Summary of your 'study carrel' ============================== This is a summary of your Distant Reader 'study carrel'. The Distant Reader harvested & cached your content into a collection/corpus. It then applied sets of natural language processing and text mining against the collection. The results of this process was reduced to a database file -- a 'study carrel'. The study carrel can then be queried, thus bringing light specific characteristics for your collection. These characteristics can help you summarize the collection as well as enumerate things you might want to investigate more closely. This report is a terse narrative report, and when processing is complete you will be linked to a more complete narrative report. Eric Lease Morgan Number of items in the collection; 'How big is my corpus?' ---------------------------------------------------------- 21 Average length of all items measured in words; "More or less, how big is each item?" ------------------------------------------------------------------------------------ 42053 Average readability score of all items (0 = difficult; 100 = easy) ------------------------------------------------------------------ 86 Top 50 statistically significant keywords; "What is my collection about?" ------------------------------------------------------------------------- 11 Mr. 7 Ruth 7 Russ 7 Pertell 7 Alice 6 Paul 5 Miss 4 picture 4 Sneed 3 time 3 film 3 boy 3 Tom 3 King 3 John 3 Joe 3 Hadley 3 Dixon 3 Captain 3 Bunn 3 Blake 2 world 2 way 2 photoplay 2 mind 2 man 2 illustration 2 girl 2 german 2 day 2 child 2 chapter 2 York 2 Pennington 2 New 2 Mary 2 Indians 1 year 1 work 1 turn 1 trench 1 theater 1 tell 1 system 1 stage 1 space 1 shell 1 serie 1 self 1 screen Top 50 lemmatized nouns; "What is discussed?" --------------------------------------------- 2483 picture 2296 man 1768 time 1339 film 1307 scene 1172 way 1156 camera 1068 day 954 place 947 girl 913 boy 870 part 824 one 816 thing 782 work 687 hand 668 something 638 life 604 actor 568 play 564 side 534 moment 533 fire 515 case 494 world 492 line 490 water 480 eye 473 manager 460 night 458 company 445 view 436 room 433 nothing 426 face 425 word 424 foot 423 chapter 422 anything 421 boat 420 photoplay 416 head 414 father 393 voice 389 light 384 horse 381 other 377 chance 375 door 368 drama Top 50 proper nouns; "What are the names of persons or places?" -------------------------------------------------------------- 2854 Mr. 2224 Alice 1776 Ruth 1323 Blake 1277 Russ 1217 Inc. 1203 _ 1173 Joe 967 Tom 908 Productions 893 Pertell 729 Paul 565 Miss 478 DeVere 413 exclaimed 410 Co. 390 Roland 388 Films 354 Corp. 348 New 324 Film 284 Captain 263 York 261 Jack 260 Ltd. 253 Sneed 253 . 250 Ned 237 Bunn 233 Sandy 231 STORY 225 Estelle 217 SEE 217 Hugh 213 C. 210 Division 202 Dixon 201 ''S 187 Pennington 181 Pictures 178 Alcando 177 SP 174 Mrs. 170 Conwell 167 King 156 General 152 Production 148 Billy 146 WORLD 146 United Top 50 personal pronouns nouns; "To whom are things referred?" ------------------------------------------------------------- 13723 i 10923 it 8111 he 7131 you 5334 we 5227 they 2383 him 2229 she 2192 them 1677 me 1308 us 772 her 354 himself 242 themselves 201 ''em 200 myself 200 itself 173 ''s 165 one 80 herself 73 yourself 61 ourselves 60 em 34 mine 21 yours 14 ours 11 i''m 10 theirs 10 his 7 yourselves 6 you''re 6 oneself 5 you''ll 5 informed 4 guilty 2 yo 2 wild 2 th 2 inglish 2 i''d 2 hers 2 di 1 you''re---- 1 yer 1 water-- 1 thyself 1 thee 1 t''night 1 onesself 1 ob Top 50 lemmatized verbs; "What do things do?" --------------------------------------------- 34611 be 10824 have 6244 do 4464 go 3474 say 3403 get 3026 come 2655 make 2605 see 2396 take 1746 know 1695 look 1669 ask 1448 think 1240 move 1197 cry 1185 tell 1142 want 1126 give 965 seem 859 find 793 call 730 let 709 leave 689 show 681 hear 668 try 649 keep 621 put 618 turn 604 start 572 run 562 happen 558 speak 549 use 540 mean 534 begin 533 stand 479 film 450 bring 444 answer 443 follow 432 hold 431 like 419 fall 410 work 410 guess 391 stop 384 agree 373 wait Top 50 lemmatized adjectives and adverbs; "How are things described?" --------------------------------------------------------------------- 8232 not 2438 up 2111 so 2110 out 1984 then 1747 now 1443 more 1356 good 1302 here 1248 on 1230 little 1186 only 1167 well 1150 just 1123 other 1117 back 1084 there 1078 as 984 much 965 down 951 too 941 very 897 all 862 right 816 away 808 again 776 off 764 first 736 old 685 in 685 big 666 over 656 many 637 great 622 young 597 new 591 long 575 same 574 even 549 soon 547 never 482 most 470 ready 466 few 452 far 451 later 445 still 440 yet 438 rather 438 once Top 50 lemmatized superlative adjectives; "How are things described to the extreme?" ------------------------------------------------------------------------- 350 good 167 least 125 most 45 bad 30 great 27 Most 26 near 22 high 19 slight 19 late 17 large 12 fine 10 easy 8 old 8 MOST 7 j 7 big 6 simple 6 new 6 low 6 deep 5 young 5 wild 5 strong 5 hard 5 busy 4 small 4 rich 4 mere 4 lovely 3 ugly 3 sweet 3 nice 3 long 3 full 3 fast 3 cheap 2 wise 2 topmost 2 tiny 2 strange 2 soft 2 safe 2 remote 2 quiet 2 quick 2 poor 2 odd 2 l 2 happy Top 50 lemmatized superlative adverbs; "How do things do to the extreme?" ------------------------------------------------------------------------ 357 most 21 least 16 well 1 near 1 highest 1 hard Top 50 Internet domains; "What Webbed places are alluded to in this corpus?" ---------------------------------------------------------------------------- 12 www.gutenberg.net 5 samvak.tripod.com 1 www.ce-review.org 1 philosophos.tripod.com 1 ceeandbalkan.tripod.com Top 50 URLs; "What is hyperlinked from this corpus?" ---------------------------------------------------- 1 http://www.gutenberg.net/dirs/2/3/6/7/23677/23677-h/23677-h.htm 1 http://www.gutenberg.net/dirs/2/3/6/7/23677/23677-h.zip 1 http://www.gutenberg.net/dirs/2/0/3/4/20349/20349-h/20349-h.htm 1 http://www.gutenberg.net/dirs/2/0/3/4/20349/20349-h.zip 1 http://www.gutenberg.net/dirs/2/0/3/4/20348/20348-h/20348-h.htm 1 http://www.gutenberg.net/dirs/2/0/3/4/20348/20348-h.zip 1 http://www.gutenberg.net/dirs/2/0/3/4/20347/20347-h/20347-h.htm 1 http://www.gutenberg.net/dirs/2/0/3/4/20347/20347-h.zip 1 http://www.gutenberg.net/dirs/1/9/9/6/19969/19969-h/19969-h.htm 1 http://www.gutenberg.net/dirs/1/9/9/6/19969/19969-h.zip 1 http://www.gutenberg.net/dirs/1/8/6/9/18699/18699-h/18699-h.htm 1 http://www.gutenberg.net/dirs/1/8/6/9/18699/18699-h.zip 1 http://www.ce-review.org/authorarchives/vaknin_archive/vaknin_main.htm 1 http://samvak.tripod.com/index.html 1 http://samvak.tripod.com/culture.html 1 http://samvak.tripod.com/contents.html 1 http://samvak.tripod.com/ 1 http://samvak.tripod.com 1 http://philosophos.tripod.com/ 1 http://ceeandbalkan.tripod.com/ Top 50 email addresses; "Who are you gonna call?" ------------------------------------------------- 2 vaknin@link.com.mk 2 palma@unet.com.mk Top 50 positive assertions; "What sentences are in the shape of noun-verb-noun?" ------------------------------------------------------------------------------- 10 _ is _ 9 _ was _ 8 alice went on 8 blake went on 8 ruth did not 6 alice did not 6 boys did not 6 something was wrong 5 _ are _ 5 pertell was not 5 russ was able 5 russ went on 4 blake did not 4 girls were not 4 joe did not 4 man went on 4 pertell did not 4 russ did not 4 ruth went on 4 something went wrong 4 tom did not 3 _ got _ 3 alice was just 3 alice was more 3 alice was not 3 alice was rather 3 alice was very 3 blake was about 3 day is over 3 films are not 3 films are then 3 joe made ready 3 man came in 3 man came up 3 man did not 3 paul did not 3 paul went on 3 picture taking tom 3 ruth was tall 3 work is not 2 _ has _ 2 _ moving picture 2 _ said _ 2 _ want _ 2 _ was not 2 _ were _ 2 alice came back 2 alice came in 2 alice cried out 2 alice looked up Top 50 negative assertions; "What sentences are in the shape of noun-verb-no|not-noun?" --------------------------------------------------------------------------------------- 2 girls had no part 1 _ have no fear 1 alice had no chance 1 alice had no difficulty 1 alice had no part 1 alice was not certain 1 alice were not so 1 boys had no choice 1 boys had no difficulty 1 camera is not heavy 1 camera is not only 1 day is not over 1 film has no words 1 films are not likely 1 films are not willing 1 girl was not strange 1 girls were not able 1 girls were not capable 1 girls were not interested 1 girls were not much 1 hand are not veteran 1 joe had no more 1 joe had not yet 1 man had no difficulty 1 man was not there 1 men are no more 1 men do not more 1 one is not aware 1 ones were not as 1 paul had no choice 1 pertell did not at 1 pertell was not desirous 1 pertell was not long 1 pertell was not quite 1 picture are not things 1 picture is not visible 1 pictures are no real 1 pictures are not sufficient 1 pictures does not profess 1 pictures have not always 1 pictures is not sufficiently 1 place was not far 1 russ was not as 1 ruth did not also 1 ruth made no further 1 ruth was not at 1 tom had no idea 1 tom was not much 1 work is not at 1 work is not complete A rudimentary bibliography -------------------------- id = 46707 author = Allan, G. A. T. (George A. T.) title = The Nurserymatograph date = keywords = Inset; Kinematic; King; Man; Medicine; NURSERYMATOGRAPH; Pieman; Wootsie; child; film; illustration; play; turn summary = lighting the lamp, fixing the film, and turning the handle. KINEMATOGRAPH AS AN EFFECTIVE AID TO THE EDUCATION OF YOUNG CHILDREN; Simon starts off for his unwilling walk, and meets Pieman. Green, a very small boy, throws a dead cat into the well. They return to Court and ask Judge if plaintiff 3 Secretary of State for War arrives with his Staff. 3 Taffy arrives at my house, and makes guarded enquiries as to location Enter Mr. Pickford (not Mary''s father), bearing a large table in six [Illustration: "_A Client arrives._"] White puts away the trombone, tells his client what Politics, and Kinematic Medicine (which form the subject of a separate an old Indian, stands on sidewalk, scratching his head with great Enter Medicine Man, who gets embraced between them. "Will you marry me?" Tootsie Wootsie breaks her bonds, throws her [Illustration: "_Three cowboys playing poker_"] id = 10776 author = Appleton, Victor title = The Moving Picture Boys at Panama; Or, Stirring Adventures Along the Great Canal date = keywords = Alcando; Blake; Canal; Captain; Gatun; Hadley; Joe; Mr.; Panama; Spaniard; Watson summary = "There he goes!" suddenly cried Joe. As his chum spoke Blake saw that one of the reins had parted, Joe Duncan and Blake Stewart were called the "Moving Picture Boys," and in that I introduced to you Blake and Joe. They worked on adjoining farms, and one day they saw a company of "We are the moving picture boys," answered Blake with a smile, "Shall I read it, Joe?" asked Blake, for the Spaniard extended the "What''s the matter, Blake, haven''t you anything to say?" asked Mr. Hadley in a curious voice, turning to Joe''s chum. When Blake and Joe went below Mr. Alcando did not follow. moving picture work to Joe and Blake, who were glad to give him "Well, we''ll start up the canal to-morrow," said Blake to Joe on Blake and Joe had taken enough moving pictures of id = 1283 author = Appleton, Victor title = Tom Swift and His Wizard Camera; Or, Thrilling Adventures While Taking Moving Pictures date = keywords = Damon; Englishmen; Flyer; Koku; Mr.; Ned; Nestor; Period; Swift; Tom; girl; picture summary = As I have said, it was on his trip to giant land that Tom got his big "Come on, Ned!" cried Tom, breaking into a run. "Now I''m going to see what made that shaft fall," said Tom to Ned, as For some time after the visit of the rival moving picture men, Tom was Tom at once started the camera to taking pictures rapidly, as he wanted "Look!" suddenly cried Ned, before Tom had a chance to answer. Tom did not start his camera working, as Mr. Period''s agent said "Catch this, Koku!" cried Tom, tossing the big man his precious camera, "Well, I can take pictures at night," said Tom, as he showed his camera "I want to get a real close view!" cried Tom, as he got some pictures Leaving Koku and Mr. Damon to guard the airship, Tom, Ned and Mr. Nestor went to the African camp. id = 17744 author = Appleton, Victor title = The Moving Picture Boys on the War Front Or, The Hunt for the Stolen Army Films date = keywords = Blake; Charlie; Frenchman; Hadley; Joe; Labenstein; Macaroni; Mr.; Secor; french; german; picture summary = "When will you want us again, Mr. Hadley?" asked Blake, as he and Joe interruption came," said Mr. Hadley to the moving picture boys. Joe and Blake had finished making a fine set of films, showing the line," observed Joe to Blake, as they sent the boxed reels to New York commanding officer to observe more closely the work of Blake and Joe. And for a few days before the last of the new films had been taken the "We''ll take the regular cameras," said Blake, as he and Joe talked it "Wonder how Blake''s making out?" asked Charlie of Joe, as they walked He called in French, but Joe and Blake knew what he said. "Here she comes, Blake!" cried Joe, as the two boys stood together at And by the time Joe and Blake, with the help of Charlie, had set up Having nothing to picture, Blake and Joe turned away from the camera for id = 23677 author = Appleton, Victor title = The Moving Picture Boys on the Coast Or, Showing Up the Perils of the Deep date = keywords = Blake; Duncan; Hadley; Hank; Indians; Joe; Mr.; Ringold; SWIFT; Tom; boy summary = [Illustration: Blake & Joe, leaving their automatic camera working, remember?" and Blake looked sharply at his chum and partner, Joe Duncan. picture dramas based on Western life, and Joe and Blake had been hired "And I''m with you," added Joe. Hank said nothing, but the boys watched him as he walked some little yet needed to be filmed, and Joe and Blake helped with this work, Blake, looking on from a little distance, saw Joe turn aside from the "That''s right," spoke Blake, and then he related how Joe had come to get "But what has that got to do with Joe''s father?" asked Blake. "To-morrow," said Mr. Ringold, while Blake and Joe told Mr. Hadley of boys," and he motioned to Blake and Joe, who were looking interestedly "Meanwhile," said Mr. Ringold to Joe and Blake, "you may have a little "Come on, Joe. We''ve got to run for it!" exclaimed Blake, and, not id = 56570 author = Emerson, John title = Breaking into the movies date = keywords = Colonel; Conwell; Countess; Enrico; Greene; Howe; King; Roland; Rosalie; Tom; fade summary = Rosalie turns to Roland and says that is the trouble--that her head, looks grimly at Roland and says: Roland says that''s right, so he leaves the chair and starts Roland and Lord Howe-Greene enter, followed by Tom and Briggs. moment Tom enters from street, goes to Roland, looks at him Roland puts his hand on Tom''s shoulder, and says with great Roland looks aghast at the old man who goes back to his Rosalie enters with Roland and Tom, they get into the and Tom, opens door and they enter Roland''s room. Conwell briefly tells Enrico about Roland''s business. few words of explanation from Roland, Enrico says to Conwell: The guard looks at Roland then at the King and says: Conwell smiles at Roland and says: Roland looks triumphantly at Enrico, then front, and says: Roland points to Enrico and says, "Look at him." He id = 60871 author = Farmer, Philip José title = Heel date = keywords = Achilles; Director; Patroclos summary = "Zeus?" said his wife, a beautiful woman not over a thousand years old. "Surely you''re not going to change the Script again?" said his wife. "I never change the Script," said the Director. Thetis, hearing it, said to Apollo, "Get out of my cabin, you heel, or "You know I love only you, Hera," he said, grinning. Trojans to win for a while so Agamemnon will give back to Achilles the Patroclos is supposed to put Achilles'' armor Apollo winked and said, "I''ll leave it to you to make Old Stupe think That night two technicians went into the Greek camp, one to Achilles'' Achilles, I''d knock Agamemnon''s head off." night, and at dawn Patroclos ran into Achilles'' tent. "Too bad," said Achilles. "So this is the magic armor your divine mother, Thetis, gave you," said the best man among Greek or Trojan," said Achilles matter-of-factly. Patroclos doing in Achilles'' armor? id = 17118 author = Hope, Laura Lee title = The Moving Picture Girls Under the Palms Or Lost in the Wilds of Florida date = keywords = Alice; Bunn; Dixon; Miss; Mr.; Paul; Pennington; Pertell; Russ; Ruth; Sneed; Towne summary = Alice blushed, and her sister Ruth looked sharply at Miss Laura Dixon, Alice and Ruth DeVere, with Russ Dalwood and Paul Ardite, were standing They''ve got him!" cried Paul, as the boat came up to the actor in "Don''t be silly!" laughed Alice, while Russ gave Mr. Sneed a meaning look some little time, too, for when she turned to look at her sister, Alice As the two advanced toward Ruth and Alice the girls heard Russ Miss Pennington, coming on deck where Ruth and Alice stood. Russ, who had been standing near Ruth and Alice, suddenly started for his "Good stunt on for to-morrow," said Russ, coming up behind Ruth, and "It''s like a house-boat!" cried Alice in delight, as she and Ruth drama, Ruth and Alice, with Paul Ardite, got into a small boat. rehearsal Ruth, Alice, Mrs. Maguire and Paul went through the little id = 18699 author = Hope, Laura Lee title = The Moving Picture Girls at Sea or, A Pictured Shipwreck That Became Real date = keywords = Alice; Brisco; Captain; Ellen; Jack; Jepson; Mary; Mr.; Pertell; Russ; Ruth summary = Ruth and Alice DeVere were moving picture girls, which you have probably of Ruth and Alice, was Russ; Paul Ardite, who played juvenile leads; Pop Ruth, on her way to explain to sailor Jack Jepson what was wanted of him ask it as a favor, Miss," and he looked from Ruth to Alice. No more than a baby!" and Jack Jepson looked from Ruth to Alice, "I could come any time," Jepson answered, and Alice noted that the old "Yes, this play acting business is new to me, too," said Captain Brisco. Yes, of course," said Captain Brisco, who with Mr. Pertell came forward just then. "Oh, trust Captain Brisco for that," Alice said. found Captain Brisco, Jack Jepson and the others hard at work making the "You''ll have to wait a bit," Russ called to Ruth, Alice and Paul. "Yes, I think Russ has enough pictures," Mr. Pertell said in answer to id = 19171 author = Hope, Laura Lee title = The Moving Picture Girls; Or, First Appearances in Photo Dramas date = keywords = Alice; Dalwood; Dixon; Miss; Mr.; Mrs.; Paul; Pertell; Russ; Ruth; daddy summary = "It''s good news, Russ!" called Alice, as he departed across the hall. There was no need for Ruth and Alice to ask their father what had "What would Ruth say if she saw me now?" Alice asked, as she and Russ Alice liked the appearance of Mr. Pertell, manager of the Comet Film "This is Miss Alice DeVere," began Russ, "and she has come to you "Well?" asked Ruth, as Alice entered the apartment a little later, Russ Dalwood had come in and had greeted Ruth and Alice, and "Did you enjoy yourself, Alice?" asked Ruth, a little later that "Have you got a part you like, Ruth?" asked Alice, when she had "Did you like your part, Ruth?" asked Russ, after Alice had allowed "Shall we, Ruth?" asked Alice, with a queer little look at her Alice went to tell Ruth the good news. id = 19969 author = Hope, Laura Lee title = The Moving Picture Girls at Oak Farm or, Queer Happenings While Taking Rural Plays date = keywords = Alice; Apgar; Bunn; Miss; Mr.; Paul; Pertell; Russ; Ruth; Sandy; Sneed summary = "Now Ruth DeVere, you know I was only chaffing!" exclaimed Alice. "Look, there''s Russ, taking pictures!" exclaimed Ruth, pointing to "It isn''t as bad as you said, Russ!" exclaimed Ruth. "I know one part you''re going to have, Ruth," went on Alice, as she "Who do you think he was?" the moving picture actor asked of Sandy, Somebody save Alice!" cried Ruth, from her place near "I''d tell Ruth or Alice," reflected Russ, "only I don''t like to "Isn''t it killing, Ruth?" asked Alice, who had come out with her carried, and knowing moving picture actors were at Oak Farm, said, "I''ve got something new for you, Miss Alice," said the moving picture Sandy quickly had cut a way so the actor could emerge, and at Mr. Pertell''s suggestion Russ made moving pictures of it. As Ruth and Alice, with Paul and Russ, were walking off toward a id = 20347 author = Hope, Laura Lee title = The Moving Picture Girls Snowbound Or, The Proof on the Film date = keywords = Alice; Lodge; Macksey; Merley; Mr.; Paul; Pertell; Russ; Ruth; Sneed summary = "Daddy is late; isn''t he, Ruth?" asked Alice DeVere of her sister, as "Did they film any big plays to-day?" asked Alice. Ruth overheard the question asked by Alice, and her father''s answer. Alice came rushing in with more snow, and there was a merry little scene "How are you?" asked Miss Pennington, as Ruth and Alice came over to "I think we had better be going, Alice, dear," said Ruth. "I like them; don''t you?" asked Alice, as she and Ruth rejoined their Ruth and Alice, as well as Russ and Paul, laughed at the "Did you notice that man, Alice?" asked Ruth, as she went up the hill "That''s about right," said the manager when Ruth and Alice were in a "Keep moving, girls!" called Russ to Ruth and Alice, as he and Paul "Keep moving, girls," Paul urged Ruth and Alice. id = 20348 author = Hope, Laura Lee title = The Moving Picture Girls in War Plays Or, The Sham Battles at Oak Farm date = keywords = Alice; Brown; Dixon; Estelle; Miss; Mr.; Oak; Paul; Pertell; Russ; Ruth summary = "The Moving Picture Girls at Rocky Ranch" gave Ruth and Alice a taste of are reading--"The Moving Picture Girls at Sea." In that Alice and Ruth "You did very well in that funny little scene with Paul," said Ruth to "That is going to be a very strong scene for you and Alice," said Mr. DeVere to Ruth one day. "I can look after myself, thank you, Alice dear," Estelle said. "It''s sure to be if Russ told you, isn''t it, Ruth?" asked Alice, with a Estelle Brown taking her hazardous leap, Alice, Ruth, and the others big scene in which Ruth and Alice were to take part. missing ring, but Estelle took no notice, and Alice, Ruth and her other Then came the spirited scene where Ruth and Alice got their wounded Ruth, Alice and Estelle, who were watching the scene from a distant id = 20349 author = Hope, Laura Lee title = The Moving Picture Girls at Rocky Ranch Or, Great Days Among the Cowboys date = keywords = Alice; Baldy; Bunn; Indians; Miss; Mr.; Paul; Pennington; Pertell; Russ; Ruth; Sneed summary = "Just in time, Ruth and Alice!" called Russ Dalwood, who was one of the "Who?" asked Alice, for the moving picture company was like one big Ruth and Alice really got into moving picture work by accident. "Come on," said Paul to Ruth and Alice. picture company, and, as Ruth and Alice were getting hemmed in, Mr. Pertell called a taxicab and sent them home in it. Orders for the day''s work were issued, and Paul, Ruth, Alice and Mr. Bunn found that they had to go to the Grand Central Terminal where, once "Do you think you''re going to like it here, Alice?" asked Ruth as they It was about a week after this that Russ, Paul, Alice, Ruth and Mr. DeVere were riding out toward the _mesa_ to get some scenes in the "Russ, are you going to try to get a film?" asked Alice, as she saw the id = 44621 author = Library of Congress. Copyright Office title = Motion Pictures, 1960-1969: Catalog of Copyright Entries date = keywords = AIR; AMERICAN; Assn; Associates; CITY; Co.; Corp.; Division; Education; Enterprises; FAMILY; Films; HOUSE; Inc.; Institute; International; James; John; Ltd.; NEW; PARIS; PEOPLE; Pictures; Productions; Robert; SAFETY; SCIENCE; SEA; SECRET; STORY; Television; University; WAR; WATER; William; YOUNG; action; animal; big; bird; boy; case; child; commercial; day; girl; good; great; introduction; job; life; love; man; pink; plant; reading; school; serie; space; system; time; way; work; world; year summary = A-V Corp., Teaching Films Division. American Bridge Division, United States American International Film Distributing American International Productions American International Productions Bay State Film Productions, Inc. Burnford (Paul) Film Productions. Campus Film Productions, Inc. Central African Film Unit Production. Century Film Productions, Ltd. Century Film Productions, Ltd. Champion Film Productions, Inc. City Film Corp. Corn Products Co. Best Foods Division. Corn Products Co. Best Foods Division. Corona Film Production. Davis (Richard)-Jolly Film Production. Dear Films Productions. LIFE STORY OF THE SEA STAR. Feature Story Film Productions. Film Designers Division, EMC Corp. Film Services Quest Productions. Fletcher Film Productions, Ltd. G. S.-Posa Films International Production. Giant Production Film, Ltd. National Film Board of Canada Productions. New City Films. New World Film Corp. Pan American Productions, Inc. of New Paris Film Production. Rank Organisation Film Productions, Ltd. Rank Organisation Film Productions, Ltd. S-L Film Productions. Times Film Corp. United World Films, Inc. id = 13029 author = Lindsay, Vachel title = The Art of the Moving Picture date = keywords = Action; America; Art; California; Chicago; Crowd; Denver; Griffith; Ibsen; Intimate; John; Judith; Mary; Museum; New; Poe; Splendor; York; chapter; come; egyptian; film; japanese; like; man; motion; photoplay; picture; time summary = The Art of the Moving Picture, as it appeared six years ago, possessed In The Art of the Moving Picture the nature and domain of a new Muse is And the best motion picture story for fifty years may turn out to be a Chapter V--The Picture of Crowd Splendor, being the type illustrated by Denver Art Museum can interpret in its photoplay films, and send them on Let us take for our platform this sentence: THE MOTION PICTURE ART IS A The Intimate Motion Picture is the world''s new medium for studying, not the old one-reel Battle film described in the beginning of this chapter. type of a camp-fire is possible in our Jeanne d''Arc. These pictures, new and old, great and unknown, indicate some of the like the Egyptians, the great picture-writing people. and grip the people in a motion picture transcript, if not a photoplay. id = 30285 author = Malins, Geoffrey H. title = How I Filmed the War A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc. date = keywords = Bosche; Captain; Fritz; General; H.Q.; King; Majesty; Prince; Somme; St.; belgian; camera; chapter; day; film; german; illustration; line; right; shell; trench; way summary = for the Front Line Trenches--Filming the German Guns in Start for the Front Line Trenches--Filming the German Guns Staying in this section of trench, I filmed several scenes of the men at At that moment our big guns started shelling the German trenches, and shells came hurtling overhead from the German guns and burst about a way down the trench lining the road, when a shell dropped and exploded While filming the scene, German shells Film from Our First-Line Trench--And Obtain a Fine Picture. Reaching the place I met the General, who said, in a jocular way, when I the German lines was being shelled by our heavy guns; the place was a I again filmed various scenes of the Germans "strafing" our lines. I stayed in the trenches until the following day, filming scene after for me to reach the place in time to film this scene. id = 15383 author = Münsterberg, Hugo title = The Photoplay: A Psychological Study date = keywords = New; York; art; attention; mind; movement; photoplay; picture; real; scene; screen; stage; theater; world summary = or imagination invents comes to life on the screen of the picture pictures of successive phases; and for the first time the human eye saw movement when one picture moves away and another approaches the center shadowlike the moving picture play appeared compared with the film may be a thing of beauty, but the pictures are not taken for art''s pictures in contrast to the plastic objects of the real world which surroundings appear to the mind plastic and the moving pictures flat? moving pictures every new movement to or from the background must remind more chance for movements in the moving pictures than on the stage and To picture emotions must be the central aim of the photoplay. imaginative ideas; in the moving pictures they become reality. esthetic values of the photoplay._ With the rise of the moving pictures Here in the moving pictures the play id = 12948 author = Shaler, Robert title = The Boy Scouts with the Motion Picture Players date = keywords = Alec; Arthur; Billy; Hugh; Monkey; Stallings; boy; scout; tell; time summary = acquaintance, it may be said that the boy next to Hugh was Alec Sands; "Well, the time limit you set has come, Alec," Hugh was saying after "You, said, she wanted it quiet, you know, Alec," observed Hugh. "We''ll try the floor to-night, boys," said Hugh, as he started to honestly believe, Hugh, this lonely old curiosity of a castle is going That was Billy addressing Hugh on the following morning, the scout This was the time for Alec to tell about the little adventure Hugh forgive you this time, Billy, because the rest of us, all but Hugh "We are Boy Scouts," said Hugh, hastily, seeing the men frown at Alec''s "But you''ve got your pictures to show for it, Alec," Hugh told him, in the way of Boy Scouts, were each and every one working like troopers They tried in turn to coax Hugh, Billy, Alec, Arthur or Monkey Stallings id = 8422 author = Vaknin, Samuel title = Moral Deliberations in Modern Cinema date = keywords = Dan; Greenleaf; Israel; John; Matrix; Ripley; Truman; Vaknin; identity; mind; self summary = moral right to think that these people wronged him. warns Truman about the true nature of the world. The Matrix controls the minds of all the humans in the world. The possession of a body as the foundation of a self-identity self and an identity) is time, or, more precisely, memory. accept that he has a given (i.e., the same continuous) self-identity But the unconscious is as much a part of one''s self-identity as one''s ego determines one''s personality and self-identity. condition for possessing a self-identity. In fact, one''s self-identity may be such a background mental person himself can "disprove" the existence of his self-identity. report about the non-existence of his (or another''s) self-identity is he can prove the non-existence of his self-identity). In conclusion: Dan undoubtedly has a self-identity (being human and, our various bodies, states of mind, memories, skills, emotions, and