Albion's Triumph Townshend, Aurelian This text is an enriched version of the TCP digital transcription A13846 of text S121944 in the English Short Title Catalog (STC 24155). Textual changes and metadata enrichments aim at making the text more computationally tractable, easier to read, and suitable for network-based collaborative curation by amateur and professional end users from many walks of life. The text has been tokenized and linguistically annotated with MorphAdorner. The annotation includes standard spellings that support the display of a text in a standardized format that preserves archaic forms ('loveth', 'seekest'). Textual changes aim at restoring the text the author or stationer meant to publish. Martin Mueller Incompletely or incorrectly transcribed words were reviewed and in many cases fixed by Melina Yeh This text has not been fully proofread EarlyPrint Project Evanston IL, Notre Dame IN, St.Louis, Washington MO 2017 Distributed under a Creative Commons Attribution-NonCommercial 3.0 Unported License A13846.xml Albions triumph. Personated in a maske at court. By the Kings Maiestie and his lords. The Sunday after Twelfe Night. 1631. Townshend, Aurelian, fl. 1601-1643. 13 600dpi TIFF G4 page images University of Michigan, Digital Library Production Service Ann Arbor, Michigan 2003 January (TCP phase 1) 99857100 STC (2nd ed.) 24155. Greg, II, 453(A). 22772 A13846

This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. Searching, reading, printing, or downloading EEBO-TCP texts is reserved for the authorized users of these project partner institutions. Permission must be granted for subsequent distribution, in print or electronically, of this text, in whole or in part. Please contact project staff at eebotcp-info@umich.edu for further information or permissions.

Albions triumph. Personated in a maske at court. By the Kings Maiestie and his lords. The Sunday after Twelfe Night. 1631. Townshend, Aurelian, fl. 1601-1643. [2], 22 p. Printed by Aug: Mathewes for Robert Allet [i.e. Allot] at the Blacke Beare in Pauls Church-yard, London : 1631 [i.e. 1632] 1632

Signed at end: Aurelian Tounshend.

In verse.

The play was performed on 8 Jan. 1632.

A variant, probably earlier (STC 24155a), is anonymous.

Reproduction of the original in the Folger Shakespeare Library.

Masques -- Early works to 1800. A13846 shc Albion's Triumph Townshend, Aurelian Melina Yeh 1631 play masque shc no A13846 S121944 (STC 24155). 4536 0 0 0 0000AThis text has no known defects that were recorded as gap elements at the time of transcription. Incorporated ~ 10,000 textual changes made to the SHC corpus by Hannah Bredar, Kate Needham, and Lydia Zoells between April and July 2015 during visits, separately or together, to the Bodleian, Folger and Houghton Libraries as well as the Rare Book Libraries at Northwestern University and the University of Chicago

ALBIONS TRIVMPH .

PERSONATED IN A Maske at Court .

By the Kings Maiestie and his Lords .

The Sunday after Twelfe Night . 1631 .

LONDON , Printed by Aug: Mathewes for Robert Allet at the Blacke Beare in Pauls Churchyard . 1631 .

ALBIONS TRIVMPH .

THe King and Queenes Maiesty having signified their pleasure to haue a new Maske this New yeare , Master Inigo Iones and I were employed in the Invention And we agreed the subiect of it should be a Triumphe in ALBIPOLIS the chiefe City of ALBION . The Triumpher , ALBANACTVS , And ALBA this Ilands Goddesse . Names not improper , eyther for the Place , or for the Persons : ALBION being ( as it once was ) taken for England ; ALBANACTVS , for the King , Quasi in Albania natus : Borne in Scotland . And ALBA , for the Queene whose native Beauties have a great affinity with all Purity and Whitenesse . The Kings devoting himselfe to this Goddesse , is but the seeking of that happy Vnion which was preordeyned by the greatest of the Gods . IOVE therefore sends downe MERCVRY to ALBA , to acquaint her that he had decreed a Tryumph , which ( a farre of ) she might behold : Concealing his further Councells , vntill ALBANACTVS were subdued to Love and Chastity , by CVPID and DIANA , who descend , and having conquerd the Conquerer , They shew him the Queene . The King , yeilds , And presents himselfe a Suppliant , to the Goddesse ALBA . She embraces him , And makes him Copartner of her Deity .

The Description of the SCENE .

The first thing that presented it selfe to the eye , was the Ornament that went about the Scene : in the middest of which , was placed a great Armes of the Kings , with Angels holding an Emperiall Crowne , from which hung a Drapery , of crimson Velvet , fringed with gold , tackt in severall knotts , that on each-side , with many folds , was wound about a Pillaster ; in the freeze , were festones of severall fruites in their naturall colours , on which , in gratious postures lay Children sleeping ; at each end was a double sheild , with a Gorgons head , and at the foot of the pillasters , on each side , stood two Women , the one young , in a watchet Robe looking vpwards , and on her head , a paire of Compasses of gold , the poynts standing towards Heaven : the other more ancient , and of a venerable aspect , apparreled in tawney , looking downewards ; in the one hand a long ruler , and in the other , a great paire of iron Compasses , one poynt whereof , stood on the ground , and the other touched part of the ruler . Above their heads , were fixt , compertiments of a new composition , and in that over the first , was written Theorica , and over the second Practica , shewing that by these two , all works of Architecture , and Ingining have their perfection . The Curtaine being suddenly drawne vp , the first Sceane appeared , which represented a Romane Atrium , with high Collombs of white Marble , and ornaments of Architecture of a composed maner of great proiecture , enricht with carving , and betweene every retorne of these Collombs , stood Statues of gold on round pedestalls , and beyond these , were other peeces of Architecture of a Pallace royall .

Over all was a serene skie , out of which a cloude began to breake foorth , and as it discended , a person was discovered , sitting in it , which by his Petasus and Caduceus , was knowne to be Mercury , the messenger of Iove .

The first Song . Behold ! I come not from above , To hyde , or hunt out wanton Love , Or doe what Man can doe : But to spred all my nimble wings , And like a God , doe Godlike things Gratefull , and Gratious too . Obserue ! But see ye be not nyce , Prepare to give , and take advice , As wise-Men ought to doe : Lest when your subtile witts haue done , Your Notes , like Motes , thought in the Sunne Proove farre beneath vs too . Admyre ! but censure not their Powers , That sinke not with Times sandy howres , As mortall Creatures doe . And since the Shaft that is adrest , At Heaven may hurt the Shooters breast , Be pleas'd and please vs too . Orpheus , Amphion , Arion and three old Poets and Musicians more , rayled by his Charming Rod , reply from Earth . The first Chorus . Happy , thrice happy is that houre Wherein a God descends , Eyther in person , or in powre And Mans poore state befriends . MERCVRY descend to Earth , and attended by Orpheus , and the rest walkes vp , and drawing neere the person of the Goddesse ALBA , to a soft sweete Musicke that playes hehind him . In voce Recitativa , he declares the substance of his Commission . The second Song . Olimpian IOVE to the bright ALBA sends No vulgar God to beare his deare Commends . And with pure eyes , and a paternall hand , This Vniverse having survey'd , and span'd , In Councell with himselfe , he hath decreed , From fayre ALBIPOLIS shall soone proceede A Triumph : Mighty , as the Man design'd To weare those Bayes ; Heroicke , as his mind ; Iust , as his actions ; Glorious , as his Reigne . And like his Vertues , Infinite in Treyne . Th' Immortall Swannes , contending for his Name , Shall beare it singing , to the House of Fame . And though at distance yet High IOVE is pleas'd Your laboring eyes shall with his sight be eas'd , This from a God , vnto a Goddesse sent , A God Relates , that could vse Complement : But when such States , negotiate by such meanes We speake in Acts , and scorne words trifling Scenes . Having delivered his Embassage MERCVRY gently retiring , Orpheus and his Poetick Quire Inspir'd with Divination sing . The second Chorus . Ye Powers Divine make roome , prepare a Seate On the Northside , for ALBANACT the Great , Earth is not fruitless : nor your nombers full , Ther 's One to come will make some Starrs looke dull . Arrived at the Scene againe and meaning to reascend , MERCVRY finding some impediment by the way of question adresses himselfe to the Company .
The third Song . MERCVRY . What mak's me so vnnimbly ryse , That did descend so fleete ? There is no vp-hill in the skyes ; Clouds stay not feathered feete . CHORVS . Thy wings are sing'd : and thou canst fly But slowly now , swift MERCVRY . MERCVRY . Some Lady heere , is sure too blame That from Loves starry skyes , Hath shot some Beame , or sent some flame , Like Lightning , from her Eyes . CHORVS . Taxe not the Starrs , with what the Sunne , Too neere aproch't ( insens't ) hath done . MERCVRY . I 'le rowle me in Auroras Dew , Or lye in Tethis bed ; Or from coole Iris begge a few , Pure Opale shewrs new shed . CHORVS . Nor Dew , nor shewers , nor sea can slake Thy quenchlesse heate , but Lethes lake .

When MERCVRY is Re-assum'd into Heaven in Pompe . Here the Scene is changed into the Forum of the City of Albipolis , and Albanactus triumphing , attended like a Roman Emperor is seene a farre off to passe in pomp .

The Scene is turned into an Amphitheater , with people sitting in it , a Patritian and a Plebeian come forth , &c.

Enter Platonicus and Publius . Pub.

Though I have earn'd it with the sweat of my browes in Ianuary , yet I am glad I saw it , for there never was such a sight seene .

Pla. What sight Publius ? Pub. The Triumph . Pla. Whose Tryumph ? Pub. The Triumph of ALBANACTVS . Pla. Didst thou see it ? Pub

See it , yes , and feele it too . Every one there ( I can assure you ) went not vpon his owne feete .

Pla. No , I thinke , some rid . Pub.

They did so , for some rid me . Some trode on my toes . Some cryed , some kept it in ; for my part , I confest all , for feare I should have beene prest to death .

Pla.

Though thy body was pincht , thine eyes were feasted .

Pub. Were not yours so too ? Pla. Yes . Pub. Where stood you ? Pla. I stood not , Pub.

You had the better friends sir , I pray where sate you ?

Pla. In my studdy . Pub.

Is not your studdy backward ? with a shop-light in it , where one can see nothing but the skye ?

Pla. I confesse it , what of that ? Pub. Why then you saw no Triumph . Pla. But I did , and a true one , thine was but a shew . Pub.

If what I saw was but a shew , what you saw was but a shadow , or at the most a Vision . For it seemes your body kept home , though your spirit walkt .

Pla.

It did so . And travelled to better purpose then most men doe , that goe , and see , and say , but know nothing .

Pub.

To confute that Heresie of yours , I have gone , and seene , and know , but I will say nothing .

Pla.

That 's impossible ; The meate thou hast lately fed vpon , is so windy , out it must , thou wilt burst else .

Pub. Faith sir , I am very full indeede . Pla. Purge then , and tell thy Doctor all . Pub.

ALBANACTVS CAESAR from his sumptuous Pallace , through the high-streets of ALBIPOLIS rid Triumphing , on a Chariot , made �

Pla.

Of wood , perhaps guilt , perhaps gold . But I will save you all those charges , if you will goe on to the Persons , and let the Pagents alone .

Pub.

Sir I saw him not as he was borne , naked , but since you affect such brevity , I saw the King and a great deale more , and so I turn'd my backe , and went away .

Pla. Nay good Publius , now thou art too briefe . Pub.

When you beginne to tell your dreames , I 'le not iogge you , till you wake of your selfe .

Pla. Nay prethee be not angry . Pub.

I am not angry , but a little short-winded vpon occasion . Yet to give you some satisfaction because you have done me wrong . Before CAESAR March't Captive Kings , with their hands bound . And Ladies , with their Armes acrosse , furious wild Beasts , great Giants , and little Dwarfes with Lictors , and Pictors , and a number of Priests that were as you would have them , In their shirts . These with certaine Princes that were behind him : made vp a Triumph too great to come out of any mortall mans mouth .

Pla. That 's most certaine . Pub.

I meane in words . But as you hunt me you would hunt a Hare off her leggs .

Pla.

I confesse thou hast made more haste , then good speede : But for a supplement to thy lame Story , Know , I have seene this brave ALBANACIVS CAESAR , seene him with the eyes of vnderstanding , vew'd all his Actions ; look't into his Mind : which I finde armed with so many morall vertues that he dayly Conquers a world of Vices , which are wild Beasts indeede .

For example Ambition , is a Lyon ; Cruelty , a Beare ; Avarice , a Wolfe . Yet He subdues them all . To be short , no Vyce is so small , to scape him : Nor so great , but he overcomes it : And in that fashion he Triumphes over all the Kings , and Queenes that went before him . All his Passions , are his true Subiects : And Knowledge , Iudgment , Merit , Bounty and the like , are fit Comma ders , for such a Generall , These Triumph with him , And these are the Princes you saw about him . And this Publius , is more then you can finde in the streete .

Pub. I graunt it , But yet graunt me one Request deare Platonicus ? Pla. What 's that ? Pub. Goe but with me to the Amphitheater . Pla. To Gaze . Pub. Yes . Pla.

Why beforehand I know there will be Gladiators , Saltators , and sights to please the People . Wert not thou better stay here , and see CAESAR present himselfe to this fayre Goddesse , seeking sweete rest , after all his labors .

Pub. I should sleepe at such a sight . Pla. Then after a Play , thou art all for a Pryze . Pub. All together , and so ( I hope ) are you Pla.

At this time , I am . For I will goe with thee , if it be but to teach thee to Reade in thy owne Booke . Outsides , have Insides , Shells , have Kernells in them . And vnder every Fable , nay ( almost ) vnder every thing , lyes a Morrall .

Publius stumbles at a stone , and stoops to take it vp .

What art thou doing Publius .

Pub. Lifting vp the stone I stumbled at . Pla. To what ende ? Pub. To see what lyes vnder it . Pla. What should lye vnder a stone , but a Worme , or a Hoglouse . Pub.

If there lye not a Morall vnder it , then have you taught me false Doctrine .

Pla.

Such thankes have they that teach such Schollers . Come away Foole , they beginne to throng to the Theater .

Such kind of pastimes as Victorious Emperors were wont to present as Spectacles to the People , are heere produced for Anti-Maskes vpon the stage .

The Anti-Maskes enter . First , Fooles 6 Secondly , Saltaters or Tumblers . 7 Thirdly , Pugili or Buffeters 3 Fourthly , Satyrslike Dauncers 2 Fiftly , One Giant , and Pigmies 5 Sixtly , Gladiators or Fencers 4 Seventhly , Mimioks or Morescoes 7 This Enterlude being past , CVPID emulating the glory of an Invict Conquerer , descends ; Invokes DIANA : And invites her to set upon these yet unconquer'd Conquerers . She appeares in her Chariot , and he in a Cloud .
The Description of the Maskers and the Place .

The Scene is changed into a pleasant Grove of straight Trees , which rising by degrees to a high place , openeth it selfe to discover the aspect of a stately Temple ; All which , was sacred to IOVE ; In this groue , satt the Emperour ALBANACTVS , attended by fourteene Consuls , who stood about him , not set in ranks , but in severall gratious postures , attending his commands : his habite , like a Romane Emperour in a Curase of yellow Sattin embrodered with siluer , his gorget clincant , cut round , and on his breast an Angels head imbost of gold , the Labells of the sleeues , and short Bases of watchet embrodered with the same , the vnder sleeues , and long stockings of white , on his head a Burgonet richly enchast with siluer , turn'd vp before in a serowle , with an artificiall wreath of Lawrell , out of which , sprang rayes like a piked Crowne , the habite of the Consuls were after the same manner , excepting the rayes of gold , issuing from his Lawrell wreath .

The Dialogue betweene CVPID and DIANA . CVPID . Sit not secure , nor thinke in ease Still vndispleas'd , your selues to please : Diana , Chast Diana stoope , And helpe to wound this war like troope . DIANA . Wants Love a Bowe , or shaft of mine ? This suit will make my Crescent shine . CVPID . Love is grown wise , and meanes to bring To his smart Bowe , a double string . Behold our Marke ? taks't thou not pride In such a Glory to devide ? DIANA . I doe , I doe , since I am sure , When we two ioyne , our flames are pure . CVPID and DIANA . As pure , and Cleere , as ALBAS skin , As her faire Fame , or thoughts within : Pure as my selfe ; nay pure like Thee , Now Love is that which Love should be . They come vpon the Scene , and the Clowde and Charriot goe vp . The Chorus below sing . Bow bearing Gods , shoote , shoote , and hit , And make our CAESAR greater yet : Yet leave him with vs , Let him shine Still heere ; And make him all Devine Cupid and Diana shoot at the Maskers , and ALBANACTVS yeilding to the Gods , mooves downe the steps in a stately pace to Musick made by the Chorus of Sacrificers , that sing as the Maskers descend . The fourth Song . Ye Worthies of this I le , That led by your brave Chiefe , In an Heroick style , Have over done Beliefe : Subdu'd by ALBAS eyes Come downe , Loves Sacrifice ! It is no shame to yield , Where t' is in veyne to strive : The Gods would quit the field , Should they these warres revive Or Conquerd , by her Eyes , Come downe Loves Sacrifice . Streight Cedar , that hast stood , The shock of many a wind : The top of this Tall wood , By a high hand design'd Subdu'd by ALBAS Eyes , Come downe Loves Sacrifice ! When the Maskers are all come downe the steps , the High Priests and Sacrificers , treading a grave Measure walke vp toward the Queene singing . The fift Song . Great ALBA though eche Grande heere , At this High Court of thine , Like a true Liege Man doth appeere , And offers at thy Shryne : It is no Conquest for thine Eyes , When petty Princes fall , That are some single Beauties pryse , Or a lone Vertues Thrall : Heere comes the Trophe of thy prayse , The Monarch of these Iles , The Mirror of thy Cheerfull Rayes , And Glory of thy Smyles : The Vertues and the Graces all , Must meete in one , when such Starrs full .
The KING and the Maskers dance the mayne Maske .

Afterward taking his seat by the Queene . The Scene is varied into a Landscipt , in which was a prospect of the Kings Pallace of White-hall , and part of the Citie of London , seene a farre off , and presently the whole heauen opened , and in a bright cloud were seene sitting fiue persons , representing Innocency , Iustice , Religion , affection to the Countrey , & Concord , being all Companions of Peace , and thus attired . Innocency , a woman in a pure white robe , with a garland of flowers on her head : Iustice , a woman in a yallow garment richly adorned , her mantle white , and on her head golden rayes , in her right hand a sword , and in the middest thereof an Emperiall Crowne : Religion , a woman in a short Surplusse of lavvne full gathered about the neck , and vnder it a garment of watchet , with a short vale of siluer and about her head , beames of gold like the Sunne , and in her left hand , shee held a booke open : Affection to the Countrey , a young man in a Coat armour of yallow , with a purple Mantle , his buskins adorned , his plumed Helme of siluer , and in his hand a Garland of long grasse : Concord , a man in a skie coloured Robe , and a yallow Mantle ; on his head a Garland of wheate , and in his hand a bunch of arrowes tyed together with a white band , these moving towards the earth sing together as followeth . Praysing their Piety , and wishing they may perpetuate themselues by a Royall Posterity , Present them with severall Gifts .

The sixth Song sung by the five DEITIES . Bles't Payre whose prayers like Incence rise , Opening , and pulling downe the Skies Take your Reward ! Iust as yee mett , So hand in hand live many a Day , And may your Vertuous minds beget Issue that never shall decay , And so be fruitfull every way . May Plenty Proteus like appeare , Varying your Pleasures every yeare : Wee five come freely to impart , Such favors as we can afforde : One gives his Hand , the next hisb Heart , The third her c Robe , the fourth herd Sword , The fifth full many ae Suppliant Word . And to fulfill your future Blisse , Sweete Peace salutes you with a Kisse . Then from the vpper part of the heauen , was seene to follow this : Another more beautifull cloud , in which alone triumphant sat Peace , a woman in a carnation Robe richly adorned , a vale of silver , and on it a Garland of Olive , and in her hand a branch of Palme , Proclaiming her large Benefits , And the Worlds Ingratitude . Peace Sings alone the seventh Song . Frighted by Day ; And in the Night diseas'd , I fled to Heaven , and left the World displeas'd . Find Men that strive more for a Province there , Then looking vpward to possesse a Sphere . Yet vanquish't and Victorious , both at last , Their weary Limmes , on my soft Bed would cast . The Five in the lower Clowde confessing her great Bounty , Answere . The Five . Two 2 Lyons , and Lambs togeather lye , When Lovly Peace stands smiling by Two 2 Temples and Townes by thy stay'd hand , First learne to Rise , And then to Stand . All 5 'T is not the Laurel Tree that brings , Anointing Oyle for sacred Kings : Those Princes see the happiest Dayes , Whose Olive Branches stand for Bayes . When the fiue persons which first descended were come to the earth , the cloud that bare them , was in an instant turned into a richly adorned Throne . And out of the foure corners of the Scene proceede 4. Gods , Neptune , Plutus , Bellona , and Cebele , complaining of ease and Plenty The eighth Song . Armes are layd by : Earely and late , The Traueller goes safe to Bed : Men eate and Drinke in Massie Plate , And are with Deinties dayly fed . Why should this I le aboue the rest , Be made ( great Gods ) the Halcions nest ? The 5. Deities thus resolue them Imperious Peace her selfe Descends The foure Gods. Then here our search , and wonder ends , Wee 'l steale away Peace . Earths Rulers , stay ! The foure Gods. Doth soft Peace call ? Peace . Yes : and will streight employ yee All . The foure Gods How , and wherein ? The 5. in the lower Clowde . Give eare , your Charge doth now begin . Peace gives them their Charge . Neptune to Sea , And let no Sayle , Meete ALBIONS Fleete , But make it veile . Bellona Arme , That Foes may see , Their Lillies kept by Lyons be . Their fruitfull fields ( Cebele ) make Pay Centuple for all they take . And let Both Indies ( Pluto ) meete , And lay their wealth at ALBAS feete . The foure God ; reply When Peace commands such pleasing things , From Love and Time wee 'l steale their wings . For a Conclusion , the Gods , Poets , and Priests ioyne , and sing a Valediction to Hymens Twin the MARY-CHARLES . The last generall Chorus . Loaden with Wealth and Honor may , These Gods returne to crowne this Day , And MARY-CHARLES whose mindes within , And Bodyes make but Hymens Twin , Long live they so , And Brest , to Brest , May Angels sing them to their Rest .
Notes, typically marginal, from the original text
Notes for div A13846-e102940 Concord . Affection to The Countrey . Inocence . Iustice . Religion .

Those that will prayse the structure and changes of the Scene . The sweetenesse and variety of the Musicke . Or the Beauty of the Figures , and Paces , I thinke may doe it with cause enough .

But for the Invention and writing of the Maske , I was as loath to be brought vpon the Stage as an vnhansom Man is to see himselfe in a great Glasse . But my Excuse , and Glory is , The King commanded , and I obeyed .

AVRELIAN TOVNSHEND .
The Maskers Names . 1 E. Holland 2 E. Newport 3 Lo. Doncaster 4 L. Donluce 5 L. Wharton 6 L. Paget 7 L. Bruce 8 Sir. Rob. Stanley 9 Mr. Goringe . 10 Sr. : Brooke 11 Sr. Iohn Mainard 12 Mr. Dimmock 13 Mr. Abercromy 14 Mr. Murrey FINIS .
Machine-generated castlist A13846-publius 26 A13846-platonicus 26 A13846-multiple 6 A13846-mercury 3 A13846-peace 3 A13846-chorus 3 A13846-diana 2 A13846-UNASSIGNED 2 A13846-unassigned 2 A13846-cupid 2 A13846-all 1
Textual Notes

The textual notes below aim at making textual corrections readable in their immediate context and facilitating access to the source text. A five-digit number preceded by 'A' or 'B' represents an EEBO-TCP filenumber. A notation like "6-b-2890" means "look for EEBO page image 6 of that text, word 289 on the right side of the double-page image." That reference is followed by the corrupt reading. A black dot stands for an unidentified letter, a black square for an unidentified punctuation mark, a diamond for a missing word, and the ellipsis for a short span of undefined length. The corrected reading is displayed as a keyword in context.

pleas'a Heaven may hurt the Shooters breast , Be pleas'd and please vs too . piayes Goddesse ALBA , to a soft sweete Musicke that playes hehind him . In voce Recitativa , he declares Counc�ll Vniverse having survey'd , and span'd , In Councell with himselfe , he hath decreed , From fayre Immort all like his Vertues , Infinite in Treyne . Th' Immortall Swannes , contending for his Name , Shall plea'd . And though at distance yet High IOVE is pleas'd Your laboring eyes shall with his sight Lghtning shot some Beame , or sent some flame , Like Lightning , from her Eyes . p�est confest all , for feare I should have beene prest to death . Prie�ts with Lictors , and Pictors , and a number of Priests that were as you would have them , In their overall overcomes it : And in that fashion he Triumphes over all the Kings , and Queenes that went before Th�se are fit Comma ders , for such a Generall , These Triumph with him , And these are the Princes s�o�e Publius stumbles at a stone , and stoops to take it vp . Sch�llers Such thankes have they that teach such Schollers . Come away Foole , they beginne to throng h���e present as Spectacles to the People , are heere produced for Anti-Maskes vpon the stage s�age are heere produced for Anti-Maskes vpon the stage . �he Concord . Affection to The Countrey . Inocence . Iustice. Religion F�nd Heaven , and left the World displeas'd . Find Men that strive more for a Province there N�ptune Neptune to Sea , And let no Sayle , Meete ALBIONS Centupl� Their fruitfull fields ( Cebele ) make Pay Centuple for all they take . And let Both Indies