A satyr against brandy. Written by Jo. Hains, as he saith himself. Haines, Joseph, d. 1701. 1683 Approx. 6 KB of XML-encoded text transcribed from 2 1-bit group-IV TIFF page images. Text Creation Partnership, Ann Arbor, MI ; Oxford (UK) : 2009-03 (EEBO-TCP Phase 1). B03657 10623677 Wing H197 Interim Tract Supplement Guide 839.m.22[19] 99889558 ocm99889558 181745 This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. This Phase I text is available for reuse, according to the terms of Creative Commons 0 1.0 Universal . The text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission. Early English books online. (EEBO-TCP ; phase 1, no. B03657) Transcribed from: (Early English Books Online ; image set 181745) Images scanned from microfilm: (Early English books; Tract supplement ; A2:2[19]) A satyr against brandy. Written by Jo. Hains, as he saith himself. Haines, Joseph, d. 1701. 1 sheet (2 p.). Printed for Jos. Hindmarsh at the Black-Bull in Cornhill, [London] : 1683. Verse: "Farewell damn'd Stygian juice, who dost bewitch ..." Place of publication from Wing. Reproduction of original in the British Library. Created by converting TCP files to TEI P5 using tcp2tei.xsl, TEI @ Oxford. Re-processed by University of Nebraska-Lincoln and Northwestern, with changes to facilitate morpho-syntactic tagging. Gap elements of known extent have been transformed into placeholder characters or elements to simplify the filling in of gaps by user contributors. EEBO-TCP is a partnership between the Universities of Michigan and Oxford and the publisher ProQuest to create accurately transcribed and encoded texts based on the image sets published by ProQuest via their Early English Books Online (EEBO) database (http://eebo.chadwyck.com). The general aim of EEBO-TCP is to encode one copy (usually the first edition) of every monographic English-language title published between 1473 and 1700 available in EEBO. EEBO-TCP aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the Text Encoding Initiative (http://www.tei-c.org). The EEBO-TCP project was divided into two phases. The 25,363 texts created during Phase 1 of the project have been released into the public domain as of 1 January 2015. Anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source. Users should be aware of the process of creating the TCP texts, and therefore of any assumptions that can be made about the data. Text selection was based on the New Cambridge Bibliography of English Literature (NCBEL). If an author (or for an anonymous work, the title) appears in NCBEL, then their works are eligible for inclusion. Selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. In general, first editions of a works in English were prioritized, although there are a number of works in other languages, notably Latin and Welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so. Image sets were sent to external keying companies for transcription and basic encoding. Quality assurance was then carried out by editorial teams in Oxford and Michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet QA standards were returned to the keyers to be redone. After proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. Any remaining illegibles were encoded as s. Understanding these processes should make clear that, while the overall quality of TCP data is very good, some errors will remain and some readable characters will be marked as illegible. Users should bear in mind that in all likelihood such instances will never have been looked at by a TCP editor. The texts were encoded and linked to page images in accordance with level 4 of the TEI in Libraries guidelines. Copies of the texts have been issued variously as SGML (TCP schema; ASCII text with mnemonic sdata character entities); displayable XML (TCP schema; characters represented either as UTF-8 Unicode or text strings within braces); or lossless XML (TEI P5, characters represented either as UTF-8 Unicode or TEI g elements). Keying and markup guidelines are available at the Text Creation Partnership web site . eng Brandy -- Poetry -- Early works to 1800. Political satire, English -- Early works to 1800. Great Britain -- Politics and government -- 1660-1688 -- Poetry -- Early works to 1800. 2008-01 TCP Assigned for keying and markup 2008-05 SPi Global Keyed and coded from ProQuest page images 2008-06 Mona Logarbo Sampled and proofread 2008-06 Mona Logarbo Text and markup reviewed and edited 2008-09 pfs Batch review (QC) and XML conversion A SATYR AGAINST BRANDY . Written by Jo. Hains , as he saith hims ; elf . FArewell Damn'd . Stygian Juice , who dos ; t bewitch From the Court Baud , down to the Country Bitch : Thou liquid Flame , by whom each fiery Face Lives witthout Meat , and blus ; hes without Grace : Sink to your native Hell , and mend the fire , Or , if you rather chuse to settle nigher , Return to the dull Clime from whence you came , Where Wit and Courage may require your flame , Where they Carouze in your Vesuvian Bowls , To crust the Quagmire of their Spunngy Souls . Had Dives for thy scorching moysture cry'd , Abr'am in mercy had his suite deny'd : Or Bonner known thy force , the Martyrs blood Had Siss'd in thee and sav'd the Nations wood . Essence of Embers , Scum of melting Flint , With all the Native sparkles floating in 't . Sure the black Chymist with the cloven Foot All Aetna's Simples in his ' Limbeck put , And double still'd , nay Quintessenc'd thy Juice , To charcoal Mortals for his future use . Fire-ship to Nature , who do'st doubly wound , For those that graple thee , are burnt and drown'd . As when Heav'n pressd th' Auxil'arys of Hell , A flaming storm on curse'd , Sodom fell . And when it 's single Plagues could not prevail , Egypt was scal't with kindled Rain and Hail : So Natures feuds are reconcil'd in thee , Thou two great Judgements in Epitomy : God's past and future anger breaths in you A Deluge and a Conflagration too . View yonder Sot ( I do not mean Sheriff S — ) Grilly'd all o're by thee from Head to Foot : His drowzy Eyelids shoard above their pitch , His Cheeks with Carbuncles and Rubies rich ; His Soull instead of Brains supply'd with Cinder , His Nose turns all his Handkerchifs to Tinder : He breaths like a Smiths Forge , and wets the fire , Not to allay the flame , but raise it higher : His trembling hands scarce heave the liquor in , His Nerves all crackle in his Parchment skin ; His Stomack don't concoct , but bake his food ; His Liver even Vitrisies his Blood ; His Guts from Natures drudgery are freed , And in his Bowels Salamanders breed He 's grown too hot to think , too dull to laugh , And steps as if he walk'd with Pindar's Staff. The moving Glass-house lightens with his Eyes , Singes his Cloaths and all his marrow fries ; Glows for a while , and then in Ashes dies . Thus like a sham Prometheus , we find Thou stealest a fire from Hell to kill Mankind . But hold — lest we the Saints dire anger merit , By stinting their Auxiliary Spirit : We hear of late , whate're wicked think , Thou art reform'd and turn'd a Godly drink : And doubtless thou' rt con-natural to them , For both thy Spirit and theirs abound in Phlegm ; ' Ere since the Publick Faith for Plate did wimble , And sanctifi'd thy Gill with Hannah's Thimble : Thou left'st thy old bad Company of Vermin , The Drunken Porters , and the swearing Carr-men ; And the lewd Drivers of the Hackney Coaches , And now tak'st up with sage discreet Debauches ; Thou freely drop'st upon Gold Chains and Fur , And Sots of Quality thy Minions are . No more shalt thou foment an Ale-house brawle , But the more sober Riots at Guild-hall , Where , by thy Spirits fallible direction , The Reprobates stood Poling for Election . If this trade holds , what will the wicked doe ? The Saints sequester ev'n their Vices too , For since the Art of Whoring's grown precise , And Perjury hath got demurer Eyes ; 'T is time , high time to circumcise the Gill , And not let drinking be Philistian still . Go then thou Emblem of their torrid Zeal , Add flame to flame and their stiff tempers Neal , 'Till they grow ductile to the Publick Weale . And since the Godly have espous'd thy Cause , Don't fill their heads with Libertys and Laws , Religion , Privilege , and lawless Charters , Mind them of Falstaffs Heir apparent Garters , And keep their outward Man from Ketches Quarters . One Caution more ( now we are out of hearing Many have died of drinking , some of swearing ; If these two Pests should in Conjunction meet , The grass wou'd quickly grow in every street : Save thou the Nation from that double blow , And keep thy fire from Salamanca T O. Printed for Jos . Hindmarsh at the Black-Bull in Cornhill , 1683.