# ent

id: 4998
type: WORK_OF_ART
entity:
  _or the aerial perspective; since these branches of the subject presuppose a knowledge of the principles of Light and Shade


id: 4999
type: WORK_OF_ART
entity:
  Formulario de epistole vulgare missive e responsive, & altri fiori de ornali parlamenti al principe Hercule d''Esti


# bib

id: 4999
title: The Notebooks of Leonardo Da Vinci — Volume 2
author: Leonardo, da Vinci
txt: ./txt/4999.txt
cache: ./cache/4999.txt
extension: .txt
mime: text/plain
summary:
  Leonardo worked less on drawings, than in making small models of wax [Footnote: This text is written by the side of the plan given on Pl. XCI. [Footnote: Leonardo wrote these lines on the margin of a page of the period of his life, Leonardo speaks of his Manuscript note-books as [Footnote: In the diagram Leonardo wrote _sole_ at the place marked A book of the earth carried down by the waters to fill up the great [Footnote: The small sketch below on the left, is placed in the the mountain like a dead thing, cannot come forth from its low place [Footnote: The following are written on the sketches: At the place sketched Plan of Florence (see No. 1004 note) Leonardo has written [Footnote: There is a slight sketch with this text, Leonardo seems [Footnote: This note is written inside the sketch of a plan of a


id: 4998
title: The Notebooks of Leonardo Da Vinci — Volume 1
author: Leonardo, da Vinci
txt: ./txt/4998.txt
cache: ./cache/4998.txt
extension: .txt
mime: text/plain
summary:
  The eye which turns from a white object in the light of the sun and object in light and shade which sends not its shadow but the image The conditions of shadow and light [as seen] by the eye are 3. (from) an object placed between the eye and the light under various Light [on an object] is of the nature of a luminous body; A body in shadow situated between the light and the eye can never same proportion of light and darkness as their objects [Footnote 6: Any shadow cast by a body in light and shade is of the same nature A body placed between 2 equal lights will cast 2 shadows of itself A body placed between 2 equal lights will cast 2 shadows of itself body placing it nearer to one of the lights the shadow cast towards When you represent the dark shadows in bodies in light and shade,


id: 6306
author: Hubbard, Elbert
txt: ./txt/6306.txt
cache: ./cache/6306.txt
extension: .txt
mime: text/plain
summary:
  Before Raphael, art was not a profession--the man did things to the Art is the expression of man''s joy in his work; and many years this picture was said to be the work of Raphael; but and if a man fails to do his work in a masterly way, make sure he actual living world of men, and things, and useful work. working life of barely eighteen years, ere the rest of the Pantheon live and work for fifty-six years after Raphael had passed away. continued, "The Great Man is one who has been a long time dead--the the right man is a thing all good women warmly desire. each time the artist looked up from his easel he saw a new man. indeed, a woman the artist loved--he wanted to paint her picture, Turner said you could not paint a picture and leave man out.

title:
  Little Journeys to the Homes of the Great - Volume 06 Little Journeys to the Homes of Eminent Artists


id: 7785
title: Leonardo Da Vinci
author: Brockwell, Maurice W.
txt: ./txt/7785.txt
cache: ./cache/7785.txt
extension: .txt
mime: text/plain
summary:
  by Andrea del Verrocchio, Leonardo''s master, is the subject of Plate Christ" he allowed Leonardo to paint in one of the attendant angels in 1480-1482, when Leonardo would be about thirty years of age. About 1482 Leonardo entered the service of Ludovico Sforza, having Ludovico Sforza, Duke of Milan, that Leonardo was taking too long to Ludovico, to whom Leonardo was now court-painter, had married Beatrice Leonardo, as court painter, perhaps painted a portrait, now lost, of to lend her the portrait which Leonardo had painted of her some Among the last of Leonardo da Vinci''s works in Milan towards the end Leonardo painted this picture in the full maturity of his talent, and, Contrast the head of the Christ at Milan, Leonardo''s conception At last in 1516, three years before his death, Leonardo left his Leonardo was only sixty-seven years of age, and the King


id: 47902
title: The Romance of Leonardo da Vinci, the Forerunner
author: Merezhkovsky, Dmitry Sergeyevich
txt: ./txt/47902.txt
cache: ./cache/47902.txt
extension: .txt
mime: text/plain
summary:
  of Messer Leonardo, the enemy of God; he recalled the past fearful night ''It grows late, Giovanni; let us go on,'' said Leonardo; and together Giovanni saw, and he said to himself, ''Here is the true Leonardo! God doth know that in the day ye eat thereof, then your eyes shall ''Before night he shall be bled again,'' said the great man when the arm ''Listen,'' he cried wildly, ''Leonardo, you are master of great secrets. face like a child''s, pallid and calm, with great eyes surrounded by ''Well, let us set forth,'' said Leonardo, interrupting Messer Paolo with ''I understand you, Messere,'' said Leonardo patiently; ''I have thought of ''Leave me now, and may God go with you!'' he said; and after Leonardo had Leonardo looked curiously at this man who spoke like an eye-witness of Leonardo would have liked to take the little ''What master?'' asked Giovanni, thinking of Leonardo.


id: 46915
title: A Treatise on Painting
author: Leonardo, da Vinci
txt: ./txt/46915.txt
cache: ./cache/46915.txt
extension: .txt
mime: text/plain
summary:
  No Object appears in its true Colour, unless the Light which Of the Light proper for painting Flesh Colour from Nature. objects, and nothing is seen of the figure but what the light strikes /Objects/ contrasted with a light ground will appear much more detached /The/ colour of the shadows of an object can never be pure if the body The air, between the eye and the object seen, will change the colour The true colour of any object whatever will be seen in those parts /Of/ two objects equally light, one will appear less so if seen upon the lights in colour, because on that side the object receives a /The/ shadows or lights which surround figures, or any other objects, Objects seen between lights and shadows will appear to have greater Those objects which are most different in colour, will appear the most


