AT
Elie
and
Hatton-Houses
,
the
Gentlemen
and
their
Assistants
met
,
and
in
this
manner
prepard
for
the
Court
.
The
Antimasquers
were
vsher'd
by
a
Hornepipe
,
and
a
Shalme
,
riding
in
Coates
and
Caps
of
yellow
Taffata
,
spotted
with
Silver
,
their
Feathers
red
,
their
Horses
led
by
men
in
coates
of
blew
Taffata
,
their
wings
red
,
and
part
of
their
sleeves
yellow
,
Caps
and
Feathers
:
all
the
torch-bearers
in
the
same
habite
appoynted
to
attend
,
and
give
plentifull
light
to
the
whole
traine
.
Phansie
,
in
a
sute
of
severall
coloured
Feathers
hooded
.
A
paire
of
Bats-wings
on
his
shoulders
,
riding
alone
as
sole
presenter
of
the
Antimasques
.
After
him
rode
Opinion
and
Confidence
together
,
Opinion
in
an
old
fashioned
Doublet
of
blacke
Velvet
,
and
truncke
Hose
,
a
short
Cloake
of
the
same
with
an
antique
Cape
,
a
blacke
Velvet
cap
pinch'd
up
,
with
a
white
fall
,
a
Staffe
in
his
hand
.
Confidence
in
a
slash'd
Doublet
parti-coloured
Breeches
sutable
with
poynts
at
knees
,
favours
upon
his
breast
,
and
arme
:
a
broad
brim'd
Hat
,
tied
upon
one
side
,
banded
with
a
Feather
,
a
long
Locke
of
Haire
,
trim'd
with
severall
coloured
Ribbands
,
wide
Boots
,
and
great
Spurres
with
Bels
for
rowels
.
Next
rode
Iollity
and
Laughter
.
Iollity
in
a
flame-coloured
Suite
,
but
trick'd
like
a
Morise-dancer
,
with
Scarfes
and
Napkins
,
his
Hat
fashioned
like
a
Cone
,
with
a
little
fall
.
Laughter
in
a
long
side
Coate
of
severall
colours
,
laughing
Visards
on
his
breast
and
backe
,
a
Cap
with
two
grinning
faces
,
and
Feathers
betweene
.
Then
followed
variety
of
Anticke
musicke
after
which
rode
sixe
Proiectors
,
one
after
another
,
their
horses
led
by
Torch-bearers
.
The
first
a
Iocky
with
a
Bonnet
on
his
head
upon
the
top
of
it
a
whip
,
he
seeming
much
to
obserue
and
affect
a
bridle
which
he
had
in
his
hand
.
The
second
a
Country
fellow
in
a
Leather
Doubled
and
gray
trunke
Hose
,
a
wheele
with
a
perpetuall
motion
on
his
head
,
and
in
his
hand
a
flayle
.
The
third
,
a
grimme
Philosopicall
fac'd
fellow
in
his
gowne
furr'd
,
and
girdled
about
him
,
a
furnace
upon
his
head
,
and
in
his
hand
a
lampe
.
The
fourth
in
a
case
of
blacke
Leather
vast
to
the
middle
,
and
round
on
the
top
,
with
glasse
eyes
,
and
bellowes
under
each
arme
.
The
fist
a
Physition
,
on
his
head
a
Hat
with
a
bunch
of
Carrots
,
a
Capon
perched
upon
his
fist
.
The
sixt
like
a
Seaman
,
A
Shippe
upon
his
head
and
holding
a
Line
and
Plummet
in
his
hand
.
Here
variety
of
other
Anticke
musicke
counterfeiting
the
voyces
of
Birds
,
and
after
these
rode
,
a
Magpy
,
a
Crow
,
a
Iay
,
and
a
Kite
,
in
a
quadrangular
figure
,
and
in
the
midst
an
Owle
,
these
were
followed
by
three
Satires
,
two
a
breast
,
and
one
single
,
sided
with
torch-bearers
.
Then
three
Dotterels
in
the
same
manner
and
attendance
.
After
these
a
Windmill
,
against
which
a
phantasticke
Knight
with
his
Lance
,
and
his
Squire
arm'd
seem'd
to
make
their
attempts
.
These
moving
forward
in
ridiculous
shew
and
postures
,
a
Drummer
followeth
on
Horsebacke
,
in
a
Crimson
taffata
coate
,
a
white
Hat
and
Feather
,
tip'd
with
crimson
,
beating
two
kettle
Drummes
.
Then
14.
Trumpetors
,
in
crimson
Satten
coates
,
white
Hats
and
Feathers
,
and
rich
Banners
.
The
Marshall
followed
these
bravely
mounted
.
attended
with
forty
foote
,
in
Cotes
and
Hose
of
Scarlet
trim'd
with
Silver-lace
,
white
Hats
and
Feathers
,
their
Truncheons
tip'd
with
Silver
:
these
upon
every
occasion
moving
to
and
fro
,
to
preserue
the
order
of
their
march
,
and
restraine
the
rudenesse
of
people
,
that
in
such
triumphs
,
are
wont
to
be
insolent
,
and
tumultuary
.
After
these
an
hundred
Gentlemen
,
gloriously
furnished
and
gallantly
mounted
,
riding
two
and
two
a
breast
,
every
Gentleman
having
his
two
Pages
richly
attired
,
and
a
groome
to
attend
him
.
Next
after
these
a
Chariot
drawne
by
foure
horses
,
two
and
two
together
,
richly
furnished
and
adorn'd
with
Gold
and
Silver
,
the
Charioter
in
a
Polonian
coate
of
greene
cloth
of
Silver
.
In
this
were
advanced
Musicians
like
Priests
and
Sybills
,
sonnes
and
daughters
of
Harmony
,
some
with
Coronets
,
other
with
wreathes
of
Lawrell
and
Mirtle
,
playing
upon
their
Lutes
,
three
Foote-men
on
each
side
in
blew
Satten
wrought
with
Silver
,
and
every
one
a
Flambeaux
in
his
hand
.
In
the
next
Chariot
of
equall
glory
,
were
placed
on
the
lowest
staires
foure
in
skie-coloured
Taffata
Robes
seeded
with
starres
,
Mantles
ashe
coloured
,
adorned
with
Fringe
,
and
Silver-lace
,
Coronets
with
Starres
upon
their
heads
.
In
a
seate
a
little
more
elevate
sate
Geniu
,
and
Amphiluchs
.
On
the
highest
seate
of
this
Chariot
,
sate
the
three
Howers
,
or
Heavenly
sisters
,
Irene
,
Diche
,
and
Eunomia
.
All
whose
habits
shall
be
described
in
their
proper
places
:
this
Chariot
attended
as
the
former
.
After
these
came
the
foure
Triumphals
or
Magnificent
Chariots
,
in
which
were
mounted
the
grand
Masquers
,
one
of
the
foure
Houses
in
euery
Chariot
,
seated
within
an
halfe
Ovall
,
with
a
glorious
Canopy
over
their
heads
,
all
bordered
with
silver
Fringe
,
and
beautified
with
Plumes
of
Feathers
on
the
top
.
-
The
first
Chariot
,
Silver
&
Orenge
.
-
The
second
,
Silver
&
Watchet
.
-
The
third
,
Silver
&
Crimson
.
-
The
fourth
,
Siluer
&
White
.
All
after
the
Romane
forme
,
adorned
with
much
embossed
and
carved
workes
,
and
each
of
them
wrought
with
Silver
,
and
his
seuerall
colour
,
they
were
mounted
on
carriages
,
the
Spring
trees
,
Pole
and
Axle-trees
,
the
Charioters
seate
,
and
standers
,
wheeles
,
with
the
fellyes
,
spokes
,
and
naves
all
wrought
with
Silver
,
and
their
severall
colour
.
They
were
all
drawne
with
foure
Horses
a-front
after
the
magnificent
Romane
Triumphs
,
their
furniture
,
Harnesse
,
Headstall
,
Bits
,
Raines
,
and
Traces
,
Shaferon
,
Cronet
,
Petronell
,
and
Barbe
of
rich
cloth
of
Silver
,
of
severall
workes
,
and
colours
answerable
to
the
linings
of
the
Chariots
.
The
Charioters
in
Polony-coates
of
the
same
colour
of
the
Chariots
,
their
Caps
Feathers
,
and
Buskings
answerable
.
The
two
out
Horses
of
euery
Chariot
led
by
two
men
in
habits
wrought
with
Siluer
,
and
conformable
to
the
colour
of
the
other
furniture
,
foure
foot-men
on
eyther
side
of
euery
Chariot
,
in
rich
habits
also
wrought
with
Siluer
answerable
to
the
rest
,
euery
one
carrying
a
Flambeaux
in
his
hand
.
Betweene
every
of
these
Chariots
foure
Musitians
in
their
Robes
and
Garlands
,
were
mounted
;
riding
two
a
breast
,
attended
with
Torch-bearers
.
The
Habit
of
the
Masquers
gaue
infinite
splendor
to
this
solemnity
;
which
more
aptly
shall
be
expressed
in
his
Place
.
This
Masque
was
presented
in
the
Banquetting-house
.
At
white
Hall
before
the
King
and
Queenes
Maiesties
and
a
great
Assembly
of
Lords
and
Ladies
,
and
other
persons
of
quality
,
whose
aspect
setting
on
the
degrees
prepared
for
that
purpose
gaue
a
great
grace
to
this
spectacle
,
especially
being
all
richly
attired
.
At
the
lower
end
of
the
roome
opposite
to
the
state
was
raysed
a
Stage
with
a
descent
of
staires
in
two
branches
landing
into
the
roome
.
This
Basement
was
painted
in
rusticke
worke
.
The
border
of
the
front
and
sides
that
enclosed
all
the
Sceane
had
first
a
ground
of
Arber-worke
entermixt
with
loose
branches
and
leaues
,
and
in
this
was
two
Niches
,
and
in
them
two
great
figures
standing
in
easy
postures
in
their
naturall
colors
,
and
much
bigger
then
the
life
,
the
one
attired
after
the
Grecian
manner
held
in
one
hand
a
Scepter
,
and
in
the
other
a
Scrowle
,
and
a
picked
antique
crowne
on
his
head
,
his
curasse
was
of
Gold
richly
enchased
,
his
robe
blue
and
Siluer
,
his
armes
and
thighs
bare
with
buskings
enricht
with
ornaments
of
Gold
,
his
browne
locks
long
and
curled
,
his
Beard
thicke
but
not
long
,
and
his
face
was
of
a
grave
and
ioviall
aspect
,
this
figure
stood
on
a
round
pedestall
fained
of
white
Marble
,
enricht
with
severall
caruings
;
above
this
in
a
compartiment
of
Gold
was
written
MINOS
.
The
figure
on
the
other
side
was
in
a
Romane
habit
,
holding
a
Table
in
one
hand
,
and
a
Pen
in
the
other
,
and
a
white
Bend
or
Diadem
about
his
head
,
his
Robe
was
crimson
and
Gold
,
his
Mantle
yellow
and
Siluer
,
his
Buskins
watchet
trim'd
with
Siluer
,
his
haire
and
Beard
long
and
white
with
a
uenerable
aspect
,
standing
likewise
on
a
round
Pedestall
answerable
to
the
other
.
And
in
the
compartiment
over
him
was
written
NVMA
.
Above
all
this
in
a
proportionate
distance
hung
two
great
Festons
of
fruites
in
colors
which
serued
for
finishing
to
these
sides
.
The
upper
part
in
manner
of
a
large
Freeze
was
adorn'd
with
severall
compartiments
with
draperies
hanging
downe
,
and
the
ends
tied
up
in
knots
,
with
trophies
proper
to
feasts
and
triumphs
,
composed
of
Masking
Vizards
and
torches
.
In
one
of
the
lesser
compartiments
was
figured
a
sharpe
sited
eye
,
and
in
the
other
a
Golden-yoke
,
in
the
midst
was
a
more
great
and
rich
compartiment
on
the
sides
of
which
sate
naked
Children
in
their
naturall
colors
with
Siluer
wings
in
action
of
sounding
Golden
Trumpets
,
and
in
this
was
figured
a
Caduseus
with
an
Oliue-branch
all
which
are
Hierogliphicks
of
Peace
Iustice
and
Law
.
A
Curtaine
being
sodainly
drawne
up
the
Sceane
was
discovered
representing
a
large
streete
with
Sumptuous
Pallaces
Lodges
Portico's
,
and
other
noble
peeces
of
Architecture
with
pleasant
Trees
and
grounds
,
this
going
farre
from
the
eye
opens
it selfe
into
a
spacious
place
adorn'd
with
publique
and
private
buildings
seene
a far
of
,
representing
the
Forum
or
Piazza
of
Peace
.
Over
all
was
a
cleare
Sky
with
transparent
Clouds
which
enlightned
all
the
Scene
.
The
Spectators
having
entertained
their
eyes
a
while
with
the
beavty
and
variety
of
this
Scene
from
one
of
the
sides
of
the
streetes
enters
Opinion
,
&c.
Enter
Opinion
,
Confidence
meetes
him
,
they
salute
.
CONFIDENCE
,
MOst
grave
Opinion
!
Op.
Confidence
most
welcome
,
Is
Phansie
come
to
Court
?
Co.
Breaking
his
way
Thorough
the
Guard
.
Op.
So
violent
?
Co.
With
jeasts
Which
they
are
lesse
able
to
resist
,
Hee
'l
cracke
a
Halberd
with
his
wit
,
Op.
A
most
Strong
Phansie
,
yet
we
ha'
knowne
a
little
Engine
Breake
an
ingenious
Head
peece
.
But
your
Master
—
Co.
Companion
sir
.
Phansie
will
keepe
no
Servants
,
And
Confidence
scornes
to
waite
.
Op.
Cry
mercy
sir
,
But
is
this
Gentleman
,
this
Signior
Phansie
So
rare
a
thing
,
so
subtile
as
men
speake
him
.
Co.
He
's
a
great
Prince
of
th'
Ayre
,
beleeue
it
sir
,
And
yet
a
Bird
of
night
.
Op.
A
Bird
!
Co.
Betweene
An
Owle
and
Bat
,
a
queint
Hermophrodite
,
Begot
of
Mercury
and
Venus
Wit
and
Love
.
He
's
worth
your
entertainement
.
Op.
I
am
most
Ambitious
to
see
him
,
he
is
not
So
nimble
as
I
wish
him
,
where
's
my
Wife
,
My
Lady
Novelty
?
Enter
Lady
Novelty
.
No.
Your
Wife
?
you
might
Have
fram'd
a
newer
word
,
they
can
but
call
,
Vs
so
i'
th
Country
.
Op.
No
exception
Deare
Madam
Novelty
,
I
must
prepare
you
,
To
entertaine
a
Gentleman
,
where
's
Admiration
,
Our
Daughter
?
Enter
Admiration
.
Ad.
Here
sir
,
what
gay
man
is
this
?
Op.
Please
you
honour
us
,
and
bring
in
your
friend
sir
.
Co.
I
le
doo
't
but
he
prevents
me
.
Enter
Phansie
,
Iollity
,
and
Laughter
.
Op.
Sir
I
am
ignorant
By
what
titles
to
salute
you
,
but
y'
are
welcome
to
Court
.
Ph.
Saue
your selfe
sir
,
your
name's
Opinion
.
Op.
And
yours
Phansie
.
Ph.
Right
.
Iol.
Mine
Iollity
.
La.
Mine
Laughter
,
ha
,
ha
,
ha
.
No.
Here
's
a
strange
shape
.
An.
I
never
saw
the
like
.
Ph.
I
come
to
doe
you
honor
with
my
friends
here
And
helpe
the
Masque
.
Op.
You
'le
doe
a
speciall
favour
.
Ph.
How
many
Antimasques
ha
they
?
Of
what
nature
?
For
these
are
Phansies
that
take
most
,
your
dull
And
phlegmaticke
inuentions
are
exploded
,
Giue
mee
a
nimble
Antimasque
.
Op.
They
haue
none
sir
.
La.
No
Antimasque
?
I
de
laugh
at
that
i'faith
.
Iol.
What
make
wee
here
?
No
Iollity
.
Ph.
No
Antimasque
.
Bid
'em
downe
with
the
Sceane
,
and
sell
the
Timber
,
Send
Iupiter
to
grasse
,
and
bid
Apollo
Keepe
Cowes
againe
,
take
all
their
gods
and
goddesses
,
For
these
must
farse
up
this
nights
entertainement
,
And
pray
the
Court
may
haue
some
mercy
on
'em
,
They
will
bee
jeerd
to
death
else
for
their
ignorance
,
The
soule
of
wit
moues
here
,
yet
there
be
some
If
my
intelligence
faile
not
,
meane
to
shew
Themselues
jeere
Maiors
,
some
tall
Critticks
have
Planted
Artillery
and
wit
murderers
.
No
Antimasque
?
Let
'em
looke
too
't
.
Op.
I
have
heard
sir
;
Confidence
made
them
trust
,
you
'de
furnish
'em
,
I
feare
they
should
have
made
their
addresse
earlier
To
your
invention
,
but
your
braine
's
nimble
,
Pray
,
for
the
expectation
that
's
vpon
'em
Lend
them
some
witty
fancies
,
set
some
engines
In
motion
,
that
may
conduce
to
the
designe
.
I
am
their
friend
against
the
Croude
that
enuy
'em
And
since
they
come
with
pure
deuotions
To
sacrifice
the
in
duties
to
the
King
And
Queene
,
I
wish
em
prosper
.
Ph.
You
have
charmd
me
,
I
le
be
their
friend
tonight
,
I
have
a
Fancy
Already
.
La.
Let
it
be
ridiculous
.
Co.
And
Confident
.
Iol.
And
Iolly
.
Ph.
The
first
Antimasque
We
will
present
our selves
in
our
owne
persons
,
What
thinke
you
on
't
?
most
grave
Opinion
You
shall
doe
well
to
lead
the
dance
,
and
give
it
Authority
with
your
face
,
your
lady
may
Admire
what
she
finds
new
.
No.
I
shall
applaud
.
The
Novelties
.
Ad.
And
I
admire
.
Ph.
They
tumble
,
My
skull
's
too
narrow
.
La.
Now
his
Phansies
caper
.
Ph.
Confidence
,
waite
you
upon
Opinion
,
Here
Admiration
,
there
Novelty
,
This
is
a
place
for
Iollity
and
Laughter
Phansie
will
dance
himselfe
too
.
The
first
Antimasque
,
the
dance
expressing
the
natures
of
the
Presenters
.
Ph.
How
like
you
this
deuice
?
Op.
T
is
hansome
—
but
La.
Opinion
will
like
nothing
.
No.
It
seemes
new
.
Co.
T
was
bold
.
Iol.
T
was
Iocund
.
La.
Did
not
I
doe
the
foole
well
?
Ad.
Most
Admirably
.
La.
Nay
,
and
the
Ladies
doe
but
take
My
part
,
and
Laugh
at
me
,
I
am
made
,
ha
,
ha
.
Op.
I
could
wish
something
sir
,
of
other
nature
To
satisfie
the
present
expectation
.
Ph.
I
imagine
,
nay
,
I
'me
not
ignorant
of
proprieties
And
persons
,
t
is
a
time
of
peace
,
I
le
fit
you
.
And
instantly
make
you
a
representation
Of
the
effect
.
Op.
Of
peace
?
I
like
that
well
.
Ph.
And
since
in
nothing
,
they
are
more
exprest
Then
in
good
fellowship
,
I
le
present
you
with
a
Taverne
.
A
Taverne
is
discovered
in
the
Scene
.
No.
A
spicke
and
span
new
Taverne
.
Ad.
Wonderfull
,
heere
was
none
within
two
minutes
.
La.
No
such
wonder
Lady
,
Tauernes
are
quickly
up
,
it
is
but
hanging
out
a
Bush
at
a
Noblemans
doore
,
or
an
Aldermans
gate
,
and
t
is
made
instantly
.
Co.
Wil
't
please
you
Ladies
to
except
the
wine
?
Iol.
Well
sayd
Considence
.
No.
It
will
bee
new
for
Ladies
To
go
to
th'
Taverne
,
but
it
may
be
a
fashion
,
Follow
mee
Admiration
.
La.
And
the
foole
,
I
may
supply
the
absence
of
your
Fidlers
.
Iol.
If
wee
can
,
le
ts
leave
Opinion
behind
us
,
Phansie
will
make
him
drunke
,
Exeunt
to
the
Taverne
.
Another
Antimasque
of
the
Master
of
the
Taverne
,
His
Wife
,
and
Servants
.
after
these
—
-
A
Maquerelle
.
-
Two
Wenches
.
-
Two
wanton
Gamsters
.
These
hauing
danc'd
and
expressed
their
natures
goe
into
the
Taverne
.
then
—
-
A
Gentleman
.
-
Beggers
4.
The
Gentleman
first
danceth
alone
:
to
him
the
Beggers
,
he
bestows
his
charity
,
the
Cripples
vpon
his
going
off
,
throw
away
their
leggs
,
and
dance
.
Op.
I
am
glad
they
are
off
,
are
these
effects
of
peace
?
Corruption
rather
.
Ph.
Oh
the
Beggers
shew
The
benefit
of
peace
.
Op.
Their
uery
breath
Hath
stifled
all
the
Candles
,
poysond
the
Perfumes
,
Beggers
a
fit
presentment
?
how
They
cleaue
still
to
my
nosthrill
,
I
must
tell
you
,
I
doe
not
like
such
base
,
and
sordide
persons
,
And
they
become
not
here
.
Ph.
I
apprehend
,
If
these
distaste
you
,
I
can
fit
you
with
Persons
more
cleanly
,
What
thinke
you
of
Proiectors
?
Op.
How
Proiectors
!
Ph.
Here
's
one
already
.
Enter
a
Iocky
.
This
is
a
Iocky
,
He
is
to
advance
a
rare
,
and
cunning
bridle
Made
hollow
in
the
Iron
part
,
wherein
A
vapor
subtly
conueyd
,
shall
so
Coole
and
refresh
a
horse
,
he
shall
nere
tire
And
now
he
fals
to
his
pace
.
Iocky
dances
.
Op.
This
other
?
Enter
a
Country
fellow
.
Ph.
His
habit
speakes
him
A
Country
fellow
,
that
has
sold
his
acres
To
purchase
him
a
flayle
,
which
by
the
motion
Of
a
queint
wheele
,
shall
without
helpe
of
hands
,
Thresh
Corne
all
day
,
and
now
he
layes
about
him
.
The
Country
fellow
dances
.
Enter
another
Proiector
.
This
with
a
face
Philosophicall
and
beard
,
Hath
with
the
study
of
twenty
yeares
,
found
out
A
lampe
,
which
plac'd
beneath
a
furnace
,
shall
Boyle
Beefe
so
thoroughly
,
that
the
uery
steame
Of
the
first
Vessell
,
shall
alone
be
able
To
make
another
Pot
aboue
seeth
ouer
.
Op.
A
most
Scholasticke
proiect
;
his
feete
follow
The
motions
of
his
braine
.
The
third
Proiector
dances
.
But
what
thing
's
this
?
A
Chimera
out
of
Rablais
?
Ph.
A
new
proiect
,
A
Case
to
walke
you
all
day
vnder
water
.
So
vast
for
the
necessity
of
ayre
,
Which
,
with
an
artificiall
bellowes
coold
Vnder
each
arme
,
is
kept
still
from
corruption
,
with
those
glasse
eyes
,
he
sees
,
and
can
fetch
up
Gold
,
or
what ever
Iewels
ha'
beene
lost
,
In
any
River
of
the
World
.
The
fourth
Proiector
dances
.
Op.
Strange
Water-Rat
!
Enter
another
Proiector
.
Ph.
This
grave
man
,
some
yeares
past
was
a
Phisition
,
A
Galenist
,
and
parcell
Paracelsus
,
Thrin'd
by
diseases
,
but
quite
lost
his
practice
,
To
study
a
new
way
to
fatten
Poultry
With
scrapings
of
a
Carrot
,
a
great
benefit
To
th'
Commonwealth
.
The
fift
Proiector
dances
.
Op.
He
will
deserve
a
monument
.
Enter
the
sixt
Proiector
.
Ph.
This
is
a
kind
of
Seagull
too
,
that
will
Compose
a
ship
to
saile
against
the
winds
.
Hee
'l
vndertake
to
build
a
most
strong
castle
On
Goodwin
sands
,
to
melt
huge
Rockes
to
jelley
,
And
cut
'em
out
like
sweetmeats
with
his
keele
,
And
thus
he
sayles
.
All
the
Proiectors
daunce
after
their
Antimasque
,
The
-
Maquerelle
.
-
Wenches
.
-
Gentlemen
.
Returne
,
as
from
the
Taverne
,
they
dance
together
,
The
Gallants
,
are
cheated
,
and
left
to
dance
in
with
a
drunken
repentance
.
Op.
I
know
not
sir
,
how
this
may
satisfie
,
But
might
we
be
beholding
to
your
fancy
For
some
more
queint
variety
,
some
other
Then
humane
shapes
,
would
happily
delight
,
And
reach
the
expectation
,
I
ha
seene
Dainty
devices
in
this
kind
,
Baboones
In
Quellios
,
and
so
forth
.
Ph.
I
can
furnish
you
.
Op.
Phansie
will
much
obliege
us
.
Ph.
If
these
objects
Please
not
,
Phansie
can
present
a
change
,
What
see
you
now
?
The
Scene
becomes
a
woody
Landschape
with
low
grounds
proper
for
hunting
,
the
furthest
part
more
desert
,
with
bushes
and
by
waies
representing
a
place
fit
for
purse-taking
.
In
the
furthest
part
of
the
Scene
is
seene
an
Ivy-bush
,
out
of
which
comes
an
Owle
.
Op.
A
Wood
,
a
broad-fac'd
Owle
,
An
Ivy-bush
,
and
other
Birds
about
her
.
Ph.
These
can
imagination
create
,
Silence
,
observe
.
-
An
Owle
.
-
A
Crow
.
-
A
Kite
.
-
A
Iay
.
-
A
Magpy
.
The
Birds
dance
and
wonder
at
the
Owle
.
When
these
are
gone
,
enter
A
Merchant
,
a
Horse-backe
,
with
his
Portmantue
.
Two
Theeves
set
vpon
him
and
robbe
him
:
these
by
A
Constable
,
and
Officers
are
apprehended
and
carryed
off
.
Then
Foure
Nimphes
enter
dancing
with
their
Iavelins
.
Three
Satires
spie
them
and
attempt
their
persons
,
one
of
the
Nimphes
escapeth
,
a
noyse
of
Hunters
and
their
hornes
within
,
as
at
the
fall
of
a
Deere
,
then
Enter
Foure
Huntsmen
and
One
Nimph
.
These
drive
away
the
Satires
,
and
having
rescued
the
Nimphes
,
dance
with
them
.
Op.
This
all
you
will
present
?
Ph.
You
speake
as
if
Phansie
could
be
exhaust
,
Invention
flowes
From
an
immortall
spring
,
you
shall
taste
other
Variety
,
nimble
as
thought
.
We
change
the
Scene
.
A
Landschape
the
Scene
.
and
Enter
Three
Dotterells
.
Three
Dotterell-catchers
.
Op.
What
are
these
?
Ph.
Dotterells
,
be
patient
,
and
expect
.
After
the
Dotterells
are
caught
by
severall
imitations
,
enters
A
Windwill
.
A
phantastique
Knight
.
and
His
Squire
armed
.
The
phantastique
Aduenturer
,
with
his
lance
makes
attempts
vpon
the
Windmill
,
his
Squire
imitates
:
to
them
Enter
A
Country
Gentleman
,
and
his
Servant
.
Bowlers
,
4.
These
are
assavlted
by
the
Knight
and
his
Squire
,
but
are
sent
off
lame
for
their
folly
.
Enter
Confidence
,
Iollity
,
Laughter
,
Novelty
,
Admiration
.
Op.
Madam
accuse
your
absence
,
No.
We
know
All
your
devices
sir
.
Op.
Ha
,
what
's
the
matter
,
Confidence
,
Iollity
,
Laughter
,
Admiration
,
And
Madam
Novelty
,
and
drunke
!
these
are
extreames
indeed
.
Ad.
Admirable
Opinion
.
Co.
Be
confident
.
La.
And
foolish
.
Iol.
I
am
as
light
now
.
Ph.
Let
'em
enioy
their
Phansies
.
Op.
What
new
change
Is
this
?
these
straines
are
heavenly
.
Phansie
and
the
rest
goe
off
fearefully
.
The
Antimasquers
being
gone
there
appeares
in
the
highest
and
formost
part
of
the
heaven
by
little
and
little
to
breake
forth
a
whitish
Cloud
bearing
a
Chariot
fained
of
Goldsmiths-worke
,
and
in
it
fate
Irene
,
or
Peace
in
a
flowery
vesture
like
the
spring
,
a
Garland
of
Olives
on
her
head
a
branch
of
Palme
in
her
hand
,
Buskins
of
greene
Taffata
,
great
puffs
about
her
necke
and
shoulders
.
Shee
sings
.
Ir.
Hence
yee
profane
farre
hence
away
,
Time
hath
sicke
feathers
,
while
you
stay
,
Is
this
delight
For
such
a
glorious
night
,
Wherein
two
skyes
are
to
be
seene
,
One
starry
,
but
an
aged
sphere
another
here
,
Created
new
and
brighter
from
the
Eyes
of
King
and
Queene
?
CHO.
Hence
yee
profane
,
farre
hence
away
,
Time
hath
sicke
feathers
while
you
stay
.
Song
2.
Ir.
Wherefore
doe
my
sisters
stay
Appeare
,
appeare
Eunomia
,
'T
is
Irene
calls
to
thee
,
Irene
calls
;
Like
dew
that
falls
Into
a
streame
,
I
'me
lost
with
them
,
That
know
not
how
to
order
me
.
CHO.
See
there
shee
shines
,
oh
see
In
her
celestiall
gayety
Cround
with
a
wreath
of
Starres
to
shew
The
Evenings
glory
in
her
brow
.
Here
out
of
the
highest
part
of
the
opposite
side
came
softly
descending
another
Cloud
,
of
an
orient
colour
,
bearing
a
silver
Chariot
curiously
wrought
,
and
differing
in
all
things
from
the
first
,
in
which
sate
Eunomia
or
Law
,
in
a
purple
Sattin
Robe
,
adorn'd
with
golden
Startes
,
a
mantle
of
carnation
Lac'd
,
and
Fring'd
with
Gold
,
a
Coronet
of
light
upon
her
head
,
Buskins
of
Purple
,
drawne
out
with
Yellow
.
Song
3.
Eu.
Thinks
not
I
could
absent
my selfe
this
night
,
But
Peace
is
gentle
,
and
doth
still
invite
Eunomia
,
yet
shouldst
thou
silent
be
The
Rose
and
Lilly
which
thou
strowest
All
the
cheerefull
way
thou
goest
Would
direct
to
follow
thee
.
Ir.
Thou
dost
beautifie
increase
,
And
chaine
security
with
peace
.
Eu.
Irene
faire
,
and
first
devine
,
All
my
blessings
spring
from
thine
,
Ir.
I
am
but
wilde
without
thee
,
thou
abhorrest
What
is
rude
,
or
apt
to
wound
,
Canst
throw
proud
trees
to
the
ground
,
And
make
a
Temple
of
a
Forrest
.
Eu.
No
more
,
no
more
,
but
ioyne
Thy
voyce
,
and
Lute
with
mine
.
Both
.
The
world
shall
giue
prerogative
to
neyther
We
cannot
flourish
but
together
.
CHORI
.
Cho.
Irene
enters
like
a
perfum'd
spring
,
Eunomia
ripens
every
thing
,
And
in
the
golden
harvest
leaves
To
every
sickle
his
owne
sheaves
.
At
this
a
third
Cloud
of
a
various
color
from
the
other
two
,
begins
to
descend
toward
the
middle
of
the
Scene
with
somewhat
a
more
swifter
motion
,
and
in
it
sate
a
Person
representing
Diche
or
Iustice
in
the
midst
in
a
white
Robe
and
mantle
of
Sattin
,
a
faire
long
hame
circled
with
a
Coronet
of
Siluer
Pikes
,
white
Wings
and
Buskins
,
a
Crowne
imperiall
in
her
hand
.
Song
4.
Dich.
Swifly
,
oh
swiftly
,
I
doe
move
to
slow
,
What
holds
my
wing
from
making
hast
When
every
Cloud
sailes
by
so
fast
?
I
heard
my
sisters
voyce
,
and
know
They
haue
forsaken
Heavens
bright
gate
,
To
attend
another
State
,
of
gods
below
.
Irene
chast
Evnomia
.
Ir.
Eu.
Wee
Diche
,
have
stayd
expecting
thee
,
Thou
giu'st
perfection
to
our
glory
,
And
seale
to
this
nights
story
.
Astrea
shake
the
cold
dew
from
thy
wing
.
Eu.
Descend
.
Ir.
Descend
.
Eu.
Descend
,
and
helpe
vs
sing
,
The
Triumph
of
Ioves
upper
Court
abated
And
all
the
Deities
translated
.
CHOR.
The
Triumph
of
Ioves
vpper
Court
abated
And
all
the
Deities
translated
.
Eu.
Now
gaze
,
and
when
thy
wonder
will
allow
,
Tell
what
thou
hast
beheld
.
Dich.
Never
,
till
now
,
Was
poore
Astrea
blind
,
oh
strange
surprize
,
That
too
much
sight
should
take
away
my
eyes
,
Am
I
in
Earth
or
Heaven
?
Ir.
What
Throne
is
that
,
On
which
so
many
Starres
do
waite
?
Dich.
My
Eyes
are
blest
agen
,
and
now
I
see
The
Parents
of
vs
three
.
'T
is
Iove
and
Themis
forward
move
,
And
sing
to
Themis
,
and
to
Iove
.
Then
the
whole
traine
of
Musitians
move
in
a
comely
figure
toward
the
King
and
Queene
,
and
bowing
to
their
State
,
this
following
Ode
is
sung
.
Song
5.
To
you
great
King
and
Queene
,
whose
smile
.
Doth
scatter
blessings
through
this
I
le
,
To
make
it
best
And
wonder
of
the
rest
,
We
pay
the
duty
of
our
birth
,
Proud
to
waite
vpon
that
Earth
Where
on
you
moue
,
Which
shall
be
nam'd
And
by
your
chast
embraces
fam'd
The
Paradise
of
loue
.
Irene
plant
thy
Oliues
here
,
Thus
warm'd
,
at
once
,
thei
le
bloome
and
beare
,
Eunomia
pay
thy
light
,
While
Diche
,
covetous
to
stay
,
Shall
throw
her
silver
Wings
away
,
To
dwell
within
your
sight
.
The
Scene
is
changed
,
and
the
Masquers
appeare
setting
on
the
ascent
of
an
Hill
,
cut
out
like
the
degrees
of
a
Theater
,
and
ouer
them
a
delicious
Arbor
with
termes
of
young
Men
their
Armes
converted
into
Scrowles
,
and
under
their
wasts
a
foliage
with
other
caruings
to
cover
the
ioyning
of
the
terme
from
the
naked
,
all
fained
of
Siluer
,
these
bore
up
an
Architraue
,
from
which
was
raised
a
light
covering
arched
,
and
interwoven
with
Branches
through
which
the
Sky
beyond
was
seene
.
The
Masquers
were
sixteene
in
number
,
the
sonnes
of
Peace
Law
and
Iustice
,
who
setting
in
a
gracious
but
not
set
forme
,
every
part
of
the
seates
made
a
various
Composition
,
but
all
together
tending
to
a
Piramidall
figure
.
Their
habits
was
mixt
,
betweene
the
ancient
and
moderne
,
their
bodies
Carnation
,
the
shoulders
trimd
with
Knots
of
pure
silver
,
and
scallops
of
White
and
Carnation
,
vnder
them
the
Labels
of
the
same
,
the
under-sleeves
white
,
and
a
puft
sleeve
full
of
gathering
,
falling
downe
to
the
elbow
,
about
their
waste
was
a
small
scallop
,
and
a
slender
Girdle
,
their
vnder
Bases
were
Carnation
and
White
,
with
Labels
as
at
their
shoulders
,
and
all
this
in
every
part
was
richly
Embroydered
with
pure
silver
:
their
Hats
Carnation
low
croun'd
,
the
brimme
double
,
and
cut
into
severall
quarters
lined
with
white
,
and
all
ouer
richly
Embroydered
,
as
the
rest
,
about
their
Hats
were
wreathes
of
Olive
,
and
plumes
of
white
Feathers
,
with
severall
falls
,
the
longest
toward
the
backe
;
their
long
stockings
were
white
,
with
white
shooes
and
Roses
.
Beneath
these
a
Genius
or
Angelicall
person
,
with
Wings
of
severall
coloured
Fethers
,
a
Carnation
Robe
tuck'd
vp
,
yellow
long
haire
bound
with
a
siluer
Coronet
,
a
small
white
Rod
in
his
hand
,
white
Buskins
,
who
descended
to
the
Stage
,
speaketh
,
Gen.
No
forraigne
persons
I
make
knowne
,
But
here
present
you
with
your
owne
,
The
Children
of
your
Raigne
,
not
blood
Of
age
,
when
they
are
vnderstood
.
Not
seene
by
faction
or
Owles
sight
,
Whose
trouble
is
the
clearest
light
,
But
treasures
to
their
eye
,
and
eare
,
That
loue
good
for
it selfe
,
not
feare
.
Oh
smile
on
what
your selues
have
made
,
These
haue
no
forme
,
no
sunne
,
no
shade
,
But
what
your
vertue
doth
create
,
Exalted
by
your
glorious
fate
,
Thei
'le
towre
to
heaven
,
next
which
,
they
know
,
And
wish
no
blessednesse
but
you
.
The
Masquers
moue
.
That
very
looke
into
each
eye
Hath
shot
a
soule
,
I
saw
it
flie
.
Descend
,
move
nimbly
,
and
advance
,
Your
ioyfull
tribute
in
a
dance
.
Here
with
loud
Musicke
,
the
Masquers
descend
and
dance
their
entry
to
the
Violins
,
which
ended
,
they
retire
to
the
Scene
,
and
then
the
Howers
and
Chori
againe
move
toward
the
State
and
sing
.
Song
6.
They
that
were
never
happy
Howers
Till
now
,
returne
to
thanke
the
Powers
that
made
them
so
The
Iland
doth
reioyce
,
And
all
her
waves
are
Eccho
to
our
voyce
,
Which
in
on
ages
past
,
hath
knowne
such
treasures
of
her
owne
.
Live
Royall
paire
,
&
when
Your
sands
are
spent
with
Heauens
and
Your
consent
,
Though
late
,
from
Your
high
Bowers
,
Looke
downe
on
what
was
Yours
,
For
till
old
time
his
Glasse
hath
hurl'd
And
lost
it
,
in
the
ashes
of
the
world
,
We
Prophesie
,
You
shall
be
read
,
and
seene
,
In
every
Branch
,
a
King
or
Queene
.
The
song
ended
,
and
the
Musitians
returned
,
the
Masquers
dance
their
maine
dance
,
after
which
they
againe
retire
to
the
Scene
,
at
which
they
no
sooner
arrive
,
but
there
is
heard
a
great
noyse
,
and
confusion
of
voyces
within
,
some
crying
,
they
will
come
in
,
others
knocke
'em
downe
,
call
the
rest
of
the
Guard
:
then
a
cracke
is
heard
in
the
workes
,
as
if
there
were
some
danger
by
some
piece
of
the
Machines
falling
,
this
continued
a
little
time
,
there
rush
in
-
A
Carpenter
.
-
A
Paynter
.
-
One
of
the
Black-guard
.
-
A
Taylor
.
-
The
Taylors
Wife
.
-
An
Embroderers
Wife
.
-
A
Feather-makers
Wife
.
-
A
property-mans
Wife
.
Car.
D'
ee
thinke
to
keepe
vs
out
?
1
Gu.
Knocke
her
downe
.
Tay.
Knocke
downe
my
Wife
,
I
'de
see
the
tallest
Beefe-eater
on
you
all
,
but
hold
vp
his
Halberd
in
the
way
of
knocking
my
Wife
downe
,
and
I
le
bring
him
a
button-hole
lower
.
Tay.
W.
Nay
,
let
'em
,
let
'em
Husband
,
at
their
perrill
.
2
Gu.
Complaine
to
my
Lord
Chamberlaine
.
Pro.
My
husband
is
somewhere
in
the
workes
;
I
'me
sure
I
helpt
to
make
him
an
Owle
and
a
Hobbihorse
,
and
I
see
no
reason
but
his
Wife
may
bee
admitted
in
Forma
paperis
,
to
see
as
good
a
Maske
as
this
.
Bla.
I
never
saw
one
afore
,
I
am
one
of
the
Guard
,
though
of
another
complexion
,
and
I
will
see
't
now
I
am
here
,
though
I
be
turn'd
out
of
the
Kitchin
to morrow
for
't
.
Pa.
I
,
come
,
be
resolute
,
we
know
the
worst
,
and
let
us
challenge
a
priviledge
,
those
staires
were
of
my
painting
.
Car.
And
that
Timber
I
set
vp
:
some body
is
my
witnesse
.
Fea.
I
am
sure
my
husband
sold
'em
most
of
the
Feathers
;
some body
promis'd
me
a
fall
too
if
I
came
to
Court
,
but
let
that
passe
.
Emb.
And
mine
embroyder'd
two
of
the
best
habits
,
what
though
we
be
no
Ladies
,
we
are
Christians
in
these
cloathes
,
and
the
Kings
subiects
God
blesse
us
.
Tay.
Nay
,
now
I
am
in
,
I
will
see
a
dance
,
though
my
shop-windowes
be
shut
vp
for
't
,
tell
us
?
—
hum
?
d
ee
heare
?
doo
not
they
laugh
at
us
?
what
were
wee
best
to
doe
,
the
Masquers
will
doe
no
feates
as
long
we
are
here
,
be
rul'd
by
me
,
harke
euery
one
,
't
is
our
best
course
to
dance
a
figary
our selues
,
and
then
they
'l
thinke
it
a
peece
of
the
Plot
,
and
we
may
goe
off
agen
with
the
more
credite
,
we
may
else
kisse
the
Porters-lodge
for
't
,
let
's
put
a
tricke
vpon
'em
in
reuenge
,
't
will
seeme
a
new
device
too
.
Om.
Content
.
Tay.
And
the
Musitians
knew
but
our
mind
now
.
The
Violins
play
.
Harke
they
are
at
it
,
now
for
a
lively
friske
.
They
dance
.
now
,
let
vs
goe
off
cleanely
,
and
some body
will
thinke
,
this
was
meant
for
an
Antimasque
.
They
being
gone
,
the
Masquers
are
encouraged
by
a
Song
,
to
their
Revells
with
the
Ladies
.
Song
7.
Why
doe
you
dwell
so
long
in
clouds
And
smother
your
best
graces
,
'T
is
time
to
cast
away
those
shrouds
And
cleere
your
manly
faces
.
Doe
not
behave
your selues
like
Spies
,
Vpon
the
Ladies
here
,
On
even
termes
got
meete
their
eyes
,
Beauty
and
love
shine
there
.
You
tread
dull
measures
thus
alone
,
Not
satisfie
delight
,
Goe
kisse
their
hands
,
and
make
your
owne
With
every
touch
more
white
.
The
Revels
being
past
,
the
Scene
is
changed
into
a
plaine
Champion
Country
which
terminates
with
the
Horizon
,
and
above
a
darkish
Skie
,
with
dusky
clouds
,
through
which
appeared
the
new
Moone
,
but
with
a
faint
light
by
the
approach
of
the
morning
;
from
the
furthest
part
of
this
ground
,
arose
by
little
and
little
a
great
vapour
which
being
come
a
bout
the
middle
of
the
Scene
,
it
slackens
its
motion
,
and
begins
to
fall
downeward
to
the
earth
from
whence
it
came
:
and
out
of
this
rose
another
cloud
of
a
strange
shape
,
and
colour
,
on
which
sate
a
young
Maide
,
with
a
dimme
Torch
in
her
hand
,
her
face
was
an
Olive
colour
,
so
was
her
armes
and
breast
,
on
her
head
a
curious
dressing
,
and
about
her
necke
a
string
of
great
Pearle
,
her
garment
was
transparent
,
the
ground
darke
Blue
,
and
sprinkled
with
siluer
Spangles
,
her
Buskins
white
,
trim'd
with
Gold
:
by
these
markes
she
was
knowne
to
be
the
forerunner
of
the
morning
,
called
by
the
Ancients
Amphiluche
,
and
is
that
glimps
of
light
,
which
is
seene
when
the
night
is
past
,
and
the
day
not
yet
appearing
.
Song
8.
Am.
In
envy
to
the
night
,
That
keepes
such
Revels
here
,
With
my
vnwelcome
light
,
Thus
I
invade
her
spheare
.
Proclaiming
marres
To
Cinthia
,
and
all
her
Starres
,
That
like
provd
Spangles
dresse
her
azure
Tresse
.
Because
I
cannot
be
a
guest
,
I
rise
To
shame
the
Moone
,
and
put
out
all
her
eyes
.
Amphiluche
ascending
,
the
Masquers
are
called
from
their
Reuels
by
other
voyces
.
Song
9.
1
Come
away
,
away
,
away
See
the
dawning
of
the
day
,
Risen
from
the
murmuring
streames
,
Some
starres
shew
with
sickly
beames
,
What
stocke
of
flame
they
are
allow'd
,
Each
retiring
to
a
Cloud
,
Bid
your
active
sports
adiew
,
The
morning
else
will
blush
for
you
.
2
Yee
featherd-footed
howers
runne
To
dresse
the
Chariot
of
the
Sunne
,
Harnesse
the
Steeds
,
it
quickly
will
Be
time
to
mount
the
Easterne
hill
.
3
The
lights
grow
pale
with
modest
feares
,
Least
you
offend
their
sacred
eares
,
And
eyes
,
that
lent
you
all
this
grace
,
Retire
,
retire
to
your
owne
place
.
4
And
as
you
move
from
that
blest
Paire
,
Let
each
heart
kneele
,
and
thinke
a
prayer
,
That
all
,
that
can
make
vp
the
glory
,
Of
good
,
and
great
,
may
fill
their
story
.
Amphiluche
hidden
in
the
Heavens
,
and
the
Masquers
retired
.
The
Scene
closeth
.
And
thus
concluded
this
Masque
,
which
was
,
for
the
variety
of
the
Shewes
,
and
richnesse
of
the
Habits
,
the
most
magnificent
that
hath
beene
brought
to
Court
in
our
time
.
THe
Scene
and
Ornament
,
was
the
act
of
Inigo
Iones
Esquire
,
Surueyer
of
his
Maiesties
workes
.
The
Composition
of
the
Musicke
,
was
perform'd
by
Mr.
William
Lawes
,
and
Mr.
Simon
Ives
,
whose
Art
gaue
an
Harmonious
soule
to
the
otherwise
languishing
Numbers
.
FINIS
.