Summary of your 'study carrel' ============================== This is a summary of your Distant Reader 'study carrel'. The Distant Reader harvested & cached your content into a collection/corpus. It then applied sets of natural language processing and text mining against the collection. The results of this process was reduced to a database file -- a 'study carrel'. The study carrel can then be queried, thus bringing light specific characteristics for your collection. These characteristics can help you summarize the collection as well as enumerate things you might want to investigate more closely. Eric Lease Morgan May 27, 2019 Number of items in the collection; 'How big is my corpus?' ---------------------------------------------------------- 11 Average length of all items measured in words; "More or less, how big is each item?" ------------------------------------------------------------------------------------ 28612 Average readability score of all items (0 = difficult; 100 = easy) ------------------------------------------------------------------ 95 Top 50 statistically significant keywords; "What is my collection about?" ------------------------------------------------------------------------- 5 Painting 4 Picture 4 Master 4 Colours 4 Art 3 White 3 TCP 3 Piece 3 Painter 3 Life 3 Invention 3 Figures 2 Works 2 Work 2 Subject 2 Raphael 2 Oyl 2 Nature 2 Lead 2 Lake 2 Head 2 Gum 2 Genius 2 Face 2 Design 2 Colouring 2 Colour 2 Church 1 white 1 water 1 shadow 1 early 1 colour 1 chap 1 body 1 Wax 1 Water 1 Varnish 1 Titian 1 Time 1 Table 1 Sun 1 Story 1 Stories 1 Square 1 Son 1 Size 1 Sight 1 Shadows 1 Sea Top 50 lemmatized nouns; "What is discussed?" --------------------------------------------- 1024 work 674 picture 626 part 624 hand 603 colour 599 thing 551 figure 535 art 523 time 469 piece 341 place 337 painting 332 painter 323 manner 277 t 274 way 271 side 256 water 250 body 235 man 232 face 217 eye 207 self 200 life 197 nature 197 day 195 line 194 use 192 nothing 191 ground 186 other 175 light 153 text 150 shadow 149 rest 145 kind 144 head 142 reason 137 year 136 one 132 mind 127 proportion 126 history 125 end 124 sort 124 author 121 gold 121 design 118 friend 117 ounce Top 50 proper nouns; "What are the names of persons or places?" -------------------------------------------------------------- 530 S. 415 Church 388 〉 383 ◊ 348 Painting 320 〈 304 Colour 276 Raphael 218 Rome 218 Piece 216 Colours 214 Anno 208 Master 206 c. 201 Painters 193 Painter 187 Pope 163 Nature 162 Angelo 152 Saint 150 White 149 Titian 144 Michael 135 Genius 127 Oyl 127 Florence 127 Altar 125 Water 123 da 123 Life 122 Head 120 Andrea 117 Paulo 116 Tintoret 116 Art 114 Lake 114 John 113 TCP 111 Virgin 111 Square 111 Christ 110 Colouring 107 Pencil 107 Invention 107 Design 105 Shadows 103 City 99 English 98 Lights 97 Veronese Top 50 personal pronouns nouns; "To whom are things referred?" ------------------------------------------------------------- 4120 it 2688 he 2113 you 1395 them 1104 they 1020 him 943 i 661 we 302 himself 267 us 156 themselves 125 she 107 me 102 her 72 one 26 his 4 us''d 4 theirs 4 thee 4 ours 4 ''em 3 mine 2 shou''d 2 itself 2 herself 2 hers 1 ye 1 tenuteli 1 spoyl 1 quae 1 oit 1 myself 1 ''s Top 50 lemmatized verbs; "What do things do?" --------------------------------------------- 11305 be 2845 have 1516 make 1028 do 778 take 698 see 580 draw 463 give 462 say 431 paint 401 let 334 find 312 put 286 come 277 use 275 work 244 observe 232 represent 231 know 222 appear 216 go 213 seem 213 accord 206 lay 191 call 184 set 177 follow 170 bear 164 leave 155 begin 146 think 142 stand 140 finish 140 express 138 place 137 understand 129 mix 129 become 128 grind 126 lie 126 imitate 124 add 121 fall 116 die 113 look 113 bring 112 tell 109 show 107 send 104 keep Top 50 lemmatized adjectives and adverbs; "How are things described?" --------------------------------------------------------------------- 1591 not 1463 so 1072 great 997 other 915 then 831 well 791 most 761 very 748 more 647 good 632 much 614 first 596 little 419 same 410 many 401 as 400 also 346 such 324 out 281 own 271 up 262 only 261 never 243 excellent 241 too 235 therefore 231 together 230 several 228 white 222 fine 215 off 207 here 201 yet 198 now 195 onely 193 long 191 likewise 191 last 183 over 180 noble 175 true 173 even 172 fair 165 ever 160 famous 159 whole 159 thus 152 admirable 151 there 149 right Top 50 lemmatized superlative adjectives; "How are things described to the extreme?" ------------------------------------------------------------------------- 294 good 169 most 126 great 76 least 22 near 21 fine 21 fair 19 high 18 dark 17 light 14 strong 12 deep 11 white 11 noble 11 hard 10 clear 9 expr 8 low 8 chief 7 rare 7 pure 7 mean 6 faint 6 choice 5 rich 5 neer 5 long 5 bad 5 Most 4 true 4 large 4 furth 4 easy 4 bold 3 young 3 thick 3 sure 3 severall 3 seek 3 l 3 fit 3 able 2 vile 2 thin 2 small 2 sad 2 oppr 2 manif 2 less 2 fun Top 50 lemmatized superlative adverbs; "How do things do to the extreme?" ------------------------------------------------------------------------ 622 most 29 well 9 least 3 near 1 repossest 1 neerest 1 highest 1 hard Top 50 Internet domains; "What Webbed places are alluded to in this corpus?" ---------------------------------------------------------------------------- 8 www.tei-c.org 8 eebo.chadwyck.com Top 50 URLs; "What is hyperlinked from this corpus?" ---------------------------------------------------- 8 http://www.tei-c.org 8 http://eebo.chadwyck.com Top 50 email addresses; "Who are you gonna call?" ------------------------------------------------- Top 50 positive assertions; "What sentences are in the shape of noun-verb-noun?" ------------------------------------------------------------------------------- 19 t is true 15 t is impossible 12 t is not 8 t is very 8 works are eligible 6 t is enough 6 t is necessary 5 t is hard 5 t is possible 4 t is certain 4 t is generally 4 t is now 3 colours set off 3 side is s. 3 t is almost 3 t is evident 3 t is onely 3 t is probable 3 t is sufficient 3 t is therefore 2 c. being very 2 church called la 2 colour be as 2 colour be dry 2 colours are not 2 colours are sufficient 2 colours be lively 2 figures are guilt 2 painter is blam''d 2 painting is not 2 painting was much 2 parts be too 2 picture is very 2 piece represents paradise 2 pieces are not 2 raphael being dead 2 t is better 2 t is just 2 t is never 2 t is wet 2 work be too 2 work is not 2 works are very 1 art do easily 1 art is long 1 art is more 1 art is nothing 1 art seems now 1 art was imploy''d 1 art were never Top 50 negative assertions; "What sentences are in the shape of noun-verb-no|not-noun?" --------------------------------------------------------------------------------------- 1 bodies are not always 1 colour come not off 1 colours are not profitable 1 men were not suffer''d 1 painter has not mannag''d 1 painter was not only 1 painters are not oblig''d 1 painting is not onely 1 painting is not so 1 paintings are not amiss 1 picture be not universal 1 picture comes not onely 1 picture has no use 1 pieces are not common 1 pieces are not very 1 t is not enough 1 t is not hard 1 t is not so 1 t is not sufficient 1 t is not very 1 time give not perfection 1 water be not 〈 1 work are not always 1 work is not so 1 〉 set not off A rudimentary bibliography -------------------------- id = A26548 author = Aglionby, William, d. 1705. title = Painting illustrated in three diallogues containing some choice observations upon the art together with the lives of the most eminent painters from Cimabue to the time of Raphael and Michael Angelo : with an explanation of the difficult terms. date = 1686 keywords = Andrea; Angelo; Art; Church; Colouring; Colours; Design; Figures; Invention; Life; Manner; Master; Michael; Painter; Painting; Pallace; Picture; Piece; Pope; Raphael; Saint; Stories; Story; Time; Work summary = This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. Painting illustrated in three diallogues containing some choice observations upon the art together with the lives of the most eminent painters from Cimabue to the time of Raphael and Michael Angelo : with an explanation of the difficult terms. Painting illustrated in three diallogues containing some choice observations upon the art together with the lives of the most eminent painters from Cimabue to the time of Raphael and Michael Angelo : with an explanation of the difficult terms. EEBO-TCP aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the Text Encoding Initiative (http://www.tei-c.org). id = A31044 author = Barri, Giacomo, ca. 1630-ca. 1690. title = The painters voyage of Italy in which all the famous paintings of the most eminent masters are particularised, as they are preserved in the several cities of Italy ... / written originally in Italian by Giacomo Barri ... ; Englished by W.L. of Lincolns-Inne, Gent. date = 1679 keywords = Altar; Church; City; Door; Madonna; Paulo; Picture; Square summary = This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. The painters voyage of Italy in which all the famous paintings of the most eminent masters are particularised, as they are preserved in the several cities of Italy ... The painters voyage of Italy in which all the famous paintings of the most eminent masters are particularised, as they are preserved in the several cities of Italy ... A rare and interesting little work, being an early guide to the works of art preserved in the churches of Italy. EEBO-TCP aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the Text Encoding Initiative (http://www.tei-c.org). id = A41260 author = Browne, Alexander, fl. 1660-1677. title = The whole art of drawing, painting, limning, and etching collected out of the choicest Italian and German authors : to which is added exact rules of proportion for drawing the heads of men, women and children , of what bigness soever / originally invented and written by the famous Italian painter Odoardo Fialetti, painter of Boloign ; published for the benefit of all ingenuous gentlemen and artists by Alexander Brown ... date = 1660 keywords = Colour; Face; Ground; Head; Oyl; Plate; Wax summary = The whole art of drawing, painting, limning, and etching collected out of the choicest Italian and German authors : to which is added exact rules of proportion for drawing the heads of men, women and children , of what bigness soever / originally invented and written by the famous Italian painter Odoardo Fialetti, painter of Boloign ; published for the benefit of all ingenuous gentlemen and artists by Alexander Brown ... The whole art of drawing, painting, limning, and etching collected out of the choicest Italian and German authors : to which is added exact rules of proportion for drawing the heads of men, women and children , of what bigness soever / originally invented and written by the famous Italian painter Odoardo Fialetti, painter of Boloign ; published for the benefit of all ingenuous gentlemen and artists by Alexander Brown ... id = A47168 author = C. K. title = Art''s master-piece, or, A companion for the ingenious of either sex ... by C.K. date = 1697 keywords = Colours; Face; Gold; Gum; Size; Varnish; Water; White; Work summary = This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. EEBO-TCP is a partnership between the Universities of Michigan and Oxford and the publisher ProQuest to create accurately transcribed and encoded texts based on the image sets published by ProQuest via their Early English Books Online (EEBO) database (http://eebo.chadwyck.com). EEBO-TCP aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the Text Encoding Initiative (http://www.tei-c.org). Selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. id = A36766 author = Dryden, John, 1631-1700. title = De arte graphica The art of painting / by C.A. Du Fresnoy ; with remarks ; translated into English, together with an original preface containing a parallel betwixt painting and poetry, by Mr. Dryden ; as also A short account of the most eminent painters, both ancient and modern, continu''d down to the present times, according to the order of their succession, by another hand. date = 1695 keywords = Ancient; Anno; Art; Arts; Author; Beauties; Beauty; Bodies; Body; Colouring; Colours; Compositions; Design; Disciple; Draperies; Eyes; Figures; Genius; Head; Idea; Invention; Life; Lights; Master; Mind; Nature; Painter; Painting; Passions; Pencil; Picture; Pieces; Poetry; Rules; Shadows; Sight; Son; Subject; Titian; Works summary = De arte graphica The art of painting / by C.A. Du Fresnoy ; with remarks ; translated into English, together with an original preface containing a parallel betwixt painting and poetry, by Mr. Dryden ; as also A short account of the most eminent painters, both ancient and modern, continu''d down to the present times, according to the order of their succession, by another hand. De arte graphica The art of painting / by C.A. Du Fresnoy ; with remarks ; translated into English, together with an original preface containing a parallel betwixt painting and poetry, by Mr. Dryden ; as also A short account of the most eminent painters, both ancient and modern, continu''d down to the present times, according to the order of their succession, by another hand. id = A28779 author = Dürer, Albrecht, 1471-1528. title = A book of dravving, limning, vvashing or colouring of maps and prints: and the art of painting, with the names and mixtures of colours used by the picture-drawers. Or, The young-mans time well spent. In which, he hath the ground-work to make him fit for doing anything by hand, when he is able to draw well. By the use of this work, you may draw all parts of a man, leggs, armes, hands and feet, severally, and together. And directions for birds, beasts, landskips, ships, and the like. Moreover, you may learn by this tract, to make all sorts of colours; and to grinde and lay them: and to make colours out of colours: and to make gold and silver to write with. How also to diaper and shadow things, and to heighthen them, to stand off: to deepen them, and make them glitter. In this book you have the necessary instruments for drawing, and the use of them, and how to make artificiall pastels to draw withall. Very usefull for all handicrafts, and ingenuous gentlemen and youths. By hammer and hand all arts doe stand. date = 1652 keywords = Lake; body; colour; shadow; water; white summary = A book of dravving, limning, vvashing or colouring of maps and prints: and the art of painting, with the names and mixtures of colours used by the picture-drawers. By the use of this work, you may draw all parts of a man, leggs, armes, hands and feet, severally, and together. By the use of this work, you may draw all parts of a man, leggs, armes, hands and feet, severally, and together. Moreover, you may learn by this tract, to make all sorts of colours; and to grinde and lay them: and to make colours out of colours: and to make gold and silver to write with. Moreover, you may learn by this tract, to make all sorts of colours; and to grinde and lay them: and to make colours out of colours: and to make gold and silver to write with. id = A31652 author = Evelyn, John, 1620-1706. title = An idea of the perfection of painting demonstrated from the principles of art, and by examples conformable to the observations which Pliny and Quintilian have made upon the most celebrated pieces of the antient painters, parallel''d with some works of the most famous modern painters, Leonardo da Vinci, Raphael, Julio Romano, and N. Poussin / written in French by Roland Freart, sieur de Cambray ; and rendred English by J.E., Esquire, Fellow of the Royal Society. date = 1668 keywords = Art; Composition; Figures; Genius; History; Invention; Master; Painters; Painting; Piece; Plan; Principles; Profession; Raphael; Subject; TCP; Table; Works summary = An idea of the perfection of painting demonstrated from the principles of art, and by examples conformable to the observations which Pliny and Quintilian have made upon the most celebrated pieces of the antient painters, parallel''d with some works of the most famous modern painters, Leonardo da Vinci, Raphael, Julio Romano, and N. An idea of the perfection of painting demonstrated from the principles of art, and by examples conformable to the observations which Pliny and Quintilian have made upon the most celebrated pieces of the antient painters, parallel''d with some works of the most famous modern painters, Leonardo da Vinci, Raphael, Julio Romano, and N. EEBO-TCP aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the Text Encoding Initiative (http://www.tei-c.org). id = A94194 author = Sanderson, William, Sir, 1586?-1676. title = Graphice. The use of the pen and pensil. Or, the most excellent art of painting : in two parts. / By William Sanderson, Esq; date = 1658 keywords = Art; Colours; Eye; Gum; Lake; Landskip; Lead; Life; Light; Man; Master; Nature; Painter; Painting; Pensill; Picture; Piece; Prints; Red; Sea; Sun; White summary = This text is an enriched version of the TCP digital transcription A94194 of text R208648 in the English Short Title Catalog (Thomason E1077_2). Textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. The annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms (''loveth'', ''seekest''). Textual changes aim at restoring the text the author or stationer meant to publish. This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. Printed for Robert Crofts, at the signe of the Crown in Chancery-Lane, under Serjeant''s Inne, The use of the pen and pensil.: Or, the most excellent art of painting : in two parts. id = A60467 author = Smith, John, b. 1648? title = The art of painting wherein is included the whole art of vulgar painting, according to the best and most approved rules for preparing an [sic] laying on of oyl colours : the whole treatise being so full, compleat, and so exactly fitted to the meanest capacity, that all persons whatsoever may by the directions contained therein be sufficiently able to paint in oyl colours, not only sun-dials, but also all manner of timber work ... / composed by John Smith, philomath. date = 1676 keywords = Colour; Dial; Lead; Oyl; Painting; chap summary = The art of painting wherein is included the whole art of vulgar painting, according to the best and most approved rules for preparing an [sic] laying on of oyl colours : the whole treatise being so full, compleat, and so exactly fitted to the meanest capacity, that all persons whatsoever may by the directions contained therein be sufficiently able to paint in oyl colours, not only sun-dials, but also all manner of timber work ... The art of painting wherein is included the whole art of vulgar painting, according to the best and most approved rules for preparing an [sic] laying on of oyl colours : the whole treatise being so full, compleat, and so exactly fitted to the meanest capacity, that all persons whatsoever may by the directions contained therein be sufficiently able to paint in oyl colours, not only sun-dials, but also all manner of timber work ... id = A60475 author = Smith, John, fl. 1673-1680. title = A short introduction to the art of painting and varnishing date = 1685 keywords = TCP; White summary = This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. A short introduction to the art of painting and varnishing A short introduction to the art of painting and varnishing printed for George Dawes, over against Lincolns-Inn-Gate, in Chancery-Lane, EEBO-TCP is a partnership between the Universities of Michigan and Oxford and the publisher ProQuest to create accurately transcribed and encoded texts based on the image sets published by ProQuest via their Early English Books Online (EEBO) database (http://eebo.chadwyck.com). EEBO-TCP aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the Text Encoding Initiative (http://www.tei-c.org). Users should be aware of the process of creating the TCP texts, and therefore of any assumptions that can be made about the data. id = A65827 author = Whitehall, Robert, 1625-1685. title = Urania, or A description of the painting of the top of the theater at Oxon as the artist lay''d his design. By Ro. Whitehall, fellow of Merton Colledge. Licensed and entred according to order. date = 1669 keywords = Oxford; TCP; early summary = This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. Urania, or A description of the painting of the top of the theater at Oxon as the artist lay''d his design. Urania, or A description of the painting of the top of the theater at Oxon as the artist lay''d his design. printed by Thomas Ratcliffe and Thomas Daniel, and are to be sold by them at their house in Newstreet betwixt Shooe-lane and Fetter-lane, EEBO-TCP aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the Text Encoding Initiative (http://www.tei-c.org).