# bib

id: 17730
author: Holmes, William Henry
txt: ./txt/17730.txt
cache: ./cache/17730.txt
extension: .txt
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summary:
  features observed upon the surface, the colors and patterns (Fig. 286), pertain to design rather than to form and will receive attention The natural colors of textile materials are enormously varied and form Having made a brief study of form and color in the textile art, I Fig. 292 illustrates the surface produced by crowding the horizontal series surface effect given by closely woven work is illustrated in Fig. 294, that American art has produced few examples of tasseled work more EXTENSION OF TEXTILE ORNAMENT TO OTHER FORMS OF ART. EXTENSION OF TEXTILE ORNAMENT TO OTHER FORMS OF ART. textile art to the parentage of geometric ornament and that the Form in textile art and its relation to ornament, with illustrations Geometric design, relations of, to textile ornament 202-244 Textile art in its relation to the development of form and ornament, Textile art in its relation to the development of form and ornament,

title:
  A Study of the Textile Art in Its Relation to the Development of Form and Ornament Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-''85, Government Printing Office, Washington, 1888, (pages 189-252)


id: 21534
title: Textiles and Clothing
author: Watson, Kate Heintz
txt: ./txt/21534.txt
cache: ./cache/21534.txt
extension: .txt
mime: text/plain
summary:
  In making a cloth with plain weave, that is, with every thread Canvas--A linen, cotton, silk, or wool cloth of different weaves stitch is also useful in binding down open seams for flannel hems, line of sewing smoothed on the thread at each needleful of stitches. ordinary thread, cotton or linen, sewing silk, or twist. A seam is the line of sewing that joins material; it may be plain or with silk or very fine thread with small, even stitches. _A_--Finished with a stitched seam; _B_--Edge hemmed down and cloth cut make with colored thread (1) a line of even basting stitches, (2) edge, and basted with close stitches, pressed, hemmed down to the facing stitch on the machine through velveteen, cloth, and lining (or facing) Stitch the seams just outside the basting, then remove the line of soft cloth, makes a good board on which to press the curved seams of a


id: 24077
author: Dooley, William H. (William Henry)
title:
  Textiles, for Commercial, Industrial, and Domestic Arts Schools Also Adapted to Those Engaged in Wholesale and Retail Dry Goods, Wool, Cotton, and Dressmaker's Trades


id: 44603
title: Chats on Cottage and Farmhouse Furniture
author: Hayden, Arthur
txt: ./txt/44603.txt
cache: ./cache/44603.txt
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summary:
  tables, dressers, and chairs possess particular styles of treatment dates to cottage and farmhouse furniture--Oak the chief wood early seventeenth century--the chest, the table, the form, and the use until mid-seventeenth-century days the illustration of an oak dresser, the table and the chair in its various forms, the Bible-box fine example, in date about 1640, of a triangular gate-leg table. chairs had at a later date, when every country cabinet-maker was and in executed furniture, the old gate-leg table still survived. Of this particular type of oak Dresser the two examples illustrated The forms of design of tables of eighteenth-century date are Early days--The typical Jacobean oak chair--The evolution of Early days--The typical Jacobean oak chair--The evolution of [Illustration: COUNTRY CHIPPENDALE CHAIR, STYLE MERGING INTO [Illustration: TWO CHAIRS COUNTRY HEPPLEWHITE STYLE MADE ENTIRELY [Illustration: TYPES OF COTTAGE CHAIRS IN OAK. [Illustration: ELM CHAIR, COUNTRY CHIPPENDALE STYLE.] [Illustration: OAK CHAIR, COUNTRY CHIPPENDALE STYLE.


id: 42375
title: Chincha Plain-Weave Cloths
author: O''Neale, Lila M. (Lila Morris)
txt: ./txt/42375.txt
cache: ./cache/42375.txt
extension: .txt
mime: text/plain
summary:
  This study of the Chincha plain-weave materials in the Max Uhle One hundred twelve cloths in the plain-weave group were measured. From the twenty Chincha plain-weave cloths with intact lengths (fig. Complete lengths of Chincha plain-weave cloths in order from shortest Complete widths of Chincha plain-weave fabrics in order from narrowest In the Chincha 4specimens, where congestion of edge yarns occurs, combinations of pairs of warps or wefts with single yarns of the Thread counts in this group range from 13 warps by 18 wefts to In two Chincha plain-weave cloths, as in the Nazca Chincha plain-weave cloths (pl. Chincha plain-weave cloths (pl. Stripes in this sample group either border the edge of the cloth or Edge stripes occur on a relatively fine cloth, specimen Five cloths in the Chincha lot are allover striped. No specimen in the Chincha plain-weave group has stripes showing more Diagrams of stripings in Chincha plain-weave


id: 52227
author: Blanco, A. E.
txt: ./txt/52227.txt
cache: ./cache/52227.txt
extension: .txt
mime: text/plain
summary:
  cotton warp yarns were dyed prior to weaving and the piece of fabric fabric of light weight and low-count yarns, woven with a plain weave, =Denim.=--A stout cotton warp-faced twill cloth, generally woven =Dyed Drills.=--A heavy twill-woven all-cotton fabric, the weave of =Dyed Lawns= are plain-woven light-weight cotton fabrics of soft plain weave--a yarn-dyed cotton cloth in stripes or checks. When woven as a warp-faced twill fabric from strong yarns, the cloth =Grey T-Cloths.=--All-cotton plain-woven unbleached fabric of low =Italian Cloth, Figured, Cotton Warp and Wool Weft.=--This fabric, When woven with cotton warp and wool weft, Italian Cloth =Marquisette.=--A sheer plain-weave fabric of silk or cotton, having =Papoon.=--An all-cotton fabric woven from coloured yarns, the warp all-cotton fabric woven with a plain weave, having the warp and Cloth, is a plain-woven cotton warp and woollen weft fabric, woven in =Waste Cloths.=--Cotton fabrics woven from waste yarns, generally

title:
  Piece Goods Manual Fabrics described; textile, knit goods, weaving terms, etc., explained; with notes on the classification of samples.


