# ent

id: 45129
type: WORK_OF_ART
entity:
  "Librairie de Jean de France, Duc de Berri, frère de Charles V., publié en son entier pour la première fois


# bib

id: 27916
title: Gabriel and the Hour Book
author: Stein, Evaleen
txt: ./txt/27916.txt
cache: ./cache/27916.txt
extension: .txt
mime: text/plain
summary:
  Gabriel knew this, and he wondered much why Brother Stephen chose to Gabriel reached the Abbey, Brother Stephen had been sent to the old GABRIEL knew nothing of Brother Stephen''s troubles, and so was smiling "I am Gabriel Viaud, Brother Stephen," answered the boy, "and I have So when Brother Stephen saw Gabriel''s eager admiration, he felt pleased And then as Gabriel went to work, Brother Stephen, taking a goose-quill So Gabriel was working as fast as he could, for Brother Stephen was keep on with his work with Brother Stephen, because of the little sum he to fall, Brother Stephen finished the last page of the beautiful book. As Gabriel again read over Brother Stephen''s last page, it set him to painted work on King Louis''s book had been done by Brother Stephen''s "I, Gabriel Viaud, am Brother Stephen''s colour-grinder; and I have made about Gabriel''s little prayer in the beautiful book, and how Lady Anne


id: 26473
title: The Arts of Persia & Other Countries of Islam
author: Kevorkian, Hagop K.
txt: ./txt/26473.txt
cache: ./cache/26473.txt
extension: .txt
mime: text/plain
summary:
  [Illustration: MUHAMMAD (THE PROPHET) WITNESSES ALI (HIS SON-IN-LAW One of the eight illustrations for a XIIIth Century Persian Manuscript present copy is a subsequent one of the Persian version, translated by conquering peoples, for it preached at the same time a new religion. History of Persia", Vol. I, page 204.] ILLUSTRATIONS FOR TITLE-PAGES OF A SHAHNAMA (EPIC OF KINGS) of the LORD CURZON says (History of Persia, Vol. II, page 37) that "Even CURZON, History of Persia, Vol. II, page 34. in a barrel of his own paint."--History of Persia, Vol. II, page 33. AT THE COURT OF SHAH ABBAS THE GREAT (A.D. 1588-1629)] old,[8] is an important event in the history of Art. For out of this [Footnote 8: "PERSIAN influence increased at the court of the CALIPHS, LORD CURZON in his History of Persia, Vol. II, page 38, gives the forms of artistic expression of the MUHAMMADAN world.


id: 18212
author: Addison, Julia de Wolf Gibbs
txt: ./txt/18212.txt
cache: ./cache/18212.txt
extension: .txt
mime: text/plain
summary:
  to such arts in metal work as prevail in our own times: "Of beaten metal work to a study of the dainty art of the goldsmith without a One of the most brilliant times for the production of works of art There is little goldsmith''s work of the Norman period in Great Another form of enamel was used to colour gold work in relief, An interesting specimen of mediæval clock work is the old Dijon time time; in the tenth century German craftsmen worked as individuals, century, and the best work of that time was accomplished in the for manners." An old thirteenth century work, called the "Kleine present was "a purple cloth worked with gold and set with jewels century, of German work (probably made at Cologne), shows a little century, says: "Take notice that you ought not to work with gold Art Work in Gold and Silver.

title:
  Arts and Crafts in the Middle Ages A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance


id: 40250
title: Of the Decorative Illustration of Books Old and New 3rd ed.
author: Crane, Walter
txt: ./txt/40250.txt
cache: ./cache/40250.txt
extension: .txt
mime: text/plain
summary:
  period in printing and decorative book-illustration we have seen since principles and conditions governing the design of book pages and printed books at my disposal, from which to choose illustrations; to Mr. Emery Walker for help in many ways; to Mr. John Calvert for permission to FEELING IN BOOK DESIGN AFTER THE SIXTEENTH CENTURY, AND OF idea of what charming decorative feeling these title page designs decoration and illustration of books, and many are the splendid designs There is a fine title page designed by Holbein, printed by Petri, at marks a new era in book illustration, but as regards their decoration, as did the art of the printer, and design as applied to the printed page, system of the production of illustrations and designs for books, treatment of black and white design and book illustrations, _primarily decorative artist in book designs, which showed, among other more modern


id: 40423
author: Loftie, W. J. (William John)
txt: ./txt/40423.txt
cache: ./cache/40423.txt
extension: .txt
mime: text/plain
summary:
  [Illustration: PLATE IX.--FACSIMILE PAGE OF A BOOK OF HOURS, TITLE-PAGE--Border and Initial, Italian Work of fifteenth century. ILLUMINATED PLATE II.--Twelve Initial Letters from French Manuscript ILLUMINATED PLATE III.--Examples of thirteenth-century work from two Outline Drawings of two pages of a Book of Hours of the fourteenth Outline Drawings of two pages of a Book of Hours of the fourteenth ILLUMINATED PLATE V.--Ornaments and large Initial from Manuscripts of ILLUMINATED PLATE VI.--A full page and separate Initials from a Book ILLUMINATED PLATE VIII.--Examples from the Book of Kells (ninth ILLUMINATED PLATE IX.--Facsimile page of a Book of Hours in Lambeth colored, the ground being gold; the body of the letter, black; beautiful miniature with the border painted upon a gold ground; [Illustration: PLATE III.--EXAMPLES OF THIRTEENTH-CENTURY WORK.] [Illustration: PAGES FROM A BOOK OF HOURS OF FOURTEENTH CENTURY.] [Illustration: PAGES FROM A BOOK OF HOURS OF FOURTEENTH CENTURY.]

title:
  Lessons in the Art of Illuminating A Series of Examples selected from Works in the British Museum, Lambeth Palace Library, and the South Kensington Museum. With Practical Instructions, and a Sketch of the History of the Art


id: 45332
title: Illuminated Manuscripts in Classical and Mediaeval Times Their Art and Their Technique
author: Middleton, J. H. (John Henry)
txt: ./txt/45332.txt
cache: ./cache/45332.txt
extension: .txt
mime: text/plain
summary:
  Use of minium; Egyptian miniatures; illuminations in Roman manuscripts; metal-workers copied by illuminators of manuscripts; the _Book of Kells_, illuminated by Albert Dürer; Dutch fifteenth century manuscripts; their ancient and beautiful art of manuscript illumination. century illuminator had before him some very fine manuscript of early not in the form of manuscript illuminations that Irish art was introduced During the tenth century a large number of illuminated manuscripts were very like the miniatures in an illuminated manuscript of the time; they illuminated manuscripts, especially in the fifteenth century for _Books of ILLUMINATED MANUSCRIPTS OF THE TEUTONIC SCHOOL AFTER THE TENTH CENTURY. ILLUMINATED MANUSCRIPTS OF THE TEUTONIC SCHOOL AFTER THE TENTH CENTURY. the panel paintings and the miniature illuminations of manuscripts is very influence on painting of the styles of manuscript illumination at the first decade of the sixteenth century the art of manuscript illumination early fourteenth century French manuscripts, in which large miniatures are


id: 45170
title: Palæography Notes upon the History of Writing and the Medieval Art of Illumination
author: Quaritch, Bernard
txt: ./txt/45170.txt
cache: ./cache/45170.txt
extension: .txt
mime: text/plain
summary:
  in its oldest written form in the Gothic Scriptures of the fourth century, The cursive hand which must have existed at all times of Greek writing was forms of Asoka''s alphabet all the modern scripts of Indian native writing first century of the Roman empire, and the Greek language probably died out decorated Irish books of the sixth-seventh century, which were really the _Writing in Italy during the first five centuries of the Christian era_ times, of the word Gothic to indicate special forms of writing and illustration appeared in German work of the tenth and eleventh centuries; writing of books produced west of the Rhine in the seventh century. the modes of writing and ornamentation between English and French work in As for the Italian styles of writing after the twelfth century, they were comparatively late date (the ninth century), and the writing is the Irish


id: 45129
author: Wyatt, M. Digby (Matthew Digby), Sir
txt: ./txt/45129.txt
cache: ./cache/45129.txt
extension: .txt
mime: text/plain
summary:
  recur in books illuminated at periods corresponding with the great pictures these volumes contained, no doubt reproduced the style of art Ulphilas, written in silver and gold letters on a purple ground, about A.D. 360, which is, perhaps, the most ancient existing specimen of this noble volume, generally called the Durham Book, and known also as St. Cuthbert''s Gospels, now in the British Museum. with illuminated title-pages, with pure Anglo-Saxon ornaments, and grand Manuscripts written in letters of gold, on white vellum, are chiefly great sovereign to raise the art of book-decoration in his day to its illuminate with gold and vermilion, except the great letters of double end of the 15th century, the miniatures of the illuminated books reflected of coloured ornament or lettering to panels, and, generally speaking, to [115] For illumination in water-colour on paper, cardboard, or vellum, useful for mixing with illuminating colours; giving great hardness

title:
  The History, Theory, and Practice of Illuminating Condensed from ''The Art of Illuminating'' by the same illustrator and author


id: 46241
title: Some Notes on Early Woodcut Books, with a Chapter on Illuminated Manuscripts
author: Morris, William
txt: ./txt/46241.txt
cache: ./cache/46241.txt
extension: .txt
mime: text/plain
summary:
  ON THE ARTISTIC QUALITIES OF THE WOODCUT BOOKS OF ULM AND AUGSBURG IN school of woodcut book ornament second to none as to character, and, I The earliest of these picture-books with a date is Gunther Zainer''s Spiegel above mentioned; fifth, a beautiful little book, the story of century work occurs in John Zainer''s folio books, and has some works the coming degradation of book-ornament in Germany. ornament can be found in any German printed book, though, as I think, pictures from wood blocks is earlier than that of printing books, and the rest, all these books have great merit as works of art; it would We have now come to the wood-cuts which ornament the regular books of school of Gothic book illustration; the cuts in our early printed exceedingly beautiful piece of ornamental design, very well cut. making ornamental books as in other artistic work.


