prefent or impending, in the fun¬ damental bafs (ll). 76. Since there is a repofe in palling from one found to another in the fundamental bafs, there is alfo a repofe in pafling from one note to another in the dia¬ tonic fcale, which is formed from it, and which this bafs reprefents: and as the abfolute repofe G C is of all others the moft perfect in the fundamental bafs, the repofe from B to ‘c’, which anfwers to it in the fcale, and which is likewife terminated by the genera¬ tor, is for that reafon the molt perfect of all others in the diatonic fcale afcending. 77. It is then a law dictated by nature itfelf that if you would afcend diatonically to the generator of a mode, you can only do this by means of the third ma¬ jor from the fifth of that very generator. This third major, which with the generator forms a femitone, has for that reafon been called the fenjible note or leading note, as introducing the generator, and preparing us for the mort perfeft repofe. We have already proved, that the fundamental bafs is the principle of melody. We fhall befides make it appear in the fequel, that the effe£t of a repofe in me¬ lody arifes folely from the fundamental bafs. Chap. IX. Of the Minor Mode and its Diatonic Series. The diato- 7^* the fecond chapter, we have explained (art. nic feries of 20. 30. 3 I. and 32.) by what means, and upen what the minor principle, the minor chord C, E[j, G, ‘c’, may be for- med, which is the charadleriftical chord of the minor mode. Now what we have there faid, taking C for the principal and fundamental found, we might likewife have faid of any other note in the fcale, affumed in the fame manner as the principal and fundamental found : but as in the miner chord, C, Efr, G, ‘c’, there occurs an Efr which is not found in the ordinary diatonic fcale, •we fhall immediately fubftitute, for greater eafe and conveniency, another chord, which is likewife minor and exaClly fimilar to the former, of which all the notes are found in the fcale. 79. The fcale affords us three chords of this kind, viz. D, F, A,‘d’; A,‘c, e, a’j and E, G, B,‘e\ Among thefe three we {hall choofe A, ‘c, e, a’; becaufe this chord, without including any {harp or flat, has two founds in common with the major chord C, E G, ‘c’ 5 and befides, one of thefe two founds is the very fame ‘c’: fo that this chord appears to have the mofl: immediate, and at the fame time the mofl: fimple, relation with the chord C, E, G, ‘c\ Concerning this we need only add, that this preference of the chord A, ‘c, e, a’, to every other minor chord, is by no means in itfelf necelfary for what we have to fay in this chapter upon the dia- tained by differert ■examples, s I G. 523 tonic fcale of the minor mode. We might in the fame Theory af manner have chofen any other minor chord j and it is Hatmony., only, as we have faid, for greater eafe and conveniency that we fix upon this. 80. In every mode, whether major or minor, the^'om.c°r found which implies the perfefl chord, whe-k ^ in ar” ther major or minor, is called the tonic note ox hey; thuswijat#’ C is the key in its proper mode, A in the mode of A, See PrincU &c. Having laid down this principle, Pal‘ 81. We have fliown how the three founds, F, C, G, w-hich conftitute (art. 38.) the mode of C, of which tl-on 0fthe the firft, F, and the laft, G, are the two fifths of C, one fcaie pur- defcending, the other riling, produce the Icale, B, ‘c, d,fued. e, f, g, a’, of the major mode, by means of the fun-Seefi2,4* damental bafs G, C, G, C, F, C, F j let us in the fame manner take the three founds D, A, E, which conflitute the mode of A, for the fame reafon that the founds F, C, G, conftitute the mode of C ; and of them let us form this fundamental bafs, perfedlly like the pre¬ ceding E, A, F, A, D, A, D ; let us afterwards place See fig. 7. below each of thefe founds one of their harmonics, as we have done (chap, v.), for the firft fcale of the major mode 3 with this difference, that we muft fuppofe D and A as implying their thirds minor in the fundamental bafs to charadlerize the minor mode j and we {hall have the diatonic fcale of that mode, G$, A, B,‘c, d, e, f\ 82. The G$, which correfponds with E in the fun¬ damental bafs, forms a third major with that E, though the mode be minor 3 for the fame reafon that a third from the fifth of the fundamental found ought to be ma¬ jor (art. 77.) when that third rifes to the fundamental found A. 83. It is true, that, in caufing E to imply its third See minor G, one might alfo rife to A by a diatonic pro-or Carry. grefs. But that manner of rifing to A would be lefs perfedl than the preceding 3 for this reafon (art. 76.), that the abfolute repofe or perfeft cadence E, A, in the fundamental bafs, ought to be reprefented in the moft perfeft manner in the two notes of the diatonic fcale which anfwer to it, efpecially wdien one of thefe two notes is A, the key itfelf upon which the repofe is made. From wEence it follows, that the preceding note G ought rather to be {harp than natural 3 becaufe G$C, being included in E (art. 19.), much more perfe&ly reprefents the note E in the bafs, than the natural G could do, wdiich is not included in E. 84. We may remark this firft difference between Diverfities the fcale G% A, B,‘c, d,e, f\ and the fcale which correfponds with it in the major mode B, ‘c, d, e, f, g, a , that from ‘e1 to ‘f’, wdrich are the two laft notes of the former fcale, there is only a femitone 3 whereas from ‘g’ to ‘a’, which are the two laft founds of the latter feries, there is the interval of a complete tone ; but this is not the only difcrimination which may be found between the fcales of the two modes. 3 U 2 85. To in the fcales of the ma¬ jor and mi¬ nor mode. (ll) M. Rouffeau, in his letter on French mafic, has called this alternate undulation of different founds a trill, from the Italian word trillo, wrhich fignifies the fame thing 3 and fame French muficians already appear to have adopted this expreflion. 524 ^ ^ M U Theory of §5. To inveftigate thefe differences, and to difcover Harmony, reafon for which they happen, we 'hill begin by x „~{vv forming a new diatonic fcale of the minor mode, finii- rion •f thefe tar to the fecond fcale of the major mode, clhVerences stud their reafons. See fig. 5. Ste fig. 8. ‘c, d, e, f, g, g, a, b\ c. That lad feries, as wye have feen, was formed by means of the fundamental bafs F, C, G, D, dilpofed in this manner, C, G, C, F, C, G, D, G, C. Let us take in the fame manner the fundamental bafs D, A, E, B, and arrange it in the following order, A, E, A, D, A, E, B, E, A, and it will produce the fcale immediately fubjoined, A, B,‘c, d, e, e, f$, g$, a\ in which *c’ forms a third minor with A, which in the fundamental bafs correfponds with it, which denomi¬ nates the minor mode; and, on the contrary, ‘g^.’ forms a third major with E in the fundamental bafs, be- caufe ‘g^.’ rifes towards ‘a’ (art. 82. 83.) 86. We fee beiides an which does not occur in the former, A, B,‘c, d, e, f’, where ‘f’ is natural. It is becaufe, in the firfl fcale, ‘f’ is a third minor from D in the bafs ; and in the fecond, ff^’ is the fifth from B in the bafs (mm). Difference S?- Thus the two hales of the minor mode are Hill between in this refpeft more different one from the other than the two^ t]le two fcales of the major mode ; for we do not re- ttwminor mar^ this difference of a femitone between the two mode great-taales of the major mode. We have only obferved er than (art. 63.) fome difference in the value of A as it Hands thofe of the jn each of thefe fcales, but this amounts to much lefs major. t|ian a femitone. ‘f» and ‘g’ 88. From thence it may be ,feen why ‘f’ and ‘g’ are (harp in the {harp when afcending in the minor mode ; befides the "“'b01 the ‘f’ is only natural in the firft fcale G^(, A, B, ‘c, why5’ ^ e» becaufe this ‘f’ cannot rife to ‘g$’, (art. 48.) The cafe 89. It is not the fame cafe in defcending. For E, different in the fifth of the generator, ought not to imply the third defcending, maj0r ‘g$’, but in the cafe when that E defcends to and why. ^ generator A tp form a perfeft repofe (art. 77. and 83.) ; and in this cafe the third major ‘g$’ rifes to the generator ‘a’: but the fundamental bafs AE may, in defcending, give the fcale ‘a, g’, natural, provided ‘g’ does not rife again to ‘a’. 90. It is much more difficult to explain how the ‘f’ which ought to follow this ‘g’ in defcending, is natural and not iharp ; for the fundamental bafs A, E, B, E, A, D, A, E, A, mode from produces in defcending, a funda- ‘a, g, e, e, d, c’, B, .A. mental bafs And it is plain that the £f’ cannot be otherwife than difficult. Explication of the de¬ fcending fcale in the S I c. Part T. fharp, fince ‘f$’ is the fifth of the note B of the fun- Theory of damental bafs. Experience, however, evinces that the Harmony,i ‘f’ is natural in deicending in the diatonic fcale of the major mode of A, efpecially when the preceding ‘g, is natural : and it mult be acknowledged, that here the fundamental bafs appears defective. M. Rameau has attempted the following folution of^arn.eau,s this difficulty. In the diatonic fcale of the minor mode1'('utlcd,’ ie defcending, (‘a, g, f, e, d, c,’ B, A,) ‘g’ may be re- onTy one, 2 garded fimply as a note of paffage, merely added to yet unfatij- give fweetnefs to the modulation, and as a diatonic factory, gradation by which we may defeend to ‘f’ natural. 'This is eafiily perceived, according to M. Rameau, by the fundamental bafs, A, D, A, D, A, E, A, which produces ‘a, f, e, d, c’, B, A; which may be regarded, as he fays, as the real fcale of the minor mode in defcending; to which is added‘g1 na¬ tural between ‘a’ and ‘f’, to preferve the diatonic order. This appears the only poflible anfwer to the difficulty above propofed : but we know not whether it will fully fatisfy the reader ; whether he will not fee wuth regret, that the fundamental bafs does not produce, to fpeak properly, the diatonic fcale of the minor mode in def- cent, when at the fame time this fame bafs fo happily produces the diatonic fcale of that identical mode in af¬ cending, and the diatonic fcale of the major mode whether in rifing or defcending (nn)- Chap. X. 0/"Relative Modes. 91. Two modes of fuch a nature that we can pafs from the one to the other, are called relative modes. Modes re- Thus the major mode of C is relative to the major l&tive, mode of F and to that of G. It has alfo been feen^at^^ how many Intimate connexions there are between the major mode of C, and the minor mode of A. For, 1. The perfeft chords, one major, C, E, G, ‘c’, the other minor, A, ‘c, e, a’, which charafterize each of thofe two kinds of modulation * or harmony, have two founds in * See Mo- common, ‘c’ and £e’. 2. The fcale of the minor mode oidulation. A in deicent, abfolutely contains the fame founds wdth the fcale of the major mode of C. Hence the tranfition is fo natural and eafy from the major mode of C to the minor mode of A, or from the the minor mode of A to the major mode of C, as ex¬ perience proves. 92. In the minor mode of E, the minor perfect chord E, G, B, ‘e7, which characterizes it, has likewife two founds, E, G, in common with the perfeft chord major C, E, G, £c7, which characterizes the major mode of (mm) Befides, without appealing to the proof of the fundamental bafs, £f$7 obvioufly prefents itfelf as the fixth note of this fcale ; becaufe the feventh note being neceffarily ‘g^1 (art. 77.) if the fixth were not £f$7, but ‘ftj7, there would be an interval of three femitones between the fixth and the feventh, confequently the fcale would not be diatonic, (art. 8.) (Nn) When £g7 is faid to be natural in defcending the diatonic feale of the minor mode of A, it is only meant that this ‘g' is not neceffarily (harp in defcending as it is in rifing ; for it may be (harp, as may be proved by numberlefs examples, of which all mufical compofitions are full. It is true, that when ‘g’ is found fharp in def¬ cending to the minor mode of A, wTe are not fure that the mode is minor till the ‘f’ or £c’ natural is found ; both of which imprefs a peculiar charaCIev on the minor mode, viz. £c7 natural, in rifing and in defcending, and, the., 4 natural in defcending. Part I. M U Theory of of C. But the minor mode of E Is not fo clofely re- >Harmony. nor allied to the major mode of C as the minor r mode of A ; becaufe the diatonic fcale of the minor mode of E in defcent, has not, like the feries of the minor mode of A, all thefe founds in .common with the fcale of C. In reality, this fcale is ‘e, d, c’, B, A, G, F$, E, where there occurs an‘f’ (harp which is not in the fcaie of C. Though the minor mode of E is thus lefs rela¬ tive to the major mode of C than that of A ; yet the artifl does not hefitate fometinaes to pafs immediately from the one to the other. When we pafs from one mode to another by the in¬ terval of a third, whether in defcending or riling, as from C to A, or from A to C, from C to E, or from E to C, the major mode becomes minor, or the minor mode becomes major. 93. There is Hill another minor mode, into which an immediate tranlition may be made in ilTuing from the major mode of C. It is the minor mode of C itfelf in which the perfect minor chord C, E[j, G, ‘c’, has two founds, C and G, in common with the per- feft major chord C, E, G, ‘c’. Nor is there any thing more common than a tranfition from the major mode of C to the minor mode, or from the minor to the major (00). Chap. XL Of Dijpmance. Cafes ift which the mode is un¬ certain. Hew we may invef- tigate the generator and its fifths, and by that means de¬ termine the mode. 94. We have already obferved, that the mode of C (F, C, G,) has two founds in common with the mode of G (C, G, D); and two founds in common with the mode of F (Bb, F, C) ; of confequence, this procedure of the bafs C G may belong to the mode of C, or to the mode of G, as the procedure of the bafs F C, or C F, may belong to the mode of C or the mode of F. When one therefore paffes from C to F or to G in a fundamental bafs, he is Hill ignorant what mode he is in. It would be, however, advantageous to know it, and to be able by fome means to biilinguilh the gene¬ rator from its fifths. 95. This advantage may be obtained by uniting at the fame time the founds G and F in the fame har¬ mony, that is to fay, by joining to the harmony G, B, ‘d’ of the fifth G, the other fifth F in this manner, G, B, ‘d, f ’ 5 this ‘f’ which is added, forms a diffonance with G (art. 18.) Hence the chord G, B, ‘d, f’, is called a difbnetit chord, or a chord of the feventh. It ferves to diftinguilh the fifth G from the generator C, which always implies, without mixture or alteration, SIC. 525 the perfedt chord C, E, G, sc’, refulting from nature it- Theory of felf (art. 32.) By this we may fee, that when we pafs Harmony.^ from C to G, one pafl’es at the fame time from C to F, becaufe ‘f’ is found to be comprehended in the chord of G ; and the mode of C by thefe means plainly ap¬ pears to be determined, becaufe there is none but that mode to which the founds F and G at once belong. 96. Let us now fee what may be added to the har-Manner of ' mony F, A, C, of the fifth F below the generator, to treatinR diftinguifh this harmony frem that of the generator. It feems probable at firft, that we Ihould add to it tbo'“1 *- • other fifth G, fo that the generator C, in palling to F, may at the fame time pafs to G, and that by this the mode Ihould be detetmined : but this introdudlion of G, in the chord F, A, C, w-ould produce twro fe- conds in fucceflion F G, G A, that is to fay, twm dilTonances whofe union wrould prove extremely harlh to the ear \ an inconvenience to be avoided. For if, to diftinguilh the mode, we Ihould alter the harmony of the fifth F in the fundamental bafs, it muft only be altered in the leaft degree poffible. 97. For this reafon, inftead of G, we lhall take its Chord of fifth ‘d’, the found that approaches it the neareft ; andt5ie Sreat we lhall have, inftead of the fifth F, the chord F, A, ‘c, d’j which is called a chord of the great fxth. One may here remark the analogy there is obferved between the harmony of the fifth G and that of the fifth F. 98. The fifth G, in rifing above the generator, gives The fubjedl a chord entirely confifting of thirds afeending from G, °*f tll^onan- C, B,‘d, f’; now the fifth. F being below the gene- rator C in defcending, wre lhall find, as we go lower by thirds from ‘c’ towards E, the fame founds ‘c’, A, F, D, which form the chord F, A» ‘c, d’, given to the . fifth F. 99. It appears befides, that the alteration of the har¬ mony in the two fifths confifts only in the third minor D, F, which was reciprocally added to the harmony of thefe two fifths. Chap. XII. Of the Double Ufe or Employment of Diffonance. 100. It is evident by the refemblance of founds to Account of their o&aves, that the chord F, A, ‘c, d’, is in eftedlthe double, the fame as the chord D, F, A, ‘c’, taken inverfely f, that the inverfe of the chord C, A, F, D, has been fsee’/*. • found (art. 98.) in defcending by thirds, from the ge- verted, nerator C (pp). 1 or. The .. (00) There are likewife other minor modes, into which we may pafs in our egrefs from the mode maior of C ; as that of F minor, in which the perfect minor chord F, A\), lc\ includes the found ‘c\ and whofe fcale^in afeent F, G, At?, Bfr, ‘c, d, e, fonly includes the two founds At>, B1;, which do not occur in the fcale of C. This tranli¬ tion, however, is not frequent. The minor mode ef D has only in its fcale .afeending D, E, F, G, A, B,d’, one ‘cVlharpwhich is not found in the fcale of C. For this reafon a tranfition may likewife be made, without grating the ear, from the mode of C major to the mode of D minor ; but this paffage is lefs immediate than the former, becaufe the chords C, E, G, c , and D, F, A, d , not having, a lingle found in common, one cannot (art. 37') P^fs immediately from the one to the other. (pp) M. Rameau, in feveral paffages of his works (for inftanee, In p. no, nr, 112, and 113, of the Ge¬ neration Harnionique'), appears to confider the chord D, F, A, C, as the primary chord and generator of the chord E, A, ‘c, d\ which is that chord reverfed; in other paffages (particularly in p. 116. of the fame performance), he feems to confider the firft of thefe chords as nothing elfe but the, reverfe of the fecond. It would feem that this . 526 Theory of Harmony. Difference between dominant and tonic dominant. y See I)o- jnmant. Seeming contradic¬ tions recon¬ ciled. MUSIC. Parti. ioi. The chord D, F, A,‘c’, is a chord of the feventh like the chord G, B, ‘d, f’j with this only differ¬ ence, that the latter in the third G, B, is major: where¬ as in the former, the third D, F, is minor. If the F were fharp, the chord D. F$, A, ‘c’, would be a ge¬ nuine chord of the dominant, like the chord G, B, D, ‘f ’ j and as the dominant G may defcend to C in the fun¬ damental bafs, the dominant D implying or carrying with it the third major F$: might in the fame manner defcend to G. 10 2. Now if the F$ fhould be changed into F natu¬ ral, D, the fundamental tone of this chord D, F, A, ‘c’, might Hill defcend to G ; for the change from F$ to F natural will have no other effeft, than to preferve the impreflion of the mode of C, inftead of that of the mode of G, which the F$ would have here introdu¬ ced. The note D will, however, preferve its cha- rafter as a dominant, on account of the mode of C, which forms a feventh. Thus in the chord of which we treat, (D, F, A, ‘c1), D may be confidered as an im- perfeB dominant: we call it imperfeB, becaufe it carries with it the third minor F, inftead of the third major F>^. It is for this reafon that in the fequel we (hall call it (imply the dominant, to diftinguifti it from the dominant G, which (hall be named the tonic dominant f. 103. Thus the founds F and G, which cannot fuc* ceed each other (art. 36.) in a diatonic bafs, when they only carry with them the perfeft chords FAC, G B d, may fucceed one another, if ‘d’ be added to the harmony of the firft, and ‘f’ to the harmony of the fecond ; and if the firft chord be inverted, that is to fay, if the two chords take this form, D, F, A, C, G, B,d,a. v 104. Befides, the chord F, A,‘c, d’, being allowed to fucceed the perfeft chord C, E, G, ‘c’, it follows for ' the fame reafons, that the chord C, E, G, C may be fuc- ceeded by D, F, A, ‘c’ ; which is not contradictory to what we have above (aid (art. 37.), that the founds C and D cannot fucceed one another in the fundamental bafs : for in the paffage quoted, we had fuppofed that both C and D carried with them a perfect chord ma¬ jor ; whereas, in the prefent cafe, D carries the third minor E, and likewife the found ‘c’, by which the chord DF A‘c’ is connected with that which precedes it C E G ‘c’ 5 and in which the found ‘c’ is found. Be¬ fides, this chord, D F A ‘c’, is properly nothing elfe but the chord F A ‘c d’ inverted, and if we may (peak fo, dilguife'd. 105. This manner of prefenting the chord of the fubdominant under two different forms, and of employ- Theory of ing it under thefe two different forms, has been called harmony, by M. Rameau its double office or employment f. This Qou|^e is the fource of one of the fineft varieties in harmony ; ployment, and we (hall fee in the following chapter the advantages what, and which refult from it. why fo We may add, that as this double employment is kind of licenfe, it ought not to be pradlifed without \le Employ,- fome precaution. We have lately feen that the chords D meat.1 F A ‘c’, confidered as the inverfe of F A ‘c d’, may fuc- cesd to C E G ‘c’, but this liberty is not reciprocal: and though the chord F A ‘c d’, may be followed by the chord C E G ‘c’, we have no right to conclude from thence that the chord D A ‘c’, confidered as the in¬ verfe of F A ‘c d’, may be followed by the chord C E G ‘c\ For this the reafon (hall be given in chap. xvi. Chap. XIII. Concerning the Ufe of this Double Em¬ ployment, and its Rules. 106. We have (hown (chap, xvi.) how the diatonic the fcale, or ordinary gammut, may be formed from the u^c fundamental bafs F, C, G, P, by twice repeating the above-men- note G in that feries ; fo that this gammut is primitive-tinned ly compofed of two fimilar tetrachords, one in the chord, the mode of C, the other in that of G. Now it is poflible, ™P^e^lon by means of this double employment, to preferve the may be c impreflion of the mode of C through the whole extent preierved. of the fcale, without twice repeating the note C, or even without fuppofing this repetition. For this effefl ive form the following fundamental bafs, C, G. C, F, C, D, G, C : in which C is underftood to carry with it the perfeft chord C E G ‘c’; G, the chord G B ‘d f ’ j F the chord F A‘c d’j and D, the chord DFA‘c’. It is plain from what has been faid in the preceding chapter, that in this cafe C may afeend to D in the fundamental bafs, and D defcend to G, and that the impreflion of the mode of C is preferved by the ‘f’ natural, which forms the third minor ‘d f’, inftead of the third major which D ought naturally to imply. 107. This fundamental bafs will give, as it is evi¬ dent, the ordinary diatonic fcale, ‘c, d, e, f, g, a, b\ c, which of confequence will be in the mode of C alone; and if one (hould choofe to have the fecond tetrachord in the mode of G, it will be neceflary to (ubftitute ‘f^’ inftead of ‘ft]1 in the harmony of D (Q_Q_). 108. Thus the generator C may be followed accord¬ ing this great artift has neither expreffed himfelf upon thisfubjeft with fo much uniformity nor with fo much precifion as is required. We think that there is fome foundation for confidering the chord F, A, ‘c, d’, as pri¬ mitive : 1. Becaufe in this chord, the fundamental and principal note is the fubdominant F, which ought in effeft to be the fundamental and principal found in the chord of the fub-dominant. 2. Becaufe that without having recourfe, with M. Rameau, to harmonical and arithmetical progrefllons, of which the confuleration appears to us quite foreign to the queftion, we have found a probable and even a fatisfa£tory reafon for adding the note ‘d’ to the harmony of the fifth F (art. 96. and 97.) The origin thus affigned for the chord of the fub-dominant ap¬ pears to us the moft natural, though M. Rameau does not appear to have felt its full value ; for (carcely has it been (lightly infinuated by him. (R£L) It obvious that this fundamental bafs C, G, C, F, C, D, G, C, which formed the afeending fcale sc, d, e, f, g, a, b’, c, cannot by inverting it, and taking it inverfely in this manner, C, G, D, C, F, C, G, C, form the diatonic fcale c,‘b, a, g, f, e, d,c’, in defeent. In reality, from the chord G, B,‘d, (’, we cannot oafs to the chord D, F, A, ‘c’, nor from thence to C, E, G ‘c\ For this reafon, in order to have the fundamental a bafs Part I. M U Theory of Ing to pleafure in afcending diatonically either by a i—armony. tonjc (]ominant (D F^< A C), or by a Cmple dominant v (DFAC). 109. In the minor mode of A, the tonic dominant E ought always to imply its third, major E G$, when this dominant E defcends to the generator A (art. 83.); and the chord of this dominant {hall be E G'^B ‘d’, en¬ tirely fimilar to G B ‘d f \ With refpeft to the fub-do- minant D, it will immediately imply the third minor F, to denominate the minor mode ; and we may add B above its chord D F A, in this manner D F a"b, a cnord fimilar to that of F A‘c d’ j and as we have de¬ duced from the chord F A ‘c d’ that of D F A ‘c’, we may in the fame manner deduce from the chord D F A B ‘a’ a new chord of the feventh B ‘d f a’, which will exhi¬ bit the double employment of dijjbnances in the minor mode. no. One may employ this chord B‘d f a’, to pre- ferve the impreffion of the mode of A in the diatonic fcale of the minor mode, and to prevent the neceffity of twice repeating the found E j but in this cafe, the F muft be rendered (harp, and the chord changed to B ‘d f^ a’, the fifth of B being ‘f as we have feen above. This chord is then the inverfe of D F$ A B, the fub- dominant implying the third major, wdrich ought not to furprife us ; for in the minor mode of A, the fecond tetrachord E F$; G$; A is exadlly the fame as it wmuld be in the major mode of A : Now, in the major mode of A the fubdominant D ought to imply the third ma¬ jor F^- Diverfities in. Hence the minor mode is fufceptible of a much ror mode" &reater number of varieties than the major : the major more nu-' *s founded in nature alone ; whereas the minor is merous f°me meafure the produfl; of art. But, in return, than in the the major mode has received from nature, to which it major. Inveftiga- tion whe¬ ther art, in confe- quence of fome fuc- tefsful ad¬ vances, may not be carried far¬ ther. Different chords of the fe- owes its immediate formation, a force and energy which the minor cannot boaft. Chap. XIV. Of the different Kinds of Chords of the Seventh. ill. The diflbnance added to th« chord of the do¬ minant and of the fubdominant, though in fome mea¬ fure fuggefted by nature (chap, xi.), is neverthelefs a work of art; but as it produces great beauties in har¬ mony by the variety which it introduces into it,, let us si C. 527 difcover whether, in confcqucrice of this iirfi; advance, Theory of art may not Hill be carried farther. Harmony. 113. We have already three different kinds of chords ~ ^ * of the feventh, viz. 1. The chord G B ‘d f’, compofcd of a third major followed by two thirds minor. 2. The chord D F A ‘c’, or B ‘d f$ a’, a third major between two minors. 3. The chord B ‘d fa’, two thirds minor followed by a major. 114. There are ftill two other kinds of chords of the feventh which are employed in harmony 5 one is com- ' pofed of a third minor between two thirds major, C E G B, or F A ‘c e’ $ the other is wholly compofed of thirds minor G$ B ‘d f’. Thefe two chords, which at firfl ap¬ pear as if they ought not to enter into harmony if we rigoroufiy keep to the preceding rules, are neverthelefs frequently pradlifed with fuccefs in the fundamental bafs. The reafon is this : 115. According to what has been faid above, if we 7!lc ,cJjorc‘J would add a feventh to the chord C E G, to make adn.iffi-' a dominant of C, one can add nothing but ; andble, and in this cafe C E G Bi? would be the chord of the tonic why. dominant in the mode of F, as G B ‘d f’ is the chord of the tonic dominant in the mode of C ; but if we would preferve the impreflion of the mode of C in the harmony, we change this B into B natural, and the chord C E G B|? becomes C E G B. It is the fame cafe with the chord F A ‘c e’, which is nothing elfe but the chord F A ‘c ; in which one may fubftitute for ‘elf, V natural, to preferve the impreflion of the mode of C, or of that of F. Befides, in fuch chords as C E G B, F A ‘c e’, the founds B and ‘e’, though they form a difibnance with C in the firll cafe, and with F in the fecond, are never¬ thelefs fupportable to the ear, becaufe thefe founds B and ‘e’ (art. 19.) are already contained and underftood, the firfl; in the note E of the chord C E G B, as hke- wife in the note G of the fame chord j the iecond in the note A of the chord F A ‘c e’, as likewife in the note ‘c’ of the fame chord. All together then feem to allow the artifl to introduce the note B and ‘e’ into thefe two chords (rr). 116. With refpeft to the chord of the feventh G$ Chordscf B ‘d f’, wholly compofed of thirds minor, it may be re-*^^™^ garded as formed from the union of the two chords ofandTx-6 the plnined. venth. bafs of the fcale, c, ‘b, a, g, f, e, d, c’, in defcent, we muft either determine to invert the fundamental bafs men- tioned in art. 55. in this manner, C, G, D, G, C, F, C, G, C, in which the fecond G and the fecond C anfwer to the G alone in the fcale •, or otherwife we muft form the fundamental bafs C, G, D, G, C, G, C, in which all the notes imply perfect chords major, except the fecond G, which implies the choid of the ieventh G, B ‘d f’ and which anfwers to the two notes of the fcale G, F, both comprehended in the chord G, B, ‘d, f’. > * \\ hichever of thefe two bafles wre (hall choofe, it is obvious that neither the one nor the other {hall be wholly in tne mode of C, but in the mode of C and in that of G. Whence it follows, that the double employ- merit v hich gives to the fcale a fundamental bafs all in the fame mode when afcending, cannot do the fame in defending ; and that the fundamental bafs of the fcale in defending will be neceffarily in two difterent modes (RR) On the contrary, a chord fuch as C E[? G B, in which E would be flat, could not be admitted in harmony* became in this chord the B is not included and underftood in E[j. It is the fame cafe with feveral other cho-ds5 fuch as B D FA*, B D* F A &c. It is true, that in the lait of thefe chords, A is included in F, but it is not contained in D* ; and this D* hkewife forms with F and with A a double diffonance, which, joined with the dif- ionance B F, would neceffarily render this chord not very pleafing to the ear j we {hall yet, however, fee in the iecond part, that this chord is lometimes ufed. 528 M U Tht. ry ef tie dominant and of the fab-dominant in the minor i '' riJ10!i- ‘ mode. In eft eft, in the minor mode of A, forinftance, thefe two chords are E B, hi’, and D E A B, whole union produces E G $, B, M, f, a’. Now, if we Ihould . luffer this chord to remain thus, it would be difagree- able to the ear, by its multiplicity of diffonances, D E, E E, F G$, A B, D G$, (art. iS.)j lb that, to avoid this inconveniency, the generator A is immediately ex¬ punged, which, (art. 19.) is as it were underftood in D, and the fifth or dominant E, whofe place the fenfible note G$: is fuppofed to hold : thus there remains only the chord G$ B ‘d f’, wholly compofed of thirds mi¬ nor, and in which the dominant E is confidered as un- derftcod *, in fuch a manner that the chord G$B ‘d f’ re- prefents the chord of the tonic dominant EG$B‘d’, to which we have joined the chord of the fub-dominant D FA B, but in which the dominant E is always rec¬ koned the principal note (ss). 117. Since, then, from the chord EGi^B ‘d’, vve may pafs to the perfefl A C ‘e a’, and vice verfa, we may in like manner pafs from the chord G$B 4d f’ to the chord A C ‘e a’, «nd from this laft to the chord G^BMf’: this remark will be very ufeful to us in the fequel. Chap. XV. Of the Preparation of Difcords. Diifonance, ,118. In every chord of the feventh, the higheft what. note, that is to fay, the feventh above the fundamen¬ tal, is.called a diffonance or difeord; thus ‘f’ is the diffo- nance of the chord G‘Bdf’j ‘c’ in the chord D F, A (c’, &c. Manner of up. When the chord G B‘d f’ follows the chord preparing C E G ‘c’, as often happens, it is obvious that we do not tnveftigat-5 t^e diffonance ‘f’ in the preceding chord C E G ‘c’. ed. Nor ought it indeed to be found in that chord ; for this diffonance is nothing elfe but the fub-dominant added to the harmony of the dominant to determine the mode : now, the fub-dominant is not found in the harmony of the generator. 120. For the fame reafon, when the chord of the fub- dominant F A ‘c d’ follows the chord C E G ‘c’, the note ‘d’, which forms a diffonance with ‘c’, is not found in the preceding chord. It is not fe when the chord D F A ‘c’ follows the chord C E G ‘c’; for ‘c’, which forms a diffonance in the fecond chord, Hands as a confonance in the pre¬ ceding. Difibnance 121. In general, difforiance being the produflion of is only to- art (chap. xi.), efpecially in fuch chords as are not of thTeart0 t^e ton*c dominant nor fub-dominant, the only means when foundto prevent its difpleafing the ear by appearing too hete- in preced- rogeneous to the chord, is, that it may be, if w’e may io.g chords, fpeak fo, announced to the ear by being found in the s 1 c. Part I. preceding chord, and by that means conne& the two Theory of chords. Hence follows this rule : Harmony. ^ 122. In every chord of the feventh, which is not Preparation the chord of the tonic dominant, that is to fay, (art.0f diffonan- 102.) which is not compofed of a third major followed ces how by two thirds minor, the diffonance w hich this chord Per^orrnech forms ought to Hand as a confonance in the chord which precedes it. This is what we call a prepared diffonance. See Prepa* 123. Hence, in order to prepare a diffonance, xht ration. fundamental bafs muft neceffarily afeend by the interval of a fecond, as C EG‘c’, DFA‘c’j or defeend by a third, as C E G ‘c\ A C E G j or defeend by a fifth, as CEG‘c’, F ACE: in every other cafe the diffonance cannot be prepared. This may be eafily afeertained. If, for inltance, the fun¬ damental bafs rifes by a third, as C E G ‘c’, E G B ‘d’, the diffonance ‘d’ is not found in the chord C EG^’. The fame might be faid of C E G ‘c’, G B ‘d £’, and C E G ‘c’, B D ‘fa’, in which the fundamental bafs rifes by a fifth or defeends by a fecond. 124. When a tonic, that is to fay, a note which car¬ ries with it a perfeft chord, is followed by a dominant in the interval of a fifth or third, this fucceflion may be regarded as a procefs from that fame tonic to another, which has been rendered a dominant by the addition of the diffonance. Moreover, we have feen (art. J19. and 120.) that a diffonance does not require preparation in the chords of the tonic dominant and of the fub-dominant : whence it follows, that every tonic carrying with it a perfetl chord, may be changed into a tonic dominant (if the perfeft chord be major), or into a fub-dominant (whe¬ ther the chord be major or minor) by adding the diffo¬ nance all at once. Chap. XVI. Of the Rules for refolving Dijfo- nances. 125. We have feen (chap. v. and vi.) how theDifibnaE- diatonic fcale, fo natural to the voice, is formed by the ces to be harmonies of fundamental founds $ from whence it fol- lows, that the molt natural fucceftion of harmonical founds is to be diatonic. To give a diffonance then, and made in feme meafure, as much the charafler of an harmo-to appear nic found as may be poflible, it is neceffary that this ^a“ diffonance, in that part of the modulation where it is ^?rtnnn;r^ found, ftiould defeend or rife diatomcally upon another note, which may be one of the confonances of the fub- fequent chord. 1 26. Now in the chord of the tonic dominant it In the ought chord of the tonic the diflb- (ss) We have feen (art. 109.) that the chord B ‘d f a’, in the minor mode of A, may be regarded as the in-nance verfe of the chord D F A B ; it would likewfife feem, that, in certain cafes, this chord B d f a may be confidered as H>ould ra- compofed of the two chords G B ‘d fF A ‘c d’ of the dominant and of the fub-dominant of the major mode of C \ which chords may be joined together after having excluded from them, 1. The dominant G, reprefented by its fcen^ ^ third major B, which is prefumed to retain its place. 2. The note C which is underftood in F, which will form why. this chord B ‘d f a\ The nhord B ‘d f a’, confidered in this point of view, may be underftood as belonging to the major mode of C upon certain occafions. 3 Part I. Theory of Haimony. M U ought rather to defcend than to life for this reafon. Let us take, for inftance, the chord G B ‘d P followed by the chord C E G ‘c1 ; the part which formed the dif- fonance ‘f ’ ought to defcend to ‘e’ rather than rife to ‘g% though both the founds E and G are found in the fub- fequent chord C E G ‘c’ j becaufe it is more natural and more conformed to the connexion which ought to be found in every part of the mufic, that G (hould bfe found in the fame part where G has already been founded, whilit the other part was founding ‘P, as may be here feen (Parts Firfl and Fourth). S I C. 5*9 to any other chord except that of the tonic, to which it Theory of naturally leads. Harmon}. Firft part, Second, Third, Fourth, Fundamental bafs, ‘P B>’ G G G C Ctonfequen- ces of the former rule. Another confe- quence. But is de¬ duced from the former propofi- rions. Diflonance relblved, what. See Rejoin, tion. 127. So, in the chord of the Ample dominant D F A ‘c’, followed by G B d ‘P, the diflbnance ‘c’ ought ra¬ ther to defcend to B than rife to ‘d’. 1 28. And, for the fame reafon, in the chord of the fub-dominant FA ‘c d’, the diflbnance ‘d’ ought to rife to ‘e’ of the following chord C E G ‘c’, rather than defcend to ‘c1 } whence may be deduced the following rules. 129. i°, In every chord of the dominant, whether tonic or Ample, the note which conftitutes the feventh, that is to fay the diflbnance, ought diatonically to de¬ fcend upon one of the notes which form a confonance in the fubfequent chord. 2° In every chord of the fub-dominant, the diflb¬ nance ought to rife diatonically upon the third of the fubfequent chord. 130. A diflbnance which defcends or nfes diatoni¬ cally according to tbefe two rules, is called a dijjonciticc refohed. . , . . From thefe rules it is a neteffary refult, that the chord of the feventh D F A ‘c\ though it (hould even be confidered as the inverfe of F A ‘c d\ cannot be fuc- ceeded by the chord C E G ‘c\ fince there is not in this lafl chord the note B, upon which the diflbnance ‘c’ of the chord D F A ‘c1 can defcend. One may befides find another reafon for this rule, in examining the nature of the double employment of diflbhances. In eheft, in order to pafs from D F A c , to C E G ‘c’, it is neceffary that D F A ‘c’ ftiould in this cafe be underftood as the inverfe of F A ‘c d’. Now the chord D F A ‘c’ can only be conceived as the inverfe of F A ‘c d’, when this chord D F A ‘c’ precedes or imme- tliately follows the C E G ‘c’ *, in every other cafe the chord D F A ‘c’ is a primitive chord, formed from the perfea minor chord D F A, to which the diflbnance ‘c’ was added, to take from D the charafter of a tonic. Thus the chord D F A ‘c’, could not be followed by the chord C E G ‘c\ but after having been preceded by the fame chord. Now, in this cafe, the double employment would be entirely a futile expedient, without producing agreeable eM : becaufe, inftead of this fucceflion of chords, CFG ‘c’, D F A ‘c’, C E G ‘c\ it would be much more eafy and natural to fubftitute this other, which furnilhes this natural fucceflion C E G ‘c’, F A ‘c d’, C E G V. The proper ufe of the double employment is, that, by means of inverting the chord of the fub-domi¬ nant, it may be able to pafs from that chord thus inverted " Vol. XIV. Part IL Chap. XVII. Of the Broken or Interrupted Cadence. 131. In a fundamental bafs which moves by fifths,0f there is always, as we have formerly obferved (chap, perfection viii.), a repofe more or lefs perfeft from one found to in cadences another j and of confequence there muft likewife be repofe more or lefs perfect from one found to another damentaj in the diatonic fcale, which reiults from that bafs.—bafs. It rnay be demonftrated by a very Ample experiment, that the caufe of a repofe in melody is folely in the fundamental bafs exprefled or underflood. Let any perfon Ang thefe three notes ‘c d g’, performing on the ‘d’ a fnake, which is commonly called a cadence ; the mo¬ dulation will appear to him to be Aniflied after the fe- cond ‘c’, in fuch a manner that the ear will neither ex- pefl nor wilh any thing to follow. The cafe will be the fame if we accompany this modulation with its natural fundamental bafs C G C : but if, inftead of this bafs, we {hould give it the following, C G A: in this cafe the modulation ‘c d c’ would not ap¬ pear to be finiftied, and the ear would ftill expeft and defire fomething more. This experiment may eafily be made. 132. This paffage GA, when the dominant G diato-Broken da- nically afeends upon the note A inftead of defeending fences, by a fifth upon the generator C, as it ought naturally to w|‘at’ ancl do, is called a broken cadence; becaufe the perfect ca- dence G C, which the ear expe&ed after the dominant dence. G, is, if we may fpeak fo, broken and fufpended by the tranfitian from G to A. 133. Hence it follows, that if the modulation ‘c d c’ appeared finifhed when we fuppofed no bafs to it at all, it is becaufe its natural fundamental bafs C G C is im¬ plied 5 for the ear defires fomething to follow this modu¬ lation, as foon as it is reduced to the neceflity of hearing another bafs. 134. The broken cadence may be confidcred as hav- Origin of ing its origin in the double employment of dijfonances ; broken fince this cadence, like the double employment, only ^ confifts in a diatonic procedure of the bafs afeending (chap, xii.) In effe£t, nothing hinders us to defcend ^ent of from the chord G B ‘d f ’ to the chord C E G A by con-dkTonan- verting the tonic C into a fub-dominant, that is to fay,Ce5- by pafling all at once from the mode of C to the mode of G : now to defcend from G B ‘d f’ to C E G A is the fame thing as to rife from the chord G B ‘d f ’ to the chord A ‘c e g% in changing the chord of the fub-dominant C E G A for the imperfeft chord of the dominant, according to the laws of the double employ¬ ment. 135. In this kind of cadence, the diflbnance of the Manner of firfl: chord is refolved by defeending diatonically upon performing the fifth of the fubfecjicnt chord. For inflance, in^sca" the broken cadence G B ‘d f’, A ‘c e g’, the diflbnance e' ce’ ‘f’ is refolved by defeending diatonically upon the fifth ‘e\ 136. There is another kind of cadence, called an f«-Interrupted terrupted cadence, where the dominant defcends by a cadence, third to another dominant, inftead of defeending by a fifth upon the tonic, as in this fucceflion of the bafs d 3 X GB‘df\ ‘ * 530 ' M U S Iheory of G B (d f’, E G B ‘d’ j in the cafe of an interrupted ca- 'Jiaimony. dence, the diffonance of the former chord is refolved by defending diatonically upon the oftave of the funda¬ mental note of the fubfequent chord, as may be here feen, where ‘f’ is refolved upon the oftave of E. Origin of 137. This kind of interrupted cadence has likewife this kind oi Its origin in the double employment of diffonances. For like wife* in lls ^uPP°^e thefe two chords in fucceiTion, G B ‘d P, the double G B ‘d e’, where G is fucceffively a tonic dominant and employ- fub-dominant j that is to fay, in which we pafs from inept. the mode of C to the mode of X) ; if we (hould change the fecond of thefe chords into the chord of the domi¬ nant, according to the laws of the double employment, we (hall have the interrupted cadence G B ‘d fEG B‘d’. Chap. XVIII. Of the Chromatic Species. Fundamen- I3^* feries or fundamental bafs by fifths pro- taibafs duces the diatonic fpecies in common ufe (chap, vi.) 5 may be now the third major being one of the harmonics of a ^ fundamental found as well as the fifth, it follows, join S ma" that we may form fundamental baffes by thirds ma¬ jor, as we have already formed fundamental bafles by fifths. A chroma- 139' If then we (hould form this bafs C, E, G^, tic interval the two firft founds carrying each along tvith it their or minor thirds major and fifths, it is evident that C will give how^ound G, and that E will give G$ : now the femitone which Seefig.ro. ’s between this G and this G$n is an interval much lefs than the femitone which is found in the diatonic fcale between E and F, or between B and ‘c’. This may be afeertained by calculation (tt) ; and for this reafpn the femitone from E to F is called r^ajor^ and the other minor (uu). 140. If the fundamental bafs (hould proceed by thirds minor in this manner, C, E[j, a fucceffion which is allowed when we have inveftigated the origin of the minor mode (chap, ix.), we (hall find this mo- I c. Part I. dulation G, G[?, w’hich would likewife give a minor Theory of femitone (xx). Harmony. 141. The minor femitone is hit by young pradfi- tioners in intonation with more difficulty than the fe-tion minor mitone major. For which this reafon may be affign-femitone ed : i lie femitone major which is found in the diato-^dw.11^ td nic fcale, as from E to F, refults from a fundamen-t,e, hlt»and tal bafs by fifths C F, that is to fay, by a fucceffion which is moft natural, and for this reafon the eafieft to the ear. On the contrary, the minor femitone arifes from a fucceffion by thirds, which is (fill lefs natural than the former. Hence, that fcholars may truly hit the minor femitone, the following artifice is employ¬ ed. Let us iuppofe, for inftance, that they intend to rife from G to G^ j they rife at firft from G to A, then defeend from A to G$ by the interval of a fe¬ mitone major : for this G (harp, which is a femitone major below A, proves a (emitone minor above G. [See the notes (tt) and (uu).] 142. Every procedure of the fundamental bafs by >yjinor fe thirds, whether major or minor, rifing or defeending, mitone to gives the minor femitone. This wTe have already feen be found in from the fucceffion of thirds in afeending. The feries ev^ry Pro- of thirds minor in defeending, C A, gives, C, C$ ^ (yy) ; and the feries of thirds major in defeending, C, mental A\), gives C, Cfj, (zz). bafs by 143. The minor femitone conftitutes the fpecies, t'lircis-. called chromatic ; and with the fpecies which moves by diatonic intervals, refulting from the fucceffion of ^-hen pre¬ fifths (chap. v. and vi.), it comprehends the whole of valent, melody. conftitutes Chap. XIX. Of the Enharmonic- Species. chromatic mufic. 144. The two extremes, or higheft and lowed notes, Ty..r C G$, of the fundamental bafs by thirds major CEG$;, enha^o give this modulation ‘c’B^ ; and thefe two founds ‘c’ nic interl B$:, differ between themfelves by a fmall interval which val, whaf, is called the diefs. or enharmonic fourth * of a tone (3 a), and ^ow 'f. , formed, winch * See Fourth of a Tone. (tt) In reality, C being fuppofed I, as we have always fuppofed it, E is and : now G being G$Fl§' l1- then (hall be to G as ■£§ to \ $ that is to fay, as 25 times 2 to 3 times 16 : the proportion then of G$ to G is as 25 to 24, an interval much lefs than that of 16 to 15, which conftitutes the femitone from ‘c’ to B, or from F to E (note z). (uu) A minor joined to a major femitone will form a minor tone 5 that is to fay, if one rifes, for inftance, from E to F, by the interval of a femitone major, and afterwards from F to by the interval of a minor femitone, the interval from E to F$ will be a minor tone. For let us fuppofe E to be 1, F will be -fr, and F$ will be -J4 4y 1 ^at is to fay, 25 times 16 divided by 24 times 15, or A° 5 E then is to F'$ as 1 is to I^>, the interval which conftitutes the minor tone (note BB). With refpeef to the tone major, it cannot be exadlly formed by two femitones ; for, 1. Two major femitones in immediate lucceffion would produce more than a tone major. In effedl, 4f- multiplied by Tf gives 44J-> which is greater than 4, the interval which conftitutes (note be) the major tone. 2. A femitone minor and a femitone major would give lefs than a major tone, fince they amount only to a true minor. 3. And, a fortiori, two minor femi¬ tones would ftill give lefs. (xx) In effedl, E|j being Gl; will be ® of £ •, that is to fay, (note qJ 44 : now the proportion of 4 to 4r (note q) is that of 3 times 25 to 2 times 36 *, that is to fay, as 25 to 24. (yy ) A being 4, is 4 of 4 j that is to fay 44, and C is 1 : the proportion then between C and C$ is that of 1 to 4i, or of 24 to 25. (zz) A[? being the third major below C, will be £ (note Q,) : Cb, then, is 4 of £ J that is to fay 4r- The pro¬ portion, then, between C and Cb, is as 25 to 24. (3 a) G$: being 44 an an iuterval lefs than unity by about T47 or ^XT. It is plain then from this fradlion, that the B$>. itv queftion muft be conliderably lower than C. Part I. ' MU Theory of which is the difference between a femitone major and a Harmony, femitone minor (3 b). This quarter tone is inappre- tiable by the ear, and impra&icable upon feveral of our inftruments. Yet have means been found to put it in praftice in the following manner, or rather to perform what will have the fame effeft upon the ear. Manner of 145* We have explained (art. 116.) in what man- feemingly ner the chord G$ B‘d f ’ may be introduced into the introducing minor mode, entirely confifting of thirds minor perfeft- this inter- true^ or a|. fuppofed fuch. This chord fupply- inftruments ,ng P^ace chord of the dominant (art. 116.) of fixed from thence we may pafs to that of the tonic or gene- fcales. rator A (art. But we muff remark, 1. That this chord G$ B ‘d f’, entirely confifting of thirds minor, may be inverted or modified according to the three following arrangements, B ‘d f g$>’, D F G$B, FG^B ‘d’ ; and that in all thefe three dif¬ ferent ftates, it will ftill remain compofed of thirds mi¬ nor ; or at leaft there will only be wanting the enhar- p monic fourth of a tone to render the third minor be¬ tween F and G$: entirely juft ; for a true third minor, as that from E to G in the diatonic fcale, is compofed of a femitone and a tone both major. Now from F to G there is a tone major, and from G to G$ there is only a minor femitone. There is then wanting (art. 144.) the enharmonic fourth of a tone, to render the third FG$ exaftly true. 2. But as this divifion of a tone cannot be found in the gradations of any fcale practicable upon moft of our S I c. inftruments, nor be appretiated takes the different chords. B ‘d’ ‘f’ D F G$ F Gi& B which are abfolutely the fame, by the ear, the 531 ear Theory of Harmony. ‘gr B ‘d’, for chords compofed every one of thirds minor exadtly juft. Now the chord G$B‘df’, belonging to the minor mode of A, where G$ is the fenfible note ; the chord B ‘d f g$\ or B ‘d f ah’, will, for the fame reafon, be¬ long to the minor mode of C, where B is the fenfible note. In like manner, the chord D F G$ B, or DFAh ‘cb\ will belong to the minor mode of Eh, and the chord F G$B ‘d’, or F Ah ‘ch eS?b’t to the mi¬ nor mode of Gh. After having paffed then by the mode of A to the chord Gi^B ‘df’ (art. 117.), one may by means of this laft chord, and by merely fatisfying ourfelves to invert it, afterwards pafs all at once to the modes of C minor, of Eh minor, or of Gh minor 5 that is to fay, into the modes which have nothing, or almoft nothing, in com¬ mon with the minor mode of A, and which are entire¬ ly foreign to it (3 c). 146. It muft, however, be acknowledged, that aThealtera- tranfition fo abrupt, and fo little expeCted, cannot de-tlon> h°w- ceive nor elude the ear ; it is ftruck with a fenfation ^ichTr is fo unlooked-for, without being able to account for the effr<£luated paffage to itfelf. And this account has its foundation abrupt and in the enharmonic fourth of a tone j which is overlook-fenfible. 3X2 ed This interval has been called t/ie fourth of a tone, and this denomination is founded on reafon. In effeCI, we jnay diftinguifti in mufic four kinds of quarter tones. 1. The fourth of a tone major : now, a tone major being f, and its difference from unity being the differ¬ ence of this quarter tone from unity will be almoft the fourth of ^ ; that is to fay, 2. The fourth of a tone minor ; and as a tone minor, which is '-g, differs from unity by -J-, the fourth of a mi¬ nor tone will differ from unity about y^. 3. One half of a femitone major 5 and as this femitone differs from unity by y'y, one half of it will differ from unity about y1^. _ . 4. Finally, one half of a femitone minor, which differs from unity by : its half then will be yT?. The interval, then, which forms the enharmonic fourth of a tone, as it does not differ from unity but by yy, may juftly be called the fourth of a tone, fince it is lefs different from unity than the largeit interval of a quarter tone, and more than the leaft. We (hall add, that fince the enharmonic fourth of a tone is the difference between a femitone major and a fe¬ mitone minor ; and fince the tone minor is formed (note uu) of two femitones, one major and the other minor ; it follows, that two femitones major in fuccefiion form an interval larger than that of a tone by the enharmonic fourth of a tone ; and that two minor femitones in fucceflion form an interval lefs than a tone by the fame fourth of a tone. . . . . \ (3 b) That is to fay, that if you rife from E to F, for inftance, by the interval of a femitone major, and after¬ wards, returning to E, you ftiould rife by the interval of a femitone minor to another found which is not in the fcale 'and which I ftiall mark thus, F-f, the two founds F-f- and F will form the enharmonic fourth of a tone : for E being 1, F will be •, and F-{-4y : the proportion then between F-f- and F is that of to if (note Q_) ; that is to fay, as 25 times 15 to 16 times 24; or otherwife, as 25 times 5 to 16 times 8, or as 125 to 128. Now this proportion is the fame which is found, in the beginning of the preceding note, to exprefs the enharmo¬ nic fourth of a tone. (3 c) As this method for obtaining or fupplying enharmonic gradations cannot be pra&ifed on every occafion when the compofer or pra&itioner would wifti to find them, efpecially upon inftruments where the fcale is fixed and invariable, except by a total alteration of their economy, and re-tuning the firings, Dr Smith in his Harmo¬ nics has propofed an expedient for redrefting or qualifying this defedf, by the addition of a greater number of keys or firings, which may divide the tone or femitone into as many appreciable or fenfible intervals as may be necef- fary. For this, as well as for the other advantageous improvements which he propofes in the ftrufture of inftru¬ ments, we cannot with too much warmth recommend the perufal of his learned and ingenious book to fuch of our readers as afpire to the charafter of genuine adepts in the theory of mufic. S32 M U S Theory of ed as nothing, becaufe it is inappretiable by the ear ; Harmony, 0£ though its value is not afcertained, the whole harfhnefs is fenfibly perceived. The inflant of mrprife, however, immediately vaniflies j and that aflo- nilhment is turned into admiration, when one feels him- ielf tranfported as it were all at once, and almoil imper¬ ceptibly, from one mode to another, which is by no means relative to it, and to which he never could have immediately palfed by the ordinary feries of fundamen¬ tal note?. Chap. XX. Of the Diatonic Enharmonic Species. 347. If we form a fundamental bafs, which rifes al¬ ternately by fifths and thirds, as F, C, E, B, this bafs S>e %. 12. will give the following modulation, ‘f, e, e, d$’; in which the femitones from ‘f ’ to ‘e’, and from ‘e’ to ‘d$C’, are equal and major (3 d). This fpecies of modulation or of harmony, in which See all the femitones are major, is called the enharmonic monk. diatonic fpecies. The major femitones peculiar to this fpecies give it the name of diatonic, hecaufe major fe¬ mitones belong to the diatonic fpecies \ and the tones which are greater than major by the excefs of a fourth, refulting from a fucceflion of major femitones, give it the name of enharmonic (note 3 a). Chap. XXL Of the Chromatic Enharmonic Species. 148. If we pafs alternately from a third minor in defcending to a third major in rifing, as C, C, A, C$, C$, we (hall form this modulation it\), e^ e, e e^’, in which all the femitones are minor (3 e). This fpecies is called the chromatic enharmonic fpe¬ cies : the minor femitones peculiar to this kind give it the name of chromatic, becaufe minor femitones belong to the chromatic fpecies 5 and the femitones which are leffer by the diminution of a fourth refulting from a fuc- ceffion of minor femitones, give it the name of enhar¬ monic (note 3 f). 149. Thefe new fpecies confirm what we have all along faid, that the whole effedls of harmony and me¬ lody refide in the fundamental bafs. Diatonic 150. The diatonic fpecies is the mod; agreeable, be- fpecies moft caufe the fundamental bafs which produces it is form- agreeable, eci from a fucceffion of fifths alone, which is the moft auclwhy* natural of all others. The chro- I5I- chromatic being formed from a fucceflion matic next. thirds, is the moft natural after the preceding. Laftly, the IS2‘ Finally, the enharmonic is the leaft agreeable enharmo- of all> becaufe the fundamental bafs which gives it is aic. Chromatic enharmo¬ nic inter¬ vals, how formed. See fig. 13. From this fpeeies, the effefls of harmony and melo¬ dy appear to be in the fundamen¬ tal btifs. 2 Part I.1 not immediately indicated by nature. T. he fourth of Theory of a tone which conftitutes this fpecies, and which is it- Harmony. felf inappretiable to the ear, neither produces nor can' produce its eftecl, but in proportion as imagination fuggefts the fundamental bafs from whence it refults } a bafs whole procedure is not agreeable to nature, fince it is formed of two founds which are not contiguous one to the other in the feries of thirds (art. 144.). Chap. XXII. Showing that Melody is the Offspring of Harmony. I53* All that we have hitherto faid, as it feems to The efFe&s me, is more than fufficient to convince us, that melody of me‘ot^y has its original principle in harmony 5 and that it is inbe in.vef' harmony, expreffed or underftood,'that we ought to En™ look for the effefts of melody. ° e“flM 154. If this (hould ftill appear doubtful, nothing more or urider- is neceffary than to pay due attention to the firft expe-ftood' riment (art.19.), where it may be feen that the prin-* cipal found is always the loweft, and that the (harper founds which it generates are with relation to it what the treble of an air is to its bafs. I55* Yet more, we have proved, in treating of the broken cadence (chap, xvii.), that the diverfification of gaffes produces effects totally different in a modulation which, in other refpe&s, remains the fame. _ *56- Can it be ftill neceffary to adduce more con¬ vincing proofs ? We have but to examine the different baffes which may be given to this very fimple modula¬ tion GC. It will be found fufceptible of many, and each will give a different chara&er to the modula¬ tion GC, though in itfelf it remains always the fame. We may thus change the whole nature and effe&s of a modulation, without any other alteration than that of its fundamental bafs. M. Rameau has ftiown, in his New System of Mafic, printed at Paris 1726, p. 44. that this modulation G, C, is fufceptible of 20 different fundamental baffes. Now the fame fundamental bafs, as may be feen in our fecond part, will aftbrd feveral continued or thorough baffes. How many means, of confequence, may be prac- tifed to vary the expreflion of the fame modulation ? I57* From thele different obfervations it may be ^on^e3lieI1“ concluded, 1. That an agreeable melody, naturally im-ces de that is to fay, as 1 to 44* The femitones then from ‘P to ‘e’, and from ‘e’ to ‘d’^, are both major. (3 k) It is evident that, e is -5- (note Q_), and that ie^ is -J • thefe two ‘e’s, then, are between themfelves as 4 to ■%, that is to fay, as 6 times 4 to 3 times y, or as 24 to 25, the interval which conftitutes the minor femitone. Moreover, the A of the bafs is 4, and 4 of 4, or 44 : ‘e’^ then is 4 of 44, the ‘e’ in the fcale is likewife to the ‘e'$ which follows it, as 24 to 25. All the femitones therefore in this fcale are minor. {3 * J Many compofers begin with determining and writing the bafs j a method, however, which appears in general Part II. MUSIC. Principles fo that from the whole taken together, the ear may only Compofi-reCeive if we may lueak io, one fimple and indivifible tion, ■ which is commonly called a third minor, is like- what. wife fometimes called a fecond redundant; fuch is the interval from C to D$ in afeending, or that of A to G\) defeending. Why fo 1 his interval is fo termed, because one of the founds called. which form it is always either (harp or flat, and that, if that (harp or flat be taken away, the interval will be that of a fecond (30). Falfe fifth, 161. An interval compofed of two tones and two what. femitones, as that from B to ‘f’, is called a falfe fifth. This interval is the fame with the tritone (art. 9.), fince Compofi- tion in har¬ mony, what. See Compo- Jition. two tones and two femitones are equivalent to three tones. There are, however, reafons for diffinguiftiing them, as will appear below. 162. As the interval from C to D$ in afeending Fifth re- has been called a fecond redundant, we likevvife call dimdant, the interval from C to G$ in afeending, z fifth redun- wliat< dant, or from B to Ej? in defeending, each of which in¬ tervals are compofed of four tones (3 II). This interval is, in the main, the fame with that of Diftin- the fixth minor (art. 6.) : but in the fifth reduudant g’-fi-died there is always a (harp or a flat; infomuch, that^f this (harp or flat were removed, the interval would become nor< a true fifth. 163. For the fame reafon, an interval compofed of Seventh di- three tones and three femitones, as from G$ to ‘f’ jn mmiflied, afeending, is called a feventh diminifihed; becaufe, ifwhat* we remove the (harp from G, the interval from G to ‘f’ will become that of an ordinary feventh. The in¬ terval of a feventh diminiflied is in other refpe&s the fame with that of the fixth major (art. 9.) (3 1). 164. The major feventh is likewife fometimes called Seventh a feventh redundant (3 k). major and redundant Chap. II. Comparfon of the Different Intervals. C01nClCieilt' 165. If we fing‘c’B in defeending by a fecond, Notes in and afterwards^ C B in afeending by a feventh, thefediffeient two B’s (hall be o&aves one to the otherg or, as we ocC*:aves or commonly exprefs it, they will be replications one oflca-es repll" .1 .1 ' f r cations each the other. of the 166. On account then of the refemblance between other.- every general more proper to produce a learned and harmouioue mufle, than a drain prompted by genius and animated by enthufiafm. (3 G) ^or the fame reafon, this interval is frequently termed by Engliffi mufleians an extremefiharpfecond. (3 h) This interval is ufually'termed by Engliffi theorifts a [harp fifth. (3 1) The material difference between the diminiffiecT feventh and the major fixth is, that the former always-- implies a divifion of the interval into three minor thirds, whereas a divifion into a fourth and third major, or into a (econd and major and minor third, is ufually fuppofed in the latter. (3 k) The chief ufe of thefe different denominations is therefore to diftinguiih chords: for inflance, the chord of the redundant fifth and that of the diminiflied feventh are different from the chord of the fixth ; the chord of the fevetith redundant, from that of the feventh major. This will be explained in the following chapters. . 534 Principles of Compofi tion. Hence to defcend to one replica¬ tion, and rife to ano¬ ther, has the fame effedt Detail of replica¬ tions. Examples of this. M U every found and its oftave (art. 22.), it follows, that to rife by a/eventh, or defcend by a fecond, amount to the fame thing. 167. In like manner, it is evident that the lixth def- cending is nothing but a replication of the third afeend- ing, nor the fourth defeending but a replication of the fifth afeending. 168. The following expreflions either are or ought to be regarded as fynonymous. To rife by a fecond.—To defeend by a feventh. To defcend by a fecond.—To rife by a feventh. To rife by a third.—To defcend by a fixth. To defcend by a third.—To rife by a fixth. To rife by a fourth.—To defcend by a fifth. To defcend by a fourth.—To rife by a fifth. S I C. Part II. 169. Thus, therefore, we fliall empky them indif- Principles ferently the one for the other; fo that when we fay,0* for inflance, to rife by a third, it may be faid with ^ - > equal propriety to defcend by a fxth, &c. Chap. III. Of the Cleffs ; of the Value or fhianti- ty »* °f the Rhythm ; and of Syncopation. 170. There are three cleffs * in mufic ; the F cleff * see Ciejp ; the C cleff ; and the G cleff ^ . whft’ The F cleff is placed on the fourth line (3 Lj or on and bow the third ; and the line on which this cleff is placed gives placed, the name of F to all the notes on that line. CCCLV The C cleff is placed on the fourth, the third, the Fig. y.r. fecond, or the firft line: and in thefe different pofitions Fig. 7.2. all (3 l) Our author has treated this part of his fubjeft with fomewhat lefs perfpicuity than ufual. He has nei¬ ther deferibed the ftaffs or fyftems of lines on which the cleffs are placed, nor explained their relation to each other. We have therefore attempted to fupply the deficiency. Mufical founds, like language, are reprefented by written charaflers, by which their gravenefs or acutenefs, their duration, and the other qualities intended to be affigned to them, are accurately diftinguifhed. The characters which denote the gravenefs or acutenefs, or, as it is termed, the pitch of founds, are intended to reprefent the ordinary limits of the human voice, in the exercife of which, or the employment of inftruments of nearly the fame compafs with it, all practical mufic confifts. From the loweft diftina note, without {training, of the mafeuline voice, to the higheft note generally produced by the female voice, there is an interval of three oCtaves, or twenty-two diatonic notes. Thefe notes are reprefented by charaaers deferibed alternately on eleven parallel lines, and the fpaces between them, forming what we fhall here term \\\e generalfystem. . . The charaaers reprefenting the notes are differently formed according to their duration, but with this we have at prefent no concern. Wb fhall employ the limpleft, a fmall circle or ellipfe. The whole extent of the human voice, then, if deferibed upon xhe generalfystem, would be reprefented as at Plate T Y | The mafeuline voice, rifmg from the loweft note of the general fyftem, will, generally fpeaking, reach the note on the central line ; and an ordinary female voice will reach the fame note, defeending from the higheft. Male voices more acute, and female voices graver than ufual, will confequently execute this note with greater This central note then, being producible by every fpecies of voice, has been affumed as a fundamental or key note, by which all the others are regulated (art. 4.). And to it is affigned the name of C, by which, in the theo. ry of harmony, (as we have feen), the fundamental found of the diatonic fcale is diftinguifhed. The other notes take their denominations accordingly. The note below it is B, that above it ‘d’, &c. ; and to diftinguifh this central C from its oftaves, it is called the middle or tenor C. As no human voice can execute the whole twenty-two notes, the general fyftem is divided into portions of five lines, each portion reprefenting the compafs of an ordinary voice ; and different portions are made ufe of, according to the gravenefs or acutenefs of different voices. . The five lines in this ftate form what is called a faff. Each ftaff is fubdivided into lines and paces. On the lines and in the fpaces, the heads of the notes are placed. The lines and fpaces are counted upvyards, from the loweft to the higheft ; the loweft line is termed the fif line; the fpace between it and the fecond line is deno¬ minated the frf fpace, and fo on. Both lines and fpaces have the common name of degrees ; the ftaff thus con¬ tains nine degrees, viz. five lines and four fpaces. . ... • 1 j To afeertain what part of the general fyftem is formed by *faff, one of the cleffs mentioned m the text is placed at the beginning of the ftaff, on one or other of the lines of it. ... rp; The C or tenor cleff always denotes the line on which it is placed to be that which carries tae tenor C. I he G or treble cleff diftinguifhes the line carrying ‘g’, the perfed fifth above the tenor C. And the F or bafs cleft afeertains the line which reprefents F the perfeft fifth below the tenor C. # r-x j i, • The figures of the cleffs, (which are chara&ers gradually corrupted from the Gothic C, G, and F), and their places in the general fyftem, appear on Plate CCCLV. Fig. 2. rr • c a By this difpofition of the cleffs, we fee that the ftaff, which includes the line bearing the treble cleff, is formed by the five higheft lines of the general fyftem ; and that the ftaff which comprehends the bafs cleff confifts of the five loweft. _ r t> n The central line, which carries the tenor C, belongs neither to the treble nor the bafs ftaves. But as that note frequently occurs in compofition written on thefe ftaves, a fmall portion of the tenor line is occafionally introduced below the treble cleff and above that of the bafs (fig. 3.) 4 • AS Part II. M U S all the notes on the fame line with the cleff take the name of C. The G cleff is placed on the fecond or firft line; and all the notes on the line of the cleff take the name ox G. 171. As the notes are placed on the lines, and in the foaces between the lines, the name of any note may be dilcovered from the pofition of the cleff. Thus, in the F cleff, the note on the lowed line is G ;-the note on the fpace between the two firft lines A ; the note oh fecond line B, &c. 172. A note before which there is a iharp (marked . thus $) muft be raifed by a femitone ; and if there be a flat (marked fo) betore it, it muft be depreffed by a femitone. Fig- 7- 3- Names of the notes to be invefti- gated from the poS- tion of the clefls. Marks and power of fharps, flats, and natu¬ rals. 1 C. 555 The natural (marked thus ||) reftores to its natural Principles value a note which had been raifed or depreffed by a°^ Cumpofi- f ■ v j tion. lemitone. ^ ,73* When a (harp or a flat is placed at the cleff, pig. s. all the notes upon the line or fpr.ce on which this {harp or flat is marked, are (harp or fia:. For inftance, if in the cleff of G a {harp be placed on the higheft line, which is the place of ‘T*, all the notes on that line will be —to reftore them to their original va¬ lue of '‘fr natural, a |j rnuft be placed before them. pjg ^ In the fame manner, if a flat be marked at the cleff, all the notes on the fame line or fpace wrh the flat will be flatto reftore them to their natural ftate, a lj muft be placed before them (3 m). and 174. Every piece of mufic is divided into different equal ‘ * * As notes ftill more remote from the ftaff in ufe are fometimes introduced, fmall portions of the lines to which thefe lines belong are employed in the fame manner. Thus, if in writing in the bafs ftaff we w-ant the note properly placed on the loweft line of the treble ftaff, we draw two Ihort lines above the bafs ftaff, one reprefenting the tenor line, and the other the loweft line of the treble ftaff, and on this laft fhort line we place the note in queftion, (fig. 4.) On the other hand, if, in writing on the treble ftaff, we would employ a note properly belonging to the bafs ftaff, we place it below the treble ftaff, and infert the requifite thort lines, reprefenting the correfponding lines of the general iyftem (fig. 5.) The occafional {hort lines thus employed are termed /eger lines. The fame expedient is ufed to reprefent notes beyond the limits of the general fyftetn. Thus, we write the F which is one degree lower than the loweft G of the bafs ftaff, on the fpace below that G ; the E immediately lower, or on a leger line below the bafs ftaff, and fo on. Notes in this pofition are termed double; thus, the F juft mentioned is double F, or FF; the E, double E, or EE, &c. Again, the ‘a’ above the higheft ^g' of the treble ftaff is placed on a leger line above that ftaff. The is placed on the fpace above the leger line : The next note ‘c’ is fet on a fecond leger line, and fo on. Thefe high notes are, in compofitions for feme inftruments, carried more than an o£tave above the general fyftem. Thofe in the firft o&ave are laid to be in alt; thofe beyond it, to be in altiffimo. The tenor or C cleff is employed to form different intermediate ftaves between the treble and bafs, according to the compafs of the voice or inftrument for which the ftaff is wanted. Compofitions for the gravett mafeuline voices and inftruments are written on the bafs cleff, and thofe for fe¬ male voices and inftruments higheft in tone, on the treble ftaff*. For mafeuline voices next in depth to the bafs and for the higher oftave of the violoncello and baffoon, a ftaff, called the tenor Jlaff, is formed by adding to the tenor line the three higheft lines of the bafs ftaff and the: loweft line of the treble (fig. 6. 1.) For the higheft mafculine voices, which are called counter tenor,, and for the tenor violin, a ftaff is formed by the tenor line, the two higheft lines of the bafs, and the two loweft of the treble ftaff (fig. 6. 2.). For the graveft female voices, which are called mevsKo foprano, the tenor line and four loweft lines of the treble form a ftaff (fig. 6. 3.). The relation of all the ftaves to the general fyftem, and to each other, will appear from fig. 6. The bafs cleff on the third line, the tenor cleff on the fecond, and the treble cleff on the firft, rarely occur, ex¬ cept in old French mufic. The tenor cleff, and the ftaves diftinguifhed by it, are now lefs frequently ufed than the treble and bafs cleffs. Thofe who cultivate mufic only as an amufement find it irkfome to learn fo many modes of notation. The teno? ftaves are accordingly banilhed from compofitions for keyed inftruments. Secular coropofitions for voices are like- wife now written in the treble and bafs ftaves only y although in this there is fome inaccuracy, as the tenor parts* now written in the treble ftaff, muft often be fung an o&ave below that in which they appear. The chief ufe of the tenor cleff is in choral mufic and compofitions for the baffoon and tenor violin; and its principal advantage^ the facility of reading ancient mufic, which is almoft exclufively written in this cleff^ has feldom been deemed an mfufficient recompenfe for the labour of acquiring it. (3 m) The difpofition of {harps or flats at the cleff, which is termed Jignature, depends upon the mode, or tone affumed in the compofition as a fundamental or key note, and will be afterwards explained. The {harps or flats of the fignature affeft not only the notes placed on the fame degree with themfelves, as men¬ tioned in the text, but alfo all the notes of the fame letter, in every o<3ave throughout the movement. The {harps or flats of the fignature determine the fcale in which the movement is compofed, and are therefore faid. to be ejfential; thofe which occur in the courfe of the piece on an occafional change of the fcale, are termed accidental. * Compofitions for French horns are written in the treble ftaff, although the tone of the inftrument be very grave; bat this is becaufe the horn U borrowed from and has the Lame natural intervals with the Trumpet, which is an acute inftnunenU .^6 M U Principles equal times, called intafures \ and each meafure is like- of Compoli- vvjfe divided into different times. , t^on‘ . There are properly two kinds of meafures or modes of See Time, tneaf'-11® of two times, or common time, mark¬ ed by the figure 2 at the beginning of the time (fig. 10.) *, and the meafure of three times, or triple time, marked by the figure 3 placed in the fame manner (fig. II.). 1'he different meafures are diftinguiftied by perpendi¬ cular lines (3 n), called bars. In a meafures, we diftinguiffi between the Jfrong and the weak time : the Jirong time is that which is beat; the weak, that in which the hand or foot is ra'ifed. A meafure confifting of four times ought to be confider- ed as compounded of two meafures, each confifting of two times : thus there are in this meafure two ,/irong and two weak times. In general by 4he words Jirong S I C. Part 1L and weak even the parts of the fame time are diftin- Principles guiftied •, thus, the firft note of each time is confideredof ^VmiK)£'" as Jirong and the others as weak. . 175. The longeft of all notes is a femibreve. A mi- The value nim is half its value 5 that is to fay, two minims are to of notes ia to be performed in the time occupied by one femibreve. duration. A minim in the fame manner is equivalent to two*1®'u' crotchets, the crotchet to two quavers (3 o). Syncopa- 176. A note which is divided into two parts by a tion, what. bar, that is, which begins at the end of a meafure, and ‘ terminates in the meafure following, is called a fijnco- See Synco~ pated note (3 ?)• •* pat ion. 179. A note followed by a point or dot is increafed Val^e 0 a half its value. Thus a dotted femibreve is equivalent n0te> to a femibreve and a minim, a dotted minim, to a mi- mim and a crotchet, &c. (Fig. 17.) (3 qJ. Chap. (3 n) All the notes, therefore, contained between two bars conftitute one meafure; although in common lan¬ guage the word bar is improperly ufed for meafure. (3 o) The notes, in their figure, confift of a head and a Jlem, except the femibreve, which has a head only. The place of the note in the ftaff is determined by the head, which muft be placed on the line, or in the fpace, affigned to the note. The Jletn may be turned either up or down. Tlpe quaver is equivalent to two femiquavers, and the femiquaver to two demi-femiquavers. In modern mufic the demi-femiquaver is alfo fubdivided. The quaver and the notes of Ihorter duration may be grouped together, tjy two, three, or four, &c. and joined by as many black lines acrofs the ends of the ftem as there are hooks in the fingle note (fig. 12.) This arrange¬ ment is convenient in writing, and affifts the eye in performance. When quavers, or the fhorter notes, are to be repeated in the fame degree for a time equal to the duration of a longer note, the iterations are, by a fort of mufical (hort-hand, reprefented by writing the long note only, and placing over or under it, as many fhort lines as the ftiort note has hooks (fig. 13.) And the repetition of a feries of fhort notes is reprefented by merely waiting for each repetition as many fhort lines as there are hooks to the fhort notes of which the feries is compofed (fig. 14.) (3 p) A note in the middle of a meafure is alfo faid to be fyncopafed when it begins on * Jirong, and ends on a weak part of the meafure, (fee fig. 15.) where D, C, and B are each of them fyncopated. A note which of itfelf occupies one, two, or more meafures, is not faid to be fyncopated, but continued or pro- traEled. See fig. 16. (3 Q.) Notes have fometimes in modern mufic a double dot after them, wdiich makes them longer by three- fourths. Thus a minim twice dotted is equal to three crotchets and a half, or feven quavers. &c. Our author, in this chapter, has omitted the explanation of rejls, and of the particular modifications of time. Rejls are chara&ers indicating the temporary fufpenfion of mufical founds. There are as many different refts as there are notes. Thus the femibreve reft indicates a paufe of the duration of a femibreve *, the minim reft, of a minim, &c. (fig. 18.) The femibreve reft alfo denotes the filence of one entire meafure, in triple as well as common time. The filence of feveral meafures is marked as in fig. 18. \ but where the filence exceeds three bars, the number is ufually marked over the refts. Common time is either of a femibreve, or of a minim to the meafure. Common time of a femibreve is indicated by the letter C at the cleff, fig. 1. of Plate CCCLVI. When it is meant to be fomewhat quicker than ufual, a perpendicular line is drawn through the C, (fig. 2.) Common time of a minim to the meafure, which is called half time, is indicated by the fra&ion \, that is, twm- fourths of a femibreve, or two crotchets equal to a minim, (fig. 3.) In triple time the meafure confift of three minims, three crotchets or three quavers, fix crotchets or fix qua¬ vers, nine quavers or twelve quavers. Triple time of three minims is marked at the cleff that is, three halves of a femibreve, (fig. 4.) Triple time of three crotchets is indicated by the fra&ion -J, (three-fourths of a femibreve) (fig. 5.) and that of 'three quavers by •§- (three-eighths of a femibreve,) (fig. 6.) In the laft three examples the meafure is divided into three times, of which the firft: is ftrong, and the twro others weak. The meafure of fix crotchets is marked •£, (fig. 7.) •, and that of fix quavers, (fig. 8.) In both there are two times, of which the firft is ftrong, and the fecond weak. The meafure of nine quavers is marked (fig. 9 )$ and is divided into one ftrong and two weak times. That of twelve quavers is marked (fig. 10.) ; and is accented as if it were two meafures of fix quavers. The meafures of and 4-$ rarely occur. Three notes are often performed in the time of two of the fame name, and are then termed triplets, (fig. 11.) 2 where Part II. Principles of Compofi- tion. Perfedl chords, what. Chord of the feventh what, and how to be pradlifed. Thofe of different kinds. Of the greater, fixth. Plate ccclvii. Tonic, what, and its chords, how figur¬ ed. Dominant, what, and how figur¬ ed. M U Chap. IV. Definition cfithe principal Chords. 178. (3 R) The chord compofed of a third, a fifth, and an octave, as C, E, G, C, is called a perfeB chord (art. 3 2.). _ If the third be major, as in C, E, G, C, the perfect, chord is denominated major; if the third be minor, as in A, C, E, A, the perfect chord is minor. The per- fedt chord major conftitutes the major mode; and the perfedt chord minor, the minor mode (art. 31.). 179. A chord compofed of a third, a fifth, and a feventh, as G, B, D, F, or D, F, A, C, &c. is called a chord of thefeventh. Such a chord is wholly compofed ot thirds in afcending. ^ All chords of the feventh are praflifed in harmony, fave that which might carry the third minor and the feventh major, as C Ejj G B j and that which might carry a falfe fifth and a feventh major, B D FA*, (chap. xiv. Part I.) 180. As thirds are either major or minor, and as they may be differently arranged, it is clear that there are different kinds of chords of the feventh j there is even one, B D F A, which is compofed of a third, a falfe fifth, and a feventh. 181. A chord compofed of a third, a fifth, and a fixth, as F A C D, D F A B, is called a chord of the greater fixth. 182. Every note which carries a perfefl chord is called a tonic; and a perfeft chord is marked by an 8, by a 3, or by a 5, which is written above the note ; but frequently thefe numbers are fuppreffed. Thus in the example I. the two C’s equally carry a perfeft chord. 183. Every note which carries a chord of the feventh is called a dominant (art. 102.) ; and this chord is marked by a 7 written above the note. Thus in the example n. D carries the chord D F A C, and G the chord G B D F. It is neceffary to remark, that among the chords Vol. XIV. Part II. s I c. 537 of the feventh we do not reckon the chord of the Principles feventh diminifhed, which is-only improperly called aot GornP61l‘ chord of the feventh ; and of which we (hall fay more 1 below. 184. Every note which carries the chord of the Sub>-domi- great fixth, is called a fubdorninant, (art. 97. and 42.) na^t^r^at* and is marked with a 6. Thus in the example ill. p™irej F carries the chord of F A C D. The fixth Ihould 0 always be major, (art. 97. and 109.). 185. In every chord, whether perfeft, or a chord Fnndamen- of the feventh, or of the great fixth, the note which ta| note» * carries this chord, and which is the flatteft or loweft,wiat‘ is called the fundamental note. Thus C in the ex-^ee ^unia^ ample 1. D and C in the example II. and F in the ex- ample in. are fundamental notes. 186. In every chord of the feventh, and of the great Difibnance fixth, tne note which forms the feventh or fixth above of a chord, the fundamental, that is to fay, the higheff note of thewhat* chord, is called a diffonance. Thus in the chords of the feventh GBDF, DFAC, F and C are the diffonances, viz. F with relation to G in the firft chord, and C with relation to D in the fecond. In the chord of the great fixth F A C D, D is the diffonance (art. 120.) ; but that D is only, properly fpeaking, a diffon- ance with relation to C from which it is a fecond, and not with refpedl to F from which it is a fixtk major (art. 17, and 18.) 187. When a chord of the feventh is compofed ofTon’c an<* a third major followed by two thirds .minor, the fun- damental note of this chord is called the tonic domi- what. ’ nant. In every other chord of the feventh the funda¬ mental is called the fimple dominant (art. 102.) Thus in the chord GBDF, the fundamental G is the tonic dominant; but in the other chords of the feventh, as C F. G B, DFAC, &c. the fundamentals C and D are fimple dominants. 188. In every chord, whether pcrfeft, or of the Major feventh, or of the fixth, if it is meant that the third chords» above th? fundamental note (hould be major though^edmT it be naturally minor, a lliarp muff be placed above the norland 3 V fundamental vice verfa. where the groups of quavers in the fecond meafure are triplets, and each triplet occupies the time of two quavers only. Triplets alfo occur in triple time, fig. 12. ^ Certain other charadfers will be with propriety explained here. The Paufe fignifies that the regular time is to be delayed, and the note marked with the paufe protrafted. See fig. 13. where the paufe is on the laft note of the fecond meafure. ■* The Krpeat, a charadler refembling an S, denotes, that the following part of the movement muff be repeated. See fig. 14. r The DireB (fig. 15.) is placed at the end of the ftaff, to Ihew upon what degree the firft note of the following naff is placed. ° W hen the inner fades of two bars are dotted, the meafures between them are to be repeated (fig. 16.) The word bis is timetimes placed over fuch paffages. V V The double bar diftinguilhes the end of a movement or ftrain, (fig. 17.) If the double bar be dotted on one or both fides, the ftrain is to be repeated, (fig. 18.) The double bar does not affeft the time ; fo that when the Aram terminates before the end of a meafure, as is often the cafe, the double bar only marks the conclufion of the Itrain, but the time is kept exadtly as if it were not inferted. See fig. 19. The graces of exertion and expreffion, fuch as the appogiature, the (hake, the flur, the crefcendo, the diminuen- do, &c. are not neceffary to the confideration of the theory of mufic or principles of compofition, but belong to the performer only* See Shake, &c. ° (3 R) In this part of our fubjeft, we (hall, in mentioning the harmonics of the chords, make ufe of the capita! letters only, as the general names of the notes, without diftinguifhing odaves by minufcular or Italic letters The harmonics may be arranged _ m different oftaves. Their different pofitions will be moft eafily feen and beff underitooo from the examples m the plates. 538 M U Principles fundamental note. For example, if we would n:ark the oi Compofi- perfe(5t major chord D A D, as the third F above . t^n’ D is naturally minor, we place above D a (harp, as in Example IV. In the fame manner, the chord of the feventh D A C, and the chord of the great fixth D F$ A B, is marked with a ^ above D, and above the $ a 7 or a 6 (fee v. and Vi.). On the contrary, when the third is naturally major, and if we would render it minor, we place above the fundamental note a ]). Thus the examples vil. VIII. IX. Ihow the chords G Bi? D G G Bfr D F, G B[? D E (3 s)- Chap. V. Of the Fundamental Bafs. Fnncl amen¬ ta! bafs, how form¬ ed. See Funda¬ mental lajs. , 189. Let a modulation be invented at pleafure $ and under this modulation let there be fet a bafs compofed of different notes, of which fome may carry a perfect chord, others that of the ferenth, and others that of the great fixth, in fuch a manner that each note of the modulation which anfwers to each of the bafs, may be one of thofe which enters, into the chord of that note in the bafs 5 this bafs being compofed according to the rules which {hall be immediately given, will be the. fundamental bafs of the modulation propofed. See Part 1. where the nature and principles of the fundamen¬ tal bafs are explained, Thus (Exam, xvi.) it will be found that this modula¬ tion, C1)EFGABC, has or may admit for its fun¬ damental bafs, C G C F C D G C. In reality, the firft note C in the upper part is found in the chord of the firft note C in the bafs, which chord is G E G C; the fecond note D in the treble is found in the chord G B D G, which is the chord of the fecond note in the ba(s, &c. and the bafs is compofed only of notes which carry a perfeft chord, S 1 C. Part II. or that of the feventh, or that of the great fixth. Pru.cip'es Moreover, it is formed according to the rules which0* Cumpofi- we arc now about to give. . tl^‘u . Chap. VI. Rules for the Fundamental Bafs. 190. All the notes of the fundamental bafs being Rules for only capable of carrying a perfedl chord, or the chord t!ie fonna- of the feventh, or that of the great fixth, are either ^5 01115 tonics, or dominants, or fub-dominants; and the do¬ minants may be either fimple or tonic. The fundamental bafs ought always to begin wuth a tonic, as much as it is practicable. And now follow the rules for all the fucceeding chords; rules which are evidently derived from the principles eftablifhed in the Firf Part of this treatife. To be convinced of this, we Ihall find it only neceffary to review the articles 34, 91, 122, 124, 126, 127. Rule I. 191. In every chord of the tonic, or of the tonic dominant, it is neceffary that at leaft one of the notes which form that chord Ihould be found in the chord that precedes it. Rule II. 192. In every chord of the fimple dominant, it Is neceflary that the note which conilitutes the feventh, or diffonance, ftiould likewife be found in the preceding chord. Rule III. 193. In every chord of the fub-dominant, at leaft one of its confonances muft be found in the preceding chord. Thus, in the chord of the lub-dominant FA C D, it is neceffary that F, A, or C, which are the confonances (3 s) We may only add, that there is no occafion for marking thefe {harps or flats when they are originally placed at the cleff. For inftance, if the fliarp be upon F w’hich indicates the key of G (fee Exam, x.) it is fuf- ficient to write D, without a {harp, to mark the perfect chord major of D, D F$ A D. In the fame manner, ir» the Example xi. where the flat is at the cleff upon B, which denotes the key of F, it is fufticient to write G, to mark the perfeff chord minor of G Bb D G. But where there is a Iharp or a flat at the cleff, if wre would render the chord minor which is major, or vice verfa, we muft place above the fundamental note a 1] or natural. Thus the Example XII. marks the minor chord D F A D, and Example xm. the major chord G B D G.—Sometimes, in lieu of a natural, a flat is ufed to flgnify the minor chord, and a {harp to fignify the major. Thus Example XIV. in the key of G, marks the minor chord D F A D, and Example xv. in F, the major chord G B D G. When in a chord of the great fixth, the diffonance, that is to fay, the fixth, ought to be {harp, and when the (harp is not found at the cleff, we write before or after the 6 a ^ ; and if this fixth ffiould be flat according to the cleff, we write a \\. In the fame manner, if in a chord of the feventh of the tonic dominant, the diffonance, that is to fay, the feventh, ought to be flat or natural, we write by the fide of the feventh a\) or a l]. Many muficians, when a feventh from the fimole dominant ought to be altered by a {harp or a natural, have likewife written by the fide of the feventh a $ or a ; but M. Rameau fuppreffes thefe charaflers. The reafon ftiall be given below, when we fpeak of chords by fuppofition. If there be one {harp at the cleff, and if we would mark the chord G B D Ft), or the chord ACE Ft), we ought to place before the feventh or the fixth a f) or a h- In the fame manner, if there be one flat at the cleff, and if we would mark the chord C E G Bt|, we ought to place before the feventh a $ or a tf; and fo of the reft. All thefe intricate combinations of figuring fhew the fuperior convenience of the modern method of writing the notes themfelves inftead of the figures, which has the farther advantage of exhibiting the proper arrangement cf the chord} fee Example 11. Part TI. M U Principles confonances of the chord, (hould be found in the chord •f Compofi- preceding-. The diffonance D may either be found in tier*. r a « . ^ it or not. Rule IV. 194. Every fimple or tonic dominant ought to de- feend by a fifth. In the firft cafe, that is to fay,, when the dominant is fimple, the note which follows can only be a dominant j in the fecond it may be any one 5 or, in other words, it may either be a tonic, a tonic dominant, a fimple dominant, or a fub-dominant. It is neceflary, however, that the conditions preferibed in the fecond rule ihould be obferved, if it be a fimple dominant. This laft refle&ion is noceffary, as will prefently be feen. For, let us affume the fucceffion of the two chords A C$EG, D F A C (fee Exam. XVII.), this fuc¬ ceffion is by no means legitimate, though in it the firfl: do¬ minant defeends by a fifth ; becaufe the C which forms the diflbnance in the fecond chord, and which belongs to a fimple dominant, is not in the preceding chord. But the fucceflion will be admiffible, if, without meddling with the fecond chord, we take away the (harp carried by the C in the firft ; or if, without meddling v*ith the firft chord, we render C and F (harp in the fecond (3T); or, if we fimply render the D of the fecond chord a tonic dominant, in caufing it to carry F$ inftead of Ft] (119* and 122.). I* is bkewife by the fame rule that we ought to reieft the fucceffion of the two following chords, DFAC. GEDF^j (fee Exam. xvin). Rule V. 1-95. Every fub-dominant ought to rife by a fifth ■ and the note which follows it may, at pleafure, be either a tonic, a tonic dominant, or a fub-dominant. Remark. Other rules Of the five fundamental rules which have nowT been fubftituted. given, inftead of the three firft, one may fubftitute the three following, which are confequences from them. Rule I. If a note of the fundamental bafs be a tonic, and Fife by a fifth or a third to another note, that fecond SIC. 539 note may be either a tonic (34. St 91.)* fee Examples Principles xix. and XX. (3c); a tome dominant (124.), fee01 t^p0‘1* xxi. and xxii. •, ora fub-dominant (124,), fee xxiii. , ^ 1 and xxiv j or, to exprefs the rule more limply, that fecond note may be any one, except 2. fimple domi¬ nant. Rule II. If a note of the fundamental bafs be a tonic, and defeend by a fifth or a third upon another note, this fecond note may be either a tonic (34. &. 91.) fee Exam. xxv. and xxvi.; or a tonic dominant, or a fimple dominant, yet in fuch a manner that the rule of art. 192. may be obferved (124.), fee xxvn. xxvill. XXIX. and XXX. 5 or a fub-dominant (124.), fee XXXI. and xxxii. The fucceflion of the bafs C Ejj G C, F A C E, is excluded by art. 192. Rule III. If a note in the fundamental bafs be a tonic, and rife by a fecond to another note, that note ought to be a tonic dominant, or a fimple dominant (101. & 102.). See xxxiv. and xxxv. (3 x). We muft here advertife our readers, that the exam¬ ples xxxvi. xxxvii. xxxviii. xxxix. belong to the fourth rule above, art. 194.; and the examples XL. xli. xlii. to the fifth rule above, art. 195. See the articles 34, 35, 121, 123, 124. Remark I. 196. The trahfition from a tonic dominant to aperfe&an carries the chord of the fecond (4K). tion, Rule II. 211. Every note carrying the chord of the tritone Ihould defcend diatonically upon the fubfequent note. Thus in the fame example lxvi. F, which carries the chord of the tritone figured with a 4+, deicends diato¬ nically upon E (art. 202.) Rule III. 212. The chord of the fecond is commonly put in pradlice upon notes which are fyncopated in dei'cend- Chap. IX. Of fame Licenfes ajfumed in the Funda¬ mental Bafs. § 1. Of Brokkn and Interrupted Cadences. 213. The broken cadence is executed by means of a Broken ca- dominant which rifes diatonically upon another, or upon dence, how a tonic by a licenfe. See, in the example lxxiv. G A,exccutec*- (132, and 134). 214. The interrupted cadence is formed by a do-InterniPte<* . .cadence, minant> how form, ed. obferve the diatonic order, becaufe this order is tbe moft agreeable of all. We mull therefore endeavour to pre- ferve it as much as poflible. It is for this reafon that the continued bafs in Example LXV. is much more in the tafte of finging, and more agreeable, than the fundamental bafs which anfwers to it. (4 1) The continued bafs being a kind of treble with relation to the fundamental bafs, it ought to obferve the fame rules with refpeft to that bafs as tbe treble. Thus a note, for inftance D, carrying a chord of the feventh D F A C, to which the chord of the fub-dominant F A C D correfponds in the fundamental bafs, ought to rife diatonically upon E, (art. 129. N° 1. and art. 202.) (4 k) When there is a rcbofe in the treble, the note of the continued bafs ought to be tbe fame with that of the fundamental bafs, (fee Example lxviii.) In the clofes which are found in the treble at D and C (meafures fecond and fourth), the notes in the fundamental and continued bafs are tbe fame, viz. G for the firlt cadence, and C for the fecond. This rule ought above all to be obferved in cadences which terminate a piece or a modu¬ lation. It is neceffary, as much as poffible, to prevent coincidences of the fame notes in the treble and continued bafs, unlefs tbe motion of the continued bafs ftiould be contrary to that of the treble. For example, in the firft note of the fecond meafure in Example LXIX. D is found at the fame time in the continued bafs and in the treble j but the treble rifes from C to D, and from D to E, wFilft the bafs defcends from E to D, and from D to C. Two oflaves, or two fifths, in iuccelTion, inuft likewife be avoided. For inftance, in the treble founds G E, the bafs muft be prevented from founding G E, C A, or D B 5 becaule in the firft cafe there are two odtaves in fucceflion, E againft E, and G againft G $ and becauie in tbe fecond cafe there are two fifths in fucceffion, C againft E, and A againft G, or D againft G, and B againtl E. This rule, as well as the preceding, is found¬ ed upon this principle, that the continued bafs ought not to be a copy of tbe treble, but to form a different melody. Every time that feveral notes of the continued bafs anfwer to one note alone of tbe fundamental, the compofer fatisfies himfelf with figuring the firft of them. Nay he does not even figure it if it be a tonic ; and he draws above the others a line, continued from the note upon which the chord is formed. See Example LXX. (Plate CCCLIX). where the fundamental bafs C gives the continued bafs C E G E ; the two E’s ought in this bafs to carry the chord 6, and G the chord ® : but as tbefe chords are comprehended in the perfect chord C E G G, which is the firft; of the continued bafs, we place nothing above C, only we draw a line over C E G E. In like manner, in tbe fecond meafure of tbe fame example, the notes F and D of the continued bafs, arifing from the note G alone of the fundamental bafs which carries the chord G B D F, we think it fufficient to figure F only, and to draw a line above F and D becaufe the fame harmony is ufed with both. * It fhould be remarked, that this F ought naturally to defcend to E ; but this note is confidered as fubfifting fo long as tbe chord fubfifts j and when the chord changes, we ought neceffarily to find the E, as may be feen by that example. In general, whilft tbe fame chord fubfifts in palling through different notes, the chord is reckoned the fame as if the firft note of the chord had fubfifted 5 in fuch a manner, that, if the firft note of the chord is, for inftance, the fenfible note, we ought to find the tonic when the chord changes. See Example lxxi. where this continued bafs, C B D B G C, is reckoned the fame wuth this C, B C. (Example lxxii.) If a finglc note of the continued bafs anfwers to feveral notes of the fundamental bafs, it is figured with the dif¬ ferent chords which agree to it. For example, the note G in a continued bafs may anfwer to this fundamental bafs C G C, (fee Example lxxiii.) j in this cafe, wre may regard the note G as divided into three parts, of which the firft carries the chord 1, the fecond the chord 7, and the third the chord 4. We {hall repeat here, with refpefl to the rules of the continued bafs, what we have formerly faid concerning the rules of the fundamental bafs in the note upon the third rule, art. 193. The rules of the continued bafs have exceptions, which pra&ice and the perufal of good authors will teach. There are likewife feveral other rules which might require a ccnfiderable detail, and which will be found in the Trcatife of Hqrmomj, by M. Rameau, 3 anc* Part II. MU Principles minanE which defcends by a third upon another (136.). of Compofi- Seej jn example LXXV. G E (4 l). y tl°n' Thefe cadences ought to be permitted but rarely and and with precaution. 2. Of Supposition. Chord by 2i5. When a dominant is preceded by a tonic in fuppofitiGn the fundamental bafs, we add fometimes, in the con- wbat. tinued bafs to the chord of that dominant, a new note which is a third or a fifth below j and the chord which refults from it in this continued bafs is called a chord by fuppofition. See Suppo ;por example, let us fuppofe, that in the fundamental f'tiQn' bafs we have a dominant G carrying the chord of the feventh G B D F; let us add to this chord the note C, which is a fifth below this dominant, and we lhall have the total chord C G B D F, or C I) F G, which is called a chord by fuppofition (4 m). s I c. 543 Principle^ Of the different hinds of Chords by Sufipoftion. of 216. Chords by fuppofition are of different kinds. " v For inftance, the chord of the tonic dominant G B D F gives, 1. By adding fhe fifth C, the chord C G B D F, Thefe diffe* called a chord of the feventh redundant, and compofedwnt chords of a fifth, feventh, ninth, and eleventh. It is figured ■with a $7 j fee LXXVI. (4 n). This chord is not^wfasur'* praftifed but upon the tonic. They fometimes leave out the fenfible note, for reafons which we lhall give in the note (4 o), upon the art. 219 j it is then reduced to C F G D, and marked with jj. or 2. By adding the third E, we lhall have the chord E G B D F, called a chord of the ninth, and eompofed of a third, fifth, leveuth, and ninth. And it is figured with a 9. 1 his third may be added to every third of the dominant. See LXXVII. 3- H and elfewhere. Thefe rules, which are proper for a complete differtation, did not appear indifpenfably no ceffary in an elementary ejfay on mufc, fuch as the prefent. The books which we have quoted at the end of our preliminary difeourfe will more particularly inftruft the reader concerning this pradtical detail. (4 l) One may fometimes, but very rarely, caufe feveral tonics in fucceffion to follow one another in afeend- ing or defeending diatonically, as C E G C, D F A D, Bb D F B[; ; but, befides that this fucceffion is harfh, . it is neceffary, in order to render it pradlicable, that the fifth below the firft tonic fliould be found in the chord of the tonic following, as here F, a fifth below the firft tonic C, is found in the chord D F A D, and in the chord Bb D F Bb (37. and note t). (4 m) Though fuppofition be a kind of licenfe, yet it is in fome meafure founded on the experiment related in the note (s), where you may fee that every principal or fundamental found caufes its twelfth and feventeenth ma¬ jor in defeending to vibrate, whilft the twelfth and the feventeenth major afeending refound : which feems to au¬ thorize us in certain cafes to join with the fundamental harmony this twelfth and feventeenth in defeending $ or, which is the fame thing, the fifth or the third beneath the fundamental found. Even without having recourfe to this experiment, we may remark, that the note added beneath the fundamen¬ tal found, caufes that very fundamental found to be heard. For inftance, C added beneath G, caufes G to re¬ found. Thus G is found in fome meafure to be implied at C. If the third added beneath the fundamental found be minor, for example, if to the chord G B D F, we add the third E, the fuppofition is then no longer founded an the experiment, wThich only gives the feventeenth major, or, what is the fame thing, the third major beneath the fundamental found. In tins cafe the addition of the third minor muft be confidered as an extenfion of the rule, which in reality has no foundation in the chords emitted by a fonorous body, but is authorized by the fandtibn of the ear and by pradical experiment. (4 n) Many muficians figure this chord with a M: Rameau fuppreffes this 2, and merely marks it to he the feventh redundant by a 7$ or ^7. But it may be laid, how (hall we diftinguifh this chord from the feventh major, which, as it would feem, ought to be marked with 37$? M. Rameau anfweis, that there is no danger of miftake, becaufe in the feventh major, as the feventh ought to be prepared, it is xound in the prece¬ ding chord $ and thus the fharp fubfifting already in the preceding chord, it would be uielefs to repeat it. % Thus I>G, according to M. Rameau, would indicate DF^AC, G B D F$. If we would change F$ of the fecond chord into F(j, it would then be neceffary to write D G. In notes fuch as C, whofe natural feventh is major, the figure 7 preceded or followed by a fharp will fufficientlv ferve to diftinguifh the chord of the feventh redundant C G B D F, from the fimple chord of the feventh C E G Bf which is marked with a 7 alone. All this appears juft and well founded. (40) Suppofition introduces into a chord diffo itnces which were not in it before. For inftance, if to the chord E G B D, we (hould add the note of fuppofition C defeending by a third, it is plain that, beiides the dif- - fonance between E and D which was in the original chord, we have two new diffonances, C B, and C D ; that is to fay, the feventh and the ninth. Thefe diffonances, like the others, ought to be prepared and refoived. They are prepared by being fyncopated, and refoived by defeending diatonically upon one of the confonances of the fubfequent chord. The fenfible note alone can be refoived in afeending *, hut it is even neceffary that this • fenfible note fhould be in the chord of the tonic dominant. As to the diffonances 'which are found in the primi* iivc chord, they fhould always follow the common rules. (See art. 202.) 544 Principles of Compofi- tion. Occafforss when re¬ trench¬ ments of chords are proper. M U 3. If to a chore! of the fimple dommant, asD F A C, we fliould sdd the fifth G, we w7ould have the chord G B F A C, called a chord of the eleventh, and which is figured with a £ or (See lxxviii.) Observe. 217. When the dominant is not a tonic dominant, we often tak away fome notes from the chord. For example, let us fuppole that there is in the fundamen¬ tal bafs this fimple dominant E, carrying the chord E G B D : if there (hould be added the third C beneath, we fliall have this chord of the continued bafs C E G B D; but we fupprefs the feventh B, forreafons which {hall be explained in the note upon art. 210. In this ftate the chord is fimply compofed of a third, fifth, and ninth, and is marked with a 9. See exxix. (4 p)* 218. In the chord of the fimple dominant, as B F A C, when the fifth G is added, we frequently obli¬ terate the founds F and A, that too great a num¬ ber of diffonances may be avoided, which reduces the chord to G C B. This lafi: is compofed only of the fourth and the fifth. It is called a chord of the fourth, and it is figured with a 4 (4 q) (See lxxX.) 219. Sometimes we only remove the note A, and then the chord ought to be figured with 2 or ^ (4R). 220. Finally, in the minor mode, for example, in that of A, where the chord of the tonic dominant (109), is EG^BB ; if w^e addjtp this chord the third C be¬ low, we (hall haver'EG$BB, called the chord of the ffth redundant, and compofed of a third, a fifth redun¬ dant, a feventh, and a ninth. It is figured as in lxxxi. (4 s) $ 3. 0/' the Chord of the Biminished Seventh. Chord of 221. In the minor mode, for infiance, in that of A, ^at u6" •k a from A is the tonic dominant (109), and andhow p!’carries tf16 chord E G$B B, in which G is the fenfible „gured. Chord of the fifth re dundant what, and how figu¬ red. SIC. Part H. note. For this chord wre fometimes fubfiitute GP>$BF, Principles (116), all compofed of minor thirds j and which Hasot for its fundamental found the fenfible note G'$. This , tl°n* f chord is called a chord of the flat or diininifked feventh, and is figured wdth a gf in the fundamental bafs, (fee exxxiv.); but it is always confidered as reprelenting the chord of the tonic dominant. 222. This chord by inverfion produces in the conti-9^orjS. i,r.0‘ nued bafs the following chords : cSnued 1. ri he chord B B F G$:, compofed of a third, falfebafsbj this fifth, and fixth major. They call it the chord of the and flxth fenflble and fa/fe fifth; and it is figured as in h?w “S111* Exam, lxxxv. (Plate CCCLX). ed" 2. The chord B F G$B, compofed of a third,* tri¬ tone, and a fixth. It is called the chord of the tritone and third minor ; and marked as in lxxxvi. 3. 'Ihe chord F G$B B, compofed of a fecond re¬ dundant, a tritone, and a fixth. It is called the of the fecond redundant, and figured as in Lxxxvil. (4T). 223. Befides, fince the chord G$: B B F reprefents AIteratl0ns the chord EG^BB, it follows, that if we operate by Uorf1 chorda fuppofition upon the firft of thefe chords, it muft be which they performed as one would perform it upon EG^BD 5 produce, that is to fay, that it will be neceflary to add to the what’.an^ chord G^BBF, the notes C or A, which are the gjW iigur* third or fifth below E, and which will produce, 1. By adding C, the chord CG^BDF, compofed of a fifth redundant, a feventh, a ninth, and eleventh, which is the o&ave of the fourth. It is called a chord of the fifth redundant and fourth, and marked as in LXXXVIII. t 2. Bv adding A, we {hall have the chord A G $:B B F, compofed of a feventh redundant, a ninth, an eleventh, and a thirteenth minor, which is the oflave of the fixth minor. It is called the chord of the feventh redundant and flxth minor, and marked as in LXXXIX. It is of all chords the molt harfii, and the moft rarely praftifed (411). Chap. (4 p) Several muficians call this laft chord the chord of the ninth ; and that which, with M. Rameau, we have fimply called a chord of the ninth, they term a chord of the ninth and feventh. This laft chord they mark with a ^ j but the denomination and figure ufed by M. Rameau are more fimple, and can lead to no error; becaufe the chord of the ninth always includes the feventh, except in the cafes of which we have already fpoken « (4 qj) In England it is figured £. (4 r) We often remove fome difibnances from chords of fuppofition, either to foften the harfhnefs of the chord, or to remove difeords which can neither be prepared nor refolved. For inftance, let us fuppofe, that in the con¬ tinued bafs the note C is preceded by the fenfible note B carrying the chord of the falfe fifth, and that we fhould choofe to form upon this note C the chord C E G B B, we muft obliterate the feventh B, becaufe in retaining it we {hould deftroy the effebt of the fenfible note B, which ought to rife to C. In the fame manner, if to the harmony of a tonic dominant G B D F, one ftiould add the note by fuppofition C, it is ufual to retrench from this chord the fenfible note B 5 becaufe, as the B ought to defcend'diatonicallv to C, and the B to rife to it, the effeft of the one w’ould deftroy that of the other. This above all takes place in the fuf- penjion, concerning which we {hall prefently treat. (4 s) Svppofltion produces w’hat we call fufpenflon ; and which is almoft the fame thing. Sufpenfion confifts in retaining as many as poffible of the founds in a preceding chord, that they may be heard in the chord which fuc- ceeds. For inftance, in Example LXXXII. the C bearing $7 is a fuppofition j but in Example LXXXill. it is a fulpenfion, becaufe it fufpends or retards the perfeft chord C E G C which the ear expedts after the tonic domi¬ nant G B B F. (4 t) i he chord of the diminifhed feventh, and the three derived from it, are termed chords of fubflitution. They are in general harfti, and proper for imitating melancholy objects. (4 u) As the chord of the diminUhed feventh G$B I) F, and the chord of the tonic dominant E G'$B B, only differ Part II. M U Principles of Gimpofi- CHAPt X. Of fame licenfes ufed in the 'Treble and ■ < Continued Bafs. Licenfe ill. 2 24. SOMETIMES in a treble, the diflbnance which ought to have been refolved by defcending diatonically upon the fucceeding note, inftead of defcending, on the contrary rifes diatonically : but in that cafe, the note Upon which it ought to have defcended muft be found in fome of the other parts. This licenfe ought to be rarely pra&ifed. In like manner, in a continued bafs, the diffonance in a chord of the fub-dominant inverted, as A in the ch@rd A C E G, inverted from C E G A, may fome- times defcend diatonically inftead of riling as it ought to do, art. 1 29. N° 2. ; but in that cafe the note ought to be repeated in another part, that the diffonance may be there refolved in afcending. Licenfe 2d. 225. Sometimes likewife, to render a continued bafs more agreeable by caufing it to proceed diatonically, we place between two founds of that bafs a note which belongs to the chord of neither. See Example xcn. in which the fundamental bafs GC produces the continued bafs G A B G C, where A is added on account of the diatonic modulation. This A has a line drawn above it, to Ihow its refolution bv palling under the chord G B D F. In the fame manner, (fee xcm.) this fundamental bafs C F may produce the continued bafs C D E C F, Vol. XIV. Part II. S I c. where the note D, which is chord C E G C. Chap. XI. Containing the Fundamental Bafs when figured. added, paffes under _ 545 the Principles of Corupofi- tion. Method of finding the the continued Bafs is 226. As the continued bafs alone appears in pradlical How to find compofitions, it becomes neceffary to know how to findtlie fun(la- the fundamental bafs when the continued bafs is figur- Ivhen^he^ ed. This problem may be eafily folved by the follow- continued ing rules. is figured. 227. 1. Every note which has no figure in the con¬ tinued bafs, ought to be the fame, and without a figure in the fundamental bafs; it is either a tonic, or reckoned fuch (4 x). 2. Every note which in the continued bafs carries a 6, ought in the fundamental bafs to give its third be¬ low not figured *, or its fifth below marked with a 7. * See We lhall diftinguilh thefe two cafes below. See LVl.gured. ‘‘ and the note (4 Y ). 3\ Every note carrying | gives in the fundamental bals its fifth below not figured. See Lvir. 4. Every note figured with a 7, or a is the fame in both baffes, and with the fame figure (4 y). 5. Every note figured with a 2 gives in the funda¬ mental bafs the diatonic note above figured with a 7. See lxiv. (4Z). / 6. Every note marked with a 4 gives in the funda- 3 ^ mental differ one from the other by the notes E and F j one may form a diatonic modulation of thefe two notes, and then the fundamental bafs does nothing but pafs from the tonic dominant to the fenfible note, and from that note to the tonic dominant, till it arrives at the tonic. (See xc.) For the fame reafon, as the chord of the diminilhed feventh G^B D F, and the chord B D F A, which carries the fifth B of the tonic dominant E, only differs by the fenfible note G$, and the tonic A ; one may fometimes while the treble modulates G$A G$A G$ A, afcend in the fundamental bafs, from the bafs note to the third above* provided one defcend at laft from thence to the tonic dominant, and from thence to the tonic j (fee xci.) This and the preceding examples are licenfes. (4X) We fay atonic, or reckoned fuch, becaufe it may perhaps be a dominant from which the diffonance has been removed. But in that cafe one may know that it is a real dominant by the note which precedes it. For inftance if the note G, carrying a perfeft chord, is preceded by D a fimple dominant, carrying the chord D F A C that note G is not a real tonic ; becaufe, in order to this, it.would have been neceffary that 1) ihould have been a*tonic dominant, and Ihould have carried the chord D F^A Cj and that a fimple dominant, as D, carrying the chord D F A C, (hould only naturally defcend to a dominant, (art. 194.) (4 Y ) Sometimes a note which carries a 7 in the continued bafs, gives in the fundamental bafs its third above figured with a 6. For example, this continued bafs ABC gives this fundamental bafs C G C ; but in this cafe it is neceffary that the note figured with a 6 ihould rife by a fifth, as we fee here C rife to G. (42) A note figured with a 2, gives likewife fometimes in the fundamental bafs its fourth above, figured with a 6 ; but it is neceffary in that cafe that the note figured with a 6, may even here rife to a fifth. (See note 4 y.) ^ Thefe variations in the fundamental bafs, as well in the chord concerning which we now treat, as in the chord figured with a 7, and in two others which fhall afterwards be mentioned (art. 228 and 229), are caufed by a de¬ ficiency in the figns proper for the chord of the fub-dominant, and for the different arrangements bv which it is inverted. ^ M. 1’Abbe Ron filer, to redrefs this deficiency, had invented a new manner of figuring the continued bafs. His method is mofi fimple for thofe who know the fundamental bafs. It confifts in expreffing each chord bv only fignifying the fundamental found with that letter of the fcale by which it is denominated, to which is joined a 7 or $f, or a 6, in order to mark all the difcords. Thus the fundamental chord of the feventb 13 F A Cis expreff- ed by a D j and the fame chord, when it is inverted from that of the fub-dominant FACE, is charafterized by F; the chord of the fecond C D F A, inverted from the dominant D F A C, is likewife reprefented by J3 ; and the fame chord C D F A, inverted from that of the fub-dominant F A C D, is fignified by F; the cafe is the 546 MUSIC. Part II. Principles mental b&fs the diatonic note above, figured with a 7. or Compofi- (See LXI.). . 7. Every note figured with a g gives its third below figured with a 7. (See LVlii.) 8. Every note marked with a $ gives the fifth be¬ low marked with a 7 ; (fee LX.) and it is plain by art. 187. that in the chord of the feventh, of which we treat in thefe three laft articles, the third ought to be major, and the feventh minor, this chord of the feventh being the chord of the tonic dominant. (See art. 102.). 9. Every note marked with a 9 gives its third above figured with a 7. (See lxxvii. and LXXIX.) 10. Every note marked with a f gives the fifth a- bove figured with a 7. (See lxxviii). 11. Every note marked with a $5, or with a -}-5> 7 gives the third above figured with a $. (See lxxxi.) 12. Every note marked with a $7 gives a fifth above 7 figured with a 7, or with a $. (See lxxvi.) It is the fame cafe with the notes marked 5, or 4 which 18. Every note marked with a ss the feventh t>6 §lves redundant above, figured with a (See lxxxix.) (5 a). Remark. A difficulty 228. We have omitted two cafes, which may caufe in finding fome uncertainty, the funda¬ mental bafs. The firft is that where the note of the continued bafs Principles is figured with a 6. Ws now prefent the reafon of theof ComP®^* difficulty. , Suppofe we (hould have the dominant D in the fun¬ damental bafs, the note which anfwers to it in the con¬ tinued bafs may be A carrying the figure 6 (fee lxiv.) } that is to fay, the chord A CDF: now 6 if we fhould have the fubdominant F in the fundamen¬ tal bafs, this fubdominant might produce in the conti¬ nued bafs the fame note A figured with a 6. When therefore we find in the continued bafs a note marked with a 6, it appears at firft uncertain whether we Ihould place in the fundamental bafs the fifth below marked with a 7, or the third below marked with a 6. 229. The fecond cafe is that in which the conti-Another; nued bafs is figured with a f-. For inftance, if there {hows a retrenchment, either in the complete chord of the eleventh, or in that of the feventh redundant. 13. Every note marked with a 4 gives a fifth above 7 figured with 37, or a (See Lxxx.) 14. Every note marked with a $6 gives the third minor below, figured with a (See lxxxv.) 4 15. Every note maiked with a t> gives the tritone a- bove figured with ?. (See lxxxvi.) 16. Every note marked with a $2 gives the fecond redundant above, figured with a jf. (See lxxxvii.) 17. Every note marked with a gives the fifth redundant above, figured with a (See lxxxviii.) ftiould be found F in the continued bafs, we may be ignorant whether we ought to infert in the funda¬ mental bafs F marked with a 6, or D figured with 3 ?• 230. This difficulty may be removed by leaving for Solution, an inftant this uncertain note in fufpenfe, and in exa¬ mining the fucceeding note of the fundamental bafs j for if that note be in the prefent cafe a fifth above F, that is to fay, if it be C, in this cafe, and in this alone, we 6 may place F in the fundamental bafs. It is a confe- quence of this rule, that in the fundamental bafs every fub-dominant ought to rife by a filth (195). Chap. XII. What is meant by being in a Mode or Tone. 231. In the firft part of this treatife (chap, vi.) we Method of have explained, how by the means of the note C, and determin- of its two-fifths G and F, one in afeending, which is called a tonic dominant, the other in defeending, which which we is called a fub-dominant, the fcale C D E F A B C may are. be found : the different founds which form this fcale compofe the fame when the chords are differently inverted. By this means it would be impoffible to miftake either with re- fpeft to the fundamental bafs of a chord, or with refpedt to the note which forms its diffonance, or with refpeft to the nature and fpecies of that difeord. (5 a) We may only add, that here, and in the preceding articles of the text, we fuppofe, that the continued bafs is figured in the manner of M. Rameau. For it is proper to obferve, that there are not, perhaps, two mu- ficians who charaflerize their chords with the fame figures $ which produces a great inconveniency to the perfon who plays the accompaniments : but here we do not treat of accompaniments. We prefer the continued baffes of M. Rameau to all the others, as by them the fundamental bafs will be moft eafily difeovered. M. Rameau only marks the leffer fixth by a 6 without a line, when this leffer fixth does not refult from the ohord of the tonic dominant ; in fuch a manner that the 6 renders it uncertain whether in the fundamental bafs we ought to cboofe the third or the fifth below j but it will be eafy to fee whether the third or the fifth is fignified by that figure. This may be diftinguithed, 1. In obferving which of the two notes is excluded by the rules of the fundamental bafs. 2. If the two notes may with equal propriety be placed in the fundamental bafs, the preference muft be determined by the tone or mode of the treble in that particular paffage. In the following chapter we {hall give rules for determining the mode (note 3 z). There is a chord of which we have not fpoken in this enumeration, and which is called the chord of the Jixth redundant. This chord is compofed of a note, of its third major, of its redundant fourth or tritone, and its re¬ dundant fixth, as FAB D$. It is marked with a 6$. It appears difficult to find a fundamental bafs for this chord j nor is it indeed much in ufe amongft us. (See the note upon the art. 115.) I his chord is called in England the chord of the extreme [harp Jixth. When accompanied by the third only it is called the Italian fixth. When the fifth is fubftituted for the tritone, it has been called the German Jixth, ^ Part II. M U S Principles compofe the major mode of C, becaufe the third E of Compofi- aij0ve C is major. If therefore we w-ould have a mo- , tl^n’ dulation in the major mode of C, no other founds muft v enter into it than thofe which compofe this fcale j in fuch a manner that if, for inftance, we fhould find in this modulation, this difcovers to us that we are not in the mode of C, or at leaft that, if we have been in it, we are no longer fo. 23 2. In the fame manner, if we form this fcale in af- cending A B D E G$A, which is exatfly fi- milar to the fcale CDEFGABCof the major mode of C, this fcale, in which the third from A to is major, lhall be in the major mode of A ; and if we in¬ cline to be in the minor mode of A, we have only to fubftitute for C (harp C natural ; fo that the major third A 0$ may become minor A C : we fhall have then A B C D E F$ G$ A, which is (85.) the fcale of the minor mode of A in af- cending; and the fcale of the minor mode of A in de- fcending {hall be (90.), , AGFECDBA, in which the G and F are no longer (harp. For it is a fingularity peculiar to the minor mode, that its fcale is not the fame in rifing as in defcending (89.). Henceitap- 233. This is the reafon why, when we wifti to be- pears what g|n a piece in the major mode of A, wTe place three ?arPoanH lharps at the cleflf upon F, C, and G ; and on the con- be^nUced trary, in the minor mode of A, we place none, becaule at the cleft' the minor mode of A# in defcending, has neither fharps in the ma nor flats. jormodeof the fcale contains twelve founds, each di- ftant from the other by the interval of a lemitone, it is omitted in obvious that each of thefe founds can produce both a the minor major and a minor mode, which conftitute 24 modes mode in de-Up0n the wh0le. Of thefe we (hall immediately give a {tending. tab1^ may be very ufefui t0 difcover the mode in which we are. Modes 24 in the whole. Maj. Mode of C; of Gj A TABLE of the Different Modes. Major Modes. C, D, E, F, G, A, B, c. G, A, B, c, d, e, f$, g. I c. of D } D, E, F^, G, A, B, c^, d: of A } A, B, c d, e, g^, a. of E j E, Fi^, G^, ABc^,d^, e. of B : B, c&, e, f$,g$, a«, b. Of Fi^. F$, G'^, A^, B, d$, e^, f'^ (5 b), 0f^']-Dtj, E[j, F, Gb, Ab, Bb, c, db. or Db ; $ Of G% 1 A[? c> dt?} gj ai;. or Ab *, S 0f^’ | Eb, F, G, A\>, Bb, c, d, eb, of j Bb, C, D. El?, F, G, A, Bl). or Bb j 3 B!?, c, d, e, f. or cf- }C» D’ E’ F’ G’ A’ B,C‘ (See Ex. xciv.) Minor Modes. Of A. In defcending. A G F E D C B A. In rifing. A B C D E F'^ G^ A. Of E. In defcending. e d c B A G F'$ E. In rifing. E F$ G A B c^ d^ e. Of B. In defcending. BAG E D C^B In rifing. B D E T $ G^ Ai^ B. Of F*c. In defcending. f^e d c$B A G^E'^. In rifing. F$ G'^ A B d'$ e^ f^. Of C% In defcending. B AG$: E D$ C^i. In rifing. D$ E G^ A^ C^. Of G« or Ab. In defcending. gi$> c$ B A^ G^. In rifing. Ab Bb Cb db eb fgsb* Of D^; or Eb. In defcending. eb db cb Bb Ab Gb F Eb« In rifing. Eb F Gb Ab Bb c d eb. Of A:^: or Bb- In defcending. Bb Ab, Gb F Eb Db C Bb* In rifing. Db C Db Eb F G A Bb. 3 Z 2 Of 547 Principles of Compofi- tion. ' , » fe The major mode of F^, of C^, and of G^, are not much praaifed. ^ . When a piece begins upon C^:, there ought to be feven (harps placed at the cleff: but it is more convenient only to place five flats, and to fuppofe the key Db, which is almoft the fame thing with C$. For this reafon we fubftitute here the mode of Db, for that of r , r , c c • j r It is ftill much more neceffary to fubftitute the mode of Ab for that of G'$ } for the fcale of the major mode of G$is, G$, A$, B$, C$, d$,e$, g, g$, > in which it appears that there are at the fame time both a ‘g!)’ and a ‘g$’ : it would then be neceilary, even at the fame time, that upon G there fhould and (hould not be a fharp at the cleflf j which is inconfiftent. It is true that this inconvenience may be avoided by placing a (harp upon G at the cleff, and by marking the note G with a natural through the courfe of the mufic wherever it ought to be natural; but this would become troublefome, above all if there (hould be occafion to tranfpofe. In the article 236. we (hall give an account of tranfpofition. \Vt might likewife in this feries, inftead of G natural, which is the note immediately before the lait, fubftitute F$$, that is to fay, F twice (harp : which, however, is not abfolutely the fame lound with G natural, efpecial- lv upon inftruments whofe fcales are fixed, or whofe intervals arc invariable. But in that cafe two (harps muft be placed at the cleff upon F, which would produce another inconvenience. But by fubftituting Ab for G$, the trouble is eluded. „ . . , , r r-v v • r 1 The double fharp, however, is incidentally ufed, when in a compofition in the key of Fy, there is an occaiional modulation into the dominant of that key, and it is diftinguiftied by the charafter X or 5+8 Principles of Compofi- tion. In defcending. In riling. In defcending. In riling. In defcending. In riling. In defcending. In riling. M U Of E$ or Fii. f F e[? d[? c B[? At) GF. F G At? .Bb c d e f. Of c. c Bb Ab G F Eb D C. CDEb FG ABc. Of G. gfebdCBb AG. G ABb cdef$ g. Of D. d c Bb A G F E D. D E F G A B c$ d (5 c). . Modes 235. Thefe then are all the modes, as well major as crowded minor. Thofe which are crowded with lharps and ^ndflatT1*8 ^atS are Pra<^^e^> as Being extremely difficult in little prac- execution, lifed, S I C. Part II. 236. Hence It follows, Principles 1. That when there are neither lharps nor flats at the of Compofi- cleff, the piece begins in the major mode of C, or in , tl°n* p the minor mode of A. Refults. 2. That when there is one lharp, it will always be placed upon F, and that the piece begins in the major mode of G, or the minor of E, in fuch a manner that it may be fung as if there were no lharp, by linging B inlfead of F$, and in finging the tune as if it had been in another cleff. For inllance, let there be a tharp up¬ on F in the cleff of G upon the firft line $ one may then ling the tune as if there were no lharp; and as if, in- ftead of the cleff of G upon the firft line, it were the cleff of C ; for the F$, when changed into B, will re¬ quire that the cleff of G Ihould be changed to the cleff of C, as may be eafily feen. This is what we call tranfpojition (5 d). Sec Tranf- 237. It is evident, that when F$ is changed into/’?A^07Z* (5 c) We have already feen, that in each mode, the principal note is called a tonic; that the fifth above that note is called a tonic dominant, or the dominant of the mode, or limply a dominant; that the fifth below the tonic, or, what is the fame thing, the fourth above that tonic, is called a fub-dommant; and in Ihort, that the note which forms a'femitone below the tonic, and which is a third major from the dominant, is called •d.fenfble note. The other notes have likewife in every mode particular names which it is advantageous to know'. 1 hus a note which is a tone immediately above the tonic, as D in the mode of C, and B in that of A is termed ■a.fuper-tonic ; the following note, which is a third major or minor from the tonic, according as the chord is major or minor, fuch as E in the major mode of C, and C in the minor mode of A, is called a mediant; and the note which is a tone above the dominant, fuch as A, in the mode of C, and F$ in that of A, is called %.fuper- dominant. (5 d) Though our author’s account of this delicate operation in mufic will be found extremely juft and com¬ pendious j though it proceeds upon limple principles, and comprehends every poflible contingency j yet as the manner of thinking upon which it depends may be lefs familiar to Englilh readers, if not profoundly Ikilled in mufic, it has been thought proper to give a more familiar, though lefs comprehenfive, explanation of the manner in which tranfpoftion may be executed. It will eafily occur to every reader, that if each of the intervals through the whole diatonic feries were equal, in a mathematical fenfe, it would be abfolutely indifferent upon what note any air wTere begun, if within the com- pafs of the gammut; becaufe the fame equal intervals muft always have the fame effedts. But fince, befides the natural femitones, there is another diftinftion of diatonic intervals into greater and leffer tones ; and fince thefe vary their pofitions in the feries of an o£tave, according as the note from whence you begin is placed, that note is confequently the beft key for any tune whofe natural feries is moft exactly correfpondent with the intervals which that melody or harmony requires. But in inftruments whofe feales are fixed, notwithftanding the temperament and other expedients of the fame kind, fuch a feries is far from being eafily found, and is indeed in common prac¬ tice almoft totally negle&ed. All that can frequently be done is, to take care that the ear may not be fenfibly fhocked. This, however, would be the cafe, if, in tranfpofing any tune, the fituation of the femitones, whether natural or artificial, were not exactly correfpondent in the feries to which your air muft be tranfpofed, with their pofitions in the fcale from which you tranfpofe it. Suppofe, for inftance, your air ftrould begin upon C, requiring the natural diatonic feries through the whole gammut, in which the diftance between E and F, as alfo that be¬ tween B and C, is only a femitone. Again, fuppofe it neceffary for your voice, or the inftrument on which you play, that the fame air ftiould be tranfpofed to G, a fifth above its former key j then becaufe in the firft feries the intervals between the third and the fourth, feventh and eighth notes, are no more than femitones, the fame inter¬ vals muft take the fame place in the odlave to which you tranfpofe. Now, from G, the note with which you pro- pofe to begin, the three tones immediately fucceeding are full; but the fourth C is only a femitone •, it may there¬ fore be kept in its place. But from F, the feventh note above, to G, the eighth, the interval is a full tone, which muft confequently be redreffed by raifing the F a femitone higher. Thus the fituations of the femitonic in¬ tervals in both o£laves will be correfpondent j and thus, by conforming the pofitions of the femitones in the oc¬ tave to which you tranfpofe, with thofe in the oftave in which the original key of the tune is contained, you will perform your operation with as much fuccefs as the nature of fixed feales can admit. The order to be obferved in thefe alterations of the intervals, is deduced from the relation which the fifth af- cending and defcending bear to the fundamental (art. 34. 35.) j and therefore the farther we depart from the na¬ tural fundamental C by a feries of fifths afeending or defcending, the alterations, and confequently the number of iharps or flats indicating them, will be the greater. Thus if G, which is the perfeft fifth afeending from , therefore the note nioft nearly allied to C (art. 39, 40.), be S I c. Part II. M U Principles B, G muft be changed into C, and E into A. Thus, of Compofi- by tranfpolition, the air has the fame melody as if it 1 mn' , were in the major mode of C, or in the minor mode of All the -A-* major mode then of G, and the minor of E, modes re- are by tranfpolition reduced to thofe of C major, and ducible to 0f A minor. It is the fame cafe with all the other the major modes(rE). of C and 'J the minor of A. 549 Principles Chap. XIII. To find the Fundamental Bafs of a ofCompoti- given Modulation. ■ f- • 238. As we have reduced to a very fmall number Method of the rules of the fundamental bafs, and thofe which in^n(,jnSa the treble ought to be obferved with relation to this tni'bafs'to a bafs, given air not diffi- . cult, and why. be taken for a fundamental, F, which is the feventh of the fcale of G, muft be made ftiarp, that it may be a whole tone from the fixth E, and only a femitone from the key note G, according to the laws of the diatonic fcale (art. 77.). See Ex. xciv. x. 2. Again, if D, the perfect fifth afcending from G, and the fecond in the feries of progreftive fifths afcending from C, be ufed as a fundamental, C, which is the feventh of the fcale of D, muft, to render it the fenfible or leading note (art. 77.), be made fharp in addition to F j fo that in the fcale of D, there are two fharps, F and C, See Ex. xciv. (3.). / . If A, the perfeft fifth above D, and the third in the feries of fifths afcending from C, be the fundamental, the feventh G muft, in addition to F and C, be made fharp, for the fame reaion (4.) ; and fo on, in the fcale of E, which is next in order, F, C, G, and D, muft be fharp (5.) : in that of B, the fharps muft be F, C, G, D and A (6.). The perfect fifth above B is F$, and in that fcale F, C, G, D, A, and E, muft be ftiarp (7.). And in the-- next fcale all the notes of the fyftem are fharp (8.). This, for the reafons mentioned in the note (5 b), is the laft fcale to which we can properly go by the progref- fions of fifths afcending. Returning to the natural fcale of C, if, inftead of affuming G, the perfeft fifth above, for a fundamental, we take F, the perfedft fifth below 5 B, which is the fourth note above F, and forms a tritone or fharp fourth to it, muft, to become a perfect fourth, according to the laws of the diatonic fcale, (art. 60.) be made flat (12.). Proceeding with the feries of fifths defcending, if Bfr, which is the perfeft fifth below F, be taken for a funda¬ mental •, E, which, in its natural ftate, is the tritone or fharp fourth to Bfr, muft, to become the diatonic fourth (art. 60.), alfo be rendered flat (11.) If E[}, which is the perfedt fifth below Bfj, and the third in the feries of fifths defcending'from C, be made the fundamental, A, the fharp fourth, muft, to become the diatonic''fourth, be made flat, and the flats marked at the cleflf are B, E and A (10.). To form the next fcale in the feries of fifths defcending, which is that of A flat, D muft be flattened4 and B, E, A, and D, are marked flat at the cleft (9.). The next fcale, that of I) flat, is formed by flattening G, and adding its flat to the others at the cleft (8.). This is the fcale recommended to be ufed rather than that of C$. (See note 3 b). We do not proceed farther with the feries of fifths defcending, fince the next fcale, that of G\), would juft or very nearly exhibit the founds already reprefented by the fcale of F$ This fcale is, however, fometimes written in the key of G flat, and we even meet with the fcale of its fifth below', C flat, and, with an occafional modulation from that key into its fifth below, F flat, where B being neceffarily twice flattened, is diftinguiftied by this chara£ler or (?[;, called a double flat. We have thus feen, ift, That each of the notes of the diatonic fcale of C, and each of thefemitones into wdrich the whole tones of that fcale are divided, may be taken for the fundamental note of a diatonic fcale, called the fcale of that note. 2dly, That the notes of the natural fcale are more or lefs altered, as the note aflumed for a fundamental is more or lefs diftant from C, in a progreffion of fifths afcending or delcending. 3dly, That in the progreflion by fifths afcending, the notes are altered by {harps, and in the progreflion by fifths defcending, the alterations are by flats. 4thly, That in the alteration by (harps, the laft Pnarp is always on the feventh or Jenfible note of the fcale *, and where there are more than one, is always on the fifth above the (harp immediately preced¬ ing j and in the alteration by flats, the laft flat is always on the fourth of the fcale 5 and where there are more than one, is always on the fifth below the fiat immediately preceding. The fignatures of fharps and flats at the clefts, belonging to the twelve major feales, are alfo ufed for their re¬ lative minor feales. The occafional elevation and depreflion of the fixths and fevenths of the minor feales, are de¬ noted by occafional (harps or flats placed before thefe notes. (5 e) Many muficians, and amongft others the ancient muficians of France, as Lulli, Campra, &c. place one flat lefs in the minor mode : fo that in the minor mode of D, they place neither (harp nor flat at the cleft} in the minor mode of G, one flat only \ in the minor mode of C, two flats, &c. This praftice in itfelf is fufticiently indifferent, and fcarcely merits the trouble of a difpute. Yet the method which we have here deferibed, according to M. Rameau, has the advantage of reducing all the modes to two ; and befides it is founded upon this Ample and very general rule, That in the major mode, we muft place as many (harps or flats at the cleft', as are contained in the diatonic fcale of that mode in afcending j and in the. minorr mode, as many as are contained in that fame fcale in defeeading,. .55° Principles o* Compofi- M V baf', it fhould no longer be iiakult to find the funda¬ mental bafs of a given modulation, nay, frequently to i-n,—y—find feveral ; for every fundamental bafs will be legiti¬ mate, when it is formed according to the rules which we have given (chap, vi.) ; and that, befides this, the difionances which the modulation may form with this bafs, will both be prepared, if it is necefiary that they Ihould be fo, and always refolved (5 f). Difficulty of 239. It is of the greatell utility in fearching for the general^ fundamental bafs, to know what is the tone or mode rules for l^e melody to which that bafs Ihould correfpond.— afcertaining But it is difficult in this matter to affign general rules, the mode otantj as are abfolutely without exception, in wdiich whofe fun riot^‘ng may be left that appears indifferent or dilcre- tionary ; becaufe fometimes we feem to have the free choice of referring a particular melody either to one mode or another. For example, this melody G C may belong to all the modes, as well major as minor, in which G and C are found together ; and each of thefe two founds may even be conlidered as belonging to a different mode. 240. We may fometimes, as it Ihould feem, operate without the knowdedge of the mode, for two reafons: 1. Becaufe, fince the fame founds belong to feveral different modes, the mode is fometimes confiderably of the C( fee uncleterm'ned 5 above all, in the middle of a piece, and mode, and during the time of one or two bars. 2. Without giving ourfelves much trouble about the mode, it is often fuf- ficient to preferve us from deviating in compofition, if we obferve in the fimpleff manner the rules above pre- feribed (chap, vi.) for the procedure of the fundamental bafs. 241. In the mean time, it is above all things ne- Knowledge ceffary to know in what mode wre operate at the bo¬ ot the mode ginning of the piece, becaufe it is indifpenfable that rdn^f^iece t^e lunc!amental ba^s fhould begin in the fame mode, indffpen- anc^ ^lat treble and bafs Ihould likewife end in it ; nay, that they fhould even terminate in its fundamental note, w hich in the mode of C is C, and A in that of A, &c. Befides, in thefe paffages of the modulation where there is a cadence, it is generally neceffary that the mode of the fundamental bafs fhould be the fame with that of the part to which it correfponds. 242. To know upon what mode or in wdiat key a piece commences, our inquiry may be entirely reduced to diftinguifh the major mode of C from the minor of A. For wre have already feen (art. 236. .and 237.), that all the modes may be reduced to thefe twTo, at leait in the damer.tal bali is fought. Reafons why we may pro¬ ceed with out the how we may be preferved from devi¬ ating in compoft- tion. fable, and -why. Ir.veftiga- tion of the mode con-{ tinued. S I C. Part II. beginning of the piece. We fhall now therefore give a brine .pies detail of the different means by which thefe twro modes01 ^omP°fi" may be diffinguifhed. . a<^n‘ f 1. From the principal and charadteriflical founds of Means by the mode, which are C E G in the one, and A C E in which the the other j fo that if a piece ftiould, for inftance, begin niodes ma? thus, A C E A, it may be almoff conftantly conciu-^er' ded, that the tone or mode is in A minor, although the notes AGE belong to the mode of C. 2. From the fenfible note, which is B in the one, and G$ in the other j fo that if G^ appears in the firft bars of a piece, we may be certain that we are in the mode of A. 3. From the adjundls of the mode, that is to fay, the modes of its two-fifths, which for C are F and G, and D and E for A. For example, if after having be¬ gun a melody by fome of the notes which are common to the modes of C and of A (as E D £ F E JD C B C), we fhould afterwards find the mode of G, w’hich we afeertain by the F$, or that of F which we afeertain by the B|? or Cij, we may conclude that we have begun in the mode of C j but if we find the mode of D, or that of E, which we afeertain by B[j, C^, or &c. we conclude from thence that we have begun in the mode of A. 4. A mode is not ufually changed, efpecially In the beginning of a piece, unlefs in order to pafs into one or other of the modes moft relative to it, which are the mode of its fifth above, and that of its third below, if the original mode be major, or of its third above if it be minor. Thus, for inftance, the modes which are moll intimately relative to the major mode of C, are the major mode of G, and that of A minor. From the mode of C we commonly pafs either into the one or the other of thefe modes 5 fe that we may fometimes judge of the principal mode in w'hich we are, by the relative mode which follows it, or which goes before it, when thefe relative modes are decifive- ly marked. Befides thefe two relative modes, there are likewife two others into which the principal mode may pafs, but lefs frequently, viz. the mode of its fifth, below, and that of its third above, as F and E for the mode of C (5 g). 5. The modes may ftill be likewife dillinguilhed by the cadences of the melody. Thefe cadences ought to occur at the end of every two, or at moft of every four bars, as in the fundamental bafs: now the note of the fundamental bafs which is moll fuitable to thefe clofes, (5 f) We often fay, t/iat we are upon a particular hey or fcale, inftead of faying that we are in a particular mode. I he following expreflions therefore are fynonymous; fuch a piece is in C major, or in the mode of C ma¬ jor , or in the hey of C major, or in the fcale of C major. (i G) ^ ^ certain that the minor mode of E has an extremely natural connexion with the mode of C, as has been proven (art. 92.) both by arguments and by examples. It has likewife appeared in the note upon the art. 93. tnat the minor mode of D may be joined to the major mode of C : and thus in a particular fenfe, this mode may be confidered as relative to the mode of C, but it is ftill lefs fo than the major modes of G and F, or than thofe of A and E minor 5 becaufe we cannot immediately, and without licence, pafs ?fi a fundamental bafs from the perfect minor chord of C to the perfect minor chord of D ; and if you pafs immediately from the major mode of C to the minor mode of D in a fundamental bafs, it is by paffing, for inftance, from the tonic C, or from E G C, to the tonic dominant of D, carrying the chord A C$C E G, in which there are twro founds, E G, which are found in the preceding chord, (Ex, xcv.) or otherwife irom C E G C to G B[? D E, a chord of the fub-domi- nant in the minor mode of D, w'hich chord has likewife two founds, G and E, in common with that which went immediately before it. See Ex. xcvi. 3 Partll. M U Principles clofes *, is always eafy to be found. For the founds of Compofi- wh;ch occur in the treble, M. Rameau may be con- . t‘^n‘ . fulted, p. 54. of his Nouveau Syjieme de Mufique theo- * See Ca- rique et pratique (5 h). dence. When the mode is afcertained, by the different Having af- jneans which we have pointed out, the fundamental bafs will coft little pains. For in each mode there are three the mode, /• * i r i the funda. fundamental iounds. mental bafs 1. The tonic of the mode, or its principal found, not diffi- which carries always the perfeft chord major or minor, €u according as the mode itfelf is major or minor. Major mode of C, CFG ‘c’. Minor mode of A, A C E A. 2. The tonic dominant, which is a fifth above the tonic, and which, whether in the major or minor mode, always carries a chord of the feventh, compofed of a third major followed by two thirds minor. Tonic dominant. Major mode of C, G B D ‘f\ Tonic dominant. Minor mode of A, E G$ B ‘d^ 3. The fub-dominant, which is a fifth below the tonic, and which carries a chord compofed of a third, fifth, and fixth major, the third being either greater or leffer, according as the mode is major or minor. Sub-dominant. Major mode of C, FAC Eut if we were to form this fundamental bafs, 7 7 7 7t) C A D G C, confidering the laft C as a tonic dominant in this man¬ ner, C E G Bb the mode ■would then be changed at the fecond C, and we Ihould enter into the mode of F, becaufe the chord C E G Bb indicates the tonic dominant of the mode of F •, befides, it is evident that the mode is changed, becaufe Bb does not belong to the fcale of C. See Ex. ci. In the fame manner, were we to form this fundamen¬ tal bafs A rule for difcover- ing the changes of ,inode. T T T 6" C A D G C, confidering the laft C as a fub-dominant in this man¬ ner, C E G A •, this laft C would indicate the mode of G, of which C is the fub-domtnant. See Ex. Oil. In like manner, ftill, if in the firft feries of domi¬ nants, we caufed the firft D to carry the third major, in this manner, D F'$ A ‘c’ ; this D having become a to¬ nic dominant, wmuld fignify to us the major mode of G, 7 and the G which ftiould follow it, carrying the chord B D ‘f’, would relapfe into the mode of C, from whence w'e had departed. See Ex. cm. Finally, in the fame manner, if in this feries of do¬ minants, wre ftiould caufe B to carry F$ in this man¬ ner, B D F$ A, this F would fliow that we had de¬ parted from the mode C, to enter into that of G. See Ex. civ. Hence it is eafy to form this rule for difeovering the changes of mode in the fundamental bafs. I. When we find a tonic in the fundamental bafs, we are in the mode of that tonic ; and the mode is ma¬ jor or minor, according as the perfect chord is major or minor. I C. Part II. 2. When ive find a fub-dominant, we arc in the Principles! mode of the fifth above that fub-dominant; and theComp°fi- mode is major or minor, according as the third in the . . chord of the fub-dominant is major or minor. 3. When we find a tonic dominant, we are in the mode of the fifth below that tonic dominant. As the to¬ nic dominant carries always the third major, it cannot be afeertained from this dominant alone, whether the mode be major or minor : but it is only neceffary to examine the following note, which mull be the tonic of the mode in which he is; by the third of this tonic it will be difeovered whether the mode be major or minor. 243. Every change of the mode fuppofes a cadence ; and when the mode changes in the fundamental bafs, it is almoft always either after the tonic of the mode in udiich we have been, or sifter the tonic dominant of that mode, confidered then as a tonic by favour of a clofe which ought neceffatily to be found in that place: Whence it happens that cadences in a melody for the moft part prefage a change of mode which ought to follow them. 244. All thefe rules, joined with the table of modes which we have given (art. 234.), will ferve to difeover in what mode we are in the middle of a piece, efpeci- ally in the moft effential paffages, as cadences (5 k). Chap. XIV. Of the Chromatic and Enharmonic. 245. We call that melody chromatic which is com-Chromatic, pofed of feveral notes in fucceftion, whether rifing orwliat* defeending by femitones. See CV. and cvi. 246. When an air is chromatic in defeending, the To an air moft natural and ordinary fundamental bafs is a con-defc611 ding catenated feries of tonic dominants; all of which fol-^^?^ low one another in defeending by a fifth, or which tervajs‘ is the fame thing, in rifing by a fourth. See Ex. CV.fundamen- (cl). talbafs, 247.what> (5 k) Two modes are fo much more intimately relative, as they contain a greater number of founds common to both ; for example, the minor mode of C and the major of G, or the major mode of C and the minor of A : on the contrary, twro modes are lefs intimately relative as the number of founds which they contain as common to both is fmaller; for inftance, the major mode of C and the minor of B, &c. When the compofer, led away by the current of the modulation, that is to fay, by the manner in w'hicli the fundamental bafs is conftituted, into a mode remote from that in w'hich the piece was begun, he ought to con¬ tinue in it but for a ftiort time, becaufe the ear is always impatient to return to the former mode. ( 5 l) We may likewife give to a chromatic melody in defeending, a fundamental bafs, into which may enter chords of the feventh and of the diminiftied feventh, wrhich may fucceed one another by the intervals ol a falte fifth and a fifth redundant: thus in the Example evil, w’here the continued bafs defeends chromatically, it may eafily be feen that the fundamental bafs carries fucceftively the chords of the feventh and of the leventh diminifli ed, and that in this bafs there is a falfe fifth from D to G'$, and a fifth redundant from G'$ to C. The reafon of this licence is, at it appears to us, becaufe the chord of the diminiftied feventh may be con¬ fidered as reprefenting (art. 221.) the chord of the tonic dominant; in fuch a manner that this fundamental bafs _ ^ 1 i 77 7 $ A D G& C F$ B E A (fee Example cvm.) may be confidered as reprefenting (art. 116.) that which is written below, 7^ 7 7 7 ^ A D E C F^ B E A. Now this laft fundamental bafs is formed according to the common rules, unlels that there is a broken ca- 7 % % dence from D to E, and uninterrupted cadence from E to C, which are licenfes (art. 213 and 214-/ 4 Music. Plate CCCLIV. s \s ^ \j ^ i1J \l ^J ^ y C D EF G A Be d e f g a b r G C F C D G C 36*1.2.Q D EF G A B (J^xx/e Jl&xtfr' ) \ 2 ' ^ gr a \>c ^ ef S a f£C&7ZA ) ^vf/e t y/t/ fr/ ^3. K M S T U : 2 9/u,f. H Q~^tJ—S *. zydza Fir. 3 Fig. 4. ChryO F i?. i5. O-r Fig. 6: firrriTiiy»i P JOR «=¥ Dl V- Fig.; F,g.8. g~# ^^□nt Fig.^. Fig. lO. Fig. 11. # Fig. 1^. j1 mji uj iiiJiiIt^lu1 Figr. \3. Pause^. M- - - ° Fig. 14. ' i>-irT~g '^. nFig-L5- Direct. pm§£ Fig. l^. Fig 1/ ■ y-i:- k z: Fief. 18. «F'g— hi i. J r S 3^11J t^r 5s Music. Plate CCCLVII. * Music. Plate ccclvui. I Music. Plate CCCLIX. LXXIX. LXXX. LXXXI. LXXXII. LXXXIII. LXXXIV. * Music. Pla) e CCCLX. XCIV. Major Scales. Music. Plate ccclxi. „ ) c- CI. cii. cur. crv. * CX. Canon in the Fourth. J j-k1- ■ q r"p~'~~~w l8} & 2^ Paits. I / 4—^ T'tr ' -tUbe:- =1 3^ & 4^ Parts. 6 TTT i - j j E # Fund. Bass. M, Part II. Principles of Compo- fition. Aft ending, what. Enharmo¬ nic little pradlifed. See Lrfign% Defign, what. See Imi¬ tation. Imitation, what. See Air, Canon, Tugtie. M U 247. When the air is chromatic in afcending, one may form a fundamental bafs by a feries of tonics and of tonic dominants, which fucceed one another alter¬ nately by the interval of a third in defcending, and of a fourth in afcending, (fee Ex. Cvi.) There are many other ways of forming a chromatic air, whether in riling or defcendine \ but thefe details in an elemen¬ tary effay are by no means neceffary. 248. The enharmonic is very rarely put in praflice ; and we have explained its formation in the firft book, to which we refer our readers. Chap. XV. Of Defign, Imitation, and Fugue. 249. In mufic, the name of deftgn, or fubjeB, is ge¬ nerally given to a particular air or melody, which the compofer intends ihould prevail through the piece *, whether it is intended to exprefs the meaning of words to which it may be fet, or merely inlpired by the im- pulfe of tafte and fancy. In this laft cafe, defign is diftinguifhed into imitation and fugue. 250. Imitation confilts in cauling to be repeated the melody of one or of feveral meafures in one lingle part, or in the whole harmony, and in any of the various modes that may be cholen. When all the parts abfo- lutely repeat the fame air * or melody, and beginning one after the other, this is called a canon (5 m). . Fugue confifts in alternately repeating that air in the treble, and in the bafs, or even in all the parts, if there are more than two. Vol. XIV. Part II. 3 I C. 553 251. Imitation and fugue are fometimes conducted Principles by rules merely deducible from talk, which may be feen in the 332d and following pages of M. Rameau’s v—j Treatife on Harmony ; where will likewife be found a Principal detail of the rules for compofition in feveral parts, rules for The chief rules for ccmpofition in feverai parts are, ^mp^fing that the difcords Ihould be found, as much as P°®hic, parts> prepared and refolved in the fame part } that a dif- cord fhould not be heard at the fame time in feveial parts, becaufe its harfhnefs would ddguft the ear j and that in no particular part there fhould be found two oftaves or two fifths in fucceffion (5 N) with re- fpe£t to the bafs. Muficians, however, do not hefitate fometimes to violate this precept, when tafle or occa- fion require. In mufic, as in all the other fine arts, it is the bufinefs of the artift to aflign and to obferve rules j and province of men of tafte and genius to find the ex¬ ceptions. APPENDIX. The treatife of D’Alembert is well entitled to the me¬ rit of accuracy ; but perhaps a perfon who has not par¬ ticularly ifudied the fubjeft, may find difficulty in fol¬ lowing the fcientific dedu&ions of that author.—We fubjoin, therefore, a few general obfervations on the philofophy of mufical found, commonly called harmo¬ nics, which may perhaps convey the full portion of knowledge of the theory of mufic, with which one in 4 A fearch (5 m) Compofitions in ftrift canon, where one part begins with a certain fubjecl, and the other parts are bound to repeat the very fame fubjedf, or the reply, as it is called, in the unifon, fifth, fourth, or o fore it is fermented. See WlNE. 1 y---' MUSTARD. See Sinapi, Botany Index. Mustard Seed. For an account of its medical qua¬ lities, fee Materia Medica Index. MUSTELA, the Otter and Weasel-, a genus of quadrupeds of the order of ferae. See Mammalia Index. MUSTER, in a military fenfe, a review of troops under arms, to fee if they be complete and in good order 5 to take an account of their numbers, the con¬ dition they are in, viewing their arms and accounte- ments, &c. Mus TER-MaJler-general) or Commiffary-general of the Musters ; one wdio takes account of every regiment, their number, horfes, arms, &c. reviews them, fees the horfes be w7ell mounted, and all the men well armed and accoutred, &c. Muster-RoIIs, lifts of foldiers in each company, troop, or regiment, by which they are paid, and the ftrength of the army is known. MUTABILITY is oppofed to immutability. See Immutability. MUTATION, the aft of changing, or fometimes the change itfelf. Mutation, in the ancient mufic, is applied to the changes or alterations that happen in the order of the founds which compofe the melody. MUTATIONES, among the Romans, poll ftages, or places where the public couriers were fupplied with frefti horfes.—The mutationes were wholly deiigned for the ufe of thefe couriers, or meffengers of ftate j in which refpett they differ from manfones. MUTCHKIN, a liquid meafure ufed in Scotland -, it contains four gills, and is the fourth part of a Scotch pint. MUTE, is a general fenfe, fignifies a perfon that cannot fpeak, or has not the ufe ot fpeech. Mute, in Law, a perfon that ftands dumb or fpeech- lefs when he ought to anfwer, or to plead. See Ar¬ raignment. Mute, in Grammar, a letter which yields no found without the addition of a vowel. The fimple confo- nants are diftinguilhed into mutes and liquids, or femi-vowels. See the articles Consonant, Lij^uid, &c* The mutes in the Greek alphabet are nine, three of which, viz. tt, k, t, are termed tenues; three /3, y, termed media?; and three v*y«s, “ difeourfe”), in anatomy, a defeription of the mufcles ; or the knowledge of what relates to the mufcles of the human body. Ibid. MYOMANCY, a kind of divination, or method of foretelling future events by means of mice. Some authors hold myomancy to be one of the moft ancient kinds of divination } and think it is on this account that Ifaiah, Ixvi. 17. reckons mice among the abominable things of the Idolaters. But, befide that, it is not certain that the Hebrew word T33S ufed by the 2 M Y R [ 559 ] M Y R Myopia the prophet fignifies a moufe, it is evident it is not the II _ divination by that animal, be it what it will, that is Mynftica. fp0j4en 0f? p,ut the eating it. ^ MYOPIA, Short-sightedness 5 a fpecies of vi- fion wherein objefts are feen only at fmall diftances. See Medicine, N° 361. MYOSOTIS, Scorpion-grass 5 a genus of plants belonging to the pentandria clafs, and in the natural method ranking under the 41ft order, Afperifolia:. See Botany Index. MYOSURUS, a genus of plants belonging to the pentandria clafs, and in the natural method ranking under the 26th order, Multijiliquce. See Botany In¬ dex. MYOXUS, the Dormouse, a genus of quadrupeds belonging to the order of glires. See Mammalia In¬ dex. MYRIAD, a term fometimes ufed to denote ten thoufand. MYRICA, Gale, or Sweet-willovt, a genus of plants belonging to the dioecia clafs, and in the natural method ranking under the 5th order, Amentacece. See Botany Index. MYRIOPHYLLUM, a genus of plants belonging to the monoecia clafs, and in the natural method rank¬ ing under the 15th order, Inundatce. See Botany Index. MYRISTICA, the Nutmeg-tree, in Botany, a genus of plants belonging to the clafs dioecia, and or¬ der fyngenefia, and of the natural order, Laun. The defeription of this genus having been omitted in its pro¬ per place under Botany, we fhall here introduce a Ihort account of it.—The male calyx is monophyllous, ftrong, and parted into three lacinice of an oval lhape, and ending in a point: it has no corolla. In the mid¬ dle of the receptacle rifes a column of the height of the calyx j to the upper part of which the antherae are at¬ tached. They vary in number from three to twelve or thirteen.—The female calyx and corolla as in the male, on a didindl tree. The germen of an oval fliape •, the flyle (hort, with a bifid ftigma, the laci- nii of which are oval and fpreading.—The fruit is of that fort called drupa. It is fleflry, roundilh, fome¬ times unilocular, fometimes bivalved, and burfts when ripe at the fide. The feed is enveloped with a flelhy and fatty membranous fubftance which divides into filaments (this, in one of the fpecies, is the mace of the (hops). The feed or nutmeg is round or oval ftiaped, unilocular, and contains a fmall kernel, varie¬ gated on the furface by the fibres running in the form of a ferew. Species.—There are five fpecies of this genus ac¬ cording to fome authors •, but feveral of thefe being only varieties, may be reduced to three, viz. 1. Myriftica fatua, or wild nutmeg : this growTs in Tobago, and rifes to the height of an apple-tree ; has oblong, lanceolated, downy leaves, and hairy fruit:— the nutmeg of which is aromatic, but urhen given in¬ wardly is narcotic, and occafions drunkennefs, deli¬ rium, and madnefs, for a time. 2. The myriftica febifera, (Virola Sebifera Aublet, page 904. tab. 345.) a tree frequent in Guiana, rifing to 40 or even to 60 feet high j on wounding the trunk of which, a thick, acrid, red juice runs out. Aublet fays nothing of the nutmegs being aromatic 3 he only obferves, that a yellow fat is obtained from them, w'hich Myriftica. ferves many economical and medical purpofes, and that the natives make candles of it. 3. The myriftica mofehata, or nutmeg, rifes to the height of 30 feet, producing numerous branches 3 the bark of the trunk is of a reddifti brown, but that of the young branches is of a bright green colour : the leaves are nearly elliptical, pointed, undulated, obliquely nerved, on the upper fide of a bright green, on the un¬ der whitilh, and ftand alternately upon footftalks : the flowers are fmall, and hang upon (lender peduncles, proceeding from the axillae of the leaves: they are both male and female upon feparate trees. M. Schwartz, who has carefully examined this as wTell as the two firft fpecies, preferved in fpirits, places them among the monadelphia. The nutmeg has been fuppofed to be the comacum of Theophraltus, but there feems little foundation for this opinion 3 nor can it with more probability be thought to be the chryfobalanos of Galen. Our firft knowledge of it was evidently derived from the Ara¬ bians 3 by Avicenna it was called jiaujiban, or jauju band, which fignifies nut of Banda. Rumphius both figured and deferibed this tree 3 but the figure given ^ by him is fo imperfect, and the defeription lo confufed, that Linnaeus, who gave it the generic name myrijlica, was unable to aftign its proper characters. M. Lamarck informs us, that he received feveral branches of the my¬ riftica, both in (lower and fruit, from the ille of France, where a nutmeg-tree, which was introduced by Mon- fieur Poivre in 1770, is now very large, and continu¬ ally producing flowers and fruit. From thefe branches, which were fent from Monf. Cere, direCtor of the king’s garden in that ifland, Lamarck has been enabled to deferibe and figure this and pther fpecies of the myrif¬ tica. See Plate CXXIV. Botany. Fig. a. A fprig with fruClification. The drupa of the natural fize, and burfting open. Fig. b. the full- grown fruit cut lengthways. Fig. c. Another feClion of the fame. Fig. d. The nutmeg enveloped with its covering, the mace. Fig. e. The fatty membrane or mace fpread out. Fig.-jf. The nutmeg of its natural fize. Fig. g. The fame with its external tegument re¬ moved at one end. Fig. h. The fame with its outer tegument entirely removed. Fig. z’. A tranfverfe fec- tion of the nutmeg. The feeds or kernels called nutmegs are well known, as they have been long ufed both for culinary and me¬ dical purpofes. Dittilled with water, they yield a large quantity of effential oil, refembling^ in flavour the fpice itfelf 3 after the diftillation an infipid (eba- ceous matter is found fwimming on the water 3 the decoCIion infpiflfated, gives an extraCl of an un&uous, very lightly bitterifti tafte, and with little or no aftrin- gency. ReClified fpirit extrafts the whole virtue -of nutmegs by infufion, and elevates very little of it in diftillation 3 hence the fpirituous extraft pofleffes the flavour of the fpice in an eminent degree. Nutmegs, when heated, yield to the prefs a confider- able quantity of limpid yellow oil, which on cooling concretes into a febaceous confidence. In the (hops we meet with three forts of un&uous fubftances, called oil of mace, though really exprefled from the nutmeg. The beft is brought from tlie Eaft Indies in (lone jars 3 this is of a thick confidence, of the colour of mace, , M Y H [ 560 ] M Y U ^ica. tnnc?, sr,d has an agreeable fragrant fmell ; the fe- cond fort, which is paler coloured, and much inferior in quality, comes from Holland in folid mafi’es, gene¬ rally flat, and of a fquave figure : tire third, which is the won't of all, and ufoally called common oil of mace, is an artificial compofition of fevum,-palm oil, and the like, flavoured with a little genuine oil of nutmeg. Method of gathering and preparing Nutmeg.—When the fruit is ripe the natives afcend the trees, and ga¬ ther it by pulling the branches to them with long hooks. Some are employed in opening them immediately, and in taking off the green (hell or firft rind, which is laid together in a heap in the woods, where in time in pu-' trefies. As foon as the putrefadlion has taken place, there fpring up a kind of mufhroorns called bo/eti mof chatyni, of a blackilh colour, and much valued by the natives, who conlider them as delicate eating. When the nuts are dripped of their firft rind, they are carried home, and the macc is carefully taken off with a fmall knife. The mace, which is of a beautiful red, but af¬ terwards affumes a darkifti or reddilh colour, is laid to dry in the fun for the fpace of a day, and is then re¬ moved to a place lefs expofed to bis rays, where it re¬ mains for eight days, that it may foften a little. They afterwards moiften it with fea water, to prevent it from drying too much, or from loftng its oil. They are careful, however, not to employ too much water, left it fhouid become putrid, and be devoured by the worms. It is laft of all put into fmall bags, and fqueezed very clofe. The nuts which are ftill covered with their ligne¬ ous ftiell, are for three days expofed to thq fun, and afterwards dried before a fire till they emit a found when they are ftraken ; they then beat them with fmall fticks in order to remove their (hell, which flies off in pieces. Thefe nuts are diftributed into three parcels •, the firft of which contains the largeft and mofi: beautiful, which are deftined to be brought to Eu¬ rope 5 the fecond contains fuch as rfce referved for the ufe of the inhabitants; and the third contains the fmall- eft, which are irregular or unripe. Thefe are burnt 5 and part of the reft is employed for procuring oil by preffure. A pound of them commonly gives three dunces of oil, which has the confidence of tallow, and has entirely the tafte of nutmeg. Both the nut and mace, when diftilled, afford aft effential, tranfparent, and volatile oil, of an excellent flavour. The nutmegs which have been thus feledled would foon corrupt if they were not watered, or rather pickled, with lime-water made from calcined ftiell fifti, which they dilute with fait water till it attain the confidence of fluid pap. Into this mixture they plunge the nutmegs, contained in fmall bafkets, two or three times, till they are completely covered over with the liquor. They are afterwards laid in a heap, where they heat, and lofe their fuperfluous moifture by evaporation. When they have fweated fufficient- ly, they are then properly prepared, and fit for a fea voyage. In the iiland of Banda, the fruit of the nutmeg tree is preferved entire in the following manner : When it is almoft ripe, but previous to its opening, it is boiled in water and pierced with a needle. They next lay it in water to foak for ten days, till it has loft its four and fliarp tafte. They then boil it gently in a {yrup Myriftica. of fugar, to which, if they with ir to be hard, br.de -'-v—^ lime is added. This operation is repeated for eight days, and each time the fyrup is renewed. The fruit wheb thus preferved is put for the laft time into a pretty thick fyrup, and is kept in earidu , pots clofely (hut. Thefe nuts are likewife pickled with brine or with vinegar ; and when they intend to eat them, they firft fteep them in frefli water, and afterwards boil them in fyrup of fugar, &c. Nfes.—Nutmegs preferved entire are prefented as def- ferts, and the inhabitants of India fometimes eat them when they drink tea. Some of them ufe nothing but the pulp ; others likewife chew' the mace •, but they gene¬ rally throw away the kernel, which is really the nut¬ meg. Many who perform fea voyages to the north chew' this fruit every morning. The medicinal qualities of nutmeg are fuppofed to be aromatic, anodyne, ftomachic, and reftringent ; and with a view to the laft mentioned effe£ls, it has been much ufed in diarrhoeas and dyfenteries. Remarks on the Trade of Nutmegs.—Nutmeg trees grow in feveral iflands in the ealtern ocean. The wmod pigeon of the Moluccas is unintentionally a great plan¬ ter of thefe trees, and diffeminates them in places where a nation, powerful by its commerce, thinks it for its in- tereft that they (hould be rooted out and deftroyed. The Dutch, whofe unwearied patience can furmount the greateft obftacles, formerly appropriated to thern- felves the crop of nutmeg, well as that of cloves and cinnamon, groudng in the iilands of Ternate, Ceylon, &c. either by right of conqueft or by paying fublidies to the iflanders, who find thefe much more profitable than the former produce of their trees. It is neverthelefs true, that they have prevailed upon or compelled the inhabitants of the Moluccas to cut down and root out all the clove trees, w'hich they have preferved only in the iflands of Amboyna and Ternate, which are in a great meafure fubjedd to them. We know for certain, that the Dutch pay x 8,000 rixdollars yearly to the king of Ternate, by way of tribute or gift, in order to recompenfe him for the lofs of his clove trees in the other Pvlolucca iflands ; and that they are moreover bound by treaty to take at 3d:d. a pound, all the cloves brought by the natives of Amboyna to their maga¬ zines. • The Dutch had formerly immenfe and very rich ma¬ gazines of thefe precious aromatics, both in India and Europe. It is faid, that they had actually by them the produce cf x6 years, and never lupplied their neighbours with the laft, but alw’ays with the oldeft: crop : in 1760 they fold wBat w'as laid up in 1744 ; and when they had too great a quantity of cloves, nutmeg, &c. in their magazines, they threw them into the fea, or de¬ ftroyed them by burning. On the 10th of June 1760, M. Bomare faw at Amfterdam, near the Admiralty, a fire, the fuel of which was valued at 8,000,coo of livres ; and as much was to be burned on the day fol¬ lowing. The feet of the Ipeclators were bathed in the effential oil of tbefe fubftanccs ; but no nerfon was al¬ lowed to gather any of it, much lefs to take any of the fpices which were in the fire. Some years before, upon a fimilar occafion, and at the fame place, a poor man 3 M Y R [ 561 ] M Y S* Myrmeco- man vfao had taken up fome nutmegs which had rolled phaga out of the fire, was, as M. Bomarewas informed, feized M and condemned to immediate execution. ■ . Y--!' . But after all, although the fpice trade is lefs exclu- fively limited to the Dutch of late years, it does not appear that the price of Bail Indian fpiceries is in any degree reduced to the confumer. MYRMECOPHAGA, or Ant-bear, a genus of quadrupeds, belonging to the order of bruta. See Mam¬ malia Index. MYRMELEON, or Ant-lion, a genus of infe&s of the neuroptera order. See ENTOMOLOGY Index. MYRMIDONS, Myrmidones, in antiquity 5 a people on the fouthern borders of Theffaly, who ac¬ companied Achilles to the Trojan war. They re¬ ceived their name from Myrmidon, a fon of Jupiter and Eurymedufa, who married one of the daughters of iEolus, fon of Helen. His fon Adlor married iEgina the daughter of AEfopus. He gave his name to his fubjefts, wdio dwelt near the river Peneus in Theffaly. According to fome, the Myrmidons re¬ ceived their name from their having arifen from ants or pifmires, upon a prayer put up for that purpofe by King ^$iacus to Jupiter, after his kingdom had been dilpeopled by a fevere peftilence. According to Strabo, they received it from their induftry, becaufe they imi¬ tated the diligence of the ants, and like them were in¬ defatigable, and were continually employed in cultivat¬ ing the earth. MYRMILLONES were gladiators of a certain kind at Rome, wTho fought againft the Retiarii. Their arms were a fword, head-piece, and ihield. On the top of the head-piece they wore a filh emboffed, called Moguvgog, whence their name is by fome fuppofed to be derived. The Retiarii, in their engagements, made ufe of a net, in which they endeavoured to entangle their adverfaries 3 and fung during the fight, “ Non te peto, pifcem peto ; quid me fugis, Galle “ I aim not at thee, but I aim at thy filh $ why doft thou Ihun me, O Gaul r” The Myrmillones were called Galli, becaufe they wore Gallic armour. They w’ere alfo named Se- cutores. This kind of gladiators wTas fuppreffed by Ca¬ ligula. See Gladiators, Retiarii, &c. MYROBALANS, a kind of medicinal fruit brought from the Indies, of which there are five kinds. 1. The citrine, of a yellowilh red colour, hard, oblong, and the fize of an olive. 2. The black or Indian myrobalan, of the bignefs of an acorn, wrinkled, and without a ftone. 3. Chebulic myrobalans, which are of the fize of a date, pointed at the end, and of a yellowilh brown. 4. Emblic, which are round, rough, the fize of gall, and of a dark brown. 5. Balleric, which are hard, round, of the fize of an ordinary prune, lefs angular than the reft, and yellow. They are all {lightly pur¬ gative and aftringent. The word comes from the Greek “ ointment,” and (icthoiv»s, “ acorn,” as being in the form of acorns, and ufed in medicine. MYRON, an excellent Grecian ftatuary, flourilhed 444 B. C. The cow he reprefented in brafs was an admirable piece of workmanlhip, and was the occafion of many fine epigrams in Greek. MYROXYLON, a genus of plants belonging to the decandria clafs. See Botany Index. MYRRH, a gummy-refinous concrete juice, which Vol. XIV. Part II. is brought from the Eaft Indies or from Abylfinia. See Mjrrhine Materia Medica Index. II It is affirmed by fome, that the myrrh we have at ■_/ y prefent is not" equal in quality to that of the ancients, and has not that exquifite fmell which all authors a- cribe to the latter. They aromatized their molt deli¬ cious wines with it; and it was prefented as a very va¬ luable perfume to our Lord while he lay in the manger. It was this gum alfo which was mingled with the wine given him to drink at his paflion, to deaden his pains, and produce a ftupor. (See Mark xv. 32..). The gall mentioned on the fame occafion by St Matthew is probably the fame with myrrh •, for any thing bitter was ufually diftinguiffied by the name of gall. The Hebrews were accuftomed to give thofe that werQ exe¬ cuted fome ftupefying draught. The difficulty which arifes from the feeming difference betwikt the two evaiv gelifts, by fome is folved by faying, that St Matthew, writing in Syriac, made ufe of the word tnarra, which fignifies “ myrrh, bitternefs, or gall j” but the Greek tranflator has taken it for gall, and St Mark for myrrh. Others think that our Saviour’s drink was mingled with myrrh as a ftupefying drug ; but fuppofe that the foldiers out of wanton cruelty and inhumanity, infufed gall j which was the reafon, fay they, why, when he had tailed, he refufed to drink. MYRRHINE, or Murrine. See Murrine. MYRSINE, a genus of plants belonging to the pent- andria clafs, and in the natural method ranking under the 18th order, Bicornes. See Botany Index. MYRTIFORM, in Anatomy, an appellation given to feveral parts, from their refembling myrtle berries. MYRTLE. See Myrtus, Botany Index. MYRTOUM MARE, a part of the y^Egean fea, ly¬ ing between Euboea, Peloponnefus, and Attica. It receives this name from Myrto a woman, or from Myrtos a fmall ifland in the neighbourhood, or from Myrtilus the fon of Mercury who was drowned there, &c. MYRTUS, in Ancient Geography, a fmall iiland near Caryftus in Euboea, which gave name to the Mar& Myrtoum. Others, according to Paufanias, derive the appellation from Myrto, the name of a woman. Strabo extends this fea between Crete, Argia, and Attica. Paufanias beginning it at Euboea, joins it at Helena, a defert ifland, with the /Egean fea. Ptolemy carries it to the coaft of Caria. Pliny fays, that the Cyclades and Sporades are bounded on the weft by the Myrtoan coaft of Attica. Myrtus, the Myrtle, a genus of plants belonging to the icofandria clafs j and in the natural method rank¬ ing under the 19th order, Hefperidecc. See Botany Index. MYSIA, a country of Afia Minor, generally di¬ vided into Major and Minor. Myfia Minor was bound¬ ed on the north and weft by the Propontis and Bithy- nia, and Phrygia on the fouthern and eaftern borders. Mvfia Major had TEolia on the fouth, the JEgean fea on the weft, and Phrygia on the north and eaft. Its chief cities'were Cyzicum, Lampfacus, &c. The inha¬ bitants were once very warlike ; but they greatly dege¬ nerated, and the words Myforum ultimus were emphati¬ cally ufed to fignify a perfon of no merit. * The an¬ cients generally hired them to attend their funerals as 4 B mourners, My for. M Y S t 562 ] M Y S mourners, becaufe they were naturally melancholy and inclined to (lied tears. They were once governed by monarch*. They are fuppofed to be defcended from the Myfians of Europe, a nation who inhabited that part of Thrace wdrich was fituated bettveen Mount Htemus and the Danube. MYSON, a native of Sparta, one of the feven wife men of Greece. When Anacharfis conlulted the ora¬ cle of Apollo, to know which was the wifefl: man in Greece, he received for anfwer, he who is now plough¬ ing his fields. This was Myfon. MYS9RE, or Mysorean Dominions, a kingdom of Afia, in the Eait Indies, including the territories ufurped or fubdued by Hyder Ali, and tranfmitted to his fon Tippoo Saib, but now fubjeft to the Britifh go¬ vernment. For an account of the conqueil of which, fee India. Myfore. MYSTERIES. dual fntro P ELIGION, in its original form, was fimple and dudhon of J’V intelligible. It was intended for the inftmftion myfteries and edification of all ranks of men j and of confequence Into reli- its do&rines w'ere on a level with vulgar capacities. The S,on* Jewilh difpenfation was openly pradlifed : nothing was performed in fecret •, every article w?as plain, open, and acceffible. The divine Author of the Chriftian econo¬ my commanded his difciples to preach his dodtrine in the moft public manner: “ What ye have heard in fe¬ cret (fays he) preach openly 5 and what I have taught you in private teach ye publicly, and proclaim it on the houfe tops.” Such are the charms of truth, and luch the charadfer of that religion which came down from heaven, that they, as it wxre, “ delight, and lift up their voice in the ftreets, and cry in the chief places of concourfe.” But fuch is the depravity of the nature of man, that the nobleit inftitutions degenerate in his hands. Reli¬ gion itfelf, originally pure, fimple, and amiable, under his management has often been transformed into pollu¬ tion, perplexity, and deformity. The minifters of re¬ ligion, whofe province it was to guard the facred de- pofite, and to fecure it from foreign and fpurious in¬ termixtures, have generally been the firft innovators, and the firfl: and moft induftrious agents in corrupting its integrity and tarnifhing its beauty. Avarice and ambition prompted that clafs of men to deviate from the original plainnefs and fimplicity of religious infti¬ tutions, and to introduce articles, rites, and ufages, which might furnifh them with opportunities of grati¬ fying thefe unhallowrd and infatiable paffions. Hence diftin£Hons unknown to pure and undefiled religion were fabricated ; and that heavenly inftitution, hereto¬ fore one, fimple, indivifible, w7as divided into twro par¬ titions : the one popular and public ; the other dark, fecret, and myfterious. The latter of thefe we intend as 2 the fubjetl of this article. Etymology I he Englilh word mystery is derived from the Greek oftheterm Fv.